{"title":"Blue Note Records — Vinyl, CDs \u0026 Reissues","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eBlue Note Records has been the gold standard in jazz since 1939.\u003c\/strong\u003e Founded in New York by Alfred Lion, the label documented the full arc of the music, from bebop and hard bop through post-bop, soul-jazz, fusion, and the contemporary scene, with a commitment to sound quality and artist vision that has never wavered.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAt relix.shop, we carry the full Blue Note catalog: original pressings and new releases alongside the label's most sought-after reissue series. That means \u003cstrong\u003eBlue Note Classic Vinyl Editions. \u003c\/strong\u003eanalog remasters cut at 33 1\/3 from original tapes, and \u003cstrong\u003eBlue Note Tone Poet Series\u003c\/strong\u003e 180-gram audiophile LPs, produced by Joe Harley and mastered by Kevin Gray for the best possible playback on a home turntable.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eOur collection spans the legends: \u003cstrong\u003eMiles Davis\u003c\/strong\u003e, \u003cstrong\u003eJohn Coltrane\u003c\/strong\u003e, \u003cstrong\u003eThelonious Monk\u003c\/strong\u003e, \u003cstrong\u003eHerbie Hancock\u003c\/strong\u003e, \u003cstrong\u003eLee Morgan\u003c\/strong\u003e, \u003cstrong\u003eHank Mobley\u003c\/strong\u003e, \u003cstrong\u003eHorace Silver\u003c\/strong\u003e, \u003cstrong\u003eMcCoy Tyner\u003c\/strong\u003e, \u003cstrong\u003eWayne Shorter\u003c\/strong\u003e, and \u003cstrong\u003eArt Blakey \u0026amp; the Jazz Messengers\u003c\/strong\u003e. And the contemporary roster the label has been building: \u003cstrong\u003eRobert Glasper\u003c\/strong\u003e, \u003cstrong\u003eImmanuel Wilkins\u003c\/strong\u003e, \u003cstrong\u003eJoel Ross\u003c\/strong\u003e, \u003cstrong\u003eJoshua Redman\u003c\/strong\u003e, \u003cstrong\u003eJulian Lage\u003c\/strong\u003e, \u003cstrong\u003eMelissa Aldana\u003c\/strong\u003e, and \u003cstrong\u003eBill Frisell\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eWhether you're filling gaps in a classic hard bop collection, hunting for a specific Tone Poet pressing, or discovering a voice from the current generation of jazz artists carrying the Blue Note tradition forward, this is the place to shop.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eLP, CD, and multi-disc box sets in stock.\u003c\/strong\u003e \u003c\/p\u003e","products":[{"product_id":"bill-frisell-in-my-dreams-lp-vinyl","title":"Bill Frisell – In My Dreams (2-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn My Dreams is both familiar Bill Frisell and brand-new Bill Frisell. The renowned guitarist, who is quite successful at never determinedly repeating himself, has recorded before in a trio with bassist Thomas Morgan and drummer Rudy Royston, beginning with 2016's When You Wish Upon a Star, and he's also made music before with violinist Jenny Scheinman, violist Eyvind Kang and cellist Hank Roberts, going back two decades to the album Richter 858.\u003c\/p\u003e\u003cp\u003eThere have been occasions when the six have nearly coalesced--all but Morgan accompany Frisell on 2013's Big Sur--but not until now has he brought the two entities together in the studio. While that might seem to be obvious--creating a new sextet from favored players--the result is anything but that. Frisell and his collaborators go to places as an expanded unit that they haven't separately, and it's all quite exhilarating and magnificent.\u003c\/p\u003e\u003cp\u003eNot every track on the Lee Townsend-produced, Frisell-arranged set utilizes the entire crew--Frisell himself sits out the opening track, \"Trapped in the Sky,\" although he wrote it; the recording features only viola and violin. But from there, most of the music features the full ensemble, some recorded live, some in the studio--some written by Frisell, others not (like their excellent, ethereal take on \"Home on the Range\").\u003c\/p\u003e\u003cp\u003eAmong the live tracks, the original \"Again,\" which spotlights Royston, migrates from audacious to subtle, while Duke Ellington's \"Isfahan\" is sweet and airy, Frisell taking liberties with melody and form. \"Why?\" and \"Never Too Late,\" both originals, are studio highlights, the former playful and mesmerizing, the latter symphonic in its breadth. Hopefully, now that they've gone there, we'll be hearing more from this sextet.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Jeff Tamarkin, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/bill-frisell-in-my-dreams\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBill Frisell has spent decades quietly expanding what American music can hold, weaving country, jazz, folk, and classical into something that resists every easy label. Bringing together two of his most trusted ensembles on a single record, the guitarist opens new conversational space between Morgan and Royston's rhythmic intuition and the string depth of Scheinman, Kang, and Roberts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eRead Jeff Tamarkin's review of Bill Frisell's In My Dreams from February 27, 2026, on \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/bill-frisell-in-my-dreams\/\"\u003erelix.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn My Dreams is both familiar Bill Frisell and brand-new Bill Frisell. The renowned guitarist, who is quite successful at never determinedly repeating himself, has recorded before in a trio with bassist Thomas Morgan and drummer Rudy Royston, beginning with 2016's When You Wish Upon a Star, and he's also made music before with violinist Jenny Scheinman, violist Eyvind Kang and cellist Hank Roberts, going back two decades to the album Richter 858.\u003c\/p\u003e\n\u003cp\u003eThere have been occasions when the six have nearly coalesced — all but Morgan accompany Frisell on 2013's Big Sur — but not until now has he brought the two entities together in the studio. While that might seem to be obvious — creating a new sextet from favored players — the result is anything but that. Frisell and his collaborators go to places as an expanded unit that they haven't separately, and it's all quite exhilarating and magnificent.\u003c\/p\u003e\n\u003cp\u003eNot every track on the Lee Townsend-produced, Frisell-arranged set utilizes the entire crew. Frisell himself sits out the opening track, \"Trapped in the Sky,\" although he wrote it — the recording features only viola and violin. But from there, most of the music features the full ensemble, some recorded live, some in the studio, some written by Frisell, others not (like their excellent, ethereal take on \"Home on the Range\").\u003c\/p\u003e\n\u003cp\u003eAmong the live tracks, the original \"Again,\" which spotlights Royston, migrates from audacious to subtle, while Duke Ellington's \"Isfahan\" is sweet and airy, Frisell taking liberties with melody and form. \"Why?\" and \"Never Too Late,\" both originals, are studio highlights — the former playful and mesmerizing, the latter symphonic in its breadth. Hopefully, now that they've gone there, we'll be hearing more from this sextet.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Trapped In The Sky (2:07)\u003cbr\u003eA2. When We Go (7:52)\u003cbr\u003eA3. In My Dreams (5:12)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Isfahan (6:33)\u003cbr\u003eB2. Give Me A Home (2:53)\u003cbr\u003eB3. Why? (3:17)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Curtis (A Year And A Day) (7:24)\u003cbr\u003eC2. Hard Times (4:42)\u003cbr\u003eC3. Again (6:16)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Small Hands (6:19)\u003cbr\u003eD2. Never Too Late (4:06)\u003cbr\u003eD3. Home On The Range (5:37)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602488137676\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262781993115,"sku":"99049748","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bill-Frisell-In-My-Dreams-2-LP-Vinyl.png?v=1776110975"},{"product_id":"julian-lage-scenes-from-above-cd-1","title":"Julian Lage – Scenes From Above (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJulian Lage came up as a child prodigy in the San Francisco Bay Area scene before spending formative years alongside Gary Burton and later David Grisman, absorbing acoustic tradition from the inside. His Blue Note run has steadily expanded his vocabulary without losing the intimacy that made him essential, and bringing John Medeski into the fold opens a new tonal dimension rooted in the same exploratory spirit that has always connected jazz and the jamband world.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGuitar virtuoso Julian Lage returns with his fifth Blue Note release, Scenes From Above, the follow-up to the GRAMMY-nominated Speak To Me, which was once again produced by Joe Henry. The album features Lage in a new band with John Medeski on organ and piano, Jorge Roeder on bass, and Kenny Wollesen on drums for a set of striking new original compositions. CD Softpak.\u003c\/p\u003e \u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Opal (4:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Red Elm (4:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Talking Drum (5:06)\u003c\/div\u003e\n\u003cdiv\u003e4. Havens (4:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Night Shade (7:24)\u003c\/div\u003e\n\u003cdiv\u003e6. Solid Air (3:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Ocala (4:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Storyville (4:23)\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e9. Something More (4:02)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478932007\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Opal (4:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Red Elm (4:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Talking Drum (5:06)\u003c\/div\u003e\n\u003cdiv\u003e4. Havens (4:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Night Shade (7:24)\u003c\/div\u003e\n\u003cdiv\u003e6. Solid Air (3:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Ocala (4:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Storyville (4:23)\u003c\/div\u003e\n\u003cdiv\u003e9. Something More (4:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262784352411,"sku":"58705670","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8975158345883-cd-relix.png?v=1776972837"},{"product_id":"herbie-hancock-empyrean-isles-blue-note-classic-vinyl-series","title":"Herbie Hancock – Empyrean Isles (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in June 1964, \"Cantaloupe Island\" would go on to become one of the most sampled jazz compositions in hip-hop history, most famously when US3 flipped it for \"Cantaloop (Flip Fantasia)\" in 1993. The rhythm section here, Carter and the then-17-year-old Tony Williams, represents one of the great underrated partnerships in acoustic jazz, and hearing it cut from the original tapes makes the case for why Blue Note's Classic Vinyl series exists in the first place.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePianist Herbie Hancock showcased the full breadth of his artistry on his masterful 4th Blue Note album Empyrean Isles recorded in 1964. The album presented 4 diverse original compositions including the hit song \"Cantaloupe Island\" performed a deeply attuned quartet featuring Freddie Hubbard on trumpet, Ron Carter on bass, and Tony Williams on drums. Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. One Finger Snap\u003c\/div\u003e\n\u003cdiv\u003e2. Oliloqui Valley\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Cantaloupe Island\u003c\/div\u003e\n\u003cdiv\u003e2. The Egg\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602448595621\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.17.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600414552219,"sku":"190476","price":32.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-herbie-hancock-empyrean-isles-blue-note-classic-vinyl-series-vinyl-lp-relix.jpg?v=1779361246"},{"product_id":"miles-davis-volume-2-blue-note-classic-vinyl-series","title":"Miles Davis – Volume 2 (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Kind of Blue, before Bitches Brew, before any of the reinventions, there was Miles Davis learning to command a room on the strength of pure sound. These 1952-54 Blue Note sides capture him in a transitional moment, post-Bird and pre-modal, working through bebop vocabulary with a lyrical restraint that was already distinctly his own.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles' early Blue Note sessions from 1952-54 yielded two later LPs that Blue Note released as part of the 1500 Series. Volume 2 is split between the blazing bebop and beautiful ballads that first made Miles famous: \"Well You Needn't,\" \"Lazy Susan,\" \"The Leap,\" \"It Never Entered My Mind,\" \"Donna,\" alternate takes of \"Ray's Idea\" and \"Tempus Fugit\" and more. This mono Blue Note Classic Vinyl edition is all-analog mastered from the original tapes and pressed on 180-gram vinyl! Blue Note.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602458319958\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.15.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Take Off\u003c\/div\u003e\n\u003cdiv\u003e2. Weirdo\u003c\/div\u003e\n\u003cdiv\u003e3. Would'n You\u003c\/div\u003e\n\u003cdiv\u003e4. I Waited For You\u003c\/div\u003e\n\u003cdiv\u003e5. Ray's Idea (Alternate Master)\u003c\/div\u003e\n\u003cdiv\u003e6. Donna\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Well You Needn't\u003c\/div\u003e\n\u003cdiv\u003e2. The Leap\u003c\/div\u003e\n\u003cdiv\u003e3. Lazy Susan\u003c\/div\u003e\n\u003cdiv\u003e4. Tempus Fugit (Alternate Master)\u003c\/div\u003e\n\u003cdiv\u003e5. It Never Entered My Mind\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600442798235,"sku":"326932","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-volume-2-blue-note-classic-vinyl-series-vinyl-lp-relix.jpg?v=1779277417"},{"product_id":"miles-davis-birth-of-the-cool-lp-vinyl","title":"Miles Davis – Birth Of The Cool (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePulled from three Capitol Records sessions cut between January 1949 and March 1950, these nineteen musicians, rarely assembled in a group this size for jazz at the time, included Gerry Mulligan, Lee Konitz, and a young arranger named Gil Evans, whose collaboration with Davis would reshape the sound of jazz for decades. The nonet format, borrowing the french horn and tuba from the classical world, pointed toward a cooler, more orchestral sensibility that stood in direct contrast to the fire of bebop.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited vinyl LP pressing. This aptly named 1957 album by jazz icon Miles Davis includes three sessions originally recorded between 1949 and 1950. What would go on to become known as cool jazz, these recordings were complex in arrangement, with just the right touch of restraint from Davis and the rest of his ensemble. Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title implies, these recordings are considered seminal in the history of cool jazz. Most of them were originally released in the 10-inch 78-rpm format and are all approximately three minutes long. Forever hip and innovative, this vinyl reissue is a timeless classic for any jazz collection.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Move\u003c\/div\u003e\n\u003cdiv\u003e2. Jeru\u003c\/div\u003e\n\u003cdiv\u003e3. Moon Dreams\u003c\/div\u003e\n\u003cdiv\u003e4. Venus De Milo\u003c\/div\u003e\n\u003cdiv\u003e5. Budo\u003c\/div\u003e\n\u003cdiv\u003e6. Deception\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Godchild\u003c\/div\u003e\n\u003cdiv\u003e2. Boplicity\u003c\/div\u003e\n\u003cdiv\u003e3. Rocker\u003c\/div\u003e\n\u003cdiv\u003e4. Israel\u003c\/div\u003e\n\u003cdiv\u003e5. Rouge\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602547972972\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.7.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600455807131,"sku":"556571","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-birth-of-the-cool-vinyl-lp-relix.jpg?v=1779281386"},{"product_id":"john-coltrane-blue-train-the-complete-masters-blue-note-tone-poet-series-cd","title":"John Coltrane – Blue Train: The Complete Masters (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in September 1957, *Blue Train* stands as Coltrane's sole session as a leader for Blue Note, capturing him at a pivotal moment between his groundbreaking tenure with Miles Davis and the modal innovations that would define his later work on Impulse. The title track remains one of the most recognizable blues heads in jazz history, and hearing the alternate takes reveals how deliberately Coltrane and his band, including Lee Morgan and Curtis Fuller, shaped each phrase into something definitive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBlue Train: The Complete Masters includes a bonus disc of alternate and incomplete takes (4 of which have never been released). The 2 CD set comes with a bound booklet featuring session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlso Available: \u003c\/span\u003e\u003ca href=\"\/UPC\/602445481057\" title=\"John Coltrane - Blue Train (Blue Note Tone Poet Series) [Mono LP]\"\u003eMono LP\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"\/UPC\/602445481071\" title=\"John Coltrane - Blue Train: The Complete Masters (Blue Note Tone Poet Series) [Stereo 2LP]\"\u003eStereo 2LP\u003c\/a\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train (10:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Moment's Notice (9:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Locomotion (7:14)\u003c\/div\u003e\n\u003cdiv\u003e4. I'm Old Fashioned (7:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Lazy Bird (7:07)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train (False Start) (0:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Blue Train (Alternate Take 7) (7:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Moment's Notice (Alternate Take 4) (7:19)\u003c\/div\u003e\n\u003cdiv\u003e4. Lazy Bird (Alternate Take 1) (9:23)\u003c\/div\u003e\n\u003cdiv\u003e5. Blue Train (Alternate Take 8) (10:27)\u003c\/div\u003e\n\u003cdiv\u003e6. Moment's Notice (Alternate Take 5A Incomplete) (5:08)\u003c\/div\u003e\n\u003cdiv\u003e7. Lazy Bird (Alternate Take 2) (7:29)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602448062031\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.16.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600461377691,"sku":"533465","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-blue-train-the-complete-masters-blue-note-tone-poet-series-c-cd-relix.jpg?v=1779393125"},{"product_id":"blue-note-plays-ray-charles-blue-note-plays-ray-charles-cd","title":"Blue Note Plays Ray Charles (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRay Charles cast such a long shadow over soul, R\u0026amp;B, and jazz that Blue Note's roster spent decades absorbing his influence without always naming it. This compilation makes that debt explicit, drawing on vintage sessions from the label's golden era to show how deeply Charles's vocabulary had penetrated organ jazz, soul-blues guitar, and the hard bop tradition.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTracks include \"That's Where It's At\" by Lou Rawls and Ray Charles, \"I Got a Woman\" by Jimmy McGriff, \"What Would I Do Without You\" by Stanley Turrentine, \"This Little Girl of mine\" by Grant Green, \"Ain't That Love\" by Bill Henderson and Jimmy smith, and \"(Night Time Is) the Right Time\" by Freddie Roach.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. That's Where It's At (3:12)\u003c\/div\u003e\n\u003cdiv\u003e2. I Got A Woman (4:32)\u003c\/div\u003e\n\u003cdiv\u003e3. What Would I Do Without You (4:34)\u003c\/div\u003e\n\u003cdiv\u003e4. This Little Girl Of Mine (6:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Ain't That Love (2:45)\u003c\/div\u003e\n\u003cdiv\u003e6. (Night Time Is) The Right Time (7:16)\u003c\/div\u003e\n\u003cdiv\u003e7. Hallelujah I Love Her So (2:55)\u003c\/div\u003e\n\u003cdiv\u003e8. Drown In My Own Tears (3:33)\u003c\/div\u003e\n\u003cdiv\u003e9. Hide Nor Hair (2:56)\u003c\/div\u003e\n\u003cdiv\u003e10. I Can't Stop Loving You (3:24)\u003c\/div\u003e\n\u003cdiv\u003e11. I'm Movin' On (5:15)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 724356094529\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.1.05\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600461410459,"sku":"453899","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-blue-note-plays-ray-charles-blue-note-plays-ray-charles-cd-relix.jpg?v=1779368809"},{"product_id":"ike-quebec-heavy-soul-blue-note-classic-vinyl-series","title":"Ike Quebec – Heavy Soul (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eIke Quebec spent years as both a talent scout and recording artist for Blue Note, helping sign Thelonious Monk and Bud Powell before his own recording career hit full stride in the early '60s. By the time *Heavy Soul* was laid down, Quebec was playing with the unhurried confidence of a man who had nothing left to prove, channeling the raw, churchy feel of rhythm and blues directly into the jazz idiom.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIke Quebec's aptly titled 1961 album Heavy Soul was a soul jazz masterclass with the tenor saxophonist joined by Freddie Roach (organ), Milt Hinton (bass) and Al Harewood (drums). Ike's robust horn conjures a variety of moods from up-tempo swingers to sultry slow-tempo stunners closing with a spellbinding duo rendition of \"Nature Boy\" with Hinton. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Acquitted\u003c\/div\u003e\n\u003cdiv\u003e2. Just One More Chance\u003c\/div\u003e\n\u003cdiv\u003e3. Que's Dilemma\u003c\/div\u003e\n\u003cdiv\u003e4. Brother Can You Spare A Dime\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Man I Love\u003c\/div\u003e\n\u003cdiv\u003e2. Heavy Soul\u003c\/div\u003e\n\u003cdiv\u003e3. I Want A Little Girl\u003c\/div\u003e\n\u003cdiv\u003e4. Nature Boy\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602455233967\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.21.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744922874011,"sku":"27149","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ike-quebec-heavy-soul-blue-note-classic-vinyl-series-vinyl-lp-relix.jpg?v=1781578450"},{"product_id":"george-braith-extension-lp-vinyl","title":"George Braith – Extension (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHarlem-born George Braith played the stritch and saxello simultaneously, a technique he developed himself that placed him in genuinely singular territory during Blue Note's most fertile early-60s creative period. His three sessions for the label document an artist pushing hard against the edges of soul jazz, and *Extension* captures that restless energy alongside some of the heaviest rhythm players in the game.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited 180gm vinyl LP pressing. Extension was the last of three unique Blue Note sessions led by the singular saxophonist George Braith in the early 1960s. The album was rooted in soul jazz - with Grant Green (guitar), Billy Gardner (organ), and Clarence Johnston (drums) - but Braith's adventurous spirit led the music into unexpected realms on memorable originals like \"Nut City.\" Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602445352944\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.15.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Nut City\u003c\/div\u003e\n\u003cdiv\u003e2. Ethlyn's Groove\u003c\/div\u003e\n\u003cdiv\u003e3. Out Here\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Extension\u003c\/div\u003e\n\u003cdiv\u003e2. Sweetville\u003c\/div\u003e\n\u003cdiv\u003e3. Ev'ry Time We Say Goodbye\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744923758747,"sku":"11857","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-george-braith-extension-vinyl-lp-relix.jpg?v=1781656109"},{"product_id":"sonny-rollins-the-very-best-cd","title":"Sonny Rollins – The Very Best (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSonny Rollins spent decades redefining what a tenor saxophone could say, and his catalog spans some of the most restless, harmonically adventurous improvisation in jazz history. A figure who famously retreated to the Williamsburg Bridge to practice in solitude, then returned to the bandstand stronger, Rollins embodies the idea that a musician's development never stops. This Blue Note collection draws from recordings that capture him at the peak of his powers.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Decision (7:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Poor Butterfly (6:06)\u003c\/div\u003e\n\u003cdiv\u003e3. Why Don't I (5:42)\u003c\/div\u003e\n\u003cdiv\u003e4. How Are Things In Glocca Morra? 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The ballader's signature soul jazz compositions include \"March On Selma,\" and a rendition of blues classic \"Hi-Heel Sneakers.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Hi-Heel Sneakers (8:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Perception (5:39)\u003c\/div\u003e\n\u003cdiv\u003e3. Alone, Alone And Alone (7:43)\u003c\/div\u003e\n\u003cdiv\u003e4. March On Selma (6:13)\u003c\/div\u003e\n\u003cdiv\u003e5. One Shirt (7:27)\u003c\/div\u003e\n\u003cdiv\u003e6. Samba De Stacy (5:59)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094631149221\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.13.05\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744924086427,"sku":"326","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-blue-mitchell-down-with-it-remastered-cd-cd-relix.jpg?v=1781322061"},{"product_id":"jenny-lewis-joyall-lp-vinyl","title":"Jenny Lewis – Joy'All (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJenny Lewis has been a cornerstone of the indie rock and Americana world since her days fronting Rilo Kiley, and her solo catalog has only deepened that reputation. Landing at Blue Note, a label with roots in jazz but a long history of artistic risk-taking, suits an artist who has never been easy to categorize. RCA Studio A has hosted some of country and soul music's most enduring recordings, and that room's warmth is all over this one.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eJenny Lewis\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e’ fifth solo album, \u003cb\u003e\u003ci\u003eJoy’All\u003c\/i\u003e\u003c\/b\u003e arrives June 9th. \u003ci\u003eJoy’All\u003c\/i\u003e finds the singer-songwriter embarking on a new era, in a new town – and on a new label, as she joins the iconic roster of Blue Note\/Capitol Records. While \u003ci\u003eJoy’All\u003c\/i\u003e pulls from a bounty of sonic inspiration – from classic soul to ‘90s R\u0026amp;B, as well as country and classic singer-songwriter records – the album’s rich, intimate and warm live sound is the hallmark of eight-time GRAMMY-winning producer Dave Cobb. 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The trio format here is deceptively intimate, three players in close conversation, but Cornish uses it to cover serious harmonic ground without ever letting the music feel academic.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePaul Cornish - \"You're Exaggerating!\". You're Exaggerating! Features Cornish with the rhythm tandem of bassist Joshua Crumbly and drummer Jonathan Pinson, performing nine original compositions, most of them inspired by personal memories, reflections and idols. Helmed by a generous, uplifting bandleader, the trio chops up and reinvents the groove at will and embarks on unforeseen detours. Cornish's approach, in it's even-keeled texture and shrewd harmony, is a sort of mastery that entices rather than merely impresses. 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The lush, groove-forward arrangements here would later become foundational source material for hip-hop producers, with A Tribe Called Quest among those who drew from this well.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDonald Byrd - \"Stepping Into Tomorrow (Blue Note Classic Vinyl Edition)\". Donald Byrd's 1974 funk\/R\u0026amp;B fusion masterpiece, Stepping Into Tomorrow, was thethird album the trumpet legend made in collaboration with visionary producer Larry Mizell. Featuring the standout title track and \"Think Twice,\" the album became a touchstone for future hip-hop generations and features Gary Bartz, Fonce Mizell, Chuck Rainey, Harvey Mason and others. This stereo Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Stepping Into Tomorrow (5:11)\u003c\/div\u003e\n\u003cdiv\u003e2. Design A Nation (4:19)\u003c\/div\u003e\n\u003cdiv\u003e3. We're Together (4:23)\u003c\/div\u003e\n\u003cdiv\u003e4. Think Twice (6:10)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Makin' It (3:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Rock And Roll Again (6:09)\u003c\/div\u003e\n\u003cdiv\u003e3. You Are The World (4:29)\u003c\/div\u003e\n\u003cdiv\u003e4. I Love The Girl (3:53)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602465816822\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.18.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744927953051,"sku":"45980","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-donald-byrd-stepping-into-tomorrow-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1781657145"},{"product_id":"lee-morgan-taru-blue-note-tone-poet-series-lp-vinyl","title":"Lee Morgan – Taru (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1968, Lee Morgan had already survived personal turbulence that would have derailed lesser talents, and the loose, exploratory feel of *Taru* reflects an artist reclaiming his own creative space on his own terms. Benson's guitar brings a warmth rarely heard in Morgan's catalog, and Maupin's presence points toward the more adventurous sounds both men would pursue in the years ahead.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited 180gm vinyl LP pressing. Lee Morgan's 1968 album Taru found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin. 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His Blue Note recordings from the late 1950s and early 1960s set a template that organists have been chasing ever since, influencing everyone from Larry Young to Joey DeFrancesco.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Hammond organ received it's day in the sun thanks to virtuoso Jimmy Smith. The Blue Note label alumnus found instant success by making the unusual instrument the focal point of his work in jazz and blues. 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The Drumhedz' debut LP showcases a family of musicians whose credits coil like ivy around nearly every pillar or modern sound. It's a place without genre, where elements of funk, soul, gospel, hip-hop and jazz mix until they're an indistinguishable surging mass of solid groove.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Rocks Crying (2:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Universal Language (3:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Dat Feelin' (3:39)\u003c\/div\u003e\n\u003cdiv\u003e4. \"Give It Up\" (Skit)\u003c\/div\u003e\n\u003cdiv\u003e5. Black Hole (4:34)\u003c\/div\u003e\n\u003cdiv\u003e6. 2N1 (1:02)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Spread Her Wings (5:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Whatever (2:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Sensitive Granite (3:42)\u003c\/div\u003e\n\u003cdiv\u003e4. Cosmic Intercourse (5:44)\u003c\/div\u003e\n\u003cdiv\u003e5. \"Selling Sweatshirts\" (Skit)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Atlanta, Texas (3:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Destiny N Stereo (3:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Clear View (6:27)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Job Well Done (4:37)\u003c\/div\u003e\n\u003cdiv\u003e2. Lady Jane (5:39)\u003c\/div\u003e\n\u003cdiv\u003e3. \"Title Check\" (Skit)\u003c\/div\u003e\n\u003cdiv\u003e4. Trippy Tipsy (2:26)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602537794416\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.26.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744932049051,"sku":"20671","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-chris-dave-chris-dave-the-drumhedz-vinyl-lp-relix.jpg?v=1781659022"},{"product_id":"don-cherry-complete-comunion-blue-note-tone-poet-series-lp-vinyl","title":"Don Cherry – Complete Comunion (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in a single December 1965 session, Complete Communion unfolds as two extended suites across both sides, a structural choice that placed Cherry in conversation with the free jazz collective spirit then radiating outward from New York lofts and European concert halls. The interplay between Cherry's pocket trumpet and Gato Barbieri's tenor is restless and searching, rooted in the same open-form language Cherry absorbed alongside Ornette but now fully his own.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDon Cherry - \"Complete Comunion (Blue Note Tone Poet Series)\". Cornetist Don Cherry first rose to prominence as part of the revolutionary Ornette Coleman Quartet in 1959, but it wasn't until he signed with Blue Note in 1965 that he began his leader career with a run of fiery albums including his bold debut, Complete Communion, featuring Gato Barbieri, Henry Grimes and Ed Blackwell. This stereo Blue Note Tone Poet Series was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eComplete Communion: Complete Communion\/And Now\/Golden Heart\/Remembrance\u003c\/li\u003e\n\u003cli\u003eElephantasy: Elephantasy\/Our Feelings\/Bishmallah\/Wind, Sand And Stars\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602458270082\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744932507803,"sku":"37225","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-don-cherry-complete-comunion-blue-note-tone-poet-series-lp-vinyl-vinyl-lp-relix.jpg?v=1781657834"},{"product_id":"the-residents-rockin-the-boat-remastered-cd","title":"The Residents – Rockin The Boat (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWait , there's a conflict here. \"The Residents\" as a Blue Note soul-jazz and boogaloo artist doesn't match the avant-garde collective known by that name. There is a Blue Note artist named Hank Marr who recorded in that style, and there may be a Blue Note compilation or artist release called \"Rockin' the Boat,\" but I cannot confidently confirm all the details needed to write an accurate blurb about this specific release without risking fabrication.\n\nRather than guess, I'd recommend verifying the correct artist name before publishing. If you can confirm the artist, I'm happy to write the blurb accurately.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis product is an authorized manufactured on demand CD-R\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. When My Dream Boat Comes Home (7:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Pork Chop (7:32)\u003c\/div\u003e\n\u003cdiv\u003e3. Matilda, Matilda (2:55)\u003c\/div\u003e\n\u003cdiv\u003e4. Can Heat (5:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Please Send Me Someone To Love (6:10)\u003c\/div\u003e\n\u003cdiv\u003e6. Just A Closer Walk With Thee (3:45)\u003c\/div\u003e\n\u003cdiv\u003e7. Trust In Me (4:54)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 724359084121\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.23.04\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744932606107,"sku":"217483","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-residents-rockin-the-boat-remastered-cd-cd-relix.jpg?v=1781413052"},{"product_id":"robert-glasper-black-radio-lp-vinyl","title":"Robert Glasper Experiment – Black Radio (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRobert Glasper spent years building credibility in both jazz clubs and hip-hop studios before this 2012 Blue Note release made the conversation official. A Grammy winner for Best R\u0026amp;B Album, it signaled that the boundaries between jazz improvisation and contemporary Black music weren't just porous, they were beside the point entirely.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. 2012 album from the Jazz pianist and his electric Experimental band. Black Radio is a future landmark album that boldly stakes out new musical territory and transcends any notion of genre, drawing from Jazz, Hip Hop, R\u0026amp;B and Rock, but refusing to be pinned down by any one tag. Black Radio also features many of Glasper's famous friends from the spectrum of urban music, seamlessly incorporating appearances from a jaw-dropping roll call of special guests including Erykah Badu, Bilal, Lupe Fiasco, Lalah Hathaway, Shafi q Husayn (Sa-Ra), KING, Ledisi, Chrisette Michele, Musiq Soulchild, Meshell N'Degeocello, Stokley Williams (Mint Condition), and yasiin bey (Mos Def).\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Lift Off \/ Mic Check (3:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Afro Blue (5:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Cherish The Day (5:51)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Always Shine (5:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Gonna Be Alright (F.T.B.) (6:11)\u003c\/div\u003e\n\u003cdiv\u003e3. Move Love (3:18)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Ah Yeah (5:08)\u003c\/div\u003e\n\u003cdiv\u003e2. The Consequences Of Jealousy (6:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Why Do We Try (6:31)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Black Radio (5:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Letter To Hermione (4:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Smells Like Teen Spirit (7:24)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5099972976715\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.28.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744932638875,"sku":"48317","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-robert-glasper-black-radio-vinyl-lp-relix.jpg?v=1781323033"},{"product_id":"tony-allen-there-is-no-end-2-lp-vinyl","title":"Tony Allen – There Is No End (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased just before Tony Allen passed away in April 2020, There Is No End was completed posthumously, with Allen's hypnotic drum tracks serving as the foundation for collaborations with a remarkable constellation of artists including Skepta, Damon Albarn, Lasisi Elenu, and others. Allen spent decades as Fela Kuti's drummer and musical director, and the polyrhythmic language he helped invent in Lagos echoes through every groove here, connecting West African tradition to hip-hop, spoken word, and contemporary jazz.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e\"I play yours, you play mine. The music never ends.\" The wisdom of the late, great Afrobeat drummer Tony Allen's words was as deep as his grooves, and his words truly capture the spirit of There is No End. For a man \"born into rhythms,\" the thousands of grooves he recorded, the innumerable more he performed on stages the world over, all make it clear that while this album marks the coda of a legendary career, it will inspire generations more of musicians, artists and fans who hear it. 2 LP.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602507345471\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.7.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. There Is No End\u003c\/div\u003e\n\u003cdiv\u003e2. Rich Black\u003c\/div\u003e\n\u003cdiv\u003e3. Coonta Kinte\u003c\/div\u003e\n\u003cdiv\u003e4. One Inna Million\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stumbling Down\u003c\/div\u003e\n\u003cdiv\u003e2. Crushed Grapes\u003c\/div\u003e\n\u003cdiv\u003e3. Gang On Holiday (Em I Go We?)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Mau Mau\u003c\/div\u003e\n\u003cdiv\u003e2. Très Magnifique\u003c\/div\u003e\n\u003cdiv\u003e3. Hurt Your Soul\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Cosmosis\u003c\/div\u003e\n\u003cdiv\u003e2. My Own\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744932901019,"sku":"215303","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-tony-allen-there-is-no-end-2-lp-vinyl-vinyl-lp-relix.jpg?v=1781323778"},{"product_id":"jimmy-smith-the-very-best-cd","title":"Jimmy Smith – The Very Best (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJimmy Smith didn't just play the Hammond B-3, he redefined what the instrument could do in a jazz context, dragging it out of the church and into the smokiest corners of hard bop and soul. This Blue Note compilation pulls from the prime years of his catalog, when Smith was setting the template that every organ trio that followed would spend decades trying to replicate.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis product is an authorized manufactured on demand CD-R\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. The Champ (8:34)\u003c\/div\u003e\n\u003cdiv\u003e2. All Day Long (10:28)\u003c\/div\u003e\n\u003cdiv\u003e3. When Johnny Comes Marching Home (7:56)\u003c\/div\u003e\n\u003cdiv\u003e4. See See Rider (6:33)\u003c\/div\u003e\n\u003cdiv\u003e5. The Jumpin' Blues (5:25)\u003c\/div\u003e\n\u003cdiv\u003e6. Back At The Chicken Shack (8:00)\u003c\/div\u003e\n\u003cdiv\u003e7. Fungii Mama (4:52)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 724347739323\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.24.05\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744932966555,"sku":"135985","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-jimmy-smith-the-very-best-cd-relix.jpg?v=1781577690"},{"product_id":"robert-glasper-experiment-black-radio-10th-anniversary-deluxe-edition-2-cd","title":"Robert Glasper Experiment – Black Radio: 10th Anniversary (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRobert Glasper had been building toward Black Radio for years through a dual life in jazz and hip-hop, playing with everyone from Q-Tip to Herbie Hancock before the album crystallized something that felt genuinely new. The decade since its release has only confirmed what many heard immediately: it didn't just blur boundaries, it made those boundaries feel beside the point, and its influence runs through a generation of artists who came up in its wake.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eWith his 2012 album Black Radio, Robert Glasper laid out a new paradigm for creative music, reaching beyond entrenched genre boundaries to create a singular vision that drew from all reaches of contemporary black music with his Experiment band and a rollcall of special guests including Erykah Badu, yasiin bey, Lupe Fiasco, Bilal, Lalah Hathaway, Meshell Ndegeocello and others. The 10th Anniversary Deluxe Edition includes the original album plus 3 bonus tracks and the remix EP Black Radio Recovered.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Lift Off (3:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Afro Blue (5:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Cherish The Day (5:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Always Shine (5:22)\u003c\/div\u003e\n\u003cdiv\u003e5. Gonna Be Alright (F.T.B.) 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Smith's organ playing has always sat at the intersection of church, street, and jazz club, and this session captures that alchemy at full burn.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMove Your Hand is Lonnie's most soulful and most sampled Blue Note album. With a quintet fronted by saxophonists Rudy Jones and Ronnie Cuber, Lonnie even makes Donovan's \"Sunshine Superman\" groove. 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His tenor work sits at the crossroads of hard bop discipline and the loose, body-moving funk that made him a fixture in the jam scene long before Tiny Universe became a live institution.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA collection of funky, soul-driven, lyrical tunes highlighted by fine instrumental excursions, including numerous extended tenor-saxophone solos by the leader.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Dance Lesson #2 (6:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Like Like Dope (7:32)\u003c\/div\u003e\n\u003cdiv\u003e3. Rumpwinder (6:26)\u003c\/div\u003e\n\u003cdiv\u003e4. Flute Down (6:19)\u003c\/div\u003e\n\u003cdiv\u003e5. A.J. 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Timba, the Havana-born rhythmic style that supercharged Cuban popular music in the 1990s, gets transplanted here into new soil, with League's production bridging the Atlantic in ways that feel genuinely earned rather than cosmopolitan for its own sake.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCuban pianist \u0026amp; composer Harold López-Nussa has been steadily building a global following over the past two decades since winning the prestigious Montreux Jazz Piano Competition in 2005. • His Blue Note debut Timba a la Americana is a vibrant album teeming with joy \u0026amp; pathos that was inspired by the pianist’s recent decision to leave his Cuban homeland and begin a new life in France. His most expansive and ambitious work to date, the colorful song cycle amounts to a top-to-bottom modernization of Latin jazz. • Produced by Michael League (Snarky Puppy), the album presents 10 dynamic new compositions \u0026amp; features the harmonica virtuoso Grégoire Maret, Luques Curtis on bass, Bárbaro “Machito” Crespo on congas \u0026amp; Harold’s brother Ruy Adrián López-Nussa on drums.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Funky (4:11)\u003c\/div\u003e\n\u003cdiv\u003e2. Cake a la Moda (4:43)\u003c\/div\u003e\n\u003cdiv\u003e3. Mal du Pays (4:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Rat-a-Tat (4:25)\u003c\/div\u003e\n\u003cdiv\u003e5. Conga a la Americana (3:13)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Afro en Toulouse (5:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Tumba la Timba (5:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Mamá (1:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Tierra Mía (4:57)\u003c\/div\u003e\n\u003cdiv\u003e5. Hope (3:01)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602448875334\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.25.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744935227547,"sku":"145732","price":51.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-harold-lopez-nussa-timba-a-la-americana-vinyl-lp-relix.jpg?v=1781579298"},{"product_id":"chet-baker-chet-baker-sings-plays-remastered-cd","title":"Chet Baker – Sings \u0026 Plays with Bud Shank, Russ Freeman, and Strings (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWest Coast cool doesn't get more distilled than Chet Baker, whose breathy, conversational trumpet tone and almost whispering vocal delivery came from the same emotional place. Recorded during his peak Pacific Jazz years in the early 1950s, Baker brought a vulnerability to the American songbook that hard bop's tougher voices rarely touched, making him a singular bridge between jazz improvisation and pop accessibility.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eChet Baker does what he does best; SINGS AND PLAYS. He was gracious enough to occasionally put down the trumpet to croon, his vocal ability as skillful as his trumpeting. 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His Blue Note tenure has positioned him as one of the most vital voices in contemporary jazz, bringing an ancestral cosmology to a label whose catalog stretches from Coltrane to the present.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. 2024 release. South African pianist, composer, philosopher, and healer Nduduzo Makhathini travels beyond any existing notion of music-making to offer his most profound vision of creative mysticism yet with uNomkhubulwane, his stunning eleventh studio album which is his third to be released on Blue Note Records following 2020's Modes of Communication: Letters From The Underworlds and 2022's In The Spirit Of Ntu. The transcendent three-movement suite-which pays homage to the Zulu Goddess uNomkhubulwane and explores Africa's tragic history of oppression-features Makhathini's trio with bassist Zwelakhe-Duma Bell le Pere on bass and drummer Francisco Mela. 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Drummer Tony Williams was a frequent Blue Note presence in the 1960s and returned to the label in 1985 eager to form a new acoustic band as a vehicle to perform his compositions. 1986's masterful release, Civilization, featured his great '80s quintet with trumpeter Wallace Roney, saxophonist Billy Pierce, pianist Mulgrew Miller, and bassist Charnett Moffett. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Geo Rose (7:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Warrior (5:32)\u003c\/div\u003e\n\u003cdiv\u003e3. Ancient Eyes (5:27)\u003c\/div\u003e\n\u003cdiv\u003e4. Soweto Nights (6:27)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Slump (6:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Civilization (4:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Mutants On The Beach (5:55)\u003c\/div\u003e\n\u003cdiv\u003e4. Citadel (6:43)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602465149715\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.18.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744936931483,"sku":"105028","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-williams-tony-civilization-blue-note-classic-vinyl-edition-vinyl-lp-relix.jpg?v=1781319749"},{"product_id":"donald-byrd-new-perspective-blue-note-classic-vinyl-series","title":"Donald Byrd – New Perspective (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDonald Byrd spent the early 1960s pushing hard bop into new emotional territory, and \"New Perspective\" stands as one of the clearest expressions of that ambition. The integration of a gospel choir into a jazz context was a genuine risk in 1963, and the result influenced a generation of musicians thinking about the intersection of sacred music and modern jazz. \"Cristo Redentor\" alone has become one of the most covered and sampled moments in the Blue Note catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA magnificent band featuring Hank Mobley, Herbie Hancock and Kenny Burrell helped this trumpet legend create one of his most memorable albums with this 1963 recording. Duke Pearson did the arrangements, and an eight-piece gospel choir helped Byrd reach the spiritual heights he was seeking; the stunning \"Cristo Redentor\" joins \"The Black Disciple,\" \"Elijah,\" \"Chant\" and more. This stereo Blue Note Classic Vinyl edition is all-analog mastered from the original tapes and pressed on 180g vinyl! 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The album's centerpiece, \"Tanya,\" stretches past thirteen minutes and shows Gordon operating in a zone of unhurried authority that only someone living completely inside the music can reach.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eDexter Gordon had been living in Europe for several years when he recorded One Flight Up, one of his masterpieces, in Paris in 1964. It's all here: Dexter's magnificently huge sound, Donald Byrd in peak form on trumpet, the sophistication of pianist Kenny Drew, the brilliance of the then-teenaged bass phenom Niels-Henning Orsted Pederson and the rock-steady swing of drummer Art Taylor. 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Rooted equally in gospel, blues, and the hard bop tradition he absorbed coming up alongside organist Brother Jack McDuff, Turrentine brought a distinctly working-class soulfulness to Blue Note that set him apart from his contemporaries.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis beautiful compilation highlights the soulful, smooth and emotional saxophone work of Stanley Turrentine as he grooves through all your favorite jazz ballads.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Willow Weep For Me (9:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Since I Fell For You (8:48)\u003c\/div\u003e\n\u003cdiv\u003e3. Then I'll Be Tired Of You (6:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Someone To Watch Over Me (7:44)\u003c\/div\u003e\n\u003cdiv\u003e5. They All Say I'm The Biggest Fool (7:44)\u003c\/div\u003e\n\u003cdiv\u003e6. More Than You Know (6:07)\u003c\/div\u003e\n\u003cdiv\u003e7. God Bless The Child (3:59)\u003c\/div\u003e\n\u003cdiv\u003e8. Watch What Happens (5:31)\u003c\/div\u003e\n\u003cdiv\u003e9. A Child Is Born (8:06)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 077779558124\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.16.93\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744940273819,"sku":"120349","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-stanley-turrentine-ballads-cd-relix.jpg?v=1781655364"},{"product_id":"chet-baker-chet-baker-sings-plays-blue-note-tone-poet-lp-vinyl","title":"Chet Baker – Sings \u0026 Plays with Bud Shank, Russ Freeman, and Strings (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBaker's whisper-thin trumpet tone and his voice occupied the same emotional register, which is what made him singular. 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Tracks include \"Unchain My Heart,\" \"One Note Samba,\" \"Our Day Will Come,\" \"On Broadway\" and more - available on CD for the first time.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. One Note Samba (1:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Go Away, Little Boy (2:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Unchain My Heart (2:04)\u003c\/div\u003e\n\u003cdiv\u003e4. I Left My Heart In San Francisco (2:21)\u003c\/div\u003e\n\u003cdiv\u003e5. Wives And Lovers (1:59)\u003c\/div\u003e\n\u003cdiv\u003e6. The Good Life (2:27)\u003c\/div\u003e\n\u003cdiv\u003e7. What Kind Of Fool Am I? 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Scott, Smith, and Rogers have logged serious miles together on the bandstand, and that shared history is audible in every breath and silence here, a conversation between equals that no amount of studio polish could manufacture.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDrummer and composer Kendrick Scott returns with the release of Corridors, his third album for Blue Note Records, and first compositional treatment of trio context: saxophone, bass, and drums. Corridors unveils an exposed rumination from the Houston-born artist and his acclaimed collaborators: saxophonist Walter Smith III and bassist Reuben Rogers. Born during the pandemic lockdown, the record focuses on posing outward questions instead of inward contemplation. 180-gram LP.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. What Day Is It ? 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The title track's rolling, bluesy swagger became one of the most recognizable grooves in the Blue Note catalog, a testament to how Clark could make hard bop feel both precise and deeply felt at the same time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited 180gm vinyl LP pressing. Sonny Clark was the quintessential hard bop pianist. Possessed of a lyrical flow and inventive melodic ideas, he had a deeply rooted feeling for the blues. It was in 1958 that Clark arrived at his masterwork, Cool Struttin', recorded with a quintet featuring Art Farmer, Jackie McLean, Paul Chambers, and 'Philly' Joe Jones. The album has only grown in stature since his premature death at age 31 in 1963. 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