{"title":"Grateful Dead CDs, Box Sets \u0026 Live Albums","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe vault is open. Relix has been inside the Grateful Dead's world for 50 years, and our CD collection reflects that depth, from studio classics to the legendary live archive series that defined how the Dead shared their music with the world.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWhether you're filling gaps in your collection or introducing someone to the long strange trip for the first time, this is the right crate to dig.\u003c\/p\u003e","products":[{"product_id":"grateful-dead-road-trips-cd-vol-1-no-2-october-77-2008","title":"Grateful Dead Road Trips CD | Vol. 1 No. 2 – October ’77 (2008)","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eGrateful Dead – Road Trips Vol. 1 No. 2: October ’77\u003c\/em\u003e\u003c\/strong\u003e revisits one of the band’s most celebrated creative peaks. Released in March 2008, this installment stitches together highlights from Norman, OK (10\/11), Houston, TX (10\/14), and Baton Rouge, LA (10\/16), capturing the effortless interplay and tight improvisation that made 1977 a benchmark year for the Dead.\u003c\/p\u003e\n\u003cp\u003eThe release flows through radiant versions of \u003cem\u003eLet It Grow\u003c\/em\u003e and \u003cem\u003eSugaree\u003c\/em\u003e, a stunning \u003cem\u003eHelp on the Way → Slipknot! → Franklin’s Tower\u003c\/em\u003e sequence, and a fluid second set built around \u003cem\u003ePlaying in the Band\u003c\/em\u003e, \u003cem\u003eThe Other One\u003c\/em\u003e, and \u003cem\u003eTerrapin Station\u003c\/em\u003e. The \u003cstrong\u003eBonus Disc\u003c\/strong\u003e expands the experience with the beloved \u003cem\u003eScarlet Begonias → Fire on the Mountain\u003c\/em\u003e pairing and more gems from that same week.\u003c\/p\u003e\n\u003cp\u003ePerformed by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e, and \u003cstrong\u003eDonna Godchaux\u003c\/strong\u003e. Mixed and mastered by \u003cstrong\u003eJeffrey Norman\u003c\/strong\u003e under the supervision of \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDisc One\u003c\/strong\u003e\u003cbr\u003eLet It Grow\u003cbr\u003eSugaree\u003cbr\u003eThe Music Never Stopped\u003cbr\u003eMississippi Half-Step Uptown Toodleoo → El Paso\u003cbr\u003eHelp on the Way → Slipknot! → Franklin’s Tower\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDisc Two\u003c\/strong\u003e\u003cbr\u003ePlaying in the Band → Drums → The Other One → Good Lovin’ → Terrapin Station → Black Peter → Around and Around → Brokedown Palace\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBonus Disc\u003c\/strong\u003e\u003cbr\u003eScarlet Begonias → Fire on the Mountain\u003cbr\u003eEstimated Prophet\u003cbr\u003eSunrise\u003cbr\u003eIko Iko\u003cbr\u003eThe Wheel → Wharf Rat → Sugar Magnolia\u003c\/p\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47391200182427,"sku":"ROADTRIPS-OCT77","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/gdroadtripscdA.jpg?v=1776960938"},{"product_id":"renewal-cd","title":"Billy Strings – Renewal (CD)","description":"\u003cp\u003eBilly Strings' second consecutive Grammy winner for Best Bluegrass Album, Renewal pushed progressive bluegrass into uncharted territory while honoring the tradition that made him a prodigy. Produced by Jonathan Wilson at Fivestar Studios in California, the album features Billy's touring band—Billy Failing on banjo, Royal Masat on bass, Jarrod Walker on mandolin—at full power, balancing breakneck traditional picking with psychedelic exploration and jam band improvisation that connects bluegrass to the Grateful Dead's cosmic explorations.\u003c\/p\u003e\n\u003cp\u003eThe 16-track album ranges from traditional instrumentals like Fire Line and Hide and Seek to the introspective title track's meditation on personal growth and recovery. Love and Regret became an instant fan favorite for its emotional depth and technical virtuosity, while Show Me the Door showcases Billy's ability to write songs that work both as standalone compositions and as vehicles for extended live improvisation. Themes of addiction, recovery, transformation, and hope resonated beyond the bluegrass festival circuit, introducing Billy to rock and jam band audiences who recognized kindred exploratory spirit.\u003c\/p\u003e\n\u003cp\u003eRelix has championed Billy Strings since his early festival appearances, documenting his rise from Michigan picking sessions to arena headliner status. Renewal represents the moment he transcended the prodigy label to establish himself as a major force in American music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD.\u003c\/strong\u003e Released September 2021 via Rounder Records. Grammy winner Best Bluegrass Album 2022. Produced by Jonathan Wilson. 16 tracks.\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":47855481389211,"sku":"888072282933","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Billy-Strings-Renewal-CD_0f528b70.jpg?v=1770133707"},{"product_id":"dixie-chicken-deluxe-2-cd","title":"Little Feat – Dixie Chicken (Deluxe 2-CD)","description":"\u003cp\u003eReleased in 1973, Dixie Chicken marks the moment Little Feat found their true groove—the album where co-founder Lowell George's swamp-rock vision fully crystallized with the addition of Kenny Gradney on bass, Sam Clayton on percussion, and Paul Barrere on guitar. This deluxe 2-CD edition presents the 2023 remaster of the original album alongside previously unreleased studio outtakes, demos, and a complete live show from Paul's Mall in Boston recorded April 1, 1973—the first deep dive into one of the most influential '70s Warner Bros. catalog albums.\u003c\/p\u003e\n\u003cp\u003eThe original album introduced songs that became permanent fixtures in Little Feat's repertoire: the title track's New Orleans-influenced shuffle, the barroom blues of Fat Man in the Bathtub, and the rolling Two Trains. The Hotcakes, Outtakes, Rarities disc reveals alternate versions and demos that show how these classics evolved in the studio, while the live set captures the newly expanded seven-piece lineup tearing through material with the raw energy of a band just hitting its stride. You'll hear early versions of Willin' and A Apolitical Blues performed months after the album's release.\u003c\/p\u003e\n\u003cp\u003eDixie Chicken initially struggled commercially despite critical acclaim, but its reputation grew steadily as artists from Bonnie Raitt to the Grateful Dead championed the band's unique blend of rock, funk, blues, and New Orleans R\u0026amp;B. This deluxe edition, assembled with care from original tapes, finally gives fans the comprehensive look at this watershed album that its fiftieth anniversary deserves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDeluxe 2-CD:\u003c\/strong\u003e 2023 remaster of original album plus outtakes, demos, and previously unreleased live show from Paul's Mall, Boston (4\/1\/73).\u003c\/p\u003e","brand":"The Merch Collective","offers":[{"title":"Default Title","offer_id":47914892066971,"sku":"LTF-32-B003","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Little-Feat-Dixie-Chicken-Deluxe-2-CD.jpg?v=1770133743"},{"product_id":"strike-up-the-band-cd","title":"Little Feat – Strike Up The Band (CD)","description":"\u003cp\u003e\u003cstrong\u003eRead our review of Little Feat's Strike Up The Band from June 2025 on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/06\/28\/little-feat-strike-up-the-band\/\" target=\"_blank\" title=\"Little Feat – Strike Up The Band (CD)\" rel=\"noopener\"\u003ejambands.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in May 2025, Strike Up The Band marks Little Feat's triumphant return to rock 'n' roll with new original material—their first studio album of fresh songs in twelve years. Produced by Grammy Award-winner Vance Powell (Phish, Chris Stapleton, Jack White) and co-produced by Bill Payne, the album showcases the current six-piece lineup firing on all cylinders: Payne's swirling keyboards, Scott Sharrard and Fred Tackett's tantalizing dual guitars, Kenny Gradney's anchoring bass, Sam Clayton's percolating percussion, and Tony Leone's propulsive drums.\u003c\/p\u003e\n\u003cp\u003eThe album demonstrates that Little Feat remains a genuine article rather than a nostalgia act. Shipwrecks feels timeless across decades, featuring an unexpectedly delightful synth break from Payne that echoes a time when Little Feat was mentioned alongside fusion pioneers like Weather Report. The title track features Larkin Poe on guest vocals, while Bluegrass Pines—co-written by Payne with the late Grateful Dead lyricist Robert Hunter—showcases Molly Tuttle and Larry Campbell \u0026amp; Teresa Williams. Songs by newest members Sharrard and Leone contribute fresh perspectives while honoring the band's swampy southern soul foundation.\u003c\/p\u003e\n\u003cp\u003eStrike Up The Band proves that fifty-six years after Lowell George and Bill Payne founded the band on Frank Zappa's advice, Little Feat's inimitable groove endures. Like 1988's reunion album Let It Roll, this serves as a reintroduction—showcasing a band still capable of producing vital, muscular rock 'n' roll that honors their legacy while pushing forward.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD format:\u003c\/strong\u003e 13 tracks. Produced by Vance Powell and Bill Payne. 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The remaster sounds warm and rich, on par with the original vinyl, while the expanded content provides unprecedented insight into this pivotal moment in Little Feat's history.\u003c\/p\u003e\n\u003cp\u003eDisc One presents the 2025 remaster of the original album: the romantic groove of Romance Dance, the sweeping All That You Dream, the melodic Long Distance Love, and the ominous Mercenary Territory. Disc Two collects demos, alternate versions, and outtakes that reveal the creative process, including instrumental rough mixes and unreleased material. But the real revelation comes on Discs Three and Four: Hellzapoppin', the complete Halloween 1975 show from Boston's Orpheum Theatre—a sonically polished version of the beloved WBCN radio broadcast that has circulated among fans for decades.\u003c\/p\u003e\n\u003cp\u003eThe Boston concert captures Little Feat at peak form, delivering a stellar and joyous performance that affirms their evolution into a powerhouse live band. With liner notes by Dennis McNally (former publicist for both the Grateful Dead and Little Feat), this deluxe set provides essential context for understanding an album that showed the band could create sophisticated, layered music while maintaining their signature swamp-rock groove.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4-CD Deluxe Set:\u003c\/strong\u003e 50th Anniversary edition. 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Unlike the more recent \"Dave's Picks\" series (which focused on individual complete shows), VFTV collected highlights and notable performances across broader temporal ranges.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis four-CD set represents a significant commitment to exploring the archive. Each volume features different performances, eras, and musical explorations. 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Dave Lemieux, the band's archivist, selects individual complete performances from the vault and releases them as limited-edition numbered CDs. Each volume focuses on a single show, meticulously remastered and packaged.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eVol. 13 represents one of the ongoing releases in the series. Collectors pursue the entire series, and each volume becomes numbered as part of the limited run. 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Songs like \"St. Stephen\" and \"China Cat Sunflower\" that debuted here became cornerstones of the live canon, played thousands of times over the next two decades and still burning bright in setlists today.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e“In 1969, for their third album, the Grateful Dead eschewed outside producers and created Aoxomoxoa themselves, beginning a run of self-produced albums that would continue until 1977. Scrapping the first sessions, which were recorded to eight-track tape, the Dead now had 16 tracks with which to experiment their psychedelic sound, with an album that included entirely \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e-penned lyrics for the first time.”\u003c\/p\u003e\n\n\u003cp\u003eArchivist \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. St. Stephen (4:26)\u003cbr\u003e\n2. Dupree's Diamond Blues (3:32)\u003cbr\u003e\n3. Rosemary (1:58)\u003cbr\u003e\n4. Doin' That Rag (4:41)\u003cbr\u003e\n5. Mountains Of The Moon (4:08)\u003cbr\u003e\n6. China Cat Sunflower (3:40)\u003cbr\u003e\n7. What's Become Of The Baby (8:12)\u003cbr\u003e\n8. 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After nearly two years away, the dual-drummer configuration was restored, the setlists were adventurous, and the band was clearly rediscovering what it could do on a live stage. The Landover date alone earns its place in the historical record as the final known performance of \"Cosmic Charlie.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eDick's Picks Vol. 20\u003c\/em\u003e captures the Grateful Dead across two shows from September 1976 — \u003cstrong\u003eCapital Centre, Landover, MD (9\/25\/76)\u003c\/strong\u003e and \u003cstrong\u003eOnondaga County War Memorial, Syracuse, NY (9\/28\/76)\u003c\/strong\u003e — spread across four discs and over five hours of music.\u003c\/p\u003e\n\n\u003cp\u003eThe timing makes this volume especially significant. 1976 marked the Dead's return to the road after a 20-month hiatus, with \u003cstrong\u003eMickey Hart\u003c\/strong\u003e back in the fold for the first time in five years. 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These are the tracks that pulled a generation toward the rabbit hole, the ones that still sound on the radio before someone inevitably asks, \"Have you ever heard the live version?\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe classic Dead best-of. Includes Truckin'; Casey Jones; Sugar Magnolia; Uncle John's Band; Friend of the Devil and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. The Golden Road (To Unlimited Devotion)\u003cbr\u003e\n2. Truckin'\u003cbr\u003e\n3. Rosemary\u003cbr\u003e\n4. Sugar Magnolia\u003cbr\u003e\n5. St. Stephen\u003cbr\u003e\n6. Uncle John's Band\u003cbr\u003e\n7. Casey Jones\u003cbr\u003e\n8. Mexicali Blues\u003cbr\u003e\n9. Turn On Your Love Light\u003cbr\u003e\n11. One More Saturday Night\u003cbr\u003e\n12. 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Where its predecessor leaned into country grit, American Beauty opened into something more luminous, with the harmonies of Crosby, Stills and Nash filtering through the Dead's own communal voice. The Capitol Theatre run captured here was among the first major tests of these songs on the road, the band still fresh inside material that would anchor their live sets for decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDeluxe three CD edition. Includes the original album with newly remastered audio, plus an unreleased concert recorded on February 18, 1971, at the Capitol Theatre in Port Chester, NY. \u003c\/p\u003e\u003cp\u003eThe show was mixed from the 16-track analog master tapes by Jeffrey Norman at \u003cstrong\u003eBob Weir\u003c\/strong\u003e's Marin County TRI Studios and mastered by Grammy Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e. The crown jewel of the Dead's studio output! 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The tour also introduced live versions of songs like \"Brown-Eyed Women\" and \"Ramble On Rose\" that Deadheads would chase across setlists for decades, making this document not just a souvenir but a genuine musical turning point.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCelebrating the 50th Anniversary of the Grateful Dead's iconic Europe '72 Tour with the original \u003cem\u003eEurope '72\u003c\/em\u003e album, newly remastered. Plangent Processes tape restoration and speed correction, with mastering by GRAMMY® Award-winning engineer Dave Glasser, produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eIn another industry-defying move, the Grateful Dead followed up their first Gold Record — the 1971 live showcase \u003cem\u003eSkull \u0026amp; Roses\u003c\/em\u003e — with another live album, one that to most fans and critics surpassed even the excellence of the previous offering.\u003c\/p\u003e\n\n\u003cp\u003eFrom April 7 to May 26, 1972, the Dead performed and recorded 21 live concerts, plus a set in a television studio, with every night being an exceptional display of the magic that was uniquely the live Grateful Dead. 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This single-disc collection pulls from a body of work that defined what live rock and roll could be, with songs that meant as much around a campfire tape deck as they did inside the Fillmore or Soldier Field.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCelebrate Grateful Dead's 60th Anniversary with a collection of the band's \"Gratest\" hits, available for the first time as a 1 CD\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Casey Jones (4:24)\u003cbr\u003e\n2. Friend of the Devil (3:21)\u003cbr\u003e\n3. Box of Rain (5:17)\u003cbr\u003e\n4. Sugar Magnolia (3:17)\u003cbr\u003e\n5. Truckin' (5:03)\u003cbr\u003e\n6. Scarlet Begonias (4:19)\u003cbr\u003e\n7. Fire on the Mountain (3:47)\u003cbr\u003e\n8. Estimated Prophet (5:35)\u003cbr\u003e\n9. Touch of Grey (5:48)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497813773\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.13.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515993243,"sku":"446057","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Gratest-Hits-CD.png?v=1776107718"},{"product_id":"grateful-dead-music-never-stopped-cd","title":"Grateful Dead – Music Never Stopped (3-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eWhile Deadheads almost unanimously say they prefer full-show recordings over anything else, anyone who quibbles with the long, strange sonic trip that is the Music Never Stopped is simply looking to complain.\u003c\/p\u003e\u003cp\u003eClocking in at close to four hours, overflowing with fan favorites and rarities and spanning 1969-1994, this set contains a song or segue from each of the concerts on the sprawling companion box set Enjoying the Ride - full-show recordings galore, folks! - and ensures every band member, even short-timers Tom Constanten and Bruce Hornsby, is represented.\u003c\/p\u003e\u003cp\u003eJumping around haphazardly, Music is sequenced so Pigpen powering a mighty “Hard to Handle” in ’71 is followed by an elegiac 1987 “Wharf Rat.” The set closes similarly, with an equally wistful “Days Between” from ’94 melting into a dizzying “Not Fade Away” - “Going Down the Road Feeling Bad” - “Not Fade Away” sandwich from 23 years prior.\u003c\/p\u003e\u003cp\u003eThe producers were sympathetic and generous in the song selection, featuring short-in-rotation numbers like “Doin’ that Rag” (’69), “My Brother Esau” (’87) and the bonkers return of “Big Boy Pete” for its one-time-only reprise in ’85.\u003c\/p\u003e\u003cp\u003eBonus - the sound quality ranges from quite good to sublime.\u003c\/p\u003e\u003cp\u003eToss in the famous Greek “Scarlet” - “Touch” - “Fire” of ’84; perhaps the perfectest “Attics of My Life” from 10\/3\/94 in Boston; and the crazy transition between “Truckin’” and “Smokestack Lightnin’” at Deer Creek ’89 that is somehow both smooth and sloppy and unusual enough to merit inclusion even without the powerful performances on either side, and only a cynic could say the Music Never Stopped is not just exactly perfect, even if it doesn’t run just like a Swiss watch.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/06\/14\/grateful-dead-the-music-never-stopped\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCompiled as a road map through one of the longest strange trips in American music, this collection pulls from 25 years of live recordings spanning the venues where Dead culture was built, night by night and city by city. For anyone who's ever debated which era, which room, or which version captures what made this band unlike anything else, consider this a starting point and an argument all at once.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CD set. Narrowing down The Grateful Dead's touring career and live performances to 60 CDs, 20 venues, and more than 450 songs is hard enough. Narrowing THAT down for 3CD and 6LP sets is a monumental undertaking, but with so much great music to select from, it's one of the most enjoyable compilations we've ever assembled. \u003c\/p\u003e\u003cp\u003eThis nearly four-hour collection contains one song (or two, or three...) from every show in the Dead's new road tripping boxed set, ENJOYING THE RIDE, which brings together music from 20 (21...) of the most essential venues in Grateful Dead and Dead Head history. \u003c\/p\u003e\u003cp\u003eThis compilation is crafted with songs spanning the 25 years in the boxed set, 1969-1994. Drawn from such iconic venues as Red Rocks, Frost Amphitheatre, Greek Theatre, Fillmores East and West, Madison Square Garden, Alpine Valley, and many more, THE MUSIC NEVER STOPPED features such classics as \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e \u003cstrong\u003e\"Eyes Of The World,\"\u003c\/strong\u003e \u003cstrong\u003e\"Scarlet Begonias,\"\u003c\/strong\u003e the title track, and plenty of under the radar tracks like \u003cstrong\u003e\"Big Boy Pete,\"\u003c\/strong\u003e \u003cstrong\u003e\"My Brother Esau,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Doin' That Rag.\"\u003c\/strong\u003e \u003c\/p\u003e\u003cp\u003e\"This is a career-defining live collection filled with some of the greatest tracks performed at their greatest venues.\" \u003cstrong style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eDavid Lemieux\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. The Music Never Stopped (9:04)\u003cbr\u003e\n1-2. Althea (8:37)\u003cbr\u003e\n1-3. Playing In The Band (19:58)\u003cbr\u003e\n1-4. Hard To Handle (8:30)\u003cbr\u003e\n1-5. Wharf Rat (10:45)\u003cbr\u003e\n1-6. Doin’ That Rag (6:59)\u003cbr\u003e\n1-7. My Brother Esau (5:04)\u003cbr\u003e\n1-8. Deal (10:47)\u003c\/p\u003e\u003ch4\u003eDisc 2\u003c\/h4\u003e\u003cp\u003e\n2-1. Scarlet Begonias (11:54)\u003cbr\u003e\n2-2. Touch Of Grey (6:50)\u003cbr\u003e\n2-3. Fire On The Mountain (12:08)\u003cbr\u003e\n2-4. Lazy Lightning (3:31)\u003cbr\u003e\n2-5. Supplication (6:19)\u003cbr\u003e\n2-6. Attics Of My Life (4:18)\u003cbr\u003e\n2-7. Estimated Prophet (13:55)\u003cbr\u003e\n2-8. Eyes Of The World (11:49)\u003cbr\u003e\n2-9. Brown-Eyed Women (5:35)\u003c\/p\u003e\u003ch4\u003eDisc 3\u003c\/h4\u003e\u003cp\u003e\n3-1. Truckin’ (8:26)\u003cbr\u003e\n3-2. Smokestack Lightnin’ (10:32)\u003cbr\u003e\n3-3. Big Boy Pete (3:08)\u003cbr\u003e\n3-4. Bird Song (12:11)\u003cbr\u003e\n3-5. Let It Grow (10:25)\u003cbr\u003e\n3-6. Black Muddy River (6:23)\u003cbr\u003e\n3-7. Days Between (10:19)\u003cbr\u003e\n3-8. Not Fade Away (3:51)\u003cbr\u003e\n3-9. Goin’ Down The Road Feeling Bad (8:57)\u003cbr\u003e\n3-10. Not Fade Away (2:26)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497815791\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.30.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516026011,"sku":"386947","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Music-Never-Stopped-3-CD.jpg?v=1776107723"},{"product_id":"grateful-dead-saint-of-circumstance-giants-stadium-east-rutherford-nj-6-17-91-3-cd","title":"Grateful Dead – Saint Of Circumstance: Giants Stadium, East Rutherford, NJ 6\/17\/91 (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the summer of 1991, the Grateful Dead had spent decades refining their approach to Giants Stadium, and June 17th stands as proof of what that arena could hold when everything clicked. Jerry Garcia was in strong form that year, and the band's willingness to let Dark Star breathe across an entire evening rather than contain it to a single slot speaks to how fully locked-in they were from the first note.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWidely considered one of the most inspired and celebrated shows of the Dead's final decade, the 6\/17\/91 Giants Stadium performance fires on all cylinders from the opening notes. The setlist is filled with both beloved classics and genuine rarities — and at the center of it all, \u003cstrong\u003eDark Star\u003c\/strong\u003e weaves in and out throughout the show, making no less than six distinct appearances including during the first set.\u003c\/p\u003e\n\n\u003cp\u003eRarities like \u003cstrong\u003e\"Saint of Circumstance,\"\u003c\/strong\u003e \u003cstrong\u003e\"Might As Well,\"\u003c\/strong\u003e \u003cstrong\u003e\"New Speedway Boogie,\"\u003c\/strong\u003e and \u003cstrong\u003e\"China Doll\"\u003c\/strong\u003e sit alongside perennials like \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e \u003cstrong\u003e\"Uncle John's Band,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Eyes of the World\"\u003c\/strong\u003e — which opens the show in shocking fashion and sets the tone for everything that follows. The Band's \u003cstrong\u003e\"The Weight\"\u003c\/strong\u003e closes the night as an encore, the perfect sendoff for one of the Dead's most highly regarded shows. The lineup that night: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e, Vince Welnick, and \u003cstrong\u003eBruce Hornsby\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Eyes Of The World \u0026gt; (15:26)\u003cbr\u003e\n1-2. Walkin’ Blues (7:01)\u003cbr\u003e\n1-3. Brown-Eyed Women (6:10)\u003cbr\u003e\n1-4. Dark Star \u0026gt; (1:32)\u003cbr\u003e\n1-5. When I Paint My Masterpiece (5:28)\u003cbr\u003e\n1-6. Loose Lucy (9:16)\u003cbr\u003e\n1-7. Cassidy (7:11)\u003cbr\u003e\n1-8. Might As Well (6:41)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Saint Of Circumstance \u0026gt; (10:55)\u003cbr\u003e\n2-2. Ship Of Fools \u0026gt; (8:01)\u003cbr\u003e\n2-3. Dark Star \u0026gt; (1:14)\u003cbr\u003e\n2-4. Truckin’ \u0026gt; (6:55)\u003cbr\u003e\n2-5. New Speedway Boogie \u0026gt; (9:12)\u003cbr\u003e\n2-6. Dark Star \u0026gt; (0:55)\u003cbr\u003e\n2-7. Uncle John’s Band \u0026gt; (11:18)\u003cbr\u003e\n2-8. Dark Star \u0026gt; (8:05)\u003cbr\u003e\n2-9. Drums (12:30)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. Space \u0026gt; (8:47)\u003cbr\u003e\n3-2. China Doll \u0026gt; (5:07)\u003cbr\u003e\n3-3. Playing In The Band \u0026gt; (4:35)\u003cbr\u003e\n3-4. Sugar Magnolia (10:53)\u003cbr\u003e\n3-5. 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This particular run at MSG came just as the band was hitting a strong stride with their post-\"Go to Heaven\" live approach, and the New York crowd, always one of the most electric on the circuit, gave them plenty to play up to.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CDs. Madison Square Garden, the world-famous New York City arena, was a home away from home for The Grateful Dead, a reliable sanctuary where the band would ultimately play 52 shows, a record at the time. The venue's fine acoustics, combined with the fans' unbridled energy, consistently brought out the best in the Dead. \u003c\/p\u003e\u003cp\u003eAt the band's 2015 induction ceremony into Madison Square Garden's Walk Of Fame, Bobby Weir said \"This place was both horrifying and titillating with an audience that was discerning but ravenous. We had to rise to the occasion every time.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Feel Like A Stranger (9:07)\u003cbr\u003e\n1-2. Althea (7:52)\u003cbr\u003e\n1-3. C.C. Rider (8:00)\u003cbr\u003e\n1-4. Ramble On Rose (7:41)\u003cbr\u003e\n1-5. El Paso (5:31)\u003cbr\u003e\n1-6. Deep Elem Blues (7:03)\u003cbr\u003e\n1-7. Beat It On Down The Line (3:58)\u003cbr\u003e\n1-8. Bird Song (11:15)\u003cbr\u003e\n1-9. New Minglewood Blues (7:02)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. China Cat Sunflower (9:33)\u003cbr\u003e\n2-2. I Know You Rider (6:11)\u003cbr\u003e\n2-3. Samson And Delilah (7:32)\u003cbr\u003e\n2-4. Ship Of Fools (8:22)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. Estimated Prophet (14:07)\u003cbr\u003e\n3-2. Uncle John's Band (11:46)\u003cbr\u003e\n3-3. Drums (10:32)\u003cbr\u003e\n3-4. Space (7:30)\u003cbr\u003e\n3-5. The Other One (7:47)\u003cbr\u003e\n3-6. Stella Blue (9:50)\u003cbr\u003e\n3-7. Good Lovin' (6:51)\u003cbr\u003e\n3-8. 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The 1971 remix, overseen as the band's own understanding of the material deepened, brought greater clarity to a record that had always rewarded close listening. For collectors who've worn out earlier pressings chasing the buried details in \"That's It for the Other One\" and \"Dark Star,\" this remaster is the version worth returning to.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDigitally remastered edition of the 1971 remix of this classic album. Anthem of the Sun is the second album by The Grateful Dead, originally released in 1968 on Warner Bros\/Seven Arts. It is the first album to feature second drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. The band was also joined by \u003cstrong\u003eTom Constanten\u003c\/strong\u003e, who contributed avant-garde instrumental and studio techniques influenced by composers John Cage and Karlheinz Stockhausen. \u003c\/p\u003e\u003cp\u003eThe album was assembled through a collage-like editing approach helmed by members \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e (along with soundman Dan Healy), in which disparate studio and live performance tapes were spliced together to create new hybrid recordings. The band also supplemented their performances with instruments such as prepared piano, kazoo, harpsichord, timpani, trumpet, and güiro. The result is an experimental amalgam that is neither a true studio album nor a live album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e2. 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It came out just weeks before American Beauty, the two albums together forming one of the most remarkable back-to-back statements in rock history.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Mobile Fidelity Sound Lab reissue of \u003cem\u003eWorkingman's Dead\u003c\/em\u003e — the Grateful Dead's 1970 acoustic masterwork, remastered from the original analog tapes for audiophile playback. 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The title suite, a sprawling meditation that closes the original album, remains one of the most adventurous pieces the band ever committed to tape. This 50th anniversary edition pulls from analog masters to restore what that creative freedom actually sounded like.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGrateful Dead Blues For Allah (50th Anniversary Remaster) \"To celebrate the 50th Anniversary of The Grateful Dead's ambitious 1975 album Blues For Allah, we have produced what we feel is the most eclectic 50th Anniversary reissue since this series began in 2017. \u003c\/p\u003e\u003cp\u003eThe 3-disc special release features the original album on Disc 1, remastered by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e at Airshow Mastering, with tape restoration and speed correction by Plangent Processes. On Disc 2, we have nearly 45 minutes of nearly-live material from August 12, 1975, at the Great American Music Hall in San Francisco, the soundcheck the day before the Dead's famous show at the venue on August 13, 1975, all mixed from the 16-track analog masters. \u003c\/p\u003e\u003cp\u003eAdditionally, we have included the full Blues For Allah suite from the March 23, 1975, SNACK Benefit at Kezar Stadium, where the Dead played their first of four 1975 shows by debuting one of their wildest pieces of music they'd ever composed. Disc 3 features 75 minutes of live material recorded in June 1976 at the Tower Theatre in Upper Darby, PA, on the Dead's first tour after the release of Blues For Allah.\u003cimg\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Help On The Way \/ Slipknot! (7:23)\u003cbr\u003e\n1-2. 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Wake of the Flood arrived at a genuine crossroads moment, with Keith Godchaux's piano giving the band a harmonic depth and melodic sophistication that pushed their studio writing into new territory. The songs road-tested here became cornerstones of setlists for the next two decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe 50th Anniversary Deluxe Edition of \u003cem\u003eWake of the Flood\u003c\/em\u003e — the debut album from the band's own Grateful Dead Records label — newly remastered with Plangent Processes tape restoration and speed correction by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e, and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eReleased October 15, 1973, \u003cem\u003eWake of the Flood\u003c\/em\u003e introduced a pivotal new lineup following the passing of founding member Ron \u003cstrong\u003e\"Pigpen\"\u003c\/strong\u003e McKernan and the temporary exit of drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. Newest members Keith and Donna Godchaux step into the fold on keys and vocals, and the result is one of the most musically rich albums in the Dead's catalog — featuring \u003cstrong\u003e\"Eyes of the World,\"\u003c\/strong\u003e \u003cstrong\u003e\"Stella Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"Here Comes Sunshine,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Half-Step Uptown Toodeloo.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe bonus disc draws from the final night of the album's brief release tour: November 1, 1973 at McGaw Memorial Hall, Northwestern University, Evanston, Illinois. Bookended by two songs from the new album — \u003cstrong\u003e\"Weather Report Suite\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Half-Step\"\u003c\/strong\u003e — the live set features one of the most creative and inspired jams of the entire tour: a breathtaking \u003cstrong\u003e\"Morning Dew\"\u003c\/strong\u003e → \u003cstrong\u003e\"Playing in the Band\"\u003c\/strong\u003e → \u003cstrong\u003e\"Uncle John's Band\"\u003c\/strong\u003e → \u003cstrong\u003e\"Playing in the Band\"\u003c\/strong\u003e sequence that stands as a highlight of the era.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Wake of the Flood (50th Anniversary Remaster)\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMississippi Half-Step Uptown Toodeloo (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eLet Me Sing Your Blues Away (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eRow Jimmy (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eStella Blue (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eHere Comes Sunshine (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eEyes of the World (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eWeather Report Suite (2023 Remaster)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Demos \u0026amp; Live at McGaw Memorial Hall, Northwestern University, Evanston, IL, 11\/1\/73\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEyes of the World (Demo)\u003c\/li\u003e\n\u003cli\u003eHere Comes Sunshine (Demo)\u003c\/li\u003e\n\u003cli\u003eWeather Report Suite (Live)\u003c\/li\u003e\n\u003cli\u003eMorning Dew (Live)\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band, Pt. 1 (Live)\u003c\/li\u003e\n\u003cli\u003eUncle John's Band (Live)\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band, Pt. 2 (Live)\u003c\/li\u003e\n\u003cli\u003eMississippi Half-Step Uptown Toodeloo (Live)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497833870\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.29.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516943515,"sku":"360428","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Wake-Of-The-Flood-Deluxe-2-CD.jpg?v=1776107890"},{"product_id":"grateful-dead-the-best-of-the-grateful-dead-live-1969-1977-2-cd","title":"Grateful Dead – The Best of the Grateful Dead Live: 1969-1977 (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Grateful Dead never treated any two nights the same, which is what makes a collection like this both necessary and genuinely difficult to assemble. These recordings pull from some of the most documented years in rock history, a period when the band was simultaneously inventing and perfecting a concert language that tens of thousands of fans built their lives around. Consider it a map of the territory, not a substitute for the journey.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA two-CD collection made for die-hard Deadheads and new fans alike, \u003cem\u003eThe Best of the Grateful Dead Live\u003c\/em\u003e is the ultimate introduction to the band's live legacy. Drawing from official live albums on Warner Bros. and Arista, plus key archival releases, the set spans the full arc of the Dead's performing career — from \u003cstrong\u003e\"St. Stephen\"\u003c\/strong\u003e recorded at the Fillmore West in 1969 to the poignant \u003cstrong\u003e\"So Many Roads,\"\u003c\/strong\u003e taken from the band's final concert at Chicago's Soldier Field in July 1995.\u003c\/p\u003e\n\n\u003cp\u003eAlong the way: the raw power of the early Fillmore East shows, the soaring Europe '72 performances, the beloved Warfield and Radio City runs of 1980, and standout moments from the band's final decade. Few live compilations cover this much ground this well.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. St. Stephen (6:37)\u003cbr\u003e\n1-2. Bertha (5:42)\u003cbr\u003e\n1-3. Wharf Rat (8:32)\u003cbr\u003e\n1-4. Sugar Magnolia (7:10)\u003cbr\u003e\n1-5. Jack Straw (4:48)\u003cbr\u003e\n1-6. Truckin' (13:07)\u003cbr\u003e\n1-7. Morning Dew (11:28)\u003cbr\u003e\n1-8. Brown-Eyed Women (4:37)\u003cbr\u003e\n1-9. The Music Never Stopped (5:28)\u003cbr\u003e\n1-10. Estimated Prophet (6:44)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Friend Of The Devil (7:32)\u003cbr\u003e\n2-2. Feel Like A Stranger (5:46)\u003cbr\u003e\n2-3. Fire On The Mountain (6:47)\u003cbr\u003e\n2-4. Bird Song (7:38)\u003cbr\u003e\n2-5. Ripple (4:26)\u003cbr\u003e\n2-6. Eyes Of The World (16:13)\u003cbr\u003e\n2-7. Touch Of Grey (6:30)\u003cbr\u003e\n2-8. Blow Away (12:19)\u003cbr\u003e\n2-9. So Many Roads (9:35)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497862153\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.23.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516976283,"sku":"146524","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-The-Best-of-the-Grateful-Dead-Live-1969-1977-2-CD_f189998c.jpg?v=1776107903"},{"product_id":"grateful-dead-american-beauty-cd","title":"Grateful Dead – American Beauty (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the fall of 1970, just months after Workingman's Dead reshaped what the Dead could be, American Beauty doubled down on the acoustic warmth and close harmonies that caught so many ears by surprise. Songs like \"Friend of the Devil,\" \"Ripple,\" and \"Truckin'\" became cornerstones of the repertoire, played in some form across five decades of touring and still beloved by every generation that finds its way into this music.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe crown jewel of the Dead's studio output! Featuring the 50th Anniversary remastered audio.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Box Of Rain (5:18)\u003cbr\u003e\n2. Friend Of The Devil (3:23)\u003cbr\u003e\n3. Sugar Magnolia (3:17)\u003cbr\u003e\n4. Operator (2:23)\u003cbr\u003e\n5. Candyman (6:11)\u003cbr\u003e\n6. Ripple (4:07)\u003cbr\u003e\n7. Brokedown Palace (4:06)\u003cbr\u003e\n8. Till The Morning Comes (3:06)\u003cbr\u003e\n9. Attics Of My Life (5:09)\u003cbr\u003e\n10. Truckin' (5:06)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497845590\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.4.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149517009051,"sku":"387798","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-American-Beauty-CD.jpg?v=1776107906"},{"product_id":"grateful-dead-the-grateful-dead-50th-anniversary-deluxe-edition-cd","title":"Grateful Dead – The Grateful Dead: 50th Anniversary Deluxe Edition (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe self-titled debut arrived in March 1967, recorded in just four days and released on Warner Bros., capturing a band that had already been road-tested through the Acid Tests and the Haight-Ashbury scene. What those Vancouver recordings reveal is a setlist still leaning hard on covers, the electric jug band DNA that Mother McCree's Uptown Jug Champions had planted, and a looseness that the studio would soon tighten into something more deliberate.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Grateful Dead's self-titled debut album, celebrating its 50th anniversary with a deluxe 2-CD set. Disc 1 features the original 1967 album, newly remastered. Disc 2 presents the previously unreleased complete show from P.N.E. Garden Auditorium, Vancouver, BC on July 29th, 1966 — one of the earliest known recordings of the band — plus four additional tracks from the following night at the same venue.\u003c\/p\u003e\n\n\u003cp\u003eThe Vancouver recordings capture the Grateful Dead in their rawest form: a young band still steeped in blues, jug band music, and early rock and roll, months before they entered the studio to record their debut. A remarkable document of where it all began.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. The Golden Road (To Unlimited Devotion) (2:12)\u003cbr\u003e1-2. Beat It On Down The Line (2:33)\u003cbr\u003e1-3. Good Mornin' Little School Girl (5:50)\u003cbr\u003e1-4. Cold Rain And Snow (2:31)\u003cbr\u003e1-5. Sittin' On Top Of The World (2:08)\u003cbr\u003e1-6. Cream Puff War (2:31)\u003cbr\u003e1-7. Morning Dew (5:09)\u003cbr\u003e1-8. New, New Minglewood Blues (2:37)\u003cbr\u003e1-9. Viola Lee Blues (10:16)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e2-1. Standing On The Corner (3:23)\u003cbr\u003e2-2. I Know Your Rider (3:14)\u003cbr\u003e2-3. Next Time You See Me (3:37)\u003cbr\u003e2-4. Sittin' On Top Of The World (3:47)\u003cbr\u003e2-5. You Don't Have To Ask (5:14)\u003cbr\u003e2-6. Big Boss Man (4:16)\u003cbr\u003e2-7. Stealin' (3:37)\u003cbr\u003e2-8. Cardboard Cowboy (2:56)\u003cbr\u003e2-9. It's All Over Now, Baby Blue (5:23)\u003cbr\u003e2-10. Cream Puff War (7:52)\u003cbr\u003e2-11. Viola Lee Blues (10:03)\u003cbr\u003e2-12. Beat It On Down The Line (2:47)\u003cbr\u003e2-13. Good Mornin' Little Schoolgirl (5:47)\u003cbr\u003e2-14. Cold Rain And Snow (3:14)\u003cbr\u003e2-15. One Kind Favor (4:23)\u003cbr\u003e2-16. Hey Little One (5:39)\u003cbr\u003e2-17. New, New Minglewood Blues (3:23)\u003c\/p\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227940973\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.20.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149517172891,"sku":"335542","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-The-Grateful-Dead-50th-Anniversary-Deluxe-Edition-2-CD.png?v=1776107926"},{"product_id":"grateful-dead-long-strange-trip-soundtrack-2-cd","title":"Grateful Dead – Long Strange Trip Soundtrack (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAmir Bar-Lev's documentary drew from one of the deepest archival wells in rock history, and the soundtrack reflects that scope. Spanning the band's career from the psychedelic Haight-Ashbury years through the arena-filling 1980s and beyond, these 19 tracks were pulled from the same vault that made the film so revelatory, prioritizing moments that capture the Dead at their most electrically alive rather than the obvious greatest hits.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMotion Picture Soundtrack for Long Strange Trip.  Long Strange Trip is an unprecedented four-hour documentary about the legendary band the Grateful Dead from executive producer Martin Scorsese (Silence, The Departed), and director Amir Bar-Lev (The Tillman Story, Happy Valley). Long Strange Trip probes the creative forces, subversive ambitions, and interpersonal dynamics that drove the Grateful Dead in their 30-year career. The first biographical film authorized and supported by the band, LST includes never-before-seen archival footage (of performances, backstage, and home movies) as well as new interviews with band members and cultural critics.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Death Don't Have No Mercy (10:32)\u003cbr\u003e\n1-2. St. Stephen (6:42)\u003cbr\u003e\n1-3. Uncle John's Band (4:46)\u003cbr\u003e\n1-4. Dark Star (23:52)\u003cbr\u003e\n1-5. Easy Wind (5:01)\u003cbr\u003e\n1-6. Candyman (6:16)\u003cbr\u003e\n1-7. China Cat Sunflower (5:09)\u003cbr\u003e\n1-8. I Know You Rider (5:55)\u003cbr\u003e\n1-9. Morning Dew (5:01)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. He's Gone (8:53)\u003cbr\u003e\n2-2. The Music Never Stopped (5:33)\u003cbr\u003e\n2-3. Scarlet Begonias (9:54)\u003cbr\u003e\n2-4. Fire On The Mountain (15:09)\u003cbr\u003e\n2-5. Althea (8:33)\u003cbr\u003e\n2-6. Touch Of Grey (5:52)\u003cbr\u003e\n2-7. Dear Mr. Fantasy (7:07)\u003cbr\u003e\n2-8. Hey Jude (4:00)\u003cbr\u003e\n2-9. Ripple (4:10)\u003cbr\u003e\n2-10. Brokedown Palace (4:07)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227934507\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.26.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149517140123,"sku":"282147","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Long-Strange-Trip-Soundtrack-2-CD.png?v=1776107930"},{"product_id":"jerry-garcia-garcialive-vol-21-february-13th-1976-keystone-cd","title":"Jerry Garcia – GarciaLive Vol. 21: February 13th, 1976 - Keystone (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn a gratefully welcomed return to the GarciaLive archival series, Volume 21 brings us back to February of 1976, when on a Friday night one could stand amongst 500 or so paying customers and watch Jerry Garcia and his band peacefully, pleasingly, and proficiently take over Berkeley's Keystone club. The Jerry Garcia Band was a vital component of Garcia's life away from the circus, and a grounding space to work-out solo material, nod to songs he was digging at the time, and just play. In the end, a JGB show would require an arena to accommodate the demand, but in '76, a modest club date in the Bay was all he and his friends needed.\u003c\/p\u003e\u003cp\u003eIt's a mostly mellow show, with a particularly slow take on Bob Dylan's \"Knockin' on Heaven's Door,\" that may be among the more transfixed and affecting Garcia has performed. It's in keeping with a set that darts between eventual staples of a JGB show- \"Catfish John,\" \"After Midnight,\" and \"The Harder They Come,\"- and contemporaneous homages, such as a beautifully Jerry-esque reading of the Rolling Stones' \"Moonlight Mile.\" The mix tilts toward Jerry's guitar, and fittingly, as there is plenty of his engaging fretwork, yet Garcia is quick to share the moments with his mates- especially with on-loan Dead keyboardist, Keith Godchaux, on a glistening \"Mission in the Rain.\"\u003c\/p\u003e\u003cp\u003eTwo songs pulled from a Palo Alto date two nights later serve as an \"encore,\" filling out the winning two-disc set. All in all, this edition reignites a GarciaLive series that's been so adept at detailing the arc of Garcia's solo excursions. Hopefully, this marks the first of another run of many releases to follow.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/09\/14\/jerry-garcia-band-garcialive-volume-21-keystone-february-13-1976\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy early 1976, the Jerry Garcia Band was operating in a genuinely unusual space, with Garcia essentially running two overlapping musical families. Having Keith and Donna Jean Godchaux in the room meant the chemistry from the Dead's own mid-70s peak was bleeding directly into these intimate club nights at the Keystone, a Berkeley venue that Garcia returned to again and again throughout the decade as a kind of low-pressure laboratory for exactly this kind of musical exploration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 21\u003c\/em\u003e brings the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e back to their Bay Area stomping grounds with a then-new lineup — Grateful Dead members \u003cstrong\u003eDonna Jean\u003c\/strong\u003e and \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e joining mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e. Recorded live at the Keystone in Berkeley in February 1976, the set is a fascinating snapshot of the JGB in transition.\u003c\/p\u003e\n\n\u003cp\u003eThe setlist is loaded with highlights: rarities like the Rolling Stones' \u003cstrong\u003e\"Moonlight Mile\"\u003c\/strong\u003e and Ray Charles' \u003cstrong\u003e\"Talkin' 'Bout You,\"\u003c\/strong\u003e deep cuts like \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"Who Was John?\"\u003c\/strong\u003e and \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e alongside scintillating takes on favorites like \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e and \u003cstrong\u003e\"They Love Each Other.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Catfish John (14:13)\u003cbr\u003e\n1-2. After Midnight (13:37)\u003cbr\u003e\n1-3. Mission In The Rain (6:57)\u003cbr\u003e\n1-4. Who Was John? (12:28)\u003cbr\u003e\n1-5. They Love Each Other (7:31)\u003cbr\u003e\n1-6. Moonlight Mile (10:27)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. The Harder They Come (18:41)\u003cbr\u003e\n2-2. Knockin' On Heaven's Door (19:17)\u003cbr\u003e\n2-3. Talkin' 'Bout You (10:33)\u003cbr\u003e\n2-4. How Sweet It Is (To Be Loved By You) (9:29)\u003cbr\u003e\n2-5. My Sisters And Brothers (6:42)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882624620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.14.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187691139227,"sku":"221763","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-21-February-13th-1976-Keystone-2-CD.jpg?v=1776107956"},{"product_id":"jerry-garcia-garcialive-volume-15-may-21st-1971-keystone-korner-cd","title":"Jerry Garcia – GarciaLive Vol. 15: May 21st, 1971 Keystone Korner (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eListening to the work of Jerry Garcia often feels like an act of discovery, no matter how long one's been doing it. On GarciaLive Vol. 15: Jerry Garcia \u0026amp; Merl Saunders, May 21st, 1971, listeners are truly discovering something new. This previously uncirculated recording finds Garcia, keyboardist Merl Saunders and drummer Bill Vitt playing as a rare trio (sans regular bassist John Kahn) with occasional saxophone screeches from future Legion of Mary member Martin Fierro. At San Francisco's 200-cap Keystone Korner (not to be confused with the sister club in Berkeley), Garcia was free to step out from the Grateful Dead's shadow (just days before a Winterland Ballroom run) and flex his jazz muscles in raw, exhilarating form. Without bass, Saunders' keyboard work and organ playing holds down the low end and gives each musician even more room to groove with a loose, conversational tone. Opening with Saunders' \"Man-Child,\" the trio doesn't waste any time getting out there with Saunders driving several subterranean-sounding peaks. On \"One Kind Favor,\" the Blind Lemon Jefferson song also known as \"See That My Grave Is Kept Clean,\" Garcia's aching vocals recall \"Death Don't Have No Mercy,\" as Saunders' organ swirls. Fierro first speaks up on a swinging instrumental take on Stevie Wonder's \"I Was Made to Love Her.\" The \"Keystone Korner Jam\" best captures the vibe of the performance—17 minutes of the quartet playing off each other, composing in the moment, with Garcia and Fierro pushing each other to explore. The real star of the recording, however, is the only known Garcia-sung performance of David Crosby's \"The Wall Song,\" which Garcia would play guitar on in the studio. Garcia does an admirable job on vocals but it's Fierro who commands the jam with an assault of sax squeals (and a few Beatles quotes). For fans of Garcia's more esoteric work, GarciaLive Vol. 15 is a thrilling listen and a reminder that there's always something new waiting around the Korner.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Rudi Greenberg, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/garcialive-vol-15-jerry-garcia-merl-saunders-may-21st-1971\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1971, Garcia was already deep in the exploratory side-project work that would define so much of his legacy outside the Dead, and these Keystone Korner sessions capture that restless curiosity at an early stage. His partnership with Merl Saunders would stretch across years and hundreds of gigs, but recordings from this particular period are scarce, making this document an essential piece of the puzzle for anyone tracing how Garcia's improvisational voice developed away from the mothership.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 15\u003c\/em\u003e showcases a free-spirited performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e, and drummer \u003cstrong\u003eBill Vitt\u003c\/strong\u003e at the celebrated and intimate San Francisco jazz club Keystone Korner. The trio — aided by saxophonist \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on five songs — fuses R\u0026amp;B, jazz, and rock across two adventurous sets.\u003c\/p\u003e\n\n\u003cp\u003eExtended takes on Saunders's own \u003cstrong\u003e\"Man-Child\"\u003c\/strong\u003e and \u003cstrong\u003e\"Save Mother Earth\"\u003c\/strong\u003e anchor the performance, alongside rare gems including David Crosby's \u003cstrong\u003e\"The Wall Song,\"\u003c\/strong\u003e Stevie Wonder's \u003cstrong\u003e\"I Was Made to Love Her,\"\u003c\/strong\u003e a smoking \u003cstrong\u003e\"Mystery Train,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Keystone Korner Jam.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Man-Child (17:36)\u003cbr\u003e\n1-2. One Kind Favor (9:34)\u003cbr\u003e\n1-3. I Know It's A Sin (6:53)\u003cbr\u003e\n1-4. I Was Made To Love Her (9:58)\u003cbr\u003e\n1-5. Keystone Korner Jam (16:38)\u003cbr\u003e\n1-6. The Night They Drove Old Dixie Down (5:04)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Save Mother Earth (25:19)\u003cbr\u003e\n2-2. That's All Right (8:28)\u003cbr\u003e\n2-3. The Wall Song (12:45)\u003cbr\u003e\n2-4. Mystery Train (6:44)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882442323\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.4.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820114075,"sku":"168487","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-15-May-21st-1971-Keystone-Korner-2-CD.jpg?v=1776108276"},{"product_id":"jerry-garcia-band-garcialive-volume-19-october-31st-1992-oakland-coliseum-arena-cd","title":"Jerry Garcia Band – GarciaLive Vol. 19: October 31st, 1992 Oakland Coliseum Arena (2–CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eFor generations of students taking college entrance exams, there has been an oft-repeated adage: that test-takers get a few hundred points just for showing up. If, after his experience in a coma a few months earlier, this was Jerry Garcia’s test- a first performance back onstage- he got about 17,000 points just for showing up. The roar of those 17,000 filling the Oakland Coliseum Arena on Halloween night are just what the aging Captain needed to hear, and for the next two-and-a-half hours he gives them just what they needed: the music of the Jerry Garcia Band, and the assurance that he was, indeed, back.\u003c\/p\u003e\u003cp\u003eWith the first-set selections each hovering around the seven-minutes-and-change mark, that seems to be the sweet spot of expendable energy for the opening “How Sweet It Is (To Be Loved By You)” through to the closing “Deal.” Garcia stretches “The Night They Drove Old Dixie Down” a bit longer than its counterparts, but otherwise the nine songs tend to cruise at similar altitudes, with Jerry’s relatively paced and relaxed guitar work and Melvin Seals’ flash of keyboards finding their peaks. Garcia’s voice is of fine vintage the entire evening, crackling with understood vulnerability on “The Maker,” against the always steadying backdrop of his loyal singers, Gloria Jones and Jacklyn LaBranch.\u003c\/p\u003e\u003cp\u003eThe comeback show, as far as repertoire and approach, is not unlike others of its era, nor should it be; it was Garcia’s style to underplay if not completely ignore any personal significance. A simple “So, how ya’ll doing?” is the majority of his communication with the hometown capacity crowd, ahead of the sly wink of Chuck Berry’s, “You Never Can Tell (C’est La Vie).” Such is life for this old folk.\u003c\/p\u003e\u003cp\u003eThe highlight of the second half- and possibly the show- is on its set starter, “Shining Star.” Performed with gentle hands and effortless restraint, the soulful cover of The Manhattans’ classic falls like leaves of orange and red from the weathering trees, wafting down and landing with a whisper. At over 12 minutes, it’s the showcase track of the autumnal night and all the proof anyone could ask for that Jerry Garcia could move an arena as one.\u003c\/p\u003e\u003cp\u003eThe second set is also slightly greasier than the first, and Garcia and Seals do get a bit fiery when the mood is right on “Tore Up Over You.” The ensemble returns for the now-hallowed favorite of this holiday, borrowed over from Garcia’s days with the Dead- Warren Zevon’s “Werewolves of London.” If it’s a bit ragged, it’s all forgiven; most costumes get that way by the end of the night. More important is everything that came before that last rocking encore, as Garcia and his band conjured up the spirits to dance once again.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/11\/10\/jerry-garcia-band-garcialive-volume-19-oakland-coliseum-arena-october-31-1992\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHalloween has always carried weight in the Bay Area concert calendar, but this particular night hit different. Garcia had nearly died that summer, and the Oakland faithful showed up knowing they might be witnessing something they'd almost lost forever; the joy in that room was inseparable from the relief.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 19\u003c\/em\u003e documents one of the most emotionally charged nights in \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e history — his triumphant return to the stage on Halloween, October 31, 1992, at the Oakland Coliseum Arena, just three months after a health crisis so severe it forced the cancellation of an entire Grateful Dead tour. Slimmed down and in great spirits, Garcia took the stage to 17,000 roaring fans, and the setlist reflects the significance of the moment. Mastered from \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e's original soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals — what \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e himself dubbed \"the magic band.\" A poignant \u003cstrong\u003e\"The Maker\"\u003c\/strong\u003e opens the emotional core of the evening; \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e stuns with its lush harmonies to open Set Two; and the night closes with a rousing Halloween encore of \u003cstrong\u003e\"Werewolves of London.\"\u003c\/strong\u003e The package includes liner notes and previously unpublished photos from the festivities, which included a costume contest judged by \u003cstrong\u003eKen Kesey\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThe Maker\u003c\/li\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eWonderful World\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003cli\u003eWerewolves of London (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882536527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.28.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820441755,"sku":"483345","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-19-October-31st-1992-Oakland-Coliseum-Arena-2-CD.jpg?v=1776108369"},{"product_id":"jerry-garcia-band-garcialive-vol-3-legion-of-mary-december-14-15-1974-northwest-tour-cd","title":"Legion of Mary – GarciaLive Vol. 3: December 14-15, 1974 Northwest Tour (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLegion of Mary existed in a sweet spot between the Grateful Dead's extended hiatus of 1974 and Garcia's return to that band, giving him room to stretch into territory the Dead rarely touched. With Merl Saunders anchoring the organ and Martin Fierro's saxophone pushing the ensemble toward genuine jazz improvisation, these Oregon nights show Garcia in a deeply collaborative mode, trading phrases rather than soloing over a rhythm section.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe third installment of the GarciaLive archival series presents over two and a half hours of previously unreleased music from one of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e's most experimental and revered projects: \u003cstrong\u003eLegion of Mary.\u003c\/strong\u003e Culled from two consecutive nights in Oregon on what is thought to be the band's first-ever tour, the recordings capture the quintet in an exploratory, jazz-and-soul-infused groove unlike anything in the broader Garcia catalog.\u003c\/p\u003e\n\u003cp\u003eLegion of Mary features \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e on keyboards and vocals, \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on saxophone and flute, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums. Disc One documents the December 14th performance at the Paramount Theatre in Portland; Discs Two and Three present both sets from the December 15th show at the EMU Ballroom in Eugene. Standout moments include an 18-minute \u003cstrong\u003e\"Boogie on Reggae Woman,\"\u003c\/strong\u003e a labyrinthine \u003cstrong\u003e\"Freedom Jazz Dance,\"\u003c\/strong\u003e extended excursions on \u003cstrong\u003e\"Valdez in the Country\"\u003c\/strong\u003e and \u003cstrong\u003e\"Wondering Why,\"\u003c\/strong\u003e and a rollicking closing \u003cstrong\u003e\"Roadrunner.\"\u003c\/strong\u003e Liner notes by \u003cstrong\u003eDarryl Norsen\u003c\/strong\u003e with previously unpublished live photos.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Boogie On Reggae Woman (18:04)\u003c\/div\u003e\n\u003cdiv\u003e2. The Night They Drove Old Dixie Down (7:56)\u003c\/div\u003e\n\u003cdiv\u003e3. Freedom Jazz Dance (13:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Mystery Train (12:30)\u003c\/div\u003e\n\u003cdiv\u003e5. How Sweet It Is (To Be Loved By You) (11:06)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. You Can Leave Your Hat On (16:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Neighbor, Neighbor (12:30)\u003c\/div\u003e\n\u003cdiv\u003e3. The Night They Drove Old Dixie Down (8:25)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. It's No Use (13:26)\u003c\/div\u003e\n\u003cdiv\u003e2. Valdez In The Country (13:23)\u003c\/div\u003e\n\u003cdiv\u003e3. I Second That Emotion (14:53)\u003c\/div\u003e\n\u003cdiv\u003e4. Wondering Why (24:53)\u003c\/div\u003e\n\u003cdiv\u003e5. Roadrunner (7:26)\u003c\/div\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882190828\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.15.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187829452955,"sku":"556694","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Legion-of-Mary-GarciaLive-Vol_-3-December-14-15-1974-Northwest-Tour-3-CD.jpg?v=1776108443"},{"product_id":"jerry-garcia-garcialive-volume-seven-november-8th-1976-sophies-palo-alto-cd","title":"Jerry Garcia – GarciaLive Vol. 7: November 8th, 1976 Sophie's Palo Alto (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1976, the Jerry Garcia Band had settled into a sound that was distinctly its own, separate from the Dead's cosmic sprawl, rooted in R\u0026amp;B, gospel, and the kind of intimate interplay that small venues like Sophie's made possible. Keith and Donna Jean Godchaux's presence here is bittersweet in hindsight; their chemistry with Garcia in this setting remains one of the most underappreciated chapters in the whole extended Garcia story. That Betty Cantor-Jackson had her recorder running that night is something to be genuinely grateful for.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA genuine vault discovery, \u003cem\u003eGarciaLive Volume Seven\u003c\/em\u003e presents the complete November 8, 1976 performance by the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at Sophie's in Palo Alto, California — recorded by \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e on original soundboard reels that were nearly lost forever. The tapes were recovered in 2015 when \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e found them in a box while moving, and were meticulously remastered for this release.\u003c\/p\u003e\n\n\u003cp\u003eThe recording captures one of the most beloved lineups in JGB history: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards, \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums — the quintessential mid-'70s Garcia Band in peak form. Set One flows through \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e while Set Two delivers the goods with \u003cstrong\u003e\"Ride Mighty High,\"\u003c\/strong\u003e a sprawling \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e and the bluegrass closer \u003cstrong\u003e\"Midnight Moonlight.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eKnockin' on Heaven's Door\u003c\/li\u003e\n\u003cli\u003eAfter Midnight\u003c\/li\u003e\n\u003cli\u003eWho Was John?\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eStir It Up\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eStrange Man\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eRide Mighty High\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882267223\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.19.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187830141083,"sku":"401904","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-7-November-8th-1976-Sophies-Palo-Alto-2-CD.jpg?v=1776108583"},{"product_id":"jerry-garcia-band-garcialive-vol-2-august-5th-1990-greek-theater-2-cd","title":"Jerry Garcia Band – GarciaLive Vol.2: August 5th, 1990, Greek Theatre (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Greek Theatre in Berkeley was practically a second home for Garcia, and summer nights there had a particular magic that regulars still talk about decades later. Béla Fleck's cameo here is a genuine rarity, a reminder that Garcia's musical friendships crossed every genre boundary, and that any given JGB show could turn into something you'd spend years trying to describe to someone who wasn't there.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume Two\u003c\/em\u003e captures the classic latter-era lineup of the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at the Greek Theatre in Berkeley on August 5, 1990 — featuring \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals. Recorded during a fruitful period that also yielded the releases \u003cem\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003eHow Sweet It Is\u003c\/em\u003e, the show is a showcase for the JGB at their most fluid and expansive.\u003c\/p\u003e\n\n\u003cp\u003eSet One moves confidently through \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e a brooding \u003cstrong\u003e\"Tears of Rage,\"\u003c\/strong\u003e and a scorching \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e Set Two opens with a special guest appearance by banjo virtuoso \u003cstrong\u003eBéla Fleck\u003c\/strong\u003e, who kicks things off with a fiery \u003cstrong\u003e\"Midnight Moonlight\"\u003c\/strong\u003e and an otherworldly run through Jimmy Cliff's \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e before the band closes the night with a towering \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. How Sweet It Is (To Be Loved By You) (7:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Stop That Train (6:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Forever Young (7:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Run For The Roses (5:50)\u003c\/div\u003e\n\u003cdiv\u003e5. That's What Love Will Make You Do (8:06)\u003c\/div\u003e\n\u003cdiv\u003e6. My Sisters And Brothers (4:15)\u003c\/div\u003e\n\u003cdiv\u003e7. Tears Of Rage (8:16)\u003c\/div\u003e\n\u003cdiv\u003e8. Deal (8:34)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Midnight Moonlight (7:26)\u003c\/div\u003e\n\u003cdiv\u003e2. The Harder They Come (10:46)\u003c\/div\u003e\n\u003cdiv\u003e3. And It Stoned Me (6:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Waiting For A Miracle (6:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Evangeline (4:22)\u003c\/div\u003e\n\u003cdiv\u003e6. Think (7:01)\u003c\/div\u003e\n\u003cdiv\u003e7. That Lucky Old Sun (8:22)\u003c\/div\u003e\n\u003cdiv\u003e8. Tangled Up In Blue (11:19)\u003c\/div\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882186623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187830534299,"sku":"295690","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959403458715-cd-relix.png?v=1776288629"},{"product_id":"jerry-garcia-before-the-dead-4-cd","title":"Jerry Garcia – Before The Dead (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLong before the Wall of Sound or the psychedelic sprawl of the Fillmore, Garcia was a young musician woodshedding through the American folk revival, absorbing Bill Monroe, Mississippi John Hurt, and the Carter Family with the same intensity he'd later bring to improvisation. These recordings capture the formative years when Garcia and Hunter were still figuring out who they were, playing coffeehouses and living rooms in the Bay Area folk scene that would quietly lay the groundwork for everything that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eBefore the Dead\u003c\/em\u003e brings together a rare collection of the earliest known performances by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e. From an informal 1961 recording of folk songs at a birthday party — featuring future songwriting partner \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e — to polished coffeehouse gigs with old-timey and bluegrass bands through 1964, the collection showcases Garcia's deep immersion in American folk tradition and the musical roots that would shape the Grateful Dead.\u003c\/p\u003e\n\n\u003cp\u003eAcross four discs and 84 tracks, Garcia works through an extraordinary range of material: Appalachian folk songs, old-time fiddle tunes, bluegrass standards, country blues, and gospel — performed with the kind of reverence and technical seriousness that defined his early years as a musician. An essential document for anyone who wants to understand where Garcia came from.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Santy Anno (2:15)\u003cbr\u003e\n1-2. I Got A Home In That Rock (1:46)\u003cbr\u003e\n1-3. Oh, Mary Don't You Weep (3:31)\u003cbr\u003e\n1-4. All My Trials (4:01)\u003cbr\u003e\n1-5. I Was Born Then Thousand Years Ago (2:12)\u003cbr\u003e\n1-6. Blow The Candles Out (2:02)\u003cbr\u003e\n1-7. Rake And A Rambling Boy (1:31)\u003cbr\u003e\n1-8. Trouble In Mind (3:10)\u003cbr\u003e\n1-9. Brown's Ferry Blues (2:31)\u003cbr\u003e\n1-10. Jesse James (4:13)\u003cbr\u003e\n1-11. Down In The Willow Garden (1:48)\u003cbr\u003e\n1-12. Long Lonesome Road (2:39)\u003cbr\u003e\n1-13. Railroad Bill (3:17)\u003cbr\u003e\n1-14. The Wagoner's Lad (3:00)\u003cbr\u003e\n1-15. Katie Cruel (3:40)\u003cbr\u003e\n2-1. Cannonball Blues (3:02)\u003cbr\u003e\n2-2. Little Birdie (3:17)\u003cbr\u003e\n2-3. Sally Goodin (2:06)\u003cbr\u003e\n2-4. Hold That Woodpile Down (3:32)\u003cbr\u003e\n2-5. Legend Of The Johnson Boys (3:10)\u003cbr\u003e\n2-6. Shady Grove (2:49)\u003cbr\u003e\n2-7. Sweet Sunny South (3:13)\u003cbr\u003e\n2-8. Man Of Constant Sorrow (2:26)\u003cbr\u003e\n2-9. Band Introductions (1:12)\u003cbr\u003e\n2-10. Roving Gambler (3:46)\u003cbr\u003e\n2-11. Ground Speed (1:29)\u003cbr\u003e\n2-12. Pig In A Pen (2:15)\u003cbr\u003e\n2-13. Standing In The Need Of Prayer (2:09)\u003cbr\u003e\n2-14. Flint Hill Special (2:00)\u003cbr\u003e\n2-15. Nine Pound Hammer (2:42)\u003cbr\u003e\n2-16. Handsome Molly (2:19)\u003cbr\u003e\n2-17. Clinch Mountain Backstep (1:18)\u003cbr\u003e\n2-18. Think Of What You've Done (2:41)\u003cbr\u003e\n2-19. Cripple Creek (1:24)\u003cbr\u003e\n2-20. All The Good Times Have Past And Gone (3:07)\u003cbr\u003e\n2-21. Billy Grimes, The Rover (2:42)\u003cbr\u003e\n2-22. Paddy On The Turnpike (Boys, My Money's All Gone) (1:38)\u003cbr\u003e\n2-23. Run Mountain (4:11)\u003cbr\u003e\n2-24. Sugar Baby (3:52)\u003cbr\u003e\n2-25. Sitting On Top Of The World (3:37)\u003cbr\u003e\n3-1. Roll In My Sweet Baby's Arms (3:25)\u003cbr\u003e\n3-2. Jerry's Breakdown (2:08)\u003cbr\u003e\n3-3. Standing In The Need Of Prayer (2:39)\u003cbr\u003e\n3-4. Mule Skinner Blues (3:23)\u003cbr\u003e\n3-5. Saturday Night Shuffle (2:05)\u003cbr\u003e\n3-6. Pike Country Breakdown (1:44)\u003cbr\u003e\n3-7. The Little Sparrow (3:25)\u003cbr\u003e\n3-8. We Shall Not Be Moved (2:41)\u003cbr\u003e\n3-9. Deep Elem Blues (3:17)\u003cbr\u003e\n3-10. Will The Weaver (3:14)\u003cbr\u003e\n3-11. I Truly Understand (3:20)\u003cbr\u003e\n3-12. Long Black Veil (4:28)\u003cbr\u003e\n3-13. The Man Who Wrote Home Sweet Home Never Was A Married Man (3:38)\u003cbr\u003e\n3-14. Foggy Mountain Top (3:13)\u003cbr\u003e\n4-1. Barefoot Nellie (3:41)\u003cbr\u003e\n4-2. She's More To Be Pitied (3:26)\u003cbr\u003e\n4-3. Noah's Breakdown (2:18)\u003cbr\u003e\n4-4. Who Will Sing For Me? (2:07)\u003cbr\u003e\n4-5. Salt Creek (2:19)\u003cbr\u003e\n4-6. Monroe's Hornpipe (Jody's Hornpipe) (1:51)\u003cbr\u003e\n4-7. Rosa Lee McFall (2:31)\u003cbr\u003e\n4-8. John Hardy\/Closing Theme (1:26)\u003cbr\u003e\n4-9. Katie Kline (3:17)\u003cbr\u003e\n4-10. Walkin' The Dog (2:10)\u003cbr\u003e\n4-11. Paddy On The Turnpike (Boys, My Money's All Gone) (3:12)\u003cbr\u003e\n4-12. Love And Wealth (2:19)\u003cbr\u003e\n4-13. Sourwood Mountain (0:45)\u003cbr\u003e\n4-14. If I Lose (2:16)\u003cbr\u003e\n4-15. Homestead On The Farm (I Wonder How The Old Folks Are At Home) (2:20)\u003cbr\u003e\n4-16. Stoney Creek (2:24)\u003cbr\u003e\n4-17. Salty Dog Blues (2:21)\u003cbr\u003e\n4-18. Love Please Come Home (2:21)\u003cbr\u003e\n4-19. Make Me A Pallet On The Floor (2:27)\u003cbr\u003e\n4-20. Darlin' Allalee (2:08)\u003cbr\u003e\n4-21. In The Pines (3:25)\u003cbr\u003e\n4-22. Raw Hide (2:32)\u003cbr\u003e\n4-23. Black Mountain Rag (2:12)\u003cbr\u003e\n4-24. True Life Blues (2:21)\u003cbr\u003e\n4-25. Medley: Devil's Dream - Sailor's Hornpipe (1:45)\u003cbr\u003e\n4-26. Drink Up And Go Home (3:05)\u003cbr\u003e\n4-27. 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The Ritz, one of New York's premier rock venues of the era, gave this intimate format an unlikely stage, and the crowd got something closer to a front-porch session than a concert.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 14\u003c\/em\u003e showcases a buoyant acoustic performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and longtime friend and bassist \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e during the middle of a rare duo tour. Recorded on January 27, 1986 at The Ritz in New York City, Garcia and Kahn deliver two exquisite sets featuring Grateful Dead favorites — \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bird Song\"\u003c\/strong\u003e — alongside spirited takes on Bob Dylan's \u003cstrong\u003e\"When I Paint My Masterpiece\"\u003c\/strong\u003e and \u003cstrong\u003e\"Simple Twist of Fate,\"\u003c\/strong\u003e plus deep cuts like \u003cstrong\u003e\"Deep Elem Blues,\"\u003c\/strong\u003e \u003cstrong\u003e\"Little Sadie,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Spike Driver Blues.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDeep Elem Blues\u003c\/li\u003e\n\u003cli\u003eLittle Sadie\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eOh Babe, It Ain't No Lie\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDire Wolf\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eSpike Driver Blues\u003c\/li\u003e\n\u003cli\u003eBird Song\u003c\/li\u003e\n\u003cli\u003eRipple\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eEncore\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGoodnight Irene\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882416621\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832565915,"sku":"547360","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-John-Kahn-GarciaLive-Vol_-14-January-27th-1986-The-Ritz-CD.jpg?v=1776109097"},{"product_id":"jerry-garcia-band-garcialive-volume-17-norcal-76-cd","title":"Jerry Garcia Band – GarciaLive Vol. 17: NorCal 1976 (3-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eTalk about peaking. Even though the 17th installment of the GarciaLive series breaks a bit from most of the others in the terrific ongoing chain of archival sets- as it is a compilation of cuts from several shows rather than a singular, complete performance- its chosen tracks and sequencing approximate well a Jerry Garcia Band '76 concert. And with the standout version of \"Mighty High\" closing the three-disc volume, it is one not to be missed.\u003c\/p\u003e\u003cp\u003eDuring that Bicentennial year, Garcia was moving between circles of the Grateful Dead- in a limited year of touring- and his own JGB. Not to mention releasing an underrated nugget of an album, Reflections, featuring the Dead on half and his session band on the remainder. The record would include songs that became regulars on setlists for both entities- \"Might As Well,\" \"Mission In The Rain,\" \"They Love Each Other,\" to name three.\u003c\/p\u003e\u003cp\u003eThat fall, when the Garcia Band undertook a run of appearances in Northern California including several university dates, it was a time, as the album's title suggested, of reflection; not looking back, but more a mirror image of where Garcia was at in the moment. Sharing an obvious kinship with Keith Godchaux (keyboards) and his wife, Donna Jean (vocals), who doubled in those roles with the Dead, as well as a growing bond with bassist John Kahn and drummer Ron Tutt, Garcia's singing and playing sparkle with unconcerned liberation.\u003c\/p\u003e\u003cp\u003eThe opening pairing of \"Sugaree\" and \"They Love Each Other\" is top-shelf stuff; sounding as much like his other band as ever. Garcia, as well, touches upon some contemporaries for covers, exposing reggae to his faithful through Bob Marley's \"Stir It Up,\" and the backroad swing of J.J. Cale's \"After Midnight,\" while friskily bopping on his Reflections cut, \"I'll Take A Melody.\" Still, it's the \"Mighty High\" finale, from an unknown show date, that sits atop the mountain, surging with an inspired tempo, group chemistry, and fiery flurries from Godchaux and Garcia that never lack for incandescent ideas.\u003c\/p\u003e\u003cp\u003eWith a determined freedom, this is the Jerry Garcia Band emblazing the Norcal scene with its spirit of '76.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jerry-garcia-band-garcialive-volume-17-norcal-76\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Jerry Garcia Band of 1976 operated in a different headspace than the Dead, built around tighter song structures and Garcia's love of R\u0026amp;B, soul, and country alongside his own compositions. Having Keith and Donna Jean Godchaux in the lineup created a rare overlap between the two bands, giving these Northern California club and campus dates a looseness and familiarity that crackles through Betty Cantor-Jackson's recordings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 17: NorCal '76\u003c\/em\u003e presents highlights from three standout \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e performances captured over a single week in Northern California — November 7th at the Keystone in Berkeley, November 12th at Freeborn Hall, UC Davis, and November 13th at the East Gym, Humboldt State University in Arcata. While reel damage, tape loss, and other technical issues prevent the release of complete shows, what remains of \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e's original recordings represents some of the finest performances from this iteration of the JGB.\u003c\/p\u003e\n\n\u003cp\u003e1976 marked a period of transition for Garcia, who welcomed fellow Grateful Dead members \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards and \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals into the fold alongside mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums. Garcia himself extolled the group's harmonious sound, and the chemistry is unmistakable throughout — from a fiery opening \u003cstrong\u003e\"Sugaree\"\u003c\/strong\u003e and sublime \u003cstrong\u003e\"Catfish John\"\u003c\/strong\u003e bolstered by \u003cstrong\u003eDonna Jean\u003c\/strong\u003e's harmonies, to a driving \u003cstrong\u003e\"Russian Lullaby,\"\u003c\/strong\u003e \u003cstrong\u003e\"Tore Up Over You,\"\u003c\/strong\u003e and a reggae-infused \u003cstrong\u003e\"Stir It Up.\"\u003c\/strong\u003e Liner notes by longtime Garcia road manager \u003cstrong\u003eSteve Parish\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: \"Mighty High\" is sourced from an undated recording believed to be from this period.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSugaree \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatfish John \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You) \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eRussian Lullaby \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTore Up Over You \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eI'll Take a Melody \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAfter Midnight \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eStir It Up \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMystery Train \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Way You Do the Things You Do \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMighty High \u003cem\u003e(1976, unknown)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882444426\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.12.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833254043,"sku":"542657","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-17-NorCal-1976-3-CD.jpg?v=1776109255"},{"product_id":"jerry-garcia-band-1989-the-long-island-sound-cd","title":"Jerry Garcia Band – Fall 1989: The Long Island Sound (6–CD Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1989, the Jerry Garcia Band had settled into one of its most consistently inspired configurations, with Melvin Seals' organ work and the voices of Gloria Jones and Jaclyn LaBranch pushing Garcia toward some of his most soulful electric playing. The Weir\/Wasserman acoustic opening sets added a rare intimacy to these East Coast arena nights, making each show a study in contrast and community.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA 6-CD box set featuring two complete, previously unreleased performances from the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and \u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e, recorded live during the acclaimed Fall 1989 East Coast tour. Captured by \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e to 2-track DAT and mastered by \u003cstrong\u003eJoe Gastwirt\u003c\/strong\u003e, the collection presents over five and a half hours of music from two consecutive nights — September 5th at the Hartford Civic Center in Hartford, CT and September 6th at Nassau Coliseum in Uniondale, NY.\u003c\/p\u003e\n\n\u003cp\u003eEach night, the acoustic duo of \u003cstrong\u003eBob Weir\u003c\/strong\u003e and \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e opened the show before the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e took the stage for two full electric sets — featuring the classic JGB lineup of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e. Highlights across the two nights include Weir\/Wasserman's adventurous takes on \u003cstrong\u003e\"Desolation Row,\"\u003c\/strong\u003e \u003cstrong\u003e\"Looks Like Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Heaven Help the Fool,\"\u003c\/strong\u003e and JGB standouts like \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e Cover art by \u003cstrong\u003eStanley Mouse\u003c\/strong\u003e, with liner notes by \u003cstrong\u003eBlair Jackson\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: This collection contains audio with some sonic imperfections inherent to the original recordings, most notably distortion on Jerry's vocal during \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e — consistent with what audiences experienced in person.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFestival\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eK.C. Moan\u003c\/li\u003e\n\u003cli\u003eDesolation Row\u003c\/li\u003e\n\u003cli\u003eLooks Like Rain\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eVictim or the Crime\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 1\u003c\/li\u003e\n\u003cli\u003eThrowing Stones\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003cli\u003eLike a Road\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eGomorrah\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eLonesome and a Long Way from Home\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 4 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalking Blues\u003c\/li\u003e\n\u003cli\u003eCity Girls\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eBlackbird\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eShade of Grey\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eEasy to Slip\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 2\u003c\/li\u003e\n\u003cli\u003eHeaven Help the Fool\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 5 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eMississippi Moon\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 6 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882193423\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.8.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833909403,"sku":"267534","price":279.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Fall-1989-The-Long-Island-Sound-6-CD-Box-Set.jpg?v=1776109367"},{"product_id":"bob-weir-ace-50th-anniversary-remaster-deluxe-edition-2-cd","title":"Bob Weir – Ace: 50th Anniversary Remaster (Deluxe Edition 2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1972, Ace was never really a solo album in the traditional sense. The Grateful Dead served as Weir's backing band throughout, making it as much a Dead artifact as any official release, and songs like \"Playing in the Band\" and \"Greatest Story Ever Told\" became cornerstones of the band's live repertoire for decades to come. This anniversary edition reframes that legacy with fresh ears, pairing the original sessions against a new live document that shows how deep those songs still run.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePairs a remastered new mix of Weir’s solo debut album with a new live version recorded earlier this year at radio city music hall, with Bobby Weir \u0026amp; The Wolf Bros. \u003c\/p\u003e\u003cp\u003eFeaturing The Wolfpack and special guests Tyler Childers and Brittney Spencer. Original album Remixed by Derek Featherstone and mastered by GRAMMY® Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e. Produced for Release by Bobby \u003cstrong\u003e“Ace”\u003c\/strong\u003e Weir and Derek Featherstone.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Greatest Story Ever Told (3:52)\u003cbr\u003e\n1-2. Black-Throated Wind (5:47)\u003cbr\u003e\n1-3. Walk In The Sunshine (3:08)\u003cbr\u003e\n1-4. Playing In The Band (7:43)\u003cbr\u003e\n1-5. Looks Like Rain (6:17)\u003cbr\u003e\n1-6. Mexicali Blues (3:29)\u003cbr\u003e\n1-7. One More Saturday Night (4:41)\u003cbr\u003e\n1-8. Cassidy (3:48)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Greatest Story Ever Told (5:45)\u003cbr\u003e\n2-2. Black-Throated Wind (8:02)\u003cbr\u003e\n2-3. Walk In The Sunshine (4:57)\u003cbr\u003e\n2-4. Playing In The Band (8:33)\u003cbr\u003e\n2-5. Looks LIke Rain (11:02)\u003cbr\u003e\n2-6. Mexicali Blues Intro (1:12)\u003cbr\u003e\n2-7. Mexicali Blues (6:56)\u003cbr\u003e\n2-8. One More Saturday Night (5:19)\u003cbr\u003e\n2-9. Cassidy (11:19)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497840144\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.13.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835678875,"sku":"689640","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Weir-Ace-50th-Anniversary-Remaster-Deluxe-Edition-2-CD_52c28764.jpg?v=1776109677"},{"product_id":"jerry-garcia-band-garcialive-volume-16-november-15th-1991-madison-square-garden-cd","title":"Jerry Garcia Band – GarciaLive Vol. 16: November 15th, 1991 Madison Square Garden (3–CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIt’s especially nice when substance aligns with sentiment. The 16th installment of the GarciaLive series issues a complete concert drawn from the Jerry Garcia Band’s debut at Madison Square Garden in November of 1991. Fortunately, it’s so strong a performance at the hallowed New York City venue that it probably would’ve bullied its way to being released regardless of its historical significance.\u003c\/p\u003e\u003cp\u003eThe three-disc collection captures Garcia bringing his solo group for its first appearance at Manhattan’s mecca, though the greying guitarist and singer had been there plenty of times in his day job with the Grateful Dead, including just a few months prior. Still, Jerry (and Dead) fans knew these were separate wells meant to be visited often. And, as any fan also knew, even though the repertoire of a Jerry show was relatively consistent, it was, as always, the performance that mattered most.\u003c\/p\u003e\u003cp\u003eTrue enough, the MSG setlist is loaded with JGB standards, touching off with “How Sweet It Is (To Be Loved By You),” that, if not for being a regular in the song rotation, would seem like an acknowledgement of gratitude to the NYC faithful that packed, and necessitated graduating Garcia to, the world’s most famous arena. Jerry returns the love with a conspicuously tight and inspired array of musicianship. Adrenalin shots come from a set-one closing “Deal,” and a set-two recharge, “Ain’t No Bread in the Breadbox,” while a tranquil “Simple Twist of Fate,” with elbow room for John Kahn’s peaceful bass, and a gorgeously placid reading of “Shining Star” rock-a-bye the Garden party.\u003c\/p\u003e\u003cp\u003eMelvin Seals is mesmerizing as he dresses “The Way You Do The Things You Do” with spritely vibes. Equally Seals owns “That Lucky Old Sun,” as Garcia modestly supports the keyboardist’s commanding blooms. And while the final two entries- “Bright Side of the Road” and “(What A) Wonderful World”- can’t help but symbolically reinforce the night’s obvious sentiment, it’s the accompanying musical substance of this captivating crew and its captain that cement this blissful evening into the annals of the Jerry Garcia Band.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2021\/08\/21\/jerry-garcia-band-garcialive-volume-16-madison-square-garden-november-15-1991\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe JGB in the fall of 1991 was operating at a remarkable peak, with Garcia's guitar work carrying a clarity and emotional directness that longtime followers still cite as some of his finest in that format. Madison Square Garden, a room the Grateful Dead had made synonymous with New York ritual, took on a different intimacy when Garcia brought his smaller, tighter unit through, with Melvin Seals and the vocalists pushing the material somewhere the Dead never quite went.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 16\u003c\/em\u003e presents the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's debut performance at Madison Square Garden — November 15, 1991, at the midpoint of their legendary Fall '91 tour. Though just two months removed from the Grateful Dead's sold-out 9-night residency at the Garden, the crowd's eruption as the houselights dimmed revealed the immense excitement for Garcia's return. Produced from two-track soundboard recordings meticulously remastered for release, with liner notes by Relix editor-in-chief \u003cstrong\u003eDean Budnick\u003c\/strong\u003e featuring reflections from \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e. Blues Traveler opened the show.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e on backing vocals. Love is the central theme throughout the evening — from Van Morrison's \u003cstrong\u003e\"He Ain't Give You None\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bright Side of the Road\"\u003c\/strong\u003e to Smokey Robinson's \u003cstrong\u003e\"The Way You Do the Things You Do\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"(What A) Wonderful World\"\u003c\/strong\u003e encore. A poignant \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e became the centerpiece of the release's promotional campaign.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStruggling Man\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — Set Two (cont.) \u0026amp; Encore\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eThat Lucky Old Sun\u003c\/li\u003e\n\u003cli\u003eBright Side of the Road\u003c\/li\u003e\n\u003cli\u003e(What A) Wonderful World (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882442422\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835711643,"sku":"102276","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-16-November-15th-1991-Madison-Square-Garden-3-CD.jpg?v=1776109680"},{"product_id":"jerry-garcia-electric-on-the-eel-6cd-box-set","title":"Jerry Garcia Band – Electric On The Eel (6-CD Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFrench's Camp on the Eel River was one of those rare venues where the JGB could stretch out in an almost private setting, playing to a community of devoted fans rather than an arena crowd. These three summer nights spanning 1987 to 1991 document the band at different points in its evolution, with Garcia's guitar work and the tight interplay between Melvin Seals and John Kahn giving each show its own distinct character.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn August 29, 1987, \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e led both the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and the \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e Acoustic Band for performances at French's Camp on the Eel River in Piercy, California. He brought the JGB back to the scenic Northern California venue on June 10, 1989 and August 10, 1991 — and all three electric sets are captured here across this 6-CD box set.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, \u003cem\u003eElectric on the Eel\u003c\/em\u003e presents the JGB in their element: an intimate outdoor setting, deep setlists, and the kind of loose, soulful energy that made this band a beloved institution in its own right. Highlights across the three shows include scorching runs through \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Tangled Up in Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Everybody Needs Somebody to Love,\"\u003c\/strong\u003e alongside JGB staples like \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e \u003cstrong\u003e\"Deal,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Waiting for a Miracle.\"\u003c\/strong\u003e The set also includes a limited edition bonus disc — housed in a separate slipcase jacket and limited to 2,000 units — as a gift with purchase.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. How Sweet It Is (To Be Loved By You) (7:10)\u003cbr\u003e1-2. Forever Young (7:22)\u003cbr\u003e1-3. Get Out Of My Life Woman (6:46)\u003cbr\u003e1-4. Run For The Roses (5:16)\u003cbr\u003e1-5. And It Stoned Me (6:14)\u003cbr\u003e1-6. My Sisters And Brothers (4:01)\u003cbr\u003e1-7. Deal (6:58)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e2-1. The Harder They Come (10:25)\u003cbr\u003e2-2. I Shall Be Released (7:28)\u003cbr\u003e2-3. Think (6:36)\u003cbr\u003e2-4. Evangeline (2:57)\u003cbr\u003e2-5. Gomorrah (6:20)\u003cbr\u003e2-6. Let It Rock (6:37)\u003cbr\u003e2-7. That Lucky Old Sun (8:30)\u003cbr\u003e2-8. Tangled Up In Blue (9:43)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e3-1. I'll Take A Melody (10:23)\u003cbr\u003e3-2. They Love Each Other (6:20)\u003cbr\u003e3-3. Get Out Of My Life Woman (7:51)\u003cbr\u003e3-4. Run For The Roses (5:31)\u003cbr\u003e3-5. Stop That Train (8:09)\u003cbr\u003e3-6. Mission In The Rain (7:41)\u003cbr\u003e3-7. My Sisters And Brothers (4:08)\u003cbr\u003e3-8. Deal (7:25)\u003c\/p\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cp\u003e4-1. The Harder They Come (11:16)\u003cbr\u003e4-2. Waiting For A Miracle (6:16)\u003cbr\u003e4-3. I Shall Be Released (10:22)\u003cbr\u003e4-4. Think (6:54)\u003cbr\u003e4-5. I Hope It Won't Be This Way Always (4:50)\u003cbr\u003e4-6. Don't Let Go (14:13)\u003cbr\u003e4-7. Evangeline (3:35)\u003cbr\u003e4-8. That Lucky Old Sun (8:45)\u003cbr\u003e4-9. Tangled Up In Blue (10:30)\u003c\/p\u003e\n\u003ch4\u003eDisc 5\u003c\/h4\u003e\n\u003cp\u003e5-1. The Way You Do The Things You Do (10:41)\u003cbr\u003e5-2. And It Stoned Me (8:25)\u003cbr\u003e5-3. You Never Can Tell [C'est La Vie] (7:08)\u003cbr\u003e5-4. Waiting For A Miracle (5:32)\u003cbr\u003e5-5. Struggling Man (6:34)\u003cbr\u003e5-6. My Sisters And Brothers (4:53)\u003cbr\u003e5-7. Deal (8:18)\u003c\/p\u003e\n\u003ch4\u003eDisc 6\u003c\/h4\u003e\n\u003cp\u003e6-1. Shining Star (11:29)\u003cbr\u003e6-2. Think (7:13)\u003cbr\u003e6-3. Lay Down Sally (8:00)\u003cbr\u003e6-4. Twilight (9:24)\u003cbr\u003e6-5. See What Love Can Do (6:32)\u003cbr\u003e6-6. Lazy Bones (6:28)\u003cbr\u003e6-7. Everybody Needs Somebody To Love (10:25)\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882347529\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.15.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187842789531,"sku":"557550","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Electric-On-The-Eel-6-CD-Box-Set.jpg?v=1776109984"},{"product_id":"jerry-garcia-garcialive-vol-20-june-18th-1982-cape-cod-coliseum-cd","title":"Jerry Garcia – GarciaLive Vol. 20: June 18th, 1982 - Cape Cod Coliseum (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe fandom that surrounds the music of the Grateful Dead—and in this case, the Jerry Garcia Band—is one for which context matters. As the Dead never played the same set from night to night, the what, the where, the when, and the how became integral to an understanding and appreciation of the performance. Look no further than May of 1977 in Grateful Dead lore for the proof.\u003c\/p\u003e\u003cp\u003eSo, too, context mattered in Garcia's solo career. Perhaps not as much, as Jerry Garcia Band drew from a smaller repertoire than the Dead. Yet even with a show as loaded with JGB staples as this one is, the friends of this devil are in the details.\u003c\/p\u003e\u003cp\u003eIn June of 1982, Garcia and his band teamed up with a fellow Dead-on-a-summer-getaway, Bob Weir, and his group, the Midnites, for a joint tour. Garcia also brought along Dead drummer Billy Kreutzmann for the ride. And filled out a septet that partnered his longtime JGB keyboardist, Melvin Seals, with the electric piano of Jimmy Warren, in a unique lineup that immediately grabs the ear on this two-disc, full-show set from the Cape Cod Coliseum in Massachusetts.\u003c\/p\u003e\u003cp\u003eWarren is front and center in the mix on the brightened bounce of \"How Sweet It is (To Be Loved by You), as the opener bubbles away beneath Garcia's ever-effervescent guitar. From there, Garcia saunters through \"Valerie,\" with a knowing bluesman's lament; a scintillating rendition of the Garcia\/Hunter original. Then, with skilled and patient aplomb, the ensemble injects reggae into The Beatles' \"Dear Prudence,\" and then dazzles on the bluegrass undertones of Peter Rowan's \"Mississippi Moon.\" Just four songs in, and this show feels very special.\u003c\/p\u003e\u003cp\u003eGarcia and his band float into the minor-key space of \"Don't Let Go\" for a healthy twenty minutes of interstellar travel, and contrast that with the gentle, earthbound flow downstream on the river of Dylan, for the disc-closing \"Simple Twist of Fate.\" The second-half opens with \"Run for the Roses,\" and its Bertha-like jangle, followed with the wonky, clavinet-led lope of \"They Love Each Other,\" (with Weir, Bobby Cochran, and Billy Cobham sitting-in, but unfortunately unheard).\u003c\/p\u003e\u003cp\u003eAnd then, poof, just like that, it's over.\u003c\/p\u003e\u003cp\u003eThose familiar with full shows from this exceptional GarciaLive series will not doubt notice the shift—sonically, and in personnel—to a four-song excerpt from a June '81 set at The Stone that fills out the rest of the second disc. It's a smartly-chosen fours songs, maintaining the energy and spirit of the Cape set; Garcia really stretches on \"After Midnight\" as it accelerates into cut-time. And while the continuity technically is broken, the mood is not.\u003c\/p\u003e\u003cp\u003eThis 8-song Cape performance by Jerry Garcia Band has all the invention and freedom of a classic show, packed into half the space. The jams are just as lengthy, but steam forward with urgency and intent. Garcia's voice is particularly present and mystical, with a grand storyteller's command of melody and cadence.\u003c\/p\u003e\u003cp\u003eWhich leads back to context, and why this latest volume in the series is a must-have. As Garcia and his band were well-aware of the show's parameters—sharing each night with Weir—and how much less stage time that equaled, they acted accordingly. This was a group comfortable and happy to play shows twice as long as the Cape appearance, but as such, paced those two-set shows as marathons. This one, albeit in its own inimitable JGB way, is a single-set, magical summer sprint on the shore.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2023\/07\/28\/jerry-garcia-band-garcialive-volume-20-june-18th-1982-cape-cod-coliseum\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1982, the Jerry Garcia Band had settled into a deep, soulful groove that felt distinct from anything happening on the Dead's stage. Kreutzmann's presence behind the kit gave the Cape Cod show a particular rhythmic punch, bridging the two worlds Garcia inhabited simultaneously. The bonus Stone material makes this a document of a band still finding new footing, caught live before these configurations dissolved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 20\u003c\/em\u003e showcases the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e during their transitional, high-octane early '80s era — with Grateful Dead drummer \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e behind the kit. The release presents the complete Cape Cod 1982 set, plus 45+ minutes of additional uncirculated selections captured in 1981 at The Stone in San Francisco, all remastered from soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eHighlights include the relative rarity \u003cstrong\u003e\"Valerie,\"\u003c\/strong\u003e a show-stopping \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e and an otherworldly \u003cstrong\u003e\"After Midnight\"\u003c\/strong\u003e — alongside JGB staples \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e \u003cstrong\u003e\"They Love Each Other,\"\u003c\/strong\u003e \u003cstrong\u003e\"Simple Twist of Fate,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e Presented as a 2-CD digipak.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. How Sweet It Is (To Be Loved By You) (10:05)\u003cbr\u003e\n1-2. Valerie (7:05)\u003cbr\u003e\n1-3. Dear Prudence (13:56)\u003cbr\u003e\n1-4. Mississippi Moon (9:58)\u003cbr\u003e\n1-5. Don't Let Go (19:03)\u003cbr\u003e\n1-6. Simple Twist Of Fate (12:19)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Run For The Roses (6:47)\u003cbr\u003e\n2-2. They Love Each Other (7:07)\u003cbr\u003e\n2-3. Sitting In Limbo (12:56)\u003cbr\u003e\n2-4. After Midnight (16:35)\u003cbr\u003e\n2-5. Deal \u0026gt; (8:23)\u003cbr\u003e\n2-6. Tangled Up In Blue (11:11)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882570620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.30.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187842920603,"sku":"304996","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-20-June-18th-1982-Cape-Cod-Coliseum-2-CD.jpg?v=1776110032"},{"product_id":"jerry-garcia-garcialive-volume-eleven-november-11th-1993-providence-civic-center-cd","title":"Jerry Garcia – GarciaLive Vol. 11: November 11th, 1993 Providence Civic Center (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThere's no doubt it's one of those fabled hot shows when the final song of the night exerts as much if not more crackling energy than the first and, with this thoroughly lively performance, that is saying something. The 11th in the GarciaLive series, it's no accident that this 11\/11\/93 ripper from Providence was chosen to be next, beyond the numeric synchronicity. In fact, it's a wonder it wasn't released sooner, given all of its strengths.\u003c\/p\u003e\u003cp\u003eFirst and foremost is Jerry Garcia's inspired voice and guitar work that proves once again why he was so beloved. The setlist is full of familiar trails- cookers, covers, and ballads-, with a few surprises, but it's almost beside the point; it's the vivid articulation, the verve, from Garcia and company deployed on every song that makes this one another must-have from this ongoing series.\u003c\/p\u003e\u003cp\u003eThe two-disc collection is recorded quite well, balancing sonically and with strong fidelity each stellar contribution from the always-steady ensemble; whether Melvin Seal's dexterity on \"That's What Love Will Make You Do,\" John Kahn's storytelling bass on \"Simple Twist of Fate,\" or David Kemper's intuitive double-time push on \"Dear Prudence\" as Garcia ripples through the changes. Yet, if the reasoning for acquisition of this gem needs to be reduced to one word, it's Garcia. Jerry is masterful, measuring blitz with bliss as he travels, often driving solos past the exit signs that appear with resolving chords, instead 'feeling it' and heading further on down the road.\u003c\/p\u003e\u003cp\u003eThis final JGB performance in Rhode Island's capital- always a Northeast stronghold for the Dead- is closed with a bluegrass staple, \"Midnight Moonlight.\" It's jaunty, old-time fun contrasting the exploratory, improvisation-infested \"Don't Let Go,\" that precedes it, beautifully showing off two of the many shades of Garcia. It's also a bit bittersweet, recalling a much younger man playing jug music in the hills of Appalachia, with the whole strange trip still ahead.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jerry-garcia-band-garcialive-volume-11-november-11th-1993-providence-civic-center\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1993, the Jerry Garcia Band had settled into one of the most soulful configurations of Garcia's career, with Melvin Seals' Hammond work and the vocal interplay between Gloria Jones and Jaclyn LaBranch giving the group a genuine gospel-and-R\u0026amp;B backbone that set it apart from anything happening on the Dead stage. Providence caught the band deep in their stride, and the breadth of the repertoire here, from Garcia-Hunter originals to Van Morrison to Motown, speaks to how wide Garcia's musical world truly was.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded on November 11, 1993 at the Providence Civic Center in Providence, Rhode Island, \u003cem\u003eGarciaLive Volume 11\u003c\/em\u003e captures the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e on their final East Coast tour — and \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e's last-ever performance in Providence. Featuring the band's most celebrated lineup: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on vocals.\u003c\/p\u003e\n\n\u003cp\u003eThe show opens with two Garcia\/Hunter JGB classics — \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mission in the Rain\"\u003c\/strong\u003e — before rolling through a setlist full of cookers, covers, and surprises. Set two brings a jubilant \u003cstrong\u003e\"The Way You Do the Things You Do,\"\u003c\/strong\u003e the rarely performed Van Morrison gem \u003cstrong\u003e\"He Ain't Give You None,\"\u003c\/strong\u003e a seamless pairing of the Beatles' \u003cstrong\u003e\"Dear Prudence\"\u003c\/strong\u003e into Smokey Robinson's \u003cstrong\u003e\"When the Hunter Gets Captured by the Game,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Don't Let Go\"\u003c\/strong\u003e before the show closes with the bluegrass staple \u003cstrong\u003e\"Midnight Moonlight\"\u003c\/strong\u003e — Garcia's folk roots coming full circle on his final night in the city.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003cli\u003eDear Prudence\u003c\/li\u003e\n\u003cli\u003eWhen the Hunter Gets Captured by the Game\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882365325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.12.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187843215515,"sku":"448237","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-11-November-11th-1993-Providence-Civic-Center-2-CD.jpg?v=1776110039"},{"product_id":"jerry-garcia-band-garcialive-vol-1-march-1st-1980-capitol-theater-cd","title":"Jerry Garcia Band – GarciaLive Vol. 1: March 1st, 1980 Capitol Theatre (3–CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Capitol Theatre in Passaic was one of the great rooms of the era, a 3,000-capacity venue that drew the best touring acts of the late '70s and early '80s, and the JGB fit it perfectly. By 1980, Garcia's band outside the Dead had become its own essential institution, a soul and R\u0026amp;B-rooted vehicle where he could stretch into repertoire the Dead never touched, from reggae to classic rock and roll to Dylan deep cuts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe debut release from the GarciaLive archival series, recorded at the historic Capitol Theatre in Passaic, New Jersey on March 1, 1980. The \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e performed an early and a late show on this evening — both captured on 24-track tape for broadcast on New York radio station WNEW — with Garcia on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eOzzie Ahlers\u003c\/strong\u003e on keyboards, and \u003cstrong\u003eJohnny de Foncesca\u003c\/strong\u003e on drums.\u003c\/p\u003e\n\n\u003cp\u003eThe early show is a crisp, start-to-finish showcase of the JGB at their most focused, moving through \u003cstrong\u003e\"Sugaree,\"\u003c\/strong\u003e \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Simple Twist of Fate\"\u003c\/strong\u003e before closing with a thunderous \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e The late show brings its own highlights — a rollicking \u003cstrong\u003e\"That's What Love Will Make You Do,\"\u003c\/strong\u003e \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and two special appearances by longtime Garcia collaborator \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e on \u003cstrong\u003e\"Tiger Rose\"\u003c\/strong\u003e and \u003cstrong\u003e\"Promontory Rider,\"\u003c\/strong\u003e before a top-flight \u003cstrong\u003e\"Dear Prudence\"\u003c\/strong\u003e closes out the night. Liner notes by David Gans.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Early Show\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSugaree\u003c\/li\u003e\n\u003cli\u003eCatfish John\u003c\/li\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eSitting in Limbo\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Early Show (cont.) \/ Late Show\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThat's All Right\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eRussian Lullaby\u003c\/li\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — Late Show (cont.)\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTiger Rose (with \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e)\u003c\/li\u003e\n\u003cli\u003ePromontory Rider (with \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e)\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eDear Prudence (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882183325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.19.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187843510427,"sku":"616629","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-1-March-1st-1980-Capitol-Theatre-3-CD.jpg?v=1776110110"},{"product_id":"grateful-dead-duke-78-cd","title":"Grateful Dead – Duke '78 (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eApril 1978 found the Grateful Dead in one of their most fertile periods, the year after Keith and Donna Godchaux's final stretch with the band and deep into a run of shows that longtime fans regard as some of the most adventurous of the era. Duke University was a regular stop on the spring touring circuit, and the performances captured here reflect a band pushing their improvisational language to its limits, night after night.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CDs. DUKE '78 is the worldwide retail breakout from The Grateful Dead's limited-edition, dead. Net exclusive boxed set, Friend Of The Devils: April 1978.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e1. Jack Straw (6:29)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e2. Dire Wolf (4:41)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e3. Beat It On Down The Line (4:42)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e4. Peggy-O (8:54)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e5. Mama Tried (2:29)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e6. Mexicali Blues (4:03)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e7. Funiculi Funicula (1:57)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e8. Row Jimmy (10:50)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e9. New Minglewood Blues (5:47)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e10. Loser (8:59)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e11. Lazy Lightning (3:56)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e12. Supplication (5:41)\u003c\/div\u003e\n\u003c\/h4\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e1. Bertha (7:50)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e2. Good Lovin' (6:59)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e3. It Must Have Been The Roses (8:55)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e4. U.S. Blues (6:00)\u003c\/div\u003e\n\u003c\/h4\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e1. Estimated Prophet (12:02)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e2. Eyes Of The World (12:21)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e3. Rhythm Devils (25:54)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e4. Truckin' (8:45)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e5. Wharf Rat (10:38)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e6. Around And Around (8:20)\u003c\/div\u003e\n\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497826124\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.20.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777012379,"sku":"471206","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Duke-78-3-CD.webp?v=1776110388"},{"product_id":"grateful-dead-cornell-5-8-77-3-cd","title":"Grateful Dead – Cornell 5\/8\/77 (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMay 8, 1977, Barton Hall, Cornell University. Deadheads have passed around this recording for decades, holding it up as the definitive example of the band at the peak of their powers during what many consider their greatest touring year. The second set alone, with \"Scarlet Begonias\" flowing into \"Fire on the Mountain\" and a scorching \"Morning Dew\" to close, makes a case that's hard to argue with.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCornell 5\/8\/77 was recorded live directly from the soundboards by Betty Cantor-Jackson. After several years the master tapes were seemingly lost for good, but that all changed at the end of 2016. The lost tapes, or lost “Betty boards” as they are commonly known, finally made their way back home to the Grateful Dead vault, making it possible to officially bring the world this legendary show just in time for its 40th Anniversary. The complete live show has been Plangentized by Plangent Processes and remastered by GRAMMY ® award winning sound engineer, Jeffrey Norman.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. New Minglewood Blues (5:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Loser (7:58)\u003c\/div\u003e\n\u003cdiv\u003e3. El Paso (4:51)\u003c\/div\u003e\n\u003cdiv\u003e4. They Love Each Other (7:29)\u003c\/div\u003e\n\u003cdiv\u003e5. Jack Straw (6:29)\u003c\/div\u003e\n\u003cdiv\u003e6. Deal (6:10)\u003c\/div\u003e\n\u003cdiv\u003e7. Lazy Lightning (3:26)\u003c\/div\u003e\n\u003cdiv\u003e8. Supplication (4:48)\u003c\/div\u003e\n\u003cdiv\u003e9. Brown-Eyed Women (5:49)\u003c\/div\u003e\n\u003cdiv\u003e10. Mama Tried (3:12)\u003c\/div\u003e\n\u003cdiv\u003e11. Row Jimmy (11:14)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Dancing In The Street (16:32)\u003c\/div\u003e\n\u003cdiv\u003e2. Scarlet Begonias (11:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Fire On The Mountain (15:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Estimated Prophet (8:49)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. St. Stephen (5:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Not Fade Away (18:20)\u003c\/div\u003e\n\u003cdiv\u003e3. St. Stephen (1:54)\u003c\/div\u003e\n\u003cdiv\u003e4. Morning Dew (14:17)\u003c\/div\u003e\n\u003cdiv\u003e5. One More Saturday Night (5:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227942557\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.5.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779076763,"sku":"189647","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8975153299611-cd-relix.png?v=1777050003"},{"product_id":"grateful-dead-from-the-mars-hotel-50th-anniversary-deluxe-cd","title":"Grateful Dead – From The Mars Hotel (50th Anniversary, Deluxe 3-CD Set)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe Grateful Dead were uncharacteristically well-rehearsed when they entered the studio to record 1974's From the Mars Hotel, if the Angel's Share is any indication.\u003c\/p\u003e\u003cp\u003eThe digital-only collection follows similar treatments of Workingman's Dead, American Beauty and Wake of the Flood. But at 90 minutes and 16 tracks – six devoted to Phil Lesh's \"Pride of Cucamonga\" (two, sans John McFee's all-important pedal steel) and \"Unbroken Chain\" (four, three of which appeared on Wake's Angel's Share) – this edition is shorter than its predecessors by an hour and easier to digest.\u003c\/p\u003e\u003cp\u003eIt kicks off with nimble instrumental runs through \"Scarlet Begonias\" that feature exquisite, perfectly mixed sound. The alternate vocal mix, meanwhile, contains a wobbly percussive element that pie-eyed listeners will eat up.\u003c\/p\u003e\u003cp\u003eThe gorgeous acoustic mix of \"China Doll\" previews 1980 and Reckoning by more than a half-decade, while the wordless \"Ship of Fools (Take 7)\" foreshadows \"Standing on the Moon\" by a decade-and-a-half.\u003c\/p\u003e\u003cp\u003eFor their parts, \"Loose Lucy\" appears in yet another iteration, and an alternate mix of \"Money Money\" confirms nothing can salvage that hot mess of a song.\u003c\/p\u003e\u003cp\u003e\"Wave that Flag\" has fully morphed into \"U.S. Blues\" by the time the band gets to Take 8 after music-only takes 1, 2 and 4 while the alternate mix of \"Unbroken Chain\" is very similar to the album version.\u003c\/p\u003e\u003cp\u003eThe keepers of the Dead vault are to be commended for keeping this Share concise and sharply focused on Bill Kreutzmann one-man drumming, Keith Godchaux's still-wildly inventive piano playing and strong ensemble playing and singing from guitarists Jerry Garcia and Bob Weir, bassist Lesh and vocalist Donna Jean Godchaux. From the Mars Hotel thus received the strongest Angel's Share treatment to date.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/05\/10\/grateful-dead-from-the-mars-hotel-the-angels-share\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSandwiched between the sprawling psychedelic explorations of Wake of the Flood and Blues for Allah, From the Mars Hotel finds the Dead in a surprisingly focused, almost laid-back groove, with Garcia, Weir, and Hunter all turning in some of their most accessible writing of the decade. The bonus live set captures the Wall of Sound in its earliest touring form, a genuinely historic document of the most ambitious live sound system rock and roll has ever seen.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRhino's seventh installment of 50th Anniversary Studio Releases for Grateful Dead.\u003c\/p\u003e\n\u003cp\u003eFrom The Mars Hotel is the 7th album and 2nd released on Dead's own label, Grateful Dead Records. The Deluxe Edition features the same remastered and Plangentized audio from the 50th Remaster PLUS the previously unreleased live performance from the University of Nevada-Reno on May 12, 1974.\u003c\/p\u003e\n\u003cp\u003eThis was the first road show for the infamous \"Wall Of Sound, \" which debuted mere weeks earlier at home on March 23, 1974 at the Cow Palace. Remastered by GRAMMY Award-winning engineer David Glasser, with Plangent Processes tape restoration and speed correction and Produced for Release by David Lemieux.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. U.S. Blues (4:37)\u003cbr\u003e\n1-2. China Doll (4:08)\u003cbr\u003e\n1-3. Unbroken Chain (6:43)\u003cbr\u003e\n1-4. Loose Lucy (3:20)\u003cbr\u003e\n1-5. Scarlet Begonias (4:18)\u003cbr\u003e\n1-6. Pride Of Cucamonga (4:15)\u003cbr\u003e\n1-7. Money Money (4:22)\u003cbr\u003e\n1-8. Ship Of Fools (5:28)\u003cbr\u003e\n1-9. China Doll (Demo) (2:44)\u003cbr\u003e\n1-10. Wave That Flag (Demo) (5:00)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Sugaree (7:28)\u003cbr\u003e\n2-2. Mexicali Blues (3:51)\u003cbr\u003e\n2-3. Tennessee Jed (8:15)\u003cbr\u003e\n2-4. Jack Straw (4:57)\u003cbr\u003e\n2-5. Brown-Eyed Women (4:59)\u003cbr\u003e\n2-6. Beat It On Down The Line (3:55)\u003cbr\u003e\n2-7. China Cat Sunflower (8:06)\u003cbr\u003e\n2-8. I Know You Rider (6:54)\u003cbr\u003e\n2-9. El Paso (4:32)\u003cbr\u003e\n2-10. U.S. Blues (5:15)\u003cbr\u003e\n2-11. Greatest Story Ever Told (4:50)\u003cbr\u003e\n2-12. It Must Have Been The Roses (5:40)\u003cbr\u003e\n2-13. Me And Bobby McGee (5:41)\u003cbr\u003e\n2-14. Deal (4:46)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. Around And Around (6:38)\u003cbr\u003e\n3-2. Mississippi Half-Step Uptown Toodeloo (7:58)\u003cbr\u003e\n3-3. Truckin' (10:09)\u003cbr\u003e\n3-4. The Other One (21:40)\u003cbr\u003e\n3-5. Row Jimmy (8:48)\u003cbr\u003e\n3-6. Big River (5:41)\u003cbr\u003e\n3-7. Ship Of Fools (6:15)\u003cbr\u003e\n3-8. Sugar Magnolia (9:25)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497827992\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.21.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779207835,"sku":"522053","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/marshotel3cdA.jpg?v=1776972183"},{"product_id":"the-allman-brothers-band-brothers-sisters-remastered-2-cd-1","title":"The Allman Brothers Band – Brothers \u0026 Sisters (Remastered CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eGiven the fact that 1973’s Brothers and Sisters was the album that prompted The Allman Brothers Band’s acension from relentless road dogs mostly booking theatres to rock stars co-headlining one of the larger music festivals ever- Watkins Glen, and its estimated audience of 600,000- one would think any and all stories surrounding that momentous and transitional period had been told. Like Ashley Kahn and his routinely revelatory and in-depth examinations of John Coltrane and Miles Davis, author Alan Paul has become the resident expert on all things Allman Brothers Band. With that reputation preceding him and affording trusted access, Paul, indeed, finds new things to share, not only about the Brothers’ climb to rock’s peak, but what came before and after.\u003c\/p\u003e\u003cp\u003ePaul’s 300-page effort benefits from a trove of never-heard interviews with all of the principal characters- collected and conducted by ABB ‘Tour Mystic,’ Kirk West- making this journey essentially a new one, despite detailing a period of the legendary group when it was at its most visible. Paul understands better than anyone the significance of each step the Brothers took; from birth in 1969, through two tragic deaths, a leadership shift, and an album four years later that made them rock gods. Wisely, though, Paul also carries us through to the downslope; and why success isn’t an unconditional positive.\u003c\/p\u003e\u003cp\u003eThe album’s creation united a reconfigured band, following the deaths of founders Duane Allman and Berry Oakley, and introduces key replacements, Chuck Leavell, on keyboards, and Lamar Williams, on bass. It also necessitates the rise of Dickey Betts as ensemble leader, furthering a country music influence that began with Betts’ “Blue Sky,” on the preceding Eat a Peach, and produced the band’s chart pinnacle with “Ramblin’ Man.” Paul’s attention to Betts also explores the singer-guitarist’s growing affinity for Jerry Garcia, and the Brothers’ relationship with the Grateful Dead, that never saw more interaction and, perhaps, friendly competition than in ’73.\u003c\/p\u003e\u003cp\u003ePaul’s best strength is his knack for striking the balance between the front page and the back- the disintegrating partnership with the Capricorn record label; the fraying interpersonal relationships within the group- over the course of becoming the biggest band in the land. Nothing is off-limits, nor is it mined for salacious effect. It’s candid and, more often than not, coming directly from the individuals, themselves. Brothers and sisters they were. Paul’s book gives us a seat at the table.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2023\/08\/18\/brothers-and-sisters-the-allman-brothers-band-and-the-inside-story-of-the-album-that-defined-the-70s-by-alan-paul\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1973 in the immediate aftermath of Duane Allman's and Berry Oakley's deaths, Brothers \u0026amp; Sisters marked the band's pivot toward country-inflected grooves and Dickey Betts stepping fully into the songwriting spotlight, delivering both \"Ramblin' Man\" and \"Jessica\" in a single stroke. Chuck Leavell's piano work throughout the record became a defining element of the Southern rock sound that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis Allman Brothers classic comes home to Capricorn Records sporting remastering from the original master tapes and packaging authentic to the original LP release. Tracks: \"Wasted Words,\" \"Ramblin' Man,\" \"Come And Go Blues,\" \"Jelly Jelly,\" \"Southbound,\" \"Jessica\" and \"Pony Boy.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Wasted Words (4:19)\u003cbr\u003e\n2. Ramblin' Man (4:48)\u003cbr\u003e\n3. Come and Go Blues (4:53)\u003cbr\u003e\n4. Jelly Jelly (5:46)\u003cbr\u003e\n5. Southbound (5:08)\u003cbr\u003e\n6. Jessica (7:28)\u003cbr\u003e\n7. Pony Boy (5:51)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 731453126220\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mercury\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.14.97\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262780518555,"sku":"96998","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Allman-Brothers-Band-Brothers-Sisters-Remastered-CD.png?v=1776110823"},{"product_id":"north-mississippi-allstars-still-shakin-cd","title":"North Mississippi Allstars – Still Shakin' (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLuther and Cody Dickinson grew up in the Mississippi hill country with direct access to a living tradition, their father Jim Dickinson produced some of the most important blues and roots records of the late 20th century, and that inheritance runs bone-deep in everything North Mississippi Allstars touches. Still Shakin', arriving nearly three decades into their run, finds the band continuing to carry that torch forward while keeping one foot firmly planted in the raw, hypnotic groove of the hill country sound they helped introduce to a wider world.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNorth Mississippi Allstars was founded by brothers Luther and Cody Dickinson in 1996 as a loose collective of musicians from North Mississippi and Memphis, TN, inspired by their neighbors, RL Burnside, Junior Kimbrough, Otha Turner and the late Fred McDowell. Over the years the touring lineup has included, Cedric, Duwayne and Garry Burnside, Chris Chew, Berry Oakley Jr, Oteil Burbridge, Ray Ray Hollowman (guitar player for Eminem and Ne-Yo), and currently Joey Williams (of the Blind Boys of Alabama). Since their Grammy nominated debut album in 2000 they have toured the world, shared the stage with countless legends, Mavis Staples, Robert Plant, John Hiatt, the Allman Brothers, Buddy Guy, Snoop Dogg, and Phil Lesh to name a few, while earning multiple Grammy nominations for their experimental albums of Psychedelic folk roots rock.\u003c\/p\u003e\u003cp\u003e“Still Shakin’ is a celebration of their life-changing first album Shake Hands with Shorty, released 25 years ago. They dipped into the North Mississippi repertoire and experience of the ‘90s, touring with RL Burnside, recording Otha Turner, hanging at Junior’s Juke, filtering new interpretations through their current instincts. The well never runs dry and the cast of characters never fails.\u003c\/p\u003e\u003cp\u003eThey recorded their 2nd generation friends Duwayne Burnside and Robert Kimbrough at Duwayne’s Juke Joint in Holly Springs. The Sacred Steel Guitar of bandmates Ray Ray Hollowman and Kashiah Hunter blessed the music alongside the vocals and rhythm of Joey Williams, from the Blind Boys of Alabama. Their albums meld music to come but are always a snapshot of who they are running with presently. That to say, Ray Ray and Joey have enriched NMA’s music for the last few years and they cherish their contributions to Still Shakin’. The group looks forward to the next 25 years of North Mississippi World Boogie.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Preachin’ Blues (3:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Stay All Night (5:48)\u003c\/div\u003e\n\u003cdiv\u003e3. My Mind Is Ramblin’ (4:11)\u003c\/div\u003e\n\u003cdiv\u003e4. Pray For Peace (4:04)\u003c\/div\u003e\n\u003cdiv\u003e5. K.C. Jones (Part II) (3:57)\u003c\/div\u003e\n\u003cdiv\u003e6. Still Shakin’ (4:05)\u003c\/div\u003e\n\u003cdiv\u003e7. Poor Boy (4:59)\u003c\/div\u003e\n\u003cdiv\u003e8. Don’t Let The Devil Ride (6:15)\u003c\/div\u003e\n\u003cdiv\u003e9. Write Me A Few Lines (4:01)\u003c\/div\u003e\n\u003cdiv\u003e10. John Henry (4:20)\u003c\/div\u003e\n\u003cdiv\u003e11. Monomyth (Folk Hero’s Last Ride) (2:51)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396660520\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.6.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271240724635,"sku":"26176366","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/North-Mississippi-Allstars-Still-Shakin-CD.png?v=1776113923"}],"url":"https:\/\/relix.shop\/collections\/grateful-dead-cds.oembed","provider":"relix.shop","version":"1.0","type":"link"}