{"title":"Jazz Vinyl \u0026 CDs | Classic \u0026 Contemporary","description":"\u003cp\u003eFor the listener who has a few hundred records and knows exactly which pressing matters, this page collects over a thousand jazz titles in one place: canonical LPs, double-LP sets, reissues, box sets, and CDs spanning the full arc of the music.\u003c\/p\u003e\u003cp\u003eThe catalog here moves from the foundational to the contemporary. Miles Davis shows up across several eras: \u003cem\u003eBirth of the Cool\u003c\/em\u003e on vinyl LP, \u003cem\u003eKind of Blue\u003c\/em\u003e on vinyl LP, \u003cem\u003eBitches Brew\u003c\/em\u003e on vinyl 2xLP, \u003cem\u003eSketches of Spain\u003c\/em\u003e on RSD vinyl LP, and \u003cem\u003eLive at Montreux (Rhino Reserve)\u003c\/em\u003e on vinyl LP. Thelonious Monk's \u003cem\u003eParis 1969\u003c\/em\u003e arrives as a vinyl 2xLP. On the Blue Note side, Art Blakey and the Jazz Messengers' \u003cem\u003eMoanin\u003c\/em\u003e (Blue Note Essentials) and Kenny Dorham's \u003cem\u003eWhistle Stop\u003c\/em\u003e (Blue Note Classic Vinyl Edition) sit alongside Donald Byrd's \u003cem\u003eCat Walk\u003c\/em\u003e (Blue Note Classic Vinyl Edition) on 180g vinyl. John Coltrane's \u003cem\u003eGiant Steps\u003c\/em\u003e is here on CD, as is the \u003cem\u003eBlue Note Plays Stevie Wonder\u003c\/em\u003e compilation and \u003cem\u003eBlue Note Plays Burt Bacharach\u003c\/em\u003e. The Big Band of Brothers' \u003cem\u003eJazz Celebration of the Allman Brothers Band\u003c\/em\u003e on CD connects the jazz world to the roots audience Relix has always written for, and the Stephane Grappelli and David Grisman \u003cem\u003eLive\u003c\/em\u003e CD makes the same crossing from a different direction.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered jazz as it intersects with the Grateful Dead, Phish, and the broader improvising tradition since 1974. That history shapes what lands in this store: we stock the records that come up in the conversations the magazine has been having for fifty years. The Relix Sessions series adds another dimension, offering live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label. When we carry a title, it is because it belongs in the collection, not because an algorithm put it there.\u003c\/p\u003e\u003cp\u003eEvery title here is new and sealed. Pre-order listings show a street date and ship when the label releases the record. Vinyl ships in protective packaging built for LPs.\u003c\/p\u003e\u003cp\u003eTo go deeper into specific corners of this catalog, browse \u003ca href=\"\/collections\/jazz-vinyl\"\u003eJazz Vinyl Records\u003c\/a\u003e for LP-only browsing, dig into \u003ca href=\"\/collections\/blue-note-records\"\u003eBlue Note Records, Vinyl, CDs and Reissues\u003c\/a\u003e for the full Blue Note run, or head to \u003ca href=\"\/collections\/cds\"\u003eCDs Straight from the Vault\u003c\/a\u003e for the disc format across all genres.\u003c\/p\u003e","products":[{"product_id":"bill-frisell-in-my-dreams-lp-vinyl","title":"Bill Frisell – In My Dreams (2-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn My Dreams is both familiar Bill Frisell and brand-new Bill Frisell. The renowned guitarist, who is quite successful at never determinedly repeating himself, has recorded before in a trio with bassist Thomas Morgan and drummer Rudy Royston, beginning with 2016's When You Wish Upon a Star, and he's also made music before with violinist Jenny Scheinman, violist Eyvind Kang and cellist Hank Roberts, going back two decades to the album Richter 858.\u003c\/p\u003e\u003cp\u003eThere have been occasions when the six have nearly coalesced--all but Morgan accompany Frisell on 2013's Big Sur--but not until now has he brought the two entities together in the studio. While that might seem to be obvious--creating a new sextet from favored players--the result is anything but that. Frisell and his collaborators go to places as an expanded unit that they haven't separately, and it's all quite exhilarating and magnificent.\u003c\/p\u003e\u003cp\u003eNot every track on the Lee Townsend-produced, Frisell-arranged set utilizes the entire crew--Frisell himself sits out the opening track, \"Trapped in the Sky,\" although he wrote it; the recording features only viola and violin. But from there, most of the music features the full ensemble, some recorded live, some in the studio--some written by Frisell, others not (like their excellent, ethereal take on \"Home on the Range\").\u003c\/p\u003e\u003cp\u003eAmong the live tracks, the original \"Again,\" which spotlights Royston, migrates from audacious to subtle, while Duke Ellington's \"Isfahan\" is sweet and airy, Frisell taking liberties with melody and form. \"Why?\" and \"Never Too Late,\" both originals, are studio highlights, the former playful and mesmerizing, the latter symphonic in its breadth. Hopefully, now that they've gone there, we'll be hearing more from this sextet.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Jeff Tamarkin, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/bill-frisell-in-my-dreams\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBill Frisell has spent decades quietly expanding what American music can hold, weaving country, jazz, folk, and classical into something that resists every easy label. Bringing together two of his most trusted ensembles on a single record, the guitarist opens new conversational space between Morgan and Royston's rhythmic intuition and the string depth of Scheinman, Kang, and Roberts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eRead Jeff Tamarkin's review of Bill Frisell's In My Dreams from February 27, 2026, on \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/bill-frisell-in-my-dreams\/\"\u003erelix.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn My Dreams is both familiar Bill Frisell and brand-new Bill Frisell. The renowned guitarist, who is quite successful at never determinedly repeating himself, has recorded before in a trio with bassist Thomas Morgan and drummer Rudy Royston, beginning with 2016's When You Wish Upon a Star, and he's also made music before with violinist Jenny Scheinman, violist Eyvind Kang and cellist Hank Roberts, going back two decades to the album Richter 858.\u003c\/p\u003e\n\u003cp\u003eThere have been occasions when the six have nearly coalesced — all but Morgan accompany Frisell on 2013's Big Sur — but not until now has he brought the two entities together in the studio. While that might seem to be obvious — creating a new sextet from favored players — the result is anything but that. Frisell and his collaborators go to places as an expanded unit that they haven't separately, and it's all quite exhilarating and magnificent.\u003c\/p\u003e\n\u003cp\u003eNot every track on the Lee Townsend-produced, Frisell-arranged set utilizes the entire crew. Frisell himself sits out the opening track, \"Trapped in the Sky,\" although he wrote it — the recording features only viola and violin. But from there, most of the music features the full ensemble, some recorded live, some in the studio, some written by Frisell, others not (like their excellent, ethereal take on \"Home on the Range\").\u003c\/p\u003e\n\u003cp\u003eAmong the live tracks, the original \"Again,\" which spotlights Royston, migrates from audacious to subtle, while Duke Ellington's \"Isfahan\" is sweet and airy, Frisell taking liberties with melody and form. \"Why?\" and \"Never Too Late,\" both originals, are studio highlights — the former playful and mesmerizing, the latter symphonic in its breadth. Hopefully, now that they've gone there, we'll be hearing more from this sextet.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Trapped In The Sky (2:07)\u003cbr\u003eA2. When We Go (7:52)\u003cbr\u003eA3. In My Dreams (5:12)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Isfahan (6:33)\u003cbr\u003eB2. Give Me A Home (2:53)\u003cbr\u003eB3. Why? (3:17)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Curtis (A Year And A Day) (7:24)\u003cbr\u003eC2. Hard Times (4:42)\u003cbr\u003eC3. Again (6:16)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Small Hands (6:19)\u003cbr\u003eD2. Never Too Late (4:06)\u003cbr\u003eD3. Home On The Range (5:37)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602488137676\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262781993115,"sku":"99049748","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bill-Frisell-In-My-Dreams-2-LP-Vinyl.png?v=1776110975"},{"product_id":"julian-lage-scenes-from-above-cd-1","title":"Julian Lage – Scenes From Above (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJulian Lage came up as a child prodigy in the San Francisco Bay Area scene before spending formative years alongside Gary Burton and later David Grisman, absorbing acoustic tradition from the inside. His Blue Note run has steadily expanded his vocabulary without losing the intimacy that made him essential, and bringing John Medeski into the fold opens a new tonal dimension rooted in the same exploratory spirit that has always connected jazz and the jamband world.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGuitar virtuoso Julian Lage returns with his fifth Blue Note release, Scenes From Above, the follow-up to the GRAMMY-nominated Speak To Me, which was once again produced by Joe Henry. The album features Lage in a new band with John Medeski on organ and piano, Jorge Roeder on bass, and Kenny Wollesen on drums for a set of striking new original compositions. CD Softpak.\u003c\/p\u003e \u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Opal (4:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Red Elm (4:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Talking Drum (5:06)\u003c\/div\u003e\n\u003cdiv\u003e4. Havens (4:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Night Shade (7:24)\u003c\/div\u003e\n\u003cdiv\u003e6. Solid Air (3:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Ocala (4:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Storyville (4:23)\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e9. Something More (4:02)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478932007\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Opal (4:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Red Elm (4:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Talking Drum (5:06)\u003c\/div\u003e\n\u003cdiv\u003e4. Havens (4:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Night Shade (7:24)\u003c\/div\u003e\n\u003cdiv\u003e6. Solid Air (3:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Ocala (4:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Storyville (4:23)\u003c\/div\u003e\n\u003cdiv\u003e9. Something More (4:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262784352411,"sku":"58705670","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8975158345883-cd-relix.png?v=1776972837"},{"product_id":"david-grisman-dawg-90-deluxe-rsd-record-store-day-rsd-black-friday-2024-lp-vinyl","title":"David Grisman – Dawg '90 (4-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDawg '90 arrived at a pivotal moment, when Grisman had fully committed to building an independent infrastructure for his idiosyncratic acoustic vision, the Acoustic Disc label becoming a home for the string-based, jazz-inflected sound he'd been developing since the 1970s. The quintet format here gave him room to stretch the \"Dawg Music\" concept he'd pioneered, drawing on Django Reinhardt's Hot Club tradition while remaining entirely his own.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDawg ’90 is the debut release on David’s Grisman’s acclaimed Acoustic Disc label, originally released in 1990 on cassette and CD formats. The album is a collection of original tunes featuring the David Grisman Quintet and special guests Mark O'Connor and Matt Glaser on fiddle. It was nominated for a Grammy in the Country Instrumental category, Grisman's first-ever nomination for his own music. \u003cbr\u003eThirty four years later, the album is finally receiving its first-ever vinyl pressing with a deluxe 2xLP release, exclusively for RSD Black Friday 2024.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\u003ch4\u003eSide A\u003c\/h4\u003e\u003cdiv\u003e1. Pupville (3:10)\u003c\/div\u003e\u003cdiv\u003e2. Chili Dawg (5:37)\u003c\/div\u003e\u003cdiv\u003e3. Mad Max (3:28)\u003c\/div\u003e\u003cdiv\u003e4. O’Banion’s Wake (4:39)\u003c\/div\u003e\u003cdiv\u003e5. Dawg Daze (4:57)\u003c\/div\u003e\u003ch4\u003eSide B\u003c\/h4\u003e\u003cdiv\u003e1. Lil’ Samba (6:28)\u003c\/div\u003e\u003cdiv\u003e2. Learned Pigs (3:42)\u003c\/div\u003e\u003cdiv\u003e3. Gypsy Nights (5:58)\u003c\/div\u003e\u003cdiv\u003e4. Hot Club Swing (4:26)\u003c\/div\u003e\u003ch4\u003eSide C\u003c\/h4\u003e\u003cdiv\u003e1. Sativa (12:34)\u003c\/div\u003e\u003cdiv\u003e2. Telluride (3:25)\u003c\/div\u003e\u003cdiv\u003e3. Blue Midnight (6:43)\u003c\/div\u003e\u003ch4\u003eSide D\u003c\/h4\u003e\u003cdiv\u003e1. Opus 38 (9:28)\u003c\/div\u003e\u003cdiv\u003e2. EMD (8:34)\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 711574948819\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Org Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.29.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271176401051,"sku":"109953","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978167627931-3xlp-relix.png?v=1776118836"},{"product_id":"preservation-hall-jazz-band-thats-it-cd","title":"Preservation Hall Jazz Band – That's It (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRooted in a French Quarter institution that has been drawing pilgrims since 1961, the Preservation Hall Jazz Band has always understood that tradition isn't a museum piece. Their Sub Pop signing raised eyebrows in some quarters, but the pairing made a certain kind of sense: both have long championed artists who defy easy categorization while remaining fiercely committed to their communities.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eAt a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band’s That’s It! (2013) is an eclectic album that draws on the collective experience of players nurtured in the New Orleans tradition but determined to build something fresh and exciting on that foundation. It marks an important milestone in PHJB Creative Director Ben Jaffe’s crusade to carry forward the Hall’s original mission while making it relevant to today’s audiences.” For his part, co-producer Jim James (My Morning Jacket) is convinced that the PHJB has a future as vibrant as its past: “The music will speak forever,” he says. “Will people stop listening to Beethoven? Will people stop listening to Bob Dylan? Will people stop listening to the Preservation Hall Jazz Band?” That's It! is now back in print on vinyl and CD via Sub Pop, which signed Preservation Hall Jazz Band in 2018, and will soon be releasing new music by the band.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. That's It! (3:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Dear Lord (Give Me The Strength) (4:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Come With Me (2:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Sugar Plum (4:29)\u003c\/div\u003e\n\u003cdiv\u003e5. Rattlin' Bones (3:17)\u003c\/div\u003e\n\u003cdiv\u003e6. I Think I Love You (3:21)\u003c\/div\u003e\n\u003cdiv\u003e7. August Nights (4:24)\u003c\/div\u003e\n\u003cdiv\u003e8. Halfway Right, Halfway Wrong (4:19)\u003c\/div\u003e\n\u003cdiv\u003e9. Yellow Moon (2:38)\u003c\/div\u003e\n\u003cdiv\u003e10. The Darker It Gets (3:02)\u003c\/div\u003e\n\u003cdiv\u003e11. Emmalena's Lullaby (1:46)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787126426\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.28.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271193702555,"sku":"486516","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Preservation-Hall-Jazz-Band-Thats-It-CD.png?v=1776112523"},{"product_id":"charlie-gabriel-eighty-nine-cd","title":"Charlie Gabriel – Eighty Nine (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded when Gabriel was 89 years old, this release marks a remarkable chapter for a New Orleans jazz institution whose roots stretch back to the city's mid-century club scene. That Sub Pop, a label built on Pacific Northwest rock, chose to release it speaks to how far Gabriel's story transcends genre boundaries and why the Preservation Hall tradition continues to find new audiences decades after the Hall first opened its doors on St. Peter Street.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eI've been playing since I was 11 years old,\" says Charlie Gabriel, the most senior member of the legendary Preservation Hall Band, \"I never did anything in my life but play music. I've been blessed with that gift that God gave me, and I've tried to nurse it the best way I knew how.\" While he's faced plenty of challenges nursing that gift for more than 78 years, none likely rank with last winter's passing of his brother and last living sibling, Leonard, lost to COVID-19. For the first time ever, Gabriel put down his horn, filling his days and weeks instead with dark reflection, a stubborn despondency broken now and then by regular chess matches in the studio kitchen of Hall leader Ben Jaffe, working overtime to bring his friend some light. One such afternoon also included Joshua Starkman, sitting off in a corner playing his guitar and half-watching the chess from a distance. When Charlie returned the next day, he brought his saxophone. \"I was just inspired to try it, to play again. It had been a long time, and a guitar makes me feel free. I do love the sound of a piano, but it takes up a lot of a space, keeps me kind of boxed in.\" That day was to be the first session for Eighty Nine, almost entirely the work of Gabriel, Jaffe and Starkman, recorded mostly right there, in the kitchen, by Matt Aguiluz. Charlie Gabriel's first professional gig dates to 1943, sitting in for his father in New Orleans' Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band then included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer J.C. Heard. While he's also fronted a bebop quintet, played and\/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader. Since 2006, Gabriel has been a member of the Preservation Hall Jazz Band, featuring prominently on That's It, So It Is, and Tuba to Cuba. Eighty Nine was different, and not simply due to a smaller ensemble. \"We had no particular plan, or any particular insight on what we were gonna do. But we were enjoying what we were doing, jamming, having a musical conversation,\" Charlie says, further musing, \"Musical conversations cancel out complications.\" Eighty Nine includes six standards and three newer pieces on which Gabriel is a writer: \"Yellow Moon,\" \"The Darker It Gets\" and \"I Get Jealous.\" The record also marks Charlie's return to his first instrument, clarinet, on many of the tracks. \"The clarinet is the mother of the saxophone,\" he says. \"I started playing clarinet early in life, and this [taught me] the saxophone.\" Finally, Eighty Nine includes three tracks of Charlie singing. \"I always sung, but it wasn't my forte to become a singer,\" he says. \"The truth is, people often develop a real relationship with a song once they hear the words. Sometimes I enjoy singing them.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Memories Of You (5:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Chelsea Bridge (3:02)\u003c\/div\u003e\n\u003cdiv\u003e3. I'm Confessin' (6:12)\u003c\/div\u003e\n\u003cdiv\u003e4. The Darker It Gets (4:12)\u003c\/div\u003e\n\u003cdiv\u003e5. Stardust (5:09)\u003c\/div\u003e\n\u003cdiv\u003e6. Three Little Words (3:19)\u003c\/div\u003e\n\u003cdiv\u003e7. Yellow Moon (3:48)\u003c\/div\u003e\n\u003cdiv\u003e8. I Get Jealous (5:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787149029\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.1.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271204384923,"sku":"397062","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978174312603-cd-relix.png?v=1776304962"},{"product_id":"preservation-hall-jazz-band-marching-down-bourbon-street-cd","title":"Preservation Hall Jazz Band – Marching Down Bourbon Street (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRooted in the French Quarter institution that has kept New Orleans traditional jazz alive since 1961, Preservation Hall Jazz Band carries a lineage that connects directly to the city's earliest jazz masters. This collection captures the rolling, communal spirit of a second line moving through the streets, the kind of music that exists at the intersection of celebration and history, where every note feels both ancient and urgently alive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Just A Closer Walk With Thee (5:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Mood Indigo (5:02)\u003c\/div\u003e\n\u003cdiv\u003e3. St. Louis Blues (5:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Hindustan (5:51)\u003c\/div\u003e\n\u003cdiv\u003e5. Bill Bailey (Won't You Please Come Home) (3:59)\u003c\/div\u003e\n\u003cdiv\u003e6. St. James Infirmary (5:39)\u003c\/div\u003e\n\u003cdiv\u003e7. The Bucket's Got A Hole In It (5:06)\u003c\/div\u003e\n\u003cdiv\u003e8. I Shall Not Be Moved (3:04)\u003c\/div\u003e\n\u003cdiv\u003e9. When The Saints Go Marchin' In (8:08)\u003c\/div\u003e\n\u003cdiv\u003e10. Amen (3:21)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 079892841923\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Special Product\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.1.01\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271223783579,"sku":"456449","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Preservation-Hall-Jazz-Band-Marching-Down-Bourbon-Street-CD.png?v=1776113054"},{"product_id":"charlie-gabriel-eighty-nine-limited-edition-translucent-gold-lp-vinyl","title":"Charlie Gabriel – Eighty Nine (Translucent Gold LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded when Gabriel was 89 years old, this debut solo album arrived nearly eight decades into a life spent inside New Orleans jazz, a tradition he's carried as a cornerstone of the Preservation Hall Band. The city's musical lineage runs deep in him, and hearing it surface this intimately, on clarinet and saxophone, with Sub Pop of all labels giving it a home, is one of those genuinely unlikely and quietly beautiful things that the music world occasionally gets right.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eI've been playing since I was 11 years old,\" says Charlie Gabriel, the most senior member of the legendary Preservation Hall Band, \"I never did anything in my life but play music. I've been blessed with that gift that God gave me, and I've tried to nurse it the best way I knew how.\" While he's faced plenty of challenges nursing that gift for more than 78 years, none likely rank with last winter's passing of his brother and last living sibling, Leonard, lost to COVID-19. For the first time ever, Gabriel put down his horn, filling his days and weeks instead with dark reflection, a stubborn despondency broken now and then by regular chess matches in the studio kitchen of Hall leader Ben Jaffe, working overtime to bring his friend some light. One such afternoon also included Joshua Starkman, sitting off in a corner playing his guitar and half-watching the chess from a distance. When Charlie returned the next day, he brought his saxophone. \"I was just inspired to try it, to play again. It had been a long time, and a guitar makes me feel free. I do love the sound of a piano, but it takes up a lot of a space, keeps me kind of boxed in.\" That day was to be the first session for Eighty Nine, almost entirely the work of Gabriel, Jaffe and Starkman, recorded mostly right there, in the kitchen, by Matt Aguiluz. Charlie Gabriel's first professional gig dates to 1943, sitting in for his father in New Orleans' Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band then included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer J.C. Heard. While he's also fronted a bebop quintet, played and\/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader. Since 2006, Gabriel has been a member of the Preservation Hall Jazz Band, featuring prominently on That's It, So It Is, and Tuba to Cuba. Eighty Nine was different, and not simply due to a smaller ensemble. \"We had no particular plan, or any particular insight on what we were gonna do. But we were enjoying what we were doing, jamming, having a musical conversation,\" Charlie says, further musing, \"Musical conversations cancel out complications.\" Eighty Nine includes six standards and three newer pieces on which Gabriel is a writer: \"Yellow Moon,\" \"The Darker It Gets\" and \"I Get Jealous.\" The record also marks Charlie's return to his first instrument, clarinet, on many of the tracks. \"The clarinet is the mother of the saxophone,\" he says. \"I started playing clarinet early in life, and this [taught me] the saxophone.\" Finally, Eighty Nine includes three tracks of Charlie singing. \"I always sung, but it wasn't my forte to become a singer,\" he says. \"The truth is, people often develop a real relationship with a song once they hear the words. Sometimes I enjoy singing them.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eMemories of You\u003c\/li\u003e\n\u003cli\u003eChelsea Bridge\u003c\/li\u003e\n\u003cli\u003eI'm Confessin'\u003c\/li\u003e\n\u003cli\u003eThe Darker It Gets\u003c\/li\u003e\n\u003cli\u003eStardust\u003c\/li\u003e\n\u003cli\u003eThree Little Words\u003c\/li\u003e\n\u003cli\u003eYellow Moon\u003c\/li\u003e\n\u003cli\u003eI Get Jealous\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787149005\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.29.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271231451291,"sku":"363816","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978180571291-lp-relix.png?v=1776193984"},{"product_id":"preservation-hall-jazz-band-so-it-is-cd","title":"Preservation Hall Jazz Band – So It Is (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRooted in a French Quarter institution that has been welcoming musicians and listeners through its doors since 1961, the Preservation Hall Jazz Band has never been a museum piece. So It Is, recorded with producer Jim James of My Morning Jacket, finds the band reaching outward without losing the second-line soul that defines them, a testament to New Orleans music as a living, breathing conversation rather than a relic.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eAt a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. So It Is (2017) finds the classic Preservation Hall Jazz Band sound invigorated by a number of fresh influences, not least among them the band’s 2015 life-changing trip to Cuba. A visit to the island, so integral to the evolution of jazz and New Orleans culture in general, had long been in the works when President Obama’s diplomatic opening suddenly allowed for a more extensive journey than had originally seemed possible. Producer David Sitek, a founder of art rock innovators TV on the Radio who has helmed projects by Kelis, the Yeah Yeah Yeahs and Santigold among others, offered both a keen modern perspective and a profound respect for the band’s storied history. So It Is is now back in print on vinyl and CD via Sub Pop, which signed Preservation Hall Jazz Band in 2018, and will soon be releasing new music by the band.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. So It Is (3:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Santiago (4:01)\u003c\/div\u003e\n\u003cdiv\u003e3. Innocence (5:28)\u003c\/div\u003e\n\u003cdiv\u003e4. La Malanga (5:31)\u003c\/div\u003e\n\u003cdiv\u003e5. Convergence (5:42)\u003c\/div\u003e\n\u003cdiv\u003e6. One Hundred Fires (6:26)\u003c\/div\u003e\n\u003cdiv\u003e7. Mad (3:19)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787126327\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.28.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271241445531,"sku":"373622","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Preservation-Hall-Jazz-Band-So-It-Is-CD.png?v=1776113963"},{"product_id":"big-band-of-brothers-jazz-celebration-of-the-allman-brothers-band-cd","title":"Big Band of Brothers – Jazz Celebration Of The Allman Brothers Band (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Allman Brothers Band always had jazz in their blood, from Duane's lyrical phrasing to the band's extended improvisational language that owed as much to Miles and Coltrane as it did to the blues. This project finds that lineage honored on its own terms, translating the muscle of \"Whipping Post\" and the sweep of \"Jessica\" into the vocabulary of horns, swing, and collective improvisation where those ideas were always pointing anyway.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn honor of the 50th Anniversary of the Allman Brothers' debut album, New West Records is proud to present Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band. This record is a true collection of big band jazz interpretations of Allman Brothers classics. The record features guest vocals by Marc Broussard and Ruthie Foster. Big Band of Brothers also features Jack Pearson on guitar, who has performed as a guest of the Allman Brothers Band on numerous occasions and joined the band as a member in 1997. \u003c\/p\u003e\u003cp\u003eTogether with Dickey Betts, he completed the band's archetypal guitar duo for nearly 3 years. Wycliffe Gordon (of Jazz at Lincoln Center fame) is also featured as a soloist. Gordon is consistently ranked among the leading trombone players in the Downbeat critics poll.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Statesboro Blues (5:14)\u003cbr\u003e\n2. Don't Want You No More (3:48)\u003cbr\u003e\n3. It's Not My Cross To Bear (7:52)\u003cbr\u003e\n4. Hot 'Lanta (5:15)\u003cbr\u003e\n5. Whipping Post (5:11)\u003cbr\u003e\n6. Stand Back (5:35)\u003cbr\u003e\n7. Dreams (6:39)\u003cbr\u003e\n8. In Memory Of Elizabeth Reed (7:11)\u003cbr\u003e\n9. Don't Keep Me Wonderin' (4:08)\u003cbr\u003e\n10. Les Brers In A Minor (12:03)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396647422\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.22.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271242756251,"sku":"680068","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Big-Band-of-Brothers-Jazz-Celebration-Of-The-Allman-Brothers-Band-CD.png?v=1776114118"},{"product_id":"stephane-grappelli-david-grisman-live-cd","title":"Stephane Grappelli \u0026 David Grisman – Live (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGrappelli carried the living thread of Django Reinhardt's Hot Club tradition well into the acoustic revival era, and his 1981 pairing with Grisman brought that Parisian swing into direct conversation with the newgrass movement Grisman had helped build. The combination was less a compromise between two worlds than proof that both had always been speaking the same language.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCD reissue of this 1981 album from Stephane Grappelli, the legendary jazz violinist, and David Grisman, the highly respected Jazz-Bluegrass mandolin player. Together, they made a unique album, a blend of Bluegrass and Jazz, and one of few albums of it's kind to make the Billboard charts. Wounded Bird. 2010.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Shine (5:18)\u003c\/div\u003e\n\u003cdiv\u003e2. Pent-Up House (4:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Misty (6:18)\u003c\/div\u003e\n\u003cdiv\u003e4. Sweet Georgia Brown (5:12)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Tiger Rag (4:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Satin Doll (7:36)\u003c\/div\u003e\n\u003cdiv\u003e3. Swing '42 (4:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 664140355026\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Wounded Bird Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.15.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455500431515,"sku":"3675","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-stephane-grappelli-david-grisman-live-cd-relix.jpg?v=1777566332"},{"product_id":"mulgrew-miller-wingspan-the-sequel-cd","title":"Mulgrew Miller \u0026 Wingspan – The Sequel (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMulgrew Miller spent decades as a first-call sideman, contributing to landmark sessions with Woody Shaw, Tony Williams, and Art Blaeker's Jazz Messengers before stepping fully into his own voice as a bandleader. Wingspan gave him the canvas to do exactly that, and this follow-up to the group's debut finds Miller's compositional confidence fully realized, balancing the harmonic sophistication of the post-bop tradition with an ensemble warmth that reflects years of deep musical conversation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHaving played with some of the greatest names in jazz including, the Ellinton Orchestra, David Sanborn, Freddie Hubbard, Cassandra Wilson and others, Mulgrew Miller has made a name for himself. His greatest accomplishment though was forming Wingspan 15 years, a collective group of stunning musicians!! the Sequel is comprised primarily of original Melgrew Miller compositions and is a must for fans of piano jazz!\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Go East Young Man (7:47)\u003c\/div\u003e\n\u003cdiv\u003e2. The Sequel (8:11)\u003c\/div\u003e\n\u003cdiv\u003e3. Elation (5:29)\u003c\/div\u003e\n\u003cdiv\u003e4. Holding Hands (6:37)\u003c\/div\u003e\n\u003cdiv\u003e5. Know Wonder (9:41)\u003c\/div\u003e\n\u003cdiv\u003e6. Dreamsville (6:48)\u003c\/div\u003e\n\u003cdiv\u003e7. Spectrum (2:40)\u003c\/div\u003e\n\u003cdiv\u003e8. It Never Entered My Mind (6:41)\u003c\/div\u003e\n\u003cdiv\u003e9. Just A Notion (7:50)\u003c\/div\u003e\n\u003cdiv\u003e10. Samba D' Blue (5:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 610614020426\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Max Jazz Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.17.02\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455549616283,"sku":"490840","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-mulgrew-miller-wingspan-the-sequel-cd-relix.jpg?v=1777585807"},{"product_id":"john-coltrane-blue-train-the-complete-masters-blue-note-tone-poet-series-stereo-lp-vinyl","title":"John Coltrane – Blue Train: The Complete Masters (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just months after Coltrane completed his landmark stint with Miles Davis on \"Round About Midnight,\" Blue Train captures him at a pivotal moment, stepping fully into his own voice with a hard bop intensity that pointed directly toward the modal explorations ahead. The Tone Poet series, produced by Joe Harley and pressed at RTI, is widely regarded among audiophiles as the gold standard for Blue Note reissues, and this stereo edition's inclusion of alternate takes reveals the deliberate craft behind what sounds like pure fire.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn September 15, 1957, John Coltrane went into Rudy Van Gelder's living room studio in Hackensack, New Jersey and recorded his first great masterpiece: Blue Train. It would be the legendary saxophonist's sole album as a leader for Blue Note, a locomotive five-track album fueled by the bluesy title track that featured a dynamic six-piece band with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. To mark the 65th anniversary of the album's recording, Blue Train will be released in two special editions as part of Blue Note's acclaimed Tone Poet Audiophile Vinyl Reissue Series: a 1-LP mono pressing of the original album and a 2-LP stereo pressing of Blue Train: The Complete Masters which includes a second disc of alternate and incomplete takes, four of which have never been released before, and none of which have been available previously on vinyl. The 2-LP set comes with a bound booklet featuring session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn.\u003c\/p\u003e\r\n\u003cp\u003eBoth Tone Poet Vinyl Editions were produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in deluxe gatefold tip-on jackets.\u003c\/p\u003e\r\n\u003ch3\u003eFEATURES:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e180g Vinyl\u003c\/li\u003e\r\n\u003cli\u003eDouble LP\u003c\/li\u003e\r\n\u003cli\u003eStereo\u003c\/li\u003e\r\n\u003cli\u003eSecond LP of Alternate \u0026amp; Incomplete Takes - First Time on Vinyl\u003c\/li\u003e\r\n\u003cli\u003eFour Previously Unreleased Tracks\u003c\/li\u003e\r\n\u003cli\u003eBound Booklet - Session Photos by Francis Wolff \u0026amp; Essay by Coltrane Expert Ashley Kahn\u003c\/li\u003e\r\n\u003cli\u003eTone Poet Audiophile Vinyl Reissue Series\u003c\/li\u003e\r\n\u003cli\u003eMastered by Kevin Gray at Cohearent Audio\u003c\/li\u003e\r\n\u003cli\u003eMastered from Original Analog Master Tapes\u003c\/li\u003e\r\n\u003cli\u003eProduced by Joe Harley\u003c\/li\u003e\r\n\u003cli\u003ePressed at RTI\u003c\/li\u003e\r\n\u003cli\u003eDeluxe Gatefold Tip-On Jacket\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eDEETS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTone Poet Audiophile Vinyl Reissue Series.\u003c\/li\u003e\r\n\u003cli\u003eMastered by Kevin Gray at Cohearent Audio.\u003c\/li\u003e\r\n\u003cli\u003eMastered Directly from the Original Analog Master Tapes!\u003c\/li\u003e\r\n\u003cli\u003ePressed At RTI.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eMUSICIANS:\u003c\/h3\u003e\r\n\u003cp\u003ePaul Chambers\u003c\/p\u003e\r\n\u003cp\u003ePhilly Joe Jones\u003c\/p\u003e\r\n\u003cp\u003eKenny Drew\u003c\/p\u003e\r\n\u003cp\u003eJohn Coltrane\u003c\/p\u003e\r\n\u003cp\u003eCurtis Fuller\u003c\/p\u003e\r\n\u003cp\u003eLee Morgan  \u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlso Available: \u003c\/span\u003e\u003ca href=\"\/UPC\/602445481057\" title=\"John Coltrane - Blue Train (Blue Note Tone Poet Series) [Mono LP]\"\u003eMono LP\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"\/UPC\/602448062031\" title=\"John Coltrane - Blue Train: The Complete Masters (Blue Note Tone Poet Series) [2CD]\"\u003e2CD\u003c\/a\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train\u003c\/div\u003e\n\u003cdiv\u003e2. Moment's Notice\u003c\/div\u003e\n\u003cdiv\u003e3. Introduction\u003c\/div\u003e\n\u003cdiv\u003e4. Slim's Return\u003c\/div\u003e\n\u003cdiv\u003e5. Distant Land\u003c\/div\u003e\n\u003cdiv\u003e6. Mystic Bounce\u003c\/div\u003e\n\u003cdiv\u003e7. Good Morning\u003c\/div\u003e\n\u003cdiv\u003e8. Say Goodbye\u003c\/div\u003e\n\u003cdiv\u003e9. Little Broken Hearts\u003c\/div\u003e\n\u003cdiv\u003e10. She's 22\u003c\/div\u003e\n\u003cdiv\u003e11. Take It Back\u003c\/div\u003e\n\u003cdiv\u003e12. After the Fall\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Locomotion\u003c\/div\u003e\n\u003cdiv\u003e2. I'm Old Fashioned\u003c\/div\u003e\n\u003cdiv\u003e3. Lazy Bird\u003c\/div\u003e\n\u003cdiv\u003e4. Stormy\u003c\/div\u003e\n\u003cdiv\u003e5. Blue Note Interlude\u003c\/div\u003e\n\u003cdiv\u003e6. Please Set Me at Ease\u003c\/div\u003e\n\u003cdiv\u003e7. Funky Blue Note\u003c\/div\u003e\n\u003cdiv\u003e8. Alfred Lion Interlude\u003c\/div\u003e\n\u003cdiv\u003e9. 4 Broken Hearts\u003c\/div\u003e\n\u003cdiv\u003e10. Travelin' On\u003c\/div\u003e\n\u003cdiv\u003e11. Out on the Road\u003c\/div\u003e\n\u003cdiv\u003e12. Happy Pills\u003c\/div\u003e\n\u003cdiv\u003e13. Miriam\u003c\/div\u003e\n\u003cdiv\u003e14. All A Dream\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train (False Start)\u003c\/div\u003e\n\u003cdiv\u003e2. Blue Train (Alternate Take 7)\u003c\/div\u003e\n\u003cdiv\u003e3. Moment's Notice (Alternate Take 4)\u003c\/div\u003e\n\u003cdiv\u003e4. Lazy Bird (Alternate Take 1)\u003c\/div\u003e\n\u003cdiv\u003e5. Stepping Into Tomorrow\u003c\/div\u003e\n\u003cdiv\u003e6. Andrew Hill Break\u003c\/div\u003e\n\u003cdiv\u003e7. Montara\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train (Alternate Take 8)\u003c\/div\u003e\n\u003cdiv\u003e2. Moment's Notice (Alternate Take 5A Incomplete)\u003c\/div\u003e\n\u003cdiv\u003e3. Lazy Bird (Alternate Take 2)\u003c\/div\u003e\n\u003cdiv\u003e4. Song For My Father\u003c\/div\u003e\n\u003cdiv\u003e5. Footprints\u003c\/div\u003e\n\u003cdiv\u003e6. Peace \/ Dolphin Dance\u003c\/div\u003e\n\u003cdiv\u003e7. Outro\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602445481071\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.16.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600397480091,"sku":"88801","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-blue-train-the-complete-masters-blue-note-tone-poet-series-s-vinyl-lp-relix.jpg?v=1779384699"},{"product_id":"john-coltrane-giant-steps-lp-vinyl","title":"John Coltrane – Giant Steps (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1960, this is the record where Coltrane introduced the harmonic innovation that now bears his name. \"Coltrane changes\" , the rapid chord substitutions moving in major thirds , rewired how musicians think about tonal movement, and nearly every serious jazz player since has had to reckon with them.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA game-changer in jazz and an RIAA-certified Gold classic, Giant Steps marks John Coltrane's legendary Atlantic Records debut, featuring some of his most iconic compositions-including the groundbreaking title track \"Giant Steps\" and the soulful \"Naima.\" Now pressed locally on 180-gram premium-quality vinyl at Fidelity Record Pressing's new plant in Oxnard, California, as part of Rhino's exclusive Rhino Reserve line.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Giant Steps (4:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Cousin Mary (5:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Countdown (2:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Spiral (5:56)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Syeeda's Song Flute (7:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Naima (4:21)\u003c\/div\u003e\n\u003cdiv\u003e3. Mr. P. C. (6:57)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497812608\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.29.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600398659739,"sku":"697","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-giant-steps-vinyl-lp-relix_35f651d7-2c5b-4a92-aaee-57c7d022abc7.jpg?v=1779382537"},{"product_id":"miles-davis-decoy-lp-vinyl","title":"Miles Davis – Decoy (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDecoy arrived at a pivotal moment in Miles Davis's late-career reinvention, recorded just three years after his 1981 comeback from a six-year self-imposed retirement. By 1984, Miles was fully committed to the electric, funk-inflected sound he'd been building since the Bitches Brew era, and this session captures a band that was genuinely road-tested, tight, and pushing forward. Darryl Jones would go on to join the Rolling Stones the following year.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis record is self produced by Miles himself! Without long time production collaborator Teo Macero, Miles chases new directions with this 1984 recording. Miles allowed keyboardist Robert Irving and guitar legend John Sco eld to write most of the material on the LP.\u003c\/p\u003e\u003cp\u003eThe record is dripping with some of the new sounds of synths which makes this a very unique entry in the Miles catalog.\u003c\/p\u003e\u003cp\u003eDecoy features John Sco eld on guitar, Robert Irving on synths and programming, Darryl Jones on bass, Al Foster on drums, Mino Cinelu on percussion, Bill Evans on sax, and guest appearances from Branford Marsalis.\u003c\/p\u003e\u003ch3\u003eRemastered From The Original Analog Tapes\u003c\/h3\u003e\u003ch3\u003ePRESSED ON CRYSTAL CLEAR VINYL HOUSED IN A GATEFOLD JACKET WITH JAPANESE STYLIZED INSERT AND DELUXE OBI STRIP\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Decoy (8:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Robot 415 (1:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Code M.D. (5:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Freaky Deaky (4:33)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. What It Is (4:32)\u003c\/div\u003e\n\u003cdiv\u003e2. That's Right (11:11)\u003c\/div\u003e\n\u003cdiv\u003e3. That's What Happened (3:34)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 664425147216\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Get On Down\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.26.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600400363675,"sku":"34944","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-decoy-vinyl-lp-relix.jpg?v=1779279399"},{"product_id":"charlie-parker-in-sweden-1950-cd","title":"Charlie Parker – In Sweden 1950 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCaptured during Bird's only Scandinavian tour, these recordings document Parker at a pivotal moment in bebop's global spread, bringing his revolutionary alto saxophone voice to audiences far outside New York's 52nd Street circuit. Sweden's jazz scene was already sophisticated by 1950, and the enthusiasm Parker found there reflected how quickly his innovations had traveled across the Atlantic.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Anthropology (6:04)\u003c\/div\u003e\n\u003cdiv\u003e2. Cheers (6:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Lover Man (1:53)\u003c\/div\u003e\n\u003cdiv\u003e4. Cool Blues (4:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Anthropology (5:49)\u003c\/div\u003e\n\u003cdiv\u003e6. Scrapple For The Apple (6:32)\u003c\/div\u003e\n\u003cdiv\u003e7. Embraceable You (2:09)\u003c\/div\u003e\n\u003cdiv\u003e8. Star Eyes (2:41)\u003c\/div\u003e\n\u003cdiv\u003e9. Cool Blues (5:23)\u003c\/div\u003e\n\u003cdiv\u003e10. All The Things You are (5:04)\u003c\/div\u003e\n\u003cdiv\u003e11. Strike Up The Band (4:41)\u003c\/div\u003e\n\u003cdiv\u003e12. How High The Moon (3:40)\u003c\/div\u003e\n\u003cdiv\u003e13. Body and Soul (11:48)\u003c\/div\u003e\n\u003cdiv\u003e14. Fine And Dandy (5:44)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 717101835522\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Storyville Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.6.03\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600401019035,"sku":"35645","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-charlie-parker-in-sweden-1950-cd-relix.jpg?v=1779360348"},{"product_id":"miles-davis-kind-of-blue-remastered-bonus-track-cd","title":"Miles Davis – Kind Of Blue (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe session that became Kind of Blue took place over just two days in March and April of 1959, with Davis presenting his musicians, including John Coltrane, Bill Evans, and Cannonball Adderley, with minimal sketches rather than composed parts. The result redefined what improvisation could be, pulling jazz away from bebop complexity toward modal exploration that still feels open and inevitable sixty-plus years on.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA new Kind of Blue with the GREATEST SOUND EVER! Cited frequently as the greatest, most influential and possibly largest-selling jazz album of all time, this definitive reissue showcases classic tracks remixed from the original 3-track masters (in fact, the first 3 songs are now in their correct pitch). Highlights include bonus track (a rare alternate of \"Flamenco Sketches\"), new liner notes (in addition to the original notes by Bill Evans) and previously unseen photos.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. So What (9:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Freddie Freeloader (9:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Blue In Green (5:37)\u003c\/div\u003e\n\u003cdiv\u003e4. All Blues (11:33)\u003c\/div\u003e\n\u003cdiv\u003e5. Flamenco Sketches (9:26)\u003c\/div\u003e\n\u003ch4\u003eBonus Track\u003c\/h4\u003e\n\u003cdiv\u003e1. Flamenco Sketches (Alternate Take) (9:32)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 074646493526\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.25.97\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600402722971,"sku":"64311","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-kind-of-blue-remastered-bonus-track-cd-cd-relix.jpg?v=1779279045"},{"product_id":"miles-davis-on-the-corner-cd","title":"Miles Davis – On the Corner (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWhen *On the Corner* dropped in 1972, the jazz establishment largely rejected it, while funk and hip-hop communities hadn't yet caught up to what Miles was doing. Decades later, its dense, rhythm-driven grooves, drawing on Sly Stone, James Brown, and Stockhausen simultaneously, sound less like jazz fusion and more like the blueprint for entire genres that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. On The Corner \/ New York Girl \/ Thinkin' Of One Thing And Doin' Another \/ Vote For Miles (19:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Black Satin (5:15)\u003c\/div\u003e\n\u003cdiv\u003e3. One And One (6:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Helen Butte \/ Mr. Freedom X (23:18)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886919847529\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sbme Special Mkts.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.1.00\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600403050651,"sku":"27792","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-on-the-corner-cd-relix.jpg?v=1779278168"},{"product_id":"miles-davis-amandla-cd","title":"Miles Davis – Amandla (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during the final chapter of Miles Davis's restless evolution, Amandla arrived in 1989 as he was deep into his fusion period, collaborating closely with guitarist Marcus Miller, who wrote and produced nearly the entire album. The title itself means \"power\" in Zulu and Xhosa, and the record carries that political charge alongside its sleek, layered sound. For fans who followed Miles through every reinvention, this one rewards patience.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eTracklist\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cdiv\u003e1. Catembe (5:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Cobra (5:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Big Time (5:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Hannibal (5:49)\u003c\/div\u003e\n\u003cdiv\u003e5. Jo-Jo (4:51)\u003c\/div\u003e\n\u003cdiv\u003e6. Amandla (5:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Jilli (5:05)\u003c\/div\u003e\n\u003cdiv\u003e8. Mr. Pastorius (5:41)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075992587327\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.18.89\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600403083419,"sku":"98858","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-amandla-cd-relix.jpg?v=1779281594"},{"product_id":"miles-davis-sextet-someday-my-prince-will-come-cd","title":"Miles Davis Sextet – Someday My Prince Will Come (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1961, this session caught Miles in a restless transitional moment, already pushing past the modal breakthroughs of *Kind of Blue* and probing something harder to name. The rhythm section anchors deep while John Coltrane and Hank Mobley trade tenor duties across different tracks, a subtle tension that gives the record its unusual texture.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Someday My Prince Will Come (9:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Old Folks (5:14)\u003c\/div\u003e\n\u003cdiv\u003e3. Pfrancing (8:30)\u003c\/div\u003e\n\u003cdiv\u003e4. Drad Dog (4:49)\u003c\/div\u003e\n\u003cdiv\u003e5. Teo (9:33)\u003c\/div\u003e\n\u003cdiv\u003e6. I Thought About You (4:52)\u003c\/div\u003e\n\u003ch4\u003eBonus Tracks Not On Original LP\u003c\/h4\u003e\n\u003cdiv\u003e1. Blues No. 2 (7:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Someday My Prince Will Come (Alternate Take) (5:34)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886972670027\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sbme Special Mkts.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.29.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600404197531,"sku":"64712","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-sextet-someday-my-prince-will-come-cd-relix.jpg?v=1779197535"},{"product_id":"charlie-parker-radio-bird-mod-cd","title":"Charlie Parker – Radio Bird (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCharlie Parker's archival releases remain essential documents for anyone serious about bebop's origins, capturing a voice so harmonically advanced that musicians are still unpacking it decades later. This collection of radio recordings offers a window into Parker in his natural habitat, where the informal setting often loosened something even fiercer than what made it to studio wax.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis product is an authorized manufactured on demand CD-R\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Slow Boat To China\u003c\/div\u003e\n\u003cdiv\u003e2. Barbados\u003c\/div\u003e\n\u003cdiv\u003e3. Hot House\u003c\/div\u003e\n\u003cdiv\u003e4. Street Beat\u003c\/div\u003e\n\u003cdiv\u003e5. Scrapple From The Apple\u003c\/div\u003e\n\u003cdiv\u003e6. Ooh Bop Sh-bam\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 730167341950\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.9.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600405049499,"sku":"123443","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-charlie-parker-radio-bird-mod-cd-cd-relix.jpg?v=1779360194"},{"product_id":"miles-davis-round-about-midnight-lp-vinyl","title":"Miles Davis – 'Round About Midnight (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1957, 'Round About Midnight marked Miles Davis arriving at Columbia with something to prove, fresh off his electrifying 1955 Newport Jazz Festival performance that had reminded the world exactly where he stood. The rhythm section here, Red Garland, Paul Chambers, and Philly Joe Jones, was as tight a unit as jazz had produced, and hearing them alongside a young Coltrane still finding his voice makes this document genuinely irreplaceable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHipness Personified: Miles Davis' 'Round About Midnight Features Famed Quintet with John Coltrane Playing Memorable Hard Bop and BalladsSourced from the Original Master Tapes and Pressed on MoFi SuperVinyl: Mobile Fidelity's 180g 33RPM SuperVinyl LP Presents the Music with Engrossing Transparency, Presence, and FocusNumbered-Edition Reissue of 1957 Album Features Ultra-Low Noise Floor, Dead-Quiet Surfaces, and Superb Groove DefinitionMiles Davis' first album for Columbia, 'Round About Midnight, represents the beginning of a three-decade-plus relationship with the famed label and the start of an extended collaboration with saxophonist John Coltrane. It stands as a hard-bop benchmark - a summation of the styles that came before its creation, an immersion into the period's cutting-edge strains, and a hint of the modalism that would follow. The record remains ageless, it's fundamental cool epitomized by first-rate arrangements and astonishing performances of pensive ballads, bebop classics, and pop standards.Part of Mobile Fidelity's Miles Davis SuperVinyl reissue series, Round About Midnight resonates with newfound palpability and emotionalism on the label's 180g 33RPM SuperVinyl LP. Sourced from the original master tapes and housed in a Stoughton jacket, this numbered-edition collectible traces the individual paths each musician takes in contributing to the whole - from pianist Red Garland's left hand weaving counter-melodic chords to Coltrane infusing a tune with forward, harmony-defying patterns to the extent that iconic pianist Cecil Taylor declared 'Coltrane's what you hear on that record' the first time he heard the album. Indeed, the music sounds cohesive, immediate, and involving. Ballads are warm, lush, gentle, and illuminated; upbeat pieces bounce, snap, and energize. The high ceilings at Columbia's 30th Street Studio doubtlessly add to the sonic awe. This is hipness personified.1\/4' \/ 15 IPS ANALOG MASTER DSD 64 ANALOG CONSOLE LATHENumbered 180g 33RPM SuperVinyl LPNUMBERED SPECIAL EDITIONTrack ListSide One:1. 'Round Midnight2. Ah-Leu-Cha3. All of YouSide Two:1. Bye Bye Blackbird2. Tadd's Delight3. Dear Old Stockholm\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. 'Round Midnight\u003c\/div\u003e\n\u003cdiv\u003e2. Ah-Leu-Cha\u003c\/div\u003e\n\u003cdiv\u003e3. All Of You\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Bye Bye Blackbird\u003c\/div\u003e\n\u003cdiv\u003e2. Tadd's Delight\u003c\/div\u003e\n\u003cdiv\u003e3. Dear Old Stockholm\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826317\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.13.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600405115035,"sku":"52894","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-round-about-midnight-vinyl-lp-relix.jpg?v=1779281753"},{"product_id":"ray-charles-ray-sings-basie-swings-lp-vinyl","title":"Ray Charles – Ray Sings Basie Swings (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe pairing of Ray Charles and Count Basie was always inevitable, two titans whose shared roots in blues, swing, and the sanctified church made them natural counterparts. Charles recorded these vocals the same year he released *Through the Eyes of Love*, and hearing them finally set against the Basie band's trademark precision reveals just how deeply his phrasing lived inside the tradition.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing in gatefold jacket. Reissue of this 2006 release. Ray Sings, Basie Swings is an album that mixes previously unreleased Ray Charles vocal performances from 1973 with newly recorded instrumental tracks by the contemporary Count Basie Orchestra.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Oh, What A Beautiful Morning (4:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Let The Good Times Roll (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. How Long Has This Been Going On? (6:22)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Every Saturday Night (4:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Busted (2:36)\u003c\/div\u003e\n\u003cdiv\u003e3. Crying Time (3:54)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. I Can’t Stop Loving You (4:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Come Live With Me (4:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Feel So Bad (4:12)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. The Long And Winding Road (4:06)\u003c\/div\u003e\n\u003cdiv\u003e2. Look What They’ve Done To My Song (2:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Georgia On My Mind (4:38)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 708857212415\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Tangerine Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.3.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600405213339,"sku":"112563","price":41.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ray-charles-ray-sings-basie-swings-vinyl-lp-relix.jpg?v=1779304707"},{"product_id":"charlie-parker-vol-3-mellow-bird-import-cd","title":"Charlie Parker – Vol. 3: Mellow Bird With Strings (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBird's alto saxophone redefined what was possible in American music, and the recordings collected here capture Parker in the small-group settings where his melodic genius felt most intimate. A key entry point for anyone tracing the bebop revolution back to its source, this Naxos volume draws from the same well that influenced virtually every saxophonist who followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 636943270028\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Naxos\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.1.04\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Just Friends (3:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Everything Happens To Me (3:19)\u003c\/div\u003e\n\u003cdiv\u003e3. April In Paris (3:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Summertime (2:49)\u003c\/div\u003e\n\u003cdiv\u003e5. I Don't Know What Time It Was (3:15)\u003c\/div\u003e\n\u003cdiv\u003e6. If I Should Lose You (2:50)\u003c\/div\u003e\n\u003cdiv\u003e7. My Melancholy Baby (3:27)\u003c\/div\u003e\n\u003cdiv\u003e8. Dancing In The Dark (3:14)\u003c\/div\u003e\n\u003cdiv\u003e9. Out Of Nowhere (3:11)\u003c\/div\u003e\n\u003cdiv\u003e10. Laura (3:01)\u003c\/div\u003e\n\u003cdiv\u003e11. East Of The Sun (And West Of The Moon) (3:42)\u003c\/div\u003e\n\u003cdiv\u003e12. They Can't Take That Away From Me (3:21)\u003c\/div\u003e\n\u003cdiv\u003e13. Easy To Love (3:33)\u003c\/div\u003e\n\u003cdiv\u003e14. I'm In The Mood For Love (3:38)\u003c\/div\u003e\n\u003cdiv\u003e15. I'll Remember April (3:06)\u003c\/div\u003e\n\u003cdiv\u003e16. Star Eyes (3:39)\u003c\/div\u003e\n\u003cdiv\u003e17. Temptation (3:35)\u003c\/div\u003e\n\u003cdiv\u003e18. Autumn In New York (3:33)\u003c\/div\u003e\n\u003cdiv\u003e19. Stella By Starlight (3:00)\u003c\/div\u003e\n\u003cdiv\u003e20. Lover (3:11)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600405770395,"sku":"197150","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-charlie-parker-vol-3-mellow-bird-import-cd-cd-relix.jpg?v=1779360027"},{"product_id":"charlie-parker-vol-2-bird-on-the-side-import-cd","title":"Charlie Parker – Vol. 2: Bird On The Side (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Parker reshaped jazz on his own terms, he was absorbing everything around him, and these sides reveal just how much he was already ahead of the curve. The 1947 Carnegie Hall date with Dizzy Gillespie documented here captures bebop's two founding architects at the peak of their partnership, a moment when the music they'd been building together in Harlem clubs finally reached a concert hall audience.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003eCharlie Parker: Bird On The Side: Vol. 2: Original Recordings 1941-1947\u003c\/h3\u003e\u003cp\u003eDocumenting the first half of a career that was far too brief, these 1941-47 selections find Charlie Parker work as a formidable sideman. With Jay McShann and His Orchestra, \"Bird\" plays old-school jazz on \"Swingmatism,\" \"Dexter Blues,\" and \"Sepian Bounce,\" while he trades leads with guitarist Tiny Grimes on \"Romance without Finance\" and \"Tiny's Bounce.\" Sitting in with Red Norvo's sextet on \"Get Happy\" and \"Congo Blues,\" Parker is laid back and smooth, but gets to cut loose with his friend Dizzy Gillespie on \"Salt Peanuts\" and-from the famed Carnegie Hall concert-\"A Night in Tunisia.\"\u003c\/p\u003e\u003cp\u003eCharlie Parker, saxophone. Dizzy Gillespie, trumpet. Teddy Wilson \u0026amp; John Lewis, pianos. Tiny Grimes Quartet. Walter Brown \u0026amp; Jimmy Butts, vocals, \u0026amp; others\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 636943262221\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Naxos\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.1.02\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600407376027,"sku":"103781","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-charlie-parker-vol-2-bird-on-the-side-import-cd-cd-relix.jpg?v=1779360082"},{"product_id":"herbie-hancock-headhunters-remastered-cd","title":"Herbie Hancock – Headhunters (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1973 with a band that included bassist Paul Jackson, drummer Harvey Mason, percussionist Bill Summers, and saxophonist Bennie Maupin, Headhunters became the best-selling jazz album of its era by throwing out the rulebook and leaning hard into Sly Stone and James Brown territory. The opening track \"Chameleon\" alone rewired what a generation of musicians thought jazz could be.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe album that shook up both the jazz and rock worlds - and made Herbie Hancock a superstar! In it's original release, this LP proved to be a very important recording that bridged jazz, funk and rock, and was a precursor to techno. Reissue producer Bob Belden has made this new CD sound better than ever and this definitive version also boasts great new liner notes by Herbie Hancock himself.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Chameleon (15:41)\u003c\/div\u003e\n\u003cdiv\u003e2. Watermelon Man (6:29)\u003c\/div\u003e\n\u003cdiv\u003e3. Sly (10:15)\u003c\/div\u003e\n\u003cdiv\u003e4. Vein Melter (9:09)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 074646512326\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.25.97\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600407507099,"sku":"110598","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-herbie-hancock-headhunters-remastered-cd-cd-relix.jpg?v=1779361168"},{"product_id":"miles-davis-sketches-of-spain-remastered-3-bonus-tracks-cd","title":"Miles Davis – Sketches Of Spain (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1960, Sketches of Spain grew out of Miles Davis and Gil Evans's shared obsession with Joaquín Rodrigo's \"Concierto de Aranjuez,\" an unlikely entry point that resulted in one of the most emotionally raw recordings either man ever made. The three bonus tracks here offer a rare window into the studio process behind that alchemy, showing how Davis and Evans shaped the orchestral canvas before arriving at the definitive takes.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOne of the greatest jazz recordings of all time, Sketches of Spain features Miles with large ensemble arranged and conducted by Gil Evans. Truly a jazz milestone, this album presents Davis and Evans at their musical peak. This title is part of Sony's Jazz Masterpiece reissue series, featuring 20-bit digital remastering, deluxe packaging and bonus material. Additional tracks: \"Song of Our Country\" and 2 alternate takes of \"Concierto de Aranjuez\"; 19 minutes of new music!\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Concierto De Aranjuez (Adagio) (16:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Will O' The Wisp (3:47)\u003c\/div\u003e\n\u003cdiv\u003e3. The Pan Piper (3:52)\u003c\/div\u003e\n\u003cdiv\u003e4. Saeta (5:06)\u003c\/div\u003e\n\u003cdiv\u003e5. Solea (12:15)\u003c\/div\u003e\n\u003ch4\u003eBonus Tracks\u003c\/h4\u003e\n\u003cdiv\u003e1. Song Of Our Country (3:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Concierto De Aranjuez (Part One) (12:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Concierto De Aranjuez (Part Two Ending) (3:33)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 074646514221\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.23.97\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600407834779,"sku":"52379","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-sketches-of-spain-remastered-3-bonus-tracks-cd-cd-relix.jpg?v=1779277769"},{"product_id":"john-coltrane-avant-garde-cd","title":"John Coltrane – Avant-Garde (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1960 during Coltrane's Atlantic period, these sessions find him alongside Don Cherry, Charlie Haden, and Ed Blackwell, the rhythm section Ornette Coleman had been reshaping jazz with. The collaboration captures a pivotal exchange between two revolutionary voices at the exact moment free jazz was rewriting the rules, with Coltrane pushing past hard bop toward the spiritual intensity that would define his later work.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis product is an authorized manufactured on demand CD-R\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Cherryco (6:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Focus On Sanity (12:07)\u003c\/div\u003e\n\u003cdiv\u003e3. The Blessing (7:50)\u003c\/div\u003e\n\u003cdiv\u003e4. The Invisible (4:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Bemsha Swing (5:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075679004123\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.22.90\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600408260763,"sku":"178861","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-avant-garde-cd-relix.jpg?v=1779393313"},{"product_id":"miles-davis-birth-of-the-blue-gate-180-gram-lp-vinyl","title":"Miles Davis – Birth Of The Blue (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe four tracks collected here have long lived in the shadow of *Kind of Blue*, scattered across reissues and compilations as afterthoughts. But the 1958 sextet that produced them, with John Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, and Jimmy Cobb, was operating at a level where even the sessions left on the shelf deserve a proper home.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances - all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year - have not been served well. They have largely been treated as add-ons to other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor!The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played the trumpet sublime with his sextet, featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley.Undervalued since their recording, the tunes on this album reflect historical and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-it's-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard.For this release, we started with the original 3-track recording session tapes, which were mixed down to a brand-new 30-ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab cut the lacquers at 33 1\/3 RPM utilizing the legendary Doug Sax's custom all-tube system and cutting lathe. The lacquers were plated and pressed on 180-gram vinyl at Quality Record Pressings. Lastly, the Stoughton Printing tip-on gatefold jacket with a deluxe scuff-resistant matte finish is the highest quality available. The artwork has an incredible spot-on look to a 1959 Columbia records release! Smash follow-up to what many consider the greatest jazz record ever! Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue! Modal jazz precursor laid the groundwork for future jazz innovation! 180-gram vinyl. Mastered by Matthew Lutthans at The Mastering Lab from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapesPlated and pressed at Quality Record Pressings for flawless production and superior fidelity! Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028166218\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. On Green Dolphin Street\u003c\/div\u003e\n\u003cdiv\u003e2. Fran-Dance\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight\u003c\/div\u003e\n\u003cdiv\u003e2. Love For Sale\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600408621211,"sku":"122610","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-birth-of-the-blue-gate-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779281543"},{"product_id":"charlie-parker-ken-burns-jazz-cd","title":"Charlie Parker – Ken Burns Jazz (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBird didn't just play bebop, he invented the language the whole music world had to learn to speak. This Ken Burns compilation draws from Parker's essential Verve and Savoy recordings, placing his alto saxophone genius in the broader American music story that the documentary series set out to tell, making it a solid entry point for newcomers without insulting the intelligence of anyone who already knows every lick by heart.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSixteen Songs Including \"Hot House,\" \"Ko-Ko,\" \"Ornithology,\" \"Scrapple from Apple\" and \"Just Friends.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Sepian Bounce (3:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Salt Peanuts (3:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Hot House (3:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Ko-Ko (2:53)\u003c\/div\u003e\n\u003cdiv\u003e5. Anthropology (2:54)\u003c\/div\u003e\n\u003cdiv\u003e6. Now's The Time (3:14)\u003c\/div\u003e\n\u003cdiv\u003e7. Ornithology (2:57)\u003c\/div\u003e\n\u003cdiv\u003e8. Yardbird Suite (2:53)\u003c\/div\u003e\n\u003cdiv\u003e9. Lover Man (3:17)\u003c\/div\u003e\n\u003cdiv\u003e10. Relaxin' At Camarillo (2:59)\u003c\/div\u003e\n\u003cdiv\u003e11. Embraceable You (3:43)\u003c\/div\u003e\n\u003cdiv\u003e12. Scrapple From The Apple (2:54)\u003c\/div\u003e\n\u003cdiv\u003e13. Parker's Mood (3:01)\u003c\/div\u003e\n\u003cdiv\u003e14. Just Friends (3:30)\u003c\/div\u003e\n\u003cdiv\u003e15. Star Eyes (3:34)\u003c\/div\u003e\n\u003cdiv\u003e16. Confirmation (2:57)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 731454908429\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Polygram Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.7.00\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600409342107,"sku":"78314","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-charlie-parker-ken-burns-jazz-cd-relix.jpg?v=1779360280"},{"product_id":"joni-mitchell-jonis-jazz-cd","title":"Joni Mitchell – Joni's Jazz (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJoni Mitchell came to jazz not as a tourist but as a true believer, absorbing the music's harmonic language deeply enough that Charles Mingus trusted her with his final compositions on their 1979 collaboration. That credential matters when assessing a collection like this one. With 61 tracks pulling from across her catalog, including her work with Herbie Hancock on \"Turbulent Indigo\" sessions and her long creative partnership with Wayne Shorter, this set traces a jazz education that unfolded publicly, album by album, across five decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFour CDs. Joni's Jazz features tracks from Mitchell's entire career-spanning catalogue, including repertoire from releases with other artists and labels. It is a dedication and a love letter to her greatest collaborators in the genre-Charles Mingus, Herbie Hancock, Jaco Pastorious, and Wayne Shorter among them - and features rare demos, b-sides and alt versions of previously released tracks.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue (3:06)\u003c\/div\u003e\n\u003cdiv\u003e2. Trouble Man (3:42)\u003c\/div\u003e\n\u003cdiv\u003e3. Moon At The Window (Demo) (3:25)\u003c\/div\u003e\n\u003cdiv\u003e4. Be Cool (Demo) (3:26)\u003c\/div\u003e\n\u003cdiv\u003e5. Harlem In Havana (4:27)\u003c\/div\u003e\n\u003cdiv\u003e6. Cherokee Louise (4:34)\u003c\/div\u003e\n\u003cdiv\u003e7. Come In From The Cold (7:32)\u003c\/div\u003e\n\u003cdiv\u003e8. In France They Kiss On Main Street (3:20)\u003c\/div\u003e\n\u003cdiv\u003e9. Nothing Can Be Done (4:53)\u003c\/div\u003e\n\u003cdiv\u003e10. Sex Kills (3:57)\u003c\/div\u003e\n\u003cdiv\u003e11. Edith And The Kingpin (3:38)\u003c\/div\u003e\n\u003cdiv\u003e12. Cold Blue Steel And Sweet Fire (4:18)\u003c\/div\u003e\n\u003cdiv\u003e13. The Jungle Line (4:26)\u003c\/div\u003e\n\u003cdiv\u003e14. Shades Of Scarlett Conquering (5:00)\u003c\/div\u003e\n\u003cdiv\u003e15. Yvette In English (5:18)\u003c\/div\u003e\n\u003cdiv\u003e16. Marcie (4:36)\u003c\/div\u003e\n\u003cdiv\u003e17. A Bird That Whistles (Arrangement Of The Traditional Work \"Corrina, Corrina\") (2:38)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Love (3:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Comes Love (4:29)\u003c\/div\u003e\n\u003cdiv\u003e3. The Man I Love (5:57)\u003c\/div\u003e\n\u003cdiv\u003e4. At Last (4:27)\u003c\/div\u003e\n\u003cdiv\u003e5. You're My Thrill (3:54)\u003c\/div\u003e\n\u003cdiv\u003e6. Sometimes I'm Happy (3:59)\u003c\/div\u003e\n\u003cdiv\u003e7. Stay In Touch (3:00)\u003c\/div\u003e\n\u003cdiv\u003e8. The Crazy Cries Of Love (3:55)\u003c\/div\u003e\n\u003cdiv\u003e9. Face Lift (4:43)\u003c\/div\u003e\n\u003cdiv\u003e10. Sweet Sucker Dance (Early Alternate Version) (7:03)\u003c\/div\u003e\n\u003cdiv\u003e11. You Dream Flat Tires (2:53)\u003c\/div\u003e\n\u003cdiv\u003e12. Answer Me, My Love (3:23)\u003c\/div\u003e\n\u003cdiv\u003e13. Love Puts On A New Face (3:48)\u003c\/div\u003e\n\u003cdiv\u003e14. Both Side Now (5:43)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Harry's House \/ Centerpiece (6:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Sunny Sunday (2:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Hana (3:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Last Chance Lost (3:16)\u003c\/div\u003e\n\u003cdiv\u003e5. Smokin' (Empty, Try Another) (1:44)\u003c\/div\u003e\n\u003cdiv\u003e6. Hejira (Live At The Santa Barbara County Bowl, September 9, 1979) (7:35)\u003c\/div\u003e\n\u003cdiv\u003e7. Refuge Of The Roads (7:57)\u003c\/div\u003e\n\u003cdiv\u003e8. Paprika Plains (16:22)\u003c\/div\u003e\n\u003cdiv\u003e9. Blue Motel Room (5:05)\u003c\/div\u003e\n\u003cdiv\u003e10. Black Crow (4:23)\u003c\/div\u003e\n\u003cdiv\u003e11. Off Night Backstreet (3:22)\u003c\/div\u003e\n\u003cdiv\u003e12. Just Like This Train (4:25)\u003c\/div\u003e\n\u003cdiv\u003e13. No Apologies (4:20)\u003c\/div\u003e\n\u003cdiv\u003e14. Not To Blame (4:20)\u003c\/div\u003e\n\u003cdiv\u003e15. The Magdalene Laundries (4:02)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. The Sire Of Sorrow (Job's Sad Song) (7:07)\u003c\/div\u003e\n\u003cdiv\u003e2. God Must Be A Boogie Man (4:37)\u003c\/div\u003e\n\u003cdiv\u003e3. A Chair In The Sky (6:41)\u003c\/div\u003e\n\u003cdiv\u003e4. Goodbye Pork Pie Hat (Live At The Santa Barbara County Bowl, September 9, 1979) (6:02)\u003c\/div\u003e\n\u003cdiv\u003e5. The Tea Leaf Prophecy (Lay Down Your Arms) (6:29)\u003c\/div\u003e\n\u003cdiv\u003e6. Shine (7:28)\u003c\/div\u003e\n\u003cdiv\u003e7. If I Had A Heart (4:03)\u003c\/div\u003e\n\u003cdiv\u003e8. Impossible Dreamer (4:27)\u003c\/div\u003e\n\u003cdiv\u003e9. One Week Last Summer (4:58)\u003c\/div\u003e\n\u003cdiv\u003e10. Summertime (Live At Newport Folk Festival, July 22, 2023) (5:41)\u003c\/div\u003e\n\u003cdiv\u003e11. Stormy Weather (3:07)\u003c\/div\u003e\n\u003cdiv\u003e12. Two Grey Rooms (Demo) (3:57)\u003c\/div\u003e\n\u003cdiv\u003e13. The Dry Cleaner From Des Moines (3:24)\u003c\/div\u003e\n\u003cdiv\u003e14. Twisted (2:22)\u003c\/div\u003e\n\u003cdiv\u003e15. If (5:31)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497818754\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600409702555,"sku":"101368","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-joni-mitchell-joni-s-jazz-cd-relix.jpg?v=1779322424"},{"product_id":"john-coltrane-coltrane-jazz-cd","title":"John Coltrane – Coltrane Jazz (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in late 1959 and early 1960, this Atlantic session caught Coltrane at a genuine crossroads, still working within the post-bop frameworks he'd honed with Miles Davis while pushing toward the harmonic freedom that would define his later work. The rhythm section anchors him beautifully, giving the saxophonist room to stretch without yet breaking entirely from the tradition he was quietly dismantling.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis product is an authorized manufactured on demand CD-R\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Little Old Lady (4:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Village Blues (5:21)\u003c\/div\u003e\n\u003cdiv\u003e3. My Shining Hour (4:50)\u003c\/div\u003e\n\u003cdiv\u003e4. Fifth House (4:38)\u003c\/div\u003e\n\u003cdiv\u003e5. Harmonique (4:10)\u003c\/div\u003e\n\u003cdiv\u003e6. Like Sonny (5:51)\u003c\/div\u003e\n\u003cdiv\u003e7. I'll Wait And Pray (3:32)\u003c\/div\u003e\n\u003cdiv\u003e8. Some Other Blues (5:33)\u003c\/div\u003e\n\u003cdiv\u003e9. Like Sonny (Alternate Take) (6:03)\u003c\/div\u003e\n\u003cdiv\u003e10. I'll Wait And Pray (Alternate Take) (3:25)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075678134425\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.25.90\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600409735323,"sku":"180120","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-coltrane-jazz-cd-relix.jpg?v=1779383849"},{"product_id":"john-coltrane-the-final-tour-copenhagen-march-24-1960-lp-vinyl","title":"John Coltrane – The Final Tour: Copenhagen, March 24, 1960 (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy March 1960, John Coltrane was already deep into preparations for his own landmark quartet and had recorded \"Giant Steps\" just months earlier. Catching him in this transitional moment alongside Miles Davis, still burning through the modal innovations of \"Kind of Blue,\" makes these Copenhagen recordings a rare document of two genuinely revolutionary musical minds at a shared crossroads, each about to reshape jazz in entirely different directions.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe latest entry in the award-winning Miles Davis Bootleg Series focuses on the final chapter in the landmark collaboration between Davis and saxophonist John Coltrane: their last live performances together, in Europe in the spring of 1960. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMiles and Coltrane first collaborated in 1955, when Davis recruited the tenor saxophonist alongside pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones. This \"first great quintet\" made their Columbia Records debut in 1957. Those early recordings showcased the stunning contrasts between Miles' spacious, melodic lines and Trane's cascading high-energy solos, famously described by the critic Ira Gilter in 1958 as \"sheets of sound.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile the quintet disbanded shortly after the release of 'Round About Midnight, Coltrane was back in Miles' ensemble in early 1958. A year later, the Miles Davis Sextet (Davis, Coltrane, Chambers, saxophonist Julian \"Cannonball\" Adderley, pianists Bill Evans or Wynton Kelly, and drummer Jimmy Cobb) recorded the historic Kind Of Blue, the best-selling jazz album of all time. And for this final tour the rhythm section of Kelly, Chambers and Cobb backed Miles and Trane. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThese historic performances marked Miles and Tran's last outing together and showcased both musicians' incredible influence on the changing sound of jazz. The beautiful music they made together is presented here officially for the very first time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA 150 gram vinyl version, The Final Tour: Copenhagen, March 24, 1960 will include that complete set on one LP.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Introduction (By Norman Granz) (1:00)\u003c\/div\u003e\n\u003cdiv\u003e2. So What (14:36)\u003c\/div\u003e\n\u003cdiv\u003e3. On Green Dolphin Street (Part One) (7:19)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. On Green Dolphin Street (Part Two) (7:28)\u003c\/div\u003e\n\u003cdiv\u003e2. All Blues (15:32)\u003c\/div\u003e\n\u003cdiv\u003e3. The Theme (Incomplete) (0:30)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 889854987411\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.23.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600411963547,"sku":"162301","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-the-final-tour-copenhagen-march-24-1960-vinyl-lp-relix.jpg?v=1779365564"},{"product_id":"miles-davis-miles-style-lp-vinyl","title":"Miles Davis – Miles Style (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAcross five decades, Miles Davis didn't just play jazz, he reinvented it repeatedly, moving from bebop to cool to modal to electric fusion without ever losing the spare, searching quality that made his trumpet immediately identifiable. A compilation drawing from his vast catalog serves as a reminder that his influence runs through virtually every serious musician who came after him.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIf I had to do it all over again, I wouldn't listen to records. I very rarely listen to jazz records because they all do the same thing. I only listen to original musicians like Ahmad Jamal and Duke Ellington, musicians like Clark Terry, Dizzy Gillespie, Sonny Rollins and John Coltrane. \" A true icon, Miles Davis left an indelible mark on the genre through his recordings. \"The Miles Style\" is a compilation of his masterpieces, the timeless quality of the album and Miles Davis' ability to reshape jazz make it a classic. Translated with DeepL. Com (free version)\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. It Never Entered My Mind (4:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Fran Dance (5:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Blue in Green (5:35)\u003c\/div\u003e\n\u003cdiv\u003e4. On the Champs Elysées (2:51)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. In Your Own Sweet Way (5:41)\u003c\/div\u003e\n\u003cdiv\u003e2. When I Fall In Love (4:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Yesterdays (3:44)\u003c\/div\u003e\n\u003cdiv\u003e4. Petit Bac Blues (2:53)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3760396020958\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Diggers Factory\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.20.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600412094619,"sku":"48646","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-miles-style-vinyl-lp-relix.jpg?v=1779278487"},{"product_id":"herbie-hancock-takin-off-cd","title":"Herbie Hancock – Takin' Off (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1962, when Hancock was just 22 years old, Takin' Off announced an immediately fully-formed compositional voice. \"Watermelon Man\" would soon become a crossover hit after Mongo Santamaría covered it later that year, a sign that Hancock was already writing beyond the boundaries of straight jazz.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHerbie's Blue Note debut features the incomparable horn duo of Freddie Hubbard and Dexter Gordon (both at their creative peaks), blowing out Hancock's angular, bluesy tunes with passion and finesse. The album kicks off with the classic \"Watermelon Man\"; the songs are largely uptempo hard-bop until closing with the sparkling, late-night ballad \"Alone and I.\" The pianist's forays into experimentation are displayed in the strange rhythm section solos and the lack of thematic resolution on \"The Maze\" or the 32-bar broken phrasing on \"Three Bags Full.\" The sound is pure early-'60s Rudy Van Gelder: muted piano, in-your-face horns and rhythm section in your living room. Mastered \u0026amp; Produced by Alan Yoshida \u0026amp; Joe Harley from the Original Rudy Van Gelder Blue Note 2-Track Analog Tapes. The Definitive Versions of Blue Note are on XRCD24... Listen \u0026amp; Compare! XRCD24 is Compatible with ALL CD PLAYERS!\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Watermelon Man (7:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Three Bags Full (5:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Empty Pockets (6:08)\u003c\/div\u003e\n\u003cdiv\u003e4. The Maze (6:46)\u003c\/div\u003e\n\u003cdiv\u003e5. Driftin' (6:53)\u003c\/div\u003e\n\u003cdiv\u003e6. Alone And I (6:26)\u003c\/div\u003e\n\u003cdiv\u003e7. Watermelon Man (Alternate Take) (6:40)\u003c\/div\u003e\n\u003cdiv\u003e8. Three Bags Full (Alternate Take) (5:33)\u003c\/div\u003e\n\u003cdiv\u003e9. Empty Pockets (Alternate Take) (6:27)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 693692200171\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Audio Wave Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.10.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600416518299,"sku":"144073","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-herbie-hancock-takin-off-cd-relix.jpg?v=1779360790"},{"product_id":"weather-report-live-in-berlin-1975-lp-vinyl","title":"Weather Report – Live in Berlin 1975 (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1975, Weather Report had fully shed any remaining acoustic jazz tendencies and was operating at the peak of its electric powers, with Alphonse Mouzon's replacement Ndugu Chancler driving the rhythm section alongside Alyrio Lima. The Berliner Jazztage captured the band mid-stride between the \"Mysterious Traveller\" and \"Tale Spinnin'\" eras, a moment when Zawinul and Shorter were rewriting what a jazz ensemble could sound like in a live setting.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWeather Report was one of the super-bands in the 70s and beginning of the 80s. The 40th anniversary of the founding of the band, which was started by the legendary keyboarder Joe Zawinul and the saxophonist Wayne Shorter, occurs now in a fine remastered vinyl. The concert the band gave at the Berliner Jazztage in 1975 can be heard for the first time on: The band gave a fantastic performance including Mysterious Traveller, Scarlet Woman And Badia\/Boogie Woogie Waltz from among the earlier weather report hits.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Freezing Fire (8:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Scarlet Woman (8:43)\u003c\/div\u003e\n\u003cdiv\u003e3. Mysterious Traveller (4:48)\u003c\/div\u003e\n\u003ch4\u003eSIDE B\u003c\/h4\u003e\n\u003cdiv\u003e1. Badia\/Boogie Woogie Waltz (19:44)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 885513800213\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Made In Germany Musi\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.11.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600416944283,"sku":"223287","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Weather-Report-Live-in-Berlin-1975-LP-Vinyl.jpg?v=1779193556"},{"product_id":"al-green-mister-lucky-cd","title":"Al Green – Mister Lucky (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eChicago jazz runs deep on this one. Drummer Al Green's resume stretches back to the mid-1950s Chicago scene, and the assembled crew here reflects decades of that city's hard-bop tradition, with players who've circulated through some of the most respected rooms and sessions in the Midwest. For fans of the classic small-group format, this is the real thing, rooted in a lineage that connects directly to the postwar bebop masters.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDrummer Al Green played his first job with Willie Dixon in 1955. He has played with Eddie Harris, Wes Montgomery and Nancy Wilson. Co-leader, alto saxophonist Othello Anderson has played with Joe Diorio and at the Downbeat Jazz Festival. Other members are trumpeter Dr. Odies Williams III who appears on Delmark CDs with Jodie Christian, Ed Petersen and Cecil Payne. Bassist John Whitfield recorded on Delmark with Jodie Christian and Malachi Thompson. And pianist Leandro Lopez Varady has worked with Eldee Young and has toured extensively. This is straight ahead bebop in the style of Art Blakey or Max Roach\/Clifford Brown groups.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Annette's Blues (4:14)\u003c\/div\u003e\n\u003cdiv\u003e2. All The Things You Are (6:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Mr. Lucky (5:02)\u003c\/div\u003e\n\u003cdiv\u003e4. Are You Real (4:54)\u003c\/div\u003e\n\u003cdiv\u003e5. Medley:  My Funny Valentine\/Peace\/What's New (7:34)\u003c\/div\u003e\n\u003cdiv\u003e6. High Fly (8:06)\u003c\/div\u003e\n\u003cdiv\u003e7. Once I Loved (4:57)\u003c\/div\u003e\n\u003cdiv\u003e8. Ceora (5:57)\u003c\/div\u003e\n\u003cdiv\u003e9. Strollin' (4:35)\u003c\/div\u003e\n\u003cdiv\u003e10. Stella By Starlight (8:13)\u003c\/div\u003e\n\u003cdiv\u003e11. The Way You Look Tonight (5:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 038153053925\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Delmark\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.27.02\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600419729563,"sku":"354418","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-al-green-mister-lucky-cd-relix.jpg?v=1779362126"},{"product_id":"ray-charles-come-live-with-me-colored-org-lp-vinyl","title":"Ray Charles – Come Live With Me (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePressed on Tangerine vinyl for the first time since its original release, Come Live With Me arrived in 1974 at a moment when Charles had full creative and business control, running his own label and answering to no one. That autonomy shows in every arrangement, where his piano sits at the center of a production that moves between orchestral warmth and rolling rhythm and blues without ever losing the thread. Fifty years on, the fidelity of this reissue finally does justice to what he was building.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRAY CHARLES - Come Live With Me (First Vinyl Reissue In Over 50 Years On Limited Edition (TANGERINE Vinyl) LP Come Live With Me represents a creative peak that sounds fresher in 2025 than it may have in 1974. The first album on his Crossover label, it lives up to the label's name by showcasing the man's singular ability to cross over to any audience by making songs from any time or genre undeniably his own. Each side of Come Live With Me sets a seamless mood: Side 1 is a romantic suite of lush, latenight ballads, while a non-stop soul party is cooking on side 2. This two-sides-of-a-Saturday-night concept let's Ray Charles blend modern sounds and timeless traditions in ways no other artist ever could. Removed from the trappings and tropes of the mid-'70s music scene, and fully restored and remastered in cooperation with the Ray Charles Foundation, Come Live With Me is finally ready to be appreciated as the masterpiece it always was.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Till There Was You (4:06)\u003c\/div\u003e\n\u003cdiv\u003e2. If You Go Away (5:11)\u003c\/div\u003e\n\u003cdiv\u003e3. It Takes So Little Time (3:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Come Live With Me (3:23)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Somebody (4:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Problems, Problems (3:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Where Was He (2:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Louise (2:57)\u003c\/div\u003e\n\u003cdiv\u003e5. Everybody Sing (4:06)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 708857224012\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Tangerine Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.22.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600420941979,"sku":"185053","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ray-charles-come-live-with-me-colored-org-lp-vinyl-vinyl-lp-relix.jpg?v=1779306922"},{"product_id":"miles-davis-tribute-to-jack-johnson-cd","title":"Miles Davis – Tribute to Jack Johnson (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded the same year Davis played Isle of Wight to a crowd of 600,000, Jack Johnson captures a bandleader at his most aggressive and electric, channeling the spirit of a heavyweight champion who refused to bow to the racial order of his time. The connection between Johnson's defiance and Davis's own contentious relationship with American culture runs through every note, making this one of the rawest political statements in his catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA Tribute to Jack Johnson is a studio album and soundtrack by American jazz trumpeter, composer, and bandleader Miles Davis. It was originally released on February 24, 1971, by Columbia Records. It's two 25-minute-plus tracks were produced from recordings made on February 18 and April 7, 1970, at 30th Street Studio in New York City. Davis was inspired by the political and racial subtext of Johnson's saga as well as the hard rock and funk sounds of his own era, leading a rock-inspired line-up of musicians in the studio: guitarists John McLaughlin and Sonny Sharrock, keyboardists Herbie Hancock and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Right Off (26:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Yesternow (25:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886978821522\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sbme Special Mkts.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.11.05\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600421466267,"sku":"372846","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-tribute-to-jack-johnson-cd-relix.jpg?v=1779277450"},{"product_id":"herbie-hancock-jammin-with-herbie-limited-edition-cd","title":"Herbie Hancock – Jammin' With Herbie (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAcross six decades, Hancock has remained one of the rare artists who consistently pushes into new territory without losing the melodic intelligence that made him a Blue Note cornerstone. A 2022 release on Renaissance, \"Jammin' With Herbie\" finds him in the kind of loose, exploratory setting his fans have always cherished, the same spirit that animated his classic acoustic work before the synthesizers arrived.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, Head Hunters. Hancock received considerable attention when, in May 1963, he joined Davis's Second Great Quintet. Davis personally sought out Hancock, whom he saw as one of the most promising talents in jazz. While in Davis's band, Hancock also found time to record dozens of sessions for the Blue Note label, both under his own name and as a sideman with other musicians. In the summer of 1968 Hancock formed his own sextet. This compilation is culled from those 1960s Hancock albums, outtakes and singles.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Maulana (9:38)\u003c\/div\u003e\n\u003cdiv\u003e2. Mr. Lucky (Rock Your Soul) (6:37)\u003c\/div\u003e\n\u003cdiv\u003e3. Kamili (5:42)\u003c\/div\u003e\n\u003cdiv\u003e4. Dunia (8:22)\u003c\/div\u003e\n\u003cdiv\u003e5. Hot Piano (7:22)\u003c\/div\u003e\n\u003cdiv\u003e6. Live \u0026amp; Awake (3:53)\u003c\/div\u003e\n\u003cdiv\u003e7. Jammin' With Herbie (6:35)\u003c\/div\u003e\n\u003cdiv\u003e8. Cat Call (9:43)\u003c\/div\u003e\n\u003cdiv\u003e9. Daydream (Soul Power) (4:53)\u003c\/div\u003e\n\u003cdiv\u003e10. Herbie's Blues (5:55)\u003c\/div\u003e\n\u003cdiv\u003e11. Hot And Heavy (3:02)\u003c\/div\u003e\n\u003cdiv\u003e12. Far Out (2:32)\u003c\/div\u003e\n\u003cdiv\u003e13. Scoochie (5:12)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 630428068827\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Renaissance\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.21.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600421564571,"sku":"295990","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-herbie-hancock-jammin-with-herbie-limited-edition-cd-cd-relix.jpg?v=1779361133"},{"product_id":"john-coltrane-classic-albums-collection-cd","title":"John Coltrane – Classic Albums Collection (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eColtrane's recordings from the late 1950s and early 1960s capture one of jazz's most restless creative minds at full burn, moving from the hard bop precision of his Blue Note and Prestige dates through the modal breakthroughs that would reshape the music entirely. His work with Miles Davis sharpened his voice, but it was as a bandleader that he found his true calling, building a vocabulary that every saxophonist since has had to reckon with.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis extraordinary collection features eight of John Coltrane's most cherished and popular albums, all from the era when the great man's star shined brightest. A fine selection of his best ever work, all now housed on 4 CDs, this set will work equally well for new converts to Coltrane's music as it will as a welcome reminder for those already hooked.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eBlue Train (1958)\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train (10:43)\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Moment's Notice (9:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Locomotion (7:15)\u003c\/div\u003e\n\u003cdiv\u003e3. I'm Old Fasioned (7:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Lazy Bird (7:04)\u003c\/div\u003e\n\u003cdiv\u003e5. Giant Steps (4:48)\u003c\/div\u003e\n\u003cdiv\u003e6. Cousin Mary (5:50)\u003c\/div\u003e\n\u003cdiv\u003e7. Countdown (2:26)\u003c\/div\u003e\n\u003cdiv\u003e8. Spiral (6:00)\u003c\/div\u003e\n\u003cdiv\u003e9. Syeeda's Song Flute (7:06)\u003c\/div\u003e\n\u003cdiv\u003e10. Naima (4:25)\u003c\/div\u003e\n\u003cdiv\u003e11. Mr. P.C. (6:57)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Little Old Lady (4:39)\u003c\/div\u003e\n\u003cdiv\u003e2. Village Blues (5:25)\u003c\/div\u003e\n\u003cdiv\u003e3. My Shining Hour (4:55)\u003c\/div\u003e\n\u003cdiv\u003e4. Fifth House (4:42)\u003c\/div\u003e\n\u003cdiv\u003e5. Harmonique (4:15)\u003c\/div\u003e\n\u003cdiv\u003e6. Like Sonny (5:56)\u003c\/div\u003e\n\u003cdiv\u003e7. I'll Wait And Pray (3:37)\u003c\/div\u003e\n\u003cdiv\u003e8. Some Other Blues (5:40)\u003c\/div\u003e\n\u003cdiv\u003e9. My Favorite Things (13:47)\u003c\/div\u003e\n\u003cdiv\u003e10. Everytime We Say Goodbye (5:44)\u003c\/div\u003e\n\u003cdiv\u003e11. Summertime (11:36)\u003c\/div\u003e\n\u003cdiv\u003e12. But Not For Me (9:44)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Olé (18:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Dahomey Dance (10:53)\u003c\/div\u003e\n\u003cdiv\u003e3. Aisha (7:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Africa (16:19)\u003c\/div\u003e\n\u003cdiv\u003e5. Greensleeves (9:58)\u003c\/div\u003e\n\u003cdiv\u003e6. Blues Minor (7:21)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. Out Of This World (14:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Soul Eyes (5:28)\u003c\/div\u003e\n\u003cdiv\u003e3. The Inch Worm (6:19)\u003c\/div\u003e\n\u003cdiv\u003e4. Tunji (6:39)\u003c\/div\u003e\n\u003cdiv\u003e5. Miles' Mode (7:35)\u003c\/div\u003e\n\u003cdiv\u003e6. Say It (Over And Over Again) (4:17)\u003c\/div\u003e\n\u003cdiv\u003e7. You Don't Know What Love Is (5:14)\u003c\/div\u003e\n\u003cdiv\u003e8. Too Young To Go Steady (4:23)\u003c\/div\u003e\n\u003cdiv\u003e9. All Or Nothing At All (3:31)\u003c\/div\u003e\n\u003cdiv\u003e10. I Wish I Knew (4:51)\u003c\/div\u003e\n\u003cdiv\u003e11. What's New? (3:44)\u003c\/div\u003e\n\u003cdiv\u003e12. It's Easy To Remember (2:45)\u003c\/div\u003e\n\u003cdiv\u003e13. Nancy (With The Laughing Face) (3:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 823564035000\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Enlightenment\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.3.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600423170203,"sku":"206669","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-classic-albums-collection-cd-relix.jpg?v=1779384004"},{"product_id":"john-coltrane-johnny-hartman-john-coltrane-johnny-hartman-verve-acoustic-sounds-series-lp-vinyl","title":"John Coltrane \u0026 Johnny Hartman – John Coltrane \u0026 Johnny Hartman (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in a single session in February 1963, this collaboration stands as one of the most intimate pairings in jazz vocal history, with Coltrane reining in his more exploratory impulses to serve Hartman's unhurried baritone. The result is something rare: a small-group date where every player, including McCoy Tyner, Jimmy Garrison, and Elvin Jones, operates with the patience of a ballad singer. The Acoustic Sounds reissue restores the warmth that made the original Impulse! pressing so sought after.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThis beloved 1963 album on Impulse! is a career highlight for both Johnny Hartman and John Coltrane. Hartman was apparently Coltrane's suggestion for the recording and his deep, dark voice meshes perfectly here with Coltrane's tenor. The material is well-chosen, including definitive readings of \"My One and Only Love\" and \"Lush Life.\" Verve Acoustic Sounds Series features transfers from analog tapes and remastered on 180-gram vinyl in deluxe gatefold packaging.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. They Say It's Wonderful (5:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Dedicated To You (5:27)\u003c\/div\u003e\n\u003cdiv\u003e3. My One And Only Love (4:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Lush Life (5:20)\u003c\/div\u003e\n\u003cdiv\u003e2. You Are Too Beautiful (5:32)\u003c\/div\u003e\n\u003cdiv\u003e3. Autumn Serenade (4:11)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602438089536\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.29.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600426676379,"sku":"221241","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-johnny-hartman-john-coltrane-johnny-hartman-verve-acoustic-sounds-series-lp-vinyl-lp-relix.jpg?v=1779393931"},{"product_id":"john-coltrane-evenings-at-the-village-gate-john-coltrane-with-eric-dolphy-cd","title":"John Coltrane – Evenings At The Village Gate: John Coltrane With Eric Dolphy (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe summer of 1961 found Coltrane at a genuine crossroads, pushing his classic quartet lineup into new territory with Dolphy's presence opening up conversations between saxophone, bass clarinet, and flute that had no real precedent. This is the band that drew both intense admiration and sharp criticism from the jazz press at the time, with some detractors famously calling their extended explorations \"anti-jazz.\" Hearing them uncaged at the Gate, on newly surfaced tape, reframes that whole argument.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJohn Coltrane - \"Evenings At The Village Gate: John Coltrane With Eric Dolphy\" - In August of 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York. Ninety minutes of never-before-heard music from this group were recently discovered at the New York Public Library. In addition to some well-known Coltrane material (\"Impressions\"), there is a breathtaking feature for Dolphy's bass clarinet on \"When Lights Are Low\" and the only known non-studio recording of Coltrane's composition \"Africa\", from the Africa\/Brass album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. My Favorite Things (15:54)\u003c\/div\u003e\n\u003cdiv\u003e2. When Lights Are Low (15:28)\u003c\/div\u003e\n\u003cdiv\u003e3. Impressions (10:13)\u003c\/div\u003e\n\u003cdiv\u003e4. Greensleeves (16:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Africa (22:27)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602455514189\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.14.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600427364507,"sku":"279852","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-evenings-at-the-village-gate-john-coltrane-with-eric-dolphy-cd-relix.jpg?v=1779383610"},{"product_id":"ray-charles-ray-sings-basie-swings-cd","title":"Ray Charles – Ray Sings Basie Swings (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe pairing makes complete sense in retrospect: Ray Charles and Count Basie shared a deep roots in blues, swing, and the Black American musical tradition that ran straight through Kansas City and into the soul era. These 1973 vocal sessions sat in the vault for over three decades before finally finding their instrumental counterpart, a reminder that Charles was still operating at the peak of his powers well into that decade.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCD reissue of this 2006 release. Ray Sings, Basie Swings is an album that mixes previously unreleased Ray Charles vocal performances from 1973 with newly recorded instrumental tracks by the contemporary Count Basie Orchestra.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Oh, What A Beautiful Morning (4:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Let The Good Times Roll (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. How Long Has This Been Going On? (6:22)\u003c\/div\u003e\n\u003cdiv\u003e4. Every Saturday Night (4:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Busted (2:36)\u003c\/div\u003e\n\u003cdiv\u003e6. Crying Time (3:54)\u003c\/div\u003e\n\u003cdiv\u003e7. I Can’t Stop Loving You (4:03)\u003c\/div\u003e\n\u003cdiv\u003e8. Come Live With Me (4:12)\u003c\/div\u003e\n\u003cdiv\u003e9. Feel So Bad (4:12)\u003c\/div\u003e\n\u003cdiv\u003e10. The Long And Winding Road (4:06)\u003c\/div\u003e\n\u003cdiv\u003e11. Look What They’ve Done To My Song (2:51)\u003c\/div\u003e\n\u003cdiv\u003e12. Georgia On My Mind (4:38)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 708857212422\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Tangerine Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.23.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600432181403,"sku":"278627","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ray-charles-ray-sings-basie-swings-cd-relix.jpg?v=1779304735"},{"product_id":"miles-davis-classic-albums-collection-cd","title":"Miles Davis – Classic Albums Collection (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe years between 1953 and 1960 represent one of the most concentrated bursts of genius in recorded music history. Davis moved from the hard bop explorations of early Blue Note and Prestige sessions through the modal revolution of \"Kind of Blue,\" reshaping what jazz could be at nearly every turn, with collaborators like John Coltrane, Bill Evans, and Cannonball Adderley alongside him for the ride.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis - The Classic Albums Collection - This four CD set contains Miles Davis' nine most popular albums both critically and commercially, all originally recorded between 1953 and 1960. Among the most influential and acclaimed figures in the history of jazz, and indeed in 20th-century music, Miles Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in the genre. This four CD set contains Miles Davis' nine most popular albums both critically and commercially, all originally recorded between 1953 and 1960; for most enthusiasts the period during which the great man's star shone brightest.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Tempus Fugit (3:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Enigma (3:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Ray’s Idea (3:44)\u003c\/div\u003e\n\u003cdiv\u003e4. Kelo (3:18)\u003c\/div\u003e\n\u003cdiv\u003e5. I Waited For You (3:30)\u003c\/div\u003e\n\u003cdiv\u003e6. C.T.A. (3:33)\u003c\/div\u003e\n\u003cdiv\u003e7. Bags' Groove (11:16)\u003c\/div\u003e\n\u003cdiv\u003e8. Airegin (5:02)\u003c\/div\u003e\n\u003cdiv\u003e9. Oleo (5:15)\u003c\/div\u003e\n\u003cdiv\u003e10. But Not For Me (5:45)\u003c\/div\u003e\n\u003cdiv\u003e11. Doxy (4:56)\u003c\/div\u003e\n\u003cdiv\u003e12. Generique (2:49)\u003c\/div\u003e\n\u003cdiv\u003e13. L'assassinat De Carala (2:10)\u003c\/div\u003e\n\u003cdiv\u003e14. Sur L'autoroute (2:18)\u003c\/div\u003e\n\u003cdiv\u003e15. Julien Dans L'ascenseur (2:10)\u003c\/div\u003e\n\u003cdiv\u003e16. Florence Sur Les Champs-Elysees (2:52)\u003c\/div\u003e\n\u003cdiv\u003e17. Diner Au Motel (3:57)\u003c\/div\u003e\n\u003cdiv\u003e18. Evasion De Julien (0:53)\u003c\/div\u003e\n\u003cdiv\u003e19. Visite Du Vigile (2:03)\u003c\/div\u003e\n\u003cdiv\u003e20. Au Bar Du Petit Bac (2:52)\u003c\/div\u003e\n\u003cdiv\u003e21. Chez Le Photographe Du Motel (3:51)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Walkin' (13:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Blue 'N' Boogie (8:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Solar (4:45)\u003c\/div\u003e\n\u003cdiv\u003e4. You Don't Know What Love Is (4:24)\u003c\/div\u003e\n\u003cdiv\u003e5. Love Me Or Leave Me (6:56)\u003c\/div\u003e\n\u003cdiv\u003e6. Take Off (3:39)\u003c\/div\u003e\n\u003cdiv\u003e7. Weirdo (4:44)\u003c\/div\u003e\n\u003cdiv\u003e8. Woody 'N' You (3:25)\u003c\/div\u003e\n\u003cdiv\u003e9. I Waited For You (3:30)\u003c\/div\u003e\n\u003cdiv\u003e10. Ray's Idea (alternate Take) (3:48)\u003c\/div\u003e\n\u003cdiv\u003e11. Donna (3:13)\u003c\/div\u003e\n\u003cdiv\u003e12. Well You Needn't (5:23)\u003c\/div\u003e\n\u003cdiv\u003e13. The Leap (4:30)\u003c\/div\u003e\n\u003cdiv\u003e14. Lazy Susan (4:02)\u003c\/div\u003e\n\u003cdiv\u003e15. Tempus Fugit (alternate Take) (3:57)\u003c\/div\u003e\n\u003cdiv\u003e16. It Never Entered My Mind (4:03)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. If I Were A Bell (8:21)\u003c\/div\u003e\n\u003cdiv\u003e2. You're My Everything (5:21)\u003c\/div\u003e\n\u003cdiv\u003e3. I Could Write A Book (5:12)\u003c\/div\u003e\n\u003cdiv\u003e4. Oleo (6:31)\u003c\/div\u003e\n\u003cdiv\u003e5. It Could Happen To You (6:39)\u003c\/div\u003e\n\u003cdiv\u003e6. Woody 'N' You (2:45)\u003c\/div\u003e\n\u003cdiv\u003e7. Dr Jackle (5:51)\u003c\/div\u003e\n\u003cdiv\u003e8. Sid’s Ahead (13:03)\u003c\/div\u003e\n\u003cdiv\u003e9. Two Bass Hit (5:17)\u003c\/div\u003e\n\u003cdiv\u003e10. Milestones (5:45)\u003c\/div\u003e\n\u003cdiv\u003e11. Billy Boy (7:18)\u003c\/div\u003e\n\u003cdiv\u003e12. Straight, No Chaser (10:42)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. So What (9:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Freddie Freeloader (9:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Blue In Green (9:48)\u003c\/div\u003e\n\u003cdiv\u003e4. All Blues (5:37)\u003c\/div\u003e\n\u003cdiv\u003e5. Flamenco Sketche (11:35)\u003c\/div\u003e\n\u003cdiv\u003e6. Concierto De Aranjuez (9:26)\u003c\/div\u003e\n\u003cdiv\u003e7. Will O' The Wisp (9:09)\u003c\/div\u003e\n\u003cdiv\u003e8. The Pan Piper (3:51)\u003c\/div\u003e\n\u003cdiv\u003e9. Saeta (3:56)\u003c\/div\u003e\n\u003cdiv\u003e10. Solea (12:17)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 823564037523\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Enlightenment\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.22.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600432214171,"sku":"215443","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-classic-albums-collection-cd-relix.jpg?v=1779281037"},{"product_id":"miles-davis-milestones-cd","title":"Miles Davis – Milestones (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1958, *Milestones* captures Miles Davis at a precise turning point, the moment before *Kind of Blue* when the modal revolution was still taking shape in real time. The ensemble here, including John Coltrane and Cannonball Adderley in the same saxophone section, represents a convergence of talent that existed for only a brief, electric window.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886978821829\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sbme Special Mkts.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.17.01\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Dr. Jackle (5:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Sid's Ahead (12:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Two Bass Hit (5:11)\u003c\/div\u003e\n\u003cdiv\u003e4. Milestones (5:42)\u003c\/div\u003e\n\u003cdiv\u003e5. Billy Boy (7:10)\u003c\/div\u003e\n\u003cdiv\u003e6. Straight, No Chaser (10:35)\u003c\/div\u003e\n\u003cdiv\u003e7. Two Bass Hit (Alternate Take) (4:30)\u003c\/div\u003e\n\u003cdiv\u003e8. Milestones (Alternate Take) (5:59)\u003c\/div\u003e\n\u003cdiv\u003e9. Straight, No Chaser (Alternate Take) (10:29)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600432902299,"sku":"346748","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-milestones-cd-relix.jpg?v=1779278340"},{"product_id":"john-coltrane-in-the-winners-circle-180-gram-remastered-lp-vinyl","title":"John Coltrane – In The Winner's Circle (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003e1957 was a watershed year for Coltrane, sandwiched between his tenure with Miles Davis and the formation of his classic quartet. The sessions captured here caught him at a pivotal crossroads, already commanding enough respect among his peers to anchor a room full of Down Beat poll winners. Hearing him alongside Philly Joe Jones, a bandmate from the Miles Davis group, adds another layer to understanding just how tight that mid-50s New York jazz world really was.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJohn Coltrane's all-star jazz session In the Winner's Circle was recorded in New York in September and October of 1957 and features the musicians who came first or second in Down Beat's critics' poll of that year including Donald Byrd, Kenny Burrell, Art Farmer, Philly Joe Jones, Oscar Pettiford and more. Remastered 96 kHz\/24 bit audio pressed on 180 gram vinyl at Precision Record Pressing in Canada with a reproduction of the rare 1961 alternate album art.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Lazy Afternoon\u003c\/div\u003e\n\u003cdiv\u003e2. Not So Sleepy\u003c\/div\u003e\n\u003cdiv\u003e3. Seabreeze\u003c\/div\u003e\n\u003cdiv\u003e4. Love And The Weather\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. She Didn`t  Say Yes\u003c\/div\u003e\n\u003cdiv\u003e2. If I`m Lucky\u003c\/div\u003e\n\u003cdiv\u003e3. At Home With The Blues\u003c\/div\u003e\n\u003cdiv\u003e4. Turtle Walk\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4050538816198\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Bethlehem Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.27.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600433623195,"sku":"456832","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-in-the-winner-s-circle-180-gram-remastered-lp-vinyl-vinyl-lp-relix.jpg?v=1779381300"},{"product_id":"john-coltrane-love-supreme-remastered-2-lp-vinyl","title":"John Coltrane – Love Supreme (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded on December 9, 1964 at Van Gelder Studio in Englewood Cliffs, New Jersey, \"A Love Supreme\" stands as Coltrane's most personal statement, a four-part suite conceived as a direct offering to God following his spiritual awakening in 1957. Coltrane performed the suite live only once, at the 1965 Antibes Jazz Festival, making the studio recording the definitive document of this singular vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEasily one of the most important records ever made, John Coltrane's a Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). from the flowing (and classic) bass line at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Part 1\u0026gt; Acknowledgement (7:39)\u003c\/div\u003e\n\u003cdiv\u003e2. Part 2\u0026gt; Resolution (7:15)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Part 3\u0026gt; Persuance\u003c\/div\u003e\n\u003cdiv\u003e2. Part 4\u0026gt; Psalm\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 011105015516\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.20.95\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600434180251,"sku":"239737","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-love-supreme-remastered-2-lp-vinyl-vinyl-lp-relix.jpg?v=1779380450"},{"product_id":"herbie-hancock-jazz-moods-round-midnight-cd","title":"Herbie Hancock – Jazz Moods: Round Midnight (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHerbie Hancock's relationship with late-night jazz runs deep, stretching back to his days in Miles Davis's second great quintet and his own Blue Note recordings of the 1960s. This 2004 Sony collection gathers some of his most intimate, after-hours material, showcasing the side of Hancock that never chased trends but simply understood the architecture of a ballad better than almost anyone alive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis product is an authorized manufactured on demand CD-R\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. On Green Dolphin Street (3:20)\u003c\/div\u003e\n\u003cdiv\u003e2. 'Round Midnight (5:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Minuit Aux Champs Elysées (3:24)\u003c\/div\u003e\n\u003cdiv\u003e4. Look (7:38)\u003c\/div\u003e\n\u003cdiv\u003e5. Circle (5:48)\u003c\/div\u003e\n\u003cdiv\u003e6. Harvest Time (4:47)\u003c\/div\u003e\n\u003cdiv\u003e7. Pee Wee (4:33)\u003c\/div\u003e\n\u003cdiv\u003e8. Someday My Prince Will Come (4:34)\u003c\/div\u003e\n\u003cdiv\u003e9. Little One (7:20)\u003c\/div\u003e\n\u003cdiv\u003e10. Chan's Song (Never Said) (4:14)\u003c\/div\u003e\n\u003cdiv\u003e11. My Funny Valentine (7:42)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 827969069127\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.15.04\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600434442395,"sku":"383079","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-herbie-hancock-jazz-moods-round-midnight-cd-relix.jpg?v=1779361112"},{"product_id":"miles-davis-workin-cd","title":"Miles Davis – Workin (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Miles Davis First Great Quintet recordings from 1956 rank among the most documented and debated sessions in jazz history, capturing Davis alongside John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones at a creative peak. *Workin'* was one of four albums drawn from those May and October sessions, released by Prestige as Davis was already moving toward Columbia and the innovations that would follow.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. It Never Entered My Mind (5:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Four (7:12)\u003c\/div\u003e\n\u003cdiv\u003e3. In Your Own Sweet Way (5:42)\u003c\/div\u003e\n\u003cdiv\u003e4. The Theme (Take 1) (1:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Trane's Blues (8:33)\u003c\/div\u003e\n\u003cdiv\u003e6. Ahmad's Blues (7:23)\u003c\/div\u003e\n\u003cdiv\u003e7. Half Nelson (4:46)\u003c\/div\u003e\n\u003cdiv\u003e8. The Theme (Take 2) (1:05)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 025218629621\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ojc\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.17.90\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600434540699,"sku":"313136","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-workin-cd-relix.jpg?v=1779277387"},{"product_id":"miles-davis-tribute-to-jack-johnson-180-gram-lp-vinyl","title":"Miles Davis – Tribute To Jack Johnson (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1970 as the soundtrack to a documentary about the first Black heavyweight boxing champion of the world, this session captured Davis at his most politically charged and sonically fearless. The two-track structure, \"Right Off\" and \"Yesternow,\" gave him room to let ideas breathe and combust, with John McLaughlin's guitar work landing somewhere between Hendrix and pure electricity.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe 'Greatest Rock and Roll Band You Have Ever Heard': Miles Davis, John McLaughlin, and Co. Merge Electric Fusion and Defiant Rock on the Funky, Freeing A Tribute to Jack JohnsonSourced from the Original Analog Master Tapes: Mobile Fidelity's Numbered-Edition 180g SuperVinyl LP Presents 1971 Landmark in Exuberant, Full-Range SoundMiles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the 'greatest rock and roll band you have ever heard,' his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio - and just as infrequently accepted by the mainstream. Sourced from the original analog master tapes, pressed on MoFi SuperVinyl, and housed in a Stoughton jacket, Mobile Fidelity's 180g LP reissue brings it all to fore with startling realism. Benefitting from SuperVinyl's nearly inaudible noise floor, superb groove definition, and clean, ultra-quiet surfaces, this 180g LP showcases everything - from the bold tonality of the headliner's white-hot trumpet solos to the decay of crashing cymbals, carry of wiry guitar notes, and echoes of the studio - in reference fashion. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences longtime fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires. Utilizing wah-wah and distortion, the go-to instrumentalist of the performances- guitarist John McLaughlin - attacks with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson cross the until-then-impenetrable divide between rock and jazz. Davis puts both feet in the former camp and erases any gap. The stories of the record's creation are nearly as legendary as the sounds within: Two sessions, multiple jams, different sets of musicians (several uncredited), and near-miraculous production perfectionism that made it all appear cohesive.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826218\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.7.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Right Off (26:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Yesternow (25:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600434770075,"sku":"237168","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-tribute-to-jack-johnson-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779277520"}],"url":"https:\/\/relix.shop\/collections\/jazz-vinyl-cds-classic-contemporary.oembed?page=23","provider":"relix.shop","version":"1.0","type":"link"}