{"title":"Electronic CDs","description":"\u003cp\u003eFor listeners who still reach for a disc: this page collects 175 electronic CDs spanning club classics, ambient experiments, avant-garde noise, and everything in between.\u003c\/p\u003e\u003cp\u003eWhat is actually here covers a wide range of the genre. Madonna's \u003cem\u003eConfessions II\u003c\/em\u003e arrives in both a digipak CD and a premium photobook CD edition on Warner Records. The Orb's \u003cem\u003eAuntie Aubrey's Excursions Beyond 3\u003c\/em\u003e is a 2xCD on Liquid Sound Design, and Sasha and John Digweed's \u003cem\u003eNorthern Exposure Redux\u003c\/em\u003e is a 2xCD on Night Time Stories. Madeon's \u003cem\u003eVictory\u003c\/em\u003e comes on Mom + Pop, while Peggy Gou's \u003cem\u003eI Hear You\u003c\/em\u003e is a 2xCD on XL Recordings, the same label that carries Ratatat's self-titled debut. On the more experimental end, Art of Noise's \u003cem\u003eFon Mixes\u003c\/em\u003e (Rhino), William Basinski's \u003cem\u003ePassing the Cup of Sorrows\u003c\/em\u003e (Temporary Residence), Elliot Sharp's \u003cem\u003eCosmic Dusts\u003c\/em\u003e (7D Media), and Bibio and Dorian Concept's \u003cem\u003eAnswers\u003c\/em\u003e (Warp Records) round out the range. Baba Stiltz's \u003cem\u003eTotally\u003c\/em\u003e on Public Possession and Kill Alters' \u003cem\u003eWe Can Rot Together\u003c\/em\u003e digipak on Hausu Mountain are here for those who dig deeper.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has been covering the edges and the epicenter of music since 1974. That history informs what ends up in the store: not algorithmic recommendations, but titles that hold up under repeated listening. The Relix Sessions series represents live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label, a separate thread of the catalog for those who want something recorded and released under the magazine's own roof. For electronic CDs, the selection reflects the same editorial instinct applied to every other corner of the store: depth over breadth, and catalog titles alongside new releases.\u003c\/p\u003e\u003cp\u003eEvery CD in this collection is new and sealed. Pre-order titles display a street date and ship when the label releases them. CDs ship in protective packaging.\u003c\/p\u003e\u003cp\u003eIf you want to keep exploring, the \u003ca href=\"\/collections\/electronic-vinyl-cds\"\u003eElectronic Vinyl and CDs\u003c\/a\u003e collection brings both formats together in one place, and \u003ca href=\"\/collections\/electronic-vinyl\"\u003eElectronic Vinyl Records\u003c\/a\u003e covers the same territory on wax. The broader \u003ca href=\"\/collections\/cds\"\u003eCDs straight from the vault\u003c\/a\u003e collection spans genres beyond electronic, and \u003ca href=\"\/collections\/live-vinyl-albums\"\u003eLive Vinyl Albums and Records\u003c\/a\u003e is worth a look for anyone chasing live documents on vinyl.\u003c\/p\u003e","products":[{"product_id":"lcd-soundsystem-the-long-goodbye-lcd-soundsytem-live-at-madison-square-garden-cd","title":"LCD Soundsystem – The Long Goodbye (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJames Murphy spent years insisting the April 2, 2011 Madison Square Garden show was truly the end, and the grief in that room was real. What makes this document so striking is how a band rooted in studio precision and layered production translated that sound into a four-hour farewell, with a crowd that understood exactly what it was losing. Murphy's eventual return only adds another layer to the bittersweet weight of listening back.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Long Goodbye: LCD Soundsystem Live at Madison Square Garden (stylized in all lowercase on digital platforms) is a live album by American rock band LCD Soundsystem. It is a near-unedited live record comprising what was billed at the time as their \"final\" show held at Madison Square Garden in 2011\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Dance Yrself Clean (9:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Drunk Girls (3:40)\u003c\/div\u003e\n\u003cdiv\u003e3. I Can Change (6:22)\u003c\/div\u003e\n\u003cdiv\u003e4. Time To Get Away (4:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Get Innocuous (6:52)\u003c\/div\u003e\n\u003cdiv\u003e6. Daft Punk Is Playing At My House (5:15)\u003c\/div\u003e\n\u003cdiv\u003e7. Too Much Love (4:42)\u003c\/div\u003e\n\u003cdiv\u003e8. All My Friends (7:20)\u003c\/div\u003e\n\u003cdiv\u003e9. Tired \/ Heart Of The Sunrise (Excerpt) (3:07)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. 45:33 Intro (1:54)\u003c\/div\u003e\n\u003cdiv\u003e2. You Can't Hide (Shame On You) (4:57)\u003c\/div\u003e\n\u003cdiv\u003e3. Sound Of Silver (4:57)\u003c\/div\u003e\n\u003cdiv\u003e4. Out In Space (10:24)\u003c\/div\u003e\n\u003cdiv\u003e5. Ships Talking (9:21)\u003c\/div\u003e\n\u003cdiv\u003e6. Freak Out \/ Starry Eyes (10:25)\u003c\/div\u003e\n\u003cdiv\u003e7. Us V Them (9:21)\u003c\/div\u003e\n\u003cdiv\u003e8. North American Scum (5:20)\u003c\/div\u003e\n\u003cdiv\u003e9. Bye Bye Bayou (4:39)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. You Wanted A Hit (7:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Tribulations (4:50)\u003c\/div\u003e\n\u003cdiv\u003e3. Movement (4:15)\u003c\/div\u003e\n\u003cdiv\u003e4. Yeah (12:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Someone Great (6:32)\u003c\/div\u003e\n\u003cdiv\u003e6. Losing My Edge (8:48)\u003c\/div\u003e\n\u003cdiv\u003e7. Home (7:07)\u003c\/div\u003e\n\u003cdiv\u003e8. All I Want (5:54)\u003c\/div\u003e\n\u003cdiv\u003e9. Jump Into The Fire (7:15)\u003c\/div\u003e\n\u003cdiv\u003e10. New York, I Love You But You're Bringing Me Down (9:52)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 825646290345\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.6.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600401182875,"sku":"57909","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-lcd-soundsystem-the-long-goodbye-lcd-soundsytem-live-at-madison-square-garde-cd-relix.jpg?v=1779284319"},{"product_id":"bonobo-north-borders-tour-live-deluxe-w-book-dvd-cd","title":"Bonobo – North Borders Tour: Live (CD \u0026 DVD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSimon Green has spent two decades building something rare in electronic music, a project that translates just as powerfully on a festival stage as it does through headphones. The North Borders tour captured Bonobo at a peak moment, when the full band lineup gave his layered, sample-rooted compositions room to breathe and evolve night after night. Hearing these arrangements stretch out in a Roman amphitheater puts the ambition of the whole project in sharp relief.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis live deluxe package includes the CD, a 70 page hardback book of photographs and stories from members of the band, as well as a bonus DVD featuring glimpses of hi-speed photography. By the time Bonobo plays London's legendary Alexandra Palace on 28th November 2014, the epic career-defining tour around his latest album 'The North Borders,' the band will have travelled 180,000 miles, taken in 175 shows in 30 countries across 3 continents over 18 months in front of 2 million people. The audio was recorded at the Roundhouse in London and in the incredible Pula Arena, a genuine Roman Amphitheatre. In addition, some of the tracks on CD are handpicked from breathtaking live radio sessions that happened whilst on tour.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Cirrus\u003c\/div\u003e\n\u003cdiv\u003e2. Stay The Same\u003c\/div\u003e\n\u003cdiv\u003e3. Heaven For The Sinner\u003c\/div\u003e\n\u003cdiv\u003e4. Prelude\u003c\/div\u003e\n\u003cdiv\u003e5. Kiara\u003c\/div\u003e\n\u003cdiv\u003e6. Ten Tigers\u003c\/div\u003e\n\u003cdiv\u003e7. Kong\u003c\/div\u003e\n\u003cdiv\u003e8. Ketto\u003c\/div\u003e\n\u003cdiv\u003e9. Emkay\u003c\/div\u003e\n\u003cdiv\u003e10. Towers\u003c\/div\u003e\n\u003cdiv\u003e11. Recurring\u003c\/div\u003e\n\u003cdiv\u003e12. We Could Forever\u003c\/div\u003e\n\u003cdiv\u003e13. Transits\u003c\/div\u003e\n\u003cdiv\u003e14. Know You\u003c\/div\u003e\n\u003cdiv\u003e15. Pieces\u003c\/div\u003e\n\u003ch4\u003eDVD\u003c\/h4\u003e\n\u003cdiv\u003e1. Intro \/ Cirrus\u003c\/div\u003e\n\u003cdiv\u003e2. Sapphire\u003c\/div\u003e\n\u003cdiv\u003e3. Towers\u003c\/div\u003e\n\u003cdiv\u003e4. Stay The Same\u003c\/div\u003e\n\u003cdiv\u003e5. Prelude \/ Kiara\u003c\/div\u003e\n\u003cdiv\u003e6. Ten Tigers\u003c\/div\u003e\n\u003cdiv\u003e7. Kong\u003c\/div\u003e\n\u003cdiv\u003e8. Ketto\u003c\/div\u003e\n\u003cdiv\u003e9. Emkay\u003c\/div\u003e\n\u003cdiv\u003e10. Recurring\u003c\/div\u003e\n\u003cdiv\u003e11. We Could Forever\u003c\/div\u003e\n\u003cdiv\u003e12. El Toro \/ Solos\u003c\/div\u003e\n\u003cdiv\u003e13. Transits\u003c\/div\u003e\n\u003cdiv\u003e14. Know You\u003c\/div\u003e\n\u003cdiv\u003e15. Pieces\u003c\/div\u003e\n\u003cdiv\u003e16. The Keeper\u003c\/div\u003e\n\u003cdiv\u003e17. Transits, Glastonbury Festival\u003c\/div\u003e\n\u003cdiv\u003e18. First Fires, Roundhouse\u003c\/div\u003e\n\u003cdiv\u003e19. Heaven For The Sinner, Roundhouse\u003c\/div\u003e\n\u003cdiv\u003e20. Time Lapse At Pula Arena, Dimensions Festival\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021392846132\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ninja Tune\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.7.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600414322843,"sku":"150861","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/back-cover-bonobo-north-borders-tour-live-deluxe-w-book-dvd-cd-cd-relix.jpg?v=1779367881"},{"product_id":"bonobo-fragments-cd","title":"Bonobo – Fragments (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSimon Green has spent two decades building one of electronic music's most distinctive catalogs, threading jazz, soul, and organic texture through club-ready productions without ever losing the warmth at the center. Fragments finds him leaning deeper into collaboration than ever before, assembling a cast of voices that spans generations and genres, while his layered arrangements remain unmistakably his own.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eBonobo will release new album Fragments, due on January 14, 2022 via Ninja Tune. Fragments is the most emotionally intense record that he - aka Simon Green - has ever had to make. It’s no surprise that it’s also his masterpiece. The album features Jamila Woods, Joji, \u003c\/span\u003e\u003cspan\u003eKadhja Bonet, Jordan Rakei, O’Flynn and Miguel \u003c\/span\u003e\u003cspan\u003eAtwood-Ferguson. Born first out of fragments of ideas and \u003c\/span\u003e\u003cspan\u003eexperimentation, the album ultimately was fused together \u003c\/span\u003e\u003cspan\u003ein a burst of creativity fueled by both collaboration and \u003c\/span\u003e\u003cspan\u003eGreen’s escape into the wild.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Polyghost (1:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Shadows (4:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Rosewood (4:03)\u003c\/div\u003e\n\u003cdiv\u003e4. Otomo (6:14)\u003c\/div\u003e\n\u003cdiv\u003e5. Tides (3:46)\u003c\/div\u003e\n\u003cdiv\u003e6. Elysian (3:01)\u003c\/div\u003e\n\u003cdiv\u003e7. Closer (5:12)\u003c\/div\u003e\n\u003cdiv\u003e8. Age Of Phase (5:42)\u003c\/div\u003e\n\u003cdiv\u003e9. From You (3:30)\u003c\/div\u003e\n\u003cdiv\u003e10. Counterpart (5:33)\u003c\/div\u003e\n\u003cdiv\u003e11. Sapien (4:03)\u003c\/div\u003e\n\u003cdiv\u003e12. Day By Day (3:44)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5054429152975\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ninja Tune\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.14.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600422809755,"sku":"343580","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-bonobo-fragments-cd-relix.jpg?v=1779368231"},{"product_id":"bonobo-migration-cd","title":"Bonobo – Migration (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMigration landed at a cultural moment when Green's live show had evolved into something genuinely rare, a full band experience that blurred the line between DJ set and concert. The album's orchestral sweep and global rhythmic textures translate that stage ambition directly onto record, drawing on collaborators including Nick Murphy and Rhye's Michael Milosh.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSimon Green aka Bonobo returns with his sixth album, the masterful, magisterial Migration - a record which cements his place in the very highest echelons of electronic music and beyond. By turns lush, manic, beautiful, melancholy, joyful, and packed with both emotion and technical skill, this is perhaps his most ambitious attempt yet to capture the very textures of human existence in his work, as Green says of the broad dynamics on the album, \"Life has highs, lows, loud and quiet moments, beautiful ones and ugly ones. Music is a reflection of life.\"\u003c\/p\u003e\u003cp\u003eIn particular, there is a theme here of migration, eruditely put by Green as \"The study of people and spaces,\" he expands, \"It's interesting how one person will take an influence from one part of the world and move with that influence and effect another part of the world. Over time, the identities of new places evolve.\" It is a theme with a personal as well as a sociological aspect to it.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Migration (5:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Break Apart (4:34)\u003c\/div\u003e\n\u003cdiv\u003e3. Outlier (7:55)\u003c\/div\u003e\n\u003cdiv\u003e4. Grains (4:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Second Sun (3:43)\u003c\/div\u003e\n\u003cdiv\u003e6. Surface (4:11)\u003c\/div\u003e\n\u003cdiv\u003e7. Bambro Koyo Ganda (5:02)\u003c\/div\u003e\n\u003cdiv\u003e8. Kerala (3:57)\u003c\/div\u003e\n\u003cdiv\u003e9. Ontario (3:52)\u003c\/div\u003e\n\u003cdiv\u003e10. No Reason (7:28)\u003c\/div\u003e\n\u003cdiv\u003e11. 7th Sevens (5:07)\u003c\/div\u003e\n\u003cdiv\u003e12. Figures (6:08)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5054429005714\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ninja Tune\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.13.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600444895387,"sku":"344853","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-bonobo-migration-cd-relix.jpg?v=1779367962"},{"product_id":"bonobo-north-borders-tour-live-cd","title":"Bonobo – North Borders Tour: Live (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSimon Green built Bonobo's reputation on meticulous studio craft, but the North Borders tour revealed something his records could only hint at: the project translates into a full band experience with genuine emotional weight. Capturing performances across venues as sonically different as a BBC radio session and a 2,000-year-old Roman amphitheater in Croatia, this document shows how far electronic music has traveled from the laptop stage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBy the time Bonobo plays London's legendary Alexandra Palace on 28th November 2014, the epic career-defining tour around his latest album 'The North Borders,' the band will have travelled 180,000 miles, taken in 175 shows in 30 countries across 3 continents over 18 months in front of 2 million people. The audio was recorded at the Roundhouse in London and in the incredible Pula Arena, a genuine Roman Amphitheatre. 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The result sits in an interesting space in his catalog, bridging the meditative, texture-driven atmosphere longtime fans know with something more immediate and song-forward.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eWith a hugely impressive over a million combined album sales and over a billion streams under their belt, Tycho are the Grammy-nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada, Ulrich Schnauss and Jon Hopkins. The highly anticipated release of Tycho’s fifth studio album Weather is an exciting progression from his previous output, with most of the new tracks being vocal lead, while still retaining the signature Tycho sound. 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Le Jour Et La Nuit Du Reel continues that evolution, taking its title from a philosophical tension between the concrete and the constructed that runs throughout her practice.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eColleen's mastery of the art of sound sculpting is fully displayed on Le jour et la nuit du réel, a beautiful 21 song double album that manages to explore the intersections of the material and the imagined, a sonic odyssey unearthing soul from synthesis. The album is organized into several movements. Each movement employs different synthesis settings, but with distinctive chords and motifs that provide a through line, guiding the listener through gorgeous sonic landscapes. Schott elaborates: \"To me, the capacity of synthesis to alter - subtly or radically - the physical embodiment in sound of the same series of notes is akin to how, when given new information about a person or a situation, we can reevaluate our initial perception of what we thought was the \"reality\" of that person or situation, sometimes drastically so\".Le jour et la nuit du réel's astounding breadth of texture and emotion were sculpted from a surprisingly minimal setup even for Schott - an all-analog combination of one monophonic semi-modular synth, the Moog Grandmother, and two delays, the Roland RE-201 Space Echo and her trusted Moogerfooger Analog Delay. A kaleidoscopic range of sounds speckle the album's seven suites which mimic the range and nuance of emotions, both deeply personal and communal, parsed into two distinctive halves that represent day and night and the contrasting feelings each encompasses. 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No Lube So Rude lands during a moment when the stakes of that confrontation feel higher than ever, and Peaches has never been one to soften her approach when the world demands it least.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA brash, unapologetic blend of electronic, dance, punk, industrial, and pop music, No Lube So Rude exists at the intersection of the personal and the political, where the body serves not only as a sexual and spiritual vessel, but also as the front line in a battle for basic human rights. Peaches’ lyrics are bawdy and explicit here, laced with biting sarcasm and clever wordplay, but they’re also surprisingly vulnerable, offering up a candid look in the mirror from a post-menopausal queer icon reckoning with a society that’s come to expect silence, if not outright erasure. The result is a deliberately provocative exploration of identity, sexuality, and bodily autonomy from a trailblazer, a singular work of emotional and sonic alchemy that balances the poetic and the profane in equal measure as it transforms all the friction and frustration of modern life into joy and transcendence.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Hanging Titties (2:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Fuck Your Face (2:49)\u003c\/div\u003e\n\u003cdiv\u003e3. No Lube So Rude (2:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Whatcha Gonna Do About It (2:37)\u003c\/div\u003e\n\u003cdiv\u003e5. Panna Cotta Delight (2:17)\u003c\/div\u003e\n\u003cdiv\u003e6. Fuck How You Wanna Fuck (2:33)\u003c\/div\u003e\n\u003cdiv\u003e7. Not In Your Mouth None Of Your Business (2:04)\u003c\/div\u003e\n\u003cdiv\u003e8. Take It (3:41)\u003c\/div\u003e\n\u003cdiv\u003e9. Grip (3:18)\u003c\/div\u003e\n\u003cdiv\u003e10. You're Alright (2:24)\u003c\/div\u003e\n\u003cdiv\u003e11. Be Love (3:28)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 759656086028\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kill Rock Stars\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745025601691,"sku":"74580267","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-peaches-no-lube-so-rude-cd-relix.jpg?v=1781324068"},{"product_id":"colleen-libres-antes-del-final-cd","title":"Colleen – Libres Antes Del Final (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCéline Schott has been quietly building one of the most singular bodies of work in contemporary electronics since her 2003 debut, moving through each album like a composer resetting the rules for herself. The Spanish title, meaning \"free before the end,\" signals a rare directness from an artist whose work often speaks through texture and restraint, making this one of her most emotionally legible records to date.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe compositions of Colleen, aka multi-instrumentalist Cécile Schott, are as richly varied as they are precise. Each of Colleen's albums are shaped by her predetermined distinct instrumentation and parameters, including works composed entirely of music boxes, pocket synthesizers, and antiquated stringed instruments. The connective essence of Schott's music is in her ability to create pieces within this transcendent specificity that are both expansive and imbued with profound emotions. Libres antes del final is an album that reaches for the hope and desire to be truly freed from unnecessary suffering and harmful thoughts before reaching the end of one's life cycle.Schott composed and performed Libres on the Moog Matriarch, centering the record on a pulse-driven, bubbling energy with constant momentum. She then reamped the music in one of her favorite spaces in Barcelona, Casa Montjuic, accentuating the album's sense of movement. The reamping process adds a literal physicality to the album, as carefully chosen and placed microphones (including the famous Neumann KU100 binaural head) capture both the venue's PA sound itself and the venue's acoustics. Colleen's music translates snapshots of Schott's life into singular pieces, often instrumentally transmuting a dense web of sensations into wondrous sonic terrain.1. Mis armas se habían caído al suelo2. Puertas de mi cuerpo3. Antídoto4. Aguas abiertas5. 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Trained in classical piano in Japan before relocating to Berlin, she brings a rigorous compositional sensibility to electronic music that feels rare and genuinely earned. *Otonoma* arrives as one of her most focused statements yet, ten pieces that reward patient listening the way only music built on deep craft can.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe artistry of Midori Hirano lives in the resonance between sonic and visual worlds. Over her distinguished career the Berlin-based, Kyoto- born composer, pianist, and synthesist has crafted a distinctive voice straddling the spheres of classical music and harmonies with abstraction and invention. In addition to works under her own name, Hirano has released dynamic experiments under her MimiCof moniker as well as composed for film, television, art exhibitions and architectural expos. Hirano has also been a prolific collaborator, working with CoH, Brueder Selke, Nils Mosh, Teodor Wolgers, Ben Lukas Boysen \u0026amp; Paul Emmerich, SPECIMENS, Mami Sakurai, Atsuko Hatano, and more, contributing to dozens of releases. Hirano is acclaimed for crafting emotive works that stimulate all the senses with impressionism, or painting with sound. OTONOMA is the culmination of her work synthesizing these elements and highlights her acumen as a practiced and intuitive artist. The album infuses Hirano's more classical sense of harmony on the piano with the endless textural possibilities of synthesizers. Like nebulas coalescing into galaxies, the pieces of OTONOMA emanate hues dense with subtle layers of color folded into gradients, arresting and radiant.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Illuminance (5:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Ame, Hikari (3:43)\u003c\/div\u003e\n\u003cdiv\u003e3. In Colours (2:55)\u003c\/div\u003e\n\u003cdiv\u003e4. Warped In Red (4:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Rainwalk (3:04)\u003c\/div\u003e\n\u003cdiv\u003e6. Blue Horizon (6:02)\u003c\/div\u003e\n\u003cdiv\u003e7. Aurora (4:22)\u003c\/div\u003e\n\u003cdiv\u003e8. Before The Silence (7:10)\u003c\/div\u003e\n\u003cdiv\u003e9. Oto, Kioku (2:44)\u003c\/div\u003e\n\u003cdiv\u003e10. Was It A Dream (2:07)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377064322\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745034776731,"sku":"65286481","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-midori-hirano-otonoma-gate-download-included-cd-cd-relix.jpg?v=1781724306"},{"product_id":"the-soft-pink-truth-can-such-delightful-times-go-on-forever-gate-cd","title":"The Soft Pink Truth – Can Such Delightful Times Go On Forever (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDrew Daniel has spent decades navigating the outer edges of experimental music, first as half of the acclaimed conceptual duo Matmos and through Soft Pink Truth as a vehicle for more personal, often subversive sonic explorations. This 2026 release marks a notably intimate turn, layering acoustic chamber textures over electronic architecture in a way that feels less like genre fusion and more like a genuine conversation between two musical worlds.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Soft Pink Truth (Drew Daniel also of Matmos) grafts chamber music and electronic music into a beguiling new hybrid pop album that evokes mid-20th century film soundtracks with nods to minimalism. Can Such Delightful Times Go On Forever? features artwork by Robert Beatty (Tame Impala, The Weeknd). The new album features a host of special guests: Bill Orcutt offers one of his most delicate performances committed to record. Other guests include strings arranger Ulas Kurugullu, harpists Neleta Ortiz and Cecilia Cuccolin, pianists Koye Berry and M.C. Schmidt, strings player Kurugullu, and the Ebu String Quartet, as well as woodwind players by Brandon Wilkins and Evelyn Frances and Zach Rowden of celebrated noise duo Tongue Depressor provides grinding double bass drones.Wedding emotional expression with canny references to the inherited history of recorded music, the chimes, organ and pizzicato strings on \"Phrygian Ganymede\" recall Bernard Herrmann's scores for classic Alfred Hitchcock films, while galloping marimbas lend a sense of screwball comedy on \"L'Esprit de L'Escalier.\" Can Such Delightful Times Go On Forever? is a singular album that speaks to the prowess of Drew Daniel as a composer and producer, deftly interlacing pop structure and classical timbre while interlacing subtle electronic sound design with gorgeous acoustics. Across the album Daniel embraces a spirit of drama and romanticism that blurs the boundaries between unconscious desire and everyday reality.The Soft Pink Truth has created a sound world of lavish fantasy that acts as a balm and counterpoint to the communal pains of modern life.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Mere Survival Is Not Enough\u003c\/div\u003e\n\u003cdiv\u003e2. And By And By A Cloud Takes All Away\u003c\/div\u003e\n\u003cdiv\u003e3. Phrygian Ganymede\u003c\/div\u003e\n\u003cdiv\u003e4. Underneath (I)\u003c\/div\u003e\n\u003cdiv\u003e5. L’Esprit De L’Escalier\u003c\/div\u003e\n\u003cdiv\u003e6. Time Inside The Violet\u003c\/div\u003e\n\u003cdiv\u003e7. Orchard\u003c\/div\u003e\n\u003cdiv\u003e8. Underneath (II)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377064421\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745049424027,"sku":"51901190","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-soft-pink-truth-can-such-delightful-times-go-on-forever-gate-cd-cd-relix.jpg?v=1781717364"},{"product_id":"marielle-jakobsons-v-patterns-lost-to-air-download-included-cd","title":"Marielle Jakobsons  V – Patterns Lost To Air (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJakobsons has long moved between the experimental and meditative worlds with rare fluency, and her work consistently rewards listeners willing to surrender to its pace. The trio of violin, Fender Rhodes, and Moog Matriarch she anchors this release around reflects both her classical training and her deep roots in modular synthesis and drone, a combination that puts her in conversation with composers like Pauline Oliveros and Laurie Spiegel without ever feeling derivative.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMarielle V Jakobsons has cultivated a signature voice molded by minimalist, ambient and spiritual traditions. Her recordings, from her early work with Date Palms, to the ongoing work with Chuck Johnson in Saariselka, and most definitively with The Patterns Lost to Air, show Jakobsons to be an exceptionally skillful sound sculptor, a musician who knows the value of patience and control. An artist able to derive maximum impact from her chosen sound elements, the album's layout is shaped by three primary voices of violin, Fender Rhodes, and Moog Matriarch and was recorded in 2024 in the studio Jakobsons built in Oakland, California, it's huge windows overlooking a backyard with olive and palm trees, nesting towhees and hummingbirds.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Warm Spring (4:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Everything Lost Remains (4:16)\u003c\/div\u003e\n\u003cdiv\u003e3. The Salt Rounds (7:14)\u003c\/div\u003e\n\u003cdiv\u003e4. Without You Inside Time (3:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Insistence (4:44)\u003c\/div\u003e\n\u003cdiv\u003e6. Before the Air Remembers (7:22)\u003c\/div\u003e\n\u003cdiv\u003e7. Silently Spinning Around You (5:20)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377064629\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745055420571,"sku":"65867462","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-marielle-jakobsons-v-patterns-lost-to-air-download-included-cd-cd-relix.jpg?v=1781725852"},{"product_id":"klaus-nomi-remixes-volume-2-cd","title":"Klaus Nomi – Remixes (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKlaus Nomi's voice didn't fit anywhere, which is exactly why it fit perfectly in the downtown New York scene of the late 1970s and early 1980s, where opera, new wave, and performance art collapsed into something entirely new. Nomi died in 1983, one of the earliest public figures lost to the AIDS crisis, and his catalog has carried a particular weight ever since. These remixes extend his legacy into club spaces he would have recognized and loved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFirst time on CD in the U.S.  Stunning Dance Mixes from a renowned group of DJs and artists.  Foil-stamped Digipak. Bavarian born Klaus Sperber emigrated to New York City in 1972, and soon became a staple in the East Village art scene, adopting the new last name of Nomi (fashioned after the popular science magazine Omni). After working on a production with Kristian Hoffman, whose band Mumps were playing Max's Kansas City and CBGB, the two began working together-with Hoffman writing originals and picking cover versions of popular songs that would showcase Nomi's multi-octave vocal range. David Bowie hired Nomi as one his background singers for a 1979 performance on Saturday Night Live, and the exposure caught the eyes and ears of Bowie's label, RCA. Soon Kristian and Klaus began recording Nomi's debut album. Klaus Nomi appeared in 1981 featuring covers of Lou Christie's \"Lightning Strikes,\" Leslie Gore's \"You Don't Own Me,\" Chubby Checker's \"The Twist,\" and Camille Saint-Saëns' \"Samson And Delilah (Aria),\" plus originals from Hoffman including \"Nomi Song\" and \"Total Eclipse\" (memorably performed in the 1981 film Urgh! A Music War). 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His tragic death in 1983 made him one of the earliest high-profile casualties of the AIDS crisis, cementing his legacy as both a visionary performer and a symbol of the avant-garde downtown New York scene that defined a generation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFirst time on CD in the U.S.  Stunning Dance Mixes from a renowned group of DJs and artists.  Foil-stamped Digipak. Bavarian born Klaus Sperber emigrated to New York City in 1972, and soon became a staple in the East Village art scene, adopting the new last name of Nomi (fashioned after the popular science magazine Omni). After working on a production with Kristian Hoffman, whose band Mumps were playing Max's Kansas City and CBGB, the two began working together-with Hoffman writing originals and picking cover versions of popular songs that would showcase Nomi's multi-octave vocal range. 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But since 2017, the XL Recordings founder has used the Everything Is Recorded project to prove he's not merely a visionary record producer, or the founder of the most consequential independent record label of the past 35 years. He's a visionary artist in his own right, with a temperament so generous that his records are filled with the voices of the artists he's encouraged, shepherded, or spotlit along the way. Everything Is Recorded albums are feasts of collaboration, and his soul-enriching new album, Temporary, is no exception. The guest list overflows with incandescent talent: Florence Welch, Sampha, Bill Callahan, Jah Wobble, Kamasi Washington, Nourished by Time, Alabaster DePlume, Noah Cyrus. The silvery thread linking all these voices together is, of course, Richard Russell himself, by design the least visible member of Everything Is Recorded, but the only one who could have dreamed up this expanse to begin with. Russell began recording his collaborators' musings on death and loss early on in the process for Temporary, and although they only survive in two carefully crafted audio collages (\"October,\" \"The Summons\") on Temporary, their power suffuses the record. These are the most luminous and relaxed compositions of Russell's career, reflecting a late-breaking fascination with British folk that dovetailed, not coincidentally, with Russell's own brush with mortality in 2013. What is folk music, after all, if not a record of the voices of the dead? His music dissolves the borders between sampled and recorded, between modernity and antiquity, life and death, now and forever.. He grasps the true meaning of his album's title: We may be, in fact, temporary. 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Lahai, named after Sampha's late father, finds the south London artist working through ancestral memory and new life simultaneously, his production palette expanding into club-influenced textures without losing the intimacy that made Process impossible to forget.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eFrom UK breakout star to global icon. Sampha's influence is felt throughout contemporary culture. Across a studied career, the south London singer, songwriter and producer has released a host of era-defining records including 2013's breakthrough \"Dual\" EP and his Mercury Music Prize winning debut album, 2017’s Process. No stranger to collaboration, Sampha is also the inimitable voice called upon by some of the greatest artists of our lifetime, from Kendrick Lamar to Stormzy, Drake to Solange, Frank Ocean to Alicia Keys, and musical releases with the best of the underground. 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Where the earlier installments pushed into maximalist chaos and club-ready intensity, kick iiii lands somewhere quieter and stranger, a resolution that feels less like an ending than a metamorphosis. For listeners who followed this arc from the beginning, the payoff is genuinely unlike anything else released in 2022.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eIf KiCk i is a multidimensional self-portrait that held all of Arca's many mutations, KICK ii sees her deconstruct reggaeton rhythms she grew up listening to in Caracas, balancing structure and chaos to create her most accessible work yet, without sacrificing any of her uncompromising experimentation; the rising cycle. 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The vintage soul and funk textures here draw a clear line back to early-70s Philly and Sly Stone, filtered through a distinctly British electronic sensibility that caught ears well beyond the dance music world.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBased around a core musical duo known simply as J and T who expand to a thrilling seven piece live band, Jungle make mesmeric, modern soul with true global appeal. Combining what The Guardian notes as \"tribal in terms of rhythm but postpunk in sensibility\" and Brooklyn Vegan proclaims has \"a real vintage-ness here, recalling the period of funk and soul just as those genres started transitioning into disco,\" Jungle has quickly perked the curiosity of media across the globe.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. The Heat (3:16)\u003c\/div\u003e\n\u003cdiv\u003e2. Accelerate (3:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Busy Earnin' (3:02)\u003c\/div\u003e\n\u003cdiv\u003e4. Platoon (3:12)\u003c\/div\u003e\n\u003cdiv\u003e5. Drops (2:54)\u003c\/div\u003e\n\u003cdiv\u003e6. Time (3:34)\u003c\/div\u003e\n\u003cdiv\u003e7. Smoking Pixels (1:47)\u003c\/div\u003e\n\u003cdiv\u003e8. Julia (3:15)\u003c\/div\u003e\n\u003cdiv\u003e9. Crumbler (3:02)\u003c\/div\u003e\n\u003cdiv\u003e10. Son Of A Gun (3:29)\u003c\/div\u003e\n\u003cdiv\u003e11. Lucky I Got What I Want (4:17)\u003c\/div\u003e\n\u003cdiv\u003e12. Lemonade Lake (5:44)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904064723\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.15.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802334277787,"sku":"162014","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-jungle-jungle-cd-relix.jpg?v=1782005481"},{"product_id":"ratatat-ratatat-cd","title":"Ratatat – Ratatat (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBrooklyn duo Evan Mast and Mike Stroud built their self-titled debut around a deceptively simple formula: crunchy, overdriven guitar lines layered over programmed beats, with zero vocals to get in the way. Released in 2004, it arrived at a moment when the line between indie rock and electronic music was dissolving fast, and Ratatat landed squarely in that gap.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFormerly known as Cherry, this NYC duo is already familiar to hipsters and they've also toured the West Coast with Interpol. In fact, Interpol's Paul Banks occasionally guests on guitar. 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Harmony of Difference finds him extending that debut's grand ambitions into a more focused, compositionally rigorous format, rooted in a jazz tradition that runs from John Coltrane's spiritual explorations through the West Coast avant-garde scene that shaped Washington's own development.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eEarlier this year, avant-garde jazz titan Kamasi Washington premiered Harmony of Difference, an original six-movement suite, as part of this year’s Whitney Biennial. The EP is the first new music from Washington since his universally acclaimed 2015 debut album The Epic. Harmony of Difference explores the philosophical possibilities of the musical technique known as “counterpoint,” which Washington defines as “the art of balancing similarity and difference to create harmony between separate melodies.” Washington’s suite includes visual elements married to the musical works and draws voraciously on jazz for its foundation. Each of the first five movements is its own unique composition. “Truth,” the sixth movement, fuses all five compositions into one simultaneous performance. Beyond the artistic impulse to expand the possibilities within counterpoint, Washington wanted to create something that opened people’s minds to the gift of diversity. In his own words, “my hope is that witnessing the beautiful harmony created by merging different musical melodies will help people realize the beauty in our own differences.” “Against a backdrop of “fake news,” chemical warfare and presidential missteps, Washington’s 13-minute opus thrives with gospel-infused power, resting alongside his previous work while occupying new sonic space…. The huge scale makes his music feel like a sacred offering in bleak times” - Pitchfork Best New Track “a liberation theology for fearsome times” - New York Times “We can count on the man Kamasi Washington to deliver peace in the form of jazz” - The Fader “an expansive, winding new song...’Truth’ unfurls with breezy piano chords, soulful electric guitar counter-melodies, wordless choral chants and washes of the bandleader’s smoldering saxophone.” - Rolling Stone\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 889030017123\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Young Turks\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.29.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Desire (4:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Humility (2:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Knowledge (3:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Perspective (3:24)\u003c\/div\u003e\n\u003cdiv\u003e5. Integrity (3:47)\u003c\/div\u003e\n\u003cdiv\u003e6. Truth (13:30)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802347942043,"sku":"344031","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Kamasi-Washington-Harmony-Of-Difference-CD.jpg?v=1781872271"},{"product_id":"danny-l-harle-cerulean-cd","title":"Danny L Harle – Cerulean (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDanny L Harle built his reputation as one of the sharpest producers to emerge from the PC Music stable, crafting hyper-melodic electronic music that sits somewhere between club euphoria and genuine emotional weight. Cerulean arrives after years of collaborative work with artists like Caroline Polachek and Dua Lipa, making this full-length statement a long-anticipated look at what Harle sounds like when the vision is entirely his own.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDanny L Harle's album Cerulean marks his first full-length release on XL Recordings and his most definitive artistic statement to date. Following 2021's immersive Harlecore project, Harle considers Cerulean his true debut. \"This is my debut album-It really is the big one.\"Cerulean is a voyage into vast, alien sonic landscapes where speaker-blowing bass and euphoric trance synths meet intricate textures, from tactile sound design to field recordings of waves. It embodies Harle's pursuit of melancholic euphoria - a blend of megalophobic majesty and raw humanity - inspired by Andrei Tarkovsky's Stalker, existing \"on the threshold between dreams and reality.\"Seeking \"the best melodies sung by the best voices,\" Harle enlisted an exceptional cast of collaborators, including Caroline Polachek, Clairo, Julia Michaels, PinkPantheress, Oklou, and MNEK, alongside newer voices like kacha-even his own daughters. Cerulean balances dancefloor power with emotional resonance to brilliant effect. Harle's wide-ranging influences - from hedonistic rave to the haunting Dark Souls video game series, Philip Glass's Einstein on the Beach, and Renaissance composers John Dowland, Thomas Tallis, and William Byrd - underpin the album's dazzling, genre (and centuries)-spanning focus.Born in North London, Harle's early exposure to avant-garde concerts and chart pop shaped his singular musical lens. 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Where her early EPs leaned into late-night club intimacy, \"With A Hammer\" swings wider, incorporating live instrumentation and moments of raw vulnerability alongside her signature whisper-to-growl vocal style and locked-in electronic production.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"Yaeji is a NYC-via-Seoul producer, DJ, and vocalist, whose introspective, dancefloor-ready tracks have made her a global icon occupying a space all her own. After breaking out with her 2017 debut EPs that featured singles “Raingurl” and “Drink I’m Sippin On,” the multifaceted artist featured on Charli XCX’s 2019 album Charli, has gone onto produce remixes for Dua Lipa, and Robyn, collaborate with the beloved Seoul-based polymath OHHYUK, sell out two headlining worldwide tours, and launch her bespoke lifestyle webstore JI-MART. Born in Flushing, Queens in 1993, she has roots in Seoul, Tokyo, Atlanta, and New York City, all serving as the backdrop for her singular, hybrid-sound that synthesizes influences of Korean indie rock and electronica, late ‘90s and early 2000s hip hop and R\u0026amp;B, and leftfield bass and techno. With her critically-acclaimed 2020 mixtape WHAT WE DREW 우리가 그려왔던, she sharpened her vision as a musician who is creatively unbounded by language and geography, leading to partnerships with PAC-MAN and Heaven by Marc Jacobs. Named by Pitchfork as one of the “25 Artists Shaping the Future of Music” in 2022, she’s also graced the cover of Crack, The FADER, MixMag, and Burdock, among others, and has been featured in programming at the V\u0026amp;A Museum, Serpentine Gallery, and MoMA PS1. Her highly anticipated debut album, With A Hammer, arriving April 7, 2023 via XL Recordings, sees Yaeji excavating her inner world with full force, resulting in her most thrilling and personal work yet.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Submerge FM (3:25)\u003c\/div\u003e\n\u003cdiv\u003e2. For Granted (2:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Fever (4:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Passed Me By (4:03)\u003c\/div\u003e\n\u003cdiv\u003e5. With A Hammer (3:45)\u003c\/div\u003e\n\u003cdiv\u003e6. I'll Remember For Me, I'll Remember For You (2:02)\u003c\/div\u003e\n\u003cdiv\u003e7. Done (Let's Get It) (2:52)\u003c\/div\u003e\n\u003cdiv\u003e8. Ready Or Not (4:31)\u003c\/div\u003e\n\u003cdiv\u003e9. Michin (3:33)\u003c\/div\u003e\n\u003cdiv\u003e10. Away x5 (2:33)\u003c\/div\u003e\n\u003cdiv\u003e11. Happy (3:59)\u003c\/div\u003e\n\u003cdiv\u003e12. 1 Thing To Smash (3:15)\u003c\/div\u003e\n\u003cdiv\u003e13. Be Alone In This (2:45)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191404129128\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.7.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802367144091,"sku":"461498","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Yaeji-With-A-Hammer-CD.jpg?v=1781872763"},{"product_id":"leila-courtesy-of-choice-asides-and-besides-aniv-cd","title":"Leila – Courtesy Of Choice Asides And Besides (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLeila Arab has spent decades carving out one of electronic music's most singular corners, blending glitchy textures, melancholic melody, and a restless experimentalism that resisted easy categorization long before that became fashionable. This XL Recordings retrospective pulls from the edges of her catalog, gathering B-sides and rarities that illuminate the connective tissue between her better-known work and the stranger impulses that always ran underneath it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Brave (6:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Work (3:42)\u003c\/div\u003e\n\u003cdiv\u003e3. From Before...What? 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The KICK series represents her most ambitious statement as a solo artist, a suite of releases that arrived in close succession and rewrote the terms of what electronic music could hold. KICK ii in particular finds her rooting futurist sound design in the cumbia and reggaeton of her Venezuelan upbringing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eIf KiCk i is a multidimensional self-portrait that held all of Arca's many mutations, KICK ii sees her deconstruct reggaeton rhythms she grew up listening to in Caracas, balancing structure and chaos to create her most accessible work yet, without sacrificing any of her uncompromising experimentation; the rising cycle. KicK iii sees her returning to the club nights that shaped her early adult-hood where Arca was born: the surrealist DJ, warping dance music structures to fit her singular vision-relentless rhythms to drive listeners into uncharted states of euphoria, anthems for the basement-dark queer clubs of our cyberpunk near-future; the climax of the cycle. With kick iiii, the cycle resolves, and a new species of xenopop emerges, sensual and serene. Arca's talents as a composer and sound designer take the lead on closing track \"Paw,\" setting melodies to drift on deep, gentle waves of orchestral ambience, an oceanic bliss. 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The record sits in the same late-night headphone territory as classic Tangerine Dream or early Pink Floyd, but with a rhythmic undertow that pulls it somewhere entirely its own.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDarkside is the collaborative duo of critically acclaimed electronic artist Nicolas Jaar and guitarist\/composer Dave Harrington. 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Jamie Roberts has been a key figure in the post-dubstep diaspora that reshaped British electronic music in the 2010s, and Sickelixir finds that restless, rhythmically relentless sensibility finally coalescing into something that feels like a full statement.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBlawan's new album SickElixir, released through XL Recordings, is a comprehensive realisation of the sound that he's been pursuing. It's a record that he perceives to be his debut full-length and a deeply personal creative endeavour, one that helped him process family trauma, emotional upheaval, and the loss of friends. Growing up in Barnsley, South Yorkshire, Blawan (real name Jamie Roberts) was obsessed with playing the drums, locking himself away for hours on end into an insular world of permanent percussion. 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He's received widespread critical acclaim for his personal projects, while also forging a career as one half of live techno act Karenn and the metal-inspired band Persher, both formed in partnership with his close collaborator Pariah.SickElixir cements his position as one of Britain's most unique, pioneering artists, operating firmly in a lane of his own but in the same creative league as artists such as Aphex Twin, Bjork or Thom Yorke. 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This sequel arrives with Sabrina Carpenter in tow, a pairing that bridges Madonna's decades-long command of the zeitgeist with one of pop's most compelling current voices. The continuous mix format stays true to the original's DJ-set philosophy, keeping the energy unbroken from first track to last.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMadonna TITLE: CONFESSIONS II - 16-song continuous mix of the album on CD. Comes in a 4-panel digipack including a fold out poster. Includes the Madonna \u0026amp; Sabrina Carpenter \"Bring Your Love\" single and \"I Feel So Free\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cdiv\u003e1. I Feel So Free\u003c\/div\u003e\n\u003cdiv\u003e2. Good for the Soul\u003c\/div\u003e\n\u003cdiv\u003e3. One Step Away\u003c\/div\u003e\n\u003cdiv\u003e4. Bring Your Love (With Sabrina Carpenter)\u003c\/div\u003e\n\u003cdiv\u003e5. Danceteria\u003c\/div\u003e\n\u003cdiv\u003e6. Read My Lips\u003c\/div\u003e\n\u003cdiv\u003e7. Everything\u003c\/div\u003e\n\u003cdiv\u003e8. Love Without Words\u003c\/div\u003e\n\u003cdiv\u003e9. Bizarre\u003c\/div\u003e\n\u003cdiv\u003e10. School\u003c\/div\u003e\n\u003cdiv\u003e11. Fragile\u003c\/div\u003e\n\u003cdiv\u003e12. My Sins Are My Savior\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624822356\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48826793885851,"sku":"164066084","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Madonna-CONFESSIONS-II-Digipak-CD.jpg?v=1782218754"}],"url":"https:\/\/relix.shop\/collections\/electronic-cds.oembed?page=3","provider":"relix.shop","version":"1.0","type":"link"}