{"title":"Grateful Dead \u0026 Jerry Garcia Vinyl and CDs","description":"\u003cp\u003eGrateful Dead and Jerry Garcia on wax and disc: studio classics, archival live releases, GarciaLive, Pure Jerry, and box sets.\u003c\/p\u003e","products":[{"product_id":"grateful-dead-road-trips-cd-vol-1-no-2-october-77-2008","title":"Grateful Dead Road Trips CD | Vol. 1 No. 2 – October ’77 (2008)","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eGrateful Dead – Road Trips Vol. 1 No. 2: October ’77\u003c\/em\u003e\u003c\/strong\u003e revisits one of the band’s most celebrated creative peaks. Released in March 2008, this installment stitches together highlights from Norman, OK (10\/11), Houston, TX (10\/14), and Baton Rouge, LA (10\/16), capturing the effortless interplay and tight improvisation that made 1977 a benchmark year for the Dead.\u003c\/p\u003e\n\u003cp\u003eThe release flows through radiant versions of \u003cem\u003eLet It Grow\u003c\/em\u003e and \u003cem\u003eSugaree\u003c\/em\u003e, a stunning \u003cem\u003eHelp on the Way → Slipknot! → Franklin’s Tower\u003c\/em\u003e sequence, and a fluid second set built around \u003cem\u003ePlaying in the Band\u003c\/em\u003e, \u003cem\u003eThe Other One\u003c\/em\u003e, and \u003cem\u003eTerrapin Station\u003c\/em\u003e. The \u003cstrong\u003eBonus Disc\u003c\/strong\u003e expands the experience with the beloved \u003cem\u003eScarlet Begonias → Fire on the Mountain\u003c\/em\u003e pairing and more gems from that same week.\u003c\/p\u003e\n\u003cp\u003ePerformed by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e, and \u003cstrong\u003eDonna Godchaux\u003c\/strong\u003e. Mixed and mastered by \u003cstrong\u003eJeffrey Norman\u003c\/strong\u003e under the supervision of \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDisc One\u003c\/strong\u003e\u003cbr\u003eLet It Grow\u003cbr\u003eSugaree\u003cbr\u003eThe Music Never Stopped\u003cbr\u003eMississippi Half-Step Uptown Toodleoo → El Paso\u003cbr\u003eHelp on the Way → Slipknot! → Franklin’s Tower\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDisc Two\u003c\/strong\u003e\u003cbr\u003ePlaying in the Band → Drums → The Other One → Good Lovin’ → Terrapin Station → Black Peter → Around and Around → Brokedown Palace\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBonus Disc\u003c\/strong\u003e\u003cbr\u003eScarlet Begonias → Fire on the Mountain\u003cbr\u003eEstimated Prophet\u003cbr\u003eSunrise\u003cbr\u003eIko Iko\u003cbr\u003eThe Wheel → Wharf Rat → Sugar Magnolia\u003c\/p\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47391200182427,"sku":"ROADTRIPS-OCT77","price":79.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/gdroadtripscdA.jpg?v=1776960938"},{"product_id":"grateful-dead-aoxomoxoa-cd","title":"Grateful Dead – Aoxomoxoa (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRobert Hunter's arrival as the band's primary lyricist gave the Dead something they'd been reaching for since the Haight-Ashbury days, a true poet in the room. Songs like \"St. Stephen\" and \"China Cat Sunflower\" that debuted here became cornerstones of the live canon, played thousands of times over the next two decades and still burning bright in setlists today.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e“In 1969, for their third album, the Grateful Dead eschewed outside producers and created Aoxomoxoa themselves, beginning a run of self-produced albums that would continue until 1977. Scrapping the first sessions, which were recorded to eight-track tape, the Dead now had 16 tracks with which to experiment their psychedelic sound, with an album that included entirely \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e-penned lyrics for the first time.”\u003c\/p\u003e\n\n\u003cp\u003eArchivist \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. St. Stephen (4:26)\u003cbr\u003e\n2. Dupree's Diamond Blues (3:32)\u003cbr\u003e\n3. Rosemary (1:58)\u003cbr\u003e\n4. Doin' That Rag (4:41)\u003cbr\u003e\n5. Mountains Of The Moon (4:08)\u003cbr\u003e\n6. China Cat Sunflower (3:40)\u003cbr\u003e\n7. What's Become Of The Baby (8:12)\u003cbr\u003e\n8. 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Where his predecessors had shaped the band's sound through the psychedelic and jazz-leaning seventies, Mydland brought a blue-eyed soul edge that pushed the Dead toward something rawer and more direct, a quality that would define their sound well into the eighties and beyond.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGo To Heaven\u003c\/em\u003e (1980) is the Grateful Dead's eleventh studio album and their first with keyboardist \u003cstrong\u003eBrent Mydland\u003c\/strong\u003e, who joined in 1979 following \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e's departure. Recorded at Club Front studio in San Rafael, California and produced by Gary Lyons, the album captures the Dead attempting to create radio-friendly songs while maintaining their musical identity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\"Alabama Getaway\"\u003c\/strong\u003e became the band's highest-charting single in years, while the Garcia\/Hunter classic \u003cstrong\u003e\"Althea\"\u003c\/strong\u003e went on to become a live staple for decades. \u003cstrong\u003eBob Weir\u003c\/strong\u003e contributes some of his most sophisticated writing with the paired suite of \u003cstrong\u003e\"Lost Sailor\"\u003c\/strong\u003e and \u003cstrong\u003e\"Saint of Circumstance,\"\u003c\/strong\u003e and Mydland announces his arrival with a pair of his own compositions — \u003cstrong\u003e\"Far from Me\"\u003c\/strong\u003e and \u003cstrong\u003e\"Easy to Love You\"\u003c\/strong\u003e — sung with a grit and soul that immediately distinguished him as a vital addition to the band.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eGo To Heaven\u003c\/em\u003e would be the last Grateful Dead studio album for seven years — until \u003cem\u003eIn the Dark\u003c\/em\u003e in 1987 — and an album that has aged considerably better than its mixed initial reception suggested.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. 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The Fillmore East, Bill Graham's New York room, was one of the few stages in America that could hold what the Dead were becoming, and recordings from this run capture that electricity with rare immediacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eGrateful Dead Fillmore East 2-11-69 (180 Gram Audiophile Vinyl\/Limited Anniversary Edition\/Tri-fold Cover)\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eIn celebration of 6 Decades of Grateful Dead, Friday Music is very pleased to announce this stunning 180 Gram Audiophile 3 LP Deluxe Set of Grateful Dead's \u003cstrong\u003e\"Fillmore East 2-11-69.\"\u003c\/strong\u003e This amazing, super-limited-edition treasure trove features tunes from these significant concerts, both early and late.\u003c\/p\u003e\n\n\u003cp\u003eFilled with 17 stellar vinyl performances, The Grateful Dead's \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, Bill Kreutzmann, Ron McKernan, and \u003cstrong\u003eTom Constanten\u003c\/strong\u003e truly radiate their finest playing and singing, making this a wonderful listen and a highly collectible album for years to come.\u003c\/p\u003e\n\n\u003cp\u003eAs an added super-rare treat, a tip of the hat to The Beatles is preserved in the audiophile domain, with their fine interpretation of Hey Jude, as well as a pair of masterful blues classics: King Bee and Good Morning Little School Girl.\u003c\/p\u003e\n\n\u003cp\u003eThe Grateful Dead's Fillmore 2-11-69 album is packaged in a stunning tri-fold cover with beautifully detailed artwork, Gary Lambert's original liner notes, and wonderful retro LP label artwork for each vinyl album.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGood Morning Little Schoolgirl\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eThe Other One\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eDoin' That Rag\u003c\/li\u003e\n\u003cli\u003eI'm A King Bee\u003c\/li\u003e\n\u003cli\u003eHey Jude\u003c\/li\u003e\n\u003cli\u003eTurn On Your Lovelight\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eDupree's Diamond Blues\u003c\/li\u003e\n\u003cli\u003eMountains Of The Moon\u003c\/li\u003e\n\u003cli\u003eDark Star\u003c\/li\u003e\n\u003cli\u003eSt. Stephen\u003c\/li\u003e\n\u003cli\u003eThe Eleven\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eCaution (Do Not Stop On Tracks)\u003c\/li\u003e\n\u003cli\u003eFeedback\u003c\/li\u003e\n\u003cli\u003eWe Bid You Goodnight\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 829421021698\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Friday Music Two\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515534491,"sku":"71456052","price":174.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Fillmore-East-2-11-69-3-LP-Vinyl.png?v=1776107685"},{"product_id":"grateful-dead-europe-72-50th-anniversary-edition-cd","title":"Grateful Dead – Europe '72: 50th Anniversary Edition (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe spring 1972 European run marked the debut of three musicians who would reshape the band's sound for years to come: pianist Keith Godchaux, vocalist Donna Jean Godchaux, and percussionist Bill Kreutzmann's new partner in the drum chair. The tour also introduced live versions of songs like \"Brown-Eyed Women\" and \"Ramble On Rose\" that Deadheads would chase across setlists for decades, making this document not just a souvenir but a genuine musical turning point.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCelebrating the 50th Anniversary of the Grateful Dead's iconic Europe '72 Tour with the original \u003cem\u003eEurope '72\u003c\/em\u003e album, newly remastered. Plangent Processes tape restoration and speed correction, with mastering by GRAMMY® Award-winning engineer Dave Glasser, produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eIn another industry-defying move, the Grateful Dead followed up their first Gold Record — the 1971 live showcase \u003cem\u003eSkull \u0026amp; Roses\u003c\/em\u003e — with another live album, one that to most fans and critics surpassed even the excellence of the previous offering.\u003c\/p\u003e\n\n\u003cp\u003eFrom April 7 to May 26, 1972, the Dead performed and recorded 21 live concerts, plus a set in a television studio, with every night being an exceptional display of the magic that was uniquely the live Grateful Dead. These concerts and this tour, 50 years later, are still considered one of the highest of high points in the Grateful Dead's performing career.\u003c\/p\u003e\n\n\u003cp\u003eIn an era when a double album was rare enough, the Dead outdid even their own lofty standards by producing what is widely regarded as one of the finest live albums ever made — originally released as a sprawling 3-LP set, and now available here in a newly remastered 2-CD edition. Remastered from the original analog tapes, the album has never sounded better.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Cumberland Blues (5:42)\u003cbr\u003e\n1-2. He's Gone (6:58)\u003cbr\u003e\n1-3. One More Saturday Night (4:49)\u003cbr\u003e\n1-4. Jack Straw (4:49)\u003cbr\u003e\n1-5. You Win Again (4:00)\u003cbr\u003e\n1-6. China Cat Sunflower (5:33)\u003cbr\u003e\n1-7. I Know You Rider (5:04)\u003cbr\u003e\n1-8. Brown-Eyed Women (4:39)\u003cbr\u003e\n1-9. Hurts Me Too (7:20)\u003cbr\u003e\n1-10. Ramble On Rose (6:01)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Sugar Magnolia (7:10)\u003cbr\u003e\n2-2. Mr. Charlie (3:38)\u003cbr\u003e\n2-3. Tennessee Jed (7:11)\u003cbr\u003e\n2-4. Truckin' (13:05)\u003cbr\u003e\n2-5. Epilogue (5:07)\u003cbr\u003e\n2-6. Prelude (7:36)\u003cbr\u003e\n2-7. Morning Dew (11:29)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497842186\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.29.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515927707,"sku":"158137","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Europe-72-50th-Anniversary-Edition-2-CD.jpg?v=1776107711"},{"product_id":"grateful-dead-terrapin-station-syeor-24-exclusive-emerald-green-lp-vinyl","title":"Grateful Dead – Terrapin Station (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTerrapin Station arrived in 1977 at a genuine crossroads, the Dead signing to Arista after years on their own Round Records imprint, trading full creative autonomy for major-label resources and a polished studio hand. The centerpiece suite that closes Side 2 would become one of Jerry Garcia and Robert Hunter's most beloved long-form compositions, a piece the band carried through their live sets for decades, always searching for new ways into its layered mythology.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNewly mastered by GRAMMY® Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe first Grateful Dead album on Arista Records and the first studio album featuring an outside producer since their debut a decade earlier, \u003cem\u003eTerrapin Station\u003c\/em\u003e is one of the deepest, densest, and most ambitious records in the entire Dead catalog. Arista president Clive Davis paired the band with Fleetwood Mac producer Keith Olson, and together they created something unlike anything the Dead had made before — filled with strings, horns, a choir, and countless new sonic textures.\u003c\/p\u003e\n\n\u003cp\u003eSide 1 is a remarkable collection of songs in its own right: the hypnotic \u003cstrong\u003e\"Estimated Prophet,\"\u003c\/strong\u003e the hard-driving \u003cstrong\u003e\"Samson and Delilah,\"\u003c\/strong\u003e Lesh's funky \u003cstrong\u003e\"Passenger,\"\u003c\/strong\u003e a rollicking \u003cstrong\u003e\"Dancin' in the Streets,\"\u003c\/strong\u003e and \u003cstrong\u003eDonna Jean\u003c\/strong\u003e Godchaux's first lead vocal on a Dead album, the tender \u003cstrong\u003e\"Sunrise.\"\u003c\/strong\u003e Side 2 is given over entirely to the sprawling Terrapin Station suite — Lady With a Fan, Terrapin Station, Terrapin, Terrapin Transit, At a Siding, Terrapin Flyer, and Refrain — one of the most ambitious and exciting sequences of music the Grateful Dead ever committed to record.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEstimated Prophet\u003c\/li\u003e\n\u003cli\u003eDancin' in the Streets\u003c\/li\u003e\n\u003cli\u003ePassenger\u003c\/li\u003e\n\u003cli\u003eSamson \u0026amp; Delilah\u003c\/li\u003e\n\u003cli\u003eSunrise\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2 — Terrapin Station\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLady With a Fan\u003c\/li\u003e\n\u003cli\u003eTerrapin Station\u003c\/li\u003e\n\u003cli\u003eTerrapin\u003c\/li\u003e\n\u003cli\u003eTerrapin Transit\u003c\/li\u003e\n\u003cli\u003eAt a Siding\u003c\/li\u003e\n\u003cli\u003eTerrapin Flyer\u003c\/li\u003e\n\u003cli\u003eRefrain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227819514\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.12.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515960475,"sku":"372220","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Terrapin-Station-Emerald-Green-LP-Vinyl.jpg?v=1776804863"},{"product_id":"grateful-dead-music-never-stopped-cd","title":"Grateful Dead – Music Never Stopped (3-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eWhile Deadheads almost unanimously say they prefer full-show recordings over anything else, anyone who quibbles with the long, strange sonic trip that is the Music Never Stopped is simply looking to complain.\u003c\/p\u003e\u003cp\u003eClocking in at close to four hours, overflowing with fan favorites and rarities and spanning 1969-1994, this set contains a song or segue from each of the concerts on the sprawling companion box set Enjoying the Ride - full-show recordings galore, folks! - and ensures every band member, even short-timers Tom Constanten and Bruce Hornsby, is represented.\u003c\/p\u003e\u003cp\u003eJumping around haphazardly, Music is sequenced so Pigpen powering a mighty “Hard to Handle” in ’71 is followed by an elegiac 1987 “Wharf Rat.” The set closes similarly, with an equally wistful “Days Between” from ’94 melting into a dizzying “Not Fade Away” - “Going Down the Road Feeling Bad” - “Not Fade Away” sandwich from 23 years prior.\u003c\/p\u003e\u003cp\u003eThe producers were sympathetic and generous in the song selection, featuring short-in-rotation numbers like “Doin’ that Rag” (’69), “My Brother Esau” (’87) and the bonkers return of “Big Boy Pete” for its one-time-only reprise in ’85.\u003c\/p\u003e\u003cp\u003eBonus - the sound quality ranges from quite good to sublime.\u003c\/p\u003e\u003cp\u003eToss in the famous Greek “Scarlet” - “Touch” - “Fire” of ’84; perhaps the perfectest “Attics of My Life” from 10\/3\/94 in Boston; and the crazy transition between “Truckin’” and “Smokestack Lightnin’” at Deer Creek ’89 that is somehow both smooth and sloppy and unusual enough to merit inclusion even without the powerful performances on either side, and only a cynic could say the Music Never Stopped is not just exactly perfect, even if it doesn’t run just like a Swiss watch.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/06\/14\/grateful-dead-the-music-never-stopped\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCompiled as a road map through one of the longest strange trips in American music, this collection pulls from 25 years of live recordings spanning the venues where Dead culture was built, night by night and city by city. For anyone who's ever debated which era, which room, or which version captures what made this band unlike anything else, consider this a starting point and an argument all at once.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CD set. Narrowing down The Grateful Dead's touring career and live performances to 60 CDs, 20 venues, and more than 450 songs is hard enough. Narrowing THAT down for 3CD and 6LP sets is a monumental undertaking, but with so much great music to select from, it's one of the most enjoyable compilations we've ever assembled. \u003c\/p\u003e\u003cp\u003eThis nearly four-hour collection contains one song (or two, or three...) from every show in the Dead's new road tripping boxed set, ENJOYING THE RIDE, which brings together music from 20 (21...) of the most essential venues in Grateful Dead and Dead Head history. \u003c\/p\u003e\u003cp\u003eThis compilation is crafted with songs spanning the 25 years in the boxed set, 1969-1994. Drawn from such iconic venues as Red Rocks, Frost Amphitheatre, Greek Theatre, Fillmores East and West, Madison Square Garden, Alpine Valley, and many more, THE MUSIC NEVER STOPPED features such classics as \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e \u003cstrong\u003e\"Eyes Of The World,\"\u003c\/strong\u003e \u003cstrong\u003e\"Scarlet Begonias,\"\u003c\/strong\u003e the title track, and plenty of under the radar tracks like \u003cstrong\u003e\"Big Boy Pete,\"\u003c\/strong\u003e \u003cstrong\u003e\"My Brother Esau,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Doin' That Rag.\"\u003c\/strong\u003e \u003c\/p\u003e\u003cp\u003e\"This is a career-defining live collection filled with some of the greatest tracks performed at their greatest venues.\" \u003cstrong style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eDavid Lemieux\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. The Music Never Stopped (9:04)\u003cbr\u003e\n1-2. Althea (8:37)\u003cbr\u003e\n1-3. Playing In The Band (19:58)\u003cbr\u003e\n1-4. Hard To Handle (8:30)\u003cbr\u003e\n1-5. Wharf Rat (10:45)\u003cbr\u003e\n1-6. Doin’ That Rag (6:59)\u003cbr\u003e\n1-7. My Brother Esau (5:04)\u003cbr\u003e\n1-8. Deal (10:47)\u003c\/p\u003e\u003ch4\u003eDisc 2\u003c\/h4\u003e\u003cp\u003e\n2-1. Scarlet Begonias (11:54)\u003cbr\u003e\n2-2. Touch Of Grey (6:50)\u003cbr\u003e\n2-3. Fire On The Mountain (12:08)\u003cbr\u003e\n2-4. Lazy Lightning (3:31)\u003cbr\u003e\n2-5. Supplication (6:19)\u003cbr\u003e\n2-6. Attics Of My Life (4:18)\u003cbr\u003e\n2-7. Estimated Prophet (13:55)\u003cbr\u003e\n2-8. Eyes Of The World (11:49)\u003cbr\u003e\n2-9. Brown-Eyed Women (5:35)\u003c\/p\u003e\u003ch4\u003eDisc 3\u003c\/h4\u003e\u003cp\u003e\n3-1. Truckin’ (8:26)\u003cbr\u003e\n3-2. Smokestack Lightnin’ (10:32)\u003cbr\u003e\n3-3. Big Boy Pete (3:08)\u003cbr\u003e\n3-4. Bird Song (12:11)\u003cbr\u003e\n3-5. Let It Grow (10:25)\u003cbr\u003e\n3-6. Black Muddy River (6:23)\u003cbr\u003e\n3-7. Days Between (10:19)\u003cbr\u003e\n3-8. Not Fade Away (3:51)\u003cbr\u003e\n3-9. Goin’ Down The Road Feeling Bad (8:57)\u003cbr\u003e\n3-10. Not Fade Away (2:26)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497815791\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.30.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516026011,"sku":"386947","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Music-Never-Stopped-3-CD.jpg?v=1776107723"},{"product_id":"grateful-dead-madison-square-garden-new-york-ny-3-9-81-live-cd","title":"Grateful Dead – Madison Square Garden, New York, NY 3\/9\/81 (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMarch 1981 found the Dead deep in one of their most musically fertile periods, with Jerry Garcia's guitar work carrying a focused intensity that defined the early-'80s sound. This particular run at MSG came just as the band was hitting a strong stride with their post-\"Go to Heaven\" live approach, and the New York crowd, always one of the most electric on the circuit, gave them plenty to play up to.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CDs. Madison Square Garden, the world-famous New York City arena, was a home away from home for The Grateful Dead, a reliable sanctuary where the band would ultimately play 52 shows, a record at the time. The venue's fine acoustics, combined with the fans' unbridled energy, consistently brought out the best in the Dead. \u003c\/p\u003e\u003cp\u003eAt the band's 2015 induction ceremony into Madison Square Garden's Walk Of Fame, Bobby Weir said \"This place was both horrifying and titillating with an audience that was discerning but ravenous. We had to rise to the occasion every time.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Feel Like A Stranger (9:07)\u003cbr\u003e\n1-2. Althea (7:52)\u003cbr\u003e\n1-3. C.C. Rider (8:00)\u003cbr\u003e\n1-4. Ramble On Rose (7:41)\u003cbr\u003e\n1-5. El Paso (5:31)\u003cbr\u003e\n1-6. Deep Elem Blues (7:03)\u003cbr\u003e\n1-7. Beat It On Down The Line (3:58)\u003cbr\u003e\n1-8. Bird Song (11:15)\u003cbr\u003e\n1-9. New Minglewood Blues (7:02)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. China Cat Sunflower (9:33)\u003cbr\u003e\n2-2. I Know You Rider (6:11)\u003cbr\u003e\n2-3. Samson And Delilah (7:32)\u003cbr\u003e\n2-4. Ship Of Fools (8:22)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. Estimated Prophet (14:07)\u003cbr\u003e\n3-2. Uncle John's Band (11:46)\u003cbr\u003e\n3-3. Drums (10:32)\u003cbr\u003e\n3-4. Space (7:30)\u003cbr\u003e\n3-5. The Other One (7:47)\u003cbr\u003e\n3-6. Stella Blue (9:50)\u003cbr\u003e\n3-7. Good Lovin' (6:51)\u003cbr\u003e\n3-8. 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The 1971 remix, overseen as the band's own understanding of the material deepened, brought greater clarity to a record that had always rewarded close listening. For collectors who've worn out earlier pressings chasing the buried details in \"That's It for the Other One\" and \"Dark Star,\" this remaster is the version worth returning to.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDigitally remastered edition of the 1971 remix of this classic album. Anthem of the Sun is the second album by The Grateful Dead, originally released in 1968 on Warner Bros\/Seven Arts. It is the first album to feature second drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. The band was also joined by \u003cstrong\u003eTom Constanten\u003c\/strong\u003e, who contributed avant-garde instrumental and studio techniques influenced by composers John Cage and Karlheinz Stockhausen. \u003c\/p\u003e\u003cp\u003eThe album was assembled through a collage-like editing approach helmed by members \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e (along with soundman Dan Healy), in which disparate studio and live performance tapes were spliced together to create new hybrid recordings. The band also supplemented their performances with instruments such as prepared piano, kazoo, harpsichord, timpani, trumpet, and güiro. The result is an experimental amalgam that is neither a true studio album nor a live album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e2. 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Songs like \"Casey Jones\" and \"Uncle John's Band\" became instant cornerstones of the live repertoire, performed thousands of times over the next two and a half decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eSublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eYou've never heard this roots-based marvel sound better: mastered from the original master tapes and given extra-wide grooves on 45RPM LP. Ranked \u003cstrong\u003e#264 on Rolling Stone's List of the 500 Greatest Albums of All Time\u003c\/strong\u003e: airy harmonies, simple structures, concise arrangements, and burnished tones anchor songs that bookend to 1970's \u003cem\u003eAmerican Beauty\u003c\/em\u003e, also available on 180g 45RPM 2LP from Mobile Fidelity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, the album attains \u003cstrong\u003eaudiophile reference status\u003c\/strong\u003e courtesy of this first-ever 45RPM version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs with a transcendence associated with timeless American music.\u003c\/p\u003e\n\n\u003cp\u003eColorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives. \u003cstrong\u003eMastered from the original master tapes and pressed on 180g LPs at RTI\u003c\/strong\u003e, Mobile Fidelity's numbered limited edition of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and-touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances — traits made possible by the format's wider grooves.\u003c\/p\u003e\n\n\u003cp\u003eInstrumental melds and refined accents, such as guest David Nelson's nimble fills on \"Cumberland Blues,\" are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling.\u003c\/p\u003e\n\n\u003cp\u003eThe first Grateful Dead album to eschew cosmic jams and complex signatures, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e stakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state — immediately apparent via the innocent album-opening invitation \"Will you come with me?\" on \"Uncle John's Band\" — owes to the circumstances surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from — and reacting to — the tragic events of the Altamont Music Festival and the symbolic end of the peace and love era. As such, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship.\u003c\/p\u003e\n\n\u003cp\u003eLyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning \u003cstrong\u003e\"Cumberland Blues,\"\u003c\/strong\u003e pastoral ballad \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and bluesy \u003cstrong\u003e\"Easy Wind\"\u003c\/strong\u003e hit the mark. Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus.\u003c\/p\u003e\n\n\u003cp\u003eAside from the economical concision and thematic consistency, the genius of \u003cem\u003eWorkingman's Dead\u003c\/em\u003e resides in the group's expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live \"air blends\" of multi-part vocal harmonies that provide the foundations of nearly every track. \u003cstrong\u003e\"Uncle John's Band,\" \"High Time,\" \"New Speedway Boogie,\"\u003c\/strong\u003e and the radio favorite \u003cstrong\u003e\"Casey Jones\"\u003c\/strong\u003e practically float on the ensemble's communal vocal beds. Mobile Fidelity's 45RPM edition renders these invigorating characteristics in \u003cstrong\u003ethree-dimensional sound, transporting you to the event. Recordings don't get more lifelike.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e — an iconic, ageless record that drew countless listeners to the band's unique style because of its accessibility and charm — deserves nothing less. Neither do you.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Uncle John's Band (4:42)\u003cbr\u003e\nA2. High Time (5:13)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Dire Wolf (3:13)\u003cbr\u003e\nB2. New Speedway Boogie (4:05)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Cumberland Blues (3:15)\u003cbr\u003e\nC2. Black Peter (5:42)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. 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Originally released as \u003cem\u003eWhat a Long Strange Trip It's Been\u003c\/em\u003e in 1977, this single-LP collection covers the band's Warner Bros. years — featuring \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Sugar Magnolia,\"\u003c\/strong\u003e \u003cstrong\u003e\"Casey Jones,\"\u003c\/strong\u003e \u003cstrong\u003e\"Touch of Grey,\"\u003c\/strong\u003e and four more essentials, all in 2015-remastered audio. The ideal entry point for new listeners and a collectible variant for longtime fans.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Casey Jones (4:24)\u003cbr\u003e\nA2. Friend Of The Devil (3:21)\u003cbr\u003e\nA3. Box Of Rain (5:17)\u003cbr\u003e\nA4. Sugar Magnolia (3:17)\u003cbr\u003e\nA5. 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What it does capture is the arc of a band that reinvented American music across three decades and multiple label homes, from the psychedelic San Francisco of the late '60s through the arena-filling years of \"Touch of Grey.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe first ever career-spanning single-disc compilation from the Grateful Dead, drawing from every label the band recorded on: Warner Bros. Records, Grateful Dead Records\/United Artists Records, and Arista Records. Tracks hand-picked by Dead archivists James Austin and \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e — a perfect entry point for new listeners and a handy single-disc overview for longtime Deadheads.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Truckin' (5:08)\u003cbr\u003e\n2. Touch Of Grey (5:50)\u003cbr\u003e\n3. Sugar Magnolia (3:19)\u003cbr\u003e\n4. Casey Jones (4:28)\u003cbr\u003e\n5. Uncle John's Band (4:46)\u003cbr\u003e\n6. Friend Of The Devil (3:24)\u003cbr\u003e\n7. Franklin's Tower (4:34)\u003cbr\u003e\n8. Estimated Prophet (5:38)\u003cbr\u003e\n9. Eyes Of The World (5:20)\u003cbr\u003e\n10. Box Of Rain (5:20)\u003cbr\u003e\n11. U.S. Blues (4:40)\u003cbr\u003e\n12. The Golden Road (To Unlimited Devotion) (2:13)\u003cbr\u003e\n13. One More Saturday Night (Live, 1972) (4:50)\u003cbr\u003e\n14. Fire On The Mountain (3:49)\u003cbr\u003e\n15. The Music Never Stopped (4:36)\u003cbr\u003e\n16. Hell In A Bucket (5:38)\u003cbr\u003e\n17. 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Wake of the Flood arrived at a genuine crossroads moment, with Keith Godchaux's piano giving the band a harmonic depth and melodic sophistication that pushed their studio writing into new territory. The songs road-tested here became cornerstones of setlists for the next two decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe 50th Anniversary Deluxe Edition of \u003cem\u003eWake of the Flood\u003c\/em\u003e — the debut album from the band's own Grateful Dead Records label — newly remastered with Plangent Processes tape restoration and speed correction by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e, and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eReleased October 15, 1973, \u003cem\u003eWake of the Flood\u003c\/em\u003e introduced a pivotal new lineup following the passing of founding member Ron \u003cstrong\u003e\"Pigpen\"\u003c\/strong\u003e McKernan and the temporary exit of drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. Newest members Keith and Donna Godchaux step into the fold on keys and vocals, and the result is one of the most musically rich albums in the Dead's catalog — featuring \u003cstrong\u003e\"Eyes of the World,\"\u003c\/strong\u003e \u003cstrong\u003e\"Stella Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"Here Comes Sunshine,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Half-Step Uptown Toodeloo.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe bonus disc draws from the final night of the album's brief release tour: November 1, 1973 at McGaw Memorial Hall, Northwestern University, Evanston, Illinois. Bookended by two songs from the new album — \u003cstrong\u003e\"Weather Report Suite\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Half-Step\"\u003c\/strong\u003e — the live set features one of the most creative and inspired jams of the entire tour: a breathtaking \u003cstrong\u003e\"Morning Dew\"\u003c\/strong\u003e → \u003cstrong\u003e\"Playing in the Band\"\u003c\/strong\u003e → \u003cstrong\u003e\"Uncle John's Band\"\u003c\/strong\u003e → \u003cstrong\u003e\"Playing in the Band\"\u003c\/strong\u003e sequence that stands as a highlight of the era.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Wake of the Flood (50th Anniversary Remaster)\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMississippi Half-Step Uptown Toodeloo (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eLet Me Sing Your Blues Away (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eRow Jimmy (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eStella Blue (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eHere Comes Sunshine (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eEyes of the World (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eWeather Report Suite (2023 Remaster)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Demos \u0026amp; Live at McGaw Memorial Hall, Northwestern University, Evanston, IL, 11\/1\/73\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEyes of the World (Demo)\u003c\/li\u003e\n\u003cli\u003eHere Comes Sunshine (Demo)\u003c\/li\u003e\n\u003cli\u003eWeather Report Suite (Live)\u003c\/li\u003e\n\u003cli\u003eMorning Dew (Live)\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band, Pt. 1 (Live)\u003c\/li\u003e\n\u003cli\u003eUncle John's Band (Live)\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band, Pt. 2 (Live)\u003c\/li\u003e\n\u003cli\u003eMississippi Half-Step Uptown Toodeloo (Live)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497833870\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.29.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516943515,"sku":"360428","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Wake-Of-The-Flood-Deluxe-2-CD.jpg?v=1776107890"},{"product_id":"grateful-dead-the-best-of-the-grateful-dead-live-1969-1977-2-cd","title":"Grateful Dead – The Best of the Grateful Dead Live: 1969-1977 (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Grateful Dead never treated any two nights the same, which is what makes a collection like this both necessary and genuinely difficult to assemble. These recordings pull from some of the most documented years in rock history, a period when the band was simultaneously inventing and perfecting a concert language that tens of thousands of fans built their lives around. Consider it a map of the territory, not a substitute for the journey.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA two-CD collection made for die-hard Deadheads and new fans alike, \u003cem\u003eThe Best of the Grateful Dead Live\u003c\/em\u003e is the ultimate introduction to the band's live legacy. Drawing from official live albums on Warner Bros. and Arista, plus key archival releases, the set spans the full arc of the Dead's performing career — from \u003cstrong\u003e\"St. Stephen\"\u003c\/strong\u003e recorded at the Fillmore West in 1969 to the poignant \u003cstrong\u003e\"So Many Roads,\"\u003c\/strong\u003e taken from the band's final concert at Chicago's Soldier Field in July 1995.\u003c\/p\u003e\n\n\u003cp\u003eAlong the way: the raw power of the early Fillmore East shows, the soaring Europe '72 performances, the beloved Warfield and Radio City runs of 1980, and standout moments from the band's final decade. Few live compilations cover this much ground this well.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. St. Stephen (6:37)\u003cbr\u003e\n1-2. Bertha (5:42)\u003cbr\u003e\n1-3. Wharf Rat (8:32)\u003cbr\u003e\n1-4. Sugar Magnolia (7:10)\u003cbr\u003e\n1-5. Jack Straw (4:48)\u003cbr\u003e\n1-6. Truckin' (13:07)\u003cbr\u003e\n1-7. Morning Dew (11:28)\u003cbr\u003e\n1-8. Brown-Eyed Women (4:37)\u003cbr\u003e\n1-9. The Music Never Stopped (5:28)\u003cbr\u003e\n1-10. Estimated Prophet (6:44)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Friend Of The Devil (7:32)\u003cbr\u003e\n2-2. Feel Like A Stranger (5:46)\u003cbr\u003e\n2-3. Fire On The Mountain (6:47)\u003cbr\u003e\n2-4. Bird Song (7:38)\u003cbr\u003e\n2-5. Ripple (4:26)\u003cbr\u003e\n2-6. Eyes Of The World (16:13)\u003cbr\u003e\n2-7. Touch Of Grey (6:30)\u003cbr\u003e\n2-8. Blow Away (12:19)\u003cbr\u003e\n2-9. 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What the Dead brought to his catalog was something few backing bands could offer: a communal improvisational language built over two decades of live performance, and an audience already primed to follow wherever the music led.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDylan \u0026amp; The Dead is a collaborative live album by American singer-songwriter Bob Dylan and the Grateful Dead, released on February 6, 1989 by Columbia Records. The album consists of seven songs written and sung by Dylan, with the Grateful Dead providing accompaniment. The album was produced by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eDylan \u0026amp; The Dead was recorded in 1987, during a successful stadium tour of the same name, that featured the two artists performing separately and together.\u003c\/p\u003e\n\n\u003cp\u003eIn 1992, a bootleg of the first concert of the tour was released under the title \u003cstrong\u003e\"Orbiting Uvula\"\u003c\/strong\u003e. It includes the first-ever live performance of \u003cstrong\u003e\"Queen Jane Approximately\"\u003c\/strong\u003e, the first live performance of \u003cstrong\u003e\"John Brown\"\u003c\/strong\u003e since 1963, and the first live performance of \u003cstrong\u003e\"Chimes of Freedom\"\u003c\/strong\u003e since 1964\u003c\/p\u003e\n\n\u003cp\u003eBob Dylan And The Grateful Dead\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Slow Train (4:57)\u003cbr\u003e\nA2. I Want You (4:04)\u003cbr\u003e\nA3. Gotta Serve Somebody (5:51)\u003cbr\u003e\nA4. Queen Jane Approximately (6:38)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Joey (9:23)\u003cbr\u003e\nB2. All Along The Watchtower (6:24)\u003cbr\u003e\nB3. Knockin' On Heaven's Door (6:51)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 190758231716\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.13.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149517074587,"sku":"477096","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Dylan-The-Grateful-Dead-Dylan-The-Dead-LP-Vinyl_ac37b7d7.jpg?v=1776107919"},{"product_id":"grateful-dead-the-best-of-the-grateful-dead-vol-2-1977-1989-rocktober-2017-limited-edition-lp-vinyl","title":"Grateful Dead – The Best Of The Grateful Dead Vol. 2: 1977-1989 (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe years covered here represent a period when the Dead were evolving in real time, playing arenas instead of ballrooms, reaching audiences who'd never heard \"Dark Star\" but found their way in through \"Touch of Grey\" hitting MTV in 1987. That crossover didn't dilute the community; it expanded it, bringing a whole new generation into the fold before the band's final years together.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe second and final volume of the Grateful Dead's 2015 career-spanning compilation, covering the band's Arista years from 1977 through 1989. Available as a 180-gram 2-LP set, \u003cem\u003eVolume 2\u003c\/em\u003e picks up where the first collection left off — moving from the orchestral ambition of \u003cstrong\u003e\"Terrapin Station\"\u003c\/strong\u003e through the disco-funk of \u003cstrong\u003e\"Shakedown Street,\"\u003c\/strong\u003e the commercial breakthrough of \u003cstrong\u003e\"Touch of Grey,\"\u003c\/strong\u003e and deep into the underrated gems of \u003cem\u003eIn the Dark\u003c\/em\u003e and \u003cem\u003eBuilt to Last\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eTaken together, the 13 tracks here make a compelling case that the Dead's Arista era — often dismissed by purists — produced some of their most enduring songs.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Terrapin Station (16:21)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Shakedown Street (4:59)\u003cbr\u003e\nB2. I Need A Miracle (3:33)\u003cbr\u003e\nB3. Fire On The Mountain (3:47)\u003cbr\u003e\nB4. Feel Like A Stranger (5:08)\u003cbr\u003e\nB5. Far From Me (3:40)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Touch Of Grey (5:48)\u003cbr\u003e\nC2. Hell In A Bucket (5:35)\u003cbr\u003e\nC3. Throwing Stones (7:20)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Black Muddy River (5:58)\u003cbr\u003e\nD2. Blow Away (6:10)\u003cbr\u003e\nD3. Foolish Heart (5:10)\u003cbr\u003e\nD4. Standing On The Moon (5:20)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227933043\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.31.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149517107355,"sku":"213419","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-The-Best-Of-The-Grateful-Dead-Vol_-2-1977-1989-2-LP-Vinyl.jpg?v=1776107922"},{"product_id":"grateful-dead-american-beauty-bme-lp-vinyl","title":"Grateful Dead – American Beauty (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at Wally Heider's studio in San Francisco with contributions from David Crosby and David Nelson among others, American Beauty captured the Dead at their most songcraft-focused, drawing heavily on the country and folk roots that Garcia, Hunter, and the band had been absorbing throughout that era. The harmonies here, anchored by Garcia, Bob Weir, and Phil Lesh singing together, defined a warmer, more intimate side of a band better known for marathon live improvisation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe crown jewel of the Grateful Dead's studio output, \u003cem\u003eAmerican Beauty\u003c\/em\u003e was recorded in the summer of 1970 — just months after \u003cem\u003eWorkingman's Dead\u003c\/em\u003e — and the two albums together represent the peak of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e's songwriting partnership. Featuring \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Sugar Magnolia,\"\u003c\/strong\u003e \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e \u003cstrong\u003e\"Brokedown Palace,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e it remains the definitive entry point to the Grateful Dead's catalog.\u003c\/p\u003e\n\n\u003cp\u003eThis 2024 pressing is on 180-gram black vinyl, remastered from the original analog tapes, and housed in a deluxe tip-on gatefold jacket with an obi strip and printed liner note insert.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBox of Rain\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eSugar Magnolia\u003c\/li\u003e\n\u003cli\u003eOperator\u003c\/li\u003e\n\u003cli\u003eCandyman\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRipple\u003c\/li\u003e\n\u003cli\u003eBrokedown Palace\u003c\/li\u003e\n\u003cli\u003eTill the Morning Comes\u003c\/li\u003e\n\u003cli\u003eAttics of My Life\u003c\/li\u003e\n\u003cli\u003eTruckin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227814533\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.19.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149517205659,"sku":"249800","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/americanbeautylpA.jpg?v=1778778006"},{"product_id":"jerry-garcia-garcialive-vol-21-february-13th-1976-keystone-cd","title":"Jerry Garcia – GarciaLive Vol. 21: February 13th, 1976 - Keystone (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn a gratefully welcomed return to the GarciaLive archival series, Volume 21 brings us back to February of 1976, when on a Friday night one could stand amongst 500 or so paying customers and watch Jerry Garcia and his band peacefully, pleasingly, and proficiently take over Berkeley's Keystone club. The Jerry Garcia Band was a vital component of Garcia's life away from the circus, and a grounding space to work-out solo material, nod to songs he was digging at the time, and just play. In the end, a JGB show would require an arena to accommodate the demand, but in '76, a modest club date in the Bay was all he and his friends needed.\u003c\/p\u003e\u003cp\u003eIt's a mostly mellow show, with a particularly slow take on Bob Dylan's \"Knockin' on Heaven's Door,\" that may be among the more transfixed and affecting Garcia has performed. It's in keeping with a set that darts between eventual staples of a JGB show- \"Catfish John,\" \"After Midnight,\" and \"The Harder They Come,\"- and contemporaneous homages, such as a beautifully Jerry-esque reading of the Rolling Stones' \"Moonlight Mile.\" The mix tilts toward Jerry's guitar, and fittingly, as there is plenty of his engaging fretwork, yet Garcia is quick to share the moments with his mates- especially with on-loan Dead keyboardist, Keith Godchaux, on a glistening \"Mission in the Rain.\"\u003c\/p\u003e\u003cp\u003eTwo songs pulled from a Palo Alto date two nights later serve as an \"encore,\" filling out the winning two-disc set. All in all, this edition reignites a GarciaLive series that's been so adept at detailing the arc of Garcia's solo excursions. Hopefully, this marks the first of another run of many releases to follow.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/09\/14\/jerry-garcia-band-garcialive-volume-21-keystone-february-13-1976\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy early 1976, the Jerry Garcia Band was operating in a genuinely unusual space, with Garcia essentially running two overlapping musical families. Having Keith and Donna Jean Godchaux in the room meant the chemistry from the Dead's own mid-70s peak was bleeding directly into these intimate club nights at the Keystone, a Berkeley venue that Garcia returned to again and again throughout the decade as a kind of low-pressure laboratory for exactly this kind of musical exploration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 21\u003c\/em\u003e brings the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e back to their Bay Area stomping grounds with a then-new lineup — Grateful Dead members \u003cstrong\u003eDonna Jean\u003c\/strong\u003e and \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e joining mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e. Recorded live at the Keystone in Berkeley in February 1976, the set is a fascinating snapshot of the JGB in transition.\u003c\/p\u003e\n\n\u003cp\u003eThe setlist is loaded with highlights: rarities like the Rolling Stones' \u003cstrong\u003e\"Moonlight Mile\"\u003c\/strong\u003e and Ray Charles' \u003cstrong\u003e\"Talkin' 'Bout You,\"\u003c\/strong\u003e deep cuts like \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"Who Was John?\"\u003c\/strong\u003e and \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e alongside scintillating takes on favorites like \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e and \u003cstrong\u003e\"They Love Each Other.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Catfish John (14:13)\u003cbr\u003e\n1-2. After Midnight (13:37)\u003cbr\u003e\n1-3. Mission In The Rain (6:57)\u003cbr\u003e\n1-4. Who Was John? (12:28)\u003cbr\u003e\n1-5. They Love Each Other (7:31)\u003cbr\u003e\n1-6. Moonlight Mile (10:27)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. The Harder They Come (18:41)\u003cbr\u003e\n2-2. Knockin' On Heaven's Door (19:17)\u003cbr\u003e\n2-3. Talkin' 'Bout You (10:33)\u003cbr\u003e\n2-4. How Sweet It Is (To Be Loved By You) (9:29)\u003cbr\u003e\n2-5. My Sisters And Brothers (6:42)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882624620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.14.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187691139227,"sku":"221763","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-21-February-13th-1976-Keystone-2-CD.jpg?v=1776107956"},{"product_id":"jerry-garcia-frank-wakefield-david-nelson-brantley-kearns-pat-campbell-drink-up-and-go-home-live-at-margaritas-cantina-feb-20-21-1975-rsd-2019-lp-vinyl","title":"Jerry Garcia \/ Good Ole Boys - Drink Up And Go Home: Live At Margarita's Cantina 2\/20\/75 \u0026 2\/21\/75 (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Dead's 1975 hiatus wasn't exactly downtime for Garcia. Between Old and in the Way winding down and the band's return to the stage still months away, he was deep in acoustic roots music, producing, playing, and clearly relishing the freedom to just be a bluegrass picker for a night. Wakefield, one of the true architects of progressive bluegrass mandolin, gives these Santa Cruz club sets a legitimacy that goes well beyond a famous guest sitting in.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA rare buried treasure from the Grateful Dead's 1975 hiatus, \u003cem\u003eDrink Up and Go Home: Live at Margarita's Cantina\u003c\/em\u003e captures \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on banjo for two nights of bluegrass at a Santa Cruz club alongside an all-star lineup: mandolin legend \u003cstrong\u003eFrank Wakefield\u003c\/strong\u003e, \u003cstrong\u003eDavid Nelson\u003c\/strong\u003e of the New Riders of the Purple Sage on guitar, fiddle player \u003cstrong\u003eBrantley Kearns\u003c\/strong\u003e, and bassist \u003cstrong\u003ePat Campbell\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe backstory is pure happenstance. Garcia had just produced the Good Old Boys' studio album at \u003cstrong\u003eMickey Hart\u003c\/strong\u003e's ranch for Round Records when the band's regular banjo picker became unavailable for their upcoming club dates. Garcia stepped in — and the results were captured on two-track tape over both nights, February 20th and 21st, 1975. Outstanding singing, blistering mandolin and fiddle solos, and a loose, crowd-pleasing energy that's apparent from the moment the band takes the stage. This \u003cstrong\u003eRecord Store Day 2019 exclusive\u003c\/strong\u003e brings the recordings to vinyl for the first time.\u003c\/p\u003e\n\n\u003cp\u003eFor Garcia completists, it's an essential document of his deep bluegrass roots — a side of Jerry rarely captured this candidly on an official release.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 089353342722\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rockbeat Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.13.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e RSD 2019 LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Ashes Of Love\u003cbr\u003e\nA2. Deep Elem Blues\u003cbr\u003e\nA3. Dim Lights\u003cbr\u003e\nA4. Fireball Mail\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. I'll Never Make You Blue\u003cbr\u003e\nB2. All The Good Times\u003cbr\u003e\nB3. She's No Angel\u003cbr\u003e\nB4. Here To Get My Baby Out Of Jail\u003cbr\u003e\nB5. Wildwood Flower\u003cbr\u003e\nB6. Teardrops In My Eyes\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Lonesome Road Blues\u003cbr\u003e\nC2. Long Gone\u003cbr\u003e\nC3. Leave Well Enough Alone\u003cbr\u003e\nC4. White House Blues\u003cbr\u003e\nC5. T For Texas\u003cbr\u003e\nC6. Jesus Loves His Mandolin Player\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. First Whippoorwill\u003cbr\u003e\nD2. New Camptown Races\u003cbr\u003e\nD3. Pistol Packing Mama\u003cbr\u003e\nD4. Jerusalem Moan\u003cbr\u003e\nD5. Drink Up \u0026amp; Go Home\u003cbr\u003e\nD6. Orange Blossom Special\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819196571,"sku":"618217","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Good-Ole-Boys-Drink-Up-And-Go-Home-Live-At-Margaritas-Cantina-22075-22175-2-LP-Vinyl.png?v=1776108102"},{"product_id":"jerry-garcia-garcialive-volume-15-may-21st-1971-keystone-korner-cd","title":"Jerry Garcia – GarciaLive Vol. 15: May 21st, 1971 Keystone Korner (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eListening to the work of Jerry Garcia often feels like an act of discovery, no matter how long one's been doing it. On GarciaLive Vol. 15: Jerry Garcia \u0026amp; Merl Saunders, May 21st, 1971, listeners are truly discovering something new. This previously uncirculated recording finds Garcia, keyboardist Merl Saunders and drummer Bill Vitt playing as a rare trio (sans regular bassist John Kahn) with occasional saxophone screeches from future Legion of Mary member Martin Fierro. At San Francisco's 200-cap Keystone Korner (not to be confused with the sister club in Berkeley), Garcia was free to step out from the Grateful Dead's shadow (just days before a Winterland Ballroom run) and flex his jazz muscles in raw, exhilarating form. Without bass, Saunders' keyboard work and organ playing holds down the low end and gives each musician even more room to groove with a loose, conversational tone. Opening with Saunders' \"Man-Child,\" the trio doesn't waste any time getting out there with Saunders driving several subterranean-sounding peaks. On \"One Kind Favor,\" the Blind Lemon Jefferson song also known as \"See That My Grave Is Kept Clean,\" Garcia's aching vocals recall \"Death Don't Have No Mercy,\" as Saunders' organ swirls. Fierro first speaks up on a swinging instrumental take on Stevie Wonder's \"I Was Made to Love Her.\" The \"Keystone Korner Jam\" best captures the vibe of the performance—17 minutes of the quartet playing off each other, composing in the moment, with Garcia and Fierro pushing each other to explore. The real star of the recording, however, is the only known Garcia-sung performance of David Crosby's \"The Wall Song,\" which Garcia would play guitar on in the studio. Garcia does an admirable job on vocals but it's Fierro who commands the jam with an assault of sax squeals (and a few Beatles quotes). For fans of Garcia's more esoteric work, GarciaLive Vol. 15 is a thrilling listen and a reminder that there's always something new waiting around the Korner.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Rudi Greenberg, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/garcialive-vol-15-jerry-garcia-merl-saunders-may-21st-1971\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1971, Garcia was already deep in the exploratory side-project work that would define so much of his legacy outside the Dead, and these Keystone Korner sessions capture that restless curiosity at an early stage. His partnership with Merl Saunders would stretch across years and hundreds of gigs, but recordings from this particular period are scarce, making this document an essential piece of the puzzle for anyone tracing how Garcia's improvisational voice developed away from the mothership.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 15\u003c\/em\u003e showcases a free-spirited performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e, and drummer \u003cstrong\u003eBill Vitt\u003c\/strong\u003e at the celebrated and intimate San Francisco jazz club Keystone Korner. The trio — aided by saxophonist \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on five songs — fuses R\u0026amp;B, jazz, and rock across two adventurous sets.\u003c\/p\u003e\n\n\u003cp\u003eExtended takes on Saunders's own \u003cstrong\u003e\"Man-Child\"\u003c\/strong\u003e and \u003cstrong\u003e\"Save Mother Earth\"\u003c\/strong\u003e anchor the performance, alongside rare gems including David Crosby's \u003cstrong\u003e\"The Wall Song,\"\u003c\/strong\u003e Stevie Wonder's \u003cstrong\u003e\"I Was Made to Love Her,\"\u003c\/strong\u003e a smoking \u003cstrong\u003e\"Mystery Train,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Keystone Korner Jam.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Man-Child (17:36)\u003cbr\u003e\n1-2. One Kind Favor (9:34)\u003cbr\u003e\n1-3. I Know It's A Sin (6:53)\u003cbr\u003e\n1-4. I Was Made To Love Her (9:58)\u003cbr\u003e\n1-5. Keystone Korner Jam (16:38)\u003cbr\u003e\n1-6. The Night They Drove Old Dixie Down (5:04)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Save Mother Earth (25:19)\u003cbr\u003e\n2-2. That's All Right (8:28)\u003cbr\u003e\n2-3. The Wall Song (12:45)\u003cbr\u003e\n2-4. Mystery Train (6:44)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882442323\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.4.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820114075,"sku":"168487","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-15-May-21st-1971-Keystone-Korner-2-CD.jpg?v=1776108276"},{"product_id":"jerry-garcia-band-garcialive-volume-19-october-31st-1992-oakland-coliseum-arena-cd","title":"Jerry Garcia Band – GarciaLive Vol. 19: October 31st, 1992 Oakland Coliseum Arena (2–CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eFor generations of students taking college entrance exams, there has been an oft-repeated adage: that test-takers get a few hundred points just for showing up. If, after his experience in a coma a few months earlier, this was Jerry Garcia’s test- a first performance back onstage- he got about 17,000 points just for showing up. The roar of those 17,000 filling the Oakland Coliseum Arena on Halloween night are just what the aging Captain needed to hear, and for the next two-and-a-half hours he gives them just what they needed: the music of the Jerry Garcia Band, and the assurance that he was, indeed, back.\u003c\/p\u003e\u003cp\u003eWith the first-set selections each hovering around the seven-minutes-and-change mark, that seems to be the sweet spot of expendable energy for the opening “How Sweet It Is (To Be Loved By You)” through to the closing “Deal.” Garcia stretches “The Night They Drove Old Dixie Down” a bit longer than its counterparts, but otherwise the nine songs tend to cruise at similar altitudes, with Jerry’s relatively paced and relaxed guitar work and Melvin Seals’ flash of keyboards finding their peaks. Garcia’s voice is of fine vintage the entire evening, crackling with understood vulnerability on “The Maker,” against the always steadying backdrop of his loyal singers, Gloria Jones and Jacklyn LaBranch.\u003c\/p\u003e\u003cp\u003eThe comeback show, as far as repertoire and approach, is not unlike others of its era, nor should it be; it was Garcia’s style to underplay if not completely ignore any personal significance. A simple “So, how ya’ll doing?” is the majority of his communication with the hometown capacity crowd, ahead of the sly wink of Chuck Berry’s, “You Never Can Tell (C’est La Vie).” Such is life for this old folk.\u003c\/p\u003e\u003cp\u003eThe highlight of the second half- and possibly the show- is on its set starter, “Shining Star.” Performed with gentle hands and effortless restraint, the soulful cover of The Manhattans’ classic falls like leaves of orange and red from the weathering trees, wafting down and landing with a whisper. At over 12 minutes, it’s the showcase track of the autumnal night and all the proof anyone could ask for that Jerry Garcia could move an arena as one.\u003c\/p\u003e\u003cp\u003eThe second set is also slightly greasier than the first, and Garcia and Seals do get a bit fiery when the mood is right on “Tore Up Over You.” The ensemble returns for the now-hallowed favorite of this holiday, borrowed over from Garcia’s days with the Dead- Warren Zevon’s “Werewolves of London.” If it’s a bit ragged, it’s all forgiven; most costumes get that way by the end of the night. More important is everything that came before that last rocking encore, as Garcia and his band conjured up the spirits to dance once again.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/11\/10\/jerry-garcia-band-garcialive-volume-19-oakland-coliseum-arena-october-31-1992\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHalloween has always carried weight in the Bay Area concert calendar, but this particular night hit different. Garcia had nearly died that summer, and the Oakland faithful showed up knowing they might be witnessing something they'd almost lost forever; the joy in that room was inseparable from the relief.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 19\u003c\/em\u003e documents one of the most emotionally charged nights in \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e history — his triumphant return to the stage on Halloween, October 31, 1992, at the Oakland Coliseum Arena, just three months after a health crisis so severe it forced the cancellation of an entire Grateful Dead tour. Slimmed down and in great spirits, Garcia took the stage to 17,000 roaring fans, and the setlist reflects the significance of the moment. Mastered from \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e's original soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals — what \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e himself dubbed \"the magic band.\" A poignant \u003cstrong\u003e\"The Maker\"\u003c\/strong\u003e opens the emotional core of the evening; \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e stuns with its lush harmonies to open Set Two; and the night closes with a rousing Halloween encore of \u003cstrong\u003e\"Werewolves of London.\"\u003c\/strong\u003e The package includes liner notes and previously unpublished photos from the festivities, which included a costume contest judged by \u003cstrong\u003eKen Kesey\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThe Maker\u003c\/li\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eWonderful World\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003cli\u003eWerewolves of London (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882536527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.28.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820441755,"sku":"483345","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-19-October-31st-1992-Oakland-Coliseum-Arena-2-CD.jpg?v=1776108369"},{"product_id":"jerry-garcia-garcialive-volume-seven-november-8th-1976-sophies-palo-alto-cd","title":"Jerry Garcia Band – GarciaLive Vol. 7: November 8th, 1976 Sophie's Palo Alto (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1976, the Jerry Garcia Band had settled into a sound that was distinctly its own, separate from the Dead's cosmic sprawl, rooted in R\u0026amp;B, gospel, and the kind of intimate interplay that small venues like Sophie's made possible. Keith and Donna Jean Godchaux's presence here is bittersweet in hindsight; their chemistry with Garcia in this setting remains one of the most underappreciated chapters in the whole extended Garcia story. That Betty Cantor-Jackson had her recorder running that night is something to be genuinely grateful for.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA genuine vault discovery, \u003cem\u003eGarciaLive Volume Seven\u003c\/em\u003e presents the complete November 8, 1976 performance by the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at Sophie's in Palo Alto, California — recorded by \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e on original soundboard reels that were nearly lost forever. The tapes were recovered in 2015 when \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e found them in a box while moving, and were meticulously remastered for this release.\u003c\/p\u003e\n\n\u003cp\u003eThe recording captures one of the most beloved lineups in JGB history: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards, \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums — the quintessential mid-'70s Garcia Band in peak form. Set One flows through \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e while Set Two delivers the goods with \u003cstrong\u003e\"Ride Mighty High,\"\u003c\/strong\u003e a sprawling \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e and the bluegrass closer \u003cstrong\u003e\"Midnight Moonlight.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eKnockin' on Heaven's Door\u003c\/li\u003e\n\u003cli\u003eAfter Midnight\u003c\/li\u003e\n\u003cli\u003eWho Was John?\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eStir It Up\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eStrange Man\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eRide Mighty High\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882267223\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.19.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187830141083,"sku":"401904","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-7-November-8th-1976-Sophies-Palo-Alto-2-CD.jpg?v=1776108583"},{"product_id":"jerry-garcia-band-garcialive-vol-2-august-5th-1990-greek-theater-2-cd","title":"Jerry Garcia Band – GarciaLive Vol.2: August 5th, 1990, Greek Theatre (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Greek Theatre in Berkeley was practically a second home for Garcia, and summer nights there had a particular magic that regulars still talk about decades later. Béla Fleck's cameo here is a genuine rarity, a reminder that Garcia's musical friendships crossed every genre boundary, and that any given JGB show could turn into something you'd spend years trying to describe to someone who wasn't there.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume Two\u003c\/em\u003e captures the classic latter-era lineup of the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at the Greek Theatre in Berkeley on August 5, 1990 — featuring \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals. Recorded during a fruitful period that also yielded the releases \u003cem\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003eHow Sweet It Is\u003c\/em\u003e, the show is a showcase for the JGB at their most fluid and expansive.\u003c\/p\u003e\n\n\u003cp\u003eSet One moves confidently through \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e a brooding \u003cstrong\u003e\"Tears of Rage,\"\u003c\/strong\u003e and a scorching \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e Set Two opens with a special guest appearance by banjo virtuoso \u003cstrong\u003eBéla Fleck\u003c\/strong\u003e, who kicks things off with a fiery \u003cstrong\u003e\"Midnight Moonlight\"\u003c\/strong\u003e and an otherworldly run through Jimmy Cliff's \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e before the band closes the night with a towering \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. How Sweet It Is (To Be Loved By You) (7:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Stop That Train (6:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Forever Young (7:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Run For The Roses (5:50)\u003c\/div\u003e\n\u003cdiv\u003e5. That's What Love Will Make You Do (8:06)\u003c\/div\u003e\n\u003cdiv\u003e6. My Sisters And Brothers (4:15)\u003c\/div\u003e\n\u003cdiv\u003e7. Tears Of Rage (8:16)\u003c\/div\u003e\n\u003cdiv\u003e8. Deal (8:34)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Midnight Moonlight (7:26)\u003c\/div\u003e\n\u003cdiv\u003e2. The Harder They Come (10:46)\u003c\/div\u003e\n\u003cdiv\u003e3. And It Stoned Me (6:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Waiting For A Miracle (6:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Evangeline (4:22)\u003c\/div\u003e\n\u003cdiv\u003e6. Think (7:01)\u003c\/div\u003e\n\u003cdiv\u003e7. That Lucky Old Sun (8:22)\u003c\/div\u003e\n\u003cdiv\u003e8. Tangled Up In Blue (11:19)\u003c\/div\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882186623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187830534299,"sku":"295690","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959403458715-cd-relix.png?v=1776288629"},{"product_id":"jerry-garcia-before-the-dead-4-cd","title":"Jerry Garcia – Before The Dead (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLong before the Wall of Sound or the psychedelic sprawl of the Fillmore, Garcia was a young musician woodshedding through the American folk revival, absorbing Bill Monroe, Mississippi John Hurt, and the Carter Family with the same intensity he'd later bring to improvisation. These recordings capture the formative years when Garcia and Hunter were still figuring out who they were, playing coffeehouses and living rooms in the Bay Area folk scene that would quietly lay the groundwork for everything that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eBefore the Dead\u003c\/em\u003e brings together a rare collection of the earliest known performances by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e. From an informal 1961 recording of folk songs at a birthday party — featuring future songwriting partner \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e — to polished coffeehouse gigs with old-timey and bluegrass bands through 1964, the collection showcases Garcia's deep immersion in American folk tradition and the musical roots that would shape the Grateful Dead.\u003c\/p\u003e\n\n\u003cp\u003eAcross four discs and 84 tracks, Garcia works through an extraordinary range of material: Appalachian folk songs, old-time fiddle tunes, bluegrass standards, country blues, and gospel — performed with the kind of reverence and technical seriousness that defined his early years as a musician. An essential document for anyone who wants to understand where Garcia came from.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Santy Anno (2:15)\u003cbr\u003e\n1-2. I Got A Home In That Rock (1:46)\u003cbr\u003e\n1-3. Oh, Mary Don't You Weep (3:31)\u003cbr\u003e\n1-4. All My Trials (4:01)\u003cbr\u003e\n1-5. I Was Born Then Thousand Years Ago (2:12)\u003cbr\u003e\n1-6. Blow The Candles Out (2:02)\u003cbr\u003e\n1-7. Rake And A Rambling Boy (1:31)\u003cbr\u003e\n1-8. Trouble In Mind (3:10)\u003cbr\u003e\n1-9. Brown's Ferry Blues (2:31)\u003cbr\u003e\n1-10. Jesse James (4:13)\u003cbr\u003e\n1-11. Down In The Willow Garden (1:48)\u003cbr\u003e\n1-12. Long Lonesome Road (2:39)\u003cbr\u003e\n1-13. Railroad Bill (3:17)\u003cbr\u003e\n1-14. The Wagoner's Lad (3:00)\u003cbr\u003e\n1-15. Katie Cruel (3:40)\u003cbr\u003e\n2-1. Cannonball Blues (3:02)\u003cbr\u003e\n2-2. Little Birdie (3:17)\u003cbr\u003e\n2-3. Sally Goodin (2:06)\u003cbr\u003e\n2-4. Hold That Woodpile Down (3:32)\u003cbr\u003e\n2-5. Legend Of The Johnson Boys (3:10)\u003cbr\u003e\n2-6. Shady Grove (2:49)\u003cbr\u003e\n2-7. Sweet Sunny South (3:13)\u003cbr\u003e\n2-8. Man Of Constant Sorrow (2:26)\u003cbr\u003e\n2-9. Band Introductions (1:12)\u003cbr\u003e\n2-10. Roving Gambler (3:46)\u003cbr\u003e\n2-11. Ground Speed (1:29)\u003cbr\u003e\n2-12. Pig In A Pen (2:15)\u003cbr\u003e\n2-13. Standing In The Need Of Prayer (2:09)\u003cbr\u003e\n2-14. Flint Hill Special (2:00)\u003cbr\u003e\n2-15. Nine Pound Hammer (2:42)\u003cbr\u003e\n2-16. Handsome Molly (2:19)\u003cbr\u003e\n2-17. Clinch Mountain Backstep (1:18)\u003cbr\u003e\n2-18. Think Of What You've Done (2:41)\u003cbr\u003e\n2-19. Cripple Creek (1:24)\u003cbr\u003e\n2-20. All The Good Times Have Past And Gone (3:07)\u003cbr\u003e\n2-21. Billy Grimes, The Rover (2:42)\u003cbr\u003e\n2-22. Paddy On The Turnpike (Boys, My Money's All Gone) (1:38)\u003cbr\u003e\n2-23. Run Mountain (4:11)\u003cbr\u003e\n2-24. Sugar Baby (3:52)\u003cbr\u003e\n2-25. Sitting On Top Of The World (3:37)\u003cbr\u003e\n3-1. Roll In My Sweet Baby's Arms (3:25)\u003cbr\u003e\n3-2. Jerry's Breakdown (2:08)\u003cbr\u003e\n3-3. Standing In The Need Of Prayer (2:39)\u003cbr\u003e\n3-4. Mule Skinner Blues (3:23)\u003cbr\u003e\n3-5. Saturday Night Shuffle (2:05)\u003cbr\u003e\n3-6. Pike Country Breakdown (1:44)\u003cbr\u003e\n3-7. The Little Sparrow (3:25)\u003cbr\u003e\n3-8. We Shall Not Be Moved (2:41)\u003cbr\u003e\n3-9. Deep Elem Blues (3:17)\u003cbr\u003e\n3-10. Will The Weaver (3:14)\u003cbr\u003e\n3-11. I Truly Understand (3:20)\u003cbr\u003e\n3-12. Long Black Veil (4:28)\u003cbr\u003e\n3-13. The Man Who Wrote Home Sweet Home Never Was A Married Man (3:38)\u003cbr\u003e\n3-14. Foggy Mountain Top (3:13)\u003cbr\u003e\n4-1. Barefoot Nellie (3:41)\u003cbr\u003e\n4-2. She's More To Be Pitied (3:26)\u003cbr\u003e\n4-3. Noah's Breakdown (2:18)\u003cbr\u003e\n4-4. Who Will Sing For Me? (2:07)\u003cbr\u003e\n4-5. Salt Creek (2:19)\u003cbr\u003e\n4-6. Monroe's Hornpipe (Jody's Hornpipe) (1:51)\u003cbr\u003e\n4-7. Rosa Lee McFall (2:31)\u003cbr\u003e\n4-8. John Hardy\/Closing Theme (1:26)\u003cbr\u003e\n4-9. Katie Kline (3:17)\u003cbr\u003e\n4-10. Walkin' The Dog (2:10)\u003cbr\u003e\n4-11. Paddy On The Turnpike (Boys, My Money's All Gone) (3:12)\u003cbr\u003e\n4-12. Love And Wealth (2:19)\u003cbr\u003e\n4-13. Sourwood Mountain (0:45)\u003cbr\u003e\n4-14. If I Lose (2:16)\u003cbr\u003e\n4-15. Homestead On The Farm (I Wonder How The Old Folks Are At Home) (2:20)\u003cbr\u003e\n4-16. Stoney Creek (2:24)\u003cbr\u003e\n4-17. Salty Dog Blues (2:21)\u003cbr\u003e\n4-18. Love Please Come Home (2:21)\u003cbr\u003e\n4-19. Make Me A Pallet On The Floor (2:27)\u003cbr\u003e\n4-20. Darlin' Allalee (2:08)\u003cbr\u003e\n4-21. In The Pines (3:25)\u003cbr\u003e\n4-22. Raw Hide (2:32)\u003cbr\u003e\n4-23. Black Mountain Rag (2:12)\u003cbr\u003e\n4-24. True Life Blues (2:21)\u003cbr\u003e\n4-25. Medley: Devil's Dream - Sailor's Hornpipe (1:45)\u003cbr\u003e\n4-26. Drink Up And Go Home (3:05)\u003cbr\u003e\n4-27. These Men Of God (3:14)\u003cbr\u003e\n4-28. Roll On Buddy (2:11)\u003cbr\u003e\n4-29. Goodbye Old Pal (1:50)\u003cbr\u003e\n4-30. Back Up And Push (1:10)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882302528\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.11.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187831550107,"sku":"187384","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Before-The-Dead-4-CD.png?v=1776108865"},{"product_id":"jerry-garcia-live-at-the-warfield-february-28th-1991-lp-vinyl","title":"Jerry Garcia – Live At The Warfield: February 28th, 1991 (4-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFebruary 1991 found the Jerry Garcia Band deep in one of their most cohesive periods, with a lineup that had settled into a genuine telepathy. The Warfield on Market Street was essentially JGB home turf, a room where Garcia and company could stretch out and let the music find its own temperature. What you hear on these four sides is a band completely at ease, which is exactly when Garcia was most dangerous.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eCheck out our September 2025 review of Live at The Warfield on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/09\/12\/jerry-garcia-band-live-at-the-warfield-february-28th-march-1st-2nd-1991\/\"\u003ejambands.com\u003c\/a\u003e.\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eLive at The Warfield: February 28th, 1991\u003c\/em\u003e presents the complete opening night of a three-show run at the JGB's beloved Bay Area home, pressed to 4 LPs and housed in gatefold packaging.\u003c\/p\u003e\n\u003cp\u003eFrom the bubbly show opener \u003cstrong\u003e\"The Way You Do the Things You Do\"\u003c\/strong\u003e to a rollicking \u003cstrong\u003e\"You Never Can Tell,\"\u003c\/strong\u003e the night's setlist has you picturing the crowd swaying and smiling. Gospel harmonies shine on \u003cstrong\u003e\"My Sisters and Brothers,\"\u003c\/strong\u003e and the always vibrant \u003cstrong\u003e\"Deal\"\u003c\/strong\u003e leaves no doubt: the band came to have a blast.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eSetlist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide A:\u003c\/em\u003e The Way You Do the Things You Do \/ Mission in the Rain\u003cbr\u003e\u003cem\u003eSide B:\u003c\/em\u003e You Never Can Tell (C'est La Vie) \/ Simple Twist of Fate\u003cbr\u003e\u003cem\u003eSide C:\u003c\/em\u003e I Second That Emotion \/ Like a Road Leading Home\u003cbr\u003e\u003cem\u003eSide D:\u003c\/em\u003e My Sisters and Brothers \/ Deal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide E:\u003c\/em\u003e Everybody Needs Somebody to Love \/ Stop That Train\u003cbr\u003e\u003cem\u003eSide F:\u003c\/em\u003e Waiting for a Miracle \/ Think\u003cbr\u003e\u003cem\u003eSide G:\u003c\/em\u003e Lay Down Sally \/ That Lucky Old Sun\u003cbr\u003e\u003cem\u003eSide H:\u003c\/em\u003e Midnight Moonlight\u003c\/p\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187831648411,"sku":"598326","price":74.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Live-At-The-Warfield-February-28th-1991-4-LP-Vinyl.jpg?v=1776108903"},{"product_id":"jerry-garcia-john-kahn-garcialive-volume-14-january-27th-1986-the-ritz-cd","title":"Jerry Garcia \u0026 John Kahn – GarciaLive Vol. 14: January 27th, 1986 The Ritz (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1986, Jerry Garcia and John Kahn had been playing together for over a decade, and their acoustic duo shows captured something the full band rarely could: pure conversation between two musicians who knew each other's instincts completely. The Ritz, one of New York's premier rock venues of the era, gave this intimate format an unlikely stage, and the crowd got something closer to a front-porch session than a concert.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 14\u003c\/em\u003e showcases a buoyant acoustic performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and longtime friend and bassist \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e during the middle of a rare duo tour. Recorded on January 27, 1986 at The Ritz in New York City, Garcia and Kahn deliver two exquisite sets featuring Grateful Dead favorites — \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bird Song\"\u003c\/strong\u003e — alongside spirited takes on Bob Dylan's \u003cstrong\u003e\"When I Paint My Masterpiece\"\u003c\/strong\u003e and \u003cstrong\u003e\"Simple Twist of Fate,\"\u003c\/strong\u003e plus deep cuts like \u003cstrong\u003e\"Deep Elem Blues,\"\u003c\/strong\u003e \u003cstrong\u003e\"Little Sadie,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Spike Driver Blues.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDeep Elem Blues\u003c\/li\u003e\n\u003cli\u003eLittle Sadie\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eOh Babe, It Ain't No Lie\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDire Wolf\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eSpike Driver Blues\u003c\/li\u003e\n\u003cli\u003eBird Song\u003c\/li\u003e\n\u003cli\u003eRipple\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eEncore\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGoodnight Irene\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882416621\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832565915,"sku":"547360","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-John-Kahn-GarciaLive-Vol_-14-January-27th-1986-The-Ritz-CD.jpg?v=1776109097"},{"product_id":"jerry-garcia-merl-saunders-garcialive-vol-18-november-2nd-1974-keystone-berkeley-2-cd","title":"Jerry Garcia \u0026 Merl Saunders – GarciaLive Vol. 18: November 2nd, 1974 - Keystone Berkeley (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOne of the more appetizing aspects among many in the GarciaLive series- this one, number 18- is the way in which the performances chosen among the dozen and a half so far define the variety of work in Jerry Garcia’s career. It’s easy enough to regale the guitarist, singer, and songwriter as the Pied Piper of the Deadheads, and the description would not be unfair, yet it only touches on the most obvious of Garcia’s guises. Less apparent, and epitomized with this two-disc set, is the club-haunting Jerry delving into bluesy jazz and soul; the consummate teammate within a Bay Area all-star configuration equally as willing to support a honking Martin Fierro sax solo or a tasty Merl Saunders keyboard run.\u003c\/p\u003e\u003cp\u003eTaken from a November 2,1974 appearance at Keystone Berkeley, Garcia and a quartet commandeer the local club for an evening of covers rendered in R\u0026amp;B, even dipped, at times, in a glaze of fusion. It’s familiar in its showcase of Jerry’s proclivity for a good jam, but it’s also relatively inconspicuous; Garcia, beyond the recognizable voice and guitar work, plays comfortably the roles of both support and lead. When Fierro stretches on flute, or Saunders fronts the vocal, Garcia slides into the background with as much maturity and skill as he does helming Jimmy Cliff’s “The Harder They Come” or Bob Dylan’s “Tough Mama;” the former, an adroit choice at the time for the eclectic repertoire; the movie and its soundtrack a somewhat niche release only two years prior.\u003c\/p\u003e\u003cp\u003eStretch these five do, (on the ten tracks only one comes in under five minutes), conjoining a late set, twenty-minutes-plus take on the Saunders original, “Wondering Why,” with “People Make the World Go Round.” The closing ride on “Mystery Train,” a Junior Parker blues popularized by Elvis Presley, is a rousing finale, running almost 15 minutes itself. Still, this is very much the egalitarian work of a talented ensemble, not a star-trip for the Captain. Nothing is more pervasive within the distinguished musicianship than the generosity of space and time for each and all of the five to have their fun, individually and collectively. The result is another face of Garcia and another night of wonderful music captured and shared.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/07\/22\/garcialive-volume-18-keystone-berkeley-november-2-1974\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Keystone Berkeley run was Jerry's home away from home during the mid-70s, a small room in the East Bay where he could stretch out without the weight of the Dead's amphitheater expectations. By late 1974, the Garcia-Saunders band had been working together for several years, and the telepathy between them was deep and unguarded. Betty Cantor-Jackson's recordings from this era have a warmth and intimacy that match the music perfectly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eProduced from the original 1\/4\" analog master reels by \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e, \u003cem\u003eGarciaLive Vol. 18\u003c\/em\u003e presents a previously uncirculated complete two-set performance from the legendary Keystone Berkeley, recorded November 2, 1974. Garcia and Saunders are joined by \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on saxophone and flute, and Paul Humphrey on drums for genre-bending explorations of R\u0026amp;B, reggae, jazz, and rock.\u003c\/p\u003e\n\n\u003cp\u003eThe first set is a monster — a seamless fusion of Donny Hathaway's \u003cstrong\u003e\"Valdez in the Country,\"\u003c\/strong\u003e Jimmy Cliff's \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and Randy Newman's \u003cstrong\u003e\"You Can Leave Your Hat On\"\u003c\/strong\u003e that destroys any notion of genre. The second set delivers a super-charged \u003cstrong\u003e\"Freedom Jazz Dance,\"\u003c\/strong\u003e an extended \u003cstrong\u003e\"Wondering Why\"\u003c\/strong\u003e flowing into \u003cstrong\u003e\"People Make the World Go Round,\"\u003c\/strong\u003e and a fiery closing \u003cstrong\u003e\"Mystery Train.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeighbor, Neighbor\u003c\/li\u003e\n\u003cli\u003eValdez in the Country\u003c\/li\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eYou Can Leave Your Hat On\u003c\/li\u003e\n\u003cli\u003eThat's the Touch I Like\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFreedom Jazz Dance\u003c\/li\u003e\n\u003cli\u003eTough Mama\u003c\/li\u003e\n\u003cli\u003eWondering Why\u003c\/li\u003e\n\u003cli\u003ePeople Make the World Go Round\u003c\/li\u003e\n\u003cli\u003eMystery Train\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882445928\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.10.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832631451,"sku":"114022","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Merl-Saunders-GarciaLive-Vol_-18-November-2nd-1974-Keystone-Berkeley-2-CD_9db423b3.jpg?v=1776109118"},{"product_id":"jerry-garcia-band-pure-jerry-coliseum-hampton-va-november-9-1991-rsd-black-friday-2022-lp-vinyl","title":"Jerry Garcia Band – Pure Jerry: Hampton Coliseum, Hampton, VA, November 9, 1991 (5–LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Fall '91 run is widely considered one of the JGB's finest stretches, with Garcia's guitar voice carrying a clarity and emotional directness that longtime followers still talk about. Hornsby had been deep in the Grateful Dead orbit since joining as an unofficial member around 1990, but his appearance here on electric piano alongside Melvin Seals created a keyboard pairing that never happened again in this configuration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRegarded as one of several standouts from the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's landmark Fall '91 tour, this stop in Hampton, Virginia is certainly worthy of its lore. In addition to all the hallmarks of a quintessential latter-era JGB performance, this night featured a very special guest: Virginia's own \u003cstrong\u003eBruce Hornsby\u003c\/strong\u003e, joining on electric piano for the first and only time.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals. The setlist is well-balanced throughout — mixing road-tested staples like \u003cstrong\u003e\"How Sweet It Is (To Be Loved by You)\"\u003c\/strong\u003e and \u003cstrong\u003e\"The Night They Drove Old Dixie Down\"\u003c\/strong\u003e with more recent additions like Van Morrison's \u003cstrong\u003e\"Bright Side of the Road\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"What A Wonderful World.\"\u003c\/strong\u003e Playing with Hornsby always seemed to ignite a spark in Garcia, and this proved no exception — their potent chemistry fueling lively versions of \u003cstrong\u003e\"Ain't No Bread in the Breadbox,\"\u003c\/strong\u003e \u003cstrong\u003e\"You Never Can Tell (C'est La Vie),\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Midnight Moonlight.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePressed to five 180-gram LPs in a limited edition of 7,500, housed in a deluxe clamshell box with new artwork by \u003cstrong\u003eGraham Yarrington\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 1 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 1 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 2 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 2 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 3 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBright Side of the Road\u003c\/li\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 3 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eThink\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 4 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Shall Be Released\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 4 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 5 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eWhat A Wonderful World (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882468910\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.25.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832729755,"sku":"515340","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Pure-Jerry-Coliseum-Hampton-VA-November-9-1991-5-LP-Vinyl.webp?v=1776109130"},{"product_id":"jerry-garcia-live-at-the-warfield-march-2nd-1991-lp-vinyl","title":"Jerry Garcia – Live At The Warfield: March 2nd, 1991 (5-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Warfield was Jerry's house. The San Francisco venue served as a second home for the Jerry Garcia Band throughout the 1980s and into the '90s, and by March 1991 the band was deep in its prime, with a telepathic lineup that included keyboardist Melvin Seals. This third and final night of the run captures that chemistry at full force, spread across five sides of vinyl with room to breathe.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eCheck out our September 2025 review of Live at The Warfield on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/09\/12\/jerry-garcia-band-live-at-the-warfield-february-28th-march-1st-2nd-1991\/\"\u003ejambands.com\u003c\/a\u003e.\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eLive at The Warfield: March 2nd, 1991,\u003c\/em\u003e closes out the run on a high note, with the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e raising the roof on the old place. Pressed to 5 LPs and housed in gatefold packaging, it's a fitting farewell to three unforgettable nights at the JGB's Bay Area home.\u003c\/p\u003e\n\u003cp\u003eThe night flows front to back — from heartfelt ballads like \u003cstrong\u003e\"I Shall Be Released\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Moon\"\u003c\/strong\u003e to a rousing \u003cstrong\u003e\"Tore Up Over You\"\u003c\/strong\u003e and a blistering \u003cstrong\u003e\"Let's Spend the Night Together.\"\u003c\/strong\u003e Set Two delivers a double dose of Dylan with a haunting \u003cstrong\u003e\"Señor\"\u003c\/strong\u003e and a spirited \u003cstrong\u003e\"Tangled Up in Blue,\"\u003c\/strong\u003e alongside more highlights from across the band's repertoire.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eSetlist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide A:\u003c\/em\u003e How Sweet It Is (To Be Loved by You) \/ I Shall Be Released\u003cbr\u003e\u003cem\u003eSide B:\u003c\/em\u003e You Never Can Tell (C'est La Vie) \/ Mississippi Moon\u003cbr\u003e\u003cem\u003eSide C:\u003c\/em\u003e Tore Up Over You \/ My Sisters and My Brothers\u003cbr\u003e\u003cem\u003eSide D:\u003c\/em\u003e Let's Spend the Night Together\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide E:\u003c\/em\u003e The Way You Do the Things You Do \/ Señor (Tales of Yankee Power)\u003cbr\u003e\u003cem\u003eSide F:\u003c\/em\u003e Struggling Man \/ Money Honey\u003cbr\u003e\u003cem\u003eSide G:\u003c\/em\u003e Everybody Needs Somebody to Love \/ Evangeline\u003cbr\u003e\u003cem\u003eSide H:\u003c\/em\u003e That Lucky Old Sun\u003cbr\u003e\u003cem\u003eSide I:\u003c\/em\u003e Tangled Up in Blue\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882668419\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832991899,"sku":"115933","price":84.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Live-At-The-Warfield-March-2nd-1991-5-LP-Vinyl.jpg?v=1776109200"},{"product_id":"jerry-garcia-john-kahn-pure-jerry-marin-veterans-memorial-auditorium-san-rafael-ca-february-28-1986-rsd-black-friday-2023-lp-vinyl","title":"Jerry Garcia \u0026 John Kahn – Pure Jerry: Marin Veterans Memorial Auditorium, San Rafael, CA - February 28, 1986 (2–LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe acoustic duo setting always brought out something unguarded in Garcia, and 1986 found him deep in the format he'd been refining with Kahn since the early 1970s. Just miles from his Marin County home, performing for a local crowd that knew him as a neighbor as much as a legend, Garcia let the folk and jug band roots that shaped him breathe without the electricity of a full band.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003ePure Jerry: Marin Veterans Memorial Auditorium\u003c\/em\u003e showcases a quintessential \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e acoustic duo performance recorded on February 28, 1986. Originally released in 2009, this archival album comes to vinyl for the first time with newly remastered audio and all-new artwork, pressed on \u003cstrong\u003elimited edition gold vinyl\u003c\/strong\u003e in an edition of 7,500 for RSD Black Friday.\u003c\/p\u003e\n\n\u003cp\u003eThe 2-LP set features Grateful Dead fan favorites \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bird Song,\"\u003c\/strong\u003e alongside folk and blues staples like \u003cstrong\u003e\"Deep Elem Blues,\"\u003c\/strong\u003e \u003cstrong\u003e\"Little Sadie,\"\u003c\/strong\u003e \u003cstrong\u003e\"Spike Driver Blues,\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"Goodnight Irene.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDeep Elem Blues\u003c\/li\u003e\n\u003cli\u003eLittle Sadie\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eSpike Driver Blues\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003cli\u003eDire Wolf\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJack-A-Roe\u003c\/li\u003e\n\u003cli\u003eOh Babe, It Ain't No Lie\u003c\/li\u003e\n\u003cli\u003eBird Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRipple\u003c\/li\u003e\n\u003cli\u003eGoodnight Irene\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882577612\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.24.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833221275,"sku":"357469","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-John-Kahn-Pure-Jerry-Marin-Veterans-Memorial-Auditorium-San-Rafael-CA-February-28-1986-2-LP-Vinyl.jpg?v=1776109252"},{"product_id":"jerry-garcia-band-garcialive-volume-17-norcal-76-cd","title":"Jerry Garcia Band – GarciaLive Vol. 17: NorCal 1976 (3-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eTalk about peaking. Even though the 17th installment of the GarciaLive series breaks a bit from most of the others in the terrific ongoing chain of archival sets- as it is a compilation of cuts from several shows rather than a singular, complete performance- its chosen tracks and sequencing approximate well a Jerry Garcia Band '76 concert. And with the standout version of \"Mighty High\" closing the three-disc volume, it is one not to be missed.\u003c\/p\u003e\u003cp\u003eDuring that Bicentennial year, Garcia was moving between circles of the Grateful Dead- in a limited year of touring- and his own JGB. Not to mention releasing an underrated nugget of an album, Reflections, featuring the Dead on half and his session band on the remainder. The record would include songs that became regulars on setlists for both entities- \"Might As Well,\" \"Mission In The Rain,\" \"They Love Each Other,\" to name three.\u003c\/p\u003e\u003cp\u003eThat fall, when the Garcia Band undertook a run of appearances in Northern California including several university dates, it was a time, as the album's title suggested, of reflection; not looking back, but more a mirror image of where Garcia was at in the moment. Sharing an obvious kinship with Keith Godchaux (keyboards) and his wife, Donna Jean (vocals), who doubled in those roles with the Dead, as well as a growing bond with bassist John Kahn and drummer Ron Tutt, Garcia's singing and playing sparkle with unconcerned liberation.\u003c\/p\u003e\u003cp\u003eThe opening pairing of \"Sugaree\" and \"They Love Each Other\" is top-shelf stuff; sounding as much like his other band as ever. Garcia, as well, touches upon some contemporaries for covers, exposing reggae to his faithful through Bob Marley's \"Stir It Up,\" and the backroad swing of J.J. Cale's \"After Midnight,\" while friskily bopping on his Reflections cut, \"I'll Take A Melody.\" Still, it's the \"Mighty High\" finale, from an unknown show date, that sits atop the mountain, surging with an inspired tempo, group chemistry, and fiery flurries from Godchaux and Garcia that never lack for incandescent ideas.\u003c\/p\u003e\u003cp\u003eWith a determined freedom, this is the Jerry Garcia Band emblazing the Norcal scene with its spirit of '76.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jerry-garcia-band-garcialive-volume-17-norcal-76\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Jerry Garcia Band of 1976 operated in a different headspace than the Dead, built around tighter song structures and Garcia's love of R\u0026amp;B, soul, and country alongside his own compositions. Having Keith and Donna Jean Godchaux in the lineup created a rare overlap between the two bands, giving these Northern California club and campus dates a looseness and familiarity that crackles through Betty Cantor-Jackson's recordings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 17: NorCal '76\u003c\/em\u003e presents highlights from three standout \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e performances captured over a single week in Northern California — November 7th at the Keystone in Berkeley, November 12th at Freeborn Hall, UC Davis, and November 13th at the East Gym, Humboldt State University in Arcata. While reel damage, tape loss, and other technical issues prevent the release of complete shows, what remains of \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e's original recordings represents some of the finest performances from this iteration of the JGB.\u003c\/p\u003e\n\n\u003cp\u003e1976 marked a period of transition for Garcia, who welcomed fellow Grateful Dead members \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards and \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals into the fold alongside mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums. Garcia himself extolled the group's harmonious sound, and the chemistry is unmistakable throughout — from a fiery opening \u003cstrong\u003e\"Sugaree\"\u003c\/strong\u003e and sublime \u003cstrong\u003e\"Catfish John\"\u003c\/strong\u003e bolstered by \u003cstrong\u003eDonna Jean\u003c\/strong\u003e's harmonies, to a driving \u003cstrong\u003e\"Russian Lullaby,\"\u003c\/strong\u003e \u003cstrong\u003e\"Tore Up Over You,\"\u003c\/strong\u003e and a reggae-infused \u003cstrong\u003e\"Stir It Up.\"\u003c\/strong\u003e Liner notes by longtime Garcia road manager \u003cstrong\u003eSteve Parish\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: \"Mighty High\" is sourced from an undated recording believed to be from this period.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSugaree \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatfish John \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You) \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eRussian Lullaby \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTore Up Over You \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eI'll Take a Melody \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAfter Midnight \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eStir It Up \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMystery Train \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Way You Do the Things You Do \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMighty High \u003cem\u003e(1976, unknown)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882444426\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.12.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833254043,"sku":"542657","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-17-NorCal-1976-3-CD.jpg?v=1776109255"},{"product_id":"jerry-garcia-band-1989-the-long-island-sound-cd","title":"Jerry Garcia Band – Fall 1989: The Long Island Sound (6–CD Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1989, the Jerry Garcia Band had settled into one of its most consistently inspired configurations, with Melvin Seals' organ work and the voices of Gloria Jones and Jaclyn LaBranch pushing Garcia toward some of his most soulful electric playing. The Weir\/Wasserman acoustic opening sets added a rare intimacy to these East Coast arena nights, making each show a study in contrast and community.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA 6-CD box set featuring two complete, previously unreleased performances from the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and \u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e, recorded live during the acclaimed Fall 1989 East Coast tour. Captured by \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e to 2-track DAT and mastered by \u003cstrong\u003eJoe Gastwirt\u003c\/strong\u003e, the collection presents over five and a half hours of music from two consecutive nights — September 5th at the Hartford Civic Center in Hartford, CT and September 6th at Nassau Coliseum in Uniondale, NY.\u003c\/p\u003e\n\n\u003cp\u003eEach night, the acoustic duo of \u003cstrong\u003eBob Weir\u003c\/strong\u003e and \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e opened the show before the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e took the stage for two full electric sets — featuring the classic JGB lineup of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e. Highlights across the two nights include Weir\/Wasserman's adventurous takes on \u003cstrong\u003e\"Desolation Row,\"\u003c\/strong\u003e \u003cstrong\u003e\"Looks Like Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Heaven Help the Fool,\"\u003c\/strong\u003e and JGB standouts like \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e Cover art by \u003cstrong\u003eStanley Mouse\u003c\/strong\u003e, with liner notes by \u003cstrong\u003eBlair Jackson\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: This collection contains audio with some sonic imperfections inherent to the original recordings, most notably distortion on Jerry's vocal during \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e — consistent with what audiences experienced in person.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFestival\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eK.C. Moan\u003c\/li\u003e\n\u003cli\u003eDesolation Row\u003c\/li\u003e\n\u003cli\u003eLooks Like Rain\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eVictim or the Crime\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 1\u003c\/li\u003e\n\u003cli\u003eThrowing Stones\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003cli\u003eLike a Road\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eGomorrah\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eLonesome and a Long Way from Home\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 4 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalking Blues\u003c\/li\u003e\n\u003cli\u003eCity Girls\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eBlackbird\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eShade of Grey\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eEasy to Slip\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 2\u003c\/li\u003e\n\u003cli\u003eHeaven Help the Fool\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 5 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eMississippi Moon\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 6 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882193423\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.8.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833909403,"sku":"267534","price":279.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Fall-1989-The-Long-Island-Sound-6-CD-Box-Set.jpg?v=1776109367"},{"product_id":"jerry-garcia-live-at-the-warfield-march-1st-1991-lp-vinyl","title":"Jerry Garcia – Live At The Warfield: March 1st, 1991 (4-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy early 1991, the Jerry Garcia Band had settled into one of its most cohesive lineups, with Melvin Seals anchoring the keys and a rhythm section that gave Garcia room to stretch without ever losing the pocket. The Warfield in San Francisco was always a natural home for this band, intimate enough to feel like a conversation between Garcia and the room.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eCheck out our September 2025 review of Live at The Warfield on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/09\/12\/jerry-garcia-band-live-at-the-warfield-february-28th-march-1st-2nd-1991\/\"\u003ejambands.com\u003c\/a\u003e.\u003c\/h2\u003e\n\u003cp\u003eThe second installment in the \u003cem\u003eLive at The Warfield\u003c\/em\u003e vinyl series presents the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's complete performance from March 1st, 1991 — considered by at least one critic as one of the band's best and most interesting shows of the '90s. Pressed to 4 LPs and housed in gatefold packaging.\u003c\/p\u003e\n\u003cp\u003eThe band locks in immediately with a punchy \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e and keeps the energy flowing throughout both sets. Standouts include a gritty, reawakened \u003cstrong\u003e\"He Ain't Give You None,\"\u003c\/strong\u003e emotional takes on \u003cstrong\u003e\"Forever Young\"\u003c\/strong\u003e and \u003cstrong\u003e\"The Night They Drove Old Dixie Down,\"\u003c\/strong\u003e and a second set full of surprises — including the return of \u003cstrong\u003e\"Money Honey\"\u003c\/strong\u003e and \u003cstrong\u003e\"Positively 4th Street\"\u003c\/strong\u003e after more than a decade on the shelf.\u003c\/p\u003e\n\u003cp\u003eAt the heart of it all is a sprawling journey through \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e where Garcia channels blues, jazz, and full-on psychedelia in a masterclass of vocal and instrumental improvisation.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eSetlist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide A:\u003c\/em\u003e Tuning \/ Hold Your Head Up \/ Cats Under the Stars\u003cbr\u003e\u003cem\u003eSide B:\u003c\/em\u003e He Ain't Give You None \/ Struggling Man\u003cbr\u003e\u003cem\u003eSide C:\u003c\/em\u003e Forever Young \/ Run for the Roses\u003cbr\u003e\u003cem\u003eSide D:\u003c\/em\u003e The Night They Drove Old Dixie Down \/ Lay Down Sally\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide E:\u003c\/em\u003e The Harder They Come \/ Money Honey\u003cbr\u003e\u003cem\u003eSide F:\u003c\/em\u003e And It Stoned Me \/ Russian Lullaby\u003cbr\u003e\u003cem\u003eSide G:\u003c\/em\u003e Don't Let Go\u003cbr\u003e\u003cem\u003eSide H:\u003c\/em\u003e Positively 4th Street \/ Everybody Needs Somebody to Love\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882668310\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.3.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835351195,"sku":"187463","price":74.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Live-At-The-Warfield-March-1st-1991-4-LP-Vinyl.jpg?v=1776109590"},{"product_id":"jerry-garcia-band-garcialive-volume-16-november-15th-1991-madison-square-garden-cd","title":"Jerry Garcia Band – GarciaLive Vol. 16: November 15th, 1991 Madison Square Garden (3–CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIt’s especially nice when substance aligns with sentiment. The 16th installment of the GarciaLive series issues a complete concert drawn from the Jerry Garcia Band’s debut at Madison Square Garden in November of 1991. Fortunately, it’s so strong a performance at the hallowed New York City venue that it probably would’ve bullied its way to being released regardless of its historical significance.\u003c\/p\u003e\u003cp\u003eThe three-disc collection captures Garcia bringing his solo group for its first appearance at Manhattan’s mecca, though the greying guitarist and singer had been there plenty of times in his day job with the Grateful Dead, including just a few months prior. Still, Jerry (and Dead) fans knew these were separate wells meant to be visited often. And, as any fan also knew, even though the repertoire of a Jerry show was relatively consistent, it was, as always, the performance that mattered most.\u003c\/p\u003e\u003cp\u003eTrue enough, the MSG setlist is loaded with JGB standards, touching off with “How Sweet It Is (To Be Loved By You),” that, if not for being a regular in the song rotation, would seem like an acknowledgement of gratitude to the NYC faithful that packed, and necessitated graduating Garcia to, the world’s most famous arena. Jerry returns the love with a conspicuously tight and inspired array of musicianship. Adrenalin shots come from a set-one closing “Deal,” and a set-two recharge, “Ain’t No Bread in the Breadbox,” while a tranquil “Simple Twist of Fate,” with elbow room for John Kahn’s peaceful bass, and a gorgeously placid reading of “Shining Star” rock-a-bye the Garden party.\u003c\/p\u003e\u003cp\u003eMelvin Seals is mesmerizing as he dresses “The Way You Do The Things You Do” with spritely vibes. Equally Seals owns “That Lucky Old Sun,” as Garcia modestly supports the keyboardist’s commanding blooms. And while the final two entries- “Bright Side of the Road” and “(What A) Wonderful World”- can’t help but symbolically reinforce the night’s obvious sentiment, it’s the accompanying musical substance of this captivating crew and its captain that cement this blissful evening into the annals of the Jerry Garcia Band.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2021\/08\/21\/jerry-garcia-band-garcialive-volume-16-madison-square-garden-november-15-1991\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe JGB in the fall of 1991 was operating at a remarkable peak, with Garcia's guitar work carrying a clarity and emotional directness that longtime followers still cite as some of his finest in that format. Madison Square Garden, a room the Grateful Dead had made synonymous with New York ritual, took on a different intimacy when Garcia brought his smaller, tighter unit through, with Melvin Seals and the vocalists pushing the material somewhere the Dead never quite went.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 16\u003c\/em\u003e presents the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's debut performance at Madison Square Garden — November 15, 1991, at the midpoint of their legendary Fall '91 tour. Though just two months removed from the Grateful Dead's sold-out 9-night residency at the Garden, the crowd's eruption as the houselights dimmed revealed the immense excitement for Garcia's return. Produced from two-track soundboard recordings meticulously remastered for release, with liner notes by Relix editor-in-chief \u003cstrong\u003eDean Budnick\u003c\/strong\u003e featuring reflections from \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e. Blues Traveler opened the show.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e on backing vocals. Love is the central theme throughout the evening — from Van Morrison's \u003cstrong\u003e\"He Ain't Give You None\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bright Side of the Road\"\u003c\/strong\u003e to Smokey Robinson's \u003cstrong\u003e\"The Way You Do the Things You Do\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"(What A) Wonderful World\"\u003c\/strong\u003e encore. A poignant \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e became the centerpiece of the release's promotional campaign.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStruggling Man\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — Set Two (cont.) \u0026amp; Encore\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eThat Lucky Old Sun\u003c\/li\u003e\n\u003cli\u003eBright Side of the Road\u003c\/li\u003e\n\u003cli\u003e(What A) Wonderful World (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882442422\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835711643,"sku":"102276","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-16-November-15th-1991-Madison-Square-Garden-3-CD.jpg?v=1776109680"},{"product_id":"jerry-garcia-electric-on-the-eel-6cd-box-set","title":"Jerry Garcia Band – Electric On The Eel (6-CD Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFrench's Camp on the Eel River was one of those rare venues where the JGB could stretch out in an almost private setting, playing to a community of devoted fans rather than an arena crowd. These three summer nights spanning 1987 to 1991 document the band at different points in its evolution, with Garcia's guitar work and the tight interplay between Melvin Seals and John Kahn giving each show its own distinct character.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn August 29, 1987, \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e led both the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and the \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e Acoustic Band for performances at French's Camp on the Eel River in Piercy, California. He brought the JGB back to the scenic Northern California venue on June 10, 1989 and August 10, 1991 — and all three electric sets are captured here across this 6-CD box set.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, \u003cem\u003eElectric on the Eel\u003c\/em\u003e presents the JGB in their element: an intimate outdoor setting, deep setlists, and the kind of loose, soulful energy that made this band a beloved institution in its own right. Highlights across the three shows include scorching runs through \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Tangled Up in Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Everybody Needs Somebody to Love,\"\u003c\/strong\u003e alongside JGB staples like \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e \u003cstrong\u003e\"Deal,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Waiting for a Miracle.\"\u003c\/strong\u003e The set also includes a limited edition bonus disc — housed in a separate slipcase jacket and limited to 2,000 units — as a gift with purchase.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. How Sweet It Is (To Be Loved By You) (7:10)\u003cbr\u003e1-2. Forever Young (7:22)\u003cbr\u003e1-3. Get Out Of My Life Woman (6:46)\u003cbr\u003e1-4. Run For The Roses (5:16)\u003cbr\u003e1-5. And It Stoned Me (6:14)\u003cbr\u003e1-6. My Sisters And Brothers (4:01)\u003cbr\u003e1-7. Deal (6:58)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e2-1. The Harder They Come (10:25)\u003cbr\u003e2-2. I Shall Be Released (7:28)\u003cbr\u003e2-3. Think (6:36)\u003cbr\u003e2-4. Evangeline (2:57)\u003cbr\u003e2-5. Gomorrah (6:20)\u003cbr\u003e2-6. Let It Rock (6:37)\u003cbr\u003e2-7. That Lucky Old Sun (8:30)\u003cbr\u003e2-8. Tangled Up In Blue (9:43)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e3-1. I'll Take A Melody (10:23)\u003cbr\u003e3-2. They Love Each Other (6:20)\u003cbr\u003e3-3. Get Out Of My Life Woman (7:51)\u003cbr\u003e3-4. Run For The Roses (5:31)\u003cbr\u003e3-5. Stop That Train (8:09)\u003cbr\u003e3-6. Mission In The Rain (7:41)\u003cbr\u003e3-7. My Sisters And Brothers (4:08)\u003cbr\u003e3-8. Deal (7:25)\u003c\/p\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cp\u003e4-1. The Harder They Come (11:16)\u003cbr\u003e4-2. Waiting For A Miracle (6:16)\u003cbr\u003e4-3. I Shall Be Released (10:22)\u003cbr\u003e4-4. Think (6:54)\u003cbr\u003e4-5. I Hope It Won't Be This Way Always (4:50)\u003cbr\u003e4-6. Don't Let Go (14:13)\u003cbr\u003e4-7. Evangeline (3:35)\u003cbr\u003e4-8. That Lucky Old Sun (8:45)\u003cbr\u003e4-9. Tangled Up In Blue (10:30)\u003c\/p\u003e\n\u003ch4\u003eDisc 5\u003c\/h4\u003e\n\u003cp\u003e5-1. The Way You Do The Things You Do (10:41)\u003cbr\u003e5-2. And It Stoned Me (8:25)\u003cbr\u003e5-3. You Never Can Tell [C'est La Vie] (7:08)\u003cbr\u003e5-4. Waiting For A Miracle (5:32)\u003cbr\u003e5-5. Struggling Man (6:34)\u003cbr\u003e5-6. My Sisters And Brothers (4:53)\u003cbr\u003e5-7. Deal (8:18)\u003c\/p\u003e\n\u003ch4\u003eDisc 6\u003c\/h4\u003e\n\u003cp\u003e6-1. Shining Star (11:29)\u003cbr\u003e6-2. Think (7:13)\u003cbr\u003e6-3. Lay Down Sally (8:00)\u003cbr\u003e6-4. Twilight (9:24)\u003cbr\u003e6-5. See What Love Can Do (6:32)\u003cbr\u003e6-6. Lazy Bones (6:28)\u003cbr\u003e6-7. Everybody Needs Somebody To Love (10:25)\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882347529\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.15.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187842789531,"sku":"557550","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Electric-On-The-Eel-6-CD-Box-Set.jpg?v=1776109984"},{"product_id":"jerry-garcia-garcialive-vol-20-june-18th-1982-cape-cod-coliseum-cd","title":"Jerry Garcia Band – GarciaLive Vol. 20: June 18th, 1982 - Cape Cod Coliseum (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe fandom that surrounds the music of the Grateful Dead—and in this case, the Jerry Garcia Band—is one for which context matters. As the Dead never played the same set from night to night, the what, the where, the when, and the how became integral to an understanding and appreciation of the performance. Look no further than May of 1977 in Grateful Dead lore for the proof.\u003c\/p\u003e\u003cp\u003eSo, too, context mattered in Garcia's solo career. Perhaps not as much, as Jerry Garcia Band drew from a smaller repertoire than the Dead. Yet even with a show as loaded with JGB staples as this one is, the friends of this devil are in the details.\u003c\/p\u003e\u003cp\u003eIn June of 1982, Garcia and his band teamed up with a fellow Dead-on-a-summer-getaway, Bob Weir, and his group, the Midnites, for a joint tour. Garcia also brought along Dead drummer Billy Kreutzmann for the ride. And filled out a septet that partnered his longtime JGB keyboardist, Melvin Seals, with the electric piano of Jimmy Warren, in a unique lineup that immediately grabs the ear on this two-disc, full-show set from the Cape Cod Coliseum in Massachusetts.\u003c\/p\u003e\u003cp\u003eWarren is front and center in the mix on the brightened bounce of \"How Sweet It is (To Be Loved by You), as the opener bubbles away beneath Garcia's ever-effervescent guitar. From there, Garcia saunters through \"Valerie,\" with a knowing bluesman's lament; a scintillating rendition of the Garcia\/Hunter original. Then, with skilled and patient aplomb, the ensemble injects reggae into The Beatles' \"Dear Prudence,\" and then dazzles on the bluegrass undertones of Peter Rowan's \"Mississippi Moon.\" Just four songs in, and this show feels very special.\u003c\/p\u003e\u003cp\u003eGarcia and his band float into the minor-key space of \"Don't Let Go\" for a healthy twenty minutes of interstellar travel, and contrast that with the gentle, earthbound flow downstream on the river of Dylan, for the disc-closing \"Simple Twist of Fate.\" The second-half opens with \"Run for the Roses,\" and its Bertha-like jangle, followed with the wonky, clavinet-led lope of \"They Love Each Other,\" (with Weir, Bobby Cochran, and Billy Cobham sitting-in, but unfortunately unheard).\u003c\/p\u003e\u003cp\u003eAnd then, poof, just like that, it's over.\u003c\/p\u003e\u003cp\u003eThose familiar with full shows from this exceptional GarciaLive series will not doubt notice the shift—sonically, and in personnel—to a four-song excerpt from a June '81 set at The Stone that fills out the rest of the second disc. It's a smartly-chosen fours songs, maintaining the energy and spirit of the Cape set; Garcia really stretches on \"After Midnight\" as it accelerates into cut-time. And while the continuity technically is broken, the mood is not.\u003c\/p\u003e\u003cp\u003eThis 8-song Cape performance by Jerry Garcia Band has all the invention and freedom of a classic show, packed into half the space. The jams are just as lengthy, but steam forward with urgency and intent. Garcia's voice is particularly present and mystical, with a grand storyteller's command of melody and cadence.\u003c\/p\u003e\u003cp\u003eWhich leads back to context, and why this latest volume in the series is a must-have. As Garcia and his band were well-aware of the show's parameters—sharing each night with Weir—and how much less stage time that equaled, they acted accordingly. This was a group comfortable and happy to play shows twice as long as the Cape appearance, but as such, paced those two-set shows as marathons. This one, albeit in its own inimitable JGB way, is a single-set, magical summer sprint on the shore.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2023\/07\/28\/jerry-garcia-band-garcialive-volume-20-june-18th-1982-cape-cod-coliseum\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1982, the Jerry Garcia Band had settled into a deep, soulful groove that felt distinct from anything happening on the Dead's stage. Kreutzmann's presence behind the kit gave the Cape Cod show a particular rhythmic punch, bridging the two worlds Garcia inhabited simultaneously. The bonus Stone material makes this a document of a band still finding new footing, caught live before these configurations dissolved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 20\u003c\/em\u003e showcases the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e during their transitional, high-octane early '80s era — with Grateful Dead drummer \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e behind the kit. The release presents the complete Cape Cod 1982 set, plus 45+ minutes of additional uncirculated selections captured in 1981 at The Stone in San Francisco, all remastered from soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eHighlights include the relative rarity \u003cstrong\u003e\"Valerie,\"\u003c\/strong\u003e a show-stopping \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e and an otherworldly \u003cstrong\u003e\"After Midnight\"\u003c\/strong\u003e — alongside JGB staples \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e \u003cstrong\u003e\"They Love Each Other,\"\u003c\/strong\u003e \u003cstrong\u003e\"Simple Twist of Fate,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e Presented as a 2-CD digipak.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. How Sweet It Is (To Be Loved By You) (10:05)\u003cbr\u003e\n1-2. Valerie (7:05)\u003cbr\u003e\n1-3. Dear Prudence (13:56)\u003cbr\u003e\n1-4. Mississippi Moon (9:58)\u003cbr\u003e\n1-5. Don't Let Go (19:03)\u003cbr\u003e\n1-6. Simple Twist Of Fate (12:19)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Run For The Roses (6:47)\u003cbr\u003e\n2-2. They Love Each Other (7:07)\u003cbr\u003e\n2-3. Sitting In Limbo (12:56)\u003cbr\u003e\n2-4. After Midnight (16:35)\u003cbr\u003e\n2-5. Deal \u0026gt; (8:23)\u003cbr\u003e\n2-6. Tangled Up In Blue (11:11)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882570620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.30.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187842920603,"sku":"304996","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-20-June-18th-1982-Cape-Cod-Coliseum-2-CD.jpg?v=1776110032"},{"product_id":"jerry-garcia-garcialive-volume-eleven-november-11th-1993-providence-civic-center-cd","title":"Jerry Garcia Band – GarciaLive Vol. 11: November 11th, 1993 Providence Civic Center (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThere's no doubt it's one of those fabled hot shows when the final song of the night exerts as much if not more crackling energy than the first and, with this thoroughly lively performance, that is saying something. The 11th in the GarciaLive series, it's no accident that this 11\/11\/93 ripper from Providence was chosen to be next, beyond the numeric synchronicity. In fact, it's a wonder it wasn't released sooner, given all of its strengths.\u003c\/p\u003e\u003cp\u003eFirst and foremost is Jerry Garcia's inspired voice and guitar work that proves once again why he was so beloved. The setlist is full of familiar trails- cookers, covers, and ballads-, with a few surprises, but it's almost beside the point; it's the vivid articulation, the verve, from Garcia and company deployed on every song that makes this one another must-have from this ongoing series.\u003c\/p\u003e\u003cp\u003eThe two-disc collection is recorded quite well, balancing sonically and with strong fidelity each stellar contribution from the always-steady ensemble; whether Melvin Seal's dexterity on \"That's What Love Will Make You Do,\" John Kahn's storytelling bass on \"Simple Twist of Fate,\" or David Kemper's intuitive double-time push on \"Dear Prudence\" as Garcia ripples through the changes. Yet, if the reasoning for acquisition of this gem needs to be reduced to one word, it's Garcia. Jerry is masterful, measuring blitz with bliss as he travels, often driving solos past the exit signs that appear with resolving chords, instead 'feeling it' and heading further on down the road.\u003c\/p\u003e\u003cp\u003eThis final JGB performance in Rhode Island's capital- always a Northeast stronghold for the Dead- is closed with a bluegrass staple, \"Midnight Moonlight.\" It's jaunty, old-time fun contrasting the exploratory, improvisation-infested \"Don't Let Go,\" that precedes it, beautifully showing off two of the many shades of Garcia. It's also a bit bittersweet, recalling a much younger man playing jug music in the hills of Appalachia, with the whole strange trip still ahead.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jerry-garcia-band-garcialive-volume-11-november-11th-1993-providence-civic-center\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1993, the Jerry Garcia Band had settled into one of the most soulful configurations of Garcia's career, with Melvin Seals' Hammond work and the vocal interplay between Gloria Jones and Jaclyn LaBranch giving the group a genuine gospel-and-R\u0026amp;B backbone that set it apart from anything happening on the Dead stage. Providence caught the band deep in their stride, and the breadth of the repertoire here, from Garcia-Hunter originals to Van Morrison to Motown, speaks to how wide Garcia's musical world truly was.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded on November 11, 1993 at the Providence Civic Center in Providence, Rhode Island, \u003cem\u003eGarciaLive Volume 11\u003c\/em\u003e captures the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e on their final East Coast tour — and \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e's last-ever performance in Providence. Featuring the band's most celebrated lineup: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on vocals.\u003c\/p\u003e\n\n\u003cp\u003eThe show opens with two Garcia\/Hunter JGB classics — \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mission in the Rain\"\u003c\/strong\u003e — before rolling through a setlist full of cookers, covers, and surprises. Set two brings a jubilant \u003cstrong\u003e\"The Way You Do the Things You Do,\"\u003c\/strong\u003e the rarely performed Van Morrison gem \u003cstrong\u003e\"He Ain't Give You None,\"\u003c\/strong\u003e a seamless pairing of the Beatles' \u003cstrong\u003e\"Dear Prudence\"\u003c\/strong\u003e into Smokey Robinson's \u003cstrong\u003e\"When the Hunter Gets Captured by the Game,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Don't Let Go\"\u003c\/strong\u003e before the show closes with the bluegrass staple \u003cstrong\u003e\"Midnight Moonlight\"\u003c\/strong\u003e — Garcia's folk roots coming full circle on his final night in the city.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003cli\u003eDear Prudence\u003c\/li\u003e\n\u003cli\u003eWhen the Hunter Gets Captured by the Game\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882365325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.12.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187843215515,"sku":"448237","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-11-November-11th-1993-Providence-Civic-Center-2-CD.jpg?v=1776110039"},{"product_id":"jerry-garcia-band-garcialive-vol-1-march-1st-1980-capitol-theater-cd","title":"Jerry Garcia Band – GarciaLive Vol. 1: March 1st, 1980 Capitol Theatre (3–CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Capitol Theatre in Passaic was one of the great rooms of the era, a 3,000-capacity venue that drew the best touring acts of the late '70s and early '80s, and the JGB fit it perfectly. By 1980, Garcia's band outside the Dead had become its own essential institution, a soul and R\u0026amp;B-rooted vehicle where he could stretch into repertoire the Dead never touched, from reggae to classic rock and roll to Dylan deep cuts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe debut release from the GarciaLive archival series, recorded at the historic Capitol Theatre in Passaic, New Jersey on March 1, 1980. The \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e performed an early and a late show on this evening — both captured on 24-track tape for broadcast on New York radio station WNEW — with Garcia on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eOzzie Ahlers\u003c\/strong\u003e on keyboards, and \u003cstrong\u003eJohnny de Foncesca\u003c\/strong\u003e on drums.\u003c\/p\u003e\n\n\u003cp\u003eThe early show is a crisp, start-to-finish showcase of the JGB at their most focused, moving through \u003cstrong\u003e\"Sugaree,\"\u003c\/strong\u003e \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Simple Twist of Fate\"\u003c\/strong\u003e before closing with a thunderous \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e The late show brings its own highlights — a rollicking \u003cstrong\u003e\"That's What Love Will Make You Do,\"\u003c\/strong\u003e \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and two special appearances by longtime Garcia collaborator \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e on \u003cstrong\u003e\"Tiger Rose\"\u003c\/strong\u003e and \u003cstrong\u003e\"Promontory Rider,\"\u003c\/strong\u003e before a top-flight \u003cstrong\u003e\"Dear Prudence\"\u003c\/strong\u003e closes out the night. Liner notes by David Gans.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Early Show\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSugaree\u003c\/li\u003e\n\u003cli\u003eCatfish John\u003c\/li\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eSitting in Limbo\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Early Show (cont.) \/ Late Show\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThat's All Right\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eRussian Lullaby\u003c\/li\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — Late Show (cont.)\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTiger Rose (with \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e)\u003c\/li\u003e\n\u003cli\u003ePromontory Rider (with \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e)\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eDear Prudence (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882183325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.19.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187843510427,"sku":"616629","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-1-March-1st-1980-Capitol-Theatre-3-CD.jpg?v=1776110110"},{"product_id":"jerry-garcia-david-grisman-not-for-kids-only-deluxe-edition-lp-vinyl","title":"Jerry Garcia \/ David Grisman – Not For Kids Only (Deluxe 2–LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOne of the most-alluring entries in the Grateful Dead family discography is even more so with the arrival of Not for Kids Only (Deluxe Edition).\u003c\/p\u003e\u003cp\u003eMaking its vinyl debut, Jerry Garcia and David Grisman's 1993 quasi-children's LP is outfitted with four alternate versions – two previously unissued – on side four.\u003c\/p\u003e\u003cp\u003eSharing vocals and playing guitar and banjo (Garcia) and mandolin (Grisman), the duo combine whimsy with grown-up fare like \"When First Unto this Country.\" With drums, percussion, mouth harp, fiddle and piano (on the previously unreleased \"Shenandoah\") adding color to the palette, songs about inheritance (\"The Miller's Will\") come off as playfully as \"There Ain't No Bugs on Me.\"\u003c\/p\u003e\u003cp\u003eTrue to its title, NFKO impacts me more now than it did as a kid in my 20s, when it seemed more like a weird detour on the ongoing long strange trip. Now that I'm older than Jerry and the Dawg were when they recorded the thing, I feel the melancholic pull of looking back to easier years more deeply, more humanly.\u003c\/p\u003e\u003cp\u003eOthers may experience the same thing. This deluxe edition is the perfect excuse to find out.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/01\/23\/jerry-garcia-and-david-grisman-not-for-kids-only-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe friendship between Jerry Garcia and David Grisman ran deep, rooted in a shared love of acoustic music that predated the Grateful Dead entirely. Their collaborations through the 1990s on Round Records captured something genuinely rare, two masters playing for the joy of it, and this 1993 children's record is no exception. Getting it on vinyl for the first time means the warmth of their acoustic interplay finally has the format it deserved all along.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003ePressed to vinyl for the first time, this deluxe edition of the classic children's album from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eDavid Grisman\u003c\/strong\u003e has been remastered and expanded with four bonus tracks. Songs like \u003cstrong\u003e\"Jenny Jenkins,\"\u003c\/strong\u003e \u003cstrong\u003e\"Freight Train,\"\u003c\/strong\u003e and \u003cstrong\u003e\"There Ain't No Bugs on Me\"\u003c\/strong\u003e — played the way Jerry and David learned them long ago — sit alongside unique arrangements of classics like \u003cstrong\u003e\"Teddy Bear's Picnic\"\u003c\/strong\u003e and \u003cstrong\u003e\"A Shenandoah Lullaby.\"\u003c\/strong\u003e Simple and playful, subtle and sophisticated, this collection is recommended for anyone who is, or ever was, a kid.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJenny Jenkins\u003c\/li\u003e\n\u003cli\u003eFreight Train\u003c\/li\u003e\n\u003cli\u003eA Horse Named Bill\u003c\/li\u003e\n\u003cli\u003eThree Men Went A-Hunting\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen First Unto This Country\u003c\/li\u003e\n\u003cli\u003eArkansas Traveler\u003c\/li\u003e\n\u003cli\u003eHopalong Peter\u003c\/li\u003e\n\u003cli\u003eTeddy Bear's Picnic\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThere Ain't No Bugs on Me\u003c\/li\u003e\n\u003cli\u003eThe Miller's Will\u003c\/li\u003e\n\u003cli\u003eHot Corn, Cold Corn\u003c\/li\u003e\n\u003cli\u003eA Shenandoah Lullaby\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide D — Bonus Tracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJenny Jenkins (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eWhen First Unto This Country (Previously Unissued Alternate Take)\u003c\/li\u003e\n\u003cli\u003eTeddy Bear's Picnic (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eShenandoah (Previously Unissued Take)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882676711\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187844001947,"sku":"22139409","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-David-Grisman-Not-For-Kids-Only-Deluxe-2-LP-Vinyl.jpg?v=1776110129"},{"product_id":"grateful-dead-terrapin-station-lp-vinyl","title":"Grateful Dead – Terrapin Station (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1977, Terrapin Station marked a genuine turning point, capturing a band willing to push against their own mythology and let orchestral ambition into a catalog that had always resisted easy category. The suite-length title track became one of the great unfinished statements in rock, a piece Jerry Garcia and Robert Hunter kept returning to in spirit for the rest of the Dead's run.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGRATEFUL DEAD \/ TERRAPIN STATION \/ Newly Mastered by GRAMMYr Award-winning engineer David Glasser. Produced for release by David Lemieux. The first Arista Grateful Dead album, and the first studio album featuring an outside producer their debut album a decade earlier, Terrapin Station is one of the deepest, densest, most ambitious album in the entire Dead catalog. Arista president Clive Davis vowed to get the Dead a hit record (that would take another 10 years), so he paired the Dead with Fleetwood Mac producer Keith Olson, and they created an album unlike anything they'd ever made before, filled with strings, horns, a choir, and countless other new sounds in the Dead world. And the songs... what a collection! Estimated Prophet, Samson and Delilah, Passenger, Dancing In The Street, and Donna Jean Godchaux's first lead vocal on a Dead album, Sunrise, make up Side 1. And Side 2 is the entire Terrapin Station suite, with many parts and twists and turns. Truly one of the most exciting sequences of music ever committed to vinyl by The Grateful Dead.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Estimated Prophet (5:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Dancin' In The Streets (3:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Passenger (2:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Samson \u0026amp; Delilah (3:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Sunrise (4:05)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497830824\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.12.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262776324251,"sku":"251781","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-grateful-dead-terrapin-station-vinyl-lp-relix.jpg?v=1778704171"},{"product_id":"grateful-dead-reckoning-lp-vinyl","title":"Grateful Dead – Reckoning (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReckoning captures the Dead at their most intimate, drawn from the legendary acoustic sets they performed during their fall 1980 run at Warfield Theater in San Francisco and Radio City Music Hall in New York. Those nights marked a rare return to the stripped-down roots that shaped the band, spotlighting the jug band and old-timey folk influences that never left their DNA, just waiting for a moment like this to resurface.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. Reckoning is the 1981 live double album by The Grateful Dead. It consists of acoustic material recorded live in September and October 1980.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Dire Wolf\u003cbr\u003e\nA2. The Race Is On\u003cbr\u003e\nA3. Oh Babe, It Ain't No Lie\u003cbr\u003e\nA4. It Must Have Been The Roses\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Dark Hollow\u003cbr\u003e\nB2. China Doll\u003cbr\u003e\nB3. Been All Around This World\u003cbr\u003e\nB4. Monkey and The Engineer\u003cbr\u003e\nB5. Jack-A-Roe\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Deep Elem Blues\u003cbr\u003e\nC2. Cassidy\u003cbr\u003e\nC3. To Lay Me Down\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Rosalie McFall\u003cbr\u003e\nD2. On The Road Again\u003cbr\u003e\nD3. Bird Song\u003cbr\u003e\nD4. 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Duke University was a regular stop on the spring touring circuit, and the performances captured here reflect a band pushing their improvisational language to its limits, night after night.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CDs. DUKE '78 is the worldwide retail breakout from The Grateful Dead's limited-edition, dead. Net exclusive boxed set, Friend Of The Devils: April 1978.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e1. Jack Straw (6:29)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e2. Dire Wolf (4:41)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e3. Beat It On Down The Line (4:42)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e4. Peggy-O (8:54)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e5. Mama Tried (2:29)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e6. Mexicali Blues (4:03)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e7. Funiculi Funicula (1:57)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e8. Row Jimmy (10:50)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e9. New Minglewood Blues (5:47)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e10. Loser (8:59)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e11. Lazy Lightning (3:56)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e12. Supplication (5:41)\u003c\/div\u003e\n\u003c\/h4\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e1. Bertha (7:50)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e2. Good Lovin' (6:59)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e3. It Must Have Been The Roses (8:55)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e4. U.S. Blues (6:00)\u003c\/div\u003e\n\u003c\/h4\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e1. Estimated Prophet (12:02)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e2. Eyes Of The World (12:21)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e3. Rhythm Devils (25:54)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e4. Truckin' (8:45)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e5. Wharf Rat (10:38)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e6. Around And Around (8:20)\u003c\/div\u003e\n\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497826124\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.20.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777012379,"sku":"471206","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Duke-78-3-CD.webp?v=1776110388"},{"product_id":"jerry-garcia-garcialive-vol-14-january-27th-1986-the-ritz-red-lp-vinyl","title":"Jerry Garcia – GarciaLive Vol. 14: January 27th, 1986 - The Ritz (Red 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJanuary 1986 found Jerry Garcia and his band deep in one of their most consistent stretches, just months before the Grateful Dead would head into the studio for \"In the Dark.\" The Ritz was a natural home for JGB's soul-drenched sound, a converted ballroom that drew New York's most devoted Garcia faithful and gave the band a room that rewarded subtlety as much as firepower.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eRead our review of Jerry Garcia's GarciaLive Vol. 14: January 27th 1986 at The Ritz from September 2020 on \u003ca href=\"https:\/\/jambands.com\/reviews\/2020\/09\/18\/garcialive-volume-14-jerry-garcia-and-john-kahn-january-27-1986\/\" title=\"Jerry Garcia - GarciaLive Vol. 14: January 27th 1986 at The Ritz (2-LP Red Vinyl)\"\u003ejambands.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePressed on red vinyl, GarciaLive Vol. 14 captures Jerry Garcia Band's complete January 27, 1986, performance at The Ritz in New York City during a period when JGB was playing at absolute peak power. The lineup—Garcia, Melvin Seals (organ), John Kahn (bass), David Kemper (drums), Gloria Jones and Jaclyn LaBranch (vocals)—had developed telepathic communication through constant touring, and this show documents that connection at full strength. The Ritz's intimate atmosphere (1,500 capacity) creates proximity that larger venues couldn't match, capturing every guitar nuance and vocal harmony with clarity.\u003c\/p\u003e\n\u003cp\u003eThe setlist balances JGB staples like \"Don't Let Go,\" \"Waiting for a Miracle,\" and \"Dear Prudence\" with deeper cuts and covers that showcase the band's range: Dylan, Motown, reggae, gospel, and R\u0026amp;B material all transformed through Garcia's filter. Melvin Seals' Hammond B3 organ is particularly prominent, providing the harmonic foundation that allowed Garcia to sing melodic lead lines with his guitar. The dual female vocalists add gospel-influenced power to songs like \"I'll Take a Melody\" and \"Stop That Train,\" while Garcia's guitar work balances technical command with emotional expressiveness.\u003c\/p\u003e\n\u003cp\u003eWhat makes GarciaLive Vol. 14 essential is how it captures JGB at a creative peak in a perfect setting—small room, engaged audience, band locked in completely. The red vinyl adds collectibility while preserving the warmth of the original soundboard recording. For Garcia fans who know his Grateful Dead work, this release reveals the different energy and focus he brought to JGB performances.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2-LP red vinyl.\u003c\/strong\u003e GarciaLive Vol. 14. Complete show from The Ritz NYC, January 27, 1986. Classic JGB lineup with Melvin Seals.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Deep Elem Blues (5:37)\u003cbr\u003e\nA2. Little Sadie (4:31)\u003cbr\u003e\nA3. Friend Of The Devil (6:25)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Oh Babe, It Ain't No Lie (5:26)\u003cbr\u003e\nB2. When I Paint My Masterpiece (5:44)\u003cbr\u003e\nB3. Run For The Roses (4:33)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Dire Wolf (4:27)\u003cbr\u003e\nC2. Simple Twist Of Fate (8:26)\u003cbr\u003e\nC3. Spike Driver Blues (4:10)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Bird Song (9:14)\u003cbr\u003e\nD2. Ripple (4:02)\u003cbr\u003e\nD3. 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Songs like \"St. Stephen\" and \"China Cat Sunflower\" became cornerstones of the live canon, outlasting the album itself in the community's memory. The palindromic title, designed by artist Rick Griffin, remains one of the most recognizable images in the Dead's visual universe.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. \"In 1969, for their third album, The Grateful Dead eschewed outside producers and created Aoxomoxoa themselves, beginning a run of self-produced albums that would continue until 1977. Scrapping the first sessions, which were recorded to eight-track tape, the Dead now had 16 tracks with which to experiment their psychedelic sound, with an album that included entirely Robert Hunter-penned lyrics for the first time.\" - Archivist David Lemieux\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. St. Stephen\u003c\/div\u003e\n\u003cdiv\u003e2. Dupree's Diamond Blues\u003c\/div\u003e\n\u003cdiv\u003e3. Rosemary\u003c\/div\u003e\n\u003cdiv\u003e4. Doin' That Rag\u003c\/div\u003e\n\u003cdiv\u003e5. Mountains Of The Moon\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. China Cat Sunflower\u003c\/div\u003e\n\u003cdiv\u003e2. What's Become Of The Baby\u003c\/div\u003e\n\u003cdiv\u003e3. Cosmic Charlie\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497847785\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.7.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777405595,"sku":"145724","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-grateful-dead-aoxomoxoa-vinyl-lp-relix.jpg?v=1778704465"},{"product_id":"grateful-dead-anthem-of-the-sun-1971-remix-lp-vinyl","title":"Grateful Dead – Anthem Of The Sun (1971 Remix LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally pieced together from studio sessions and live recordings captured at venues including the Fillmore Auditorium and the Shrine Exposition Hall, Anthem of the Sun remains one of rock's most genuinely strange artifacts, a document of a band dissolving the line between concert and composition before anyone had a roadmap for doing so. This 1971 remix, overseen as the band's own understanding of the material deepened, offers a slightly sharper window into that beautiful chaos.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e1971 remix of the original album. Anthem of the Sun is the second album by The Grateful Dead, released in 1968 on Warner Bros\/Seven Arts. It is the first album to feature second drummer Mickey Hart. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe band was also joined by Tom Constanten, who contributed avant-garde instrumental and studio techniques influenced by composers John Cage and Karlheinz Stockhausen. The album was assembled through a collage-like editing approach helmed by members Jerry Garcia and Phil Lesh (along with soundman Dan Healy), in which disparate studio and live performance tapes were spliced together to create new hybrid recordings. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe band also supplemented their performances with instruments such as prepared piano, kazoo, harpsichord, timpani, trumpet, and güiro. The result is an experimental amalgam that is neither a true studio album nor a live album.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA2. New Potato Caboose (8:26)\u003cbr\u003e\nA3. Born Cross-Eyed (2:25)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Alligator (11:23)\u003cbr\u003e\nB2. Caution (Do Not Stop On Tracks) (8:56)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497846610\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777634971,"sku":"111588","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Anthem-Of-The-Sun-1971-Remix-LP-Vinyl_75456554.jpg?v=1776110491"},{"product_id":"grateful-dead-grateful-dead-skull-roses-live-2021-remaster-lp-vinyl","title":"Grateful Dead – Skull \u0026 Roses Live: 2021 Remaster (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded across multiple nights in 1971, Skull \u0026amp; Roses arrived at a pivotal moment when the Dead were road-testing songs from what would become \"Workingman's Dead\" and \"American Beauty\" alongside their deeper roots in country, folk, and rock and roll. The quintet configuration, before the keyboard players who would later reshape the band's sound, gives these performances a leaner, rawer quality that longtime fans hold in particular reverence.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFor the Grateful Dead's second live album, released two years after its predecessor, LIVE\/DEAD, the band delivered an equally magnificent but entirely different Grateful Dead sound. \u003c\/p\u003e\u003cp\u003eWhereas LIVE\/DEAD was a perfect sonic encapsulation of the band at the peak of their Primal Dead era, SKULL \u0026amp; ROSES captures the quintessential quintet, the original five piece band, playing some of their hardest hitting rock 'n' roll (`Johnny B. Goode,' `Not Fade Away'), showing off their authentic Bakersfield bona fides (`Me \u0026amp; My Uncle,' `Mama Tried,' `Me \u0026amp; Bobby McGee'), and some originals that would be important parts of the Dead's live repertoire for the next 24 years (`Bertha,' `Playing In The Band,' `Wharf Rat'). Of course, the Dead were never defined by one specific `sound,' and amongst the aforementioned genres and styles the band brought to this album, they also delved deeply into their psychedelic, primal playbook, with an entire side dedicated to their 1968 masterpiece `The Other One.'\u003c\/p\u003e\u003cp\u003eThis is one of the richest and most satisfying tracks preserved on an official Grateful Dead album, up there with LIVE\/DEAD's `Dark Star' and EUROPE '72's `Morning Dew.' SKULL \u0026amp; ROSES sounds as fresh today as the first time I heard it in 1985, and as fresh as it was upon its spectacularly well-received release in 1971.\" - David Lemieux\u003c\/p\u003e\u003cp\u003eNot only did SKULL \u0026amp; ROSES serve up supremely fine tunes, but it was also the one that scored the Grateful Dead their very first Gold record, introduced the world to the iconic skeleton babe Bertha, and asked the questions - Who are you? Where are you? How are you? - giving birth to the first official generation of Dead Heads.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Bertha (5:27)\u003cbr\u003e\nA2. Mama Tried (2:42)\u003cbr\u003e\nA3. Big Railroad Blues (3:34)\u003cbr\u003e\nA4. Playing In The Band (4:39)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. The Other One (18:05)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Me \u0026amp; My Uncle (3:06)\u003cbr\u003e\nC2. Big Boss Man (5:12)\u003cbr\u003e\nC3. Me \u0026amp; Bobby McGee (5:43)\u003cbr\u003e\nC4. Johnny B. Goode (3:42)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Wharf Rat (8:31)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497844401\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.13.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262778028187,"sku":"282620","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Skull-Roses-Live-2021-Remaster-2-LP-Vinyl.png?v=1776110573"},{"product_id":"grateful-dead-in-the-dark-lp-vinyl","title":"Grateful Dead – In The Dark (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1987, the Dead had spent two decades building one of rock's most devoted followings entirely outside the mainstream, so the success of \"Touch of Grey\" hit differently for longtime fans. \"In The Dark\" reached people who'd never followed the band on the road, but the songs themselves had already been road-tested for years, arriving on vinyl with the confidence of a band that knew exactly what they had.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGRATEFUL DEAD \/ IN THE DARK \/ The Dead's Biggest Album Ever! \u003c\/p\u003e\u003cp\u003eMastered by GRAMMY Award-winning engineer David Glasser. Produced for release by David Lemieux. The penultimate studio album from The Grateful Dead, released in 1987, was their first Top 10 album and featured their first Top 10 hit, \"Touch of Grey.\" Many of the songs had been in the repertoire since 1982-1983, along with 1985 and 1986 additions, and, to this day, are considered bona fide classics, including the hit single Throwing Stones, West L.A. Fadeaway, Hell In A Bucket, and the beautiful ballad Black Muddy River. \u003c\/p\u003e\u003cp\u003eThe first album co-produced by longtime Grateful Dead engineer John Cutler, along with Jerry Garcia, has a sonic presence that captures The Grateful Dead's live energy, owing to the basic tracks being recorded live at the Marin County Civic Auditorium, a local theatre where the Dead had played many times.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Touch Of Grey (5:47)\u003cbr\u003e\nA2. Hell In A Bucket (5:35)\u003cbr\u003e\nA3. When Push Comes To Shove (4:05)\u003cbr\u003e\nA4. West L.A. Fadeaway (6:39)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Tons Of Steel (5:15)\u003cbr\u003e\nB2. Throwing Stones (7:18)\u003cbr\u003e\nB3. Black Muddy River (5:58)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497830770\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.12.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262778126491,"sku":"595587","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-In-The-Dark-LP-Vinyl_9210133b.jpg?v=1776110607"},{"product_id":"grateful-dead-the-best-of-the-grateful-dead-1967-1977-lp-vinyl","title":"Grateful Dead – The Best Of The Grateful Dead: 1967-1977 (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTen years of a band that essentially invented a new relationship between rock musicians and their audience, captured across two records. The studio sides collected here trace the Dead's evolution from acid-test psychedelia through the country-inflected warmth of *Workingman's Dead* and *American Beauty* and into the arena years, offering a rare chance to hear how deliberately and restlessly they pushed their own sound forward when the tape was rolling.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2 LP Set, Regular Weight.\u003c\/p\u003e\u003cp\u003eTracks feature music from every Grateful Dead studio album and cover the key waypoints on the band's mystical musical journey.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. The Golden Road (To Unlimited Devotion) (2:09)\u003cbr\u003e\nA2. Cream Puff War (2:28)\u003cbr\u003e\nA3. Born Cross-Eyed (2:04)\u003cbr\u003e\nA4. Dark Star (Single Version) (2:41)\u003cbr\u003e\nA5. St. Stephen (4:26)\u003cbr\u003e\nA6. China Cat Sunflower (3:40)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Uncle John's Band (4:42)\u003cbr\u003e\nB2. Easy Wind (4:59)\u003cbr\u003e\nB3. Casey Jones (4:24)\u003cbr\u003e\nB4. Truckin' (5:03)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Box Of Rain (5:17)\u003cbr\u003e\nC2. Sugar Magnolia (3:17)\u003cbr\u003e\nC3. Friend Of The Devil (3:21)\u003cbr\u003e\nC4. Ripple (4:10)\u003cbr\u003e\nC5. Eyes Of The World (5:16)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Unbroken Chain (6:45)\u003cbr\u003e\nD2. Scarlet Begonias (4:19)\u003cbr\u003e\nD3. The Music Never Stopped (4:35)\u003cbr\u003e\nD4. Estimated Prophet (5:35)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227954659\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.9.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262778290331,"sku":"605833","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-The-Best-Of-The-Grateful-Dead-1967-1977-2-LP-Vinyl.png?v=1776110620"},{"product_id":"grateful-dead-lyceum-theatre-london-england-5-26-72-cd","title":"Grateful Dead – Lyceum Theatre, London, England 5\/26\/72 (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Europe '72 tour is widely regarded as one of the most creatively fertile stretches in the Dead's entire run, capturing the band at a moment of remarkable ensemble chemistry with a lineup that would never quite exist again. This night at the Lyceum closes that journey, with Pigpen still in the fold, delivering the blues-soaked presence that had anchored the band since the Haight-Ashbury days, making it a document that carries both musical and deeply human weight.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReissuing the outof print, standalone show of the Dead’s final performance of their Europe ’72 Tour at the Lyceum Theatre in Lo ndon on May 26, 1972. This is the Dead’s lastperformance to feature vocals by founding front man Ron “Pigpen” McKernan before his passing 9 months later.-Fifty years ago, when Europe '72 was released, the third LP of the set included two sides of some of the finest, most uniquely beautiful music the Dead had ever played, and thankfully, recorded. The Truckin', Epilogue , Prelude , and Morning Dew knocked everyone's socks off. Decades later, when tape traders were able to hear the entirety of the final show of the Europe '72 tour, not only were they greeted with this spectacular 40+minutes of music, but what is widely considered one of the best complete shows the Dead performed in their 30 year touring career. With Playing In The Band clocking in at more than 17 minutes, by far the longest version of this improvisational masterpieceby this point and ending their first set with the traditional second set closing Not Fade Away Goin ' Down The Road Feeling Bad Not Fade Away , the Dead signaled throughout this show that they wanted to leave everything on the stage. They clearly weren't out of gas and wanted this tour to keep rolling. If there was one show that encapsulates the entirety of the excellence of the Europe '72 tour, it's this one. Pigpen would sing a few songs this night, the final show at which Pigpen sang, as he left the band a few weeks later.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePromised Land (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eSugaree (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eMr. Charlie (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eBlack-Throated Wind (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eLoser (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eNext Time You See Me (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eEl Paso (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eDire Wolf (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eThe Stranger (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eHe's Gone (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eCumberland Blues (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eJack Straw (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eChinatown Shuffle (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eChina Cat Sunflower (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eI Know You Rider (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eNot Fade Away, Pt. 1 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eGoin' Down the Road Feeling Bad (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster\u003c\/li\u003e\n\u003cli\u003eNot Fade Away, Pt. 2 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eTruckin' (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eThe Other One, Pt. 1 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eDrums (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eThe Other One, Pt. 2 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eMorning Dew (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eThe Other One, Pt. 3 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eSing Me Back Home (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eMe and My Uncle (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eRamble on Rose (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eSugar Magnolia (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eCasey Jones (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eOne More Saturday Night (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497839667\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.29.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262778421403,"sku":"614793","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/1-grateful-dead-lyceum-theatre-london-england-digipak-edition.webp?v=1789440029"},{"product_id":"music-never-stopped-roots-of-the-grateful-dead-music-never-stopped-roots-of-the-grateful-dead-lp-vinyl","title":"The Music Never Stopped: Roots Of The Grateful Dead (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Grateful Dead were always as much curators as they were creators, absorbing a century of American music and refracting it back through their own kaleidoscopic lens. Hearing these source recordings, from the artists who first cut them, is a reminder of just how deep that well ran: old-time string bands, New Orleans second-line rhythms, Merle Haggard's Bakersfield twang, and Delta blues all living comfortably under the same roof.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe original versions of the Grateful Dead's best-loved cover tunes, performed by the artists who made them. Spanning blues, country, folk, and rock, \u003cem\u003eThe Music Never Stopped\u003c\/em\u003e traces the deep American roots that shaped the Dead's sound across five decades.\u003c\/p\u003e\n\u003cp\u003eLovingly compiled by Henry Kaiser, David Gans, and fellow Dead insiders, with the enthusiastic support of the band, this collection includes an insert with extensive liner notes detailing how the Dead came to cover each song and when they first performed it live. The cover art is by R. Crumb.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompiled by Henry Kaiser, David Gans \u0026amp; more with the support of the Grateful Dead\u003c\/li\u003e\n\u003cli\u003eInsert with extensive liner notes\u003c\/li\u003e\n\u003cli\u003eCover art by R. Crumb\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Rain And Snow\u003c\/div\u003e\n\u003cdiv\u003e2. Mama Tried\u003c\/div\u003e\n\u003cdiv\u003e3. Iko Iko\u003c\/div\u003e\n\u003cdiv\u003e4. Samson \u0026amp; Delilah\u003c\/div\u003e\n\u003cdiv\u003e5. Big Railroad Blues\u003c\/div\u003e\n\u003cdiv\u003e6. El Paso\u003c\/div\u003e\n\u003cdiv\u003e7. It's All Over Now, Baby Blue\u003c\/div\u003e\n\u003cdiv\u003e8. Spoonful\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Red Rooster\u003c\/div\u003e\n\u003cdiv\u003e2. The Promised Land\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Ease Me In\u003c\/div\u003e\n\u003cdiv\u003e4. Big Boss Man\u003c\/div\u003e\n\u003cdiv\u003e5. Turn On Your Love Light\u003c\/div\u003e\n\u003cdiv\u003e6. Morning Dew\u003c\/div\u003e\n\u003cdiv\u003e7. Not Fade Away\u003c\/div\u003e\n\u003cdiv\u003e8. Goin' Down This Road Feelin' Bad\u003c\/div\u003e\n\u003cdiv\u003e9. I Bid You Good Night\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262778716315,"sku":"550596","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8975152939163-lp-relix.png?v=1776288470"}],"url":"https:\/\/relix.shop\/collections\/grateful-dead-jerry-garcia-vinyl-and-cds.oembed","provider":"relix.shop","version":"1.0","type":"link"}