{"title":"* Blues \u0026 Jazz","description":null,"products":[{"product_id":"charlie-gabriel-eighty-nine-limited-edition-translucent-gold-lp-vinyl","title":"Charlie Gabriel – Eighty Nine (Translucent Gold LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded when Gabriel was 89 years old, this debut solo album arrived nearly eight decades into a life spent inside New Orleans jazz, a tradition he's carried as a cornerstone of the Preservation Hall Band. The city's musical lineage runs deep in him, and hearing it surface this intimately, on clarinet and saxophone, with Sub Pop of all labels giving it a home, is one of those genuinely unlikely and quietly beautiful things that the music world occasionally gets right.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eI've been playing since I was 11 years old,\" says Charlie Gabriel, the most senior member of the legendary Preservation Hall Band, \"I never did anything in my life but play music. I've been blessed with that gift that God gave me, and I've tried to nurse it the best way I knew how.\" While he's faced plenty of challenges nursing that gift for more than 78 years, none likely rank with last winter's passing of his brother and last living sibling, Leonard, lost to COVID-19. For the first time ever, Gabriel put down his horn, filling his days and weeks instead with dark reflection, a stubborn despondency broken now and then by regular chess matches in the studio kitchen of Hall leader Ben Jaffe, working overtime to bring his friend some light. One such afternoon also included Joshua Starkman, sitting off in a corner playing his guitar and half-watching the chess from a distance. When Charlie returned the next day, he brought his saxophone. \"I was just inspired to try it, to play again. It had been a long time, and a guitar makes me feel free. I do love the sound of a piano, but it takes up a lot of a space, keeps me kind of boxed in.\" That day was to be the first session for Eighty Nine, almost entirely the work of Gabriel, Jaffe and Starkman, recorded mostly right there, in the kitchen, by Matt Aguiluz. Charlie Gabriel's first professional gig dates to 1943, sitting in for his father in New Orleans' Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band then included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer J.C. Heard. While he's also fronted a bebop quintet, played and\/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader. Since 2006, Gabriel has been a member of the Preservation Hall Jazz Band, featuring prominently on That's It, So It Is, and Tuba to Cuba. Eighty Nine was different, and not simply due to a smaller ensemble. \"We had no particular plan, or any particular insight on what we were gonna do. But we were enjoying what we were doing, jamming, having a musical conversation,\" Charlie says, further musing, \"Musical conversations cancel out complications.\" Eighty Nine includes six standards and three newer pieces on which Gabriel is a writer: \"Yellow Moon,\" \"The Darker It Gets\" and \"I Get Jealous.\" The record also marks Charlie's return to his first instrument, clarinet, on many of the tracks. \"The clarinet is the mother of the saxophone,\" he says. \"I started playing clarinet early in life, and this [taught me] the saxophone.\" Finally, Eighty Nine includes three tracks of Charlie singing. \"I always sung, but it wasn't my forte to become a singer,\" he says. \"The truth is, people often develop a real relationship with a song once they hear the words. Sometimes I enjoy singing them.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eMemories of You\u003c\/li\u003e\n\u003cli\u003eChelsea Bridge\u003c\/li\u003e\n\u003cli\u003eI'm Confessin'\u003c\/li\u003e\n\u003cli\u003eThe Darker It Gets\u003c\/li\u003e\n\u003cli\u003eStardust\u003c\/li\u003e\n\u003cli\u003eThree Little Words\u003c\/li\u003e\n\u003cli\u003eYellow Moon\u003c\/li\u003e\n\u003cli\u003eI Get Jealous\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787149005\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.29.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271231451291,"sku":"363816","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978180571291-lp-relix.png?v=1776193984"},{"product_id":"john-coltrane-evenings-at-the-village-gate-john-coltrane-with-eric-dolphy-cd","title":"John Coltrane – Evenings At The Village Gate: John Coltrane With Eric Dolphy (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe summer of 1961 found Coltrane at a genuine crossroads, pushing his classic quartet lineup into new territory with Dolphy's presence opening up conversations between saxophone, bass clarinet, and flute that had no real precedent. This is the band that drew both intense admiration and sharp criticism from the jazz press at the time, with some detractors famously calling their extended explorations \"anti-jazz.\" Hearing them uncaged at the Gate, on newly surfaced tape, reframes that whole argument.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJohn Coltrane - \"Evenings At The Village Gate: John Coltrane With Eric Dolphy\" - In August of 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York. Ninety minutes of never-before-heard music from this group were recently discovered at the New York Public Library. In addition to some well-known Coltrane material (\"Impressions\"), there is a breathtaking feature for Dolphy's bass clarinet on \"When Lights Are Low\" and the only known non-studio recording of Coltrane's composition \"Africa\", from the Africa\/Brass album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. My Favorite Things (15:54)\u003c\/div\u003e\n\u003cdiv\u003e2. When Lights Are Low (15:28)\u003c\/div\u003e\n\u003cdiv\u003e3. Impressions (10:13)\u003c\/div\u003e\n\u003cdiv\u003e4. Greensleeves (16:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Africa (22:27)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602455514189\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.14.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600427364507,"sku":"279852","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-evenings-at-the-village-gate-john-coltrane-with-eric-dolphy-cd-relix.jpg?v=1779383610"},{"product_id":"john-mayall-the-sun-is-shining-down-cd","title":"John Mayall – The Sun is Shining Down (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eAt 88 and on his 36th studio album, John Mayall is still capable of surprising.\u003c\/p\u003e\u003cp\u003eThe veteran Bluesbreaker closes the Sun is Shining Down not with a groan but with a title track that celebrates his good fortune.\u003c\/p\u003e\u003cp\u003e“And I’m so glad\/the sun is shining down on me\/got a home in California\/and no place I would rather be,” Mayall - who will retire from the road after a final run ending in March - sings over Carolyn Wonderland’s understated guitar work.\u003c\/p\u003e\u003cp\u003eA former Bluesbreaker herself, Wonderland is but one of several guests on the Sun is Shining Down. The biggest surprise is the presence of violinist Scarlet Rivera - best known for her work with Bob Dylan - who lends a bit of whimsy to “Got to Find a Better Way” and “Deep Blue Sea,” which comes off as an unexpected sequel to Octopus’s Garden.”\u003c\/p\u003e\u003cp\u003e“Go underwater and see another world of green\/fishes go by and I get to wondering where they’ve been,” Mayall sings.\u003c\/p\u003e\u003cp\u003eLest anyone worry Mayall has lost the blues, fret not. Mayall has not lost the blues.\u003c\/p\u003e\u003cp\u003eWith adroitly arranged horn charts and guitar-playing mates like Melvin Taylor - who, as Wonderland’s replacement, killed one Mayall’s 2021 tour - and does so again on “Hungry and Ready” and “Driving Wheel” - Marcus King, Mike Campbell and Jake Shimabukuro, whose contributions to “One Special Lady” are particularly acrobatic; searing with a light touch, the Sun is Shining Down is a blues album at heart.\u003c\/p\u003e\u003cp\u003eOne that happens to be full of surprises as old dog Mayall shows off some new tricks.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/02\/12\/john-mayall-the-sun-is-shining-down\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded when Mayall was 88 years old, this album stands as a testament to the enduring creative force of the man who launched the careers of Eric Clapton, Peter Green, and Mick Taylor through his legendary Bluesbreakers. Mayall has never stopped working, never stopped discovering talent, and this gathering of collaborators feels less like a studio session and more like a natural extension of that same restless curatorial spirit he's carried since the British blues explosion of the 1960s.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn his 2022 album, The Sun is Shining Down, Blues legend John Mayall teams up with a stellar cast to deliver a funky soulful affair punctuated by brass, violins, harmonica and electric ukulele. Special guests include, The Heartbreakers' Mike Campbell, fast rising roots rocker Marcus King, Americana icon Buddy Miller, Scarlet Rivera of Bob Dylan's Rolling Thunder Review, Chicago blues guitar mainstay Melvin Taylor and Hawaiian ukulele star Jake Shimabukuro. Also on hand are Mayall's longtime dynamic Chicago rhythm section of Greg Rzab on bass guitar and Jay Davenport on drums with Austin's multi-talented and charismatic Carolyn Wonderland on guitar. Recorded at Robby Krieger's (The Doors) Horse Latitudes studio with Grammy nominated Producer Eric Corne, The Sun is Shining Down is Mayall's 5th studio album for Forty Below Records, a fruitful partnership that began with 2014's A Special Life.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Hungry And Ready (5:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Can't Take No More (3:45)\u003c\/div\u003e\n\u003cdiv\u003e3. I'm As Good As Gone (4:23)\u003c\/div\u003e\n\u003cdiv\u003e4. Got To Find A Better Way (5:00)\u003c\/div\u003e\n\u003cdiv\u003e5. Chills And Thrills (5:20)\u003c\/div\u003e\n\u003cdiv\u003e6. One Special Lady (4:18)\u003c\/div\u003e\n\u003cdiv\u003e7. A Quitter Never Wins (4:33)\u003c\/div\u003e\n\u003cdiv\u003e8. Deep Blue Sea (4:25)\u003c\/div\u003e\n\u003cdiv\u003e9. Driving Wheel (3:41)\u003c\/div\u003e\n\u003cdiv\u003e10. The Sun Is Shining Down (5:20)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 762183630725\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Forty Below\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.28.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600467144859,"sku":"532541","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-mayall-the-sun-is-shining-down-cd-relix.jpg?v=1779362015"},{"product_id":"ella-fitzgerald-live-at-montreux-1969-lp-vinyl","title":"Ella Fitzgerald – Live At Montreux 1969 (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCatching Ella Fitzgerald at Montreux in the summer of 1969 meant witnessing one of jazz's great voices in a moment of genuine playfulness, willing to stretch into rock and pop repertoire without losing an ounce of her phrasing authority. Tommy Flanagan, one of the most quietly brilliant accompanists in the music, had worked alongside Fitzgerald for years, and that comfort shows in every exchange here.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eElla Fitzgerald's Live At Montreux 1969 features the First Lady of Song backed by the Tommy Flanagan Trio performing a set combining contemporary tracks, such as \"Sunshine Of Your Love\" and \"Hey Jude\" alongside classics like \"I Won't Dance,\" \"That Old Black Magic,\" and a host of others. Available on LP for the first time.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Give Me The Simple Life\u003c\/div\u003e\n\u003cdiv\u003e2. This Girl's In Love With You\u003c\/div\u003e\n\u003cdiv\u003e3. I Won't Dance\u003c\/div\u003e\n\u003cdiv\u003e4. A Place For Lovers\u003c\/div\u003e\n\u003cdiv\u003e5. That Old Black Magic\u003c\/div\u003e\n\u003cdiv\u003e6. I Love You Madly\u003c\/div\u003e\n\u003cdiv\u003e7. Trouble Is A Man\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Sunshine Of Your Love\u003c\/div\u003e\n\u003cdiv\u003e2. Well Alright Okay You Win\u003c\/div\u003e\n\u003cdiv\u003e3. Hey Jude\u003c\/div\u003e\n\u003cdiv\u003e4. Scat Medley\u003c\/div\u003e\n\u003cdiv\u003e5. A House Is Not A Home\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602445947317\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mercury\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.20.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48665020858523,"sku":"556213","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Ella-Fitzgerald-Live-At-Montreux-1969-LP-Vinyl.jpg?v=1780401937"},{"product_id":"duke-ellington-coleman-hawkins-duke-ellington-meets-coleman-hawkins-verve-acoustic-sounds-serieslp-lp-vinyl","title":"Duke Ellington - Meets Coleman Hawkins (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTwo titans who helped define what jazz could be, finally in the same room with tape rolling. By 1962, Hawkins had been playing the tenor saxophone longer than most musicians had been alive, and Ellington's orchestra had already logged decades at the Cotton Club and Carnegie Hall; the wonder isn't that this session happened, but that it took so long.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEven though Duke Ellington and Coleman Hawkins had both been well-known jazzmen since the early 1920s, it wasn't until 1962 - at least 20 years after Duke first suggested it - that these two recorded their only session together. High points include an exuberant \"The Jeep Is Jumpin',\" an interesting remake of \"Mood Indigo,\" and a few new Ellington pieces. 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This transition to flute signals something quieter and more meditative, a deliberate step away from the intensity that made him one of the most important figures in London's jazz renaissance of the last decade.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAfter putting down the saxophone, the instrument he has become synonymous with, Shabaka returns with his first full-length album under his own name. Perceive Its beauty, Acknowledge Its Grace is a moving suite of primarily instrumental music. Shabaka is found playing the flute on this album, and has enlisted key artists such as Andre 3000, Lianne La Havas, Moses Sumney, Floating Points and more to help build this all-encompassing aural landscape. 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Shabaka Hutchings spent years at the center of London's avant-garde jazz renaissance, leading projects like Sons of Kemet and Comet is Coming, and this solo debut finds him turning inward, drawing on breath, stillness, and a cast of collaborators who share his instinct for music as meditative practice rather than performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAfter putting down the saxophone, the instrument he has become synonymous with, Shabaka returns with his first full-length album under his own name. Perceive Its beauty, Acknowledge Its Grace is a moving suite of primarily instrumental music. 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His Blue Note tenure has positioned him as one of the most vital voices in contemporary jazz, bringing an ancestral cosmology to a label whose catalog stretches from Coltrane to the present.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. 2024 release. South African pianist, composer, philosopher, and healer Nduduzo Makhathini travels beyond any existing notion of music-making to offer his most profound vision of creative mysticism yet with uNomkhubulwane, his stunning eleventh studio album which is his third to be released on Blue Note Records following 2020's Modes of Communication: Letters From The Underworlds and 2022's In The Spirit Of Ntu. The transcendent three-movement suite-which pays homage to the Zulu Goddess uNomkhubulwane and explores Africa's tragic history of oppression-features Makhathini's trio with bassist Zwelakhe-Duma Bell le Pere on bass and drummer Francisco Mela. 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Her stint as the first woman to hold the lead guitarist chair in John Mayall's Bluesbreakers placed her in a lineage that runs straight through British and American blues history, and Dave Alvin's production on this one keeps everything honest and road-worn.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"With incendiary guitar chops and raw, powerful vocals, fiery Texas blues rocker Carolyn Wonderland draws instant comparisons to fellow Texans Stevie Ray Vaughan and Janis Joplin.\" ::: Blistering guitarist, fire-breathing singer and gifted songwriter releases an exuberant and astonishing collection of songs, deeply rooted, yet fired by a rocker's sensibility. The Houston, Texas native just left blues great John Mayall's Blues Breakers as first female lead guitarist in a band whose previous lead players include Eric Clapton, Mick Taylor and Peter Green. Tempting Fate was produced by Dave Alvin, with guest appearances by Alvin, Marcia Ball and Jimmie Dale Gilmore. 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A dynamic new line-up of the collective features founding members Renee Rosnes (piano), Ingrid Jensen (trumpet), Noriko Ueda (bass), and Allison Miller (drums) joined by newcomers Nicole Glover (tenor saxophone) and Alexa Tarantino (soprano saxophone, alto saxophone and flute). 180-gram LP.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Slink (7:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Bow And Arow (6:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Balance Of Time (6:18)\u003c\/div\u003e\n\u003cdiv\u003e4. Lights Away From Home (4:52)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Timber (7:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Whirlwind (7:03)\u003c\/div\u003e\n\u003cdiv\u003e3. Empress Afternoon (5:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Penelope (5:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602448728555\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.5.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744962392219,"sku":"310525","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-artemis-in-real-time-vinyl-lp-relix.jpg?v=1781668019"},{"product_id":"billy-childs-the-winds-of-change-cd","title":"Billy Childs – The Winds of Change (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBilly Childs came up through the Los Angeles jazz scene in the 1980s, spending formative years in Freddie Hubbard's band before establishing himself as one of his generation's most thoughtful composer-pianists. Pairing him with Ambrose Akinmusire, one of the most probing voices in contemporary trumpet, gives these tributes an intergenerational weight, connecting the hard bop lineage Childs lived firsthand to where the music is headed next.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2023 release. For his third Mack Avenue Records release, 5-time Grammy Award-winner Billy Childs assembles an all-star quartet with trumpeter Ambrose Akinmusire, bassist Scott Colley, and drummer Brian Blade. 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He was still a teenager when Buddy Guy started calling him the future of the blues, and 662 makes a strong case that the future has already arrived. At 21, he's writing about the pull between home and ambition with the specificity of someone who has actually felt it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe defining blues voice of his generation releases the eagerly-anticipated follow-up to his Grammy-nominated debut, 2019's Kingfish. 662 (the area code of his Clarksdale stomping grounds) is a powerful and personal album, a fiery coming-of-age record. The lyrics reflect Ingram's newfound maturity and how your roots inspire where you're heading. Musically, the record delivers a heaping helping of the deep, visceral Ingram guitar magic his fans love, fueling a combustible mix of molten blues rock, down home shuffles and soulful grooves.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. 662 (3:18)\u003c\/div\u003e\n\u003cdiv\u003e2. She Calls Me Kingfish (3:13)\u003c\/div\u003e\n\u003cdiv\u003e3. Long Distance Woman (3:29)\u003c\/div\u003e\n\u003cdiv\u003e4. Another Life Goes By (4:21)\u003c\/div\u003e\n\u003cdiv\u003e5. Not Gonna Lie (3:02)\u003c\/div\u003e\n\u003cdiv\u003e6. Too Young To Remember (3:52)\u003c\/div\u003e\n\u003cdiv\u003e7. You're Already Gone (3:27)\u003c\/div\u003e\n\u003cdiv\u003e8. My Bad (3:37)\u003c\/div\u003e\n\u003cdiv\u003e9. That's All It Takes (4:46)\u003c\/div\u003e\n\u003cdiv\u003e10. I Got To See You (3:39)\u003c\/div\u003e\n\u003cdiv\u003e11. Your Time Is Gonna Come (5:13)\u003c\/div\u003e\n\u003cdiv\u003e12. That's What You Do (3:24)\u003c\/div\u003e\n\u003cdiv\u003e13. Something In The Dirt (3:34)\u003c\/div\u003e\n\u003cdiv\u003e14. Rock \u0026amp; Roll (4:40)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 014551500520\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Alligator Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.23.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744986345627,"sku":"365824","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-christone-kingfish-ingram-662-cd-relix.jpg?v=1782188896"},{"product_id":"trombone-shorty-lifted-lp-vinyl","title":"Trombone Shorty – Lifted (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTroy Andrews has been holding down the streets of Treme since he was a kid, leading brass band parades before most musicians his age had touched an instrument. 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Frisell's luminous, unhurried guitar and Morgan's deep, resonant bass give Lloyd's tenor and flute the room to breathe and wander, the way the best improvised music always does.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFor more than 6 decades, saxophonist and composer Charles Lloyd has been a free spirit, master musician, and visionary. At 84, he remains as prolific as ever. Early on, Lloyd saw how placing the improvised solo in interesting contexts could provoke greater freedom and creativity. That vision is evident on his Trio of Trios project, which encompasses 3 albums in different trio settings. 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