{"title":"Classical CDs","description":"\u003cp\u003eFor listeners who still reach for a disc, this page collects 209 classical titles spanning solo piano, orchestral works, chamber music, vocal recitals, and film scores.\u003c\/p\u003e\u003cp\u003eThe range here is genuinely wide. Andrea Bocelli's \u003cem\u003ePassione\u003c\/em\u003e (Deluxe Edition, Verve) sits alongside Mitsuko Uchida's readings of \u003cem\u003eMozart Sonatas 13 \u0026amp; 17\u003c\/em\u003e and the Smetana Trio's program of \u003cem\u003eMendelssohn, Fibich \u0026amp; Rabl\u003c\/em\u003e on Supraphon. Mahan Esfahani's \u003cem\u003eMondrian: 21st-Century Harpsichord Concerti\u003c\/em\u003e on Rubicon pushes the form forward, while Axel Wolf's \u003cem\u003eVisee \u0026amp; Monteclair: Echoes of Versailles\u003c\/em\u003e on Oehms reaches back to the French Baroque. Fatma Said's \u003cem\u003ePyramids Recital\u003c\/em\u003e on Warner Classics and Sonya Yoncheva's \u003cem\u003eDyptique\u003c\/em\u003e on Onyx Classics represent the current generation of vocalists working at the highest level. On the orchestral side, the BBC Scottish Symphony Orchestra's account of \u003cem\u003eMahler: Symphony No. 2\u003c\/em\u003e on Onyx Classics and Yo-Yo Ma, Leonidas Kavakos, Emanuel Ax, and Antoine Tamestit performing \u003cem\u003eBeethoven for Three: Symphony No. 3 'Eroica' and Leonore Overture No. 3\u003c\/em\u003e on Masterworks both make a strong case for the format. Joe Hisaishi and the Royal Philharmonic Orchestra's \u003cem\u003eThe Boy \u0026amp; The Heron: Symphonic Suite for Piano and Orchestra\u003c\/em\u003e on Deutsche Grammophon rounds out a section that rewards patient browsing.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has been covering music with depth and specificity since 1974. The store reflects the same editorial instinct: we stock what we find worth owning, across genres and eras. Alongside classical, the store carries the Relix Sessions series, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label, as well as jazz, live recordings, and much more. When something lands on this page, it is because it belongs here, not because an algorithm said so.\u003c\/p\u003e\u003cp\u003eEvery CD in this collection is new and sealed. Pre-order titles display a street date and ship when the label releases them. CDs ship in protective packaging.\u003c\/p\u003e\u003cp\u003eTo keep exploring, browse \u003ca href=\"\/collections\/cds\"\u003eCDs Straight from the Vault\u003c\/a\u003e for the full catalog across genres, or head to \u003ca href=\"\/collections\/jazz-vinyl-cds-classic-contemporary\"\u003eJazz Vinyl \u0026amp; CDs\u003c\/a\u003e for classic and contemporary jazz on both formats. If you want to move into vinyl, \u003ca href=\"\/collections\/live-vinyl-albums\"\u003eLive Vinyl Albums \u0026amp; Records\u003c\/a\u003e is a good place to start.\u003c\/p\u003e","products":[{"product_id":"lukas-nelson-promise-of-the-real-naked-garden-cd","title":"Lukas Nelson \u0026 Promise Of The Real – Naked Garden (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at the same legendary Shangri-La studio in Malibu where The Band made parts of their own history, Naked Garden captures Promise of the Real in a genuinely unguarded moment, the kind of loose, living-room energy that's defined their reputation as one of the most versatile live bands working today. Lukas Nelson has spent years absorbing influences from his father Willie on down through Americana, rock, and soul, and these stripped-down sessions let that musical DNA breathe without the weight of production.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eWhen we walked out of Shangri-La recording studio on the sixth day, we knew we had captured something special. The process had been simple: we would gather around a coffee table on the lawn, Lukas would present a new song on an acoustic guitar, and then we’d go inside and roll tape. The atmosphere was joyful and mellow, yet intensely productive—we rarely spent more than two takes on a song before moving on to the next one. It was so productive, in fact, that there was simply no way to fit all the material on one release. So think of this project as something of an epilogue to our previous album, Turn Off The News (Build A Garden). Some of these tracks are alternate performances of songs from that record. Others, like “Bad Case”, appear in their early developmental stages. But the majority of this album comprises songs that, for one reason or another, didn’t make the final cut, and yet were just too special to keep to ourselves. Some strings are out of tune. Some lyrics are inconsistent. There’s microphone bleed, tape machine buzz, conversations and laughter between takes… that’s how we like it. Our hope is that Naked Garden offers a glimpse behind the curtain, at POTR in our most raw, honest, and naked state. For our band’s name is truly our mantra, and if nothing else, this project is an attempt to make good on our promise.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Entirely Different Stars\u003c\/div\u003e\n\u003cdiv\u003e2. Civilized Hell (Alternate Version)\u003c\/div\u003e\n\u003cdiv\u003e3. Back When I Cared\u003c\/div\u003e\n\u003cdiv\u003e4. Movie In My Mind\u003c\/div\u003e\n\u003cdiv\u003e5. Focus On The Music\u003c\/div\u003e\n\u003cdiv\u003e6. My Own Wave\u003c\/div\u003e\n\u003cdiv\u003e7. Fade To Black\u003c\/div\u003e\n\u003cdiv\u003e8. Out In L.A. (Extended Version)\u003c\/div\u003e\n\u003cdiv\u003e9. Couldn't Break Your Heart\u003c\/div\u003e\n\u003cdiv\u003e10. Speak The Truth (Alternate Mix)\u003c\/div\u003e\n\u003cdiv\u003e11. Civilized Hell (Acoustic Version)\u003c\/div\u003e\n\u003cdiv\u003e12. Bad Case (Alternate Version)\u003c\/div\u003e\n\u003cdiv\u003e13. Stars Made Of You (Alternate Mix)\u003c\/div\u003e\n\u003cdiv\u003e14. Where Does Love Go (Alternate Mix)\u003c\/div\u003e\n\u003cdiv\u003e15. The Way You Say Goodbye\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072165106\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271179350171,"sku":"179318","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Lukas-Nelson-Promise-Of-The-Real-Naked-Garden-CD.png?v=1776112039"},{"product_id":"wahl-santana-rux-donde-son-estas-serranas-cd","title":"Wahl \/ Santana \/ Rux – Donde Son Estas Serranas (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLee Santana has spent decades bridging the world of early music and improvisation, and this collaboration with guitarist Andreas Wahl and poet Carl Hancock Rux takes that work somewhere genuinely unexpected. The ancient serrana form, a medieval Iberian song type rooted in encounters with mountain women, becomes a living thread connecting Renaissance lute idioms to contemporary harmonic language. It's the kind of project that rewards patient listening, where each revisiting of the source melody reveals new architecture beneath it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"DÃ³nde son estas serranas\" is the new concept album of composer and lutenist Lee Santana, together with German jazz guitarist and composer Andreas Wahl. The program is based on an ancient Spanish love song. It reappears throughout the album in different arrangements and compositions, some very close to the original, some very far away from it. The music ranges from Spanish Renaissance music to contemporary Jazz and Rock elements, creating a mesmerizing fusion of music from very different times and styles, melting centuries of western music culture into something absolutely new, unique and timeless. Lee Santana is an American lutenist and composer who resides and works in Bremen, Germany. He has composed a variety of works for early instruments, and regularly performs with the Freiburg Baroque Orchestra, the gambist Hille Perl, and in the group Los Otros, among others. Andreas Wahl was born in Stuttgart and studied jazz guitar at the University of Arts ArtEZ in the Netherlands. He performs concerts all over the world, and has recorded albums both as a solo artist and with various bands and projects like the Zodiak Trio, Frele Wahl, and The Bliss.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Los Braços Traygo Cansados (2:26)\u003c\/div\u003e\n\u003cdiv\u003e2. Dónde Son Estas Serranas (5:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Pensóse El Villano (5:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Recercada Quinta (3:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Recercada Quinta (7:06)\u003c\/div\u003e\n\u003cdiv\u003e6. Ever (5:00)\u003c\/div\u003e\n\u003cdiv\u003e7. Elfen (6:38)\u003c\/div\u003e\n\u003cdiv\u003e8. Per Antequera Suspira (3:40)\u003c\/div\u003e\n\u003cdiv\u003e9. En La Ciudad de Toledo (4:31)\u003c\/div\u003e\n\u003cdiv\u003e10. Dónde Son Estas Serranas (3:08)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4032324163198\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Carpe Diem\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.16.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455495647387,"sku":"25197","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-wahl-santana-rux-donde-son-estas-serranas-cd-relix.png?v=1777386420"},{"product_id":"simon-garfunkel-milot-bareil-classical-tribute-cd","title":"Simon \u0026 Garfunkel \/ Milot \/ Bareil – Classical Tribute (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe songwriting partnership of Paul Simon and Art Garfunkel produced some of the most melodically rich and lyrically precise music of the 20th century, a catalog that translates surprisingly naturally to classical chamber treatment. Violinist Angélique Milot and pianist Élise Bareil bring a conservatory sensibility to songs like \"The Sound of Silence\" and \"Bridge Over Troubled Water,\" revealing the harmonic architecture beneath familiar arrangements.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. The Dangling Conversation (5:28)\u003c\/div\u003e\n\u003cdiv\u003e2. The Sound Of Silence (5:01)\u003c\/div\u003e\n\u003cdiv\u003e3. Bridge Over Troubled Water (4:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Old Frinds (Bookends Theme) (4:16)\u003c\/div\u003e\n\u003cdiv\u003e5. April Come She Will (3:00)\u003c\/div\u003e\n\u003cdiv\u003e6. Peggy-O (3:44)\u003c\/div\u003e\n\u003cdiv\u003e7. Benedictus (3:44)\u003c\/div\u003e\n\u003cdiv\u003e8. Scarborough Fair (4:50)\u003c\/div\u003e\n\u003cdiv\u003e9. America (4:43)\u003c\/div\u003e\n\u003cdiv\u003e10. For Emily, Whenever I May Find Her (3:21)\u003c\/div\u003e\n\u003cdiv\u003e11. Mrs. Robinson (6:18)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 774204988326\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analekta\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.8.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600420450459,"sku":"456994","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-simon-garfunkel-milot-bareil-classical-tribute-cd-relix.jpg?v=1779303478"},{"product_id":"charlie-parker-v3-c-parker-1946-47-cd","title":"Charlie Parker – Vol 3: Integrale Charlie Parker 1946-47 (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1946 and 1947, Charlie Parker was operating at the center of a seismic shift in American music, translating the harmonic vocabulary of bebop into recordings that would become the foundational texts for generations of saxophonists. These sessions capture Bird in his prime, when his melodic invention and rhythmic daring were rewriting what improvisation could be.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3561302133324\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fremeaux \u0026amp; Assoc. 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On his debut album, Charles Maxtone-Smith brings together some of it's finest treasures by three titans of the organ repertoire, namely Louis Vierne, Charles Tournemire, and Maurice DuruflÃ©, making full use of the resources of Buckfast Abbey's Ruffatti instrument. Vierne's tumultuous CinquiÃ¨me Symphonie explores chromaticism through his vivid imagining of two overarching themes which coalesce at the end into a triumphal conclusion. Charles Tournemire evokes the beating heart of French mysticism with his sensuous colour and harmony in an improvisation, later transcribed, on the Marian hymn \"Ave maris stella\". Vierne's carefully controlled musical forms and Tournemire's evocative expression are synthesised perfectly in the Maurice DuruflÃ©'s PrÃ©lude, Adagio et Choral variÃ©, whose beauty and power celebrates the coming of the Holy Spirit at Pentecost.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVierne - Symphony No.5 in a Minor, Op.47 I. Grave\u003c\/li\u003e\n\u003cli\u003eVierne - Symphony No.5 in a Minor, Op.47 II. Allegro Molto Marcato\u003c\/li\u003e\n\u003cli\u003eVierne - Symphony No.5 in a Minor, Op.47 III. Tempo Di Scherzo Ma Non Troppo Vivo\u003c\/li\u003e\n\u003cli\u003eVierne - Symphony No.5 in a Minor, Op.47 IV. Larghetto\u003c\/li\u003e\n\u003cli\u003eVierne - Symphony No.5 in a Minor, Op.47 V. Final. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eTournemire - Cinq Improvisations: Fantaisie-Improvisation Sur L'\"Ave Maris Stella\" (Transcribed By Maurice DuruflÃ©)\u003c\/li\u003e\n\u003cli\u003eDuruflÃ© - PrÃ©lude Sur L'introit de L'Ã©piphanie, Op.13\u003c\/li\u003e\n\u003cli\u003eDuruflÃ© - PrÃ©lude, Adagio Et Choral Varie Sur Le Theme Du \"Veni Creator\", Op.4\u003c\/li\u003e\n\u003cli\u003eDuruflÃ© - PrÃ©lude, Adagio Et Choral Varie Sur Le Theme Du \"Veni Creator\", Op.4 I. PrÃ©lude\u003c\/li\u003e\n\u003cli\u003eDuruflÃ© - PrÃ©lude, Adagio Et Choral Varie Sur Le Theme Du \"Veni Creator\", Op.4 II. Adagio\u003c\/li\u003e\n\u003cli\u003eDuruflÃ© - PrÃ©lude, Adagio Et Choral Varie Sur Le Theme Du \"Veni Creator\", Op.4 III. 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Jesus Bleibet Meine Freude\u003c\/li\u003e\n\u003cli\u003eJesus Nahm Zu Sich Die ZwÃ¶lfe, BWV 22: No. 5, Choral. \"ErtÃ¶t' Uns Durch Dein GÃ¼te\" (Transcr. DuruflÃ©)\u003c\/li\u003e\n\u003cli\u003eWeihnachtsoratorium, BWV 248, Pt. 2: No. 1, Sinfonia (Transcr. Alain)\u003c\/li\u003e\n\u003cli\u003ePartite Diverse Sopra \"Sei GegrÃ¼sset, Jesu GÃ¼tig\", BWV 768: Choral and 9 Partitas\u003c\/li\u003e\n\u003cli\u003eDas Orgel-BÃ¼chlein: Nos. 24-26\u003c\/li\u003e\n\u003cli\u003eDas Orgel-BÃ¼chlein: No. 39, Durch Adams Fall Ist Ganz Verderbt, BWV 637\u003c\/li\u003e\n\u003cli\u003eAch Gott Und Herr, BWV 714\u003c\/li\u003e\n\u003cli\u003eOrgan Concerto No. 1 in G Major, BWV 592: I-III (After Johann Ernst of Saxe-Weimar's Violin Concerto in G)\u003c\/li\u003e\n\u003cli\u003eWir Glauben All' An Einen Gott, Vater, BWV 740\u003c\/li\u003e\n\u003cli\u003eFugue in C minor, BWV 575\u003c\/li\u003e\n\u003cli\u003eSchmÃ¼cke Dich, O Liebe Seele, BWV 759 (Formerly Attrib. to J.S. Bach)\u003c\/li\u003e\n\u003cli\u003eOrgan Concerto No. 4 in C Major, BWV 595 (After Johann Ernst of Saxe-Weimar's Violin Concerto in C): I. 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