{"title":"Jam Band CDs","description":"\u003cp\u003eFor the listener who still buys the disc, reads the liner notes, and wants the full set: this is 85 jam band CDs drawn from the Dead vault, the GarciaLive catalog, Tedeschi Trucks Band, the Allman Brothers, and the wider scene that Relix has covered since 1974.\u003c\/p\u003e\u003cp\u003eThe collection runs from single-disc studio records to sprawling multi-disc sets. The Grateful Dead's \u003cem\u003eCornell 5\/8\/77\u003c\/em\u003e arrives as a 3xCD. \u003cem\u003eSunshine Daydream\u003c\/em\u003e spreads across four discs. Jerry Garcia's \u003cem\u003eElectric On The Eel\u003c\/em\u003e is a 6xCD box set on Round Records, and \u003cem\u003eBefore The Dead\u003c\/em\u003e collects four discs of pre-Dead Garcia on the same label. The GarciaLive series is well represented: \u003cem\u003eGarciaLive Vol. 20: June 18th, 1982 - Cape Cod Coliseum\u003c\/em\u003e, \u003cem\u003eGarciaLive Volume 17: NorCal '76\u003c\/em\u003e, and \u003cem\u003eGarciaLive Volume Seven: November 8th 1976 Sophie's Palo Alto\u003c\/em\u003e are all here. Live sets from outside the Garcia orbit include Tedeschi Trucks Band's \u003cem\u003eLayla Revisited (Live at LOCKN')\u003c\/em\u003e on 2xCD, \u003cem\u003eMad Dogs and Englishmen Revisited (Live at LOCKN')\u003c\/em\u003e from Tedeschi Trucks Band and Leon Russell, and New Riders of the Purple Sage's \u003cem\u003eLive At The Capitol Theater - October 31 1975\u003c\/em\u003e on 2xCD. The Allman Brothers Band's remastered \u003cem\u003eEat A Peach\u003c\/em\u003e rounds out the studio side.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has been writing about the Grateful Dead, Phish, and the wider jam and roots world since 1974. That history shapes what ends up in the store: the titles here are ones the magazine has covered, reviewed, and cared about, not an algorithm's best guess at the genre. The store also carries the Relix Sessions series, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label. When we stock a multi-disc archival release or a deep-catalog remaster, it is because it belongs in a serious collection, not because it moved units.\u003c\/p\u003e\u003cp\u003eEvery CD in this collection is new and factory sealed. Pre-order titles display a street date on the product page and ship as soon as the label makes them available. CDs ship in protective packaging.\u003c\/p\u003e\u003cp\u003eBrowse related pages to go deeper: the full \u003ca href=\"\/collections\/cds\"\u003eCDs\u003c\/a\u003e collection covers the broader catalog, \u003ca href=\"\/collections\/grateful-dead-cds\"\u003eGrateful Dead CDs, Box Sets and Live Albums\u003c\/a\u003e pulls together every Dead and Garcia disc in the store, \u003ca href=\"\/collections\/live-albums-cds\"\u003eLive Albums on CD\u003c\/a\u003e focuses on concert recordings across artists, and \u003ca href=\"\/collections\/jam-band-vinyl\"\u003eJam Band Vinyl Records\u003c\/a\u003e has the LP side of the same catalog.\u003c\/p\u003e","products":[{"product_id":"grateful-dead-road-trips-cd-vol-1-no-2-october-77-2008","title":"Grateful Dead Road Trips CD | Vol. 1 No. 2 – October ’77 (2008)","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eGrateful Dead – Road Trips Vol. 1 No. 2: October ’77\u003c\/em\u003e\u003c\/strong\u003e revisits one of the band’s most celebrated creative peaks. Released in March 2008, this installment stitches together highlights from Norman, OK (10\/11), Houston, TX (10\/14), and Baton Rouge, LA (10\/16), capturing the effortless interplay and tight improvisation that made 1977 a benchmark year for the Dead.\u003c\/p\u003e\n\u003cp\u003eThe release flows through radiant versions of \u003cem\u003eLet It Grow\u003c\/em\u003e and \u003cem\u003eSugaree\u003c\/em\u003e, a stunning \u003cem\u003eHelp on the Way → Slipknot! → Franklin’s Tower\u003c\/em\u003e sequence, and a fluid second set built around \u003cem\u003ePlaying in the Band\u003c\/em\u003e, \u003cem\u003eThe Other One\u003c\/em\u003e, and \u003cem\u003eTerrapin Station\u003c\/em\u003e. The \u003cstrong\u003eBonus Disc\u003c\/strong\u003e expands the experience with the beloved \u003cem\u003eScarlet Begonias → Fire on the Mountain\u003c\/em\u003e pairing and more gems from that same week.\u003c\/p\u003e\n\u003cp\u003ePerformed by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e, and \u003cstrong\u003eDonna Godchaux\u003c\/strong\u003e. Mixed and mastered by \u003cstrong\u003eJeffrey Norman\u003c\/strong\u003e under the supervision of \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDisc One\u003c\/strong\u003e\u003cbr\u003eLet It Grow\u003cbr\u003eSugaree\u003cbr\u003eThe Music Never Stopped\u003cbr\u003eMississippi Half-Step Uptown Toodleoo → El Paso\u003cbr\u003eHelp on the Way → Slipknot! → Franklin’s Tower\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDisc Two\u003c\/strong\u003e\u003cbr\u003ePlaying in the Band → Drums → The Other One → Good Lovin’ → Terrapin Station → Black Peter → Around and Around → Brokedown Palace\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBonus Disc\u003c\/strong\u003e\u003cbr\u003eScarlet Begonias → Fire on the Mountain\u003cbr\u003eEstimated Prophet\u003cbr\u003eSunrise\u003cbr\u003eIko Iko\u003cbr\u003eThe Wheel → Wharf Rat → Sugar Magnolia\u003c\/p\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47391200182427,"sku":"ROADTRIPS-OCT77","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/gdroadtripscdA.jpg?v=1776960938"},{"product_id":"mad-dogs-englishmen-revisited-live-at-lockn-cd","title":"Tedeschi Trucks Band \u0026 Leon Russell – Mad Dogs \u0026 Englishmen Revisited (Live at LOCKN’) | CD","description":"\u003cp\u003eIn 2015, Tedeschi Trucks Band revived Joe Cocker and Leon Russell's legendary Mad Dogs \u0026amp; Englishmen tour with the man himself—Leon Russell joining for one of his final major performances before his 2016 death. This CD captures that historic LOCKN' Festival recreation, with TTB's already-stacked 12-piece lineup expanding further to accommodate the material's orchestral scope. Original Mad Dogs alumni Claudia Lennear and Dave Mason also joined, creating a direct connection between the 1970 original and this tribute.\u003c\/p\u003e\n\u003cp\u003eMad Dogs \u0026amp; Englishmen's horn-driven, gospel-tinged soul-rock suits TTB's strengths perfectly. \"Feelin' Alright,\" \"The Letter,\" \"Cry Me a River,\" \"Delta Lady,\" and \"Space Captain\" all receive full-band treatments that honor the originals while adding the improvisational firepower that defines TTB's approach. Derek's slide guitar references Russell's piano work while adding his own voice; Susan's vocals channel Cocker's raw power while maintaining her own identity. The presence of Leon Russell—frail but commanding—adds emotional weight that transforms tribute into something more profound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD.\u003c\/strong\u003e Fantasy Records. Recorded live at LOCKN' Festival 2015. Features Leon Russell, Claudia Lennear, Dave Mason. Complete Mad Dogs \u0026amp; Englishmen recreation.\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":47417453183131,"sku":"888072705241","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Tedeschi-Trucks-Band-Leon-Russell-Mad-Dogs-Englishmen-Revisited-Live-at-LOCKN-CD.jpg?v=1770132160"},{"product_id":"layla-revisited-live-at-lockn-2cd","title":"Tedeschi Trucks Band – Layla Revisited (Live at LOCKN’) | 2-CD","description":"\u003cp\u003eAt the 2019 LOCKN' Festival, Tedeschi Trucks Band performed Derek and the Dominos' Layla and Other Assorted Love Songs in its entirety—with Trey Anastasio joining on guitar. This 2-CD set captures that complete performance, documenting one of the most ambitious tributes to Eric Clapton and Duane Allman's 1970 masterpiece. The Layla sessions hold special resonance for Derek Trucks, whose uncle Butch drummed for the Allman Brothers alongside Duane. With Trey adding his distinctive voice to the dual-guitar attack, the performance honors the original while pushing into new improvisational territory.\u003c\/p\u003e\u003cp\u003eTTB's 12-piece lineup—dual drummers, three-piece horn section, backup vocalists—brings orchestral depth to Clapton and Allman's guitar interplay. \"Tell the Truth,\" \"Bell Bottom Blues,\" \"I Looked Away,\" and the iconic \"Layla\" all receive extended treatment that respects the source while showcasing what makes TTB special. Derek's slide guitar channels Duane without imitating him; Susan's vocals bring new emotional depth to songs originally sung by Clapton. This isn't a cover band exercise—it's a reimagining by musicians who understand that honoring the past means pushing it forward.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e2-CD Set.\u003c\/strong\u003e Fantasy Records. Recorded live at LOCKN' Festival, September 14, 2019. Features Trey Anastasio. Complete Layla album performance.\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":47417455411355,"sku":"888072234888","price":19.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Tedeschi-Trucks-Band-Layla-Revisited-Live-at-LOCKN-2-CD.jpg?v=1770132161"},{"product_id":"i-am-the-moon-ii-ascension-cd","title":"Tedeschi Trucks Band – I Am The Moon: II. Ascension (CD)","description":"\u003cp\u003e\u003cstrong\u003e4 Panel Softpak with 12 page book\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAscension \u003c\/em\u003eis the second in the four-album \u003cem\u003eI Am The Moon \u003c\/em\u003eseries from Tedeschi Trucks Band.\u003c\/p\u003e\n\u003cp\u003eInspired by an epic tale of star-crossed lovers, and emotionally driven by the isolation of the pandemic era, \u003cem\u003eI Am The Moon\u003c\/em\u003e is TTB's most ambitious, and at the same time, intimate recording. Their fifth studio release, \u003cem\u003eI Am The Moon\u003c\/em\u003e captures the band at its creative best - with 24 original songs that explore the universal experience of love's trial and urgency across a robust tapestry of blues, funk, country, jazz and gospel - all with luminous singing and the instant fire of improvisation.  \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTrack List:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlaying With My Emotions\u003c\/li\u003e\n\u003cli\u003eAin't That Something\u003c\/li\u003e\n\u003cli\u003eAll The Love\u003c\/li\u003e\n\u003cli\u003eSo Long Savior\u003c\/li\u003e\n\u003cli\u003eRainy Day\u003c\/li\u003e\n\u003cli\u003eLa Di Da\u003c\/li\u003e\n\u003cli\u003eHold That Line\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":47529570009243,"sku":"888072434424","price":10.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Tedeschi-Trucks-Band-I-Am-The-Moon-II_-Ascension-CD.jpg?v=1770132861"},{"product_id":"signs-cd","title":"Tedeschi Trucks Band – Signs (CD)","description":"\u003cp\u003eSigns finds Tedeschi Trucks Band at a crossroads—their fourth studio album addressing mortality, spirituality, and the search for meaning with the musical sophistication of a 12-piece ensemble that's logged thousands of miles together. The album emerged partly from reflection following the deaths of Derek's uncle Butch Trucks and Gregg Allman, lending weight to songs that grapple with life's biggest questions while maintaining the groove foundation that keeps TTB's music accessible. Derek's slide guitar has never been more eloquent; Susan's vocals have never been more powerful.\u003c\/p\u003e\n\u003cp\u003eTTB's evolution from Southern rock also-rans to one of America's premier live bands culminates in Signs' ambitious arrangements, which draw equally from soul, jazz, rock, and gospel traditions. The dual drummers create polyrhythmic foundations, the three-piece horn section adds orchestral depth, and the backing vocalists bring church-trained harmonies to the most transcendent moments. Produced by the band at their Swamp Raga Studios in Jacksonville, Signs captures TTB's road-tested interplay in a studio setting that gives each of the twelve musicians room to contribute. Relix has followed the band since their Revelator debut, documenting an evolution that Signs continues.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD.\u003c\/strong\u003e Fantasy Records. Released 2019. Fourth studio album. 12-piece ensemble. Produced by TTB at Swamp Raga Studios, Jacksonville.\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":47529570861211,"sku":"888072081277","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Tedeschi-Trucks-Band-Signs-CD.jpg?v=1770132866"},{"product_id":"million-voices-whisper-cd","title":"Warren Haynes – Million Voices Whisper (CD)","description":"\u003cp\u003eOn CD, Million Voices Whisper presents Warren Haynes' most expansive solo statement—the Gov't Mule leader and former Allman Brothers guitarist collaborating with Massive Attack's Robert \"3D\" Del Naja and a cast including Walter Trout, Nils Lofgren, and Kris Kristofferson. The 2023 album finds Haynes pushing beyond blues-rock comfort zones into electronic textures and orchestral arrangements while maintaining the soulful vocal presence and melodic guitar work that made him essential to two legendary bands.\u003c\/p\u003e\u003cp\u003eHaynes has spent four decades as Southern rock's most reliable sideman and bandleader—his tenure with the Allman Brothers (1989-2014) and ongoing leadership of Gov't Mule established him as the genre's conscience and connector. Million Voices Whisper represents his boldest step as a solo artist: ambient passages courtesy of Del Naja's trip-hop sensibility, guest appearances that span generations and genres, and production that moves far beyond the stage-ready arrangements of his band work. The CD format captures every layer of this ambitious production.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD.\u003c\/strong\u003e 2023 album featuring Warren Haynes with Robert \"3D\" Del Naja (Massive Attack), Walter Trout, Nils Lofgren, Kris Kristofferson. Warren Haynes' most ambitious solo work.\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":47529571123355,"sku":"888072651777","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Warren-Haynes-Million-Voices-Whisper-CD.jpg?v=1770132883"},{"product_id":"revolution-come-revolution-go-cd","title":"Gov’t Mule – Revolution Come… Revolution Go (CD)","description":"\u003cp\u003eRevolution Come... Revolution Go finds Gov't Mule addressing the political turbulence of its era with the blues-rock firepower that's made them one of the most durable bands to emerge from the Allman Brothers orbit. Warren Haynes channels frustration into extended guitar workouts while maintaining the song structures that separate Mule from jam bands who prioritize improvisation over composition. The album's title track sets the tone: revolution is coming whether you're ready or not, and Mule provides the soundtrack for uncertain times.\u003c\/p\u003e\n\u003cp\u003eSince emerging in 1994 as an Allman Brothers side project, Gov't Mule has outlived its parent band while maintaining a relentless touring schedule that's made them headliners in their own right. Haynes's guitar work throughout Revolution Come... Revolution Go demonstrates why he's held the lead guitarist position for the Allman Brothers, Dead \u0026amp; Company, and his own band simultaneously—a technical command paired with emotional expressiveness that few can match. The rhythm section locks into grooves that give Haynes room to explore without losing sight of the song's foundation. Relix has documented Mule's journey from side project to institution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD.\u003c\/strong\u003e Fantasy\/Mascot Records. Gov't Mule's eleventh studio album. Warren Haynes on guitar and vocals. Blues-rock addressing political turbulence.\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":47529571156123,"sku":"888072027435","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Govt-Mule-Revolution-Come_-Revolution-Go-CD.jpg?v=1770132893"},{"product_id":"peace-like-a-river-cd","title":"Gov’t Mule – Peace… Like A River (CD)","description":"\u003cp\u003eGov't Mule's fourteenth studio album finds Warren Haynes and company examining turbulent times with the hard-won perspective of veterans who've weathered personal and cultural storms before. Peace… Like A River doesn't offer easy answers but instead poses the question of whether calm can be found amid chaos—and whether that search might be the point. The CD captures the band's signature blend of Southern rock, blues, and jam band exploration with studio clarity.\u003c\/p\u003e\n\u003cp\u003eHaynes' guitar and vocals anchor an ensemble that's maintained its identity through decades of touring and recording. Matt Abts' drumming and Danny Louis' keyboards provide the foundation for extended instrumental passages that reward patient listening, while the songwriting reflects Haynes' literary influences and spiritual seeking. Production balances the power of their live shows with studio craft.\u003c\/p\u003e\n\u003cp\u003eRelix has followed Gov't Mule since their formation as an Allman Brothers side project, documenting their evolution into a jam band institution in their own right. Peace… Like A River continues that journey.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD.\u003c\/strong\u003e Concord Records. Gov't Mule's fourteenth studio album. Warren Haynes reflects on turbulent times. Southern rock meets spiritual seeking.\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":47529571418267,"sku":"888072447578","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Govt-Mule-Peace_-Like-A-River-CD.jpg?v=1770132896"},{"product_id":"el-dorado-cd","title":"Marcus King – El Dorado (CD)","description":"\u003cp\u003eMarcus King's solo debut under Dan Auerbach's production guidance announced the young Greenville, South Carolina guitarist as a generational talent ready for his close-up. El Dorado strips away the Marcus King Band's jam band tendencies to reveal a soulful singer and songwriter channeling classic Stax and Muscle Shoals through contemporary production. The CD captures every nuance of King's whiskey-soaked vocals and fluid guitar work.\u003c\/p\u003e\n\u003cp\u003eAuerbach's Easy Eye Sound studio and production approach proved the perfect match for King's natural gifts—the Black Keys frontman knew exactly how to frame a young Southern guitarist in vintage soul settings without sounding like mere pastiche. Songs like The Well, Wildflowers \u0026amp; Wine, and Beautiful Stranger became instant classics, earning Grammy nominations and establishing King as more than just another blues-rock shredder.\u003c\/p\u003e\n\u003cp\u003eRelix has documented King's rise from teenage prodigy to arena headliner, recognizing his ability to honor the past while creating something distinctly his own. El Dorado remains the clearest statement of that vision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD.\u003c\/strong\u003e Concord Records. Produced by Dan Auerbach at Easy Eye Sound. Grammy-nominated solo debut. Southern soul meets contemporary production.\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":47529571778715,"sku":"888072118300","price":8.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Marcus-King-El-Dorado-CD.jpg?v=1770132919"},{"product_id":"future-soul-cd","title":"Tedeschi Trucks Band – Future Soul (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOne word often used to describe Tedeschi Trucks Band over the group's 15-year existence is retro, which makes the title of their sixth album, Future Soul, an ironic departure. Musically, Future Soul doesn't remake the band's gumbo of classic rock, blues, soul and jazz into something futuristic, but it does reposition Tedeschi Trucks Band as more pop-forward and accessible. From the opening bluesy riffs of \"Crazy Cryin',\" it's clear this slinking groove is still classic TTB, driven by Derek Trucks' one-of-a-kind guitar tone, Susan Tedeschi's soulful vocals and the 10-piece backing band's expressive horns and backing vocals. It is, however, a contrast to 2022's I Am the Moon, a four-part, two-plus-hour song cycle that blended tight songwriting with expansive, jazzy excursions.\u003c\/p\u003e\u003cp\u003eOn Future Soul, helmed by pop and hip-hop producer Mike Elizondo and Trucks, no song extends past five minutes, Tedeschi's vocals are front-and-center, particularly on ballads like \"Who Am I.\" Meanwhile, Trucks' solos, while no less incendiary, are more compact. A collaborative effort, Trucks, Tedeschi, singer Mike Mattison (who takes a lead vocal on the stone-y \"Under The Knife\"), keyboardist Gabe Dixon, drummer Tyler Greenwell and Mattison's Scrapomatic partner Paul Olsen share songwriting credits throughout. The hard-charging title track is a battle cry for analog rock: \"There's a bomb in the building but we don't look back\/ Well, they want it on paper but we got it on wax,\" Tedeschi cries out. \"Hope your future's got soul in it.\"\u003c\/p\u003e\u003cp\u003eThe album's cover art depicts the married band leaders as comic-book superheroes tasked with saving the world from a laser-shooting robot, armed with their guitars. Future Soul isn't likely to save the world, but it does continue to position TTB as saviors of a classic-rock sound that isn't going away anytime soon.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Rudi Greenberg, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/tedeschi-trucks-band-future-soul\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv data-preorder-injected=\"true\"\u003e\n\u003cp\u003e\u003cstrong\u003eSusan Tedeschi \u003c\/strong\u003eand \u003cstrong\u003eDerek Trucks\u003c\/strong\u003e: Individually and together, their musical pedigrees and prowess are untouchable. But it’s the heart, honesty and full-band collaboration that makes \u003cem\u003eFuture Soul\u003c\/em\u003e the most powerful album to date by the revered 12-piece Tedeschi Trucks Band. “I feel like this is the most unique record we've done,\" says Trucks. “It’s my favorite collection of songs that we've ever put on a record. From song to song, there's just not a weak spot.”\u003cbr\u003e\u003cbr\u003eKicking off \u003cem\u003eFuture Soul\u003c\/em\u003e is the laid-back funky soul of ‘Crazy Cryin’,” into the infectious, driving mid-tempo classic “I Got You.” Third up, the timeless “Who Am I” has a J.J. Cale feel and harkens back slightly to “Midnight in Harlem” while also being its own beast. \u003cem\u003eFuture Soul\u003c\/em\u003e kicks the door down sonically, highlighting a collection whose depth is matched by its buoyant spirit. On \u003cem\u003eFuture Soul\u003c\/em\u003e, Trucks, who has notched two appearances on \u003cem\u003eRolling Stone\u003c\/em\u003e’s “100 Greatest Guitarists of All Time” list, had fun with his 1958 “crazy Space Age Flying V.” His goal for the sonics? “I just want it to sound like the building’s going to blow apart.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-sheets-root=\"1\"\u003eTRACKLIST:\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e \u003cbr\u003e1. Crazy Cryin'\u003cbr\u003e2. I Got You\u003cbr\u003e3. Who Am I\u003cbr\u003e4. Hero\u003cbr\u003e5. What In The World\u003cbr\u003e6. Future Soul\u003cbr\u003e7. Under The Knife\u003cbr\u003e8. Be Kind\u003cbr\u003e9. Devil Be Gone\u003cbr\u003e10. Shout Out\u003cbr\u003e11. 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This single-disc collection pulls from a body of work that defined what live rock and roll could be, with songs that meant as much around a campfire tape deck as they did inside the Fillmore or Soldier Field.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCelebrate Grateful Dead's 60th Anniversary with a collection of the band's \"Gratest\" hits, available for the first time as a 1 CD\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Casey Jones (4:24)\u003cbr\u003e\n2. Friend of the Devil (3:21)\u003cbr\u003e\n3. Box of Rain (5:17)\u003cbr\u003e\n4. Sugar Magnolia (3:17)\u003cbr\u003e\n5. Truckin' (5:03)\u003cbr\u003e\n6. Scarlet Begonias (4:19)\u003cbr\u003e\n7. Fire on the Mountain (3:47)\u003cbr\u003e\n8. Estimated Prophet (5:35)\u003cbr\u003e\n9. Touch of Grey (5:48)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497813773\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.13.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515993243,"sku":"446057","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Gratest-Hits-CD.png?v=1776107718"},{"product_id":"grateful-dead-music-never-stopped-cd","title":"Grateful Dead – Music Never Stopped (3-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eWhile Deadheads almost unanimously say they prefer full-show recordings over anything else, anyone who quibbles with the long, strange sonic trip that is the Music Never Stopped is simply looking to complain.\u003c\/p\u003e\u003cp\u003eClocking in at close to four hours, overflowing with fan favorites and rarities and spanning 1969-1994, this set contains a song or segue from each of the concerts on the sprawling companion box set Enjoying the Ride - full-show recordings galore, folks! - and ensures every band member, even short-timers Tom Constanten and Bruce Hornsby, is represented.\u003c\/p\u003e\u003cp\u003eJumping around haphazardly, Music is sequenced so Pigpen powering a mighty “Hard to Handle” in ’71 is followed by an elegiac 1987 “Wharf Rat.” The set closes similarly, with an equally wistful “Days Between” from ’94 melting into a dizzying “Not Fade Away” - “Going Down the Road Feeling Bad” - “Not Fade Away” sandwich from 23 years prior.\u003c\/p\u003e\u003cp\u003eThe producers were sympathetic and generous in the song selection, featuring short-in-rotation numbers like “Doin’ that Rag” (’69), “My Brother Esau” (’87) and the bonkers return of “Big Boy Pete” for its one-time-only reprise in ’85.\u003c\/p\u003e\u003cp\u003eBonus - the sound quality ranges from quite good to sublime.\u003c\/p\u003e\u003cp\u003eToss in the famous Greek “Scarlet” - “Touch” - “Fire” of ’84; perhaps the perfectest “Attics of My Life” from 10\/3\/94 in Boston; and the crazy transition between “Truckin’” and “Smokestack Lightnin’” at Deer Creek ’89 that is somehow both smooth and sloppy and unusual enough to merit inclusion even without the powerful performances on either side, and only a cynic could say the Music Never Stopped is not just exactly perfect, even if it doesn’t run just like a Swiss watch.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/06\/14\/grateful-dead-the-music-never-stopped\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCompiled as a road map through one of the longest strange trips in American music, this collection pulls from 25 years of live recordings spanning the venues where Dead culture was built, night by night and city by city. For anyone who's ever debated which era, which room, or which version captures what made this band unlike anything else, consider this a starting point and an argument all at once.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CD set. Narrowing down The Grateful Dead's touring career and live performances to 60 CDs, 20 venues, and more than 450 songs is hard enough. Narrowing THAT down for 3CD and 6LP sets is a monumental undertaking, but with so much great music to select from, it's one of the most enjoyable compilations we've ever assembled. \u003c\/p\u003e\u003cp\u003eThis nearly four-hour collection contains one song (or two, or three...) from every show in the Dead's new road tripping boxed set, ENJOYING THE RIDE, which brings together music from 20 (21...) of the most essential venues in Grateful Dead and Dead Head history. \u003c\/p\u003e\u003cp\u003eThis compilation is crafted with songs spanning the 25 years in the boxed set, 1969-1994. Drawn from such iconic venues as Red Rocks, Frost Amphitheatre, Greek Theatre, Fillmores East and West, Madison Square Garden, Alpine Valley, and many more, THE MUSIC NEVER STOPPED features such classics as \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e \u003cstrong\u003e\"Eyes Of The World,\"\u003c\/strong\u003e \u003cstrong\u003e\"Scarlet Begonias,\"\u003c\/strong\u003e the title track, and plenty of under the radar tracks like \u003cstrong\u003e\"Big Boy Pete,\"\u003c\/strong\u003e \u003cstrong\u003e\"My Brother Esau,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Doin' That Rag.\"\u003c\/strong\u003e \u003c\/p\u003e\u003cp\u003e\"This is a career-defining live collection filled with some of the greatest tracks performed at their greatest venues.\" \u003cstrong style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eDavid Lemieux\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. The Music Never Stopped (9:04)\u003cbr\u003e\n1-2. Althea (8:37)\u003cbr\u003e\n1-3. Playing In The Band (19:58)\u003cbr\u003e\n1-4. Hard To Handle (8:30)\u003cbr\u003e\n1-5. Wharf Rat (10:45)\u003cbr\u003e\n1-6. Doin’ That Rag (6:59)\u003cbr\u003e\n1-7. My Brother Esau (5:04)\u003cbr\u003e\n1-8. Deal (10:47)\u003c\/p\u003e\u003ch4\u003eDisc 2\u003c\/h4\u003e\u003cp\u003e\n2-1. Scarlet Begonias (11:54)\u003cbr\u003e\n2-2. Touch Of Grey (6:50)\u003cbr\u003e\n2-3. Fire On The Mountain (12:08)\u003cbr\u003e\n2-4. Lazy Lightning (3:31)\u003cbr\u003e\n2-5. Supplication (6:19)\u003cbr\u003e\n2-6. Attics Of My Life (4:18)\u003cbr\u003e\n2-7. Estimated Prophet (13:55)\u003cbr\u003e\n2-8. Eyes Of The World (11:49)\u003cbr\u003e\n2-9. Brown-Eyed Women (5:35)\u003c\/p\u003e\u003ch4\u003eDisc 3\u003c\/h4\u003e\u003cp\u003e\n3-1. Truckin’ (8:26)\u003cbr\u003e\n3-2. Smokestack Lightnin’ (10:32)\u003cbr\u003e\n3-3. Big Boy Pete (3:08)\u003cbr\u003e\n3-4. Bird Song (12:11)\u003cbr\u003e\n3-5. 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This particular run at MSG came just as the band was hitting a strong stride with their post-\"Go to Heaven\" live approach, and the New York crowd, always one of the most electric on the circuit, gave them plenty to play up to.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CDs. Madison Square Garden, the world-famous New York City arena, was a home away from home for The Grateful Dead, a reliable sanctuary where the band would ultimately play 52 shows, a record at the time. The venue's fine acoustics, combined with the fans' unbridled energy, consistently brought out the best in the Dead. \u003c\/p\u003e\u003cp\u003eAt the band's 2015 induction ceremony into Madison Square Garden's Walk Of Fame, Bobby Weir said \"This place was both horrifying and titillating with an audience that was discerning but ravenous. We had to rise to the occasion every time.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Feel Like A Stranger (9:07)\u003cbr\u003e\n1-2. Althea (7:52)\u003cbr\u003e\n1-3. C.C. Rider (8:00)\u003cbr\u003e\n1-4. Ramble On Rose (7:41)\u003cbr\u003e\n1-5. El Paso (5:31)\u003cbr\u003e\n1-6. Deep Elem Blues (7:03)\u003cbr\u003e\n1-7. Beat It On Down The Line (3:58)\u003cbr\u003e\n1-8. Bird Song (11:15)\u003cbr\u003e\n1-9. New Minglewood Blues (7:02)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. China Cat Sunflower (9:33)\u003cbr\u003e\n2-2. I Know You Rider (6:11)\u003cbr\u003e\n2-3. Samson And Delilah (7:32)\u003cbr\u003e\n2-4. Ship Of Fools (8:22)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. Estimated Prophet (14:07)\u003cbr\u003e\n3-2. 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Coming just months after the Europe '72 tour that produced one of the band's most beloved official releases, the Dead arrived in Oregon at an absolute peak, road-hardened and loose, playing for old friends in a setting that stripped away any pretense of a conventional concert.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn August 27, 1972, fresh off their now-legendary European tour, the Grateful Dead traveled to Veneta, Oregon and reunited with the Merry Pranksters to throw a benefit concert for the Kesey family's Springfield Creamery. The show was recorded and filmed but never officially released for decades — and in the years since, it became the most-requested live show in Grateful Dead history.\u003c\/p\u003e\n\n\u003cp\u003eThe setlist is a masterclass in peak-era Dead, moving from the opening \u003cstrong\u003e\"Promised Land\"\u003c\/strong\u003e through fan favorites like \u003cstrong\u003e\"China Cat Sunflower \u0026gt; I Know You Rider,\"\u003c\/strong\u003e \u003cstrong\u003e\"Playing in the Band,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bird Song,\"\u003c\/strong\u003e before culminating in a soaring \u003cstrong\u003e\"Dark Star\"\u003c\/strong\u003e deep into the second set. 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For collectors who've worn out earlier pressings chasing the buried details in \"That's It for the Other One\" and \"Dark Star,\" this remaster is the version worth returning to.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDigitally remastered edition of the 1971 remix of this classic album. Anthem of the Sun is the second album by The Grateful Dead, originally released in 1968 on Warner Bros\/Seven Arts. It is the first album to feature second drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. 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Recorded during a period of intense creative focus, the album marked a deliberate stylistic shift toward country, folk, and bluegrass, with \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e producing some of their most enduring songs: \u003cstrong\u003e\"Uncle John's Band,\"\u003c\/strong\u003e \u003cstrong\u003e\"Casey Jones,\"\u003c\/strong\u003e \u003cstrong\u003e\"Cumberland Blues,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Truckin'.\"\u003c\/strong\u003e Widely considered one of the finest-sounding pressings of the album available.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Uncle John's Band (4:42)\u003cbr\u003e\n2. High Time (5:13)\u003cbr\u003e\n3. Dire Wolf (3:13)\u003cbr\u003e\n4. New Speedway Boogie (4:05)\u003cbr\u003e\n5. 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The title suite, a sprawling meditation that closes the original album, remains one of the most adventurous pieces the band ever committed to tape. This 50th anniversary edition pulls from analog masters to restore what that creative freedom actually sounded like.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGrateful Dead Blues For Allah (50th Anniversary Remaster) \"To celebrate the 50th Anniversary of The Grateful Dead's ambitious 1975 album Blues For Allah, we have produced what we feel is the most eclectic 50th Anniversary reissue since this series began in 2017. \u003c\/p\u003e\u003cp\u003eThe 3-disc special release features the original album on Disc 1, remastered by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e at Airshow Mastering, with tape restoration and speed correction by Plangent Processes. On Disc 2, we have nearly 45 minutes of nearly-live material from August 12, 1975, at the Great American Music Hall in San Francisco, the soundcheck the day before the Dead's famous show at the venue on August 13, 1975, all mixed from the 16-track analog masters. \u003c\/p\u003e\u003cp\u003eAdditionally, we have included the full Blues For Allah suite from the March 23, 1975, SNACK Benefit at Kezar Stadium, where the Dead played their first of four 1975 shows by debuting one of their wildest pieces of music they'd ever composed. Disc 3 features 75 minutes of live material recorded in June 1976 at the Tower Theatre in Upper Darby, PA, on the Dead's first tour after the release of Blues For Allah.\u003cimg\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Help On The Way \/ Slipknot! (7:23)\u003cbr\u003e\n1-2. 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What it does capture is the arc of a band that reinvented American music across three decades and multiple label homes, from the psychedelic San Francisco of the late '60s through the arena-filling years of \"Touch of Grey.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe first ever career-spanning single-disc compilation from the Grateful Dead, drawing from every label the band recorded on: Warner Bros. Records, Grateful Dead Records\/United Artists Records, and Arista Records. Tracks hand-picked by Dead archivists James Austin and \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e — a perfect entry point for new listeners and a handy single-disc overview for longtime Deadheads.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Truckin' (5:08)\u003cbr\u003e\n2. Touch Of Grey (5:50)\u003cbr\u003e\n3. 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Wake of the Flood arrived at a genuine crossroads moment, with Keith Godchaux's piano giving the band a harmonic depth and melodic sophistication that pushed their studio writing into new territory. The songs road-tested here became cornerstones of setlists for the next two decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe 50th Anniversary Deluxe Edition of \u003cem\u003eWake of the Flood\u003c\/em\u003e — the debut album from the band's own Grateful Dead Records label — newly remastered with Plangent Processes tape restoration and speed correction by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e, and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eReleased October 15, 1973, \u003cem\u003eWake of the Flood\u003c\/em\u003e introduced a pivotal new lineup following the passing of founding member Ron \u003cstrong\u003e\"Pigpen\"\u003c\/strong\u003e McKernan and the temporary exit of drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. Newest members Keith and Donna Godchaux step into the fold on keys and vocals, and the result is one of the most musically rich albums in the Dead's catalog — featuring \u003cstrong\u003e\"Eyes of the World,\"\u003c\/strong\u003e \u003cstrong\u003e\"Stella Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"Here Comes Sunshine,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Half-Step Uptown Toodeloo.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe bonus disc draws from the final night of the album's brief release tour: November 1, 1973 at McGaw Memorial Hall, Northwestern University, Evanston, Illinois. 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These recordings pull from some of the most documented years in rock history, a period when the band was simultaneously inventing and perfecting a concert language that tens of thousands of fans built their lives around. Consider it a map of the territory, not a substitute for the journey.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA two-CD collection made for die-hard Deadheads and new fans alike, \u003cem\u003eThe Best of the Grateful Dead Live\u003c\/em\u003e is the ultimate introduction to the band's live legacy. 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Wharf Rat (8:32)\u003cbr\u003e\n1-4. Sugar Magnolia (7:10)\u003cbr\u003e\n1-5. Jack Straw (4:48)\u003cbr\u003e\n1-6. Truckin' (13:07)\u003cbr\u003e\n1-7. Morning Dew (11:28)\u003cbr\u003e\n1-8. Brown-Eyed Women (4:37)\u003cbr\u003e\n1-9. The Music Never Stopped (5:28)\u003cbr\u003e\n1-10. Estimated Prophet (6:44)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Friend Of The Devil (7:32)\u003cbr\u003e\n2-2. Feel Like A Stranger (5:46)\u003cbr\u003e\n2-3. Fire On The Mountain (6:47)\u003cbr\u003e\n2-4. Bird Song (7:38)\u003cbr\u003e\n2-5. Ripple (4:26)\u003cbr\u003e\n2-6. Eyes Of The World (16:13)\u003cbr\u003e\n2-7. Touch Of Grey (6:30)\u003cbr\u003e\n2-8. Blow Away (12:19)\u003cbr\u003e\n2-9. So Many Roads (9:35)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497862153\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.23.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516976283,"sku":"146524","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-The-Best-of-the-Grateful-Dead-Live-1969-1977-2-CD_f189998c.jpg?v=1776107903"},{"product_id":"grateful-dead-american-beauty-cd","title":"Grateful Dead – American Beauty (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the fall of 1970, just months after Workingman's Dead reshaped what the Dead could be, American Beauty doubled down on the acoustic warmth and close harmonies that caught so many ears by surprise. Songs like \"Friend of the Devil,\" \"Ripple,\" and \"Truckin'\" became cornerstones of the repertoire, played in some form across five decades of touring and still beloved by every generation that finds its way into this music.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe crown jewel of the Dead's studio output! Featuring the 50th Anniversary remastered audio.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Box Of Rain (5:18)\u003cbr\u003e\n2. Friend Of The Devil (3:23)\u003cbr\u003e\n3. Sugar Magnolia (3:17)\u003cbr\u003e\n4. Operator (2:23)\u003cbr\u003e\n5. Candyman (6:11)\u003cbr\u003e\n6. Ripple (4:07)\u003cbr\u003e\n7. Brokedown Palace (4:06)\u003cbr\u003e\n8. Till The Morning Comes (3:06)\u003cbr\u003e\n9. Attics Of My Life (5:09)\u003cbr\u003e\n10. Truckin' (5:06)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497845590\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.4.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149517009051,"sku":"387798","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-American-Beauty-CD.jpg?v=1776107906"},{"product_id":"grateful-dead-long-strange-trip-soundtrack-2-cd","title":"Grateful Dead – Long Strange Trip Soundtrack (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAmir Bar-Lev's documentary drew from one of the deepest archival wells in rock history, and the soundtrack reflects that scope. Spanning the band's career from the psychedelic Haight-Ashbury years through the arena-filling 1980s and beyond, these 19 tracks were pulled from the same vault that made the film so revelatory, prioritizing moments that capture the Dead at their most electrically alive rather than the obvious greatest hits.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMotion Picture Soundtrack for Long Strange Trip.  Long Strange Trip is an unprecedented four-hour documentary about the legendary band the Grateful Dead from executive producer Martin Scorsese (Silence, The Departed), and director Amir Bar-Lev (The Tillman Story, Happy Valley). Long Strange Trip probes the creative forces, subversive ambitions, and interpersonal dynamics that drove the Grateful Dead in their 30-year career. The first biographical film authorized and supported by the band, LST includes never-before-seen archival footage (of performances, backstage, and home movies) as well as new interviews with band members and cultural critics.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Death Don't Have No Mercy (10:32)\u003cbr\u003e\n1-2. St. Stephen (6:42)\u003cbr\u003e\n1-3. Uncle John's Band (4:46)\u003cbr\u003e\n1-4. Dark Star (23:52)\u003cbr\u003e\n1-5. Easy Wind (5:01)\u003cbr\u003e\n1-6. Candyman (6:16)\u003cbr\u003e\n1-7. China Cat Sunflower (5:09)\u003cbr\u003e\n1-8. I Know You Rider (5:55)\u003cbr\u003e\n1-9. Morning Dew (5:01)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. He's Gone (8:53)\u003cbr\u003e\n2-2. The Music Never Stopped (5:33)\u003cbr\u003e\n2-3. Scarlet Begonias (9:54)\u003cbr\u003e\n2-4. Fire On The Mountain (15:09)\u003cbr\u003e\n2-5. Althea (8:33)\u003cbr\u003e\n2-6. Touch Of Grey (5:52)\u003cbr\u003e\n2-7. Dear Mr. Fantasy (7:07)\u003cbr\u003e\n2-8. Hey Jude (4:00)\u003cbr\u003e\n2-9. Ripple (4:10)\u003cbr\u003e\n2-10. Brokedown Palace (4:07)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227934507\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.26.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149517140123,"sku":"282147","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Long-Strange-Trip-Soundtrack-2-CD.png?v=1776107930"},{"product_id":"jerry-garcia-garcialive-vol-21-february-13th-1976-keystone-cd","title":"Jerry Garcia – GarciaLive Vol. 21: February 13th, 1976 - Keystone (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn a gratefully welcomed return to the GarciaLive archival series, Volume 21 brings us back to February of 1976, when on a Friday night one could stand amongst 500 or so paying customers and watch Jerry Garcia and his band peacefully, pleasingly, and proficiently take over Berkeley's Keystone club. The Jerry Garcia Band was a vital component of Garcia's life away from the circus, and a grounding space to work-out solo material, nod to songs he was digging at the time, and just play. In the end, a JGB show would require an arena to accommodate the demand, but in '76, a modest club date in the Bay was all he and his friends needed.\u003c\/p\u003e\u003cp\u003eIt's a mostly mellow show, with a particularly slow take on Bob Dylan's \"Knockin' on Heaven's Door,\" that may be among the more transfixed and affecting Garcia has performed. It's in keeping with a set that darts between eventual staples of a JGB show- \"Catfish John,\" \"After Midnight,\" and \"The Harder They Come,\"- and contemporaneous homages, such as a beautifully Jerry-esque reading of the Rolling Stones' \"Moonlight Mile.\" The mix tilts toward Jerry's guitar, and fittingly, as there is plenty of his engaging fretwork, yet Garcia is quick to share the moments with his mates- especially with on-loan Dead keyboardist, Keith Godchaux, on a glistening \"Mission in the Rain.\"\u003c\/p\u003e\u003cp\u003eTwo songs pulled from a Palo Alto date two nights later serve as an \"encore,\" filling out the winning two-disc set. All in all, this edition reignites a GarciaLive series that's been so adept at detailing the arc of Garcia's solo excursions. Hopefully, this marks the first of another run of many releases to follow.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/09\/14\/jerry-garcia-band-garcialive-volume-21-keystone-february-13-1976\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy early 1976, the Jerry Garcia Band was operating in a genuinely unusual space, with Garcia essentially running two overlapping musical families. Having Keith and Donna Jean Godchaux in the room meant the chemistry from the Dead's own mid-70s peak was bleeding directly into these intimate club nights at the Keystone, a Berkeley venue that Garcia returned to again and again throughout the decade as a kind of low-pressure laboratory for exactly this kind of musical exploration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 21\u003c\/em\u003e brings the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e back to their Bay Area stomping grounds with a then-new lineup — Grateful Dead members \u003cstrong\u003eDonna Jean\u003c\/strong\u003e and \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e joining mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e. Recorded live at the Keystone in Berkeley in February 1976, the set is a fascinating snapshot of the JGB in transition.\u003c\/p\u003e\n\n\u003cp\u003eThe setlist is loaded with highlights: rarities like the Rolling Stones' \u003cstrong\u003e\"Moonlight Mile\"\u003c\/strong\u003e and Ray Charles' \u003cstrong\u003e\"Talkin' 'Bout You,\"\u003c\/strong\u003e deep cuts like \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"Who Was John?\"\u003c\/strong\u003e and \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e alongside scintillating takes on favorites like \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e and \u003cstrong\u003e\"They Love Each Other.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Catfish John (14:13)\u003cbr\u003e\n1-2. After Midnight (13:37)\u003cbr\u003e\n1-3. Mission In The Rain (6:57)\u003cbr\u003e\n1-4. Who Was John? (12:28)\u003cbr\u003e\n1-5. They Love Each Other (7:31)\u003cbr\u003e\n1-6. Moonlight Mile (10:27)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. The Harder They Come (18:41)\u003cbr\u003e\n2-2. Knockin' On Heaven's Door (19:17)\u003cbr\u003e\n2-3. Talkin' 'Bout You (10:33)\u003cbr\u003e\n2-4. How Sweet It Is (To Be Loved By You) (9:29)\u003cbr\u003e\n2-5. My Sisters And Brothers (6:42)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882624620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.14.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187691139227,"sku":"221763","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-21-February-13th-1976-Keystone-2-CD.jpg?v=1776107956"},{"product_id":"jerry-garcia-garcialive-volume-15-may-21st-1971-keystone-korner-cd","title":"Jerry Garcia – GarciaLive Vol. 15: May 21st, 1971 Keystone Korner (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eListening to the work of Jerry Garcia often feels like an act of discovery, no matter how long one's been doing it. On GarciaLive Vol. 15: Jerry Garcia \u0026amp; Merl Saunders, May 21st, 1971, listeners are truly discovering something new. This previously uncirculated recording finds Garcia, keyboardist Merl Saunders and drummer Bill Vitt playing as a rare trio (sans regular bassist John Kahn) with occasional saxophone screeches from future Legion of Mary member Martin Fierro. At San Francisco's 200-cap Keystone Korner (not to be confused with the sister club in Berkeley), Garcia was free to step out from the Grateful Dead's shadow (just days before a Winterland Ballroom run) and flex his jazz muscles in raw, exhilarating form. Without bass, Saunders' keyboard work and organ playing holds down the low end and gives each musician even more room to groove with a loose, conversational tone. Opening with Saunders' \"Man-Child,\" the trio doesn't waste any time getting out there with Saunders driving several subterranean-sounding peaks. On \"One Kind Favor,\" the Blind Lemon Jefferson song also known as \"See That My Grave Is Kept Clean,\" Garcia's aching vocals recall \"Death Don't Have No Mercy,\" as Saunders' organ swirls. Fierro first speaks up on a swinging instrumental take on Stevie Wonder's \"I Was Made to Love Her.\" The \"Keystone Korner Jam\" best captures the vibe of the performance—17 minutes of the quartet playing off each other, composing in the moment, with Garcia and Fierro pushing each other to explore. The real star of the recording, however, is the only known Garcia-sung performance of David Crosby's \"The Wall Song,\" which Garcia would play guitar on in the studio. Garcia does an admirable job on vocals but it's Fierro who commands the jam with an assault of sax squeals (and a few Beatles quotes). For fans of Garcia's more esoteric work, GarciaLive Vol. 15 is a thrilling listen and a reminder that there's always something new waiting around the Korner.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Rudi Greenberg, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/garcialive-vol-15-jerry-garcia-merl-saunders-may-21st-1971\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1971, Garcia was already deep in the exploratory side-project work that would define so much of his legacy outside the Dead, and these Keystone Korner sessions capture that restless curiosity at an early stage. His partnership with Merl Saunders would stretch across years and hundreds of gigs, but recordings from this particular period are scarce, making this document an essential piece of the puzzle for anyone tracing how Garcia's improvisational voice developed away from the mothership.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 15\u003c\/em\u003e showcases a free-spirited performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e, and drummer \u003cstrong\u003eBill Vitt\u003c\/strong\u003e at the celebrated and intimate San Francisco jazz club Keystone Korner. The trio — aided by saxophonist \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on five songs — fuses R\u0026amp;B, jazz, and rock across two adventurous sets.\u003c\/p\u003e\n\n\u003cp\u003eExtended takes on Saunders's own \u003cstrong\u003e\"Man-Child\"\u003c\/strong\u003e and \u003cstrong\u003e\"Save Mother Earth\"\u003c\/strong\u003e anchor the performance, alongside rare gems including David Crosby's \u003cstrong\u003e\"The Wall Song,\"\u003c\/strong\u003e Stevie Wonder's \u003cstrong\u003e\"I Was Made to Love Her,\"\u003c\/strong\u003e a smoking \u003cstrong\u003e\"Mystery Train,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Keystone Korner Jam.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Man-Child (17:36)\u003cbr\u003e\n1-2. One Kind Favor (9:34)\u003cbr\u003e\n1-3. I Know It's A Sin (6:53)\u003cbr\u003e\n1-4. I Was Made To Love Her (9:58)\u003cbr\u003e\n1-5. Keystone Korner Jam (16:38)\u003cbr\u003e\n1-6. The Night They Drove Old Dixie Down (5:04)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Save Mother Earth (25:19)\u003cbr\u003e\n2-2. That's All Right (8:28)\u003cbr\u003e\n2-3. The Wall Song (12:45)\u003cbr\u003e\n2-4. Mystery Train (6:44)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882442323\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.4.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820114075,"sku":"168487","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-15-May-21st-1971-Keystone-Korner-2-CD.jpg?v=1776108276"},{"product_id":"jerry-garcia-band-garcialive-volume-19-october-31st-1992-oakland-coliseum-arena-cd","title":"Jerry Garcia Band – GarciaLive Vol. 19: October 31st, 1992 Oakland Coliseum Arena (2–CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eFor generations of students taking college entrance exams, there has been an oft-repeated adage: that test-takers get a few hundred points just for showing up. If, after his experience in a coma a few months earlier, this was Jerry Garcia’s test- a first performance back onstage- he got about 17,000 points just for showing up. The roar of those 17,000 filling the Oakland Coliseum Arena on Halloween night are just what the aging Captain needed to hear, and for the next two-and-a-half hours he gives them just what they needed: the music of the Jerry Garcia Band, and the assurance that he was, indeed, back.\u003c\/p\u003e\u003cp\u003eWith the first-set selections each hovering around the seven-minutes-and-change mark, that seems to be the sweet spot of expendable energy for the opening “How Sweet It Is (To Be Loved By You)” through to the closing “Deal.” Garcia stretches “The Night They Drove Old Dixie Down” a bit longer than its counterparts, but otherwise the nine songs tend to cruise at similar altitudes, with Jerry’s relatively paced and relaxed guitar work and Melvin Seals’ flash of keyboards finding their peaks. Garcia’s voice is of fine vintage the entire evening, crackling with understood vulnerability on “The Maker,” against the always steadying backdrop of his loyal singers, Gloria Jones and Jacklyn LaBranch.\u003c\/p\u003e\u003cp\u003eThe comeback show, as far as repertoire and approach, is not unlike others of its era, nor should it be; it was Garcia’s style to underplay if not completely ignore any personal significance. A simple “So, how ya’ll doing?” is the majority of his communication with the hometown capacity crowd, ahead of the sly wink of Chuck Berry’s, “You Never Can Tell (C’est La Vie).” Such is life for this old folk.\u003c\/p\u003e\u003cp\u003eThe highlight of the second half- and possibly the show- is on its set starter, “Shining Star.” Performed with gentle hands and effortless restraint, the soulful cover of The Manhattans’ classic falls like leaves of orange and red from the weathering trees, wafting down and landing with a whisper. At over 12 minutes, it’s the showcase track of the autumnal night and all the proof anyone could ask for that Jerry Garcia could move an arena as one.\u003c\/p\u003e\u003cp\u003eThe second set is also slightly greasier than the first, and Garcia and Seals do get a bit fiery when the mood is right on “Tore Up Over You.” The ensemble returns for the now-hallowed favorite of this holiday, borrowed over from Garcia’s days with the Dead- Warren Zevon’s “Werewolves of London.” If it’s a bit ragged, it’s all forgiven; most costumes get that way by the end of the night. More important is everything that came before that last rocking encore, as Garcia and his band conjured up the spirits to dance once again.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/11\/10\/jerry-garcia-band-garcialive-volume-19-oakland-coliseum-arena-october-31-1992\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHalloween has always carried weight in the Bay Area concert calendar, but this particular night hit different. Garcia had nearly died that summer, and the Oakland faithful showed up knowing they might be witnessing something they'd almost lost forever; the joy in that room was inseparable from the relief.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 19\u003c\/em\u003e documents one of the most emotionally charged nights in \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e history — his triumphant return to the stage on Halloween, October 31, 1992, at the Oakland Coliseum Arena, just three months after a health crisis so severe it forced the cancellation of an entire Grateful Dead tour. Slimmed down and in great spirits, Garcia took the stage to 17,000 roaring fans, and the setlist reflects the significance of the moment. Mastered from \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e's original soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals — what \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e himself dubbed \"the magic band.\" A poignant \u003cstrong\u003e\"The Maker\"\u003c\/strong\u003e opens the emotional core of the evening; \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e stuns with its lush harmonies to open Set Two; and the night closes with a rousing Halloween encore of \u003cstrong\u003e\"Werewolves of London.\"\u003c\/strong\u003e The package includes liner notes and previously unpublished photos from the festivities, which included a costume contest judged by \u003cstrong\u003eKen Kesey\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThe Maker\u003c\/li\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eWonderful World\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003cli\u003eWerewolves of London (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882536527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.28.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820441755,"sku":"483345","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-19-October-31st-1992-Oakland-Coliseum-Arena-2-CD.jpg?v=1776108369"},{"product_id":"jerry-garcia-band-garcialive-vol-3-legion-of-mary-december-14-15-1974-northwest-tour-cd","title":"Legion of Mary – GarciaLive Vol. 3: December 14-15, 1974 Northwest Tour (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLegion of Mary existed in a sweet spot between the Grateful Dead's extended hiatus of 1974 and Garcia's return to that band, giving him room to stretch into territory the Dead rarely touched. With Merl Saunders anchoring the organ and Martin Fierro's saxophone pushing the ensemble toward genuine jazz improvisation, these Oregon nights show Garcia in a deeply collaborative mode, trading phrases rather than soloing over a rhythm section.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe third installment of the GarciaLive archival series presents over two and a half hours of previously unreleased music from one of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e's most experimental and revered projects: \u003cstrong\u003eLegion of Mary.\u003c\/strong\u003e Culled from two consecutive nights in Oregon on what is thought to be the band's first-ever tour, the recordings capture the quintet in an exploratory, jazz-and-soul-infused groove unlike anything in the broader Garcia catalog.\u003c\/p\u003e\n\u003cp\u003eLegion of Mary features \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e on keyboards and vocals, \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on saxophone and flute, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums. Disc One documents the December 14th performance at the Paramount Theatre in Portland; Discs Two and Three present both sets from the December 15th show at the EMU Ballroom in Eugene. Standout moments include an 18-minute \u003cstrong\u003e\"Boogie on Reggae Woman,\"\u003c\/strong\u003e a labyrinthine \u003cstrong\u003e\"Freedom Jazz Dance,\"\u003c\/strong\u003e extended excursions on \u003cstrong\u003e\"Valdez in the Country\"\u003c\/strong\u003e and \u003cstrong\u003e\"Wondering Why,\"\u003c\/strong\u003e and a rollicking closing \u003cstrong\u003e\"Roadrunner.\"\u003c\/strong\u003e Liner notes by \u003cstrong\u003eDarryl Norsen\u003c\/strong\u003e with previously unpublished live photos.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Boogie On Reggae Woman (18:04)\u003c\/div\u003e\n\u003cdiv\u003e2. The Night They Drove Old Dixie Down (7:56)\u003c\/div\u003e\n\u003cdiv\u003e3. Freedom Jazz Dance (13:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Mystery Train (12:30)\u003c\/div\u003e\n\u003cdiv\u003e5. How Sweet It Is (To Be Loved By You) (11:06)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. You Can Leave Your Hat On (16:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Neighbor, Neighbor (12:30)\u003c\/div\u003e\n\u003cdiv\u003e3. The Night They Drove Old Dixie Down (8:25)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. It's No Use (13:26)\u003c\/div\u003e\n\u003cdiv\u003e2. Valdez In The Country (13:23)\u003c\/div\u003e\n\u003cdiv\u003e3. I Second That Emotion (14:53)\u003c\/div\u003e\n\u003cdiv\u003e4. Wondering Why (24:53)\u003c\/div\u003e\n\u003cdiv\u003e5. Roadrunner (7:26)\u003c\/div\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882190828\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.15.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187829452955,"sku":"556694","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Legion-of-Mary-GarciaLive-Vol_-3-December-14-15-1974-Northwest-Tour-3-CD.jpg?v=1776108443"},{"product_id":"jerry-garcia-garcialive-volume-seven-november-8th-1976-sophies-palo-alto-cd","title":"Jerry Garcia Band – GarciaLive Vol. 7: November 8th, 1976 Sophie's Palo Alto (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1976, the Jerry Garcia Band had settled into a sound that was distinctly its own, separate from the Dead's cosmic sprawl, rooted in R\u0026amp;B, gospel, and the kind of intimate interplay that small venues like Sophie's made possible. Keith and Donna Jean Godchaux's presence here is bittersweet in hindsight; their chemistry with Garcia in this setting remains one of the most underappreciated chapters in the whole extended Garcia story. That Betty Cantor-Jackson had her recorder running that night is something to be genuinely grateful for.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA genuine vault discovery, \u003cem\u003eGarciaLive Volume Seven\u003c\/em\u003e presents the complete November 8, 1976 performance by the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at Sophie's in Palo Alto, California — recorded by \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e on original soundboard reels that were nearly lost forever. The tapes were recovered in 2015 when \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e found them in a box while moving, and were meticulously remastered for this release.\u003c\/p\u003e\n\n\u003cp\u003eThe recording captures one of the most beloved lineups in JGB history: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards, \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums — the quintessential mid-'70s Garcia Band in peak form. Set One flows through \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e while Set Two delivers the goods with \u003cstrong\u003e\"Ride Mighty High,\"\u003c\/strong\u003e a sprawling \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e and the bluegrass closer \u003cstrong\u003e\"Midnight Moonlight.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eKnockin' on Heaven's Door\u003c\/li\u003e\n\u003cli\u003eAfter Midnight\u003c\/li\u003e\n\u003cli\u003eWho Was John?\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eStir It Up\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eStrange Man\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eRide Mighty High\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882267223\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.19.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187830141083,"sku":"401904","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-7-November-8th-1976-Sophies-Palo-Alto-2-CD.jpg?v=1776108583"},{"product_id":"jerry-garcia-band-garcialive-vol-2-august-5th-1990-greek-theater-2-cd","title":"Jerry Garcia Band – GarciaLive Vol.2: August 5th, 1990, Greek Theatre (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Greek Theatre in Berkeley was practically a second home for Garcia, and summer nights there had a particular magic that regulars still talk about decades later. Béla Fleck's cameo here is a genuine rarity, a reminder that Garcia's musical friendships crossed every genre boundary, and that any given JGB show could turn into something you'd spend years trying to describe to someone who wasn't there.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume Two\u003c\/em\u003e captures the classic latter-era lineup of the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at the Greek Theatre in Berkeley on August 5, 1990 — featuring \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals. Recorded during a fruitful period that also yielded the releases \u003cem\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003eHow Sweet It Is\u003c\/em\u003e, the show is a showcase for the JGB at their most fluid and expansive.\u003c\/p\u003e\n\n\u003cp\u003eSet One moves confidently through \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e a brooding \u003cstrong\u003e\"Tears of Rage,\"\u003c\/strong\u003e and a scorching \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e Set Two opens with a special guest appearance by banjo virtuoso \u003cstrong\u003eBéla Fleck\u003c\/strong\u003e, who kicks things off with a fiery \u003cstrong\u003e\"Midnight Moonlight\"\u003c\/strong\u003e and an otherworldly run through Jimmy Cliff's \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e before the band closes the night with a towering \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. How Sweet It Is (To Be Loved By You) (7:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Stop That Train (6:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Forever Young (7:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Run For The Roses (5:50)\u003c\/div\u003e\n\u003cdiv\u003e5. That's What Love Will Make You Do (8:06)\u003c\/div\u003e\n\u003cdiv\u003e6. My Sisters And Brothers (4:15)\u003c\/div\u003e\n\u003cdiv\u003e7. Tears Of Rage (8:16)\u003c\/div\u003e\n\u003cdiv\u003e8. Deal (8:34)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Midnight Moonlight (7:26)\u003c\/div\u003e\n\u003cdiv\u003e2. The Harder They Come (10:46)\u003c\/div\u003e\n\u003cdiv\u003e3. And It Stoned Me (6:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Waiting For A Miracle (6:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Evangeline (4:22)\u003c\/div\u003e\n\u003cdiv\u003e6. Think (7:01)\u003c\/div\u003e\n\u003cdiv\u003e7. That Lucky Old Sun (8:22)\u003c\/div\u003e\n\u003cdiv\u003e8. Tangled Up In Blue (11:19)\u003c\/div\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882186623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187830534299,"sku":"295690","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959403458715-cd-relix.png?v=1776288629"},{"product_id":"jerry-garcia-before-the-dead-4-cd","title":"Jerry Garcia – Before The Dead (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLong before the Wall of Sound or the psychedelic sprawl of the Fillmore, Garcia was a young musician woodshedding through the American folk revival, absorbing Bill Monroe, Mississippi John Hurt, and the Carter Family with the same intensity he'd later bring to improvisation. These recordings capture the formative years when Garcia and Hunter were still figuring out who they were, playing coffeehouses and living rooms in the Bay Area folk scene that would quietly lay the groundwork for everything that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eBefore the Dead\u003c\/em\u003e brings together a rare collection of the earliest known performances by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e. From an informal 1961 recording of folk songs at a birthday party — featuring future songwriting partner \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e — to polished coffeehouse gigs with old-timey and bluegrass bands through 1964, the collection showcases Garcia's deep immersion in American folk tradition and the musical roots that would shape the Grateful Dead.\u003c\/p\u003e\n\n\u003cp\u003eAcross four discs and 84 tracks, Garcia works through an extraordinary range of material: Appalachian folk songs, old-time fiddle tunes, bluegrass standards, country blues, and gospel — performed with the kind of reverence and technical seriousness that defined his early years as a musician. An essential document for anyone who wants to understand where Garcia came from.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Santy Anno (2:15)\u003cbr\u003e\n1-2. I Got A Home In That Rock (1:46)\u003cbr\u003e\n1-3. Oh, Mary Don't You Weep (3:31)\u003cbr\u003e\n1-4. All My Trials (4:01)\u003cbr\u003e\n1-5. I Was Born Then Thousand Years Ago (2:12)\u003cbr\u003e\n1-6. Blow The Candles Out (2:02)\u003cbr\u003e\n1-7. Rake And A Rambling Boy (1:31)\u003cbr\u003e\n1-8. Trouble In Mind (3:10)\u003cbr\u003e\n1-9. Brown's Ferry Blues (2:31)\u003cbr\u003e\n1-10. Jesse James (4:13)\u003cbr\u003e\n1-11. Down In The Willow Garden (1:48)\u003cbr\u003e\n1-12. Long Lonesome Road (2:39)\u003cbr\u003e\n1-13. Railroad Bill (3:17)\u003cbr\u003e\n1-14. The Wagoner's Lad (3:00)\u003cbr\u003e\n1-15. Katie Cruel (3:40)\u003cbr\u003e\n2-1. Cannonball Blues (3:02)\u003cbr\u003e\n2-2. Little Birdie (3:17)\u003cbr\u003e\n2-3. Sally Goodin (2:06)\u003cbr\u003e\n2-4. Hold That Woodpile Down (3:32)\u003cbr\u003e\n2-5. Legend Of The Johnson Boys (3:10)\u003cbr\u003e\n2-6. Shady Grove (2:49)\u003cbr\u003e\n2-7. Sweet Sunny South (3:13)\u003cbr\u003e\n2-8. Man Of Constant Sorrow (2:26)\u003cbr\u003e\n2-9. Band Introductions (1:12)\u003cbr\u003e\n2-10. Roving Gambler (3:46)\u003cbr\u003e\n2-11. Ground Speed (1:29)\u003cbr\u003e\n2-12. Pig In A Pen (2:15)\u003cbr\u003e\n2-13. Standing In The Need Of Prayer (2:09)\u003cbr\u003e\n2-14. Flint Hill Special (2:00)\u003cbr\u003e\n2-15. Nine Pound Hammer (2:42)\u003cbr\u003e\n2-16. Handsome Molly (2:19)\u003cbr\u003e\n2-17. Clinch Mountain Backstep (1:18)\u003cbr\u003e\n2-18. Think Of What You've Done (2:41)\u003cbr\u003e\n2-19. Cripple Creek (1:24)\u003cbr\u003e\n2-20. All The Good Times Have Past And Gone (3:07)\u003cbr\u003e\n2-21. Billy Grimes, The Rover (2:42)\u003cbr\u003e\n2-22. Paddy On The Turnpike (Boys, My Money's All Gone) (1:38)\u003cbr\u003e\n2-23. Run Mountain (4:11)\u003cbr\u003e\n2-24. Sugar Baby (3:52)\u003cbr\u003e\n2-25. Sitting On Top Of The World (3:37)\u003cbr\u003e\n3-1. Roll In My Sweet Baby's Arms (3:25)\u003cbr\u003e\n3-2. Jerry's Breakdown (2:08)\u003cbr\u003e\n3-3. Standing In The Need Of Prayer (2:39)\u003cbr\u003e\n3-4. Mule Skinner Blues (3:23)\u003cbr\u003e\n3-5. Saturday Night Shuffle (2:05)\u003cbr\u003e\n3-6. Pike Country Breakdown (1:44)\u003cbr\u003e\n3-7. The Little Sparrow (3:25)\u003cbr\u003e\n3-8. We Shall Not Be Moved (2:41)\u003cbr\u003e\n3-9. Deep Elem Blues (3:17)\u003cbr\u003e\n3-10. Will The Weaver (3:14)\u003cbr\u003e\n3-11. I Truly Understand (3:20)\u003cbr\u003e\n3-12. Long Black Veil (4:28)\u003cbr\u003e\n3-13. The Man Who Wrote Home Sweet Home Never Was A Married Man (3:38)\u003cbr\u003e\n3-14. Foggy Mountain Top (3:13)\u003cbr\u003e\n4-1. Barefoot Nellie (3:41)\u003cbr\u003e\n4-2. She's More To Be Pitied (3:26)\u003cbr\u003e\n4-3. Noah's Breakdown (2:18)\u003cbr\u003e\n4-4. Who Will Sing For Me? (2:07)\u003cbr\u003e\n4-5. Salt Creek (2:19)\u003cbr\u003e\n4-6. Monroe's Hornpipe (Jody's Hornpipe) (1:51)\u003cbr\u003e\n4-7. Rosa Lee McFall (2:31)\u003cbr\u003e\n4-8. John Hardy\/Closing Theme (1:26)\u003cbr\u003e\n4-9. Katie Kline (3:17)\u003cbr\u003e\n4-10. Walkin' The Dog (2:10)\u003cbr\u003e\n4-11. Paddy On The Turnpike (Boys, My Money's All Gone) (3:12)\u003cbr\u003e\n4-12. Love And Wealth (2:19)\u003cbr\u003e\n4-13. Sourwood Mountain (0:45)\u003cbr\u003e\n4-14. If I Lose (2:16)\u003cbr\u003e\n4-15. Homestead On The Farm (I Wonder How The Old Folks Are At Home) (2:20)\u003cbr\u003e\n4-16. Stoney Creek (2:24)\u003cbr\u003e\n4-17. Salty Dog Blues (2:21)\u003cbr\u003e\n4-18. Love Please Come Home (2:21)\u003cbr\u003e\n4-19. Make Me A Pallet On The Floor (2:27)\u003cbr\u003e\n4-20. Darlin' Allalee (2:08)\u003cbr\u003e\n4-21. In The Pines (3:25)\u003cbr\u003e\n4-22. Raw Hide (2:32)\u003cbr\u003e\n4-23. Black Mountain Rag (2:12)\u003cbr\u003e\n4-24. True Life Blues (2:21)\u003cbr\u003e\n4-25. Medley: Devil's Dream - Sailor's Hornpipe (1:45)\u003cbr\u003e\n4-26. Drink Up And Go Home (3:05)\u003cbr\u003e\n4-27. These Men Of God (3:14)\u003cbr\u003e\n4-28. Roll On Buddy (2:11)\u003cbr\u003e\n4-29. Goodbye Old Pal (1:50)\u003cbr\u003e\n4-30. Back Up And Push (1:10)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882302528\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.11.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187831550107,"sku":"187384","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Before-The-Dead-4-CD.png?v=1776108865"},{"product_id":"jerry-garcia-merl-saunders-garcialive-vol-18-november-2nd-1974-keystone-berkeley-2-cd","title":"Jerry Garcia \u0026 Merl Saunders – GarciaLive Vol. 18: November 2nd, 1974 - Keystone Berkeley (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOne of the more appetizing aspects among many in the GarciaLive series- this one, number 18- is the way in which the performances chosen among the dozen and a half so far define the variety of work in Jerry Garcia’s career. It’s easy enough to regale the guitarist, singer, and songwriter as the Pied Piper of the Deadheads, and the description would not be unfair, yet it only touches on the most obvious of Garcia’s guises. Less apparent, and epitomized with this two-disc set, is the club-haunting Jerry delving into bluesy jazz and soul; the consummate teammate within a Bay Area all-star configuration equally as willing to support a honking Martin Fierro sax solo or a tasty Merl Saunders keyboard run.\u003c\/p\u003e\u003cp\u003eTaken from a November 2,1974 appearance at Keystone Berkeley, Garcia and a quartet commandeer the local club for an evening of covers rendered in R\u0026amp;B, even dipped, at times, in a glaze of fusion. It’s familiar in its showcase of Jerry’s proclivity for a good jam, but it’s also relatively inconspicuous; Garcia, beyond the recognizable voice and guitar work, plays comfortably the roles of both support and lead. When Fierro stretches on flute, or Saunders fronts the vocal, Garcia slides into the background with as much maturity and skill as he does helming Jimmy Cliff’s “The Harder They Come” or Bob Dylan’s “Tough Mama;” the former, an adroit choice at the time for the eclectic repertoire; the movie and its soundtrack a somewhat niche release only two years prior.\u003c\/p\u003e\u003cp\u003eStretch these five do, (on the ten tracks only one comes in under five minutes), conjoining a late set, twenty-minutes-plus take on the Saunders original, “Wondering Why,” with “People Make the World Go Round.” The closing ride on “Mystery Train,” a Junior Parker blues popularized by Elvis Presley, is a rousing finale, running almost 15 minutes itself. Still, this is very much the egalitarian work of a talented ensemble, not a star-trip for the Captain. Nothing is more pervasive within the distinguished musicianship than the generosity of space and time for each and all of the five to have their fun, individually and collectively. The result is another face of Garcia and another night of wonderful music captured and shared.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/07\/22\/garcialive-volume-18-keystone-berkeley-november-2-1974\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Keystone Berkeley run was Jerry's home away from home during the mid-70s, a small room in the East Bay where he could stretch out without the weight of the Dead's amphitheater expectations. By late 1974, the Garcia-Saunders band had been working together for several years, and the telepathy between them was deep and unguarded. Betty Cantor-Jackson's recordings from this era have a warmth and intimacy that match the music perfectly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eProduced from the original 1\/4\" analog master reels by \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e, \u003cem\u003eGarciaLive Vol. 18\u003c\/em\u003e presents a previously uncirculated complete two-set performance from the legendary Keystone Berkeley, recorded November 2, 1974. Garcia and Saunders are joined by \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on saxophone and flute, and Paul Humphrey on drums for genre-bending explorations of R\u0026amp;B, reggae, jazz, and rock.\u003c\/p\u003e\n\n\u003cp\u003eThe first set is a monster — a seamless fusion of Donny Hathaway's \u003cstrong\u003e\"Valdez in the Country,\"\u003c\/strong\u003e Jimmy Cliff's \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and Randy Newman's \u003cstrong\u003e\"You Can Leave Your Hat On\"\u003c\/strong\u003e that destroys any notion of genre. The second set delivers a super-charged \u003cstrong\u003e\"Freedom Jazz Dance,\"\u003c\/strong\u003e an extended \u003cstrong\u003e\"Wondering Why\"\u003c\/strong\u003e flowing into \u003cstrong\u003e\"People Make the World Go Round,\"\u003c\/strong\u003e and a fiery closing \u003cstrong\u003e\"Mystery Train.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeighbor, Neighbor\u003c\/li\u003e\n\u003cli\u003eValdez in the Country\u003c\/li\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eYou Can Leave Your Hat On\u003c\/li\u003e\n\u003cli\u003eThat's the Touch I Like\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFreedom Jazz Dance\u003c\/li\u003e\n\u003cli\u003eTough Mama\u003c\/li\u003e\n\u003cli\u003eWondering Why\u003c\/li\u003e\n\u003cli\u003ePeople Make the World Go Round\u003c\/li\u003e\n\u003cli\u003eMystery Train\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882445928\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.10.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832631451,"sku":"114022","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Merl-Saunders-GarciaLive-Vol_-18-November-2nd-1974-Keystone-Berkeley-2-CD_9db423b3.jpg?v=1776109118"},{"product_id":"goose-shenanigans-nite-club-cd","title":"Goose – Shenanigans Nite Club (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased during a pivotal moment in the band's rise, Shenanigans Nite Club captured Goose just as their devoted following was exploding beyond the Northeast corridor into a genuine national phenomenon. The studio recordings here serve as a document of songs that had already been road-tested and stretched out night after night, giving listeners a rare chance to hear the composed bones beneath the improvisation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eConnecticut-based quartet Goose - Rick Mitarotonda [vocals, guitar], Peter Anspach [vocals, keys, guitar], Trevor Weekz [bass], and Ben Atkind [drums] - shimmy through the cracks between jam, funk, alternative, and rock with head-spinning hooks, technical fireworks, and the kind of chemistry only possible among small-town and long-time friends. After selling out theaters coast-to-coast and a series of seismic festival performances, the musicians welcome everybody to this place on their 2021 second full-length, Shenanigans Nite Club. \u003c\/p\u003e\u003cp\u003e\"In many ways, Goose is a conglomeration of music from the town we grew up in, and the songs are a collection of many different experiences and influences,\" observes Rick. \"Where we come from has inevitably informed and enabled our music. We get these four defined seasons in rural Connecticut, and there's a powerful stillness.\" \"Our area is a very reflective place,\" agrees Peter. \"We're in the woods, and we all find peace from the setting. Being in the sticks positively affected what we're trying to do.\" \u003c\/p\u003e\u003cp\u003e\"While we've been touring, the record has been happening in the background,\" says Rick. \"We've done our fair share of sweating it out and paying our dues on the road. There was a natural progression until we really got on the same page creatively. It's been a long, weird trip. At times, it was tumultuous. The record is a companion to those growing pains.\" \u003c\/p\u003e\u003cp\u003eGoose introduces the record with \"So Ready,\" and its counterpart \"(s?tellite).\" Just shy of ten minutes together, the tracks twist and turn through synthesizer \"emitting hilariously sexual vibes,\" jazz-y bass, and a chantable hook. \"Labyrinth\" dives down \"a deeper rabbit hole\" as warm guitar wraps around shimmering piano originally culled from Rick's school days. \"'Labyrinth' is one of the only pieces I wrote in my latter high school days,\" he recalls. \"It's got this thematic relevance with the weird sense of humor, rambunctiousness, and partying from back in the day.\" \u003c\/p\u003e\u003cp\u003eAs the first proper Goose song, \"Spirit of the Dark Horse\" originated after a \"twelve-minute meditation\" between Rick and Trevor back in 2015. It unfurls as a captivating trip in and of itself and \"holds a lot of meaning.\" The same could be said of the album title. As legend has it, Shenanigans Nite Club really popped off in the eighties. \u003c\/p\u003e\u003cp\u003eRick's uncle worked as a bouncer and manager for the iconic haunt and shared all manner of wild stories with his nephew. He even gave Rick a sign from the original club, which overlooks the basement where the boys jam. \"Shenanigans has always been around,\" Rick elaborates. \"It became the idea of the record. It celebrates this element of nostalgia and good memories as we move forward.\" \u003c\/p\u003e\u003cp\u003eIn the end, Goose charts their own course and ultimately encourages everyone else to do the same. \"In the end, our dream is to inspire people to step off the beaten path,\" Rick leaves off. \"There are a lot of voices that tell you to play it safe. I think the coolest thing in the world is when someone breaks free and goes for whatever weird shit they dream of doing.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. So Ready (4:35)\u003cbr\u003e\n2. (S△tellite) (4:37)\u003cbr\u003e\n3. Madhuvan (10:15)\u003cbr\u003e\n4. SOS (3:41)\u003cbr\u003e\n5. (Dawn) (8:34)\u003cbr\u003e\n6. Flodown (7:26)\u003cbr\u003e\n7. Spirit Of The Dark Horse (5:15)\u003cbr\u003e\n8. (7hunder) (7:13)\u003cbr\u003e\n9. The Labyrinth (12:10)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 617308005387\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e No Coincidence\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832696987,"sku":"378422","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Goose-Shenanigans-Nite-Club-CD.png?v=1776109125"},{"product_id":"jerry-garcia-band-garcialive-volume-17-norcal-76-cd","title":"Jerry Garcia Band – GarciaLive Vol. 17: NorCal 1976 (3-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eTalk about peaking. Even though the 17th installment of the GarciaLive series breaks a bit from most of the others in the terrific ongoing chain of archival sets- as it is a compilation of cuts from several shows rather than a singular, complete performance- its chosen tracks and sequencing approximate well a Jerry Garcia Band '76 concert. And with the standout version of \"Mighty High\" closing the three-disc volume, it is one not to be missed.\u003c\/p\u003e\u003cp\u003eDuring that Bicentennial year, Garcia was moving between circles of the Grateful Dead- in a limited year of touring- and his own JGB. Not to mention releasing an underrated nugget of an album, Reflections, featuring the Dead on half and his session band on the remainder. The record would include songs that became regulars on setlists for both entities- \"Might As Well,\" \"Mission In The Rain,\" \"They Love Each Other,\" to name three.\u003c\/p\u003e\u003cp\u003eThat fall, when the Garcia Band undertook a run of appearances in Northern California including several university dates, it was a time, as the album's title suggested, of reflection; not looking back, but more a mirror image of where Garcia was at in the moment. Sharing an obvious kinship with Keith Godchaux (keyboards) and his wife, Donna Jean (vocals), who doubled in those roles with the Dead, as well as a growing bond with bassist John Kahn and drummer Ron Tutt, Garcia's singing and playing sparkle with unconcerned liberation.\u003c\/p\u003e\u003cp\u003eThe opening pairing of \"Sugaree\" and \"They Love Each Other\" is top-shelf stuff; sounding as much like his other band as ever. Garcia, as well, touches upon some contemporaries for covers, exposing reggae to his faithful through Bob Marley's \"Stir It Up,\" and the backroad swing of J.J. Cale's \"After Midnight,\" while friskily bopping on his Reflections cut, \"I'll Take A Melody.\" Still, it's the \"Mighty High\" finale, from an unknown show date, that sits atop the mountain, surging with an inspired tempo, group chemistry, and fiery flurries from Godchaux and Garcia that never lack for incandescent ideas.\u003c\/p\u003e\u003cp\u003eWith a determined freedom, this is the Jerry Garcia Band emblazing the Norcal scene with its spirit of '76.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jerry-garcia-band-garcialive-volume-17-norcal-76\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Jerry Garcia Band of 1976 operated in a different headspace than the Dead, built around tighter song structures and Garcia's love of R\u0026amp;B, soul, and country alongside his own compositions. Having Keith and Donna Jean Godchaux in the lineup created a rare overlap between the two bands, giving these Northern California club and campus dates a looseness and familiarity that crackles through Betty Cantor-Jackson's recordings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 17: NorCal '76\u003c\/em\u003e presents highlights from three standout \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e performances captured over a single week in Northern California — November 7th at the Keystone in Berkeley, November 12th at Freeborn Hall, UC Davis, and November 13th at the East Gym, Humboldt State University in Arcata. While reel damage, tape loss, and other technical issues prevent the release of complete shows, what remains of \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e's original recordings represents some of the finest performances from this iteration of the JGB.\u003c\/p\u003e\n\n\u003cp\u003e1976 marked a period of transition for Garcia, who welcomed fellow Grateful Dead members \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards and \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals into the fold alongside mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums. Garcia himself extolled the group's harmonious sound, and the chemistry is unmistakable throughout — from a fiery opening \u003cstrong\u003e\"Sugaree\"\u003c\/strong\u003e and sublime \u003cstrong\u003e\"Catfish John\"\u003c\/strong\u003e bolstered by \u003cstrong\u003eDonna Jean\u003c\/strong\u003e's harmonies, to a driving \u003cstrong\u003e\"Russian Lullaby,\"\u003c\/strong\u003e \u003cstrong\u003e\"Tore Up Over You,\"\u003c\/strong\u003e and a reggae-infused \u003cstrong\u003e\"Stir It Up.\"\u003c\/strong\u003e Liner notes by longtime Garcia road manager \u003cstrong\u003eSteve Parish\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: \"Mighty High\" is sourced from an undated recording believed to be from this period.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSugaree \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatfish John \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You) \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eRussian Lullaby \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTore Up Over You \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eI'll Take a Melody \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAfter Midnight \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eStir It Up \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMystery Train \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Way You Do the Things You Do \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMighty High \u003cem\u003e(1976, unknown)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882444426\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.12.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833254043,"sku":"542657","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-17-NorCal-1976-3-CD.jpg?v=1776109255"},{"product_id":"jerry-garcia-band-1989-the-long-island-sound-cd","title":"Jerry Garcia Band – Fall 1989: The Long Island Sound (6–CD Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1989, the Jerry Garcia Band had settled into one of its most consistently inspired configurations, with Melvin Seals' organ work and the voices of Gloria Jones and Jaclyn LaBranch pushing Garcia toward some of his most soulful electric playing. The Weir\/Wasserman acoustic opening sets added a rare intimacy to these East Coast arena nights, making each show a study in contrast and community.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA 6-CD box set featuring two complete, previously unreleased performances from the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and \u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e, recorded live during the acclaimed Fall 1989 East Coast tour. Captured by \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e to 2-track DAT and mastered by \u003cstrong\u003eJoe Gastwirt\u003c\/strong\u003e, the collection presents over five and a half hours of music from two consecutive nights — September 5th at the Hartford Civic Center in Hartford, CT and September 6th at Nassau Coliseum in Uniondale, NY.\u003c\/p\u003e\n\n\u003cp\u003eEach night, the acoustic duo of \u003cstrong\u003eBob Weir\u003c\/strong\u003e and \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e opened the show before the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e took the stage for two full electric sets — featuring the classic JGB lineup of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e. Highlights across the two nights include Weir\/Wasserman's adventurous takes on \u003cstrong\u003e\"Desolation Row,\"\u003c\/strong\u003e \u003cstrong\u003e\"Looks Like Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Heaven Help the Fool,\"\u003c\/strong\u003e and JGB standouts like \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e Cover art by \u003cstrong\u003eStanley Mouse\u003c\/strong\u003e, with liner notes by \u003cstrong\u003eBlair Jackson\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: This collection contains audio with some sonic imperfections inherent to the original recordings, most notably distortion on Jerry's vocal during \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e — consistent with what audiences experienced in person.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFestival\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eK.C. Moan\u003c\/li\u003e\n\u003cli\u003eDesolation Row\u003c\/li\u003e\n\u003cli\u003eLooks Like Rain\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eVictim or the Crime\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 1\u003c\/li\u003e\n\u003cli\u003eThrowing Stones\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003cli\u003eLike a Road\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eGomorrah\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eLonesome and a Long Way from Home\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 4 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalking Blues\u003c\/li\u003e\n\u003cli\u003eCity Girls\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eBlackbird\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eShade of Grey\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eEasy to Slip\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 2\u003c\/li\u003e\n\u003cli\u003eHeaven Help the Fool\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 5 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eMississippi Moon\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 6 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882193423\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.8.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833909403,"sku":"267534","price":279.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Fall-1989-The-Long-Island-Sound-6-CD-Box-Set.jpg?v=1776109367"},{"product_id":"bob-weir-ace-50th-anniversary-remaster-deluxe-edition-2-cd","title":"Bob Weir – Ace: 50th Anniversary Remaster (Deluxe Edition 2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1972, Ace was never really a solo album in the traditional sense. The Grateful Dead served as Weir's backing band throughout, making it as much a Dead artifact as any official release, and songs like \"Playing in the Band\" and \"Greatest Story Ever Told\" became cornerstones of the band's live repertoire for decades to come. This anniversary edition reframes that legacy with fresh ears, pairing the original sessions against a new live document that shows how deep those songs still run.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePairs a remastered new mix of Weir’s solo debut album with a new live version recorded earlier this year at radio city music hall, with Bobby Weir \u0026amp; The Wolf Bros. \u003c\/p\u003e\u003cp\u003eFeaturing The Wolfpack and special guests Tyler Childers and Brittney Spencer. Original album Remixed by Derek Featherstone and mastered by GRAMMY® Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e. Produced for Release by Bobby \u003cstrong\u003e“Ace”\u003c\/strong\u003e Weir and Derek Featherstone.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Greatest Story Ever Told (3:52)\u003cbr\u003e\n1-2. Black-Throated Wind (5:47)\u003cbr\u003e\n1-3. Walk In The Sunshine (3:08)\u003cbr\u003e\n1-4. Playing In The Band (7:43)\u003cbr\u003e\n1-5. Looks Like Rain (6:17)\u003cbr\u003e\n1-6. Mexicali Blues (3:29)\u003cbr\u003e\n1-7. One More Saturday Night (4:41)\u003cbr\u003e\n1-8. Cassidy (3:48)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Greatest Story Ever Told (5:45)\u003cbr\u003e\n2-2. Black-Throated Wind (8:02)\u003cbr\u003e\n2-3. Walk In The Sunshine (4:57)\u003cbr\u003e\n2-4. Playing In The Band (8:33)\u003cbr\u003e\n2-5. Looks LIke Rain (11:02)\u003cbr\u003e\n2-6. Mexicali Blues Intro (1:12)\u003cbr\u003e\n2-7. Mexicali Blues (6:56)\u003cbr\u003e\n2-8. One More Saturday Night (5:19)\u003cbr\u003e\n2-9. Cassidy (11:19)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497840144\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.13.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835678875,"sku":"689640","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Weir-Ace-50th-Anniversary-Remaster-Deluxe-Edition-2-CD_52c28764.jpg?v=1776109677"},{"product_id":"jerry-garcia-band-garcialive-volume-16-november-15th-1991-madison-square-garden-cd","title":"Jerry Garcia Band – GarciaLive Vol. 16: November 15th, 1991 Madison Square Garden (3–CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIt’s especially nice when substance aligns with sentiment. The 16th installment of the GarciaLive series issues a complete concert drawn from the Jerry Garcia Band’s debut at Madison Square Garden in November of 1991. Fortunately, it’s so strong a performance at the hallowed New York City venue that it probably would’ve bullied its way to being released regardless of its historical significance.\u003c\/p\u003e\u003cp\u003eThe three-disc collection captures Garcia bringing his solo group for its first appearance at Manhattan’s mecca, though the greying guitarist and singer had been there plenty of times in his day job with the Grateful Dead, including just a few months prior. Still, Jerry (and Dead) fans knew these were separate wells meant to be visited often. And, as any fan also knew, even though the repertoire of a Jerry show was relatively consistent, it was, as always, the performance that mattered most.\u003c\/p\u003e\u003cp\u003eTrue enough, the MSG setlist is loaded with JGB standards, touching off with “How Sweet It Is (To Be Loved By You),” that, if not for being a regular in the song rotation, would seem like an acknowledgement of gratitude to the NYC faithful that packed, and necessitated graduating Garcia to, the world’s most famous arena. Jerry returns the love with a conspicuously tight and inspired array of musicianship. Adrenalin shots come from a set-one closing “Deal,” and a set-two recharge, “Ain’t No Bread in the Breadbox,” while a tranquil “Simple Twist of Fate,” with elbow room for John Kahn’s peaceful bass, and a gorgeously placid reading of “Shining Star” rock-a-bye the Garden party.\u003c\/p\u003e\u003cp\u003eMelvin Seals is mesmerizing as he dresses “The Way You Do The Things You Do” with spritely vibes. Equally Seals owns “That Lucky Old Sun,” as Garcia modestly supports the keyboardist’s commanding blooms. And while the final two entries- “Bright Side of the Road” and “(What A) Wonderful World”- can’t help but symbolically reinforce the night’s obvious sentiment, it’s the accompanying musical substance of this captivating crew and its captain that cement this blissful evening into the annals of the Jerry Garcia Band.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2021\/08\/21\/jerry-garcia-band-garcialive-volume-16-madison-square-garden-november-15-1991\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe JGB in the fall of 1991 was operating at a remarkable peak, with Garcia's guitar work carrying a clarity and emotional directness that longtime followers still cite as some of his finest in that format. Madison Square Garden, a room the Grateful Dead had made synonymous with New York ritual, took on a different intimacy when Garcia brought his smaller, tighter unit through, with Melvin Seals and the vocalists pushing the material somewhere the Dead never quite went.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 16\u003c\/em\u003e presents the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's debut performance at Madison Square Garden — November 15, 1991, at the midpoint of their legendary Fall '91 tour. Though just two months removed from the Grateful Dead's sold-out 9-night residency at the Garden, the crowd's eruption as the houselights dimmed revealed the immense excitement for Garcia's return. Produced from two-track soundboard recordings meticulously remastered for release, with liner notes by Relix editor-in-chief \u003cstrong\u003eDean Budnick\u003c\/strong\u003e featuring reflections from \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e. Blues Traveler opened the show.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e on backing vocals. Love is the central theme throughout the evening — from Van Morrison's \u003cstrong\u003e\"He Ain't Give You None\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bright Side of the Road\"\u003c\/strong\u003e to Smokey Robinson's \u003cstrong\u003e\"The Way You Do the Things You Do\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"(What A) Wonderful World\"\u003c\/strong\u003e encore. A poignant \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e became the centerpiece of the release's promotional campaign.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStruggling Man\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — Set Two (cont.) \u0026amp; Encore\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eThat Lucky Old Sun\u003c\/li\u003e\n\u003cli\u003eBright Side of the Road\u003c\/li\u003e\n\u003cli\u003e(What A) Wonderful World (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882442422\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835711643,"sku":"102276","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-16-November-15th-1991-Madison-Square-Garden-3-CD.jpg?v=1776109680"},{"product_id":"jerry-garcia-electric-on-the-eel-6cd-box-set","title":"Jerry Garcia Band – Electric On The Eel (6-CD Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFrench's Camp on the Eel River was one of those rare venues where the JGB could stretch out in an almost private setting, playing to a community of devoted fans rather than an arena crowd. These three summer nights spanning 1987 to 1991 document the band at different points in its evolution, with Garcia's guitar work and the tight interplay between Melvin Seals and John Kahn giving each show its own distinct character.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn August 29, 1987, \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e led both the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and the \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e Acoustic Band for performances at French's Camp on the Eel River in Piercy, California. He brought the JGB back to the scenic Northern California venue on June 10, 1989 and August 10, 1991 — and all three electric sets are captured here across this 6-CD box set.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, \u003cem\u003eElectric on the Eel\u003c\/em\u003e presents the JGB in their element: an intimate outdoor setting, deep setlists, and the kind of loose, soulful energy that made this band a beloved institution in its own right. Highlights across the three shows include scorching runs through \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Tangled Up in Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Everybody Needs Somebody to Love,\"\u003c\/strong\u003e alongside JGB staples like \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e \u003cstrong\u003e\"Deal,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Waiting for a Miracle.\"\u003c\/strong\u003e The set also includes a limited edition bonus disc — housed in a separate slipcase jacket and limited to 2,000 units — as a gift with purchase.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. How Sweet It Is (To Be Loved By You) (7:10)\u003cbr\u003e1-2. Forever Young (7:22)\u003cbr\u003e1-3. Get Out Of My Life Woman (6:46)\u003cbr\u003e1-4. Run For The Roses (5:16)\u003cbr\u003e1-5. And It Stoned Me (6:14)\u003cbr\u003e1-6. My Sisters And Brothers (4:01)\u003cbr\u003e1-7. Deal (6:58)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e2-1. The Harder They Come (10:25)\u003cbr\u003e2-2. I Shall Be Released (7:28)\u003cbr\u003e2-3. Think (6:36)\u003cbr\u003e2-4. Evangeline (2:57)\u003cbr\u003e2-5. Gomorrah (6:20)\u003cbr\u003e2-6. Let It Rock (6:37)\u003cbr\u003e2-7. That Lucky Old Sun (8:30)\u003cbr\u003e2-8. Tangled Up In Blue (9:43)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e3-1. I'll Take A Melody (10:23)\u003cbr\u003e3-2. They Love Each Other (6:20)\u003cbr\u003e3-3. Get Out Of My Life Woman (7:51)\u003cbr\u003e3-4. Run For The Roses (5:31)\u003cbr\u003e3-5. Stop That Train (8:09)\u003cbr\u003e3-6. Mission In The Rain (7:41)\u003cbr\u003e3-7. My Sisters And Brothers (4:08)\u003cbr\u003e3-8. Deal (7:25)\u003c\/p\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cp\u003e4-1. The Harder They Come (11:16)\u003cbr\u003e4-2. Waiting For A Miracle (6:16)\u003cbr\u003e4-3. I Shall Be Released (10:22)\u003cbr\u003e4-4. Think (6:54)\u003cbr\u003e4-5. I Hope It Won't Be This Way Always (4:50)\u003cbr\u003e4-6. Don't Let Go (14:13)\u003cbr\u003e4-7. Evangeline (3:35)\u003cbr\u003e4-8. That Lucky Old Sun (8:45)\u003cbr\u003e4-9. Tangled Up In Blue (10:30)\u003c\/p\u003e\n\u003ch4\u003eDisc 5\u003c\/h4\u003e\n\u003cp\u003e5-1. The Way You Do The Things You Do (10:41)\u003cbr\u003e5-2. And It Stoned Me (8:25)\u003cbr\u003e5-3. You Never Can Tell [C'est La Vie] (7:08)\u003cbr\u003e5-4. Waiting For A Miracle (5:32)\u003cbr\u003e5-5. Struggling Man (6:34)\u003cbr\u003e5-6. My Sisters And Brothers (4:53)\u003cbr\u003e5-7. Deal (8:18)\u003c\/p\u003e\n\u003ch4\u003eDisc 6\u003c\/h4\u003e\n\u003cp\u003e6-1. Shining Star (11:29)\u003cbr\u003e6-2. Think (7:13)\u003cbr\u003e6-3. Lay Down Sally (8:00)\u003cbr\u003e6-4. Twilight (9:24)\u003cbr\u003e6-5. See What Love Can Do (6:32)\u003cbr\u003e6-6. Lazy Bones (6:28)\u003cbr\u003e6-7. Everybody Needs Somebody To Love (10:25)\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882347529\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.15.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187842789531,"sku":"557550","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Electric-On-The-Eel-6-CD-Box-Set.jpg?v=1776109984"},{"product_id":"jerry-garcia-garcialive-vol-20-june-18th-1982-cape-cod-coliseum-cd","title":"Jerry Garcia Band – GarciaLive Vol. 20: June 18th, 1982 - Cape Cod Coliseum (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe fandom that surrounds the music of the Grateful Dead—and in this case, the Jerry Garcia Band—is one for which context matters. As the Dead never played the same set from night to night, the what, the where, the when, and the how became integral to an understanding and appreciation of the performance. Look no further than May of 1977 in Grateful Dead lore for the proof.\u003c\/p\u003e\u003cp\u003eSo, too, context mattered in Garcia's solo career. Perhaps not as much, as Jerry Garcia Band drew from a smaller repertoire than the Dead. Yet even with a show as loaded with JGB staples as this one is, the friends of this devil are in the details.\u003c\/p\u003e\u003cp\u003eIn June of 1982, Garcia and his band teamed up with a fellow Dead-on-a-summer-getaway, Bob Weir, and his group, the Midnites, for a joint tour. Garcia also brought along Dead drummer Billy Kreutzmann for the ride. And filled out a septet that partnered his longtime JGB keyboardist, Melvin Seals, with the electric piano of Jimmy Warren, in a unique lineup that immediately grabs the ear on this two-disc, full-show set from the Cape Cod Coliseum in Massachusetts.\u003c\/p\u003e\u003cp\u003eWarren is front and center in the mix on the brightened bounce of \"How Sweet It is (To Be Loved by You), as the opener bubbles away beneath Garcia's ever-effervescent guitar. From there, Garcia saunters through \"Valerie,\" with a knowing bluesman's lament; a scintillating rendition of the Garcia\/Hunter original. Then, with skilled and patient aplomb, the ensemble injects reggae into The Beatles' \"Dear Prudence,\" and then dazzles on the bluegrass undertones of Peter Rowan's \"Mississippi Moon.\" Just four songs in, and this show feels very special.\u003c\/p\u003e\u003cp\u003eGarcia and his band float into the minor-key space of \"Don't Let Go\" for a healthy twenty minutes of interstellar travel, and contrast that with the gentle, earthbound flow downstream on the river of Dylan, for the disc-closing \"Simple Twist of Fate.\" The second-half opens with \"Run for the Roses,\" and its Bertha-like jangle, followed with the wonky, clavinet-led lope of \"They Love Each Other,\" (with Weir, Bobby Cochran, and Billy Cobham sitting-in, but unfortunately unheard).\u003c\/p\u003e\u003cp\u003eAnd then, poof, just like that, it's over.\u003c\/p\u003e\u003cp\u003eThose familiar with full shows from this exceptional GarciaLive series will not doubt notice the shift—sonically, and in personnel—to a four-song excerpt from a June '81 set at The Stone that fills out the rest of the second disc. It's a smartly-chosen fours songs, maintaining the energy and spirit of the Cape set; Garcia really stretches on \"After Midnight\" as it accelerates into cut-time. And while the continuity technically is broken, the mood is not.\u003c\/p\u003e\u003cp\u003eThis 8-song Cape performance by Jerry Garcia Band has all the invention and freedom of a classic show, packed into half the space. The jams are just as lengthy, but steam forward with urgency and intent. Garcia's voice is particularly present and mystical, with a grand storyteller's command of melody and cadence.\u003c\/p\u003e\u003cp\u003eWhich leads back to context, and why this latest volume in the series is a must-have. As Garcia and his band were well-aware of the show's parameters—sharing each night with Weir—and how much less stage time that equaled, they acted accordingly. This was a group comfortable and happy to play shows twice as long as the Cape appearance, but as such, paced those two-set shows as marathons. This one, albeit in its own inimitable JGB way, is a single-set, magical summer sprint on the shore.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2023\/07\/28\/jerry-garcia-band-garcialive-volume-20-june-18th-1982-cape-cod-coliseum\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1982, the Jerry Garcia Band had settled into a deep, soulful groove that felt distinct from anything happening on the Dead's stage. Kreutzmann's presence behind the kit gave the Cape Cod show a particular rhythmic punch, bridging the two worlds Garcia inhabited simultaneously. The bonus Stone material makes this a document of a band still finding new footing, caught live before these configurations dissolved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 20\u003c\/em\u003e showcases the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e during their transitional, high-octane early '80s era — with Grateful Dead drummer \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e behind the kit. The release presents the complete Cape Cod 1982 set, plus 45+ minutes of additional uncirculated selections captured in 1981 at The Stone in San Francisco, all remastered from soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eHighlights include the relative rarity \u003cstrong\u003e\"Valerie,\"\u003c\/strong\u003e a show-stopping \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e and an otherworldly \u003cstrong\u003e\"After Midnight\"\u003c\/strong\u003e — alongside JGB staples \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e \u003cstrong\u003e\"They Love Each Other,\"\u003c\/strong\u003e \u003cstrong\u003e\"Simple Twist of Fate,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e Presented as a 2-CD digipak.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. How Sweet It Is (To Be Loved By You) (10:05)\u003cbr\u003e\n1-2. Valerie (7:05)\u003cbr\u003e\n1-3. Dear Prudence (13:56)\u003cbr\u003e\n1-4. Mississippi Moon (9:58)\u003cbr\u003e\n1-5. Don't Let Go (19:03)\u003cbr\u003e\n1-6. Simple Twist Of Fate (12:19)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Run For The Roses (6:47)\u003cbr\u003e\n2-2. They Love Each Other (7:07)\u003cbr\u003e\n2-3. Sitting In Limbo (12:56)\u003cbr\u003e\n2-4. After Midnight (16:35)\u003cbr\u003e\n2-5. Deal \u0026gt; (8:23)\u003cbr\u003e\n2-6. Tangled Up In Blue (11:11)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882570620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.30.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187842920603,"sku":"304996","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-20-June-18th-1982-Cape-Cod-Coliseum-2-CD.jpg?v=1776110032"},{"product_id":"jerry-garcia-garcialive-volume-eleven-november-11th-1993-providence-civic-center-cd","title":"Jerry Garcia Band – GarciaLive Vol. 11: November 11th, 1993 Providence Civic Center (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThere's no doubt it's one of those fabled hot shows when the final song of the night exerts as much if not more crackling energy than the first and, with this thoroughly lively performance, that is saying something. The 11th in the GarciaLive series, it's no accident that this 11\/11\/93 ripper from Providence was chosen to be next, beyond the numeric synchronicity. In fact, it's a wonder it wasn't released sooner, given all of its strengths.\u003c\/p\u003e\u003cp\u003eFirst and foremost is Jerry Garcia's inspired voice and guitar work that proves once again why he was so beloved. The setlist is full of familiar trails- cookers, covers, and ballads-, with a few surprises, but it's almost beside the point; it's the vivid articulation, the verve, from Garcia and company deployed on every song that makes this one another must-have from this ongoing series.\u003c\/p\u003e\u003cp\u003eThe two-disc collection is recorded quite well, balancing sonically and with strong fidelity each stellar contribution from the always-steady ensemble; whether Melvin Seal's dexterity on \"That's What Love Will Make You Do,\" John Kahn's storytelling bass on \"Simple Twist of Fate,\" or David Kemper's intuitive double-time push on \"Dear Prudence\" as Garcia ripples through the changes. Yet, if the reasoning for acquisition of this gem needs to be reduced to one word, it's Garcia. Jerry is masterful, measuring blitz with bliss as he travels, often driving solos past the exit signs that appear with resolving chords, instead 'feeling it' and heading further on down the road.\u003c\/p\u003e\u003cp\u003eThis final JGB performance in Rhode Island's capital- always a Northeast stronghold for the Dead- is closed with a bluegrass staple, \"Midnight Moonlight.\" It's jaunty, old-time fun contrasting the exploratory, improvisation-infested \"Don't Let Go,\" that precedes it, beautifully showing off two of the many shades of Garcia. It's also a bit bittersweet, recalling a much younger man playing jug music in the hills of Appalachia, with the whole strange trip still ahead.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jerry-garcia-band-garcialive-volume-11-november-11th-1993-providence-civic-center\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1993, the Jerry Garcia Band had settled into one of the most soulful configurations of Garcia's career, with Melvin Seals' Hammond work and the vocal interplay between Gloria Jones and Jaclyn LaBranch giving the group a genuine gospel-and-R\u0026amp;B backbone that set it apart from anything happening on the Dead stage. Providence caught the band deep in their stride, and the breadth of the repertoire here, from Garcia-Hunter originals to Van Morrison to Motown, speaks to how wide Garcia's musical world truly was.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded on November 11, 1993 at the Providence Civic Center in Providence, Rhode Island, \u003cem\u003eGarciaLive Volume 11\u003c\/em\u003e captures the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e on their final East Coast tour — and \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e's last-ever performance in Providence. Featuring the band's most celebrated lineup: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on vocals.\u003c\/p\u003e\n\n\u003cp\u003eThe show opens with two Garcia\/Hunter JGB classics — \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mission in the Rain\"\u003c\/strong\u003e — before rolling through a setlist full of cookers, covers, and surprises. Set two brings a jubilant \u003cstrong\u003e\"The Way You Do the Things You Do,\"\u003c\/strong\u003e the rarely performed Van Morrison gem \u003cstrong\u003e\"He Ain't Give You None,\"\u003c\/strong\u003e a seamless pairing of the Beatles' \u003cstrong\u003e\"Dear Prudence\"\u003c\/strong\u003e into Smokey Robinson's \u003cstrong\u003e\"When the Hunter Gets Captured by the Game,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Don't Let Go\"\u003c\/strong\u003e before the show closes with the bluegrass staple \u003cstrong\u003e\"Midnight Moonlight\"\u003c\/strong\u003e — Garcia's folk roots coming full circle on his final night in the city.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003cli\u003eDear Prudence\u003c\/li\u003e\n\u003cli\u003eWhen the Hunter Gets Captured by the Game\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882365325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.12.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187843215515,"sku":"448237","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-11-November-11th-1993-Providence-Civic-Center-2-CD.jpg?v=1776110039"},{"product_id":"jerry-garcia-band-garcialive-vol-1-march-1st-1980-capitol-theater-cd","title":"Jerry Garcia Band – GarciaLive Vol. 1: March 1st, 1980 Capitol Theatre (3–CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Capitol Theatre in Passaic was one of the great rooms of the era, a 3,000-capacity venue that drew the best touring acts of the late '70s and early '80s, and the JGB fit it perfectly. By 1980, Garcia's band outside the Dead had become its own essential institution, a soul and R\u0026amp;B-rooted vehicle where he could stretch into repertoire the Dead never touched, from reggae to classic rock and roll to Dylan deep cuts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe debut release from the GarciaLive archival series, recorded at the historic Capitol Theatre in Passaic, New Jersey on March 1, 1980. The \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e performed an early and a late show on this evening — both captured on 24-track tape for broadcast on New York radio station WNEW — with Garcia on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eOzzie Ahlers\u003c\/strong\u003e on keyboards, and \u003cstrong\u003eJohnny de Foncesca\u003c\/strong\u003e on drums.\u003c\/p\u003e\n\n\u003cp\u003eThe early show is a crisp, start-to-finish showcase of the JGB at their most focused, moving through \u003cstrong\u003e\"Sugaree,\"\u003c\/strong\u003e \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Simple Twist of Fate\"\u003c\/strong\u003e before closing with a thunderous \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e The late show brings its own highlights — a rollicking \u003cstrong\u003e\"That's What Love Will Make You Do,\"\u003c\/strong\u003e \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and two special appearances by longtime Garcia collaborator \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e on \u003cstrong\u003e\"Tiger Rose\"\u003c\/strong\u003e and \u003cstrong\u003e\"Promontory Rider,\"\u003c\/strong\u003e before a top-flight \u003cstrong\u003e\"Dear Prudence\"\u003c\/strong\u003e closes out the night. Liner notes by David Gans.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Early Show\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSugaree\u003c\/li\u003e\n\u003cli\u003eCatfish John\u003c\/li\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eSitting in Limbo\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Early Show (cont.) \/ Late Show\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThat's All Right\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eRussian Lullaby\u003c\/li\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — Late Show (cont.)\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTiger Rose (with \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e)\u003c\/li\u003e\n\u003cli\u003ePromontory Rider (with \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e)\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eDear Prudence (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882183325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.19.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187843510427,"sku":"616629","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-1-March-1st-1980-Capitol-Theatre-3-CD.jpg?v=1776110110"},{"product_id":"grateful-dead-duke-78-cd","title":"Grateful Dead – Duke '78 (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eApril 1978 found the Grateful Dead in one of their most fertile periods, the year after Keith and Donna Godchaux's final stretch with the band and deep into a run of shows that longtime fans regard as some of the most adventurous of the era. Duke University was a regular stop on the spring touring circuit, and the performances captured here reflect a band pushing their improvisational language to its limits, night after night.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CDs. DUKE '78 is the worldwide retail breakout from The Grateful Dead's limited-edition, dead. Net exclusive boxed set, Friend Of The Devils: April 1978.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e1. Jack Straw (6:29)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e2. Dire Wolf (4:41)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e3. Beat It On Down The Line (4:42)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e4. Peggy-O (8:54)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e5. Mama Tried (2:29)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e6. Mexicali Blues (4:03)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e7. Funiculi Funicula (1:57)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e8. Row Jimmy (10:50)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e9. New Minglewood Blues (5:47)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e10. Loser (8:59)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e11. Lazy Lightning (3:56)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e12. Supplication (5:41)\u003c\/div\u003e\n\u003c\/h4\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e1. Bertha (7:50)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e2. Good Lovin' (6:59)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e3. It Must Have Been The Roses (8:55)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e4. U.S. Blues (6:00)\u003c\/div\u003e\n\u003c\/h4\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e1. Estimated Prophet (12:02)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e2. Eyes Of The World (12:21)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e3. Rhythm Devils (25:54)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e4. Truckin' (8:45)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e5. Wharf Rat (10:38)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e6. Around And Around (8:20)\u003c\/div\u003e\n\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497826124\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.20.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777012379,"sku":"471206","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Duke-78-3-CD.webp?v=1776110388"},{"product_id":"grateful-dead-lyceum-theatre-london-england-5-26-72-cd","title":"Grateful Dead – Lyceum Theatre, London, England 5\/26\/72 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Europe '72 tour is widely regarded as one of the most creatively fertile stretches in the Dead's entire run, capturing the band at a moment of remarkable ensemble chemistry with a lineup that would never quite exist again. This night at the Lyceum closes that journey, with Pigpen still in the fold, delivering the blues-soaked presence that had anchored the band since the Haight-Ashbury days, making it a document that carries both musical and deeply human weight.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReissuing the outof print, standalone show of the Dead’s final performance of their Europe ’72 Tour at the Lyceum Theatre in Lo ndon on May 26, 1972. This is the Dead’s lastperformance to feature vocals by founding front man Ron “Pigpen” McKernan before his passing 9 months later.-Fifty years ago, when Europe '72 was released, the third LP of the set included two sides of some of the finest, most uniquely beautiful music the Dead had ever played, and thankfully, recorded. The Truckin', Epilogue , Prelude , and Morning Dew knocked everyone's socks off. Decades later, when tape traders were able to hear the entirety of the final show of the Europe '72 tour, not only were they greeted with this spectacular 40+minutes of music, but what is widely considered one of the best complete shows the Dead performed in their 30 year touring career. With Playing In The Band clocking in at more than 17 minutes, by far the longest version of this improvisational masterpieceby this point and ending their first set with the traditional second set closing Not Fade Away Goin ' Down The Road Feeling Bad Not Fade Away , the Dead signaled throughout this show that they wanted to leave everything on the stage. They clearly weren't out of gas and wanted this tour to keep rolling. If there was one show that encapsulates the entirety of the excellence of the Europe '72 tour, it's this one. Pigpen would sing a few songs this night, the final show at which Pigpen sang, as he left the band a few weeks later.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePromised Land (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eSugaree (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eMr. Charlie (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eBlack-Throated Wind (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eLoser (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eNext Time You See Me (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eEl Paso (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eDire Wolf (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eThe Stranger (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eHe's Gone (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eCumberland Blues (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eJack Straw (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eChinatown Shuffle (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eChina Cat Sunflower (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eI Know You Rider (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eNot Fade Away, Pt. 1 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eGoin' Down the Road Feeling Bad (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster\u003c\/li\u003e\n\u003cli\u003eNot Fade Away, Pt. 2 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eTruckin' (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eThe Other One, Pt. 1 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eDrums (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eThe Other One, Pt. 2 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eMorning Dew (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eThe Other One, Pt. 3 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eSing Me Back Home (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eMe and My Uncle (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eRamble on Rose (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eSugar Magnolia (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eCasey Jones (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eOne More Saturday Night (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497839667\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.29.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262778421403,"sku":"614793","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Lyceum-Theatre-London-England-52672-CD.jpg?v=1775563834"},{"product_id":"grateful-dead-cornell-5-8-77-3-cd","title":"Grateful Dead – Cornell 5\/8\/77 (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMay 8, 1977, Barton Hall, Cornell University. Deadheads have passed around this recording for decades, holding it up as the definitive example of the band at the peak of their powers during what many consider their greatest touring year. The second set alone, with \"Scarlet Begonias\" flowing into \"Fire on the Mountain\" and a scorching \"Morning Dew\" to close, makes a case that's hard to argue with.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCornell 5\/8\/77 was recorded live directly from the soundboards by Betty Cantor-Jackson. After several years the master tapes were seemingly lost for good, but that all changed at the end of 2016. The lost tapes, or lost “Betty boards” as they are commonly known, finally made their way back home to the Grateful Dead vault, making it possible to officially bring the world this legendary show just in time for its 40th Anniversary. The complete live show has been Plangentized by Plangent Processes and remastered by GRAMMY ® award winning sound engineer, Jeffrey Norman.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. New Minglewood Blues (5:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Loser (7:58)\u003c\/div\u003e\n\u003cdiv\u003e3. El Paso (4:51)\u003c\/div\u003e\n\u003cdiv\u003e4. They Love Each Other (7:29)\u003c\/div\u003e\n\u003cdiv\u003e5. Jack Straw (6:29)\u003c\/div\u003e\n\u003cdiv\u003e6. Deal (6:10)\u003c\/div\u003e\n\u003cdiv\u003e7. Lazy Lightning (3:26)\u003c\/div\u003e\n\u003cdiv\u003e8. Supplication (4:48)\u003c\/div\u003e\n\u003cdiv\u003e9. Brown-Eyed Women (5:49)\u003c\/div\u003e\n\u003cdiv\u003e10. Mama Tried (3:12)\u003c\/div\u003e\n\u003cdiv\u003e11. Row Jimmy (11:14)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Dancing In The Street (16:32)\u003c\/div\u003e\n\u003cdiv\u003e2. Scarlet Begonias (11:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Fire On The Mountain (15:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Estimated Prophet (8:49)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. St. Stephen (5:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Not Fade Away (18:20)\u003c\/div\u003e\n\u003cdiv\u003e3. St. Stephen (1:54)\u003c\/div\u003e\n\u003cdiv\u003e4. Morning Dew (14:17)\u003c\/div\u003e\n\u003cdiv\u003e5. One More Saturday Night (5:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227942557\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.5.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779076763,"sku":"189647","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8975153299611-cd-relix.png?v=1777050003"},{"product_id":"grateful-dead-from-the-mars-hotel-50th-anniversary-deluxe-cd","title":"Grateful Dead – From The Mars Hotel (50th Anniversary, Deluxe 3-CD Set)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe Grateful Dead were uncharacteristically well-rehearsed when they entered the studio to record 1974's From the Mars Hotel, if the Angel's Share is any indication.\u003c\/p\u003e\u003cp\u003eThe digital-only collection follows similar treatments of Workingman's Dead, American Beauty and Wake of the Flood. But at 90 minutes and 16 tracks – six devoted to Phil Lesh's \"Pride of Cucamonga\" (two, sans John McFee's all-important pedal steel) and \"Unbroken Chain\" (four, three of which appeared on Wake's Angel's Share) – this edition is shorter than its predecessors by an hour and easier to digest.\u003c\/p\u003e\u003cp\u003eIt kicks off with nimble instrumental runs through \"Scarlet Begonias\" that feature exquisite, perfectly mixed sound. The alternate vocal mix, meanwhile, contains a wobbly percussive element that pie-eyed listeners will eat up.\u003c\/p\u003e\u003cp\u003eThe gorgeous acoustic mix of \"China Doll\" previews 1980 and Reckoning by more than a half-decade, while the wordless \"Ship of Fools (Take 7)\" foreshadows \"Standing on the Moon\" by a decade-and-a-half.\u003c\/p\u003e\u003cp\u003eFor their parts, \"Loose Lucy\" appears in yet another iteration, and an alternate mix of \"Money Money\" confirms nothing can salvage that hot mess of a song.\u003c\/p\u003e\u003cp\u003e\"Wave that Flag\" has fully morphed into \"U.S. Blues\" by the time the band gets to Take 8 after music-only takes 1, 2 and 4 while the alternate mix of \"Unbroken Chain\" is very similar to the album version.\u003c\/p\u003e\u003cp\u003eThe keepers of the Dead vault are to be commended for keeping this Share concise and sharply focused on Bill Kreutzmann one-man drumming, Keith Godchaux's still-wildly inventive piano playing and strong ensemble playing and singing from guitarists Jerry Garcia and Bob Weir, bassist Lesh and vocalist Donna Jean Godchaux. From the Mars Hotel thus received the strongest Angel's Share treatment to date.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/05\/10\/grateful-dead-from-the-mars-hotel-the-angels-share\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSandwiched between the sprawling psychedelic explorations of Wake of the Flood and Blues for Allah, From the Mars Hotel finds the Dead in a surprisingly focused, almost laid-back groove, with Garcia, Weir, and Hunter all turning in some of their most accessible writing of the decade. The bonus live set captures the Wall of Sound in its earliest touring form, a genuinely historic document of the most ambitious live sound system rock and roll has ever seen.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRhino's seventh installment of 50th Anniversary Studio Releases for Grateful Dead.\u003c\/p\u003e\n\u003cp\u003eFrom The Mars Hotel is the 7th album and 2nd released on Dead's own label, Grateful Dead Records. The Deluxe Edition features the same remastered and Plangentized audio from the 50th Remaster PLUS the previously unreleased live performance from the University of Nevada-Reno on May 12, 1974.\u003c\/p\u003e\n\u003cp\u003eThis was the first road show for the infamous \"Wall Of Sound, \" which debuted mere weeks earlier at home on March 23, 1974 at the Cow Palace. Remastered by GRAMMY Award-winning engineer David Glasser, with Plangent Processes tape restoration and speed correction and Produced for Release by David Lemieux.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. U.S. Blues (4:37)\u003cbr\u003e\n1-2. China Doll (4:08)\u003cbr\u003e\n1-3. Unbroken Chain (6:43)\u003cbr\u003e\n1-4. Loose Lucy (3:20)\u003cbr\u003e\n1-5. Scarlet Begonias (4:18)\u003cbr\u003e\n1-6. Pride Of Cucamonga (4:15)\u003cbr\u003e\n1-7. Money Money (4:22)\u003cbr\u003e\n1-8. Ship Of Fools (5:28)\u003cbr\u003e\n1-9. China Doll (Demo) (2:44)\u003cbr\u003e\n1-10. Wave That Flag (Demo) (5:00)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Sugaree (7:28)\u003cbr\u003e\n2-2. Mexicali Blues (3:51)\u003cbr\u003e\n2-3. Tennessee Jed (8:15)\u003cbr\u003e\n2-4. Jack Straw (4:57)\u003cbr\u003e\n2-5. Brown-Eyed Women (4:59)\u003cbr\u003e\n2-6. Beat It On Down The Line (3:55)\u003cbr\u003e\n2-7. China Cat Sunflower (8:06)\u003cbr\u003e\n2-8. I Know You Rider (6:54)\u003cbr\u003e\n2-9. El Paso (4:32)\u003cbr\u003e\n2-10. U.S. Blues (5:15)\u003cbr\u003e\n2-11. Greatest Story Ever Told (4:50)\u003cbr\u003e\n2-12. It Must Have Been The Roses (5:40)\u003cbr\u003e\n2-13. Me And Bobby McGee (5:41)\u003cbr\u003e\n2-14. Deal (4:46)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. Around And Around (6:38)\u003cbr\u003e\n3-2. Mississippi Half-Step Uptown Toodeloo (7:58)\u003cbr\u003e\n3-3. Truckin' (10:09)\u003cbr\u003e\n3-4. The Other One (21:40)\u003cbr\u003e\n3-5. Row Jimmy (8:48)\u003cbr\u003e\n3-6. Big River (5:41)\u003cbr\u003e\n3-7. Ship Of Fools (6:15)\u003cbr\u003e\n3-8. Sugar Magnolia (9:25)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497827992\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.21.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779207835,"sku":"522053","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/marshotel3cdA.jpg?v=1776972183"}],"url":"https:\/\/relix.shop\/collections\/jam-band-cds.oembed","provider":"relix.shop","version":"1.0","type":"link"}