{"title":"* Rock \u0026 Pop","description":null,"products":[{"product_id":"led-zeppelin-led-zeppelin-iii-remastered-original-album-2-lp-vinyl","title":"Led Zeppelin – Led Zeppelin III: Remastered Original Album (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1970 after relentless touring, Led Zeppelin III caught many listeners off guard with its sharp acoustic turn, drawing heavily on the British and American folk traditions the band had always kept close. Songs like \"Tangerine\" and \"Gallows Pole\" revealed a quieter, more introspective side of Plant and Page that pointed toward the acoustic passages woven throughout their later work. 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For a band that releases music at a pace that would exhaust most acts, this is the one that crystallized their cult, the album that made Deadheads and psych-rock obsessives realize King Gizzard operates on a similarly relentless, communal wavelength.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eNonagon Infinity is the eighth studio album by Australian psychedelic rock band King Gizzard \u0026amp; the Lizard Wizard, via ATO Records. 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The four symbols chosen by each member to represent the album remain some of rock's most iconic imagery, and the record's eight tracks, from the acoustic pastoral of \"Bron-Y-Aur Stomp\" to the elemental force of \"When the Levee Breaks,\" still sound like nothing before or since.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn 1968, John Bonham, John Paul Jones, Jimmy Page and Robert Plant formed Led Zeppelin, one of the most influential, innovative and successful groups in modern music, having sold more than 300 million albums worldwide. The band rose from the ashes of The Yardbirds, when Page brought in Plant, Bonham and Jones to tour as The New Yardbirds. In 1969, Led Zeppelin released its self-titled debut. 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The album's slow-burn rise, powered heavily by MTV and relentless touring, made it one of the best-selling debuts of its era and cemented Pearl Jam as a band built for the long haul.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited vinyl LP pressing. Ten is the debut studio album by Pearl Jam, released on August 27, 1991 through Epic Records. Following the disbanding of bassist Jeff Ament and guitarist Stone Gossard's previous group Mother Love Bone, the two recruited vocalist Eddie Vedder, guitarist Mike McCready, and drummer Dave Krusen to form Pearl Jam in 1990. Most of the songs began as instrumental jams, to which Vedder added lyrics about topics such as depression, homelessness, and abuse. Ten was not an immediate success, but by late 1992 it had reached #2 on the Billboard 200 chart. The album produced three hit singles: \"Alive\", \"Even Flow\", and \"Jeremy\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Once\u003c\/div\u003e\n\u003cdiv\u003e2. Even Flow\u003c\/div\u003e\n\u003cdiv\u003e3. Alive\u003c\/div\u003e\n\u003cdiv\u003e4. Why Go\u003c\/div\u003e\n\u003cdiv\u003e5. Black\u003c\/div\u003e\n\u003cdiv\u003e6. Jeremy\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Oceans\u003c\/div\u003e\n\u003cdiv\u003e2. Porch\u003c\/div\u003e\n\u003cdiv\u003e3. Garden\u003c\/div\u003e\n\u003cdiv\u003e4. Deep\u003c\/div\u003e\n\u003cdiv\u003e5. Release\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 889853768714\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Epic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.10.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262785138843,"sku":"259860","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Pearl-Jam-Ten-LP-Vinyl.png?v=1776111307"},{"product_id":"jimi-hendrix-are-you-experienced-lp-vinyl","title":"Jimi Hendrix – Are You Experienced (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHendrix arrived in London in late 1966 essentially unknown in his home country, recruited by Chas Chandler fresh off his departure from the Animals. What followed those sixteen sessions was a debut that redefined what a guitar could do, with tracks like \"Purple Haze\" and \"Foxy Lady\" landing like nothing rock audiences had heard before. This Sony Legacy pressing brings that seismic 1967 statement back to wax for a new generation of listeners.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAre You Experienced is the debut studio album by the rock band the Jimi Hendrix Experience. Released in 1967, the LP was an immediate critical and commercial success, and it is widely regarded as one of the greatest debuts in the history of rock music. \u003c\/p\u003e\u003cp\u003eThe album features Jimi Hendrix's innovative approach to songwriting and electric guitar playing which soon established a new direction in psychedelic and hard rock music. Coming after three successful European singles, it helped introduce him as a new international star. Are You Experienced and it's preceding singles were recorded over a five-month period from late October 1966 through early April 1967. The album was completed in sixteen recording sessions at three London locations, including de Lane Lea Studios, CBS, and Olympic. Released in the UK on May 12, 1967, Are You Experienced spent 33 weeks on the charts, peaking at number two. \u003c\/p\u003e\u003cp\u003eThe album was issued in the US on August 23 by Reprise Records, where it reached number five on the Billboard 200, remaining on the chart for 106 weeks, 27 of those in the Top 40. The US version contained some of Hendrix's best known songs, including the Experience's first three singles, which, though omitted from the British edition of the LP, were top ten hits in the UK: \"Purple Haze\", \"Hey Joe\", and \"The Wind Cries Mary\". In 2005, Rolling Stone ranked Are You Experienced fifteenth on it's list of the 500 Greatest Albums of All Time. 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These performances draw from a trio of albums that collectively reestablished what American roots rock could say about class, addiction, and identity, delivered in a room where the ghosts of country music's past sit in the pews.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eLive From the Ryman was primarily recorded during the group's six sold out nights at Nashville's legendary Ryman Auditorium in 2017. 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Don Henley and Glenn Frey sharpened their songwriting into a pointed critique of California excess, and Joe Walsh's addition brought a harder electric edge that pushed the band toward the arena rock peak they'd been building toward for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHotel California is the fifth studio album by the American rock band Eagles, released on Asylum in late 1976. 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The sessions at Abbey Road famously coincided with an unannounced visit from Barrett himself, a ghostly moment that deepened the emotional weight already built into the album's centerpiece tribute to him.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWish You Were Here is the ninth studio album by the English rock band Pink Floyd, released on 12 September 1975 by Harvest Records in the United Kingdom and a day later by Columbia Records in the United States. Inspired by material the group composed while performing around Europe, Wish You Were Here was recorded during numerous recording sessions at Abbey Road Studios in London, England. Some of the songs on the album critique the music business, others express alienation and the track \"Shine On You Crazy Diamond\" is a tribute to Syd Barrett, whose mental breakdown had forced him to leave the group seven years earlier after the release of the group's debut studio album The Piper at the Gates of Dawn. It was also lead writer Roger Waters' idea to split \"Shine On You Crazy Diamond\" into two parts and use it to bookend the album around three new compositions, introducing a new concept as the group had done with their previous album, The Dark Side of the Moon. As with The Dark Side of the Moon, the band used studio effects and synthesizers, and brought in guest singers to supply vocals on some tracks of the album. These singers were Roy Harper, who provided the lead vocals on \"Have a Cigar\", and the Blackberries, who added backing vocals to \"Shine On You Crazy Diamond\". - Wish You Were Here was an instant commercial success (despite the fact that Harvest Records' parent company EMI was unable to print enough copies of the album to satisfy commercial demand), and although it initially received mixed reviews, the album has since gone on to receive critical acclaim. It appears on Rolling Stone's lists of \"The 500 Greatest Albums of All Time\" and the \"50 Greatest Prog Rock Albums of All Time\". Band members Richard Wright and David Gilmour have cited Wish You Were Here as their favourite Pink Floyd album, and many critics and fans have considered the album to be the band's magnum opus.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Welcome To The Machine\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Have A Cigar\u003c\/div\u003e\n\u003cdiv\u003e2. Wish You Were Here\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888751842618\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Pink Floyd Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.14.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455510458523,"sku":"93020","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Pink-Floyd-Wish-You-Were-Here-LP-Vinyl.jpg?v=1777379006"},{"product_id":"geese-3d-country-lp-vinyl","title":"Geese – 3D Country (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBrooklyn upstarts who exploded onto the scene behind 2021's *Projector*, Geese spent their rapid rise absorbing the chaos of sudden attention and channeling it into something harder to pin down. *3D Country* pulls from country, noise rock, and art-punk in ways that feel genuinely earned rather than calculated, the sound of a young band trusting their instincts over expectations.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eIn the summer of 2021, Geese emerged from out of nowhere, sparking a hype cycle unlike anything that had been seen for a young American rock band in recent memory. Suddenly a band that had previously planned to release some music, break up, and go away to college was touring the world. And during this entire process, that very same band everyone was getting to know ceased to exist. On a practical level, Geese are still the group we were introduced to in 2021. But spiritually, Geese have returned as an entirely different prospect. Their new album 3D Country is the sound of a restless, adventurous band redefining themselves. Anyone who has seen Geese live recently might’ve noticed the band adopted a different vibe onstage — more of a volcanic, unpredictable aesthetic. It turns out that wasn’t a flipside to the recordings of Projector, but foreshadowing that there was more to the story. Knowing they were now beyond teenage basement experiments and were instead making something for an audience who would hear it, Geese felt emboldened. “When we were writing Projector it was about narrowing the scope, trying to do more with less,” Gus Green says. “When we started writing for 3D Country we were trying to do a lot more and seeing what worked and what didn’t.” At the same time, they’re well aware of how significant a departure they’ve made. “As music listeners, we all appreciate bands who change over time, and are comfortable with risk,” Cameron Winter adds. 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In 2019, with no announcement or fanfare, Keery’s solo-project Djo was unveiled not with a single, but a lush, self-reflective, layered 12 track full-length album titled Twenty Twenty. “Joe Keery built a carnival. The resonance of each riff or beat is not new, but redesigned and reshaped into the beauty it is today. The face of psych or alternative mirrored through his own design, and it reveals a person who shouldn’t be underestimated,” said Rodeo Mag. Despite the album being released under the radar and without a label, fans found their way to it, and Twenty Twenty has now seen more than 200 million streams to date.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Showtime\u003c\/div\u003e\n\u003cdiv\u003e2. Personal Lies\u003c\/div\u003e\n\u003cdiv\u003e3. Tentpole Shangrila\u003c\/div\u003e\n\u003cdiv\u003e4. Just Along For The Ride\u003c\/div\u003e\n\u003cdiv\u003e5. Chateau (Feel Alright)\u003c\/div\u003e\n\u003cdiv\u003e6. Roddy\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Ring\u003c\/div\u003e\n\u003cdiv\u003e2. BNBG\u003c\/div\u003e\n\u003cdiv\u003e3. Mortal Projections\u003c\/div\u003e\n\u003cdiv\u003e4. Total Contol\u003c\/div\u003e\n\u003cdiv\u003e5. Flash Mountain\u003c\/div\u003e\n\u003cdiv\u003e6. Mutual Future (Repeat)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5056167178170\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Joe Keery P\/k\/a Djo\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.29.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600432836763,"sku":"378741","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-djo-twenty-twenty-vinyl-lp-relix.jpg?v=1779379151"},{"product_id":"fleetwood-mac-fleetwood-mac-lp-vinyl","title":"Fleetwood Mac – Fleetwood Mac (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe arrival of Buckingham and Nicks transformed Fleetwood Mac from a respected British blues outfit into something entirely new, and this 1975 self-titled album is where that alchemy first took hold. Stevie Nicks brought \"Rhiannon\" to the band already written, and its live performances would soon become some of the most electrifying moments of the decade's arena rock era.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. Fleetwood Mac is the tenth studio album by Fleetwood Mac, originally released in 1975. This was the first Fleetwood Mac album with Lindsey Buckingham as guitarist and Stevie Nicks as vocalist. 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Bowie arrived as Ziggy at a moment when glam was crackling to life in Britain, and Mick Ronson's guitar work throughout gave the theatrical concept real teeth. The Spiders from Mars were a live unit of genuine power, and that tension between artifice and raw rock and roll is exactly what makes this record hold up more than fifty years on.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Rise and Fall of Ziggy Stardust and the Spiders from Mars is the fifth studio album by David Bowie, which is loosely based on a story of a fictional rock star named Ziggy Stardust.Rhino will be breaking out ‘breaking out’ this albums from the David Bowie ‘Five Years 1969 – 1973’ box as a standalone releases. Available on1LP 180g Audiophile vinyl\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Five Years (4:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Soul Love (3:34)\u003c\/div\u003e\n\u003cdiv\u003e3. Moonage Daydream (4:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Starman (4:10)\u003c\/div\u003e\n\u003cdiv\u003e5. It Ain't Easy (2:58)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Lady Stardust (3:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Star (2:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Hang On To Yourself (2:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Ziggy Stardust (3:13)\u003c\/div\u003e\n\u003cdiv\u003e5. Suffragette City (3:25)\u003c\/div\u003e\n\u003cdiv\u003e6. Rock 'N' Roll Suicide (2:58)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 825646287376\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino \/ Parlophone\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.26.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600461705371,"sku":"616074","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-david-bowie-the-rise-and-fall-of-ziggy-stardust-and-the-spiders-from-mar-vinyl-lp-relix.jpg?v=1779209510"},{"product_id":"tower-of-power-step-up-lp-vinyl","title":"Tower Of Power – Step Up (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eAfter 52 years of relentless touring and recording, Tower of Power needs no introduction. The Oakland groove machine is still in top form, kicking things off with \"East Bay! All the Way!\"—a percussion-heavy welcome that allows the horn section to loosen up a bit while still boasting a brief tenor sax solo from Tom Politzer. That euphoric vibe is evident on every tune, giving Step Up the feel of a well-constructed live performance. Trombone player Ray Greene opens the title song with a yelp of joy, before delivering a stirring lead vocal that advises listeners to stay strong—\"No matter what!\" The jubilant backing vocals of Leah Meux and Tiwana Porter support the chattering rhythm guitar work of Jerry Cortez, pushing the tune into overdrive. Greene also sings lead on \"Addicted to You,\" a swinging R\u0026amp;B outing, with echoes of the sweeping orchestral sounds of a Philly Soul hit from the early '70s. Throughout, Greene, Porter and Meux swap increasingly cheerful vocal ornamentations, as Roger Smith's whistling keyboard solo and the ensemble's horn stabs build up to a satisfying climax. Other standouts include: \"Sleeping With You Baby,\" a mid-tempo ballad with Adolfo Acosta adding steamy trumpet fills to the lead vocals of Marcus Scott, \"Let's Celebrate Our Love,\" with Smith's piano and the band's backing vocals complimenting Scott's soulful growl, and \"Any Excuse Will Do,\" an ironic commentary of the current political situation, with a shouting, funky gospel feel that recalls Sly and the Family Stone.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— J. Poet, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/tower-of-power-step-up\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOakland's Tower of Power has been one of the most consistently powerful live bands in America since the early 1970s, and their horn section remains the gold standard that countless musicians have studied and emulated for decades. Step Up finds them doing what they've always done best, pushing forward with the same locked-in groove and punishing brass that made \"What Is Hip?\" a permanent part of the funk canon.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. 2020 release. With a landmark 50th anniversary album, 2018's Soul Side of Town, still visible in their rearview mirror, one would think Tower of Power, the much-lauded creators of their own horn-based, hybrid brand of East Bay soul\/funk\/R\u0026amp;B\/rock, would take a well-deserved breather. But that is not in the band's DNA, nor that of it's founder and ringmaster, tenor saxophonist and bandleader Emilio Castillo. Now, with Step Up, the band forges on into the next decade of the 21st century reinvigorated with the addition of new talent, most notably the phenomenal young lead vocalist, Marcus Scott. Marcus replaced TOP's longtime lead singer, Ray Greene, who makes his final appearance with the band on Step Up. Also taking his bows on the new album is 30-year TOP veteran bassist Francis 'Rocco' Prestia, who is stepping back from life on the road and whose driving fingerstyle funk is ably replaced on tour by Marc Van Wageningen. From the band's debut up to Step Up, the TOP sound remains true to Emilio's original musical vision: reach inside the deep, multidimensional well of what is broadly called soul music and bring together all it's diverse components in a singular, emotional sound.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. East Bay, All The Way! (0:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Step Up (5:10)\u003c\/div\u003e\n\u003cdiv\u003e3. The Story Of You And I (4:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Who Would Have Thought (3:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Addicted To You (4:45)\u003c\/div\u003e\n\u003cdiv\u003e6. Look In My Eyes (3:45)\u003c\/div\u003e\n\u003cdiv\u003e7. You Da One (4:23)\u003c\/div\u003e\n\u003cdiv\u003e8. Sleeping With You Baby (5:43)\u003c\/div\u003e\n\u003cdiv\u003e9. If It's Tea Give Me Coffee (3:16)\u003c\/div\u003e\n\u003cdiv\u003e10. Beyond My Wildest Dreams (3:22)\u003c\/div\u003e\n\u003cdiv\u003e11. Any Excuse Will Do (4:43)\u003c\/div\u003e\n\u003cdiv\u003e12. If You Wanna Be A Winner (3:22)\u003c\/div\u003e\n\u003cdiv\u003e13. Let's Celebrate Our Love (4:36)\u003c\/div\u003e\n\u003cdiv\u003e14. East Bay! Oaktown All The Way! (1:08)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 181475706717\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Artistry Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.20.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600467177627,"sku":"413607","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-tower-of-power-step-up-vinyl-lp-relix.jpg?v=1779289319"},{"product_id":"the-velvet-underground-velvet-underground-and-nico-lp-vinyl","title":"The Velvet Underground – Velvet Underground and Nico (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLou Reed, John Cale, Sterling Morrison, and Moe Tucker recorded this debut in 1966 under Andy Warhol's patronage, with Nico's deadpan presence anchoring three of its most haunting tracks. Almost nobody bought it at the time, but as the old saying goes, everyone who did started a band. Few records have cast a longer shadow over the last half century of rock music.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eUK LP pressing. Contains a voucher enabling the purchaser to download MP3 versions of the songs within. Tracks, Sunday Morning; I'm Waiting for the Man; Femme Fatale; Venus in Furs; Run Run Run; All Tomorrow's Parties; Heroin; There She Goes Again; I'll Be Your Mirror; Black Angel's Death Song and European Son. Universal. 2008.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Sunday Morning (2:53)\u003c\/div\u003e\n\u003cdiv\u003e2. I'm Waiting For The Man (4:37)\u003c\/div\u003e\n\u003cdiv\u003e3. Femme Fatale (2:35)\u003c\/div\u003e\n\u003cdiv\u003e4. Venus In Furs (5:07)\u003c\/div\u003e\n\u003cdiv\u003e5. Run, Run, Run (4:18)\u003c\/div\u003e\n\u003cdiv\u003e6. All Tomorrow's Parties (5:55)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Heroin (7:05)\u003c\/div\u003e\n\u003cdiv\u003e2. There She Goes Again (2:30)\u003c\/div\u003e\n\u003cdiv\u003e3. I'll Be Your Mirror (2:01)\u003c\/div\u003e\n\u003cdiv\u003e4. Black Angel's Death Song (3:10)\u003c\/div\u003e\n\u003cdiv\u003e5. European Son To Delmore Schwartz (7:40)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 042282329011\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Polydor \/ Umgd\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.23.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600468947099,"sku":"601387","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-velvet-underground-velvet-underground-and-nico-vinyl-lp-relix.jpg?v=1779297964"},{"product_id":"rainbow-kitten-surprise-seven-mary-lp-vinyl","title":"Rainbow Kitten Surprise – Seven + Mary (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAsheville-bred Rainbow Kitten Surprise built their devoted following the old-fashioned way, through relentless touring and a grassroots fanbase that spread their dreamy, folk-tinged sound long before industry attention caught up. Hearing Seven and the Mary EP together on wax for the first time puts the full arc of that early chapter in your hands, the raw, intimate document of a band finding its voice before the world was listening.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRKS independently released first album, Seven, and the band's first EP joint album called Seven + Mary released on vinyl for the first time ever.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Fail! (3:14)\u003c\/div\u003e\n\u003cdiv\u003e2. Mr. Redundant (3:30)\u003c\/div\u003e\n\u003cdiv\u003e3. First Class (5:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Shameful Company (3:42)\u003c\/div\u003e\n\u003cdiv\u003e5. Seven (3:45)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Devil Like Me (3:08)\u003c\/div\u003e\n\u003cdiv\u003e2. American Hero (4:33)\u003c\/div\u003e\n\u003cdiv\u003e3. All That And More (Sailboat) (2:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Hey Pretty Momma (2:39)\u003c\/div\u003e\n\u003cdiv\u003e5. Black And White (3:07)\u003c\/div\u003e\n\u003cdiv\u003e6. That’s My Shit (3:21)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075678658396\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rks Recordings Llc\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.2.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600470814875,"sku":"637151","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-rainbow-kitten-surprise-seven-mary-vinyl-lp-relix.jpg?v=1779307141"},{"product_id":"david-bowie-hallo-spaceboy-rsd-2026-lp-vinyl","title":"David Bowie – Hallo Spaceboy (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Pet Shop Boys remix of \"Hallo Spaceboy\" became one of the defining moments of Bowie's mid-90s reinvention, pushing a sprawling 1.Outside deep cut into the UK Top 10 in early 1996. Tim Simenon, the producer behind Bomb the Bass, was a key figure in that same era's collision of rock and electronic production, making his previously unheard version a genuine discovery for anyone who lived through that period.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCelebrating 30 years of the Pet Shop Boys remix of the single and pressed on Neon Pink Vinyl. Featuring mixes by the Pet Shop Boys compiled on vinyl for the first time. Plus a previously unreleased Tim Simenon remix, pressed on fluorescent pink vinyl.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hallo Spaceboy (7\" Remix) (4:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Hallo Spaceboy (12\" Remix) (6:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Hallo Spaceboy (Lost In Space Mix) (6:34)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Hallo Spaceboy (Double Click Mix) (7:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Hallo Spaceboy (Instrumental Mix) (7:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Hallo Spaceboy (Tim Simenon Mix) (5:09)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732941978\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600485560475,"sku":"110281462","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-david-bowie-hallo-spaceboy-rsd-2026-lp-vinyl-vinyl-lp-relix.jpg?v=1779211733"},{"product_id":"fleetwood-mac-rumours-lp-vinyl","title":"Fleetwood Mac – Rumours (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during a period of simultaneous romantic collapse among nearly every member of the band, the tension and heartbreak behind *Rumours* is inseparable from its sonic perfection. Tracking largely at Record Plant in Sausalito in 1976, the band channeled genuine personal wreckage into performances of startling warmth and clarity, with Ken Caillat and Richard Dashut helping shape a production that still sounds immaculate on vinyl.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe undisputed crown-jewel of the Fleetwood Mac catalog, Rumours has been certified an incredible nineteen times platinum and is one of the best-selling albums in music history. A rare effort that transcends genre, generations, and the personnel that created it, Rumours is quite possibly the definitive album of the '70s and unquestionably, one of the most vital rock LPs ever made. With classic rock staples galore such as \"Dreams,\" \"Don't Stop,\" \"Go Your Own Way,\" \"You Make Loving Fun,\" \"The Chain,\" and \"Gold Dust Woman,\" Rumours reads like a greatest hits package. Stevie Nicks, Lindsey Buckingham, Mick Fleetwood, and Co. Simply make magic on every track. And while celebrated as one of the best break-up releases to enter the public realm, Rumours succeeds primarily because of the impeccable songwriting and passioned playing. Vinyl LP pressing of the British-American rock band's monumental 1977 album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Second Hand News (2:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Dreams (4:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Never Going Back Again (2:02)\u003c\/div\u003e\n\u003cdiv\u003e4. Don't Stop (3:10)\u003c\/div\u003e\n\u003cdiv\u003e5. Go Your Own Way (3:40)\u003c\/div\u003e\n\u003cdiv\u003e6. Songbird (3:18)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Chain (4:27)\u003c\/div\u003e\n\u003cdiv\u003e2. You Make Loving Fun (3:33)\u003c\/div\u003e\n\u003cdiv\u003e3. I Don't Want To Know (3:13)\u003c\/div\u003e\n\u003cdiv\u003e4. Oh Daddy (3:54)\u003c\/div\u003e\n\u003cdiv\u003e5. Gold Dust Woman (5:13)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497816163\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600486969499,"sku":"688563","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-fleetwood-mac-rumours-vinyl-lp-relix.jpg?v=1779249965"},{"product_id":"peter-gabriel-live-at-womad-1982-2-lp-vinyl","title":"Peter Gabriel – Live at WOMAD 1982 (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePeter Gabriel wasn't just a headliner at the first WOMAD; he was the reason it survived. The festival's financial collapse after that inaugural 1982 weekend was ultimately rescued by a Genesis reunion concert, a sacrifice Gabriel made to keep the organization afloat. What you hear on these two records is the performance that started it all, captured before anyone knew how much was riding on it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIt was a simple idea; to create a festival out of all the brilliant music and art made all over the world, stuff made outside of the mainstream – music that wasn’t getting on the radio and was even harder to find in record stores…\u003c\/p\u003e\u003cp\u003e… the very first WOMAD Festival took place at the 240-acre Bath and West Showground, Somerset over the weekend of 16–18 July, 1982. With the dream ‘not to sprinkle world music around a rock festival, but to prove that these great artists could be headliners in their own right’, the three days and five stages played host to 60 bands from over 20 countries; a line-up that included The Drummers of Burundi, Pigbag, Salsa de Hoy, Simple Minds, Musicians of the Nile, Echo and the Bunnymen, Prince Nico Mbarga, Rip, Rig and Panic, The Beat and many more…\u003c\/p\u003e\u003cp\u003e“I remember this gig well,” says Peter Gabriel. “We played a mix of old and brand-new material. I would normally be very nervous about playing some of this stuff for the first time, however my mind was very preoccupied with the running of our very first WOMAD festival and the potential financial disaster that it was heading towards.\u003c\/p\u003e\u003cp\u003eBecause WOMAD was unique in its focus on music and art from around the world, and mixing it with up with rock and jazz, no-one knew how many people might turn up and we had seriously overestimated our appeal. But those that had decided to check out WOMAD and its weird and wonderful lineup were open-minded, bold and curious - a great audience.\u003c\/p\u003e\u003cp\u003eIt was a landmark and edgy gig for me both personally and musically and brings back lots of memories.”\u003c\/p\u003e\u003cp\u003eAcross the three days ‘an evening concert series’ took place in the Showering Pavilion on the festival site. On the Friday night that concert featured Tian Jin (a song and dance troupe from China), Simple Minds and, with a ‘special festival set of non-album material’, Peter Gabriel.\u003c\/p\u003e\u003cp\u003eLive at WOMAD 1982 is a recording of that Friday night concert. The non-album material in question are seven of the eight songs that would make up the album Peter Gabriel 4. An album that wouldn’t be released for a further two months.\u003c\/p\u003e\u003cp\u003eOn-stage, Peter is joined by David Rhodes (guitar), John Giblin (bass), Larry Fast (synthesisers). Jerry Marotta (drums), Peter Hammill (guitar, vocals) and “the wonderful Bristol-based drum and dance group,” Ekomé (drums, percussion).\u003c\/p\u003e\u003cp\u003e“We wanted to show that wherever you were born, whatever colour or language, whatever religious or sexual persuasion, powerful passionate and joyful work would have a warm welcome in WOMAD.\u003c\/p\u003e\u003cp\u003eAt the beginning, most music industry professionals told us that we had no chance of making this dream work, we had all the wonderful naïve misguided optimism of the young, and were convinced that we would prove all the cynics wrong. However, at the end of the first festival, it was clear we had an artistic success, but not a financial one… but that’s for another story.”\u003c\/p\u003e\u003cp\u003ePeter Gabriel’s Live a WOMAD 1982 takes us back to not only the birth of a festival – one that has now hosted more than 160 editions in 27 countries - but also to the premiere of an album with songs, like The Rhythm of the Heat, San Jacinto and Shock the Monkey, that have become central to the Gabriel canon. More than just a live album, Live at WOMAD 1982 is a pivotal moment, available now on CD and LP for the very first time.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. San Jacinto\u003c\/div\u003e\n\u003cdiv\u003e2. The Family And The Fishing Net\u003c\/div\u003e\n\u003cdiv\u003e3. I Have The Touch\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Lay Your Hands On Me\u003c\/div\u003e\n\u003cdiv\u003e2. Shock The Monkey\u003c\/div\u003e\n\u003cdiv\u003e3. I Go Swimming\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. The Rhythm Of The Heat\u003c\/div\u003e\n\u003cdiv\u003e2. Kiss Of Life\u003c\/div\u003e\n\u003cdiv\u003e3. Biko\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 884108018293\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Real World Prod. Ltd\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.8.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600487526555,"sku":"98855550","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-peter-gabriel-live-at-womad-1982-2-lp-vinyl-vinyl-lp-relix.jpg?v=1779308914"},{"product_id":"ween-white-pepper-green-lp-vinyl","title":"Ween – White Pepper (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 2000, White Pepper found Dean and Gene Ween trading the lo-fi weirdness of their early cassette years for lush, meticulously crafted studio pop without losing a single ounce of their bizarre genius. Produced by Andrew Weiss and mixed with genuine polish, it remains the rare Ween record that could seduce a casual listener while rewarding the devoted with layers of deadpan brilliance hiding just beneath the surface.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWhite Pepper is hands down Ween at their most accessible. The album's title combines the BeatlesWhite AlbumandSgt. Pepper'stitles, hinting at what lies within. It's a genius only Ween could conjure up acrossWhite Pepper's twelvetracks. Long out of print, this new colored vinyl reissue of the originalalbumis on greenpepper vinyl. Featuring \"Bananas and Blow\", \"Even If You Don't\", \"Stay Forever\" and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Exactly Where I'm At\u003c\/div\u003e\n\u003cdiv\u003e2. Flutes Of Chi\u003c\/div\u003e\n\u003cdiv\u003e3. Even If You Don't\u003c\/div\u003e\n\u003cdiv\u003e4. Bananas And Blow\u003c\/div\u003e\n\u003cdiv\u003e5. Stroker Ace\u003c\/div\u003e\n\u003cdiv\u003e6. Ice Castles\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Back To Basom\u003c\/div\u003e\n\u003cdiv\u003e2. The Grobe\u003c\/div\u003e\n\u003cdiv\u003e3. Pandy Fackler\u003c\/div\u003e\n\u003cdiv\u003e4. Stay Forever\u003c\/div\u003e\n\u003cdiv\u003e5. Falling Out\u003c\/div\u003e\n\u003cdiv\u003e6. She's Your Baby\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497807192\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.8.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600489918619,"sku":"119083725","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Ween-White-Pepper-LP-Vinyl.jpg?v=1779195131"},{"product_id":"old-crow-medicine-show-union-made-lp-vinyl","title":"Old Crow Medicine Show – Union Made (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003ch3\u003eReview\u003c\/h3\u003e\n\u003cp\u003eFor nearly 30 years, Old Crow Medicine Show have all but defined what we consider modern “americana”—part folk storytelling, part bluegrass, part old-timey mountain music. But they’ve never made an album that set the home of those genres quite so squarely as its focus.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUnion Made\u003c\/em\u003e, the band says, is meant to celebrate and reflect on the United States of America on the brink of the nation’s 250\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ebirthday. Musically, it’s an easy win:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUnion Made\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas all the stacked harmonies, furious picking and sing-along choruses you’d expect from Old Crow. Thematically, though,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUnion Made\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecan feel a bit one-dimensional—all celebration and very little honest reflection on the real state of the Union itself.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnion Made\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebegins with “Howdy Do America,” a bouncing, joyful ode to traveling around this gorgeous country, visiting state after state with one important destination: “Now my thumbs out, heading south\/ Bumming me a ride\/ Gotta make it home to see my newborn child\/She was born on the morning of the 4\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eof July,” sings Ketch Secor. OCMS’s PJ George and modern folk icon Jesse Welles add playful harmonies. Other marquee-named guests pop in throughout—the solemn, beautiful bluegrass of “My Side of the Mountain” was crafted with Molly Tuttle and country star Luke Combs, and features Tuttle, Del and Ronnie McCoury on vocals. It’ll be a showstopper live.  On “Yall All Come,” featuring John Carter and Ana Christina Cash, OCMS wade into lyrical territory that brushes past the real oppression and fear many Americans currently experience. “If you’d kindly unite with y’all’s next door neighbor, ‘cause y’all work the same check\/ Y’all drink the same beer, y’all love the same mama,” Secor sings. It’s a sentiment we should all try to embrace, even during these divisive times.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eJustin Jacobs -\u003c\/em\u003e \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/old-crow-medicine-show-union-made\"\u003eRelix.com\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, sans-serif;\"\u003eHowdy Do America (Featuring Jesse Welles)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, sans-serif;\"\u003eLincoln Highway (Featuring Ray Benson)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, sans-serif;\"\u003eMy Side of the Mountain (Featuring Del McCoury ; Molly Tuttle)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e4. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, sans-serif;\"\u003eRevolution Now (Featuring Evan Felker)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e5. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, sans-serif;\"\u003eLast American Waltz (Featuring Molly Tuttle)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e6. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, sans-serif;\"\u003eMerrimack ; Monitor\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e7. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, sans-serif;\"\u003eRainbow Stew\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e8. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, sans-serif;\"\u003eRye Whiskey\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e9. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, sans-serif;\"\u003eBeautiful Land (Featuring Maggie Rose)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e10. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, sans-serif;\"\u003eLewis and Clark\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e11. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, sans-serif;\"\u003eY'all All Come (Featuring John Carter Cash ; Ana Cristina Cash)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e12. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, sans-serif;\"\u003eFor What It's Worth\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 840381616403\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Hartland Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600490639515,"sku":"157616503","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-old-crow-medicine-show-union-made-vinyl-lp-relix.jpg?v=1779199772"},{"product_id":"the-black-keys-peaches-lp-vinyl","title":"The Black Keys – Peaches! (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDan Auerbach and Patrick Carney have spent the better part of two decades building one of rock's most reliably physical catalogs, but the Akron pair have rarely sounded as loose and unguarded as they do here. The deep crate-digging that fuels their Record Hang DJ nights bleeds directly into the grooves, connecting Peaches! to the same raw, sweaty tradition that drew them to the blues in the first place.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Black Keys Peaches! is the Akron duo’s fourteenth studio album (their sixth since 2019), a visceral and raw 10-song collection described by singer Dan Auerbach as the band’s “most natural record” since their 2002 debut, The Big Come Up. In similar DIY spirit, the album was recorded with all musicians playing in same room with few overdubs, as is the first record mixed entirely by the band themselves since 2006’s Magic Potion.  The songs chosen reflect Auerbach and bandmate Patrick Carney’s obsessive record-collecting habit, which in recent years has escalated into an ongoing series of Record Hang DJ-set dance parties where they spin vintage 45s for packed, high-energy dancefloors in the coolest spots across the globe.\u003c\/p\u003e\u003cp\u003eThe cover art for Peaches! is based around an iconic image from Memphis-born photographer, William Eggleston, and marks the return of Patrick’s brother, Michael Carney, overseeing the art direction.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Where There's Smoke, There's Fire\u003c\/div\u003e\n\u003cdiv\u003e2. Stop Arguing Over Me\u003c\/div\u003e\n\u003cdiv\u003e3. Who's Been Foolin' You\u003c\/div\u003e\n\u003cdiv\u003e4. It's A Dream\u003c\/div\u003e\n\u003cdiv\u003e5. Tomorrow Night\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. You Got To Lose\u003c\/div\u003e\n\u003cdiv\u003e2. Tell Me You Love Me\u003c\/div\u003e\n\u003cdiv\u003e3. She Does It Right\u003c\/div\u003e\n\u003cdiv\u003e4. Fireman Ring The Bell\u003c\/div\u003e\n\u003cdiv\u003e5. Nobody But You Baby\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624823858\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.1.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600491294875,"sku":"110839748","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-black-keys-peaches-vinyl-lp-relix.jpg?v=1779222703"},{"product_id":"goose-big-modern-lp-vinyl","title":"Goose – Big Modern (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003ch3\u003eReview\u003c\/h3\u003e\n\u003cp\u003eGoose just low-key dropped their\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLondon Calling\u003c\/em\u003e, with a breakout album that breaks them out of the jamband cage most onlookers had up until now rightfully placed them in. Goose was supposed to be the band that saved the genre. And they still might be—at least in terms of ticket sales. But they also might now have their sights on something more unique, something to fully call their own. It’s something that speaks to the current era, complete with all the dystopian fears, dysfunctional communities, disconnected social networks, and distorted cultural divisions of latter-day times, taken with a hit of acid and the laugh-and-fall-apart detachment that is sacred creed of jamband heritage.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBig Modern!\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eaddresses the concerns of contemporary American life by flaunting the culprits and taunting the critics with a slick, heavily produced, AI-perfect album. The album has a handful of sterilized, radio-worthy songs: “Media,” “Good2Be,” or “Good Times \/ End Times” could seamlessly be sandwiched between tracks from The War on Drugs and LCD Soundsystem.\u003c\/p\u003e\n\u003cp\u003eOf course, anyone paying attention will tell you that Goose didn’t really change their sound; they just refined it. Underneath the polish sits the same group of stoic, thousand-yard-stare kids just wanting a chance to try on their heroes’ shoes. The jams still search for peaks, finding them through the beautifully flawed human art of improvisation.\u003c\/p\u003e\n\u003cp\u003eGoose have spent the better part of a decade building one of the most devoted live followings in rock, translating marathon improvisational sets into a fanbase that tracks setlists the way Deadheads once traded tapes. Big Modern finds them channeling that energy into tightly crafted studio territory, a reminder that the same band that stretches jams past the twenty-minute mark can also write a hook that sticks for weeks.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\"\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003cp\u003eBut this studio album hits like dopamine from doomscrolling—transcribing contemporary zeitgeist into catchy ADHD-friendly singles and infusing them with processed vocals and pop synths that are as much a nod to decades past (and influences like Steely Dan and Talking Heads) as they are, lyrically, to whatever you saw on Tik-Tok today.\u003c\/p\u003e\n\u003cdiv id=\"om-xtq41o8bymqeqekfggpq-holder\"\u003e\u003c\/div\u003e\n\u003cp\u003eThe album places Goose in a spot that is oddly reminiscent of ZooTV-era U2, when that band decided to acknowledge that their massive success as an alternative rock band killed their alternative-rocker vibe. So they built a stadium-sized production and transformed into larger-than-life rock stars.\u003c\/p\u003e\n\u003cp\u003eThat isn’t to propose that\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBig Modern!\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewill have the same propulsion for Goose; after all, we are long past the age of MTV rock stars (apologies to Yungblood). We are, instead, entering an era where we can’t believe our own eyes or, in the case of music, our own ears.\u003c\/p\u003e\n\u003cdiv id=\"om-ivurb0bz1hfovf5qdiju-holder\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAt times,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBig Modern!\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esounds almost too perfect to be created by humans, even as it bemoans a certain loss of humanity in these harrowing times. That’s why it works. And then—amidst lyrics of binary coding and appearing in parenthetical titles reminiscent of computer language—are hidden jam-coded interludes and segues, even a jammed out reprise of sorts with “((nocturne))”.\u003c\/p\u003e\n\u003cp\u003eAnd then there is the studio version of concert staple “SALT,” which clocks in here at 12:43. After a fake-out ending around three minutes in, Goose lets loose, building a legitimate jam to a legitimate peak.\u003c\/p\u003e\n\u003cp\u003eIn other words, don’t worry kids: nobody in Goose is about to rename themselves The Fly. 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What started as an afternoon's worth of racket in a sharehouse became the foundation for one of Australian rock's most visceral and genuinely working-class voices, a band that grew from backyard parties to international stages without sanding down a single rough edge.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTen years ago, in a sharehouse on Chapel Street, four 20-year-olds with zero expectations wrote and recorded an EP in a single afternoon. Those six blistering minutes of music became Giddy Up. An hour later, Amyl and The Sniffers had a name, a Bandcamp upload, and the beginnings of a legacy. Following a year of backyard gigs, playing for friends and partying across Melbourne's sticky carpet music scene, the band released their iconic second EP Big Attraction in 2017. Now, to celebrate a decade of raw power and reckless spirit, Giddy Up\/Big Attraction returns in a definitive 10th anniversary 12-inch vinyl edition - fully remastered for maximum punch. 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