{"title":"Indie Rock \u0026 Pop Vinyl \u0026 CDs","description":"\u003cp\u003eMy Morning Jacket's catalog — from Evil Urges to Circuital — anchors the indie rock and pop side of things, for Heads whose taste wanders past the jam-band core. Vinyl, 7-inch singles, and CD, restocked as new pressings land.\u003c\/p\u003e","products":[{"product_id":"my-morning-jacket-evil-urges-cd","title":"My Morning Jacket – Evil Urges (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 2008, My Morning Jacket had already built a devoted following through relentless touring and a reputation for marathon live sets that could pivot from sprawling guitar atmospherics to raw country soul. Evil Urges pushed that restless energy into genuinely unexpected places, with Jim James stretching his falsetto into Prince-influenced R\u0026amp;B territory while the band explored funk, folk, and arena rock without ever losing the thread that connects it all.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"There's a theme of moral confusion that runs through the whole record,\" says Jim James, frontman of My Morning Jacket, explaining the title of the band's new album, EVIL URGES. It's ambitious territory for the group's fifth full-length studio album, and it's matched by the most far-ranging, surprising and satisfying sound of their career.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Evil Urges (5:12)\u003cbr\u003e\n2. Touch Me I'm Going To Scream Pt.1 (3:49)\u003cbr\u003e\n3. Highly Suspicious (3:05)\u003cbr\u003e\n4. I'm Amazed (4:33)\u003cbr\u003e\n5. Thank You Too! (4:27)\u003cbr\u003e\n6. Sec Walkin (3:35)\u003cbr\u003e\n7. Two Halves (2:34)\u003cbr\u003e\n8. Librarian (4:16)\u003cbr\u003e\n9. Look At You (3:27)\u003cbr\u003e\n10. Aluminum Park (3:56)\u003cbr\u003e\n11. Remnants (3:02)\u003cbr\u003e\n12. Smokin From Shootin (5:05)\u003cbr\u003e\n13. Touch Me I'm Going To Scream Pt.2 (8:12)\u003cbr\u003e\n14. 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Released just before the holidays, this red vinyl pressing was a genuine gift to the record store faithful.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMY MORNING JACKET  This is a special 7” that streets on 12\/13 and the band has been telling their fans about it. It’s exclusive to indie stores. It’s a red vinyl 7” that contains two unreleased tracks.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA. Friends Again\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB. 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Jim James's reverb-drenched vocals and the band's Southern Gothic sound were already fully formed here, making this an essential document for anyone who wants to trace how a cult following becomes a festival headliner.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Can You See The Hard Helmet On My Head?\u003c\/div\u003e\n\u003cdiv\u003e2. Sooner\u003c\/div\u003e\n\u003cdiv\u003e3. Holy\u003c\/div\u003e\n\u003cdiv\u003e4. It's Been A Great 3 Or 4 Years\u003c\/div\u003e\n\u003cdiv\u003e5. Sweetheart\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Cobra\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 709363698014\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Badman Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.16.02\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187829584027,"sku":"377477","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959402508443-lp-relix.png?v=1776425419"},{"product_id":"my-morning-jacket-chocolate-and-ice-cd","title":"My Morning Jacket – Chocolate and Ice (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased between their early Darla Records albums and their eventual breakthrough, \"Chocolate and Ice\" captures My Morning Jacket at a hungry, exploratory moment, when Jim James and company were still a word-of-mouth secret passed between fans on tape trees and message boards. The band's live reputation was already growing fast in the early 2000s, and these six tracks hint at the cathedral-sized sound they'd soon unleash on bigger stages.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMy Morning Jacket, the Louisville, KY outfit that continue to defy categorization, return with a new E.P. entitled 'Chocolate and Ice.' Equal parts Southern Blues, Americana and dreamy psychaedelica, My Morning Jacket's appeal stems from, among other things, the hauntingly raw vocals of lead singer and guitarist, Jim James. While seeming to simultaneously channel the spirits of both Neil Young and Flaming Lips' Wayne Coyne, Jim James leads his musical cohorts along a journey of reverb-drenched melodies, velvet melancholy lyrics, and instrumentation that combines old country swagger with classic pop sentimentality. Live, My Morning Jacket turn the proverbial amp up to 11 and rock so hard that 'shards of glass from broken beer bottles thrown against the chickenwire amidst a bar-room brawl only add to the rhythmic mayhem (from a fan website).' Clocking in at over 40 minutes, the new E.P. is still longer than the green Weezer album. B+ - Entertainment Weekly.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Can You See The Hard Helmet On My Head? (3:43)\u003cbr\u003e\n2. Sooner (3:37)\u003cbr\u003e\n3. Cobra (24:12)\u003cbr\u003e\n4. It's Been A Great 3 Or 4 Years (4:01)\u003cbr\u003e\n5. Holy (1:59)\u003cbr\u003e\n6. Sweetheart (3:05)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 709363698021\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Badman Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.16.02\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187831419035,"sku":"349579","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/My-Morning-Jacket-Chocolate-and-Ice-CD.png?v=1776108839"},{"product_id":"my-morning-jacket-circuital-cd","title":"My Morning Jacket – Circuital (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJim James and company recorded parts of Circuital in a Louisville gymnasium, and that cavernous, breathing space finds its way into the music itself. Coming off the sprawling ambition of Evil Urges, MMJ pulled the focus inward here, leaning into warm analog textures and the kind of slow-building dynamics that have made their live sets legendary. It's the sound of a band fully comfortable in their own skin.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMy Morning Jacket, with almost 2 million albums sold worldwide and a previous Billboard #9 debut with 50,000 scanned first week, return with their sixth studio album, the stunning Circuital.\u003c\/p\u003e\u003cp\u003eCircuital was recorded in Louisville, KY and Nashville, TN, and was co-produced by frontman Jim James and Tucker Martine (R.E.M., Sufjan Stevens, The Decemberists). The result is yet another reinvention of their sound that both forges new ground and maintains the distinct spirit of MMJ s previous work.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Victory Dance (5:40)\u003cbr\u003e\n2. Circuital (7:19)\u003cbr\u003e\n3. The Day Is Coming (3:17)\u003cbr\u003e\n4. Wonderful (The Way I Feel) (4:16)\u003cbr\u003e\n5. Outta My System (3:22)\u003cbr\u003e\n6. Holdin On To Black Metal (4:19)\u003cbr\u003e\n7. First Light (3:46)\u003cbr\u003e\n8. You Wanna Freak Out (3:20)\u003cbr\u003e\n9. Slow Slow Tune (4:31)\u003cbr\u003e\n10. Movin Away (5:13)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882173722\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.31.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833155739,"sku":"649286","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/My-Morning-Jacket-Circuital-CD.png?v=1776109232"},{"product_id":"my-morning-jacket-acoustic-citsuoca-cd","title":"My Morning Jacket – Acoustic Citsuoca (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLouisville's My Morning Jacket were deep in their creative ascent when this five-track acoustic session captured a rawer, more intimate side of the band that fans of *It Still Moves* would have been hungry for. Stripping back the reverb-drenched grandeur they'd become known for, *Acoustic Citsuoca* offers a rare close-up of Jim James and company finding the emotional core of their songs before the staging takes over.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. The Bear (5:13)\u003c\/div\u003e\n\u003cdiv\u003e2. Sooner (5:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Bermuda Highway (3:39)\u003c\/div\u003e\n\u003cdiv\u003e4. Golden (5:59)\u003c\/div\u003e\n\u003cdiv\u003e5. Hopefully (5:04)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882162429\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.4.04\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833286811,"sku":"438229","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959406178459-cd-relix.png?v=1776566675"},{"product_id":"my-morning-jacket-celebracion-de-la-ciudad-natal-cd","title":"My Morning Jacket – Celebracion de la Ciudad Natal (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during MMJ's triumphant hometown run in Louisville, Kentucky, this live document captures the band at the peak of their powers in the era bridging \"Evil Urges\" and \"Circuital.\" Jim James and company have always been a band that grows exponentially on stage, and these performances reflect the loose, exploratory energy that earned them a devoted following far beyond the jam world.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e4-PANEL CD WALLET. 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Released in 2012, it deepened the conversation around psychedelia as a living practice rather than a nostalgic exercise, and earned Parker a reputation as one of the most compelling studio auteurs of his generation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCocooned away inside walls of psychedelic fuzz in Western Australia they re-created their preferred period one song at a time with the aid of gear and production techniques that sounded like they hadn't been dusted off since 1968.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Be Above It\u003c\/div\u003e\n\u003cdiv\u003e2. Endors Toi\u003c\/div\u003e\n\u003cdiv\u003e3. Apocalypse Dreams\u003c\/div\u003e\n\u003cdiv\u003e4. Mind Mischief\u003c\/div\u003e\n\u003cdiv\u003e5. Music To Walk Home By\u003c\/div\u003e\n\u003cdiv\u003e6. Why Won't They Talk To Me?\u003c\/div\u003e\n\u003cdiv\u003e7. Feels Like We Only Go Backwards\u003c\/div\u003e\n\u003cdiv\u003e8. Keep On Lying\u003c\/div\u003e\n\u003cdiv\u003e9. Elephant\u003c\/div\u003e\n\u003cdiv\u003e10. She Just Won't Believe Me\u003c\/div\u003e\n\u003cdiv\u003e11. Nothing That Has Happened So Far Has Been Anything We Could Control\u003c\/div\u003e\n\u003cdiv\u003e12. Sun's Coming Up\u003c\/div\u003e\n\u003ch4\u003eBonus Tracks\u003c\/h4\u003e\n\u003cdiv\u003e1. Apocalypse Dreams (Live)\u003c\/div\u003e\n\u003cdiv\u003e2. Elephant (Live)\u003c\/div\u003e\n\u003cdiv\u003e3. Feels Like We Only Go Backwards (Live)\u003c\/div\u003e\n\u003cdiv\u003e4. Led Zeppelin\u003c\/div\u003e\n\u003cdiv\u003e5. Beverly Laurel\u003c\/div\u003e\n\u003cdiv\u003e6. Retina Show (Unreleased Demo)\u003c\/div\u003e\n\u003cdiv\u003e7. Sidetracked Soundtrack (Unreleased Demo)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602537065189\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Modular Interscope\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.9.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455502200987,"sku":"201978","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-tame-impala-lonerism-cd-relix.jpg?v=1777565976"},{"product_id":"wilco-sky-blue-sky-cd","title":"Wilco – Sky Blue Sky (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSky Blue Sky arrived in 2007 as something of a left turn for a band that had spent years being celebrated for sonic deconstruction. 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Ezra Koenig and company drew equally from Paul Simon's \"Graceland\" era and the college rock of Rostam Batmanglij's classical training, landing somewhere nobody had quite charted before.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis NY four-piece draw on their diverse backgrounds and interests, experimenting with African guitar music, the Western classical canon, hazy memories of Cape Cod summers, winters in upper Manhattan, and reggaeton. \"Equal parts shruggy New York indie strumming and groovy Afro-pop, Vampire Weekend's organ-and-drum runs highlight narratives about relationships, punctuation, and sometimes both\" - Spin. Named \"Hot New Kids\" in Rolling Stone's \"Hot\" issue. 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Primarily recorded in New York with a springtime sojourn to Mexico, CONTRA feels altogether fresh, joyous, and like nothing else but is immediately recognizable as the sound of VAMPIRE WEEKEND.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Horchata (3:27)\u003c\/div\u003e\n\u003cdiv\u003e2. White Sky (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Holiday (2:18)\u003c\/div\u003e\n\u003cdiv\u003e4. California English (2:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Taxi Cab (3:56)\u003c\/div\u003e\n\u003cdiv\u003e6. Run (3:53)\u003c\/div\u003e\n\u003cdiv\u003e7. Cousins (2:25)\u003c\/div\u003e\n\u003cdiv\u003e8. Giving Up The Gun (4:46)\u003c\/div\u003e\n\u003cdiv\u003e9. Diplomat's Son (6:01)\u003c\/div\u003e\n\u003cdiv\u003e10. I Think Ur A Contra (4:26)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904042929\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Xl Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.12.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455573045403,"sku":"688466","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-vampire-weekend-contra-cd-relix.jpg?v=1777407242"},{"product_id":"thee-oh-sees-warm-slime-lp-vinyl","title":"Thee Oh Sees – Warm Slime (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 2010, John Dwyer was releasing records at a pace that made even the most dedicated collectors scramble to keep up. 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Released on In The Red, a label with deep roots in American lo-fi and garage rock, the album fits naturally alongside the label's legacy of uncompromising underground music.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThee Oh Sees (OCS) began as songwriter \/ singer \/ guitarist John Dwyer's outlet for the experimental instrumentals he was producing in his home studio. Dwyer, who hails from Providence, RI, has been active on the San Francisco indie scene since the late '90s, working with the Coachwhips, Hospitals, Pink \u0026amp; Brown, Yikes, Dig That Body Up It's Alive, and Swords \u0026amp; Sandals, among others. He formed OCS (which is an acronym for Orinoka Crash Suite, Orange County Sound, or whatever Dwyer decided on any given day) to release a string of soundscapes and moody pieces that were decidedly lower key than his previous projects. In time, OCS morphed into an actual band, working under a flurry of names (most notably the Oh Sees or the Ohsees) and eventually settling on Thee Oh Sees. Sounding a bit like the Mamas \u0026amp; the Papas run through a seriously bent garage blender, this line-up features Dwyer on guitar and vocals, Brigid Dawson on vocals and tambourine, Petey Dammit on bass, and Mike Shoun on drums.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Block Of Ice\u003c\/div\u003e\n\u003cdiv\u003e2. Visit Colonel\u003c\/div\u003e\n\u003cdiv\u003e3. Grease 2\u003c\/div\u003e\n\u003cdiv\u003e4. Ghost In The Trees\u003c\/div\u003e\n\u003cdiv\u003e5. Two Drummers Disappear\u003c\/div\u003e\n\u003cdiv\u003e6. Graveyard Drug Party\u003c\/div\u003e\n\u003cdiv\u003e7. The Master's Bedroom (Is Worth Spending A Night In)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Grease\u003c\/div\u003e\n\u003cdiv\u003e2. Adult Acid\u003c\/div\u003e\n\u003cdiv\u003e3. The Coconut\u003c\/div\u003e\n\u003cdiv\u003e4. Maria Stacks\u003c\/div\u003e\n\u003cdiv\u003e5. Poison Finger\u003c\/div\u003e\n\u003cdiv\u003e6. You Will See This Dog Before You Die\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 759718518719\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e In The Red Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.19.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600413175963,"sku":"292132","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-thee-oh-sees-master-s-bedroom-is-worth-spending-a-night-in-vinyl-lp-relix.jpg?v=1779292991"},{"product_id":"thee-oh-sees-warm-slime-cd","title":"Thee Oh Sees – Warm Slime (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 2010, John Dwyer was releasing records at a pace that made even the most dedicated collectors scramble to keep up, and Warm Slime stands as one of the clearest arguments for why that output deserved attention. In The Red had long been home to America's finest garage ugliness, and dropping this one on that label felt like a perfect alignment of artist and institution.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2010 release from the ridiculously prolific Bay Area band. Warm Slime is guaranteed to please fans of their whacked-out Garage\/Psych\/Punk jams. Recorded by Sacramento sultan of sound Chris Woodhouse, Warm Slime carries on in the same tradition as the group's previous release, Help, showcasing their more electrified and rocking side, in comparison to other recent home-recorded releases. The centerpiece is undoubtedly the mind-bending title track, which clocks in at nearly 14 minutes and takes up the entirety of the album's first side. It's a Psychedelic epic of 'Inna Gadda Da Vida' proportions! John Dwyer's guitar playing is at its quadra-spazzed best here, and the vocal interplay with Brigid Dawson gives it a B-52s-at-their-least-cheesy-crossed-with-the-Troggs vibe. The results are stunning.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Warm Slime (13:27)\u003c\/div\u003e\n\u003cdiv\u003e2. I Was Denied (3:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Everything Went Black (3:18)\u003c\/div\u003e\n\u003cdiv\u003e4. Castiatic Tackle (2:24)\u003c\/div\u003e\n\u003cdiv\u003e5. Flash Bats (3:11)\u003c\/div\u003e\n\u003cdiv\u003e6. Mega-Feast (2:08)\u003c\/div\u003e\n\u003cdiv\u003e7. MT Work (2:27)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 759718518627\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e In The Red Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.11.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600434507931,"sku":"395176","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-thee-oh-sees-warm-slime-cd-relix.jpg?v=1779292106"},{"product_id":"the-avett-brothers-emotionalism-lp-vinyl","title":"The Avett Brothers – Emotionalism (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Rick Rubin came calling, before the arenas and the festival headlining slots, there was this: a North Carolina band playing with the desperate honesty of people who had nothing to lose. Recorded with producer Migel Urquiza, *Emotionalism* captured Scott and Seth Avett at a raw, hungry moment, threading Appalachian roots and punk energy into something that felt genuinely urgent and new.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2 LPs on 180-gram vinyl. 2010 reissue of 2007 release. The Avett Brothers' 2007 release \"Emotionalism\" is the album that caught the attention of legendary producer Rick Rubin and got him to sign the band to their first major studio. \"Emotionalism\" also was their first album to crack the charts. Full of new Folk, Blues and Bluegrass riffs for a modern world, it is a lively take on everything from romance to paranoia. Of course, they still kick in some solid Rock 'N' Roll for good measure. This 2010 reissue is waxed on 180-gram vinyl, and makes for an entertaining double album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Die Die Die\u003c\/div\u003e\n\u003cdiv\u003e2. Shame\u003c\/div\u003e\n\u003cdiv\u003e3. Paranoia In Bь Major\u003c\/div\u003e\n\u003cdiv\u003e4. The Weight Of Lies\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Will You Return?\u003c\/div\u003e\n\u003cdiv\u003e2. The Ballad Of Love And Hate\u003c\/div\u003e\n\u003cdiv\u003e3. Salina\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Pretty Girl From Chile\u003c\/div\u003e\n\u003cdiv\u003e2. All My Mistakes\u003c\/div\u003e\n\u003cdiv\u003e3. Living Of Love\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. I Would Be Sad\u003c\/div\u003e\n\u003cdiv\u003e2. Pretty Girl From San Diego\u003c\/div\u003e\n\u003cdiv\u003e3. Go To Sleep\u003c\/div\u003e\n\u003cdiv\u003e4. Hand-Me-Down Tune\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605780610\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ramseur Rec.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.22.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600434802843,"sku":"396560","price":41.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-avett-brothers-emotionalism-vinyl-lp-relix.jpg?v=1779302108"},{"product_id":"the-war-on-drugs-slave-ambient-lp-vinyl","title":"The War On Drugs – Slave Ambient (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePhiladelphia's Adam Granduciel spent years honing this material through relentless touring and tape-saturated home recording sessions, and the patience shows. Slave Ambient landed on numerous year-end lists for 2011 and introduced the band to a much wider audience, bridging the gap between underground rock obsessives and listeners who grew up on Petty, Dylan, and Springsteen without ever feeling like a compromise.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn their debut, the life-affirming Wagonwheel Blues, and the follow-up EP, Future Weather, The War on Drugs seemed obsessed with disparate ideas, with building uncompromised rock monuments from pieces that may have seemed like odd pairs. Electronic and instrumental reprises precede songs they've yet to play, and Dr. Seuss becomes lyrical motivation for bold futuristic visions. Granduciel has done it again, better than before: Slave Ambient, their proper second album, is a brilliant 47 minute sprawl of rock n roll, conceptualized with a sense of adventure and captured with seasons of bravado.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Best Night\u003c\/div\u003e\n\u003cdiv\u003e2. Brothers\u003c\/div\u003e\n\u003cdiv\u003e3. I Was There\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Your Love Is Calling My Name\u003c\/div\u003e\n\u003cdiv\u003e2. The Animator\u003c\/div\u003e\n\u003cdiv\u003e3. Come To The City\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Come For It\u003c\/div\u003e\n\u003cdiv\u003e2. It's Your Destiny\u003c\/div\u003e\n\u003cdiv\u003e3. City Reprise #12\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Baby Missiles\u003c\/div\u003e\n\u003cdiv\u003e2. Original Slave\u003c\/div\u003e\n\u003cdiv\u003e3. Black Water Falls\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605019017\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Secretly Canadian\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.16.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600459608219,"sku":"649844","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-war-on-drugs-slave-ambient-vinyl-lp-relix.jpg?v=1779284785"},{"product_id":"thee-oh-sees-putrifiers-ii-lp-vinyl","title":"Thee Oh Sees – Putrifiers II (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eProlific doesn't begin to cover it. By the time Putrifiers II landed in 2012, John Dwyer had already released a staggering run of records that kept San Francisco's underground scene in a perpetual state of whiplash, yet this one found the band threading psych-damaged hooks through surprisingly melodic territory without losing any of the garage-floor grit that made them essential.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWhat's the first thing that comes to mind when someone mentions Thee Oh Sees? Probably their riot-sparking live show, right? Visions of a guitar-chewing, speaker-smothering, tongue-wagging John Dwyer careening across your cranium, chased by a wild-eyed wrecking crew that drives every last hook home like it's a nail in the coffin of what one thought it meant to make 21st century rock 'n' roll? Yeah, that sounds about right. But it misses a more important point-how impossible Thee Oh Sees have been been to pin down since Dwyer launched it in the late '90s as a solo break from such sorely missed underground bands as Pink and Brown and Coachwhips. That restlessness extends to everything from the towering, thirteen-minute title track of 2010's Warm Smile LP to the mercurial moods of 2008's the Master's Bedroom Is Worth Spending a Night In. And then there's the home-brewed symphonies of Castlemania and the high-wire hooks of Carrion Crawler \/ the Dream, which dropped a second drum set among sunburnt organs, dovetailing guitars and rail-jumping rhythms. If one prefers a slightly more subtle musical awakening, there's always Putrifiers II, the latest in a long line of Oh Sees albums that expands the group's sound well past your friendly neighborhood garage band. So while the space-odyssey nods of \"Wax Face\" actually sound like they're meant to melt one's ears straight off, the record's full of deviant detours, from the poison-tipped string parts and Eno-esque engineering of \"So Nice\" to the groove-locked Krautrock inclinations of \"Lupine Dominus.\" the most noticeable element may be Dwyer's melodies, however, as they reveal a softer side to his songwriting, one that makes perfect sense considering just how disparate his dust-clearing influences are. Scott Walker, the Velvet Underground, the Zombies and the experimental Japanese act Les Rallizes Denudes are but a small taste of what informed Thee Oh Sees this time around, as Dwyer returned to the multi-instrumental ways of Castlemania-full-band sessions for another record are already underway-and rounded out a fuller, drier sound with drummer \/ engineer Chris Woodhouse and special guests like Mikal Cronin (sax), Heidi Maureen Alexander (trumpet, vocals) and K Dylan Edrich (viola).\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Wax Face\u003c\/div\u003e\n\u003cdiv\u003e2. Hang A Picture\u003c\/div\u003e\n\u003cdiv\u003e3. So Nice\u003c\/div\u003e\n\u003cdiv\u003e4. Cloud #1\u003c\/div\u003e\n\u003cdiv\u003e5. Flood's New Light\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Putrifiers II\u003c\/div\u003e\n\u003cdiv\u003e2. Will We Be Scared?\u003c\/div\u003e\n\u003cdiv\u003e3. Lupine Dominus\u003c\/div\u003e\n\u003cdiv\u003e4. Goodnight Baby\u003c\/div\u003e\n\u003cdiv\u003e5. Wicked Park\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 759718523515\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e In The Red Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.11.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600460066971,"sku":"500163","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-thee-oh-sees-putrifiers-ii-vinyl-lp-relix.jpg?v=1779292583"},{"product_id":"thee-oh-sees-carrion-crawler-dream-lp-vinyl","title":"Thee Oh Sees – Carrion Crawler \/ Dream (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJohn Dwyer had already released a staggering number of records by 2011, but Carrion Crawler \/ Dream caught the San Francisco project at a particular peak of momentum, balancing the raw garage energy of their live show against some of Dwyer's most immediate melodic instincts. The pairing of two distinct recording sessions into one LP suits a band that never sat still long enough for a single document to define them.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. 2011 album from the California-based Alt-Rock outfit led by John Dwyer. What's the first thing you think of when someone mentions Thee Oh Sees? Probably their riot-sparking live show, right? Visions of a guitar-chewing, melody-maiming Dwyer careening across your cranium, rounded out by a wild-eyed wrecking crew that drives every last hook home like it's a nail in the coffin of what you thought it meant to make 21st-century Rock 'n' Roll? Yeah, that sounds about right. But it misses a more important point: how impossible Thee Oh Sees have been to pin down since Dwyer launched the project in the late '90s. 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Furious indie-pop anthems combine across the record with psych and prog influences, demonstrating the wealth of influences the band feed off and their deep musicality. 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