{"title":"Jazz CDs","description":"\u003cp\u003eFor the listener who still reaches for a physical disc when the music matters, this page collects 581 jazz CDs spanning classic catalog, contemporary voices, live sets, and box sets worth owning in full.\u003c\/p\u003e\u003cp\u003eThe titles here cover a lot of ground. John Coltrane's \u003cem\u003eGiant Steps\u003c\/em\u003e on Atlantic and Herbie Hancock's remastered \u003cem\u003eHeadhunters\u003c\/em\u003e on Sony Music anchor the catalog end. Charles Mingus's \u003cem\u003eCumbia and Jazz Fusion\u003c\/em\u003e on Rhino brings something stranger and harder to categorize. Miles Davis appears twice: the single-disc \u003cem\u003eVery Best of Miles Davis\u003c\/em\u003e digipak on Rhino and the eight-disc box set \u003cem\u003eComplete Plugged Nickel Live 1965\u003c\/em\u003e on Sony Legacy, a live document that rewards the kind of attention a box set demands. Samara Joy's \u003cem\u003ePortrait\u003c\/em\u003e on Verve is available here as a signed CD. Jon Batiste's \u003cem\u003eMonk Movements\u003c\/em\u003e on Verve and Emmet Cohen's \u003cem\u003eUniversal Truth\u003c\/em\u003e on Mack Avenue represent the current generation working inside the tradition. Big Band of Brothers brings \u003cem\u003eJazz Celebration of the Allman Brothers Band\u003c\/em\u003e on New West Records, which should appeal to anyone who found their way to jazz from the jam world. The Stephane Grappelli and David Grisman \u003cem\u003eLive\u003c\/em\u003e CD on Wounded Bird Records and Chick Corea's \u003cem\u003eForever Yours: The Farewell Concert\u003c\/em\u003e on Candid round out the live side of the collection. Blue Note is well represented with \u003cem\u003eBlue Note Plays Stevie Wonder\u003c\/em\u003e, \u003cem\u003eBlue Note Plays Burt Bacharach\u003c\/em\u003e, and Chris Botti's \u003cem\u003eVol. 1\u003c\/em\u003e.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered jazz, the Grateful Dead, Phish, and the wider jam and roots world since 1974. The store reflects that same range: we carry titles because they belong in a serious collection, not because an algorithm surfaced them. The Relix Sessions series extends that commitment to vinyl, offering live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label. When we stock a jazz CD, it is because someone here actually cares about it.\u003c\/p\u003e\u003cp\u003eEvery CD in this collection is new and sealed. Pre-order titles display a street date and ship when the label releases them. CDs ship in protective packaging.\u003c\/p\u003e\u003cp\u003eIf jazz on disc is your format, the \u003ca href=\"\/collections\/cds\"\u003efull CDs section\u003c\/a\u003e covers rock, folk, and roots alongside jazz. Listeners who also collect vinyl can browse \u003ca href=\"\/collections\/jazz-vinyl\"\u003eJazz Vinyl Records\u003c\/a\u003e or the broader \u003ca href=\"\/collections\/vinyl-lps\"\u003eVinyl LPs\u003c\/a\u003e collection. For Blue Note specifically, the \u003ca href=\"\/collections\/blue-note-records\"\u003eBlue Note Records page\u003c\/a\u003e pulls together vinyl, CDs, and reissues from that label in one place.\u003c\/p\u003e","products":[{"product_id":"coltrane-58-the-prestige-recordings-5-cd-box-set","title":"John Coltrane – Coltrane '58: The Prestige Recordings (5-CD Box Set)","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eColtrane\u003c\/strong\u003e’s breakout year, when his mature sound first grabbed ears and his own recordings began to sell consistently, was 1958. This release chronicles the exciting story session by session, featuring \u003cstrong\u003eall 37 tracks Coltrane recorded as a leader or co-leader\u003c\/strong\u003e for the independent \u003cstrong\u003ePrestige Records\u003c\/strong\u003e label in those twelve months. This collection captures him in creative high gear—developing the signature improvisational style that journalist \u003cstrong\u003eIra Gitler\u003c\/strong\u003e famously dubbed “sheets of sound.” The timely release marks the 70th year since the founding of Prestige and comes just after the 60th anniversary of these recordings. \u003c\/span\u003e\u003c\/p\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":47927239180443,"sku":"CR00102","price":74.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/John-Coltrane-Coltrane-58-The-Prestige-Recordings-5-CD-Box-Set.jpg?v=1770133810"},{"product_id":"another-side-of-john-coltrane-cd","title":"John Coltrane – Another Side of John Coltrane (CD)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eThis collection showcases \u003cstrong\u003esome of Coltrane's best recordings as a side artist\u003c\/strong\u003e and features collaborations with such jazz greats as \u003cstrong\u003eMiles Davis\u003c\/strong\u003e, \u003cstrong\u003eThelonious Monk\u003c\/strong\u003e, \u003cstrong\u003eSonny Rollins\u003c\/strong\u003e, \u003cstrong\u003eTadd Dameron\u003c\/strong\u003e, and \u003cstrong\u003eArt Taylor\u003c\/strong\u003e. Primarily focusing on Coltrane's recordings as side man from 1956 and 1957 on the \u003cstrong\u003ePrestige\u003c\/strong\u003e, \u003cstrong\u003eRiverside\u003c\/strong\u003e, and \u003cstrong\u003eJazzland\u003c\/strong\u003e labels, it also includes a guest appearance (and \u003cstrong\u003elegendary tenor saxophone solo\u003c\/strong\u003e) with Miles Davis on the track \"\u003cstrong\u003eSomeday My Prince Will Come\u003c\/strong\u003e\" (from the 1961 Miles Davis \u003cstrong\u003eColumbia\u003c\/strong\u003e album of the same title).\u003c\/p\u003e\n\u003cp\u003eThe liner notes were written by \u003cstrong\u003eDoug Ramsey\u003c\/strong\u003e, winner of the Jazz Journalists Association’s Lifetime Achievement Award. Ramsey is the author of the award-winning biography \u003cem\u003eTake Five\u003c\/em\u003e: The Public and Private Lives of Paul Desmond. His other awards include two ASCAP Deems Taylors.\u003c\/p\u003e\n","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":47927239573659,"sku":"CR00094","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/John-Coltrane-Another-Side-of-John-Coltrane-CD.png?v=1770133855"},{"product_id":"book-of-queens-cd","title":"Krasno\/Moore Project – Book of Queens (CD)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eGuitarist Eric Krasno (Lettuce, Soulive) and drummer Stanton Moore (Galactic, Garage-a-Trois) are GRAMMY award-winning artists who have shared the stage countless times over years. Their album Krasno\/Moore Project: House of Queens (Concord Jazz) showcases a collection of songs from some of their favorite female artists including Amy Winehouse, Billie Eilish, H.E.R., Nina Simone and more. Featuring organist Eric Finland with special guests Cory Henry, Branford Marsalis and Robert Randolph.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"auto\"\u003eTRACK LISTING\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eCD\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003e You Know I’m No Good \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003e Nobody’s Baby \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003e Slow Burn \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003e Lost Cause \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003e Stay High feat. Cory Henry \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003e Fever feat. Branford Marsalis \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003e A Natural Woman \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003e Carried Away \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003e I Wish I Knew How It Would Feel To Be Free feat. Robert Randolph\u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Concord Jazz","offers":[{"title":"Default Title","offer_id":47927240360091,"sku":"CORE-KRMP-1336-MED103-MLT-1OS","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/KrasnoMoore-Project-Book-of-Queens-CD.jpg?v=1770133911"},{"product_id":"room-on-the-porch-cd","title":"Taj Mahal \u0026 Keb’ Mo’ – Room on the Porch (CD)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eGrammy Nominee 2026\u003cbr\u003eBest Traditional Blues Album\u003cbr\u003eROOM ON THE PORCH\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRoom On The Porch CD\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"TextRun SCXW112453330 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003eTaj Mahal and Keb’ Mo', two generations of American blues masters, reunite to release their second album together, \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW112453330 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003eRoom \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003eOn\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003eThe\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003e Porch\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW112453330 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003e, following their GRAMMY Award winning album, \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW112453330 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003eTajMo\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW112453330 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003e (2017). This historic collaboration between two blues \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003egiants,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003e converges their extraordinary talents for an album of original songs and covers. In this 10-song set, the title track features award winning singer-songwriter Ruby \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003eAmanfu\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003e. Available on vinyl, CD and digitally.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW112453330 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"SCXW64087056 BCX0\"\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cstrong\u003e\u003cspan class=\"TextRun Underlined MacChromeBold SCXW64087056 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eTrack Listing\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003col start=\"1\" role=\"list\" class=\"NumberListStyle1 SCXW64087056 BCX0\"\u003e\n\u003cli class=\"OutlineElement Ltr SCXW64087056 BCX0\" role=\"listitem\" data-aria-level=\"1\" data-aria-posinset=\"1\" aria-setsize=\"-1\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"2\" data-font=\"\" data-leveltext=\"%1.\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan class=\"TextRun SCXW64087056 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eRoom on the Porch ft. Ruby \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eAmanfu\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e (4:05)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' class=\"EOP SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003col start=\"2\" role=\"list\" class=\"NumberListStyle1 SCXW64087056 BCX0\"\u003e\n\u003cli class=\"OutlineElement Ltr SCXW64087056 BCX0\" role=\"listitem\" data-aria-level=\"1\" data-aria-posinset=\"2\" aria-setsize=\"-1\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"2\" data-font=\"\" data-leveltext=\"%1.\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan class=\"TextRun SCXW64087056 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eMy Darling My Dear (3:58)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' class=\"EOP SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003col start=\"3\" role=\"list\" class=\"NumberListStyle1 SCXW64087056 BCX0\"\u003e\n\u003cli class=\"OutlineElement Ltr SCXW64087056 BCX0\" role=\"listitem\" data-aria-level=\"1\" data-aria-posinset=\"3\" aria-setsize=\"-1\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"2\" data-font=\"\" data-leveltext=\"%1.\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan class=\"TextRun SCXW64087056 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eNobody Knows You When \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eYou’re\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e Down and Out (3:42)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' class=\"EOP SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003col start=\"4\" role=\"list\" class=\"NumberListStyle1 SCXW64087056 BCX0\"\u003e\n\u003cli class=\"OutlineElement Ltr SCXW64087056 BCX0\" role=\"listitem\" data-aria-level=\"1\" data-aria-posinset=\"4\" aria-setsize=\"-1\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"2\" data-font=\"\" data-leveltext=\"%1.\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan class=\"TextRun SCXW64087056 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eShe Keeps Me Movin’ (4:01)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' class=\"EOP SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003col start=\"5\" role=\"list\" class=\"NumberListStyle1 SCXW64087056 BCX0\"\u003e\n\u003cli class=\"OutlineElement Ltr SCXW64087056 BCX0\" role=\"listitem\" data-aria-level=\"1\" data-aria-posinset=\"5\" aria-setsize=\"-1\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"2\" data-font=\"\" data-leveltext=\"%1.\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan class=\"TextRun SCXW64087056 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e Make Up Your Mind (4:40)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' class=\"EOP SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' class=\"EOP SCXW64087056 BCX0\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan class=\"TextRun SCXW64087056 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e      6. Thicker Than Mud (4:38)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' class=\"EOP SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan class=\"TextRun SCXW64087056 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e      7. Junkyard Dog (4:20)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' class=\"EOP SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"SCXW64087056 BCX0\"\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan class=\"TextRun SCXW64087056 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e      8. Blues’ll\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e Give You Back Your Soul (4:47)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' class=\"EOP SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan class=\"TextRun SCXW64087056 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e      9. Better Than Ever ft. Wendy Moten (5:03) \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' class=\"EOP SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan class=\"TextRun SCXW64087056 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e      10. Rough Time Blues (4:31)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":350}' class=\"EOP SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Concord Jazz","offers":[{"title":"Default Title","offer_id":47927240392859,"sku":"888072678002","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Taj-Mahal-Keb-Mo-Room-on-the-Porch-CD.jpg?v=1770133919"},{"product_id":"julian-lage-scenes-from-above-cd-1","title":"Julian Lage – Scenes From Above (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJulian Lage came up as a child prodigy in the San Francisco Bay Area scene before spending formative years alongside Gary Burton and later David Grisman, absorbing acoustic tradition from the inside. His Blue Note run has steadily expanded his vocabulary without losing the intimacy that made him essential, and bringing John Medeski into the fold opens a new tonal dimension rooted in the same exploratory spirit that has always connected jazz and the jamband world.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGuitar virtuoso Julian Lage returns with his fifth Blue Note release, Scenes From Above, the follow-up to the GRAMMY-nominated Speak To Me, which was once again produced by Joe Henry. The album features Lage in a new band with John Medeski on organ and piano, Jorge Roeder on bass, and Kenny Wollesen on drums for a set of striking new original compositions. CD Softpak.\u003c\/p\u003e \u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Opal (4:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Red Elm (4:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Talking Drum (5:06)\u003c\/div\u003e\n\u003cdiv\u003e4. Havens (4:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Night Shade (7:24)\u003c\/div\u003e\n\u003cdiv\u003e6. Solid Air (3:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Ocala (4:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Storyville (4:23)\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e9. Something More (4:02)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478932007\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Opal (4:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Red Elm (4:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Talking Drum (5:06)\u003c\/div\u003e\n\u003cdiv\u003e4. Havens (4:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Night Shade (7:24)\u003c\/div\u003e\n\u003cdiv\u003e6. Solid Air (3:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Ocala (4:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Storyville (4:23)\u003c\/div\u003e\n\u003cdiv\u003e9. Something More (4:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262784352411,"sku":"58705670","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8975158345883-cd-relix.png?v=1776972837"},{"product_id":"bela-fleck-zakir-hussain-edgar-meyer-feat-rakesh-chaurasia-as-we-speak-cd-1","title":"Béla Fleck, Zakir Hussain, Edgar Meyer, feat. Rakesh Chaurasia – As We Speak (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFourteen years after their first collaboration reshaped what acoustic chamber music could look like, Fleck, Hussain, and Meyer return with Rakesh Chaurasia's bansuri flute adding a fourth voice to the conversation. Hussain, one of the most celebrated tabla players alive and a decades-long bridge between Indian classical and American acoustic traditions, brings that cross-cultural fluency to every track here alongside Meyer's extraordinary bass work and Fleck's endlessly inventive banjo.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp style=\"\"\u003e\u003cspan\u003eThe first time banjo legend Béla Fleck, tabla master Zakir Hussain, and double bass virtuoso Edgar Meyer got together to make an album, it was to write, not to play. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFleck had met Hussain at a workshop where, as Béla put it, “I thought Edgar and I could learn a lot from him.” Later, when Fleck and Meyer were looking for a third partner for a triple concerto they had been commissioned to write to mark the opening of Nashville’s Schermerhorn Symphony Center, they thought of Hussain, who wanted to learn more about orchestral writing. The result was \u003cem\u003eThe Melody of Rhythm \u003c\/em\u003e(2009), recorded with the Detroit Symphony Orchestra under Leonard Slatkin. “We tried to write some pieces that took the melodies and compositions in the concerto and developed them into different areas,” explains Fleck. “But we really hadn't performed at all.”\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eIt wasn’t until the three began touring to promote the album that the trio’s true potential became apparent. Although each had a base in a different musical realm — bluegrass for Fleck, Indian classical music for Hussain, and Western classical music for Meyer — they shared a gift for improvisation as well as an ability to reach across musical genres as casually as neighbors might chat over a backyard fence.” When we are performing on stage, in composing mode or creating mode, we are basically having a conversation,” says Hussain. “So the music emerges as we speak.”\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eHence \u003cem\u003eAs We Speak\u003c\/em\u003e, an album that not only showcases the group’s breathtaking abilities as instrumentalists, but underscores the wide range of musical influences at their command. Across a dozen tracks, the group glides easily between the cerebral complexity of Indian rhythm and the gut-level groove of a funky bass line, sounding equally at home with the rigors of raga.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAdding to that magic is Rakesh Chaurasia, who plays bansuri, an Indian bamboo flute. When the trio was touring India, Hussain — who knew Rakesh through his uncle, Indian flute legend Pandit Hariprasad Chaursia — invited the younger flautist to sit in, and the chemistry was immediately apparent. “I think we wanted to see if we could do something a little more organic with just a small group,” says Meyer. “And to have somebody who plays as beautifully as Rakesh join us really opened it up to a more lyrical and melodic situation.” \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e“What I think is good about this quartet is that everybody has to stretch in the direction of the other people,” adds Fleck. “To me, a collaboration where nobody changes is not a collaboration. It's a mashup. And there's nothing wrong with that. But I like a collaboration where I have to learn a bunch of new things from the other people. And in this case, I'm learning like crazy.”\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Motion\u003cbr\u003e\n2. The B Tune\u003cbr\u003e\n3. Tradewinds Bengali\u003cbr\u003e\n4. J Bhai\u003cbr\u003e\n5. Rickety Karma\u003cbr\u003e\n6. 1980\u003cbr\u003e\n7. Owl's Misfortune\u003cbr\u003e\n8. Pashto\u003cbr\u003e\n9. Hidden Lake\u003cbr\u003e\n10. Beast In The Garden\u003cbr\u003e\n11. Conundrum\u003cbr\u003e\n12. As We Speak\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 793888873681\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Bela Fleck Productio\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.12.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262784712859,"sku":"599604","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bela-Fleck-Zakir-Hussain-Edgar-Meyer-feat_-Rakesh-Chaurasia-As-We-Speak-CD.png?v=1776111259"},{"product_id":"preservation-hall-jazz-band-thats-it-cd","title":"Preservation Hall Jazz Band – That's It (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRooted in a French Quarter institution that has been drawing pilgrims since 1961, the Preservation Hall Jazz Band has always understood that tradition isn't a museum piece. Their Sub Pop signing raised eyebrows in some quarters, but the pairing made a certain kind of sense: both have long championed artists who defy easy categorization while remaining fiercely committed to their communities.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eAt a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band’s That’s It! (2013) is an eclectic album that draws on the collective experience of players nurtured in the New Orleans tradition but determined to build something fresh and exciting on that foundation. It marks an important milestone in PHJB Creative Director Ben Jaffe’s crusade to carry forward the Hall’s original mission while making it relevant to today’s audiences.” For his part, co-producer Jim James (My Morning Jacket) is convinced that the PHJB has a future as vibrant as its past: “The music will speak forever,” he says. “Will people stop listening to Beethoven? Will people stop listening to Bob Dylan? Will people stop listening to the Preservation Hall Jazz Band?” That's It! is now back in print on vinyl and CD via Sub Pop, which signed Preservation Hall Jazz Band in 2018, and will soon be releasing new music by the band.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. That's It! (3:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Dear Lord (Give Me The Strength) (4:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Come With Me (2:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Sugar Plum (4:29)\u003c\/div\u003e\n\u003cdiv\u003e5. Rattlin' Bones (3:17)\u003c\/div\u003e\n\u003cdiv\u003e6. I Think I Love You (3:21)\u003c\/div\u003e\n\u003cdiv\u003e7. August Nights (4:24)\u003c\/div\u003e\n\u003cdiv\u003e8. Halfway Right, Halfway Wrong (4:19)\u003c\/div\u003e\n\u003cdiv\u003e9. Yellow Moon (2:38)\u003c\/div\u003e\n\u003cdiv\u003e10. The Darker It Gets (3:02)\u003c\/div\u003e\n\u003cdiv\u003e11. Emmalena's Lullaby (1:46)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787126426\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.28.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271193702555,"sku":"486516","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Preservation-Hall-Jazz-Band-Thats-It-CD.png?v=1776112523"},{"product_id":"charlie-gabriel-eighty-nine-cd","title":"Charlie Gabriel – Eighty Nine (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded when Gabriel was 89 years old, this release marks a remarkable chapter for a New Orleans jazz institution whose roots stretch back to the city's mid-century club scene. That Sub Pop, a label built on Pacific Northwest rock, chose to release it speaks to how far Gabriel's story transcends genre boundaries and why the Preservation Hall tradition continues to find new audiences decades after the Hall first opened its doors on St. Peter Street.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eI've been playing since I was 11 years old,\" says Charlie Gabriel, the most senior member of the legendary Preservation Hall Band, \"I never did anything in my life but play music. I've been blessed with that gift that God gave me, and I've tried to nurse it the best way I knew how.\" While he's faced plenty of challenges nursing that gift for more than 78 years, none likely rank with last winter's passing of his brother and last living sibling, Leonard, lost to COVID-19. For the first time ever, Gabriel put down his horn, filling his days and weeks instead with dark reflection, a stubborn despondency broken now and then by regular chess matches in the studio kitchen of Hall leader Ben Jaffe, working overtime to bring his friend some light. One such afternoon also included Joshua Starkman, sitting off in a corner playing his guitar and half-watching the chess from a distance. When Charlie returned the next day, he brought his saxophone. \"I was just inspired to try it, to play again. It had been a long time, and a guitar makes me feel free. I do love the sound of a piano, but it takes up a lot of a space, keeps me kind of boxed in.\" That day was to be the first session for Eighty Nine, almost entirely the work of Gabriel, Jaffe and Starkman, recorded mostly right there, in the kitchen, by Matt Aguiluz. Charlie Gabriel's first professional gig dates to 1943, sitting in for his father in New Orleans' Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band then included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer J.C. Heard. While he's also fronted a bebop quintet, played and\/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader. Since 2006, Gabriel has been a member of the Preservation Hall Jazz Band, featuring prominently on That's It, So It Is, and Tuba to Cuba. Eighty Nine was different, and not simply due to a smaller ensemble. \"We had no particular plan, or any particular insight on what we were gonna do. But we were enjoying what we were doing, jamming, having a musical conversation,\" Charlie says, further musing, \"Musical conversations cancel out complications.\" Eighty Nine includes six standards and three newer pieces on which Gabriel is a writer: \"Yellow Moon,\" \"The Darker It Gets\" and \"I Get Jealous.\" The record also marks Charlie's return to his first instrument, clarinet, on many of the tracks. \"The clarinet is the mother of the saxophone,\" he says. \"I started playing clarinet early in life, and this [taught me] the saxophone.\" Finally, Eighty Nine includes three tracks of Charlie singing. \"I always sung, but it wasn't my forte to become a singer,\" he says. \"The truth is, people often develop a real relationship with a song once they hear the words. Sometimes I enjoy singing them.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Memories Of You (5:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Chelsea Bridge (3:02)\u003c\/div\u003e\n\u003cdiv\u003e3. I'm Confessin' (6:12)\u003c\/div\u003e\n\u003cdiv\u003e4. The Darker It Gets (4:12)\u003c\/div\u003e\n\u003cdiv\u003e5. Stardust (5:09)\u003c\/div\u003e\n\u003cdiv\u003e6. Three Little Words (3:19)\u003c\/div\u003e\n\u003cdiv\u003e7. Yellow Moon (3:48)\u003c\/div\u003e\n\u003cdiv\u003e8. I Get Jealous (5:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787149029\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.1.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271204384923,"sku":"397062","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978174312603-cd-relix.png?v=1776304962"},{"product_id":"preservation-hall-jazz-band-marching-down-bourbon-street-cd","title":"Preservation Hall Jazz Band – Marching Down Bourbon Street (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRooted in the French Quarter institution that has kept New Orleans traditional jazz alive since 1961, Preservation Hall Jazz Band carries a lineage that connects directly to the city's earliest jazz masters. This collection captures the rolling, communal spirit of a second line moving through the streets, the kind of music that exists at the intersection of celebration and history, where every note feels both ancient and urgently alive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Just A Closer Walk With Thee (5:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Mood Indigo (5:02)\u003c\/div\u003e\n\u003cdiv\u003e3. St. Louis Blues (5:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Hindustan (5:51)\u003c\/div\u003e\n\u003cdiv\u003e5. Bill Bailey (Won't You Please Come Home) (3:59)\u003c\/div\u003e\n\u003cdiv\u003e6. St. James Infirmary (5:39)\u003c\/div\u003e\n\u003cdiv\u003e7. The Bucket's Got A Hole In It (5:06)\u003c\/div\u003e\n\u003cdiv\u003e8. I Shall Not Be Moved (3:04)\u003c\/div\u003e\n\u003cdiv\u003e9. When The Saints Go Marchin' In (8:08)\u003c\/div\u003e\n\u003cdiv\u003e10. Amen (3:21)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 079892841923\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Special Product\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.1.01\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271223783579,"sku":"456449","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Preservation-Hall-Jazz-Band-Marching-Down-Bourbon-Street-CD.png?v=1776113054"},{"product_id":"preservation-hall-jazz-band-so-it-is-cd","title":"Preservation Hall Jazz Band – So It Is (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRooted in a French Quarter institution that has been welcoming musicians and listeners through its doors since 1961, the Preservation Hall Jazz Band has never been a museum piece. So It Is, recorded with producer Jim James of My Morning Jacket, finds the band reaching outward without losing the second-line soul that defines them, a testament to New Orleans music as a living, breathing conversation rather than a relic.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eAt a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. So It Is (2017) finds the classic Preservation Hall Jazz Band sound invigorated by a number of fresh influences, not least among them the band’s 2015 life-changing trip to Cuba. A visit to the island, so integral to the evolution of jazz and New Orleans culture in general, had long been in the works when President Obama’s diplomatic opening suddenly allowed for a more extensive journey than had originally seemed possible. Producer David Sitek, a founder of art rock innovators TV on the Radio who has helmed projects by Kelis, the Yeah Yeah Yeahs and Santigold among others, offered both a keen modern perspective and a profound respect for the band’s storied history. 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Wingspan gave him the canvas to do exactly that, and this follow-up to the group's debut finds Miller's compositional confidence fully realized, balancing the harmonic sophistication of the post-bop tradition with an ensemble warmth that reflects years of deep musical conversation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHaving played with some of the greatest names in jazz including, the Ellinton Orchestra, David Sanborn, Freddie Hubbard, Cassandra Wilson and others, Mulgrew Miller has made a name for himself. 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The title itself means \"power\" in Zulu and Xhosa, and the record carries that political charge alongside its sleek, layered sound. 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This Ken Burns compilation draws from Parker's essential Verve and Savoy recordings, placing his alto saxophone genius in the broader American music story that the documentary series set out to tell, making it a solid entry point for newcomers without insulting the intelligence of anyone who already knows every lick by heart.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSixteen Songs Including \"Hot House,\" \"Ko-Ko,\" \"Ornithology,\" \"Scrapple from Apple\" and \"Just Friends.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Sepian Bounce (3:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Salt Peanuts (3:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Hot House (3:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Ko-Ko (2:53)\u003c\/div\u003e\n\u003cdiv\u003e5. Anthropology (2:54)\u003c\/div\u003e\n\u003cdiv\u003e6. Now's The Time (3:14)\u003c\/div\u003e\n\u003cdiv\u003e7. Ornithology (2:57)\u003c\/div\u003e\n\u003cdiv\u003e8. Yardbird Suite (2:53)\u003c\/div\u003e\n\u003cdiv\u003e9. Lover Man (3:17)\u003c\/div\u003e\n\u003cdiv\u003e10. Relaxin' At Camarillo (2:59)\u003c\/div\u003e\n\u003cdiv\u003e11. Embraceable You (3:43)\u003c\/div\u003e\n\u003cdiv\u003e12. Scrapple From The Apple (2:54)\u003c\/div\u003e\n\u003cdiv\u003e13. Parker's Mood (3:01)\u003c\/div\u003e\n\u003cdiv\u003e14. Just Friends (3:30)\u003c\/div\u003e\n\u003cdiv\u003e15. Star Eyes (3:34)\u003c\/div\u003e\n\u003cdiv\u003e16. Confirmation (2:57)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 731454908429\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Polygram Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.7.00\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600409342107,"sku":"78314","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-charlie-parker-ken-burns-jazz-cd-relix.jpg?v=1779360280"},{"product_id":"joni-mitchell-jonis-jazz-cd","title":"Joni Mitchell – Joni's Jazz (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJoni Mitchell came to jazz not as a tourist but as a true believer, absorbing the music's harmonic language deeply enough that Charles Mingus trusted her with his final compositions on their 1979 collaboration. That credential matters when assessing a collection like this one. With 61 tracks pulling from across her catalog, including her work with Herbie Hancock on \"Turbulent Indigo\" sessions and her long creative partnership with Wayne Shorter, this set traces a jazz education that unfolded publicly, album by album, across five decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFour CDs. Joni's Jazz features tracks from Mitchell's entire career-spanning catalogue, including repertoire from releases with other artists and labels. It is a dedication and a love letter to her greatest collaborators in the genre-Charles Mingus, Herbie Hancock, Jaco Pastorious, and Wayne Shorter among them - and features rare demos, b-sides and alt versions of previously released tracks.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue (3:06)\u003c\/div\u003e\n\u003cdiv\u003e2. Trouble Man (3:42)\u003c\/div\u003e\n\u003cdiv\u003e3. Moon At The Window (Demo) (3:25)\u003c\/div\u003e\n\u003cdiv\u003e4. Be Cool (Demo) (3:26)\u003c\/div\u003e\n\u003cdiv\u003e5. Harlem In Havana (4:27)\u003c\/div\u003e\n\u003cdiv\u003e6. Cherokee Louise (4:34)\u003c\/div\u003e\n\u003cdiv\u003e7. Come In From The Cold (7:32)\u003c\/div\u003e\n\u003cdiv\u003e8. In France They Kiss On Main Street (3:20)\u003c\/div\u003e\n\u003cdiv\u003e9. Nothing Can Be Done (4:53)\u003c\/div\u003e\n\u003cdiv\u003e10. Sex Kills (3:57)\u003c\/div\u003e\n\u003cdiv\u003e11. Edith And The Kingpin (3:38)\u003c\/div\u003e\n\u003cdiv\u003e12. Cold Blue Steel And Sweet Fire (4:18)\u003c\/div\u003e\n\u003cdiv\u003e13. The Jungle Line (4:26)\u003c\/div\u003e\n\u003cdiv\u003e14. Shades Of Scarlett Conquering (5:00)\u003c\/div\u003e\n\u003cdiv\u003e15. Yvette In English (5:18)\u003c\/div\u003e\n\u003cdiv\u003e16. Marcie (4:36)\u003c\/div\u003e\n\u003cdiv\u003e17. A Bird That Whistles (Arrangement Of The Traditional Work \"Corrina, Corrina\") (2:38)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Love (3:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Comes Love (4:29)\u003c\/div\u003e\n\u003cdiv\u003e3. The Man I Love (5:57)\u003c\/div\u003e\n\u003cdiv\u003e4. At Last (4:27)\u003c\/div\u003e\n\u003cdiv\u003e5. You're My Thrill (3:54)\u003c\/div\u003e\n\u003cdiv\u003e6. Sometimes I'm Happy (3:59)\u003c\/div\u003e\n\u003cdiv\u003e7. Stay In Touch (3:00)\u003c\/div\u003e\n\u003cdiv\u003e8. The Crazy Cries Of Love (3:55)\u003c\/div\u003e\n\u003cdiv\u003e9. Face Lift (4:43)\u003c\/div\u003e\n\u003cdiv\u003e10. Sweet Sucker Dance (Early Alternate Version) (7:03)\u003c\/div\u003e\n\u003cdiv\u003e11. You Dream Flat Tires (2:53)\u003c\/div\u003e\n\u003cdiv\u003e12. Answer Me, My Love (3:23)\u003c\/div\u003e\n\u003cdiv\u003e13. Love Puts On A New Face (3:48)\u003c\/div\u003e\n\u003cdiv\u003e14. Both Side Now (5:43)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Harry's House \/ Centerpiece (6:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Sunny Sunday (2:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Hana (3:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Last Chance Lost (3:16)\u003c\/div\u003e\n\u003cdiv\u003e5. Smokin' (Empty, Try Another) (1:44)\u003c\/div\u003e\n\u003cdiv\u003e6. Hejira (Live At The Santa Barbara County Bowl, September 9, 1979) (7:35)\u003c\/div\u003e\n\u003cdiv\u003e7. Refuge Of The Roads (7:57)\u003c\/div\u003e\n\u003cdiv\u003e8. Paprika Plains (16:22)\u003c\/div\u003e\n\u003cdiv\u003e9. Blue Motel Room (5:05)\u003c\/div\u003e\n\u003cdiv\u003e10. Black Crow (4:23)\u003c\/div\u003e\n\u003cdiv\u003e11. Off Night Backstreet (3:22)\u003c\/div\u003e\n\u003cdiv\u003e12. Just Like This Train (4:25)\u003c\/div\u003e\n\u003cdiv\u003e13. No Apologies (4:20)\u003c\/div\u003e\n\u003cdiv\u003e14. Not To Blame (4:20)\u003c\/div\u003e\n\u003cdiv\u003e15. The Magdalene Laundries (4:02)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. The Sire Of Sorrow (Job's Sad Song) (7:07)\u003c\/div\u003e\n\u003cdiv\u003e2. God Must Be A Boogie Man (4:37)\u003c\/div\u003e\n\u003cdiv\u003e3. A Chair In The Sky (6:41)\u003c\/div\u003e\n\u003cdiv\u003e4. Goodbye Pork Pie Hat (Live At The Santa Barbara County Bowl, September 9, 1979) (6:02)\u003c\/div\u003e\n\u003cdiv\u003e5. The Tea Leaf Prophecy (Lay Down Your Arms) (6:29)\u003c\/div\u003e\n\u003cdiv\u003e6. Shine 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The rhythm section anchors him beautifully, giving the saxophonist room to stretch without yet breaking entirely from the tradition he was quietly dismantling.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis product is an authorized manufactured on demand CD-R\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Little Old Lady (4:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Village Blues (5:21)\u003c\/div\u003e\n\u003cdiv\u003e3. My Shining Hour (4:50)\u003c\/div\u003e\n\u003cdiv\u003e4. Fifth House (4:38)\u003c\/div\u003e\n\u003cdiv\u003e5. Harmonique (4:10)\u003c\/div\u003e\n\u003cdiv\u003e6. Like Sonny (5:51)\u003c\/div\u003e\n\u003cdiv\u003e7. I'll Wait And Pray (3:32)\u003c\/div\u003e\n\u003cdiv\u003e8. Some Other Blues (5:33)\u003c\/div\u003e\n\u003cdiv\u003e9. Like Sonny (Alternate Take) (6:03)\u003c\/div\u003e\n\u003cdiv\u003e10. I'll Wait And Pray (Alternate Take) (3:25)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075678134425\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.25.90\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600409735323,"sku":"180120","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-coltrane-jazz-cd-relix.jpg?v=1779383849"},{"product_id":"herbie-hancock-takin-off-cd","title":"Herbie Hancock – Takin' Off (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1962, when Hancock was just 22 years old, Takin' Off announced an immediately fully-formed compositional voice. \"Watermelon Man\" would soon become a crossover hit after Mongo Santamaría covered it later that year, a sign that Hancock was already writing beyond the boundaries of straight jazz.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHerbie's Blue Note debut features the incomparable horn duo of Freddie Hubbard and Dexter Gordon (both at their creative peaks), blowing out Hancock's angular, bluesy tunes with passion and finesse. The album kicks off with the classic \"Watermelon Man\"; the songs are largely uptempo hard-bop until closing with the sparkling, late-night ballad \"Alone and I.\" The pianist's forays into experimentation are displayed in the strange rhythm section solos and the lack of thematic resolution on \"The Maze\" or the 32-bar broken phrasing on \"Three Bags Full.\" The sound is pure early-'60s Rudy Van Gelder: muted piano, in-your-face horns and rhythm section in your living room. Mastered \u0026amp; Produced by Alan Yoshida \u0026amp; Joe Harley from the Original Rudy Van Gelder Blue Note 2-Track Analog Tapes. The Definitive Versions of Blue Note are on XRCD24... Listen \u0026amp; Compare! 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Drummer Al Green's resume stretches back to the mid-1950s Chicago scene, and the assembled crew here reflects decades of that city's hard-bop tradition, with players who've circulated through some of the most respected rooms and sessions in the Midwest. For fans of the classic small-group format, this is the real thing, rooted in a lineage that connects directly to the postwar bebop masters.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDrummer Al Green played his first job with Willie Dixon in 1955. He has played with Eddie Harris, Wes Montgomery and Nancy Wilson. Co-leader, alto saxophonist Othello Anderson has played with Joe Diorio and at the Downbeat Jazz Festival. Other members are trumpeter Dr. Odies Williams III who appears on Delmark CDs with Jodie Christian, Ed Petersen and Cecil Payne. Bassist John Whitfield recorded on Delmark with Jodie Christian and Malachi Thompson. And pianist Leandro Lopez Varady has worked with Eldee Young and has toured extensively. This is straight ahead bebop in the style of Art Blakey or Max Roach\/Clifford Brown groups.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Annette's Blues (4:14)\u003c\/div\u003e\n\u003cdiv\u003e2. All The Things You Are (6:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Mr. Lucky (5:02)\u003c\/div\u003e\n\u003cdiv\u003e4. Are You Real (4:54)\u003c\/div\u003e\n\u003cdiv\u003e5. Medley:  My Funny Valentine\/Peace\/What's New (7:34)\u003c\/div\u003e\n\u003cdiv\u003e6. High Fly (8:06)\u003c\/div\u003e\n\u003cdiv\u003e7. Once I Loved (4:57)\u003c\/div\u003e\n\u003cdiv\u003e8. Ceora (5:57)\u003c\/div\u003e\n\u003cdiv\u003e9. Strollin' (4:35)\u003c\/div\u003e\n\u003cdiv\u003e10. Stella By Starlight (8:13)\u003c\/div\u003e\n\u003cdiv\u003e11. The Way You Look Tonight (5:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 038153053925\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Delmark\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.27.02\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600419729563,"sku":"354418","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-al-green-mister-lucky-cd-relix.jpg?v=1779362126"},{"product_id":"herbie-hancock-jammin-with-herbie-limited-edition-cd","title":"Herbie Hancock – Jammin' With Herbie (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAcross six decades, Hancock has remained one of the rare artists who consistently pushes into new territory without losing the melodic intelligence that made him a Blue Note cornerstone. A 2022 release on Renaissance, \"Jammin' With Herbie\" finds him in the kind of loose, exploratory setting his fans have always cherished, the same spirit that animated his classic acoustic work before the synthesizers arrived.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, Head Hunters. Hancock received considerable attention when, in May 1963, he joined Davis's Second Great Quintet. Davis personally sought out Hancock, whom he saw as one of the most promising talents in jazz. While in Davis's band, Hancock also found time to record dozens of sessions for the Blue Note label, both under his own name and as a sideman with other musicians. In the summer of 1968 Hancock formed his own sextet. This compilation is culled from those 1960s Hancock albums, outtakes and singles.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Maulana (9:38)\u003c\/div\u003e\n\u003cdiv\u003e2. Mr. Lucky (Rock Your Soul) (6:37)\u003c\/div\u003e\n\u003cdiv\u003e3. Kamili (5:42)\u003c\/div\u003e\n\u003cdiv\u003e4. Dunia (8:22)\u003c\/div\u003e\n\u003cdiv\u003e5. Hot Piano (7:22)\u003c\/div\u003e\n\u003cdiv\u003e6. Live \u0026amp; Awake (3:53)\u003c\/div\u003e\n\u003cdiv\u003e7. Jammin' With Herbie (6:35)\u003c\/div\u003e\n\u003cdiv\u003e8. Cat Call (9:43)\u003c\/div\u003e\n\u003cdiv\u003e9. Daydream (Soul Power) (4:53)\u003c\/div\u003e\n\u003cdiv\u003e10. Herbie's Blues (5:55)\u003c\/div\u003e\n\u003cdiv\u003e11. Hot And Heavy (3:02)\u003c\/div\u003e\n\u003cdiv\u003e12. Far Out (2:32)\u003c\/div\u003e\n\u003cdiv\u003e13. Scoochie (5:12)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 630428068827\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Renaissance\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.21.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600421564571,"sku":"295990","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-herbie-hancock-jammin-with-herbie-limited-edition-cd-cd-relix.jpg?v=1779361133"},{"product_id":"john-coltrane-classic-albums-collection-cd","title":"John Coltrane – Classic Albums Collection (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eColtrane's recordings from the late 1950s and early 1960s capture one of jazz's most restless creative minds at full burn, moving from the hard bop precision of his Blue Note and Prestige dates through the modal breakthroughs that would reshape the music entirely. His work with Miles Davis sharpened his voice, but it was as a bandleader that he found his true calling, building a vocabulary that every saxophonist since has had to reckon with.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis extraordinary collection features eight of John Coltrane's most cherished and popular albums, all from the era when the great man's star shined brightest. A fine selection of his best ever work, all now housed on 4 CDs, this set will work equally well for new converts to Coltrane's music as it will as a welcome reminder for those already hooked.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eBlue Train (1958)\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train (10:43)\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Moment's Notice (9:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Locomotion (7:15)\u003c\/div\u003e\n\u003cdiv\u003e3. I'm Old Fasioned (7:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Lazy Bird (7:04)\u003c\/div\u003e\n\u003cdiv\u003e5. Giant Steps (4:48)\u003c\/div\u003e\n\u003cdiv\u003e6. Cousin Mary (5:50)\u003c\/div\u003e\n\u003cdiv\u003e7. Countdown (2:26)\u003c\/div\u003e\n\u003cdiv\u003e8. Spiral (6:00)\u003c\/div\u003e\n\u003cdiv\u003e9. Syeeda's Song Flute (7:06)\u003c\/div\u003e\n\u003cdiv\u003e10. Naima (4:25)\u003c\/div\u003e\n\u003cdiv\u003e11. Mr. P.C. (6:57)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Little Old Lady (4:39)\u003c\/div\u003e\n\u003cdiv\u003e2. Village Blues (5:25)\u003c\/div\u003e\n\u003cdiv\u003e3. My Shining Hour (4:55)\u003c\/div\u003e\n\u003cdiv\u003e4. Fifth House (4:42)\u003c\/div\u003e\n\u003cdiv\u003e5. Harmonique (4:15)\u003c\/div\u003e\n\u003cdiv\u003e6. Like Sonny (5:56)\u003c\/div\u003e\n\u003cdiv\u003e7. I'll Wait And Pray (3:37)\u003c\/div\u003e\n\u003cdiv\u003e8. Some Other Blues (5:40)\u003c\/div\u003e\n\u003cdiv\u003e9. My Favorite Things (13:47)\u003c\/div\u003e\n\u003cdiv\u003e10. Everytime We Say Goodbye (5:44)\u003c\/div\u003e\n\u003cdiv\u003e11. Summertime (11:36)\u003c\/div\u003e\n\u003cdiv\u003e12. But Not For Me (9:44)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Olé (18:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Dahomey Dance (10:53)\u003c\/div\u003e\n\u003cdiv\u003e3. Aisha (7:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Africa (16:19)\u003c\/div\u003e\n\u003cdiv\u003e5. Greensleeves (9:58)\u003c\/div\u003e\n\u003cdiv\u003e6. Blues Minor (7:21)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. Out Of This World (14:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Soul Eyes (5:28)\u003c\/div\u003e\n\u003cdiv\u003e3. The Inch Worm (6:19)\u003c\/div\u003e\n\u003cdiv\u003e4. Tunji (6:39)\u003c\/div\u003e\n\u003cdiv\u003e5. Miles' Mode (7:35)\u003c\/div\u003e\n\u003cdiv\u003e6. Say It (Over And Over Again) (4:17)\u003c\/div\u003e\n\u003cdiv\u003e7. You Don't Know What Love Is (5:14)\u003c\/div\u003e\n\u003cdiv\u003e8. Too Young To Go Steady (4:23)\u003c\/div\u003e\n\u003cdiv\u003e9. All Or Nothing At All (3:31)\u003c\/div\u003e\n\u003cdiv\u003e10. I Wish I Knew (4:51)\u003c\/div\u003e\n\u003cdiv\u003e11. What's New? (3:44)\u003c\/div\u003e\n\u003cdiv\u003e12. It's Easy To Remember (2:45)\u003c\/div\u003e\n\u003cdiv\u003e13. Nancy (With The Laughing Face) (3:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 823564035000\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Enlightenment\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.3.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600423170203,"sku":"206669","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-classic-albums-collection-cd-relix.jpg?v=1779384004"},{"product_id":"john-coltrane-evenings-at-the-village-gate-john-coltrane-with-eric-dolphy-cd","title":"John Coltrane – Evenings At The Village Gate: John Coltrane With Eric Dolphy (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe summer of 1961 found Coltrane at a genuine crossroads, pushing his classic quartet lineup into new territory with Dolphy's presence opening up conversations between saxophone, bass clarinet, and flute that had no real precedent. This is the band that drew both intense admiration and sharp criticism from the jazz press at the time, with some detractors famously calling their extended explorations \"anti-jazz.\" Hearing them uncaged at the Gate, on newly surfaced tape, reframes that whole argument.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJohn Coltrane - \"Evenings At The Village Gate: John Coltrane With Eric Dolphy\" - In August of 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York. Ninety minutes of never-before-heard music from this group were recently discovered at the New York Public Library. In addition to some well-known Coltrane material (\"Impressions\"), there is a breathtaking feature for Dolphy's bass clarinet on \"When Lights Are Low\" and the only known non-studio recording of Coltrane's composition \"Africa\", from the Africa\/Brass album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. My Favorite Things (15:54)\u003c\/div\u003e\n\u003cdiv\u003e2. When Lights Are Low (15:28)\u003c\/div\u003e\n\u003cdiv\u003e3. Impressions (10:13)\u003c\/div\u003e\n\u003cdiv\u003e4. Greensleeves (16:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Africa (22:27)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602455514189\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.14.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600427364507,"sku":"279852","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-evenings-at-the-village-gate-john-coltrane-with-eric-dolphy-cd-relix.jpg?v=1779383610"},{"product_id":"ray-charles-ray-sings-basie-swings-cd","title":"Ray Charles – Ray Sings Basie Swings (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe pairing makes complete sense in retrospect: Ray Charles and Count Basie shared a deep roots in blues, swing, and the Black American musical tradition that ran straight through Kansas City and into the soul era. These 1973 vocal sessions sat in the vault for over three decades before finally finding their instrumental counterpart, a reminder that Charles was still operating at the peak of his powers well into that decade.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCD reissue of this 2006 release. Ray Sings, Basie Swings is an album that mixes previously unreleased Ray Charles vocal performances from 1973 with newly recorded instrumental tracks by the contemporary Count Basie Orchestra.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Oh, What A Beautiful Morning (4:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Let The Good Times Roll (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. How Long Has This Been Going On? (6:22)\u003c\/div\u003e\n\u003cdiv\u003e4. Every Saturday Night (4:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Busted (2:36)\u003c\/div\u003e\n\u003cdiv\u003e6. Crying Time (3:54)\u003c\/div\u003e\n\u003cdiv\u003e7. I Can’t Stop Loving You (4:03)\u003c\/div\u003e\n\u003cdiv\u003e8. Come Live With Me (4:12)\u003c\/div\u003e\n\u003cdiv\u003e9. Feel So Bad (4:12)\u003c\/div\u003e\n\u003cdiv\u003e10. The Long And Winding Road (4:06)\u003c\/div\u003e\n\u003cdiv\u003e11. Look What They’ve Done To My Song (2:51)\u003c\/div\u003e\n\u003cdiv\u003e12. Georgia On My Mind (4:38)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 708857212422\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Tangerine Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.23.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600432181403,"sku":"278627","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ray-charles-ray-sings-basie-swings-cd-relix.jpg?v=1779304735"},{"product_id":"miles-davis-classic-albums-collection-cd","title":"Miles Davis – Classic Albums Collection (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe years between 1953 and 1960 represent one of the most concentrated bursts of genius in recorded music history. Davis moved from the hard bop explorations of early Blue Note and Prestige sessions through the modal revolution of \"Kind of Blue,\" reshaping what jazz could be at nearly every turn, with collaborators like John Coltrane, Bill Evans, and Cannonball Adderley alongside him for the ride.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis - The Classic Albums Collection - This four CD set contains Miles Davis' nine most popular albums both critically and commercially, all originally recorded between 1953 and 1960. Among the most influential and acclaimed figures in the history of jazz, and indeed in 20th-century music, Miles Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in the genre. This four CD set contains Miles Davis' nine most popular albums both critically and commercially, all originally recorded between 1953 and 1960; for most enthusiasts the period during which the great man's star shone brightest.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Tempus Fugit (3:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Enigma (3:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Ray’s Idea (3:44)\u003c\/div\u003e\n\u003cdiv\u003e4. Kelo (3:18)\u003c\/div\u003e\n\u003cdiv\u003e5. I Waited For You (3:30)\u003c\/div\u003e\n\u003cdiv\u003e6. C.T.A. 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Miles Davis reshaped jazz not once but repeatedly during his Columbia tenure, moving from the cool modal language of *Kind of Blue* through the electric funk of *Bitches Brew* and beyond, pulling generations of listeners into territory they didn't know existed. This collection traces that arc from bebop's shadow all the way to the synthesizer-laced 1980s, a span that encompasses some of the most consequential recordings in American music history.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Générique (2:49)\u003c\/div\u003e\n\u003cdiv\u003e2. All Blues (11:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Eighty-One (6:16)\u003c\/div\u003e\n\u003cdiv\u003e4. Blues From Pablo (5:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Summertime (3:20)\u003c\/div\u003e\n\u003cdiv\u003e6. Straight, No Chaser (8:58)\u003c\/div\u003e\n\u003cdiv\u003e7. Footprints (9:48)\u003c\/div\u003e\n\u003cdiv\u003e8. Florence Sur Les Champs Élysées (2:52)\u003c\/div\u003e\n\u003cdiv\u003e9. I Thought About You (11:51)\u003c\/div\u003e\n\u003cdiv\u003e10. Someday My Prince Will Come (5:42)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Bye Bye Black Bird (7:57)\u003c\/div\u003e\n\u003cdiv\u003e2. My Funny Valentine (14:55)\u003c\/div\u003e\n\u003cdiv\u003e3. Love For Sale (11:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Budo (5:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Miles (5:45)\u003c\/div\u003e\n\u003cdiv\u003e6. Filles De Kilimanjaro (12:03)\u003c\/div\u003e\n\u003cdiv\u003e7. Fran-Dance (5:50)\u003c\/div\u003e\n\u003cdiv\u003e8. Seven Steps To Heaven (6:23)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Flamenco Sketches (9:34)\u003c\/div\u003e\n\u003cdiv\u003e2. So What (12:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Water Babies (5:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Saeta (5:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Masqalero (8:53)\u003c\/div\u003e\n\u003cdiv\u003e6. Pinocchio (5:10)\u003c\/div\u003e\n\u003cdiv\u003e7. Summer Night (6:04)\u003c\/div\u003e\n\u003cdiv\u003e8. Fall (6:38)\u003c\/div\u003e\n\u003cdiv\u003e9. It's About That Time (11:28)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. Sivad (3:33)\u003c\/div\u003e\n\u003cdiv\u003e2. What It Is (4:34)\u003c\/div\u003e\n\u003cdiv\u003e3. Ms. Morrisine (4:52)\u003c\/div\u003e\n\u003cdiv\u003e4. Shout (5:51)\u003c\/div\u003e\n\u003cdiv\u003e5. Honky Tonk (5:56)\u003c\/div\u003e\n\u003cdiv\u003e6. Star On Cicely (4:28)\u003c\/div\u003e\n\u003cdiv\u003e7. Thinkin' One Thing And Doin' Another (6:48)\u003c\/div\u003e\n\u003cdiv\u003e8. Miles Runs The Voodoo Down (14:02)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 696998656925\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.6.02\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600446271643,"sku":"490993","price":52.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-columbia-years-55-85-4-cd-cd-relix.jpg?v=1779280993"},{"product_id":"john-coltrane-ole-coltrane-cd","title":"John Coltrane – Ole Coltrane (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in May 1961, just weeks before Coltrane made the leap to Impulse Records, \"Ole Coltrane\" captures a pivotal moment of transition, with the classic quartet plus Eric Dolphy and Freddie Hubbard pushing modal exploration into visceral, almost spiritual territory. The title track stretches across nearly 20 minutes, drawing on Spanish scales and flamenco textures that Coltrane had been absorbing alongside the African and Eastern influences shaping his restless evolution.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e[Note: This product is an authorized CD-R and is manufactured on demand]  OLE COLTRANE\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Olé (18:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Dahomey Dance (10:50)\u003c\/div\u003e\n\u003cdiv\u003e3. Aisha (7:32)\u003c\/div\u003e\n\u003cdiv\u003e4. To Her Ladyship (8:54)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075678134920\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.25.90\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600453185691,"sku":"564533","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-ole-coltrane-cd-relix.jpg?v=1779365589"},{"product_id":"miles-davis-water-babies-cd","title":"Miles Davis – Water Babies (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during the fertile late-'60s sessions that surrounded \"Filles de Kilimanjaro\" and the birth of electric Miles, \"Water Babies\" captures a transitional moment when Davis was quietly dismantling the rules of post-bop and replacing them with something far more open and restless. Wayne Shorter and Herbie Hancock are both present, making this a document of the classic second great quintet at the edge of its own evolution.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eWater Babies\u003c\/li\u003e\n\u003cli\u003eCapricorn\u003c\/li\u003e\n\u003cli\u003eSweet Pea\u003c\/li\u003e\n\u003cli\u003eTwo Faced\u003c\/li\u003e\n\u003cli\u003eDual Mr. Anthony Tillmon Williams Process\u003c\/li\u003e\n\u003cli\u003eSplash\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886972418926\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sbme Special Mkts.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.1.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600454332571,"sku":"426068","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Miles-Davis-Water-Babies-CD.jpg?v=1779194294"},{"product_id":"miles-davis-birth-of-the-blue-cd","title":"Miles Davis – Birth Of The Blue (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe four tracks collected here come from the same extraordinary sextet that made Kind of Blue, featuring John Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, and Jimmy Cobb. Recorded in 1958 at Columbia's 30th Street Studio in New York, these performances have spent decades buried in compilations, their full weight never quite given its due. That changes here.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever!Through the years, these four remarkable performances - all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year - have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., has deservedly given these tracks a stellar stand-alone release for jazz fans to savor!The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley.Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously.Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-it's-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard.For this release, we started with the original 3-track recording session tapes that were mixed down to a brand-new 30 ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab mastered the album direct to DSD for this Hybrid Stereo SACD.Smash follow-up to what many consider the greatest jazz record ever!Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue!Modal jazz precursor laid the groundwork for future jazz innovation!Hybrid Stereo SACDMastered by Matthew Lutthans at The Mastering Lab direct to DSD from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapes.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTRACKLIST\u003c\/b\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eOn Green Dolphin Street\u003c\/li\u003e\n\u003cli\u003eFran-Dance\u003c\/li\u003e\n\u003cli\u003eStella by Starlight\u003c\/li\u003e\n\u003cli\u003eLove For Sale\u003c\/li\u003e\n\u003c\/ol\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028166423\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600459346075,"sku":"486979","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Miles-Davis-Birth-Of-The-Blue-CD.jpg?v=1779194405"},{"product_id":"herbie-hancock-monster-cd","title":"Herbie Hancock – Monster (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at the tail end of disco's commercial peak, *Monster* caught Hancock deep in his pop-crossover phase, the same restless experimentation that had already taken him from Blue Note hard bop to Headhunters funk. The expanded bonus tracks on this reissue flesh out sessions that largely flew under the radar of his jazz faithful at the time, making it a more complete document of a genuinely underexplored corner of his catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDigitally remastered and expanded edition of this 1980 album including nine bonus tracks. Monster is the 29th album by pianist Hancock. As a follow-up to the Feets album, it avoided jazz and funk in favor of disco. Includes musical assistance from Carlos Santana, Freddie Washington, Sheila E, Bill Champlin and many others.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Saturday Night (7:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Stars In Your Eyes (7:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Go For It (7:33)\u003c\/div\u003e\n\u003cdiv\u003e4. Don't Hold It In (8:01)\u003c\/div\u003e\n\u003cdiv\u003e5. Making Love (6:22)\u003c\/div\u003e\n\u003cdiv\u003e6. It All Comes Round (5:50)\u003c\/div\u003e\n\u003ch4\u003eBonus Tracks\u003c\/h4\u003e\n\u003cdiv\u003e1. Making Love (7\" Version) (3:59)\u003c\/div\u003e\n\u003cdiv\u003e2. It All Comes Round (7\" Version) (3:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Go For It (7\" Version) (3:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Go For It (Special 12\" Version) (6:59)\u003c\/div\u003e\n\u003cdiv\u003e5. Stars In Your Eyes (7\" Version) (3:58)\u003c\/div\u003e\n\u003cdiv\u003e6. Stars In Your Eyes (Special Disco Remix) (11:21)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 810736021732\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Funkytown Grooves\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600461312155,"sku":"548950","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-herbie-hancock-monster-cd-relix.jpg?v=1779361040"},{"product_id":"john-coltrane-blue-train-the-complete-masters-blue-note-tone-poet-series-cd","title":"John Coltrane – Blue Train: The Complete Masters (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in September 1957, *Blue Train* stands as Coltrane's sole session as a leader for Blue Note, capturing him at a pivotal moment between his groundbreaking tenure with Miles Davis and the modal innovations that would define his later work on Impulse. The title track remains one of the most recognizable blues heads in jazz history, and hearing the alternate takes reveals how deliberately Coltrane and his band, including Lee Morgan and Curtis Fuller, shaped each phrase into something definitive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBlue Train: The Complete Masters includes a bonus disc of alternate and incomplete takes (4 of which have never been released). The 2 CD set comes with a bound booklet featuring session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlso Available: \u003c\/span\u003e\u003ca href=\"\/UPC\/602445481057\" title=\"John Coltrane - Blue Train (Blue Note Tone Poet Series) [Mono LP]\"\u003eMono LP\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"\/UPC\/602445481071\" title=\"John Coltrane - Blue Train: The Complete Masters (Blue Note Tone Poet Series) [Stereo 2LP]\"\u003eStereo 2LP\u003c\/a\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train (10:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Moment's Notice (9:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Locomotion (7:14)\u003c\/div\u003e\n\u003cdiv\u003e4. I'm Old Fashioned (7:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Lazy Bird (7:07)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train (False Start) (0:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Blue Train (Alternate Take 7) (7:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Moment's Notice (Alternate Take 4) (7:19)\u003c\/div\u003e\n\u003cdiv\u003e4. Lazy Bird (Alternate Take 1) (9:23)\u003c\/div\u003e\n\u003cdiv\u003e5. Blue Train (Alternate Take 8) (10:27)\u003c\/div\u003e\n\u003cdiv\u003e6. Moment's Notice (Alternate Take 5A Incomplete) (5:08)\u003c\/div\u003e\n\u003cdiv\u003e7. Lazy Bird (Alternate Take 2) (7:29)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602448062031\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.16.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600461377691,"sku":"533465","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-blue-train-the-complete-masters-blue-note-tone-poet-series-c-cd-relix.jpg?v=1779393125"}],"url":"https:\/\/relix.shop\/collections\/jazz-cds.oembed?page=2","provider":"relix.shop","version":"1.0","type":"link"}