{"title":"180 Gram Vinyl | Audiophile Pressings","description":"\u003cp\u003eFor the listener who treats the turntable as the final word: this is the 180 gram vinyl section of the Relix store, 361 pressings chosen because the weight and the mastering actually matter to the people buying them.\u003c\/p\u003e\u003cp\u003eThe range here runs from classic rock to deep jam to roots and beyond. King Gizzard and the Lizard Wizard show up twice, with \u003cem\u003eFlame Throwers: Volume 1\u003c\/em\u003e as a 180g 3-LP set and \u003cem\u003eAlien Metal\u003c\/em\u003e pressed on 180g translucent black vinyl. Phish's \u003cem\u003eNew Year's Eve 1993, Live At Worcester Centrum\u003c\/em\u003e arrives as a 180g deluxe box set on Jemp Records. The Grateful Dead and Jerry Garcia are represented by both the anniversary 180g 3-LP of \u003cem\u003eFillmore East 2-11-69\u003c\/em\u003e on Friday Music and the Mobile Fidelity Sound Lab 180g pressing of \u003cem\u003eWorkingman's Dead\u003c\/em\u003e. Bob Marley and the Wailers' \u003cem\u003eRoots Rock Reggae: Live At The Hammersmith Odeon\u003c\/em\u003e comes as a 180g 2-LP on Tuff Gong. Frank Zappa and the Mothers of Invention's \u003cem\u003eFreak Out!\u003c\/em\u003e 60th Anniversary Super Deluxe Box Set is here at 180g, as is Van Morrison's \u003cem\u003eAstral Weeks\u003c\/em\u003e on Rhino, Billy Strings' \u003cem\u003eHighway Prayers\u003c\/em\u003e on Reprise, and Talking Heads' \u003cem\u003eSpeaking In Tongues\u003c\/em\u003e on Rhino. Dr. John's \u003cem\u003eSolo Piano Live In New Orleans 1984\u003c\/em\u003e rounds out the live side of the collection at 180g.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered the Grateful Dead, Phish, and the wider jam and roots world since 1974. That history shapes what ends up in this store. The Relix Sessions series has put us in rooms with artists across those same decades, and that closeness to the music informs how we stock the shelves. We carry pressings because they are worth carrying, not to fill space. When a label puts care into a 180g master, that is the kind of release you will find here.\u003c\/p\u003e\u003cp\u003eEvery record in this collection is new and sealed. Pre-order titles display a street date and ship when the label releases them. Vinyl orders ship in protective packaging built for LPs.\u003c\/p\u003e\u003cp\u003eTo keep digging, the store's \u003ca href=\"\/collections\/rock-vinyl\"\u003eRock Vinyl Records\u003c\/a\u003e and \u003ca href=\"\/collections\/jazz-vinyl\"\u003eJazz Vinyl Records\u003c\/a\u003e pages pull together broader genre sections, and \u003ca href=\"\/collections\/blues-vinyl\"\u003eBlues Vinyl Records\u003c\/a\u003e covers that end of the roots spectrum. If you want to see what is arriving next, \u003ca href=\"\/collections\/new-releases-pre-orders-vinyl-cds-more\"\u003eNew Releases and Pre-Orders\u003c\/a\u003e shows the full incoming slate across formats.\u003c\/p\u003e","products":[{"product_id":"king-gizzard-the-lizard-wizard-flame-throwers-volume-1-limited-edition-3-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard - Flame Throwers: Volume 1 (Limited Edition 180g 3-LP Vinyl)","description":"\u003cp\u003eDive into the sonic brilliance of \u003cstrong\u003eKing Gizzard \u0026amp; The Lizard Wizard with Flame Throwers: Volume 1\u003c\/strong\u003e, a \u003cstrong\u003elimited-edition, 10-track \"Bootlegger\" compilation album\u003c\/strong\u003e celebrating the band’s \u003cstrong\u003e2024 Summer Tour\u003c\/strong\u003e. This meticulously curated collection, pressed on \u003cstrong\u003epremium 180g vinyl\u003c\/strong\u003e, showcases the high-energy magic of their live performances in stunning Hi-Fi quality.\u003c\/p\u003e\n\u003cp\u003eWith \u003cstrong\u003eonly 1,000 copies available, this 3-LP set\u003c\/strong\u003e is a must-have for Gizzheads and vinyl collectors. Each vinyl disc features a unique color—red (Sides A\/B), white (Sides C\/D), and blue (Sides E\/F)—and is pressed at the eco-friendly Good Neighbor vinyl plant. Mixed and mastered by \u003cstrong\u003eJesse Lauter\u003c\/strong\u003e, this album captures the band’s signature sound with unparalleled clarity, complemented by cover and poster art by \u003cstrong\u003eMadalyn Stefanak\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e (Red Vinyl): Dripping Tap (Washington, DC • 8\/15\/24)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e (Red Vinyl): Daily Blues \u0026gt; (Philadelphia, PA • 8\/27\/24), Hot Water (Philadelphia, PA • 8\/27\/24)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e (White Vinyl): Elbow (Red Rocks, CO • 9\/8\/24), The River (Red Rocks, CO • 9\/8\/24)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e (White Vinyl): Work This Time \u0026gt; (Newport, KY • 8\/25\/24), Iron Lung (Newport, KY • 8\/25\/24)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSide E\u003c\/strong\u003e (Blue Vinyl): Hypertension (Minneapolis, MN • 9\/3\/24)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSide F\u003c\/strong\u003e (Blue Vinyl): Magenta Mountain (Omaha, NE • 9\/6\/24), Float Along – Fill Your Lungs (Boston, MA • 8\/19\/24)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCurated by \u003cstrong\u003eJustin Krim\u003c\/strong\u003e, this collection is more than an album—it’s a celebration of \u003cem\u003eKing Gizzard \u0026amp; The Lizard Wizard’s\u003c\/em\u003e explosive live energy.\u003c\/p\u003e\n\u003cp\u003eSecure your copy now and relive the magic of the 2024 Summer Tour with every spin!\u003c\/p\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":45807675179163,"sku":"KGLW-VINYL-V1","price":69.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Flame-Throwers-Volume-1-Limited-Edition-180g-3-LP-Vinyl.png?v=1770120069"},{"product_id":"grateful-dead-fillmore-east-2-11-69-180-gram-anniversary-lp-vinyl","title":"Grateful Dead – Fillmore East 2-11-69 (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFebruary 1969 found the Dead at one of their creative peaks, with the twin-drummer lineup of Hart and Kreutzmann locked in and Tom Constanten's keyboards adding psychedelic texture to a band still writing the rules of improvisational rock. The Fillmore East, Bill Graham's New York room, was one of the few stages in America that could hold what the Dead were becoming, and recordings from this run capture that electricity with rare immediacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eGrateful Dead Fillmore East 2-11-69 (180 Gram Audiophile Vinyl\/Limited Anniversary Edition\/Tri-fold Cover)\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eIn celebration of 6 Decades of Grateful Dead, Friday Music is very pleased to announce this stunning 180 Gram Audiophile 3 LP Deluxe Set of Grateful Dead's \u003cstrong\u003e\"Fillmore East 2-11-69.\"\u003c\/strong\u003e This amazing, super-limited-edition treasure trove features tunes from these significant concerts, both early and late.\u003c\/p\u003e\n\n\u003cp\u003eFilled with 17 stellar vinyl performances, The Grateful Dead's \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, Bill Kreutzmann, Ron McKernan, and \u003cstrong\u003eTom Constanten\u003c\/strong\u003e truly radiate their finest playing and singing, making this a wonderful listen and a highly collectible album for years to come.\u003c\/p\u003e\n\n\u003cp\u003eAs an added super-rare treat, a tip of the hat to The Beatles is preserved in the audiophile domain, with their fine interpretation of Hey Jude, as well as a pair of masterful blues classics: King Bee and Good Morning Little School Girl.\u003c\/p\u003e\n\n\u003cp\u003eThe Grateful Dead's Fillmore 2-11-69 album is packaged in a stunning tri-fold cover with beautifully detailed artwork, Gary Lambert's original liner notes, and wonderful retro LP label artwork for each vinyl album.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGood Morning Little Schoolgirl\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eThe Other One\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eDoin' That Rag\u003c\/li\u003e\n\u003cli\u003eI'm A King Bee\u003c\/li\u003e\n\u003cli\u003eHey Jude\u003c\/li\u003e\n\u003cli\u003eTurn On Your Lovelight\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eDupree's Diamond Blues\u003c\/li\u003e\n\u003cli\u003eMountains Of The Moon\u003c\/li\u003e\n\u003cli\u003eDark Star\u003c\/li\u003e\n\u003cli\u003eSt. Stephen\u003c\/li\u003e\n\u003cli\u003eThe Eleven\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eCaution (Do Not Stop On Tracks)\u003c\/li\u003e\n\u003cli\u003eFeedback\u003c\/li\u003e\n\u003cli\u003eWe Bid You Goodnight\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 829421021698\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Friday Music Two\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515534491,"sku":"71456052","price":174.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Fillmore-East-2-11-69-3-LP-Vinyl.png?v=1776107685"},{"product_id":"grateful-dead-workingmans-dead-limited-edition-180-gram-lp-vinyl","title":"Grateful Dead – Workingman's Dead (Mobile Fidelity 180 Gram 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the wake of serious personal and financial turbulence for the band, Workingman's Dead marked a deliberate turn toward the acoustic-influenced California country sound that Hunter and Garcia had been absorbing from artists like Merle Haggard and the Band. Songs like \"Casey Jones\" and \"Uncle John's Band\" became instant cornerstones of the live repertoire, performed thousands of times over the next two and a half decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eSublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eYou've never heard this roots-based marvel sound better: mastered from the original master tapes and given extra-wide grooves on 45RPM LP. Ranked \u003cstrong\u003e#264 on Rolling Stone's List of the 500 Greatest Albums of All Time\u003c\/strong\u003e: airy harmonies, simple structures, concise arrangements, and burnished tones anchor songs that bookend to 1970's \u003cem\u003eAmerican Beauty\u003c\/em\u003e, also available on 180g 45RPM 2LP from Mobile Fidelity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, the album attains \u003cstrong\u003eaudiophile reference status\u003c\/strong\u003e courtesy of this first-ever 45RPM version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs with a transcendence associated with timeless American music.\u003c\/p\u003e\n\n\u003cp\u003eColorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives. \u003cstrong\u003eMastered from the original master tapes and pressed on 180g LPs at RTI\u003c\/strong\u003e, Mobile Fidelity's numbered limited edition of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and-touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances — traits made possible by the format's wider grooves.\u003c\/p\u003e\n\n\u003cp\u003eInstrumental melds and refined accents, such as guest David Nelson's nimble fills on \"Cumberland Blues,\" are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling.\u003c\/p\u003e\n\n\u003cp\u003eThe first Grateful Dead album to eschew cosmic jams and complex signatures, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e stakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state — immediately apparent via the innocent album-opening invitation \"Will you come with me?\" on \"Uncle John's Band\" — owes to the circumstances surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from — and reacting to — the tragic events of the Altamont Music Festival and the symbolic end of the peace and love era. As such, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship.\u003c\/p\u003e\n\n\u003cp\u003eLyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning \u003cstrong\u003e\"Cumberland Blues,\"\u003c\/strong\u003e pastoral ballad \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and bluesy \u003cstrong\u003e\"Easy Wind\"\u003c\/strong\u003e hit the mark. Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus.\u003c\/p\u003e\n\n\u003cp\u003eAside from the economical concision and thematic consistency, the genius of \u003cem\u003eWorkingman's Dead\u003c\/em\u003e resides in the group's expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live \"air blends\" of multi-part vocal harmonies that provide the foundations of nearly every track. \u003cstrong\u003e\"Uncle John's Band,\" \"High Time,\" \"New Speedway Boogie,\"\u003c\/strong\u003e and the radio favorite \u003cstrong\u003e\"Casey Jones\"\u003c\/strong\u003e practically float on the ensemble's communal vocal beds. Mobile Fidelity's 45RPM edition renders these invigorating characteristics in \u003cstrong\u003ethree-dimensional sound, transporting you to the event. Recordings don't get more lifelike.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e — an iconic, ageless record that drew countless listeners to the band's unique style because of its accessibility and charm — deserves nothing less. Neither do you.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Uncle John's Band (4:42)\u003cbr\u003e\nA2. High Time (5:13)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Dire Wolf (3:13)\u003cbr\u003e\nB2. New Speedway Boogie (4:05)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Cumberland Blues (3:15)\u003cbr\u003e\nC2. Black Peter (5:42)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Easy Wind (4:59)\u003cbr\u003e\nD2. 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Mobile Fidelity's pressing brings genuine sonic weight to recordings that have been copied and compressed into ubiquity, restoring the physical presence these performances always deserved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMastered from the Original Master Tapes, Five-Times Platinum Collection of Dylan's World-Changing Singles Spanning 1963 Through 1966. \u003c\/p\u003e\u003cp\u003eExperience These Precedent-Setting Songs in the Best Fidelity Possible: Wider Grooves Translate into More Information and Detail. Includes Anthems Such as 'Blowin' in the Wind,' 'The Times They Are A-Changin',' 'Like A Rolling Stone,' and 'Mr. Tambourine Man: Ten songs that ultimately changed the world. Ten songs pulled from precedent-establishing albums recorded between 1963 and 1966. More than five million copies sold. \u003c\/p\u003e\u003cp\u003eIn every way, Bob Dylan's Greatest Hits is a fundamental collection for every music lover, and the perfect choice for those seeking an introduction into the legend's vast career. For this is a collection so prized, even the cover photo won a Grammy. Mastered from the original master tapes on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this restored 45RPM analog version offers listeners of all stripes the chance to hear some of the world's most important music ever recorded in supreme fidelity. \u003c\/p\u003e\u003cp\u003eWhile the tracks stem from several different albums, on this release, they share more in common than Bob Dylan-they share rich, sonic traits steeped in astounding dynamics, great balances, tremendous soundstaging, and realistic imaging. Wider grooves mean more information reaches your ears. Greatest-hits volumes are often hit-and-miss propositions not because of what they contain, but because of what's missing. Filtering the top selections from the six formative, life-altering albums Dylan made between 1963 and 1966 is an arbitrary process, but one performed impeccably on this set. \u003c\/p\u003e\u003cp\u003eHome to his biggest chart successes as well as his most influential songs, Bob Dylan's Greatest Hits is a veritable template for any aspiring singer-songwriter, an American history lesson, and a seminal release for anyone new to his work, as well as for audiences that find some of his deeper cuts an acquired taste. Every signature facet of Dylan is represented, and done so authoritatively. Serious, protest folk anthems ('Blowin' in the Wind,' 'The Times Are A-Changin') sit alongside defiant rock statements ('Positively Fourth Street'), landscape-changing epics ('Like a Rolling Stone'), beautiful blues-inspired odes ('I Want You'), and surrealist dreamscapes ('Subterranean Homesick Blues'). 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The album sold modestly at first, earning him the nickname \"Hammond's Folly\" after the producer who signed him, but the songs here, particularly his own \"Talkin' New York\" and \"Song to Woody,\" already hint at the writer who would reshape American music within a few short years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eNumbered Special Edition\u003c\/h2\u003e\u003cp\u003eThe Understated Debut That Launched a Peerless Career: Bob Dylan Is the Clearest Connection to the Singer-Songwriter's Folk Roots Pressed on MoFi SuperVinyl for Reference Playback: Mobile Fidelity 33RPM SuperVinyl Mono LP \u003c\/p\u003e\u003cp\u003eFeatures the Direct Sound Dylan Intended. Bob Dylan's self-titled 1962 debut is as understated an entrance as any significant musician has ever made. Well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of contemporary songs and styles. \u003c\/p\u003e\u003cp\u003eFree of ego and performed with masterful conviction, Bob Dylan ranks with the initial efforts of giants like Elvis Presley and the Rolling Stones. Nodding to Woody Guthrie and re-imagining Blind Lemon Jefferson's 'See That My Grave Is Kept Clean,' Dylan straddles the past and future. He authoritatively displays the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his then-20-year-old age. \u003c\/p\u003e\u003cp\u003eSourced from the original master tapes, housed in a Stoughton jacket, and pressed on MoFi SuperVinyl at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180g 33RPM mono SuperVinyl LP brings the contents of this seminal release as close as they've ever come to live-in-the-studio quality. Transparent to the source, Dylan's voice, acoustic guitar, and harmonica come across with exceptional realism - the 'husk and bark' to which Robert Shelton referred in his legendary New York Times review of a Dylan appearance at Gerde's Folk City - courtesy of the format's nearly non-existent noise floor, groove definition, and quiet surfaces. \u003c\/p\u003e\u003cp\u003eHeard in the original mono configuration, Dylan's vocals are in the heart of the musical action and as one with the accompaniment. This reissue paints an incredibly accurate portrait of the concrete mass of sound, featuring no artificial panning and offering straight-ahead immersion into the music that producer John Hammond recorded in just two days in November 1961. \u003c\/p\u003e\u003cp\u003eThough much has been made of the commercial indifference that greeted the album upon its low-key release, focusing on sales figures and the reaction of a public not yet hip to Dylan's name misses the forest for the trees. Distinguished from the era's other folk efforts by way of the singer-songwriter's determination, brazenness, and lived-through-this worldliness, Bob Dylan lays the groundwork for the path he'd soon trailblaze and everyone else would follow. \u003c\/p\u003e\u003cp\u003eAs Dylan scholar and pop-culture critic Greil Marcus observed in 2010: 'Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn't, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer's name as if it were already common coin.' Mono is how almost everyone first heard Dylan's opening salvo. A career like no other starts here.MoFi SuperVinyl. \u003c\/p\u003e\u003cp\u003eDeveloped by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the proprietary compound addresses two specific areas for improvement: noise-floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also enables cleaner grooves that are virtually indistinguishable from the original lacquer. \u003c\/p\u003e\u003cp\u003eMoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab. 1\/4' \/ 15 IPS analog mono master to DSD 256 to analog console to lathe. \u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. You're No Good (1:37)\u003cbr\u003e\nA2. Talkin' New York (3:15)\u003cbr\u003e\nA3. In My Time Of Dyin' (2:37)\u003cbr\u003e\nA4. Man Of Constant Sorrow (3:06)\u003cbr\u003e\nA5. Fixin' To Die (2:17)\u003cbr\u003e\nA6. Pretty Peggy-O (3:22)\u003cbr\u003e\nA7. Highway 51 (2:49)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Gospel Plow (1:44)\u003cbr\u003e\nB2. Baby, Let Me Follow You Down (2:32)\u003cbr\u003e\nB3. House Of The Risin' Sun (5:15)\u003cbr\u003e\nB4. Freight Train Blues (2:16)\u003cbr\u003e\nB5. Song To Woody (2:39)\u003cbr\u003e\nB6. See That My Grave Is Kept Clean (2:40)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797152310\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.15.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833385115,"sku":"453749","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Dylan-Bob-Dylan-180-Gram-LP-Vinyl_eb80d03d.jpg?v=1776109285"},{"product_id":"bob-dylan-nashville-skyline-180-gram-lp-vinyl","title":"Bob Dylan – Nashville Skyline (180-gram LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDylan arriving in Nashville wasn't just a stylistic left turn, it was a confirmation that country music's emotional directness had been pulling at him since his earliest folk recordings. The warm, unhurried sound he found there with producer Bob Johnston opened a door that would influence a generation of rock artists rethinking their relationship to American roots music.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp data-pm-slice=\"0 0 []\"\u003eBob Dylan’s ninth studio album was recorded in Nashville over 10 days in February 1969, with a group of local session musicians, and released just two months later. It contains one of his most beloved and successful songs in “Lay Lady Lay” as well as a duet with Johnny Cash on a new version of the early Dylan classic “Girl From The North Country”. Other singles from the album include “I Threw It All Away” and “Tonight I'll Be Staying Here With You”. This release brings the album back in print on vinyl in its original stereo version.\u003c\/p\u003e\u003cp\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eTracklist\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Girl From The North Country\u003cbr\u003e\nA2. Nashville Skyline Rag\u003cbr\u003e\nA3. To Be Alone With You\u003cbr\u003e\nA4. I Threw It All Away\u003cbr\u003e\nA5. Peggy Day\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Lay Lady Lay\u003cbr\u003e\nB2. One More Night\u003cbr\u003e\nB3. Tell Me That It Isn't True\u003cbr\u003e\nB4. Country Pie\u003cbr\u003e\nB5. Tonight I'll Be Staying Here With You\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888751463219\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Imports\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262776193179,"sku":"78177","price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Dylan-Nashville-Skyline-180-gram-LP-Vinyl.png?v=1776110234"},{"product_id":"king-gizzard-the-lizard-wizard-phantom-island-180g-recycled-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard – Phantom Island (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMelbourne's most prolific shapeshifters have never been afraid to swing for the fences, and their catalog stretches from microtonal tunings to thrash metal to acoustic folk without ever losing the thread. Pairing that restless energy with a full orchestra is a logical next leap for a band that treats each release as a genuine experiment, and pressing it on recycled vinyl fits the environmentally conscious ethos the band has championed for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe follow up LP to 2024's \"Flight B741\", and initially recorded during the same sessions, \"Phantom Island\" sees King Gizzard expanding their sonic landscape to include a full blown orchestra across its 10 tracks. Blending their signature psych-rock energy with sweeping orchestral arrangements, King Gizz take you on a symphonic journey embroidering their tangles of lysergic riff \u0026amp; melody with strings and horns and woodwind. “Phantom Island” will be supported by a Global tour running May-Dec ‘25. Available on 180g recycled black vinyl with customer inner sleeve, housed in a premium printed cardboard outer sleeve\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Phantom Island\u003c\/div\u003e\n\u003cdiv\u003e2. Deadstick\u003c\/div\u003e\n\u003cdiv\u003e3. Lonely Cosmos\u003c\/div\u003e\n\u003cdiv\u003e4. Eternal Return\u003c\/div\u003e\n\u003cdiv\u003e5. Panpsych\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Spacesick\u003c\/div\u003e\n\u003cdiv\u003e2. Aerodynamic\u003c\/div\u003e\n\u003cdiv\u003e3. Sea Of Doubt\u003c\/div\u003e\n\u003cdiv\u003e4. Silent Spirit\u003c\/div\u003e\n\u003cdiv\u003e5. Grow Wings And Fly\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198704317460\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kglw\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.13.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777241755,"sku":"239564","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-king-gizzard-the-lizard-wizard-phantom-island-180g-recycled-lp-vinyl-vinyl-lp-relix.jpg?v=1778703358"},{"product_id":"jorma-kaukonen-hurlbut-john-one-more-lifetime-rsd-180-gram-record-store-day-lp-vinyl","title":"Jorma Kaukonen  \/ John Hurlbut – One More Lifetime (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJorma Kaukonen has spent six decades refining a fingerpicking voice that traces directly back to the American Primitive and blues traditions, and his ongoing duo work with John Hurlbut strips that legacy down to its most intimate form. Where Jefferson Airplane and Hot Tuna roared, these collaborations find Jorma in a reflective, acoustic space, drawing on the folk and country blues roots that have always anchored his playing beneath the electricity.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGrammy award-winning Rock n' Roll Hall of Fame inductee (Jefferson Airplane \u0026amp; Hot Tuna) Jorma Kaukonen and bandmate John Hurlbut's new album is a followup to the highly successful River Flows releases. This deluxe package includes 180g Audiophile Black Vinyl, Doubled sided color cardboard photo board insert and an OBI side spin.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eAngel Island | Drivin Wheel | Day in the Country | Pastures of Plenty | I’ll Remember You | Operator | Everybody’s Talkin’ | Lazy Saint\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Angel Island (8:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Drivin' Wheel (4:24)\u003c\/div\u003e\n\u003cdiv\u003e3. Day In The Country (5:23)\u003c\/div\u003e\n\u003cdiv\u003e4. Pastures of Plenty (3:56)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I'll Remember You (5:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Operator (3:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Everybody's Talkin' (5:19)\u003c\/div\u003e\n\u003cdiv\u003e4. Lazy Saint (5:39)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 819514012641\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Culture Factory Usa\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.20.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262782189723,"sku":"656564","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jorma-Kaukonen-John-Hurlbut-One-More-Lifetime-LP-Vinyl.png?v=1776110981"},{"product_id":"the-rolling-stones-black-and-blue-180g-lp-vinyl","title":"The Rolling Stones – Black and Blue -  (180g LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eA few months ahead of its 50th birthday comes this 5-LP box set celebrating The Rolling Stones album, Black and Blue. As with so many of the classic album reissues on vinyl, the success is in the presentation—the remastering, the pressing and packaging, the extras. Without a single caveat, this weighty collection honoring the Stones’ 13th studio slab is spectacular.\u003c\/p\u003e\u003cp\u003eThe place to start is with the fidelity. The Stones turned over the original tapes to Steven Wilson, the highly in-demand, modern maestro of the remix, to revisit the proper album—one that finds the legendary band at, possibly, its most diverse. Wilson’s remix, as hoped, is sheer sonic brilliance. Never have these tracks sounded sharper, more cohesive, and more dynamic than on this new mix. Follow that with Matt Colton’s top-flight mastering—the Grammy-winning engineer worked with the Stones previously on Hackney Diamonds—and Black and Blue in this 2025 incarnation, on whisper-quiet wax, is the one to have.\u003c\/p\u003e\u003cp\u003eBack in 1976, Black and Blue was known in Stones circles as the “audition” album; the first after the departure of guitarist Mick Taylor, who’d sparkled on a string of efforts- Let It Bleed, Sticky Fingers, and Exile on Main Street, to name three- many consider among rock’s finest. So, it wasn’t a hole to fill. It was a crater.\u003c\/p\u003e\u003cp\u003eWith guest spots at the B\u0026amp;B sessions by a few notable axe-men—from Jeff Beck and Harvey Mandel to Wayne Perkins and Robert A. Johnson—the talent pool was Olympian. In the end, the band went with Beck’s bandmate from his Rod Stewart days, Ronnie Wood, and the rest is Rolling Stones history. Looking back now, it seems inevitable that Wood would get the gig, yet this set includes some of the jams with the runners-up that tantalize the imagination. A take of Beck’s “Freeway Jam” is as intriguing to hear as it is historic, if ultimately bolstering the conclusion that Wood was the best fit.\u003c\/p\u003e\u003cp\u003eAs for the three LPs and Blu-ray that contain live performances from ‘76- the vinyl from a hometown residency at Earls Court; the video from a TV broadcast of a Paris show—it’s more peak-Stones magic. Again, the addition of Wood is hand-in-glove, weaving as he would so well for the next five decades with Keith Richards, complementing- with the just the right attitude and attire—the gargantuan stage presence of Mick Jagger, and, most importantly, playing guitar like an ace. Toss in some previously unreleased cuts and a coffee-table-ready book, and this is a box set that gets it exactly right.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/01\/16\/the-rolling-stones-black-and-blue-5-lp-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during an open audition period as the Stones searched for a replacement for Mick Taylor, Black and Blue captures the band in a genuinely transitional moment, with guitarists including Wayne Perkins and Harvey Mandel each leaving their mark on the sessions before Wood ultimately got the nod. Steven Wilson's 2025 remix brings fresh depth to a catalog cornerstone that's often overlooked precisely because it defies easy categorization.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Rolling Stones - Black and Blue (LP) Featuring a new 2025 mix by Steven Wilson, Black and Blue from 1976 is the album that inducted Ronnie Wood into the Rolling Stones - featured on 3 tracks and joining the band for the world tour and the next 50 years! - By blending their influences from reggae and funk music with their rock and roll swagger, here come the greatest rock band of them all, with strutting funk riffs of 'Hot Stuff' and foot-stomping rockers like 'Hand of Fate' mixing company with the memorable ballads of 'Fool To Cry' and fan favourite 'Memory Motel'.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e2. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e3. Cherry Oh Baby\u003c\/div\u003e\n\u003cdiv\u003e4. Memory Motel\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Hey Negrita\u003c\/div\u003e\n\u003cdiv\u003e2. Melody\u003c\/div\u003e\n\u003cdiv\u003e3. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e4. Crazy Mama\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478229619\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Interscope Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.14.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262783369371,"sku":"29469099","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Rolling-Stones-Black-and-Blue-180g-LP-Vinyl.jpg?v=1776020130"},{"product_id":"phish-round-room-colored-gate-180-gram-lp-vinyl","title":"Phish – Round Room (Colored, Gate, 180 Gram 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just weeks before Phish's much-anticipated return from their first hiatus, Round Room captures the band finding their footing again in real time, and that looseness is exactly what makes it compelling. The Barn sessions have a campfire warmth that studio-polished albums rarely achieve, and tracks like \"Seven Below\" and \"Walls of the Cave\" would go on to become staples of the live repertoire in the years that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble 180gm colored vinyl LP pressing housed in gatefold jacket. Round Room was recorded at The Barn in Vermont by Bryce Goggin during four days over two weekends in October 2002. The songs were written mainly by Trey Anastasio and Tom Marshall, with the title track and \"Mock Song\" by Mike Gordon. The Round Room sessions were initially intended as rehearsals for the band's upcoming end-of-hiatus new year's eve show at Madison Square Garden, giving the recording a loose, live feel with several extended tracks like \"Pebbles And Marbles\", \"Seven Below\", \"Walls Of The Cave\", and \"Waves\". The album was originally mastered by Fred Kevorkian and released by Elektra December 10, 2002. Chris Bellman at Bernie Grundman mastering cut the lacquers for the 2024 vinyl.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Pebbles And Marbles (11:39)\u003cbr\u003e\nA2. Anything But Me (4:31)\u003cbr\u003e\nA3. Round Room (4:14)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Mexican Cousin (3:17)\u003cbr\u003e\nB2. Friday (6:32)\u003cbr\u003e\nB3. Seven Below (8:28)\u003cbr\u003e\nB4. Mock Song (4:29)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. 46 Days (6:15)\u003cbr\u003e\nC2. All Of These Dreams (4:08)\u003cbr\u003e\nC3. Walls Of The Cave (10:00)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Thunderhead (3:20)\u003cbr\u003e\nD2. 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The \"Bloody Mary Red\" pressing feels exactly right for an album this raw and honest, one that helped cement Nelson's place as a songwriter's songwriter long before Austin made him a legend.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Phases And Stages (Theme)\/Washing The Dishes (1:44)\u003cbr\u003e\nA2. Phases And Stages(Theme)\/Walkin' (4:05)\u003cbr\u003e\nA3. Pretend I Never Happened (3:00)\u003cbr\u003e\nA4. Sister's Coming Home\/Down At The Corner Beer Joint (1:46)\u003cbr\u003e\nA5. (How Will I Know) I'm Falling In Love Again (3:30)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Bloody Mary Morning (2:51)\u003cbr\u003e\nB2. Phases And Stages (Theme)\/No Love Around (2:21)\u003cbr\u003e\nB3. I Still Can't Believe You're Gone (4:15)\u003cbr\u003e\nB4. It's Not Supposed To Be That Way (3:30)\u003cbr\u003e\nB5. Heaven And Hell (1:53)\u003cbr\u003e\nB6. Phases And Stages (Theme)\/Pick Up The Tempo\/Phases And Stages (Theme) (3:26)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227817701\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Import\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.18.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271169061019,"sku":"220851","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Willie-Nelson-Phases-Stages-180-Gram-Bloody-Mary-Red-Colored-Vinyl-LP-Vinyl.jpg?v=1775915655"},{"product_id":"bob-dylan-good-as-i-been-to-you-limited-edition-180-gram-lp-vinyl","title":"Bob Dylan – Good As I Been To You (Mobile Fidelity 180 Gram LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased the same year Dylan turned 51, Good As I Been To You finds him retreating to the folk and blues sources that first shaped him in the Greenwich Village coffeehouses of the early 1960s. Tracks like \"Frankie \u0026amp; Albert\" and \"Hard Times\" trace a lineage running from Mississippi John Hurt to Lead Belly, reminding anyone listening that Dylan was always, at his core, a song carrier.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eLIMITED EDITION OF 5,000\u003c\/h2\u003e\u003cp\u003eBob Dylan's First Solo Acoustic Album in Nearly 30 Years Remains an Overlooked Gem: Good As I Been to You Serves as a Prelude to His Celebrated Late-Career ArcSourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity's Numbered-Edition 180g SuperVinyl LP and Hybrid SACD Play with Riveting DetailCenturies-Spanning Cover Songs Punctuated with Strange Mystery, Common Circumstance, and Epic Adventure.\u003c\/p\u003e\u003cp\u003eThree decades before he released The Philosophy of Modern Song - an insightful book devoted to 66 tunes that both impacted his career and the music world at large - Bob Dylan issued Good As I Been to You. The under-heralded 1992 album, Dylan's first solo acoustic album in nearly 30 years and first all-covers effort in nearly 20 years, can be seen as a prophetic prelude to what has become the Nobel Laureate's celebrated late-career arc. It's also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar. Resonating with the same originality, honesty, resolve, and age-defying relevance as the seminal Anthology of American Folk Music that fired Dylan's imagination as a kid in small-town Minnesota, this record contains the type of music the maverick singer-songwriter was playing during his acoustic sets at his period Never Ending Tour shows. \u003c\/p\u003e\u003cp\u003eSourced from the original master tapes, pressed at RTI, and housed in a Stoughton jacket, Mobile Fidelity's numbered-edition 180g SuperVinyl LP, as well as the companion hybrid SACD of Good As I Been to You, reveal the immediacy, detail, and stripped-down nature of recording sessions that took place in Dylan's garage studio in California. \u003c\/p\u003e\u003cp\u003eSimple, raw, and unplugged, the effort presents Dylan in peak form - and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and closeup ambiance that on these reissues emerge like never before. As the first-ever audiophile editions of this almost-lost classic, these collectible versions also benefit from natural tones, superb balances, and visceral directness. Good As I've been to You? Dylan has seldom been better.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Frankie \u0026amp; Albert\u003cbr\u003e\nA2. Jim Jones\u003cbr\u003e\nA3. Blackjack Davey\u003cbr\u003e\nA4. Canadee-I-O\u003cbr\u003e\nA5. Sittin' On Top Of The World\u003cbr\u003e\nA6. Little Maggie\u003cbr\u003e\nA7. Hard Times\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Step It Up And Go\u003cbr\u003e\nB2. Tomorrow Night\u003cbr\u003e\nB3. Arthur McBride\u003cbr\u003e\nB4. You're Gonna Quit Me\u003cbr\u003e\nB5. Diamond Joe\u003cbr\u003e\nB6. Froggie Went A Courtin'\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196587247119\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.9.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271174008987,"sku":"209851","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Dylan-Good-As-I-Been-To-You-Limited-Edition-180-Gram-LP-Vinyl.png?v=1776111972"},{"product_id":"santana-marathon-colored-limited-edition-180-gram-org-red-ylw-lp-vinyl","title":"Santana – Marathon (Colored, Limited Edition, 180 Gram, LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1979, Marathon arrived as Santana was navigating the commercial currents of a changing rock landscape without losing the Latin-inflected groove that had defined the band since Woodstock. Carlos's tone remains instantly recognizable throughout, a reminder that no matter the era or lineup, his guitar voice is one of the most distinctive in rock history.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e45th anniversary edition of 1500 individually numbered copies on yellow, red \u0026amp; orange marbled 180-gram audiophile vinyl. Santana's tenth studio album, Marathon, was a continuation of the infectious sound of Inner Secret. The single \"You Know That I Love You\" peaked at number 35 on the Billboard Hot 100. It consisted entirely of music written by the band. The musical direction was influenced by the melodic rock that was gaining popularity at the end of the 70s. Featuring some incredible guitar solos from the master himself, Carlos Santana, and Alex Ligertwood's fine vocals, it's another versatile offering from the band.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Marathon (1:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Lightning In the Sky (3:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Aqua Marine (5:37)\u003c\/div\u003e\n\u003cdiv\u003e4. You Know That I Love You (4:27)\u003c\/div\u003e\n\u003cdiv\u003e5. All I Ever Wanted (4:01)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stand Up (4:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Runnin' (1:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Summer Lady (4:22)\u003c\/div\u003e\n\u003cdiv\u003e4. Love (3:22)\u003c\/div\u003e\n\u003cdiv\u003e5. Stay (Beside Me) (3:50)\u003c\/div\u003e\n\u003cdiv\u003e6. Hard Times (3:58)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8719262011618\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music On Vinyl\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.3.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271183052955,"sku":"206746","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Santana-Marathon-Colored-Limited-Edition-180-Gram-LP-Vinyl.jpg?v=1776112182"},{"product_id":"santana-inner-secrets-45th-anniversary-colored-limited-edition-180-gram-lp-vinyl","title":"Santana – Inner Secrets: 45th Anniversary (Colored, Limited Edition, 180 Gram LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1978, Inner Secrets marked a commercial pivot for Carlos Santana, leaning into polished rock and pop production while never losing the guitarist's unmistakable tone. The Blind Faith connection is worth noting: \"Well All Right\" traces back to Buddy Holly through Eric Clapton's band, a lineage that speaks to Santana's lifelong habit of finding the blues thread running through every genre he touches.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e45th anniversary edition of 3000 individually numbered copies on translucent red coloured 180-gram audiophile vinyl. After a few band changes, Santana found his new form with band members Chris Solberg and Chris Rhyme. Inner Secrets proved to be one of the most successful moments in Santana's career. With Billboard charting songs such as \"One Chain (Don't Make No Prison)\", \"Stormy\" and the Buddy Holly cover of \"Well All Right\" done in the Blind Faith version.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Dealer \/ Spanish Rose (5:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Move On (4:27)\u003c\/div\u003e\n\u003cdiv\u003e3. One Chain (Don't Make No Prison) (7:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Stormy (4:45)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Well All Right (4:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Open Invitation (4:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Life Is A Lady \/ Holiday (3:47)\u003c\/div\u003e\n\u003cdiv\u003e4. The Facts Of Love (5:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Wham! (3:24)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8719262014220\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music On Vinyl\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.22.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271187280027,"sku":"136819","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Santana-Inner-Secrets-45th-Anniversary-Colored-Limited-Edition-180-Gram-LP-Vinyl.jpg?v=1776048737"},{"product_id":"the-rolling-stones-sticky-fingers-remastered-2-lp-vinyl","title":"The Rolling Stones – Sticky Fingers: Remastered (180g LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSticky Fingers marked the Stones hitting full stride as their own operation, the first release on their Rolling Stones Records label and the debut of that iconic Andy Warhol zipper sleeve. Recorded at Muscle Shoals and Olympic Studios with Mick Taylor at the peak of his fluid, blues-drenched chemistry with Keith Richards, the grooves here have never translated to wax quite like this half-speed cut allows.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOriginally released in 1971, now remastered \u0026amp; cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.Pressed on heavyweight 180g black vinyl, this album features the singles `Brown Sugar', `Can't You Hear Me Knocking', `Wild Horses' and `Dead Flowers'.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Brown Sugar (3:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Sway (3:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Wild Horses (5:42)\u003c\/div\u003e\n\u003cdiv\u003e4. Can't You Hear Me Knocking (7:14)\u003c\/div\u003e\n\u003cdiv\u003e5. You Gotta Move (2:32)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Bitch (3:36)\u003c\/div\u003e\n\u003cdiv\u003e2. I Got The Blues (3:52)\u003c\/div\u003e\n\u003cdiv\u003e3. Sister Morphine (5:31)\u003c\/div\u003e\n\u003cdiv\u003e4. Dead Flowers (4:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Moonlight Mile (5:56)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602508773143\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Interscope Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271188361371,"sku":"196248","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Rolling-Stones-Sticky-Fingers-Remastered-180g-LP-Vinyl.png?v=1776112264"},{"product_id":"john-mayer-continuum-bonus-track-180-gram-lp-vinyl","title":"John Mayer – Continuum (180 Gram 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded partly at Royal Studios in Memphis, where Al Green and Otis Redding cut some of their most enduring work, *Continuum* announced that Mayer was serious about earning his place in the blues and soul lineage rather than just borrowing from it. Steve Jordan, the drummer and producer whose résumé runs through Keith Richards and the Blues Brothers, was the right collaborator to make that case stick.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble 180 gm vinyl LP pressing of the singer, songwriter, and guitarist's 2006 album. Recording sessions for the album took place from November 2005 to September 2006 at the Village Recorder in Los Angeles, California, Avatar Studios and Right Track\/Sound on Sound in New York City, and Royal Studios in Memphis, Tennessee. Production was handled primarily by Mayer and Steve Jordan. This album marked a change in Mayer's musical style and incorporated musical elements of Blues and Soul more heavily than in his previous work, 13 tracks. 2010.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Waiting On The World To Change\u003c\/div\u003e\n\u003cdiv\u003e2. I Don't Trust Myself (With Loving You)\u003c\/div\u003e\n\u003cdiv\u003e3. Belief\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Gravity\u003c\/div\u003e\n\u003cdiv\u003e2. The Heart Of Life\u003c\/div\u003e\n\u003cdiv\u003e3. Vultures\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Stop This Train\u003c\/div\u003e\n\u003cdiv\u003e2. Slow Dancing In A Burning Room\u003c\/div\u003e\n\u003cdiv\u003e3. Bold As Love\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Dreaming With A Broken Heart\u003c\/div\u003e\n\u003cdiv\u003e2. In Repair\u003c\/div\u003e\n\u003cdiv\u003e3. I'm Gonna Find Another You\u003c\/div\u003e\n\u003cdiv\u003e4. Say\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886976863012\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music On Vinyl\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.6.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271190425755,"sku":"453300","price":51.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/John-Mayer-Continuum-180-Gram-2-LP-Vinyl.png?v=1776112320"},{"product_id":"canned-heat-vintage-colored-180-gram-org-lp-vinyl","title":"Canned Heat – Vintage (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Woodstock, before \"On the Road Again\" became an FM staple, Canned Heat was a loose collective of genuine blues obsessives rooted in the Los Angeles scene. Alan Wilson and Henry Vestine were serious record collectors and scholars of prewar blues, and that devotion to the source material comes through in every note of these early sessions. Consider this a rare window into the band finding its footing, still raw and reverential, before the world caught up to them.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOrange colour vinyl, 180g. Recorded in 1966 but not released until 1969 on the Janus label, these are the earliest-known recordings of American blues-rock band Canned Heat, produced here by Johnny Otis. The musicians in this lineup of Canned Heat consists of Alan \"Blind Owl\" Wilson (guitar harmonica vocals), Stuart Brotman (bass), Henry \"Sunflower\" Vestine (guitar), Bob \"The Bear\" Hite (vocals), and either Keith Sawyer (drums), or perhaps his replacement, Frank Cook (drums), who joined circa 1966. The group here cut their teeth with some authentic recording tributes to the blues greats including Muddy Waters, Willie Dixon, John Lee Hooker and Elmore James. This reissue comes pressed on heavyweight orange vinyl, with remastered audio.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Spoonful (2:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Big Road Blues (2:01)\u003c\/div\u003e\n\u003cdiv\u003e3. Rollin’ And Tumblin’ (2:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Got My Mojo Working (2:36)\u003c\/div\u003e\n\u003cdiv\u003e5. Pretty Thing (1:49)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Louise (2:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Dimples (2:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Can’t Hold On Much Longer (2:15)\u003c\/div\u003e\n\u003cdiv\u003e4. Straight Ahead (2:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Rollin’ And Tumblin’ (2:16)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 730167334839\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reel\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.1.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271193800859,"sku":"208107","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978172084379-lp-relix.png?v=1776197315"},{"product_id":"waylon-jennings-jds-rsd-essential-180g-dark-gray-lp-vinyl","title":"Waylon Jennings – JD's (RSD Essential 180g Dark Gray LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Nashville shaped him into an outlaw, Waylon Jennings was a fixture on the Phoenix honky-tonk circuit, cutting his teeth at JD's nightclub after his fateful decision not to board the plane that killed Buddy Holly in 1959. This privately pressed rarity captures a young Waylon still finding the edges of his sound, raw and unfiltered before the Music Row machine ever got involved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe debut studio album by US country artist Waylon Jennings. 12 eclectic sides featuring country, rock, folk and blues styles. Original pressings were sold exclusively at JD's nightclub in Phoenix, Arizona, where Waylon Jennings regularly performed with his backing band The Waylors during the early 60's. This title sees its first official vinyl reissue in over five decades. Pressed on limited edition 180g dark grey vinyl with original artwork.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003e1. Crying (2:35)\u003cbr\u003e\n2. Sally Was A Good Old Girl (2:28)\u003cbr\u003e\n3. Burning Memories (2:20)\u003cbr\u003e\n4. Big Mamou (2:25)\u003cbr\u003e\n5. Money (That's What I Want) (2:15)\u003cbr\u003e\n6. Don't Think Twice, It's Alright (2:39)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003e1. Dream Baby (How Long Must I Dream) (2:25)\u003cbr\u003e\n2. It's So Easy (1:30)\u003cbr\u003e\n3. Lorena (2:17)\u003cbr\u003e\n4. Love's Gonna Live Here (1:52)\u003cbr\u003e\n5. Abilene (1:53)\u003cbr\u003e\n6. White Lightning (2:14)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 730167321808\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reel\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.15.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271201960091,"sku":"453596","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Waylon-Jennings-JDs-RSD-Essential-180g-Dark-Gray-LP-Vinyl.png?v=1776112675"},{"product_id":"van-morrison-astral-weeks-180-gram-lp-vinyl","title":"Van Morrison – Astral Weeks (180 Gram LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in two September and October 1968 sessions in New York, Van Morrison was just 23 years old and freshly escaped from a bad record deal when he walked into Century Sound Studios with a jazz ensemble he had never rehearsed with. That creative friction, musicians reading charts cold while Morrison sang in near-isolation, produced something that operates entirely outside genre logic and has quietly rewired the taste of singers, poets, and obsessive listeners for over five decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePressed on 180gram vinyl. Mastered from the original analog master tapes and it features all original packaging 1968's Astral Weeks remains not only Morrison's masterpiece, but one of the greatest records ever made. A haunting, deeply personal collection of impressionistic Folk styled epics recorded by an All Star Jazz backing unit including bassist Richard Davis and drummer Connie Kay, it's poetic complexity earned critical raves but made only a minimal commercial impact. Astral Weeks had been dark and anguished.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Astral Weeks (7:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Beside You (5:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Sweet Thing (4:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Cyprus Avenue (6:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Young Lovers Do (3:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Madame George (9:25)\u003c\/div\u003e\n\u003cdiv\u003e3. Ballerina (7:00)\u003c\/div\u003e\n\u003cdiv\u003e4. Slim Slow Slider (3:20)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227990718\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.30.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271221981339,"sku":"362971","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Van-Morrison-Astral-Weeks-180-Gram-LP-Vinyl.png?v=1776113017"},{"product_id":"billy-strings-highway-prayers-black-180-gram-lp-vinyl","title":"Billy Strings – Highway Prayers (Black 180 Gram LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIf Live Vol. 1, released in the summer of 2024, put a wrap on the first era of bluegrass guitar master Billy Strings' thus-far phenomenal career, then Highway Prayers, the studio album released just a couple of months later, is where the next phase begins. Although the music is anchored by personnel familiar to those who've been following Strings for a while—Billy Failing (banjo, vocals), Royal Masat (bass, vocals), Jarrod Walker (mandolin, vocals) and Alex Hargreaves (fiddle), alongside several guests—the songwriting and arrangements show a marked maturation, and the album on the whole bears a cohesiveness that's been hinted at but never so fully realized before. The solos are still prominent and consistently out of this world, but there is much more going on here, a greater commitment to the bigger picture. All of the 20 songs on Highway Prayers are Strings originals, recorded at various locations in Nashville and Los Angeles between 2021 and early this year, with co-production by Strings and Jon Brion. The tales they tell—much like those on 2022's Me\/and\/Dad, Strings' previous studio release—are often intimate, drawn from personal experience, albeit universal in nature. \"Leadfoot\"—a standout account of one crazy-ass driver, featuring Strings on just about every instrument except drums (including banjo, steel guitar and a 1972 Chevrolet Chevelle)— borders on the chaotic, and as long as we're hitting the road, let \"My Alice\" be a cautionary tale. It's far from the first-ever song with a big ol' set of wheels at its center, but it's one of the nastiest. Of course, there are a couple of wild instrumentals to serve as a reminder that the virtuosity is built-in (\"Malfunction Junction\"), but Highway Prayers goes beyond mere pickin'. This is Billy Strings 2.0 laying out the welcome mat.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— dean, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/billy-strings-highway-prayers\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBilly Strings built his reputation night after night on stage, stretching traditional bluegrass into exploratory territory that draws Deadheads and flatpickers alike, but Highway Prayers finds him bringing that same restless energy into the studio with Jon Brion, a collaborator known for coaxing emotionally raw, sonically adventurous work from artists. Twenty tracks pressed on 180-gram black vinyl is a serious commitment, and Strings earns every side.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eModern bluegrass superstar Billy Strings has announced Highway Prayers, his first studio release since his 2022 father-son team-up LP Me\/And\/Dad and his first solo studio collection since 2021's Renewal. The 20-track LP, co-produced by Billy Strings and Jon Brion, was released in September 2024.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Leaning On A Travelin' Song (3:58)\u003cbr\u003e\nA2. In The Clear (2:57)\u003cbr\u003e\nA3. Escanaba (4:34)\u003cbr\u003e\nA4. Gild The Lily (5:06)\u003cbr\u003e\nA5. Seven Weeks In County (4:16)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Stratosphere Blues \/ I Believe In You (5:51)\u003cbr\u003e\nB2. Cabin Song (3:15)\u003cbr\u003e\nB3. Don't Be Calling Me (At 4am) (3:15)\u003cbr\u003e\nB4. Malfunction Junction (4:52)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Catch And Release (2:14)\u003cbr\u003e\nC2. Be Your Man (4:01)\u003cbr\u003e\nC3. Gone A Long Time (3:02)\u003cbr\u003e\nC4. It Ain't Before (3:46)\u003cbr\u003e\nC5. My Alice (4:06)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Seney Stretch (4:34)\u003cbr\u003e\nD2. MORBUD4ME (2:55)\u003cbr\u003e\nD3. Leadfoot (2:46)\u003cbr\u003e\nD4. Happy Hollow (2:46)\u003cbr\u003e\nD5. The Beginning Of The End (3:57)\u003cbr\u003e\nD6. Richard Petty (1:57)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624849438\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reprise \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.27.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271231221915,"sku":"361624","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Billy-Strings-Highway-Prayers-Black-180-Gram-LP-Vinyl.png?v=1776113196"},{"product_id":"bruce-springsteen-greetings-from-asbury-park-n-j-180-gram-lp-vinyl","title":"Bruce Springsteen - Greetings From Asbury Park, N.J. (Mobile Fidelity UltraDisc 180g Vinyl Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at 914 Sound Studios in Blauvale, New York and released in January 1973, Springsteen's debut arrived with so much verbal density that Columbia Records initially worried listeners wouldn't follow him. They were wrong. MoFi's UltraDisc One-Step process, pressed at RTI, is built specifically for records like this one, where the separation between Clarence Clemons' saxophone and Springsteen's tangled wordplay rewards every fraction of dynamic range a proper pressing can deliver.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBruce Springsteen’s \u003cem\u003eGreetings From Asbury Park, N.J.\u003c\/em\u003e wasn’t just a debut – it was a bold, swagger-filled declaration from a 23-year-old poet determined to rewrite the rules of rock. And now, it’s been reborn as a Limited Edition, Numbered UltraDisc One-Step 180g LP from Mobile Fidelity – the ultimate way to experience the start of The Boss’s legendary journey.\u003c\/p\u003e\u003cp\u003eThis 1973 album is a lyrical firehose, spilling out characters and stories like a late-night confessional. Tracks like \u003cem\u003eBlinded by the Light\u003c\/em\u003e (yes, \u003cem\u003ethat\u003c\/em\u003e one), \u003cem\u003eSpirit in the Night\u003c\/em\u003e, and the cinematic \u003cem\u003eLost in the Flood\u003c\/em\u003e are bursting with youthful energy and streetwise romanticism. It’s the perfect mix of folk poet introspection and bar-band bravado – a sound Bruce would never quite replicate again.\u003c\/p\u003e\u003cp\u003eMobile Fidelity went all out for this pressing: sourced directly from the original analog master tapes, pressed on SuperVinyl at RTI, and benefiting from the near-silent noise floor that makes every piano flourish, every saxophone wail, and every raspy line from Bruce feel startlingly alive.\u003c\/p\u003e\u003cp\u003e\u003c!-- x-tinymce\/html --\u003e\n\n\n\u003c\/p\u003e\u003cp\u003eNumbered, limited, and basically an audiophile’s dream, this UltraDisc One-Step edition isn’t just another version – it’s \u003cem\u003ethe\u003c\/em\u003e version. Whether you’re a lifelong fan or just discovering why Asbury Park became rock’s most famous beach town, this pressing drops the needle on history in its purest form.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Blinded By The Light\u003cbr\u003e\nA2. Growin' Up\u003cbr\u003e\nA3. Mary Queen Of Arkansas\u003cbr\u003e\nA4. Does This Bus Stop At 82nd Street?\u003cbr\u003e\nA5. Lost In The Flood\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. The Angel\u003cbr\u003e\nB2. For You\u003cbr\u003e\nB3. Spirit In The Night\u003cbr\u003e\nB4. It's Hard To Be A Saint In The City\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797105521\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.3.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271234072731,"sku":"501382","price":139.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bruce-Springsteen-Greetings-From-Asbury-Park-N_J_-Limited-Edition-Numbered-UltraDisc-180g-Vinyl-Box-Set.png?v=1776113327"},{"product_id":"willie-nelson-willie-nelson-family-180-gram-campfire-quad-colored-vinyl-lp-vinyl","title":"Willie Nelson – Willie Nelson \u0026 Family (180-Gram Campfire Quad LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased the same year Nelson was still finding his footing in Nashville, \"Willie Nelson \u0026amp; Family\" captures an artist on the verge of the outlaw country breakthrough that would define American music through the decade. Pressed here on 180-gram vinyl in a warm campfire quad colorway, it's a fitting format for music this rooted in late-night intimacy and road-worn honesty.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWillie Nelson and Family is the twelfth studio album by American country music singer Willie Nelson, released in 1971.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eWhat Can You Do to Me Now?\u003c\/li\u003e\n\u003cli\u003eSunday Morning Coming Down\u003c\/li\u003e\n\u003cli\u003eI'm So Lonesome I Could Cry\u003c\/li\u003e\n\u003cli\u003eFire and Rain\u003c\/li\u003e\n\u003cli\u003eKneel at the Feet of Jesus\u003c\/li\u003e\n\u003cli\u003eI'm a Memory\u003c\/li\u003e\n\u003cli\u003eYours Love\u003c\/li\u003e\n\u003cli\u003eI Can Cry Again\u003c\/li\u003e\n\u003cli\u003eThat's Why I Love Her So\u003c\/li\u003e\n\u003cli\u003eToday I Started Loving You Again\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196588181412\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Import\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.18.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271237218459,"sku":"544979","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Willie-Nelson-Willie-Nelson-Family-180-Gram-Campfire-Quad-LP-Vinyl.jpg?v=1776113544"},{"product_id":"janis-joplin-farewell-song-colored-limited-edition-180-gram-red-wht-lp-vinyl","title":"Janis Joplin – Farewell Song (180 Gram, Red LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCompiled a decade after her death, this collection pulls from the margins of Joplin's catalog, the rehearsal tapes, the session outtakes, the live moments that never found a proper home, and the result is an intimate portrait of a vocalist still searching, still pushing. Joplin's raw power is well documented, but these performances reveal the quieter intensity she brought to the studio when the tape was rolling and the pressure was off.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFarewell Song is a 1982 collection by rock \u0026amp; roll icon Janis Joplin, featuring live performances and alternate studio outtakes. The album includes recordings with her bands Big Brother and the Holding Company and the Kozmic Blues Band. Some of this collection's highlights include a studio recording of 'One Night Stand' (produced by Todd Rundgren) and a rendition of Sam Andrews' poignant 'Farewell Song (Live). ' It also features the song 'Catch Me Daddy,' taken from a Cheap Thrills recording session. For this release, the producer enhanced the original tracks by replacing the band's original instrumental recordings with those of studio musicians to highlight what can be considered some of Joplin's most inspired studio vocals. Farewell Song is available as a limited edition of 2000 individually numbered copies on red \u0026amp; white marbled vinyl. Official website: https:\/\/janisjoplin. ComLISTEN: https:\/\/youtu. #be\/Akht9mN2i2U* 180 GRAM AUDIOPHILE VINYL* SLEEVE FINISHED WITH LINEN LAMINATE* 1982 COLLECTION FEATURING NINE SONGS, INCLUDING LIVE PERFORMANCES AND ALTERNATE STUDIO RECORDINGS* INCLUDES THE SONGS 'ONE NIGHT STAND', 'MAGIC OF LOVE', AND 'RAISE YOUR HAND'* LIMITED EDITION OF 2000 INDIVIDUALLY NUMBERED COPIES ON RED \u0026amp; WHITE MARBLED VINYLTrack listing:SIDE A1. Tell Mama (Live)2. Magic Of Love (Live)3. Misery 'N4. One Night Stand5. HarrySIDE B1. Raise Your Hand (Live)2. Farewell Song (Live)3. Medley: Amazing Grace \/ Hi Heel Sneakers (Live)4. Catch Me Daddy\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Tell Mama (5:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Magic Of Love (2:52)\u003c\/div\u003e\n\u003cdiv\u003e3. Misery'n (4:12)\u003c\/div\u003e\n\u003cdiv\u003e4. One Night Stand (3:04)\u003c\/div\u003e\n\u003cdiv\u003e5. Harry (0:56)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Raise Your Hand (3:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Farewell Song (4:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Catch Me Daddy (4:50)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8719262032675\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music On Vinyl\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.3.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271238004891,"sku":"372712","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Janis-Joplin-Farewell-Song-Colored-Limited-Edition-180-Gram-Red-Wht-LP-Vinyl.jpg?v=1776116358"},{"product_id":"ten-years-after-woodstock-1969-gate-180-gram-lp-vinyl","title":"Ten Years After – Woodstock 1969 (180 Gram 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAlvin Lee's fingers moved faster than almost anyone at Woodstock that August, and the crowd of half a million knew they were witnessing something uncommon. Ten Years After were a blues-rock outfit from Nottingham who had been grinding the British club circuit before crossing the Atlantic, and by the time Lee tore into his extended improvisations that weekend, they converted an entire generation of American fans in a single afternoon.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTen Years After's Woodstock performance was, up until that time, their biggest live triumph. Appearing at the festival in August 1969, in front of a 500,000 strong audience, the festival was a landmark moment in musical history, featuring Jimi Hendrix, Crosby, Stills \u0026amp; Nash, The Who, Joe Cocker, Jefferson Airplane, Sly \u0026amp; The Family Stone and many more.The band played an extraordinary set, including a blistering performance of the anthemic \"I'm Going Home\" which became a highlight of the award-winning documentary movie \"Woodstock: 3 Days Of Peace And Music\".This new release marks the first standalone release of the performance, newly restored and featuring fresh mixes from the original 2\" multitrack tapes, with new liner notes by Chris Welch.FORMAT:2LP, 180g black vinyl, gatefold sleeve with poly-lined inner sleeves.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Spoonful (7:37)\u003c\/div\u003e\n\u003cdiv\u003e2. Good Morning Little Schoolgirl (False Start) (3:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Good Morning Little Schoolgirl (7:06)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Hobbit (7:52)\u003c\/div\u003e\n\u003cdiv\u003e2. I Can't Keep From Crying Sometimes (18:01)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Help Me (14:57)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. I'm Going Home (9:44)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5060516096312\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chrysalis\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.16.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271239217307,"sku":"671799","price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Ten-Years-After-Woodstock-1969-180-Gram-2-LP-Vinyl.png?v=1776113773"},{"product_id":"the-black-crowes-amorica-super-deluxe-180g-lp-vinyl","title":"The Black Crowes – Amorica. -  (Super Deluxe 180g 5-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAmorica. landed in 1994 as the Black Crowes at their most unapologetically Southern and psychedelic, a record that polarized radio programmers while cementing the band's reputation among fans who followed them show to show. The Robinson brothers have returned to the original production masters with Drakoulias to give this era its proper due, pulling in lost session material and the scrapped Tall album that die-hards have been chasing for decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Black Crowes have collected the Amorica. era recordings 1992-1994 into a new box set. The reissue has been overseen by band founders and brothers Chris and Rich Robinson along with acclaimed producer and friend of the Crowes, George Drakoulias. \u003c\/p\u003e\n\u003cp\u003eThe 5LP box set includes:\u003cbr\u003eLP1-2: A newly remastered 2LP 180g pressing Amorica. sourced from the original 1\/4\" production master tapes. The album audio is across the first 3 sides. Side D includes 3 Amorica. era bonus tracks: Chevrolet (Taj Mahal cover), \"Song of the Flesh\" (2025 Mix), and the instrumental \"Sunday Night Buttermilk Waltz” (2025 Mix). \u003c\/p\u003e\n\u003cp\u003eLP3: Tallest fixes the stories behind the lost\/scrapped album Tall and the mish-mashed Lost Crowes version of Tall. \u003c\/p\u003e\n\u003cp\u003eLP4: Marie Laveau Sessions collects an incredible recording session by the band from October 1992.\u003c\/p\u003e\n\u003cp\u003eLP5: Live at AIR Studios, London, UK, October 25, 1994 is a 10\" featuring 4 live songs aired on the worldwide radio broadcast of Amorica.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eLP1-2\u003cbr\u003eAmorica.\u003cbr\u003eSide A\u003cbr\u003e1 Gone (2025 Remaster)\u003cbr\u003e2 A Conspiracy (2025 Remaster)\u003cbr\u003e3 High Head Blues (2025 Remaster)\u003cbr\u003e4 Cursed Diamond (2025 Remaster)\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003e1 Nonfiction (2025 Remaster)\u003cbr\u003e2 She Gave Good Sunflower (2025 Remaster)\u003cbr\u003e3 P. 25 London (2025 Remaster)\u003cbr\u003e4 Ballad In Urgency (2025 Remaster)\u003cbr\u003e5 Wiser Time (2025 Remaster)\u003cbr\u003e\u003cbr\u003eSide C\u003cbr\u003e1 Downtown Money Waster (2025 Remaster)\u003cbr\u003e2 Descending (2025 Remaster)\u003cbr\u003e\u003cbr\u003eSide D\u003cbr\u003e1 Chevrolet\u003cbr\u003e2 Song of the Flesh (2025 Mix)\u003cbr\u003e3 Sunday Night Buttermilk Waltz (2025 Mix)\u003cbr\u003e\u003cbr\u003eLP3\u003cbr\u003eTallest\u003cbr\u003eSide A\u003cbr\u003e1 Lowdown (2025 Mix)\u003cbr\u003e2 Tied Up And Swallowed (2025 Mix)\u003cbr\u003e3 Evil Eye (2025 Mix)\u003cbr\u003e4 Dirty Hair Halo (2025 Mix)\u003cbr\u003e5 Feathers (2025 Mix)\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003e1 Thunderstorm 6:54PM (2025 Mix)\u003cbr\u003e2 Title Song (2025 Mix)\u003cbr\u003e3 Bitter, Bitter You (2025 Mix)\u003cbr\u003e4 Paris Song (2025 Mix) (Instrumental)\u003cbr\u003e\u003cbr\u003eLP4\u003cbr\u003eMarie Laveau Sessions\u003cbr\u003e\u003cbr\u003eSide A\u003cbr\u003e1 Exit\u003cbr\u003e2 Fear Years\u003cbr\u003e3 On That Hallow Night (Instrumental)\u003cbr\u003e4 Girl From The Pawnshop\u003cbr\u003eSide B\u003cbr\u003e1 Bewildered\u003cbr\u003e2 Non-Fiction (Acoustic)\u003cbr\u003e3 Thorn's Progress (Instrumental)\u003cbr\u003e\u003cbr\u003eLP5 \/ 10”\u003cbr\u003eLive at AIR Studios, London, UK October 25, 1994\u003cbr\u003eSide A\u003cbr\u003eA Conspiracy (Live - London, UK October 25, 1994)\u003cbr\u003e2 P.25 London (Live - London, UK October 245, 1994)\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003e1 Wiser Time (Live - London, UK October 25, 1994)\u003cbr\u003e2 High Head Blues (Live - London, UK October 25, 1994)\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478382857\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e American Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.14.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271240822939,"sku":"22365598","price":269.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Black-Crowes-Amorica_-Super-Deluxe-180g-5-LP-Vinyl.jpg?v=1776049346"},{"product_id":"jefferson-airplane-volunteers-180-gram-blue-lp-vinyl","title":"Jefferson Airplane – Volunteers (180 Gram Blue LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1969, Volunteers arrived just weeks after Woodstock, where Jefferson Airplane had already cemented their place as the conscience of the counterculture. Grace Slick and Paul Kantner pushed the band's sound into its most politically explicit territory here, and the closing title track became an outright rallying cry for a generation navigating the end of the decade.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVolunteers is Jefferson Airplane fifth studio album. The album is a real sign of the times with politically charged lyrics dealing with the injustice of the Vietnam war. The album was seen as pretty controversial, but was also really loved by critics such as Rolling Stone. Technologically, the album was actually ahead of it's time with the usage of the state-of-the-art 16-track tape machine giving the album it's powerful layered sound. Sonically and historically this album still has music fans interested after 55 years, making it a real classic. Volunteers is available as a limited edition of 2000 individually numbered copies on blue coloured vinyl.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. We Can Be Together (5:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Good Shepherd (4:22)\u003c\/div\u003e\n\u003cdiv\u003e3. The Farm (2:55)\u003c\/div\u003e\n\u003cdiv\u003e4. Hey Fredrick (8:31)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Turn My Life Down (2:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Wooden Ships (6:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Eskimo Blue Day (6:31)\u003c\/div\u003e\n\u003cdiv\u003e4. A Song For All Seasons (3:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Meadowlands (1:01)\u003c\/div\u003e\n\u003cdiv\u003e6. Volunteers (2:03)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8719262044234\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music On Vinyl\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271243542683,"sku":"110629029","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jefferson-Airplane-Volunteers-180-Gram-Blue-LP-Vinyl.jpg?v=1776114588"},{"product_id":"johnny-cash-with-his-hot-blue-guitar-180-gram-lp-vinyl","title":"Johnny Cash – With His Hot \u0026 Blue Guitar (180 Gram LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at Sun Studio in Memphis under the watchful ear of Sam Phillips, this 1957 debut captured a 24-year-old Cash and the Tennessee Two at the very beginning of something that would reshape American music. The boom-chicka-boom locomotive rhythm was already fully formed, and the conviction in his voice left no doubt this was an artist who meant every word.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e180G Deluxe 45 RPM All-Analog MONO Edition!Cut to Vinyl from the Original Master Tapes for the First Time in Decades!100% Analog Mastered by CoHEARent Audio's Kevin Gray. Ultra-Quiet 180-Gram Vinyl Pressed at Gotta Groove RecordsPlating and 3-Step Processing by RTIBeautifully Restored 'Old Style ' Jacket Printed by StoughtonIntervention Records will continue it's Sun Records Hi-Fi Series-featuring classic titles from the Memphis label, mastered to vinyl from original master tapes in the Sun vaults-with a brilliant new pressing of Johnny Cash with His Hot and Blue Guitar!, the first long-playing record from one of country music's most enduring icons. The album, featuring 'I Walk The Line, ' 'Cry, Cry, Cry, ' and 'Folsom Prison Blues, ' has been given the ultimate treatment for this 180-gram, 45 RPM mono release, featuring audio from original master tapes mastered to vinyl in an all-analog process, plus restored artwork featuring new liner notes. 'I never imagined that I'd hear the iconic voice of Johnny Cash on Intervention Records! ' said Shane Buettner, Intervention Records' founder. 'And I don't think music fans around the world have ever heard Johnny's voice, or Sam Phillips' famous Sun Studio sound, as clearly and definitively as they will on this new 45 RPM mono cut. This is as close you can get to a time machine back to Memphis in the 1950s! 'Originally issued in the fall of 1957-the first long-player for Sam Phillips' Sun Records-Johnny Cash with His Hot and Blue Guitar! Showcases the stripped-down sound that would make the future Man in Black one of the most enduring and respected musicians of the 20th century. Backed only by his 'Tennessee Two ' (Luther Perkins on lead guitar and Marshall Grant on upright bass) and augmented by Phillips' signature studio slapback that gave Cash's 'boom-chicka-boom ' sound it's kick, Hot and Blue Guitar! #is the album that introduced many to Cash's sonorous baritone.The LP features Cash's first three single A-sides for Sun, all self-penned: 'Cry, Cry, Cry, ' (a No. 14 country chart hit), 'So Doggone Lonesome ' (which peaked at No. 4 on the country charts) and Cash's signature original 'I Walk The Line. ' The latter was a No. 1 country smash for six non-consecutive weeks in the summer of 1956 before crossing over into the Top 20 of Billboard's pop charts. Additional standouts include Cash's renditions of fare like 'The Wreck Of The Old 97 ' and 'Rock Island Line, ' as well as a fourth original song, 'Folsom Prison Blues '-which would top the country charts more than a decade later when Cash performed it as part of his landmark 1968 live album At Folsom Prison.Johnny Cash with His Hot and Blue Guitar! #is the second title in Intervention's Sun Records Hi-Fi Series, offering exquisite pressings of definitive country and rock material from the label's storied discography. It follows the debut release in the series (and Sun's second LP), Carl Perkins ' Dance Album. The 1957 album served as a defining introduction to Perkins' pioneering rockabilly songbook, including the standards 'Blue Suede Shoes, ' 'Matchbox, ' and 'Honey Don't. ' ('Blue Suede Shoes, ' later covered by Elvis Presley, Buddy Holly, Eddie Cochran and countless others, celebrates the 70th anniversary of its release in 2026.)Intervention has handled the audio presentation and packaging of these vital albums with great care and attention to detail. Johnny Cash with His Hot and Blue Guitar! #was sourced from flat transfers of Â¼ ' monaural master reels sourced from the Sun Records archive, which compiled the label's original 7 ' single masters. This exhaustive research process resulted in the best-sounding tape version of each of the 12 songs on the original album, as well as the first vinyl edition of the album in decades to be sourced from these tapes. Acclaimed mastering engineer Kevin Gray at CoHEARent Audio has overseen this pressing of Hot and Blue Guitar!; lacquers were plated using RTI's three-step process and pressed on ultra-quiet 180-gram vinyl by boutique pressing plant Gotta Groove Records, offering crystal-clear audio fidelity that sacrifices none of the spark of the original recordings.The beautifully restored 'old-style ' jacket, manufactured by Stoughton Printing Co., features a new essay by noted Sun Records historian and two-time Grammy Award winner Colin Escott. His liner notes offer rich context on Johnny Cash with His Hot and Blue Guitar!, from recording to packaging, and how the album planted the seeds for Cash's singular career, spanning more than half a century. '[Hot and Blue Guitar] was... a summary of Johnny Cash's roots and his story so far, ' he writes. 'The breadth of his song choices gave some idea of what awaited us in the years and decades ahead. 'Tracklist:A1 The Rock Island Line 2:08A2 I Heard That Lonesome Whistle 2:21A3 Country Boy 1:48A4 If The Good Lord's Willing 1:37A5 Cry, Cry, Cry 2:25A6 Remember Me 1:56B1 So Doggone Lonesome 2:33B2 I Was There When It Happened 2:13B3 I Walk The Line 2:42B4 The Wreck Of Old '97 1:42B5 Folsom Prison Blues 2:47B6 Doin' My Time 2:33\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Rock Island Line (2:08)\u003c\/div\u003e\n\u003cdiv\u003e2. I Heard That Lonesome Whistle (2:21)\u003c\/div\u003e\n\u003cdiv\u003e3. Country Boy (1:48)\u003c\/div\u003e\n\u003cdiv\u003e4. If The Good Lord's Willing (1:37)\u003c\/div\u003e\n\u003cdiv\u003e5. Cry, Cry, Cry (2:25)\u003c\/div\u003e\n\u003cdiv\u003e6. Remember Me (1:56)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. So Doggone Lonesome (2:33)\u003c\/div\u003e\n\u003cdiv\u003e2. I Was There When It Happened (2:13)\u003c\/div\u003e\n\u003cdiv\u003e3. I Walk The Line (2:42)\u003c\/div\u003e\n\u003cdiv\u003e4. The Wreck Of Old '97 (1:42)\u003c\/div\u003e\n\u003cdiv\u003e5. Folsom Prison Blues (2:47)\u003c\/div\u003e\n\u003cdiv\u003e6. Doin' My Time (2:33)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 680270758353\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Intervention Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271244329115,"sku":"64763897","price":66.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Johnny-Cash-With-His-Hot-Blue-Guitar-180-Gram-LP-Vinyl.png?v=1776114298"},{"product_id":"the-rolling-stones-black-and-blue-super-deluxe-180g-5-lp-blu-ray","title":"The Rolling Stones – Black and Blue (Super Deluxe 180g 5-LP + Blu-ray)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eA few months ahead of its 50th birthday comes this 5-LP box set celebrating The Rolling Stones album, Black and Blue. As with so many of the classic album reissues on vinyl, the success is in the presentation—the remastering, the pressing and packaging, the extras. Without a single caveat, this weighty collection honoring the Stones’ 13th studio slab is spectacular.\u003c\/p\u003e\u003cp\u003eThe place to start is with the fidelity. The Stones turned over the original tapes to Steven Wilson, the highly in-demand, modern maestro of the remix, to revisit the proper album—one that finds the legendary band at, possibly, its most diverse. Wilson’s remix, as hoped, is sheer sonic brilliance. Never have these tracks sounded sharper, more cohesive, and more dynamic than on this new mix. Follow that with Matt Colton’s top-flight mastering—the Grammy-winning engineer worked with the Stones previously on Hackney Diamonds—and Black and Blue in this 2025 incarnation, on whisper-quiet wax, is the one to have.\u003c\/p\u003e\u003cp\u003eBack in 1976, Black and Blue was known in Stones circles as the “audition” album; the first after the departure of guitarist Mick Taylor, who’d sparkled on a string of efforts- Let It Bleed, Sticky Fingers, and Exile on Main Street, to name three- many consider among rock’s finest. So, it wasn’t a hole to fill. It was a crater.\u003c\/p\u003e\u003cp\u003eWith guest spots at the B\u0026amp;B sessions by a few notable axe-men—from Jeff Beck and Harvey Mandel to Wayne Perkins and Robert A. Johnson—the talent pool was Olympian. In the end, the band went with Beck’s bandmate from his Rod Stewart days, Ronnie Wood, and the rest is Rolling Stones history. Looking back now, it seems inevitable that Wood would get the gig, yet this set includes some of the jams with the runners-up that tantalize the imagination. A take of Beck’s “Freeway Jam” is as intriguing to hear as it is historic, if ultimately bolstering the conclusion that Wood was the best fit.\u003c\/p\u003e\u003cp\u003eAs for the three LPs and Blu-ray that contain live performances from ‘76- the vinyl from a hometown residency at Earls Court; the video from a TV broadcast of a Paris show—it’s more peak-Stones magic. Again, the addition of Wood is hand-in-glove, weaving as he would so well for the next five decades with Keith Richards, complementing- with the just the right attitude and attire—the gargantuan stage presence of Mick Jagger, and, most importantly, playing guitar like an ace. Toss in some previously unreleased cuts and a coffee-table-ready book, and this is a box set that gets it exactly right.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/01\/16\/the-rolling-stones-black-and-blue-5-lp-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBlack and Blue arrived at a crossroads moment for the Stones, recorded across Rotterdam, Munich, and Musicland Studios while the band auditioned potential replacements for Mick Taylor through the sessions themselves. The result was looser, funkier, and more groove-obsessed than anything in their catalog to that point, reflecting heavy influences from reggae and R\u0026amp;B that would quietly reshape what a Rolling Stones record could sound like.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Rolling Stones - Black And Blue (2025 Steven Wilson Mix) (Limited Super Deluxe Edition 180-gram Vinyl + Blu-ray Boxset) - VINYL LP - Celebrate the Rolling Stones' 1976 album, Black and Blue, with this comprehensive box set. This album marked a pivotal moment, as it was the first to feature Ronnie Wood as a full member, contributing his iconic guitar work. Acclaimed at the time by Billboard as being \"one of their most purely enjoyable albums of the '70s\" the reputation of the album has only grown, with Uncut declaiming \"Forty-one minutes of super-tight, bone-dry, hi-fi rock and soul, Black and Blue is one of the Stones' most underrated albums.\" This collection includes 5 LPs on 180g vinyl featuring a new Steven Wilson mix of the album, unreleased outtakes and a live recording from their 1976 Earls Court show, a Blu-Ray disc with a previously unreleased live TV recording from Paris and Dolby Atmos mixes, a 100-page hardcover book with a new essay by Stones expert Paul Sexton and a new interview with Ronnie Wood, plus a Paris show poster. Limited Edition.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e2. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e3. Cherry Oh Baby\u003c\/div\u003e\n\u003cdiv\u003e4. Memory Motel\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Hey Negrita\u003c\/div\u003e\n\u003cdiv\u003e2. Melody\u003c\/div\u003e\n\u003cdiv\u003e3. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e4. Crazy Mama\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. I Love A Lady\u003c\/div\u003e\n\u003cdiv\u003e2. Shame Shame Shame\u003c\/div\u003e\n\u003cdiv\u003e3. Chuck Berry Style Jam\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Blues Jam\u003c\/div\u003e\n\u003cdiv\u003e2. Rotterdam Jam\u003c\/div\u003e\n\u003cdiv\u003e3. Freeway Jam\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Honky Tonk Women\u003c\/div\u003e\n\u003cdiv\u003e2. If You Can't Rock Me\u003c\/div\u003e\n\u003cdiv\u003e3. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e4. Hey Negrita\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Ain't Too Proud To Beg\u003c\/div\u003e\n\u003cdiv\u003e2. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e3. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e4. Star Star\u003c\/div\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cdiv\u003e1. You Gotta Move\u003c\/div\u003e\n\u003cdiv\u003e2. You Can't Always Get What You Want\u003c\/div\u003e\n\u003cdiv\u003e3. Happy\u003c\/div\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cdiv\u003e1. Tumbling Dice\u003c\/div\u003e\n\u003cdiv\u003e2. Nothing From Nothing\u003c\/div\u003e\n\u003cdiv\u003e3. Outa-Space\u003c\/div\u003e\n\u003ch4\u003eSide I\u003c\/h4\u003e\n\u003cdiv\u003e1. Midnight Rambler\u003c\/div\u003e\n\u003cdiv\u003e2. It's Only Rock 'N' Roll (But I Like It)\u003c\/div\u003e\n\u003cdiv\u003e3. Brown Sugar\u003c\/div\u003e\n\u003ch4\u003eSide J\u003c\/h4\u003e\n\u003cdiv\u003e1. Jumpin' Jack Flash\u003c\/div\u003e\n\u003cdiv\u003e2. Street Fighting Man\u003c\/div\u003e\n\u003cdiv\u003e3. Sympathy For The Devil\u003c\/div\u003e\n\u003ch4\u003eBlu-ray\u003c\/h4\u003e\n\u003cdiv\u003e1. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e2. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e3. Cherry Oh Baby\u003c\/div\u003e\n\u003cdiv\u003e4. Memory Motel\u003c\/div\u003e\n\u003cdiv\u003e5. Hey Negrita\u003c\/div\u003e\n\u003cdiv\u003e6. Melody\u003c\/div\u003e\n\u003cdiv\u003e7. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e8. Crazy Mama\u003c\/div\u003e\n\u003cdiv\u003e9. Band Intro\u003c\/div\u003e\n\u003cdiv\u003e10. Honky Tonk Women\u003c\/div\u003e\n\u003cdiv\u003e11. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e12. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e13. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e14. Star Star\u003c\/div\u003e\n\u003cdiv\u003e15. You Gotta Move\u003c\/div\u003e\n\u003cdiv\u003e16. You Can't Always Get What You Want\u003c\/div\u003e\n\u003cdiv\u003e17. Band Introductions\u003c\/div\u003e\n\u003cdiv\u003e18. Happy\u003c\/div\u003e\n\u003cdiv\u003e19. Outa Space\u003c\/div\u003e\n\u003cdiv\u003e20. Jumpin' Jack Flash\u003c\/div\u003e\n\u003cdiv\u003e21. Street Fighting Man\u003c\/div\u003e\n\u003cdiv\u003e22. Honky Tonk Women\u003c\/div\u003e\n\u003cdiv\u003e23. If You Can't Rock Me \/ Get Off My Cloud\u003c\/div\u003e\n\u003cdiv\u003e24. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e25. Hey Negrita\u003c\/div\u003e\n\u003cdiv\u003e26. Ain't Too Proud To Beg\u003c\/div\u003e\n\u003cdiv\u003e27. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e28. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e29. Star Star\u003c\/div\u003e\n\u003cdiv\u003e30. You Gotta Move\u003c\/div\u003e\n\u003cdiv\u003e31. You Can't Always Get What You Want\u003c\/div\u003e\n\u003cdiv\u003e32. Band Intro\u003c\/div\u003e\n\u003cdiv\u003e33. Happy\u003c\/div\u003e\n\u003cdiv\u003e34. Tumbling Dice\u003c\/div\u003e\n\u003cdiv\u003e35. Nothing From Nothing\u003c\/div\u003e\n\u003cdiv\u003e36. Outa-Space\u003c\/div\u003e\n\u003cdiv\u003e37. Midnight Rambler\u003c\/div\u003e\n\u003cdiv\u003e38. It's Only Rock 'N' Roll (But I Like It)\u003c\/div\u003e\n\u003cdiv\u003e39. Brown Sugar\u003c\/div\u003e\n\u003cdiv\u003e40. Jumpin' Jack Flash\u003c\/div\u003e\n\u003cdiv\u003e41. Street Fighting Man\u003c\/div\u003e\n\u003cdiv\u003e42. Sympathy For The Devil\u003c\/div\u003e\n\u003cdiv\u003e43. I Love A Lady\u003c\/div\u003e\n\u003cdiv\u003e44. Shame, Shame, Shame\u003c\/div\u003e\n\u003cdiv\u003e45. Chuck Berry Style Jam\u003c\/div\u003e\n\u003cdiv\u003e46. Blues Jam\u003c\/div\u003e\n\u003cdiv\u003e47. Rotterdam Jam\u003c\/div\u003e\n\u003cdiv\u003e48. Freeway Jam\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602475070498\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Interscope Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.14.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271244394651,"sku":"29456848","price":286.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/5LPbox3D_jpg_1.png?v=1779630529"},{"product_id":"phish-new-years-eve-1993-live-at-worcester-centrum-seaweed-water-180g-vinyl-deluxe-box-set","title":"Phish – New Year's Eve 1993, Live at Worcester Centrum (5-LP Vinyl Deluxe Box Set)","description":"\u003ch3\u003e\u003c\/h3\u003e\n\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eWhen a setlist is framed on Phish's Hall of Fame, it's often the wall's didactic plaque next to it that got it there. Thus, while Phish's latest archival box set, New Year's Eve 1993 Live at Worcester Centrum, is a vibrant affair that's crackling with energy from the jump, the night itself holds a seminal place in Phish history that extends beyond the musical delivery. It's that added element that makes this release something more than just enjoyable. It makes it important.\u003c\/p\u003e\u003cp\u003eFor those who were inside the building, so many years ago, it's a keepsake--a long-overdue professional recording from a time well before Live Phish offered every note for on-demand streaming. For everyone else, it's a window into a storied night that bridged the band's incubation decade with everything that followed.\u003c\/p\u003e\u003cp\u003ePhish's previous New Year's Eve show, in Boston '92, signaled their theatrical ambitions and appetite for holiday spectacles. But it was here in Worcester, one year later, where they finally had the budget and the production ability to unleash their first true arena rock extravaganza. The stage appeared to be a giant aquarium, with make-believe fish swimming around above the band's heads, and a giant clam in the middle. Shortly before midnight, the band members descended from the ceiling in wetsuits, pretending to dive down and swim to the clam, which they climbed inside just in time for the countdown. The clam ascended, and kind of exploded at midnight as the band reemerged on the stage for \"Auld Lang Syne.\" It remains one of Phish's most-loved--and truest to form--gags of all time.\u003c\/p\u003e\u003cp\u003eIt is also instructive to remember that this was their biggest headline performance to that point. There was an energy there, both on stage and in the house. You can hear it on your speakers all these years later.\u003c\/p\u003e\u003cp\u003eBy New Year's Eve '93, Phish had already piled high countless nights of wildly experimental long-form jams, thematic excursions, and adventurous segues. This night was more from the Amy's Farm or Arrowhead Ranch column--an exhibition of the best that Phish had to offer, spoonful samplings of all 31 flavors, delivered with punch after punch after punch, superhuman accuracy, and uncanny group-mind delivery--all performed from inside an absurdly fantastic arena-sized fish-tank fantasy.\u003c\/p\u003e\u003cp\u003ePhish's defining humor, in which you weren't quite sure if they were making fun of arena rock tropes or living inside them, was happily pervasive as well, obviously with the gag itself but also interspersed throughout the musical program. Drummer Jon Fishman showboated his way through Neil Diamond's \"Cracklin' Rosie,\" the band transformed into a barbershop quartet for \"I Didn't Know,\" and they paid tribute to the recently deceased Frank Zappa by weaving the melody to Zappa's \"Peaches En Regalia\" into multiple songs throughout the night. (That's in addition to a proper full rendition--their third in the four-night run.)\u003c\/p\u003e\u003cp\u003ePerformance-based highlights include an appropriately frenetic \"Run Like an Antelope,\" a firehose rendition of \"Tweezer,\" a characteristically caustic \"Stash,\" and soaring, inspirational takes on \"Reba\" and \"Harry Hood.\" And then there's the extracted \"Down with Disease Jam,\" performed moments after midnight and four months before the song's actual debut, as if the band used the first minutes of the new year to telescopically preview the future.\u003c\/p\u003e\u003cp\u003eThe timestamps are a betrayal of faith--there aren't any 20-plus minute \"Type II\" expeditions and most of the night's many moments of improvisational genius are hidden to the untrained Phish ear. But the four band members move as one through twists, through turns, around sideways glances, straight on to full-steam-ahead adorned with cascades that electrified the arena in such a way that remains tangible and perceptible, 32 years later. The unified ecstatic joy shared between band and audience transmits through this music into your headphones, car stereo, or living room, wherever you end up listening to it.\u003c\/p\u003e\u003cp\u003eNow that this historic Phish all-timer has been taken out of the box and released for all to experience: Attn: Rock N Roll Hall of Fame voting body--presenting you with Exhibit A.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Benjy Eisen, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/phish-new-years-eve-1993-live-at-worcester-centrum\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWorcester Centrum on December 31, 1993 landed right as Phish was crossing from cult phenomenon to something much larger, with ticket demand that year making it clear the band had outgrown the theaters and ballrooms that had been their natural habitat. Hoist would arrive just weeks later in March 1994, meaning the new material debuted here was fresh off the tape from sessions with producer Paul Fox, giving the crowd previews of where the band was headed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003ePhish's first show at Worcester Centrum, a 14,800-capacity hockey arena, was their fifth annual New Year’s Eve show. The band added new sounds to their sonic palette that year and spent the fall recording their fifth studio album, Hoist, so they we armed with a fresh batch of sounds and material. The show was sold out. This box set captures Phish at a crossroads of their career in their biggest New year's Eve show at the time, perfoming 30 tunes over the course of 3-sets in Massachusettes.\u003c\/p\u003e\n\u003cp\u003e180g Seaweed + Water Vinyl Pressing on 5-LPs\u003cbr\u003eHoused In A Deluxe Lift-Off Box Set with A \"Cut Out\" Phish Aquarium Set Included\u003c\/p\u003e\n\u003cp\u003e30 Complete Tracks Recorded + Mixed From Band's Original 2-inch 24-track Reels\u003c\/p\u003e\n\u003cp\u003eVinyl Laquers Cut By Chris Bellman at Bernie Grundman Mastering\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Llama (5:15)\u003cbr\u003eA2. Guelah Papyrus (6:13)\u003cbr\u003eA3. Stash (9:49)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Ginseng Sullivan (4:32)\u003cbr\u003eB2. Reba (13:35)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Peaches En Regalia (3:10)\u003cbr\u003eC2. I Didn't Know (3:07)\u003cbr\u003eC3. Run Like An Antelope (10:11)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Tweezer (12:46)\u003cbr\u003eD2. Halley’s Comet (5:10)\u003cbr\u003eD3. Poor Heart (2:17)\u003c\/p\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cp\u003eE1. It’s Ice (8:42)\u003cbr\u003eE2. Fee (5:30)\u003c\/p\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cp\u003eF1. Possum (12:54)\u003cbr\u003eF2. Lawn Boy (2:56)\u003c\/p\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cp\u003eG1. You Enjoy Myself (22:29)\u003cbr\u003eG2. Phish Aquarium (3:35)\u003c\/p\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cp\u003eH1. Phish Aquarium (cont’d) (11:05)\u003cbr\u003eH2. Auld Lang Syne (1:33)\u003cbr\u003eH3. Down With Disease Jam (3:39)\u003cbr\u003eH4. Split Open and Melt (10:08)\u003c\/p\u003e\n\u003ch4\u003eSide I\u003c\/h4\u003e\n\u003cp\u003eI1. The Lizards (10:02)\u003cbr\u003eI2. Sparkle (3:55)\u003cbr\u003eI3. Suzy Greenberg (6:28)\u003cbr\u003eI4. Hold Your Head Up (4:29)\u003cbr\u003eI5. Cracklin’ Rosie (3:42)\u003cbr\u003eI6. Hold Your Head Up (0:43)\u003c\/p\u003e\n\u003ch4\u003eSide J\u003c\/h4\u003e\n\u003cp\u003eJ1. Harry Hood (13:22)\u003cbr\u003eJ2. Tweezer Reprise (4:26)\u003cbr\u003eJ3. Golgi Apparatus (6:30)\u003cbr\u003eJ4. Amazing Grace (2:32)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850014859626\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Jemp Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271246622875,"sku":"93787969","price":199.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Phish-New-Years-Eve-1993-Live-at-Worcester-Centrum-5-LP-Vinyl-Deluxe-Box-Set.webp?v=1775824774"},{"product_id":"kris-kristofferson-kristofferson-180-gram-orange-lp-vinyl","title":"Kris Kristofferson – Kristofferson (180 Gram Orange LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the time this debut landed in 1970, Kristofferson had already quietly reshaped Nashville from the inside, with \"Me and Bobby McGee,\" \"Help Me Make It Through the Night,\" and \"For the Good Times\" recorded by other artists before he ever put out his own record. Hearing him deliver these songs himself strips away any gloss and returns them to their original, unguarded intent.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited edition of 2000 numbered copies on orange coloured 180-gram audiophile vinyl. Country icon Kris Kristofferson released his debut album Kristofferson in 1970, marking the belated start of what would turn out to be a long and illustrious recording career. He was a pioneering figure in the outlaw country movement, moving away from the polished Nashville sound and toward a more raw, introspective style. Lyrically, he was very politically aware, further distinguishing himself from other country acts. Many of his early songs were written by Kristofferson while on a side job flying workers to and from oil rigs in the Gulf of Mexico, which he would then pitch in his time off. Via June Carter he attempted to reach her partner Johnny Cash, who later invited Kristofferson to join him at the 1969 Newport Folk Festival. Following this performance, Fred Foster of Monument Records signed him as a songwriter and recording artist and the rest is history.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Blame It On The Stones (2:43)\u003c\/div\u003e\n\u003cdiv\u003e2. To Beat The Devil (4:42)\u003c\/div\u003e\n\u003cdiv\u003e3. Me And Bobby McGee (4:22)\u003c\/div\u003e\n\u003cdiv\u003e4. The Best Of All Possible Worlds (3:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Help Me Make It Through The Night (2:24)\u003c\/div\u003e\n\u003cdiv\u003e6. The Law Is For Protection Of The People (2:39)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Casey's Last Ride (3:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Just The Other Side Of Nowhere (3:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Darby's Castle (3:17)\u003c\/div\u003e\n\u003cdiv\u003e4. For The Good Times (3:25)\u003c\/div\u003e\n\u003cdiv\u003e5. Duvalier's Dream (2:55)\u003c\/div\u003e\n\u003cdiv\u003e6. Sunday Mornin' Comin' Down (4:32)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8719262041363\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music On Vinyl\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271248916635,"sku":"59755311","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Kris-Kristofferson-Kristofferson-180-Gram-Orange-LP-Vinyl.jpg?v=1776104662"},{"product_id":"santana-lotus-limited-edition-180-gram-lp-vinyl","title":"Santana – Lotus (Mobile Fidelity 3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at the peak of the band's spiritual and musical partnership with John McLaughlin, the 1973 performances captured on Lotus find Carlos Santana and his ensemble in a state of pure collective flow, stretching pieces like \"A-1 Funk\" and \"Yours Is the Light\" far beyond their studio counterparts. Originally released only in Japan, the album's scarcity made it a holy grail for collectors for years before wider pressings arrived. MoFi's meticulous 180g treatment gives these Osaka nights the fidelity they've always deserved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e* One of the Most Exhilarating Live Albums Ever Released: Santana's Lotus Documents 1973 Performances Distinguished by Passionate Soulfulness, Chemistry, and Inventiveness* Mobile Fidelity's 180g 33RPM 3LP Set Features Reference Sound and Deluxe Trifold Packaging Faithful to That of the Original Japanese Import: Strictly Limited to 5,000 Numbered Copies, Includes Four Photo Inserts and Two Fold-Out PostersThe bizarre legacy of Lotus transcends it's status as both the definitive onstage document of Santana's career and one of the most spectacular live albums ever released. Originally issued in 1974, the triple LP contains exhilarating performances of the band recorded at two shows in early July 1973 at the 2400-seat Osaka Kosei Nenkin Kaikan concert hall. It bears witness to the eight-piece collective playing with a chemistry, inventiveness, cohesiveness, and soulfulness no other Santana lineup would ever surpass. Featuring seven previously unreleased tracks as well as remarkable renditions of material from Santana's first four albums and the Carlos Santana-John McLaughlin collaboration Love Devotion Surrender, Lotus simultaneously suggests and inspires, dreams and delivers.Transferred by original engineer Tomoo Suzuki, strictly limited to 3,000 numbered copies, and housed in deluxe trifold packaging faithful to that of the original pressing, Lotus benefits from reference audiophile treatment on Mobile Fidelity's 180g 3LP set. Featuring rich tones, smooth dynamics, excellent separation, deep soundstages, and involving presence, this reissue pays tribute to both the virtuosic lineup and the magnetic fusion of Latin- and Afro-Cuban-influenced jazz, rock, psychedelia, R\u0026amp;B, and blues. The complexity of the spiritual passages, demands of the crescendos, delicacy of the calm transitions, electricity of the solos: everything is rendered with superb balance and free of the harshness, compression, and fatiguing peaks that would otherwise distract from the presentations at hand. Black magic, indeed.1\/2' \/ 15 IPS \/ four-track analog master to two-track DSD 256 to analog console to latheNumbered 180g 33RPM Vinyl 3LPNUMBERED LIMITED EDITION OF 5,000Tracklisting:SIDE A1. Meditation 2. Going Home 3. A-1 Funk 4. Every Step of the WaySIDE B1. Black Magic Woman 2. Gypsy Queen3. Oye Como Va 4. Yours Is the Light5. Batukada 6. Xibaba (She-Ba-Ba)SIDE C1. Stone Flower (Introduction) 2. Waiting3. Castillos de Arena, Pt. 1 4. Free Angela5. Samba de SausalitoSIDE D1. Mantra2. Kyoto3. Castillos de Arena, Pt. 2 (Sand Castle)4. Se a CaboSIDE E1. Samba Pa Ti \/ 2. Mr. Udo3. Toussaint L'OvertureSIDE F1. Incident at Neshabur\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Meditation (1:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Going Home (3:53)\u003c\/div\u003e\n\u003cdiv\u003e3. A-1 Funk (3:12)\u003c\/div\u003e\n\u003cdiv\u003e4. Every Step Of The Way (11:41)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Black Magic Woman (3:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Gypsy Queen (3:52)\u003c\/div\u003e\n\u003cdiv\u003e3. Oye Como Va (5:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Yours Is The Light (5:31)\u003c\/div\u003e\n\u003cdiv\u003e5. Batukada (0:54)\u003c\/div\u003e\n\u003cdiv\u003e6. Xibaba (She-Ba-Ba) (4:23)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Stone Flower (Introduction) (1:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Waiting (4:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Castillos De Arena, Part 1 (Sand Castle) (2:56)\u003c\/div\u003e\n\u003cdiv\u003e4. Free Angela (4:45)\u003c\/div\u003e\n\u003cdiv\u003e5. Samba De Sausalito (3:44)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Mantra (7:17)\u003c\/div\u003e\n\u003cdiv\u003e2. Kyoto (Drum Solo) (10:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Castillos De Arena, Part 2 (Sand Castle) (1:11)\u003c\/div\u003e\n\u003cdiv\u003e4. Se A Cabo (5:22)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Samba Pa Ti (9:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Mr. Udo (3:06)\u003c\/div\u003e\n\u003cdiv\u003e3. Toussaint L'Overture (7:44)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Incident At Neshabur (17:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Savor (4:14)\u003c\/div\u003e\n\u003cdiv\u003e3. Conga solo (2:19)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196588855412\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.31.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271250653339,"sku":"561767","price":199.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Santana-Lotus-Limited-Edition-180-Gram-3-LP-Vinyl.png?v=1776114529"},{"product_id":"the-rolling-stones-black-and-blue-deluxe-180g-lp-vinyl","title":"The Rolling Stones – Black and Blue (Deluxe 2-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eA few months ahead of its 50th birthday comes this 5-LP box set celebrating The Rolling Stones album, Black and Blue. As with so many of the classic album reissues on vinyl, the success is in the presentation—the remastering, the pressing and packaging, the extras. Without a single caveat, this weighty collection honoring the Stones’ 13th studio slab is spectacular.\u003c\/p\u003e\u003cp\u003eThe place to start is with the fidelity. The Stones turned over the original tapes to Steven Wilson, the highly in-demand, modern maestro of the remix, to revisit the proper album—one that finds the legendary band at, possibly, its most diverse. Wilson’s remix, as hoped, is sheer sonic brilliance. Never have these tracks sounded sharper, more cohesive, and more dynamic than on this new mix. Follow that with Matt Colton’s top-flight mastering—the Grammy-winning engineer worked with the Stones previously on Hackney Diamonds—and Black and Blue in this 2025 incarnation, on whisper-quiet wax, is the one to have.\u003c\/p\u003e\u003cp\u003eBack in 1976, Black and Blue was known in Stones circles as the “audition” album; the first after the departure of guitarist Mick Taylor, who’d sparkled on a string of efforts- Let It Bleed, Sticky Fingers, and Exile on Main Street, to name three- many consider among rock’s finest. So, it wasn’t a hole to fill. It was a crater.\u003c\/p\u003e\u003cp\u003eWith guest spots at the B\u0026amp;B sessions by a few notable axe-men—from Jeff Beck and Harvey Mandel to Wayne Perkins and Robert A. Johnson—the talent pool was Olympian. In the end, the band went with Beck’s bandmate from his Rod Stewart days, Ronnie Wood, and the rest is Rolling Stones history. Looking back now, it seems inevitable that Wood would get the gig, yet this set includes some of the jams with the runners-up that tantalize the imagination. A take of Beck’s “Freeway Jam” is as intriguing to hear as it is historic, if ultimately bolstering the conclusion that Wood was the best fit.\u003c\/p\u003e\u003cp\u003eAs for the three LPs and Blu-ray that contain live performances from ‘76- the vinyl from a hometown residency at Earls Court; the video from a TV broadcast of a Paris show—it’s more peak-Stones magic. Again, the addition of Wood is hand-in-glove, weaving as he would so well for the next five decades with Keith Richards, complementing- with the just the right attitude and attire—the gargantuan stage presence of Mick Jagger, and, most importantly, playing guitar like an ace. Toss in some previously unreleased cuts and a coffee-table-ready book, and this is a box set that gets it exactly right.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/01\/16\/the-rolling-stones-black-and-blue-5-lp-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1976 as the Stones were actively auditioning guitarists to replace Mick Taylor, Black and Blue captures a band in creative flux, road-testing new chemistry in real time. Ronnie Wood earned his seat on the strength of those sessions, and hearing the outtakes and jams alongside the finished album puts that audition process in full relief for the first time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Rolling Stones - Black and Blue (2LP) Featuring a new Steven Wilson mix as well as a 6 track disc of previously unreleased Outtakes and Jams, including the high-energy disco stomp of Shirley and Company's \"Shame, Shame, Shame\" and jams with guest guitarists including Jeff Beck, Canned Heat's Harvey Mandel and Robert A. Johnson. Black and Blue from 1976 is the album that inducted Ronnie Wood into the Rolling Stones - featured on 3 tracks and joining the band for the world tour and the next 50 years!\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e2. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e3. Cherry Oh Baby\u003c\/div\u003e\n\u003cdiv\u003e4. Memory Motel\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Hey Negrita\u003c\/div\u003e\n\u003cdiv\u003e2. Melody\u003c\/div\u003e\n\u003cdiv\u003e3. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e4. Crazy Mama\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. I Love A Lady\u003c\/div\u003e\n\u003cdiv\u003e2. Shame, Shame, Shame\u003c\/div\u003e\n\u003cdiv\u003e3. Chuck Berry Style Jam\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Blues Jam\u003c\/div\u003e\n\u003cdiv\u003e2. Rotterdam Jam\u003c\/div\u003e\n\u003cdiv\u003e3. Freeway Jam\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478229770\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Interscope Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.14.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271251177627,"sku":"29433384","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Rolling-Stones-Black-and-Blue-Deluxe-180g-2-LP-Vinyl.jpg?v=1776114549"},{"product_id":"santana-shaman-colored-180-gram-org-red-ylw-lp-vinyl","title":"Santana – Shaman (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRiding the commercial momentum of Supernatural's record-breaking run, Shaman found Carlos Santana leaning deeper into spiritual themes, the album's title and artwork drawing on indigenous Mexican traditions central to his lifelong worldview. The 2002 release proved he could pull off the guest-driven formula twice without losing the unmistakable tone and sustain that has made his guitar voice one of the most recognizable in rock history.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCarlos Santana's nineteenth studio album Shaman was released in 2002 and debuted at #1 on the Billboard 200. Just like it's predecessor Supernatural, Santana invited contemporary artists to collaborate with him across genres including neo-soul, pop, rock, metal, and opera. Artists such as Seal, P. O. D. , Chad Kroeger, Dido, Michelle Branch, Macy Gray, Music, Citizen Cope, Alejandro Lerner, Placido Domingos, and Ozomatli can be heard on the album. Four tracks were released as singles: 'The Game Of Love', 'Nothing At All', 'Why Don't You \u0026amp; I', and 'Feels Like Fire'. Shaman is available as a limited edition of 1500 individually numbered copies on yellow, red \u0026amp; orange marbled vinyl and includes an insert. \u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Adouma (4:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Nothing At All (4:28)\u003c\/div\u003e\n\u003cdiv\u003e3. The Game Of Love (4:14)\u003c\/div\u003e\n\u003cdiv\u003e4. You Are My Kind (4:19)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Amoré (Sexo) (3:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Foo Foo (6:28)\u003c\/div\u003e\n\u003cdiv\u003e3. Victory Is Won (5:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Since Supernatural (4:35)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. America (4:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Sideways (4:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Why Don't You \u0026amp; I (4:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Feels Like Fire (4:39)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Aye Aye Aye (4:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Hoy Es Adios (4:37)\u003c\/div\u003e\n\u003cdiv\u003e3. One Of These Days (5:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Novus (4:12)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8719262032187\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music On Vinyl\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.13.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271251210395,"sku":"86394339","price":74.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Santana-Shaman-Colored-180-Gram-2-LP-Vinyl.jpg?v=1776114550"},{"product_id":"the-beatles-hard-days-night-reissue-remastered-180-gram-lp-vinyl","title":"The Beatles – Hard Day's Night (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased as the soundtrack to their 1964 film of the same name, *A Hard Day's Night* stands as the first Beatles album composed entirely of Lennon-McCartney originals, a milestone that signaled just how seriously the world needed to take them as songwriters, not just performers.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut.  A Hard Day's Night makes its North American LP debut in stereo\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. A Hard Day's Night\u003c\/div\u003e\n\u003cdiv\u003e2. I Should Have Known Better\u003c\/div\u003e\n\u003cdiv\u003e3. If I Fell\u003c\/div\u003e\n\u003cdiv\u003e4. I'm Happy Just To Dance With You\u003c\/div\u003e\n\u003cdiv\u003e5. And I Love Her\u003c\/div\u003e\n\u003cdiv\u003e6. Tell Me Why\u003c\/div\u003e\n\u003cdiv\u003e7. Can't Buy Me Love\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Any Time At All\u003c\/div\u003e\n\u003cdiv\u003e2. I'll Cry Instead\u003c\/div\u003e\n\u003cdiv\u003e3. Things We Said Today\u003c\/div\u003e\n\u003cdiv\u003e4. When I Get Home\u003c\/div\u003e\n\u003cdiv\u003e5. You Can't Do That\u003c\/div\u003e\n\u003cdiv\u003e6. I'll Be Back\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094638241317\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455505641627,"sku":"105667","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/harddaylpA.jpg?v=1777401979"},{"product_id":"the-allman-brothers-band-idlewild-south-180-gram-lp-vinyl","title":"The Allman Brothers Band – Idlewild South (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at Criteria Studios in Miami and Idlewild South, the Georgia farm that gave the album its name, this 1970 release captured the band hitting their stride before tragedy reshaped everything. \"In Memory of Elizabeth Reed\" and \"Midnight Rider\" both originate here, two compositions that would become cornerstones of the live repertoire for decades to come, played at virtually every significant show the band ever gave.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited 180gm vinyl LP pressing. It has been remastered from original analog tapes by Keven Reeves to 192kHz 24-bit audio and then cut on copper plates using Abbey Road Mastering's Direct Metal Mastering (DMM) lathe. The original artwork has been faithfully reproduced. Idlewild South is the second studio album by The Allman Brothers Band. Produced by Tom Dowd, the album was released on September 23, 1970. Following the release of their 1969 debut, The Allman Brothers Band toured the United States extensively to promote the album, which had little commercial success. Their performances, however, did create positive word of mouth exposure that extended to more famous musicians, such as Eric Clapton, who invited group leader Duane Allman to contribute to his 1970 album Layla and Other Assorted Love Songs. As a result of the band's relentless touring schedule, Idlewild South was recorded gradually over a period of five months in various cities, including New York, Miami, and Macon, Georgia, the band's home. Tom Dowd had previously been sought to record the group's debut but had been unavailable. The material presented on Idlewild South was written during this period and tested out on the road at shows. The album's title comes from the band's nickname for a rustic cabin the band rented out and used for rehearsals, as well as parties. 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Tracks like \"Hotel California\" and \"Life in the Fast Lane\" reflect the tensions that ultimately pulled the group apart, making this less a victory lap than a document of a band burning brilliantly at the edges.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEagles TITLE: Greatest Hits Vol. 2 \/ Are an American rock band formed in Los Angeles, California in 1971 by Glenn Frey, Don Henley, Bernie Leadon and Randy Meisner. 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The songs here, from \"You Don't Know How It Feels\" to \"Wildflowers\" itself, carry a confessional weight that still resonates three decades on.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOne-Step vinyl is the ultimate vinyl pressing.\u003c\/p\u003e\u003cp\u003eBecause Sound Matters' meticulous One-Step process creates the definitive sounding audiophile version of the all-time classic Tom Petty album, ‘Wildflowers’.\u003c\/p\u003e\u003cp\u003eThe original analog master tapes have been used to ensure ‘Wildflowers’ has never sounded better!\u003c\/p\u003e\u003cp\u003eThe initial pressing of this One-Step version is limited to 6,000 copies. The album is housed inside a top quality, uniquely designed numbered slipcase. 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The album produced \"Burning Down the House,\" the band's biggest commercial breakthrough, but the deeper cuts reward the patient listener just as well. 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The set draws from across their catalog, from the country-tinged early days through the slick, arena-filling peaks of Hotel California, offering a snapshot of one of American rock's most complicated success stories finally laying down the gavel, at least for a while.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOriginally released in 1980, the album is currently 7x platinum and includes a poster.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hotel California (6:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Heartache Tonight (4:35)\u003c\/div\u003e\n\u003cdiv\u003e3. I Can't Tell You Why (5:24)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Long Run (3:35)\u003c\/div\u003e\n\u003cdiv\u003e2. New Kid In Town (5:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Life's Been Good (9:38)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Seven Bridges Road (3:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Wasted Time (5:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Take It To The Limit (5:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Doolin-Dalton (Reprise II) (0:44)\u003c\/div\u003e\n\u003cdiv\u003e5. Desperado (4:04)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Saturday Night (3:55)\u003c\/div\u003e\n\u003cdiv\u003e2. All Night Long (5:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Life In The Fast Lane (5:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Take It Easy (5:20)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497845507\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Elektra \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.2.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455530414235,"sku":"124447","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-eagles-eagles-live-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1777569362"},{"product_id":"the-beatles-help-reissue-remastered-180-gram-lp-vinyl","title":"The Beatles – Help (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1965 as both a film soundtrack and a standalone statement, Help! captures the Beatles at a genuine crossroads, with Lennon's increasingly personal songwriting sitting alongside McCartney's melodic confidence and Harrison's growing presence as a composer. The 2012 vinyl pressing finally brings George Martin's 1986 stereo remix to LP, the format this music was born to inhabit.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut.  Help! features George Martin's 1986 stereo remix\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Help!\u003c\/div\u003e\n\u003cdiv\u003e2. The Night Before\u003c\/div\u003e\n\u003cdiv\u003e3. You've Got To Hide Your Love Away\u003c\/div\u003e\n\u003cdiv\u003e4. I Need You\u003c\/div\u003e\n\u003cdiv\u003e5. Another Girl\u003c\/div\u003e\n\u003cdiv\u003e6. You're Going To Lose That Girl\u003c\/div\u003e\n\u003cdiv\u003e7. Ticket To Ride\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Act Naturally\u003c\/div\u003e\n\u003cdiv\u003e2. It's Only Love\u003c\/div\u003e\n\u003cdiv\u003e3. You Like Me Too Much\u003c\/div\u003e\n\u003cdiv\u003e4. Tell Me What You See\u003c\/div\u003e\n\u003cdiv\u003e5. I've Just Seen A Face\u003c\/div\u003e\n\u003cdiv\u003e6. Yesterday\u003c\/div\u003e\n\u003cdiv\u003e7. Dizzy Miss Lizzy\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094638241515\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455534903451,"sku":"392099","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/helplpA_19d96987-e368-4635-bdf1-13ba6dab5b26.jpg?v=1777401885"},{"product_id":"eagles-long-road-out-of-eden-180-gram-lp-vinyl","title":"Eagles – Long Road Out Of Eden (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased as a direct-to-fan title through Walmart and the band's own channels back in 2007, *Long Road Out of Eden* marked the Eagles' first studio album in 28 years and arrived on their own Eagles Recording Company imprint, a deliberate move to retain control outside the major label system. Getting this one on wax in any form has historically required some hunting, making this Rhino pressing a genuine convenience for collectors who'd rather spin it than stream it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e2007 studio release that was certified 7x platinum. Previously had limited vinyl distribution. 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The country-rock DNA runs deep here, from the Gram Parsons-influenced harmonies to Bernie Leadon's banjo and steel guitar work that grounded the whole enterprise in something rootsy before the band pivoted toward harder rock.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIs the fifth album by the American rock band The Eagles, a compilation of singles. Their Greatest Hits (1971-1975) comprises nine best-selling singles released between 1972 and 1975.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Take It Easy\u003c\/div\u003e\n\u003cdiv\u003e2. Witchy Woman\u003c\/div\u003e\n\u003cdiv\u003e3. Lyin' Eyes\u003c\/div\u003e\n\u003cdiv\u003e4. Already Gone\u003c\/div\u003e\n\u003cdiv\u003e5. Desperado\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. One Of These Nights\u003c\/div\u003e\n\u003cdiv\u003e2. Tequila Sunrise\u003c\/div\u003e\n\u003cdiv\u003e3. Take It To The Limit\u003c\/div\u003e\n\u003cdiv\u003e4. Peaceful Easy Feeling\u003c\/div\u003e\n\u003cdiv\u003e5. Best Of My Love\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227979379\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Elektra \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.8.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455539032219,"sku":"466764","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-eagles-their-greatest-hits-1971-1975-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1777566912"},{"product_id":"dire-straits-making-movies-limited-edition-180-gram-lp-vinyl","title":"Dire Straits – Making Movies (Mobile Fidelity 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1980 between the lean debut era and the stadium-filling success of Brothers in Arms, Making Movies found Knopfler trading in the wiry pub-rock economy of early Dire Straits for something far more ambitious, songs built around character and consequence rather than style. The MoFi 45RPM pressing, sourced from the original master tapes, is exactly what this music deserves, because the spatial depth of those Roy Bittan-anchored arrangements rewards every extra ounce of resolution a proper audiophile pressing can deliver.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDire Straits Expand Musical Framework and Come Into Own on Making Movies: Co-Produced by Jimmy Iovine, Thematic Album Soars With Personal Songwriting and Epic Arrangements. Cinematic Landscapes and Intricate Passages Sound Sublime: Mobile Fidelity 45RPM 2LP Pressing of Making Movies Mastered from Original Master Tapes, Features Audiophile Dynamics. Bruce Springsteen Pianist Roy Bittan, Mark Knopfler's Guitar Playing, and Passionate Performances Turn Making Movies Into a Classic: Includes 'Romeo and Juliet,' 'Tunnel of Love,' 'Solid Rock'. Making Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mÃ©lange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again. Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record - which contains many Springsteen-esque elements - features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about. You know you're in the presence of sonic greatness as soon as the first few seconds of the opening 'Tunnel of Love' pass, as the introductory passage built on organ and piano - new additions to Dire Straits' palette - intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopfler's Fender Vibrolux and Music Man HD130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve. Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks. The album's power isn't lost on Iovine, who later told Rolling Stone: 'The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that.' Indeed, the first five tracks - 'Tunnel of Love,' 'Romeo and Juliet,' 'Skateaway,' 'Expresso Love,' 'Hand in Hand' - comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. 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It's the only Beatles album where George Harrison songs outnumber Lennon-McCartney compositions among the band's contributions, a small but telling sign of where things were heading.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut.  Yellow Submarine \"\"Only A Northern Song\"\" is presented in mono. Additional insert includes original American liner notes\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Yellow Submarine\u003c\/div\u003e\n\u003cdiv\u003e2. Only A Northern Song\u003c\/div\u003e\n\u003cdiv\u003e3. All Together Now\u003c\/div\u003e\n\u003cdiv\u003e4. Hey Bulldog\u003c\/div\u003e\n\u003cdiv\u003e5. It's All Too Much\u003c\/div\u003e\n\u003cdiv\u003e6. All You Need Is Love\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Pepperland\u003c\/div\u003e\n\u003cdiv\u003e2. Sea Of Time\u003c\/div\u003e\n\u003cdiv\u003e3. Sea Of Holes\u003c\/div\u003e\n\u003cdiv\u003e4. Sea Of Monsters\u003c\/div\u003e\n\u003cdiv\u003e5. March Of The Meanies\u003c\/div\u003e\n\u003cdiv\u003e6. Pepperland Laid Waste\u003c\/div\u003e\n\u003cdiv\u003e7. Yellow Submarine In Pepperland\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094638246718\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455540998299,"sku":"400221","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-9018860339355-lp-1777391250098_png.webp?v=1777391271"},{"product_id":"gary-clark-jr-jpeg-raw-180g-lp-vinyl","title":"Gary Clark Jr. – JPEG RAW (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAustin's Gary Clark Jr. has always carried the weight of expectation lightly, earning his reputation the hard way through relentless live performance before ever making a studio statement. JPEG RAW finds him in full creative control, produced alongside Jacob Picture, pushing into territory that feels personal rather than calculated. For fans who know him from his scorching Antone's sets or his early Bright Lights EP, this is the album where the ambition finally matches the talent.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eGary Clark Jr.’s forthcoming album entitled JPEG RAW, his fourth studio release,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003emarks a grand step in his musical evolution…. A powerful and expansive artistic statement.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile retaining the deep and true resonance of his blues foundations and guitar virtuosity with subtlety yet conviction, he reaches well beyond this time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe emphasis here is on song and studio craft without losing the rawness of his young legend. (Rolling Stone Magazine called him, The Chosen One).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe music is dense and adventurous with a more cohesive synthesis of his eclectic musical  palette.  Hip samples, Thelonious Monk and Sonny Boy Williamson decorate flourishes of African,  World Music, even Jazz while merging with blues , rock, R\u0026amp;B and rap; familiar areas he has ventured before, this time with more unity forging a fresh new style.  Clark’s lyrics are  pointed, deeply personal, outspoken and socially conscious with occasional forays into  rap and spoken word from Clark himself.  The sonics are immersive verging on modern groove-oriented psychedelia with hip-hop driven beats in verses giving way to anthemic choruses, rich with power-chording and wide fuzz riffage.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSongs like “Maktub”, “JPEG RAW”, “This Is Who We Are”, “Hyperwave” and the epic 10-minute Habits, break fresh ground defying categorization in the ever corporatized, predictable “alt” music world.  The co-written Stevie Wonder duet, “What About The Children” feels like an immediate classic that could have lived on Innervisions or Talking Book if not for Clark’s fuzzed out riff and hip-hop pocket.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eClark has always had swagger and sex in his sound and very dangerous hands when wielding 6 strings. JPEG RAW is all of that and breaks new ground that is both thrilling and inspiring on every level.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Maktub\u003c\/div\u003e\n\u003cdiv\u003e2. JPEG RAW\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Start\u003c\/div\u003e\n\u003cdiv\u003e4. This Is Who We Are\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. To The End Of The Earth\u003c\/div\u003e\n\u003cdiv\u003e2. Alone Together\u003c\/div\u003e\n\u003cdiv\u003e3. What About The Children\u003c\/div\u003e\n\u003cdiv\u003e4. Hearts In Retrograde\u003c\/div\u003e\n\u003cdiv\u003e5. Hyperwave\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Funk Witch U\u003c\/div\u003e\n\u003cdiv\u003e2. Triumph\u003c\/div\u003e\n\u003cdiv\u003e3. Habits\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624847762\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.22.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455570882715,"sku":"561195","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-gary-clark-jr-jpeg-raw-180g-lp-vinyl-vinyl-lp-relix.jpg?v=1777581792"},{"product_id":"bob-marley-the-wailers-uprising-gate-180-gram-lp-vinyl","title":"Bob Marley  \u0026 The Wailers – Uprising (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased just months before Marley's passing in May 1981, Uprising closed out a decade that saw reggae travel from Kingston's Trench Town to every corner of the globe, largely on the strength of his voice and vision. Analogue Productions' 180-gram pressing brings that weight back to the format where it belongs, with the kind of fidelity that lets the quietude of \"Redemption Song\" breathe the way Marley intended it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eUprising would be the final studio album featuring Bob Marley \u0026amp; the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cognizant that this would be their final outing.Released in 1980, Uprising stands as one of Bob Marley's most poignant and spiritually charged albums, embodying both his enduring reggae genius and his reflective, almost prophetic musings on life and faith. What makes Uprising particularly unique in Marley's discography is it's duality-balancing socially conscious anthems with deeply personal expressions of faith, hope, and mortality.Tracks such as the iconic 'Redemption Song,' with it's acoustic simplicity and universal message of liberation, and the haunting 'Forever Loving Jah,' reveal a man at peace with his spirituality. Meanwhile, songs such as 'Could You Be Loved' deliver infectious grooves and crossover appeal, proving Marley's ability to blend message and melody effortlessly.Critics and fans alike hailed Uprising as a high point in Marley's career. It received acclaim for it's mature sound and cohesive vision, with reviewers highlighting it's raw emotional power. While it didn't achieve the explosive commercial success of Exodus or Kaya, it cemented Marley's status as a global ambassador for reggae and freedom.For Marley fans, it's more than an album - it's a testament to his enduring spirit.Now, Analogue Productions gives Uprising the deluxe treatment this album, with it's rich heritage, deserves. Pressed on 180-gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.Mastered by Ryan K. Smith at Sterling Sound from the original master tapeTwo 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings\/Also on Hybrid Multichannel SACDDeluxe Old-Style Tip-On Stoughton Printing gatefold jacketTracklist:Side 11. Coming In From The Cold2. Real SituationSide 21. Bad Card2. We And Them3. WorkSide 31. Zion Train2. Pimper's Paradise3. Could You Be LovedSide 41. Forever Loving Jah2. Redemption Song\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088018275\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Coming In From The Cold (4:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Real Situation (3:08)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Bad Cards (2:48)\u003c\/div\u003e\n\u003cdiv\u003e2. We And Them (3:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Work (3:40)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Zion Train (3:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Pimper's Paradise (3:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Could You Be Loved (3:56)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Forever Loving Jah (3:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Redemption Song (3:47)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455573242011,"sku":"105494725","price":97.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-bob-marley-the-wailers-uprising-gate-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1777586069"},{"product_id":"rolling-stones-foreign-tongues-black-180g-lp-vinyl","title":"Rolling Stones – Foreign Tongues (180g LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMick Jagger and Keith Richards are now deep into their seventh decade as a songwriting partnership, a run that has outlasted entire genres and generations of imitators. Andrew Watt, who helmed Hackney Diamonds, returns here, continuing a creative alliance that proved the Stones could still write with urgency rather than nostalgia. With Charlie Watts woven into the fabric of these sessions, Foreign Tongues carries the weight of legacy without being burdened by it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eForeign Tongues, the vibrant 14-track album from the Rolling Stones, arrives less than three years after the Grammy-winning Hackney Diamonds. Led by the infectious single “In The Stars,” it was recorded in under a month at Metropolis Studios with producer Andrew Watt. Blending their signature sound with fresh sonic territory, the album features Charlie Watts on one of his final sessions, plus contributions from Darryl Jones, Steve Jordan, Paul McCartney, Robert Smith and more. The Limited edition Indie Exclusive version includes a gatefold sleeve and heavyweight 180g green vinyl. Standard 2LP version includes a gatefold sleeve and heavyweight 180g black vinyl. Standard digisleeve CD version includes a 16-page lyric booklet.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602488213486\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cimg\u003e\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48545572421787,"sku":"183868521","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Rolling-Stones-Foreign-Tongues-180g-LP-Vinyl.jpg?v=1778587281"},{"product_id":"mynd-reader-180g-limited-edition-boulder-smoke-variant","title":"Mynd Reader – Mynd Reader (Boulder Smoke 180g LP Vinyl)","description":"\u003cp\u003e\u003cb\u003eIN STOCK AND SHIPPING NOW!\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eMixed by Michael Brauer (Coldplay, My Morning Jacket, Rolling Stones)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eA hometown piece of Colorado magic — the \u003c\/span\u003e\u003cspan class=\"s2\" style=\"font-size: 0.875rem;\"\u003e\u003cb\u003e180-gram \"Boulder Smoke\" variant\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, limited to \u003c\/span\u003e\u003cspan class=\"s2\" style=\"font-size: 0.875rem;\"\u003e\u003cb\u003ejust 500 copies\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, each uniquely swirled and pressed at Paramount Pressing.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eInspired by \u003c\/span\u003e\u003cspan class=\"s2\" style=\"font-size: 0.875rem;\"\u003e\u003cb\u003emountain haze, sunset glow, and the analog mystique of Boulder\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, this limited edition colorway is a collector's dream. The record itself unfolds like a \u003c\/span\u003e\u003cspan class=\"s2\" style=\"font-size: 0.875rem;\"\u003e\u003cb\u003evintage film photo warming in your hands\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e: dusty psychedelic soul-rock, southern grit, and widescreen emotional storytelling.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eFeaturing the \u003c\/span\u003e\u003cspan class=\"s2\" style=\"font-size: 0.875rem;\"\u003e\u003cb\u003eBillboard-charting hits \"Radio Warning\" and \"Simply Avanti,\"\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e plus standout deep cuts like \"Birdsong,\" \"Home,\" and \"Mourning Light,\" this debut showcases a band rewriting the next chapter of American rock.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eCritics say:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003ci\u003e\"Their debut plays like a map from collapse to clarity, proof that rock and roll can still be raw, spiritual, and transformative.\"\u003c\/i\u003e — \u003cspan class=\"s2\"\u003e\u003cb\u003eRolling Stone UK\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003ci\u003e\"The record isn't just a set of songs. It's a reckoning—pulled from personal chaos and rebuilt into something cathartic, urgent, and alive.\"\u003c\/i\u003e — \u003cspan class=\"s2\"\u003e\u003cb\u003eSpin Magazine\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003ci\u003e\"A ten-track journey from collapse to clarity, channeling survival, redemption, and the restorative power of sound.\"\u003c\/i\u003e — \u003cspan class=\"s2\"\u003e\u003cb\u003eBillboard Brasil\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003ci\u003e\"Our Favorite Music Discoveries of 2026\"\u003c\/i\u003e — \u003cspan class=\"s2\"\u003e\u003cb\u003eHit Parader Magazine\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003ci\u003e\"When I first heard MYND READER, it took me back to Paul Rodgers and Bad Company — that pure, unfiltered rock energy.\"\u003c\/i\u003e — \u003cspan class=\"s2\"\u003e\u003cb\u003eMichael Brauer, 7x GRAMMY-winning mixer (Coldplay, The Rolling Stones, Mynd Reader)\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eThis is the \u003cspan class=\"s2\"\u003e\u003cb\u003ecollector's edition\u003c\/b\u003e\u003c\/span\u003e — a 1 of 500 physical artifact for a once-in-a-generation Colorado rock band.\u003c\/p\u003e\n\u003ch3\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eTracklisting\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eSIDE A \u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e1.) RADIO WARNING (3:33)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2.) SIMPLY AVANTI (4:17)\u003c\/p\u003e\n\u003cp\u003e3.) FALLING DOWN (3:29)\u003c\/p\u003e\n\u003cp\u003e4.) OSLO (6:04)\u003c\/p\u003e\n\u003cp\u003e5.) LEAVING OUR LIVES (3:02)\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eSIDE B\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e6. MOURNING LIGHT (4:14)\u003c\/p\u003e\n\u003cp\u003e7. MYND READER (4:00)\u003c\/p\u003e\n\u003cp\u003e8. HOME (5:19)\u003c\/p\u003e\n\u003cp\u003e9. BIRDSONG (6:24)\u003c\/p\u003e\n\u003cp\u003e10. THINK ABOUT IT (3:13)\u003c\/p\u003e","brand":"MYND READER","offers":[{"title":"Default Title","offer_id":48570607370395,"sku":"MR 333 BOULDER SMOKE","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Mynd-Reader-Mynd-Reader-Limited-Edition-Boulder-Smoke-180g-LP-Vinyl.jpg?v=1778846503"},{"product_id":"fela-kuti-i-t-t-180-gram-lp-vinyl","title":"Fela Kuti – I.T.T. (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFela Kuti recorded I.T.T. at one of the most dangerous moments of his life, when naming names meant real consequences. The Egypt 80 band he assembled after Afrika 70's breakup was a leaner, more politically focused ensemble, and the two extended tracks here reflect that urgency, with Fela's alto saxophone and vocals delivering accusations against multinational power and Nigerian corruption with the force of a legal brief set to Afrobeat.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e180gm vinyl LP pressing. I.T.T. International Thief Thief (1980) was recorded following Afrika 70's disintegration and the formation of Egypt 80. It is one of a quartet of courageous 1979\/80 albums completed by V.I.P. (Vagabonds In Power), Authority Stealing and Coffin For Head Of State. In \"International Thief Thief,\" Fela makes highly insulting, personal attacks on former Nigerian president General Obasanjo, and Moshood Abiola, the local chief executive of the multi-national corporations Internal Telephone \u0026amp; Telegraph (ITT) and Decca Records. Obasanjo Fela regarded as a crook, an incompetent and a thug, and held him responsible for the death of his mother following the 1977 sack of Kalakuta. Abiola, he believed, had both cheated him out of royalties and conspired with Decca's London bosses to silence him after the 1977 attack, in order to maintain favourable relations with Obasanjo's regime. Both men, Fela says, are \"thieves,\" \"rats\" and of \"low mentality.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. I.T.T. (International Thief Thief) (Part 1)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I.T.T. 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