{"title":"Jazz Vinyl Records","description":"\u003cp\u003eFor the listener who reached the Dead through Miles, or reached Miles through the Dead: this is where jazz vinyl lives at Relix.\u003c\/p\u003e\u003cp\u003eThe collection runs 582 titles deep, from canonical studio records to festival documents and New Orleans brass. Miles Davis appears across several eras and formats: \u003cem\u003eKind of Blue\u003c\/em\u003e on Vinyl LP from Sony Music, \u003cem\u003eBirth of the Cool\u003c\/em\u003e on Vinyl LP from Blue Note, \u003cem\u003eBitches Brew\u003c\/em\u003e on Vinyl 2xLP from Sony Legacy, and the mono pressing of \u003cem\u003eSketches of Spain\u003c\/em\u003e from Sony Legacy. Thelonious Monk is represented by two essential records: \u003cem\u003eBrilliant Corners\u003c\/em\u003e on Vinyl LP from Craft Recordings and the live \u003cem\u003eParis 1969\u003c\/em\u003e on Vinyl 2xLP from Blue Note. Charlie Parker's \u003cem\u003eBird at St. Nick's\u003c\/em\u003e, a live Vinyl LP from Craft Recordings, captures a 1950 club night that has circulated among collectors for decades. The Philadelphia Experiment's \u003cem\u003eLive at Newport Jazz Festival\u003c\/em\u003e arrives as a Vinyl 2xLP from Newport Festivals, bridging the festival world Relix has covered since 1974 with the jazz tradition. Big Band of Brothers brings their \u003cem\u003eA Jazz Celebration of the Allman Brothers Band\u003c\/em\u003e on a peach-colored Vinyl 2xLP from New West Records. Butcher Brown's \u003cem\u003eLetters from the Atlantic\u003c\/em\u003e is pressed on sea blue Vinyl LP from Concord. Preservation Hall Jazz Band contributes two LPs from Preservation Hall Merchandise: \u003cem\u003eA Tuba to Cuba\u003c\/em\u003e and \u003cem\u003eThat's It!\u003c\/em\u003e, both rooted in the New Orleans tradition the magazine has documented for fifty years.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered the intersection of jazz, rock, and improvised music since 1974. The store reflects that editorial history rather than an algorithm. The Sessions series, which has paired Relix with artists for exclusive recorded performances, informs how we think about live documents and archival releases. When a title appears here, it is because someone on the editorial side knows the record, not because it cleared a margin threshold. That context matters when you are choosing between pressings or deciding whether a live document is worth the investment.\u003c\/p\u003e\u003cp\u003eAll records are new and sealed. Pre-order titles display a street date on the product page and ship when the label releases them into distribution. Vinyl ships in protective packaging built for LPs.\u003c\/p\u003e\u003cp\u003eTo keep exploring, the \u003ca href=\"\/collections\/live-vinyl-albums\"\u003eLive Vinyl Albums and Records\u003c\/a\u003e collection pulls together concert documents across genres, including several titles that cross between jazz and the broader improvised music world Relix covers. The \u003ca href=\"\/collections\/jazz-vinyl-cds-classic-contemporary\"\u003eJazz Vinyl and CDs: Classic and Contemporary\u003c\/a\u003e collection extends the catalog into CD format and spans earlier decades alongside current releases.\u003c\/p\u003e","products":[{"product_id":"the-philadelphia-experiment","title":"The Philadelphia Experiment - Live at Newport Jazz Festival (2-LP Vinyl)","description":"\u003ch2\u003e\n\u003cem\u003eThe Philadelphia Experiment\u003c\/em\u003e Live At Newport Jazz 2017\u003c\/h2\u003e\n\u003cp\u003eCaptured live at the 2017 Newport Jazz Festival in their 5th ever performance, The Philadelphia Experiment celebrates a collaborative project featuring bassist \u003cstrong\u003eChristian McBride\u003c\/strong\u003e, drummer \u003cstrong\u003eAhmir \"Questlove\" Thompson\u003c\/strong\u003e, pianist \u003cstrong\u003eUri Caine\u003c\/strong\u003e and, in this performance, \u003cstrong\u003eDJ Logic\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eStrictly limited to 1,900 units, this premium double 180-gram vinyl-only edition was pressed at RTI and features a double-pocket gatefold jacket printed and assembled by the prestigious Stoughton Printing. 100% made in USA.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A: \u003c\/strong\u003ePhiladelphia Experiment\u003cbr\u003e\u003cstrong\u003eSide B: \u003c\/strong\u003eCall For All Demons\u003cbr\u003e\u003cstrong\u003eSide C: \u003c\/strong\u003eGrover\u003cbr\u003e\u003cstrong\u003eSide D: \u003c\/strong\u003eIle Ife • Ain't It The Truth\u003cbr\u003e\u003c\/p\u003e","brand":"Newport Festivals","offers":[{"title":"Default Title","offer_id":46323343655067,"sku":"1039-vinyl-jazz-philadelphia-experiment","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Philadelphia-Experiment-Live-at-Newport-Jazz-Festival-2-LP-Vinyl.jpg?v=1770120869"},{"product_id":"so-it-is-vinyl","title":"Preservation Hall Jazz Band - So It Is (Vinyl LP)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eSo It Is\u003c\/strong\u003e\u003c\/em\u003e was originally released in 2017, and finds the classic Preservation Hall Jazz Band sound invigorated by a number of fresh influences, not least among them, the band's 2015 life-changing trip to Cuba.\u003c\/p\u003e","brand":"Preservation Hall Merchandise","offers":[{"title":"Unsigned","offer_id":46741564391579,"sku":"PH_SOIT_LP","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Signed","offer_id":46741564424347,"sku":"PH_SOIT_LP-S","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/PreservationHallJazzBand_-_So_It_Is.jpg?v=1770130220"},{"product_id":"thats-it-vinyl","title":"Preservation Hall Jazz Band - That's It! (Vinyl LP)","description":"\u003cp\u003e2013 album from the New Orleans Jazz legends, the first album of all original material in the band's 60+ year history. Preservation Hall Jazz Band and its music continue to evolve as they embrace tradition and history while inspiring a new generation. Preservation Hall Jazz Band and My Morning Jacket first met a few years ago and also performed together on tour and in New Orleans. As their support for each other has grown, Jim James (My Morning Jacket) decided to take on the role as co-producer with Ben Jaffe on what is the first release of original music from Preservation Hall Jazz Band. With songs co-written with Dan Wilson, Chris Stapleton and the legendary Paul Williams, these new recordings have a fresh approach but still capture the classic feel of what has kept Preservation Hall Jazz Band relevant for more than half a century.\u003c\/p\u003e","brand":"Preservation Hall Merchandise","offers":[{"title":"Unsigned","offer_id":46741564489883,"sku":"PH_THIT_LP","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Signed","offer_id":46741564522651,"sku":"PH_THIT_LP-S","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/preservationhalljazzband-thatsit-Photoroom.jpg?v=1770130221"},{"product_id":"a-tuba-to-cuba-vinyl","title":"Preservation Hall Jazz Band - A Tuba to Cuba (Vinyl LP)","description":"\u003cp\u003eThe legendary Preservation Hall Jazz Band presents the soundtrack to \u003cem\u003e\u003cstrong\u003eA Tuba to Cuba\u003c\/strong\u003e\u003c\/em\u003e, the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The film follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. \u003cem\u003eA Tuba to Cuba\u003c\/em\u003e celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls. \u003cbr\u003e\u003cbr\u003eThe \u003cem\u003eNew York Times\u003c\/em\u003e said: \"This joyous, wide-ranging account of a New Orleans jazz band's 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.”\u003cbr\u003e\u003cbr\u003eAnd from the\u003cem\u003e LA Times\u003c\/em\u003e: “Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.” \u003cbr\u003e\u003cbr\u003ePreservation Hall Jazz Band’s Ben Jaffe said of “Kreyol,” the lead single from the soundtrack: “Every evening in Havana\u003cspan class=\"bcTruncateMore\"\u003e people gather along the waterfront to socialize. I’ve always been taken by the tempo at which people stroll, like New Orleans, there’s a very particular rhythm to their walk. That rhythm was the inspiration for 'Kreyol.’ In fact, ‘Kreyol’ is the Cuban spelling of ‘Creole.’ You can feel that same Creole influence in New Orleans, it’s one of our many shared connections with Cuba.” \u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe film is available through Amazon Video, iTunes, DirecTV, Google Play, YouTube Movies and more. Check your local service provider for additional listings.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Preservation Hall Merchandise","offers":[{"title":"Unsigned","offer_id":46741564588187,"sku":"PH_CUBA_LP","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Signed","offer_id":46741564620955,"sku":"PH_CUBA_LP-S","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/preservationhalljazzband-atubato-Photoroom.jpg?v=1770130222"},{"product_id":"for-fat-man-by-preservation-brass-vinyl","title":"Preservation Brass - For Fat Man (Vinyl LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWe’re proud to announce the first release by Preservation Hall’s resident brass band, The Preservation Brass! \u003c\/span\u003e\u003cspan data-stringify-type=\"paragraph-break\" class=\"c-mrkdwn__br\" aria-label=\"\"\u003e\u003c\/span\u003e\u003cspan\u003eRecorded in 2023, Preservation Brass’ debut studio album features both traditional and original tunes, all dedicated to the memory of the band’s late beloved drummer \u003cstrong\u003eKerry “Fat Man” Hunter.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack Listing\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eSide A:\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1. Indian Percussion Intro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Bagatelle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Lucky Dog\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Hot Sausage Rag\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. That Dada Strain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Big Chief Coming (Interlude)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-stringify-type=\"paragraph-break\" class=\"c-mrkdwn__br\" aria-label=\"\"\u003e\u003c\/span\u003e\u003cstrong\u003eSide B:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e1. Slide, Frog, Slide\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Climax Rag\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Bill Bailey Won't You Please Come Home\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Careless Love\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Medley\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Fiyaya\u003c\/span\u003e\u003c\/p\u003e","brand":"Preservation Hall Merchandise","offers":[{"title":"Default Title","offer_id":46741564981403,"sku":"FATMAN_LP","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/PreservationBrass_ForFatMan_Mock-Photoroom.jpg?v=1770130227"},{"product_id":"big-band-of-brothers-a-jazz-celebration-of-the-allman-brothers-band-vinyl","title":"Big Band of Brothers – A Jazz Celebration of the Allman Brothers Band (2-LP Peach Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eRead more about A Jazz Celebration of the Allman Brothers Band in our featured coverage from September 2019 on \u003ca href=\"https:\/\/relix.com\/blogs\/detail\/premiere-whipping-post-and-hot-lanta-from-upcoming-big-band-of-brothers-a-jazz-celebration-of-the-allman-brothers-band\/\" target=\"_blank\" title=\"Big Band of Brothers – A Jazz Celebration of the Allman Brothers Band (2-LP Peach Vinyl)\" rel=\"noopener\"\u003eRelix.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePressed on double vinyl, Big Band of Brothers reimagines Allman Brothers Band classics through a jazz big band lens, featuring arrangements that honor the originals while revealing the sophisticated compositional structures beneath the Southern rock surface. The project brings together jazz musicians and Allman Brothers family members to explore how songs like \"Jessica,\" \"Blue Sky,\" \"Midnight Rider,\" and \"Whipping Post\" function as jazz compositions when stripped of distortion and electric power. This double LP release proves the Allman Brothers' material transcends genre boundaries—the melodies, harmonies, and improvisational frameworks work just as effectively with horn sections and upright bass as they do with dual lead guitars.\u003c\/p\u003e\n\u003cp\u003eThe big band arrangements emphasize the compositional sophistication that separated the Allman Brothers from jam bands who prioritized improvisation over structure. Dickey Betts' \"Jessica\" becomes a swinging instrumental showcase, \"Blue Sky\" reveals its melodic beauty through horn voicings, and \"Whipping Post\" demonstrates how its complex structure supports extended exploration regardless of instrumentation. The jazz musicians approach the material with reverence while bringing their own improvisational language, creating versions that honor the Allmans while establishing new interpretative possibilities. The production captures both the power of full big band arrangements and the space that allows soloists to shine.\u003c\/p\u003e\n\u003cp\u003eWhat makes Big Band of Brothers valuable is how it proves the Allman Brothers' lasting impact extends beyond Southern rock and jam band genres. Their compositions work as jazz standards because they're built on solid melodic and harmonic foundations. For listeners who know the Allmans through their electric recordings, this jazz reinterpretation reveals the sophistication beneath the surface. The double vinyl format gives the arrangements room to breathe across four sides.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble LP vinyl.\u003c\/strong\u003e Jazz big band arrangements of Allman Brothers classics. Features Allman family members and jazz musicians. Reveals compositional sophistication.\u003c\/p\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":47434745577627,"sku":"NW5344 LP","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Big-Band-of-Brothers-A-Jazz-Celebration-of-the-Allman-Brothers-Band-2-LP-Peach-Vinyl.jpg?v=1770132238"},{"product_id":"amor-by-charlie-gabriel-vinyl","title":"Charlie Gabriel - AMOR (Vinyl LP)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt 93 years young, Charlie Gabriel is still making music for the sheer love of it. With his latest release,\u003cem\u003e\u003cstrong\u003e AMOR\u003c\/strong\u003e\u003c\/em\u003e, Charlie invites the listener to experience an \u003c\/span\u003e\u003cspan\u003eintimate assemblage of songs that have held a special place in his heart throughout his life and prolific career. As always, Charlie's music is pure joy and \u003cem\u003elove\u003c\/em\u003e, like the legend himself. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAvailable in vinyl, CD, and limited edition cassette tape\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"color: rgb(254, 68, 164);\"\u003eProceeds from the sale of this album benefit the\u003c\/span\u003e \u003cspan style=\"text-decoration: underline; color: rgb(254, 68, 164);\"\u003e\u003ca style=\"color: rgb(254, 68, 164); text-decoration: underline;\" rel=\"noopener\" title=\"Preservation Hall Foundation\" href=\"https:\/\/www.preshallfoundation.org\/\" target=\"_blank\"\u003ePreservation Hall Foundation\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Preservation Hall Merchandise","offers":[{"title":"Unsigned","offer_id":47836670525595,"sku":"CG_AMOR_LP","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Signed","offer_id":47836670558363,"sku":"CG_AMOR_LP-S","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Charlie-Gabriel-AMOR-Vinyl-LP.jpg?v=1770133622"},{"product_id":"sweet-emma-and-her-preservation-hall-jazz-band-1964-vinyl-reissue","title":"Sweet Emma and Her Preservation Hall Jazz Band (Vinyl LP)","description":"\u003cp style=\"text-align: left;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Sweet” Emma Barrett was an early jazz pianist and vocalist from New Orleans. A distinctive and eccentric figure in the Preservation Hall Jazz Band pantheon who performed with the Original Tuxedo Orchestra in the 1920s and 1930s, Barrett worked with countless jazz greats during her life, including Oscar “Papa” Celestin, Armand Piron, John Robichaux, and Paul Barbarin. She was commonly identified by her signature red cap and came to be known as the “Bell Gal” because she wore matching red garters adorned with bells that chimed while she played. A trailblazer among women in jazz, she recorded as leader of her own ensemble on the Southland, Riverside, and Preservation Hall record labels. Although performance opportunities were often limited or affected by the era’s gender restrictions, Barrett excelled despite these challenges, taking cues from the early female classic blues singers who insinuated double entendre and interjected humor into their lyrics and stage performances.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003e\u003cem\u003eSweet Emma and Her Preservation Hall Jazz Band\u003c\/em\u003e\u003c\/strong\u003e was recorded live in 1964 at the original Tyrone Guthrie Theater in Minneapolis, Minnesota, during PHJB’s early touring days.  Along with Ms. Barrett, the album features the brothers Percy and Willie Humphrey, “Big” Jim Robinson, Alcide “Slow Drag” Pavageau, and Josiah “Cie” Frazier.  \u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eA quintessential New Orleans recording, this is the first re-issue since the album’s release in 1964. 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It compiles material from two 10\" LPs recorded in 1954, plus two alternative takes. It is described in Allmusic as \"…a cornerstone of the post-bop genre.\" It features \u003cstrong\u003eThelonious Monk\u003c\/strong\u003e on the two takes of the title track, \u003cstrong\u003eSonny Rollins\u003c\/strong\u003e on tenor saxophone, \u003cstrong\u003eKenny Clarke\u003c\/strong\u003e on drums, \u003cstrong\u003eMilt Jackson\u003c\/strong\u003e on vibraphone, \u003cstrong\u003ePercy Heath\u003c\/strong\u003e on bass, and \u003cstrong\u003eHorace Silver\u003c\/strong\u003e on piano in \"Airegin\" and \"But Not For Me (Take 1).\"\u003c\/p\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":47927239147675,"sku":"OJC245","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Miles-Davis-Bags-Groove-LP-Vinyl.jpg?v=1770133818"},{"product_id":"brilliant-corners-lp","title":"Thelonious Monk – Brilliant Corners (LP Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStandard weight OJC pressing of \u003cmeta charset=\"utf-8\"\u003eThelonious Monk's \u003cem\u003eBrilliant Corners\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThelonious Monk\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas considered one of the “most challenging, provocative and disturbing figures in modern music.” His music was regarded as difficult to listen to and understand, causing many fans initially to shy away from trying to “dig Monk.” This album helped remedy that problem. Recorded in December of 1956 for \u003cstrong\u003eRiverside\u003c\/strong\u003e with a quartet featuring primarily \u003cstrong\u003eMax Roach\u003c\/strong\u003e (percussion), \u003cstrong\u003eSonny Rollins\u003c\/strong\u003e (tenor sax), \u003cstrong\u003eOscar Pettiford\u003c\/strong\u003e (bass), \u003cstrong\u003eErnie Henry\u003c\/strong\u003e (alto sax), \u003cstrong\u003eClark Terry\u003c\/strong\u003e (trumpet),\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBrilliant Corners\u003c\/em\u003e\u003c\/strong\u003e, an album of mostly self-penned numbers, is one of his greatest recordings. While still not casual listening, its pure brilliance and vitality can reach just about any listener.\u003c\/p\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":47927239114907,"sku":"OJC026","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Thelonious-Monk-Brilliant-Corners-LP-Vinyl.jpg?v=1770133831"},{"product_id":"another-side-of-john-coltrane-2-lp","title":"John Coltrane – Another Side of John Coltrane (2-LP Vinyl)","description":"\n\u003cp\u003eThis collection showcases \u003cstrong\u003esome of Coltrane's best recordings as a side artist\u003c\/strong\u003e and features collaborations with such jazz greats as \u003cstrong\u003eMiles Davis\u003c\/strong\u003e, \u003cstrong\u003eThelonious Monk\u003c\/strong\u003e, \u003cstrong\u003eSonny Rollins\u003c\/strong\u003e, \u003cstrong\u003eTadd Dameron\u003c\/strong\u003e, and \u003cstrong\u003eArt Taylor\u003c\/strong\u003e. Primarily focusing on Coltrane's recordings as side man from 1956 and 1957 on the \u003cstrong\u003ePrestige\u003c\/strong\u003e, \u003cstrong\u003eRiverside\u003c\/strong\u003e, and \u003cstrong\u003eJazzland\u003c\/strong\u003e labels, it also includes a guest appearance (and \u003cstrong\u003elegendary tenor saxophone solo\u003c\/strong\u003e) with Miles Davis on the track \"\u003cstrong\u003eSomeday My Prince Will Come\u003c\/strong\u003e\" (from the 1961 Miles Davis \u003cstrong\u003eColumbia\u003c\/strong\u003e album of the same title).\u003c\/p\u003e\n\u003cp\u003eThe 2-LP vinyl edition contains \u003cstrong\u003etwo extra tracks\u003c\/strong\u003e that are not available on the CD and digital editions: \"Nutty\" (Originally released on the album \u003cem\u003eThelonious Monk with John Coltrane\u003c\/em\u003e and \"Birks' Works\" (Originally released on the \u003cem\u003eRed Garland Quintet\u003c\/em\u003e album, \u003cem\u003eSoul Junction\u003c\/em\u003e, featuring John Coltrane and \u003cstrong\u003eDonald Byrd\u003c\/strong\u003e). The liner notes were written by \u003cstrong\u003eDoug Ramsey\u003c\/strong\u003e, winner of the Jazz Journalists Association’s Lifetime Achievement Award. Ramsey is the author of the award-winning biography \u003cem\u003eTake Five\u003c\/em\u003e: The Public and Private Lives of Paul Desmond. His other awards include two ASCAP Deems Taylors.\u003c\/p\u003e\n","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":47927239704731,"sku":"CR00093","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/John-Coltrane-Another-Side-of-John-Coltrane-2-LP-Vinyl.jpg?v=1770133854"},{"product_id":"bird-at-st-nicks-lp","title":"Charlie Parker – Bird at St. Nick's (LP Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eCharlie Parker\u003c\/strong\u003e attracted young musicians like a magnet. Among them was trombonist \u003cstrong\u003eJimmy Knepper\u003c\/strong\u003e, who, at a time when tape recording was a brand-new thing, captured Bird in flight one winter night in Manhattan. He soared, and when \u003cstrong\u003eCharles Mingus\u003c\/strong\u003e heard the music years later, he issued it as the first release on his new \u003cstrong\u003eJazz Workshop\u003c\/strong\u003e label. Since then, many private recordings of Parker have been made public. This was one of the first, and remains one of the best, a precious musical document.\u003c\/p\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":47927239442587,"sku":"OJC041","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Charlie-Parker-Bird-at-St_-Nicks-LP-Vinyl.jpg?v=1770133866"},{"product_id":"room-on-the-porch-black-vinyl","title":"Taj Mahal \u0026 Keb’ Mo’ – Room on the Porch (LP Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eGrammy Nominee 2026\u003cbr\u003eBest Traditional Blues Album\u003cbr\u003eROOM ON THE PORCH\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRoom On The Porch Black Vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW112453330 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003eTaj Mahal and Keb’ Mo', two generations of American blues masters, reunite to release their second album together, \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW112453330 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003eRoom \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003eOn\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003eThe\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003e Porch\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW112453330 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003e, following their GRAMMY Award winning album, \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW112453330 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003eTajMo\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW112453330 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003e (2017). This historic collaboration between two blues \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003egiants,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003e converges their extraordinary talents for an album of original songs and covers. In this 10-song set, the title track features award winning singer-songwriter Ruby \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003eAmanfu\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW112453330 BCX0\"\u003e. Available on vinyl, CD and digitally.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW112453330 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"SCXW64087056 BCX0\"\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cstrong\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun Underlined MacChromeBold SCXW64087056 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eTrack Listing\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cstrong\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW64087056 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eSIDE A:\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW64087056 BCX0\" role=\"list\" start=\"1\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"2\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"1\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW64087056 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eRoom on the Porch ft. Ruby \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eAmanfu\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e (4:05)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW64087056 BCX0\" role=\"list\" start=\"2\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"2\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"2\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW64087056 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eMy Darling My Dear (3:58)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW64087056 BCX0\" role=\"list\" start=\"3\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"2\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"3\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW64087056 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eNobody Knows You When \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eYou’re\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e Down and Out (3:42)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW64087056 BCX0\" role=\"list\" start=\"4\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"2\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"4\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW64087056 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003eShe Keeps Me Movin’ (4:01)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW64087056 BCX0\" role=\"list\" start=\"5\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"2\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"5\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW64087056 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e Make Up Your Mind (4:40)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}'\u003e \u003c\/span\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}'\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}'\u003eSIDE B:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW64087056 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e      1. Thicker Than Mud (4:38)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW64087056 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e      2. Junkyard Dog (4:20)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"SCXW64087056 BCX0\"\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW64087056 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e      3. Blues’ll\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e Give You Back Your Soul (4:47)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW64087056 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e      4. Better Than Ever ft. Wendy Moten (5:03) \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW64087056 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW64087056 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW64087056 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW64087056 BCX0\"\u003e      5. Rough Time Blues (4:31)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW64087056 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":350}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Concord Jazz","offers":[{"title":"Default Title","offer_id":47927240327323,"sku":"888072677999","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Taj-Mahal-Keb-Mo-Room-on-the-Porch-LP-Vinyl.jpg?v=1770133908"},{"product_id":"book-of-queens-black-vinyl","title":"Krasno\/Moore Project – Book of Queens (LP Vinyl)","description":"\u003cp\u003eGuitarist Eric Krasno (Lettuce, Soulive) and drummer Stanton Moore (Galactic, Garage-a-Trois) are GRAMMY award-winning artists who have shared the stage countless times over years. Their album Krasno\/Moore Project: House of Queens (Concord Jazz) showcases a collection of songs from some of their favorite female artists including Amy Winehouse, Billie Eilish, H.E.R., Nina Simone and more. Featuring organist Eric Finland with special guests Cory Henry, Branford Marsalis and Robert Randolph.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"auto\"\u003eTRACK LISTING\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eSIDE A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003eYou Know I’m No Good \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003eNobody’s Baby \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003eSlow Burn \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003eLost Cause \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003eStay High feat. Cory Henry \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eSIDE B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003eFever feat. Branford Marsalis \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003eA Natural Woman \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"none\"\u003eCarried Away \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true,\"201341983\":0,\"335559739\":0,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-contrast=\"none\"\u003eI Wish I Knew How It Would Feel To Be Free feat. Robert Randolph\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Concord Jazz","offers":[{"title":"Default Title","offer_id":47927240425627,"sku":"CORE-KRMP-1338-MED101-BLK-12IN","price":22.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/KrasnoMoore-Project-Book-of-Queens-LP-Vinyl.jpg?v=1770133918"},{"product_id":"letters-from-the-atlantic-sea-blue-vinyl","title":"Butcher Brown – Letters from the Atlantic (Sea Blue LP Vinyl)","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eButcher Brown’s limitless musical range shows no boundaries by genre and time. The band’s newest release, Letters From The Atlantic, displays a seamless blend of jazz, rock, funk, R\u0026amp;B, soul, bossa nova and more. Following Solar Music (2023), Butcher Brown’s new project moves toward an indie groove, featuring female guest artists Yaya Bey, Melanie Charles, Leanor Wolf, Mia Gladstone, Victoria Victoria, along with Nicholas Payton \u0026amp; Neal Francis. Available as Sea Blue Vinyl, CD and digitally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"SCXW256405947 BCX0\"\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eTRACK LIST:\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eSide A\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW256405947 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW256405947 BCX0\" role=\"list\" start=\"1\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"4\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"1\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eSeagulls (01:44)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW256405947 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW256405947 BCX0\" role=\"list\" start=\"2\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"4\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"2\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eUnwind feat Melanie Charles (03:57)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW256405947 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW256405947 BCX0\" role=\"list\" start=\"3\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"4\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"3\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eBackline (03:11)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW256405947 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW256405947 BCX0\" role=\"list\" start=\"4\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"4\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"4\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eRight Here feat Leanor Wolf (01:33)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW256405947 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW256405947 BCX0\" role=\"list\" start=\"5\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"4\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"5\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eChange in Weather feat Mia Gladstone (03:30)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"SCXW256405947 BCX0\"\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW256405947 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW256405947 BCX0\" role=\"list\" start=\"6\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"4\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"6\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eDinorah \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW256405947 BCX0\"\u003eDinorah\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003e (04:39)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW256405947 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW256405947 BCX0\" role=\"list\" start=\"7\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"4\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"7\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eI Remember feat Yaya Bey (04:12)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eSide B\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW256405947 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW256405947 BCX0\" role=\"list\" start=\"1\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"5\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"1\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eIbiza (04:36)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW256405947 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW256405947 BCX0\" role=\"list\" start=\"2\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"5\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"2\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eHold You feat Victoria \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW256405947 BCX0\"\u003eVictoria\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003e (04:00)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW256405947 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW256405947 BCX0\" role=\"list\" start=\"3\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"5\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"3\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eMontrose Forest feat Nicholas Payton (03:43)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":350}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW256405947 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW256405947 BCX0\" role=\"list\" start=\"4\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"5\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"4\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eSomething New About You feat Neal Francis (03:43)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":350}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ListContainerWrapper SCXW256405947 BCX0\"\u003e\n\u003col class=\"NumberListStyle1 SCXW256405947 BCX0\" role=\"list\" start=\"5\"\u003e\n\u003cli data-leveltext=\"%1.\" data-font=\"\" data-listid=\"5\" data-list-defn-props='{\"335552541\":0,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' aria-setsize=\"-1\" data-aria-posinset=\"5\" data-aria-level=\"1\" role=\"listitem\" class=\"OutlineElement Ltr SCXW256405947 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW256405947 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW256405947 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW256405947 BCX0\"\u003eInfant Eyes (03:30)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW256405947 BCX0\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":350}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Concord Jazz","offers":[{"title":"Default Title","offer_id":47927240720539,"sku":"888072669369","price":22.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Butcher-Brown-Letters-from-the-Atlantic-Sea-Blue-LP-Vinyl.jpg?v=1770133920"},{"product_id":"kingbutch-black-vinyl","title":"Butcher Brown – #KingButch (LP Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e#KingButch\u003c\/em\u003e\u003c\/strong\u003e—hashtag proudly attached—is the title of Butcher Brown’s soon-to-be top-trending album, the tenth in the band’s up-from-the-roots legacy, and their first with Concord Records, on the Concord Jazz imprint. The 13 tracks collectively represent a bold step forward for the 5-piece group from Richmond, Virginia. Remaining true to the group’s heady fusion of contemporary hip-hop, ‘70s fusion, ‘60s jazz and funk—even echoes of Southern rock and marching band music show up—\u003cem data-mce-fragment=\"1\"\u003e#KingButch\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a powerfully original statement that reaches across divisions of genre, generation, ethnicity, and geography. Significantly, the new recording also reveals a side of Butcher Brown that’s been developing and is now in full-flower: a song-crafting, studio maturity on a par with their national reputation as an explosive live act.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eStreet date:\u003c\/u\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eSeptember 18th, 2020\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eTRACK LIST:\u003c\/u\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Fonkadelica (0:46)\u003cbr data-mce-fragment=\"1\"\u003e2. #KingButch (2:25)\u003cbr data-mce-fragment=\"1\"\u003e3. Broad Rock (3:58)\u003cbr data-mce-fragment=\"1\"\u003e4. Cabbage (DFC) (4:38)\u003cbr data-mce-fragment=\"1\"\u003e5. Gum In My Mouth (2:39)\u003cbr data-mce-fragment=\"1\"\u003e6. Frontline (Intro) (0:43)\u003cbr data-mce-fragment=\"1\"\u003e7. Frontline (4:52)\u003cbr data-mce-fragment=\"1\"\u003e8. 1992 (2:50)\u003cbr data-mce-fragment=\"1\"\u003e9. Love Lock (4:15)\u003cbr data-mce-fragment=\"1\"\u003e10. Hopscotch (1:08)\u003cbr data-mce-fragment=\"1\"\u003e11. Tidal Wave (3:32)\u003cbr data-mce-fragment=\"1\"\u003e12. For The City feat. Fly Anakin (3:47)\u003cbr data-mce-fragment=\"1\"\u003e13. IDK (6:17)\u003c\/p\u003e","brand":"Concord Jazz","offers":[{"title":"Default Title","offer_id":47927240753307,"sku":"888072166363","price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Butcher-Brown-KingButch-LP-Vinyl.jpg?v=1770133922"},{"product_id":"bill-frisell-in-my-dreams-lp-vinyl","title":"Bill Frisell – In My Dreams (2-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn My Dreams is both familiar Bill Frisell and brand-new Bill Frisell. The renowned guitarist, who is quite successful at never determinedly repeating himself, has recorded before in a trio with bassist Thomas Morgan and drummer Rudy Royston, beginning with 2016's When You Wish Upon a Star, and he's also made music before with violinist Jenny Scheinman, violist Eyvind Kang and cellist Hank Roberts, going back two decades to the album Richter 858.\u003c\/p\u003e\u003cp\u003eThere have been occasions when the six have nearly coalesced--all but Morgan accompany Frisell on 2013's Big Sur--but not until now has he brought the two entities together in the studio. While that might seem to be obvious--creating a new sextet from favored players--the result is anything but that. Frisell and his collaborators go to places as an expanded unit that they haven't separately, and it's all quite exhilarating and magnificent.\u003c\/p\u003e\u003cp\u003eNot every track on the Lee Townsend-produced, Frisell-arranged set utilizes the entire crew--Frisell himself sits out the opening track, \"Trapped in the Sky,\" although he wrote it; the recording features only viola and violin. But from there, most of the music features the full ensemble, some recorded live, some in the studio--some written by Frisell, others not (like their excellent, ethereal take on \"Home on the Range\").\u003c\/p\u003e\u003cp\u003eAmong the live tracks, the original \"Again,\" which spotlights Royston, migrates from audacious to subtle, while Duke Ellington's \"Isfahan\" is sweet and airy, Frisell taking liberties with melody and form. \"Why?\" and \"Never Too Late,\" both originals, are studio highlights, the former playful and mesmerizing, the latter symphonic in its breadth. Hopefully, now that they've gone there, we'll be hearing more from this sextet.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Jeff Tamarkin, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/bill-frisell-in-my-dreams\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBill Frisell has spent decades quietly expanding what American music can hold, weaving country, jazz, folk, and classical into something that resists every easy label. Bringing together two of his most trusted ensembles on a single record, the guitarist opens new conversational space between Morgan and Royston's rhythmic intuition and the string depth of Scheinman, Kang, and Roberts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eRead Jeff Tamarkin's review of Bill Frisell's In My Dreams from February 27, 2026, on \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/bill-frisell-in-my-dreams\/\"\u003erelix.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn My Dreams is both familiar Bill Frisell and brand-new Bill Frisell. The renowned guitarist, who is quite successful at never determinedly repeating himself, has recorded before in a trio with bassist Thomas Morgan and drummer Rudy Royston, beginning with 2016's When You Wish Upon a Star, and he's also made music before with violinist Jenny Scheinman, violist Eyvind Kang and cellist Hank Roberts, going back two decades to the album Richter 858.\u003c\/p\u003e\n\u003cp\u003eThere have been occasions when the six have nearly coalesced — all but Morgan accompany Frisell on 2013's Big Sur — but not until now has he brought the two entities together in the studio. While that might seem to be obvious — creating a new sextet from favored players — the result is anything but that. Frisell and his collaborators go to places as an expanded unit that they haven't separately, and it's all quite exhilarating and magnificent.\u003c\/p\u003e\n\u003cp\u003eNot every track on the Lee Townsend-produced, Frisell-arranged set utilizes the entire crew. Frisell himself sits out the opening track, \"Trapped in the Sky,\" although he wrote it — the recording features only viola and violin. But from there, most of the music features the full ensemble, some recorded live, some in the studio, some written by Frisell, others not (like their excellent, ethereal take on \"Home on the Range\").\u003c\/p\u003e\n\u003cp\u003eAmong the live tracks, the original \"Again,\" which spotlights Royston, migrates from audacious to subtle, while Duke Ellington's \"Isfahan\" is sweet and airy, Frisell taking liberties with melody and form. \"Why?\" and \"Never Too Late,\" both originals, are studio highlights — the former playful and mesmerizing, the latter symphonic in its breadth. Hopefully, now that they've gone there, we'll be hearing more from this sextet.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Trapped In The Sky (2:07)\u003cbr\u003eA2. When We Go (7:52)\u003cbr\u003eA3. In My Dreams (5:12)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Isfahan (6:33)\u003cbr\u003eB2. Give Me A Home (2:53)\u003cbr\u003eB3. Why? (3:17)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Curtis (A Year And A Day) (7:24)\u003cbr\u003eC2. Hard Times (4:42)\u003cbr\u003eC3. Again (6:16)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Small Hands (6:19)\u003cbr\u003eD2. Never Too Late (4:06)\u003cbr\u003eD3. Home On The Range (5:37)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602488137676\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262781993115,"sku":"99049748","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bill-Frisell-In-My-Dreams-2-LP-Vinyl.png?v=1776110975"},{"product_id":"charlie-gabriel-eighty-nine-limited-edition-translucent-gold-lp-vinyl","title":"Charlie Gabriel – Eighty Nine (Translucent Gold LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded when Gabriel was 89 years old, this debut solo album arrived nearly eight decades into a life spent inside New Orleans jazz, a tradition he's carried as a cornerstone of the Preservation Hall Band. The city's musical lineage runs deep in him, and hearing it surface this intimately, on clarinet and saxophone, with Sub Pop of all labels giving it a home, is one of those genuinely unlikely and quietly beautiful things that the music world occasionally gets right.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eI've been playing since I was 11 years old,\" says Charlie Gabriel, the most senior member of the legendary Preservation Hall Band, \"I never did anything in my life but play music. I've been blessed with that gift that God gave me, and I've tried to nurse it the best way I knew how.\" While he's faced plenty of challenges nursing that gift for more than 78 years, none likely rank with last winter's passing of his brother and last living sibling, Leonard, lost to COVID-19. For the first time ever, Gabriel put down his horn, filling his days and weeks instead with dark reflection, a stubborn despondency broken now and then by regular chess matches in the studio kitchen of Hall leader Ben Jaffe, working overtime to bring his friend some light. One such afternoon also included Joshua Starkman, sitting off in a corner playing his guitar and half-watching the chess from a distance. When Charlie returned the next day, he brought his saxophone. \"I was just inspired to try it, to play again. It had been a long time, and a guitar makes me feel free. I do love the sound of a piano, but it takes up a lot of a space, keeps me kind of boxed in.\" That day was to be the first session for Eighty Nine, almost entirely the work of Gabriel, Jaffe and Starkman, recorded mostly right there, in the kitchen, by Matt Aguiluz. Charlie Gabriel's first professional gig dates to 1943, sitting in for his father in New Orleans' Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band then included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer J.C. Heard. While he's also fronted a bebop quintet, played and\/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader. Since 2006, Gabriel has been a member of the Preservation Hall Jazz Band, featuring prominently on That's It, So It Is, and Tuba to Cuba. Eighty Nine was different, and not simply due to a smaller ensemble. \"We had no particular plan, or any particular insight on what we were gonna do. But we were enjoying what we were doing, jamming, having a musical conversation,\" Charlie says, further musing, \"Musical conversations cancel out complications.\" Eighty Nine includes six standards and three newer pieces on which Gabriel is a writer: \"Yellow Moon,\" \"The Darker It Gets\" and \"I Get Jealous.\" The record also marks Charlie's return to his first instrument, clarinet, on many of the tracks. \"The clarinet is the mother of the saxophone,\" he says. \"I started playing clarinet early in life, and this [taught me] the saxophone.\" Finally, Eighty Nine includes three tracks of Charlie singing. \"I always sung, but it wasn't my forte to become a singer,\" he says. \"The truth is, people often develop a real relationship with a song once they hear the words. Sometimes I enjoy singing them.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eMemories of You\u003c\/li\u003e\n\u003cli\u003eChelsea Bridge\u003c\/li\u003e\n\u003cli\u003eI'm Confessin'\u003c\/li\u003e\n\u003cli\u003eThe Darker It Gets\u003c\/li\u003e\n\u003cli\u003eStardust\u003c\/li\u003e\n\u003cli\u003eThree Little Words\u003c\/li\u003e\n\u003cli\u003eYellow Moon\u003c\/li\u003e\n\u003cli\u003eI Get Jealous\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787149005\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.29.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271231451291,"sku":"363816","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978180571291-lp-relix.png?v=1776193984"},{"product_id":"john-coltrane-a-love-supreme-live-in-seattle-lp-vinyl","title":"John Coltrane – A Love Supreme: Live In Seattle (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eA Love Supreme, arguably considered John Coltrane’s pinnacle work, first was issued in January of 1965. It was a startling, groundbreaking achievement for the saxophonist; a musical prayer signaling a tectonic shift away from the prominent jazz-as-pop scene- including Coltrane’s own contributions to the trend, such as 1961’s My Favorite Things- into more experimental and spiritual terrain. Coltrane, in his genius, could just as easily entertain with dalliances in more commercial fare, and remain an outlier and a vanguard for something new; his modal work with Miles Davis, his stylistic “sheets of sound,” and his Africa\/Brass sessions, also in ’61 and marking the debut of his most illustrious solo era with the Impulse! Label, were but three of the evolutionary leaps that coincided with his concurrent and resultant steps as a popular jazz artist.\u003c\/p\u003e\u003cp\u003e1965 would be a year for one of the bigger leaps as Coltrane debuted A Love Supreme, as an album, (scoring a bigger hit than My Favorite Things), and in concert as a complete piece. This particular performance comes from an October ’65 date at The Penthouse in Seattle. It’s a recording, according to the album’s insightful liner notes, captured by two microphones bookending the stage, feeding onto ¼” tape reels, vulnerable and fortunate to have survived 55 years. As such, it’s quite raw sonically as opportunities for any subsequent mixing of the masters is limited; drummer Elvin Jones’ prominence but one consequence.\u003c\/p\u003e\u003cp\u003eAs for the performance itself, it’s a measure of Coltrane’s exquisite acumen and predilection for daring improvisation. His legendary three supporting him are present- Jones, pianist McCoy Tyner, bassist Jimmy Garrison- as well as, on this occasion, an additional bassist, Donald Rafael Garrett, and a pair of saxophonists, Pharoah Sanders and Carlos Ward, welcomed into the ensemble. What follows is less a genteel recitation and more like 12 rounds of emotional, philosophical, and aural sparring, as the group dances with the suite as much as it uppercuts, jabs, and knocks it out.\u003c\/p\u003e\u003cp\u003eIt’s volatile and intimate, and sometimes brutal listening, but beautiful in its skill and dexterity; Tyner’s crystalline runs circuitously curling through the cacophony; Trane’s theme emerging as both an earthbound, faithful foundation and hypnotic magnet pulling upward to the heavens; his guests searching and discovering, simultaneously contributing to and benefitting from the onstage epiphany.\u003c\/p\u003e\u003cp\u003eThis is an historic set, and its existence now as a proper release will preserve it as such, but what is most alive and prevalent in this album today is how scathing and liberated it still sounds. A Love Supreme reflects a man’s spiritual gratitude amidst personal and professional quests for evolution, during a time in America rife with poverty, racial conflict, and war, over five decades ago. Yet, this provocative live performance from Coltrane and his collaborators, much like the idea of faith, is also a living art work; one that should be examined, appreciated, if perhaps not fully understood.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2021\/11\/20\/john-coltrane-a-love-supreme-live-in-seattle\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eColtrane had been pushing the Classic Quartet toward something harder and more ecstatic throughout 1965, and by October he was bringing Pharoah Sanders into the fold as a second tenor voice, a decision that would reshape the group's sound entirely. Hearing \"A Love Supreme\" in that expanded configuration, with Sanders' raw, overblown intensity alongside McCoy Tyner and Elvin Jones, reveals the suite not as a closed statement but as a living framework, still being tested and opened up.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThis newly discovered live-recording of a performance of the Love Supreme suite is a revelation. Recorded at The Penthouse in Seattle on October 2, 1965, this recording transports the listener to a prime seat for piece of musical history. While not studio-quality audio, the power of the performance shines through. This version is also of the full suite and features an expanded band that includes the same Classic Quartet and Pharoah Sanders in his first official gig as part of Coltrane’s group.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. A Love Supreme, Pt. I - Acknowledgement (21:59)\u003c\/div\u003e\n\u003cdiv\u003e2. A Love Supreme, Pt. III - Pursuance (15:44)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Interlude 1 (2:36)\u003c\/div\u003e\n\u003cdiv\u003e2. A Love Supreme, Pt. II - Resolution (11:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Interlude 2 (6:26)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Interlude 3 (6:38)\u003c\/div\u003e\n\u003cdiv\u003e2. Interlude 4 (4:20)\u003c\/div\u003e\n\u003cdiv\u003e3. A Love Supreme, Pt. 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By 1984, Miles was fully committed to the electric, funk-inflected sound he'd been building since the Bitches Brew era, and this session captures a band that was genuinely road-tested, tight, and pushing forward. Darryl Jones would go on to join the Rolling Stones the following year.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis record is self produced by Miles himself! Without long time production collaborator Teo Macero, Miles chases new directions with this 1984 recording. Miles allowed keyboardist Robert Irving and guitar legend John Sco eld to write most of the material on the LP.\u003c\/p\u003e\u003cp\u003eThe record is dripping with some of the new sounds of synths which makes this a very unique entry in the Miles catalog.\u003c\/p\u003e\u003cp\u003eDecoy features John Sco eld on guitar, Robert Irving on synths and programming, Darryl Jones on bass, Al Foster on drums, Mino Cinelu on percussion, Bill Evans on sax, and guest appearances from Branford Marsalis.\u003c\/p\u003e\u003ch3\u003eRemastered From The Original Analog Tapes\u003c\/h3\u003e\u003ch3\u003ePRESSED ON CRYSTAL CLEAR VINYL HOUSED IN A GATEFOLD JACKET WITH JAPANESE STYLIZED INSERT AND DELUXE OBI STRIP\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Decoy (8:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Robot 415 (1:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Code M.D. (5:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Freaky Deaky (4:33)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. What It Is (4:32)\u003c\/div\u003e\n\u003cdiv\u003e2. That's Right (11:11)\u003c\/div\u003e\n\u003cdiv\u003e3. That's What Happened (3:34)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 664425147216\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Get On Down\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.26.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600400363675,"sku":"34944","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-decoy-vinyl-lp-relix.jpg?v=1779279399"},{"product_id":"bonobo-black-sands-lp-vinyl","title":"Bonobo – Black Sands (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSimon Green had been quietly building one of electronic music's most patient, considered catalogs since the early 2000s, and Black Sands was the moment the wider world caught up. The album's organic instrumentation, live jazz ensemble feel, and deep hip-hop rhythmic sensibility made it a touchstone for an entire generation of producers working somewhere between the dancefloor and the headphone listening session.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing of this 2010 release. Simon Green (AKA Bonobo) returns with his fourth and finest album, Black Sands. Losing none of his epic emotionalism, his control of texture and color and his subtlety, Black Sands sees Green making some of his most contemporary-sounding music to date.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Prelude\u003c\/div\u003e\n\u003cdiv\u003e2. Kiara\u003c\/div\u003e\n\u003cdiv\u003e3. Kong\u003c\/div\u003e\n\u003cdiv\u003e4. Eyesdown\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. El Toro\u003c\/div\u003e\n\u003cdiv\u003e2. We Could Forever\u003c\/div\u003e\n\u003cdiv\u003e3. 1009\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. All In Forms\u003c\/div\u003e\n\u003cdiv\u003e2. The Keeper\u003c\/div\u003e\n\u003cdiv\u003e3. Stay The Same\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Animals\u003c\/div\u003e\n\u003cdiv\u003e2. Black Sands\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021392584188\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ninja Tune\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.6.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600400887963,"sku":"23077","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bonobo-Black-Sands-2-LP-Vinyl.jpg?v=1779193191"},{"product_id":"miles-davis-quartet-musings-of-miles-original-jazz-classics-series-lp-vinyl","title":"Miles Davis  Quartet – Musings Of Miles (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in June 1954, this session captures Davis at a pivotal moment, just before the celebrated quintet recordings that would define his mid-decade peak. The rhythm section here previews what was coming: Red Garland's block chords and Philly Joe Jones's crackling brushwork would soon become central to some of the most important small-group jazz ever committed to tape.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReleased in 1955 on Prestige Records, The Musings of Miles is the first album from legendary trumpet player Miles Davis released in the 12\" LP format. With Davis as bandleader, other players include Red Garland (piano), Oscar Pettiford (bass) and Philly Joe Jones (drums). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Will You Still Be Mine?\u003c\/div\u003e\n\u003cdiv\u003e2. I See Your Face Before Me\u003c\/div\u003e\n\u003cdiv\u003e3. I Didn't\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. A Gal In Calico\u003c\/div\u003e\n\u003cdiv\u003e2. A Night In Tunisia\u003c\/div\u003e\n\u003cdiv\u003e3. Green Haze\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072662643\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.18.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600404721819,"sku":"114360","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-quartet-musings-of-miles-original-jazz-classics-series-lp-vinyl-vinyl-lp-relix.jpg?v=1779283519"},{"product_id":"miles-davis-round-about-midnight-lp-vinyl","title":"Miles Davis – 'Round About Midnight (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1957, 'Round About Midnight marked Miles Davis arriving at Columbia with something to prove, fresh off his electrifying 1955 Newport Jazz Festival performance that had reminded the world exactly where he stood. The rhythm section here, Red Garland, Paul Chambers, and Philly Joe Jones, was as tight a unit as jazz had produced, and hearing them alongside a young Coltrane still finding his voice makes this document genuinely irreplaceable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHipness Personified: Miles Davis' 'Round About Midnight Features Famed Quintet with John Coltrane Playing Memorable Hard Bop and BalladsSourced from the Original Master Tapes and Pressed on MoFi SuperVinyl: Mobile Fidelity's 180g 33RPM SuperVinyl LP Presents the Music with Engrossing Transparency, Presence, and FocusNumbered-Edition Reissue of 1957 Album Features Ultra-Low Noise Floor, Dead-Quiet Surfaces, and Superb Groove DefinitionMiles Davis' first album for Columbia, 'Round About Midnight, represents the beginning of a three-decade-plus relationship with the famed label and the start of an extended collaboration with saxophonist John Coltrane. It stands as a hard-bop benchmark - a summation of the styles that came before its creation, an immersion into the period's cutting-edge strains, and a hint of the modalism that would follow. The record remains ageless, it's fundamental cool epitomized by first-rate arrangements and astonishing performances of pensive ballads, bebop classics, and pop standards.Part of Mobile Fidelity's Miles Davis SuperVinyl reissue series, Round About Midnight resonates with newfound palpability and emotionalism on the label's 180g 33RPM SuperVinyl LP. Sourced from the original master tapes and housed in a Stoughton jacket, this numbered-edition collectible traces the individual paths each musician takes in contributing to the whole - from pianist Red Garland's left hand weaving counter-melodic chords to Coltrane infusing a tune with forward, harmony-defying patterns to the extent that iconic pianist Cecil Taylor declared 'Coltrane's what you hear on that record' the first time he heard the album. Indeed, the music sounds cohesive, immediate, and involving. Ballads are warm, lush, gentle, and illuminated; upbeat pieces bounce, snap, and energize. The high ceilings at Columbia's 30th Street Studio doubtlessly add to the sonic awe. This is hipness personified.1\/4' \/ 15 IPS ANALOG MASTER DSD 64 ANALOG CONSOLE LATHENumbered 180g 33RPM SuperVinyl LPNUMBERED SPECIAL EDITIONTrack ListSide One:1. 'Round Midnight2. Ah-Leu-Cha3. All of YouSide Two:1. Bye Bye Blackbird2. Tadd's Delight3. 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Charles recorded these vocals the same year he released *Through the Eyes of Love*, and hearing them finally set against the Basie band's trademark precision reveals just how deeply his phrasing lived inside the tradition.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing in gatefold jacket. Reissue of this 2006 release. Ray Sings, Basie Swings is an album that mixes previously unreleased Ray Charles vocal performances from 1973 with newly recorded instrumental tracks by the contemporary Count Basie Orchestra.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Oh, What A Beautiful Morning (4:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Let The Good Times Roll (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. How Long Has This Been Going On? (6:22)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Every Saturday Night (4:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Busted (2:36)\u003c\/div\u003e\n\u003cdiv\u003e3. Crying Time (3:54)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. I Can’t Stop Loving You (4:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Come Live With Me (4:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Feel So Bad (4:12)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. The Long And Winding Road (4:06)\u003c\/div\u003e\n\u003cdiv\u003e2. Look What They’ve Done To My Song (2:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Georgia On My Mind (4:38)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 708857212415\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Tangerine Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.3.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600405213339,"sku":"112563","price":41.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ray-charles-ray-sings-basie-swings-vinyl-lp-relix.jpg?v=1779304707"},{"product_id":"miles-davis-birth-of-the-blue-gate-180-gram-lp-vinyl","title":"Miles Davis – Birth Of The Blue (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe four tracks collected here have long lived in the shadow of *Kind of Blue*, scattered across reissues and compilations as afterthoughts. But the 1958 sextet that produced them, with John Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, and Jimmy Cobb, was operating at a level where even the sessions left on the shelf deserve a proper home.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances - all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year - have not been served well. They have largely been treated as add-ons to other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor!The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played the trumpet sublime with his sextet, featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley.Undervalued since their recording, the tunes on this album reflect historical and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-it's-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard.For this release, we started with the original 3-track recording session tapes, which were mixed down to a brand-new 30-ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab cut the lacquers at 33 1\/3 RPM utilizing the legendary Doug Sax's custom all-tube system and cutting lathe. The lacquers were plated and pressed on 180-gram vinyl at Quality Record Pressings. Lastly, the Stoughton Printing tip-on gatefold jacket with a deluxe scuff-resistant matte finish is the highest quality available. The artwork has an incredible spot-on look to a 1959 Columbia records release! Smash follow-up to what many consider the greatest jazz record ever! Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue! Modal jazz precursor laid the groundwork for future jazz innovation! 180-gram vinyl. Mastered by Matthew Lutthans at The Mastering Lab from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapesPlated and pressed at Quality Record Pressings for flawless production and superior fidelity! 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A compilation drawing from his vast catalog serves as a reminder that his influence runs through virtually every serious musician who came after him.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIf I had to do it all over again, I wouldn't listen to records. I very rarely listen to jazz records because they all do the same thing. I only listen to original musicians like Ahmad Jamal and Duke Ellington, musicians like Clark Terry, Dizzy Gillespie, Sonny Rollins and John Coltrane. \" A true icon, Miles Davis left an indelible mark on the genre through his recordings. \"The Miles Style\" is a compilation of his masterpieces, the timeless quality of the album and Miles Davis' ability to reshape jazz make it a classic. Translated with DeepL. 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The rhythm section here, Carter and the then-17-year-old Tony Williams, represents one of the great underrated partnerships in acoustic jazz, and hearing it cut from the original tapes makes the case for why Blue Note's Classic Vinyl series exists in the first place.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePianist Herbie Hancock showcased the full breadth of his artistry on his masterful 4th Blue Note album Empyrean Isles recorded in 1964. The album presented 4 diverse original compositions including the hit song \"Cantaloupe Island\" performed a deeply attuned quartet featuring Freddie Hubbard on trumpet, Ron Carter on bass, and Tony Williams on drums. 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The Berliner Jazztage captured the band mid-stride between the \"Mysterious Traveller\" and \"Tale Spinnin'\" eras, a moment when Zawinul and Shorter were rewriting what a jazz ensemble could sound like in a live setting.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWeather Report was one of the super-bands in the 70s and beginning of the 80s. The 40th anniversary of the founding of the band, which was started by the legendary keyboarder Joe Zawinul and the saxophonist Wayne Shorter, occurs now in a fine remastered vinyl. The concert the band gave at the Berliner Jazztage in 1975 can be heard for the first time on: The band gave a fantastic performance including Mysterious Traveller, Scarlet Woman And Badia\/Boogie Woogie Waltz from among the earlier weather report hits.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Freezing Fire (8:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Scarlet Woman (8:43)\u003c\/div\u003e\n\u003cdiv\u003e3. Mysterious Traveller (4:48)\u003c\/div\u003e\n\u003ch4\u003eSIDE B\u003c\/h4\u003e\n\u003cdiv\u003e1. Badia\/Boogie Woogie Waltz (19:44)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 885513800213\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Made In Germany Musi\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.11.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600416944283,"sku":"223287","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Weather-Report-Live-in-Berlin-1975-LP-Vinyl.jpg?v=1779193556"},{"product_id":"ray-charles-come-live-with-me-colored-org-lp-vinyl","title":"Ray Charles – Come Live With Me (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePressed on Tangerine vinyl for the first time since its original release, Come Live With Me arrived in 1974 at a moment when Charles had full creative and business control, running his own label and answering to no one. That autonomy shows in every arrangement, where his piano sits at the center of a production that moves between orchestral warmth and rolling rhythm and blues without ever losing the thread. Fifty years on, the fidelity of this reissue finally does justice to what he was building.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRAY CHARLES - Come Live With Me (First Vinyl Reissue In Over 50 Years On Limited Edition (TANGERINE Vinyl) LP Come Live With Me represents a creative peak that sounds fresher in 2025 than it may have in 1974. The first album on his Crossover label, it lives up to the label's name by showcasing the man's singular ability to cross over to any audience by making songs from any time or genre undeniably his own. Each side of Come Live With Me sets a seamless mood: Side 1 is a romantic suite of lush, latenight ballads, while a non-stop soul party is cooking on side 2. This two-sides-of-a-Saturday-night concept let's Ray Charles blend modern sounds and timeless traditions in ways no other artist ever could. Removed from the trappings and tropes of the mid-'70s music scene, and fully restored and remastered in cooperation with the Ray Charles Foundation, Come Live With Me is finally ready to be appreciated as the masterpiece it always was.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Till There Was You (4:06)\u003c\/div\u003e\n\u003cdiv\u003e2. If You Go Away (5:11)\u003c\/div\u003e\n\u003cdiv\u003e3. It Takes So Little Time (3:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Come Live With Me (3:23)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Somebody (4:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Problems, Problems (3:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Where Was He (2:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Louise (2:57)\u003c\/div\u003e\n\u003cdiv\u003e5. Everybody Sing (4:06)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 708857224012\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Tangerine Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.22.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600420941979,"sku":"185053","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ray-charles-come-live-with-me-colored-org-lp-vinyl-vinyl-lp-relix.jpg?v=1779306922"},{"product_id":"john-coltrane-in-the-winners-circle-180-gram-remastered-lp-vinyl","title":"John Coltrane – In The Winner's Circle (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003e1957 was a watershed year for Coltrane, sandwiched between his tenure with Miles Davis and the formation of his classic quartet. The sessions captured here caught him at a pivotal crossroads, already commanding enough respect among his peers to anchor a room full of Down Beat poll winners. Hearing him alongside Philly Joe Jones, a bandmate from the Miles Davis group, adds another layer to understanding just how tight that mid-50s New York jazz world really was.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJohn Coltrane's all-star jazz session In the Winner's Circle was recorded in New York in September and October of 1957 and features the musicians who came first or second in Down Beat's critics' poll of that year including Donald Byrd, Kenny Burrell, Art Farmer, Philly Joe Jones, Oscar Pettiford and more. Remastered 96 kHz\/24 bit audio pressed on 180 gram vinyl at Precision Record Pressing in Canada with a reproduction of the rare 1961 alternate album art.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Lazy Afternoon\u003c\/div\u003e\n\u003cdiv\u003e2. Not So Sleepy\u003c\/div\u003e\n\u003cdiv\u003e3. Seabreeze\u003c\/div\u003e\n\u003cdiv\u003e4. Love And The Weather\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. She Didn`t  Say Yes\u003c\/div\u003e\n\u003cdiv\u003e2. If I`m Lucky\u003c\/div\u003e\n\u003cdiv\u003e3. At Home With The Blues\u003c\/div\u003e\n\u003cdiv\u003e4. Turtle Walk\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4050538816198\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Bethlehem Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.27.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600433623195,"sku":"456832","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-in-the-winner-s-circle-180-gram-remastered-lp-vinyl-vinyl-lp-relix.jpg?v=1779381300"},{"product_id":"john-coltrane-love-supreme-remastered-2-lp-vinyl","title":"John Coltrane – Love Supreme (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded on December 9, 1964 at Van Gelder Studio in Englewood Cliffs, New Jersey, \"A Love Supreme\" stands as Coltrane's most personal statement, a four-part suite conceived as a direct offering to God following his spiritual awakening in 1957. Coltrane performed the suite live only once, at the 1965 Antibes Jazz Festival, making the studio recording the definitive document of this singular vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEasily one of the most important records ever made, John Coltrane's a Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). from the flowing (and classic) bass line at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Part 1\u0026gt; Acknowledgement (7:39)\u003c\/div\u003e\n\u003cdiv\u003e2. Part 2\u0026gt; Resolution (7:15)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Part 3\u0026gt; Persuance\u003c\/div\u003e\n\u003cdiv\u003e2. Part 4\u0026gt; Psalm\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 011105015516\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.20.95\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600434180251,"sku":"239737","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-love-supreme-remastered-2-lp-vinyl-vinyl-lp-relix.jpg?v=1779380450"},{"product_id":"miles-davis-tribute-to-jack-johnson-180-gram-lp-vinyl","title":"Miles Davis – Tribute To Jack Johnson (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1970 as the soundtrack to a documentary about the first Black heavyweight boxing champion of the world, this session captured Davis at his most politically charged and sonically fearless. The two-track structure, \"Right Off\" and \"Yesternow,\" gave him room to let ideas breathe and combust, with John McLaughlin's guitar work landing somewhere between Hendrix and pure electricity.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe 'Greatest Rock and Roll Band You Have Ever Heard': Miles Davis, John McLaughlin, and Co. Merge Electric Fusion and Defiant Rock on the Funky, Freeing A Tribute to Jack JohnsonSourced from the Original Analog Master Tapes: Mobile Fidelity's Numbered-Edition 180g SuperVinyl LP Presents 1971 Landmark in Exuberant, Full-Range SoundMiles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the 'greatest rock and roll band you have ever heard,' his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio - and just as infrequently accepted by the mainstream. Sourced from the original analog master tapes, pressed on MoFi SuperVinyl, and housed in a Stoughton jacket, Mobile Fidelity's 180g LP reissue brings it all to fore with startling realism. Benefitting from SuperVinyl's nearly inaudible noise floor, superb groove definition, and clean, ultra-quiet surfaces, this 180g LP showcases everything - from the bold tonality of the headliner's white-hot trumpet solos to the decay of crashing cymbals, carry of wiry guitar notes, and echoes of the studio - in reference fashion. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences longtime fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires. Utilizing wah-wah and distortion, the go-to instrumentalist of the performances- guitarist John McLaughlin - attacks with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson cross the until-then-impenetrable divide between rock and jazz. Davis puts both feet in the former camp and erases any gap. The stories of the record's creation are nearly as legendary as the sounds within: Two sessions, multiple jams, different sets of musicians (several uncredited), and near-miraculous production perfectionism that made it all appear cohesive.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826218\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.7.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Right Off (26:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Yesternow (25:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600434770075,"sku":"237168","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-tribute-to-jack-johnson-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779277520"},{"product_id":"miles-davis-sonn-dig-lp-vinyl","title":"Miles Davis – Dig (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in October 1951, *Dig* captures a pivotal crossroads moment, with a then-20-year-old Sonny Rollins and 17-year-old Jackie McLean pushing Miles toward a harder, more urgent attack. The personnel alone tells the story of a generation finding its footing, Blakey and Mingus anchoring a session that would shape the next decade of modern jazz.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1951 release by Miles Davis with Sonny Rollins, Jackie McLean, Art Blakey, Charles Mingus, Walter Bishop and Tommy Potter. This record finds Miles moving away from his \"cool\" sound of the late 1940s into more bop oriented terrain.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Dig (7:30)\u003c\/div\u003e\n\u003cdiv\u003e2. It's Only A Paper Moon (5:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Denial (5:35)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Bluing (9:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Out Of The Blue (6:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 025218110518\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.10.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600436441243,"sku":"410807","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-sonn-dig-vinyl-lp-relix.jpg?v=1779281941"},{"product_id":"miles-davis-merci-miles-live-at-vienne-lp-vinyl","title":"Miles Davis – Merci Miles Live At Vienne (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCaptured just weeks before his death in September 1991, the Vienne performance stands as one of the last documents of Miles in full flight, leading a band that included guitarist Foley McCreary and saxophonist Kenny Garrett. France had long embraced Miles with a devotion that matched his own love for the country, and the Jazz à Vienne festival gave him a stage worthy of that relationship, one final time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. By 1991, the world's most celebrated trumpeter could look back on five decades of musical evolution - his own, and that of the world around him. Miles Davis had found ways of marrying jazz with classical ideas, then later R\u0026amp;B, rock and funk, producing hybrid offspring that shaped the course of popular music and had come to define his legend. In 1985, he'd left Columbia after thirty years to sign to Warner Bros. Records, a label riding high with best-selling artists like Madonna, Van Halen and Prince, with whom he had a mutual admiration and friendship. Miles Davis's lifelong love for France is well-documented, and in July 1991, he became a Knight of their Legion of Honour. Davis received the award from French culture minister Jack Lang, who described him as: \"The Picasso of jazz.\" A few days before, he played this electrifying set at the Vienne Jazz Festival with the Miles Davis Group. He passed away two months later in September 1991. Miles Davis' performance at Jazz a Vienne on July 1, 1991 became one of his final live performances before he passed away on September 28, 1991, and this previously unreleased set includes two songs written by Prince, \"Penetration\" and \"Jailbait\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hannibal\u003c\/div\u003e\n\u003cdiv\u003e2. Jailbait\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Time After Time\u003c\/div\u003e\n\u003cdiv\u003e2. Wrinkle\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Human Nature\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Penetration\u003c\/div\u003e\n\u003cdiv\u003e2. Amandla\u003c\/div\u003e\n\u003cdiv\u003e3. Finale (Band Only)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497844623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600438538395,"sku":"300518","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-merci-miles-live-at-vienne-vinyl-lp-relix.jpg?v=1779278937"},{"product_id":"miles-davis-bitches-brew-lp-vinyl","title":"Miles Davis – Bitches Brew (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased just months after Woodstock reframed what popular music could be, *Bitches Brew* arrived as Davis's direct answer to Sly Stone and Jimi Hendrix, artists he was listening to obsessively at the time. The sessions, recorded over three days in August 1969, brought together a sprawling ensemble including Chick Corea, Joe Zawinul, John McLaughlin, and Wayne Shorter, musicians who would go on to define fusion for the next decade.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eDouble vinyl LP pressing. Bitches Brew is a studio album by jazz musician, composer, and bandleader Miles Davis, originally released on March 30, 1970. It marked his continuing experimentation with electric instruments that he had previously featured on the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. In subsequent years, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSIDE A\u003c\/h4\u003e\n\u003cdiv\u003e1. Pharaoh's Dance (20:05)\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eSIDE B\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e2. Bitches Brew (26:58)\u003c\/div\u003e\n\u003ch4\u003e\n\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eSIDE\u003c\/span\u003e C\u003c\/h4\u003e\n\u003cdiv\u003e1. Spanish Key (17:32)\u003c\/div\u003e\n\u003cdiv\u003e2. John McLaughlin (4:22)\u003c\/div\u003e\n\u003ch4\u003e\n\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eSIDE\u003c\/span\u003e D\u003c\/h4\u003e\n\u003cdiv\u003e1. Miles Runs The Voodoo Down (14:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Sanctuary (10:57)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 190759508619\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600441127067,"sku":"317888","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-bitches-brew-vinyl-lp-relix.jpg?v=1779281321"},{"product_id":"miles-davis-musings-of-miles-lp-vinyl","title":"Miles Davis – Musings Of Miles (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in June 1955, this session captured Davis in a transitional moment, just months before he assembled the First Great Quintet that would reshape modern jazz. The interplay with Red Garland and Philly Joe Jones here is a direct preview of the chemistry he'd soon harness on the celebrated Prestige marathon sessions of 1956.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Musings of Miles is the first 12\" LP by Miles Davis, issued by Prestige Records in 1955. This jazz classic, newly reissued by Prestige, features, in addition to Davis on trumpet, Red Garland on piano, Oscar Pettiford on bass and Philly Joe Jones on drums. This is an essential new addition to all vinyl and jazz collectors alike.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Will You Still Be Mine? 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The rhythm section alone, Carter and Williams in their prime, makes this one of the most carefully listened-to records in any serious jazz education.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career. Hancock is joined by Miles Davis Quintet bandmates Ron Carter on bass \u0026amp; Tony Williams on drums, along with Freddie Hubbard on trumpet \u0026amp; George Coleman on tenor saxophone. The quintet embarks on an oceanic exploration of 5 original Hancock compositions, several of which have since become enduring standards of the jazz lexicon including the title track, \"Eye of the Hurricane,\" \u0026amp; \"Dolphin Dance.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602435931968\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.24.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Maiden Voyage (7:57)\u003c\/div\u003e\n\u003cdiv\u003e2. The Eye Of The Hurricane (6:01)\u003c\/div\u003e\n\u003cdiv\u003e3. Little One (8:47)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Survival Of The Fittest (10:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Dolphin Dance (9:16)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600447189147,"sku":"516755","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-herbie-hancock-maiden-voyage-blue-note-classic-series-vinyl-lp-relix.jpg?v=1779361080"},{"product_id":"joni-mitchell-jonis-jazz-lp-vinyl","title":"Joni Mitchell – Joni's Jazz (8-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJoni Mitchell's relationship with jazz was never that of an outside admirer borrowing the vocabulary. From her landmark 1979 collaboration with Charles Mingus on *Mingus* to the long creative partnership with Wayne Shorter and Herbie Hancock that shaped records like *Hejira* and *Shadows and Light*, she earned her place in that conversation on her own terms. Sixty-one tracks across eight LPs makes the full scope of that journey hard to argue with.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited eight vinyl LP set. Joni's Jazz features tracks from Mitchell's entire career-spanning catalogue, including repertoire from releases with other artists and labels. It is a dedication and a love letter to her greatest collaborators in the genre-Charles Mingus, Herbie Hancock, Jaco Pastorious, and Wayne Shorter among them - and features rare demos, b-sides and alt versions of previously released tracks.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue (3:06)\u003c\/div\u003e\n\u003cdiv\u003e2. Trouble Man (3:42)\u003c\/div\u003e\n\u003cdiv\u003e3. Moon At The Window (Demo) (3:25)\u003c\/div\u003e\n\u003cdiv\u003e4. Be Cool (Demo) (3:36)\u003c\/div\u003e\n\u003cdiv\u003e5. Harlem In Havana (4:26)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Cherokee Louise (4:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Come In From The Cold (7:31)\u003c\/div\u003e\n\u003cdiv\u003e3. In France They Kiss On Main Street (3:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Nothing Can Be Done (4:53)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Sex Kills (3:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Edith And The Kingpin (3:37)\u003c\/div\u003e\n\u003cdiv\u003e3. Cold Blue Steel And Sweet Fire (4:17)\u003c\/div\u003e\n\u003cdiv\u003e4. The Jungle Line (4:26)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Shades Of Scarlett Conquering (5:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Yvette In English (5:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Marcie (4:36)\u003c\/div\u003e\n\u003cdiv\u003e4. A Bird That Whistles (2:37)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Love (3:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Comes Love (4:29)\u003c\/div\u003e\n\u003cdiv\u003e3. The Man I Love (5:56)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. At Last (4:26)\u003c\/div\u003e\n\u003cdiv\u003e2. You're My Thrill (3:53)\u003c\/div\u003e\n\u003cdiv\u003e3. Sometimes I'm Happy (3:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Stay In Touch (2:59)\u003c\/div\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cdiv\u003e1. The Crazy Cries Of Love (3:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Face Lift (4:42)\u003c\/div\u003e\n\u003cdiv\u003e3. Sweet Sucker Dance (Early Alternate Version) (7:03)\u003c\/div\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cdiv\u003e1. You Dream Flat Tires (2:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Answer Me, My Love (3:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Love Puts On A New Face (3:47)\u003c\/div\u003e\n\u003cdiv\u003e4. Both Sides Now (5:43)\u003c\/div\u003e\n\u003ch4\u003eSide I\u003c\/h4\u003e\n\u003cdiv\u003e1. Harry's House \/ Centerpiece (6:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Sunny Sunday (2:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Hana (3:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Last Chance Lost (3:16)\u003c\/div\u003e\n\u003cdiv\u003e5. Smokin' (Empty, Try Another) (1:44)\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Paprika Plains (16:21)\u003c\/div\u003e\n\u003ch4\u003eSide K\u003c\/h4\u003e\n\u003cdiv\u003e1. Hejira (Live At The Santa Barbara County Bowl, September 9, 1979) (7:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Refuge Of The Roads (7:57)\u003c\/div\u003e\n\u003cdiv\u003e3. Blue Motel Room (5:05)\u003c\/div\u003e\n\u003ch4\u003eSide L\u003c\/h4\u003e\n\u003cdiv\u003e1. Black Crow (4:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Off Night Backstreet (3:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Just Like This Train (4:25)\u003c\/div\u003e\n\u003cdiv\u003e4. No Apologies (4:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Not To Blame (4:20)\u003c\/div\u003e\n\u003cdiv\u003e6. The Magdalene Laundries (4:01)\u003c\/div\u003e\n\u003ch4\u003eSide M\u003c\/h4\u003e\n\u003cdiv\u003e1. The Sire Of Sorrow (Job's Sad Song) (7:06)\u003c\/div\u003e\n\u003cdiv\u003e2. God Must Be A Boogie Man (4:37)\u003c\/div\u003e\n\u003cdiv\u003e3. A Chair In The Sky (6:41)\u003c\/div\u003e\n\u003ch4\u003eSide N\u003c\/h4\u003e\n\u003cdiv\u003e1. Goodbye Pork Pie Hat (Live At The Santa Barbara County Bowl, September 9, 1979) (6:02)\u003c\/div\u003e\n\u003cdiv\u003e2. The Tea Leaf Prophecy (Lay Down Your Arms) (6:29)\u003c\/div\u003e\n\u003cdiv\u003e3. Shine (7:28)\u003c\/div\u003e\n\u003ch4\u003eSide O\u003c\/h4\u003e\n\u003cdiv\u003e1. If I Had A Heart (4:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Impossible Dreamer (4:27)\u003c\/div\u003e\n\u003cdiv\u003e3. One Week Last Summer (4:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Summertime (Live At Newport Folk Festival, July 22, 2023) (5:41)\u003c\/div\u003e\n\u003ch4\u003eSide P\u003c\/h4\u003e\n\u003cdiv\u003e1. Stormy Weather (3:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Two Grey Rooms (Demo) (3:57)\u003c\/div\u003e\n\u003cdiv\u003e3. The Dry Cleaner From Des Moines (3:23)\u003c\/div\u003e\n\u003cdiv\u003e4. Twisted (2:22)\u003c\/div\u003e\n\u003cdiv\u003e5. If (5:31)\u003c\/div\u003e\n\u003c!-- 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The \"Coltrane changes\" heard on the title track and \"Countdown\" rewrote what was harmonically possible, leaving fellow musicians scrambling to keep up. This is the record that closed one chapter of modern jazz and blew the door open on everything that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1959 release.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Giant Steps (4:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Cousin Mary (5:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Countdown (2:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Spiral (5:56)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Syeeda's Song Flute (7:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Naima (4:21)\u003c\/div\u003e\n\u003cdiv\u003e3. Mr. P. C. 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The interplay between Coltrane and McCoy Tyner here is worth the price of admission alone, a telepathic conversation that serious listeners return to again and again.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1960 release.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Night Has A Thousand Eyes (6:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Central Park West (4:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Liberia (6:45)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Body And Soul (5:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Equinox (8:33)\u003c\/div\u003e\n\u003cdiv\u003e3. Satellite (5:48)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227980504\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.27.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600454168731,"sku":"554907","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-coltrane-s-sound-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779383701"},{"product_id":"john-coltrane-blue-world-lp-vinyl","title":"John Coltrane – Blue World (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just months before the sessions that would yield *A Love Supreme*, these recordings capture the Classic Quartet at a pivotal moment, with McCoy Tyner, Jimmy Garrison, and Elvin Jones locked into the kind of telepathic interplay that defined one of jazz's most celebrated lineups. The versions of \"Naima\" and \"Village Blues\" here are unlike anything in the official catalog, offering a rare window into how Coltrane reimagined his own compositions in real time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eIn 1964, the National Film Board of Canada asked John Coltrane to record the soundtrack for a French-language film titled “Le chat dans le sac” (“The Cat in the Bag”). In June of that year, Coltrane’s ‘Classic Quartet’ entered Rudy Van Gelder’s studio and recorded five previously-recorded Coltrane originals. For many years, viewers of the film who recognized the music thought that they were listening to the original recordings, though in fact they were new and had never been heard.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Naima (Take 1) (4:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Village Blues (Take 2) (3:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Blue World (6:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Village Blues (Take 1) (3:48)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Village Blues (Take 3) (3:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Like Sonny (2:43)\u003c\/div\u003e\n\u003cdiv\u003e3. Traneing In (7:38)\u003c\/div\u003e\n\u003cdiv\u003e4. Naima (Take 2) (4:08)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602577626517\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.27.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600454561947,"sku":"532405","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-john-coltrane-blue-world-vinyl-lp-relix.jpg?v=1779384215"},{"product_id":"miles-davis-birth-of-the-cool-lp-vinyl","title":"Miles Davis – Birth Of The Cool (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePulled from three Capitol Records sessions cut between January 1949 and March 1950, these nineteen musicians, rarely assembled in a group this size for jazz at the time, included Gerry Mulligan, Lee Konitz, and a young arranger named Gil Evans, whose collaboration with Davis would reshape the sound of jazz for decades. The nonet format, borrowing the french horn and tuba from the classical world, pointed toward a cooler, more orchestral sensibility that stood in direct contrast to the fire of bebop.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited vinyl LP pressing. This aptly named 1957 album by jazz icon Miles Davis includes three sessions originally recorded between 1949 and 1950. What would go on to become known as cool jazz, these recordings were complex in arrangement, with just the right touch of restraint from Davis and the rest of his ensemble. Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title implies, these recordings are considered seminal in the history of cool jazz. Most of them were originally released in the 10-inch 78-rpm format and are all approximately three minutes long. Forever hip and innovative, this vinyl reissue is a timeless classic for any jazz collection.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Move\u003c\/div\u003e\n\u003cdiv\u003e2. Jeru\u003c\/div\u003e\n\u003cdiv\u003e3. Moon Dreams\u003c\/div\u003e\n\u003cdiv\u003e4. Venus De Milo\u003c\/div\u003e\n\u003cdiv\u003e5. Budo\u003c\/div\u003e\n\u003cdiv\u003e6. Deception\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Godchild\u003c\/div\u003e\n\u003cdiv\u003e2. Boplicity\u003c\/div\u003e\n\u003cdiv\u003e3. Rocker\u003c\/div\u003e\n\u003cdiv\u003e4. Israel\u003c\/div\u003e\n\u003cdiv\u003e5. Rouge\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602547972972\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.7.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600455807131,"sku":"556571","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-birth-of-the-cool-vinyl-lp-relix.jpg?v=1779281386"},{"product_id":"harrison-donald-dr-john-indian-blues-lp-vinyl","title":"Donald Harrison \u0026 Dr. John - Indian Blues (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDonald Harrison Jr. carries a rare double inheritance: he came up through Art Blakey's Jazz Messengers and simultaneously served as a Big Chief in the Mardi Gras Indian tradition, a role passed down from his father. That convergence of bebop discipline and second-line ceremony is exactly what makes this pairing with Dr. John so charged, two New Orleans lifers finding the common ground between Congo Square and the bandstand.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDonald Harrison \u0026amp; Dr. John \u0026amp; the Mardi Gras Indian chants of The Guardians Of The Flame - Big Chief Donald Harrison Jr. Is one of finest saxophonists of his generation. His resume includes long associations with Terrance Blanchard and Art Blakey throughout the 1980s. But the foundation of Harrison's music, and it's the soul of his music, comes from his lifelong participation in the culture of New Orleans, his home town. Here he pays tribute to that rich culture, and accompanied by non other than the legendary Dr. John. Both artists, the embodiment of New Orleans' music in their own right. The album features a mix of original compositions and jazz standards, all infused with the spirit and energy of New Orleans. Featuring the Mardi Gras Indian chants of The Guardians Of The Flame, this recording captures the magic of heritage New Orleans Mardi Gras music and wraps it all up in one package. Originally recorded at BMG Studios in New York City, May of 1991. 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Catching Parker in live settings, where he consistently pushed beyond studio constraints, offers a window into how fluidly he moved between harmonic invention and rhythmic experimentation few of his contemporaries were willing to attempt.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis 180g double LP vinyl set features eighteen selections from one of jazz's greatest saxophonists, Charlie Parker. All the recordings were captured in the late ‘40s and early '50s at such storied venues as Carnegie Hall and Birdland in New York, The Jubilee in Los Angeles, and the Portland Civic Auditorium. Focused on experiments in Afro-Cuban fusion, Parker is joined by a dazzling array of jazz legends including Dizzy Gillespie, Milt Jackson, Art Blakey, Woody Herman, Stan Kenton, Red Rodney, and others. 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The supporting cast alone, Ammons burning through changes, Blakey propelling the rhythm section, makes this essential listening well beyond its historical footnote status.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e180gm vinyl LP pressing. One of Miles Davis' earliest recording sessions. The very first known instance of the famed trumpeter playing in an \"open\" style, and in a band with legendary tenor saxophonist Gene Ammons and drummer Art Blakey. Need any more be said? Very few jazz albums possess more historical import and wow-inspiring significance than Bopping the Blues, which documents a 1946 session in which Davis supported a group and two singers, Earl Coleman and Ann Baker, in a splendid bop affair. Yes, it's got that elusive Holy Grail quality. Originally released by the UK label Black Lion, an imprint that specialized in resurrecting rare gems from US jazz and blues legends, Bopping the Blues marks what are indisputably Davis' initial open-voiced contributions and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Sing Me The Blues (Take 1) (2:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Sing Me The Blues (Take 2) (2:55)\u003c\/div\u003e\n\u003cdiv\u003e3. I've Always Got The Blues (Take 1 Incomplete) (2:18)\u003c\/div\u003e\n\u003cdiv\u003e4. I've Always Got The Blues (Take 2) (3:11)\u003c\/div\u003e\n\u003cdiv\u003e5. I've Always Got The Blues (Take 3) (2:51)\u003c\/div\u003e\n\u003cdiv\u003e6. Don't Explain To Me Baby (Take 1) (3:05)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Explain To Me Baby (Take 2) (2:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Explain To Me Baby (Take 3) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Explain To Me Baby (Take 4) (2:57)\u003c\/div\u003e\n\u003cdiv\u003e4. Baby, Won't You Make Up Your Mind (Take 1) (2:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Baby, Won't You Make Up Your Mind (Take 2) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Baby, Won't You Make Up Your Mind (Take 3) (3:13)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Sing Me The Blues (Take 1) (2:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Sing Me The Blues (Take 2) (2:55)\u003c\/div\u003e\n\u003cdiv\u003e3. I've Always Got The Blues (Take 1 Incomplete) (2:18)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. I've Always Got The Blues (Take 2) (3:11)\u003c\/div\u003e\n\u003cdiv\u003e2. I've Always Got The Blues (Take 3) (2:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Explain To Me Baby (Take 1) (3:05)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Explain To Me Baby (Take 2) (2:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Explain To Me Baby (Take 3) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Explain To Me Baby (Take 4) (2:57)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Baby, Won't You Make Up Your Mind (Take 1) (2:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Baby, Won't You Make Up Your Mind (Take 2) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Baby, Won't You Make Up Your Mind (Take 3) (3:13)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 711574703111\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Org Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.7.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600464949403,"sku":"527548","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-bopping-the-blues-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779281129"},{"product_id":"herbie-hancock-possibilities-hol-lp-vinyl","title":"Herbie Hancock – Possibilities (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at a moment when Hancock was deep into his Headhunters revival and broader cultural renaissance, *Possibilities* captured him in full collaborative spirit, coaxing unexpected chemistry from an eclectic roster of pop and rock guests. 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