{"title":"Analogue Productions Vinyl \u0026 CDs","description":"\u003cp\u003eFor the listener who treats source quality as part of the music, this page collects Analogue Productions titles available at Relix: heavyweight vinyl pressings and audiophile-grade CDs and SACDs drawn from one of the most respected names in high-fidelity reissues.\u003c\/p\u003e\u003cp\u003eThe selection spans decades and genres. On the vinyl side, John Prine's self-titled debut arrives as a 180-gram 2-LP set, while Bob Marley and the Wailers' \u003cem\u003eNatty Dread\u003c\/em\u003e and \u003cem\u003eBurnin\u003c\/em\u003e are each pressed at 180g on clarity vinyl at 33 1\/3 RPM, with \u003cem\u003eNatty Dread\u003c\/em\u003e also available in an LP box configuration. Gram Parsons' \u003cem\u003eGrievous Angel\u003c\/em\u003e comes as a 180-gram 2-LP cut at 45 RPM, joined by Wynton Kelly's \u003cem\u003eKelly Blue\u003c\/em\u003e, Seals and Crofts' \u003cem\u003eSummer Breeze\u003c\/em\u003e, and Van Morrison's \u003cem\u003eHis Band and the Street Choir\u003c\/em\u003e, all in the same 180-gram 45 RPM 2-LP format. The Bill Evans Trio is represented by both \u003cem\u003eMoon Beams\u003c\/em\u003e and \u003cem\u003eExplorations\u003c\/em\u003e on 180-gram vinyl. On the disc side, Miles Davis' \u003cem\u003eBirth of the Blue\u003c\/em\u003e, Billy Cobham's \u003cem\u003eSpectrum\u003c\/em\u003e as a hybrid stereo SACD, Bob Marley and the Wailers' \u003cem\u003eBurnin\u003c\/em\u003e and \u003cem\u003eNatty Dread\u003c\/em\u003e on CD, Ray Charles' \u003cem\u003eWhat'd I Say\u003c\/em\u003e, Stone Temple Pilots' \u003cem\u003ePurple\u003c\/em\u003e, and the Who's \u003cem\u003eTommy\u003c\/em\u003e as a 2-CD set round out the format range.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered the Grateful Dead, Phish, and the wider world of jam, jazz, and roots music since 1974. That history informs how we stock the store: we carry titles that hold up as listening experiences, not just catalog entries. Alongside labels like Analogue Productions, we carry the Relix Sessions series, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label. When we bring in a pressing, it is because the music and the format both merit the attention.\u003c\/p\u003e\u003cp\u003eEvery title on this page is new and sealed. Pre-order titles display a street date and ship when the label releases them. Vinyl ships in protective packaging designed for LPs.\u003c\/p\u003e\u003cp\u003eTo browse further, the \u003ca href=\"\/collections\/180-gram-vinyl\"\u003e180 Gram Vinyl\u003c\/a\u003e collection covers heavyweight pressings across all genres, \u003ca href=\"\/collections\/jazz-vinyl\"\u003eJazz Vinyl Records\u003c\/a\u003e goes deeper into the acoustic and electric jazz catalog, and \u003ca href=\"\/collections\/vinyl-lps\"\u003eVinyl LPs\u003c\/a\u003e is the broadest entry point for the full record selection at Relix.\u003c\/p\u003e","products":[{"product_id":"bob-marley-the-wailers-uprising-gate-180-gram-lp-vinyl","title":"Bob Marley  \u0026 The Wailers – Uprising (180g 45 RPM 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased just months before Marley's passing in May 1981, Uprising closed out a decade that saw reggae travel from Kingston's Trench Town to every corner of the globe, largely on the strength of his voice and vision. Analog Productions' 180-gram pressing brings that weight back to the format where it belongs, with the kind of fidelity that lets the quietude of \"Redemption Song\" breathe the way Marley intended it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eUprising would be the final studio album featuring Bob Marley \u0026amp; the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest material, as if they knew this would be their final outing.Released in 1980, Uprising stands as one of Bob Marley's most poignant and spiritually charged albums, embodying both his enduring reggae genius and his reflective, almost prophetic musings on life and faith. What makes Uprising particularly unique in Marley's discography is its duality, balancing socially conscious anthems with deeply personal expressions of faith, hope, and mortality. Tracks such as the iconic 'Redemption Song,' with it's acoustic simplicity and universal message of liberation, and the haunting 'Forever Loving Jah,' reveal a man at peace with his spirituality. Meanwhile, songs such as 'Could You Be Loved' deliver infectious grooves and crossover appeal, proving Marley's ability to blend message and melody effortlessly.Critics and fans alike hailed Uprising as a high point in Marley's career. It received acclaim for it's mature sound and cohesive vision, with reviewers highlighting it's raw emotional power. While it didn't achieve the explosive commercial success of Exodus or Kaya, it cemented Marley's status as a global ambassador for reggae and freedom.For Marley fans, it's more than an album - it's a testament to his enduring spirit.Now, Analog Productions gives Uprising the deluxe treatment this album, with its rich heritage, deserves. Pressed on 180-gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.Mastered by Ryan K. Smith at Sterling Sound from the original master tapeTwo 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings\/Also on Hybrid Multichannel SACD.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088018275\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Coming In From The Cold (4:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Real Situation (3:08)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Bad Cards (2:48)\u003c\/div\u003e\n\u003cdiv\u003e2. We And Them (3:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Work (3:40)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Zion Train (3:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Pimper's Paradise (3:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Could You Be Loved (3:56)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Forever Loving Jah (3:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Redemption Song (3:47)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455573242011,"sku":"105494725","price":97.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-bob-marley-the-wailers-uprising-gate-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1777586069"},{"product_id":"willie-nelson-shotgun-willie-hybr-cd","title":"Willie Nelson – Shotgun Willie (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1973, *Shotgun Willie* marked the moment Nelson stopped writing hits for other people and started making music entirely on his own terms. Recorded in New York with a loose, freewheeling energy far removed from the polished Nashville Sound that had frustrated him for years, it laid the groundwork for the outlaw country movement that would define the decade.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAnalogue Productions (Atlantic Series) Celebrating the 75th Anniversary of Atlantic Records! Willie Nelson's breakthrough solo album! Hybrid Stereo SACD Pressed at Quality Record Pressings Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans. Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country - a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time The album - the first to feature Nelson with long hair and a beard on the cover - gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums, and the songs 'Shotgun Willie' and 'Stay All Night (Stay A Little Longer)' peaked at Nos. 60 and 22 on Hot Country Songs, respectively. \u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088754562\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.26.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Shotgun Willie\u003c\/div\u003e\n\u003cdiv\u003e2. Whiskey River\u003c\/div\u003e\n\u003cdiv\u003e3. Sad Songs And Waltzes\u003c\/div\u003e\n\u003cdiv\u003e4. Local Memory\u003c\/div\u003e\n\u003cdiv\u003e5. Slow Down Old World\u003c\/div\u003e\n\u003cdiv\u003e6. Stay All Night (Stay A Little Longer)\u003c\/div\u003e\n\u003cdiv\u003e7. Devil In A Sleepin' Bag\u003c\/div\u003e\n\u003cdiv\u003e8. She's Not For You\u003c\/div\u003e\n\u003cdiv\u003e9. Bubbles In My Beer\u003c\/div\u003e\n\u003cdiv\u003e10. You Look Like The Devil\u003c\/div\u003e\n\u003cdiv\u003e11. So Much To Do\u003c\/div\u003e\n\u003cdiv\u003e12. A Song For You\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455575765147,"sku":"18216222","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-willie-nelson-shotgun-willie-hybr-cd-cd-relix.jpg?v=1777520843"},{"product_id":"dr-john-dr-johns-gumbo-gate-180-gram-lp-vinyl","title":"Dr. John – Dr. John's Gumbo (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1972, Dr. John's Gumbo was Mac Rebennack's love letter to the New Orleans R\u0026amp;B that shaped him, a deep dive into the city's musical DNA through covers of Professor Longhair, Huey \"Piano\" Smith, and Earl King. Where his earlier Night Tripper records leaned into psychedelic voodoo theater, this one stripped back to the source, reminding anyone paying attention that the Crescent City had been cooking something irreplaceable long before the rest of the world caught on.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Iko Iko (4:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Blow Wind Blow (3:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Big Chief (3:25)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Somebody Changed The Lock (2:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Mess Around (3:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Let The Good Times Roll (3:56)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Junko Partner (4:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Stack-A-Lee (3:28)\u003c\/div\u003e\n\u003cdiv\u003e3. Tipitina (2:04)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Those Lonely Lonely Nights (2:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Little Liza Jane (2:59)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088755675\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.23.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600402821275,"sku":"36372","price":97.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-dr-john-dr-john-s-gumbo-gate-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779363049"},{"product_id":"miles-davis-birth-of-the-blue-gate-180-gram-lp-vinyl","title":"Miles Davis – Birth Of The Blue (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe four tracks collected here have long lived in the shadow of *Kind of Blue*, scattered across reissues and compilations as afterthoughts. But the 1958 sextet that produced them, with John Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, and Jimmy Cobb, was operating at a level where even the sessions left on the shelf deserve a proper home.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances - all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year - have not been served well. They have largely been treated as add-ons to other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor!The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played the trumpet sublime with his sextet, featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley.Undervalued since their recording, the tunes on this album reflect historical and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-it's-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard.For this release, we started with the original 3-track recording session tapes, which were mixed down to a brand-new 30-ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab cut the lacquers at 33 1\/3 RPM utilizing the legendary Doug Sax's custom all-tube system and cutting lathe. The lacquers were plated and pressed on 180-gram vinyl at Quality Record Pressings. Lastly, the Stoughton Printing tip-on gatefold jacket with a deluxe scuff-resistant matte finish is the highest quality available. The artwork has an incredible spot-on look to a 1959 Columbia records release! Smash follow-up to what many consider the greatest jazz record ever! Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue! Modal jazz precursor laid the groundwork for future jazz innovation! 180-gram vinyl. Mastered by Matthew Lutthans at The Mastering Lab from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapesPlated and pressed at Quality Record Pressings for flawless production and superior fidelity! Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028166218\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. On Green Dolphin Street\u003c\/div\u003e\n\u003cdiv\u003e2. Fran-Dance\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight\u003c\/div\u003e\n\u003cdiv\u003e2. Love For Sale\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600408621211,"sku":"122610","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-birth-of-the-blue-gate-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779281543"},{"product_id":"steely-dan-cant-buy-a-thrill-tgv-lp-vinyl","title":"Steely Dan – Can't Buy A Thrill (UHQR 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWalter Becker and Donald Fagen introduced their particular brand of jazz-inflected, lyrically sardonic rock to the world with this 1972 debut, featuring early hits \"Do It Again\" and \"Reelin' In The Years.\" Analogue Productions' UHQR pressing represents the absolute top of the audiophile chain, cut at 45 RPM across two LPs for maximum fidelity, the kind of treatment that rewards anyone who's ever wanted to hear David Palmer and the session musicians behind these grooves with genuine clarity.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Do It Again (5:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Dirty Work (3:08)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Kings (3:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Midnite Cruiser (4:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Only A Fool Would Say That (2:54)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Reelin' In The Years (4:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Fire In The Hole (3:26)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Brooklyn (Owes The Charmer Under Me) (4:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Change Of The Guard (3:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Turn That Heartbeat Over Again (4:58)\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088094576\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.9.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600409440411,"sku":"80136","price":284.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-steely-dan-can-t-buy-a-thrill-tgv-lp-vinyl-vinyl-lp-relix.jpg?v=1779199003"},{"product_id":"ray-charles-whatd-i-say-gate-180-gram-lp-vinyl","title":"Ray Charles – What'd I Say (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003e\"What'd I Say\" didn't just change Ray Charles's career when it hit in 1959, it rewired American popular music, fusing gospel fervor with rhythm and blues in a call-and-response groove that shocked radio programmers and electrified audiences. The Atlantic Records sides collected here capture Charles at his most raw and inventive, before he crossed over to ABC and a broader pop audience.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan style='color: rgb(0, 0, 0); font-family: \"Helvetica Neue\", Helvetica, \"Nimbus Sans\", Arial, sans-serif; font-size: 14px;'\u003eMastered and cut to lacquer from the original master tape.\u003c\/span\u003e\u003cbr style='color: rgb(0, 0, 0); font-family: \"Helvetica Neue\", Helvetica, \"Nimbus Sans\", Arial, sans-serif; font-size: 14px;'\u003e\u003cbr style='color: rgb(0, 0, 0); font-family: \"Helvetica Neue\", Helvetica, \"Nimbus Sans\", Arial, sans-serif; font-size: 14px;'\u003e\u003cspan style='color: rgb(0, 0, 0); font-family: \"Helvetica Neue\", Helvetica, \"Nimbus Sans\", Arial, sans-serif; font-size: 14px;'\u003eFirst 2000 copies are numbered on the back of the jacket and pressed at Quality Record Pressings.\u003c\/span\u003e\u003cbr style='color: rgb(0, 0, 0); font-family: \"Helvetica Neue\", Helvetica, \"Nimbus Sans\", Arial, sans-serif; font-size: 14px;'\u003e\u003cspan style='color: rgb(0, 0, 0); font-family: \"Helvetica Neue\", Helvetica, \"Nimbus Sans\", Arial, sans-serif; font-size: 14px;'\u003eUnnumbered copies may be pressed at either Quality Record Pressings or RTI, which is only identified by the sticker on the outer plastic bag.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Jumpin' In The Mornin' (2:43)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. You Be My Baby (2:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Tell Me How Do You Feel (2:40)\u003c\/div\u003e\n\u003cdiv\u003e3. What Kind Of Man Are You (2:47)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Roll With My Baby (2:34)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Tell All The World About You (2:00)\u003c\/div\u003e\n\u003cdiv\u003e2. My Bonnie (2:48)\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e3. That's Enough (2:47)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088754876\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.29.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Jumpin' In The Mornin' (2:43)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. You Be My Baby (2:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Tell Me How Do You Feel (2:40)\u003c\/div\u003e\n\u003cdiv\u003e3. What Kind Of Man Are You (2:47)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Roll With My Baby (2:34)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Tell All The World About You (2:00)\u003c\/div\u003e\n\u003cdiv\u003e2. My Bonnie (2:48)\u003c\/div\u003e\n\u003cdiv\u003e3. That's Enough (2:47)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600419369115,"sku":"334197","price":97.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ray-charles-what-d-i-say-gate-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779304347"},{"product_id":"john-prine-john-prine-gate-180-gram-lp-vinyl","title":"John Prine – John Prine (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKris Kristofferson and Roger Miller were among the first to champion Prine after he was discovered playing Chicago clubs, and the songs he brought to this debut, including \"Sam Stone,\" \"Angel from Montgomery,\" and \"Hello in There,\" arrived fully formed, with a literary weight that drew immediate comparisons to early Dylan. He was 24 years old.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJohn Prine - Self-titled 1971 debut by the American country\/folk master singer-songwriter 180-gram 45 RPM double LP release from Analogue Productions! Mastered directly from the original master tape by Bernie Grundman Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing On April 7, 2020, John Prine died a victim of the COVID-19 pandemic after a storied career as a singer\/songwriter. His first album, John Prine, released in September 1971, marked the beginning of Prine's long musical journey. But Prine's start as a talented songwriter began years before that in Maywood, Illinois. Music journalist Erin Osmon, who traced the history leading up the album, spoke with Wisconsin Public Radio about the brilliance of Prine's songwriting and how he could write such memorable songs. 'I think he did it because he kept it simple. When we think about great Midwestern songwriters, of course Bob Dylan comes to mind. But you know, many people compared Prine and Bob Dylan when Prine's self-titled album came out, ' Osmon said. 'But with Prine, there was such a sense of simplicity and modesty. Prine never wanted to alienate the listener. On the contrary, he wanted to invite as many people as possible. That's why he wrote such simple yet profound statements through his lyrics.' Prine's musical experience began when his older brother Dave introduced him to the Old Town School of Folk Music in Chicago. Prine met Ray Tate, the lead guitar teacher at OTS. Tate described Prine as a focused, dedicated student who wanted to learn fingerpicking and fingerstyle guitar. Later Tate, and other instructors at OTS founded a club called the 5th Peg right across the street from the Old Town School, which is the first place Prine appeared on stage. One night a young arts critic from the Chicago Sun-Times, by the name of Roger Ebert, happened into the 5th Peg and caught Prine's set. Music wasn't Ebert's beat. But after Ebert saw Prine's set, he felt moved enough to share the news of a new local talent, ' Osmon recalled. 'And from there, all of Chicago took notice because Roger was a respected critic by then. He was a Chicago personality, and that made Chicagoans take note. After Roger's review, folks started trickling in. They wanted to be at the feet of the singing mailman.' Through some chance encounters, with singer-songwriter Kris Kristofferson and others, Prine wound up signed to Atlantic Records. Prine recorded his debut album at American Sound Studios in Memphis; the band for the recording was a studio session group called the Memphis Boys, the Memphis equivalent of the Los Angeles session band, the Wrecking Crew. 'They know that record labels hire them to make hits, and if they don't deliver on that, they fail, ' Osmon said. 'They knew correctly that Prine's stuff was really about the lyrics. So eventually, they all kind of dove into the songs and paid close attention to the lyrics, trying to highlight the words as much as they could.' The album became an instant hit with songs such as 'Illegal Smile, ' 'Hello In There, ' 'Sam Stone, ' 'Your Flag Decal Won't Get You Into Heaven Anymore, ' and of course, the classic 'Angel From Montgomery.' All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.Tracklist:1 Illegal Smile 2 Spanish Pipedream 3 Hello In There 4 Sam Stone 5 Paradise 6 Pretty Good 7 Your Flag Decal Won't Get You Into Heaven Anymore 8 Far From Me 9 Angel From Montogomery 10 Quiet Man 11 Donald And Lydia 12 Six O' Clock News 13 Flashback Blues\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088750472\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.20.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600433590427,"sku":"119256","price":97.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-prine-john-prine-gate-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1782618832"},{"product_id":"dr-john-gris-gris-hybr-cd","title":"Dr. John – Gris Gris (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMac Rebennack had been a respected New Orleans session guitarist for years before a hand injury pushed him toward the piano and, eventually, toward a full reinvention as the Night Tripper. Released in 1968, *Gris-Gris* introduced a sound that had no real precedent, drawing on Crescent City voodoo tradition, psychedelia, and second-line rhythm in equal measure, and it remains one of the most genuinely strange and transportive debuts in American music.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088754661\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.9.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Gris-Gris Gumbo Ya Ya (5:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Danse Kalinda Ba Doom (3:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Mama Roux (2:55)\u003c\/div\u003e\n\u003cdiv\u003e4. Danse Fambeaux (4:53)\u003c\/div\u003e\n\u003cdiv\u003e5. Croker Courtbullion (5:57)\u003c\/div\u003e\n\u003cdiv\u003e6. Jump Sturdy (2:19)\u003c\/div\u003e\n\u003cdiv\u003e7. I Walk On Guilded Splinters (7:57)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600439750811,"sku":"205896","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-dr-john-gris-gris-hybr-cd-cd-relix.jpg?v=1779362521"},{"product_id":"steely-dan-royal-scam-tgv-lp-vinyl","title":"Steely Dan – The Royal Scam (UHQR 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Royal Scam marked a darker, more cynical turn for Becker and Fagen, its dense arrangements and biting social commentary setting it apart from anything else on rock radio in 1976. Tracks like \"The Fez\" and \"Kid Charlemagne\" showcased the studio perfectionism that defined the duo's later catalog, built on the contributions of an elite circle of session players who became synonymous with the Steely Dan sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Royal Scam - Steely Dan's gold-selling fifth studio album now on UHQR!Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl!45 RPM LP release limited to 20, 000 numbered copiesMastered directly from the original master tape by Bernie GrundmanPressed at Quality Record Pressings using 200-gram Clarity VinylrPurest possible pressing and most visually stunning presentation and packaging!Tip-on old style gatefold double pocket jackets with film lamination by Stoughton PrintingSteely Dan's gold-selling fifth studio album The Royal Scam, was produced by Gary Katz and was originally released by ABC Records in 1976. The Royal Scam features more prominent guitar work than the prior Steely Dan album, Katy Lied, which had been the first without founding guitarist Jeff Baxter. Guitarists on the recording include Walter Becker, Denny Dias, Larry Carlton, Elliott Randall and Dean Parks.The Royal Scam was certified gold-selling and peaked at No. 15 on the Billboard 200. The album is known for it's intricate arrangements, sophisticated musicianship, and cynical lyrics, and is considered one of the band's most musically adventurous works.The album features a diverse range of musical styles, from the funky and up-tempo 'Kid Charlemagne' to the Latin-influenced 'The Caves of Altamira' and the jazzy 'Don't Take Me Alive.' The lyrics explore themes of deception, corruption, and disillusionment, with characters that are often morally ambiguous or outright villainous.In common with other Steely Dan albums, The Royal Scam is littered with cryptic allusions to people and events both real and fictional. In a BBC interview in 2000, Becker and Fagen revealed that 'Kid Charlemagne' is loosely based on Owsley Stanley, the notorious drug 'chef' who was famous for manufacturing hallucinogenic compounds, and that 'Caves of Altamira, ' based on a book by Hans Baumann, is about the loss of innocence, the narrative about a visitor to the Cave of Altamira who registers his astonishment at the prehistoric drawings.Musically, the album is notable for it's use of complex harmonies and intricate instrumental arrangements, with the band utilizing a wide range of instruments including guitars, keyboards, horns, and percussion. The production is polished and professional, with a clean and precise sound that emphasizes the band's technical proficiency.Rolling Stone, in it's review of the album, described The Royal Scam, as Steely Dan's 'mostatypical record, possessing neither obvious AM material nor seductive lyrical mysteriousness. It also contains some of their most accomplished and enjoyable music.'... The overall feeling of Scam is one of just that: tension. There is little of the self-confident gentleness that dotted Pretzel Logic, less still of the omniscience that suffused Katy Lied. The Royal Scam is a transitional album for Steely Dan; melody dominates lyric in the sense that the former pushes into new rhythmic areas for the group (more 'pure' jazz, semireggae and substantially more orchestration than before) while the verbal content is clearer, even mundane, by previous Dan standards, ' said the Rolling Stone review.Nearly every song on Scam concerns a narrator's escape from a crime or sing recently committed, the review continued. 'Becker and Fagen have really written the ultimate 'outlaw' album here, something that eludes myriad Southern bands because their concept of the outlaw is so limited. Rather than just, say, robbing banks ('Don't Take Me Alive, ' in which the robber is a 'bookkeeper's son'), Becker and Fagen's various protagonists are also solipsistic jewel thieves ('Green Earrings'), spendthrift divorcees ('Haitian Divorce') and murderously jealous lovers ('Everything You Did').'AllMusic gives the album 4.5 stars, saying the best songs on The Royal Scam, 'Kid Charlemagne' and 'Sign in Stranger' 'rank as genuine Steely Dan classics.'The album cover shows a man in a suit, sleeping on a radiator, and apparently dreaming of skyscraper-beast hybrids. The cover was created from a painting by Zox and a photograph by Charlie Ganse, and was originally created for Van Morrison's unreleased 1975 album, Mechanical Bliss, the concept being a satire of the American Dream. In the liner notes for the 1999 remaster of the album, Fagen and Becker claim it to be 'the most hideous album cover of the seventies, bar none (excepting perhaps Can't Buy a Thrill).'After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on it's list of the 20 Greatest Duos of All Time.This stereo UHQR reissue will be limited to 20, 000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.Overall, Steely Dan's Royal Scam is a challenging and rewarding listen, showcasing the band's unique blend of rock, jazz, and funk, and their uncompromising approach to songwriting and production.Tracks:1. Kid Charlemagne2. The Caves Of Altamira3. Don't Take Me Alive4. Sign In Stranger5. The Fez6. Green Earrings7. Haitian Divorce8. Everything You Did9. The Royal Scam\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Kid Charlemagne (4:38)\u003c\/div\u003e\n\u003cdiv\u003e2. Caves Of Altamira (3:33)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Take Me Alive (4:19)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Sign In Stranger (4:22)\u003c\/div\u003e\n\u003cdiv\u003e2. The Fez (3:59)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Green Earrings (4:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Haitian Divorce (5:50)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Everything You Did (3:54)\u003c\/div\u003e\n\u003cdiv\u003e2. The Royal Scam (6:31)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088134579\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.11.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600465539227,"sku":"539989","price":289.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-steely-dan-royal-scam-tgv-lp-vinyl-vinyl-lp-relix.jpg?v=1779197901"},{"product_id":"steely-dan-countdown-to-ecstasy-uhqr-lp-vinyl","title":"Steely Dan – Countdown To Ecstasy(UHQR 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1973 with a rotating cast of Los Angeles session players, Countdown To Ecstasy marked the moment Becker and Fagen began treating the studio itself as the instrument, pushing toward the meticulous sonic perfectionism that would define their later work. Tracks like \"Bodhisattva\" and \"My Old School\" remain perennial favorites for a reason, and Bernie Grundman's direct-from-tape mastering makes this UHQR pressing the most faithful reproduction the album has ever received on vinyl.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eCountdown To Ecstasy - Steely Dan's gold-selling second studio album now on UHQR!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDefinitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e45 RPM LP release limited to 15,000 numbered copies\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMastered directly from the original master tape by Bernie Grundman\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePressed at Quality Record Pressings using 200-gram Clarity Vinyl®\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePurest possible pressing and most visually stunning presentation and packaging!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSteely Dan's second studio album, originally released in 1973 by ABC Records, was certified gold-selling by the Recording Industry Association of America (RIAA) for selling 500,000 copies in the U.S.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFounded by core members Walter Becker (bass) and Donald Fagen (vocals, keyboards), Steely Dan's popularity rose throughout the late 1970s on, and their seven albums throughout that period of time blended elements of jazz, rock, funk, R\u0026amp;B, and pop. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. Becker and Fagen, with producer Gary Katz, gradually changed Steely Dan from a performing band to a studio project, hiring session musicians to record their compositions. The duo didn't perform live between 1974 and 1993. But their popularity nevertheless grew throughout the '70s as their albums became critical favorites and their singles became staples of Adult Oriented Radio and pop radio stations.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike Steely Dan's 1972 debut album Can't Buy A Thrill, Countdown to Ecstasy has a rock sound that exhibits a strong influence from jazz. It comprises uptempo, four-to-five-minute rock songs, which, apart from the bluesy vamps of ''Bodhisattva'' and ''Show Biz Kids,'' are subtly textured and feature jazz-inspired interludes. Countdown to Ecstasy was the only album written by Steely Dan for a live band. ''My Old School'' features reverent horns and aggressive piano riffs and guitar solos. ''The Boston Rag'' develops from a jazzy song to unrefined playing by the band, including a distorted guitar solo by Jeff ''Skunk'' Baxter. Jim Hodder's drumming eschews rock music for pop and jazz grooves. Bop-style jazz soloing is set in the context of a pop song on ''Bodhisattva.'' Commenting on the album's style and production, Tom Hull says it is ''clean, almost slick,'' with ''no dissonance, no clutter,'' reminiscent of 1940s bop and ''the overproduced early 60s pop rock.''\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCountdown to Ecstasy has lyrical themes similar to Can't Buy A Thrill. It explores topics such as drug abuse, class envy, and West Coast excess. ''My Old School'' is inspired by a drug bust involving Walter Becker and Donald Fagen at Bard College, ''King of the World'' explores a post-Nuclear holocaust United States, and ''Show Biz Kids'' satirizes contemporary Los Angeles lifestyles.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRolling Stone described Countdown To Ecstasy as ''another dose of mainstream rock and roll, restating the basic themes of Can't Buy A Thrill, but this time concentrating a bit more on the rocking side of their style.''\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe original cover painting was by Fagen's then-girlfriend Dorothy White. At the insistence of ABC Records president Jay Lasker, however, several figures had to be added when he found the discrepancy between five band members and three figures on the cover unacceptable. The proofs for the album cover were later stolen during a dispute over the final layout. The back cover features an orchid surrounded by the band and their recording equipment.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAfter a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis stereo UHQR reissue will be limited to 15,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088104572\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.24.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Bodhisattva (5:16)\u003c\/div\u003e\n\u003cdiv\u003e2. Razor Boy (4:10)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Boston Rag (5:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Your Gold Teeth (7:30)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Show Biz Kids (5:21)\u003c\/div\u003e\n\u003cdiv\u003e2. My Old School (4:46)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Pearl Of The Quarter (3:55)\u003c\/div\u003e\n\u003cdiv\u003e2. King Of The World (5:03)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600467898523,"sku":"665675","price":284.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-steely-dan-countdown-to-ecstasy-uhqr-vinyl-lp-relix.jpg?v=1779198538"},{"product_id":"steely-dan-pretzel-logic-tgv-lp-vinyl","title":"Steely Dan – Pretzel Logic (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1973 and released in February 1974, Pretzel Logic marked a turning point for Walter Becker and Donald Fagen, who were already moving toward the studio-as-instrument approach that would define their later work. The album's eclectic range, from the Duke Ellington cover \"East St. Louis Toodle-Oo\" to the road-weary funk of \"Rikki Don't Lose That Number,\" showcased a band increasingly unwilling to fit any single mold.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePretzel Logic - Steely Dan's gold-selling third studio album now on UHQR!Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl!45 RPM LP release limited to 15, 000 numbered copiesMastered directly from the original master tape by Bernie GrundmanPressed at Quality Record Pressings using 200-gram Clarity VinylrPurest possible pressing and most visually stunning presentation and packaging!Tip-on old style gatefold double pocket jackets with film lamination by Stoughton PrintingSteely Dan's gold-selling third studio album Pretzel Logic, charted at No. 8 on the Billboard 200 and restored the group's radio presence with the single 'Rikki Don't Lose That Number, ' which became the biggest pop hit of their career and peaked at No. 4 on the Billboard Hot 100. The 1974 album was produced by Gary Katz and was written primarily by Walter Becker (bass) and bandleader Donald Fagen (vocals, keyboards). The album marked the beginning of Becker and Fagen's roles as Steely Dan's principal members.They enlisted prominent Los Angeles-based studio musicians to record Pretzel Logic, but used them only for occasional overdubs, except for drums, where founding drummer Jim Hodder was reduced to a backing singer, replaced by Jim Gordon and Jeff Porcaro on the drum kit for all of the songs on the album. Steely Dan's Jeff 'Skunk' Baxter played pedal steel guitar and hand drums.Pretzel Logic has shorter songs and fewer instrumental jams than the group's 1973 album Countdown to Ecstasy. Steely Dan considered it the band's attempt at complete musical statements within the three-minute pop-song format. The album's music is characterized by harmonies, counter-melodies, and bop phrasing. It also relies often on straightforward pop influences. The syncopated piano line that opens 'Rikki Don't Lose That Number' develops into a pop melody, and the title track transitions from a blues song to a jazzy chorus.Rolling Stone praised the album, calling Steely Dan the 'most improbable hit-singles band to emerge in ages.''When the band doesn't undulate to samba rhythms (as it did on 'Do It Again, ' it's first Top Ten single), it pushes itself to a full gallop (as it did on 'Reelin' in the Years, ' it's second). These two rhythmic preferences persist and sometimes intermingle, as on 'Rikki Don't Lose That Number, ' which jumps in mid-chorus from 'Hernando's Hideaway' into 'Honky Tonk Women.' Great transition.' - the review said.AllMusic gave the album 5 stars, with reviewer Stephen Thomas Erlewine noting that 'instead of relying on easy hooks, Walter Becker and Donald Fagen assembled their most complex and cynical set of songs to date.' Dense with harmonics, countermelodies, and bop phrasing, Pretzel Logic is vibrant with unpredictable musical juxtapositions and snide, but very funny, wordplay.The album's cover photo featuring a New York pretzel vendor was taken by Raeanne Rubenstein, a photographer of musicians and Hollywood celebrities. She shot the photo on the west side of Fifth Avenue and 79th Street, just above the 79th Street Transverse (the road through Central Park), at the park entrance called 'Miners' Gate.'After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on it's list of the 20 Greatest Duos of All Time.This stereo UHQR reissue will be limited to 15, 000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.Tracks:1. Rikki Don't Lose That Number2. Night By Night3. Any Major Dude Will Tell You4. Barrytown5. East St. Louis Toodle-Oo6. Parker's Band7. Through With Buzz8. Pretzel Logic9. With A Gun10. Charlie Freak11. Monkey In Your Soul\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088114571\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.11.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Rikki Don't Lose That Number (4:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Night By Night (3:36)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Any Major Dude Will Tell You (3:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Barrytown (3:17)\u003c\/div\u003e\n\u003cdiv\u003e3. East St. Louis Toodle-Oo (2:45)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Parker's Band (2:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Through With Buzz (1:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Pretzel Logic (4:28)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. With A Gun (2:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Charlie Freak (2:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Monkey In Your Soul (2:31)\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600468586651,"sku":"591906","price":289.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-steely-dan-pretzel-logic-tgv-lp-vinyl-vinyl-lp-relix.jpg?v=1779197974"},{"product_id":"steely-dan-aja-tgv-lp-vinyl","title":"Steely Dan – Aja (UHQR 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBecker and Fagen's 1977 studio peak has been pressed, remastered, and re-released in various configurations over the decades, but Analogue Productions' UHQR format represents the serious collector's gold standard, cut from the original tapes at 45 RPM across two discs. For an album built on microscopic studio detail, obsessive session work, and some of the most demanding musicianship ever committed to tape, the format finally matches the ambition.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088144578\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.24.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Black Cow (5:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Aja (7:56)\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Deacon Blues (7:26)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Peg (3:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Home At Last (5:31)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. I Got The News (5:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Josie (4:30)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600485068955,"sku":"601461","price":289.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-steely-dan-aja-tgv-lp-vinyl-vinyl-lp-relix.jpg?v=1779199258"},{"product_id":"ray-charles-the-genius-sings-the-blues-mono-lp-vinyl","title":"Ray Charles – The Genius Sings The Blues (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRay Charles recorded these sessions for Atlantic in 1957 and 1958, at the peak of his powers and right as he was redefining what the piano could mean in American music. The blues here aren't ornamental; they're the foundation, the language Charles grew up speaking before he ever crossed into pop or country. Analogue Productions' 45 RPM two-LP pressing gives that voice and those keys the room they deserve.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTracklist:Side 1 1 1. The Ray 2 2. My Melancholy Baby 3 4 Side 2 5 1. Black Coffee 6 2. There's No You 7 8 Side 3 9 1. Doodlin' 10 2. Sweet Sixteen Bars 11 12 Side 4 13 1. I Surrender Dear 14 2. Undecided\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Early In The Mornin' (2:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Hard Times (No One Knows Better Than I) (2:53)\u003c\/div\u003e\n\u003cdiv\u003e3. The Midnight Hour (2:57)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Right Time (3:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Feelin' Sad (2:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Ray's Blues (2:50)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. I'm Movin' On (2:11)\u003c\/div\u003e\n\u003cdiv\u003e2. I Believe To My Soul (3:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Nobody Cares (2:37)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Mr. Charles' Blues (2:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Some Day Baby (2:58)\u003c\/div\u003e\n\u003cdiv\u003e3. I Wonder Who (2:46)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088754777\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600487395483,"sku":"58046078","price":97.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ray-charles-the-genius-sings-the-blues-mono-lp-vinyl-vinyl-lp-relix.jpg?v=1779304594"},{"product_id":"ray-charles-genius-of-ray-charles-hybr-cd","title":"Ray Charles – Genius Of Ray Charles (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1959, this landmark Atlantic Records session captured Ray Charles at the peak of his powers, stretching beyond the R\u0026amp;B that made him famous and wrapping his singular voice around the American songbook. Backed by big band arrangements from Ralph Burns and Sy Oliver, Charles brought an unshakeable emotional authority to standards that had been recorded a hundred times before, making every one of them feel like his alone.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTracklist:1. Let The Good Times Roll 1 2. It Had To Be You 2 3. Alexander's Ragtime Band 3 4. Two Years Of Torture 4 5. When Your Lover Has Gone 5 6. Deed I Do 6 8. Just For A Thrill 7 9. You Won't Let Me Go 8 10. Tell Me You'll Wait For Me 9 11. Don't Let The Sun Catch You Cryin' 10 12. Am I Blue 11 13. 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Analogue Productions' 2-LP pressing gives this debut the wide-open sonic treatment it has always deserved, letting that raw Stax electricity breathe across two records.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTracklist:Side 1 1 1. Just One More Day 2 2. It's Growing 3 3. Cigarettes And Coffee 4 5 Side 2 6 1. Chain Gang 7 2. Nobody Knows You (When You're Down And Out) 8 9 Side A 10 1. Good To Me 11 2. Scratch My Back 12 3. Treat Her Right 13 14 Side 4 15 1. Everybody Makes A Mistake 16 2. 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Pass's guitar fills the space an entire orchestra might occupy without ever crowding her, making these duets feel less like a stripped-down session and more like a conversation between two musicians with nothing left to prove.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eElla Fitzgerald and guitarist Joe Pass teamed up in 1973 for a set of duets for this album. The fabulous pairing's highlights include 'Don't Be That Way' and 'A Foggy Day.' The album is the first of four studio albums that Ella recorded with Pass, and it was the latest in a long line of duets for Ella with just one other instrument.Cut from metal parts mastered by Stan Ricker from the original analog master tape and pressed at Quality Record Pressings for optimal sound quality, this Analog Productions 180-gram reissue is an audiophile treasure. 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Sundown arrived at the peak of his powers, and Analogue Productions' 45 RPM pressing gives serious listeners a reason to return to it with fresh ears and proper attention.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWhen Sundown hit the airwaves in 1974, Gordon Lightfoot didn't just top the charts - he captured a moment in time. With it's mix of folk storytelling, country warmth, and pop Polish, Sundown became one of the defining albums of the decade. The title track alone - haunting, hypnotic, and unforgettable - remains one of the greatest songs ever written about love and jealousy. But it's the full album that keeps drawing listeners back: 'High and Dry,' 'Carefree Highway,' 'Seven Island Suite' - each a masterclass in songwriting craft and emotional subtlety.Now, Sundown sounds better than ever. Cut at 45 RPM by Matthew Lutthans at The Mastering Lab, this new edition brings every shimmer of 12-string guitar and nuance of Lightfoot's unmistakable baritone into sharper, more lifelike focus. The pressing - handled by Quality Record Pressings, the gold standard for vinyl perfection - offers the quietest surfaces and flattest profiles possible, ensuring every note plays with breathtaking presence and clarity.For fans of Lightfoot, for lovers of the singer-songwriter era, and for anyone who wants to hear a timeless album in the form it deserves, this Sundown reissue is the definitive way to experience a classic reborn.Part of the Acoustic Sounds 40 SeriesReleasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds!Mastered by Matthew Lutthans at The Mastering Lab from the original master tape180-gram 45 RPM double LP pressed at Quality Record PressingsHoused in a Stoughton Printing tip-on gatefold jacket.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Somewhere U.S.A. 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Cut direct to DSD by Matthew Lutthans at The Mastering Lab, from the original master tape, this Hybrid SACD edition brings every shimmer of 12-string guitar and nuance of Lightfoot's unmistakable baritone into sharper, more lifelike focus. For fans of Lightfoot, for lovers of the singer-songwriter era, and for anyone who wants to hear a timeless album in the form it deserves, this Sundown reissue is the definitive way to experience a classic reborn.Hybrid SACDPart of the Acoustic Sounds 40 SeriesReleasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds!Mastered by Matthew Lutthans at The Mastering Lab direct to DSD from the original master tapeTracklist:1. Somewhere U.S.A.2. High And Dry3. Seven Island Suite4. Circle Of Steel5. Is There Anyone Home6. The Watchman's Gone7. Sundown8. Carefree Highway9. The List10. 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In New York captures the moody prince of cool stepping into the East Coast hard bop ring - and holding his own with charm, tone, and those impossibly lyrical lines that seem to float above the beat like cigarette smoke in a club basement.Chet Baker didn't play the trumpet. He seduced it. His tone? So velvety, you might try spreading it on toast. His solos? Like a conversation with someone who never raises their voice - but always gets the last word. On In New York, Chet proves that his famously fragile persona belied a rock-solid sense of melody, timing, and understated swagger.Chet may be the name on the cover, but he came to town with some serious firepower. Johnny Griffin (tenor sax), known as the 'Little Giant' brings a big sound and a bebop bite, pushing Chet into edgier territory - and yes, it works. Al Haig (piano), is bebop royalty. Cool, crisp, and a perfect harmonic foil for Baker's phrasing. Paul Chambers (bass), is from Miles' first-call list. He doesn't just walk the bass - he struts. Lastly, Philly Joe Jones (drums) swings so hard, it's a wonder the studio walls didn't cave in. This lineup turns In New York from a moody trumpet feature into a full-on jazz heavyweight bout, where elegance and energy shake hands for 42 glorious minutes.Among the tracks, 'Fair Weather' opens like a sigh and builds to a gorgeous melodic statement. Chet's tone is so pure, you'll swear it's whispering secrets. 'Solar' is the Miles Davis tune. Chet steps into the master's world and makes it his own. Confident, cool, and swinging. 'Polka Dots and Moonbeams' is a ballad done Baker-style: Romantic, vulnerable, and smoother than a vintage Cadillac. These are just a taste of the treasures that await on In New York.This vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.This is an album that deserves space in every jazz fan's collection. It captures a unique moment in Chet's career - between the breezy West Coast cool and the rawer later years. It's a must-have for any jazz collector who values tone, taste, and a little touch of trumpet romance. Add to cart. Drop the needle. Cue the cool.Mastering by Kevin Gray and Steve Hoffman at Acoustech MasteringDouble LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings!Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finishTracklist:LP 1 Side A1. Fair Weather2. Polka Dots And MoonbeamsLP 1 Side B1. Hotel 49LP 2 Side A1. Solar2. Blue ThoughtsLP 2 Side B1. When Lights Are Low\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088206078\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745043394715,"sku":"106661703","price":104.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Chet-Baker-In-New-York-180-Gram-LP-Vinyl.jpg?v=1781270007"},{"product_id":"zz-top-tres-hombres-cd-1","title":"ZZ Top – Tres Hombres (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1973, Tres Hombres was the record that put ZZ Top on the national map, driven largely by \"La Grange,\" a grinding Muddy Waters-indebted boogie built on one of rock's most instantly recognizable riffs. Gibbons has cited the John Lee Hooker and Muddy Waters records he grew up on as direct blueprints, and you can hear that Houston-to-Chicago lineage running through every track.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe breakthrough album that defined Texas blues rock! One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans - Billy F. Gibbons, Frank Beard, and Dusty Hill - are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas.With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blues, soul, garage-funk, Americana, and more. Nowhere is their force of nature musicianship better displayed than their 1973 classic Tres Hombres. Packed with swagger, grit, and some of the most infectious guitar grooves ever recorded, Tres Hombres cemented the band's signature sound - raw, greasy, and undeniably cool.One of rock's greatest anthems - \"La Grange\" swaggers! That iconic opening boogie riff? Instantly recognizable. The groove? Absolutely irresistible. \"La Grange\" is a masterclass in blues-based rock perfection. And beyond? Whether it's the slow-burning \"Hot, Blue and Righteous,\" the funky \"Move Me on Down the Line,\" or the driving \"Waitin' for the Bus\/Jesus Just Left Chicago\" combo, every track grooves with unmistakable attitude.ZZ Top fans will instantly recognize Tres Hombres as the album that shaped the band's legend. It's loud, it's bluesy, and it's packed with riffs that demand to be cranked up!Hybrid Stereo SACDFeatures lead single \"La Grange\"Rolling Stone's 500 Greatest Albums of All Time ranked No. 490\/500 (2012)Named Best Boogie Rock album ever by the Houston Chronicle!Mastered Direct To DSD by Matthew Lutthans at The Mastering Lab from the original analog tape\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e1. Waitin' For The Bus (2:59)\u003c\/div\u003e\n\u003cdiv\u003e2. Jesus Just Left Chicago (3:29)\u003c\/div\u003e\n\u003cdiv\u003e3. Beer Drinkers \u0026amp; Hell Raisers (3:23)\u003c\/div\u003e\n\u003cdiv\u003e4. Master Of Sparks (3:33)\u003c\/div\u003e\n\u003cdiv\u003e5. Hot, Blue And Righteous (3:14)\u003c\/div\u003e\n\u003cdiv\u003e6.  Move Me On Down The Line (2:30)\u003c\/div\u003e\n\u003cdiv\u003e7.  Precious And Grace (3:09)\u003c\/div\u003e\n\u003cdiv\u003e8.  La Grange (3:51)\u003c\/div\u003e\n\u003cdiv\u003e9.  Shiek (4:04)\u003c\/div\u003e\n\u003cdiv\u003e10.  Have You Heard? (3:14)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088020360\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745050341531,"sku":"164164418","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-zz-top-tres-hombres-cd-relix.jpg?v=1783020103"},{"product_id":"bill-evans-trio-at-shellys-manne-hole-180-gram-lp-vinyl","title":"Bill Evans Trio – At Shelly's Manne-Hole (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded live at the legendary Hollywood club in 1963, this date captured Evans, Chuck Israels, and Larry Bunker at a moment when the trio was finding its footing after the loss of Scott LaFaro, proving the pianist's conversational approach to group interplay could endure and evolve. Shelly's Manne-Hole was a room that drew serious listeners, and Evans met that room with the kind of concentrated intimacy his best live performances always demanded.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception.... The 45 rpm reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out!' Myles Astor, Positive-Feedback Online, Issue 34Of everything Analogue Productions has reissued, few titles have sparked the accolades accorded our 45 RPM versions of Bill Evans titles from his Riverside catalog. Now, we're breaking the titles out from that terrific set for individual sale. These are the audiophile jazz fan's definitive releases for your collection! For jazz collectors, At Shelly's Manne-Hole isn't just another Bill Evans record - it's a landmark. This was Evans' final album for Riverside, the label that first brought his genius to light, and his last chapter in one of the most creative partnerships in modern jazz recording.Captured live at drummer Shelly Manne's famous Hollywood club in 1963, the album finds Evans in rare form - intimate, reflective, yet full of quiet fire. It's only the second time Riverside ever caught him in a live setting (the first being the legendary Village Vanguard sessions), and it documents a fleeting but brilliant trio: Evans with bassist Chuck Israels and drummer Larry Bunker.The sound is wonderfully alive - you can feel the room, the energy, the warmth of an audience hanging on every note. For collectors, this is the bridge between Evans' early introspection and the confident, searching tone of his later work.Musicians:Bill Evans, pianoChuck Israels, bassLarry Bunker, drumsIndividual title from The Bill Evans Riverside Recordings Box Set180-gram 45 RPM double LPMastered by Kevin Gray \u0026amp; Steve Hoffman at AcousTech Mastering AAA analog from original master tapes\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088948718\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Isn't It Romantic\u003c\/div\u003e\n\u003cdiv\u003e2. The Boy Next Door\u003c\/div\u003e\n\u003cdiv\u003e3. Wonder Why\u003c\/div\u003e\n\u003cdiv\u003e4. Sweedish Pastry\u003c\/div\u003e\n\u003cdiv\u003e5. Our Love Is Here To Stay\u003c\/div\u003e\n\u003cdiv\u003e6. 'Round Midnight\u003c\/div\u003e\n\u003cdiv\u003e7. Stella By Starlight\u003c\/div\u003e\n\u003cdiv\u003e8. Blues in \"F\"\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745109782683,"sku":"182122168","price":97.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-bill-evans-trio-at-shelly-s-manne-hole-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1782240952"},{"product_id":"bill-evans-interplay-180-gram-lp-vinyl","title":"Bill Evans – Interplay (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1962, *Interplay* finds Evans stepping outside his celebrated trio format to collaborate with a quintet that included Freddie Hubbard and Jim Hall, two voices who pushed Evans into a more extroverted, conversational mode than his introspective solo work might suggest. The session captures a side of Evans that casual listeners sometimes miss: a player deeply engaged with the art of listening and responding, as comfortable trading ideas with a trumpet as voicing his own inner world.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 rpm reissues clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1\/3 rpm Analogue Productions releases. The 45 rpm reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out!' Myles Astor, Positive-Feedback Online, Issue 34, www. Positive-feedback. #comAlmost every one of the 11 albums featuring Bill Evans that were issued during his pivotal early years (1956-1964) with Riverside were trio performances. Of the two exceptions, one was strictly speaking not an Evans record (Know What I Mean?, a quartet album that featured Bill but was under the leadership of Cannonball Adderley. ) The other is Interplay. Adding trumpet and guitar to create an unusual quintet alignment, concentrating on the standard tunes, and with brighter tempos than are generally associated with his playing, it is a uniquely valuable addition to the catalog of perhaps the most important pianist in modern jazz. Individual title from The Bill Evans Riverside Recordings Box Set 180-gram 45 RPM double LPMastered by Kevin Gray \u0026amp; Steve Hoffman at AcousTech Mastering AAA analog from original master tapesPraise for our Riverside Recordings LP Box Set from Analogue Productions\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088944512\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. You And The Night And The Music (7:04)\u003c\/div\u003e\n\u003cdiv\u003e2. Interplay (8:11)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. When You Wish Upon A Star (5:42)\u003c\/div\u003e\n\u003cdiv\u003e2. I'll Never Smile Again (6:31)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. You Go To My Head (5:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Wrap Your Troubles In Dreams (6:24)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745113485467,"sku":"182081077","price":97.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-bill-evans-interplay-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1783916398"},{"product_id":"miles-davis-birth-of-the-blue-180-gram-lp-vinyl","title":"Miles Davis – Birth Of The Blue (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just months before the *Kind of Blue* sessions that would change jazz forever, these four performances capture the same constellation of musicians, the same Columbia 30th Street Studio, and the same modal instincts already taking shape. John Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, and Jimmy Cobb are all present, and hearing them in this dedicated context makes clear how much was percolating before that February 1959 morning.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances - all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year - have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor! The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley. Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-it's-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard. 180-gram 45 RPM double LP pressed at Quality Record Pressings.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028166317\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. On Green Dolphin Street\u003c\/div\u003e\n\u003cdiv\u003e2. Fran-Dance\u003c\/div\u003e\n\u003cdiv\u003e3. Stella By Starlight\u003c\/div\u003e\n\u003cdiv\u003e4. Love For Sale\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745123250331,"sku":"183138741","price":104.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-birth-of-the-blue-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1783624423"},{"product_id":"van-morrison-his-band-the-street-choir-2lp-180g-45rpm","title":"Van Morrison – His Band \u0026 the Street Choir (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the afterglow of two seismic albums, \"His Band \u0026amp; the Street Choir\" found Morrison leaning into a looser, more communal groove, with horn-laced R\u0026amp;B and the kind of front-porch warmth that gave \"Domino\" and \"Blue Money\" their staying power on radio and in record collections alike. Analogue Productions' 45rpm pressing on 180g vinyl is built for listeners who want to hear that band chemistry the way the room actually sounded.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLegendary Irish singer-songwriter Van Morrison produced two of the most famous albums of his career - Astral Weeks and Moondance - but overlooked is this gem because of it's proximity to those two heavyweights. His Band And The Street Choir came into existence predominantly during the first half of 1970 at A\u0026amp;R Recording Studios in New York City, with recording wrapping up in July and August.  Produced by Morrison himself, the album actually started out in Woodstock, New York, where he recorded some demos in a small church. By March, however, the album's session had begun in earnest in NYC. Some of the songs had actually been first recorded for those earlier two albums we mentioned, but Morrison decided to rewrite them and rearrange them for the new LP, since the musical sensibilities on His Band And The Street Choir were decidedly different from the albums that preceded it.  As Stephen Thomas Erlewine wrote on Pitchfork., 'The album gives an illusion of buoyant immediacy thanks in no small part to it's heavy R\u0026amp;B kick. Where Moondance traded in jazz - even it's liveliest moment was named after a Duke Ellington song - His Band And The Street Choir relied on soul and gospel, using folk almost as an accent.'  It's fair to say that critics at the time gushed over the album. 'His Band And The Street Choir is a free album,' Jon Landau wrote in his Rolling Stone review. 'It was recorded with minimal over-dubbing and was obviously intended to show the other side of Moondance.'  His Band And The Street Choir captures Van Morrison at his most joyful and spontaneous - a luminous counterpoint to the introspection of Moondance. This is the sound of a great artist unguarded, caught in the groove of the moment, with the energy of the studio practically spilling out of the grooves.  If you love the sound of real instruments recorded with warmth and soul, Street Choir belongs in your collection.  1970 album includes 'Domino,' 'Blue Money' and 'Call Me Up In Dreamland' Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered from the original analog master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket  Tracklist: LP 1 Side A 1. Domino 2. Crazy Face 3. Give Me A Kiss  LP 1 Side B 1. I've Been Working 2. Call Me Up In Dreamland 3. I'll Be Your Lover, Too  LP 2 Side A 1. Blue Money 2. Virgo Clowns 3. Gypsy Queen  LP 2 Side B 1. Sweet Jannie 2. If I Ever Needed Someone 3. Street Choir\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088102776\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Domino (3:06)\u003c\/div\u003e\n\u003cdiv\u003e2. Crazy Face (2:55)\u003c\/div\u003e\n\u003cdiv\u003e3. Give Me A Kiss (2:30)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I've Been Working (3:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Call Me Up In Dreamland (3:52)\u003c\/div\u003e\n\u003cdiv\u003e3. I'll Be Your Lover, Too (3:57)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Money (3:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Virgo Clowns (4:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Gypsy Queen (3:16)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Sweet Jannie (2:11)\u003c\/div\u003e\n\u003cdiv\u003e2. If I Ever Needed Someone (3:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Street Choir (4:53)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745143795867,"sku":"190303324","price":104.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-van-morrison-his-band-the-street-choir-2lp-180g-45rpm-vinyl-lp-relix.jpg?v=1782789264"},{"product_id":"seals-crofts-summer-breeze-2lp-180g-45rpm","title":"Seals \u0026 Crofts – Summer Breeze (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJim Seals and Dash Crofts came up through the Texas roadhouse circuit before finding their footing in the Los Angeles folk scene, and that dual identity, gritty roots meeting sun-drenched West Coast polish, runs all through this record. Analogue Productions' 45rpm two-LP pressing gives that signature acoustic guitar interplay and those close vocal harmonies the kind of sonic space they've always deserved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFew songs capture the spirit of the 1970s quite like 'Summer Breeze.' The title track from Seals \u0026amp; Crofts' 1972 breakthrough album became an enduring soft-rock anthem, reaching No. 6 on the Billboard Hot 100 and forever defining the duo's warm, harmony-rich sound.  With Summer Breeze, Seals \u0026amp; Crofts - Jim Seals and Dash Crofts - found the perfect balance of breezy melodies, intricate musicianship, and lyrical introspection. It was the record that transformed them from respected songwriters into household names, helping usher in the smooth California sound that would dominate radio throughout the decade.  Every track here glows with the easygoing optimism that made Seals \u0026amp; Crofts a lasting favorite among music lovers and audiophiles alike. More than 50 years later, Summer Breeze still radiates that same golden warmth - an album built for open windows, long drives and timeless replay.  Feel the sunshine, hear the harmony - Summer Breeze brings it all back! Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! 180-gram 45 RPM double LP Mastered from the original master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing  Tracklist: LP 1 Side A 1. Hummingbird 2. Funny Little Man  LP 1 Side B 1. Say 2. Summer Breeze 3. East Of Ginger Trees  LP 2 Side A 1. Fiddle In The Sky 2. The Boy Down The Road 3. The Euphrates  LP 2 Side B 1. Advance Guards 2. 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Recorded in 1959 for Riverside Records, Kelly Blue captures him leading his own date with a cast that includes Nat Adderley, Benny Golson, and Bobby Jaspar, proving his voice as a bandleader was every bit as distinctive as his sideman work.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFor Wynton Kelly, Kelly Blue marked a career highlight. A blueprint for blues-infused hard bop, Kelly Blue is Kelly's definitive statement as a bandleader - a swinging, blues-soaked masterclass in touch, taste, and timing. This is the sound of a pianist playing with both finesse and fire.  The Pitch (and it swings hard)  If you're assembling a jazz collection and Kelly Blue isn't on your shelf, you're basically hosting a dinner party without food. Kelly was the pianist Miles Davis trusted enough to bring into his band and replace Red Garland. Kelly was the ultimate sideman turned understated hero - blending gospel fire, blues grit, and bebop elegance into a buttery-smooth flow that made his touch unmistakable. On Kelly Blue, he steps out of the shadow and into the spotlight, where he glows like a well-polished Steinway under stage lights.  And Kelly brought friends on this auspicious date. Paul Chambers (bass) - So solid, they used him to calibrate metronomes. Jimmy Cobb (drums) - Subtle as a whisper, sharp as a whip. And Nat Adderley (cornet), Benny Golson (tenor sax), and Bobby Jaspar (flute) - Because sometimes, you need a horn section that sounds like they're reciting poetry in perfect harmony. These cats don't just support Kelly - they elevate him.  Bottom line, Kell (more...)\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088021077\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Kelly Blue (10:41)\u003c\/div\u003e\n\u003cdiv\u003e2. Old Clothes (7:37)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Softly, As In A Morning Sunrise (6:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Green Dolphin Street (4:39)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Willow Weep For Me (6:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Keep It Moving (7:26)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745184559259,"sku":"190209927","price":104.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-wynton-kelly-kelly-blue-2lp-180g-45rpm-vinyl-lp-relix.jpg?v=1782790104"},{"product_id":"gram-parsons-grievous-angel-2lp-180g-45rpm","title":"Gram Parsons – Grievous Angel (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGrievous Angel arrived as both a farewell and a foundation, the record that cemented Parsons' role as the missing link between country tradition and rock and roll restlessness. Emmylou Harris, still early in what would become one of the great careers in American music, found her voice as much as her footing here, and the interplay between the two remains some of the most emotionally raw singing captured on tape.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAfter a summer tour, Gram Parsons dashed off a couple of new songs ('Return Of The Grievous Angel,' 'In My Hour Of Darkness'), dusted off a few old ones (including 'Hickory Wind' and '$1000 Wedding' from his days with The Byrds and The Flying Burrito Brothers, respectively) and convened his band in the studio to cut his second Reprise album. With Grievious Angel in the can, Parsons headed for Joshua Tree, California, and history.  Released a few months after his untimely demise there, this 1974 album stands among his best work as a shining example of the cosmic American music he pioneered, with superb playing from the likes of guitarist James Burton, and some beautiful harmonizing from Emmylou Harris (and on the final track, Linda Ronstadt).  Tracks such as 'Brass Buttons,' 'Return of the Grievous Angel,' and 'Love Hurts' (a duet for the ages) carry emotional weight and effortless beauty, delivered with the warmth and immediacy only analog recording can capture. Every note feels alive - the pedal steel sighs, the harmonies soar, and Parsons' voice, tender and world-weary, sits perfectly in the center of the soundstage.  Though Parsons passed away before the album's release, Grievous Angel became his legacy - the work that turned cult admiration into lasting influence. It's impact can be heard in generations of artists, from the Eagles to Wilco, from Lucinda Williams to Sturgill Simpson.  Cut from the original analog masters, Grievous Angel offers that unmistakable '70s depth and presence. Grievous Angel endures because it's a pure, analog expression of beauty, longing, and timeless sound.  Parsons' final studio album - breathtaking fusion of country, soul and rock Part of the Acoustic Sounds 40 Series Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds! Mastered from the original analog master tape 180-gram 45 RPM double LP pressed at Quality Record Pressings Housed in a Stoughton Printing tip-on gatefold jacket \u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088100871\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eTRACKLIST\u003c\/h3\u003e\n\u003ch4 style='margin: 10px 0px; color: rgb(40, 40, 40); font-family: Arial, Helvetica, \"sans-serif\"; font-weight: 400; letter-spacing: 0.25px; font-size: 20px; background-color: rgb(255, 255, 255);'\u003eSide A:\u003c\/h4\u003e\n\u003col style='margin: 0px 0px 1.5rem 1.15rem; list-style-position: outside; color: rgb(40, 40, 40); font-family: Arial, Helvetica, \"sans-serif\"; font-size: 15px; background-color: rgb(255, 255, 255);'\u003e\n\u003cli style=\"margin: 0px 0px 0.5rem;\"\u003eReturn of the Grievous Angel\u003c\/li\u003e\n\u003cli style=\"margin: 0px 0px 0.5rem;\"\u003eHearts on Fire\u003c\/li\u003e\n\u003cli style=\"margin: 0px 0px 0.5rem;\"\u003eI Can't Dance\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4 style='margin: 10px 0px; color: rgb(40, 40, 40); font-family: Arial, Helvetica, \"sans-serif\"; font-weight: 400; letter-spacing: 0.25px; font-size: 20px; background-color: rgb(255, 255, 255);'\u003eSide B:\u003c\/h4\u003e\n\u003col style='margin: 0px 0px 1.5rem 1.15rem; list-style-position: outside; color: rgb(40, 40, 40); font-family: Arial, Helvetica, \"sans-serif\"; font-size: 15px; background-color: rgb(255, 255, 255);'\u003e\n\u003cli style=\"margin: 0px 0px 0.5rem;\"\u003eBrass Buttons\u003c\/li\u003e\n\u003cli style=\"margin: 0px 0px 0.5rem;\"\u003e$1000 Wedding\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4 style='margin: 10px 0px; color: rgb(40, 40, 40); font-family: Arial, Helvetica, \"sans-serif\"; font-weight: 400; letter-spacing: 0.25px; font-size: 20px; background-color: rgb(255, 255, 255);'\u003eSide C:\u003c\/h4\u003e\n\u003col style='margin: 0px 0px 1.5rem 1.15rem; list-style-position: outside; color: rgb(40, 40, 40); font-family: Arial, Helvetica, \"sans-serif\"; font-size: 15px; background-color: rgb(255, 255, 255);'\u003e\n\u003cli style=\"margin: 0px 0px 0.5rem;\"\u003eMedley Live from Northern Quebec: a. 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Hickory Wind\u003c\/li\u003e\n\u003cli style=\"margin: 0px 0px 0.5rem;\"\u003eLove Hurts\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4 style='margin: 10px 0px; color: rgb(40, 40, 40); font-family: Arial, Helvetica, \"sans-serif\"; font-weight: 400; letter-spacing: 0.25px; font-size: 20px; background-color: rgb(255, 255, 255);'\u003eSide D:\u003c\/h4\u003e\n\u003col style='margin: 0px 0px 1.5rem 1.15rem; list-style-position: outside; color: rgb(40, 40, 40); font-family: Arial, Helvetica, \"sans-serif\"; font-size: 15px; background-color: rgb(255, 255, 255);'\u003e\n\u003cli style=\"margin: 0px 0px 0.5rem;\"\u003eLas Vegas\u003c\/li\u003e\n\u003cli style=\"margin: 0px 0px 0.5rem;\"\u003eIn My Hour of Darkness\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48828542714011,"sku":"190303128","price":104.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-gram-parsons-grievous-angel-2lp-180g-45rpm-vinyl-lp-relix.jpg?v=1782506907"},{"product_id":"ray-charles-whatd-i-say-cd","title":"Ray Charles – What'd I Say (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003e\"What'd I Say\" didn't just launch Ray Charles into stardom in 1959, it rewired American popular music by grafting gospel call-and-response directly onto the bones of rhythm and blues. The title track was so viscerally alive that Atlantic originally released it across two sides of a single because no one could figure out where to cut it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTracklist:1. What'd I Say 1 2. Jumpin' In The Mornin' 2 3. You Be My Baby 3 4. Tell Me How Do You Feel 4 5. What Kind Of Man Are You 5 6. Rockhouse 6 7. Roll With My Baby 7 8. Tell All The World About You 8 9. My Bonnie 9 10. That's Enough\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088754869\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Jumpin' In The Mornin' (2:43)\u003c\/div\u003e\n\u003cdiv\u003e2. You Be My Baby (2:27)\u003c\/div\u003e\n\u003cdiv\u003e3. Tell Me How Do You Feel (2:40)\u003c\/div\u003e\n\u003cdiv\u003e4. What Kind Of Man Are You (2:47)\u003c\/div\u003e\n\u003cdiv\u003e5. Roll With My Baby (2:34)\u003c\/div\u003e\n\u003cdiv\u003e6. Tell All The World About You (2:00)\u003c\/div\u003e\n\u003cdiv\u003e7. My Bonnie (2:48)\u003c\/div\u003e\n\u003cdiv\u003e8. That's Enough (2:47)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48828543336603,"sku":"190300697","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ray-charles-what-d-i-say-cd-relix.jpg?v=1782409208"},{"product_id":"bob-the-wailers-marley-burnin-33-1-3-rpm-180g-clarity-lp-vinyl","title":"Bob \u0026 the Wailers Marley – Burnin (33 1\/3 Rpm\/180g\/clarity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased just months after *Catch a Fire*, *Burnin'* captured the original Wailers at full voltage, a trio locked in creative and political alignment for the last time. Peter Tosh and Bunny Wailer brought their own righteous weight to the sessions, making this something genuinely collaborative in a way the band's later work, for all its brilliance, never quite replicated. This 180g clarity vinyl pressing lets you hear exactly why that mattered.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBurnin' is the Wailers' sixth album, released in October 1973. All three members of the band - Bob Marley, Peter Tosh, and Bunny Wailer (the last time before Tosh and Bunny departed for solo careers and the band became known as Bob Marley \u0026amp; The Wailers) - wrote for, recorded and produced the album in Jamaica. Burnin' promoted the Wailers into international fame, led by the classic hits 'I Shot The Sheriff' (a subsequent U.S. No. 1 for Eric Clapton) and the enduring anthem of people power, adopted by civil rights activists worldwide 'Get Up, Stand Up.'Burnin' was, to some degree, a summary of the Wailers' progress to this point. An album full of revolutionary fire and fervor, it was also the last, heroic distillation of a lineup that had taken the teenaged Wailer, Tosh, and Marley on a journey from the streets of Trenchtown to the brink of global stardom.Although a 'new' act in Britain and America, the Wailers had been singing and recording together since 1963, and could boast a plentiful catalog of songs which were largely unknown outside Jamaica. Several of the tracks on Burnin' were re-recordings of songs that had been released before. 'Put It On,' a gentle, spiritual groove with the more emollient chant of 'Lord I Thank You,' had been released as a single on the Studio One label in Jamaica in 1965, when it was one of the first songs to coin the word 'toasting' to refer to the lyrical style of chanting by the dancehall DJs. Likewise 'Duppy Conqueror' and 'Small Axe' were both new recordings of songs that were old favorites in the Wailers' story.From Burnin' forward it would be Bob Marley who was very much the man in charge.Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by Ryan K. Smith at Sterling Sound from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection.Burnin' - now a landmark production on Analogue Productions UHQR Clarity Vinyl!Analogue Productions' UHQR, the pinnacle of high-quality vinyl!Definitive limited run reissue Ultra High Quality Record!Mastered by Ryan K. Smith at Sterling Sound from the original master tape33 1\/3 RPM LP release limited to 4,500 copiesPressed at Quality Record Pressings using Clarity VinylrCustom clamshell box - highest quality pressing and packaging!Tracklist:Side 11. Get Up, Stand Up2. Hallelujah Time3. I Shot The Sheriff4. Burnin' And Lootin'5. Put It OnSide 21. Small Axe2. Pass It On3. Duppy Conqueror4. One Foundation5. 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Tracks like \"Rebel Music (3 O'Clock Roadblock)\" and \"Revolution\" showed a sharper political edge, while the live version of \"No Woman, No Cry\" recorded shortly after would become one of reggae's most enduring recordings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNatty Dread, the seventh album by Bob Marley \u0026amp; The Wailers, released in 1974, was Marley's first recorded without Peter Tosh and Bunny Wailer as the Wailers. Natty Dread was most popularly received in the U.K., where it peaked at No. 43 and sold in excess of 100,000 copies, making it a gold album. Over time it gained popularity in other parts of the world, and in 2003 it was ranked No. 181 on Rolling Stone magazine's list of the 500 greatest albums of all time.Natty Dread was a pivotal album in Bob Marley's discography, embodying the spirit of Rastafarian culture and the socio-political landscape of Jamaica during that era. It's key track 'No Woman, No Cry' not only became one of Marley's most famous and most-covered songs, it served as a powerful anthem of resilience and hope, capturing the struggles and joys of everyday life in the ghetto.Natty Dread propelled Marley to international fame and acclaim and established his worldwide reputation. Today, Natty Dread is considered Marley's finest album, the ultimate reggae recording of all time.Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by Ryan K. Smith at Sterling Sound from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection.Natty Dread - now a landmark production on Analogue Productions UHQR Clarity Vinyl!Analogue Productions UHQR, the pinnacle of high-quality vinylDefinitive limited run reissue Ultra High Quality Record!33 1\/3 RPM LP release limited to 4,500 copiesMastered by Ryan K. Smith at Sterling Sound from the original master tapePressed at Quality Record Pressings using Clarity VinylrCustom clamshell box - highest quality pressing and packaging!Tracklist:Side 11. Lively Up Yourself2. No Woman, No Cry3. Them Belly Full (But We Hungry)4. Rebel Music (3 O'Clock Roadblock)Side 21. So Jah Seh2. Natty Dread3. Bend Down Low4. Talkin' Blues5. 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Scott Weiland, Dean DeLeo, Robert DeLeo, and Eric Kretz locked into a tighter, more dynamic chemistry here, drawing as much from classic rock and psych influences as from the Seattle sound their peers were mining.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAnalogue Productions (Atlantic Series) Celebrating the 75th Anniversary of Atlantic Records! Stone Temple Pilot's No. 1 charting second album Includes 'Interstate Love Song,' 'Vasoline' and 'Big Empty' Hybrid Stereo SACD Mastered direct to DSD from the original master tape by Ryan K. Smith at Sterling Sound Purple, the second studio album released in 1994 by the Stone Temple Pilots, stands as a monumental achievement in the band's career and a defining moment in the grunge and alternative rock music scene of the 1990s. With a potent blend of raw energy, introspective lyrics and masterful musicianship, Purple not only catapulted Stone Temple Pilots to superstardom, but it also marked a significant evolution in the band's sound. The album, building on the foundations laid by the band's debut album Core, was a huge success for the band, debuting at No. 1 on the Billboard 200 chart and quickly achieving multi-platinum status, worldwide. It's chart-topping single, 'Interstate Love Song,' became an anthem for a generation, and the album as a whole showcased the band's artistic prowess. Lyrically, 'Purple' also revealed a more introspective and mature side of Stone Temple Pilots. Scott Weiland's songwriting delved into personal struggles and emotions, addressing themes of addiction, love, and self-discovery. This depth added a layer of authenticity to the album, allowing listeners to connect with the band on a profound level. Purple also demonstrated that Stone Temple Pilots were more than just another grunge act; they were a force to be reckoned with, capable of delivering powerful and emotionally resonant music. Purple remains a crucial chapter in the band's history and an essential listen for any fan of rock music. Tracklist:0 1. Meatplow 1 2. Vasoline 2 3. Lounge Fly 3 4. Interstate Love Song 4 5. Still Remains 5 6. Pretty Penny 6 7. Silvergun Superman 7 8. Big Empty 8 9. Unglued 9 10. Army Ants 10 11. 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Roger Daltrey's vocal transformation across these tracks, from wounded vulnerability to messianic howl, remains one of rock's great dramatic arcs, and Keith Moon and John Entwistle push the songwriting into territory no rhythm section had explored before.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088025266\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Champagne (4:41)\u003c\/div\u003e\n\u003cdiv\u003e2. There's A Doctor (0:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Go To The Mirror (3:57)\u003c\/div\u003e\n\u003cdiv\u003e4. Tommy Can You Hear Me? 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Peter Tosh and Bunny Wailer would never again share a studio with Marley as equals, making every track here a document of something that couldn't be reconstructed. The urgency is real because the stakes were real.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBurnin' is the Wailers' sixth album, released in October 1973. All three members of the band - Bob Marley, Peter Tosh, and Bunny Wailer (the last time before Tosh and Bunny departed for solo careers and the band became known as Bob Marley \u0026amp; the Wailers) - wrote for, recorded and produced the album in Jamaica. Burnin' promoted the Wailers into international fame, led by the classic hits 'I Shot The Sheriff' (a subsequent U.S. No. 1 for Eric Clapton) and the enduring anthem of people power, adopted by civil rights activists worldwide 'Get Up, Stand Up.'Burnin' was, to some degree, a summary of the Wailers' progress to this point. An album full of revolutionary fire and fervor, it was also the last, heroic distillation of a lineup that had taken the teenaged Wailer, Tosh, and Marley on a journey from the streets of Trenchtown to the brink of global stardom.Although a 'new' act in Britain and America, the Wailers had been singing and recording together since 1963, and could boast a plentiful catalog of songs which were largely unknown outside Jamaica. Several of the tracks on Burnin' were re-recordings of songs that had been released before. 'Put It On,' a gentle, spiritual groove with the more emollient chant of 'Lord I Thank You,' had been released as a single on the Studio One label in Jamaica in 1965, when it was one of the first songs to coin the word 'toasting' to refer to the lyrical style of chanting by the dancehall DJs. Likewise 'Duppy Conqueror' and 'Small Axe' were both new recordings of songs that were old favorites in the Wailers' story.From Burnin' forward it would be Bob Marley who was very much the man in charge.Hybrid Stereo SACD release from Analogue ProductionsMastered Direct To DSD by Ryan K. Smith at Sterling Sound from the original master tapePlays in all CD and SACD playersTracklist:1. Get Up, Stand Up2. Hallelujah Time3. I Shot The Sheriff4. Burnin' And Lootin'5. Put It On6. Small Axe7. Pass It On8. Duppy Conqueror9. One Foundation10. 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Natty Dread was most popularly received in the U.K., where it peaked at No. 43 and sold in excess of 100,000 copies, making it a gold album. Over time it gained popularity in other parts of the world, and in 2003 it was ranked No. 181 on Rolling Stone magazine's list of the 500 greatest albums of all time.Natty Dread was a pivotal album in Bob Marley's discography, embodying the spirit of Rastafarian culture and the socio-political landscape of Jamaica during that era. It's key track 'No Woman, No Cry' not only became one of Marley's most famous and most-covered songs, it served as a powerful anthem of resilience and hope, capturing the struggles and joys of everyday life in the ghetto.Natty Dread propelled Marley to international fame and acclaim and established his worldwide reputation. Today, Natty Dread is considered Marley's finest album, the ultimate reggae recording of all time.Natty Dread - now a landmark production on Analogue Productions Hybrid Stereo SACD!Hybrid Stereo SACD release from Analogue ProductionsMastered Direct To DSD by Ryan K. Smith at Sterling Sound from the original master tapePlays in all CD and SACD playersTracklist:1. Lively Up Yourself2. No Woman, No Cry3. Them Belly Full (But We Hungry)4. Rebel Music (3 O'Clock Road Block)5. So Jah Seh6. Natty Dread7. Bend Down Low8. Talkin' Blues9. 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Cobham's impressive list of collaborators here include keyboardist Jan Hammer, guitarist Tommy Bolin, electric bassist Lee Sklar and Ray Barretto on congas. Cobham was fresh off his success with the Mahavishnu Orchestra when he recorded Spectrum.The guitar licks from Bolin (Zephyr, James Gang, Deep Purple), who overdosed three years later, are particularly memorable and he merges beautifully with Cobham's Mahavishnu band mate Hammer. Spectrum reached No. 1 on the jazz charts around the world and became a crossover phenomenon, serving as a big influence on the burgeoning funk\/jazz and fusion movements.Analogue Productions (Atlantic 75 Series)Celebrating the 75th Anniversary of Atlantic Records!No. 1 jazz charting release worldwide!Hybrid Stereo SACDTracklisting:1. Quadrant 42. Searching For The Right Door3. Spectrum4. Anxiety5. Taurian Matador6. Stratus7. To The Women In My Life8. Le Lis9. Snoopy's Search10. 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The same Atlantic Records rhythm section and Jerry Wexler production team that unlocked her sound in Muscle Shoals helped make 1968 the year Franklin didn't just dominate the charts, she defined them.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLady Soul, released in January 1968, was one of Aretha Franklin's finest and most popular albums - a No. 2 record that featured her take on Carole King's '(You Make Me Feel Like a) Natural Woman' and the immortal 'Chain of Fools.' Just a landmark statement of female empowerment and inspired vocal performance. Other massive hits include '(Sweet, Sweet Baby) Since You've Been Gone' and 'Ain't No Way.'Lady Soul topped the R\u0026amp;B charts and reached No. 2 on the Billboard 200. Aretha also provides her own unique and soulful interpretations of James Brown's 'Money Won't Change You,' Ray Charles' 'Come Back Baby' and Curtis Mayfield's civil rights anthem, 'People Get Ready.' Rolling Stone named Aretha Franklin as the No. 1 Greatest Singer of All Time and it's all in evidence on Lady Soul.Lacquers cut by Kevin Gray at Cohearant Audio at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.Analogue Productions (Atlantic 75 Series)Celebrating the 75th Anniversary of Atlantic Records!Includes the smash hit '(You Make Me Feel Like a) Natural Woman' and the immortal 'Chain of Fools'180-gram 45 RPM double LPMastered by Kevin Gray at Cohearent Audio from the original master tapePressed at Quality Record PressingsTip-on old style gatefold double pocket jacket by Stoughton PrintingTracklist:LP 1 Side A1. Chain Of Fools2. Money Won't Change You3. People Get ReadyLP 1 Side B1. Niki Hoeky2. (You Make Me Feel Like) A Natural WomanLP 2 Side A1. Since You've Been Gone (Sweet Sweet Baby)2. Good To Me As I Am To You3. Come Back BabyLP 2 Side B1. Groovin'2. 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