{"title":"Good Time Vinyl \u0026 CDs","description":"\u003cp\u003eFor the record collector who follows the music wherever the label digs it up, this page gathers 45 CDs from Good Time, a catalog that runs from live documents to studio originals across rock, soul, blues, and points in between.\u003c\/p\u003e\u003cp\u003eThe titles here span a wide range of moods and moments. Canned Heat's \u003cem\u003eLive In Australia, 1985\u003c\/em\u003e is exactly what it sounds like, a band on the road captured on disc. Caliban's \u003cem\u003eLive at the Last Night of The Cavern, 1973\u003c\/em\u003e is another live document, rooted in a specific night. On the studio side, the Steve Brown Band's \u003cem\u003eSoul Full of Sin\u003c\/em\u003e sits alongside Lenny Williams' \u003cem\u003eChanging\u003c\/em\u003e, Crooked Oak's \u003cem\u003eFrom Little Acorns Grow\u003c\/em\u003e, and As You Like It's \u003cem\u003eAges Come and Ages Go\u003c\/em\u003e. Self-titled sets from Flux, Isolation, and Maxine Watta round out a collection that rewards browsing. Anaconda's \u003cem\u003eSympathy for the Madman\u003c\/em\u003e, Rudi Tchaikovsky's \u003cem\u003eThe Castle's Equivalent\u003c\/em\u003e, and the Marvelous Kid's \u003cem\u003eAfter the Race\u003c\/em\u003e add further range to what Good Time has assembled here.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has been writing about the music that matters to serious listeners since 1974. That history informs how we stock the store: not by algorithm, but by the same editorial instincts that have guided the magazine through five decades of coverage across the Grateful Dead, Phish, the blues, Americana, and the broader roots and jam world. The Relix Sessions series, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label, reflects that same commitment to music worth hearing. The Good Time titles on this page are chosen with the same care.\u003c\/p\u003e\u003cp\u003eEvery CD here is new and sealed. Pre-order titles display a street date and ship when the label releases them. CDs ship in protective packaging.\u003c\/p\u003e\u003cp\u003eIf your interests run toward vinyl, the store has more to explore. Browse \u003ca href=\"\/collections\/vinyl-lps\"\u003eVinyl LPs\u003c\/a\u003e for the full range, dig into \u003ca href=\"\/collections\/blues-vinyl\"\u003eBlues Vinyl Records\u003c\/a\u003e for that specific corner of the catalog, or head to \u003ca href=\"\/collections\/americana-vinyl\"\u003eAmericana, Folk and Country Vinyl Records\u003c\/a\u003e for roots-oriented pressings.\u003c\/p\u003e","products":[{"product_id":"willie-nelson-origins-the-early-willie-nelson-collection-mod-cd","title":"Willie Nelson – Origins: The Early Willie Nelson Collection (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Willie Nelson became the outlaw icon who redefined country music from his Pedernales ranch, he was a young songwriter in the 1950s and early '60s quietly writing tracks that other artists turned into hits. These recordings capture that restless, pre-fame period when his distinctively behind-the-beat phrasing and jazz-inflected guitar style were still finding their shape, making this collection essential listening for anyone who wants to understand how one of American music's most original voices actually developed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEven the biggest artists in the world have an origin story. Whether you know him as 'Shotgun Willie', 'The Red-Headed Stranger', 'Booger Red' or something else entirely, few artists have such an extensive back catalog as exceptionally well documented as country legend Willie Nelson. Experience the Origins of a man that needs no introduction first hand with this remarkable collection of early recordings that would go on to be worldwide hits including 'A Moment Isn't Very Long', 'Face of a Fighter' and 'Happiness Lives Next Door'.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEverything But You\u003c\/li\u003e\n\u003cli\u003eA Moment Isn't Very Long\u003c\/li\u003e\n\u003cli\u003eFace of a Fighter\u003c\/li\u003e\n\u003cli\u003eAny Old Arms Won't Do\u003c\/li\u003e\n\u003cli\u003eI Just Don't Understand\u003c\/li\u003e\n\u003cli\u003eHome Is Where You're Happy\u003c\/li\u003e\n\u003cli\u003eAnd So Will You My Love\u003c\/li\u003e\n\u003cli\u003eI Can't Find the Time\u003c\/li\u003e\n\u003cli\u003eHappiness Lives Next Door\u003c\/li\u003e\n\u003cli\u003eIs There Something on Your Mind\u003c\/li\u003e\n\u003cli\u003eShe's Not for You\u003c\/li\u003e\n\u003cli\u003eI Hope So\u003c\/li\u003e\n\u003cli\u003eThe Last Letter\u003c\/li\u003e\n\u003cli\u003eWill You Remember Mine\u003c\/li\u003e\n\u003cli\u003eYou'll Always Have Someone\u003c\/li\u003e\n\u003cli\u003eSuffer in Silence\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 730167318679\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.29.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271151530139,"sku":"123174","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Willie-Nelson-Origins-The-Early-Willie-Nelson-Collection-CD.png?v=1776111677"},{"product_id":"willie-nelson-outlaw-reunion-mod-cd","title":"Willie Nelson – Outlaw Reunion (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eI need to be careful here. I don't have verified information confirming that a 2025 Willie Nelson album called \"Outlaw Reunion\" on Good Time Records actually exists, and I cannot confirm the specific tracklist, collaborators, or recording details with certainty.\n\nGiven that, I'll write about what I can stand behind: Willie and Waylon's documented history and the significance of their partnership to the outlaw country movement.\n\nWillie and Waylon Jennings didn't just make music together, they rewrote the rules of Nashville in the 1970s, trading the polished production of Music Row for something rawer and more honest. Their 1978 collaboration \"Mammas Don't Let Your Babies Grow Up to Cowboys\" became one of country music's defining moments, and any recording that reunites that spirit carries the weight of everything they built together.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eStep back into the smoky honky-tonks and sprawling Texas landscapes with \"Outlaw Reunion,\" the album that brings together two titans of country music - Willie Nelson and Waylon Jennings. This powerhouse collaboration is a heartfelt homage to the roots of outlaw country, encapsulating the rebellious spirit and camaraderie that defined a movement. The album showcases a blend of original tunes and beloved covers, highlighting the effortless chemistry between two of the genre's most iconic figures.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eWaylon Jennings - Crying\u003c\/li\u003e\n\u003cli\u003eWaylon Jennings - Sally Was a Good Old Girl\u003c\/li\u003e\n\u003cli\u003eWillie Nelson - Pages\u003c\/li\u003e\n\u003cli\u003eWillie Nelson - Is There Something on Your Mind?\u003c\/li\u003e\n\u003cli\u003eWaylon Jennings - It's So Easy\u003c\/li\u003e\n\u003cli\u003eWaylon Jennings - Abilene\u003c\/li\u003e\n\u003cli\u003eWaylon Jennings - Love's Gonna Live Here\u003c\/li\u003e\n\u003cli\u003eWillie Nelson - Face of a Fighter\u003c\/li\u003e\n\u003cli\u003eWaylon Jennings - Don't Think Twice, It's All Right\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869397640\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.24.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271151562907,"sku":"115254","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Willie-Nelson-Outlaw-Reunion-CD.png?v=1776111680"},{"product_id":"johnny-winter-ready-for-winter-mod-cd","title":"Johnny Winter – Ready For Winter (Mod CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJohnny Winter arrived in the late 1960s as one of the most technically ferocious blues-rock guitarists alive, his albino Texas rawness cutting through an era crowded with guitar heroes. A compilation pulling from his catalog serves as a solid entry point for the uninitiated and a worthy shelf addition for longtime fans who know how deeply he influenced the tradition from Muddy Waters forward.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eUPC:\u003c\/strong\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e 730167317436\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.19.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271153103003,"sku":"119531","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Johnny-Winter-Ready-For-Winter-Mod-CD.png?v=1776111703"},{"product_id":"canned-heat-live-at-the-kaleidoscope-1969-cd","title":"Canned Heat – Live At The Kaleidoscope 1969 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCanned Heat arrived at the Kaleidoscope riding the momentum of Woodstock, where their set that August became one of the festival's most electrifying moments. The Los Angeles club was a home turf baptism for a band steeped in the Delta and Chicago traditions, and hearing Alan Wilson and Bob Hite work through the blues canon in that intimate setting captures something the studio records never quite could.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJust months after they broke through with \"On the Road Again\" and \"Going up the Country,\" Canned Heat played this hot boogie 'n' blues set at the Kaleidscope in L.A. This is Bob Hite, Alan Wilson and the band at the peak of their prime powers (this album has forever gone in and out of print): \"Bullfrog Blues,\" \"Sweet Sixteen,\" \"Wish You Would,\" \"Dust My Broom,\" \"When Things Go Wrong\" and more! Good Time.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Bullfrog Blues (7:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Sweet Sixteen (10:57)\u003c\/div\u003e\n\u003cdiv\u003e3. I'd Rather Be The Devil (5:10)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Dust My Broom (5:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Wish You Would (8:03)\u003c\/div\u003e\n\u003cdiv\u003e3. When Things Go Wrong (9:08)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 730167316521\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.20.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271162114203,"sku":"98057","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978165530779-cd-relix.png?v=1776288670"},{"product_id":"canned-heat-live-in-australia-1985-mod-cd","title":"Canned Heat – Live In Australia, 1985 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCanned Heat's roots run deep in the Woodstock generation, where their swampy California boogie and Delta blues reverence made them one of the late 1960s' most distinctive festival acts. By 1985, the band had weathered tremendous loss but kept the flame alive, and Walter Trout's presence here represents a pivotal chapter in his development before his own celebrated solo career took off.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe kings of boogie blues are back to bring you some of their biggest and best hits live from Australia. Dedicated to the lives of past members Bob Hite and Alan Wilson, the Heat's tradition of driving blues continues here with some fresh faces and returning legends including founding member Fito de la Parra on drums and the great Walter Trout on guitar. Don't forget to boogie!\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eOn the Road Again\u003c\/li\u003e\n\u003cli\u003eAmphetamine Annie\u003c\/li\u003e\n\u003cli\u003eGoing Up the Country\u003c\/li\u003e\n\u003cli\u003eLet's Work Together\u003c\/li\u003e\n\u003cli\u003eKings of the Boogie\u003c\/li\u003e\n\u003cli\u003eRefried Hockey Boogie\u003c\/li\u003e\n\u003cli\u003eHell's on Down the Line\u003c\/li\u003e\n\u003cli\u003eChicken Shack Boogie\u003c\/li\u003e\n\u003cli\u003eSo Long\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 730167344272\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.29.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271193374875,"sku":"274155","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978171625627-cd-relix.png?v=1776199019"},{"product_id":"waylon-jennings-waylon-jennings-mod-cd","title":"Waylon Jennings – Waylon Jennings (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore he became one of the architects of Outlaw Country, Waylon Jennings was cutting his teeth in Lubbock and Phoenix, absorbing rockabilly, honky tonk, and the lessons he learned playing bass for Buddy Holly in the late 1950s. That restless cross-genre hunger is audible in these early sides, which document a young artist still figuring out which rules he eventually planned to break.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe infamous country superstar Waylon Jennings performs his early hits (1958-65). These sides would go on to catapult his career in the Arizona music scene, leading to a residency at JD's nightclub. An interesting and eclectic mix of rock n' roll and country \u0026amp; western.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eWhite Lightnin'\u003c\/li\u003e\n\u003cli\u003eJolé Blon\u003c\/li\u003e\n\u003cli\u003eIt's So Easy\u003c\/li\u003e\n\u003cli\u003eAbilene\u003c\/li\u003e\n\u003cli\u003eBig Mamou\u003c\/li\u003e\n\u003cli\u003eWhen Sin Stops, Love Begins\u003c\/li\u003e\n\u003cli\u003eDream Baby\u003c\/li\u003e\n\u003cli\u003eLove's Gonna Live Here Again\u003c\/li\u003e\n\u003cli\u003eBurning Memories\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e10. Crying\u003c\/span\u003e\n\u003c\/div\u003e\u003cdiv data-bt-autogen=\"\"\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e11. Sally Was a Good Ole Girl\u003c\/span\u003e\u003c\/div\u003e\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e12. Don't Think Twice, It's Alright\u003c\/span\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 730167333092\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.29.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271205236891,"sku":"302235","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Waylon-Jennings-Waylon-Jennings-CD.png?v=1776112788"},{"product_id":"johnny-winter-about-blues-cd-1","title":"Johnny Winter – About Blues (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLong before he became the Woodstock lightning bolt who electrified rock audiences in 1969, Johnny Winter was deep in the Texas blues tradition, absorbing the music at its roots. Recorded in 1969 for Janus Records, this early document captures Winter in a raw, acoustic and semi-acoustic setting, paying direct homage to the Delta and Chicago influences that shaped him, including material tied to Mose Allison and the classic blues canon.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\u003ch4\u003eSide A\u003c\/h4\u003e\u003cdiv\u003e1. Parchman Farm (2:42)\u003c\/div\u003e\u003cdiv\u003e2. Livin' The Blues (2:39)\u003c\/div\u003e\u003cdiv\u003e3. Leavin' Blues (2:48)\u003c\/div\u003e\u003cdiv\u003e4. Thirty-Eighty, Thirty-Two, Twenty (2:16)\u003c\/div\u003e\u003cdiv\u003e5. Bad News (2:40)\u003c\/div\u003e\u003ch4\u003eSide B\u003c\/h4\u003e\u003cdiv\u003e1. Kind Hearted Woman (3:40)\u003c\/div\u003e\u003cdiv\u003e2. Out Of Sight (2:22)\u003c\/div\u003e\u003cdiv\u003e3. Low Down Gal Of Mine (3:07)\u003c\/div\u003e\u003cdiv\u003e4. Going Down Slow (4:39)\u003c\/div\u003e\u003cdiv\u003e5. Avocado Green (2:30)\u003c\/div\u003e\u003cp\u003e\u003cstrong style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eUPC:\u003c\/strong\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e 730167317429\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.19.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271238135963,"sku":"582135","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Johnny-Winter-About-Blues-CD.png?v=1776113612"},{"product_id":"waylon-jennings-at-jds-mod-cd","title":"Waylon Jennings – At Jd's (Mod CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Nashville reshaped him into an outlaw icon, Waylon Jennings was cutting his teeth on the Arizona club circuit, honing the raw, restless sound that would eventually upend country music. This early snapshot captures an artist still finding his footing but already impossible to ignore, years before RCA, Willie Nelson, and the Wanted! The Outlaws era redefined what country music could be.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReleased in 1964 and produced by James D. \"Jim\" Musil, club manager at JD's venue in Arizona, \"at JD's\" is the debut studio album by US country artist Waylon Jennings. JD's was once coined \"the biggest night spot in the South West\" and Jennings' regularly performed here during the early 60's. The 12 sides feature country, rock, folk and blues styles, and showcase Jennings' profound ability to blend rock 'n' roll with country and western. Original album pressings were sold exclusively at JD's nightclub. 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This collection of radio recordings offers a window into Parker in his natural habitat, where the informal setting often loosened something even fiercer than what made it to studio wax.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis product is an authorized manufactured on demand CD-R\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Slow Boat To China\u003c\/div\u003e\n\u003cdiv\u003e2. Barbados\u003c\/div\u003e\n\u003cdiv\u003e3. Hot House\u003c\/div\u003e\n\u003cdiv\u003e4. Street Beat\u003c\/div\u003e\n\u003cdiv\u003e5. Scrapple From The Apple\u003c\/div\u003e\n\u003cdiv\u003e6. Ooh Bop Sh-bam\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 730167341950\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.9.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600405049499,"sku":"123443","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-charlie-parker-radio-bird-mod-cd-cd-relix.jpg?v=1779360194"},{"product_id":"b-b-king-gospel-spirituals-mod-cd","title":"B.B. 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A singer who influenced everyone from Janis Joplin to Beyoncé, she earned that authority the hard way, and live recordings like this one capture what studio sessions could rarely contain: the full, unfiltered power of a performer who held nothing back.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eComing at you Red, Hot and Live, Etta James takes you through some of her biggest hits with a truly unmissable performance for the history books. 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King – Live At Newport 1984 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLucille had been telling stories from festival stages for decades by the time B.B. King brought her to Newport in 1984, but there was something particular about that summer afternoon alongside Muddy Waters and Big Mama Thornton, three generations of the blues sharing the same ground. King's singular vibrato and his long-running conversation with his guitar were never just performance; they were a living demonstration of how the Delta blues traveled north, electrified, and became something the whole world claimed as its own.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn 1984, the Newport Jazz Festival hosted a seismic collision of blues royalty. Amidst a stellar lineup, B.B. King, Muddy Waters, and Big Mama Thornton emerged as the standard-bearers of the tradition now so deeply etched into American music. 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John Strang walked away from music and spent decades as a pioneering figure in addiction psychiatry, but these 23 tracks, rescued from deteriorating tape, document the moment before that pivot, a young artist processing the rawest edges of human experience through song. The fact that this nearly vanished entirely makes its survival feel less like archival luck and more like something overdue.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJohn Strang's sonic journey into psychiatric rehabilitation has been painstakingly reconstructed from cassette tapes and deteriorating studio reels. Composed as a concept album in early 70s, it might have been released on Transatlantic, but the deal fell apart, leaving the recordings buried for 50 years. Charting the experience of mental disintegration and recovery, the album offers an abstract glimpse into the genesis of Strang's later career in psychiatry. The cover, chosen by Strang, is the work of a patient, adding a deeply personal and evocative visual dimension to this long-lost masterpiece.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eTroubled In Mind (Part A)\u003c\/h4\u003e\n\u003cdiv\u003e1. Fox On The Run\u003c\/div\u003e\n\u003cdiv\u003e2. It's Been One Hell Of A Long Year\u003c\/div\u003e\n\u003cdiv\u003e3. Now That You've Been Gone A Week\u003c\/div\u003e\n\u003cdiv\u003e4. I Saw You (Walk Past My Door)\u003c\/div\u003e\n\u003cdiv\u003e5. Meteor In The Sky\u003c\/div\u003e\n\u003cdiv\u003e6. Walking On The Moon (Illusion Or Delusion?)\u003c\/div\u003e\n\u003ch4\u003eCrisis And Asylum (Part B)\u003c\/h4\u003e\n\u003cdiv\u003e1. Doctor, Come Quickly\u003c\/div\u003e\n\u003cdiv\u003e2. I Am The Doctor\u003c\/div\u003e\n\u003cdiv\u003e3. Yesterday, They Took Me To The Doctor (Psychiatry Soliloquy)\u003c\/div\u003e\n\u003cdiv\u003e4. So They Took Her Away To The Hospital\u003c\/div\u003e\n\u003cdiv\u003e5. Maybe The Doctor Was Right\u003c\/div\u003e\n\u003cdiv\u003e6. In The Morning\u003c\/div\u003e\n\u003ch4\u003eTreatment And Recovery (Part C)\u003c\/h4\u003e\n\u003cdiv\u003e1. I Know You've Got Troubles Of Your Own (But That's OK)\u003c\/div\u003e\n\u003cdiv\u003e2. Family Feud\u003c\/div\u003e\n\u003cdiv\u003e3. Like A Fish Left Dry (Marriage On The Rocks)\u003c\/div\u003e\n\u003cdiv\u003e4. Can You See Yourself On The Other Side?\u003c\/div\u003e\n\u003cdiv\u003e5. Help Me Make It Through Another Day\u003c\/div\u003e\n\u003cdiv\u003e6. All Things That Have Been\u003c\/div\u003e\n\u003ch4\u003eMoving On (Part D)\u003c\/h4\u003e\n\u003cdiv\u003e1. My Little Revolution\u003c\/div\u003e\n\u003cdiv\u003e2. And Just Because\u003c\/div\u003e\n\u003cdiv\u003e3. My Cottage By The Sea\u003c\/div\u003e\n\u003cdiv\u003e4. The Crab\u003c\/div\u003e\n\u003cdiv\u003e5. Moving On (Instrumental)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869416631\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.28.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745130295451,"sku":"193959543","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-strang-john-shame-stigma-cd-relix.jpg?v=1783398109"},{"product_id":"elegy-elegy-cd","title":"Elegy – Elegy (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eElegy operated in a fascinating pocket of early-70s prog history, British musicians embedded in the Viennese underground and building a reputation entirely through live performance rather than studio output. That 1971 single was nearly all the documentation they left behind, making this 1972 Club Electronic recording a genuine recovery from the margins of the era.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSeelie Court - the world's premier label for rare and previously unreleased archive recordings of underground folk, rock, proto-metal, and psychedelic music presents Elegy, recorded live in August 1972, Club Electronic, Vienna. Elegy was a British progressive rock group active in the early 1970s, based in Austria and serving as the house band at Vienna's Club Electronic. Known for their intense underground prog rock featuring flutes and heavy lead guitar, their sound drew comparisons to Jethro Tull, Hellmet, and Marsupilami. They released a single 7\" record, No Direction\/Pain, in 1971. Members included Chris Cox, George Dynysiuk, Ian Lambert, Paul Seager, and Terry Aiken.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Suffusion\u003c\/div\u003e\n\u003cdiv\u003e2. Bleeding\u003c\/div\u003e\n\u003cdiv\u003e3. Eterne\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869416532\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745132851355,"sku":"193835837","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-elegy-elegy-cd-relix.jpg?v=1783398286"},{"product_id":"wynn-michael-wynn-over-america-cd","title":"Michael Wynn – Wynn Over America (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGerman-born and clearly tuned to a frequency all his own, Michael Wynn recorded in an era when the American underground was wide open and the lines between punk energy, pop craft, and synth experimentation hadn't hardened into genre walls yet. Rocshire Records was a small but committed West Coast indie label that gave a home to exactly this kind of outsider vision, and releases like this one rarely surface twice.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRocshire Records: sounds of the early-80s underground. Indie cult classics for fans of West Coast punk, power pop, new wave and synth music. Here, this ultra-rare record from German-born Musician is a mix of big bold rock, soulful pop groove that is as eclectic as it is unheard. An exciting pick and one not to be missed for any hunter of unusual 80s gems.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Running Through The Night (3:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Haven't We Got A Whole Lifetime (4:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Cold Cold City (5:29)\u003c\/div\u003e\n\u003cdiv\u003e4. Keep On Fighting (3:15)\u003c\/div\u003e\n\u003cdiv\u003e5. Make It Tonight (4:19)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Wet (4:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Shanty Town (4:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Evil (4:12)\u003c\/div\u003e\n\u003cdiv\u003e4. Polyana (4:31)\u003c\/div\u003e\n\u003cdiv\u003e5. Carried Away (4:01)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869418024\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745137406107,"sku":"194297054","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-wynn-michael-wynn-over-america-cd-relix.jpg?v=1782790169"},{"product_id":"karakorum-prison-bitterness-cd","title":"Karakorum – Prison Bitterness (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKarakorum never quite got their due the first time around, which makes a release like this feel genuinely overdue. The British rock underground of the early 1970s was crowded with bands chasing trends; the ones worth revisiting decades later are the ones who didn't.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded at the tail end of a turbulent and exciting era, Prison Bitterness captures Karakorum exactly as they were meant to be heard. Formed in 1969 and rehearsing in a crumbling chapel in the Herefordshire countryside, the band quickly developed a sound that was unconventional, and entirely their own. They became a compelling presence on the UK circuit, playing colleges, clubs, and landmark venues such as London's Marquee and Liverpool's Cavern, earning respect from musicians while remaining a step ahead of industry expectations. This album reflects both the intensity and the frustration of a band pushing against it's limits. Long overlooked, Prison Bitterness finally gives Karakorum's originality, musicianship, and spirit the attention it always deserved.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Arnold Collins In Drag (3:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Living My Life (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Prisoners Bitterness (4:05)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Breakfast (5:20)\u003c\/div\u003e\n\u003cdiv\u003e2. When The War Is Over (4:34)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869416655\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745143468187,"sku":"193952083","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-karakorum-prison-bitterness-cd-relix.jpg?v=1783398206"},{"product_id":"baby-bertha-just-the-beginning-cd","title":"Baby Bertha – Just The Beginning (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHeavy blues and proto-metal collided constantly in the early 1970s British underground, but most of those regional bands never made it past the pub circuit or a tiny private press run before disappearing entirely. Baby Bertha were exactly that kind of nearly-lost story, gigging hard along the English south coast while this debut circulated among only a handful of hands, keeping the music hidden for decades until now.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSeelie Court - the world's premier label for rare and previously unreleased archive recordings of underground folk, rock, proto-metal, and psychedelic music presents Baby Bertha. A British heavy blues\/metal band formed in late 1971 from the remnants of the band Relative. The group initially underwent several lineup changes before solidifying with Dave Ellis on guitar and vocals, Desmond Law on drums, Ian McLaughlin on bass, and Roger \"Proff\" Perry on rhythm guitar. Throughout 1972, Baby Bertha performed extensively across the south coast of England, from Hastings to Southampton, developing a reputation for their energetic live shows and powerful, guitar-driven sound. This blistering heavy blues rock LP was issued in 1972 in an edition of only 50 copies, making it twice as rare as their legendary 1973 follow-up as Charge. Led by searing heavy guitar somewhere between Mayall and Hendrix, original copies of Baby Bertha are thought to be worth £3000+\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Looking For Somebody\u003c\/div\u003e\n\u003cdiv\u003e2. Goodbye Good Day\u003c\/div\u003e\n\u003cdiv\u003e3. Lost My Woman\u003c\/div\u003e\n\u003cdiv\u003e4. The Struggle\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Song For The Nights\u003c\/div\u003e\n\u003cdiv\u003e2. Blues For You\u003c\/div\u003e\n\u003cdiv\u003e3. Now You're Out Of My Life\u003c\/div\u003e\n\u003cdiv\u003e4. Blueberry Hill\u003c\/div\u003e\n\u003cdiv\u003e5. Can You? 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John Grimaldi would later turn up in Armageddon, but here, alongside his brother and a band of like-minded explorers, the music exists almost outside time, the kind of document that serious collectors spend decades chasing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSeelie Court - the world's premier label for rare and previously unreleased archive recordings of underground folk, rock, proto-metal, and psychedelic music presents Motiffe. Motiffe were a British underground progressive and psychedelic jazz-rock band active in the early 1970s. The group was formed around brothers John Grimaldi (guitar) and Mark Pasterfield (drums), along with David Shackley (bass), Ian Wilson (flute and vocals), Quentin Bryar (saxophone), and Mike Avery (keyboards). Their only album, Motiffe, was privately released in 1973 in a tiny edition of fewer than 100 copies, making it one of the rarest artefacts of the British progressive scene. The recording, made under primitive conditions with a microphone suspended from the ceiling, is distinctly lo-fi yet strikingly atmospheric. The album blends dark, angular King Crimson-like intensity with passages of jazz-rock improvisation and introspective instrumental interplay. Though largely unheard at the time, Motiffe has since achieved cult status among collectors and progressive rock enthusiasts for it's raw creativity, experimental energy, and unique mood-a snapshot of uncompromising underground music in early-1970s Britain.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGrotesque Piece\u003c\/li\u003e\n\u003cli\u003eAnalogy\u003c\/li\u003e\n\u003cli\u003eLife Reciprocal\u003c\/li\u003e\n\u003cli\u003eTo George\u003c\/li\u003e\n\u003cli\u003eMind And Body\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869416723\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745148940443,"sku":"194226588","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-motiffe-cd--cd-relix.jpg?v=1783398179"},{"product_id":"great-crash-deadfire-echoes-cd","title":"Great Crash – Deadfire Echoes (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDeadfire Echoes sat unheard for over fifty years, recorded in a crumbling Welsh manor by four eccentrics who clearly had no interest in chasing what was fashionable in early-seventies British rock. That kind of isolation, geographic and artistic, tends to produce something genuinely strange and genuinely itself, which is exactly what this is.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe idea that 4 geniuses stumbled upon a crumbling Downton Abbey in Monmouthshire in 1971, moved in, and recorded a suite of masterpieces between 1972-1974 that no one has ever heard is so attractive it must be; and is, true. A pony trekking Baronet, a Lord of Bards, a Casey Jones lookalike and a man who swore to change his name to Merleu-Ponty if he lost a bet, and did. That was The Great Crash. And Deadfire Echoes is the sublimest lost masterwork of British Rock. It may be the British answer to Deja Vu. Hints of early Elton John at his finest, of 10cc, of Edwardian melancholia and Noel Coward. And W. E. Johns and Wodehouse. The originality in this record alone, is simply overwhelming. That a song about a Celebration Dinner is an intricate, complex masterwork of pathos, and one of the finest works in the rock and roll pantheon. This then is The Great Crash, and our great privilege to let these exquisite songs finally be heard. The former home of The Great Crash, Plas Llecha, became Loco Studios, and the ghosts of these songs swirled unknown around Oasis and The Verve.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Magnolia Street (4:14)\u003c\/div\u003e\n\u003cdiv\u003e2. Deadfire Echoes (5:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Celebration Dinner (4:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Never Been So Long (3:44)\u003c\/div\u003e\n\u003cdiv\u003e5. Sophia (2:51)\u003c\/div\u003e\n\u003cdiv\u003e6. Beyond The Pyramids (4:37)\u003c\/div\u003e\n\u003cdiv\u003e7. Naughty Postcards (2:35)\u003c\/div\u003e\n\u003cdiv\u003e8. Monastery Wine (3:10)\u003c\/div\u003e\n\u003cdiv\u003e9. Regimental Reunion (4:43)\u003c\/div\u003e\n\u003cdiv\u003e10. She's A Winner (5:38)\u003c\/div\u003e\n\u003cdiv\u003e11. Drugstore Cowboy (3:51)\u003c\/div\u003e\n\u003cdiv\u003e12. Love Will Find A Way (2:56)\u003c\/div\u003e\n\u003cdiv\u003e13. Crystal Waters (3:40)\u003c\/div\u003e\n\u003cdiv\u003e14. Memorial Twist (2:36)\u003c\/div\u003e\n\u003cdiv\u003e15. Silver Wing (3:53)\u003c\/div\u003e\n\u003cdiv\u003e16. Witchfinder General (3:21)\u003c\/div\u003e\n\u003cdiv\u003e17. She Throws It All Away (3:34)\u003c\/div\u003e\n\u003cdiv\u003e18. The Sweetest Thing (4:51)\u003c\/div\u003e\n\u003cdiv\u003e19. Let It Rain (2:17)\u003c\/div\u003e\n\u003cdiv\u003e20. Cool Mountain Water (3:22)\u003c\/div\u003e\n\u003cdiv\u003e21. Western Shore (3:22)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869416853\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745150677147,"sku":"194183251","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-great-crash-deadfire-echoes-cd-relix.jpg?v=1783398248"},{"product_id":"greenfly-satans-daughter-cd","title":"Greenfly – Satan's Daughter (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGreenfly never got their shot in 1972, but the tape survived. For fans who've spent years digging through flea markets and auction sites chasing British heavy underground obscurities, Satan's Daughter is exactly the kind of find that makes the hunt worthwhile, a five-track snapshot of a band operating at full intensity with nobody watching.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSeelie Court - the world's premier label for rare and previously unreleased archive recordings of underground folk, rock, proto-metal, and psychedelic music presents Satan's Daughter. Dating from 1972, this underground Heavy Prog masterpiece was rescued by Seelie Court after 50 years in obscurity. Blistering lead guitars, swirling organ, and a killer vocalist somewhere between Robert Plant and Jim Morrison make it a relentless, edge-of-sanity ride-think Writing On The Wall meets Bent Wind with a dash of In Search Of Space-era Hawkwind. 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Rooted in the remote, windswept landscapes of the Scottish archipelago and the Atlantic waters off Cornwall, these compositions exist outside any trend or moment, shaped instead by place, memory, and time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSeelie Court - the world's premier label for rare and previously unreleased archive recordings of underground folk, rock, proto-metal, and psychedelic music presents Across the Water II. Peter McKerrow revisits the experimental electronic composition he made in 1975 after a life-altering trip to the Isle of St Kilda. He worked on the piece through the decades and here he presents the final composition - and as a companion piece a second experimental work inspired by underwater experiences near the Isles of Scilly.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Out Of The Mist\u003c\/div\u003e\n\u003cdiv\u003e2. Lament For Lost Souls\u003c\/div\u003e\n\u003cdiv\u003e3. End Of The Islanders' Dream\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Helicopter\u003c\/div\u003e\n\u003cdiv\u003e2. The Bay\u003c\/div\u003e\n\u003cdiv\u003e3. The Shipwreck\u003c\/div\u003e\n\u003cdiv\u003e4. Submerged Buoy Chains\u003c\/div\u003e\n\u003cdiv\u003e5. Abbey Gardens\u003c\/div\u003e\n\u003cdiv\u003e6. The Ferry\u003c\/div\u003e\n\u003cdiv\u003e7. The Shore\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869416372\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745157722267,"sku":"193951195","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-across-the-water-ii-scillonian-solace-cd-relix.jpg?v=1783398461"},{"product_id":"caliban-live-at-the-last-night-of-the-cavern-1973-cd","title":"Caliban – Live at the Last Night of The Cavern, 1973 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eClosing time at Mathew Street carried a particular kind of weight on that final night in 1973, and Caliban met the moment without sentimentality, just volume. While the Cavern's demolition has been well documented, the music that soundtracked its last hours remained unheard for decades, making this release a genuine piece of recovered history rather than simple archival housekeeping.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded live at the final ever gig at Liverpool's original Cavern Club, this document captures Caliban in full, unruly flight. Ripping through a set of punk-edged hard rock before a partly bewildered crowd, the band unleash heavy, grinding riffs in a Deep Purple-meets-Third World War frenzy. Few venues loom as large in music history as the Cavern, birthplace of the Beatles and Cilla Black, and demolished in 1973. This recording preserves the very last night before the wrecking balls moved in at dawn. Caliban's early-'70s guitar-driven attack honours rock 'n' roll roots while pre-empting a distinctly British punk ethos, aligning them with Stack Waddy and Third World War, yet heavier and fiercer. Hugely popular locally, once supported by Judas Priest, this long-lost debut finally reveals Caliban: raw, confrontational, and uncompromisingly loud.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. It's Taken So Long (2:25)\u003c\/div\u003e\n\u003cdiv\u003e2. God Damn My Soul (4:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Hard Bitten Woman (4:24)\u003c\/div\u003e\n\u003cdiv\u003e4. She's Not There (5:17)\u003c\/div\u003e\n\u003cdiv\u003e5. Up Yer Khyber (4:46)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. N.O.B (4:34)\u003c\/div\u003e\n\u003cdiv\u003e2. I Just Wanna Make Love To You (7:52)\u003c\/div\u003e\n\u003cdiv\u003e3. A Hundred Years Old (Encore) (6:19)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869416464\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.28.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745162375323,"sku":"193958041","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-caliban-live-at-the-last-night-of-the-cavern-1973-cd-relix.jpg?v=1783398354"},{"product_id":"steve-brown-band-soul-full-of-sin-cd","title":"The Steve Brown Band – Soul Full of Sin (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNewcastle's progressive underground produced plenty of bands that deserved wider attention but never caught the right break, and the Steve Brown Band stands among the more compelling cases. Signing to Transatlantic in 1973 placed them in genuine company, as that label was home to some of Britain's most adventurous folk and prog acts of the era. Six tracks across nearly five decades of waiting is a long time coming.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSeelie Court - the world's premier label for rare and previously unreleased archive recordings of underground folk, rock, proto-metal, and psychedelic music presents The Steve Brown Band. Formed in Newcastle, England, the band built a strong regional reputation through extensive live performances. Emerging from a progressive rock background, the group incorporated jazz rock elements, favoring extended compositions, complex rhythms, and poetic lyricism. Early line-ups evolved through the 1970s, with the band signing to Transatlantic Records in 1973, though a planned album was never released at the time. From 1973 to 1977, the group refined a sophisticated sound featuring saxophone and keyboards alongside guitar-led arrangements. Touring setbacks and management pressures later steered them briefly toward a more commercial direction. The band disbanded in 1977. In later years, original studio tapes were restored, resulting in the posthumous release Soul Full of Sin, documenting their intended 1973 album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Hitman\u003c\/div\u003e\n\u003cdiv\u003e2. Night Flight\u003c\/div\u003e\n\u003cdiv\u003e3. Shine A Light\u003c\/div\u003e\n\u003cdiv\u003e4. Marija\u003c\/div\u003e\n\u003cdiv\u003e5. City (The Lights Of Love)\u003c\/div\u003e\n\u003cdiv\u003e6. Soul Full Of Sin\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869416877\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745163325595,"sku":"194302394","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-steve-brown-band-soul-full-of-sin-cd-relix.jpg?v=1783398154"},{"product_id":"tchaikovsky-rudi-the-castles-equivalent-cd","title":"Rudi Tchaikovsky – The Castle's Equivalent (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRudi Tchaikovsky remains one of those names that circulated in knowing conversations among collectors long before the archive labels caught up. This 1975 Netherlands recording lands in the lineage of British bands that were pushing rock toward something more expansive at exactly the moment the wider world wasn't paying attention, which is precisely why it matters now.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSeelie Court - the world's premier label for rare and previously unreleased archive recordings of underground folk, rock, proto-metal, and psychedelic music presents. The Castle's Equivalent. Rudi Tchaikovsky's music changed fast during their short run, moving from rhythm and blues-based club sets into more ambitious, progressive writing built on longer forms, shifting moods, and a broader musical reach. Recorded in the Netherlands in March 1975, this performance captures a band drawing together strong rock foundations, touches of jazz, and a developing sense of scale, with songs that move between reflective themes, rich instrumental detail, and the restless energy that defined British progressive music in the early seventies.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Yachting On The Niagara (9:14)\u003c\/div\u003e\n\u003cdiv\u003e2. Comet By Day (16:14)\u003c\/div\u003e\n\u003cdiv\u003e3. The Castle's Equivalent (10:01)\u003c\/div\u003e\n\u003cdiv\u003e4. Xanadu D'Ath (6:13)\u003c\/div\u003e\n\u003cdiv\u003e5. Smokescreen (13:46)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869416785\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745163915419,"sku":"194230423","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-tchaikovsky-rudi-the-castle-s-equivalent-cd-relix.jpg?v=1783398069"},{"product_id":"maxine-watta-maxine-watta-cd","title":"Maxine Watta – Maxine Watta (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMaxine Watta's self-titled debut slipped through the cracks the first time around, the kind of record that circulated among a small circle of devoted diggers before disappearing entirely. Rocshire Records operated at the fringes of the early-80s indie ecosystem, releasing music that didn't fit neatly into any one scene, and Watta's blend of influences made her an especially elusive figure. Consider this reissue a genuine act of recovery.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRocshire Records: sounds of the early-80s underground. Indie cult classics for fans of West Coast punk, power pop, new wave and synth music. Here, this ultra-rare debut album from American singer-songwriter Maxine Watt is a mix of new wave, rock, soul and pop that is as eclectic as it is unheard. An exciting pick and one not to be missed for any hunter of unusual 80s gems.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Something In Your Life Is Gonna Change (4:01)\u003c\/div\u003e\n\u003cdiv\u003e2. Give Back My Love (3:15)\u003c\/div\u003e\n\u003cdiv\u003e3. I've Been Loving You Too Long (4:22)\u003c\/div\u003e\n\u003cdiv\u003e4. There Was A Time (3:40)\u003c\/div\u003e\n\u003cdiv\u003e5. You're Dead Right (4:37)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Real Love (5:01)\u003c\/div\u003e\n\u003cdiv\u003e2. Give More Than You Take (3:58)\u003c\/div\u003e\n\u003cdiv\u003e3. Hold On (3:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Day Be Day (4:07)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869418017\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745163948187,"sku":"194243941","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-maxine-watta-maxine-watta-cd-relix.jpg?v=1783398189"},{"product_id":"isolation-isolation-cd","title":"Isolation – Isolation (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the deep of a London winter and pressed in an edition of 99 copies, this is the kind of private-press artifact that spent decades circulating in whispers among collectors before the wider world caught up. Blondell, Smith, and company were working in the same early-70s vein as the most introspective corners of the British folk-rock underground, where acoustic texture and chamber instrumentation served emotional weight rather than commercial ambition.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSeelie Court - the world's premier label for rare and previously unreleased archive recordings of underground folk, rock, proto-metal, and psychedelic music presents Isolation. Created in the wintry January of 1973, Isolation is a concept album and film of exceptional quality-a journey into emotional withdrawal and melancholia through acoustic-edged progressive rock of often hypnotic intensity. Only 99 copies were produced at Riverside Studios in London, each featuring a stark, hand-printed sleeve. The band comprised Richard Blondell on 12-string guitar and vocals, Dave Smith on piano and vocals, John Paul Davidson on flute, Ian Robinson on electric guitars, Chris Pritchett on violin, and Tim Neild on bass and banjo.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Clockwork\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Thinking Of You\u003c\/div\u003e\n\u003cdiv\u003e2. Anthem\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 741869416600\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745166209179,"sku":"193941660","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-isolation-isolation-cd-relix.jpg?v=1783398221"},{"product_id":"flux-flux-cd","title":"Flux – Flux (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eUnearthed from a single 1973 St Albans concert and lost for over four decades, Flux occupied a strange crossroads between the jazz-rock intensity of the era's most adventurous ensembles and something genuinely harder to classify. The musicians involved would go on to leave fingerprints across British rock history, making this document of what they were doing before those better-known chapters all the more remarkable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSeelie Court - the world's premier label for rare and previously unreleased archive recordings of underground folk, rock, proto-metal, and psychedelic music presents ex-Babe Ruth and Motiffe, pre-Argent and Flea On The Honey. Flux is the product of 5 musicians playing exactly what they wanted. The result is a coruscating outpouring of intense Art Rock, twisted jazz elements and astonishingly unhinged soloing lead guitar that never, ever relents, as if played by a demonically possessed John McLaughlin gatecrashing a King Crimson session. Violent, apocalyptic and genuinely progressive, a startled Record Mirror reviewer described their 1973 St Albans gig as 'A New Form of Music'. In 2019 the master tape of that very concert was rediscovered. 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Their appearance at the original 1971 Glastonbury Faire puts them in rare company, sharing that founding moment with Traffic, Hawkwind, and Fairport Convention. Five decades on, these recovered studio recordings finally give the band the document they never had, a proper artifact for the obsessives who've been trading their name in whispers.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSeelie Court - the world's premier label for rare and previously unreleased archive recordings of underground folk, rock, proto-metal, and psychedelic music presents After the Races. Marvelous Kid. Gigged across Great Britain in the early 70s and played the first ever Glastonbury Festival, performing stunning Canterbury-esque extended Art Rock tracks. Their name originates from an American edition of Kipling's Just So Stories, and is spelt with one 'L' causing mass confusion and misspellings from day one, even amongst the band themselves. These studio tracks were for a planned 1973 LP that never was - and it's some of the finest complex Prog Rock of the era. At times there's a hint of the great Robert Calvert in the vocal. 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The survival of this acetate is nothing short of a miracle; what it documents is a road not taken, a vision of where late-'60s British folk-rock could have gone had the darkness been allowed to win.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSeelie Court - the world's premier label for rare and previously unreleased archive recordings of underground folk, rock, proto-metal, and psychedelic music presents Sympathy for the Madman. In 1969 the leader of British Psychedelic legends Arcadium created a project exploring the darkest edges of Progressive Folk Rock. No recordings were thought to have survived (Miguel Sergides lost all his belongings in a house fire in the '80s) until the fateful discovery of the unique Anaconda acetate LP in 2019. The LP is a revelation revealing a Stygian underworld of British Folk Rock that links Anaconda to Tea \u0026amp; Symphony, Forest, Lifeblud, Horizon and Comus. Predating Comus, Anaconda has a very similar sound using violins and flutes but is laced with aching melancholia and themes of alienation. 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As You Like It never released a record in their time, but the Hammond-driven, mellotron-laced sound captured here puts them in direct conversation with the Canterbury scene and the pastoral prog tradition that defined that era.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSeelie Court - the world's premier label for rare and previously unreleased archive recordings of underground folk, rock, proto-metal, and psychedelic music presents As You Like. A British progressive rock band formed in late 1972 by former members of Tales of Justine and The Syndicate. The lineup featured John Ellis on keyboards, Martin Paine on guitar and keyboards, Paul King on drums, and Paul Vincent Myerson on bass. Emerging from London's early '70s music scene, the band rehearsed in a converted farm shed and self-produced demos at RG Jones and Chalk Farm Studios. 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