{"title":"Dead Oceans Vinyl, CDs \u0026 Cassettes","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eDead Oceans started in 2007 out of Bloomington, Indiana, as part of the Secretly Group, and the name came from a Bob Dylan song, which tells you something about the sensibility from the jump. The label's founders came up through record stores and had the instincts that come from actually living inside music rather than just marketing it, and the roster they built reflects that completely.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe catalog doesn't have a single sound and was never supposed to. The earliest releases ranged from Phosphorescent's folk to Dirty Projectors' art punk to psych rock, and the label kept expanding from there in whatever direction the music pointed. Mitski built one of the most critically acclaimed careers in indie rock under this roof, with Puberty 2, Be the Cowboy, and The Land Is Inhospitable and So Are We each arriving as genuine events. Phoebe Bridgers signed in 2017, and Punisher earned four Grammy nominations three years later. Khruangbin brought their genre-dissolving mix of Texas soul, global psych, and dub. Japanese Breakfast. Kevin Morby. Slowdive returned after twenty-two years away and released one of their best records. Bright Eyes brought their full catalog home here.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eWhat ties all of it together is the word classicism that one of the founders uses to describe what they're after: music made to last by artists who aren't chasing a moment. The Dead Oceans records in this collection are built to hold up.\u003c\/p\u003e","products":[{"product_id":"khruangbin-con-todo-el-mundo-lp-vinyl","title":"Khruangbin – Con Todo El Mundo (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKhruangbin built their reputation largely through live performance and word-of-mouth in Houston's DIY scene before their sound spread far beyond Texas. *Con Todo El Mundo* deepens the hypnotic, low-key groove language of their debut, with Laura Lee's bass sitting so far forward in the mix it practically leads the band, and Speer's guitar lines floating somewhere between Tehran and Muscle Shoals.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eFormed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; globetrotting Texan trio Khruangbin present their second album ‘Con Todo El Mundo’, set for release on 26th January 2018. Whereas their 2015 debut album ‘The Universe Smiles Upon You’ was influenced by 60s and 70s Thai cassettes and compilations of southeast Asian pop, rock and funk, ‘Con Todo El Mundo’ hops east over India to take inspiration in similarly under discovered funk and soul sounds of the Middle-East, particularly from Iran. Laura Lee explains the album’s title: “My grandpa would always ask me ‘Como me quieres?’ (‘how much do you love me’?), and he’d only ever accept one response. ‘Con todo el mundo’ (With all the world).” Throughout ‘Con Todo El Mundo’, Laura Lee’s melodic low-end theory, Mark’s lyrical, free-role guitar lines, and DJ’s ever-steady, ever-ready backbeat form something greater than their parts. A vibe-synchronous soul-unit travelling the planet, honing their craft, absorbing the sights, sounds and feels from cultures across the globe, processing them through the Khruangbin filter and gifting the result...with all the world.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Como Me Quieres\u003c\/div\u003e\n\u003cdiv\u003e2. Lady and Man\u003c\/div\u003e\n\u003cdiv\u003e3. Maria También\u003c\/div\u003e\n\u003cdiv\u003e4. August 10\u003c\/div\u003e\n\u003cdiv\u003e5. Como Te Quiero\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Shades of Man\u003c\/div\u003e\n\u003cdiv\u003e2. Evan Finds the Third Room\u003c\/div\u003e\n\u003cdiv\u003e3. A Hymn\u003c\/div\u003e\n\u003cdiv\u003e4. Rules\u003c\/div\u003e\n\u003cdiv\u003e5. Friday Morning\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605145310\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.26.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455496630427,"sku":"29659","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-con-todo-el-mundo-vinyl-lp-relix.jpg?v=1777519494"},{"product_id":"khruangbin-live-at-the-fillmore-miami-lp-vinyl","title":"Khruangbin – Live at The Fillmore Miami (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Houston trio built their reputation the slow way, through relentless touring and a cult following that grew show by show before the rest of the world caught up. Laura Lee's bass lines, Mark Speer's globe-trotting guitar work, and Donald Ray \"DJ\" Johnson Jr.'s drumming translate with particular warmth in a live setting, where the band's unhurried, hypnotic grooves have room to breathe and stretch in ways the studio recordings only hint at.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003c!--filtered--\u003eIt's only fitting that Khruangbin’s first-\u003c!--filtered--\u003e\u003c!--filtered--\u003eever official live releases would be albums \u003c!--filtered--\u003e\u003c!--filtered--\u003epaired with their tourmates: artists whose \u003c!--filtered--\u003e\u003c!--filtered--\u003emusic they love and admire, friends who’ve \u003c!--filtered--\u003e\u003c!--filtered--\u003ebecome family along the way. Khruangbin’s \u003c!--filtered--\u003e\u003c!--filtered--\u003eseries of live LPs traces just one small slice \u003c!--filtered--\u003e\u003c!--filtered--\u003eof the band’s flight plan through the years: \u003c!--filtered--\u003e\u003c!--filtered--\u003eit’s a taste of some of their most beloved \u003c!--filtered--\u003e\u003c!--filtered--\u003ecities, stages and nights. Each release comes \u003c!--filtered--\u003e\u003c!--filtered--\u003ewith a limited-edition unique album cover \u003c!--filtered--\u003e\u003c!--filtered--\u003eexclusive for the recording’s home turf, just a \u003c!--filtered--\u003e\u003c!--filtered--\u003elittle something extra for the fans that bring a \u003c!--filtered--\u003e\u003c!--filtered--\u003elittle something extra. Most of all, this series \u003c!--filtered--\u003e\u003c!--filtered--\u003eignites both sides of the band’s magic: the \u003c!--filtered--\u003e\u003c!--filtered--\u003ewarm, prismatic feeling of their albums and \u003c!--filtered--\u003e\u003c!--filtered--\u003ethe bewitching energy of their performances.\u003cbr\u003e\u003cbr\u003e\u003c!--filtered--\u003e\u003c!--filtered--\u003e‘Live at The Fillmore Miami’ features \u003c!--filtered--\u003e\u003c!--filtered--\u003eperformances by Toro Y Moi and \u003c!--filtered--\u003e\u003c!--filtered--\u003eKhruangbin.\u003c!--filtered--\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Ordinary Pleasure (3:17)\u003c\/div\u003e\n\u003cdiv\u003e2. Girl Like You (3:56)\u003c\/div\u003e\n\u003cdiv\u003e3. The Loop (3:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Déjà Vu (3:05)\u003c\/div\u003e\n\u003cdiv\u003e5. Millennium (3:12)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. First Class (5:26)\u003c\/div\u003e\n\u003cdiv\u003e2. August 12 (5:04)\u003c\/div\u003e\n\u003cdiv\u003e3. August 10 (9:32)\u003c\/div\u003e\n\u003cdiv\u003e4. Maria También (4:56)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605163413\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.22.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455499350171,"sku":"13578","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-live-at-the-fillmore-miami-vinyl-lp-relix.jpg?v=1777519222"},{"product_id":"khruangbin-texas-moon-ep-black-12-vinyl","title":"Khruangbin – Texas Moon (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKhruangbin's slow-burning blend of Thai funk, dub, and Gulf Coast soul found its perfect complement in Leon Bridges, whose voice carries the same unhurried, late-night gravity the trio has always trafficked in. Where Texas Sun felt like golden hour on a long highway drive, this follow-up leans into the small hours, the kind of music that sounds best when the rest of the world has gone quiet.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"Two of the acts boldly leading Texas music into the future have now delivered a second chapter of their groundbreaking collaboration, further extending the region’s sonic possibilities. Singer\/songwriter Leon Bridges, from Ft. Worth, and trailblazing Houston trio Khruangbin have joined forces for the Texas Moon EP, a follow-up to 2020’s acclaimed Texas Sun project. While the five new songs are clearly a continuation of the first EP, they also have an identity all their own—Bridges calls it “more introspective,” while Khruangbin bassist Laura Lee says it “feels more night time.” When Texas Sun was released, AllMusic called the results “intoxicating” and Paste noted that “their talents and character go together so well.” Now comes the next stage—a set of songs that touch on themes like love, faith, and death while exploring new dimensions of inventive, hypnotic grooves. Significantly, both parties’ musical directions were clearly affected by their time working together. Khruangbin’s most recent album, Mordechai, moved their own vocals much further forward, a change they readily admit was a direct result of working with Bridges. Meanwhile, since these recordings began, in addition to his genre-defying album Gold-Digger’s Sound, Bridges has put out several other challenging, shared tracks, including work with John Mayer, Lucky Daye, and Jazmine Sullivan. Texas Moon represents a genuine and rare achievement, with two of the most respected and innovative acts of their generation truly collaborating to create something new. “As far as an essentially instrumental band, these guys are kind of the top for me,” says Bridges. “I’m honored to have been the first singer that they’ve incorporated in their music.” “It feels really special to me,” says Lee. “It’s not Khruangbin, it’s not Leon, it’s this world we created together.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Doris\u003c\/div\u003e\n\u003cdiv\u003e2. B-Side\u003c\/div\u003e\n\u003cdiv\u003e3. Chocolate Hills\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Father Father\u003c\/div\u003e\n\u003cdiv\u003e2. Mariella\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605155418\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.18.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455508099227,"sku":"48641","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-texas-moon-ep-black-12-vinyl-vinyl-lp-relix.jpg?v=1777518969"},{"product_id":"vieux-farka-toure-khruangbin-ali-cd","title":"Vieux Farka Touré \u0026 Khruangbin – Ali (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eVieux has spoken openly about the weight of carrying his father's name and music forward, having initially resisted following him into music before finding his own voice on the guitar. Khruangbin's deep fluency in global groove traditions, particularly the Texas trio's longtime immersion in Middle Eastern and African sounds, makes them a genuinely natural fit here rather than a crossover novelty.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eAli Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed “the African John Lee Hooker,” one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of 'desert blues' that garnered Grammy awards and widespread reverence. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThough he transcended in 2006, Ali’s musical legacy lives on through his son, Vieux aka “the Hendrix of the Sahara,” an accomplished guitarist and champion of Malian music in his own right. On \u003c\/span\u003e\u003cem\u003eAli\u003c\/em\u003e\u003cspan\u003e, his collaborative album with Khruangbin, Vieux pays homage to his father by recreating some of his most resonant work, putting new twists on it while maintaining the original’s integrity. The result is a rightful ode to a legend.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAli\u003c\/em\u003e\u003cspan\u003e isn’t just a greatest hits compilation. It’s a lullaby, a remembrance of Ali's life through known highlights and B-sides from his catalog. It is a testament to what happens when creativity is approached through open arms and open hearts. “To me, music is magic, it is spontaneous, it is the energy between people,” Vieux says. “I think Khruangbin understands this very well.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe genesis of the album dates back to 2019, when Khruangbin, coming off their breakthrough album \u003c\/span\u003e\u003cem\u003eCon Todo el Mundo\u003c\/em\u003e\u003cspan\u003e, was beginning to play to bigger crowds. The record was finished in 2021, as a global pandemic shuttered businesses and forced us to take stock of what Earth was becoming. Indirectly, \u003c\/span\u003e\u003cem\u003eAli \u003c\/em\u003e\u003cspan\u003ecapt\u003c\/span\u003e\u003c!--filtered--\u003e\u003cspan\u003eures this as a moment of peace within a raging storm, a conversation between past and present without allegiance to suffering. Now, given Khruangbin’s reach as a unit with legions of fans (including the likes of Jay-Z and Paul McCartney), they’re poised to bring Malian music to broader groups of listeners. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Savanne\u003c\/div\u003e\n\u003cdiv\u003e2. Lobbo\u003c\/div\u003e\n\u003cdiv\u003e3. Diarabi\u003c\/div\u003e\n\u003cdiv\u003e4. Tongo Barra\u003c\/div\u003e\n\u003cdiv\u003e5. Tamalla\u003c\/div\u003e\n\u003cdiv\u003e6. Mahine Me\u003c\/div\u003e\n\u003cdiv\u003e7. Ali Hala Abada\u003c\/div\u003e\n\u003cdiv\u003e8. Alakarra\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605157429\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.23.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455509868699,"sku":"297461","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-vieux-farka-tour-khruangbin-ali-cd-relix.png?v=1777386524"},{"product_id":"khruangbin-nubya-garcia-live-at-radio-city-music-hall-lp-vinyl","title":"Khruangbin \u0026 Nubya Garcia – Live at Radio City Music Hall (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNubya Garcia brings a saxophonist's instinct for space and conversation to any stage she shares, and her chemistry with Khruangbin's famously telepathic trio makes for a natural pairing. The Houston band has long drawn on a global crate of influences, from Thai funk to Ethiopian jazz, and Garcia's own Afrodiasporic fluency slots into that sonic world with ease. Radio City, one of New York's most storied rooms, gave this collaboration a setting worthy of the moment.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"175.695266723633\" x=\"37\" y=\"-411.436096191406\" data-test=\"textbox\"\u003eIt's only fitting that Khruangbin’s first-\u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"187.966686248779\" x=\"37.3419990539551\" y=\"-402.436096191406\" data-test=\"textbox\"\u003eever official live releases would be albums \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.82199096679688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"181.430938720703\" x=\"37.1080017089844\" y=\"-393.436096191406\" data-test=\"textbox\"\u003epaired with their tourmates: artists whose \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"194.522323608398\" x=\"37.2070007324219\" y=\"-384.436096191406\" data-test=\"textbox\"\u003emusic they love and admire, friends who’ve \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"194.759006500244\" x=\"37.1710014343262\" y=\"-375.436096191406\" data-test=\"textbox\"\u003ebecome family along the way. Khruangbin’s \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"186.966808319092\" x=\"37.3959999084473\" y=\"-366.436096191406\" data-test=\"textbox\"\u003eseries of live LPs traces just one small slice \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"188.041439056396\" x=\"37.3419990539551\" y=\"-357.436096191406\" data-test=\"textbox\"\u003eof the band’s flight plan through the years: \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"177.877708435059\" x=\"37.2249984741211\" y=\"-348.436096191406\" data-test=\"textbox\"\u003eit’s a taste of some of their most beloved \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.82199096679688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"197.099910736084\" x=\"37.3419990539551\" y=\"-339.436096191406\" data-test=\"textbox\"\u003ecities, stages and nights. Each release comes \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.82199096679688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"184.977825164795\" x=\"37.1440010070801\" y=\"-330.436096191406\" data-test=\"textbox\"\u003ewith a limited-edition unique album cover \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"174.420803070068\" x=\"37.3419990539551\" y=\"-321.436096191406\" data-test=\"textbox\"\u003eexclusive for the recording’s home turf, \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"188.414035797119\" x=\"36.648998260498\" y=\"-312.436096191406\" data-test=\"textbox\"\u003ejust a little something extra for the fans that \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"179.999027252197\" x=\"37.1710014343262\" y=\"-303.436096191406\" data-test=\"textbox\"\u003ebring a little something extra. Most of all, \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"184.96700668335\" x=\"37.2970008850098\" y=\"-294.436096191406\" data-test=\"textbox\"\u003ethis series ignites both sides of the band’s \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"185.831909179688\" x=\"37.2070007324219\" y=\"-285.436096191406\" data-test=\"textbox\"\u003emagic: the warm, prismatic feeling of their \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"186.534816741943\" x=\"37.4500007629395\" y=\"-276.436096191406\" data-test=\"textbox\"\u003ealbums and the bewitching energy of their \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"63.403190612793\" x=\"37.1080017089844\" y=\"-267.436096191406\" data-test=\"textbox\"\u003eperformances.\u003cbr\u003e\u003cbr\u003e\u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"182.223815917969\" x=\"37\" y=\"-249.436096191406\" data-test=\"textbox\"\u003e‘Live at Radio City Music Hall’ features \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.85800170898438\" lengthadjust=\"spacingAndGlyphs\" textlength=\"157.109329223633\" x=\"37.1080017089844\" y=\"-240.436096191406\" data-test=\"textbox\"\u003eperformances by Nubya Garcia and \u003c\/text\u003e\u003ctext class=\"_textbox_1titd_17\" direction=\"ltr\" height=\"6.82200622558594\" lengthadjust=\"spacingAndGlyphs\" textlength=\"54.0449867248535\" x=\"37.1710014343262\" y=\"-231.436096191406\" data-test=\"textbox\"\u003eKhruangbin.\u003c\/text\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Source (9:18)\u003c\/div\u003e\n\u003cdiv\u003e2. The Message Continues (7:50)\u003c\/div\u003e\n\u003cdiv\u003e3. La Cumbia Me Está Llamando (3:22)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. So We Won't Forget (5:11)\u003c\/div\u003e\n\u003cdiv\u003e2. The Infamous Bill (4:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Pelota (2:47)\u003c\/div\u003e\n\u003cdiv\u003e4. Time (You and I) (9:01)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605163215\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.30.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455525957787,"sku":"132104","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-nubya-garcia-live-at-radio-city-music-hall-vinyl-lp-relix.jpg?v=1777519764"},{"product_id":"khruangbin-the-universe-smiles-upon-you-ii-lp-vinyl","title":"KhKruangbin – The Universe Smiles Upon You II (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHouston's Khruangbin built their entire sonic identity on that original barn session, weaving together Thai funk, dub, and global psychedelia into something that quietly rewired how a generation of listeners thought about instrumental music. A decade later, the trio returns not to revisit nostalgia but to test whether that same cold, unguarded environment still holds the same creative electricity. Consider this a document of a band trusting their own origin story.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIf you could go back in time ten years, what would you want to tell yourself? This was a question Khruangbin posed to themselves when approaching the ten-year anniversary of their debut album, the once cult classic, now genre-defining work The Universe Smiles Upon You.\u003c\/p\u003e\r\n\u003cp\u003e“If we could go back and tell ourselves how much was going to happen to us after that record, what would we want to celebrate?” asked Laura Lee, bassist, vocalist, and founding member of the band. Instead, they thought: “Let’s do it again.”\u003c\/p\u003e\r\n\u003cp\u003eThe Universe Smiles Upon You ii was recorded on January 4-6, 2025, in the same family barn of guitarist Mark Speer, across the same dates where TUSUY was first conceived ten years earlier. Though the conditions were the same–dirt floor, brutally cold, minimal sound isolation, all takes live–the songs aren’t. They’re re-approached, some changed more than others, harnessing the lightning-in-a-bottle energy of TUSUY while discovering what would be unique this time around, in this stage of the band’s life.\u003c\/p\u003e\r\n\u003cp\u003eThe result moves like ripples on the water across ten hypnotizing tracks, the barn creating a sense of spaciousness, serenity and creative freedom, nearby wildlife (listen out for the birds on “August Twelve ii”), rattles and creaks of the barn and all. It’s a tapestry of small movements in nuanced arrangements, slowly revealing the new life, stories and character of someone you’ve met again for the first time in ten years.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Little Joe And Mary II\u003c\/div\u003e\n\u003cdiv\u003e2. Balls And Pins II\u003c\/div\u003e\n\u003cdiv\u003e3. White Gloves II\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Man Who Took My Sunglasses II\u003c\/div\u003e\n\u003cdiv\u003e2. People Everywhere II\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Bin Bin II\u003c\/div\u003e\n\u003cdiv\u003e2. August Twelve II\u003c\/div\u003e\n\u003cdiv\u003e3. Dern Kala II\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Two Fish And An Elephant II\u003c\/div\u003e\n\u003cdiv\u003e2. Zionsville II\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605168319\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455527268507,"sku":"35141730","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-the-universe-smiles-upon-you-ii-vinyl-lp-relix.jpg?v=1777518779"},{"product_id":"khruangbin-a-la-sala-cd","title":"Khruangbin – A LA SALA (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eAbove all else, Khruangbin are vibe masters—as chic as a high-end perfume ad, as luxuriously chill as a post-edible nap on a pleasure cruise. But what makes them special is the grit, the hiss, the natural reverb—all of the human touches that have helped them seamlessly build from an obscure, free-flowing, globally minded psych-rock band into a tastemaking big-deal festival draw with high-profile collaborations (a pair of killer EPs with Leon Bridges) and grooves warm enough to soundtrack Miller Lite ads. That arc, perhaps predictably, yielded the wider breakthrough of 2020's Mordechai, their third full-length set and first with prominent vocals—and as evidenced by \"Time (You and I)\" and \"So We Won't Forget,\" they could have keep cruising comfortably down that hooky highway. Instead, with follow-up A La Sala, they've pivoted back to more raw, stripped-down arrangements, mostly prioritizing atmosphere over conventional songcraft. But who could possibly complain? Khruangbin utilize just about all of their favorite tools: Mark Speer's surf-rock reverb pairs nicely with Laura Lee's purring bass on \"Fifteen Fifty-Three,\" while \"Hold Me Up (Thank You)\" is pocket-funk perfection, with a barely there vocal gliding over Lee's percolating bass, Speer's slippery guitar reverb and DJ Johnson's minimalist drumming, veering into Latin territory in the B-section. Yet, the centerpiece is \"May Ninth,\" a smiling but tear-streaked psych-soul pitter-patter—like strolling through the park on a spring day, with a storm cloud on the horizon. The vibe has never been thicker.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Ryan Reed, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/khruangbin-a-la-sala\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Houston trio has built one of the more devoted followings in contemporary music by treating the studio as a kind of sacred space, drawing equally from Thai funk, dub, soul, and global psych without ever letting genre get in the way of feeling. A La Sala finds them at their most interior, stripping back the layers to reveal the connective tissue that's made their live show a transportive experience for fans across the festival circuit and beyond.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eKhruangbin’s fourth studio album, A La Sala (“To the Room” inSpanish), is an exercise in returning in order to go further, anddoing so on your own terms. It continues the mystery and sanctitythat is the key to how bassist Laura Lee Ochoa, drummer Donald“DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music.If 2020’s Mordechai, the last studio LP Khruangbin made withoutcollaborators, was a party record that enhanced the band’s musicalreputation far and wide, then A La Sala is the measured morningafter. It’s a gorgeously airy record completed only in the companyof the group’s longtime engineer Steve Christensen, with minimaloverdubs. It’s a window onto the bounties powering Khruangbin’svision, a reimagining and refueling for the long haul ahead. A LaSala scales Khruangbin down to scale up, a creative strategy withthe future in mind.\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe trio’s collective musical DNA, the years spent constructing itin Houston’s local-meets-global cultural stew, ensures the bandcontinues to sound like no one but itself. A cascade of crispmelodies emanates from Marko’s reverb-heavy electric, dancinggently around Laura Lee’s minimalist almost-dub bass triangles,while DJ’s drums serve as the tightened-up pocket and unwaveringdance-floor on which all this movement takes place. Yet there’s afreshness to A La Sala’s instrumental interactivity, less concernedwith getting further out than going deeper in, a profound desire tocelebrate the world’s external wonders. Where prior albums strivedtowards music’s polyglot edges, such inquiries now sound likebeloved intimacies. Here, Khruangbin’s sonic touch-points —whether spaghetti-western film scores (on “Fifteen Fifty-Three”),West African discos (on “Pon Pón”), G-funk fantasias (“TodavíaViva”), living room dancing moments (the first single, “A LoveInternational”), or even ambient found-sounds (on “Farolim deFelgueiras and throughout the album”) — are ingrainedcharacteristics. This is who they are! Unique and huge (andgrowing), ambitious and driven.\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKhruangbin’s aspirations and commitment to playful creativityeven extends to A La Sala’s vinyl packages, of which there will beseven distinctive covers and color-sets. Designed by the bandusing Marko’s multitude of travelog photos, the images arewindows from the band’s living room onto a set of daydreams,scenes of impossible skies, external glances that illuminate what isgoing on inside. Each cover image comes with a matching colorvinyl. These too are all about looking out and looking back, in orderto better look ahead.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Fifteen Fifty-Three (4:07)\u003c\/div\u003e\n\u003cdiv\u003e2. May Ninth (3:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Ada Jean (3:19)\u003c\/div\u003e\n\u003cdiv\u003e4. Farolim De Felgueiras (2:00)\u003c\/div\u003e\n\u003cdiv\u003e5. Pon Pón (2:58)\u003c\/div\u003e\n\u003cdiv\u003e6. Todavía Viva (4:23)\u003c\/div\u003e\n\u003cdiv\u003e7. Juegos Y Nubes (2:04)\u003c\/div\u003e\n\u003cdiv\u003e8. Hold Me Up (Thank You) (3:49)\u003c\/div\u003e\n\u003cdiv\u003e9. Caja De La Sala (1:49)\u003c\/div\u003e\n\u003cdiv\u003e10. Three From Two (3:34)\u003c\/div\u003e\n\u003cdiv\u003e11. A Love International (4:15)\u003c\/div\u003e\n\u003cdiv\u003e12. Les Petits Gris (4:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605165721\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.5.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455528939675,"sku":"151700","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-a-la-sala-cd-relix.jpg?v=1777519680"},{"product_id":"khruangbin-live-at-rbc-echo-beach-lp-vinyl","title":"Khruangbin – Live at RBC Echo Beach (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLaura Lee, Mark Speer, and Donald Ray \"DJ\" Johnson Jr. have built one of the most quietly devoted followings in contemporary music through relentless touring and a sound that pulls equally from Thai funk, dub, and soul without ever announcing itself too loudly. Echo Beach, the beloved Toronto outdoor venue on Lake Ontario, has hosted some of the city's most memorable summer nights, and Khruangbin's rapport with Canadian audiences runs deep.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003c!--filtered--\u003eIt's only fitting that Khruangbin’s first-\u003c!--filtered--\u003e\u003c!--filtered--\u003eever official live releases would be albums \u003c!--filtered--\u003e\u003c!--filtered--\u003epaired with their tourmates: artists whose \u003c!--filtered--\u003e\u003c!--filtered--\u003emusic they love and admire, friends who’ve \u003c!--filtered--\u003e\u003c!--filtered--\u003ebecome family along the way. Khruangbin’s \u003c!--filtered--\u003e\u003c!--filtered--\u003eseries of live LPs traces just one small slice \u003c!--filtered--\u003e\u003c!--filtered--\u003eof the band’s flight plan through the years: \u003c!--filtered--\u003e\u003c!--filtered--\u003eit’s a taste of some of their most beloved \u003c!--filtered--\u003e\u003c!--filtered--\u003ecities, stages and nights. Each release comes \u003c!--filtered--\u003e\u003c!--filtered--\u003ewith a limited-edition unique album cover \u003c!--filtered--\u003e\u003c!--filtered--\u003eexclusive for the recording’s home turf, just a \u003c!--filtered--\u003e\u003c!--filtered--\u003elittle something extra for the fans that bring a \u003c!--filtered--\u003e\u003c!--filtered--\u003elittle something extra. Most of all, this series \u003c!--filtered--\u003e\u003c!--filtered--\u003eignites both sides of the band’s magic: the \u003c!--filtered--\u003e\u003c!--filtered--\u003ewarm, prismatic feeling of their albums and \u003c!--filtered--\u003e\u003c!--filtered--\u003ethe bewitching energy of their performances. \u003cbr\u003e\u003cbr\u003e\u003c!--filtered--\u003e\u003c!--filtered--\u003e‘Live at RBC Echo Beach’ features \u003c!--filtered--\u003e\u003c!--filtered--\u003eperformances by Men I Trust and \u003c!--filtered--\u003e\u003c!--filtered--\u003eKhruangbin.\u003c!--filtered--\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Sugar (3:05)\u003c\/div\u003e\n\u003cdiv\u003e2. All Night (4:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Seven (4:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Show Me How (3:33)\u003c\/div\u003e\n\u003cdiv\u003e5. Say Can You Hear (3:34)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Dern Kala (3:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Lady And Man (7:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Evan Finds The Third Room (5:25)\u003c\/div\u003e\n\u003cdiv\u003e4. White Gloves (3:19)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605163314\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.11.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455529398427,"sku":"135328","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-live-at-rbc-echo-beach-vinyl-lp-relix.jpg?v=1777519299"},{"product_id":"khruangbin-live-at-stubbs-lp-vinyl","title":"Khruangbin – Live At Stubb's (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Austin, Texas trio of Laura Lee Ochoa, Mark Speer, and Donald Ray \"DJ\" Williams Jr. have built one of the more devoted live followings of the past decade, largely through word of mouth and the kind of hypnotic, groove-locked sets that reward patient listeners. Stubb's Waller Creek Amphitheatre is sacred ground for Texas music, and catching Khruangbin there carries the weight of hometown ceremony.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003c!--filtered--\u003eIt's only fitting that Khruangbin’s first-\u003c!--filtered--\u003e\u003c!--filtered--\u003eever official live releases would be albums \u003c!--filtered--\u003e\u003c!--filtered--\u003epaired with their tourmates: artists whose \u003c!--filtered--\u003e\u003c!--filtered--\u003emusic they love and admire, friends who’ve \u003c!--filtered--\u003e\u003c!--filtered--\u003ebecome family along the way. Khruangbin’s \u003c!--filtered--\u003e\u003c!--filtered--\u003eseries of live LPs traces just one small slice \u003c!--filtered--\u003e\u003c!--filtered--\u003eof the band’s flight plan through the years: \u003c!--filtered--\u003e\u003c!--filtered--\u003eit’s a taste of some of their most beloved \u003c!--filtered--\u003e\u003c!--filtered--\u003ecities, stages and nights. Each release comes \u003c!--filtered--\u003e\u003c!--filtered--\u003ewith a limited-edition unique album cover \u003c!--filtered--\u003e\u003c!--filtered--\u003eexclusive for the recording’s home turf, \u003c!--filtered--\u003e\u003c!--filtered--\u003ejust a little something extra for the fans that \u003c!--filtered--\u003e\u003c!--filtered--\u003ebring a little something extra. Most of all, \u003c!--filtered--\u003e\u003c!--filtered--\u003ethis series ignites both sides of the band’s \u003c!--filtered--\u003e\u003c!--filtered--\u003emagic: the warm, prismatic feeling of their \u003c!--filtered--\u003e\u003c!--filtered--\u003ealbums and the bewitching energy of their \u003c!--filtered--\u003e\u003c!--filtered--\u003eperformances.\u003c!--filtered--\u003e\u003c!--filtered--\u003e‘Live at Stubbs’ features performances by \u003c!--filtered--\u003e\u003c!--filtered--\u003eKelly Doyle, Ruben Moreno, The Suffers and \u003c!--filtered--\u003e\u003c!--filtered--\u003eRobert Ellis and Khruangbin.\u003c!--filtered--\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Woman Trouble (2:10)\u003c\/div\u003e\n\u003cdiv\u003e2. At The Trailride (4:28)\u003c\/div\u003e\n\u003cdiv\u003e3. Don’t Bother Me (3:25)\u003c\/div\u003e\n\u003cdiv\u003e4. Nobody Smokes Anymore (3:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Blind Man Can See It \/ (It’s Not The Express) It’s The Monaurail (2:21)\u003c\/div\u003e\n\u003cdiv\u003e6. Bin Bin (2:31)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Friday Morning (6:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Number 4 (4:24)\u003c\/div\u003e\n\u003cdiv\u003e3. People Everywhere (Still Alive) (9:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605163116\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.19.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455532609691,"sku":"449681","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-live-at-stubb-s-vinyl-lp-relix.jpg?v=1777519265"},{"product_id":"khruangbin-live-at-radio-city-music-hall-new-york-edition-lp-vinyl","title":"Khruangbin – Live at Radio City Music Hall: New York Edition (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Houston trio of Laura Lee Ochoa, Mark Speer, and Donald Ray \"DJ\" Williams Jr. built their following the old-fashioned way, through relentless touring and a live reputation that spread word-of-mouth long before the algorithms caught up. Radio City Music Hall represents a particular kind of arrival, one of the most storied venues in New York City, and pairing the night with British saxophonist Nubya Garcia brought two distinct worlds of groove and improvisation into the same room.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003c!--filtered--\u003eIt's only fitting that Khruangbin’s first-\u003c!--filtered--\u003e\u003c!--filtered--\u003eever official live releases would be albums \u003c!--filtered--\u003e\u003c!--filtered--\u003epaired with their tourmates: artists whose \u003c!--filtered--\u003e\u003c!--filtered--\u003emusic they love and admire, friends who’ve \u003c!--filtered--\u003e\u003c!--filtered--\u003ebecome family along the way. Khruangbin’s \u003c!--filtered--\u003e\u003c!--filtered--\u003eseries of live LPs traces just one small slice \u003c!--filtered--\u003e\u003c!--filtered--\u003eof the band’s flight plan through the years: \u003c!--filtered--\u003e\u003c!--filtered--\u003eit’s a taste of some of their most beloved \u003c!--filtered--\u003e\u003c!--filtered--\u003ecities, stages and nights. Each release comes \u003c!--filtered--\u003e\u003c!--filtered--\u003ewith a limited-edition unique album cover \u003c!--filtered--\u003e\u003c!--filtered--\u003eexclusive for the recording’s home turf, \u003c!--filtered--\u003e\u003c!--filtered--\u003ejust a little something extra for the fans that \u003c!--filtered--\u003e\u003c!--filtered--\u003ebring a little something extra. Most of all, \u003c!--filtered--\u003e\u003c!--filtered--\u003ethis series ignites both sides of the band’s \u003c!--filtered--\u003e\u003c!--filtered--\u003emagic: the warm, prismatic feeling of their \u003c!--filtered--\u003e\u003c!--filtered--\u003ealbums and the bewitching energy of their \u003c!--filtered--\u003e\u003c!--filtered--\u003eperformances.\u003cbr\u003e\u003cbr\u003e\u003c!--filtered--\u003e\u003c!--filtered--\u003e‘Live at Radio City Music Hall’ features \u003c!--filtered--\u003e\u003c!--filtered--\u003eperformances by Nubya Garcia and \u003c!--filtered--\u003e\u003c!--filtered--\u003eKhruangbin.\u003c!--filtered--\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Source (9:18)\u003c\/div\u003e\n\u003cdiv\u003e2. The Message Continues (7:50)\u003c\/div\u003e\n\u003cdiv\u003e3. La Cumbia Me Está Llamando (3:22)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. So We Won't Forget (5:11)\u003c\/div\u003e\n\u003cdiv\u003e2. The Infamous Bill (4:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Pelota (2:47)\u003c\/div\u003e\n\u003cdiv\u003e4. Time (You and I) (9:01)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605163239\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.30.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455533068443,"sku":"358548","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-live-at-radio-city-music-hall-new-york-edition-vinyl-lp-relix.jpg?v=1777519335"},{"product_id":"farka-vieux-toure-khruangbin-ali-colored-limited-edition-aus-lp-vinyl","title":"Farka Vieux Toure  \/ Khruangbin – Ali (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eVieux Farka Touré has spent years carrying his father's musical torch while forging his own path through the international touring circuit, and pairing him with Houston's Khruangbin, a trio steeped in global groove and reverb-soaked string work, turns out to be an inspired match. The chemistry here runs deep, with Khruangbin's understated, texture-first approach giving Vieux's guitar work room to breathe and burn in equal measure.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAli Farka Touré is well known as one of the most influential and talented guitarists that Africa has ever produced. His legacy and impact are hard to overstate. Ali's sound merged his much-loved traditional Malian musical styles with distinct elements of the blues, singing in the local languages of Fulfulde, Tamasheq, Songhay and Bambara. The result was the creation of a groundbreaking new genre, now well known as the 'desert blues', earning him three Grammy awards, widespread reverence and the nickname of the 'African John Lee Hooker'.Though he transcended in 2006, Ali's musical legacy lives on through his son, Vieux aka \"the Hendrix of the Sahara,\" an accomplished guitarist and champion of Malian music in his own right. On Ali, his collaborative album with Khruangbin, Vieux pays homage to his father by recreating some of his most resonant work, putting new twists on it while maintaining the original's integrity. The result is a rightful ode to a legend.Ali isn't just a greatest hits compilation. It's a lullaby, a remembrance of Ali's life through known highlights and B-sides from his catalog. It is a testament to what happens when creativity is approached through open arms and open hearts. \"To me, music is magic, it is spontaneous, it is the energy between people,\" Vieux says. \"I think Khruangbin understands this very well.\"The genesis of the album dates back to 2019, when Khruangbin, coming off their breakthrough album Con Todo el Mundo, was beginning to play to bigger crowds. The record was finished in 2021, as a global pandemic shuttered businesses and forced us to take stock of what Earth was becoming. Indirectly, Ali captures this as a moment of peace within a raging storm, a conversation between past and present without allegiance to suffering. Now, given Khruangbin's reach as a unit with legions of fans (including the likes of Jay-Z and Paul McCartney), they're poised to bring Malian music to broader groups of listeners.Ali is a masterful work in which the love surrounding it is just as vital as the music itself, driving it to unforeseen places; Vieux and Khruangbin are spreading the good word to a completely new generation. \"I hope it takes them somewhere new, or puts them in a place they haven't felt or heard,\" Lee says. \"It is about the love of new friendship and making something beautiful together,\" Vieux continues. \"It is about pouring your love into something old to make it new again. In the end and in a word it is love, that's all.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Savanne (5:16)\u003c\/div\u003e\n\u003cdiv\u003e2. Lobbo (4:34)\u003c\/div\u003e\n\u003cdiv\u003e3. Diarabi (5:01)\u003c\/div\u003e\n\u003cdiv\u003e4. Tongo Barra (5:35)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Tamalla (5:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Mahine Me (2:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Ali Hala Abada (5:02)\u003c\/div\u003e\n\u003cdiv\u003e4. Alakarra (2:59)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605157443\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.23.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455538311323,"sku":"462632","price":51.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-farka-vieux-toure-khruangbin-ali-colored-limited-edition-aus-lp-vinyl-vinyl-lp-relix.jpg?v=1777519802"},{"product_id":"khruangbin-hasta-el-cielo-lp-7in","title":"Khruangbin – Hasta El Cielo (LP Vinyl + 7-inch)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKhruangbin built their reputation on music that already sounds like it's arriving from some far-off frequency, all reverb-soaked guitar, locked-in bass, and percussion that breathes. Handing \"Con Todo El Mundo\" over to Scientist, one of the architects of the classic Jamaican dub canon, isn't a gimmick; it's a natural extension of sounds that were always pointing toward Kingston.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGlobetrotting Texan trio Khruangbin are set to release 'Hasta El Cielo', the band's glorious dub version of their second album 'Con Todo El Mundo'. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist.\u003c\/p\u003e\r\n\u003cp\u003eThe band's exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Indeed, keen fans won't find this a surprising release. Dubs of tracks from their first album 'The Universe Smiles Upon' appeared on limited vinyl releases of 'People Everywhere' for Record Store Day 2016 and 'Zionsville' on the BoogieFuturo remix 12\". The especially eagle-eared will have caught a dub of 'Two Fish And An Elephant' playing over the credits of the track's celebrated video. \u003c\/p\u003e\r\n\u003cp\u003eFormed of Laura Lee on bass, Mark Speer on guitar, and Donald \"DJ\" Johnson on drums; Khruangbin's sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia. Their 2015 debut album 'The Universe Smiles Upon You' was heavily influenced by 60's and 70's Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. 2018's follow up 'Con Todo El Mundo', which received hugely positive critical reactions and radio play around the world, took inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran. \u003c\/p\u003e\r\n\u003cp\u003e\"For us, Dub has always felt like a prayer. Spacious, meditative, able to transport the listener to another realm. The first dub albums we listened to were records mixed by Scientist featuring the music of the Roots Radics. Laura Lee learned to play bass by listening to Scientist Wins the World Cup. His unique mixing style, with the emphasis on space and texture, creates the feeling of frozen time; it was hugely influential to us as a band. To be able to work alongside Scientist, a legend in the history of dub, is an honor. This is our dub version of Con Todo El Mundo.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. With All The World\u003c\/div\u003e\n\u003cdiv\u003e2. Sisters \u0026amp; Brothers\u003c\/div\u003e\n\u003cdiv\u003e3. Mary Always\u003c\/div\u003e\n\u003cdiv\u003e4. Four Of Five\u003c\/div\u003e\n\u003cdiv\u003e5. How I Love\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Sunny's Vision\u003c\/div\u003e\n\u003cdiv\u003e2. A La Sala\u003c\/div\u003e\n\u003cdiv\u003e3. The Red Book\u003c\/div\u003e\n\u003cdiv\u003e4. Order Of Operations\u003c\/div\u003e\n\u003cdiv\u003e5. Hasta El Cielo\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Rules (Scientist Dub Mix)\u003c\/div\u003e\n\u003cdiv\u003e2. Cómo Te Quiero (Scientist Dub Mix)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605149219\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.12.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455539163291,"sku":"350131","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-hasta-el-cielo-lp-7in-vinyl-lp-relix.jpg?v=1777519438"},{"product_id":"khruangbin-texas-moon-ep-cd","title":"Khruangbin – Texas Moon (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKhruangbin built their reputation on a kind of late-night, borderless sound, drawing from Thai funk, dub, and soul in equal measure, so pairing them with Leon Bridges wasn't a left turn so much as a natural convergence. Where Texas Sun leaned into warmth and open road energy, Texas Moon settles into something slower and more meditative, the kind of music that sounds best well past midnight.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"Two of the acts boldly leading Texas music into the future have now delivered a second chapter of their groundbreaking collaboration, further extending the region’s sonic possibilities. Singer\/songwriter Leon Bridges, from Ft. Worth, and trailblazing Houston trio Khruangbin have joined forces for the Texas Moon EP, a follow-up to 2020’s acclaimed Texas Sun project. While the five new songs are clearly a continuation of the first EP, they also have an identity all their own—Bridges calls it “more introspective,” while Khruangbin bassist Laura Lee says it “feels more night time.” When Texas Sun was released, AllMusic called the results “intoxicating” and Paste noted that “their talents and character go together so well.” Now comes the next stage—a set of songs that touch on themes like love, faith, and death while exploring new dimensions of inventive, hypnotic grooves. Significantly, both parties’ musical directions were clearly affected by their time working together. Khruangbin’s most recent album, Mordechai, moved their own vocals much further forward, a change they readily admit was a direct result of working with Bridges. Meanwhile, since these recordings began, in addition to his genre-defying album Gold-Digger’s Sound, Bridges has put out several other challenging, shared tracks, including work with John Mayer, Lucky Daye, and Jazmine Sullivan. Texas Moon represents a genuine and rare achievement, with two of the most respected and innovative acts of their generation truly collaborating to create something new. “As far as an essentially instrumental band, these guys are kind of the top for me,” says Bridges. “I’m honored to have been the first singer that they’ve incorporated in their music.” “It feels really special to me,” says Lee. “It’s not Khruangbin, it’s not Leon, it’s this world we created together.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Doris (3:50)\u003c\/div\u003e\n\u003cdiv\u003e2. B-Side (4:34)\u003c\/div\u003e\n\u003cdiv\u003e3. Chocolate Hills (3:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Father Father (5:53)\u003c\/div\u003e\n\u003cdiv\u003e5. Mariella (5:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605155425\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.18.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455539425435,"sku":"377176","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-texas-moon-ep-cd-relix.jpg?v=1777518891"},{"product_id":"khruangbin-live-at-the-fillmore-miami-florida-edition-lp-vinyl","title":"Khruangbin – Live at The Fillmore Miami: Florida Edition (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Houston trio built their reputation the old-fashioned way, through relentless touring and a live show that rewards patience, where familiar studio textures slowly dissolve into something looser and more hypnotic. Pairing them with Toro y Moi at one of Miami's most storied venues makes for a document that captures two of indie music's most distinctive sonic signatures on the same night.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003c!--filtered--\u003eIt's only fitting that Khruangbin’s first-\u003c!--filtered--\u003e\u003c!--filtered--\u003eever official live releases would be albums \u003c!--filtered--\u003e\u003c!--filtered--\u003epaired with their tourmates: artists whose \u003c!--filtered--\u003e\u003c!--filtered--\u003emusic they love and admire, friends who’ve \u003c!--filtered--\u003e\u003c!--filtered--\u003ebecome family along the way. Khruangbin’s \u003c!--filtered--\u003e\u003c!--filtered--\u003eseries of live LPs traces just one small slice \u003c!--filtered--\u003e\u003c!--filtered--\u003eof the band’s flight plan through the years: \u003c!--filtered--\u003e\u003c!--filtered--\u003eit’s a taste of some of their most beloved \u003c!--filtered--\u003e\u003c!--filtered--\u003ecities, stages and nights. Each release comes \u003c!--filtered--\u003e\u003c!--filtered--\u003ewith a limited-edition unique album cover \u003c!--filtered--\u003e\u003c!--filtered--\u003eexclusive for the recording’s home turf, just a \u003c!--filtered--\u003e\u003c!--filtered--\u003elittle something extra for the fans that bring a \u003c!--filtered--\u003e\u003c!--filtered--\u003elittle something extra. Most of all, this series \u003c!--filtered--\u003e\u003c!--filtered--\u003eignites both sides of the band’s magic: the \u003c!--filtered--\u003e\u003c!--filtered--\u003ewarm, prismatic feeling of their albums and \u003c!--filtered--\u003e\u003c!--filtered--\u003ethe bewitching energy of their performances.\u003cbr\u003e\u003cbr\u003e\u003c!--filtered--\u003e\u003c!--filtered--\u003e‘Live at The Fillmore Miami’ features \u003c!--filtered--\u003e\u003c!--filtered--\u003eperformances by Toro Y Moi and \u003c!--filtered--\u003e\u003c!--filtered--\u003eKhruangbin.\u003c!--filtered--\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Ordinary Pleasure (3:17)\u003c\/div\u003e\n\u003cdiv\u003e2. Girl Like You (3:56)\u003c\/div\u003e\n\u003cdiv\u003e3. The Loop (3:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Déjà Vu (3:05)\u003c\/div\u003e\n\u003cdiv\u003e5. Millennium (3:12)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. First Class (5:26)\u003c\/div\u003e\n\u003cdiv\u003e2. August 12 (5:04)\u003c\/div\u003e\n\u003cdiv\u003e3. August 10 (9:32)\u003c\/div\u003e\n\u003cdiv\u003e4. Maria También (4:56)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605163437\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.22.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455541457051,"sku":"595780","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Khruangbin-Live-at-The-Fillmore-Miami-Florida-Edition-LP-Vinyl.png?v=1777379709"},{"product_id":"khruangbin-a-la-sala-lp-vinyl","title":"Khruangbin – A LA SALA (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eAbove all else, Khruangbin are vibe masters—as chic as a high-end perfume ad, as luxuriously chill as a post-edible nap on a pleasure cruise. But what makes them special is the grit, the hiss, the natural reverb—all of the human touches that have helped them seamlessly build from an obscure, free-flowing, globally minded psych-rock band into a tastemaking big-deal festival draw with high-profile collaborations (a pair of killer EPs with Leon Bridges) and grooves warm enough to soundtrack Miller Lite ads. That arc, perhaps predictably, yielded the wider breakthrough of 2020's Mordechai, their third full-length set and first with prominent vocals—and as evidenced by \"Time (You and I)\" and \"So We Won't Forget,\" they could have keep cruising comfortably down that hooky highway. Instead, with follow-up A La Sala, they've pivoted back to more raw, stripped-down arrangements, mostly prioritizing atmosphere over conventional songcraft. But who could possibly complain? Khruangbin utilize just about all of their favorite tools: Mark Speer's surf-rock reverb pairs nicely with Laura Lee's purring bass on \"Fifteen Fifty-Three,\" while \"Hold Me Up (Thank You)\" is pocket-funk perfection, with a barely there vocal gliding over Lee's percolating bass, Speer's slippery guitar reverb and DJ Johnson's minimalist drumming, veering into Latin territory in the B-section. Yet, the centerpiece is \"May Ninth,\" a smiling but tear-streaked psych-soul pitter-patter—like strolling through the park on a spring day, with a storm cloud on the horizon. The vibe has never been thicker.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Ryan Reed, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/khruangbin-a-la-sala\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRooted in the same Houston rehearsal space where the trio first developed their signature blend of global sounds, from Thai funk and dub to Lebanese psych and cumbia, Khruangbin have always made music that feels like a late-night drive through somewhere you've never been. A La Sala pulls back the curtain just slightly, capturing the band in their most intimate configuration yet, a document of three players who have spent years learning exactly when to leave space.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eKhruangbin’s fourth studio album, A La Sala (“To the Room” inSpanish), is an exercise in returning in order to go further, anddoing so on your own terms. It continues the mystery and sanctitythat is the key to how bassist Laura Lee Ochoa, drummer Donald“DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music.If 2020’s Mordechai, the last studio LP Khruangbin made withoutcollaborators, was a party record that enhanced the band’s musicalreputation far and wide, then A La Sala is the measured morningafter. It’s a gorgeously airy record completed only in the companyof the group’s longtime engineer Steve Christensen, with minimaloverdubs. It’s a window onto the bounties powering Khruangbin’svision, a reimagining and refueling for the long haul ahead. A LaSala scales Khruangbin down to scale up, a creative strategy withthe future in mind.\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe trio’s collective musical DNA, the years spent constructing itin Houston’s local-meets-global cultural stew, ensures the bandcontinues to sound like no one but itself. A cascade of crispmelodies emanates from Marko’s reverb-heavy electric, dancinggently around Laura Lee’s minimalist almost-dub bass triangles,while DJ’s drums serve as the tightened-up pocket and unwaveringdance-floor on which all this movement takes place. Yet there’s afreshness to A La Sala’s instrumental interactivity, less concernedwith getting further out than going deeper in, a profound desire tocelebrate the world’s external wonders. Where prior albums strivedtowards music’s polyglot edges, such inquiries now sound likebeloved intimacies. Here, Khruangbin’s sonic touch-points —whether spaghetti-western film scores (on “Fifteen Fifty-Three”),West African discos (on “Pon Pón”), G-funk fantasias (“TodavíaViva”), living room dancing moments (the first single, “A LoveInternational”), or even ambient found-sounds (on “Farolim deFelgueiras and throughout the album”) — are ingrainedcharacteristics. This is who they are! Unique and huge (andgrowing), ambitious and driven.\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKhruangbin’s aspirations and commitment to playful creativityeven extends to A La Sala’s vinyl packages, of which there will beseven distinctive covers and color-sets. Designed by the bandusing Marko’s multitude of travelog photos, the images arewindows from the band’s living room onto a set of daydreams,scenes of impossible skies, external glances that illuminate what isgoing on inside. Each cover image comes with a matching colorvinyl. These too are all about looking out and looking back, in orderto better look ahead.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Fifteen Fifty-Three\u003c\/div\u003e\n\u003cdiv\u003e2. May Ninth\u003c\/div\u003e\n\u003cdiv\u003e3. Ada Jean\u003c\/div\u003e\n\u003cdiv\u003e4. Farolim De Felgueiras\u003c\/div\u003e\n\u003cdiv\u003e5. Pon Pón\u003c\/div\u003e\n\u003cdiv\u003e6. Todavía Viva\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Juegos Y Nubes\u003c\/div\u003e\n\u003cdiv\u003e2. Hold Me Up (Thank You)\u003c\/div\u003e\n\u003cdiv\u003e3. Caja De La Sala\u003c\/div\u003e\n\u003cdiv\u003e4. Three From Two\u003c\/div\u003e\n\u003cdiv\u003e5. A Love International\u003c\/div\u003e\n\u003cdiv\u003e6. Les Petits Gris\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605165714\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.5.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455542800539,"sku":"522456","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-a-la-sala-vinyl-lp-relix.jpg?v=1777519577"},{"product_id":"khruangbin-mordechai-remixes-lp-vinyl","title":"Khruangbin – Mordechai Remixes (2-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eWhen listening to really anything by the Houston, Texas-based groove-psych trio Khruangbin, it's easy to imagine their music as perfect fodder for remixes. Their sound is rooted in dub, which includes a tradition of remix. Mordechai Remixes continues this approach, turning over their 2020 album to a handful of artists who put electro spins on their chilled-out grooves. This isn't the first time they've flipped an entire album; the trio's 2018 breakout Con Todo El Mundo yielded a dub version of the album, Hasta El Cielo, in 2019. If Mordechai itself is akin to your Sunday-morning-I-need-to-ease-into-the-week Khruangbin, then Remixes is that late-night comedown session. On Natasha Diggs' \"First Class (Soul in the Horn Remix),\" she upgrades the Mordechai opener to a Thievery Corporation-style groove, with yes, a boost of soulful horns throughout. Veteran house DJ Ron Trent takes the closer \"Shida,\" and puts a shimmering effect on the band's groove, moving the guitar line to the background, and pulling up the island rhythms, front and center. And \"Pelota\" gets a tempo upgrade from New York City-based electronic artist Quantic, breathing a more dance-driven life into the original. It's that notion that Remixes excels at. The original Mordechai was uber chill; Remixes smartly interjects some urgency into the album's foundation.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Mike Ayers, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/khruangbin-mordechai-remixes\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Houston trio built *Mordechai* on texture, restraint, and a kind of stateless groove that borrows equally from Thai funk, dub, and soul without fully belonging to any of them, which makes it ideal raw material for reimagination. Contributors here approach those original recordings the way a good jam band approaches a standard, finding new corridors inside familiar architecture.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"The dancer wants to get in a groove and stay there until he has exhausted his invention or his body. The timescale and momentum of any physical activity is vastly different from the attention span of listening.\"Albert Goldman \"A good remix is when the remixer's sonic fingerprint is present, without sounding forced. It should feel like it's own story, with at least some of the same characters as the original.\" Khruangbin The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work.  Moulton's first commercial remix, a reworking of BT Express' appropriately-named 'Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing it's first Billboard R\u0026amp;B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Scott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' 'Professional Widow').  Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. \"We write our music to be interpreted; this is another wonderful interpretation of the music,\" reassure Khruangbin. \"There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves.\" The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled 'White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right?  Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. \"A good remix deconstructs, recontextualizes, or simply extends a good time,\" say the band. Amen and out. Bill Brewster\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Father Bird, Mother Bird (Sunbirds) (2:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Connaissais De Face (Tiger?) (3:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Dearest Alfred (MyJoy) (3:16)\u003c\/div\u003e\n\u003cdiv\u003e4. First Class (Soul In The Horn Remix) (6:20)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. If There Is No Question (Soul Clap's Wild, But Not Crazy Mix) (7:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Pelota (Cut A Rug Mix) (5:02)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Time (You And I) (Put A Smile On DJ's Face Mix) (9:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Shida (Bella's Suite) (8:35)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. So We Won't Forget (Mang Dynasty Version) (6:32)\u003c\/div\u003e\n\u003cdiv\u003e2. One To Remember (Forget Me Nots Dub) (5:12)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605153018\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.29.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455547060379,"sku":"613390","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-mordechai-remixes-vinyl-lp-relix.jpg?v=1777519028"},{"product_id":"khruangbin-con-todo-el-mundo-cd","title":"Khruangbin – Con Todo El Mundo (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHouston's Khruangbin built their early following largely through word of mouth and relentless touring, developing a devoted cult audience before most music press caught on. Their sound sits at a genuine crossroads, drawing on crate-digging obsessions with regional music from across the globe while remaining rooted in the feel of a tight live trio that locks in and lets grooves breathe.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eFormed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; globetrotting Texan trio Khruangbin present their second album ‘Con Todo El Mundo’, set for release on 26th January 2018. Whereas their 2015 debut album ‘The Universe Smiles Upon You’ was influenced by 60s and 70s Thai cassettes and compilations of southeast Asian pop, rock and funk, ‘Con Todo El Mundo’ hops east over India to take inspiration in similarly under discovered funk and soul sounds of the Middle-East, particularly from Iran. Laura Lee explains the album’s title: “My grandpa would always ask me ‘Como me quieres?’ (‘how much do you love me’?), and he’d only ever accept one response. ‘Con todo el mundo’ (With all the world).” Throughout ‘Con Todo El Mundo’, Laura Lee’s melodic low-end theory, Mark’s lyrical, free-role guitar lines, and DJ’s ever-steady, ever-ready backbeat form something greater than their parts. A vibe-synchronous soul-unit travelling the planet, honing their craft, absorbing the sights, sounds and feels from cultures across the globe, processing them through the Khruangbin filter and gifting the result...with all the world.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Como Me Quieres\u003c\/div\u003e\n\u003cdiv\u003e2. Lady and Man\u003c\/div\u003e\n\u003cdiv\u003e3. Maria También\u003c\/div\u003e\n\u003cdiv\u003e4. August 10\u003c\/div\u003e\n\u003cdiv\u003e5. Como Te Quiero\u003c\/div\u003e\n\u003cdiv\u003e6. Shades of Man\u003c\/div\u003e\n\u003cdiv\u003e7. Evan Finds the Third Room\u003c\/div\u003e\n\u003cdiv\u003e8. A Hymn\u003c\/div\u003e\n\u003cdiv\u003e9. Rules\u003c\/div\u003e\n\u003cdiv\u003e10. Friday Morning\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605145327\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.26.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455547256987,"sku":"515810","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-con-todo-el-mundo-cd-relix.jpg?v=1777519528"},{"product_id":"khruangbin-texas-sun-ep-cd","title":"Khruangbin – Texas Sun (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe chemistry between Leon Bridges and Khruangbin runs deeper than geography. Bridges' classic soul sensibility and the trio's hazy, globe-trotting groove vocabulary turn out to be a natural fit, two distinctly Texas sounds finding common ground in warmth and space. The four tracks here move at the unhurried pace of a long highway drive, proving that sometimes the best collaborations are the ones that feel completely inevitable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eDriving anywhere in Texas can cost you half a day, easy. For example, it'll take you over four hours just to get from R\u0026amp;B singer Leon Bridges' hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you're in. And it's all baking under the Texas Sun that lends it's name to Bridges and Khruangbin's new collaborative EP. \"Big sky country, that's what they call Texas,\" Khruangbin bassist Laura Lee says. \"The horizon line goes all the way from one side to another without interruption. There's something really comforting about that.\" On Texas Sun, these two members of the state's musical vanguard meet up somewhere in the middle of that scene, in the mythical nexus of Texas' past, present, and future-a dreamy badlands where genres blur as seamlessly as the terrain. It calls equally to the cowboys boot-scooting at Billy Bob's in Fort Worth, the chopped-and-screwed hip-hop fans rattling slabs on the southside of Houston, the art-school kids dropping acid in Austin, the cross-cultural progeny who grew up on listening to both mariachi and post-hardcore out on the Mexican borders of El Paso. All of these things, overlapping in a multicolored melange, purple hues as vivid and unpredictable as one of the state's rightfully celebrated sunsets. A journey through homesick reminiscences, backseat romances, and late-night contemplations, the kind of record made for listening with the windows down and the road humming softly beneath you. Like the highways that inspired it, Texas Sun is guaranteed to get you where you're going-especially if you're in no particular hurry to get there.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605151427\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.7.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Texas Sun (4:13)\u003c\/div\u003e\n\u003cdiv\u003e2. Midnight (5:15)\u003c\/div\u003e\n\u003cdiv\u003e3. C-Side (4:44)\u003c\/div\u003e\n\u003cdiv\u003e4. Conversion (6:46)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455550861467,"sku":"556531","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-texas-sun-ep-cd-relix.jpg?v=1777518834"},{"product_id":"khruangbin-mordechai-lp-vinyl","title":"Khruangbin – Mordechai (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOn their first two albums, Khruangbin communicated through groove, not literal language. Sure, there were speckles of reverbed coo sprinkled amid their acid-trip guitars and minimalist, multi-cultural funk rhythms—but those were merely a few tools in their arsenal, carrying less weight than phaser pedals and crackling snares. But on their third proper full-length LP, Mordechai, the Houston trio prioritize the human voice with surprising confidence, singing on nearly every track. That stylistic shift broadens the band's appeal: It's easy to picture the dreamy psych-soul pulse of \"So We Won't Forget,\" with its wispy, intertwined vocal hook, soundtracking the bittersweet roadtrip montage of an indie dramedy. The churning disco of \"Time (You and I)\" showcases their knack for composing ear worms, as bassist Laura Lee struts in a suave deadpan over DJ Johnson's four-on-the-floor groove, retro synth bubbles, tumbling congas and Mark Speer's spring-loaded funk guitar. Crucially, the words are kept to a minimum, never disrupting the vibe. \"If we had more time, we could live forever\/ Just you and I, we could be together,\" Lee sings on \"Time (You and I)\"—no one would consider it Shakespeare, but it's exactly what's needed. The increase in accessibility makes sense: Mordechai follows only a few months after Texas Sun, their sleek collaborative EP with R\u0026amp;B heavyweight Leon Bridges. But it's not as if Khruangbin have gone pop. The record, like its predecessors, is impossible to pin to a specific time or place: There are glimpses of Latin percussion and African guitar patterns, all riding the same spaced-out wave. No other band feels so gloriously adrift in their own ocean of sound.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Ryan Reed, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/khruangbin-mordechai\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHouston's Khruangbin built their reputation on records that felt like late-night drives through no particular country, and the live shows to match. Mordechai arrived in the summer of 2020, finding the trio of Laura Lee, Mark Speer, and Donald Ray \"DJ\" Johnson Jr. leaning into melody and voice just as the world went quiet enough to actually listen.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eKhruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. First Class\u003c\/div\u003e\n\u003cdiv\u003e2. Time (You and I)\u003c\/div\u003e\n\u003cdiv\u003e3. Connaissais De Face\u003c\/div\u003e\n\u003cdiv\u003e4. Father Bird, Mother Bird\u003c\/div\u003e\n\u003cdiv\u003e5. If There Is No Question\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Pelota\u003c\/div\u003e\n\u003cdiv\u003e2. One To Remember\u003c\/div\u003e\n\u003cdiv\u003e3. Dearest Alfred\u003c\/div\u003e\n\u003cdiv\u003e4. So We Won’t Forget\u003c\/div\u003e\n\u003cdiv\u003e5. Shida\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605149318\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455563575451,"sku":"393209","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-mordechai-vinyl-lp-relix.jpg?v=1777519086"},{"product_id":"khruangbin-hasta-el-cielo-cd","title":"Khruangbin – Hasta El Cielo (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKhruangbin's music has always carried the ghost of sound systems and echo chambers, drawing as heavily from Thai funk and Ethiopian jazz as from the reggae and dub that shaped so much of the trio's Houston upbringing. Bringing Scientist into the process is a genuine meeting of kindred spirits, his legendary work with artists like Burning Spear and Bunny Wailer sharing Khruangbin's instinct for music that breathes, recedes, and pulls you back in.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGlobetrotting Texan trio Khruangbin are set to release 'Hasta El Cielo', the band's glorious dub version of their second album 'Con Todo El Mundo'. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist.\u003c\/p\u003e\r\n\u003cp\u003eThe band's exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Indeed, keen fans won't find this a surprising release. Dubs of tracks from their first album 'The Universe Smiles Upon' appeared on limited vinyl releases of 'People Everywhere' for Record Store Day 2016 and 'Zionsville' on the BoogieFuturo remix 12\". The especially eagle-eared will have caught a dub of 'Two Fish And An Elephant' playing over the credits of the track's celebrated video. \u003c\/p\u003e\r\n\u003cp\u003eFormed of Laura Lee on bass, Mark Speer on guitar, and Donald \"DJ\" Johnson on drums; Khruangbin's sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia. Their 2015 debut album 'The Universe Smiles Upon You' was heavily influenced by 60's and 70's Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. 2018's follow up 'Con Todo El Mundo', which received hugely positive critical reactions and radio play around the world, took inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran. \u003c\/p\u003e\r\n\u003cp\u003e\"For us, Dub has always felt like a prayer. Spacious, meditative, able to transport the listener to another realm. The first dub albums we listened to were records mixed by Scientist featuring the music of the Roots Radics. Laura Lee learned to play bass by listening to Scientist Wins the World Cup. His unique mixing style, with the emphasis on space and texture, creates the feeling of frozen time; it was hugely influential to us as a band. To be able to work alongside Scientist, a legend in the history of dub, is an honor. This is our dub version of Con Todo El Mundo.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. With All The World (3:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Sisters \u0026amp; Brothers (4:01)\u003c\/div\u003e\n\u003cdiv\u003e3. Mary Always (3:14)\u003c\/div\u003e\n\u003cdiv\u003e4. Four Of Five (4:17)\u003c\/div\u003e\n\u003cdiv\u003e5. How I Love (4:37)\u003c\/div\u003e\n\u003cdiv\u003e6. Sunny's Vision (3:40)\u003c\/div\u003e\n\u003cdiv\u003e7. A La Sala (4:21)\u003c\/div\u003e\n\u003cdiv\u003e8. The Red Book (3:12)\u003c\/div\u003e\n\u003cdiv\u003e9. Order Of Operations (4:27)\u003c\/div\u003e\n\u003cdiv\u003e10. Hasta El Cielo (6:41)\u003c\/div\u003e\n\u003ch4\u003eBonus Tracks\u003c\/h4\u003e\n\u003cdiv\u003e1. Rules (Scientist Dub Mix) (4:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Como Te Quiero (Scientist Dub Mix) (4:01)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605149226\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.12.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455566098587,"sku":"584100","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Khruangbin-Hasta-El-Cielo-CD.png?v=1777380014"},{"product_id":"khruangbin-mordechai-cd","title":"Khruangbin – Mordechai (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOn their first two albums, Khruangbin communicated through groove, not literal language. Sure, there were speckles of reverbed coo sprinkled amid their acid-trip guitars and minimalist, multi-cultural funk rhythms—but those were merely a few tools in their arsenal, carrying less weight than phaser pedals and crackling snares. But on their third proper full-length LP, Mordechai, the Houston trio prioritize the human voice with surprising confidence, singing on nearly every track. That stylistic shift broadens the band's appeal: It's easy to picture the dreamy psych-soul pulse of \"So We Won't Forget,\" with its wispy, intertwined vocal hook, soundtracking the bittersweet roadtrip montage of an indie dramedy. The churning disco of \"Time (You and I)\" showcases their knack for composing ear worms, as bassist Laura Lee struts in a suave deadpan over DJ Johnson's four-on-the-floor groove, retro synth bubbles, tumbling congas and Mark Speer's spring-loaded funk guitar. Crucially, the words are kept to a minimum, never disrupting the vibe. \"If we had more time, we could live forever\/ Just you and I, we could be together,\" Lee sings on \"Time (You and I)\"—no one would consider it Shakespeare, but it's exactly what's needed. The increase in accessibility makes sense: Mordechai follows only a few months after Texas Sun, their sleek collaborative EP with R\u0026amp;B heavyweight Leon Bridges. But it's not as if Khruangbin have gone pop. The record, like its predecessors, is impossible to pin to a specific time or place: There are glimpses of Latin percussion and African guitar patterns, all riding the same spaced-out wave. No other band feels so gloriously adrift in their own ocean of sound.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Ryan Reed, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/khruangbin-mordechai\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Houston trio of Laura Lee, Mark Speer, and Donald Ray \"DJ\" Johnson Jr. built their reputation through relentless touring and a deep crate-digging ethos that draws equally from Thai country music, Israeli funk, and Texas soul. Mordechai finds them leaning into the voices that were always underneath the surface, and the result feels less like a stylistic pivot than a natural exhale, the sound of a band fully comfortable in its own sprawling, borderless skin.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eKhruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features prominently vocalized tracks on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started when they came home.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. First Class (4:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Time (You And I) (5:42)\u003c\/div\u003e\n\u003cdiv\u003e3. Connaissais De Face (4:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Father Bird, Mother Bird (3:05)\u003c\/div\u003e\n\u003cdiv\u003e5. If There Is No Question (5:53)\u003c\/div\u003e\n\u003cdiv\u003e6. Pelota (2:47)\u003c\/div\u003e\n\u003cdiv\u003e7. One To Remember (4:30)\u003c\/div\u003e\n\u003cdiv\u003e8. Dearest Alfred (3:58)\u003c\/div\u003e\n\u003cdiv\u003e9. So We Won’t Forget (4:58)\u003c\/div\u003e\n\u003cdiv\u003e10. Shida (3:54)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605149325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455567179931,"sku":"578808","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-khruangbin-mordechai-cd-relix.jpg?v=1777519151"},{"product_id":"kevin-morby-oh-my-god-lp-vinyl","title":"Kevin Morby – Oh My God (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKevin Morby came up through the ranks of Woods and The Babies before striking out solo, and by the time Oh My God arrived in 2019, he had built a devoted following around his literate, Americana-inflected songwriting. Recorded with producer Ryan Hadlock, the album draws on gospel, folk, and rock with a sprawling ambition that suits the double-LP format naturally, giving each side room to breathe and the whole work a ceremonial weight.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThroughout his four solo albums and myriad records of various collaboration, Kevin Morby has recognized in his work the ubiquity of an apparent religious theme. Though not identifying as \"religious\" in the slightest, Morby-the globetrotting son of Kansas City who has made music while living on both coasts before recently returning to his Midwestern stomping grounds-recognizes in himself a somewhat spiritual being with a secular attitude towards the soulful. And so, in an effort to tackle that notion head-on and once-and-for-all, he sat down in his form of church-on planes and in beds-and wrote what would become his first true concept-album: the lavish, resplendent, career-best double LP Oh My God.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Oh My God\u003c\/div\u003e\n\u003cdiv\u003e2. No Halo\u003c\/div\u003e\n\u003cdiv\u003e3. Nothing Sacred \/ All Things Wild\u003c\/div\u003e\n\u003cdiv\u003e4. OMG Rock And Roll\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Seven Devils\u003c\/div\u003e\n\u003cdiv\u003e2. Hail Mary\u003c\/div\u003e\n\u003cdiv\u003e3. Piss River\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Savannah\u003c\/div\u003e\n\u003cdiv\u003e2. Storm (Beneath The Weather)\u003c\/div\u003e\n\u003cdiv\u003e3. Congratulations\u003c\/div\u003e\n\u003cdiv\u003e4. I Want To Be Clean\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Sing A Glad Song\u003c\/div\u003e\n\u003cdiv\u003e2. Ballad Of Faye\u003c\/div\u003e\n\u003cdiv\u003e3. O Behold\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605149110\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.26.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600398987419,"sku":"83250","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-kevin-morby-oh-my-god-vinyl-lp-relix.jpg?v=1779251512"},{"product_id":"kevin-morby-night-at-the-little-los-angeles-4-track-version-lp-vinyl","title":"Kevin Morby – Night At The Little Los Angeles (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKevin Morby has long understood that the most honest recordings happen before the second-guessing starts. These 4-track sketches, laid down in a backyard shed in Kansas, predate the polished *Sundowner* sessions and capture something rawer and more instinctive, the kind of late-night home recordings that reveal an artist thinking out loud rather than performing for posterity.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFriends! I am so pleased to announce A Night At The Little Los Angeles - the 4-track version of Sundowner. Recorded at home and in my back shed - aka The Little Los Angeles - in suburban Kansas during the summer and winter seasons of 2017 and 2018. This is quite simply the sound of me alone in a room with a four-track to catch my songs as they fell out of my mouth. When I later went into a proper studio to make Sundowner my goal was to capture the essence of these initial recordings, and here you will now have access to the very essence I was chasing. In many ways, this feels like a proper album to me, as it's my initial attempt to capture the Kansas sunset and put it into sound, where as Sundower was an attempt of an attempt. I love and am proud of them both, of course, but am happy to - for the first time - share this vulnerable side of my songwriting process with the public. Many of my favorite recordings have been made inside of an artist's home without regard of the outside world, but instead deep in their own world that they're creating in real time. And with that - I'd like to invite you into my own little world here and now and ask you to please... step inside of... and spend A Night At The Little Los Angeles!\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Campfire (4-Track Version) (5:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Sundowner (4-Track Version) (4:39)\u003c\/div\u003e\n\u003cdiv\u003e3. A Night At The Little Los Angeles (4-Track Version) (6:27)\u003c\/div\u003e\n\u003cdiv\u003e4. Wander (4-Track Version) (2:06)\u003c\/div\u003e\n\u003cdiv\u003e5. Velvet Highway (4-Track Version) (3:23)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Valley (4-Track Version) (3:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Brother, Sister (4-Track Version) (4:27)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Underestimate Midwest American Sun (4-Track Version) (5:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Provisions (4-Track Version) (6:04)\u003c\/div\u003e\n\u003cdiv\u003e5. U.S. Mail (4-Track Version) (5:12)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605156538\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.8.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600400920731,"sku":"42658","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-kevin-morby-night-at-the-little-los-angeles-4-track-version-vinyl-lp-relix.jpg?v=1779251562"},{"product_id":"kevin-morby-sundowner-lp-vinyl","title":"Kevin Morby – Sundowner (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOn 2019's Oh My God, prolific songwriter Kevin Morby was in an existential place—just a year later, he's come back down to earth for his sixth solo set, Sundowner, a collection of songs that feels much more inward. Written a couple years ago and recorded in early 2019 before Oh My God had been released, Sundowner is perhaps Morby's most mellow album to date. The hard-driving electric guitar is largely absent, replaced by the acoustic and Morby's musings about being a \"sundowner\"—someone who looks at the sunset with a bit of melancholy, nostalgic for a day that's just ending. When Morby was first writing the songs on Sundowner, he had just moved from Los Angeles back to Kansas, where he grew up. And you can hear the ripples of that major relocation throughout. Morby's new narratives feel timeless, often pining for a lost era. And there is an element of family simplicity. The light strumming of \"A Night in Little Los Angeles\" interjects a bit of humanity into the prostitution scene in LA while opener \"Valley\" is a charged up ode to feeling a bit slighted, as Morby sings, \"They all pretend not to know me,\" while longing for a place where the stars in the sky are visible—perhaps a fitting notion written by someone who just left Los Angeles. Morby also wrestles with death throughout Sundowner, with \"Jamie\" recalling the loss of one of his best friends 10 years ago, and \"Campfire\" paying homage to Jessi Zazu of rockabilly band Those Darlins, who passed away from cancer in 2017. Morby has got range— and Sundowner continues his desire to explore new ways of filtering his life through song.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Mike Ayers, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/kevin-morby-sundowner\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKevin Morby has always written best when he's standing still long enough to let a place settle into him. Recorded on a Tascam four-track in the quiet of a Kansas City winter, Sundowner captures that rare, unhurried frequency where the Midwest sky meets the end of the day, and Morby's voice sounds more at home than it ever has.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTo Whom It May Concern,\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eI am here to announce that my new album, Sundowner, will be out October 16th, 2020 via Dead Oceans. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTHE WRITING: \u003c\/span\u003e\u003cspan\u003e(KANSAS CITY, KANSAS) \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eIn the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn't help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAs the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o'clock in the summer, when the sunsets are warm and abstract. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eLanding back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it's nickname, The Little Los Angeles. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTHE RECORDING: \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSonic Ranch, Neve Room, \u003c\/span\u003e\u003cspan\u003eTornillo, Texas \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eIn January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and inspired me to play almost everything else. All lead guitar, proper drums (save the drums on \"A Night At The Little Los Angeles\"), mellotron and what I believe to be the albums secret weapon - a WWII era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eOn the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAFTER \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAlmost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from our respective homes, sending notes back and forth as we worked alone but together to mix the album, and suddenly, just like that, Sundowner was finished. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSongs, like sunsets, are fleeting, and it's only due to a willingness and desire to catch them that you ever, if even only for a moment, grab a hold of one. When writing Sundowner, I was lucky to have had the Tascam 424 there to help capture both. Sundowner is my attempt to put the Middle American twilight - it's beauty profound, though not always immediate - into sound. It is a depiction of isolation. Of the past. Of an uncertain future. Of provisions. Of an omen. Of a dead deer. Of an icon. Of a Los Angeles themed hotel in rural Kansas. Of billowing campfires, a mermaid and a highway lined in rabbit fur. It is a depiction of the nervous feeling that comes with the sky's proud announcement that another day will be soon coming to a close as the pink light recedes and the street lamps and house lights suddenly click on. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eKevin Morby, Kansas, 2020.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Valley (4:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Brother, Sister (4:39)\u003c\/div\u003e\n\u003cdiv\u003e3. Sundowner (5:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Campfire (5:21)\u003c\/div\u003e\n\u003cdiv\u003e5. Wander (1:56)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Underestimate Midwest American Sun (5:23)\u003c\/div\u003e\n\u003cdiv\u003e2. A Night At The Little Los Angeles (7:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Jamie (4:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Velvet Highway (3:21)\u003c\/div\u003e\n\u003cdiv\u003e5. Provisions (5:35)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605153117\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600402755739,"sku":"69471","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-kevin-morby-sundowner-vinyl-lp-relix.jpg?v=1779251395"},{"product_id":"kevin-morby-more-photographs-a-continuum-lp-vinyl","title":"Kevin Morby – More Photographs (A Continuum) (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eA Kansas City kid who came up playing bass in Woods and the Babies before striking out on his own, Kevin Morby has always treated albums as living, breathing documents rather than finished products. More Photographs deepens the Memphis-soaked world of its predecessor through reimaginings, instrumentals, and alternate angles that reward the kind of close listening vinyl naturally invites.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eKevin Morby writes (and records, and imagines) at an almost incomparable clip, and his most recent album, \u003c\/span\u003e\u003cem\u003eThis Is A Photograph\u003c\/em\u003e\u003cspan\u003e, studies life, time and mortality through myriad lenses. It’s a dynamic, buoyant record on big, heavy themes, so it only makes sense that Morby found he wasn’t quite done with it on its completion. More \u003c\/span\u003e\u003cem\u003ePhotographs (A Continuum)\u003c\/em\u003e\u003cspan\u003e finds new nooks, corners and vantage points. “If \u003c\/span\u003e\u003cem\u003eThis Is A Photograph\u003c\/em\u003e\u003cspan\u003e is a house that you have been living inside of,” says Morby, “then \u003c\/span\u003e\u003cem\u003eMore Photographs\u003c\/em\u003e\u003cspan\u003e is, perhaps, the same home just experienced differently. As if you, its inhabitant, have taken a tab of something psychedelic and now, suddenly, you’ve replaced your eyeglasses with kaleidoscopes.”\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. This Is A Photograph II (2:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Triumph (4:13)\u003c\/div\u003e\n\u003cdiv\u003e3. Bittersweet, Tennessee (6:14)\u003c\/div\u003e\n\u003cdiv\u003e4. Going To Prom (3:35)\u003c\/div\u003e\n\u003cdiv\u003e5. Lion Tamer (4:38)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. A Song For Katie (4:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Five Easy Pieces Revisited (3:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Mickey Mantle's Autograph (5:49)\u003c\/div\u003e\n\u003cdiv\u003e4. Kingdom Of Broken Hearts (5:53)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605164816\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.10.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600402952347,"sku":"115208","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-kevin-morby-more-photographs-a-continuum-lp-vinyl-vinyl-lp-relix.jpg?v=1779251635"},{"product_id":"kevin-morby-sundowner-cd","title":"Kevin Morby – Sundowner (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOn 2019's Oh My God, prolific songwriter Kevin Morby was in an existential place—just a year later, he's come back down to earth for his sixth solo set, Sundowner, a collection of songs that feels much more inward. Written a couple years ago and recorded in early 2019 before Oh My God had been released, Sundowner is perhaps Morby's most mellow album to date. The hard-driving electric guitar is largely absent, replaced by the acoustic and Morby's musings about being a \"sundowner\"—someone who looks at the sunset with a bit of melancholy, nostalgic for a day that's just ending. When Morby was first writing the songs on Sundowner, he had just moved from Los Angeles back to Kansas, where he grew up. And you can hear the ripples of that major relocation throughout. Morby's new narratives feel timeless, often pining for a lost era. And there is an element of family simplicity. The light strumming of \"A Night in Little Los Angeles\" interjects a bit of humanity into the prostitution scene in LA while opener \"Valley\" is a charged up ode to feeling a bit slighted, as Morby sings, \"They all pretend not to know me,\" while longing for a place where the stars in the sky are visible—perhaps a fitting notion written by someone who just left Los Angeles. Morby also wrestles with death throughout Sundowner, with \"Jamie\" recalling the loss of one of his best friends 10 years ago, and \"Campfire\" paying homage to Jessi Zazu of rockabilly band Those Darlins, who passed away from cancer in 2017. Morby has got range— and Sundowner continues his desire to explore new ways of filtering his life through song.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Mike Ayers, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/kevin-morby-sundowner\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKevin Morby has always written best when the landscape is doing half the work, and the wide, flat skies of Kansas City are all over these songs. Recorded to tape on a four-track Tascam, *Sundowner* carries the warmth and grain of something caught in real time, a collection that feels less composed than discovered, the way the best road music always does.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTo Whom It May Concern,\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eI am here to announce that my new album, Sundowner, will be out October 16th, 2020 via Dead Oceans. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTHE WRITING: \u003c\/span\u003e\u003cspan\u003e(KANSAS CITY, KANSAS) \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eIn the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn't help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAs the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o'clock in the summer, when the sunsets are warm and abstract. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eLanding back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it's nickname, The Little Los Angeles. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTHE RECORDING: \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSonic Ranch, Neve Room, \u003c\/span\u003e\u003cspan\u003eTornillo, Texas \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eIn January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and inspired me to play almost everything else. All lead guitar, proper drums (save the drums on \"A Night At The Little Los Angeles\"), mellotron and what I believe to be the albums secret weapon - a WWII era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eOn the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAFTER \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAlmost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from our respective homes, sending notes back and forth as we worked alone but together to mix the album, and suddenly, just like that, Sundowner was finished. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSongs, like sunsets, are fleeting, and it's only due to a willingness and desire to catch them that you ever, if even only for a moment, grab a hold of one. When writing Sundowner, I was lucky to have had the Tascam 424 there to help capture both. Sundowner is my attempt to put the Middle American twilight - it's beauty profound, though not always immediate - into sound. It is a depiction of isolation. Of the past. Of an uncertain future. Of provisions. Of an omen. Of a dead deer. Of an icon. Of a Los Angeles themed hotel in rural Kansas. Of billowing campfires, a mermaid and a highway lined in rabbit fur. It is a depiction of the nervous feeling that comes with the sky's proud announcement that another day will be soon coming to a close as the pink light recedes and the street lamps and house lights suddenly click on. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eKevin Morby, Kansas, 2020.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Valley (4:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Brother, Sister (4:39)\u003c\/div\u003e\n\u003cdiv\u003e3. Sundowner (5:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Campfire (5:21)\u003c\/div\u003e\n\u003cdiv\u003e5. Wander (1:56)\u003c\/div\u003e\n\u003cdiv\u003e6. Don't Underestimate Midwest American Sun (5:23)\u003c\/div\u003e\n\u003cdiv\u003e7. A Night At The Little Los Angeles (7:10)\u003c\/div\u003e\n\u003cdiv\u003e8. Jamie (4:08)\u003c\/div\u003e\n\u003cdiv\u003e9. Velvet Highway (3:21)\u003c\/div\u003e\n\u003cdiv\u003e10. Provisions (5:35)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605153124\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600403017883,"sku":"100293","price":14.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-kevin-morby-sundowner-cd-relix.jpg?v=1779251422"},{"product_id":"kevin-morby-this-is-a-photograph-lp-vinyl","title":"Kevin Morby – This Is A Photograph (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThink about the concept of a photograph: It's a snapshot a present moment that, over time, represents the past. So it's a bit fitting that Kevin Morby would title his seventh studio album This Is a Photograph; he's always mined sounds and inspiration from past folk luminaries such as Lou Reed and Bob Dylan. But the impetus for the title was Morby rooting through a box of photographs after his father collapsed in front of him and was rushed to the hospital. The pictures triggered memories and emotions that bled into the early days of the pandemic. Morby's journey led him to Memphis for a period of time shortly after, where he found solace in Stax Records, Graceland and Jeff Buckley. All of these experiences rear their heads at different points throughout Photograph—in lyrics and, at times, the soulful arrangements. The music deviates from his usual rock-and-roll tendencies, instead utilizing the piano as his primary instrument. A Photograph standout comes early on, with \"A Random Act of Kindness\"—the piano blends with strings, while Morby's vocals build up to a passionate praise of lifting up. He takes the same approach on \"Stop Before I Cry\" and \"It's Over.\" But other cuts place Morby back into the folk realms he's known for. The banjo ballad \"Bittersweet, TN,\" a standout duet with Erin Rae, finds Morby saying farewell—farewell to someone, to time, to a life. And that's the crux of This Is a Photograph. It's pieces of the past, an exploration of what it means to let go and how hard that concept truly is. Morby has become a modern-day master at exploring existential themes, but making them sound wholly relatable. This Is a Photograph achieves that goal in a truly beautiful way.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Mike Ayers, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/kevin-morby-this-is-a-photograph\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in Memphis at Sam Phillips Recording, the same studio where Phillips helped birth rock and roll itself, \"This Is A Photograph\" carries the weight of that history in its bones. Morby's sixth solo album finds him wrestling with mortality, American mythology, and the fragility of the people we love most, channeling those preoccupations through arrangements that feel rooted in the soil of classic American music without being beholden to nostalgia.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe story begins with Kevin Morby absentmindedly flipping through a box of old family photos in the basement of his childhood home in Kansas City. Just hours before, at a family dinner, his father had collapsed in front of him and had to be rushed to the hospital. That night Morby still felt the shock and fear lodged in his bones. So he gazed at the images until one of the pictures jumped out at him: his father as a young man, proud and strong and filled with confidence, posing on a lawn with his shirt off. This was in January of 2020. As the months went on and the world dramatically changed around him, Morby felt an eerie similarity between his feelings of that night and the atmosphere of those spring days. Fear, anxiety, hope and resilience all churning together. The themes began twisting in his mind. History, trauma and the grand fight against time. Having the courage to dream, even while knowing the tragedy that often awaits those who dare to dream. While his father regained his strength, Morby meditated on these ideas. And then, he headed to Memphis. He moved into the Peabody Hotel and spent his days paying tribute and genuflecting to the dreamers he admired. In the evening, he would return to his room and document his ideas on a makeshift recording set-up, with just his guitar and a microphone. The songs, elegiac in nature, befitting all he had seen, poured out of him. Produced by Sam Cohen (who also worked on Morby's Singing Saw and Oh My God), This Is A Photograph features musical contributions from longtime staples of Morby's live band, as well as old friends and new collaborators alike. If Oh My God saw Morby getting celestial and in constant motion and Sundowner was a study in localized intent, This Is A Photograph finds Morby making an Americana paean, a visceral life and death, blood on the canvas outpouring. As Morby reminds us early on, time is undefeated. So what do we do while we're still here? This is a photograph of that sense of yearning.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. This Is A Photograph\u003c\/div\u003e\n\u003cdiv\u003e2. A Random Act Of Kindness\u003c\/div\u003e\n\u003cdiv\u003e3. Bittersweet, TN\u003c\/div\u003e\n\u003cdiv\u003e4. Disappearing\u003c\/div\u003e\n\u003cdiv\u003e5. A Coat Of Butterflies\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Rock Bottom\u003c\/div\u003e\n\u003cdiv\u003e2. Five Easy Pieces\u003c\/div\u003e\n\u003cdiv\u003e3. Stop Before I Cry\u003c\/div\u003e\n\u003cdiv\u003e4. It's Over\u003c\/div\u003e\n\u003cdiv\u003e5. Goodbye To Good Times\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605161617\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.13.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600405082267,"sku":"100535","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-kevin-morby-this-is-a-photograph-vinyl-lp-relix.jpg?v=1779251287"},{"product_id":"kevin-morby-oh-my-god-cd","title":"Kevin Morby – Oh My God (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded with producer S0ul0utlaw (sam Cohen) and featuring contributions from a cast of collaborators, *Oh My God* finds Morby stretching his sound into orchestral and gospel-inflected territory without losing the loose, road-worn intimacy that made his earlier solo work so compelling. Coming off the critical momentum of *Singing Saw* and *City Music*, this was the record where he committed fully to the big idea, letting the concept breathe across a double LP's worth of space.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThroughout his four solo albums and myriad records of various collaboration, Kevin Morby has recognized in his work the ubiquity of an apparent religious theme. Though not identifying as \"religious\" in the slightest, Morby-the globetrotting son of Kansas City who has made music while living on both coasts before recently returning to his Midwestern stomping grounds-recognizes in himself a somewhat spiritual being with a secular attitude towards the soulful. And so, in an effort to tackle that notion head-on and once-and-for-all, he sat down in his form of church-on planes and in beds-and wrote what would become his first true concept-album: the lavish, resplendent, career-best double LP Oh My God.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Oh My God\u003c\/div\u003e\n\u003cdiv\u003e2. No Halo\u003c\/div\u003e\n\u003cdiv\u003e3. Nothing Sacred\/All Things Wild\u003c\/div\u003e\n\u003cdiv\u003e4. OMG Rock And Roll\u003c\/div\u003e\n\u003cdiv\u003e5. Seven Devils\u003c\/div\u003e\n\u003cdiv\u003e6. Hail Mary\u003c\/div\u003e\n\u003cdiv\u003e7. Piss River\u003c\/div\u003e\n\u003cdiv\u003e8. Savannah\u003c\/div\u003e\n\u003cdiv\u003e9. Storm (Beneath the Weather)\u003c\/div\u003e\n\u003cdiv\u003e10. Congratulations\u003c\/div\u003e\n\u003cdiv\u003e11. I Want to be Clean\u003c\/div\u003e\n\u003cdiv\u003e12. Sing A Glad Song\u003c\/div\u003e\n\u003cdiv\u003e13. Ballad Of Faye\u003c\/div\u003e\n\u003cdiv\u003e14. O Behold\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605149127\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.26.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600411996315,"sku":"78374","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-kevin-morby-oh-my-god-cd-relix.jpg?v=1779251269"},{"product_id":"ryley-walker-golden-sings-that-have-been-sung-deep-cuts-edition-2-cd","title":"Ryley Walker – Golden Sings That Have Been Sung (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRyley Walker came up through the Chicago folk underground at a moment when that city's improvisational scene, rooted in players who moved freely between jazz, blues, and acoustic fingerpicking, was producing some of the most adventurous music in the country. His approach to the acoustic guitar draws as much from John Fahey and Bert Jansch as it does from the kind of open-ended ensemble interplay you hear in jazz, and Golden Sings captures that tension beautifully on tape.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe preceding years have been extraordinary for Ryley Walker. In March, his second album, Primrose Green, emerged to critical hosannas from the likes of NPR, Village Voice, Uncut, and Mojo - in the process, earning admiration of musicians who had chalked up no shortage of turntable miles in Walker's life. Robert Plant declared himself a fan - as did double-bass legend Danny Thompson, with whom Ryley would later embark on a British tour. A sprawling tour of the USA around Primrose Green presented a perfect chance to workshop ideas for what would eventually become his third studio album, Golden Sings That Have Been Sung. On the album, \"The Roundabout\" represents a symbolic return to Chicago, while other songs are directly wedded to Ryley's actual return there. Perhaps more than any other song on the record, the somnambulant sun-dappled intimacies of opening track \"The Halfwit In Me\" most audibly bear the imprint of Ryley's improvisational sessions with Wilco multi-instrumentalist, Chicagoan and producer Leroy Bach, while \"Funny Thing She Said\" is an unflinching study of separation set to a shimmeringly supple ensemble performance. Soft, slo-mo explosions of melody intermittently burst through the distant thunder of the verses on \"A Choir Apart\". Intriguing, surreal images are meted out by \"I Will Ask You Twice\", like a malfunctioning slide projector; and, perhaps best of all, the stunning finale, \"Age Old Tale\", which spiders out from an Alice Coltrane-inspired reverie into a sustained rapture that very few artists have managed to achieve.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605142425\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.19.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. The Halfwit In Me (5:54)\u003c\/div\u003e\n\u003cdiv\u003e2. A Choir Apart (3:11)\u003c\/div\u003e\n\u003cdiv\u003e3. Funny Thing She Said (6:25)\u003c\/div\u003e\n\u003cdiv\u003e4. Sullen Mind (6:31)\u003c\/div\u003e\n\u003cdiv\u003e5. I Will Ask You Twice (2:01)\u003c\/div\u003e\n\u003cdiv\u003e6. The Roundabout (4:41)\u003c\/div\u003e\n\u003cdiv\u003e7. The Great And Undecided (3:39)\u003c\/div\u003e\n\u003cdiv\u003e8. Age Old Tale (8:12)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Sullen Mind (41:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600413012123,"sku":"140240","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ryley-walker-golden-sings-that-have-been-sung-deep-cuts-edition-2-cd-cd-relix.jpg?v=1779303950"},{"product_id":"kevin-morby-this-is-a-photograph-cd","title":"Kevin Morby – This Is A Photograph (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThink about the concept of a photograph: It's a snapshot a present moment that, over time, represents the past. So it's a bit fitting that Kevin Morby would title his seventh studio album This Is a Photograph; he's always mined sounds and inspiration from past folk luminaries such as Lou Reed and Bob Dylan. But the impetus for the title was Morby rooting through a box of photographs after his father collapsed in front of him and was rushed to the hospital. The pictures triggered memories and emotions that bled into the early days of the pandemic. Morby's journey led him to Memphis for a period of time shortly after, where he found solace in Stax Records, Graceland and Jeff Buckley. All of these experiences rear their heads at different points throughout Photograph—in lyrics and, at times, the soulful arrangements. The music deviates from his usual rock-and-roll tendencies, instead utilizing the piano as his primary instrument. A Photograph standout comes early on, with \"A Random Act of Kindness\"—the piano blends with strings, while Morby's vocals build up to a passionate praise of lifting up. He takes the same approach on \"Stop Before I Cry\" and \"It's Over.\" But other cuts place Morby back into the folk realms he's known for. The banjo ballad \"Bittersweet, TN,\" a standout duet with Erin Rae, finds Morby saying farewell—farewell to someone, to time, to a life. And that's the crux of This Is a Photograph. It's pieces of the past, an exploration of what it means to let go and how hard that concept truly is. Morby has become a modern-day master at exploring existential themes, but making them sound wholly relatable. This Is a Photograph achieves that goal in a truly beautiful way.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Mike Ayers, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/kevin-morby-this-is-a-photograph\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in Memphis at Sam Phillips Recording, the same studio where Sun Records history was made, \"This Is A Photograph\" finds Morby channeling the weight of mortality and American mythology through a sonic landscape that feels rooted in the city itself. The Kansas City-raised songwriter has always worn his influences openly, but here the stakes are deeply personal, turning a near-loss into something expansive and communal.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe story begins with Kevin Morby absentmindedly flipping through a box of old family photos in the basement of his childhood home in Kansas City. Just hours before, at a family dinner, his father had collapsed in front of him and had to be rushed to the hospital. That night Morby still felt the shock and fear lodged in his bones. So he gazed at the images until one of the pictures jumped out at him: his father as a young man, proud and strong and filled with confidence, posing on a lawn with his shirt off. This was in January of 2020. As the months went on and the world dramatically changed around him, Morby felt an eerie similarity between his feelings of that night and the atmosphere of those spring days. Fear, anxiety, hope and resilience all churning together. The themes began twisting in his mind. History, trauma and the grand fight against time. Having the courage to dream, even while knowing the tragedy that often awaits those who dare to dream. While his father regained his strength, Morby meditated on these ideas. And then, he headed to Memphis. He moved into the Peabody Hotel and spent his days paying tribute and genuflecting to the dreamers he admired. In the evening, he would return to his room and document his ideas on a makeshift recording set-up, with just his guitar and a microphone. The songs, elegiac in nature, befitting all he had seen, poured out of him. Produced by Sam Cohen (who also worked on Morby's Singing Saw and Oh My God), This Is A Photograph features musical contributions from longtime staples of Morby's live band, as well as old friends and new collaborators alike. If Oh My God saw Morby getting celestial and in constant motion and Sundowner was a study in localized intent, This Is A Photograph finds Morby making an Americana paean, a visceral life and death, blood on the canvas outpouring. As Morby reminds us early on, time is undefeated. So what do we do while we're still here? This is a photograph of that sense of yearning.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Intro (0:32)\u003c\/div\u003e\n\u003cdiv\u003e2. This Is A Photograph (3:30)\u003c\/div\u003e\n\u003cdiv\u003e3. A Random Act Of Kindness (4:14)\u003c\/div\u003e\n\u003cdiv\u003e4. Bittersweet, TN (4:14)\u003c\/div\u003e\n\u003cdiv\u003e5. Disappearing (3:28)\u003c\/div\u003e\n\u003cdiv\u003e6. A Coat Of Butterflies (6:40)\u003c\/div\u003e\n\u003cdiv\u003e7. Rock Bottom (2:44)\u003c\/div\u003e\n\u003cdiv\u003e8. Forever Inside A Picture (0:15)\u003c\/div\u003e\n\u003cdiv\u003e9. Five Easy Pieces (4:11)\u003c\/div\u003e\n\u003cdiv\u003e10. Stop Before I Cry (4:59)\u003c\/div\u003e\n\u003cdiv\u003e11. It's Over (5:21)\u003c\/div\u003e\n\u003cdiv\u003e12. Goodbye To Good Times (5:15)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605161686\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.13.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600418779291,"sku":"349597","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-kevin-morby-this-is-a-photograph-cd-relix.jpg?v=1779251334"},{"product_id":"kevin-morby-singing-saw-lp-vinyl","title":"Kevin Morby – Singing Saw (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMorby cut his teeth in the Woods and the Babies before going solo, and by the time *Singing Saw* arrived in 2016, it was clear he'd found his own gravitational pull. Recorded with producer Rob Barbati, the album draws on the dusty American songbook tradition he absorbed coming up in Kansas City, filtering it through a kind of cinematic spaciousness that rewards patient listening.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSinging Saw is a record written simply and realized orchestrally. In it, Kevin Morby faces the reality that true beauty - deep and earned - demands a whole-world balance that includes our darker sides. 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Named after the legendary Dave Matthews Band bootleg series, this collection finds Walker in characteristically exploratory territory, channeling the spirit of recordings that were too raw and honest for conventional release into something entirely his own.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605147024\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.16.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Busted Stuff (5:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Grey Street (8:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Diggin' A Ditch (3:17)\u003c\/div\u003e\n\u003cdiv\u003e4. Sweet Up And Down (4:24)\u003c\/div\u003e\n\u003cdiv\u003e5. JTR (10:51)\u003c\/div\u003e\n\u003cdiv\u003e6. Big Eyed Fish (3:48)\u003c\/div\u003e\n\u003cdiv\u003e7. Grace Is Gone (6:13)\u003c\/div\u003e\n\u003cdiv\u003e8. Captain (5:55)\u003c\/div\u003e\n\u003cdiv\u003e9. Bartender (10:31)\u003c\/div\u003e\n\u003cdiv\u003e10. Monkey Man (5:08)\u003c\/div\u003e\n\u003cdiv\u003e11. Kit Kat Jam (5:36)\u003c\/div\u003e\n\u003cdiv\u003e12. Raven (4:40)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600465080475,"sku":"674983","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ryley-walker-lillywhite-sessions-cd-relix.jpg?v=1779303913"},{"product_id":"kevin-morby-little-wide-open-ecomix-lp-vinyl","title":"Kevin Morby – Little Wide Open (EcoMix LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMorby has spent the better part of a decade building a catalog rooted in American mythology, the kind that looks for the sacred in roadside diners, open highways, and dying towns. 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Singer\/songwriter Leon Bridges, from Ft. Worth, and trailblazing Houston trio Khruangbin have joined forces for the Texas Moon EP, a follow-up to 2020’s acclaimed Texas Sun project. While the five new songs are clearly a continuation of the first EP, they also have an identity all their own—Bridges calls it “more introspective,” while Khruangbin bassist Laura Lee says it “feels more night time.” When Texas Sun was released, AllMusic called the results “intoxicating” and Paste noted that “their talents and character go together so well.” Now comes the next stage—a set of songs that touch on themes like love, faith, and death while exploring new dimensions of inventive, hypnotic grooves. Significantly, both parties’ musical directions were clearly affected by their time working together. Khruangbin’s most recent album, Mordechai, moved their own vocals much further forward, a change they readily admit was a direct result of working with Bridges. Meanwhile, since these recordings began, in addition to his genre-defying album Gold-Digger’s Sound, Bridges has put out several other challenging, shared tracks, including work with John Mayer, Lucky Daye, and Jazmine Sullivan. Texas Moon represents a genuine and rare achievement, with two of the most respected and innovative acts of their generation truly collaborating to create something new. “As far as an essentially instrumental band, these guys are kind of the top for me,” says Bridges. “I’m honored to have been the first singer that they’ve incorporated in their music.” “It feels really special to me,” says Lee. “It’s not Khruangbin, it’s not Leon, it’s this world we created together.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Doris\u003c\/div\u003e\n\u003cdiv\u003e2. B-Side\u003c\/div\u003e\n\u003cdiv\u003e3. Chocolate Hills\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Father Father\u003c\/div\u003e\n\u003cdiv\u003e2. Mariella\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605155494\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.18.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Cassette\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48638708580507,"sku":"206077278","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/9069292126363-1-CS-NW-1463_1_daf4ee0f-e213-4ba1-97a9-a46a2ab2c919.jpg?v=1779908910"}],"url":"https:\/\/relix.shop\/collections\/dead-oceans-vinyl-cds-cassettes.oembed?page=2","provider":"relix.shop","version":"1.0","type":"link"}