{"title":"* Out Now","description":null,"products":[{"product_id":"my-morning-jacket-z-20th-anniversary-deluxe-edition-lp-vinyl","title":"My Morning Jacket – Z (20th Anniversary Deluxe Edition) -  (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased at a moment when My Morning Jacket was crossing over from beloved cult act to genuine rock force, Z captured Jim James and the band expanding well beyond their reverb-drenched Kentucky roots into something far harder to categorize. The outtakes and demos collected here offer a rare look inside a creative process that yielded some of the most enduring songs in their catalog, tracks that have only deepened in meaning through two decades of live performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOften referred to as My Morning Jacket's \"OK Computer\" and considered one of the 500 greatest albums of all time by Rolling Stone, \"Z\" was the pinnacle of the band's early career upon its 2005 release and has since sold nearly half a million copies. This 20th-anniversary edition was remastered from the original tapes by Emily Lazar and includes 14 unreleased outtakes and demos, plus reworked artwork. Contains fans' favorites and live staples: \"Off The Record\", \"Dondante\", and \"Wordless Chorus.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Wordless Chorus (4:12)\u003cbr\u003e\nA2. It Beats 4 U (3:46)\u003cbr\u003e\nA3. Gideon (3:39)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. What A Wonderful Man (2:25)\u003cbr\u003e\nB2. Off The Record (5:33)\u003cbr\u003e\nB3. Into The Woods (5:21)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Anytime (3:56)\u003cbr\u003e\nC2. Laylow (6:05)\u003cbr\u003e\nC3. Knot Comes Loose (4:02)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Dondante (8:01)\u003cbr\u003e\nD2. Dondante (Jim Demo)\u003cbr\u003e\nD3. Original Ending (Off the Record)\u003cbr\u003e\nD4. Where To Begin (Jim Demo)\u003c\/p\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cp\u003eE1. Where To Begin\u003cbr\u003e\nE2. Chills\u003cbr\u003e\nE3. How Could I Know (Oxen)\u003cbr\u003e\nE4. The Devil's Peanut Butter\u003cbr\u003e\nE5. Wordless Chorus (Jim Demo)\u003c\/p\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cp\u003eF1. It Beats For You (Jim Demo)\u003cbr\u003e\nF2. Laylow (Jim Demo)\u003cbr\u003e\nF3. Into The Woods (Band Dance Version)\u003cbr\u003e\nF4. Off The Record (Jim Demo)\u003cbr\u003e\nF5. Anytime (Jim Demo)\u003cbr\u003e\nF6. Knot Comes Loose (Jim Demo)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882665814\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.3.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187831025819,"sku":"740212","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/My-Morning-Jacket-Z-20th-Anniversary-Deluxe-Edition-3-LP-Vinyl.png?v=1791645806"},{"product_id":"goose-chain-yer-dragon-lp-vinyl","title":"Goose - Chain Yer Dragon (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTwelve tracks spread across three slabs of wax tells you something about where Goose's heads are at right now: there's room to breathe, room to stretch, room to let a song find its own edges. Chain Yer Dragon arrives at a moment when the band's live reputation has fully outgrown the jam scene proper, and this studio document leans into the mythology they've been building night after night on the road rather than away from it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2 id=\"tinymce_scroll_sign\"\u003eExplore Goose - Chain Yer Dragon (3-LP Vinyl)\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eRead our review of \u003cspan data-sheets-root=\"1\"\u003eGoose's Chain Yer Dragon from August 2025 \u003c\/span\u003eon \u003ca href=\"https:\/\/relix.com\/news\/detail\/listen-goose-release-surprise-album-chain-yer-dragon-following-return-to-the-tonight-show-starring-jimmy-fallon\/\" title=\"Goose - Chain Yer Dragon (3-LP Vinyl)\" rel=\"noopener\" target=\"_blank\"\u003eRelix.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePressed on triple 180g vinyl in a triple gatefold jacket, \u003cem\u003eChain Yer Dragon\u003c\/em\u003e is Goose's fifth studio album and their second release of 2025, following April's \u003cem\u003eEverything Must Go\u003c\/em\u003e. The Connecticut-based quartet—Rick Mitarotonda (guitar\/vocals), Peter Anspach (guitar\/keys\/vocals), Trevor Weekz (bass), and Cotter Ellis (drums)—produced the record with D. James Goodwin at Dreamland Studios in Hurley, NY, capturing a sound that is raw, freewheeling, and deeply lived-in.\u003c\/p\u003e\n\u003cp\u003eThe album serves as connective tissue between Goose's earliest songwriting and their current evolution as a four-piece. Drawing on characters and locales—Lazy, The Night Rays Band, the Rockdale barroom—that date back to Mitarotonda and Matt Campbell's pre-Goose collaborations circa 2011, \u003cem\u003eChain Yer Dragon\u003c\/em\u003e expands and deepens that world with new tracks like \"Madalena\" and \"Royal\" alongside beloved live staples like \"Echo of a Rose,\" \"The Empress of Organos,\" and \"Factory Fiction.\" The result is a cohesive yet non-linear story that pushes Goose's catalog forward while embracing its roots.\u003c\/p\u003e\n\u003cp\u003eSpread across six vinyl sides, the 3-LP format gives the album room to breathe and develop naturally. The standard black pressing is limited to a first pressing of 9,000 units, with Side F featuring silkscreened vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTriple LP vinyl.\u003c\/strong\u003e 180g pressing. Triple gatefold jacket. Silkscreened vinyl (Side F). Limited first pressing of 9,000 units.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Hot Love \u0026amp; The Lazy Poet\u003cbr\u003e\nA2. Madalena\u003cbr\u003e\nA3. Royal\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Turbulence \u0026amp; The Night Rays\u003cbr\u003e\nB3. Echo Of A Rose\u003cbr\u003e\nB3. Mr. Action\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. …..\u003cbr\u003e\nC2. Dr. Darkness\u003cbr\u003e\nC3. Empress Of Organos\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Jed Stone\u003cbr\u003e\nD2. Rockdale\u003c\/p\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cp\u003eE1. Factory Fiction\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 617308110258\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e No Coincidence\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.12.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777667739,"sku":"5463390","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Goose-Chain-Yer-Dragon-3-LP-Vinyl.jpg?v=1776110514"},{"product_id":"willie-nelson-country-music-hightone-series-lp-vinyl","title":"Willie Nelson – Country Music (HighTone Series 2-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eDon't be fooled by the trick of the title. The generic appellation—Country Music—may suggest a truck-stop compilation vibe; dusty and spinning on a turnstile rack next to the jerky and candy bars. Really, this effort is anything but that. Instead, it's a latter-day gem from Willie Nelson that celebrates country music with the widest and most respectful of panoramic definitions.\u003c\/p\u003e\u003cp\u003eOriginally released in 2010, this reissue is back on 2-LP vinyl, CD, and most digital platforms. Initially, Nelson's first for Rounder Records, it was a Grammy-nominated success, earning the nod in the Americana category. And true to that genre, the 15-track set rides predominantly on the graceful gliding of fiddle and mandolin, more so than Nelson's unmistakable guitar talent. Notwithstanding, Willie's trademark picking is still present, for sure; yet, embedded tastefully in a collection of songs he grew up singing and playing, dotted with hues of bluegrass, Appalachian folk, blues, spirituals, and Texas swing.\u003c\/p\u003e\u003cp\u003eCollaborating with T Bone Burnett, Nelson gathers up a handful of tunes by country icons, including Ernest Tubb and Hank Williams. With spare instrumentation, and a vocal honest and pure, it is as relaxed and authentic as Willie gets. The lope of \"I Am a Pilgrim\" is infectious. The chill of \"Satan Your Kingdom Must Come Down\" is the blues incarnate. The pulse of \"Pistol Packin' Mama,\" foundational and fun.\u003c\/p\u003e\u003cp\u003eThis is a genuine double-album delight, rich with reverence and patience, seeking not to update these classics, nor archive them as relics. Rather, Nelson performs each in a manner that confirms his vibrant, beating-heart, lifelong love of each. Indeed, anything but generic. This is, at its finest, the music of the country.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/03\/08\/willie-nelson-country-music\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFew artists alive have earned the right to front a collection like this the way Willie Nelson has. His voice, weathered and unhurried, carries the same dust and faith these songs were written with, and his phrasing has always belonged more to jazz and blues than to Nashville convention. Hearing him move through this repertoire feels less like an interpretive exercise and more like a homecoming.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCountry Music sees the legendary Willie Nelson interpret traditional country standards for an album The Washington Post hails “a calm, contemplative, and remarkably consistent album.” The 2010 GRAMMY®-nominated album features renditions of 14 country classics such as “Dark as a Dungeon,” \"Satan Your Kingdom Must Come Down,\" and “Satisfied Mind,” along with a version of his 1959 single, “Man with the Blues.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Man With The Blues\u003cbr\u003e\nA2. Seaman's Blues\u003cbr\u003e\nA3. Dark As A Dungeon\u003cbr\u003e\nA4. Gotta Walk Alone\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Satan Your Kingdom Must Come Down\u003cbr\u003e\nB2. My Baby's Gone\u003cbr\u003e\nB3. Freight Train Boogie\u003cbr\u003e\nB4. Satisfied Mind\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. You Done Me Wrong\u003cbr\u003e\nC2. Pistol Packin' Mama\u003cbr\u003e\nC3. Ocean Of Diamonds\u003cbr\u003e\nC4. Drinking Champagne\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. I Am A Pilgrim\u003cbr\u003e\nD2. House Of Gold\u003cbr\u003e\nD3. Nobody's Fault But Mine\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072738362\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Hightone Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262784483483,"sku":"89184544","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Willie-Nelson-Country-Music-HighTone-Series-2-LP-Vinyl.png?v=1776111224"},{"product_id":"the-who-live-at-the-oval-1971-lp-vinyl","title":"The Who – Live at the Oval 1971 (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSeptember 18, 1971 also marked the one-year anniversary of Jimi Hendrix's death, lending an eerie weight to a night already charged with urgency. By this point in their career, The Who had \"Who's Next\" barely weeks behind them, meaning the band was playing at an absolute creative and physical peak, road-hardened and loaded with new material that would become canonical.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eThe Who - Live At The Oval 1971 - Vinyl 2 LP\u003c\/h2\u003e\u003cp\u003eWith 35,000 in attendance, on September 18, 1971, The Who headlined Goodbye Summer: A Rock Concert in Aid of Famine Relief for the People of Bangladesh at The Oval cricket ground in Kennington, South London. Newly mixed from the original 8-track analog multi-track tapes, this concert shows The Who continuing their dominance as the top live rock band of the era. The outstanding performance culminates in Pete Townshend and Keith Moon destroying their equipment in a grand finale. 2 LP set.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. So Glad To See Ya (1:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Summertime Blues (3:41)\u003c\/div\u003e\n\u003cdiv\u003e3. My Wife (6:47)\u003c\/div\u003e\n\u003cdiv\u003e4. Love Ain't For Keeping (2:25)\u003c\/div\u003e\n\u003cdiv\u003e5. I Can't Explain (2:23)\u003c\/div\u003e\n\u003cdiv\u003e6. Substitute (2:25)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Bargain (7:04)\u003c\/div\u003e\n\u003cdiv\u003e2. Behind Blue Eyes (4:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Won't Get Fooled Again (8:57)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Baby Don't You Do It (8:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Pinball Wizard (2:58)\u003c\/div\u003e\n\u003cdiv\u003e3. See Me, Feel Me \/ Listening To You (5:11)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. My Generation (3:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Naked Eye (7:21)\u003c\/div\u003e\n\u003cdiv\u003e3. Magic Bus (9:19)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478146985\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ume\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.22.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271205367963,"sku":"388369","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Who-Live-at-the-Oval-1971-2-LP-Vinyl.png?v=1791668004"},{"product_id":"the-black-crowes-a-pound-of-feathers-lp-vinyl","title":"The Black Crowes – A Pound Of Feathers (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eDespite The Black Crowes' 2024 release, Happiness Bastards, earning a Best Rock Album Grammy nomination—they lost to the Stones—and potential Rock Hall accreditation—they were not voted in—the band played it smart with their newest studio album. A Pound of Feathers, their 10th overall release, largely follows the course set by its predecessor, which found brothers Rich and Chris Robinson looping back to the approach that worked so well for them earlier in their four-decade career.\u003c\/p\u003e\u003cp\u003eFor Happiness Bastards, the music was stripped to its hard-hitting basics, eschewing most of the expansive experimentalism that had crept in prior to the band's long hiatus of the early 2000s. The Robinsons, for all intents and purposes, have always been The Black Crowes, and any pretenses that they ever cared to lead a cohesive band were tossed for good once they reunited in 2019.\u003c\/p\u003e\u003cp\u003eFor A Pound of Feathers, the siblings take the reins even more authoritatively: Rich plays all of the guitars on the 11-song album—including bass—and Chris wrote all of the lyrics. And although there's a keyboardist (Erik Deutsch, returning from Happiness…) and a new drummer on board (Cully Symington), as well as two support singers (MacKenzie Adams and Lesley Grant), it's apparent from the bombastic crunch of opener \"Propane Prophecy\" that this is all about the bros. Also returning from the last outing is producer Jay Joyce, who's got a firm handle on how best to position The Black Crowes in the mid-'20s.\u003c\/p\u003e\u003cp\u003e\"Pharmacy Chronicles,\" the second single from the album, like more than a few classic Crowes tunes of the prime era, follows a Stones\/Aerosmith ballad template, stacking wailing electric guitars upon an acoustic-based intro, its lyrics more often impenetrable than not, to an impressive effect. There's plenty of crashing, pounding rock too (\"Blood Red Regrets,\" \"Do the Parasite!\")—no worries—but all in all, A Pound of Feathers showcases a well-rounded Black Crowes as they were in their first incarnation.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Jeff Tamarkin, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/the-black-crowes-a-pound-of-feathers\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Black Crowes have always understood something most rock bands forget: the groove matters as much as the riff. Rooted in the Southern rock and R\u0026amp;B traditions that shaped their earliest records, Chris and Rich Robinson have spent their reunion years proving the brotherhood at the core of this band is also its engine. A Pound Of Feathers lands as their second studio album since reforming, building on the momentum of a stretch that's seen them reconnect with both longtime devotees and a new generation of listeners.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFresh off the GRAMMY-nominated success of Happiness Bastards (2024), Chris and Rich Robinson wasted no time getting back to work. In early 2025, the brothers returned to Nashville to reunite with producer Jay Joyce and recapture the spark that powered their last record. This is the result.\u003c\/p\u003e\u003cp\u003eReflective of their mood and expression, The Black Crowes have created a rock record that's loose and funky, dark and heavy, sensuous and jagged, Flesh and bone… A pound of feathers Or a pound of lead Look out below and mind your head\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Prophane Prophecy\u003c\/div\u003e\n\u003cdiv\u003e2. Cruel Streak\u003c\/div\u003e\n\u003cdiv\u003e3. Pharmacy Chronicles\u003c\/div\u003e\n\u003cdiv\u003e4. Do The Parasite!\u003c\/div\u003e\n\u003cdiv\u003e5. High And Lonesome\u003c\/div\u003e\n\u003cdiv\u003e6. Queen Of The B-Sides\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. It's Like That\u003c\/div\u003e\n\u003cdiv\u003e2. Blood Red Regrets\u003c\/div\u003e\n\u003cdiv\u003e3. You Call This A Good Time?\u003c\/div\u003e\n\u003cdiv\u003e4. Eros Blues\u003c\/div\u003e\n\u003cdiv\u003e5. Doomsday Doggerel\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 020286246312\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Silver Arrow Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.13.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271238299803,"sku":"94909351","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Black-Crowes-A-Pound-Of-Feathers-LP-Vinyl.png?v=1776113643"},{"product_id":"the-black-crowes-amorica-super-deluxe-180g-lp-vinyl","title":"The Black Crowes – Amorica. -  (Super Deluxe 180g 5-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAmorica. landed in 1994 as the Black Crowes at their most unapologetically Southern and psychedelic, a record that polarized radio programmers while cementing the band's reputation among fans who followed them show to show. The Robinson brothers have returned to the original production masters with Drakoulias to give this era its proper due, pulling in lost session material and the scrapped Tall album that die-hards have been chasing for decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Black Crowes have collected the Amorica. era recordings 1992-1994 into a new box set. The reissue has been overseen by band founders and brothers Chris and Rich Robinson along with acclaimed producer and friend of the Crowes, George Drakoulias. \u003c\/p\u003e\n\u003cp\u003eThe 5LP box set includes:\u003cbr\u003eLP1-2: A newly remastered 2LP 180g pressing Amorica. sourced from the original 1\/4\" production master tapes. The album audio is across the first 3 sides. Side D includes 3 Amorica. era bonus tracks: Chevrolet (Taj Mahal cover), \"Song of the Flesh\" (2025 Mix), and the instrumental \"Sunday Night Buttermilk Waltz” (2025 Mix). \u003c\/p\u003e\n\u003cp\u003eLP3: Tallest fixes the stories behind the lost\/scrapped album Tall and the mish-mashed Lost Crowes version of Tall. \u003c\/p\u003e\n\u003cp\u003eLP4: Marie Laveau Sessions collects an incredible recording session by the band from October 1992.\u003c\/p\u003e\n\u003cp\u003eLP5: Live at AIR Studios, London, UK, October 25, 1994 is a 10\" featuring 4 live songs aired on the worldwide radio broadcast of Amorica.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eLP1-2\u003cbr\u003eAmorica.\u003cbr\u003eSide A\u003cbr\u003e1 Gone (2025 Remaster)\u003cbr\u003e2 A Conspiracy (2025 Remaster)\u003cbr\u003e3 High Head Blues (2025 Remaster)\u003cbr\u003e4 Cursed Diamond (2025 Remaster)\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003e1 Nonfiction (2025 Remaster)\u003cbr\u003e2 She Gave Good Sunflower (2025 Remaster)\u003cbr\u003e3 P. 25 London (2025 Remaster)\u003cbr\u003e4 Ballad In Urgency (2025 Remaster)\u003cbr\u003e5 Wiser Time (2025 Remaster)\u003cbr\u003e\u003cbr\u003eSide C\u003cbr\u003e1 Downtown Money Waster (2025 Remaster)\u003cbr\u003e2 Descending (2025 Remaster)\u003cbr\u003e\u003cbr\u003eSide D\u003cbr\u003e1 Chevrolet\u003cbr\u003e2 Song of the Flesh (2025 Mix)\u003cbr\u003e3 Sunday Night Buttermilk Waltz (2025 Mix)\u003cbr\u003e\u003cbr\u003eLP3\u003cbr\u003eTallest\u003cbr\u003eSide A\u003cbr\u003e1 Lowdown (2025 Mix)\u003cbr\u003e2 Tied Up And Swallowed (2025 Mix)\u003cbr\u003e3 Evil Eye (2025 Mix)\u003cbr\u003e4 Dirty Hair Halo (2025 Mix)\u003cbr\u003e5 Feathers (2025 Mix)\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003e1 Thunderstorm 6:54PM (2025 Mix)\u003cbr\u003e2 Title Song (2025 Mix)\u003cbr\u003e3 Bitter, Bitter You (2025 Mix)\u003cbr\u003e4 Paris Song (2025 Mix) (Instrumental)\u003cbr\u003e\u003cbr\u003eLP4\u003cbr\u003eMarie Laveau Sessions\u003cbr\u003e\u003cbr\u003eSide A\u003cbr\u003e1 Exit\u003cbr\u003e2 Fear Years\u003cbr\u003e3 On That Hallow Night (Instrumental)\u003cbr\u003e4 Girl From The Pawnshop\u003cbr\u003eSide B\u003cbr\u003e1 Bewildered\u003cbr\u003e2 Non-Fiction (Acoustic)\u003cbr\u003e3 Thorn's Progress (Instrumental)\u003cbr\u003e\u003cbr\u003eLP5 \/ 10”\u003cbr\u003eLive at AIR Studios, London, UK October 25, 1994\u003cbr\u003eSide A\u003cbr\u003eA Conspiracy (Live - London, UK October 25, 1994)\u003cbr\u003e2 P.25 London (Live - London, UK October 245, 1994)\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003e1 Wiser Time (Live - London, UK October 25, 1994)\u003cbr\u003e2 High Head Blues (Live - London, UK October 25, 1994)\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478382857\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e American Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.14.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271240822939,"sku":"22365598","price":269.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Black-Crowes-Amorica_-Super-Deluxe-180g-5-LP-Vinyl.png?v=1791668022"},{"product_id":"the-rolling-stones-black-and-blue-super-deluxe-180g-5-lp-blu-ray","title":"The Rolling Stones – Black and Blue (Super Deluxe 180g 5-LP + Blu-ray)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eA few months ahead of its 50th birthday comes this 5-LP box set celebrating The Rolling Stones album, Black and Blue. As with so many of the classic album reissues on vinyl, the success is in the presentation—the remastering, the pressing and packaging, the extras. Without a single caveat, this weighty collection honoring the Stones’ 13th studio slab is spectacular.\u003c\/p\u003e\u003cp\u003eThe place to start is with the fidelity. The Stones turned over the original tapes to Steven Wilson, the highly in-demand, modern maestro of the remix, to revisit the proper album—one that finds the legendary band at, possibly, its most diverse. Wilson’s remix, as hoped, is sheer sonic brilliance. Never have these tracks sounded sharper, more cohesive, and more dynamic than on this new mix. Follow that with Matt Colton’s top-flight mastering—the Grammy-winning engineer worked with the Stones previously on Hackney Diamonds—and Black and Blue in this 2025 incarnation, on whisper-quiet wax, is the one to have.\u003c\/p\u003e\u003cp\u003eBack in 1976, Black and Blue was known in Stones circles as the “audition” album; the first after the departure of guitarist Mick Taylor, who’d sparkled on a string of efforts- Let It Bleed, Sticky Fingers, and Exile on Main Street, to name three- many consider among rock’s finest. So, it wasn’t a hole to fill. It was a crater.\u003c\/p\u003e\u003cp\u003eWith guest spots at the B\u0026amp;B sessions by a few notable axe-men—from Jeff Beck and Harvey Mandel to Wayne Perkins and Robert A. Johnson—the talent pool was Olympian. In the end, the band went with Beck’s bandmate from his Rod Stewart days, Ronnie Wood, and the rest is Rolling Stones history. Looking back now, it seems inevitable that Wood would get the gig, yet this set includes some of the jams with the runners-up that tantalize the imagination. A take of Beck’s “Freeway Jam” is as intriguing to hear as it is historic, if ultimately bolstering the conclusion that Wood was the best fit.\u003c\/p\u003e\u003cp\u003eAs for the three LPs and Blu-ray that contain live performances from ‘76- the vinyl from a hometown residency at Earls Court; the video from a TV broadcast of a Paris show—it’s more peak-Stones magic. Again, the addition of Wood is hand-in-glove, weaving as he would so well for the next five decades with Keith Richards, complementing- with the just the right attitude and attire—the gargantuan stage presence of Mick Jagger, and, most importantly, playing guitar like an ace. Toss in some previously unreleased cuts and a coffee-table-ready book, and this is a box set that gets it exactly right.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/01\/16\/the-rolling-stones-black-and-blue-5-lp-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBlack and Blue arrived at a crossroads moment for the Stones, recorded across Rotterdam, Munich, and Musicland Studios while the band auditioned potential replacements for Mick Taylor through the sessions themselves. The result was looser, funkier, and more groove-obsessed than anything in their catalog to that point, reflecting heavy influences from reggae and R\u0026amp;B that would quietly reshape what a Rolling Stones record could sound like.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Rolling Stones - Black And Blue (2025 Steven Wilson Mix) (Limited Super Deluxe Edition 180-gram Vinyl + Blu-ray Boxset) - VINYL LP - Celebrate the Rolling Stones' 1976 album, Black and Blue, with this comprehensive box set. This album marked a pivotal moment, as it was the first to feature Ronnie Wood as a full member, contributing his iconic guitar work. Acclaimed at the time by Billboard as being \"one of their most purely enjoyable albums of the '70s\" the reputation of the album has only grown, with Uncut declaiming \"Forty-one minutes of super-tight, bone-dry, hi-fi rock and soul, Black and Blue is one of the Stones' most underrated albums.\" This collection includes 5 LPs on 180g vinyl featuring a new Steven Wilson mix of the album, unreleased outtakes and a live recording from their 1976 Earls Court show, a Blu-Ray disc with a previously unreleased live TV recording from Paris and Dolby Atmos mixes, a 100-page hardcover book with a new essay by Stones expert Paul Sexton and a new interview with Ronnie Wood, plus a Paris show poster. Limited Edition.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e2. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e3. Cherry Oh Baby\u003c\/div\u003e\n\u003cdiv\u003e4. Memory Motel\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Hey Negrita\u003c\/div\u003e\n\u003cdiv\u003e2. Melody\u003c\/div\u003e\n\u003cdiv\u003e3. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e4. Crazy Mama\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. I Love A Lady\u003c\/div\u003e\n\u003cdiv\u003e2. Shame Shame Shame\u003c\/div\u003e\n\u003cdiv\u003e3. Chuck Berry Style Jam\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Blues Jam\u003c\/div\u003e\n\u003cdiv\u003e2. Rotterdam Jam\u003c\/div\u003e\n\u003cdiv\u003e3. Freeway Jam\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Honky Tonk Women\u003c\/div\u003e\n\u003cdiv\u003e2. If You Can't Rock Me\u003c\/div\u003e\n\u003cdiv\u003e3. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e4. Hey Negrita\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Ain't Too Proud To Beg\u003c\/div\u003e\n\u003cdiv\u003e2. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e3. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e4. Star Star\u003c\/div\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cdiv\u003e1. You Gotta Move\u003c\/div\u003e\n\u003cdiv\u003e2. You Can't Always Get What You Want\u003c\/div\u003e\n\u003cdiv\u003e3. Happy\u003c\/div\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cdiv\u003e1. Tumbling Dice\u003c\/div\u003e\n\u003cdiv\u003e2. Nothing From Nothing\u003c\/div\u003e\n\u003cdiv\u003e3. Outa-Space\u003c\/div\u003e\n\u003ch4\u003eSide I\u003c\/h4\u003e\n\u003cdiv\u003e1. Midnight Rambler\u003c\/div\u003e\n\u003cdiv\u003e2. It's Only Rock 'N' Roll (But I Like It)\u003c\/div\u003e\n\u003cdiv\u003e3. Brown Sugar\u003c\/div\u003e\n\u003ch4\u003eSide J\u003c\/h4\u003e\n\u003cdiv\u003e1. Jumpin' Jack Flash\u003c\/div\u003e\n\u003cdiv\u003e2. Street Fighting Man\u003c\/div\u003e\n\u003cdiv\u003e3. Sympathy For The Devil\u003c\/div\u003e\n\u003ch4\u003eBlu-ray\u003c\/h4\u003e\n\u003cdiv\u003e1. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e2. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e3. Cherry Oh Baby\u003c\/div\u003e\n\u003cdiv\u003e4. Memory Motel\u003c\/div\u003e\n\u003cdiv\u003e5. Hey Negrita\u003c\/div\u003e\n\u003cdiv\u003e6. Melody\u003c\/div\u003e\n\u003cdiv\u003e7. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e8. Crazy Mama\u003c\/div\u003e\n\u003cdiv\u003e9. Band Intro\u003c\/div\u003e\n\u003cdiv\u003e10. Honky Tonk Women\u003c\/div\u003e\n\u003cdiv\u003e11. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e12. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e13. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e14. Star Star\u003c\/div\u003e\n\u003cdiv\u003e15. You Gotta Move\u003c\/div\u003e\n\u003cdiv\u003e16. You Can't Always Get What You Want\u003c\/div\u003e\n\u003cdiv\u003e17. Band Introductions\u003c\/div\u003e\n\u003cdiv\u003e18. Happy\u003c\/div\u003e\n\u003cdiv\u003e19. Outa Space\u003c\/div\u003e\n\u003cdiv\u003e20. Jumpin' Jack Flash\u003c\/div\u003e\n\u003cdiv\u003e21. Street Fighting Man\u003c\/div\u003e\n\u003cdiv\u003e22. Honky Tonk Women\u003c\/div\u003e\n\u003cdiv\u003e23. If You Can't Rock Me \/ Get Off My Cloud\u003c\/div\u003e\n\u003cdiv\u003e24. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e25. Hey Negrita\u003c\/div\u003e\n\u003cdiv\u003e26. Ain't Too Proud To Beg\u003c\/div\u003e\n\u003cdiv\u003e27. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e28. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e29. Star Star\u003c\/div\u003e\n\u003cdiv\u003e30. You Gotta Move\u003c\/div\u003e\n\u003cdiv\u003e31. You Can't Always Get What You Want\u003c\/div\u003e\n\u003cdiv\u003e32. Band Intro\u003c\/div\u003e\n\u003cdiv\u003e33. Happy\u003c\/div\u003e\n\u003cdiv\u003e34. Tumbling Dice\u003c\/div\u003e\n\u003cdiv\u003e35. Nothing From Nothing\u003c\/div\u003e\n\u003cdiv\u003e36. Outa-Space\u003c\/div\u003e\n\u003cdiv\u003e37. Midnight Rambler\u003c\/div\u003e\n\u003cdiv\u003e38. It's Only Rock 'N' Roll (But I Like It)\u003c\/div\u003e\n\u003cdiv\u003e39. Brown Sugar\u003c\/div\u003e\n\u003cdiv\u003e40. Jumpin' Jack Flash\u003c\/div\u003e\n\u003cdiv\u003e41. Street Fighting Man\u003c\/div\u003e\n\u003cdiv\u003e42. Sympathy For The Devil\u003c\/div\u003e\n\u003cdiv\u003e43. I Love A Lady\u003c\/div\u003e\n\u003cdiv\u003e44. Shame, Shame, Shame\u003c\/div\u003e\n\u003cdiv\u003e45. Chuck Berry Style Jam\u003c\/div\u003e\n\u003cdiv\u003e46. Blues Jam\u003c\/div\u003e\n\u003cdiv\u003e47. Rotterdam Jam\u003c\/div\u003e\n\u003cdiv\u003e48. Freeway Jam\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602475070498\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Interscope Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.14.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271244394651,"sku":"29456848","price":286.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/5LPbox3D_jpg_1.png?v=1779630529"},{"product_id":"the-who-who-are-you-2025-super-deluxe-7cd-blu-ray","title":"The Who – Who Are You (2025) - (Super Deluxe 7-CD \u0026 Blu-ray)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eWho Are You occupies a somber place in the discography and history of The Who, as the final album with the rock quartet’s original drummer—the irreplaceable Keith Moon. Within a month of its original release in August of 1978, the timekeeper had succumbed to an overdose of an alcohol-detox drug. An ill-fated attempt at sobriety leading to his passing, maybe the ultimate irony in the life of Moon the Loon.\u003c\/p\u003e\u003cp\u003eWho Are You, though, contained some eternal light. The title track is both immortal and brilliantly of its contemporary moment—with its percolating synth and drunken, profane retort to the tidal wave of British punk. “Sister Disco,” too, offers a timely eulogy to its own fab fad. Beyond that pair, there are a few glints of Pete Townshend’s insightful songwriting; the deliciously brazen trolling on “New Song,” a winner. Yet it’s bassist John Entwistle, possibly predicting our AI-infected present on “905,” who, this round, one-ups Pete for impressive prognostication. Overall, it’s solid album, if not the wholly representative swan song of Moon’s greatness.\u003c\/p\u003e\u003cp\u003ePerhaps ironically too, while this 4-LP edition (as well, the 7-CD edition does contain a full complement of bonus material with Moon) marks Moon’s final statement with this nicely remastered reissue, it softens the loss and forges ahead; three of its four records showcase live performances from 1979, highlighted by the band’s new backbeat, Kenney Jones.\u003c\/p\u003e\u003cp\u003eToo much of the responsibility for The Who’s first retirement- famously following a 1982 “farewell” tour—centered around the notion that Jones was never quite the right fit. Granted, Jones’ in-the-pocket style was much different from Moon’s. Not to mention the two studio albums he recorded with the group—Face Dances and It’s Hard- being less than stunners on the charts or with fans, lending to the dissonance. Add in, over the decades since, singer Roger Daltrey’s public comments and memoir account divulging his dissatisfaction with Jones, and it’s almost confounding to imagine 75% of this box is live artifacts from the “Jones era.”\u003c\/p\u003e\u003cp\u003eHere’s the answer: They’re undeniably that good. And exactly why the self-contained Live USA 1979 trio of vinyl- culled from three concerts on a fall ’79 U.S. tour- is crucial to this collection’s high value. Jones is Formula-One perfect from start to finish- accelerating tempos, locked-in to the hairpin bass runs of Entwistle, meeting Townshend’s electric ferocity, and holding firm beneath Daltrey’s full-throated command. Anyone who thought The Who was lost or less-than after Moon’s demise needs to listen to this. If ever there was a time to re-evaluate who are The Who after the Moon went dark, it is now, with this undeniably resilient, robust rock-and-roll reinvention.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/01\/04\/the-who-who-are-you-4-lp-deluxe-vinyl-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased just weeks before Keith Moon's death in September 1978, *Who Are You* carries a weight that no reissue can fully resolve, only deepen. Moon appears on the cover sitting in a chair labeled \"Not to be taken away,\" an image that became one of rock's most haunting accidental epitaphs. Steven Wilson's involvement in the remix brings the same meticulous care he's applied to classic rock archives from Yes to Jethro Tull, making this expanded set essential for anyone serious about how this band actually sounded in their final months with their original lineup.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Who's eighth studio album, is to be released in a suite of formats including a super deluxe edition, this October featuring over 70 unreleased tracks including never before heard versions of the title track WHO ARE YOU, newly mixed live tracks from their first tour without original drummer Keith Moon, and candid recordings of the band rehearsing in 1977 and 1978. Also included in the 7CD\/1 Blu-ray set are brand-new Atmos \u0026amp; Stereo mixes by Steven Wilson. The album will also be released as a deluxe 4LP box set, a 2CD deluxe edition.\u003c\/p\u003e\u003cp\u003eInitially released in August 1978, WHO ARE YOU marked a significant chapter in The Who's career while a commercial triumph, peaking at No. 2 on the US Billboard 200 and achieving double platinum status and No. 6 on the UK Albums Chart, it was also tragically the last album to feature legendary drummer Keith Moon, who died a week after its release.\u003c\/p\u003e\u003cp\u003eThe album saw the band pushing boundaries once more, with the songs referencing the incoming influence of British Punk. Most notably, the title track was written after a night out with Steve Jones \u0026amp; Paul Cook of The Sex Pistols, and it reflected the sentiments of Music Must Change and Sister Disco. Pete Townshend also delivered some of his most ambitious and intricate arrangements, incorporating layers of synthesizers and strings into The Who's powerful backing tracks.\u003c\/p\u003e\u003cp\u003eTitle track WHO ARE YOU preceded the album in early July 78 and became an instant anthem and has remained in the band's set list to this day. Aided by its appearance in the CSI TV franchise in the early 2000s it is one of the band's most streamed tracks.\u003c\/p\u003e\u003cp\u003eThe initial sessions for the album took place at the band's Ramport Studios, produced by Glyn Johns and Jon Astley. However, the recording process was fraught with challenges and creative tensions. The Who Are You Super Deluxe Edition finally tells the whole story, featuring, for the first time, the rejected original Glyn Johns mix of the album, a newly remastered version of the released Jon Astley mix and fly on the wall rehearsal sessions from Shepperton Studios, which the band owned at the time, and a wealth of unreleased material including demos, alternate takes and in the case of standout track Sister Disco, a previously 'lost' guitar solo rescued from the multi-track tapes by Steven Wilson.\u003c\/p\u003e\u003cp\u003eIn 1978, the album was seen as a return to form for The Who, and anticipation for a tour to support the album was high. Sadly, the death of Keith Moon on 23rd August put paid to any such plans. The band introduced their new drummer, Kenney Jones, formerly of The Faces and The Small Faces, in May 1979, along with new keyboard player John' Rabbit' Bundrick. One of the many highlights of the super deluxe edition is the newly mixed live tapes from the US leg of the 1979 tour, capturing The Who's explosive new lineup in full flight with tracks from the album coming to life onstage with a renewed energy. The band sustained that energy into the new decade with the epic The Kids Are Alright film project, the Quadrophenia movie, and the multi-platinum Face Dances album in 1981.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eCD 1\u003c\/h4\u003e\n\u003cdiv\u003e1. New Song (4:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Had Enough (4:30)\u003c\/div\u003e\n\u003cdiv\u003e3. 905 (3:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Sister Disco (4:24)\u003c\/div\u003e\n\u003cdiv\u003e5. Music Must Change (4:39)\u003c\/div\u003e\n\u003cdiv\u003e6. Trick Of The Light (4:27)\u003c\/div\u003e\n\u003cdiv\u003e7. Guitar And Pen (5:48)\u003c\/div\u003e\n\u003cdiv\u003e8. Love Is Coming Down (4:01)\u003c\/div\u003e\n\u003cdiv\u003e9. Who Are You (6:25)\u003c\/div\u003e\n\u003ch4\u003eCD 2\u003c\/h4\u003e\n\u003cdiv\u003e1. New Song (Glyn Johns Mix) (4:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Had Enough (Glyn Johns Mix) (4:29)\u003c\/div\u003e\n\u003cdiv\u003e3. 905 (Glyn Johns Mix) (3:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Sister Disco (Glyn Johns Mix) (4:22)\u003c\/div\u003e\n\u003cdiv\u003e5. Trick Of The Light (Glyn Johns Mix) (4:31)\u003c\/div\u003e\n\u003cdiv\u003e6. Guitar And Pen (Glyn Johns Mix) (6:00)\u003c\/div\u003e\n\u003cdiv\u003e7. Who Are You (Glyn Johns Mix) (6:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Trick Of The Light (Glyn Johns Single B-Side Mix) (4:28)\u003c\/div\u003e\n\u003cdiv\u003e9. Guitar And Pen (Glyn Johns Alternative Mix) (6:01)\u003c\/div\u003e\n\u003cdiv\u003e10. Who Are You (Glyn Johns Single Edit Mix) (5:07)\u003c\/div\u003e\n\u003cdiv\u003e11. New Song (Pete's Guide Vocal) (4:20)\u003c\/div\u003e\n\u003cdiv\u003e12. Sister Disco (Lost Guitar Mix) (4:23)\u003c\/div\u003e\n\u003cdiv\u003e13. Had Enough (Without Orchestra) (4:32)\u003c\/div\u003e\n\u003cdiv\u003e14. Guitar And Pen (Pete's Guide Vocal) (6:08)\u003c\/div\u003e\n\u003cdiv\u003e15. Love Is Coming Down (Without Orchestra) (3:59)\u003c\/div\u003e\n\u003cdiv\u003e16. Who Are You (Early Run Through With Pete's Guide Vocal) (6:15)\u003c\/div\u003e\n\u003ch4\u003eCD 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Who Are You (Lost Verse Mix) (6:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Guitar And Pen (Olympic 78 Mix) (6:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Love Is Coming Down (Early Run Through) (4:42)\u003c\/div\u003e\n\u003cdiv\u003e4. Empty Glass (Session Out Take) (6:19)\u003c\/div\u003e\n\u003cdiv\u003e5. No Road Romance (Session Out Take) (5:01)\u003c\/div\u003e\n\u003cdiv\u003e6. Trick Of The Light (Unused Olympic Edit) (3:47)\u003c\/div\u003e\n\u003cdiv\u003e7. Who Are You (Clean Radio Edit) (4:16)\u003c\/div\u003e\n\u003cdiv\u003e8. 905 (John Entwistle Demo) (4:06)\u003c\/div\u003e\n\u003cdiv\u003e9. Had Enough (John Entwistle Demo) (4:27)\u003c\/div\u003e\n\u003cdiv\u003e10. Back On The Road (John Entwistle Demo) (3:54)\u003c\/div\u003e\n\u003cdiv\u003e11. Wild Horses (John Entwistle Demo) (4:35)\u003c\/div\u003e\n\u003cdiv\u003e12. Trick Of The Light (John Entwistle Demo) (5:02)\u003c\/div\u003e\n\u003cdiv\u003e13. Good Time Coming (John Entwistle Demo) (4:35)\u003c\/div\u003e\n\u003cdiv\u003e14. Who Are You (John And Cyrano's Mix From The Kids Are Alright) (6:36)\u003c\/div\u003e\n\u003ch4\u003eCD 4\u003c\/h4\u003e\n\u003cdiv\u003e1. Who Are You (Live Try-out) (4:31)\u003c\/div\u003e\n\u003cdiv\u003e2. The Kids Are Alright (Tour Rehearsal) (4:57)\u003c\/div\u003e\n\u003cdiv\u003e3. Run Run Run (Tour Rehearsal) (2:15)\u003c\/div\u003e\n\u003cdiv\u003e4. Spoonful \/ Smokestack Lightning (Tour Rehearsal) (2:35)\u003c\/div\u003e\n\u003cdiv\u003e5. I Saw Her Standing There (Tour Rehearsal) (2:55)\u003c\/div\u003e\n\u003cdiv\u003e6. Jam (Tour Rehearsal) (2:26)\u003c\/div\u003e\n\u003cdiv\u003e7. Who Are You (Knocking It Into Shape 1) (6:30)\u003c\/div\u003e\n\u003cdiv\u003e8. Who Are You (Knocking It Into Shape 2) (6:54)\u003c\/div\u003e\n\u003cdiv\u003e9. Baba O'Riley (Tour Rehearsal) (5:18)\u003c\/div\u003e\n\u003cdiv\u003e10. Shaking All Over (Tour Rehearsal) (3:02)\u003c\/div\u003e\n\u003cdiv\u003e11. Bell Boy (Tour Rehearsal) (5:33)\u003c\/div\u003e\n\u003cdiv\u003e12. Won't Get Fooled Again (Tour Rehearsal) (7:42)\u003c\/div\u003e\n\u003cdiv\u003e13. Barbara Ann (Tour Rehearsal) (2:43)\u003c\/div\u003e\n\u003cdiv\u003e14. I Saw Her Standing There 2 (Tour Rehearsal) (3:30)\u003c\/div\u003e\n\u003cdiv\u003e15. Drowned (Tour Rehearsal) (8:30)\u003c\/div\u003e\n\u003ch4\u003eCD 5\u003c\/h4\u003e\n\u003cdiv\u003e1. Baba O'Riley (6:42)\u003c\/div\u003e\n\u003cdiv\u003e2. My Wife (6:34)\u003c\/div\u003e\n\u003cdiv\u003e3. My Generation (4:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Join Together (1:55)\u003c\/div\u003e\n\u003cdiv\u003e5. Who Are You (4:27)\u003c\/div\u003e\n\u003cdiv\u003e6. Won't Get Fooled Again (9:37)\u003c\/div\u003e\n\u003cdiv\u003e7. Sister Disco (Tour Rehearsal) (4:42)\u003c\/div\u003e\n\u003cdiv\u003e8. Music Must Change (Tour Rehearsal) (5:30)\u003c\/div\u003e\n\u003cdiv\u003e9. Won't Get Fooled Again (Long Version \/ Tour Rehearsal) (8:43)\u003c\/div\u003e\n\u003cdiv\u003e10. Who Are You (Tour Rehearsal) (6:30)\u003c\/div\u003e\n\u003ch4\u003eCD 6\u003c\/h4\u003e\n\u003cdiv\u003e1. Substitute (Live) (3:29)\u003c\/div\u003e\n\u003cdiv\u003e2. I Can't Explain (Live) (3:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Baba O'Riley (Live) (6:32)\u003c\/div\u003e\n\u003cdiv\u003e4. The Punk And The Godfather (Live) (5:05)\u003c\/div\u003e\n\u003cdiv\u003e5. Boris The Spider (Live) (3:02)\u003c\/div\u003e\n\u003cdiv\u003e6. Sister Disco (Live) (5:22)\u003c\/div\u003e\n\u003cdiv\u003e7. Behind Blue Eyes (Live) (4:09)\u003c\/div\u003e\n\u003cdiv\u003e8. Music Must Change (Live) (8:19)\u003c\/div\u003e\n\u003cdiv\u003e9. Drowned (Live) (9:50)\u003c\/div\u003e\n\u003cdiv\u003e10. Who Are You (Live) (6:48)\u003c\/div\u003e\n\u003cdiv\u003e11. 5.15 (Live) (5:27)\u003c\/div\u003e\n\u003cdiv\u003e12. Pinball Wizard (Live) (3:38)\u003c\/div\u003e\n\u003cdiv\u003e13. See Me, Feel Me (Live) (5:58)\u003c\/div\u003e\n\u003ch4\u003eCD 7\u003c\/h4\u003e\n\u003cdiv\u003e1. Long Live Rock (Live) (4:58)\u003c\/div\u003e\n\u003cdiv\u003e2. My Generation (Live) (4:29)\u003c\/div\u003e\n\u003cdiv\u003e3. I Can See For Miles (Live) (5:29)\u003c\/div\u003e\n\u003cdiv\u003e4. Trick Of The Light (Live) (4:54)\u003c\/div\u003e\n\u003cdiv\u003e5. Sparks (Live) (5:32)\u003c\/div\u003e\n\u003cdiv\u003e6. Won't Get Fooled Again (Live) (10:28)\u003c\/div\u003e\n\u003cdiv\u003e7. Jam \/ Take A Fool Like You (Live) (5:16)\u003c\/div\u003e\n\u003cdiv\u003e8. How Can You Do It Alone (Live) (6:28)\u003c\/div\u003e\n\u003cdiv\u003e9. Magic Bus (Live) (6:50)\u003c\/div\u003e\n\u003cdiv\u003e10. Summertime (Live) (3:42)\u003c\/div\u003e\n\u003cdiv\u003e11. Dancing In The Street \/ Dancing Away (Live) (8:19)\u003c\/div\u003e\n\u003cdiv\u003e12. Real Me (Live) (5:21)\u003c\/div\u003e\n\u003ch4\u003eBlu-ray\u003c\/h4\u003e\n\u003cdiv\u003e1. New Song\u003c\/div\u003e\n\u003cdiv\u003e2. Had Enough\u003c\/div\u003e\n\u003cdiv\u003e3. 905\u003c\/div\u003e\n\u003cdiv\u003e4. Sister Disco\u003c\/div\u003e\n\u003cdiv\u003e5. Music Must Change\u003c\/div\u003e\n\u003cdiv\u003e6. Trick Of The Light\u003c\/div\u003e\n\u003cdiv\u003e7. Guitar And Pen\u003c\/div\u003e\n\u003cdiv\u003e8. Love Is Coming Down\u003c\/div\u003e\n\u003cdiv\u003e9. Who Are You\u003c\/div\u003e\n\u003cdiv\u003e10. New Song\u003c\/div\u003e\n\u003cdiv\u003e11. Had Enough\u003c\/div\u003e\n\u003cdiv\u003e12. 905\u003c\/div\u003e\n\u003cdiv\u003e13. Sister Disco\u003c\/div\u003e\n\u003cdiv\u003e14. Music Must Change\u003c\/div\u003e\n\u003cdiv\u003e15. Trick Of The Light\u003c\/div\u003e\n\u003cdiv\u003e16. Guitar And Pen\u003c\/div\u003e\n\u003cdiv\u003e17. Love Is Coming Down\u003c\/div\u003e\n\u003cdiv\u003e18. Who Are You\u003c\/div\u003e\n\u003cdiv\u003e19. Guitar And Pen (Pete Vox)\u003c\/div\u003e\n\u003cdiv\u003e20. Love Is Coming Down (Alternate Take)\u003c\/div\u003e\n\u003cdiv\u003e21. Who Are You (Lost Verse Mix)\u003c\/div\u003e\n\u003cdiv\u003e22. New Song (Pete Vox)\u003c\/div\u003e\n\u003cdiv\u003e23. Love Is Coming Down (Orchestra Free)\u003c\/div\u003e\n\u003cdiv\u003e24. Had Enough (Orchestra Free)\u003c\/div\u003e\n\u003cdiv\u003e25. Who Are You (Alternate Take, Pete Vox)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602448864871\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Geffen Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.31.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271244820635,"sku":"18555125","price":134.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/whoareu7cdblu-rayA.jpg?v=1776801799"},{"product_id":"phish-new-years-eve-1993-live-at-worcester-centrum-seaweed-water-180g-vinyl-deluxe-box-set","title":"Phish – New Year's Eve 1993, Live at Worcester Centrum (5-LP Vinyl Deluxe Box Set)","description":"\u003ch3\u003e\u003c\/h3\u003e\n\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eWhen a setlist is framed on Phish's Hall of Fame, it's often the wall's didactic plaque next to it that got it there. Thus, while Phish's latest archival box set, New Year's Eve 1993 Live at Worcester Centrum, is a vibrant affair that's crackling with energy from the jump, the night itself holds a seminal place in Phish history that extends beyond the musical delivery. It's that added element that makes this release something more than just enjoyable. It makes it important.\u003c\/p\u003e\u003cp\u003eFor those who were inside the building, so many years ago, it's a keepsake--a long-overdue professional recording from a time well before Live Phish offered every note for on-demand streaming. For everyone else, it's a window into a storied night that bridged the band's incubation decade with everything that followed.\u003c\/p\u003e\u003cp\u003ePhish's previous New Year's Eve show, in Boston '92, signaled their theatrical ambitions and appetite for holiday spectacles. But it was here in Worcester, one year later, where they finally had the budget and the production ability to unleash their first true arena rock extravaganza. The stage appeared to be a giant aquarium, with make-believe fish swimming around above the band's heads, and a giant clam in the middle. Shortly before midnight, the band members descended from the ceiling in wetsuits, pretending to dive down and swim to the clam, which they climbed inside just in time for the countdown. The clam ascended, and kind of exploded at midnight as the band reemerged on the stage for \"Auld Lang Syne.\" It remains one of Phish's most-loved--and truest to form--gags of all time.\u003c\/p\u003e\u003cp\u003eIt is also instructive to remember that this was their biggest headline performance to that point. There was an energy there, both on stage and in the house. You can hear it on your speakers all these years later.\u003c\/p\u003e\u003cp\u003eBy New Year's Eve '93, Phish had already piled high countless nights of wildly experimental long-form jams, thematic excursions, and adventurous segues. This night was more from the Amy's Farm or Arrowhead Ranch column--an exhibition of the best that Phish had to offer, spoonful samplings of all 31 flavors, delivered with punch after punch after punch, superhuman accuracy, and uncanny group-mind delivery--all performed from inside an absurdly fantastic arena-sized fish-tank fantasy.\u003c\/p\u003e\u003cp\u003ePhish's defining humor, in which you weren't quite sure if they were making fun of arena rock tropes or living inside them, was happily pervasive as well, obviously with the gag itself but also interspersed throughout the musical program. Drummer Jon Fishman showboated his way through Neil Diamond's \"Cracklin' Rosie,\" the band transformed into a barbershop quartet for \"I Didn't Know,\" and they paid tribute to the recently deceased Frank Zappa by weaving the melody to Zappa's \"Peaches En Regalia\" into multiple songs throughout the night. (That's in addition to a proper full rendition--their third in the four-night run.)\u003c\/p\u003e\u003cp\u003ePerformance-based highlights include an appropriately frenetic \"Run Like an Antelope,\" a firehose rendition of \"Tweezer,\" a characteristically caustic \"Stash,\" and soaring, inspirational takes on \"Reba\" and \"Harry Hood.\" And then there's the extracted \"Down with Disease Jam,\" performed moments after midnight and four months before the song's actual debut, as if the band used the first minutes of the new year to telescopically preview the future.\u003c\/p\u003e\u003cp\u003eThe timestamps are a betrayal of faith--there aren't any 20-plus minute \"Type II\" expeditions and most of the night's many moments of improvisational genius are hidden to the untrained Phish ear. But the four band members move as one through twists, through turns, around sideways glances, straight on to full-steam-ahead adorned with cascades that electrified the arena in such a way that remains tangible and perceptible, 32 years later. The unified ecstatic joy shared between band and audience transmits through this music into your headphones, car stereo, or living room, wherever you end up listening to it.\u003c\/p\u003e\u003cp\u003eNow that this historic Phish all-timer has been taken out of the box and released for all to experience: Attn: Rock N Roll Hall of Fame voting body--presenting you with Exhibit A.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Benjy Eisen, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/phish-new-years-eve-1993-live-at-worcester-centrum\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWorcester Centrum on December 31, 1993 landed right as Phish was crossing from cult phenomenon to something much larger, with ticket demand that year making it clear the band had outgrown the theaters and ballrooms that had been their natural habitat. Hoist would arrive just weeks later in March 1994, meaning the new material debuted here was fresh off the tape from sessions with producer Paul Fox, giving the crowd previews of where the band was headed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003ePhish's first show at Worcester Centrum, a 14,800-capacity hockey arena, was their fifth annual New Year’s Eve show. The band added new sounds to their sonic palette that year and spent the fall recording their fifth studio album, Hoist, so they we armed with a fresh batch of sounds and material. The show was sold out. This box set captures Phish at a crossroads of their career in their biggest New year's Eve show at the time, perfoming 30 tunes over the course of 3-sets in Massachusettes.\u003c\/p\u003e\n\u003cp\u003e180g Seaweed + Water Vinyl Pressing on 5-LPs\u003cbr\u003eHoused In A Deluxe Lift-Off Box Set with A \"Cut Out\" Phish Aquarium Set Included\u003c\/p\u003e\n\u003cp\u003e30 Complete Tracks Recorded + Mixed From Band's Original 2-inch 24-track Reels\u003c\/p\u003e\n\u003cp\u003eVinyl Laquers Cut By Chris Bellman at Bernie Grundman Mastering\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Llama (5:15)\u003cbr\u003eA2. Guelah Papyrus (6:13)\u003cbr\u003eA3. Stash (9:49)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Ginseng Sullivan (4:32)\u003cbr\u003eB2. Reba (13:35)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Peaches En Regalia (3:10)\u003cbr\u003eC2. I Didn't Know (3:07)\u003cbr\u003eC3. Run Like An Antelope (10:11)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Tweezer (12:46)\u003cbr\u003eD2. Halley’s Comet (5:10)\u003cbr\u003eD3. Poor Heart (2:17)\u003c\/p\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cp\u003eE1. It’s Ice (8:42)\u003cbr\u003eE2. Fee (5:30)\u003c\/p\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cp\u003eF1. Possum (12:54)\u003cbr\u003eF2. Lawn Boy (2:56)\u003c\/p\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cp\u003eG1. You Enjoy Myself (22:29)\u003cbr\u003eG2. Phish Aquarium (3:35)\u003c\/p\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cp\u003eH1. Phish Aquarium (cont’d) (11:05)\u003cbr\u003eH2. Auld Lang Syne (1:33)\u003cbr\u003eH3. Down With Disease Jam (3:39)\u003cbr\u003eH4. Split Open and Melt (10:08)\u003c\/p\u003e\n\u003ch4\u003eSide I\u003c\/h4\u003e\n\u003cp\u003eI1. The Lizards (10:02)\u003cbr\u003eI2. Sparkle (3:55)\u003cbr\u003eI3. Suzy Greenberg (6:28)\u003cbr\u003eI4. Hold Your Head Up (4:29)\u003cbr\u003eI5. Cracklin’ Rosie (3:42)\u003cbr\u003eI6. Hold Your Head Up (0:43)\u003c\/p\u003e\n\u003ch4\u003eSide J\u003c\/h4\u003e\n\u003cp\u003eJ1. Harry Hood (13:22)\u003cbr\u003eJ2. Tweezer Reprise (4:26)\u003cbr\u003eJ3. Golgi Apparatus (6:30)\u003cbr\u003eJ4. Amazing Grace (2:32)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850014859626\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Jemp Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271246622875,"sku":"93787969","price":199.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Phish-New-Years-Eve-1993-Live-at-Worcester-Centrum-5-LP-Vinyl-Deluxe-Box-Set.webp?v=1775824774"},{"product_id":"angine-de-poitrine-vol-ii-black-lp-vinyl","title":"Angine De Poitrine – Vol. II (Black LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\n\u003cp\u003eBy now, most of us recognize the Internet to be a vast wasteland of AI slop and political ragebait. But once in a while, something peaks out from the depths to remind us that the internet is also how we find weird new music. Quebec duo Angine de Poitrine are that reminder. In early 2026, the band's performance for KEXP went viral on YouTube – two figures dressed in all polka dots, wearing papier-mâché masks, playing hyper-complex yet freakishly fun microtonal math rock. Two months later, Angine de Poitrine dropped their second album, Vol. II, proof that Internet hype isn't just smoke and mirrors.\u003c\/p\u003e\n\u003cp\u003eThe six-track LP is a whirlwind: furious, virtuosic guitar and head-bashing percussion so locked-in that you'll actually question if these weirdos are human at all. The schtick is solid, two childhood friends now go by Khn and Klek de Poitrine and look like they stepped out of an acid trip. The music matches the mayhem, but you don't need to see the costumes or read their cosmic backstory to enjoy Vol. II. The easiest reference point is King Gizzard \u0026amp; the Lizard Wizard's beloved 2017 album Flying Microtonal Banana, which Vol. II somehow surpasses in fuzzed-out grooves. Khn plays both guitar and bass, looping short, complex and catchy riffs while Klek's drums flip each pattern on its head. These tunes build up, shift, expand, explode and start to climb again, somehow totally unpredictable each time.\u003c\/p\u003e\n\u003cp\u003eAngine de Poitrine are likely laughing to themselves that this whole thing has truly taken off. But no matter if this is a joke or not, Vol. II is a wildly good time, rock-n-roll meant to be blasted loud, here to help you get out of your head and shake loose whatever's holding you back.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e— Justin Jacobs, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/angine-de-poitrine-vol-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"relix-editorial\"\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eThe 2nd album from time-traveling duo Angine de Poitrine. With Vol. II, a dense, no-frills, high-impact record, the “Poitrine brothers” push their sound even further, with sharper dynamics, stranger structures, and a sense of humor that reveals itself only if you’re paying attention. The recipe still revolves around the same three ingredients: acid techno, disco, and rock. Available widely on vinyl for the first time. 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Six tracks into their debut, the duo's microtonal guitar work and locked-in rhythms feel less like songwriting and more like transmission, the kind of thing that spreads through word of mouth long before it hits shelves. Vol. I is that rare first record that sounds like it already has a devoted cult waiting for it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eChanneling the spirit of Earth’s greatest rockstars, time-traveling duo Angine de Poitrine are endlessly fascinated by hot dogs, pyramids, and the sheer grandeur of rock music. With driving drum grooves and intricately layered microtonal guitars, Klek and Khn de Poitrine conjure hypnotic sonic and visual vortices. Their KEXP session has racked up millions of views while tours have sold out in seconds. Debut album. Widely available for the first time.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eA Sherpa\u003c\/li\u003e\n\u003cli\u003eA Tohogd\u003c\/li\u003e\n\u003cli\u003eA Tamebsz\u003c\/li\u003e\n\u003cli\u003eB Ababa Hotel\u003c\/li\u003e\n\u003cli\u003eB Sahardnieh\u003c\/li\u003e\n\u003cli\u003eB L’Aberek\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882700010\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48314515882139,"sku":"156323188","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/image_42_3.jpg?v=1776176890"},{"product_id":"pink-floyd-wish-you-were-here-50th-anniversary-deluxe-boxset-lp-vinyl","title":"Pink Floyd – Wish You Were Here (5-LP Viny + 2-CD + Blu-ray)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1975, Wish You Were Here arrived in the long shadow of The Dark Side of the Moon, and its central meditation on absence, largely inspired by Syd Barrett's tragic departure from the band, gave it an emotional weight that fans have carried for five decades. Mike Millard's legendary bootleg recordings, long traded among collectors, finally get the archival treatment they deserve here, making this the definitive document of where Pink Floyd stood at that precise, complicated moment.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWish You Were Here 50 gives fans an exciting new perspective into one of Pink Floyd's most iconic and best-loved records. This 50th anniversary edition features rarities and live recordings - at the core of this special collection are six previously unreleased alternate versions and demos presenting Pink Floyd's eighth studio album in a brand-new way that demands repeat listening.\u003c\/p\u003e\u003cp\u003eThis Blu-ray includes a Dolby Atmos mix of the album for the first time by James Guthrie, plus 25 bonus tracks made up of nine studio rarities, and 16 live recordings captured by the renowned bootlegger Mike Millard at Pink Floyd's Los Angeles Sports Arena concert on April 26th, 1975, now receiving its first official release. The live audio has been meticulously restored and remastered by Steven Wilson. The Blu-ray also gives fans the chance to see three concert screen films from the band's 1975 tour, plus a Storm Thorgerson short film.\u003c\/p\u003e\u003ch3\u003eFEATURES:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eContains the original 1975 5-track album + 25 bonus tracks\u003c\/li\u003e\n\u003cli\u003eBonus tracks consist of:\u003c\/li\u003e\n\u003cli\u003e9 studio rarities\u003c\/li\u003e\n\u003cli\u003e6 of which have never before been released in any way\u003c\/li\u003e\n\u003cli\u003e4 of these newly mixed by James Guthrie, 2 are original studio mixes\u003c\/li\u003e\n\u003cli\u003e16 live bootleg tracks\u003c\/li\u003e\n\u003cli\u003eFull show, recorded live at the Los Angeles Sports Arena, April 26, 1975\u003c\/li\u003e\n\u003cli\u003eIf Pink Floyd ever decides to create a Bootleg Series, they should get their hands on Millard's master tapes - starting with this 1975 Los Angeles gig.  It's the band at the peak of their abilities as a live act and deserves to be heard as widely as possible. - Rolling Stone, 2021\u003c\/li\u003e\n\u003cli\u003eRecorded by Mike Millard\u003c\/li\u003e\n\u003cli\u003eRestoration and remastering by Steven Wilson\u003c\/li\u003e\n\u003cli\u003eLength of live concert:  2:13:53\u003c\/li\u003e\n\u003cli\u003eVIDEO:  3 concert screen films from the 1975 tour + a Storm Thorgerson short film\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePINK FLOYD \/ WISH YOU WERE HERE    (VINYL LP)\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Shine On You Crazy Diamond (Pts. 1-5)\u003c\/div\u003e\n\u003cdiv\u003e2. Welcome To The Machine\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Have A Cigar\u003c\/div\u003e\n\u003cdiv\u003e2. Wish You Were 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The inclusion of \"Now And Then\" alongside the Anthology-era singles means this set spans the full arc of the band's recorded legacy, from the early Parlophone sessions through to 2023.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eAnthology 4 - \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eTriple LP. The new volume from The Beatles \u003ci\u003eAnthology Collection.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eAnthology 4\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, is newly curated by Giles Martin, including 13 \u003c\/span\u003epreviously-unreleased session outtakes\u003cspan\u003e dating from 1963 to 1969. 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Simpson's decision to open a letter to his newborn son with a Nirvana cover tells you everything about his approach: reverent toward tradition, restless with it at the same time, and utterly uninterested in playing it safe.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSturgill Simpson - A Sailor's Guide to Earth \/ Produced by Simpson, A Sailor's Guide To Earth was written-beginning to end-as a letter to his first child who arrived during the summer of 2014 and features eight original songs as well as a rendition of Nirvana's \"In Bloom.\" Recorded primarily at Nashville's The Butcher Shoppe, Simpson was joined in the studio by Grammy Award-winning engineer David Ferguson (Johnny Cash, John Prine, \"Cowboy\" Jack Clement) and assistant engineer Sean Sullivan. 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The festival's financial collapse after that inaugural 1982 weekend was ultimately rescued by a Genesis reunion concert, a sacrifice Gabriel made to keep the organization afloat. What you hear on these two records is the performance that started it all, captured before anyone knew how much was riding on it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIt was a simple idea; to create a festival out of all the brilliant music and art made all over the world, stuff made outside of the mainstream – music that wasn’t getting on the radio and was even harder to find in record stores…\u003c\/p\u003e\u003cp\u003e… the very first WOMAD Festival took place at the 240-acre Bath and West Showground, Somerset over the weekend of 16–18 July, 1982. With the dream ‘not to sprinkle world music around a rock festival, but to prove that these great artists could be headliners in their own right’, the three days and five stages played host to 60 bands from over 20 countries; a line-up that included The Drummers of Burundi, Pigbag, Salsa de Hoy, Simple Minds, Musicians of the Nile, Echo and the Bunnymen, Prince Nico Mbarga, Rip, Rig and Panic, The Beat and many more…\u003c\/p\u003e\u003cp\u003e“I remember this gig well,” says Peter Gabriel. “We played a mix of old and brand-new material. I would normally be very nervous about playing some of this stuff for the first time, however my mind was very preoccupied with the running of our very first WOMAD festival and the potential financial disaster that it was heading towards.\u003c\/p\u003e\u003cp\u003eBecause WOMAD was unique in its focus on music and art from around the world, and mixing it with up with rock and jazz, no-one knew how many people might turn up and we had seriously overestimated our appeal. But those that had decided to check out WOMAD and its weird and wonderful lineup were open-minded, bold and curious - a great audience.\u003c\/p\u003e\u003cp\u003eIt was a landmark and edgy gig for me both personally and musically and brings back lots of memories.”\u003c\/p\u003e\u003cp\u003eAcross the three days ‘an evening concert series’ took place in the Showering Pavilion on the festival site. On the Friday night that concert featured Tian Jin (a song and dance troupe from China), Simple Minds and, with a ‘special festival set of non-album material’, Peter Gabriel.\u003c\/p\u003e\u003cp\u003eLive at WOMAD 1982 is a recording of that Friday night concert. The non-album material in question are seven of the eight songs that would make up the album Peter Gabriel 4. An album that wouldn’t be released for a further two months.\u003c\/p\u003e\u003cp\u003eOn-stage, Peter is joined by David Rhodes (guitar), John Giblin (bass), Larry Fast (synthesisers). Jerry Marotta (drums), Peter Hammill (guitar, vocals) and “the wonderful Bristol-based drum and dance group,” Ekomé (drums, percussion).\u003c\/p\u003e\u003cp\u003e“We wanted to show that wherever you were born, whatever colour or language, whatever religious or sexual persuasion, powerful passionate and joyful work would have a warm welcome in WOMAD.\u003c\/p\u003e\u003cp\u003eAt the beginning, most music industry professionals told us that we had no chance of making this dream work, we had all the wonderful naïve misguided optimism of the young, and were convinced that we would prove all the cynics wrong. 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More than just a live album, Live at WOMAD 1982 is a pivotal moment, available now on CD and LP for the very first time.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. San Jacinto\u003c\/div\u003e\n\u003cdiv\u003e2. The Family And The Fishing Net\u003c\/div\u003e\n\u003cdiv\u003e3. I Have The Touch\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Lay Your Hands On Me\u003c\/div\u003e\n\u003cdiv\u003e2. Shock The Monkey\u003c\/div\u003e\n\u003cdiv\u003e3. I Go Swimming\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. The Rhythm Of The Heat\u003c\/div\u003e\n\u003cdiv\u003e2. Kiss Of Life\u003c\/div\u003e\n\u003cdiv\u003e3. Biko\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 884108018293\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Real World Prod. 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The release brings the 'Dusters' diverse musical vision into laser focus as they skip across newgrass, traditional bluegrass and gospel music and stick to their core implements with the exception of adding harmonica to \"Hard Times Ain't that Hard Anymore.\"\u003c\/p\u003e\n\u003cp\u003eBracketed by \"Working Man Blues,\" a modern update of a long-running bluegrass\/country tradition, and the instrumental \"Live Rosin,\" _20\/20_ gives the five 'Dusters—fiddler Jeremy Garrett, guitarist Andy Falco, Dobroist Andy Hall, banjoist Chris Pandolfi and bassist Travis Book—plenty of time and space to show off their undiminished instrumental and vocal prowess.\u003c\/p\u003e\n\u003cp\u003eAs they settle into early-middle age, the musicians ponder mortality on \"Dead Man Walking,\" the hard edges time can leave on \"The Way that I Was\" and the bitch's payback on \"Karma's Got Your Number\", which borrow its melody from \"I am a Man of Constant Sorrow.\" And while the themes are at times draped in existential dread, the music remains joyful while hope rises from the a cappella \"Gospel 32 (Let Him Move)\" and the balladic \"Up from the Bottom.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/03\/15\/the-infamous-stringdusters-20-20\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTwo decades in, the Stringdusters remain one of the most restlessly creative bands in acoustic music, having built their reputation through relentless touring and a willingness to push bluegrass instrumentation into places traditionalists never imagined. Twenty albums is a milestone few bands in any genre reach with their artistic edge intact, and this triple-LP format gives the music the room it deserves.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eThe 20th studio album from GRAMMYr Award-winning, International Bluegrass Music Association Award-winning, Billboard Chart-topping, and celebrated progressive Bluegrass band. 2xLP Black Vinyl in Gatefold Jacket.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Woking Man Blues (2:37)\u003c\/div\u003e\n\u003cdiv\u003e2. Dead Man Walking (4:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Holding On To You (3:54)\u003c\/div\u003e\n\u003cdiv\u003e4. Light At The End Of The Day (3:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Up From The Bottom (3:31)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Wounds Dont Take To Healing (3:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Dry Spot In The Rain (3:47)\u003c\/div\u003e\n\u003cdiv\u003e3. To The End Of the Line (3:27)\u003c\/div\u003e\n\u003cdiv\u003e4. Karma's Got Your Number (4:21)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Gospel 32 (Let Him Move) (2:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Looking For Something Good (2:57)\u003c\/div\u003e\n\u003cdiv\u003e3. Longclaw (4:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Dancing On The Moon (2:42)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. The Way That I Was (3:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Life Moves On (3:25)\u003c\/div\u003e\n\u003cdiv\u003e3. Hard Times Ain't That Hard Anymore (3:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Hit The Nail On The Head (3:07)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. The Voyageur (3:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Burning Me Again (3:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Live Rosin (3:37)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198704553851\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Americana Vibes\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.13.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600489885851,"sku":"75067436","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-infamous-stringdusters-20-20-vinyl-lp-relix.jpg?v=1779229783"},{"product_id":"trey-anastasio-live-acoustic-black-3-lp-vinyl","title":"Trey Anastasio – Live \u0026 Acoustic (Black 3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003ch3\u003eReview\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eTrey Anastasio Live and Acoustic\u003c\/em\u003e may have only been recorded last year, but it was years in the making. While steadily outputting blue-ribbon tunes for Phish’s catalog (“What’s Going Through Your Mind”) and for his namesake band (“All Pretending”), Anastasio has simultaneously been accumulating a quieter, more song-oriented cache to fortify his episodic acoustic tours with songs that appear calibrated for the format—songs like “Lost in the Pack” and “A Little More Time,” both of which hit in some kind of idealized way here.\u003c\/p\u003e\n\u003cp\u003eIn 1999, when Anastasio began distilling Phish classics for solo acoustic guitar (during the opening sets of his first solo tour), it was a novel way for fans to experience and connect with some of Phish’s most beloved compositions. Anastasio reportedly composed some of these with ornate instrumentation—horn sections, orchestras—in his head before retrofitting them for a rock quartet. Their live acoustic deconstruction felt like a special peek behind the curtain, a glimpse inside the kitchen, a look under the hood.\u003c\/p\u003e\n\u003cp\u003eAnastasio has continued to strip some of Phish’s biggest treasures of all their fancy, effect-laden clothing for intimate nights with just his acoustic guitar. But ever since the lonely trip of pandemic times, he’s also been steadily adding to a solo acoustic catalog with songs that purposefully beg for nothing more. Songs that pass the campfire test.\u003c\/p\u003e\n\u003cdiv class=\"gmail-wp-block-columns gmail-is-layout-flex gmail-wp-container-core-columns-is-layout-1 gmail-wp-block-columns-is-layout-flex\"\u003e\n\u003cdiv class=\"gmail-wp-block-column gmail-is-layout-flow gmail-wp-block-column-is-layout-flow\"\u003e\n\u003cp\u003eEven then, reflective of his explorative nature as an artist, Anastasio’s songwriting approach remains tirelessly dynamic, first exploring the craft with different intentions for different destinations, then taking the outcomes cross-platform with him. “Petrichor,” which appears here as an unexpected album highlight, successfully completes just such a journey, having gone from orchestra to quartet to duo with all its grace intact.\u003c\/p\u003e\n\u003cp\u003eFor that one and others that benefit from an extra pair of hands to hold their delicate folds, Anastasio is accompanied by pianist Jeff Tanski, with whom he began collaborating during the pandemic and later during the eight-series “Beacon Jams” livestreams (fall 2020).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eTanski tastefully maintains a supportive role, subtly augmenting intricate presentations of songs like “Divided Sky,” “Billy Breathes,” and “Stash,” while other pearls like “Lifeboy,” “Strange Design” and “Brian and Robert” are left to stand on their own bones, offering fans a direct connection to them and, by proxy, to Anastasio himself.\u003c\/p\u003e\n\u003cp\u003ePhish’s dedicated digital streaming platform, LivePhish released all of the source shows for this compilation immediately after their performance, framing this release as an offering for the wider fanbase that doesn’t have the app or that may not be familiar with Anastasio’s solo acoustic sphere. But given the magic touch of post-production, these curated cuts have never sounded better than they do here. Both sonically and performance-wise,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"Asgive ng\" data-ddnwab-gr=\"OEh_0_0\"\u003eas far as\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ethe live acoustic\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"Asgive ng\" data-ddnwab-gr=\"OEh_1_0\"\u003estuff goes,\u003c\/span\u003e \u003cem\u003eTrey Anastasio Live and Acoustic\u003c\/em\u003e feels less like an introduction and more like a grand showcase.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #404040;\"\u003e\u003cem\u003e-\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #404040;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #404040;\"\u003e\u003cem\u003eBenjy Eisen, \u003cspan style=\"color: #ff2a00;\"\u003e\u003ca rel=\"noopener noreferrer\" style=\"color: #ff2a00;\" href=\"https:\/\/relix.com\/reviews\/detail\/trey-anastasio-trey-anastasio-live-and-acoustic\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eCheck out our announcement post on Relix.com \u003ca href=\"https:\/\/relix.com\/news\/detail\/trey-anastasio-announces-new-acoustic-live-album\/\"\u003ehere\u003c\/a\u003e.\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eMore\u003c\/li\u003e\n\u003cli\u003eA Little More Time\u003c\/li\u003e\n\u003cli\u003eEvolve\u003c\/li\u003e\n\u003cli\u003eLost in the Pack\u003c\/li\u003e\n\u003cli\u003eOblivion\u003c\/li\u003e\n\u003cli\u003eStash\u003c\/li\u003e\n\u003cli\u003eBrian and Robert\u003c\/li\u003e\n\u003cli\u003eHey Stranger\u003c\/li\u003e\n\u003cli\u003eWaste\u003c\/li\u003e\n\u003cli\u003eSnowflakes in the Sand\u003c\/li\u003e\n\u003cli\u003eTaste\u003c\/li\u003e\n\u003cli\u003eMiss You\u003c\/li\u003e\n\u003cli\u003eBilly Breathes\u003c\/li\u003e\n\u003cli\u003eShade\u003c\/li\u003e\n\u003cli\u003ePetrichor\u003c\/li\u003e\n\u003cli\u003eDirt\u003c\/li\u003e\n\u003cli\u003eLifeboy\u003c\/li\u003e\n\u003cli\u003eSecret Smile\u003c\/li\u003e\n\u003cli\u003ePebbles and Marbles\u003c\/li\u003e\n\u003cli\u003eStrange Design\u003c\/li\u003e\n\u003cli\u003eDivided Sky\u003c\/li\u003e\n\u003cli\u003eMercy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 850014859732\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48613304139931,"sku":"201675300","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Trey-Anastasio-Live-Acoustic-Black-3-LP-Vinyl.jpg?v=1779365245"},{"product_id":"sierra-ferrell-sierra-ferrell-live-at-third-man-records-red-opaque-lp-vinyl","title":"Sierra Ferrell – Sierra Ferrell Live At Third Man Records (Red Opaque LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSierra Ferrell built her following the hard way, busking and train-hopping across the country before Nashville caught up with her, and that restless, road-worn energy has always translated best in a live setting. Third Man's direct-to-acetate format, cutting straight to lacquer with no digital safety net, suits her perfectly: it captures the warmth and spontaneity of a performer who learned her craft in front of strangers on street corners.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eStraight from stage to record, no edits, no redos. Sierra Ferrell \u003cem\u003eLive at Third Man Records\u003c\/em\u003e recorded direct-to-acetate at Third Man Records’ Blue Room venue in Nashville on September 22, 2025.\u003cbr\u003e\u003cbr\u003eSierra Ferrell – Live at Third Man Records follows the West Virginia-born artist’s acclaimed 2024 studio album, Trail of Flowers, available now via Rounder Records. Named at #1 on Rolling Stone’s “The Best Country Albums of 2024,” the LP proved a worldwide critical and commercial sensation, winning four GRAMMY® Awards including Best Americana Album, Best Americana Performance and Best American Roots Song (for “American Dreaming”), and Best American Roots Performance (for “Lighthouse”), as well as the 2024 Americana Music Honors \u0026amp; Awards’ Album of the Year (with Ferrell winning “Artist of the Year” in both 2024 and 2025.)\u003cbr\u003e \u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Could Drive You Crazy\u003c\/li\u003e\n\u003cli\u003eI’ll Come Off The Mountain\u003c\/li\u003e\n\u003cli\u003eJeremiah\u003c\/li\u003e\n\u003cli\u003eBells Of Every Chapel\u003c\/li\u003e\n\u003cli\u003eChittlin’ Cookin’ Time In Cheatham County\u003c\/li\u003e\n\u003cli\u003eAmerican Dreaming\u003c\/li\u003e\n\u003cli\u003eRosemary\u003c\/li\u003e\n\u003cli\u003eDollar Bill Bar\u003c\/li\u003e\n\u003cli\u003eFox Hunt\u003c\/li\u003e\n\u003cli\u003eIn Dreams\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 810074425544\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Third Man Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48656356311195,"sku":"111251677","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Sierra-Ferrell-Sierra-Ferrell-Live-At-Third-Man-Records-Red-Opaque-LP-Vinyl.jpg?v=1780142869"},{"product_id":"sublime-until-the-sun-explodes-blue-gray-lp-vinyl","title":"Sublime – Until The Sun Explodes (Blue Gray 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJakob Nowell stepping into the frontman role carries the kind of weight that only deepens when you consider Bradley's legacy, and the Long Beach ska-punk blueprint that Sublime essentially wrote in the early '90s. That this reunion brings in H.R. of Bad Brains and Fletcher Dragge of Pennywise speaks to how deeply that original scene ran, connecting dots between hardcore, reggae, and punk in ways that still reverberate.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eAfter nearly 3 decades, Sublime returns with Until The Sun Explodes, their first full-length album with Jakob Nowell as frontman, arriving June 12 on Atlantic Records. Featuring collaborations with H.R. of Bad Brains, Fletcher Dragge of Pennywise, G Love, and more, the album stays rooted in the band’s classic sound while opening a new chapter.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEnsenada\u003c\/li\u003e\n\u003cli\u003eWizard\u003c\/li\u003e\n\u003cli\u003eCan’t Miss You\u003c\/li\u003e\n\u003cli\u003eBackwards (feat. 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This limited pressing bundles recent standalone releases with new material, giving collectors a proper physical artifact of where the band stands right now.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePrimus return with a brand new song, \"The Ol' Grizz.\" The song travels through high-speed bass riffs, spaced-out arpeggios and double bass drumbeats to create a singular sound that can only be described as Primus. Paired here on this limited edition 12\" with a new cover of \"Holy Diver\" and two songs released as a 7\" last summer: \"Little Lord Fentanyl\" and a live recording of \"Duchess (and the Proverbial Mind Spread)\". Pressed on gold vinyl.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA1         The Ol’ Grizz\u003c\/li\u003e\n\u003cli\u003eA2         Holy Diver (feat. 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These marathon solo sets, some stretching past two hours, drew a devoted downtown New York following and caught the ears of Columbia A\u0026amp;R before most of the world knew his name.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn a cramped club on the lower east side of Manhattan, armed with only an electric guitar, Jeff Buckley stunned audiences with his mysterious, emotionally uncompromising live sets, packed with eclectic covers and his own originals. The four-track Live at Sin-e EP, released in 1993 was his debut release for Columbia Records; here it's expanded in a deluxe hard-shell slipcase housing four individually designed LP jackets and an eight-page, full color booklet of photos and liner notes. The set includes live versions of favorites like \"Grace\", \"Last Goodbye\" and Leonard Cohen's \"Hallelujah.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Be Your Husband\u003c\/div\u003e\n\u003cdiv\u003e2. Lover, You Should've Come Over\u003c\/div\u003e\n\u003cdiv\u003e3. Mojo Pin\u003c\/div\u003e\n\u003cdiv\u003e4. Monologue - Duane Eddy, Songs For Lovers\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Grace\u003c\/div\u003e\n\u003cdiv\u003e2. Monologue - Reverb, The Doors\u003c\/div\u003e\n\u003cdiv\u003e3. Strange Fruit\u003c\/div\u003e\n\u003cdiv\u003e4. Night Flight\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. If You Knew\u003c\/div\u003e\n\u003cdiv\u003e2. Monologue - Fabulous Time For A Guinness\u003c\/div\u003e\n\u003cdiv\u003e3. Unforgiven (Last Goodbye)\u003c\/div\u003e\n\u003cdiv\u003e4. Twelfth Of Never\u003c\/div\u003e\n\u003cdiv\u003e5. Monologue - Café Days\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Monologue - Eternal Life\u003c\/div\u003e\n\u003cdiv\u003e2. Eternal Life\u003c\/div\u003e\n\u003cdiv\u003e3. Just Like A Woman\u003c\/div\u003e\n\u003cdiv\u003e4. Monologue - False Start, Apology, Miles Davis\u003c\/div\u003e\n\u003cdiv\u003e5. Calling You\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Monologue - Nusrat, He's My Elvis\u003c\/div\u003e\n\u003cdiv\u003e2. Yeh Jo Halka Halka Saroor Hai\u003c\/div\u003e\n\u003cdiv\u003e3. Monologue - I'm A Ridiculous Person\u003c\/div\u003e\n\u003cdiv\u003e4. If You See Her, Say Hello\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Monologue - Matt Dillon, Hollies, Classic Rock Radio\u003c\/div\u003e\n\u003cdiv\u003e2. Dink's Song\u003c\/div\u003e\n\u003cdiv\u003e3. Monologue - Musical Chairs\u003c\/div\u003e\n\u003cdiv\u003e4. Drown In My Own Tears\u003c\/div\u003e\n\u003cdiv\u003e5. Monologue - The Suckiest Water\u003c\/div\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cdiv\u003e1. The Way Young Lovers Do\u003c\/div\u003e\n\u003cdiv\u003e2. Monologue - Walk Through Walls\u003c\/div\u003e\n\u003cdiv\u003e3. Je N'en Connais Pas La Fin\u003c\/div\u003e\n\u003cdiv\u003e4. I Shall Be Released\u003c\/div\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cdiv\u003e1. Sweet Thing\u003c\/div\u003e\n\u003cdiv\u003e2. Monologue - Good Night Bill\u003c\/div\u003e\n\u003cdiv\u003e3. Hallelujah\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199584061719\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.13.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669986422939,"sku":"75705503","price":92.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jeff-Buckley-Live-At-Sin-e-4-LP-Vinyl.png?v=1791668708"},{"product_id":"rodrigo-y-gabriela-rodrigo-y-gabriela-with-bonus-disc-re-foc-20th-anniversary-edition-jade-citrus-colored-2-lp-vinyl","title":"Rodrigo Y Gabriela – 20th Anniversary \/ Re-Foc (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTwo Mexican guitarists who honed their chops busking on Grafton Street in Dublin before word spread fast enough to land them festival stages worldwide, Rodrigo y Gabriela built their sound at the intersection of flamenco, metal, and acoustic fingerstyle in a way that felt genuinely unlike anything else happening in the mid-2000s. The Re-Foc sessions captured them before any of that momentum hit, making this anniversary package as much a document of the journey as a celebration of where it led.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis 20th anniversary limited 2xLP edition includes a new vinyl master of the original album plus the band's previously unreleased 2002 debut recording Re-Foc on vinyl for the first time.\u003c\/p\u003e\n\u003cp\u003ePressed on \"jade\" and \"citrus\" colored eco-wax vinyl and includes bonus poster. 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Where their punk counterpart deals in controlled chaos, Mariachi El Bronx channels that same intensity through a tradition rooted in Mexican folk, son, and ranchera, proving the two worlds were never as far apart as they seemed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eAfter a 10 year hiatus, Mariachi El Bronx have dusted off their charro suits again for their fourth album. The band’s unexpected story originally began as the alter ego of punk rock heroes The Bronx. Mariachi El Bronx sought ways to grow creatively while celebrating the Latino culture in their hometown of Los Angeles. 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Smith's catalog, built on fingerpicked guitar, intimate vocal delivery, and a harmonic sophistication that belied its lo-fi origins, translates with surprising grace to Mehldau's lyrical touch.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNonesuch Records releases pianist and composer Brad Mehldau’s Ride into the Sun—a songbook record of music by the late singer, songwriter, and guitarist Elliott Smith. Featured musicians include singer\/guitarist Daniel Rossen (Grizzly Bear); singer\/mandolinist Chris Thile (Punch Brothers, Nickel Creek); bassists Felix Moseholm (Brad Mehldau Trio) and John Davis; drummer Matt Chamberlain (Fiona Apple, Tori Amos, Randy Newman, etc.); and a chamber orchestra led by Dan Coleman.\u003c\/p\u003e\u003cp\u003eRide into the Sun’s ten Elliott Smith songs are complemented by four Mehldau compositions that he says are “inspired by, and reflect, Smith’s oeuvre.” Also included are interpretations of Big Star’s “Thirteen,” which Smith also covered, and “Sunday” by Nick Drake, who Mehldau says, “I look at in some ways as sort of Smith’s visionary godfather.”\u003c\/p\u003e\u003cp\u003eRecalling how he first got to know Smith and his music, which has been a regular part of his repertoire for years, Mehldau said that after years living in New York, he moved to Los Angeles “and there was this wonderful scene of singer-songwriters that was congregating at a club called Largo. 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