{"title":"New This Week: November 16-22","description":null,"products":[{"product_id":"western-swing-authority-12-to-6-central-cd","title":"The Western Swing Authority – 12 To 6 Central (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWestern Swing Authority carries the torch for a tradition that runs from Bob Wills and the Texas Playboys through the honky-tonks and dancehalls of the American South and Southwest, keeping the steel guitar, fiddle, and hot jazz picking alive for audiences who know exactly what they're hearing. *12 To 6 Central* arrives in 2026 as fresh evidence that the genre still has plenty of road left in it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Western Swing Authority is one of the worlds most recognized and awarded authentic Western Swing group. Made up of a collection of some of the country's finest touring and studio musicians, they came together to play the timeless style of music they love. 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Four tracks across an LP side demands patience and rewards it, the kind of extended large-ensemble writing that needs room to breathe and vinyl to do it justice.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEvery new release from Quinsin Nachoff is a headline event, a radical combining and recombining of sonic and conceptual innovations, ever-evolving textures, powerful melodies and rhythms, that always open up new vistas for exploration while clearly marking the way back to what has come before. The album Patterns from Nature is an unashamedly ambitious showcase for his remarkable abilities as a composer and orchestrator, working within the space where the heartfelt collaborative improvisation of jazz meets the adventurous rigor of contemporary music and the depth and complexity of conceptual art. As composer, Nachoff created the closely written, intricately detailed scores for a pair of large-ensemble pieces. 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As interdisciplinary collaborator, he worked with physicist Dr. Stephen Morris, whose research into emergent patterns in nature informed the project's structural concepts, and four filmmakers -Tina de Groot, Lee Hutzulak, Gita Blak, and Udo Prinsen - originally conceived alongside them for a multimedia version of the work, resulting in the titular Patterns from Nature suite of four contrasting movements that engage the listener at every level.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePatterns from Nature: I. Branches\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: II. Flow\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: III. Cracks\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: IV. 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Where the first Marcenay session leaned into the intimate interplay of a trio, this second chapter opens the room, letting four musicians push and pull against each other with the kind of trust that only comes from years of shared stages.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEight months after Marcenay recorded as a trio with Emmanuel Bex and Simon Goubert, the saxophonist unveils the second installment of his diptych devoted to life in his adopted Burgundian village.For this new opus, Temime surrounds himself with three longtime companions - Étienne Deconfin (piano), Sylvain Romano (double bass), and Antoine Paganotti - shaping a free, incandescent Power Quartet, always ready to venture off the beaten track.Here, the worlds of Mireille Mathieu, Rahsaan Roland Kirk, and Michel Sardou intersect and transform one another. 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Punch Card arrives as a debut that sounds like it was made by a band with nothing to prove and no interest in playing it safe, drawing from the same restless post-punk energy that made late-70s and early-80s art-rock so vital in the first place.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eStoke-on-Trent trio Formal Sppeedwear release debut album Punch Card, a shape-shifting avant-pop record built from sonic collage, instinct and happy accidents. Driven by a desire to constantly undermine expectation, the band fuse elastic basslines, jagged guitar motifs and sparse percussion into something both tightly controlled and thrillingly unpredictable. Much like the typo in their name, now worn proudly as a badge of honour, Punch Card thrives on collisions, contrasts and off-kilter charm. Self-produced and mastered by Paul D. Millar, Punch Card moves between improvisation, collage and moments of unexpected poignancy, emerging through collision, constraint and chance. 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Liminal found that pocket, and \"White Dots\" captures a band operating on instinct, the kind of locked-in group telepathy that takes years to develop and sounds effortless when it finally arrives. Watch this one closely.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIf you ever wanted to be a part of something before it becomes something, now is your chance... In 2023, we kept hearing about them. About these 'kids' from the hills somewhere up in the Northern Rivers. Who could play - like really play - and could make face-melting psych-jazz-rock that sounded fresh and reverent all at the same time. We walked into Howl \u0026amp; Moan on a trip up to Byron Bay and they told us about them. They sold us this record that had just come in.  And it was so good that we bought them all - all 100 - from the band to sell to you - and they sold out all around the world. But we believe in it. And we wanted to give it a wider audience. And now their new single 'The Crop' is going viral on YouTube. We watched the videos from their - own, self-curated - festival, Anemoia. They made and edited them too. Our jaws picked themselves up from the floor. Liminal made this all themselves. The feeling that we had was similar to that first time we heard Innerspeaker. But darker, yet also a little more playful. Trust us, if you like early Tame, if you like Pond, or even those Australian psych overlords KG \u0026amp; TLW, we think you'll dig this record.  This is Liminal's second album from 2023. They are currently writing and recording the third one, deep in the hills behind Lismore, which will be out later in 2026. White Dots comes with a specially-designed obi strip from Alako Myles, founder, drummer, producer and mixer and co-writer of Liminal. There's only 500 numbered copies of these in heavyweight clear and white splatter vinyl, with our custom designed obi strip and we know you'll feel like we did when you play it. 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Between The Only Place I Know and now, Andrew Scott, Lachlan Jackson, Patrick Russell and Nick Scott have torn through a sold-out national run, crisscrossed the UK and Europe, and made a habit of leaving rooms louder than they found them. No Chaser carries the dust from all of it - bigger choruses, leaner production, a touch more bruise underneath the gloss. There's still that windows-down, salt-on-the-windscreen feel that made the debut impossible to ignore, but it's wired into songs that swing harder and cut deeper. Less wistful afternoon, more last-light drive home with the volume creeping up. The four-piece make melodic surf-pop-punk that sounds great turned up loud - driving in your mate's car on the way back to the beach. 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Recorded to vinyl, these new songs carry the warmth and lived-in honesty that has defined her best work, from the dusty Americana of her early records through the rootsy directness she's honed ever since.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEach of these songs are a commentary on being human and wanting connection. There is a lot of chaos all around us and I definitely find myself feeling alone. My wish is that whoever hears these songs feels the hope I feel when I sing them!\u003c\/p\u003e\r\n\u003cp\u003eI hope these songs feel like a soothing moisturizer on our chapped hearts. We are all going through so much in our humanity right now that being awake can feel like trudging through a burning desert. But we are never alone. And there is beauty everywhere. We just have to keep our eyes open.\u003c\/p\u003e\r\n\u003cp\u003eI find I go to songwriting these days to make sense of what is going on inside and all around me. 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