{"title":"Grateful Dead Vinyl Records, CDs \u0026 Box Sets","description":"\u003cp\u003eThe Grateful Dead built a musical universe no studio album could fully contain, and since 1974, Relix has been its chronicler. This collection brings together Grateful Dead vinyl records, CDs, and box sets spanning the complete arc of the Dead's recorded history, from the psychedelic experimentation of their earliest studio work to the late-era live recordings that still move the needle on the collector market.\u003c\/p\u003e\u003cp\u003eThe studio essentials are all here: American Beauty, Workingman's Dead, Blues for Allah, Anthem of the Sun, and In the Dark, available on CD and vinyl, including limited colored pressings and 180-gram audiophile editions built for serious collectors. The live catalog runs just as deep. Bear's Sonic Journals documents the Wall of Sound era in uncompressed detail. Dave's Picks and Dick's Picks series cover the full touring arc, with individual volumes pressed in limited runs that routinely sell out on release day. Europe '72, One from the Vault, and the Fillmore West recordings round out the archival essentials.\u003c\/p\u003e\u003cp\u003eFor collectors focused on specific eras, the selection spans the early Avalon Ballroom years through the Brent Mydland period, the Vince Welnick run, and the final Soldier Field Fare Thee Well shows. Record Store Day exclusives and limited-edition box sets are listed as they become available.\u003c\/p\u003e\u003cp\u003eAlso in the collection: \u003ca href=\"\/collections\/grateful-dead-cds-dvds\"\u003eCDs, DVDs \u0026amp; concert films\u003c\/a\u003e and \u003ca href=\"\/collections\/live-vinyl-albums\"\u003elive vinyl albums\u003c\/a\u003e from the broader jam band catalog.\u003c\/p\u003e","products":[{"product_id":"grateful-dead-aoxomoxoa-cd","title":"Grateful Dead – Aoxomoxoa (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRobert Hunter's arrival as the band's primary lyricist gave the Dead something they'd been reaching for since the Haight-Ashbury days, a true poet in the room. Songs like \"St. Stephen\" and \"China Cat Sunflower\" that debuted here became cornerstones of the live canon, played thousands of times over the next two decades and still burning bright in setlists today.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e“In 1969, for their third album, the Grateful Dead eschewed outside producers and created Aoxomoxoa themselves, beginning a run of self-produced albums that would continue until 1977. Scrapping the first sessions, which were recorded to eight-track tape, the Dead now had 16 tracks with which to experiment their psychedelic sound, with an album that included entirely \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e-penned lyrics for the first time.”\u003c\/p\u003e\n\n\u003cp\u003eArchivist \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. St. Stephen (4:26)\u003cbr\u003e\n2. Dupree's Diamond Blues (3:32)\u003cbr\u003e\n3. Rosemary (1:58)\u003cbr\u003e\n4. Doin' That Rag (4:41)\u003cbr\u003e\n5. Mountains Of The Moon (4:08)\u003cbr\u003e\n6. China Cat Sunflower (3:40)\u003cbr\u003e\n7. What's Become Of The Baby (8:12)\u003cbr\u003e\n8. Cosmic Charlie (5:29)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497846931\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.28.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149476966555,"sku":"698909","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Aoxomoxoa-CD_230fe867.jpg?v=1776107637"},{"product_id":"grateful-dead-go-to-heaven-lp-vinyl","title":"Grateful Dead – Go To Heaven (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBrent Mydland's debut on a Dead studio record proved he was no placeholder. Where his predecessors had shaped the band's sound through the psychedelic and jazz-leaning seventies, Mydland brought a blue-eyed soul edge that pushed the Dead toward something rawer and more direct, a quality that would define their sound well into the eighties and beyond.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGo To Heaven\u003c\/em\u003e (1980) is the Grateful Dead's eleventh studio album and their first with keyboardist \u003cstrong\u003eBrent Mydland\u003c\/strong\u003e, who joined in 1979 following \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e's departure. Recorded at Club Front studio in San Rafael, California and produced by Gary Lyons, the album captures the Dead attempting to create radio-friendly songs while maintaining their musical identity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\"Alabama Getaway\"\u003c\/strong\u003e became the band's highest-charting single in years, while the Garcia\/Hunter classic \u003cstrong\u003e\"Althea\"\u003c\/strong\u003e went on to become a live staple for decades. \u003cstrong\u003eBob Weir\u003c\/strong\u003e contributes some of his most sophisticated writing with the paired suite of \u003cstrong\u003e\"Lost Sailor\"\u003c\/strong\u003e and \u003cstrong\u003e\"Saint of Circumstance,\"\u003c\/strong\u003e and Mydland announces his arrival with a pair of his own compositions — \u003cstrong\u003e\"Far from Me\"\u003c\/strong\u003e and \u003cstrong\u003e\"Easy to Love You\"\u003c\/strong\u003e — sung with a grit and soul that immediately distinguished him as a vital addition to the band.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eGo To Heaven\u003c\/em\u003e would be the last Grateful Dead studio album for seven years — until \u003cem\u003eIn the Dark\u003c\/em\u003e in 1987 — and an album that has aged considerably better than its mixed initial reception suggested.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Alabama Getaway (3:37)\u003cbr\u003e\nA2. Far From Me (3:39)\u003cbr\u003e\nA3. Althea (6:52)\u003cbr\u003e\nA4. Feel Like A Stranger (5:06)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Lost Sailor (5:54)\u003cbr\u003e\nB2. Saint Of Circumstance (5:40)\u003cbr\u003e\nB3. Antwerp's Placebo (The Plumber) (0:39)\u003cbr\u003e\nB4. Easy To Love You (3:39)\u003cbr\u003e\nB5. Don't Ease Me In (3:13)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497828456\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Arista\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.28.80\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515337883,"sku":"259661","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Go-To-Heaven-LP-Vinyl_3bc682d7.jpg?v=1776107652"},{"product_id":"grateful-dead-dicks-picks-vol-20-capital-centre-landover-md-9-25-76-box-set-dual-disc-4-cd","title":"Grateful Dead – Dick's Picks Vol. 20: Capital Centre, Landover, MD 9\/25\/76 (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSeptember 1976 was a genuine reset for the Dead, and these performances capture that momentum in real time. After nearly two years away, the dual-drummer configuration was restored, the setlists were adventurous, and the band was clearly rediscovering what it could do on a live stage. The Landover date alone earns its place in the historical record as the final known performance of \"Cosmic Charlie.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eDick's Picks Vol. 20\u003c\/em\u003e captures the Grateful Dead across two shows from September 1976 — \u003cstrong\u003eCapital Centre, Landover, MD (9\/25\/76)\u003c\/strong\u003e and \u003cstrong\u003eOnondaga County War Memorial, Syracuse, NY (9\/28\/76)\u003c\/strong\u003e — spread across four discs and over five hours of music.\u003c\/p\u003e\n\n\u003cp\u003eThe timing makes this volume especially significant. 1976 marked the Dead's return to the road after a 20-month hiatus, with \u003cstrong\u003eMickey Hart\u003c\/strong\u003e back in the fold for the first time in five years. The band sounds newly energized, weaving together fresh material like \u003cstrong\u003e\"Lazy Lightnin'\"\u003c\/strong\u003e and \u003cstrong\u003e\"Supplication\"\u003c\/strong\u003e with deep catalog rarities including \u003cstrong\u003e\"St. Stephen\"\u003c\/strong\u003e and \u003cstrong\u003e\"Cosmic Charlie\"\u003c\/strong\u003e — the latter appearing on the Landover setlist for the last time ever.\u003c\/p\u003e\n\n\u003cp\u003eThe Syracuse second set is the crown jewel: a breathtaking run through \u003cstrong\u003e\"Comes a Time\"\u003c\/strong\u003e into \u003cstrong\u003e\"Eyes of the World\"\u003c\/strong\u003e and into the out-of-nowhere \u003cstrong\u003e\"Orange Tango Jam\"\u003c\/strong\u003e that stands among the finest moments in the entire Dick's Picks series.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1\u003c\/strong\u003e — Capital Centre, Landover, MD 9\/25\/76 (Set 1)\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBertha\u003c\/li\u003e\n\u003cli\u003eNew Minglewood Blues\u003c\/li\u003e\n\u003cli\u003eRamble On Rose\u003c\/li\u003e\n\u003cli\u003eCassidy\u003c\/li\u003e\n\u003cli\u003eBrown Eyed Woman\u003c\/li\u003e\n\u003cli\u003eMama Tried\u003c\/li\u003e\n\u003cli\u003ePeggyO\u003c\/li\u003e\n\u003cli\u003eLoser\u003c\/li\u003e\n\u003cli\u003eLet It Grow\u003c\/li\u003e\n\u003cli\u003eSugaree\u003c\/li\u003e\n\u003cli\u003eLazy Lightnin'\u003c\/li\u003e\n\u003cli\u003eSupplication\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2\u003c\/strong\u003e — Capital Centre, Landover, MD 9\/25\/76 (Set 2)\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMississippi Half-Step Uptown Toodeloo\u003c\/li\u003e\n\u003cli\u003eDancing in the Streets\u003c\/li\u003e\n\u003cli\u003eCosmic Charlie\u003c\/li\u003e\n\u003cli\u003eScarlet Begonias\u003c\/li\u003e\n\u003cli\u003eSt. Stephen\u003c\/li\u003e\n\u003cli\u003eNot Fade Away\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eJam\u003c\/li\u003e\n\u003cli\u003eSt. Stephen\u003c\/li\u003e\n\u003cli\u003eSugar Magnolia\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3\u003c\/strong\u003e — Onondaga County War Memorial, Syracuse, NY 9\/28\/76 (Set 1)\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCold Rain and Snow\u003c\/li\u003e\n\u003cli\u003eBig River\u003c\/li\u003e\n\u003cli\u003eCassidy\u003c\/li\u003e\n\u003cli\u003eTennessee Jed\u003c\/li\u003e\n\u003cli\u003eNew Minglewood Blues\u003c\/li\u003e\n\u003cli\u003eCandyman\u003c\/li\u003e\n\u003cli\u003eIt's All Over Now\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eLet It Grow\u003c\/li\u003e\n\u003cli\u003eGoin' Down the Road Feeling Bad\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 4\u003c\/strong\u003e — Onondaga County War Memorial, Syracuse, NY 9\/28\/76 (Set 2)\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlaying in the Band\u003c\/li\u003e\n\u003cli\u003eThe Wheel\u003c\/li\u003e\n\u003cli\u003eSamson and Delilah\u003c\/li\u003e\n\u003cli\u003eJam\u003c\/li\u003e\n\u003cli\u003eComes a Time\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eEyes of the World\u003c\/li\u003e\n\u003cli\u003eOrange Tango Jam\u003c\/li\u003e\n\u003cli\u003eDancing in the Streets\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band\u003c\/li\u003e\n\u003cli\u003eJohnny B. Goode\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 848064002192\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Real Gone Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.29.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515403419,"sku":"653083","price":74.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Dicks-Picks-Vol_-20-Capital-Centre-Landover-MD-92576-4-CD.jpg?v=1776107664"},{"product_id":"grateful-dead-rock-n-roots-of-colored-lp-vinyl","title":"Grateful Dead – The Rock N' Roots Of (Brown LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1980, the Dead had spent fifteen years weaving American roots music into something entirely their own, and these radio recordings catch them in that well-worn groove. Covers were never filler for this band; they were a window into the record collections and front-porch traditions that shaped Jerry Garcia, Bob Weir, and Ron McKernan from the beginning.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBrown colored vinyl pressing of live radio recordings from 1980, capturing the Grateful Dead's deep roots in American folk, blues, and country. The set draws from the band's vast catalog of covers and originals that defined their live shows — from the Jesse Fuller ragtime staple \u003cstrong\u003e\"Monkey and the Engineer\"\u003c\/strong\u003e to the Garcia\/Hunter perennial \u003cstrong\u003e\"Must've Been the Roses,\"\u003c\/strong\u003e \u003cstrong\u003eBob Weir\u003c\/strong\u003e's barroom classic \u003cstrong\u003e\"Mexicali Blues,\"\u003c\/strong\u003e and the blues standard \u003cstrong\u003e\"Little Red Rooster.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeaven Help the Fool\u003c\/li\u003e\n\u003cli\u003eSadie\u003c\/li\u003e\n\u003cli\u003eMonkey and the Engineer\u003c\/li\u003e\n\u003cli\u003eMust've Been the Roses\u003c\/li\u003e\n\u003cli\u003eMe \u0026amp; My Uncle\u003c\/li\u003e\n\u003cli\u003eMexicali Blues\u003c\/li\u003e\n\u003cli\u003eRamble on Rose\u003c\/li\u003e\n\u003cli\u003eLittle Red Rooster\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4262428984003\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue-line\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.12.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515436187,"sku":"29730806","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-The-Rock-N-Roots-Of-Brown-LP-Vinyl.jpg?v=1776107669"},{"product_id":"grateful-dead-best-of-the-skeletons-from-the-closet-greatest-hits-cd","title":"Grateful Dead – Best Of The Skeletons From The Closet: Greatest Hits (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFor anyone just finding their way into the Dead's universe, this Rhino compilation draws from the band's Warner Bros. studio years, capturing the polished, song-focused side of a group whose reputation was built on endless improvisation. These are the tracks that pulled a generation toward the rabbit hole, the ones that still sound on the radio before someone inevitably asks, \"Have you ever heard the live version?\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe classic Dead best-of. Includes Truckin'; Casey Jones; Sugar Magnolia; Uncle John's Band; Friend of the Devil and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. The Golden Road (To Unlimited Devotion)\u003cbr\u003e\n2. Truckin'\u003cbr\u003e\n3. Rosemary\u003cbr\u003e\n4. Sugar Magnolia\u003cbr\u003e\n5. St. Stephen\u003cbr\u003e\n6. Uncle John's Band\u003cbr\u003e\n7. Casey Jones\u003cbr\u003e\n8. Mexicali Blues\u003cbr\u003e\n9. Turn On Your Love Light\u003cbr\u003e\n11. One More Saturday Night\u003cbr\u003e\n12. 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The Fillmore East, Bill Graham's New York room, was one of the few stages in America that could hold what the Dead were becoming, and recordings from this run capture that electricity with rare immediacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eGrateful Dead Fillmore East 2-11-69 (180 Gram Audiophile Vinyl\/Limited Anniversary Edition\/Tri-fold Cover)\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eIn celebration of 6 Decades of Grateful Dead, Friday Music is very pleased to announce this stunning 180 Gram Audiophile 3 LP Deluxe Set of Grateful Dead's \u003cstrong\u003e\"Fillmore East 2-11-69.\"\u003c\/strong\u003e This amazing, super-limited-edition treasure trove features tunes from these significant concerts, both early and late.\u003c\/p\u003e\n\n\u003cp\u003eFilled with 17 stellar vinyl performances, The Grateful Dead's \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, Bill Kreutzmann, Ron McKernan, and \u003cstrong\u003eTom Constanten\u003c\/strong\u003e truly radiate their finest playing and singing, making this a wonderful listen and a highly collectible album for years to come.\u003c\/p\u003e\n\n\u003cp\u003eAs an added super-rare treat, a tip of the hat to The Beatles is preserved in the audiophile domain, with their fine interpretation of Hey Jude, as well as a pair of masterful blues classics: King Bee and Good Morning Little School Girl.\u003c\/p\u003e\n\n\u003cp\u003eThe Grateful Dead's Fillmore 2-11-69 album is packaged in a stunning tri-fold cover with beautifully detailed artwork, Gary Lambert's original liner notes, and wonderful retro LP label artwork for each vinyl album.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGood Morning Little Schoolgirl\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eThe Other One\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eDoin' That Rag\u003c\/li\u003e\n\u003cli\u003eI'm A King Bee\u003c\/li\u003e\n\u003cli\u003eHey Jude\u003c\/li\u003e\n\u003cli\u003eTurn On Your Lovelight\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eDupree's Diamond Blues\u003c\/li\u003e\n\u003cli\u003eMountains Of The Moon\u003c\/li\u003e\n\u003cli\u003eDark Star\u003c\/li\u003e\n\u003cli\u003eSt. Stephen\u003c\/li\u003e\n\u003cli\u003eThe Eleven\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eCaution (Do Not Stop On Tracks)\u003c\/li\u003e\n\u003cli\u003eFeedback\u003c\/li\u003e\n\u003cli\u003eWe Bid You Goodnight\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 829421021698\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Friday Music Two\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515534491,"sku":"71456052","price":174.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Fillmore-East-2-11-69-3-LP-Vinyl.png?v=1776107685"},{"product_id":"grateful-dead-american-beauty-50th-anniversary-deluxe-cd","title":"Grateful Dead – American Beauty: 50th Anniversary (Deluxe 3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the summer of 1970 and released that November, American Beauty arrived just months after Workingman's Dead and completed one of the most remarkable back-to-back creative statements in rock history. Where its predecessor leaned into country grit, American Beauty opened into something more luminous, with the harmonies of Crosby, Stills and Nash filtering through the Dead's own communal voice. The Capitol Theatre run captured here was among the first major tests of these songs on the road, the band still fresh inside material that would anchor their live sets for decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDeluxe three CD edition. Includes the original album with newly remastered audio, plus an unreleased concert recorded on February 18, 1971, at the Capitol Theatre in Port Chester, NY. \u003c\/p\u003e\u003cp\u003eThe show was mixed from the 16-track analog master tapes by Jeffrey Norman at \u003cstrong\u003eBob Weir\u003c\/strong\u003e's Marin County TRI Studios and mastered by Grammy Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e. The crown jewel of the Dead's studio output! The album's original 10 tracks include many of the Dead's best-known, most-loved, and most popular songs both on record and in concert for the next 25 years. \u003c\/p\u003e\u003cp\u003eAn album that includes Box Of Rain, Friend Of The Devil, Sugar Magnolia, Candyman, Ripple, Brokedown Palace, Attics Of My Life, and Truckin' looks more like a greatest-hits compilation than a second album of 1970, and yet American Beauty demonstrates a band unable to slow down in terms of the quality of its writing, recording, and performing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Box Of Rain (5:17)\u003cbr\u003e\n1-2. Friend Of The Devil (3:23)\u003cbr\u003e\n1-3. Sugar Magnolia (3:17)\u003cbr\u003e\n1-4. Operator (2:23)\u003cbr\u003e\n1-5. Candyman (6:13)\u003cbr\u003e\n1-6. Ripple (4:08)\u003cbr\u003e\n1-7. 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The tour also introduced live versions of songs like \"Brown-Eyed Women\" and \"Ramble On Rose\" that Deadheads would chase across setlists for decades, making this document not just a souvenir but a genuine musical turning point.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCelebrating the 50th Anniversary of the Grateful Dead's iconic Europe '72 Tour with the original \u003cem\u003eEurope '72\u003c\/em\u003e album, newly remastered. Plangent Processes tape restoration and speed correction, with mastering by GRAMMY® Award-winning engineer Dave Glasser, produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eIn another industry-defying move, the Grateful Dead followed up their first Gold Record — the 1971 live showcase \u003cem\u003eSkull \u0026amp; Roses\u003c\/em\u003e — with another live album, one that to most fans and critics surpassed even the excellence of the previous offering.\u003c\/p\u003e\n\n\u003cp\u003eFrom April 7 to May 26, 1972, the Dead performed and recorded 21 live concerts, plus a set in a television studio, with every night being an exceptional display of the magic that was uniquely the live Grateful Dead. These concerts and this tour, 50 years later, are still considered one of the highest of high points in the Grateful Dead's performing career.\u003c\/p\u003e\n\n\u003cp\u003eIn an era when a double album was rare enough, the Dead outdid even their own lofty standards by producing what is widely regarded as one of the finest live albums ever made — originally released as a sprawling 3-LP set, and now available here in a newly remastered 2-CD edition. Remastered from the original analog tapes, the album has never sounded better.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Cumberland Blues (5:42)\u003cbr\u003e\n1-2. He's Gone (6:58)\u003cbr\u003e\n1-3. One More Saturday Night (4:49)\u003cbr\u003e\n1-4. Jack Straw (4:49)\u003cbr\u003e\n1-5. You Win Again (4:00)\u003cbr\u003e\n1-6. China Cat Sunflower (5:33)\u003cbr\u003e\n1-7. 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The centerpiece suite that closes Side 2 would become one of Jerry Garcia and Robert Hunter's most beloved long-form compositions, a piece the band carried through their live sets for decades, always searching for new ways into its layered mythology.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNewly mastered by GRAMMY® Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe first Grateful Dead album on Arista Records and the first studio album featuring an outside producer since their debut a decade earlier, \u003cem\u003eTerrapin Station\u003c\/em\u003e is one of the deepest, densest, and most ambitious records in the entire Dead catalog. 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For anyone who's ever debated which era, which room, or which version captures what made this band unlike anything else, consider this a starting point and an argument all at once.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CD set. Narrowing down The Grateful Dead's touring career and live performances to 60 CDs, 20 venues, and more than 450 songs is hard enough. Narrowing THAT down for 3CD and 6LP sets is a monumental undertaking, but with so much great music to select from, it's one of the most enjoyable compilations we've ever assembled. \u003c\/p\u003e\u003cp\u003eThis nearly four-hour collection contains one song (or two, or three...) from every show in the Dead's new road tripping boxed set, ENJOYING THE RIDE, which brings together music from 20 (21...) of the most essential venues in Grateful Dead and Dead Head history. \u003c\/p\u003e\u003cp\u003eThis compilation is crafted with songs spanning the 25 years in the boxed set, 1969-1994. Drawn from such iconic venues as Red Rocks, Frost Amphitheatre, Greek Theatre, Fillmores East and West, Madison Square Garden, Alpine Valley, and many more, THE MUSIC NEVER STOPPED features such classics as \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e \u003cstrong\u003e\"Eyes Of The World,\"\u003c\/strong\u003e \u003cstrong\u003e\"Scarlet Begonias,\"\u003c\/strong\u003e the title track, and plenty of under the radar tracks like \u003cstrong\u003e\"Big Boy Pete,\"\u003c\/strong\u003e \u003cstrong\u003e\"My Brother Esau,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Doin' That Rag.\"\u003c\/strong\u003e \u003c\/p\u003e\u003cp\u003e\"This is a career-defining live collection filled with some of the greatest tracks performed at their greatest venues.\" \u003cstrong style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eDavid Lemieux\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. 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Jerry Garcia was in strong form that year, and the band's willingness to let Dark Star breathe across an entire evening rather than contain it to a single slot speaks to how fully locked-in they were from the first note.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWidely considered one of the most inspired and celebrated shows of the Dead's final decade, the 6\/17\/91 Giants Stadium performance fires on all cylinders from the opening notes. The setlist is filled with both beloved classics and genuine rarities — and at the center of it all, \u003cstrong\u003eDark Star\u003c\/strong\u003e weaves in and out throughout the show, making no less than six distinct appearances including during the first set.\u003c\/p\u003e\n\n\u003cp\u003eRarities like \u003cstrong\u003e\"Saint of Circumstance,\"\u003c\/strong\u003e \u003cstrong\u003e\"Might As Well,\"\u003c\/strong\u003e \u003cstrong\u003e\"New Speedway Boogie,\"\u003c\/strong\u003e and \u003cstrong\u003e\"China Doll\"\u003c\/strong\u003e sit alongside perennials like \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e \u003cstrong\u003e\"Uncle John's Band,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Eyes of the World\"\u003c\/strong\u003e — which opens the show in shocking fashion and sets the tone for everything that follows. 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Songs like \"Casey Jones\" and \"Uncle John's Band\" became instant cornerstones of the live repertoire, performed thousands of times over the next two and a half decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eSublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eYou've never heard this roots-based marvel sound better: mastered from the original master tapes and given extra-wide grooves on 45RPM LP. Ranked \u003cstrong\u003e#264 on Rolling Stone's List of the 500 Greatest Albums of All Time\u003c\/strong\u003e: airy harmonies, simple structures, concise arrangements, and burnished tones anchor songs that bookend to 1970's \u003cem\u003eAmerican Beauty\u003c\/em\u003e, also available on 180g 45RPM 2LP from Mobile Fidelity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, the album attains \u003cstrong\u003eaudiophile reference status\u003c\/strong\u003e courtesy of this first-ever 45RPM version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs with a transcendence associated with timeless American music.\u003c\/p\u003e\n\n\u003cp\u003eColorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives. \u003cstrong\u003eMastered from the original master tapes and pressed on 180g LPs at RTI\u003c\/strong\u003e, Mobile Fidelity's numbered limited edition of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and-touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances — traits made possible by the format's wider grooves.\u003c\/p\u003e\n\n\u003cp\u003eInstrumental melds and refined accents, such as guest David Nelson's nimble fills on \"Cumberland Blues,\" are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling.\u003c\/p\u003e\n\n\u003cp\u003eThe first Grateful Dead album to eschew cosmic jams and complex signatures, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e stakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state — immediately apparent via the innocent album-opening invitation \"Will you come with me?\" on \"Uncle John's Band\" — owes to the circumstances surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from — and reacting to — the tragic events of the Altamont Music Festival and the symbolic end of the peace and love era. As such, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship.\u003c\/p\u003e\n\n\u003cp\u003eLyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning \u003cstrong\u003e\"Cumberland Blues,\"\u003c\/strong\u003e pastoral ballad \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and bluesy \u003cstrong\u003e\"Easy Wind\"\u003c\/strong\u003e hit the mark. Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus.\u003c\/p\u003e\n\n\u003cp\u003eAside from the economical concision and thematic consistency, the genius of \u003cem\u003eWorkingman's Dead\u003c\/em\u003e resides in the group's expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live \"air blends\" of multi-part vocal harmonies that provide the foundations of nearly every track. \u003cstrong\u003e\"Uncle John's Band,\" \"High Time,\" \"New Speedway Boogie,\"\u003c\/strong\u003e and the radio favorite \u003cstrong\u003e\"Casey Jones\"\u003c\/strong\u003e practically float on the ensemble's communal vocal beds. Mobile Fidelity's 45RPM edition renders these invigorating characteristics in \u003cstrong\u003ethree-dimensional sound, transporting you to the event. Recordings don't get more lifelike.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e — an iconic, ageless record that drew countless listeners to the band's unique style because of its accessibility and charm — deserves nothing less. Neither do you.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Uncle John's Band (4:42)\u003cbr\u003e\nA2. High Time (5:13)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Dire Wolf (3:13)\u003cbr\u003e\nB2. New Speedway Boogie (4:05)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Cumberland Blues (3:15)\u003cbr\u003e\nC2. Black Peter (5:42)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Easy Wind (4:59)\u003cbr\u003e\nD2. Casey Jones (4:24)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797242813\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e November 25, 2014\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl (180g, 45RPM, Limited Edition)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516451995,"sku":"15951166","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Workingmans-Dead-Mobile-Fidelity-180-Gram-2-LP-Vinyl.png?v=1776107834"},{"product_id":"grateful-dead-gratest-hits-blue-colored-lp-vinyl","title":"Grateful Dead – Gratest Hits (Blue LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNine songs shouldn't be enough to capture a band that regularly played four-hour shows, yet this Warner Bros. survey pulls off something remarkable: a snapshot of the Dead at their most radio-approachable, drawing from the fertile 1970 to 1971 studio run that produced both \"Workingman's Dead\" and \"American Beauty\" alongside the harder-edged \"Casey Jones\" and \"Truckin'.\" The blue vinyl pressing gives a catalog staple a reason to come off the shelf again.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Grateful Dead's essential compilation, pressed on limited edition light blue vinyl. Originally released as \u003cem\u003eWhat a Long Strange Trip It's Been\u003c\/em\u003e in 1977, this single-LP collection covers the band's Warner Bros. years — featuring \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Sugar Magnolia,\"\u003c\/strong\u003e \u003cstrong\u003e\"Casey Jones,\"\u003c\/strong\u003e \u003cstrong\u003e\"Touch of Grey,\"\u003c\/strong\u003e and four more essentials, all in 2015-remastered audio. The ideal entry point for new listeners and a collectible variant for longtime fans.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Casey Jones (4:24)\u003cbr\u003e\nA2. Friend Of The Devil (3:21)\u003cbr\u003e\nA3. Box Of Rain (5:17)\u003cbr\u003e\nA4. Sugar Magnolia (3:17)\u003cbr\u003e\nA5. 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The title suite, a sprawling meditation that closes the original album, remains one of the most adventurous pieces the band ever committed to tape. This 50th anniversary edition pulls from analog masters to restore what that creative freedom actually sounded like.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGrateful Dead Blues For Allah (50th Anniversary Remaster) \"To celebrate the 50th Anniversary of The Grateful Dead's ambitious 1975 album Blues For Allah, we have produced what we feel is the most eclectic 50th Anniversary reissue since this series began in 2017. \u003c\/p\u003e\u003cp\u003eThe 3-disc special release features the original album on Disc 1, remastered by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e at Airshow Mastering, with tape restoration and speed correction by Plangent Processes. On Disc 2, we have nearly 45 minutes of nearly-live material from August 12, 1975, at the Great American Music Hall in San Francisco, the soundcheck the day before the Dead's famous show at the venue on August 13, 1975, all mixed from the 16-track analog masters. \u003c\/p\u003e\u003cp\u003eAdditionally, we have included the full Blues For Allah suite from the March 23, 1975, SNACK Benefit at Kezar Stadium, where the Dead played their first of four 1975 shows by debuting one of their wildest pieces of music they'd ever composed. Disc 3 features 75 minutes of live material recorded in June 1976 at the Tower Theatre in Upper Darby, PA, on the Dead's first tour after the release of Blues For Allah.\u003cimg\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Help On The Way \/ Slipknot! (7:23)\u003cbr\u003e\n1-2. Franklin's Tower (4:35)\u003cbr\u003e\n1-3. King Solomon's Marbles: Stronger Than Dirt \/ Milkin' The Turkey (5:16)\u003cbr\u003e\n1-4. The Music Never Stopped (4:37)\u003cbr\u003e\n1-5. Crazy Fingers (6:42)\u003cbr\u003e\n1-6. Sage \u0026amp; Spirit (3:07)\u003cbr\u003e\n1-7. Blues For Allah \/ Sand Castles \u0026amp; Glass Camels \/ Unusual Occurrences in the Desert (12:34)\u003cbr\u003e\n2-1. Help On The Way (3:21)\u003cbr\u003e\n2-2. Slipknot! (4:19)\u003cbr\u003e\n2-3. Franklin's Tower (3:27)\u003cbr\u003e\n2-4. Help On The Way (2:05)\u003cbr\u003e\n2-5. Slipknot! (4:06)\u003cbr\u003e\n2-6. Franklin's Tower (7:13)\u003cbr\u003e\n2-7. King Solomon's Marbles (6:21)\u003cbr\u003e\n2-8. Crazy Fingers (9:02)\u003cbr\u003e\n2-9. Sage \u0026amp; Spirit (3:31)\u003cbr\u003e\n2-10. Blues For Allah (10:00)\u003cbr\u003e\n2-11. Stronger Than Dirt (Or Milkin' The Turkey) (6:29)\u003cbr\u003e\n2-12. Drums (3:22)\u003cbr\u003e\n2-13. Stronger Than Dirt (Or Milkin' The Turkey) (9:44)\u003cbr\u003e\n2-14. Blues For Allah (3:38)\u003cbr\u003e\n3-1. The Music Never Stopped (7:04)\u003cbr\u003e\n3-2. Help On The Way (3:45)\u003cbr\u003e\n3-3. Slipknot! (9:29)\u003cbr\u003e\n3-4. Franklin's Tower (11:16)\u003cbr\u003e\n3-5. Crazy Fingers (12:56)\u003cbr\u003e\n3-6. Comes A Time (8:06)\u003cbr\u003e\n3-7. Eyes Of The World (12:23)\u003cbr\u003e\n3-8. 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The songs collected here represent a road not taken, a studio album that never got made, and hearing them in their natural habitat, on stage and in the moment, makes the absence of that record feel both more real and somehow beside the point.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eReady or Not\u003c\/em\u003e presents nine unreleased live performances from the early '90s, spotlighting the songs that might have formed the Grateful Dead's next studio album — had there been one.\u003c\/p\u003e\n\u003cp\u003eMastered from the original digital soundboard tapes and recorded between 1992 and 1995, the collection focuses on the finest unreleased versions of these late-period gems, performed by the final Grateful Dead lineup: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, and keyboardist \u003cstrong\u003eVince Welnick\u003c\/strong\u003e. Songs like \u003cstrong\u003e\"So Many Roads,\"\u003c\/strong\u003e \u003cstrong\u003e\"Days Between,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Lazy River Road\"\u003c\/strong\u003e had become concert staples in Garcia's final years, and these performances capture them at their most powerful.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Liberty (6:14)\u003cbr\u003e\n2. Eternity (10:10)\u003cbr\u003e\n3. Lazy River Road (6:54)\u003cbr\u003e\n4. Samba In The Rain (6:44)\u003cbr\u003e\n5. So Many Roads (7:33)\u003cbr\u003e\n6. Way To Go Home (6:02)\u003cbr\u003e\n7. Corrina (15:27)\u003cbr\u003e\n8. Easy Answers (7:00)\u003cbr\u003e\n9. 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The Keith Godchaux era brought a jazz-informed elegance to the songwriting, and Jerry Garcia and Robert Hunter were operating at a peak lyrical chemistry that runs all the way through \"Stella Blue\" and \"Eyes of the World.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA picture disc pressing of the 50th Anniversary Remaster of \u003cem\u003eWake of the Flood\u003c\/em\u003e — the debut album from the band's own Grateful Dead Records label. Remastered by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e with Plangent Processes tape restoration and speed correction, and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eReleased in 1973, \u003cem\u003eWake of the Flood\u003c\/em\u003e introduced a pivotal new lineup following the passing of founding member Ron \u003cstrong\u003e\"Pigpen\"\u003c\/strong\u003e McKernan and the temporary exit of drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. 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What it does capture is the arc of a band that reinvented American music across three decades and multiple label homes, from the psychedelic San Francisco of the late '60s through the arena-filling years of \"Touch of Grey.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe first ever career-spanning single-disc compilation from the Grateful Dead, drawing from every label the band recorded on: Warner Bros. Records, Grateful Dead Records\/United Artists Records, and Arista Records. Tracks hand-picked by Dead archivists James Austin and \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e — a perfect entry point for new listeners and a handy single-disc overview for longtime Deadheads.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Truckin' (5:08)\u003cbr\u003e\n2. Touch Of Grey (5:50)\u003cbr\u003e\n3. Sugar Magnolia (3:19)\u003cbr\u003e\n4. Casey Jones (4:28)\u003cbr\u003e\n5. Uncle John's Band (4:46)\u003cbr\u003e\n6. Friend Of The Devil (3:24)\u003cbr\u003e\n7. Franklin's Tower (4:34)\u003cbr\u003e\n8. Estimated Prophet (5:38)\u003cbr\u003e\n9. Eyes Of The World (5:20)\u003cbr\u003e\n10. Box Of Rain (5:20)\u003cbr\u003e\n11. U.S. Blues (4:40)\u003cbr\u003e\n12. The Golden Road (To Unlimited Devotion) (2:13)\u003cbr\u003e\n13. One More Saturday Night (Live, 1972) (4:50)\u003cbr\u003e\n14. Fire On The Mountain (3:49)\u003cbr\u003e\n15. The Music Never Stopped (4:36)\u003cbr\u003e\n16. Hell In A Bucket (5:38)\u003cbr\u003e\n17. 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Wake of the Flood arrived at a genuine crossroads moment, with Keith Godchaux's piano giving the band a harmonic depth and melodic sophistication that pushed their studio writing into new territory. The songs road-tested here became cornerstones of setlists for the next two decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe 50th Anniversary Deluxe Edition of \u003cem\u003eWake of the Flood\u003c\/em\u003e — the debut album from the band's own Grateful Dead Records label — newly remastered with Plangent Processes tape restoration and speed correction by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e, and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eReleased October 15, 1973, \u003cem\u003eWake of the Flood\u003c\/em\u003e introduced a pivotal new lineup following the passing of founding member Ron \u003cstrong\u003e\"Pigpen\"\u003c\/strong\u003e McKernan and the temporary exit of drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. Newest members Keith and Donna Godchaux step into the fold on keys and vocals, and the result is one of the most musically rich albums in the Dead's catalog — featuring \u003cstrong\u003e\"Eyes of the World,\"\u003c\/strong\u003e \u003cstrong\u003e\"Stella Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"Here Comes Sunshine,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Half-Step Uptown Toodeloo.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe bonus disc draws from the final night of the album's brief release tour: November 1, 1973 at McGaw Memorial Hall, Northwestern University, Evanston, Illinois. Bookended by two songs from the new album — \u003cstrong\u003e\"Weather Report Suite\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Half-Step\"\u003c\/strong\u003e — the live set features one of the most creative and inspired jams of the entire tour: a breathtaking \u003cstrong\u003e\"Morning Dew\"\u003c\/strong\u003e → \u003cstrong\u003e\"Playing in the Band\"\u003c\/strong\u003e → \u003cstrong\u003e\"Uncle John's Band\"\u003c\/strong\u003e → \u003cstrong\u003e\"Playing in the Band\"\u003c\/strong\u003e sequence that stands as a highlight of the era.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Wake of the Flood (50th Anniversary Remaster)\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMississippi Half-Step Uptown Toodeloo (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eLet Me Sing Your Blues Away (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eRow Jimmy (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eStella Blue (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eHere Comes Sunshine (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eEyes of the World (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eWeather Report Suite (2023 Remaster)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Demos \u0026amp; Live at McGaw Memorial Hall, Northwestern University, Evanston, IL, 11\/1\/73\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEyes of the World (Demo)\u003c\/li\u003e\n\u003cli\u003eHere Comes Sunshine (Demo)\u003c\/li\u003e\n\u003cli\u003eWeather Report Suite (Live)\u003c\/li\u003e\n\u003cli\u003eMorning Dew (Live)\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band, Pt. 1 (Live)\u003c\/li\u003e\n\u003cli\u003eUncle John's Band (Live)\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band, Pt. 2 (Live)\u003c\/li\u003e\n\u003cli\u003eMississippi Half-Step Uptown Toodeloo (Live)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497833870\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.29.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516943515,"sku":"360428","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Wake-Of-The-Flood-Deluxe-2-CD.jpg?v=1776107890"},{"product_id":"grateful-dead-the-best-of-the-grateful-dead-live-1969-1977-2-cd","title":"Grateful Dead – The Best of the Grateful Dead Live: 1969-1977 (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Grateful Dead never treated any two nights the same, which is what makes a collection like this both necessary and genuinely difficult to assemble. 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Songs like \"Friend of the Devil,\" \"Ripple,\" and \"Truckin'\" became cornerstones of the repertoire, played in some form across five decades of touring and still beloved by every generation that finds its way into this music.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe crown jewel of the Dead's studio output! Featuring the 50th Anniversary remastered audio.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Box Of Rain (5:18)\u003cbr\u003e\n2. Friend Of The Devil (3:23)\u003cbr\u003e\n3. Sugar Magnolia (3:17)\u003cbr\u003e\n4. Operator (2:23)\u003cbr\u003e\n5. Candyman (6:11)\u003cbr\u003e\n6. Ripple (4:07)\u003cbr\u003e\n7. Brokedown Palace (4:06)\u003cbr\u003e\n8. Till The Morning Comes (3:06)\u003cbr\u003e\n9. Attics Of My Life (5:09)\u003cbr\u003e\n10. 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What the Dead brought to his catalog was something few backing bands could offer: a communal improvisational language built over two decades of live performance, and an audience already primed to follow wherever the music led.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDylan \u0026amp; The Dead is a collaborative live album by American singer-songwriter Bob Dylan and the Grateful Dead, released on February 6, 1989 by Columbia Records. The album consists of seven songs written and sung by Dylan, with the Grateful Dead providing accompaniment. The album was produced by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eDylan \u0026amp; The Dead was recorded in 1987, during a successful stadium tour of the same name, that featured the two artists performing separately and together.\u003c\/p\u003e\n\n\u003cp\u003eIn 1992, a bootleg of the first concert of the tour was released under the title \u003cstrong\u003e\"Orbiting Uvula\"\u003c\/strong\u003e. 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That crossover didn't dilute the community; it expanded it, bringing a whole new generation into the fold before the band's final years together.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe second and final volume of the Grateful Dead's 2015 career-spanning compilation, covering the band's Arista years from 1977 through 1989. Available as a 180-gram 2-LP set, \u003cem\u003eVolume 2\u003c\/em\u003e picks up where the first collection left off — moving from the orchestral ambition of \u003cstrong\u003e\"Terrapin Station\"\u003c\/strong\u003e through the disco-funk of \u003cstrong\u003e\"Shakedown Street,\"\u003c\/strong\u003e the commercial breakthrough of \u003cstrong\u003e\"Touch of Grey,\"\u003c\/strong\u003e and deep into the underrated gems of \u003cem\u003eIn the Dark\u003c\/em\u003e and \u003cem\u003eBuilt to Last\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eTaken together, the 13 tracks here make a compelling case that the Dead's Arista era — often dismissed by purists — produced some of their most enduring songs.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. 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What those Vancouver recordings reveal is a setlist still leaning hard on covers, the electric jug band DNA that Mother McCree's Uptown Jug Champions had planted, and a looseness that the studio would soon tighten into something more deliberate.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Grateful Dead's self-titled debut album, celebrating its 50th anniversary with a deluxe 2-CD set. Disc 1 features the original 1967 album, newly remastered. Disc 2 presents the previously unreleased complete show from P.N.E. Garden Auditorium, Vancouver, BC on July 29th, 1966 — one of the earliest known recordings of the band — plus four additional tracks from the following night at the same venue.\u003c\/p\u003e\n\n\u003cp\u003eThe Vancouver recordings capture the Grateful Dead in their rawest form: a young band still steeped in blues, jug band music, and early rock and roll, months before they entered the studio to record their debut. A remarkable document of where it all began.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. The Golden Road (To Unlimited Devotion) (2:12)\u003cbr\u003e1-2. Beat It On Down The Line (2:33)\u003cbr\u003e1-3. Good Mornin' Little School Girl (5:50)\u003cbr\u003e1-4. Cold Rain And Snow (2:31)\u003cbr\u003e1-5. Sittin' On Top Of The World (2:08)\u003cbr\u003e1-6. Cream Puff War (2:31)\u003cbr\u003e1-7. Morning Dew (5:09)\u003cbr\u003e1-8. New, New Minglewood Blues (2:37)\u003cbr\u003e1-9. Viola Lee Blues (10:16)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e2-1. Standing On The Corner (3:23)\u003cbr\u003e2-2. I Know Your Rider (3:14)\u003cbr\u003e2-3. Next Time You See Me (3:37)\u003cbr\u003e2-4. Sittin' On Top Of The World (3:47)\u003cbr\u003e2-5. You Don't Have To Ask (5:14)\u003cbr\u003e2-6. Big Boss Man (4:16)\u003cbr\u003e2-7. 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Spanning the band's career from the psychedelic Haight-Ashbury years through the arena-filling 1980s and beyond, these 19 tracks were pulled from the same vault that made the film so revelatory, prioritizing moments that capture the Dead at their most electrically alive rather than the obvious greatest hits.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMotion Picture Soundtrack for Long Strange Trip.  Long Strange Trip is an unprecedented four-hour documentary about the legendary band the Grateful Dead from executive producer Martin Scorsese (Silence, The Departed), and director Amir Bar-Lev (The Tillman Story, Happy Valley). Long Strange Trip probes the creative forces, subversive ambitions, and interpersonal dynamics that drove the Grateful Dead in their 30-year career. The first biographical film authorized and supported by the band, LST includes never-before-seen archival footage (of performances, backstage, and home movies) as well as new interviews with band members and cultural critics.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Death Don't Have No Mercy (10:32)\u003cbr\u003e\n1-2. St. Stephen (6:42)\u003cbr\u003e\n1-3. Uncle John's Band (4:46)\u003cbr\u003e\n1-4. Dark Star (23:52)\u003cbr\u003e\n1-5. Easy Wind (5:01)\u003cbr\u003e\n1-6. Candyman (6:16)\u003cbr\u003e\n1-7. China Cat Sunflower (5:09)\u003cbr\u003e\n1-8. I Know You Rider (5:55)\u003cbr\u003e\n1-9. Morning Dew (5:01)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. He's Gone (8:53)\u003cbr\u003e\n2-2. The Music Never Stopped (5:33)\u003cbr\u003e\n2-3. Scarlet Begonias (9:54)\u003cbr\u003e\n2-4. Fire On The Mountain (15:09)\u003cbr\u003e\n2-5. Althea (8:33)\u003cbr\u003e\n2-6. Touch Of Grey (5:52)\u003cbr\u003e\n2-7. Dear Mr. Fantasy (7:07)\u003cbr\u003e\n2-8. Hey Jude (4:00)\u003cbr\u003e\n2-9. Ripple (4:10)\u003cbr\u003e\n2-10. 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Having Keith and Donna Jean Godchaux in the room meant the chemistry from the Dead's own mid-70s peak was bleeding directly into these intimate club nights at the Keystone, a Berkeley venue that Garcia returned to again and again throughout the decade as a kind of low-pressure laboratory for exactly this kind of musical exploration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 21\u003c\/em\u003e brings the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e back to their Bay Area stomping grounds with a then-new lineup — Grateful Dead members \u003cstrong\u003eDonna Jean\u003c\/strong\u003e and \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e joining mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e. 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Bill Payne has anchored this outfit through every incarnation since 1969, and the addition of Scott Sharrard, a veteran of Gregg Allman's final touring band, brings real Southern rock credibility to the lineup alongside the long-tenured rhythm section of Gradney and Clayton.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eStrike Up The Band is Little Feat's triumph return to rock n roll with plenty of swampy southern soul with Bill Payne (keys\/vocals0, Scott Sharrard (guitar\/vocals), Tony Leone (drums\/vocals), Fred Tackett (guitar), Kenny Gradney (bass), and Sam Clayton (percussion\/vocals). It's their first album of new material in over 13 years with songs written by Payne and Tacket as well as Feat's newest members Sharrrard and Leone. The album was produced by the multi Grammy Award winner, Vance Powell (Phish, Chris Stapleton, Jack White) and Bill Payne. The song \"Bluegrass Pines\" features speacial guest Molly Tuttle and Larry Campbell \u0026amp; Teresa Williams, and was written by Payne and the Grateful Dead lyricst Robert Hunter, and the title track features Larkin Poe on guest vocals.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. 4 Days Of Heaven 3 Days Of Work (5:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Bayou Mama (4:06)\u003c\/div\u003e\n\u003cdiv\u003e3. Shipwrecks (4:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Midnight Flight (4:04)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Too High To Cut My Hair (4:54)\u003c\/div\u003e\n\u003cdiv\u003e2. When Hearts Fall (4:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Strike Up The Band (5:47)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Bluegrass Pines (5:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Disappearing Ink (3:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Love And Life (Never Fear) (5:23)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Dance A Little (5:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Running Out Of Time With The Blues (3:03)\u003c\/div\u003e\n\u003cdiv\u003e3. New Orleans Cries When She Sings (5:34)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 020286248866\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Hot Tomato Productio\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.9.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820277915,"sku":"26191818","price":41.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Little-Feat-Strike-Up-The-Band-2-LP-Vinyl.png?v=1776108329"},{"product_id":"jerry-garcia-band-garcialive-volume-19-october-31st-1992-oakland-coliseum-arena-cd","title":"Jerry Garcia Band – GarciaLive Vol. 19: October 31st, 1992 Oakland Coliseum Arena (2–CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHalloween has always carried weight in the Bay Area concert calendar, but this particular night hit different. Garcia had nearly died that summer, and the Oakland faithful showed up knowing they might be witnessing something they'd almost lost forever; the joy in that room was inseparable from the relief.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 19\u003c\/em\u003e documents one of the most emotionally charged nights in \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e history — his triumphant return to the stage on Halloween, October 31, 1992, at the Oakland Coliseum Arena, just three months after a health crisis so severe it forced the cancellation of an entire Grateful Dead tour. Slimmed down and in great spirits, Garcia took the stage to 17,000 roaring fans, and the setlist reflects the significance of the moment. Mastered from \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e's original soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals — what \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e himself dubbed \"the magic band.\" A poignant \u003cstrong\u003e\"The Maker\"\u003c\/strong\u003e opens the emotional core of the evening; \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e stuns with its lush harmonies to open Set Two; and the night closes with a rousing Halloween encore of \u003cstrong\u003e\"Werewolves of London.\"\u003c\/strong\u003e The package includes liner notes and previously unpublished photos from the festivities, which included a costume contest judged by \u003cstrong\u003eKen Kesey\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThe Maker\u003c\/li\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eWonderful World\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003cli\u003eWerewolves of London (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882536527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.28.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820441755,"sku":"483345","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-19-October-31st-1992-Oakland-Coliseum-Arena-2-CD.jpg?v=1776108369"},{"product_id":"jerry-garcia-band-garcialive-vol-3-legion-of-mary-december-14-15-1974-northwest-tour-cd","title":"Legion of Mary – GarciaLive Vol. 3: December 14-15, 1974 Northwest Tour (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLegion of Mary existed in a sweet spot between the Grateful Dead's extended hiatus of 1974 and Garcia's return to that band, giving him room to stretch into territory the Dead rarely touched. With Merl Saunders anchoring the organ and Martin Fierro's saxophone pushing the ensemble toward genuine jazz improvisation, these Oregon nights show Garcia in a deeply collaborative mode, trading phrases rather than soloing over a rhythm section.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe third installment of the GarciaLive archival series presents over two and a half hours of previously unreleased music from one of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e's most experimental and revered projects: \u003cstrong\u003eLegion of Mary.\u003c\/strong\u003e Culled from two consecutive nights in Oregon on what is thought to be the band's first-ever tour, the recordings capture the quintet in an exploratory, jazz-and-soul-infused groove unlike anything in the broader Garcia catalog.\u003c\/p\u003e\n\u003cp\u003eLegion of Mary features \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e on keyboards and vocals, \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on saxophone and flute, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums. Disc One documents the December 14th performance at the Paramount Theatre in Portland; Discs Two and Three present both sets from the December 15th show at the EMU Ballroom in Eugene. Standout moments include an 18-minute \u003cstrong\u003e\"Boogie on Reggae Woman,\"\u003c\/strong\u003e a labyrinthine \u003cstrong\u003e\"Freedom Jazz Dance,\"\u003c\/strong\u003e extended excursions on \u003cstrong\u003e\"Valdez in the Country\"\u003c\/strong\u003e and \u003cstrong\u003e\"Wondering Why,\"\u003c\/strong\u003e and a rollicking closing \u003cstrong\u003e\"Roadrunner.\"\u003c\/strong\u003e Liner notes by \u003cstrong\u003eDarryl Norsen\u003c\/strong\u003e with previously unpublished live photos.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Boogie On Reggae Woman (18:04)\u003c\/div\u003e\n\u003cdiv\u003e2. The Night They Drove Old Dixie Down (7:56)\u003c\/div\u003e\n\u003cdiv\u003e3. Freedom Jazz Dance (13:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Mystery Train (12:30)\u003c\/div\u003e\n\u003cdiv\u003e5. How Sweet It Is (To Be Loved By You) (11:06)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. You Can Leave Your Hat On (16:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Neighbor, Neighbor (12:30)\u003c\/div\u003e\n\u003cdiv\u003e3. The Night They Drove Old Dixie Down (8:25)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. It's No Use (13:26)\u003c\/div\u003e\n\u003cdiv\u003e2. Valdez In The Country (13:23)\u003c\/div\u003e\n\u003cdiv\u003e3. I Second That Emotion (14:53)\u003c\/div\u003e\n\u003cdiv\u003e4. Wondering Why (24:53)\u003c\/div\u003e\n\u003cdiv\u003e5. Roadrunner (7:26)\u003c\/div\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882190828\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.15.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187829452955,"sku":"556694","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Legion-of-Mary-GarciaLive-Vol_-3-December-14-15-1974-Northwest-Tour-3-CD.jpg?v=1776108443"},{"product_id":"jerry-garcia-garcialive-volume-seven-november-8th-1976-sophies-palo-alto-cd","title":"Jerry Garcia – GarciaLive Vol. 7: November 8th, 1976 Sophie's Palo Alto (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1976, the Jerry Garcia Band had settled into a sound that was distinctly its own, separate from the Dead's cosmic sprawl, rooted in R\u0026amp;B, gospel, and the kind of intimate interplay that small venues like Sophie's made possible. Keith and Donna Jean Godchaux's presence here is bittersweet in hindsight; their chemistry with Garcia in this setting remains one of the most underappreciated chapters in the whole extended Garcia story. That Betty Cantor-Jackson had her recorder running that night is something to be genuinely grateful for.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA genuine vault discovery, \u003cem\u003eGarciaLive Volume Seven\u003c\/em\u003e presents the complete November 8, 1976 performance by the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at Sophie's in Palo Alto, California — recorded by \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e on original soundboard reels that were nearly lost forever. The tapes were recovered in 2015 when \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e found them in a box while moving, and were meticulously remastered for this release.\u003c\/p\u003e\n\n\u003cp\u003eThe recording captures one of the most beloved lineups in JGB history: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards, \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums — the quintessential mid-'70s Garcia Band in peak form. Set One flows through \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e while Set Two delivers the goods with \u003cstrong\u003e\"Ride Mighty High,\"\u003c\/strong\u003e a sprawling \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e and the bluegrass closer \u003cstrong\u003e\"Midnight Moonlight.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eKnockin' on Heaven's Door\u003c\/li\u003e\n\u003cli\u003eAfter Midnight\u003c\/li\u003e\n\u003cli\u003eWho Was John?\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eStir It Up\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eStrange Man\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eRide Mighty High\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882267223\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.19.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187830141083,"sku":"401904","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-7-November-8th-1976-Sophies-Palo-Alto-2-CD.jpg?v=1776108583"},{"product_id":"jerry-garcia-band-garcialive-vol-2-august-5th-1990-greek-theater-2-cd","title":"Jerry Garcia Band – GarciaLive Vol.2: August 5th, 1990, Greek Theatre (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Greek Theatre in Berkeley was practically a second home for Garcia, and summer nights there had a particular magic that regulars still talk about decades later. Béla Fleck's cameo here is a genuine rarity, a reminder that Garcia's musical friendships crossed every genre boundary, and that any given JGB show could turn into something you'd spend years trying to describe to someone who wasn't there.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume Two\u003c\/em\u003e captures the classic latter-era lineup of the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at the Greek Theatre in Berkeley on August 5, 1990 — featuring \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals. Recorded during a fruitful period that also yielded the releases \u003cem\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003eHow Sweet It Is\u003c\/em\u003e, the show is a showcase for the JGB at their most fluid and expansive.\u003c\/p\u003e\n\n\u003cp\u003eSet One moves confidently through \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e a brooding \u003cstrong\u003e\"Tears of Rage,\"\u003c\/strong\u003e and a scorching \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e Set Two opens with a special guest appearance by banjo virtuoso \u003cstrong\u003eBéla Fleck\u003c\/strong\u003e, who kicks things off with a fiery \u003cstrong\u003e\"Midnight Moonlight\"\u003c\/strong\u003e and an otherworldly run through Jimmy Cliff's \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e before the band closes the night with a towering \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. How Sweet It Is (To Be Loved By You) (7:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Stop That Train (6:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Forever Young (7:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Run For The Roses (5:50)\u003c\/div\u003e\n\u003cdiv\u003e5. That's What Love Will Make You Do (8:06)\u003c\/div\u003e\n\u003cdiv\u003e6. My Sisters And Brothers (4:15)\u003c\/div\u003e\n\u003cdiv\u003e7. Tears Of Rage (8:16)\u003c\/div\u003e\n\u003cdiv\u003e8. Deal (8:34)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Midnight Moonlight (7:26)\u003c\/div\u003e\n\u003cdiv\u003e2. The Harder They Come (10:46)\u003c\/div\u003e\n\u003cdiv\u003e3. And It Stoned Me (6:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Waiting For A Miracle (6:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Evangeline (4:22)\u003c\/div\u003e\n\u003cdiv\u003e6. Think (7:01)\u003c\/div\u003e\n\u003cdiv\u003e7. That Lucky Old Sun (8:22)\u003c\/div\u003e\n\u003cdiv\u003e8. Tangled Up In Blue (11:19)\u003c\/div\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882186623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187830534299,"sku":"295690","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959403458715-cd-relix.png?v=1776288629"},{"product_id":"jerry-garcia-before-the-dead-4-cd","title":"Jerry Garcia – Before The Dead (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLong before the Wall of Sound or the psychedelic sprawl of the Fillmore, Garcia was a young musician woodshedding through the American folk revival, absorbing Bill Monroe, Mississippi John Hurt, and the Carter Family with the same intensity he'd later bring to improvisation. These recordings capture the formative years when Garcia and Hunter were still figuring out who they were, playing coffeehouses and living rooms in the Bay Area folk scene that would quietly lay the groundwork for everything that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eBefore the Dead\u003c\/em\u003e brings together a rare collection of the earliest known performances by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e. From an informal 1961 recording of folk songs at a birthday party — featuring future songwriting partner \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e — to polished coffeehouse gigs with old-timey and bluegrass bands through 1964, the collection showcases Garcia's deep immersion in American folk tradition and the musical roots that would shape the Grateful Dead.\u003c\/p\u003e\n\n\u003cp\u003eAcross four discs and 84 tracks, Garcia works through an extraordinary range of material: Appalachian folk songs, old-time fiddle tunes, bluegrass standards, country blues, and gospel — performed with the kind of reverence and technical seriousness that defined his early years as a musician. An essential document for anyone who wants to understand where Garcia came from.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Santy Anno (2:15)\u003cbr\u003e\n1-2. I Got A Home In That Rock (1:46)\u003cbr\u003e\n1-3. Oh, Mary Don't You Weep (3:31)\u003cbr\u003e\n1-4. All My Trials (4:01)\u003cbr\u003e\n1-5. I Was Born Then Thousand Years Ago (2:12)\u003cbr\u003e\n1-6. Blow The Candles Out (2:02)\u003cbr\u003e\n1-7. Rake And A Rambling Boy (1:31)\u003cbr\u003e\n1-8. Trouble In Mind (3:10)\u003cbr\u003e\n1-9. Brown's Ferry Blues (2:31)\u003cbr\u003e\n1-10. Jesse James (4:13)\u003cbr\u003e\n1-11. Down In The Willow Garden (1:48)\u003cbr\u003e\n1-12. Long Lonesome Road (2:39)\u003cbr\u003e\n1-13. Railroad Bill (3:17)\u003cbr\u003e\n1-14. The Wagoner's Lad (3:00)\u003cbr\u003e\n1-15. Katie Cruel (3:40)\u003cbr\u003e\n2-1. Cannonball Blues (3:02)\u003cbr\u003e\n2-2. Little Birdie (3:17)\u003cbr\u003e\n2-3. Sally Goodin (2:06)\u003cbr\u003e\n2-4. Hold That Woodpile Down (3:32)\u003cbr\u003e\n2-5. Legend Of The Johnson Boys (3:10)\u003cbr\u003e\n2-6. Shady Grove (2:49)\u003cbr\u003e\n2-7. Sweet Sunny South (3:13)\u003cbr\u003e\n2-8. Man Of Constant Sorrow (2:26)\u003cbr\u003e\n2-9. Band Introductions (1:12)\u003cbr\u003e\n2-10. Roving Gambler (3:46)\u003cbr\u003e\n2-11. Ground Speed (1:29)\u003cbr\u003e\n2-12. Pig In A Pen (2:15)\u003cbr\u003e\n2-13. Standing In The Need Of Prayer (2:09)\u003cbr\u003e\n2-14. Flint Hill Special (2:00)\u003cbr\u003e\n2-15. Nine Pound Hammer (2:42)\u003cbr\u003e\n2-16. Handsome Molly (2:19)\u003cbr\u003e\n2-17. Clinch Mountain Backstep (1:18)\u003cbr\u003e\n2-18. Think Of What You've Done (2:41)\u003cbr\u003e\n2-19. Cripple Creek (1:24)\u003cbr\u003e\n2-20. All The Good Times Have Past And Gone (3:07)\u003cbr\u003e\n2-21. Billy Grimes, The Rover (2:42)\u003cbr\u003e\n2-22. Paddy On The Turnpike (Boys, My Money's All Gone) (1:38)\u003cbr\u003e\n2-23. Run Mountain (4:11)\u003cbr\u003e\n2-24. Sugar Baby (3:52)\u003cbr\u003e\n2-25. Sitting On Top Of The World (3:37)\u003cbr\u003e\n3-1. Roll In My Sweet Baby's Arms (3:25)\u003cbr\u003e\n3-2. Jerry's Breakdown (2:08)\u003cbr\u003e\n3-3. Standing In The Need Of Prayer (2:39)\u003cbr\u003e\n3-4. Mule Skinner Blues (3:23)\u003cbr\u003e\n3-5. Saturday Night Shuffle (2:05)\u003cbr\u003e\n3-6. Pike Country Breakdown (1:44)\u003cbr\u003e\n3-7. The Little Sparrow (3:25)\u003cbr\u003e\n3-8. We Shall Not Be Moved (2:41)\u003cbr\u003e\n3-9. Deep Elem Blues (3:17)\u003cbr\u003e\n3-10. Will The Weaver (3:14)\u003cbr\u003e\n3-11. I Truly Understand (3:20)\u003cbr\u003e\n3-12. Long Black Veil (4:28)\u003cbr\u003e\n3-13. The Man Who Wrote Home Sweet Home Never Was A Married Man (3:38)\u003cbr\u003e\n3-14. Foggy Mountain Top (3:13)\u003cbr\u003e\n4-1. Barefoot Nellie (3:41)\u003cbr\u003e\n4-2. She's More To Be Pitied (3:26)\u003cbr\u003e\n4-3. Noah's Breakdown (2:18)\u003cbr\u003e\n4-4. Who Will Sing For Me? (2:07)\u003cbr\u003e\n4-5. Salt Creek (2:19)\u003cbr\u003e\n4-6. Monroe's Hornpipe (Jody's Hornpipe) (1:51)\u003cbr\u003e\n4-7. Rosa Lee McFall (2:31)\u003cbr\u003e\n4-8. John Hardy\/Closing Theme (1:26)\u003cbr\u003e\n4-9. Katie Kline (3:17)\u003cbr\u003e\n4-10. Walkin' The Dog (2:10)\u003cbr\u003e\n4-11. Paddy On The Turnpike (Boys, My Money's All Gone) (3:12)\u003cbr\u003e\n4-12. Love And Wealth (2:19)\u003cbr\u003e\n4-13. Sourwood Mountain (0:45)\u003cbr\u003e\n4-14. If I Lose (2:16)\u003cbr\u003e\n4-15. Homestead On The Farm (I Wonder How The Old Folks Are At Home) (2:20)\u003cbr\u003e\n4-16. Stoney Creek (2:24)\u003cbr\u003e\n4-17. Salty Dog Blues (2:21)\u003cbr\u003e\n4-18. Love Please Come Home (2:21)\u003cbr\u003e\n4-19. Make Me A Pallet On The Floor (2:27)\u003cbr\u003e\n4-20. Darlin' Allalee (2:08)\u003cbr\u003e\n4-21. In The Pines (3:25)\u003cbr\u003e\n4-22. Raw Hide (2:32)\u003cbr\u003e\n4-23. Black Mountain Rag (2:12)\u003cbr\u003e\n4-24. True Life Blues (2:21)\u003cbr\u003e\n4-25. Medley: Devil's Dream - Sailor's Hornpipe (1:45)\u003cbr\u003e\n4-26. Drink Up And Go Home (3:05)\u003cbr\u003e\n4-27. These Men Of God (3:14)\u003cbr\u003e\n4-28. Roll On Buddy (2:11)\u003cbr\u003e\n4-29. Goodbye Old Pal (1:50)\u003cbr\u003e\n4-30. Back Up And Push (1:10)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882302528\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.11.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187831550107,"sku":"187384","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Before-The-Dead-4-CD.png?v=1776108865"},{"product_id":"bob-weir-ace-lp-50th-anniversary-remaster","title":"Bob Weir – Ace: 50th Anniversary Remaster (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAce arrived the same year the Dead were hitting their improvisational peak on Europe '72, and hearing Weir step to the front on material like \"Playing in the Band\" and \"Cassidy\" reveals just how much of the band's identity ran through his songwriting. The Barlow collaborations born here would anchor setlists well into the 1990s, making this remaster not just a document of one album but a window into the origins of a creative partnership that shaped decades of live music.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReleased in May 1972, Ace is technically \u003cstrong\u003eBob Weir\u003c\/strong\u003e's first solo album—but it's essentially a Grateful Dead album in everything but name. Recorded at Wally Heider Studios with the full Dead lineup (minus \u003cstrong\u003ePigpen\u003c\/strong\u003e), Ace captures Weir emerging as a songwriter and bandleader, partnering with lyricist \u003cstrong\u003eJohn Perry Barlow\u003c\/strong\u003e to create songs like \"Playing in the Band,\" \"Cassidy,\" and \"Mexicali Blues\" that would become Dead standards for the next three decades. This 50th Anniversary remaster brings new clarity to performances that showcase Weir's rhythm guitar work and distinctive vocal style.\u003c\/p\u003e\n\u003cp\u003eThe album features Weir exploring different facets of his songwriting: the cosmic Americana of \"Cassidy\" (written for Neal Cassady and Cassady Law Weir), the playful storytelling of \"Mexicali Blues,\" the extended improvisational canvas of \"Playing in the Band,\" and the tender \"Looks Like Rain.\" \u003cstrong\u003eGarcia\u003c\/strong\u003e, \u003cstrong\u003eLesh\u003c\/strong\u003e, \u003cstrong\u003eKreutzmann\u003c\/strong\u003e, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e, and \u003cstrong\u003eDonna Jean\u003c\/strong\u003e all contribute, making this a Dead album in spirit even if Weir's name is on the cover. The production captures the warmth of early-'70s analog recording, with \u003cstrong\u003eGarcia\u003c\/strong\u003e's pedal steel adding atmospheric textures and \u003cstrong\u003eLesh\u003c\/strong\u003e's bass providing melodic counterpoint to Weir's rhythm guitar.\u003c\/p\u003e\n\u003cp\u003eWhat makes Ace significant is how it established Weir as more than just the Dead's rhythm guitarist—he was a songwriter capable of crafting material that could stand alongside \u003cstrong\u003eGarcia\u003c\/strong\u003e and \u003cstrong\u003eHunter\u003c\/strong\u003e's compositions. Songs from Ace became permanent fixtures in Dead setlists, with \u003cstrong\u003e\"Playing in the Band\"\u003c\/strong\u003e evolving into a vehicle for extended improvisation and \u003cstrong\u003e\"Cassidy\"\u003c\/strong\u003e becoming an emotional high point of acoustic sets. This 50th Anniversary remaster, likely sourced from the original analog tapes, reveals details that earlier pressings obscured while preserving the album's intimate, live-in-the-studio feel.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Greatest Story Ever Told (3:42)\u003cbr\u003e\nA2. Black-Throated Wind (5:43)\u003cbr\u003e\nA3. Walk In The Sunshine (3:02)\u003cbr\u003e\nA4. Playing In The Band (7:38)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Looks Like Rain (6:10)\u003cbr\u003e\nB2. Mexicali Blues (3:24)\u003cbr\u003e\nB3. One More Saturday Night (4:25)\u003cbr\u003e\nB4. Cassidy (3:39)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497836673\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.3.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187831582875,"sku":"226131","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Weir-Ace-50th-Anniversary-Remaster-LP-Vinyl_8f76ae53.png?v=1776108878"},{"product_id":"jerry-garcia-live-at-the-warfield-february-28th-1991-lp-vinyl","title":"Jerry Garcia – Live At The Warfield: February 28th, 1991 (4-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFebruary 1991 found the Jerry Garcia Band deep in one of their most cohesive periods, with a lineup that had settled into a genuine telepathy. The Warfield on Market Street was essentially JGB home turf, a room where Garcia and company could stretch out and let the music find its own temperature. What you hear on these four sides is a band completely at ease, which is exactly when Garcia was most dangerous.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eCheck out our September 2025 review of Live at The Warfield on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/09\/12\/jerry-garcia-band-live-at-the-warfield-february-28th-march-1st-2nd-1991\/\"\u003ejambands.com\u003c\/a\u003e.\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eLive at The Warfield: February 28th, 1991\u003c\/em\u003e presents the complete opening night of a three-show run at the JGB's beloved Bay Area home, pressed to 4 LPs and housed in gatefold packaging.\u003c\/p\u003e\n\u003cp\u003eFrom the bubbly show opener \u003cstrong\u003e\"The Way You Do the Things You Do\"\u003c\/strong\u003e to a rollicking \u003cstrong\u003e\"You Never Can Tell,\"\u003c\/strong\u003e the night's setlist has you picturing the crowd swaying and smiling. Gospel harmonies shine on \u003cstrong\u003e\"My Sisters and Brothers,\"\u003c\/strong\u003e and the always vibrant \u003cstrong\u003e\"Deal\"\u003c\/strong\u003e leaves no doubt: the band came to have a blast.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eSetlist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide A:\u003c\/em\u003e The Way You Do the Things You Do \/ Mission in the Rain\u003cbr\u003e\u003cem\u003eSide B:\u003c\/em\u003e You Never Can Tell (C'est La Vie) \/ Simple Twist of Fate\u003cbr\u003e\u003cem\u003eSide C:\u003c\/em\u003e I Second That Emotion \/ Like a Road Leading Home\u003cbr\u003e\u003cem\u003eSide D:\u003c\/em\u003e My Sisters and Brothers \/ Deal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide E:\u003c\/em\u003e Everybody Needs Somebody to Love \/ Stop That Train\u003cbr\u003e\u003cem\u003eSide F:\u003c\/em\u003e Waiting for a Miracle \/ Think\u003cbr\u003e\u003cem\u003eSide G:\u003c\/em\u003e Lay Down Sally \/ That Lucky Old Sun\u003cbr\u003e\u003cem\u003eSide H:\u003c\/em\u003e Midnight Moonlight\u003c\/p\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187831648411,"sku":"598326","price":74.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Live-At-The-Warfield-February-28th-1991-4-LP-Vinyl.jpg?v=1776108903"},{"product_id":"bob-dylan-down-in-groove-cd","title":"Bob Dylan – Down in Groove (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSandwiched between the critical wilderness of the mid-to-late '80s and the late-career renaissance that would eventually arrive with *Oh Mercy*, *Down in the Groove* is an odd, loose collection of covers and traditionals that finds Dylan leaning hard into blues and roots material, with guests ranging from the Grateful Dead to Ron Wood. Dismissed on arrival, it's since earned a second look from fans who appreciate Dylan in his most unguarded, rambling mode.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDown in the Groove is the twenty-fifth studio album by American singer-songwriter Bob Dylan, released on May 30, 1988 by Columbia Records. A highly collaborative effort, it was Dylan's second consecutive album to receive almost unanimous negative reviews. Released during a period when his recording career was experiencing a slump, sales were disappointing, reaching only #61 in the US and #32 in the UK.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Let's Stick Together (3:09)\u003cbr\u003e\n2. When Did You Leave Heaven? (2:15)\u003cbr\u003e\n3. Sally Sue Brown (2:29)\u003cbr\u003e\n4. Death Is Not The End (5:10)\u003cbr\u003e\n5. 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Rank Strangers To Me (2:57)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886972673929\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sbme Special Mkts.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.29.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832107163,"sku":"37148","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Dylan-Down-in-Groove-CD_048159fb.jpg?v=1776109004"},{"product_id":"jerry-garcia-david-grisman-so-what-rsd-black-friday-2023-lp-vinyl","title":"Jerry Garcia \u0026 David Grisman – So What (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the early 1990s and held back for years before its 1998 release, this session captures Garcia and Grisman deep in a shared musical conversation that had been ongoing since their bluegrass days together in the late 1960s. Garcia's fluid, unhurried approach to the jazz standard repertoire here reveals an improvisational vocabulary that his Grateful Dead work only hinted at, rooted in a lifetime of listening to and loving the music of Miles Davis and Milt Jackson.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eSo What\u003c\/em\u003e is an acoustic jazz album by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and mandolinist \u003cstrong\u003eDavid Grisman\u003c\/strong\u003e, originally released on Grisman's Acoustic Disc label in August 1998. Garcia and Grisman were friends and collaborators for over three decades, with Grisman's playing famously featured on the classic Grateful Dead album \u003cem\u003eAmerican Beauty\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eJoined by sidemen from Grisman's regular band — bassist Jim Kerwin, Joe Craven on percussion, and flutist Matt Eakle on two tracks — the co-leaders perform three versions of Miles Davis' \u003cstrong\u003e\"So What,\"\u003c\/strong\u003e two each of Milt Jackson's \u003cstrong\u003e\"Bag's Groove\"\u003c\/strong\u003e and Davis' \u003cstrong\u003e\"Milestones,\"\u003c\/strong\u003e and one of Grisman's own \u003cstrong\u003e\"16\/16.\"\u003c\/strong\u003e A rare opportunity to hear Garcia playing straight-ahead jazz — a genre he loved but rarely performed on record.\u003c\/p\u003e\n\n\u003cp\u003eNow on vinyl for its 25th anniversary as a double LP, the set includes two bonus tracks and is housed in a gatefold jacket featuring original artwork by Garcia himself.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. So What (Take 1, 3\/8\/91) (6:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Bag's Groove (Take 5, 11\/24\/92) (8:41)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Milestones (Take 5, 6\/2\/92) (7:53)\u003c\/div\u003e\n\u003cdiv\u003e2. 16\/16 (Take 3, 11\/24\/92) (6:14)\u003c\/div\u003e\n\u003cdiv\u003e3. So What (Take 1, 12\/6\/90) (7:49)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Bag's Groove (Take 1, 6\/4\/92) (8:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Milestones (Take 3, 6\/2\/92) (10:14)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. So What (Take 1, 6\/4\/92) (7:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Grateful Dawg (Alternate Take, 12\/6\/90) (3:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Dawg's Waltz (Alternate Take, 3\/8\/91) (4:47)\u003c\/div\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 711574937318\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ORG Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.24.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. So What (Take 1, 3\/8\/91) (6:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Bag's Groove (Take 5, 11\/24\/92) (8:41)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Milestones (Take 5, 6\/2\/92) (7:53)\u003c\/div\u003e\n\u003cdiv\u003e2. 16\/16 (Take 3, 11\/24\/92) (6:14)\u003c\/div\u003e\n\u003cdiv\u003e3. So What (Take 1, 12\/6\/90) (7:49)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Bag's Groove (Take 1, 6\/4\/92) (8:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Milestones (Take 3, 6\/2\/92) (10:14)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. So What (Take 1, 6\/4\/92) (7:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Grateful Dawg (Alternate Take, 12\/6\/90) (3:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Dawg's Waltz (Alternate Take, 3\/8\/91) (4:47)\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832172699,"sku":"302569","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959405064347-2xlp-relix.png?v=1776802145"},{"product_id":"jerry-garcia-john-kahn-garcialive-volume-14-january-27th-1986-the-ritz-cd","title":"Jerry Garcia \u0026 John Kahn – GarciaLive Vol. 14: January 27th, 1986 The Ritz (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1986, Jerry Garcia and John Kahn had been playing together for over a decade, and their acoustic duo shows captured something the full band rarely could: pure conversation between two musicians who knew each other's instincts completely. The Ritz, one of New York's premier rock venues of the era, gave this intimate format an unlikely stage, and the crowd got something closer to a front-porch session than a concert.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 14\u003c\/em\u003e showcases a buoyant acoustic performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and longtime friend and bassist \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e during the middle of a rare duo tour. Recorded on January 27, 1986 at The Ritz in New York City, Garcia and Kahn deliver two exquisite sets featuring Grateful Dead favorites — \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bird Song\"\u003c\/strong\u003e — alongside spirited takes on Bob Dylan's \u003cstrong\u003e\"When I Paint My Masterpiece\"\u003c\/strong\u003e and \u003cstrong\u003e\"Simple Twist of Fate,\"\u003c\/strong\u003e plus deep cuts like \u003cstrong\u003e\"Deep Elem Blues,\"\u003c\/strong\u003e \u003cstrong\u003e\"Little Sadie,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Spike Driver Blues.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDeep Elem Blues\u003c\/li\u003e\n\u003cli\u003eLittle Sadie\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eOh Babe, It Ain't No Lie\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDire Wolf\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eSpike Driver Blues\u003c\/li\u003e\n\u003cli\u003eBird Song\u003c\/li\u003e\n\u003cli\u003eRipple\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eEncore\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGoodnight Irene\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882416621\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832565915,"sku":"547360","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-John-Kahn-GarciaLive-Vol_-14-January-27th-1986-The-Ritz-CD.jpg?v=1776109097"},{"product_id":"jerry-garcia-band-pure-jerry-coliseum-hampton-va-november-9-1991-rsd-black-friday-2022-lp-vinyl","title":"Jerry Garcia Band – Pure Jerry: Coliseum, Hampton, VA, November 9, 1991 (5–LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Fall '91 run is widely considered one of the JGB's finest stretches, with Garcia's guitar voice carrying a clarity and emotional directness that longtime followers still talk about. Hornsby had been deep in the Grateful Dead orbit since joining as an unofficial member around 1990, but his appearance here on electric piano alongside Melvin Seals created a keyboard pairing that never happened again in this configuration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRegarded as one of several standouts from the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's landmark Fall '91 tour, this stop in Hampton, Virginia is certainly worthy of its lore. In addition to all the hallmarks of a quintessential latter-era JGB performance, this night featured a very special guest: Virginia's own \u003cstrong\u003eBruce Hornsby\u003c\/strong\u003e, joining on electric piano for the first and only time.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals. The setlist is well-balanced throughout — mixing road-tested staples like \u003cstrong\u003e\"How Sweet It Is (To Be Loved by You)\"\u003c\/strong\u003e and \u003cstrong\u003e\"The Night They Drove Old Dixie Down\"\u003c\/strong\u003e with more recent additions like Van Morrison's \u003cstrong\u003e\"Bright Side of the Road\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"What A Wonderful World.\"\u003c\/strong\u003e Playing with Hornsby always seemed to ignite a spark in Garcia, and this proved no exception — their potent chemistry fueling lively versions of \u003cstrong\u003e\"Ain't No Bread in the Breadbox,\"\u003c\/strong\u003e \u003cstrong\u003e\"You Never Can Tell (C'est La Vie),\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Midnight Moonlight.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePressed to five 180-gram LPs in a limited edition of 7,500, housed in a deluxe clamshell box with new artwork by \u003cstrong\u003eGraham Yarrington\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 1 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 1 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 2 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 2 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 3 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBright Side of the Road\u003c\/li\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 3 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eThink\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 4 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Shall Be Released\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 4 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 5 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eWhat A Wonderful World (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882468910\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.25.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832729755,"sku":"515340","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Pure-Jerry-Coliseum-Hampton-VA-November-9-1991-5-LP-Vinyl.webp?v=1776109130"},{"product_id":"jerry-garcia-merl-saunders-live-at-keystone-lp-vinyl","title":"Jerry Garcia \u0026 Merl Saunders – Live at Keystone (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKeystone Berkeley was Garcia's laboratory between Dead runs, a place where he could stretch out without setlist expectations or arena-sized pressure. His partnership with Merl Saunders ran deeper than any single session, rooted in years of Tuesday night residencies and a shared love of soul, jazz, and the blues that never quite fit inside the Dead's framework. What you hear here is that rare thing: a band playing purely for the love of it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe classic first meeting of \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e and \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on record, \u003cem\u003eLive at Keystone\u003c\/em\u003e was recorded live at the Keystone in Berkeley, California on July 10 and 11, 1973 — during the fertile period when Garcia could often be found playing small Bay Area clubs between Grateful Dead tours. Reissued on 180-gram 2-LP vinyl by Fantasy Records in 2012, the album captures Saunders on keyboards, Garcia on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, and \u003cstrong\u003eBill Vitt\u003c\/strong\u003e on drums — with \u003cstrong\u003eDavid Grisman\u003c\/strong\u003e adding mandolin to Bob Dylan's \u003cstrong\u003e\"Positively 4th Street.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe repertoire is a genre-spanning joy: Dylan covers, blues standards, Jimmy Cliff's \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e the jazz standard \u003cstrong\u003e\"My Funny Valentine,\"\u003c\/strong\u003e and extended improvisations that beautifully capture the chemistry of this ad-hoc configuration. Recorded by Grateful Dead associates \u003cstrong\u003eBetty Cantor\u003c\/strong\u003e and \u003cstrong\u003eRex Jackson\u003c\/strong\u003e, and originally produced by all four band members.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Finders Keepers, Losers Weepers (6:38)\u003c\/div\u003e\n\u003cdiv\u003e2. Positively 4th Street (7:45)\u003c\/div\u003e\n\u003cdiv\u003e3. The Harder They Come (6:20)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. It Takes A Lot To Laugh, It Takes A Train To Cry (7:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Space (3:53)\u003c\/div\u003e\n\u003cdiv\u003e3. It's No Use (9:34)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. That's All Right, Mama (4:18)\u003c\/div\u003e\n\u003cdiv\u003e2. My Funny Valentine (18:06)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Someday Baby (10:13)\u003c\/div\u003e\n\u003cdiv\u003e2. Like A Road (10:58)\u003c\/div\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 025218790215\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.25.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832959131,"sku":"658471","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959405850779-2xlp-relix.png?v=1776354041"},{"product_id":"jerry-garcia-live-at-the-warfield-march-2nd-1991-lp-vinyl","title":"Jerry Garcia – Live At The Warfield: March 2nd, 1991 (5-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Warfield was Jerry's house. The San Francisco venue served as a second home for the Jerry Garcia Band throughout the 1980s and into the '90s, and by March 1991 the band was deep in its prime, with a telepathic lineup that included keyboardist Melvin Seals. This third and final night of the run captures that chemistry at full force, spread across five sides of vinyl with room to breathe.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eCheck out our September 2025 review of Live at The Warfield on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/09\/12\/jerry-garcia-band-live-at-the-warfield-february-28th-march-1st-2nd-1991\/\"\u003ejambands.com\u003c\/a\u003e.\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eLive at The Warfield: March 2nd, 1991,\u003c\/em\u003e closes out the run on a high note, with the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e raising the roof on the old place. Pressed to 5 LPs and housed in gatefold packaging, it's a fitting farewell to three unforgettable nights at the JGB's Bay Area home.\u003c\/p\u003e\n\u003cp\u003eThe night flows front to back — from heartfelt ballads like \u003cstrong\u003e\"I Shall Be Released\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Moon\"\u003c\/strong\u003e to a rousing \u003cstrong\u003e\"Tore Up Over You\"\u003c\/strong\u003e and a blistering \u003cstrong\u003e\"Let's Spend the Night Together.\"\u003c\/strong\u003e Set Two delivers a double dose of Dylan with a haunting \u003cstrong\u003e\"Señor\"\u003c\/strong\u003e and a spirited \u003cstrong\u003e\"Tangled Up in Blue,\"\u003c\/strong\u003e alongside more highlights from across the band's repertoire.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eSetlist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide A:\u003c\/em\u003e How Sweet It Is (To Be Loved by You) \/ I Shall Be Released\u003cbr\u003e\u003cem\u003eSide B:\u003c\/em\u003e You Never Can Tell (C'est La Vie) \/ Mississippi Moon\u003cbr\u003e\u003cem\u003eSide C:\u003c\/em\u003e Tore Up Over You \/ My Sisters and My Brothers\u003cbr\u003e\u003cem\u003eSide D:\u003c\/em\u003e Let's Spend the Night Together\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide E:\u003c\/em\u003e The Way You Do the Things You Do \/ Señor (Tales of Yankee Power)\u003cbr\u003e\u003cem\u003eSide F:\u003c\/em\u003e Struggling Man \/ Money Honey\u003cbr\u003e\u003cem\u003eSide G:\u003c\/em\u003e Everybody Needs Somebody to Love \/ Evangeline\u003cbr\u003e\u003cem\u003eSide H:\u003c\/em\u003e That Lucky Old Sun\u003cbr\u003e\u003cem\u003eSide I:\u003c\/em\u003e Tangled Up in Blue\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882668419\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832991899,"sku":"115933","price":84.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Live-At-The-Warfield-March-2nd-1991-5-LP-Vinyl.jpg?v=1776109200"},{"product_id":"jerry-garcia-john-kahn-pure-jerry-marin-veterans-memorial-auditorium-san-rafael-ca-february-28-1986-rsd-black-friday-2023-lp-vinyl","title":"Jerry Garcia \u0026 John Kahn – Pure Jerry: Marin Veterans Memorial Auditorium, San Rafael, CA - February 28, 1986 (2–LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe acoustic duo setting always brought out something unguarded in Garcia, and 1986 found him deep in the format he'd been refining with Kahn since the early 1970s. Just miles from his Marin County home, performing for a local crowd that knew him as a neighbor as much as a legend, Garcia let the folk and jug band roots that shaped him breathe without the electricity of a full band.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003ePure Jerry: Marin Veterans Memorial Auditorium\u003c\/em\u003e showcases a quintessential \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e acoustic duo performance recorded on February 28, 1986. 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Having Keith and Donna Jean Godchaux in the lineup created a rare overlap between the two bands, giving these Northern California club and campus dates a looseness and familiarity that crackles through Betty Cantor-Jackson's recordings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 17: NorCal '76\u003c\/em\u003e presents highlights from three standout \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e performances captured over a single week in Northern California — November 7th at the Keystone in Berkeley, November 12th at Freeborn Hall, UC Davis, and November 13th at the East Gym, Humboldt State University in Arcata. While reel damage, tape loss, and other technical issues prevent the release of complete shows, what remains of \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e's original recordings represents some of the finest performances from this iteration of the JGB.\u003c\/p\u003e\n\n\u003cp\u003e1976 marked a period of transition for Garcia, who welcomed fellow Grateful Dead members \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards and \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals into the fold alongside mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums. Garcia himself extolled the group's harmonious sound, and the chemistry is unmistakable throughout — from a fiery opening \u003cstrong\u003e\"Sugaree\"\u003c\/strong\u003e and sublime \u003cstrong\u003e\"Catfish John\"\u003c\/strong\u003e bolstered by \u003cstrong\u003eDonna Jean\u003c\/strong\u003e's harmonies, to a driving \u003cstrong\u003e\"Russian Lullaby,\"\u003c\/strong\u003e \u003cstrong\u003e\"Tore Up Over You,\"\u003c\/strong\u003e and a reggae-infused \u003cstrong\u003e\"Stir It Up.\"\u003c\/strong\u003e Liner notes by longtime Garcia road manager \u003cstrong\u003eSteve Parish\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: \"Mighty High\" is sourced from an undated recording believed to be from this period.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSugaree \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatfish John \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You) \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eRussian Lullaby \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTore Up Over You \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eI'll Take a Melody \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAfter Midnight \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eStir It Up \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMystery Train \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Way You Do the Things You Do \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMighty High \u003cem\u003e(1976, unknown)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882444426\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.12.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833254043,"sku":"542657","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-17-NorCal-1976-3-CD.jpg?v=1776109255"},{"product_id":"jerry-garcia-band-1989-the-long-island-sound-cd","title":"Jerry Garcia Band – Fall 1989: The Long Island Sound (6–CD Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1989, the Jerry Garcia Band had settled into one of its most consistently inspired configurations, with Melvin Seals' organ work and the voices of Gloria Jones and Jaclyn LaBranch pushing Garcia toward some of his most soulful electric playing. The Weir\/Wasserman acoustic opening sets added a rare intimacy to these East Coast arena nights, making each show a study in contrast and community.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA 6-CD box set featuring two complete, previously unreleased performances from the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and \u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e, recorded live during the acclaimed Fall 1989 East Coast tour. Captured by \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e to 2-track DAT and mastered by \u003cstrong\u003eJoe Gastwirt\u003c\/strong\u003e, the collection presents over five and a half hours of music from two consecutive nights — September 5th at the Hartford Civic Center in Hartford, CT and September 6th at Nassau Coliseum in Uniondale, NY.\u003c\/p\u003e\n\n\u003cp\u003eEach night, the acoustic duo of \u003cstrong\u003eBob Weir\u003c\/strong\u003e and \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e opened the show before the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e took the stage for two full electric sets — featuring the classic JGB lineup of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e. Highlights across the two nights include Weir\/Wasserman's adventurous takes on \u003cstrong\u003e\"Desolation Row,\"\u003c\/strong\u003e \u003cstrong\u003e\"Looks Like Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Heaven Help the Fool,\"\u003c\/strong\u003e and JGB standouts like \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e Cover art by \u003cstrong\u003eStanley Mouse\u003c\/strong\u003e, with liner notes by \u003cstrong\u003eBlair Jackson\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: This collection contains audio with some sonic imperfections inherent to the original recordings, most notably distortion on Jerry's vocal during \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e — consistent with what audiences experienced in person.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFestival\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eK.C. Moan\u003c\/li\u003e\n\u003cli\u003eDesolation Row\u003c\/li\u003e\n\u003cli\u003eLooks Like Rain\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eVictim or the Crime\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 1\u003c\/li\u003e\n\u003cli\u003eThrowing Stones\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003cli\u003eLike a Road\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eGomorrah\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eLonesome and a Long Way from Home\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 4 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalking Blues\u003c\/li\u003e\n\u003cli\u003eCity Girls\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eBlackbird\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eShade of Grey\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eEasy to Slip\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 2\u003c\/li\u003e\n\u003cli\u003eHeaven Help the Fool\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 5 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eMississippi Moon\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 6 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882193423\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.8.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833909403,"sku":"267534","price":279.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Fall-1989-The-Long-Island-Sound-6-CD-Box-Set.jpg?v=1776109367"},{"product_id":"bob-weir-ace-50th-anniversary-remaster-syeor-23-exclusive-translucent-red-lp-vinyl","title":"Bob Weir – Ace: 50th Anniversary Remaster (Translucent Red LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1972, Ace arrived at a moment when the Dead were at a creative peak, and the songs Weir brought to those Wally Heider sessions became genuine additions to the live canon. \"Greatest Story Ever Told,\" \"Playing in the Band,\" and \"Looks Like Rain\" weren't just solo album cuts; they became cornerstones of the band's setlists for decades, which tells you everything about how fully formed this material was from the start.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eAce 50th (Anniversary Remaster) is now on Limited Edition Translucent Red Vinyl. Limited to 5,000. \u003c\/h2\u003e\n\u003cp\u003eRemixed by Derek Featherstone and mastered by GRAMMY® Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e. Produced for Release by Bobby Weir and Derek Featherstone. When Bobby started working on ACE at Wally Heider’s Studio in San Francisco in early 1972, he wasn’t planning for the Grateful Dead to be his backing band.\u003c\/p\u003e\n\u003cp\u003eIt just happened. \u003cstrong\u003e“I pretty much knew in the back of my mind what would happen,”\u003c\/strong\u003e Weir told Crawdaddy a few months after the sessions. “I go and get the time booked and start putting the material together. Everybody gets wind of the fact I got the time booked and I may be going into the studio. So, one by one, they start coming around…”\u003c\/p\u003e\n\u003cp\u003eIt made sense, the band was already familiar with most of the music, having road-tested six of the album’s eight songs, including \u003cstrong\u003e“Greatest Story Ever Told,”\u003c\/strong\u003e \u003cstrong\u003e“Mexicali Blues,”\u003c\/strong\u003e and \u003cstrong\u003e“Playing In The Band,”\u003c\/strong\u003e destined to become one of Weir’s signature tunes. ACE also marked the beginning of Weir’s long-running collaboration with lyricist \u003cstrong\u003eJohn Perry Barlow\u003c\/strong\u003e and includes early standouts \u003cstrong\u003e“Cassidy”\u003c\/strong\u003e and \u003cstrong\u003e“Looks Like Rain.”\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Greatest Story Ever Told (3:42)\u003cbr\u003e\nA2. 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Cassidy (3:39)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227882877\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.13.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187834892443,"sku":"220451","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Weir-Ace-50th-Anniversary-Remaster-Translucent-Red-LP-Vinyl.jpg?v=1776109542"},{"product_id":"jerry-garcia-live-at-the-warfield-march-1st-1991-lp-vinyl","title":"Jerry Garcia – Live At The Warfield: March 1st, 1991 (4-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy early 1991, the Jerry Garcia Band had settled into one of its most cohesive lineups, with Melvin Seals anchoring the keys and a rhythm section that gave Garcia room to stretch without ever losing the pocket. The Warfield in San Francisco was always a natural home for this band, intimate enough to feel like a conversation between Garcia and the room.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eCheck out our September 2025 review of Live at The Warfield on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/09\/12\/jerry-garcia-band-live-at-the-warfield-february-28th-march-1st-2nd-1991\/\"\u003ejambands.com\u003c\/a\u003e.\u003c\/h2\u003e\n\u003cp\u003eThe second installment in the \u003cem\u003eLive at The Warfield\u003c\/em\u003e vinyl series presents the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's complete performance from March 1st, 1991 — considered by at least one critic as one of the band's best and most interesting shows of the '90s. Pressed to 4 LPs and housed in gatefold packaging.\u003c\/p\u003e\n\u003cp\u003eThe band locks in immediately with a punchy \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e and keeps the energy flowing throughout both sets. 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The Grateful Dead served as Weir's backing band throughout, making it as much a Dead artifact as any official release, and songs like \"Playing in the Band\" and \"Greatest Story Ever Told\" became cornerstones of the band's live repertoire for decades to come. This anniversary edition reframes that legacy with fresh ears, pairing the original sessions against a new live document that shows how deep those songs still run.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePairs a remastered new mix of Weir’s solo debut album with a new live version recorded earlier this year at radio city music hall, with Bobby Weir \u0026amp; The Wolf Bros. \u003c\/p\u003e\u003cp\u003eFeaturing The Wolfpack and special guests Tyler Childers and Brittney Spencer. Original album Remixed by Derek Featherstone and mastered by GRAMMY® Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e. Produced for Release by Bobby \u003cstrong\u003e“Ace”\u003c\/strong\u003e Weir and Derek Featherstone.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Greatest Story Ever Told (3:52)\u003cbr\u003e\n1-2. Black-Throated Wind (5:47)\u003cbr\u003e\n1-3. Walk In The Sunshine (3:08)\u003cbr\u003e\n1-4. Playing In The Band (7:43)\u003cbr\u003e\n1-5. Looks Like Rain (6:17)\u003cbr\u003e\n1-6. Mexicali Blues (3:29)\u003cbr\u003e\n1-7. One More Saturday Night (4:41)\u003cbr\u003e\n1-8. Cassidy (3:48)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Greatest Story Ever Told (5:45)\u003cbr\u003e\n2-2. Black-Throated Wind (8:02)\u003cbr\u003e\n2-3. Walk In The Sunshine (4:57)\u003cbr\u003e\n2-4. Playing In The Band (8:33)\u003cbr\u003e\n2-5. Looks LIke Rain (11:02)\u003cbr\u003e\n2-6. 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Madison Square Garden, a room the Grateful Dead had made synonymous with New York ritual, took on a different intimacy when Garcia brought his smaller, tighter unit through, with Melvin Seals and the vocalists pushing the material somewhere the Dead never quite went.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 16\u003c\/em\u003e presents the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's debut performance at Madison Square Garden — November 15, 1991, at the midpoint of their legendary Fall '91 tour. Though just two months removed from the Grateful Dead's sold-out 9-night residency at the Garden, the crowd's eruption as the houselights dimmed revealed the immense excitement for Garcia's return. Produced from two-track soundboard recordings meticulously remastered for release, with liner notes by Relix editor-in-chief \u003cstrong\u003eDean Budnick\u003c\/strong\u003e featuring reflections from \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e. Blues Traveler opened the show.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e on backing vocals. Love is the central theme throughout the evening — from Van Morrison's \u003cstrong\u003e\"He Ain't Give You None\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bright Side of the Road\"\u003c\/strong\u003e to Smokey Robinson's \u003cstrong\u003e\"The Way You Do the Things You Do\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"(What A) Wonderful World\"\u003c\/strong\u003e encore. A poignant \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e became the centerpiece of the release's promotional campaign.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStruggling Man\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — Set Two (cont.) \u0026amp; Encore\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eThat Lucky Old Sun\u003c\/li\u003e\n\u003cli\u003eBright Side of the Road\u003c\/li\u003e\n\u003cli\u003e(What A) Wonderful World (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882442422\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835711643,"sku":"102276","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-16-November-15th-1991-Madison-Square-Garden-3-CD.jpg?v=1776109680"}],"url":"https:\/\/relix.shop\/collections\/grateful-dead-vinyl-records-box-sets-and-cds\/artist-grateful-dead.oembed","provider":"relix.shop","version":"1.0","type":"link"}