{"title":"Grateful Dead Vinyl","description":"\u003cp\u003eFor Heads who measure a collection in decades and still chase the pressing they haven't found yet, this page brings together more than 200 Grateful Dead and Dead-adjacent vinyl titles, from studio landmarks to live documents to the records that exist nowhere else in this form.\u003c\/p\u003e\u003cp\u003eThe range runs deep. The Grateful Dead's \u003cem\u003eSteal Your Face\u003c\/em\u003e is here on Grateful \u0026amp; Stealie Blue vinyl, and \u003cem\u003eTerrapin Station\u003c\/em\u003e on Syeor 24 Emerald Green. Bob Weir's \u003cem\u003eAce: 50th Anniversary Remaster\u003c\/em\u003e arrives on Translucent Red, and the Bob Weir Kingfish \u003cem\u003eKingfish\u003c\/em\u003e pressing comes on Teal Marbled vinyl. The Grateful Dead's \u003cem\u003eMerriweather Post Pavilion\u003c\/em\u003e is represented as a 4xLP box. Old \u0026amp; In The Way's \u003cem\u003eLive At Sonoma State - 11\/4\/73\u003c\/em\u003e is pressed on Honeydew Cream. On the Relix Vinyl label, Mikaela Davis and Southern Star's \u003cem\u003ePlay Dead | The Relix Session\u003c\/em\u003e is available on a Sunflower Splatter 2xLP, and the Sam Grisman Project's \u003cem\u003eThe Relix Session\u003c\/em\u003e comes as a limited 2xLP. Keller Williams' \u003cem\u003eThe Relix Session\u003c\/em\u003e rounds out the Relix Vinyl offerings alongside SPAGA's \u003cem\u003eSPAGA Plays Dead\u003c\/em\u003e and the \u003cem\u003eDelFest Does Dead\u003c\/em\u003e 2xLP.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered the Grateful Dead and the wider jam and roots world since 1974. That history shapes what ends up here. The Relix Sessions titles are live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label, and they are only available through this store. Beyond those, the selection draws on the same editorial judgment that has guided the magazine for fifty years: pressings that matter, variants worth owning, and releases that serious listeners are actually looking for.\u003c\/p\u003e\u003cp\u003eEvery title in this collection is new and sealed. Pre-order titles display a street date and ship when the label releases them. Vinyl ships in protective packaging designed for LPs.\u003c\/p\u003e\u003cp\u003eIf you want to keep exploring, the \u003ca href=\"\/collections\/colored-vinyl\"\u003eColored Vinyl Records \u0026amp; Limited Variants\u003c\/a\u003e collection covers the full spectrum of limited pressings across genres. For the broader scene around the Dead, \u003ca href=\"\/collections\/jam-band-vinyl\"\u003eJam Band Vinyl Records\u003c\/a\u003e covers Phish, Widespread Panic, and the extended family. Dead recordings on CD and DVD, including live concerts and box sets, are gathered at \u003ca href=\"\/collections\/grateful-dead-cds-dvds\"\u003eCDs \u0026amp; DVDs | Live Concerts, Albums \u0026amp; Box Sets\u003c\/a\u003e. For every live Dead show in one place, vinyl and CD together, see the \u003ca href=\"\/collections\/grateful-dead-live-guide\"\u003eGrateful Dead Live Guide\u003c\/a\u003e.\u003c\/p\u003e","products":[{"product_id":"george-porter-jr-runnin-pardners-porters-pocket-lp","title":"George Porter Jr. \u0026 Runnin' Pardners - Porter's Pocket (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eGeorge Porter Jr., as a founding member of The Meters, has been synonymous with New Orleans funk nearly as long as there's been New Orleans funk. The Meters were an on-and-off entity for years, however, and Porter has always kept himself occupied during his downtime, whether contributing to recordings and live performances by the likes of Dr. John, John Scofield, Paul McCartney, Bill Kreutzmann and Tori Amos or leading his own Runnin' Pardners (currently keyboardist Michael Lemmler, drummer Terrence Houston and guitarist Chris Adkins, the band's newest recruit). Now 77, Porter is as dynamic a bassist as ever, and the all-instrumental Porter's Pocket is a groove in every sense of the word. \"Buttermilk,\" the leadoff tune, features Lemmler's rich organ work, positioning the track somewhere between classic Booker T. and the MG's and the soul-jazz of Dr. Lonnie Smith or \"Brother\" Jack McDuff. \"Latenighter\" tones down the pace, putting Adkins in charge of atmospherics, and \"Sauce on the Side\" mines a loping, quasi reggae beat that Porter uses as an opportunity to dig in deep and subtly define. But it's \"Tito's Dumpling Machine,\" which closes out the album and was the first song released from it, that takes best-of-show. Here, in just under four-and-a-half minutes, is what George Porter Jr. is all about— non-stop danceable rhythm (drummer Houston shines), flawlessly intuitive interaction with his fellow players and a chill feel that grabs hold of your soul and doesn't let go.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Jeff Tamarkin, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/george-porter-jr-the-runnin-pardners-porters-pocket\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cp\u003e\u003ciframe id=\"disco-playlist-20106268\" name=\"disco-playlist-20106268\" class=\"disco-embed\" src=\"https:\/\/color-red.disco.ac\/e\/p\/20106268?download=false\u0026amp;s=lRp2D1TrfJz9PURsQPCwi0js7jI%3AcmNUWbHj\u0026amp;artwork=true\u0026amp;color=%233282C2\u0026amp;theme=white\" width=\"480\" height=\"395\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003eGeorge Porter Jr. wrote the book on New Orleans funk bass—literally, through his foundational work with The Meters that established the rhythmic vocabulary every funk bassist since has studied. Porter's Pocket finds the living legend with his Runnin' Pardners delivering the deep groove mastery that's defined New Orleans music for over five decades. When Porter locks into the pocket, he creates the kind of bass lines that make you understand why New Orleans has always been America's most rhythmically sophisticated city.\u003c\/p\u003e\u003cp\u003eFrom The Meters' essential recordings through countless sessions with everyone from Paul McCartney to the Grateful Dead's Bob Weir, Porter has maintained his position as the master of the implied beat—the spaces between notes carrying as much weight as the notes themselves. His Runnin' Pardners translate that philosophy into extended instrumental workouts that reward close listening while never losing sight of the dance floor. For crate diggers who understand that New Orleans funk represents American music at its most innovative, Porter's Pocket delivers the goods from the source. Color Red's vinyl presentation captures the warmth and immediacy of the legendary bassist's current work.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLP Vinyl.\u003c\/strong\u003e Color Red Music. George Porter Jr. with Runnin' Pardners. New Orleans funk from The Meters' legendary bassist. Deep groove mastery.\u003c\/p\u003e","brand":"Color Red Music","offers":[{"title":"Default Title","offer_id":46142887592091,"sku":"CRED-638-VLP","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/George-Porter-Jr_-Runnin-Pardners-Porters-Pocket-LP.jpg?v=1770120467"},{"product_id":"spaga-spaga-plays-dead-limited-edition-lp","title":"SPAGA - SPAGA Plays Dead (Limited Edition LP)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eSPAGA are full of life on SPAGA Plays Dead.\u003c\/p\u003e\u003cp\u003eWith Aron Magner on piano and keyboards and serving as main soloist, this instrumental Grateful Dead covers LP also taps solo songbooks of Jerry Garcia on \"Eep Hour\" and Bob Weir with \"Heaven Help the Fool,\" which, along with \"Cumberland Blues,\" hews closest to the original of Plays Dead's six cuts.\u003c\/p\u003e\u003cp\u003eBut even \"Heaven\" is deeply interpretive; jazzy with a touch of Vince Guaraldi and a reggae bridge woven into the trio rendering from Disco Biscuit\/Billy's Kid Magner, drummer Matt Scarano and bassist Jason Fraticelli.\u003c\/p\u003e\u003cp\u003eFormer RatDog\/the Other Ones sax blower Dave Ellis drops in for \"Estimated Prophet.\" Rendered with jazzy syncopation in 7\/8 time, it finds the temporary quartet splicing pieces of the original arrangement into something new. Yet, the old blueprint remains as frist Fraticelli's bass, then Ellis' brass trace the vocal melody over trance-like backing.\u003c\/p\u003e\u003cp\u003e\"Friend of the Devil,\" on the contrary, owes less to its titular antecedent than to \"It Don't Mean a Thing (If It Ain't Got That Swing)\" and \"Cosmic Charlie.\" It's essentially a fresh composition – before morphing into a 60-second, quadruple-time \"FOTD\" interlude that leads to the coda of the song and of SPD, a \"Space\"-heavy rendering of \"Loser.\"\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/relix.com\/reviews\/albums\/detail\/spaga-spaga-plays-dead\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003ch2\u003e\u003cstrong\u003eLimited edition of 400. First and only pressing.\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSPAGA\u003c\/strong\u003e dives headfirst into the Grateful Dead songbook on \u003cstrong\u003eSPAGA Plays Dead\u003c\/strong\u003e, a fully instrumental studio LP that filters six classics through the piano-driven lens of \u003cstrong\u003eAron Magner\u003c\/strong\u003e (keyboards, The Disco Biscuits), \u003cstrong\u003eJason Fraticelli\u003c\/strong\u003e (bass), \u003cstrong\u003eMatt Scarano\u003c\/strong\u003e (drums), and \u003cstrong\u003eDave Ellis\u003c\/strong\u003e (saxophone - Estimated Prophet). Tracked at \u003cstrong\u003eTom Hamilton’s The Ballroom\u003c\/strong\u003e studio, these performances move from deep-groove head-nodders to spacious, late-night explorations, with every melody stretched, twisted, and reborn.\u003c\/p\u003e\n\u003cp\u003ePressed on psychedelic tie-dye swirl vinyl that echoes the album art’s blue-and-coral glow, this limited-edition LP captures SPAGA in full improvisational flight, offering an instrumental reimagining of the Dead that feels both deeply familiar and entirely new.\u003c\/p\u003e\n\u003cp\u003eAll songs are arranged by SPAGA, produced by Tom Hamilton \u0026amp; Aron Magner, and mixed and mastered by \u003cstrong\u003eJon Altchiller,\u003c\/strong\u003e resulting in a rich, cinematic sound that rewards both close listening and repeat spins.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003cbr\u003e\u003c\/strong\u003eEep Hour\u003cbr\u003eCumberland Blues\u003cbr\u003eHeaven Help the Fool\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003eEstimated Prophet\u003cbr\u003eFriend of the Devil\u003cbr\u003eLoser\u003c\/p\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47591438745755,"sku":"SPAGA-VINYL-01","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/SPAGA-SPAGA-Plays-Dead-Limited-Edition-LP.png?v=1770133383"},{"product_id":"delfest-does-dead-2-lp-vinyl-record-grateful-dead-live","title":"DelFest Does Dead - Various Artists (Limited Edition 2-LP Vinyl)","description":"\u003cp\u003eDelFest’s bluegrass heart meets the Grateful Dead songbook on \u003cem\u003e\u003cstrong\u003eDelFest Does Dead\u003c\/strong\u003e\u003c\/em\u003e, a live 2-LP vinyl featuring 10 interpretations captured across \u003cstrong\u003e\u003ca href=\"http:\/\/delfest.com\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDelFest\u003c\/a\u003e\u003c\/strong\u003e 2025 (May 22–25, 2025), in Cumberland, MD.\u003c\/p\u003e\n\u003cp\u003eFestival favorites bring their own pulse and picking to Dead staples: \u003cstrong\u003eDel McCoury Band\u003c\/strong\u003e, \u003cstrong\u003eThe Travelin’ McCourys\u003c\/strong\u003e, \u003cstrong\u003eLeftover Salmon\u003c\/strong\u003e, \u003cstrong\u003eKitchen Dwellers\u003c\/strong\u003e, \u003cstrong\u003eDarrell Scott\u003c\/strong\u003e, \u003cstrong\u003eSister Sadie\u003c\/strong\u003e, \u003cstrong\u003eRailroad Earth\u003c\/strong\u003e, \u003cstrong\u003eMountain Grass Unit\u003c\/strong\u003e, \u003cstrong\u003eClay Street Unit\u003c\/strong\u003e, and \u003cstrong\u003eThe Price Sisters\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe result is a front-to-back journey of Grateful Dead covers filtered through Appalachia, high-lonesome harmonies, and hot-rod string band energy, mixed to be played loud. Produced by \u003cstrong\u003eRonnie McCoury\u003c\/strong\u003e and \u003cstrong\u003eAriel Rosemberg\u003c\/strong\u003e, and mastered by \u003cstrong\u003eJesse Lauter\u003c\/strong\u003e. \u003cstrong\u003eLimited edition second pressing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA portion of proceeds will benefit the \u003ca href=\"https:\/\/rexfoundation.org\/\" title=\"Rex Foundation\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eRex Foundation\u003c\/a\u003e\u003c\/strong\u003e, established by members of the Grateful Dead in 1983, whose mission is to fund community-based arts and music education while supporting social and environmental causes.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003eSide A\u003cbr\u003e\u003c\/strong\u003e Cold Rain \u0026amp; Snow – The Del McCoury Band\u003cbr\u003eNew Speedway Boogie – Leftover Salmon\u003cbr\u003eSt. Stephen – Kitchen Dwellers\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003eCumberland Blues – The Travelin’ McCourys\u003cbr\u003eBig River – Darrell Scott String Band\u003cbr\u003eTouch of Grey – Sister Sadie\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003cbr\u003eTerrapin Station – Railroad Earth\u003cbr\u003eBrown Eyed Women – Mountain Grass Unit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003cbr\u003eI Know You Rider – Clay Street Unit\u003cbr\u003eRipple – The Price Sisters\u003c\/p\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":48119784276123,"sku":"DELFEST-VINYL-01-V2","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/DelFest-Does-Dead-Various-Artists-Limited-Edition-2-LP-Vinyl_9a2986d1.png?v=1773317737"},{"product_id":"grateful-dead-go-to-heaven-lp-vinyl","title":"Grateful Dead – Go To Heaven (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBrent Mydland's debut on a Dead studio record proved he was no placeholder. Where his predecessors had shaped the band's sound through the psychedelic and jazz-leaning seventies, Mydland brought a blue-eyed soul edge that pushed the Dead toward something rawer and more direct, a quality that would define their sound well into the eighties and beyond.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGo To Heaven\u003c\/em\u003e (1980) is the Grateful Dead's eleventh studio album and their first with keyboardist \u003cstrong\u003eBrent Mydland\u003c\/strong\u003e, who joined in 1979 following \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e's departure. Recorded at Club Front studio in San Rafael, California and produced by Gary Lyons, the album captures the Dead attempting to create radio-friendly songs while maintaining their musical identity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\"Alabama Getaway\"\u003c\/strong\u003e became the band's highest-charting single in years, while the Garcia\/Hunter classic \u003cstrong\u003e\"Althea\"\u003c\/strong\u003e went on to become a live staple for decades. \u003cstrong\u003eBob Weir\u003c\/strong\u003e contributes some of his most sophisticated writing with the paired suite of \u003cstrong\u003e\"Lost Sailor\"\u003c\/strong\u003e and \u003cstrong\u003e\"Saint of Circumstance,\"\u003c\/strong\u003e and Mydland announces his arrival with a pair of his own compositions — \u003cstrong\u003e\"Far from Me\"\u003c\/strong\u003e and \u003cstrong\u003e\"Easy to Love You\"\u003c\/strong\u003e — sung with a grit and soul that immediately distinguished him as a vital addition to the band.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eGo To Heaven\u003c\/em\u003e would be the last Grateful Dead studio album for seven years — until \u003cem\u003eIn the Dark\u003c\/em\u003e in 1987 — and an album that has aged considerably better than its mixed initial reception suggested.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Alabama Getaway (3:37)\u003cbr\u003e\nA2. Far From Me (3:39)\u003cbr\u003e\nA3. Althea (6:52)\u003cbr\u003e\nA4. Feel Like A Stranger (5:06)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Lost Sailor (5:54)\u003cbr\u003e\nB2. Saint Of Circumstance (5:40)\u003cbr\u003e\nB3. Antwerp's Placebo (The Plumber) (0:39)\u003cbr\u003e\nB4. Easy To Love You (3:39)\u003cbr\u003e\nB5. Don't Ease Me In (3:13)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497828456\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Arista\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.28.80\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515337883,"sku":"259661","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Go-To-Heaven-LP-Vinyl_3bc682d7.jpg?v=1776107652"},{"product_id":"grateful-dead-fillmore-east-2-11-69-180-gram-anniversary-lp-vinyl","title":"Grateful Dead – Fillmore East 2-11-69 (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFebruary 1969 found the Dead at one of their creative peaks, with the twin-drummer lineup of Hart and Kreutzmann locked in and Tom Constanten's keyboards adding psychedelic texture to a band still writing the rules of improvisational rock. The Fillmore East, Bill Graham's New York room, was one of the few stages in America that could hold what the Dead were becoming, and recordings from this run capture that electricity with rare immediacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eGrateful Dead Fillmore East 2-11-69 (180 Gram Audiophile Vinyl\/Limited Anniversary Edition\/Tri-fold Cover)\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eIn celebration of 6 Decades of Grateful Dead, Friday Music is very pleased to announce this stunning 180 Gram Audiophile 3 LP Deluxe Set of Grateful Dead's \u003cstrong\u003e\"Fillmore East 2-11-69.\"\u003c\/strong\u003e This amazing, super-limited-edition treasure trove features tunes from these significant concerts, both early and late.\u003c\/p\u003e\n\n\u003cp\u003eFilled with 17 stellar vinyl performances, The Grateful Dead's \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, Bill Kreutzmann, Ron McKernan, and \u003cstrong\u003eTom Constanten\u003c\/strong\u003e truly radiate their finest playing and singing, making this a wonderful listen and a highly collectible album for years to come.\u003c\/p\u003e\n\n\u003cp\u003eAs an added super-rare treat, a tip of the hat to The Beatles is preserved in the audiophile domain, with their fine interpretation of Hey Jude, as well as a pair of masterful blues classics: King Bee and Good Morning Little School Girl.\u003c\/p\u003e\n\n\u003cp\u003eThe Grateful Dead's Fillmore 2-11-69 album is packaged in a stunning tri-fold cover with beautifully detailed artwork, Gary Lambert's original liner notes, and wonderful retro LP label artwork for each vinyl album.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGood Morning Little Schoolgirl\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eThe Other One\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eDoin' That Rag\u003c\/li\u003e\n\u003cli\u003eI'm A King Bee\u003c\/li\u003e\n\u003cli\u003eHey Jude\u003c\/li\u003e\n\u003cli\u003eTurn On Your Lovelight\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eDupree's Diamond Blues\u003c\/li\u003e\n\u003cli\u003eMountains Of The Moon\u003c\/li\u003e\n\u003cli\u003eDark Star\u003c\/li\u003e\n\u003cli\u003eSt. Stephen\u003c\/li\u003e\n\u003cli\u003eThe Eleven\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eCaution (Do Not Stop On Tracks)\u003c\/li\u003e\n\u003cli\u003eFeedback\u003c\/li\u003e\n\u003cli\u003eWe Bid You Goodnight\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 829421021698\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Friday Music Two\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515534491,"sku":"71456052","price":174.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Fillmore-East-2-11-69-3-LP-Vinyl.png?v=1776107685"},{"product_id":"grateful-dead-terrapin-station-syeor-24-exclusive-emerald-green-lp-vinyl","title":"Grateful Dead – Terrapin Station (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTerrapin Station arrived in 1977 at a genuine crossroads, the Dead signing to Arista after years on their own Round Records imprint, trading full creative autonomy for major-label resources and a polished studio hand. The centerpiece suite that closes Side 2 would become one of Jerry Garcia and Robert Hunter's most beloved long-form compositions, a piece the band carried through their live sets for decades, always searching for new ways into its layered mythology.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNewly mastered by GRAMMY® Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe first Grateful Dead album on Arista Records and the first studio album featuring an outside producer since their debut a decade earlier, \u003cem\u003eTerrapin Station\u003c\/em\u003e is one of the deepest, densest, and most ambitious records in the entire Dead catalog. Arista president Clive Davis paired the band with Fleetwood Mac producer Keith Olson, and together they created something unlike anything the Dead had made before — filled with strings, horns, a choir, and countless new sonic textures.\u003c\/p\u003e\n\n\u003cp\u003eSide 1 is a remarkable collection of songs in its own right: the hypnotic \u003cstrong\u003e\"Estimated Prophet,\"\u003c\/strong\u003e the hard-driving \u003cstrong\u003e\"Samson and Delilah,\"\u003c\/strong\u003e Lesh's funky \u003cstrong\u003e\"Passenger,\"\u003c\/strong\u003e a rollicking \u003cstrong\u003e\"Dancin' in the Streets,\"\u003c\/strong\u003e and \u003cstrong\u003eDonna Jean\u003c\/strong\u003e Godchaux's first lead vocal on a Dead album, the tender \u003cstrong\u003e\"Sunrise.\"\u003c\/strong\u003e Side 2 is given over entirely to the sprawling Terrapin Station suite — Lady With a Fan, Terrapin Station, Terrapin, Terrapin Transit, At a Siding, Terrapin Flyer, and Refrain — one of the most ambitious and exciting sequences of music the Grateful Dead ever committed to record.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEstimated Prophet\u003c\/li\u003e\n\u003cli\u003eDancin' in the Streets\u003c\/li\u003e\n\u003cli\u003ePassenger\u003c\/li\u003e\n\u003cli\u003eSamson \u0026amp; Delilah\u003c\/li\u003e\n\u003cli\u003eSunrise\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2 — Terrapin Station\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLady With a Fan\u003c\/li\u003e\n\u003cli\u003eTerrapin Station\u003c\/li\u003e\n\u003cli\u003eTerrapin\u003c\/li\u003e\n\u003cli\u003eTerrapin Transit\u003c\/li\u003e\n\u003cli\u003eAt a Siding\u003c\/li\u003e\n\u003cli\u003eTerrapin Flyer\u003c\/li\u003e\n\u003cli\u003eRefrain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227819514\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.12.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515960475,"sku":"372220","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Terrapin-Station-Emerald-Green-LP-Vinyl.jpg?v=1776804863"},{"product_id":"grateful-dead-built-to-last-lp-vinyl","title":"Grateful Dead – Built To Last (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eArriving just two years before Brent Mydland's death in 1990, *Built to Last* now carries a weight its original release couldn't have anticipated. Mydland's three songs here stand as some of his finest recorded moments, and hearing them on vinyl, remastered with modern clarity, makes the loss feel both sharper and more precious. \"Standing on the Moon\" alone is reason enough to own this.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Grateful Dead's final studio album, released in October 1989, \u003cem\u003eBuilt to Last\u003c\/em\u003e contains some of the strongest songs of the band's later era. \u003cstrong\u003eBrent Mydland\u003c\/strong\u003e steps up with three standout contributions — \u003cstrong\u003e\"Foolish Heart,\"\u003c\/strong\u003e \u003cstrong\u003e\"Just a Little Light,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Blow Away\"\u003c\/strong\u003e — demonstrating his vocal range and musical importance to the band. \u003cstrong\u003eBob Weir\u003c\/strong\u003e's \u003cstrong\u003e\"Picasso Moon\"\u003c\/strong\u003e and \u003cstrong\u003e\"Victim or the Crime\"\u003c\/strong\u003e showcase some of his deepest songcraft, while \u003cstrong\u003eGarcia\u003c\/strong\u003e and Hunter's \u003cstrong\u003e\"Standing on the Moon\"\u003c\/strong\u003e closes the album on a note of quiet, otherworldly beauty. Newly remastered by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e, produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Foolish Heart (5:10)\u003cbr\u003e\nA2. Just A Little Light (4:42)\u003cbr\u003e\nA3. Victim Or The Crime (7:33)\u003cbr\u003e\nA4. Standing On The Moon (5:20)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Blow Away (6:09)\u003cbr\u003e\nB2. Picasso Moon (6:40)\u003cbr\u003e\nB3. Built To Last (5:03)\u003cbr\u003e\nB4. I Will Take You Home (3:45)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497830626\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.10.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516255387,"sku":"210380","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Built-To-Last-LP-Vinyl_1a19e82d.jpg?v=1776107778"},{"product_id":"grateful-dead-workingmans-dead-limited-edition-180-gram-lp-vinyl","title":"Grateful Dead – Workingman's Dead (Mobile Fidelity 180 Gram 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the wake of serious personal and financial turbulence for the band, Workingman's Dead marked a deliberate turn toward the acoustic-influenced California country sound that Hunter and Garcia had been absorbing from artists like Merle Haggard and the Band. Songs like \"Casey Jones\" and \"Uncle John's Band\" became instant cornerstones of the live repertoire, performed thousands of times over the next two and a half decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eSublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eYou've never heard this roots-based marvel sound better: mastered from the original master tapes and given extra-wide grooves on 45RPM LP. Ranked \u003cstrong\u003e#264 on Rolling Stone's List of the 500 Greatest Albums of All Time\u003c\/strong\u003e: airy harmonies, simple structures, concise arrangements, and burnished tones anchor songs that bookend to 1970's \u003cem\u003eAmerican Beauty\u003c\/em\u003e, also available on 180g 45RPM 2LP from Mobile Fidelity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, the album attains \u003cstrong\u003eaudiophile reference status\u003c\/strong\u003e courtesy of this first-ever 45RPM version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs with a transcendence associated with timeless American music.\u003c\/p\u003e\n\n\u003cp\u003eColorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives. \u003cstrong\u003eMastered from the original master tapes and pressed on 180g LPs at RTI\u003c\/strong\u003e, Mobile Fidelity's numbered limited edition of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and-touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances — traits made possible by the format's wider grooves.\u003c\/p\u003e\n\n\u003cp\u003eInstrumental melds and refined accents, such as guest David Nelson's nimble fills on \"Cumberland Blues,\" are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling.\u003c\/p\u003e\n\n\u003cp\u003eThe first Grateful Dead album to eschew cosmic jams and complex signatures, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e stakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state — immediately apparent via the innocent album-opening invitation \"Will you come with me?\" on \"Uncle John's Band\" — owes to the circumstances surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from — and reacting to — the tragic events of the Altamont Music Festival and the symbolic end of the peace and love era. As such, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship.\u003c\/p\u003e\n\n\u003cp\u003eLyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning \u003cstrong\u003e\"Cumberland Blues,\"\u003c\/strong\u003e pastoral ballad \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and bluesy \u003cstrong\u003e\"Easy Wind\"\u003c\/strong\u003e hit the mark. Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus.\u003c\/p\u003e\n\n\u003cp\u003eAside from the economical concision and thematic consistency, the genius of \u003cem\u003eWorkingman's Dead\u003c\/em\u003e resides in the group's expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live \"air blends\" of multi-part vocal harmonies that provide the foundations of nearly every track. \u003cstrong\u003e\"Uncle John's Band,\" \"High Time,\" \"New Speedway Boogie,\"\u003c\/strong\u003e and the radio favorite \u003cstrong\u003e\"Casey Jones\"\u003c\/strong\u003e practically float on the ensemble's communal vocal beds. Mobile Fidelity's 45RPM edition renders these invigorating characteristics in \u003cstrong\u003ethree-dimensional sound, transporting you to the event. Recordings don't get more lifelike.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e — an iconic, ageless record that drew countless listeners to the band's unique style because of its accessibility and charm — deserves nothing less. Neither do you.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Uncle John's Band (4:42)\u003cbr\u003e\nA2. High Time (5:13)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Dire Wolf (3:13)\u003cbr\u003e\nB2. New Speedway Boogie (4:05)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Cumberland Blues (3:15)\u003cbr\u003e\nC2. Black Peter (5:42)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Easy Wind (4:59)\u003cbr\u003e\nD2. 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The songs here took on second lives on the road, with \"Friend of the Devil\" and \"Truckin'\" evolving dramatically across thousands of performances over the following decades. This limeade green pressing makes an already essential record genuinely collectible.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA limited pressing of the Grateful Dead's beloved 1970 classic, \u003cem\u003eAmerican Beauty\u003c\/em\u003e, on \"Limeade\" green colored vinyl. Features the 2020 50th Anniversary remastered audio in a direct-to-board jacket.\u003c\/p\u003e\n\n\u003cp\u003eOne of the most celebrated albums in the Dead's catalog, \u003cem\u003eAmerican Beauty\u003c\/em\u003e arrived just months after \u003cem\u003eWorkingman's Dead\u003c\/em\u003e and doubled down on the band's newfound embrace of folk, country, and Americana. Anchored by \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e's masterful lyricism and the band's lush vocal harmonies — honed under the influence of Crosby, Stills, Nash \u0026amp; Young — the record gave the world \u003cstrong\u003e\"Box of Rain,\"\u003c\/strong\u003e \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e \u003cstrong\u003e\"Brokedown Palace,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e songs that became cornerstones of the Dead's live repertoire for decades.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Box Of Rain (5:16)\u003cbr\u003e\nA2. Friend Of The Devil (3:20)\u003cbr\u003e\nA3. Sugar Magnolia (3:15)\u003cbr\u003e\nA4. Operator (2:21)\u003cbr\u003e\nA5. 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The Keith Godchaux era brought a jazz-informed elegance to the songwriting, and Jerry Garcia and Robert Hunter were operating at a peak lyrical chemistry that runs all the way through \"Stella Blue\" and \"Eyes of the World.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA picture disc pressing of the 50th Anniversary Remaster of \u003cem\u003eWake of the Flood\u003c\/em\u003e — the debut album from the band's own Grateful Dead Records label. Remastered by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e with Plangent Processes tape restoration and speed correction, and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eReleased in 1973, \u003cem\u003eWake of the Flood\u003c\/em\u003e introduced a pivotal new lineup following the passing of founding member Ron \u003cstrong\u003e\"Pigpen\"\u003c\/strong\u003e McKernan and the temporary exit of drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. Newest members Keith and Donna Godchaux step into the fold on keys and vocals, and the result is one of the most musically rich albums in the Dead's catalog — featuring \u003cstrong\u003e\"Eyes of the World,\"\u003c\/strong\u003e \u003cstrong\u003e\"Stella Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"Here Comes Sunshine,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Half-Step Uptown Toodeloo.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Mississippi Half-Step Uptown Toodeloo (5:44)\u003cbr\u003e\nA2. Let Me Sing Your Blues Away (3:18)\u003cbr\u003e\nA3. Row Jimmy (7:14)\u003cbr\u003e\nA4. Stella Blue (6:23)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Here Comes Sunshine (4:40)\u003cbr\u003e\nB2. Eyes Of The World (5:20)\u003cbr\u003e\nB3. 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What the Dead brought to his catalog was something few backing bands could offer: a communal improvisational language built over two decades of live performance, and an audience already primed to follow wherever the music led.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDylan \u0026amp; The Dead is a collaborative live album by American singer-songwriter Bob Dylan and the Grateful Dead, released on February 6, 1989 by Columbia Records. The album consists of seven songs written and sung by Dylan, with the Grateful Dead providing accompaniment. 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That crossover didn't dilute the community; it expanded it, bringing a whole new generation into the fold before the band's final years together.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe second and final volume of the Grateful Dead's 2015 career-spanning compilation, covering the band's Arista years from 1977 through 1989. 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The harmonies here, anchored by Garcia, Bob Weir, and Phil Lesh singing together, defined a warmer, more intimate side of a band better known for marathon live improvisation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe crown jewel of the Grateful Dead's studio output, \u003cem\u003eAmerican Beauty\u003c\/em\u003e was recorded in the summer of 1970 — just months after \u003cem\u003eWorkingman's Dead\u003c\/em\u003e — and the two albums together represent the peak of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e's songwriting partnership. 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Between Old and in the Way winding down and the band's return to the stage still months away, he was deep in acoustic roots music, producing, playing, and clearly relishing the freedom to just be a bluegrass picker for a night. 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Garcia had just produced the Good Old Boys' studio album at \u003cstrong\u003eMickey Hart\u003c\/strong\u003e's ranch for Round Records when the band's regular banjo picker became unavailable for their upcoming club dates. Garcia stepped in — and the results were captured on two-track tape over both nights, February 20th and 21st, 1975. Outstanding singing, blistering mandolin and fiddle solos, and a loose, crowd-pleasing energy that's apparent from the moment the band takes the stage. This \u003cstrong\u003eRecord Store Day 2019 exclusive\u003c\/strong\u003e brings the recordings to vinyl for the first time.\u003c\/p\u003e\n\n\u003cp\u003eFor Garcia completists, it's an essential document of his deep bluegrass roots — a side of Jerry rarely captured this candidly on an official release.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 089353342722\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rockbeat Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.13.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e RSD 2019 LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Ashes Of Love\u003cbr\u003e\nA2. Deep Elem Blues\u003cbr\u003e\nA3. Dim Lights\u003cbr\u003e\nA4. Fireball Mail\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. I'll Never Make You Blue\u003cbr\u003e\nB2. All The Good Times\u003cbr\u003e\nB3. She's No Angel\u003cbr\u003e\nB4. Here To Get My Baby Out Of Jail\u003cbr\u003e\nB5. Wildwood Flower\u003cbr\u003e\nB6. Teardrops In My Eyes\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Lonesome Road Blues\u003cbr\u003e\nC2. Long Gone\u003cbr\u003e\nC3. Leave Well Enough Alone\u003cbr\u003e\nC4. White House Blues\u003cbr\u003e\nC5. T For Texas\u003cbr\u003e\nC6. Jesus Loves His Mandolin Player\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. First Whippoorwill\u003cbr\u003e\nD2. New Camptown Races\u003cbr\u003e\nD3. Pistol Packing Mama\u003cbr\u003e\nD4. Jerusalem Moan\u003cbr\u003e\nD5. Drink Up \u0026amp; Go Home\u003cbr\u003e\nD6. Orange Blossom Special\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819196571,"sku":"618217","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Good-Ole-Boys-Drink-Up-And-Go-Home-Live-At-Margaritas-Cantina-22075-22175-2-LP-Vinyl.png?v=1776108102"},{"product_id":"bob-weir-ace-lp-50th-anniversary-remaster","title":"Bob Weir – Ace: 50th Anniversary Remaster (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAce arrived the same year the Dead were hitting their improvisational peak on Europe '72, and hearing Weir step to the front on material like \"Playing in the Band\" and \"Cassidy\" reveals just how much of the band's identity ran through his songwriting. The Barlow collaborations born here would anchor setlists well into the 1990s, making this remaster not just a document of one album but a window into the origins of a creative partnership that shaped decades of live music.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReleased in May 1972, Ace is technically \u003cstrong\u003eBob Weir\u003c\/strong\u003e's first solo album—but it's essentially a Grateful Dead album in everything but name. Recorded at Wally Heider Studios with the full Dead lineup (minus \u003cstrong\u003ePigpen\u003c\/strong\u003e), Ace captures Weir emerging as a songwriter and bandleader, partnering with lyricist \u003cstrong\u003eJohn Perry Barlow\u003c\/strong\u003e to create songs like \"Playing in the Band,\" \"Cassidy,\" and \"Mexicali Blues\" that would become Dead standards for the next three decades. This 50th Anniversary remaster brings new clarity to performances that showcase Weir's rhythm guitar work and distinctive vocal style.\u003c\/p\u003e\n\u003cp\u003eThe album features Weir exploring different facets of his songwriting: the cosmic Americana of \"Cassidy\" (written for Neal Cassady and Cassady Law Weir), the playful storytelling of \"Mexicali Blues,\" the extended improvisational canvas of \"Playing in the Band,\" and the tender \"Looks Like Rain.\" \u003cstrong\u003eGarcia\u003c\/strong\u003e, \u003cstrong\u003eLesh\u003c\/strong\u003e, \u003cstrong\u003eKreutzmann\u003c\/strong\u003e, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e, and \u003cstrong\u003eDonna Jean\u003c\/strong\u003e all contribute, making this a Dead album in spirit even if Weir's name is on the cover. The production captures the warmth of early-'70s analog recording, with \u003cstrong\u003eGarcia\u003c\/strong\u003e's pedal steel adding atmospheric textures and \u003cstrong\u003eLesh\u003c\/strong\u003e's bass providing melodic counterpoint to Weir's rhythm guitar.\u003c\/p\u003e\n\u003cp\u003eWhat makes Ace significant is how it established Weir as more than just the Dead's rhythm guitarist—he was a songwriter capable of crafting material that could stand alongside \u003cstrong\u003eGarcia\u003c\/strong\u003e and \u003cstrong\u003eHunter\u003c\/strong\u003e's compositions. Songs from Ace became permanent fixtures in Dead setlists, with \u003cstrong\u003e\"Playing in the Band\"\u003c\/strong\u003e evolving into a vehicle for extended improvisation and \u003cstrong\u003e\"Cassidy\"\u003c\/strong\u003e becoming an emotional high point of acoustic sets. This 50th Anniversary remaster, likely sourced from the original analog tapes, reveals details that earlier pressings obscured while preserving the album's intimate, live-in-the-studio feel.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Greatest Story Ever Told (3:42)\u003cbr\u003e\nA2. Black-Throated Wind (5:43)\u003cbr\u003e\nA3. Walk In The Sunshine (3:02)\u003cbr\u003e\nA4. Playing In The Band (7:38)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Looks Like Rain (6:10)\u003cbr\u003e\nB2. Mexicali Blues (3:24)\u003cbr\u003e\nB3. One More Saturday Night (4:25)\u003cbr\u003e\nB4. Cassidy (3:39)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497836673\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.3.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187831582875,"sku":"226131","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Weir-Ace-50th-Anniversary-Remaster-LP-Vinyl_8f76ae53.png?v=1776108878"},{"product_id":"jerry-garcia-live-at-the-warfield-february-28th-1991-lp-vinyl","title":"Jerry Garcia – Live At The Warfield: February 28th, 1991 (4-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFebruary 1991 found the Jerry Garcia Band deep in one of their most cohesive periods, with a lineup that had settled into a genuine telepathy. The Warfield on Market Street was essentially JGB home turf, a room where Garcia and company could stretch out and let the music find its own temperature. What you hear on these four sides is a band completely at ease, which is exactly when Garcia was most dangerous.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eCheck out our September 2025 review of Live at The Warfield on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/09\/12\/jerry-garcia-band-live-at-the-warfield-february-28th-march-1st-2nd-1991\/\"\u003ejambands.com\u003c\/a\u003e.\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eLive at The Warfield: February 28th, 1991\u003c\/em\u003e presents the complete opening night of a three-show run at the JGB's beloved Bay Area home, pressed to 4 LPs and housed in gatefold packaging.\u003c\/p\u003e\n\u003cp\u003eFrom the bubbly show opener \u003cstrong\u003e\"The Way You Do the Things You Do\"\u003c\/strong\u003e to a rollicking \u003cstrong\u003e\"You Never Can Tell,\"\u003c\/strong\u003e the night's setlist has you picturing the crowd swaying and smiling. Gospel harmonies shine on \u003cstrong\u003e\"My Sisters and Brothers,\"\u003c\/strong\u003e and the always vibrant \u003cstrong\u003e\"Deal\"\u003c\/strong\u003e leaves no doubt: the band came to have a blast.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eSetlist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide A:\u003c\/em\u003e The Way You Do the Things You Do \/ Mission in the Rain\u003cbr\u003e\u003cem\u003eSide B:\u003c\/em\u003e You Never Can Tell (C'est La Vie) \/ Simple Twist of Fate\u003cbr\u003e\u003cem\u003eSide C:\u003c\/em\u003e I Second That Emotion \/ Like a Road Leading Home\u003cbr\u003e\u003cem\u003eSide D:\u003c\/em\u003e My Sisters and Brothers \/ Deal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide E:\u003c\/em\u003e Everybody Needs Somebody to Love \/ Stop That Train\u003cbr\u003e\u003cem\u003eSide F:\u003c\/em\u003e Waiting for a Miracle \/ Think\u003cbr\u003e\u003cem\u003eSide G:\u003c\/em\u003e Lay Down Sally \/ That Lucky Old Sun\u003cbr\u003e\u003cem\u003eSide H:\u003c\/em\u003e Midnight Moonlight\u003c\/p\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187831648411,"sku":"598326","price":74.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Live-At-The-Warfield-February-28th-1991-4-LP-Vinyl.jpg?v=1776108903"},{"product_id":"jerry-garcia-band-pure-jerry-coliseum-hampton-va-november-9-1991-rsd-black-friday-2022-lp-vinyl","title":"Jerry Garcia Band – Pure Jerry: Hampton Coliseum, Hampton, VA, November 9, 1991 (5–LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Fall '91 run is widely considered one of the JGB's finest stretches, with Garcia's guitar voice carrying a clarity and emotional directness that longtime followers still talk about. Hornsby had been deep in the Grateful Dead orbit since joining as an unofficial member around 1990, but his appearance here on electric piano alongside Melvin Seals created a keyboard pairing that never happened again in this configuration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRegarded as one of several standouts from the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's landmark Fall '91 tour, this stop in Hampton, Virginia is certainly worthy of its lore. In addition to all the hallmarks of a quintessential latter-era JGB performance, this night featured a very special guest: Virginia's own \u003cstrong\u003eBruce Hornsby\u003c\/strong\u003e, joining on electric piano for the first and only time.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals. The setlist is well-balanced throughout — mixing road-tested staples like \u003cstrong\u003e\"How Sweet It Is (To Be Loved by You)\"\u003c\/strong\u003e and \u003cstrong\u003e\"The Night They Drove Old Dixie Down\"\u003c\/strong\u003e with more recent additions like Van Morrison's \u003cstrong\u003e\"Bright Side of the Road\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"What A Wonderful World.\"\u003c\/strong\u003e Playing with Hornsby always seemed to ignite a spark in Garcia, and this proved no exception — their potent chemistry fueling lively versions of \u003cstrong\u003e\"Ain't No Bread in the Breadbox,\"\u003c\/strong\u003e \u003cstrong\u003e\"You Never Can Tell (C'est La Vie),\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Midnight Moonlight.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePressed to five 180-gram LPs in a limited edition of 7,500, housed in a deluxe clamshell box with new artwork by \u003cstrong\u003eGraham Yarrington\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 1 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 1 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 2 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 2 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 3 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBright Side of the Road\u003c\/li\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 3 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eThink\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 4 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Shall Be Released\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 4 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 5 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eWhat A Wonderful World (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882468910\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.25.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832729755,"sku":"515340","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Pure-Jerry-Coliseum-Hampton-VA-November-9-1991-5-LP-Vinyl.webp?v=1776109130"},{"product_id":"jerry-garcia-live-at-the-warfield-march-2nd-1991-lp-vinyl","title":"Jerry Garcia – Live At The Warfield: March 2nd, 1991 (5-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Warfield was Jerry's house. The San Francisco venue served as a second home for the Jerry Garcia Band throughout the 1980s and into the '90s, and by March 1991 the band was deep in its prime, with a telepathic lineup that included keyboardist Melvin Seals. This third and final night of the run captures that chemistry at full force, spread across five sides of vinyl with room to breathe.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eCheck out our September 2025 review of Live at The Warfield on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/09\/12\/jerry-garcia-band-live-at-the-warfield-february-28th-march-1st-2nd-1991\/\"\u003ejambands.com\u003c\/a\u003e.\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eLive at The Warfield: March 2nd, 1991,\u003c\/em\u003e closes out the run on a high note, with the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e raising the roof on the old place. Pressed to 5 LPs and housed in gatefold packaging, it's a fitting farewell to three unforgettable nights at the JGB's Bay Area home.\u003c\/p\u003e\n\u003cp\u003eThe night flows front to back — from heartfelt ballads like \u003cstrong\u003e\"I Shall Be Released\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Moon\"\u003c\/strong\u003e to a rousing \u003cstrong\u003e\"Tore Up Over You\"\u003c\/strong\u003e and a blistering \u003cstrong\u003e\"Let's Spend the Night Together.\"\u003c\/strong\u003e Set Two delivers a double dose of Dylan with a haunting \u003cstrong\u003e\"Señor\"\u003c\/strong\u003e and a spirited \u003cstrong\u003e\"Tangled Up in Blue,\"\u003c\/strong\u003e alongside more highlights from across the band's repertoire.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eSetlist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide A:\u003c\/em\u003e How Sweet It Is (To Be Loved by You) \/ I Shall Be Released\u003cbr\u003e\u003cem\u003eSide B:\u003c\/em\u003e You Never Can Tell (C'est La Vie) \/ Mississippi Moon\u003cbr\u003e\u003cem\u003eSide C:\u003c\/em\u003e Tore Up Over You \/ My Sisters and My Brothers\u003cbr\u003e\u003cem\u003eSide D:\u003c\/em\u003e Let's Spend the Night Together\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide E:\u003c\/em\u003e The Way You Do the Things You Do \/ Señor (Tales of Yankee Power)\u003cbr\u003e\u003cem\u003eSide F:\u003c\/em\u003e Struggling Man \/ Money Honey\u003cbr\u003e\u003cem\u003eSide G:\u003c\/em\u003e Everybody Needs Somebody to Love \/ Evangeline\u003cbr\u003e\u003cem\u003eSide H:\u003c\/em\u003e That Lucky Old Sun\u003cbr\u003e\u003cem\u003eSide I:\u003c\/em\u003e Tangled Up in Blue\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882668419\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832991899,"sku":"115933","price":84.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Live-At-The-Warfield-March-2nd-1991-5-LP-Vinyl.jpg?v=1776109200"},{"product_id":"jerry-garcia-john-kahn-pure-jerry-marin-veterans-memorial-auditorium-san-rafael-ca-february-28-1986-rsd-black-friday-2023-lp-vinyl","title":"Jerry Garcia \u0026 John Kahn – Pure Jerry: Marin Veterans Memorial Auditorium, San Rafael, CA - February 28, 1986 (2–LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe acoustic duo setting always brought out something unguarded in Garcia, and 1986 found him deep in the format he'd been refining with Kahn since the early 1970s. Just miles from his Marin County home, performing for a local crowd that knew him as a neighbor as much as a legend, Garcia let the folk and jug band roots that shaped him breathe without the electricity of a full band.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003ePure Jerry: Marin Veterans Memorial Auditorium\u003c\/em\u003e showcases a quintessential \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e acoustic duo performance recorded on February 28, 1986. Originally released in 2009, this archival album comes to vinyl for the first time with newly remastered audio and all-new artwork, pressed on \u003cstrong\u003elimited edition gold vinyl\u003c\/strong\u003e in an edition of 7,500 for RSD Black Friday.\u003c\/p\u003e\n\n\u003cp\u003eThe 2-LP set features Grateful Dead fan favorites \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bird Song,\"\u003c\/strong\u003e alongside folk and blues staples like \u003cstrong\u003e\"Deep Elem Blues,\"\u003c\/strong\u003e \u003cstrong\u003e\"Little Sadie,\"\u003c\/strong\u003e \u003cstrong\u003e\"Spike Driver Blues,\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"Goodnight Irene.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDeep Elem Blues\u003c\/li\u003e\n\u003cli\u003eLittle Sadie\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eSpike Driver Blues\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003cli\u003eDire Wolf\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJack-A-Roe\u003c\/li\u003e\n\u003cli\u003eOh Babe, It Ain't No Lie\u003c\/li\u003e\n\u003cli\u003eBird Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRipple\u003c\/li\u003e\n\u003cli\u003eGoodnight Irene\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882577612\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.24.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833221275,"sku":"357469","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-John-Kahn-Pure-Jerry-Marin-Veterans-Memorial-Auditorium-San-Rafael-CA-February-28-1986-2-LP-Vinyl.jpg?v=1776109252"},{"product_id":"bob-weir-ace-50th-anniversary-remaster-syeor-23-exclusive-translucent-red-lp-vinyl","title":"Bob Weir – Ace: 50th Anniversary Remaster (Translucent Red LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1972, Ace arrived at a moment when the Dead were at a creative peak, and the songs Weir brought to those Wally Heider sessions became genuine additions to the live canon. \"Greatest Story Ever Told,\" \"Playing in the Band,\" and \"Looks Like Rain\" weren't just solo album cuts; they became cornerstones of the band's setlists for decades, which tells you everything about how fully formed this material was from the start.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eAce 50th (Anniversary Remaster) is now on Limited Edition Translucent Red Vinyl. Limited to 5,000. \u003c\/h2\u003e\n\u003cp\u003eRemixed by Derek Featherstone and mastered by GRAMMY® Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e. Produced for Release by Bobby Weir and Derek Featherstone. When Bobby started working on ACE at Wally Heider’s Studio in San Francisco in early 1972, he wasn’t planning for the Grateful Dead to be his backing band.\u003c\/p\u003e\n\u003cp\u003eIt just happened. \u003cstrong\u003e“I pretty much knew in the back of my mind what would happen,”\u003c\/strong\u003e Weir told Crawdaddy a few months after the sessions. “I go and get the time booked and start putting the material together. Everybody gets wind of the fact I got the time booked and I may be going into the studio. So, one by one, they start coming around…”\u003c\/p\u003e\n\u003cp\u003eIt made sense, the band was already familiar with most of the music, having road-tested six of the album’s eight songs, including \u003cstrong\u003e“Greatest Story Ever Told,”\u003c\/strong\u003e \u003cstrong\u003e“Mexicali Blues,”\u003c\/strong\u003e and \u003cstrong\u003e“Playing In The Band,”\u003c\/strong\u003e destined to become one of Weir’s signature tunes. ACE also marked the beginning of Weir’s long-running collaboration with lyricist \u003cstrong\u003eJohn Perry Barlow\u003c\/strong\u003e and includes early standouts \u003cstrong\u003e“Cassidy”\u003c\/strong\u003e and \u003cstrong\u003e“Looks Like Rain.”\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Greatest Story Ever Told (3:42)\u003cbr\u003e\nA2. 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Cassidy (3:39)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227882877\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.13.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187834892443,"sku":"220451","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Weir-Ace-50th-Anniversary-Remaster-Translucent-Red-LP-Vinyl.jpg?v=1776109542"},{"product_id":"jerry-garcia-live-at-the-warfield-march-1st-1991-lp-vinyl","title":"Jerry Garcia – Live At The Warfield: March 1st, 1991 (4-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy early 1991, the Jerry Garcia Band had settled into one of its most cohesive lineups, with Melvin Seals anchoring the keys and a rhythm section that gave Garcia room to stretch without ever losing the pocket. The Warfield in San Francisco was always a natural home for this band, intimate enough to feel like a conversation between Garcia and the room.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eCheck out our September 2025 review of Live at The Warfield on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/09\/12\/jerry-garcia-band-live-at-the-warfield-february-28th-march-1st-2nd-1991\/\"\u003ejambands.com\u003c\/a\u003e.\u003c\/h2\u003e\n\u003cp\u003eThe second installment in the \u003cem\u003eLive at The Warfield\u003c\/em\u003e vinyl series presents the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's complete performance from March 1st, 1991 — considered by at least one critic as one of the band's best and most interesting shows of the '90s. Pressed to 4 LPs and housed in gatefold packaging.\u003c\/p\u003e\n\u003cp\u003eThe band locks in immediately with a punchy \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e and keeps the energy flowing throughout both sets. Standouts include a gritty, reawakened \u003cstrong\u003e\"He Ain't Give You None,\"\u003c\/strong\u003e emotional takes on \u003cstrong\u003e\"Forever Young\"\u003c\/strong\u003e and \u003cstrong\u003e\"The Night They Drove Old Dixie Down,\"\u003c\/strong\u003e and a second set full of surprises — including the return of \u003cstrong\u003e\"Money Honey\"\u003c\/strong\u003e and \u003cstrong\u003e\"Positively 4th Street\"\u003c\/strong\u003e after more than a decade on the shelf.\u003c\/p\u003e\n\u003cp\u003eAt the heart of it all is a sprawling journey through \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e where Garcia channels blues, jazz, and full-on psychedelia in a masterclass of vocal and instrumental improvisation.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eSetlist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide A:\u003c\/em\u003e Tuning \/ Hold Your Head Up \/ Cats Under the Stars\u003cbr\u003e\u003cem\u003eSide B:\u003c\/em\u003e He Ain't Give You None \/ Struggling Man\u003cbr\u003e\u003cem\u003eSide C:\u003c\/em\u003e Forever Young \/ Run for the Roses\u003cbr\u003e\u003cem\u003eSide D:\u003c\/em\u003e The Night They Drove Old Dixie Down \/ Lay Down Sally\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide E:\u003c\/em\u003e The Harder They Come \/ Money Honey\u003cbr\u003e\u003cem\u003eSide F:\u003c\/em\u003e And It Stoned Me \/ Russian Lullaby\u003cbr\u003e\u003cem\u003eSide G:\u003c\/em\u003e Don't Let Go\u003cbr\u003e\u003cem\u003eSide H:\u003c\/em\u003e Positively 4th Street \/ Everybody Needs Somebody to Love\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882668310\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.3.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835351195,"sku":"187463","price":74.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Live-At-The-Warfield-March-1st-1991-4-LP-Vinyl.jpg?v=1776109590"},{"product_id":"jerry-garcia-david-grisman-not-for-kids-only-deluxe-edition-lp-vinyl","title":"Jerry Garcia \/ David Grisman – Not For Kids Only (Deluxe 2–LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOne of the most-alluring entries in the Grateful Dead family discography is even more so with the arrival of Not for Kids Only (Deluxe Edition).\u003c\/p\u003e\u003cp\u003eMaking its vinyl debut, Jerry Garcia and David Grisman's 1993 quasi-children's LP is outfitted with four alternate versions – two previously unissued – on side four.\u003c\/p\u003e\u003cp\u003eSharing vocals and playing guitar and banjo (Garcia) and mandolin (Grisman), the duo combine whimsy with grown-up fare like \"When First Unto this Country.\" With drums, percussion, mouth harp, fiddle and piano (on the previously unreleased \"Shenandoah\") adding color to the palette, songs about inheritance (\"The Miller's Will\") come off as playfully as \"There Ain't No Bugs on Me.\"\u003c\/p\u003e\u003cp\u003eTrue to its title, NFKO impacts me more now than it did as a kid in my 20s, when it seemed more like a weird detour on the ongoing long strange trip. Now that I'm older than Jerry and the Dawg were when they recorded the thing, I feel the melancholic pull of looking back to easier years more deeply, more humanly.\u003c\/p\u003e\u003cp\u003eOthers may experience the same thing. This deluxe edition is the perfect excuse to find out.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/01\/23\/jerry-garcia-and-david-grisman-not-for-kids-only-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe friendship between Jerry Garcia and David Grisman ran deep, rooted in a shared love of acoustic music that predated the Grateful Dead entirely. Their collaborations through the 1990s on Round Records captured something genuinely rare, two masters playing for the joy of it, and this 1993 children's record is no exception. Getting it on vinyl for the first time means the warmth of their acoustic interplay finally has the format it deserved all along.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003ePressed to vinyl for the first time, this deluxe edition of the classic children's album from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eDavid Grisman\u003c\/strong\u003e has been remastered and expanded with four bonus tracks. Songs like \u003cstrong\u003e\"Jenny Jenkins,\"\u003c\/strong\u003e \u003cstrong\u003e\"Freight Train,\"\u003c\/strong\u003e and \u003cstrong\u003e\"There Ain't No Bugs on Me\"\u003c\/strong\u003e — played the way Jerry and David learned them long ago — sit alongside unique arrangements of classics like \u003cstrong\u003e\"Teddy Bear's Picnic\"\u003c\/strong\u003e and \u003cstrong\u003e\"A Shenandoah Lullaby.\"\u003c\/strong\u003e Simple and playful, subtle and sophisticated, this collection is recommended for anyone who is, or ever was, a kid.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJenny Jenkins\u003c\/li\u003e\n\u003cli\u003eFreight Train\u003c\/li\u003e\n\u003cli\u003eA Horse Named Bill\u003c\/li\u003e\n\u003cli\u003eThree Men Went A-Hunting\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen First Unto This Country\u003c\/li\u003e\n\u003cli\u003eArkansas Traveler\u003c\/li\u003e\n\u003cli\u003eHopalong Peter\u003c\/li\u003e\n\u003cli\u003eTeddy Bear's Picnic\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThere Ain't No Bugs on Me\u003c\/li\u003e\n\u003cli\u003eThe Miller's Will\u003c\/li\u003e\n\u003cli\u003eHot Corn, Cold Corn\u003c\/li\u003e\n\u003cli\u003eA Shenandoah Lullaby\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide D — Bonus Tracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJenny Jenkins (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eWhen First Unto This Country (Previously Unissued Alternate Take)\u003c\/li\u003e\n\u003cli\u003eTeddy Bear's Picnic (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eShenandoah (Previously Unissued Take)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882676711\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187844001947,"sku":"22139409","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-David-Grisman-Not-For-Kids-Only-Deluxe-2-LP-Vinyl.jpg?v=1776110129"},{"product_id":"jerry-garcia-band-live-at-the-warfield-13-lp-vinyl-bundle","title":"Jerry Garcia Band – Live at The Warfield (13-LP Vinyl Bundle)","description":"\u003ch2\u003eCheck out our September 2025 review of Live at The Warfield on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/09\/12\/jerry-garcia-band-live-at-the-warfield-february-28th-march-1st-2nd-1991\/\"\u003ejambands.com\u003c\/a\u003e.\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eLive at The Warfield\u003c\/em\u003e celebrates the Jerry Garcia Band's magical three-night run at their beloved Bay Area home on \u003cstrong\u003eFebruary 28th, March 1st, \u0026amp; March 2nd, 1991\u003c\/strong\u003e. This 13-LP collection, newly mastered from soundboard recordings, features every note from all six complete sets — along with a few the audience likely never heard.\u003c\/p\u003e\n\u003cp\u003eThe band always seemed to be having fun on stage, and that energy is felt from the opening notes of the run, with a particularly bubbly rendition of \u003cstrong\u003e\"The Way You Do the Things You Do\"\u003c\/strong\u003e kicking things off.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFebruary 28\u003c\/strong\u003e highlights include a primo \u003cstrong\u003e\"You Never Can Tell,\"\u003c\/strong\u003e a dynamite duo of \u003cstrong\u003e\"My Sisters and Brothers\"\u003c\/strong\u003e and \u003cstrong\u003e\"Deal\"\u003c\/strong\u003e to close the first set, and soulful takes on \u003cstrong\u003e\"Waiting for a Miracle,\" \"Stop That Train,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Midnight Moonlight.\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe fun continues on \u003cstrong\u003eMarch 1\u003c\/strong\u003e with a playful tune-up on Argent's \u003cstrong\u003e\"Hold Your Head Up,\"\u003c\/strong\u003e leading into a punchy \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e as the stage curtain rises. Cited by some as one of the decade's best shows, the middle night is punctuated by powerful double doses of Van Morrison (\u003cstrong\u003e\"He Ain't Give You None\"\u003c\/strong\u003e and \u003cstrong\u003e\"And It Stoned Me\"\u003c\/strong\u003e) and Bob Dylan (\u003cstrong\u003e\"Forever Young\"\u003c\/strong\u003e and \u003cstrong\u003e\"Positively 4th Street\"\u003c\/strong\u003e). But it's the boundless \u003cstrong\u003e\"Don't Let Go\"\u003c\/strong\u003e that takes listeners on a veritable wild ride, stretching over \u003cstrong\u003e20 mesmerizing minutes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe run closes on \u003cstrong\u003eMarch 2\u003c\/strong\u003e with another strong show from start to finish, featuring a setlist that balances hard-hitting ballads with roof-raising rave-ups. Dylan remains well represented with a moving \u003cstrong\u003e\"I Shall Be Released,\"\u003c\/strong\u003e a dark and spooky \u003cstrong\u003e\"Señor,\"\u003c\/strong\u003e and a barn-burning \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e With performances like these, it's easy to see how The Warfield cemented its place in the hearts and minds of Garcia and the greater Deadhead community.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48294365757595,"sku":null,"price":219.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Live-at-The-Warfield-13-LP-Vinyl-Bundle.jpg?v=1775849263"},{"product_id":"grateful-dead-terrapin-station-lp-vinyl","title":"Grateful Dead – Terrapin Station (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1977, Terrapin Station marked a genuine turning point, capturing a band willing to push against their own mythology and let orchestral ambition into a catalog that had always resisted easy category. The suite-length title track became one of the great unfinished statements in rock, a piece Jerry Garcia and Robert Hunter kept returning to in spirit for the rest of the Dead's run.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGRATEFUL DEAD \/ TERRAPIN STATION \/ Newly Mastered by GRAMMYr Award-winning engineer David Glasser. Produced for release by David Lemieux. The first Arista Grateful Dead album, and the first studio album featuring an outside producer their debut album a decade earlier, Terrapin Station is one of the deepest, densest, most ambitious album in the entire Dead catalog. Arista president Clive Davis vowed to get the Dead a hit record (that would take another 10 years), so he paired the Dead with Fleetwood Mac producer Keith Olson, and they created an album unlike anything they'd ever made before, filled with strings, horns, a choir, and countless other new sounds in the Dead world. And the songs... what a collection! Estimated Prophet, Samson and Delilah, Passenger, Dancing In The Street, and Donna Jean Godchaux's first lead vocal on a Dead album, Sunrise, make up Side 1. And Side 2 is the entire Terrapin Station suite, with many parts and twists and turns. Truly one of the most exciting sequences of music ever committed to vinyl by The Grateful Dead.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Estimated Prophet (5:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Dancin' In The Streets (3:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Passenger (2:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Samson \u0026amp; Delilah (3:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Sunrise (4:05)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497830824\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.12.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262776324251,"sku":"251781","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-grateful-dead-terrapin-station-vinyl-lp-relix.jpg?v=1778704171"},{"product_id":"grateful-dead-reckoning-lp-vinyl","title":"Grateful Dead – Reckoning (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReckoning captures the Dead at their most intimate, drawn from the legendary acoustic sets they performed during their fall 1980 run at Warfield Theater in San Francisco and Radio City Music Hall in New York. Those nights marked a rare return to the stripped-down roots that shaped the band, spotlighting the jug band and old-timey folk influences that never left their DNA, just waiting for a moment like this to resurface.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. Reckoning is the 1981 live double album by The Grateful Dead. It consists of acoustic material recorded live in September and October 1980.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Dire Wolf\u003cbr\u003e\nA2. The Race Is On\u003cbr\u003e\nA3. Oh Babe, It Ain't No Lie\u003cbr\u003e\nA4. It Must Have Been The Roses\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Dark Hollow\u003cbr\u003e\nB2. China Doll\u003cbr\u003e\nB3. Been All Around This World\u003cbr\u003e\nB4. Monkey and The Engineer\u003cbr\u003e\nB5. Jack-A-Roe\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Deep Elem Blues\u003cbr\u003e\nC2. Cassidy\u003cbr\u003e\nC3. To Lay Me Down\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Rosalie McFall\u003cbr\u003e\nD2. On The Road Again\u003cbr\u003e\nD3. Bird Song\u003cbr\u003e\nD4. Ripple\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497827558\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.5.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262776979611,"sku":"268081","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/deadreckoning2lpA.jpg?v=1776360631"},{"product_id":"grateful-dead-history-of-the-grateful-dead-vol-1-bears-choice-lp-vinyl","title":"Grateful Dead – History of the Grateful Dead Vol. 1 Bear's Choice (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1973 and newly reissued on vinyl, Bear's Choice holds a singular place in the Dead's catalog as both a document of Pigpen's irreplaceable presence and a snapshot of the band at the cusp of their most celebrated studio period. The Fillmore East recordings captured here date from February 1970, when the Dead were playing stripped-down acoustic sets alongside their electric material, a short-lived configuration that made these shows especially rare. Owsley's expert ear behind the board gives the sound a warmth and intimacy that feels less like a concert document and more like being in the room.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eThe Grateful Dead's first true archival album, Bear's Choice, was lovingly produced as a tribute to Pigpen shortly after he passed by none other than the Dead's original soundman and benefactor, Owsley Stanley, aka Bear. \u003c\/p\u003e\n\u003cp\u003eDrawing from live shows recorded three years earlier by Bear at the Fillmore East in New York City, Bear's Choice captures the Dead at an essential moment of their history, as they were about to record Workingman's Dead (and shortly thereafter, American Beauty), and were transitioning into becoming Americana pioneers, while never losing touch with their psychedelic improvisational roots. \u003c\/p\u003e\n\u003cp\u003eThree of the eight songs on the album are sung by Pigpen, with Side 1 being the definitive example of early Acoustic Dead, and Side 2 being electric blues and rock \u0026amp; roll, with Pigpen leading the charge on both tracks on the second side.This has been remastered by David Glasser using Plangent Processes from the original analog 2-track tapes recorded live by Bear and has never sounded better.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eKatie Mae (Live at The Fillmore, San Francisco, Ca 2\/13\/70)\u003c\/li\u003e\n\u003cli\u003eDark Hollow (Live at The Fillmore, San Francisco, Ca 2\/14\/70)\u003c\/li\u003e\n\u003cli\u003eI've Been All Around This World (Live at The Fillmore, San Francisco, Ca 2\/14\/70)\u003c\/li\u003e\n\u003cli\u003eWake Up Little Susie (Live at The Fillmore, San Francisco, Ca 2\/13\/70)\u003c\/li\u003e\n\u003cli\u003eBlack Peter (Live at The Fillmore, San Francisco, Ca 2\/13\/70)\u003c\/li\u003e\n\u003cli\u003eSmokestack Lightnin' (Live at The Fillmore, San Francisco, Ca 2\/13\/70)\u003c\/li\u003e\n\u003cli\u003eHard to Handle (Live at The Fillmore, San Francisco, Ca 2\/14\/70)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497835492\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.5.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777307291,"sku":"208958","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-History-of-the-Grateful-Dead-Vol_-1-Bears-Choice-LP-Vinyl.jpg?v=1775834466"},{"product_id":"jerry-garcia-garcialive-vol-14-january-27th-1986-the-ritz-red-lp-vinyl","title":"Jerry Garcia – GarciaLive Vol. 14: January 27th, 1986 - The Ritz (Red 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJanuary 1986 found Jerry Garcia and his band deep in one of their most consistent stretches, just months before the Grateful Dead would head into the studio for \"In the Dark.\" The Ritz was a natural home for JGB's soul-drenched sound, a converted ballroom that drew New York's most devoted Garcia faithful and gave the band a room that rewarded subtlety as much as firepower.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eRead our review of Jerry Garcia's GarciaLive Vol. 14: January 27th 1986 at The Ritz from September 2020 on \u003ca href=\"https:\/\/jambands.com\/reviews\/2020\/09\/18\/garcialive-volume-14-jerry-garcia-and-john-kahn-january-27-1986\/\" title=\"Jerry Garcia - GarciaLive Vol. 14: January 27th 1986 at The Ritz (2-LP Red Vinyl)\"\u003ejambands.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePressed on red vinyl, GarciaLive Vol. 14 captures Jerry Garcia Band's complete January 27, 1986, performance at The Ritz in New York City during a period when JGB was playing at absolute peak power. The lineup—Garcia, Melvin Seals (organ), John Kahn (bass), David Kemper (drums), Gloria Jones and Jaclyn LaBranch (vocals)—had developed telepathic communication through constant touring, and this show documents that connection at full strength. The Ritz's intimate atmosphere (1,500 capacity) creates proximity that larger venues couldn't match, capturing every guitar nuance and vocal harmony with clarity.\u003c\/p\u003e\n\u003cp\u003eThe setlist balances JGB staples like \"Don't Let Go,\" \"Waiting for a Miracle,\" and \"Dear Prudence\" with deeper cuts and covers that showcase the band's range: Dylan, Motown, reggae, gospel, and R\u0026amp;B material all transformed through Garcia's filter. Melvin Seals' Hammond B3 organ is particularly prominent, providing the harmonic foundation that allowed Garcia to sing melodic lead lines with his guitar. The dual female vocalists add gospel-influenced power to songs like \"I'll Take a Melody\" and \"Stop That Train,\" while Garcia's guitar work balances technical command with emotional expressiveness.\u003c\/p\u003e\n\u003cp\u003eWhat makes GarciaLive Vol. 14 essential is how it captures JGB at a creative peak in a perfect setting—small room, engaged audience, band locked in completely. The red vinyl adds collectibility while preserving the warmth of the original soundboard recording. For Garcia fans who know his Grateful Dead work, this release reveals the different energy and focus he brought to JGB performances.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2-LP red vinyl.\u003c\/strong\u003e GarciaLive Vol. 14. Complete show from The Ritz NYC, January 27, 1986. Classic JGB lineup with Melvin Seals.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Deep Elem Blues (5:37)\u003cbr\u003e\nA2. Little Sadie (4:31)\u003cbr\u003e\nA3. Friend Of The Devil (6:25)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Oh Babe, It Ain't No Lie (5:26)\u003cbr\u003e\nB2. When I Paint My Masterpiece (5:44)\u003cbr\u003e\nB3. Run For The Roses (4:33)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Dire Wolf (4:27)\u003cbr\u003e\nC2. Simple Twist Of Fate (8:26)\u003cbr\u003e\nC3. Spike Driver Blues (4:10)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Bird Song (9:14)\u003cbr\u003e\nD2. Ripple (4:02)\u003cbr\u003e\nD3. Goodnight Irene (7:45)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882546410\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.31.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777340059,"sku":"124171","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-14-January-27th-1986-The-Ritz-Red-2-LP-Vinyl.webp?v=1776110402"},{"product_id":"jerry-garcia-band-heads-tails-vol-1-cloudy-blue-lp-vinyl","title":"Jerry Garcia Band – Heads \u0026 Tails Vol. 1 (Cloudy Blue LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePaul Butterfield's appearance alongside Garcia and Merl Saunders in 1972 captures a moment when the San Francisco scene was still thick with that kind of spontaneous, cross-pollinating brilliance. Jump forward sixteen years and the JGB's back-to-back run through \"Don't Let Go\" and \"Think\" shows a band that had fully grown into Garcia's vision for soul-drenched, groove-centered live music. Two eras, one slab of cloudy blue wax.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe first installment in a new archival vinyl series which will showcase previously unreleased performances from the Jerry Garcia Family vaults. Heads \u0026amp; Tails: Vol. 1 presents two mind-boggling performances on a single LP.  One side features a Garcia\/Saunders' 1972 recording of “Save Mother Earth” with special guest Paul Butterfield on harmonica. The other side features the Jerry Garcia Band’s exhilarating paring of “Don’t Let Go” and “Think” captured in 1988. Pressed on \"cloudy blue\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Save Mother Earth (16:55)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Don't Let Go (13:19)\u003cbr\u003e\nB2. 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Songs like \"St. Stephen\" and \"China Cat Sunflower\" became cornerstones of the live canon, outlasting the album itself in the community's memory. The palindromic title, designed by artist Rick Griffin, remains one of the most recognizable images in the Dead's visual universe.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. \"In 1969, for their third album, The Grateful Dead eschewed outside producers and created Aoxomoxoa themselves, beginning a run of self-produced albums that would continue until 1977. Scrapping the first sessions, which were recorded to eight-track tape, the Dead now had 16 tracks with which to experiment their psychedelic sound, with an album that included entirely Robert Hunter-penned lyrics for the first time.\" - Archivist David Lemieux\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. St. Stephen\u003c\/div\u003e\n\u003cdiv\u003e2. Dupree's Diamond Blues\u003c\/div\u003e\n\u003cdiv\u003e3. Rosemary\u003c\/div\u003e\n\u003cdiv\u003e4. Doin' That Rag\u003c\/div\u003e\n\u003cdiv\u003e5. Mountains Of The Moon\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. China Cat Sunflower\u003c\/div\u003e\n\u003cdiv\u003e2. What's Become Of The Baby\u003c\/div\u003e\n\u003cdiv\u003e3. Cosmic Charlie\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497847785\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.7.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777405595,"sku":"145724","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-grateful-dead-aoxomoxoa-vinyl-lp-relix.jpg?v=1778704465"},{"product_id":"grateful-dead-anthem-of-the-sun-1971-remix-lp-vinyl","title":"Grateful Dead – Anthem Of The Sun (1971 Remix LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally pieced together from studio sessions and live recordings captured at venues including the Fillmore Auditorium and the Shrine Exposition Hall, Anthem of the Sun remains one of rock's most genuinely strange artifacts, a document of a band dissolving the line between concert and composition before anyone had a roadmap for doing so. This 1971 remix, overseen as the band's own understanding of the material deepened, offers a slightly sharper window into that beautiful chaos.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e1971 remix of the original album. Anthem of the Sun is the second album by The Grateful Dead, released in 1968 on Warner Bros\/Seven Arts. It is the first album to feature second drummer Mickey Hart. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe band was also joined by Tom Constanten, who contributed avant-garde instrumental and studio techniques influenced by composers John Cage and Karlheinz Stockhausen. The album was assembled through a collage-like editing approach helmed by members Jerry Garcia and Phil Lesh (along with soundman Dan Healy), in which disparate studio and live performance tapes were spliced together to create new hybrid recordings. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe band also supplemented their performances with instruments such as prepared piano, kazoo, harpsichord, timpani, trumpet, and güiro. The result is an experimental amalgam that is neither a true studio album nor a live album.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA2. New Potato Caboose (8:26)\u003cbr\u003e\nA3. Born Cross-Eyed (2:25)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Alligator (11:23)\u003cbr\u003e\nB2. 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The quintet configuration, before the keyboard players who would later reshape the band's sound, gives these performances a leaner, rawer quality that longtime fans hold in particular reverence.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFor the Grateful Dead's second live album, released two years after its predecessor, LIVE\/DEAD, the band delivered an equally magnificent but entirely different Grateful Dead sound. \u003c\/p\u003e\u003cp\u003eWhereas LIVE\/DEAD was a perfect sonic encapsulation of the band at the peak of their Primal Dead era, SKULL \u0026amp; ROSES captures the quintessential quintet, the original five piece band, playing some of their hardest hitting rock 'n' roll (`Johnny B. Goode,' `Not Fade Away'), showing off their authentic Bakersfield bona fides (`Me \u0026amp; My Uncle,' `Mama Tried,' `Me \u0026amp; Bobby McGee'), and some originals that would be important parts of the Dead's live repertoire for the next 24 years (`Bertha,' `Playing In The Band,' `Wharf Rat'). Of course, the Dead were never defined by one specific `sound,' and amongst the aforementioned genres and styles the band brought to this album, they also delved deeply into their psychedelic, primal playbook, with an entire side dedicated to their 1968 masterpiece `The Other One.'\u003c\/p\u003e\u003cp\u003eThis is one of the richest and most satisfying tracks preserved on an official Grateful Dead album, up there with LIVE\/DEAD's `Dark Star' and EUROPE '72's `Morning Dew.' SKULL \u0026amp; ROSES sounds as fresh today as the first time I heard it in 1985, and as fresh as it was upon its spectacularly well-received release in 1971.\" - David Lemieux\u003c\/p\u003e\u003cp\u003eNot only did SKULL \u0026amp; ROSES serve up supremely fine tunes, but it was also the one that scored the Grateful Dead their very first Gold record, introduced the world to the iconic skeleton babe Bertha, and asked the questions - Who are you? Where are you? How are you? - giving birth to the first official generation of Dead Heads.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Bertha (5:27)\u003cbr\u003e\nA2. Mama Tried (2:42)\u003cbr\u003e\nA3. Big Railroad Blues (3:34)\u003cbr\u003e\nA4. 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Hearing these source recordings, from the artists who first cut them, is a reminder of just how deep that well ran: old-time string bands, New Orleans second-line rhythms, Merle Haggard's Bakersfield twang, and Delta blues all living comfortably under the same roof.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe original versions of the Grateful Dead's best-loved cover tunes, performed by the artists who made them. Spanning blues, country, folk, and rock, \u003cem\u003eThe Music Never Stopped\u003c\/em\u003e traces the deep American roots that shaped the Dead's sound across five decades.\u003c\/p\u003e\n\u003cp\u003eLovingly compiled by Henry Kaiser, David Gans, and fellow Dead insiders, with the enthusiastic support of the band, this collection includes an insert with extensive liner notes detailing how the Dead came to cover each song and when they first performed it live. The cover art is by R. Crumb.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompiled by Henry Kaiser, David Gans \u0026amp; more with the support of the Grateful Dead\u003c\/li\u003e\n\u003cli\u003eInsert with extensive liner notes\u003c\/li\u003e\n\u003cli\u003eCover art by R. 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This particular evening documents a band still metabolizing that new chemistry, with Pigpen very much a frontman presence and the psychedelic explorations that would later stretch into marathon improvisations still finding their shape.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFirst time ever on vinyl! Limited four vinyl LP pressing in a gatefold Stoughton 'tip-on' M-Pack jacket. Following on the heels of Light in the Attic's vinyl LP release of One From The Vault comes the next in the trilogy of From The Vault releases by The Grateful Dead. \u003c\/p\u003e\u003cp\u003eThese releases are distinguished from the more abundant Dick's Picks series in that Dick's Picks are 'direct from the soundboard' recordings, while the From The Vault series was professionally recorded on multi-track tape and then mixed down (decades) later for release. Recorded live at the Shrine Auditorium (Los Angeles) in 1968, this is the worldwide vinyl debut of this legendary show, featuring the 6-piece line-up of Pigpen, Garcia, Weir, Lesh, Kreutzmann, and Hart, freshly remastered in 2014 by Joe Gastwirt for maximum mind expansion. Nine dynamic songs on eight sides of wax - five songs weigh in around the 15-minute mark, while three others touch down close to 10 minutes. \u003c\/p\u003e\u003cp\u003eThis is the Dead at their most improvisational while still retaining the Blues-Rock roots of the 'Pigpen' years.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Good Morning, Little Schoolgirl (15:59)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Dark Star (11:20)\u003cbr\u003e\nB2. 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What makes this collection worth spinning on its own is the curation, particular moments from a catalog so vast that even longtime followers find corners they hadn't explored.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. Highlights to the Official Motion Picture Soundtrack to the unprecedented four-hour rock documentary about the legendary band The Grateful Dead. The film, executive produced by Martin Scorsese and directed by Amir Bar-Lev, probes the creative forces, subversive ambitions, and interpersonal dynamics that drove the band in their 30-year career. Features unreleased tracks and Dead covers. Emerging from the Bay Area's vibrant 1960s counterculture, The Grateful Dead were a motley crew whose unique sound sprang from an eclectic blend of influences: bluegrass, folk ballads, R\u0026amp;B, free-form jazz, classical and jug band. They became one of the most influential and iconic bands of all time.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Death Don't Have No Mercy (10:32)\u003cbr\u003e\nA2. St. Stephen (6:42)\u003cbr\u003e\nA3. Easy Wind (5:01)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB. Dark Star (23:52)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. China Cat Sunflower (5:09)\u003cbr\u003e\nC2. I Know You Rider (5:55)\u003cbr\u003e\nC3. The Music Never Stopped (5:33)\u003cbr\u003e\nC4. Touch Of Grey (5:52)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Dear Mr. Fantasy (7:07)\u003cbr\u003e\nD2. Hey Jude (4:00)\u003cbr\u003e\nD3. Ripple (4:10)\u003cbr\u003e\nD4. Brokedown Palace (4:07)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227934439\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.4.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262778847387,"sku":"124417","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Long-Strange-Trip-The-Untold-Story-of-the-Grateful-Dead-Motion-Picture-Soundtrack-LP-Vinyl.png?v=1776110680"},{"product_id":"jerry-garcia-compliments-of-lp-vinyl","title":"Jerry Garcia – Compliments Of (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eA covers record at heart, but Garcia's affection for American song runs so deep here that nothing feels like an exercise. Hearing him work through material from the Great American Songbook alongside R\u0026amp;B and country alongside a studio band this stacked offers a rare window into the breadth of his musical tastes away from the road and the Dead.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOriginally released in 1974, Garcia (Compliments Of) is Jerry's second full-length solo studio album. Produced by long-time collaborator John Kahn, the track list boasts classics from artists like Chuck Berry, Smokey Robinson, and Peter Rowan. This record showcases an all-star cast of the 1970's most in-demand session players: drummer Ron Tutt, guitarist Larry Carlton (Steely Dan, Joni Mitchell), organist Merl Saunders, and legendary backing vocalists Merry Clayton and Clydie King among others.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Let It Rock (3:12)\u003cbr\u003e\nA2. When The Hunter Gets Captured By The Game (2:46)\u003cbr\u003e\nA3. That's What Love Will Make You Do (3:42)\u003cbr\u003e\nA4. Russian Lullaby (3:04)\u003cbr\u003e\nA5. Turn On The Bright Lights (5:04)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. He Ain't Give You None (3:25)\u003cbr\u003e\nB2. What Goes Around (3:07)\u003cbr\u003e\nB3. Let's Spend The Night Together (3:40)\u003cbr\u003e\nB4. Mississippi Moon (3:06)\u003cbr\u003e\nB5. Midnight Town (3:12)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882227111\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.28.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779142299,"sku":"314077","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Compliments-Of-LP-Vinyl_bca1de7d.jpg?v=1776110715"},{"product_id":"grateful-dead-the-best-of-the-grateful-dead-live-1969-1977-vol-1-lp-vinyl","title":"Grateful Dead – The Best of the Grateful Dead Live: 1969-1977 - Vol 1 (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe years 1969 through 1977 represent the full arc of the Dead's most exploratory era, from the raw psychedelic abandon of their early Haight-Ashbury years through the melodic peak of the Terrapin Station period. These were the nights when Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Keith and Donna Godchaux were pushing the boundaries of what a rock band could do in real time, making every show a one-of-a-kind document.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. The Best of The Grateful Dead Live: 1969-1977 - Vol 1. Rock's longest, strangest trip, the Grateful Dead, were the psychedelic era's most beloved musical ambassadors as well as its most enduring survivors. \u003c\/p\u003e\u003cp\u003eThey spread their message of peace, love, and mind expansion across the globe over three decades. The group had popular music's most fervent and celebrated fan following - the Dead Heads, whose numbers and devotion were legendary in their own right. Grateful Dead was the ultimate cult band, creating a self-styled universe all their own. \u003c\/p\u003e\u003cp\u003eThe Dead became superstars solely on their own terms as tie-dyed pied pipers whose epic, free-form live shows were rites of passage for an extended family of listeners who knew no cultural boundaries.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. St. Stephen (6:37)\u003cbr\u003e\nA2. Bertha (5:42)\u003cbr\u003e\nA3. Wharf Rat (8:23)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Jack Straw (4:48)\u003cbr\u003e\nB2. Truckin' (13:07)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Sugar Magnolia (7:10)\u003cbr\u003e\nC2. Morning Dew (11:28)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Brown-Eyed Women (4:37)\u003cbr\u003e\nD2. The Music Never Stopped (5:28)\u003cbr\u003e\nD3. Estimated Prophet (6:44)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497862535\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.23.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779175067,"sku":"441829","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-The-Best-of-the-Grateful-Dead-Live-1969-1977-Vol-1-2-LP-Vinyl.png?v=1776110719"},{"product_id":"jerry-garcia-band-jerry-garcia-band-30th-anniversary-lp-vinyl","title":"Jerry Garcia Band – 30th Anniversary (5-LP Vinyl Deluxe Edition Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally released on CD in 1991, the self-titled Jerry Garcia Band album captured a unit that had spent years refining one of the most soulful sounds in the Bay Area live circuit, with Melvin Seals' Hammond organ and the vocal harmonies of Gloria Jones and Jacklyn LaBranch giving Garcia's songwriting a warmth and gospel depth that set JGB apart from anything happening in the Dead universe. Hearing it spread across five records is the right way to let these performances breathe.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eSelling over 360,000 CDs since its release, the beloved self-titled album, Jerry Garcia Band, was the band's first live release recorded in the spring and summer of 1990 at the Warfield in San Francisco. The iconic lineup features John Kahn, Melvin Seals, David Kemper, Gloria Jones, and Jacklyn LaBranch. In celebration of the album's 30th anniversary, it is released on vinyl for the first time. The release features over two hours of magic across five LPs and includes new liner-note essays by Bill Walton and Steven Hyden, plus a special etching filling out the collection's final side.\u003c\/p\u003e\n\u003cp\u003eOriginally released on CD and cassette in 1991, Jerry Garcia Band showcases the band on the stage Garcia graced more than any other - the Warfield Theatre. Though several studio records were made since the band's inception in 1975, the Jerry Garcia Band holds the distinction of being the only live document Garcia produced during his lifetime. Garcia's selections are a veritable tour de force that reveals the depth of his songbook and his exquisite abilities as a performer and band leader. The collection includes the band's arguably definitive performance of Dylan's \"Tangled Up In Blue\", along with a handful of other staples by the Bard. Smokey's \"The Way You Do The Things You Do\" is another easy highlight with vocals so soft and sweet they're certain to put a smile on anyone's face. \"Don't Let Go\" showcases the band's considerable chemistry, which allowed them to paint so freely outside the lines.\u003c\/p\u003e\n\u003cp\u003eAs Steven Hyden notes in the album's new liner note essay, \u003cstrong\u003e\"\u003cem\u003eThe result on Jerry Garcia Band is an album that feels, in the best possible sense, like church, a sacred sanctuary that a community visits when it needs to be reminded of its better and purer selves... a work of incredible warmth and wisdom that can reboot and then refresh even the weariest of hearts.\"\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. The Way You Do The Things You Do (8:06)\u003cbr\u003eA2. Waiting For A Miracle (5:55)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Simple Twist Of Fate (11:54)\u003cbr\u003eB2. Get Out Of My Life (8:54)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. My Sisters And Brothers (4:19)\u003cbr\u003eC2. I Shall Be Released (9:28)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Dear Prudence (11:43)\u003cbr\u003eD2. Deal (8:37)\u003c\/p\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cp\u003eE1. Stop That Train (6:48)\u003cbr\u003eE2. Señor (Tales Of Yankee Power) (7:45)\u003c\/p\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cp\u003eF1. Evangeline (4:49)\u003cbr\u003eF2. The Night They Drove Old Dixie Down (9:36)\u003c\/p\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cp\u003eG1. Don't Let Go (17:21)\u003c\/p\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cp\u003eH1. That Lucky Old Sun (11:36)\u003c\/p\u003e\n\u003ch4\u003eSide I\u003c\/h4\u003e\n\u003cp\u003eI1. Tangled Up In Blue (12:17)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882452919\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.3.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779273371,"sku":"599612","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/IMG-2724.jpg?v=1776131821"},{"product_id":"grateful-dead-shakedown-street-lp-vinyl","title":"Grateful Dead – Shakedown Street (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eProduced by Lowell George of Little Feat, Shakedown Street found the Dead leaning into a funkier, disco-inflected sound that divided fans at the time but has aged with quiet confidence. The title track became a concert staple that outlasted any critical skepticism, a fixture of setlists deep into the band's final years and a song that still echoes through every lot scene bearing its name.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. Shakedown Street is the tenth studio album by The Grateful Dead, originally released in 1978. The album came just over a year after previous studio album Terrapin Station. It was the final album for Keith and Donna Jean Godchaux, who left the band a few months after it's release.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Good Lovin‘ (4:51)\u003c\/div\u003e\n\u003cdiv\u003e2. France (4:03)\u003c\/div\u003e\n\u003cdiv\u003e3. Shakedown Street (4:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Serengetti (1:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Fire On The Mountain (3:46)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I Need A Miracle (3:38)\u003c\/div\u003e\n\u003cdiv\u003e2. From The Heart Of Me (3:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Stagger Lee (3:25)\u003c\/div\u003e\n\u003cdiv\u003e4. All New Minglewood Blues (4:12)\u003c\/div\u003e\n\u003cdiv\u003e5. If I Had The World To Give (4:50)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497830831\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.26.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779469979,"sku":"540497","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-grateful-dead-shakedown-street-vinyl-lp-relix.jpg?v=1778704376"},{"product_id":"grateful-dead-skeletons-from-the-closet-the-best-of-grateful-dead-lp-vinyl","title":"Grateful Dead – Skeletons From The Closet: The Best Of Grateful Dead (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFor a band that essentially invented the concept of the extended live journey, *Skeletons From The Closet* offers a rare snapshot of the Dead as a singles-minded proposition, drawing from their Warner Bros. studio years. It remains the entry point for countless fans who later found themselves deep in the rabbit hole of setlists, tape trading, and endless touring, chasing whatever this collection only hints at.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. Originally released in February 1974, this is the best-selling Grateful Dead greatest hits collection to date. Features Truckin', Sugar Magnolia, and Mexicali Blues.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497847792\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Golden Road (to Unlimited Devotion) (2:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Truckin' (5:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Rosemary (1:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Sugar Magnolia (3:15)\u003c\/div\u003e\n\u003cdiv\u003e5. St. Stephen (4:26)\u003c\/div\u003e\n\u003cdiv\u003e6. Uncle John's Band (4:42)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Casey Jones (4:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Mexicali Blues (3:24)\u003c\/div\u003e\n\u003cdiv\u003e3. Turn On Your Love Light (6:30)\u003c\/div\u003e\n\u003cdiv\u003e4. One More Saturday Night (4:45)\u003c\/div\u003e\n\u003cdiv\u003e5. Friend Of The Devil (3:20)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779732123,"sku":"630100","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-grateful-dead-skeletons-from-the-closet-the-best-of-grateful-dead-vinyl-lp-relix.jpg?v=1778704210"},{"product_id":"grateful-dead-grayfolded-lp-vinyl","title":"Grateful Dead – Grayfolded (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJohn Oswald's radical 1994-1995 plunderphonics project collapsed hundreds of hours of Grateful Dead \"Dark Star\" performances into a singular, disorienting continuum, essentially asking what happens when you treat fifty-plus versions of a song not as separate concerts but as one infinite improvisation. The result remains one of the most genuinely strange artifacts in the Dead's extended universe, a document that serious listeners and sound-art devotees have sought out for decades. This 3-LP pressing brings that vision back to vinyl in proper fashion.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eNovature (Formless Nights Fall)\u003c\/li\u003e\n\u003cli\u003ePouring Velvet\u003c\/li\u003e\n\u003cli\u003eIn Revolving Ash Light\u003c\/li\u003e\n\u003cli\u003eClouds Cast\u003c\/li\u003e\n\u003cli\u003eThrough\u003c\/li\u003e\n\u003cli\u003eFault Forces\u003c\/li\u003e\n\u003cli\u003ePhil Zone\u003c\/li\u003e\n\u003cli\u003eEstrella Oscura\u003c\/li\u003e\n\u003cli\u003eRecedes (While We Can)\u003c\/li\u003e\n\u003cli\u003eTransilience\u003c\/li\u003e\n\u003cli\u003e73rd Star Bridge Sonata\u003c\/li\u003e\n\u003cli\u003eCease Tone Beam\u003c\/li\u003e\n\u003cli\u003eSpeed of Space\u003c\/li\u003e\n\u003cli\u003eDark Matter Problem\/Every Leaf Is Turning\u003c\/li\u003e\n\u003cli\u003eFoldback Time\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 793447539928\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Important Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.15.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779797659,"sku":"476124","price":79.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Grayfolded-3-LP-Vinyl.png?v=1776110791"},{"product_id":"garcia-peoples-dodging-dues-lp-vinyl","title":"Garcia Peoples – Dodging Dues (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe sheer power of Garcia Peoples is stunning to behold onstage and on bootlegs, especially when the sextet locks into a heavy groove that never lets up. But that power hasn’t always fully come through on the New Jersey band’s otherwise excellent studio albums. “False Company,” the opening track of the band’s fifth album, Dodging Dues, hits like a gut punch—a three-guitar assault that foreshadows the way the record favors a heavier, tighter indie-rock sound over jammy excursions. Produced by veteran guitarist Matt Sweeney (who rips a solo of his own on “Stray Cats”), Dodging Dues is an exercise in brevity with seven songs that zip by in 34 minutes. Considering Garcia Peoples once put out an album built around a 32-minute song (2019’s One Step Behind), Dodging Dues feels restrained, in a good way. Dodging Dues is the first Garcia Peoples album to feature lead vocals from five of the band’s six members: Keyboardist Pat “P.G. Six” Gubler (Wet Tuna) and bassist Andy Cush both sing for the first time, adding new dynamics to the Garcia Peoples sound. Cush aggressively snarls his way through “Stray Cats” and album-closing fist-pumper “Fill Your Cup” (trading lines with guitarist Danny Arakaki). Guitarist Derek Spaldo, often the de facto lead singer, only has one vocal here, but he makes it count with the mesmerizing love song “Cassandra.” Despite the myriad voices, there’s a cohesiveness that connects these songs (“Cold Dice”\u0026gt; “Tough Freaks”\u0026gt; “Stray Cats” is a suite). “Here We Are” finds Garcia Peoples at their most Yo La Tengo-esque: patient and meditative while building to a hypnotic crescendo driven by guest Dan Iead’s pedal steel guitar. Lead guitarist Tom Malach takes a rare vocal turn on choogle-y anthem “Tough Freaks,” which features a chorus that might as well sum up the LP’s ethos: “Tough freaks\/ On those rough streets\/ It’s impossible to cage us\/ Don’t you try, it won’t phase us.”\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Rudi Greenberg, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/03\/18\/garcia-peoples-dodging-dues\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNamed after Jerry Garcia, this New Jersey outfit has spent years earning their stripes on the festival and club circuit, building a devoted following through relentless touring and an improvisational approach that honors the exploratory spirit of their namesake without simply replicating it. *Dodging Dues* finds them at their most compositionally focused, proving that a band rooted in the jam tradition can write tight, purposeful songs without sacrificing an ounce of their freewheeling soul.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eDodging Dues is a startlingly expansive record—“startling” in part because it’s relatively short (seven songs, all but one hovering around the four minute mark), but also because it traverses so many moods and styles: languid and dreamy one moment, surging and intense the next. Garcia Peoples (these days a six-person band) “hit their stride” a long time ago, but here they seem to be hitting a different one, working themselves loose of influences (though this tree has roots: traces of Thin Lizzy, of more arcane bits of U.K. folk-prog, of vintage Meat Puppets in some of the softer passages) while at the same time opening themselves up to their own individual strangeness, becoming ever more singular and ever more free.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. False Company\u003c\/div\u003e\n\u003cdiv\u003e2. Cold Dice\u003c\/div\u003e\n\u003cdiv\u003e3. Tough Freaks\u003c\/div\u003e\n\u003cdiv\u003e4. Stray Cats\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Here We Are\u003c\/div\u003e\n\u003cdiv\u003e2. Cassandra\u003c\/div\u003e\n\u003cdiv\u003e3. Fill Your Cup\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 843563143261\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e No Quarter\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.14.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262781370523,"sku":"643449","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8975155396763-lp-relix.png?v=1776116586"},{"product_id":"bare-bones-volume-ii-other-tunes-arrangements-lp-vinyl","title":"Jerry Garcia \u0026 David Grisman - Bare Bones: Volume II - Other Tunes \u0026 Arrangements (2-LP)","description":"\u003cp\u003e\u003cstrong\u003eLearn more about this release in our Jerry Garcia \u0026amp; David Grisman - Bare Bones: Volume II announcement from December 2024 on \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/12\/21\/jerry-garcia-and-david-grisman-bare-bones-the-duo-recordings-master-takes-other-tunes-arrangements-alternate-takes\/\" title=\"Jerry Garcia \u0026amp; David Grisman - Bare Bones: Volume II\" rel=\"noopener\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/12\/21\/jerry-garcia-and-david-grisman-bare-bones-the-duo-recordings-master-takes-other-tunes-arrangements-alternate-takes\/\" title=\"Jerry Garcia \u0026amp; David Grisman - Bare Bones: Volume II\"\u003e\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing the success of Shady Grove (1996) and Not for Kids Only (1993), Jerry Garcia and David Grisman continued their acoustic partnership with a series of intimate recordings that stripped away the Grateful Dead's electric power in favor of mandolin, acoustic guitar, and close harmonies. Bare Bones: Volume II collects alternate takes, unreleased tracks, and informal performances from these sessions, offering a glimpse into Garcia and Grisman's musical friendship and their shared love of bluegrass, traditional folk, and jazz standards.\u003c\/p\u003e\n\u003cp\u003eThe double LP format allows these performances to breathe naturally across the sides, capturing the warmth and immediacy of Garcia's acoustic guitar work paired with Grisman's virtuosic mandolin. Songs like \"The Thrill is Gone,\" \"Arabia,\" and \"Grateful Dawg\" showcase the duo's ability to find new angles on familiar material, while traditional tunes reveal Garcia's deep connection to the folk and bluegrass traditions that informed the Dead's early sound. Without drums, bass, or keyboards to fill the space, every note matters—Garcia's fingerpicking becomes the rhythm section, Grisman's mandolin provides both melody and punctuation.\u003c\/p\u003e\n\u003cp\u003eWhat makes Bare Bones essential for Garcia fans is hearing him in his most relaxed and playful mode, freed from the pressure of leading the Grateful Dead and able to focus purely on the joy of playing music with a close friend. These sessions occurred during the Dead's final years, when Garcia's health was declining and the band's touring schedule was punishing. Here, you can hear him having fun, exploring melodies without the weight of expectation. This double LP preserves that intimacy, making listeners feel like they're sitting in the room while Garcia and Grisman trade licks and share musical ideas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble LP:\u003c\/strong\u003e Alternate takes and unreleased material from Garcia-Grisman sessions. Acoustic guitar and mandolin duets. Recorded mid-1990s.\u003c\/p\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Bare Bones Prelude (12:01)\u003cbr\u003e\nA2. Friend Of The Devil (3:48)\u003cbr\u003e\nA3. Grateful Dawg (3:28)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. The Sweet Sunny South (3:49)\u003cbr\u003e\nB2. Take Me (4:24)\u003cbr\u003e\nB3. Walkin' Boss (5:30)\u003cbr\u003e\nB4. Dawg's Walz (4:50)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Two Soldiers (4:05)\u003cbr\u003e\nC2. Little Glass Of Wine (2:56)\u003cbr\u003e\nC3. Teddy Bear's Picnic (5:19)\u003cbr\u003e\nC4. Arabia (3:03)\u003cbr\u003e\nC5. Crawdad Song (2:27)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Man Of Constant Sorrow (3:28)\u003cbr\u003e\nD2. Moonlight Bay (1:29)\u003cbr\u003e\nD3. Drink Up And Go Home (2:48)\u003cbr\u003e\nD4. Shenandoah (5:46)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882656812\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.4.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262781665435,"sku":"27121","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-David-Grisman-Bare-Bones-Volume-II-Other-Tunes-Arrangements-2-LP.webp?v=1776110948"},{"product_id":"grateful-dead-from-the-mars-hotel-50th-anniversary-aniv-lp-vinyl","title":"Grateful Dead – From the Mars Hotel (50th Anniversary Remaster LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe Grateful Dead were uncharacteristically well-rehearsed when they entered the studio to record 1974's From the Mars Hotel, if the Angel's Share is any indication.\u003c\/p\u003e\u003cp\u003eThe digital-only collection follows similar treatments of Workingman's Dead, American Beauty and Wake of the Flood. But at 90 minutes and 16 tracks – six devoted to Phil Lesh's \"Pride of Cucamonga\" (two, sans John McFee's all-important pedal steel) and \"Unbroken Chain\" (four, three of which appeared on Wake's Angel's Share) – this edition is shorter than its predecessors by an hour and easier to digest.\u003c\/p\u003e\u003cp\u003eIt kicks off with nimble instrumental runs through \"Scarlet Begonias\" that feature exquisite, perfectly mixed sound. The alternate vocal mix, meanwhile, contains a wobbly percussive element that pie-eyed listeners will eat up.\u003c\/p\u003e\u003cp\u003eThe gorgeous acoustic mix of \"China Doll\" previews 1980 and Reckoning by more than a half-decade, while the wordless \"Ship of Fools (Take 7)\" foreshadows \"Standing on the Moon\" by a decade-and-a-half.\u003c\/p\u003e\u003cp\u003eFor their parts, \"Loose Lucy\" appears in yet another iteration, and an alternate mix of \"Money Money\" confirms nothing can salvage that hot mess of a song.\u003c\/p\u003e\u003cp\u003e\"Wave that Flag\" has fully morphed into \"U.S. Blues\" by the time the band gets to Take 8 after music-only takes 1, 2 and 4 while the alternate mix of \"Unbroken Chain\" is very similar to the album version.\u003c\/p\u003e\u003cp\u003eThe keepers of the Dead vault are to be commended for keeping this Share concise and sharply focused on Bill Kreutzmann one-man drumming, Keith Godchaux's still-wildly inventive piano playing and strong ensemble playing and singing from guitarists Jerry Garcia and Bob Weir, bassist Lesh and vocalist Donna Jean Godchaux. From the Mars Hotel thus received the strongest Angel's Share treatment to date.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/05\/10\/grateful-dead-from-the-mars-hotel-the-angels-share\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during one of the most creatively charged periods in the band's history, From the Mars Hotel arrived just months before the Dead's extended hiatus and the dissolution of their original Wall of Sound touring setup. The album features some of Robert Hunter's most sardonic writing, particularly on \"U.S. Blues\" and \"Scarlet Begonias,\" the latter of which would evolve into one of the most beloved vehicles for improvisation in their entire live catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eRead our review of Grateful Dead's From the Mars Hotel from May 2024 on \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/05\/10\/grateful-dead-from-the-mars-hotel-the-angels-share\/\" title=\"Grateful Dead – From the Mars Hotel\"\u003ejambands.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in June 1974, From the Mars Hotel marked the Grateful Dead's third album on their own independent label after leaving Warner Bros., and their first studio album recorded entirely at their custom-built Club Front studio. Named after the Mars Hotel on Fourth Street in San Francisco (which appeared on the album's cover), this LP captures the Dead refining the roots-rock sound of Workingman's Dead and American Beauty while incorporating the tighter arrangements they'd developed through constant touring. This 50th Anniversary remaster brings new clarity to performances that balanced accessibility with the Dead's signature explorations.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"U.S. Blues,\" which became a concert staple and the band's traditional show closer for years. \"China Doll\" showcases Garcia and Hunter's songwriting at its most delicate and heartbreaking, while \"Unbroken Chain\" features Phil Lesh's rare lead vocal and one of his only songwriting credits with lyricist Bobby Petersen. \"Scarlet Begonias\" introduced a song that would become one of the Dead's most beloved pieces, eventually paired with \"Fire on the Mountain\" to create one of their most enduring combinations. The production captures the band with clarity while preserving the warmth of analog recording.\u003c\/p\u003e\n\u003cp\u003eWhat makes From the Mars Hotel significant is how it represents the Dead taking complete control of their recording process—no label pressure, no outside producers, just the band recording when and how they wanted. The result is an album that sounds relaxed and confident, with strong songs and performances that never feel overthought or overproduced. This 50th Anniversary remaster, likely using modern techniques on the original tapes, reveals details that earlier pressings obscured while maintaining the analog warmth that makes Dead records sound like records rather than digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e50th Anniversary remaster.\u003c\/strong\u003e Released June 1974. Recorded at Club Front, San Francisco. Features \"Scarlet Begonias,\" \"U.S. Blues,\" and \"China Doll.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eU.S. Blues (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003eChina Doll (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003eUnbroken Chain (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003eLoose Lucy (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003eScarlet Begonias (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003ePride of Cucamonga (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003eMoney Money (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003eShip of Fools (2024 Remaster)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497826445\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.21.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262781763739,"sku":"233582","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-From-the-Mars-Hotel-50th-Anniversary-Remaster-LP-Vinyl.webp?v=1775834479"},{"product_id":"north-mississippi-allstars-still-shakin-limited-autographed-opaque-red-lp-vinyl","title":"North Mississippi Allstars – Still Shakin' (Limited Autographed Opaque Red LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLuther and Cody Dickinson carry the DNA of North Mississippi hill country blues in their hands, literally, having grown up absorbing the hypnotic, fife-and-drum-rooted grooves of their Coldwater neighbors before most kids their age knew what a one-chord groove could do to a room. Still Shakin' arrives nearly three decades into their run, a title that doubles as a statement of purpose from a band that has never stopped evolving the tradition they were born into.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNorth Mississippi Allstars was founded by brothers Luther and Cody Dickinson in 1996 as a loose collective of musicians from North Mississippi and Memphis, TN, inspired by their neighbors, RL Burnside, Junior Kimbrough, Otha Turner and the late Fred McDowell. Over the years the touring lineup has included, Cedric, Duwayne and Garry Burnside, Chris Chew, Berry Oakley Jr, Oteil Burbridge, Ray Ray Hollowman (guitar player for Eminem and Ne-Yo), and currently Joey Williams (of the Blind Boys of Alabama). Since their Grammy nominated debut album in 2000 they have toured the world, shared the stage with countless legends, Mavis Staples, Robert Plant, John Hiatt, the Allman Brothers, Buddy Guy, Snoop Dogg, and Phil Lesh to name a few, while earning multiple Grammy nominations for their experimental albums of Psychedelic folk roots rock.\u003c\/p\u003e\u003cp\u003e“Still Shakin’ is a celebration of their life-changing first album Shake Hands with Shorty, released 25 years ago. They dipped into the North Mississippi repertoire and experience of the ‘90s, touring with RL Burnside, recording Otha Turner, hanging at Junior’s Juke, filtering new interpretations through their current instincts. The well never runs dry and the cast of characters never fails.\u003c\/p\u003e\u003cp\u003eThey recorded their 2nd generation friends Duwayne Burnside and Robert Kimbrough at Duwayne’s Juke Joint in Holly Springs. The Sacred Steel Guitar of bandmates Ray Ray Hollowman and Kashiah Hunter blessed the music alongside the vocals and rhythm of Joey Williams, from the Blind Boys of Alabama. Their albums meld music to come but are always a snapshot of who they are running with presently. That to say, Ray Ray and Joey have enriched NMA’s music for the last few years and they cherish their contributions to Still Shakin’. The group looks forward to the next 25 years of North Mississippi World Boogie.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Preachin' Blues\u003c\/div\u003e\n\u003cdiv\u003e2. Stay All Night\u003c\/div\u003e\n\u003cdiv\u003e3. My Mind Is Ramblin'\u003c\/div\u003e\n\u003cdiv\u003e4. Pray For Peace\u003c\/div\u003e\n\u003cdiv\u003e5. K.C. Jones (Part II)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Still Shakin'\u003c\/div\u003e\n\u003cdiv\u003e2. Poor Boy\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Let The Devil Ride\u003c\/div\u003e\n\u003cdiv\u003e4. Write Me A Few Lines\u003c\/div\u003e\n\u003cdiv\u003e5. John Henry\u003c\/div\u003e\n\u003cdiv\u003e6. Monomyth (Folk Hero's Last Ride)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396592012\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.6.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271207792795,"sku":"384268","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/North-Mississippi-Allstars-Still-Shakin-Limited-Autographed-Opaque-Red-LP-Vinyl.png?v=1776112907"},{"product_id":"north-mississippi-allstars-still-shakin-lp-vinyl","title":"North Mississippi Allstars – Still Shakin' (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLuther and Cody Dickinson grew up in the studio, sons of legendary producer Jim Dickinson, absorbing the North Mississippi hill country blues tradition at the source before most musicians their age had figured out their first chord. Nearly three decades into carrying that torch, Still Shakin' finds them exactly where they belong, deepening a sound rooted in the raw, hypnotic groove of Junior Kimbrough and RL Burnside while keeping it very much alive for the next generation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNorth Mississippi Allstars was founded by brothers Luther and Cody Dickinson in 1996 as a loose collective of musicians from North Mississippi and Memphis, TN, inspired by their neighbors, RL Burnside, Junior Kimbrough, Otha Turner and the late Fred McDowell. Over the years the touring lineup has included, Cedric, Duwayne and Garry Burnside, Chris Chew, Berry Oakley Jr, Oteil Burbridge, Ray Ray Hollowman (guitar player for Eminem and Ne-Yo), and currently Joey Williams (of the Blind Boys of Alabama). Since their Grammy nominated debut album in 2000 they have toured the world, shared the stage with countless legends, Mavis Staples, Robert Plant, John Hiatt, the Allman Brothers, Buddy Guy, Snoop Dogg, and Phil Lesh to name a few, while earning multiple Grammy nominations for their experimental albums of Psychedelic folk roots rock.\u003c\/p\u003e\u003cp\u003e“Still Shakin’ is a celebration of their life-changing first album Shake Hands with Shorty, released 25 years ago. They dipped into the North Mississippi repertoire and experience of the ‘90s, touring with RL Burnside, recording Otha Turner, hanging at Junior’s Juke, filtering new interpretations through their current instincts. The well never runs dry and the cast of characters never fails.\u003c\/p\u003e\u003cp\u003eThey recorded their 2nd generation friends Duwayne Burnside and Robert Kimbrough at Duwayne’s Juke Joint in Holly Springs. The Sacred Steel Guitar of bandmates Ray Ray Hollowman and Kashiah Hunter blessed the music alongside the vocals and rhythm of Joey Williams, from the Blind Boys of Alabama. Their albums meld music to come but are always a snapshot of who they are running with presently. That to say, Ray Ray and Joey have enriched NMA’s music for the last few years and they cherish their contributions to Still Shakin’. The group looks forward to the next 25 years of North Mississippi World Boogie.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Preachin' Blues\u003c\/div\u003e\n\u003cdiv\u003e2. Stay All Night\u003c\/div\u003e\n\u003cdiv\u003e3. My Mind Is Ramblin'\u003c\/div\u003e\n\u003cdiv\u003e4. Pray For Peace\u003c\/div\u003e\n\u003cdiv\u003e5. K.C. Jones (Part II)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Still Shakin'\u003c\/div\u003e\n\u003cdiv\u003e2. Poor Boy\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Let The Devil Ride\u003c\/div\u003e\n\u003cdiv\u003e4. Write Me A Few Lines\u003c\/div\u003e\n\u003cdiv\u003e5. John Henry\u003c\/div\u003e\n\u003cdiv\u003e6. Monomyth (Folk Hero's Last Ride)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396591916\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.6.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271237677211,"sku":"368279","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/North-Mississippi-Allstars-Still-Shakin-LP-Vinyl.png?v=1776113575"},{"product_id":"luther-dickinson-dead-blues-volume-1-lp-vinyl","title":"Luther Dickinson – Dead Blues Volume 1 (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLuther Dickinson's roots run deep on both sides of this project: as a Son of the North Mississippi Allstars and a veteran of the fertile intersection between Delta blues and psychedelic rock, he's spent decades proving those worlds were never far apart to begin with. The Grateful Dead's own deep well of traditional blues and folk source material, songs that Garcia and the band drew from Leadbelly, Reverend Gary Davis, and the broader American vernacular tradition, makes this pairing feel less like a concept and more like an inevitability.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWhile playing for Phil Lesh, I became friends with his son, Grahame, and we started booking shows called Dead Blues, a Phil and Friends offshoot that used the traditional blues and folk songs from the Dead catalog as a vehicle to bring new musicians from the blues and rock scene into Phil's orbit. For example, we brought Phil together for the first time with the Blind Boys of Alabama, Charlie Musselwhite, G Love, JD Simo and many others new to Phil's community.Dead Blues was a great concept for live shows but I never considered making an album until I met singer Datrian Johnson, one of the most moving singers I've ever worked with. John Medeski brought Datrian into the community and we instantly became friends and collaborators and began recording the songs on Dead Blues Volume 1, reinterpreting the American classics.The tracks feature North Mississippi Alumni Cody Dickinson and Rayfield \"Ray Ray\" Hollowman, as well as old friends from Memphis, Paul Taylor\/New Memphis Colorways also on drums, bass and guitars and Steve Selvidge on Space Funk guitar. I found that writing the music on bass (then adding keys and guitar) led the music down a funky, jazzy avenue and Datrian worked his magic, reinterpreting the classic blues lyrics and melodies with his soulful vocals.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. One Kind of Favor\u003c\/div\u003e\n\u003cdiv\u003e2. Who Do You Love\u003c\/div\u003e\n\u003cdiv\u003e3. Sitting on Top of the World\u003c\/div\u003e\n\u003cdiv\u003e4. King Bee\u003c\/div\u003e\n\u003cdiv\u003e5. Mystery Train\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Minglewood Blues\u003c\/div\u003e\n\u003cdiv\u003e2. I Just Want to Make Love to You\u003c\/div\u003e\n\u003cdiv\u003e3. Little Red Rooster\u003c\/div\u003e\n\u003cdiv\u003e4. High Heeled Sneakers\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396028139\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Strolling Bones Recs\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.17.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271243509915,"sku":"792857","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Luther-Dickinson-Dead-Blues-Volume-1-LP-Vinyl.png?v=1776114187"},{"product_id":"mikaela-davis-southern-star-clear-lp-vinyl","title":"Mikaela Davis – Southern Star (Clear LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMikaela Davis has built a devoted following in the jam and folk-rock world partly on the strength of her harp playing, an instrument rarely centered in rock contexts, and her work alongside luminaries like Bob Weir and Phil Lesh speaks to how naturally she inhabits that tradition. Southern Star finds her rooted in the Hudson Valley, a region with its own deep musical heritage, bringing a band of long-running collaborators into the studio to capture something that live regulars have felt for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFive years since her debut album Delivery, Mikaela Davis has moved away from her hometown of Rochester, shared the stage with the likes of Bob Weir, Phil Lesh, Christian McBride, Bon Iver, Lake Street Dive and Circles Around the Sun and entered a new decade. But it's the ever-evolving relationships between her closest friends and bandmates that has propelled the Hudson Valley-based artist onto her latest album And Southern Star-a truly collaborative effort that ruminates on the choices we make, and the people we always come back to.The band, made up of Davis (harp\/vocals), Alex Coté (drums), Cian McCarthy (guitars\/vocals), Shane McCarthy (bass\/vocals) and Kurt Johnson (steel guitar), have been playing together for over a decade and it's the first time they've appeared on a full length record together. Weaving 60s pop-soaked melodies, psychedelia and driving folk rock, And Southern Star picks apart the reflection we used to recognise, while trying to build a new one. It navigates the periphery of past selves, the coexistence of isolation and excitement in a new environment and the tension of growing away from what we thought we wanted, tackling it with a luscious, kaleidoscopic grace. \"I finally feel like this album is more me than anything else that's been released,\" Davis says, adding that producing the album along with her four bandmates allowed them to carve out their own ideas, rather than someone else's. It's the band's collective step into adulthood that has informed much of And Southern Star's thematic landscape.A1. CinderellaA2. Home In The CountryA3. One Of These DaysA4. PromiseA5. The PearlB1. Saturday MorningB2. Far From YouB3. Don't Stop NowB4. 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