{"title":"4AD Records Vinyl, CDs \u0026 Cassettes","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eIvo Watts-Russell and Peter Kent started 4AD in London in 1979 out of the offices of Beggars Banquet Records, and what they built over the following two decades became one of the most distinctive and influential catalogs in independent music history. The label had a sound, or more accurately, an atmosphere, something dark and beautiful and carefully constructed, and it had a look to match, thanks to designer Vaughan Oliver, whose artwork for 4AD releases was as recognizable as the music itself.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe early roster immediately announced the label's sensibility. Bauhaus launched Gothic rock here. The Birthday Party, Nick Cave's first band, brought a feral intensity that nobody else was approaching. Cocteau Twins created something essentially untranslatable, ethereal, and layered, and completely their own. Dead Can Dance. Modern English. This Mortal Coil, Watts-Russell's own shifting project that brought 4AD artists together and produced some of the most haunting records of the era.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe label expanded into American indie in the late Eighties, signing Throwing Muses and then the Pixies, whose catalog here remains foundational to essentially everything that happened in alternative rock in the decade that followed. The Breeders. Belly.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe current 4AD carries that legacy forward with a roster that includes Big Thief, whose run of records has made them one of the most critically serious bands in contemporary indie rock. The National built their career under this roof. Bon Iver. Grimes. The label has never stopped finding artists whose work earns the attention it demands.\u003c\/p\u003e","products":[{"product_id":"big-thief-double-infinity-lp-vinyl","title":"Big Thief – Double Infinity (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAdrianne Lenker has always written from a place of radical vulnerability, but Double Infinity finds Big Thief expanding outward, trading the intimate folk-rock framework of albums like Dragon New Warm Mountain I Believe in You for something more communal and atmospheric. Recorded live to tape with an ensemble that includes ambient icon Laraaji, the sessions prioritized collective improvisation over polish, a philosophy that echoes the best of the band's notoriously loose and generous live performances.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIt was winter in Manhattan. The streets were frozen and still the band rode bicycles to the Power Station on 53rd and back to Brooklyn for three weeks. Three weeks that would mark the birth of Double Infinity - the album that constitutes a grand departure for Big Thief. An ultramodern community of musicians gathered in the warm wooden room where Bruce once stood. They all tracked together – simultaneously – improvising arrangements and making collective discoveries. \u003c\/p\u003e\n\u003cp\u003eLaraaji created drones with zither and an iPad and sang intuitive vocal melodies. Joshua Crumbly played bass; Mikey Buishas made live tape loops and played keys; Mikel Patrick Avery, Jon Nellen, and Caleb Michel played percussion; Adam Brisbin played guitar; and Hannah Cohen, Alena Spanger and June McDoom sang background vocals. Along with core members Adrianne, Buck, and James, the group played for nine hours a day. Double Infinity is the archive of this play. It could only have been produced, engineered, and mixed by longtime Big Thief collaborator Dom Monks. \u003c\/p\u003e\n\u003cp\u003e“Double Infinity,” reaches into the idea of inner and outer worlds, and the body as the bridge. It speaks to the purgatory created by the human brain, always looking to the past or future, between the things we’ve lost and the things we want, between desire and regret. “Beauty speak to me, let me know you, let me see myself inside your mystery, through the crystal cage of aging.” It calls for true beauty to speak, not fabricated, conditioned ideas of beauty. At the bridge between “what is forming” and “what is fading”, between “losing and of gaining”, “mourning and celebrating”, perhaps there is solace in “the eye behind the essence, still, unmovable”, that which is “unchanging”, outside of time. Is it love?\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Incomprehensible\u003c\/div\u003e\n\u003cdiv\u003e2. Words\u003c\/div\u003e\n\u003cdiv\u003e3. Los Angeles\u003c\/div\u003e\n\u003cdiv\u003e4. All Night All Day\u003c\/div\u003e\n\u003cdiv\u003e5. Double Infinity\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. No Fear\u003c\/div\u003e\n\u003cdiv\u003e2. Grandmother\u003c\/div\u003e\n\u003cdiv\u003e3. Happy With You\u003c\/div\u003e\n\u003cdiv\u003e4. How Could I Have Known\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400085015\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262783041691,"sku":"301582","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8975157067931-lp-relix.png?v=1776274879"},{"product_id":"big-thief-dragon-new-warm-mountain-i-believe-in-you-cd","title":"Big Thief – Dragon New Warm Mountain I Believe In You (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded across four different sessions in four different locations, ranging from the Catskills to the Rockies, this double album captures Big Thief at their most expansive and unhurried, letting songs breathe into folk, country, and noise without ever losing the intimate core that made Adrianne Lenker's songwriting a touchstone for a generation of listeners. Twenty tracks, no filler, just a band fully trusting themselves and each other.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eDragon New Warm Mountain I Believe in You is a sprawling double-LP exploring the deepest elements and possibilities of Big Thief. To truly dig into all that the music of Adrianne Lenker, Max Oleartchick, Buck Meek, and James Krivchenia desired in 2020, the band decided to write and record a rambling account of growth as individuals, musicians, and chosen family over 4 distinct recording sessions. Change Time Escaping Spud Infinity Certainty Dragon New Warm Mountain I Believe in You Sparrow Little Things Heavy Bend Flower of Blood Blurred View Red Moon Dried Roses No Reason Wake Me up to Drive Promise Is a Pendulum 12,000 Lines Simulation Swarm Love Love Love The Only Place Blue Lightning\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Change (4:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Time Escaping (3:48)\u003c\/div\u003e\n\u003cdiv\u003e3. Spud Infinity (5:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Certainty (3:07)\u003c\/div\u003e\n\u003cdiv\u003e5. Dragon New Warm Mountain I Believe In You (4:43)\u003c\/div\u003e\n\u003cdiv\u003e6. Sparrow (5:11)\u003c\/div\u003e\n\u003cdiv\u003e7. Little Things (5:44)\u003c\/div\u003e\n\u003cdiv\u003e8. Heavy Bend (1:36)\u003c\/div\u003e\n\u003cdiv\u003e9. Flower Of Blood (4:24)\u003c\/div\u003e\n\u003cdiv\u003e10. Blurred View (4:06)\u003c\/div\u003e\n\u003cdiv\u003e11. Red Moon (4:19)\u003c\/div\u003e\n\u003cdiv\u003e12. Dried Roses (2:35)\u003c\/div\u003e\n\u003cdiv\u003e13. No Reason (3:47)\u003c\/div\u003e\n\u003cdiv\u003e14. Wake Me Up To Drive (3:43)\u003c\/div\u003e\n\u003cdiv\u003e15. Promise Is A Pendulum (4:12)\u003c\/div\u003e\n\u003cdiv\u003e16. 12,000 Lines (2:59)\u003c\/div\u003e\n\u003cdiv\u003e17. Simulation Swarm (4:12)\u003c\/div\u003e\n\u003cdiv\u003e18. Love Love Love (4:13)\u003c\/div\u003e\n\u003cdiv\u003e19. The Only Place (3:14)\u003c\/div\u003e\n\u003cdiv\u003e20. Blue Lightning (3:51)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400040823\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.11.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271121449115,"sku":"9933","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978160681115-cd-relix.png?v=1776965338"},{"product_id":"big-thief-two-hands-lp-vinyl","title":"Big Thief – Two Hands (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eBig Thief is known for the restrained power of their live performances, and that compelling energy is captured with a fierce resolve on every track of this album. They move along slowly, to intensify the overall impact of the music, keeping Adrianne Lenker's vocals up front in the mix. Some of the tunes here are longtime crowd favorites, recorded for the first time, and every one of them rings with a forceful intensity. The bruised heart at the core of Lenker's songs is magnified by the band's instrumental prowess. They play with a subtle intensity that's all tension and no release, adding an almost unbearable pressure to every arrangement. Lenker's acoustic strumming opens \"Not\" and her desperate vocal builds up to Buck Meek's wall of guitar noise—a growling, feedback-drenched excursion that's one of the album's most alarming musical moments. The singer\/guitarist's apocalyptic vision and the band's measured tempos make every word bristle with foreboding. \"Forgotten Eyes\" is a mid-tempo prayer for protection, but the distorted guitar work and relentless, throbbing rhythms of James Krivchenia's drums and Max Oleartchik's bass suggest salvation is a long way off, if even attainable. The album closer, \"Cut My Hair,\" may be the quietest song in the set, but Lenker's trembling voice gives it an ominous aura that's intensified by Krivchenia's crisp, understated work on the snare and Meek's reverb-drenched guitar as it produces thick clusters of chords that hang in the air like tolling funeral bells.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— dean, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/big-thief-two-hands\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAdrianne Lenker has always written closest to the bone in front of a live audience, and Two Hands captures that urgency by design. Recorded in the Texas hill country, the album strips Big Thief down to their most elemental, letting the band's intuitive chemistry breathe without the safety net of the studio. It's the rare companion record that doesn't feel like a footnote.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eTwo Hands, a completely new, fully-realized, 10-song album by Big Thief, will arrive just five months after their breakthrough U.F.O.F., one of the most acclaimed albums of 2019. In sharp contrast to the wet environment of the U.F.O.F. session, Two Hands had to be completely different— an album about the earth and the bones beneath it. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself on dried-out, cracked desert dirt. Anybody who has borne witness to Big Thief in the wild will find songs they recognize here. Much of the album’s tracks (“The Toy”, “Those Girls”, “Shoulders”, “Not”, “Cut My Hair”) have been live staples for years. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTwo Hands has the songs that I’m the most proud of; I can imagine myself singing them when I’m old,” says singer\/songwriter Adrianne Lenker. With raw power, intimacy, and honor, Two Hands folds itself gracefully into Big Thief’s impressive discography. This body of work grows deeper and more inspiring with each new album.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Rock And Sing\u003cbr\u003eA2. Forgotten Eyes\u003cbr\u003eA3. The Toy\u003cbr\u003eA4. Two Hands\u003cbr\u003eA5. Those Girls\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB6. Shoulders\u003cbr\u003eB7. Not\u003cbr\u003eB8. Wolf\u003cbr\u003eB9. Replaced\u003cbr\u003eB10. Cut My Hair\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400018013\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.11.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271151104155,"sku":"23832","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Big-Thief-Two-Hands-LP-Vinyl.png?v=1776111672"},{"product_id":"big-thief-two-hands-cd","title":"Big Thief – Two Hands (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eBig Thief is known for the restrained power of their live performances, and that compelling energy is captured with a fierce resolve on every track of this album. They move along slowly, to intensify the overall impact of the music, keeping Adrianne Lenker's vocals up front in the mix. Some of the tunes here are longtime crowd favorites, recorded for the first time, and every one of them rings with a forceful intensity. The bruised heart at the core of Lenker's songs is magnified by the band's instrumental prowess. They play with a subtle intensity that's all tension and no release, adding an almost unbearable pressure to every arrangement. Lenker's acoustic strumming opens \"Not\" and her desperate vocal builds up to Buck Meek's wall of guitar noise—a growling, feedback-drenched excursion that's one of the album's most alarming musical moments. The singer\/guitarist's apocalyptic vision and the band's measured tempos make every word bristle with foreboding. \"Forgotten Eyes\" is a mid-tempo prayer for protection, but the distorted guitar work and relentless, throbbing rhythms of James Krivchenia's drums and Max Oleartchik's bass suggest salvation is a long way off, if even attainable. The album closer, \"Cut My Hair,\" may be the quietest song in the set, but Lenker's trembling voice gives it an ominous aura that's intensified by Krivchenia's crisp, understated work on the snare and Meek's reverb-drenched guitar as it produces thick clusters of chords that hang in the air like tolling funeral bells.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— dean, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/big-thief-two-hands\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAdrianne Lenker wrote much of this material on the road, and it shows. Two Hands captures Big Thief at their most live-wire and unguarded, the kind of stark, room-present sound that fans who caught them in small venues always hoped would make it to tape. Released just months after U.F.O.F., it proved the band wasn't coasting on breakthrough momentum but pushing in an entirely opposite direction.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eTwo Hands, a completely new, fully-realized, 10-song album by Big Thief, will arrive just five months after their breakthrough U.F.O.F., one of the most acclaimed albums of 2019. In sharp contrast to the wet environment of the U.F.O.F. session, Two Hands had to be completely different— an album about the earth and the bones beneath it. The songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself on dried-out, cracked desert dirt. Anybody who has borne witness to Big Thief in the wild will find songs they recognize here. Much of the album’s tracks (“The Toy”, “Those Girls”, “Shoulders”, “Not”, “Cut My Hair”) have been live staples for years. Two Hands has the songs that I’m the most proud of; I can imagine myself singing them when I’m old,” says singer\/songwriter Adrianne Lenker. With raw power, intimacy, and honor, Two Hands folds itself gracefully into Big Thief’s impressive discography. This body of work grows deeper and more inspiring with each new album.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Rock And Sing (2:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Forgotten Eyes (3:31)\u003c\/div\u003e\n\u003cdiv\u003e3. The Toy (4:16)\u003c\/div\u003e\n\u003cdiv\u003e4. Two Hands (3:52)\u003c\/div\u003e\n\u003cdiv\u003e5. Those Girls (3:22)\u003c\/div\u003e\n\u003cdiv\u003e6. Shoulders (3:13)\u003c\/div\u003e\n\u003cdiv\u003e7. Not (6:07)\u003c\/div\u003e\n\u003cdiv\u003e8. Wolf (4:42)\u003c\/div\u003e\n\u003cdiv\u003e9. Replaced (4:54)\u003c\/div\u003e\n\u003cdiv\u003e10. Cut My Hair (3:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400018020\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.11.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271156576411,"sku":"202413","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Big-Thief-Two-Hands-CD-2.png?v=1776263318"},{"product_id":"big-thief-double-infinity-cd","title":"Big Thief – Double Infinity (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAdrianne Lenker has always written from a place of radical vulnerability, but Big Thief's sixth studio album finds the band dissolving the boundary between composition and pure improvisation in ways their earlier work only gestured toward. Recorded live to tape with an expanded ensemble, Double Infinity marks a genuine shift in the band's sonic philosophy, one rooted in communal trust rather than arrangement.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIt was winter in Manhattan. The streets were frozen and still the band rode bicycles to the Power Station on 53rd and back to Brooklyn for three weeks. Three weeks that would mark the birth of Double Infinity - the album that constitutes a grand departure for Big Thief. An ultramodern community of musicians gathered in the warm wooden room where Bruce once stood. They all tracked together - simultaneously - improvising arrangements and making collective discoveries. Laraaji created drones with zither and an iPad and sang intuitive vocal melodies. Joshua Crumbly played bass; Mikey Buishas made live tape loops and played keys; Mikel Patrick Avery, Jon Nellen, and Caleb Michel played percussion; Adam Brisbin played guitar; and Hannah Cohen, Alena Spanger and June McDoom sang background vocals. Along with core members Adrianne, Buck, and James, the group played for nine hours a day. Double Infinity is the archive of this play. It could only have been produced, engineered, and mixed by longtime Big Thief collaborator Dom Monks. \"Double Infinity,\" reaches into the idea of inner and outer worlds, and the body as the bridge.\u003c\/p\u003e \u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Incomprehensible (3:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Words (3:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Los Angeles (3:57)\u003c\/div\u003e\n\u003cdiv\u003e4. All Night All Day (4:49)\u003c\/div\u003e\n\u003cdiv\u003e5. Double Infinity (4:13)\u003c\/div\u003e\n\u003cdiv\u003e6. No Fear (6:59)\u003c\/div\u003e\n\u003cdiv\u003e7. Grandmother (6:00)\u003c\/div\u003e\n\u003cdiv\u003e8. Happy With You (4:27)\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e9. How Could I Have Known (4:51)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400085022\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Incomprehensible (3:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Words (3:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Los Angeles (3:57)\u003c\/div\u003e\n\u003cdiv\u003e4. All Night All Day (4:49)\u003c\/div\u003e\n\u003cdiv\u003e5. Double Infinity (4:13)\u003c\/div\u003e\n\u003cdiv\u003e6. No Fear (6:59)\u003c\/div\u003e\n\u003cdiv\u003e7. Grandmother (6:00)\u003c\/div\u003e\n\u003cdiv\u003e8. Happy With You (4:27)\u003c\/div\u003e\n\u003cdiv\u003e9. How Could I Have Known (4:51)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271182921883,"sku":"242986","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978168447131-cd-relix.png?v=1776288259"},{"product_id":"big-thief-masterpiece-with-booklet-cd","title":"Big Thief – Masterpiece (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAdrianne Lenker was already a solo artist with a devoted following when Big Thief formed in Brooklyn in 2015, but *Masterpiece* announced the band as something larger than any of its parts. Produced by Andrew Sarlo, the album established the raw, close-mic'd intimacy that would define Big Thief's sound and draw comparisons to the confessional folk lineage of the early 1970s.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBig Thief's music, rooted in the songs of Adrianne Lenker, paints in vivid tones \"the process of harnessing pain, loss, and love, while simultaneously letting go, looking into your own eyes through someone else's, and being okay with the inevitability of death,\" says Adrianne.Masterpiece, Big Thief's debut album, is filled with characters and visceral narratives, songs that pivot in the space of a few words. Adrianne's voice and guitar playing speak of rich emotional territory with grace and insight. In her words, the record tracks \"the masterpiece of existence, which is always folding into itself, people attempting to connect, to both shake themselves awake and to shake off the numbness of certain points in their life. The interpretations might be impressionistic or surrealistic, but they're grounded in simple things.\"Adrianne met longtime musical partner, guitarist and singer, Buck Meek, in Brooklyn, and they quickly formed a creative bond tempered by the experience of traveling and performing for months on end in old dive bars, yards, barns, and basements together. They recorded a pair of duo albums (A-Sides and B-Sides), and Adrianne showcased her songs on a solo album, Hours Were The Birds.Now, as a full rock and roll band, with Buck on guitar, Max Oleartchik on bass, and James Krivchenia on drums, they bring a steady wildness, giving the songs an even deeper layer of nostalgia. \"These guys feel like a pack of wolves at my back,\" says Adrianne, \"they make the songs howl and bark with a fierce tenderness that gives me courage.\"After spending last July in an old house that they turned into a studio on Lake Champlain with producer Andrew Sarlo, the resulting collection soars on what Big Thief fan Sharon Van Etten calls \"... a real journey, with intelligent stories and twist-and-turn melodies.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Little Arrow\u003c\/div\u003e\n\u003cdiv\u003e2. Masterpiece\u003c\/div\u003e\n\u003cdiv\u003e3. Vegas\u003c\/div\u003e\n\u003cdiv\u003e4. Real Love\u003c\/div\u003e\n\u003cdiv\u003e5. Interstate\u003c\/div\u003e\n\u003cdiv\u003e6. Lorraine\u003c\/div\u003e\n\u003cdiv\u003e7. Paul\u003c\/div\u003e\n\u003cdiv\u003e8. Humans\u003c\/div\u003e\n\u003cdiv\u003e9. Velvet Ring\u003c\/div\u003e\n\u003cdiv\u003e10. Animals\u003c\/div\u003e\n\u003cdiv\u003e11. Randy\u003c\/div\u003e\n\u003cdiv\u003e12. Parallels\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400056220\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.8.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271196782747,"sku":"387419","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Big-Thief-Masterpiece-With-Booklet-CD-2.png?v=1776274642"},{"product_id":"big-thief-u-f-o-f-cd","title":"Big Thief – U.F.O.F. (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAdrianne Lenker has always written from a place of radical vulnerability, but U.F.O.F. finds Big Thief pushing further into the ethereal, trading some of the raw folk-rock directness of their earlier work for something more textured and strange. Recorded in the woods of Washington State, the album carries an almost environmental quality, like the landscape itself got into the tape.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eU.F.O.F., F standing for ‘Friend’, is the name of the highly anticipated third record by Big Thief, set to be released by 4AD on May 3rd. The New York-based band, featuring Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums), has spent the last 4 years on an incessant world tour, winning the devotion of an enthusiastic and rapidly expanding audience. Their songs represent an emotional bravery and realness that weaves intimate relationships with the listener, a phenomenon that has made them one of the most widely-respected bands of the current era. Their first two back-to-back releases, Masterpiece (2016) and Capacity (2017), have been analysed, wept to, danced to, critically applauded, imitated, hummed idly, and shouted out loud. They have soundtracked crowded restaurants, difficult conversations, cowboy bars, yoga classes, night drives, and lonely bedrooms. U.F.O.F. was recorded in rural western Washington at Bear Creek Studios. In a large cabin-like room, the band set up their gear to track live with engineer Dom Monks and producer Andrew Sarlo, who was also behind their previous albums. Having already lived these songs on tour, they were relaxed and ready to experiment. The raw material came quickly. Some songs were written only hours before recording and stretched out instantly, first take, vocals and all. Others were explored in search of perfected moments of dynamic feedback and spiritual, rhythmic togetherness. A careful New Age sprinkle of mystical textures and stabs was added and kept in the mix only when all agreed that each element had become absolutely crucial to the tune. The completed palette feels classic, upfront and honest, with an occasional, welcome glimpse into the magic box.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Contact (3:54)\u003c\/div\u003e\n\u003cdiv\u003e2. UFOF (3:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Cattails (4:05)\u003c\/div\u003e\n\u003cdiv\u003e4. From (3:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Open Desert (3:47)\u003c\/div\u003e\n\u003cdiv\u003e6. Orange (3:30)\u003c\/div\u003e\n\u003cdiv\u003e7. Century (3:07)\u003c\/div\u003e\n\u003cdiv\u003e8. Strange (3:41)\u003c\/div\u003e\n\u003cdiv\u003e9. Betsy (3:28)\u003c\/div\u003e\n\u003cdiv\u003e10. Terminal Paradise (3:25)\u003c\/div\u003e\n\u003cdiv\u003e11. Jenni (4:11)\u003c\/div\u003e\n\u003cdiv\u003e12. Magic Dealer (3:01)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400012929\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.3.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271206449307,"sku":"392658","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Big-Thief-U_f_o_f_-CD-2.png?v=1776287981"},{"product_id":"big-thief-u-f-o-f-lp-vinyl","title":"Big Thief – U.F.O.F. 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The New York-based band, featuring Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums), has spent the last 4 years on an incessant world tour, winning the devotion of an enthusiastic and rapidly expanding audience. Their songs represent an emotional bravery and realness that weaves intimate relationships with the listener, a phenomenon that has made them one of the most widely-respected bands of the current era. Their first two back-to-back releases, Masterpiece (2016) and Capacity (2017), have been analysed, wept to, danced to, critically applauded, imitated, hummed idly, and shouted out loud. They have soundtracked crowded restaurants, difficult conversations, cowboy bars, yoga classes, night drives, and lonely bedrooms. U.F.O.F. was recorded in rural western Washington at Bear Creek Studios. In a large cabin-like room, the band set up their gear to track live with engineer Dom Monks and producer Andrew Sarlo, who was also behind their previous albums. Having already lived these songs on tour, they were relaxed and ready to experiment. The raw material came quickly. Some songs were written only hours before recording and stretched out instantly, first take, vocals and all. Others were explored in search of perfected moments of dynamic feedback and spiritual, rhythmic togetherness. A careful New Age sprinkle of mystical textures and stabs was added and kept in the mix only when all agreed that each element had become absolutely crucial to the tune. The completed palette feels classic, upfront and honest, with an occasional, welcome glimpse into the magic box.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eContact\u003c\/li\u003e\n\u003cli\u003eUFOF\u003c\/li\u003e\n\u003cli\u003eCattails\u003c\/li\u003e\n\u003cli\u003eFrom\u003c\/li\u003e\n\u003cli\u003eOpen Desert\u003c\/li\u003e\n\u003cli\u003eOrange\u003c\/li\u003e\n\u003cli\u003eCentury\u003c\/li\u003e\n\u003cli\u003eStrange\u003c\/li\u003e\n\u003cli\u003eBetsy\u003c\/li\u003e\n\u003cli\u003eTerminal Paradise\u003c\/li\u003e\n\u003cli\u003eJenni\u003c\/li\u003e\n\u003cli\u003eMagic Dealer\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400012912\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.3.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271235219611,"sku":"537709","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978182340763-lp-relix.png?v=1776274806"},{"product_id":"big-thief-capacity-cd","title":"Big Thief – Capacity (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAdrianne Lenker wrote most of *Capacity* while processing deeply personal material, and the intimacy of those upstate New York sessions comes through in every note. The band captured something raw and unguarded here, a quality that would define Big Thief's reputation as one of the most emotionally honest acts to emerge from the indie rock world in years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCapacity by Big Thief CD The trails that Brooklyn's Big Thief - Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums) - take us down on 2017's Capacity, the band's highly critically acclaimed sophomore album, are overgrown with the wilderness of pumping souls. After 2016's stunning Masterpiece, Capacity was recorded in a snowy winter nest in upstate New York at Outlier Studio with producer Andrew Sarlo. The album jumps right into lives marked up and nipped in surprisingly swift fashion. They are peopled and unpeopled, spooked and soothed, regenerating back into a state where they can once again be vulnerable. Lenker's songs introduce us to a gallery of multifaceted women and deal with the complicated matters of identity - at once dangerous and curious, though never unbelievable. Lenker shows us the gentle side of being ripped open. Tricked into love, done in and then witnessing the second act of pulling oneself back together to prepare for it to all happen again, but this time to a sturdier soul, one who is going to take the punches better than ever before and deal some jabs and roundhouses of their own. The album is thick with raw, un-doctored beauty: most of the songs on Capacity were played for the rest time in the studio and were recorded the same day. \"There is a darker darkness and a lighter light on this album,\" Lenker explains. \"The songs search for a deeper level of self-acceptance, to embrace the world within and without. I think Masterpiece began that process, as a reaction from inside the pain, whereas I feel Capacity examines the pain from the outside.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Pretty Things\u003c\/div\u003e\n\u003cdiv\u003e2. Shark Smile\u003c\/div\u003e\n\u003cdiv\u003e3. Capacity\u003c\/div\u003e\n\u003cdiv\u003e4. Watering\u003c\/div\u003e\n\u003cdiv\u003e5. Coma\u003c\/div\u003e\n\u003cdiv\u003e6. Great White Shark\u003c\/div\u003e\n\u003cdiv\u003e7. Mythological Beauty\u003c\/div\u003e\n\u003cdiv\u003e8. Objects\u003c\/div\u003e\n\u003cdiv\u003e9. Haley\u003c\/div\u003e\n\u003cdiv\u003e10. Mark\u003c\/div\u003e\n\u003cdiv\u003e11. Black Diamonds\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400075429\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.31.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271239807131,"sku":"606287","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Big-Thief-Capacity-CD-2.png?v=1776198496"},{"product_id":"big-thief-dragon-new-warm-mountain-i-believe-in-you-lp-vinyl","title":"Big Thief – Dragon New Warm Mountain I Believe In You (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded across four different studios spanning Colorado, upstate New York, California, and Arizona, this double album captures Big Thief at their most restless and prolific, channeling the same loose, communal energy that made their live performances so magnetic. Adrianne Lenker's songwriting here pulls from folk, country, and noise rock without ever feeling calculated, the way the best music from the American vernacular tradition tends to work when a band is truly listening to each other.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDragon New Warm Mountain I Believe in You is a sprawling double-LP exploring the deepest elements and possibilities of Big Thief. To truly dig into all that the music of Adrianne Lenker, Max Oleartchick, Buck Meek, and James Krivchenia desired in 2020, the band decided to write and record a rambling account of growth as individuals, musicians, and chosen family over 4 distinct recording sessions.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Change\u003c\/div\u003e\n\u003cdiv\u003e2. Time Escaping\u003c\/div\u003e\n\u003cdiv\u003e3. Spud Infinity\u003c\/div\u003e\n\u003cdiv\u003e4. Certainty\u003c\/div\u003e\n\u003cdiv\u003e5. Dragon New Warm Mountain I Believe In You\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Sparrow\u003c\/div\u003e\n\u003cdiv\u003e2. Little Things\u003c\/div\u003e\n\u003cdiv\u003e3. Heavy Bend\u003c\/div\u003e\n\u003cdiv\u003e4. Flower Of Blood\u003c\/div\u003e\n\u003cdiv\u003e5. Blurred View\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Red Moon\u003c\/div\u003e\n\u003cdiv\u003e2. Dried Roses\u003c\/div\u003e\n\u003cdiv\u003e3. No Reason\u003c\/div\u003e\n\u003cdiv\u003e4. Wake Me Up To Drive\u003c\/div\u003e\n\u003cdiv\u003e5. Promise Is A Pendulum\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. 12,000 Lines\u003c\/div\u003e\n\u003cdiv\u003e2. Simulation Swarm\u003c\/div\u003e\n\u003cdiv\u003e3. Love Love Love\u003c\/div\u003e\n\u003cdiv\u003e4. The Only Place\u003c\/div\u003e\n\u003cdiv\u003e5. Blue Lightning\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400040816\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.11.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271247573147,"sku":"679959","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978190532763-2xlp-relix.png?v=1776275083"},{"product_id":"the-mountain-goats-tallahassee-lp-vinyl","title":"The Mountain Goats – Tallahassee (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJohn Darnielle wrote the Alpha couple into existence years before *Tallahassee* gave them their final address, tracking their dissolution across a string of lo-fi cassette recordings that built one of indie rock's most devoted followings. Pressing this to vinyl restores a physical weight to songs that were always about the gravity of staying somewhere you should have left long ago.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJohn Darnielle's songs have always dwelled on one or a combination of five subjects, relationship conflicts, flood, water, pre-Colombian Mexico mythology and talking animals. This record conjures paranoid visions of a couple permanently on the cusp of divorce who have remained drunk for so long, they're not sure of much else beyond the mutually destructive urge that holds their house together.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Tallahassee (4:42)\u003c\/div\u003e\n\u003cdiv\u003e2. First Few Desperate Hours (3:03)\u003c\/div\u003e\n\u003cdiv\u003e3. Southwood Plantation Road (2:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Game Shows Touch Our Lives (3:48)\u003c\/div\u003e\n\u003cdiv\u003e5. The House That Dripped Blood (2:53)\u003c\/div\u003e\n\u003cdiv\u003e6. Idylls Of The King (3:32)\u003c\/div\u003e\n\u003cdiv\u003e7. No Children (2:46)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. See America Right (1:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Peacocks (3:44)\u003c\/div\u003e\n\u003cdiv\u003e3. International Small Arms Traffic Blues (2:50)\u003c\/div\u003e\n\u003cdiv\u003e4. Have To Explode (3:21)\u003c\/div\u003e\n\u003cdiv\u003e5. Old College Try (2:52)\u003c\/div\u003e\n\u003cdiv\u003e6. Oceanographer's Choice (4:08)\u003c\/div\u003e\n\u003cdiv\u003e7. Alpha Rats Nest (2:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 652637221510\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.8.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455502659739,"sku":"182713","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-mountain-goats-tallahassee-vinyl-lp-relix.jpg?v=1777499589"},{"product_id":"the-mountain-goats-we-shall-all-be-healed-lp-vinyl","title":"The Mountain Goats – We Shall All Be Healed (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJohn Darnielle wrote these songs from a place of genuine survival, drawing on memories of a meth-soaked world he knew firsthand in the late 1980s. Recorded with a full band at Strange Music in New York, it marked a significant step up in production from the lo-fi bedroom recordings that built his cult following, without softening the emotional directness that made those early tapes so devastating.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2008 reissue vinyl pressing from the 2004 album by John Darnielle's main project, The Mountain Goats. The song \"Cotton\" was featured in an episode of the television series Weeds. The album focuses on semi-fictional accounts of Darnielle's years as a teenager, particularly his friends' and acquaintances' experiences in California and in Portland, Oregon, as methamphetamine addicts. Per their website \"All of the songs on (this CD) are based on people John used to know. Most of them are probably dead or in jail by now.\" the general musical framework within which The Mountain Goats have worked for ten-plus years has been acoustic guitar, bass, and voice. The lyrics are central to the whole enterprise.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Slow West Vultures (2:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Palmcorder Yajna (4:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Linda Blair Was Born Innocent (2:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Letter From Belgium (3:11)\u003c\/div\u003e\n\u003cdiv\u003e5. The Young Thousands (4:34)\u003c\/div\u003e\n\u003cdiv\u003e6. Your Belgian Things (3:48)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Mole (4:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Home Again Garden Grove (3:15)\u003c\/div\u003e\n\u003cdiv\u003e3. All Up The Seething Coast (3:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Quito (2:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Cotton (3:25)\u003c\/div\u003e\n\u003cdiv\u003e6. Against Pollution (3:42)\u003c\/div\u003e\n\u003cdiv\u003e7. Pigs That Ran Straightaway Into The Water, Triumph Of (2:53)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 652637240115\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.8.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455502921883,"sku":"160373","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/front-cover-the-mountain-goats-we-shall-all-be-healed-vinyl-lp-relix.jpg?v=1777411144"},{"product_id":"the-mountain-goats-tallahassee-cd","title":"The Mountain Goats – Tallahassee (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJohn Darnielle had been writing about the Alpha Couple for years across scattered singles and compilations before finally giving them a proper home, and a slow death, in 2002's Tallahassee. The album marked a turning point in the Mountain Goats' catalog, moving from lo-fi cassette recordings toward fuller production while losing none of the gut-punch intimacy that made Darnielle's songwriting so devastating in the first place.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTallahassee - The Mountain Goats - Tallahassee is completely devoted to two of Darnielle's recurring characters, a married couple constantly on the edge of divorce. As such, the lyrics tend to focus on the dysfunction in their relationship. The couple is known to fans as \"the Alpha Couple,\" as many of the previous songs about them have titles beginning with the word \"Alpha\" (e.g. \"Alpha Incipiens,\" \"Alpha Desperation March\"). The final song on the album is titled \"Alpha Rats Nest\" as a nod of sorts to the other songs. - In the songs on this album, the Alpha Couple move into a house on Southwood Plantation Road in Tallahassee, Florida. The house is falling apart, a metaphor for their crumbling marriage. Sick of themselves and each other, yet unwilling to part, they begin drinking themselves to death.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Tallahassee (4:43)\u003c\/div\u003e\n\u003cdiv\u003e2. First Few Desperate Hours (3:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Southwood Plantation Road (2:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Game Shows Touch Our Lives (3:49)\u003c\/div\u003e\n\u003cdiv\u003e5. The House That Dripped Blood (2:53)\u003c\/div\u003e\n\u003cdiv\u003e6. Idylls Of The King (3:32)\u003c\/div\u003e\n\u003cdiv\u003e7. No Children (2:48)\u003c\/div\u003e\n\u003cdiv\u003e8. See America Right (1:52)\u003c\/div\u003e\n\u003cdiv\u003e9. Peacocks (3:44)\u003c\/div\u003e\n\u003cdiv\u003e10. International Small Arms Traffic Blues (2:51)\u003c\/div\u003e\n\u003cdiv\u003e11. Have To Explode (3:22)\u003c\/div\u003e\n\u003cdiv\u003e12. Old College Try (2:53)\u003c\/div\u003e\n\u003cdiv\u003e13. Oceanographer's Choice (4:08)\u003c\/div\u003e\n\u003cdiv\u003e14. Alpha Rats Nest (2:11)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 652637221527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.29.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455508590747,"sku":"282887","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Mountain-Goats-Tallahassee-CD.png?v=1777378945"},{"product_id":"david-byrne-st-vincent-love-this-giant-with-booklet-cd","title":"David Byrne  \u0026 St. Vincent – Love This Giant (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDavid Byrne had already rewritten the rulebook on what a talking head could do with world music and theatrical pop; Annie Clark had built St. Vincent into one of the sharpest guitar-and-art-rock projects of her generation. When the two toured together in 2012 in support of this record, the live show leaned heavily into choreography and ensemble performance, reflecting a shared belief that rock music could still be genuinely strange and physically alive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e'Love This Giant' is a collaboration in the truest sense of the word, with Byrne and St. Vincent (aka Annie Clark) co-writing ten of the album's twelve tracks, and each artist penning one song individually. The album centers around an explosive brass band and is propelled by John Congleton's drum programming.1. Who2. Weekend in the Dust3. Dinner for Two4. Ice Age5. I Am an Ape6. The Forest Awakes7. I Should Watch TV8. Lazarus9. Optimist10. Lighting11. The One Who Broke Your Heart 12. Outside of Space and Time\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 652637323184\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.25.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Who (3:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Weekend In The Dust (3:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Dinner For Two (3:42)\u003c\/div\u003e\n\u003cdiv\u003e4. Ice Age (3:13)\u003c\/div\u003e\n\u003cdiv\u003e5. I Am An Ape (3:05)\u003c\/div\u003e\n\u003cdiv\u003e6. The Forest Awakes (4:52)\u003c\/div\u003e\n\u003cdiv\u003e7. I Should Watch T.V. 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I think Masterpiece began that process, as a reaction from inside the pain, whereas I feel Capacity examines the pain from the outside.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Pretty Things\u003c\/div\u003e\n\u003cdiv\u003e2. Shark Smile\u003c\/div\u003e\n\u003cdiv\u003e3. Capacity\u003c\/div\u003e\n\u003cdiv\u003e4. Watering\u003c\/div\u003e\n\u003cdiv\u003e5. Coma\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Great White Shark\u003c\/div\u003e\n\u003cdiv\u003e2. Mythological Beauty\u003c\/div\u003e\n\u003cdiv\u003e3. Objects\u003c\/div\u003e\n\u003cdiv\u003e4. Haley\u003c\/div\u003e\n\u003cdiv\u003e5. Mark\u003c\/div\u003e\n\u003cdiv\u003e6. Black Diamonds\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400075412\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.31.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455526908059,"sku":"240399","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-big-thief-capacity-vinyl-lp-relix.jpg?v=1777602720"},{"product_id":"david-byrne-st-vincent-love-this-giant-lp-vinyl","title":"David Byrne \u0026 St Vincent – Love This Giant (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAnnie Clark had already established herself as one of rock's most distinctive guitar voices before she and David Byrne found their way to each other, and the pairing made a strange, perfect sense. Byrne's decades of exploring rhythm, texture, and the avant-garde edges of pop, rooted in his Talking Heads years, met Clark's own restless formalism, and what emerged was something neither could have reached alone.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded over two years, largely at Water Music in Hoboken, NJ, LOVE THIS GIANT is a collaboration in the truest sense of the word, with Byrne and St. Vincent (aka Annie Clark) co-writing ten of the albums twelve tracks, and each artist penning one song individually. The album centers around an explosive brass band and is propelled by John Congletons drum programming. 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The album's embrace of outsiders, monsters, and true believers feels like a natural outgrowth of Darnielle's long fascination with people living at the margins, a thread running through everything from the Alpha series to Tallahassee.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Mountain Goats have recorded four fine albums that have established them as a genuine cult phenomenon and confirmed John Darnielle's statue as one of the finest lyricists of his generation. HERETIC PRIDE is a suite of songs about mythical creatures, imaginary cults, slasher films and pulp fiction novelists. 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