{"title":"Kuroneko Vinyl \u0026 CDs","description":"\u003cp\u003eFor listeners who follow the quieter imprints, the ones that put out records without a press release attached to every move, this page collects 64 titles from Kuroneko across vinyl and CD.\u003c\/p\u003e\u003cp\u003eThe catalog here covers a wide range of voices and approaches. Slot's \u003cem\u003eDry Swallow\u003c\/em\u003e is available as a standard LP and as a colored vinyl pressing. Marcus 5's \u003cem\u003eOrange\u003c\/em\u003e comes on orange vinyl. Raphael Vanoli's \u003cem\u003eVentschau\u003c\/em\u003e is here on both LP and CD. Merryn Jeann's \u003cem\u003eFear Of The Beauty Parlour\u003c\/em\u003e is likewise available in both formats. Gaetan Nonchalant's \u003cem\u003eLe Jazz\u003c\/em\u003e, Eightycuts' \u003cem\u003eThousand Fates\u003c\/em\u003e, and Borghesia's \u003cem\u003eResistance\u003c\/em\u003e on 2xLP round out the vinyl side. On CD: AM Higgins' \u003cem\u003eTender Mercies\u003c\/em\u003e, Jerome Miniere's \u003cem\u003eLa Derive Des Reves\u003c\/em\u003e, Le Flegmatic's \u003cem\u003eUn Cambio De Perspectiva\u003c\/em\u003e, Outrenoir's \u003cem\u003eAgitatol\u003c\/em\u003e in a digipak, and Lorenzo Hoesch Bianchi's \u003cem\u003eNotes On The Memory Of Notes\u003c\/em\u003e.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered the intersection of adventurous music and dedicated listening since 1974. That perspective shapes what ends up in the store. Alongside catalog titles and new releases, the store carries the Relix Sessions series, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label. The Kuroneko titles here are chosen because they fit the same criteria we apply to everything: records worth owning, worth playing more than once, worth keeping.\u003c\/p\u003e\u003cp\u003eAll records are new and sealed. Pre-order titles show a street date on the product page and ship when the label releases them. Vinyl ships in protective packaging designed for LPs. CDs ship in protective packaging.\u003c\/p\u003e\u003cp\u003eTo browse further, the \u003ca href=\"\/collections\/colored-vinyl\"\u003eColored Vinyl Records and Limited Variants\u003c\/a\u003e collection covers the orange Marcus 5 pressing and the colored Slot variant alongside other limited pressings. The \u003ca href=\"\/collections\/electronic-vinyl\"\u003eElectronic Vinyl Records\u003c\/a\u003e collection is worth checking if Borghesia or Eightycuts brought you here. And the full \u003ca href=\"\/collections\/vinyl-lps\"\u003eVinyl LPs\u003c\/a\u003e collection is the widest view of what the store carries across all labels and genres.\u003c\/p\u003e","products":[{"product_id":"pearls-pearls-lp-vinyl","title":"Pearls – Pearls (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSlowness as resistance is a radical act in 2026, and Pearls commits fully. The group draws a direct lineage from the spacious, contemplative side of European jazz, a tradition Henri Texier has championed across decades of recordings and touring, making his sponsorship here feel less like an endorsement and more like a passing of the torch.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAt the crossroads of intimate jazz and the dreamlike universe of David Lynch, Pearls deliver an album that is far more than a meeting point: it is a manifesto.In Praise of Slowness is their credo.In a world spinning out of control, they sculpt music of rare purity, where silence and space become raw materials. Every note is finely carved, every emotion restrained so it can resonate more deeply.This is a quest for the essential.Sponsored by Henri Texier, the album is an experience - a sensory immersion where emotion is born from slowness.Listening to Pearls means allowing time to stretch, and discovering that true beauty arises not from immediacy, but from depth.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Wait \u0026amp; See\u003c\/div\u003e\n\u003cdiv\u003e2. Hey\u003c\/div\u003e\n\u003cdiv\u003e3. In Your Arms\u003c\/div\u003e\n\u003cdiv\u003e4. I Will Never Know\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398739076\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745032220827,"sku":"131315480","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-pearls-pearls-vinyl-lp-relix.jpg?v=1783911775"},{"product_id":"chaton-laveur-labyrinthe-lp-vinyl","title":"Chaton Laveur – Labyrinthe (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eChaton Laveur translates literally as \"raccoon kitten,\" and there's something fitting in that contradiction, a creature that's both domestic and feral, drawn to shiny things in the dark. The French duo's live reputation built steadily across European stages before this sophomore record, and that road-tested restlessness comes through in the grooves, the kind of tension that only develops when a band has spent serious time locked in together night after night.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA wild animal with a kraut pop instinct, Chaton Laveur prowls the depths of minimalism in search of light, intoxicating melodies to make his prey. Raw and authentic, the duo always opts for the shortest route, lined with repetitive rhythms, analogue sounds and soft voices in French, which also reveal a darker side. After more than 70 dates in France, Germany, Benelux, and the UK, Chaton Laveur returns with a second album, Labyrinthe, due to out March 13th 2026, a record for fans of kraut\/pop sounds and intense emotions.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. IN (2:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Contre-La-Montre (5:27)\u003c\/div\u003e\n\u003cdiv\u003e3. La Source (5:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Fantasia (5:44)\u003c\/div\u003e\n\u003cdiv\u003e5. Aventura (2:47)\u003c\/div\u003e\n\u003cdiv\u003e6. Brise-Brume (3:55)\u003c\/div\u003e\n\u003cdiv\u003e7. Vertige (6:07)\u003c\/div\u003e\n\u003cdiv\u003e8. Bonhomme De Neige (4:09)\u003c\/div\u003e\n\u003cdiv\u003e9. Mirada (4:07)\u003c\/div\u003e\n\u003cdiv\u003e10. OUT (2:31)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398739267\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745039495323,"sku":"90068781","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-chaton-laveur-labyrinthe-vinyl-lp-relix.jpg?v=1783508579"},{"product_id":"frantx-idutydu-colored-lp-vinyl","title":"Frantx – Idutydu (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFrantx lands somewhere in the restless lineage of French experimental noise, where the spirit of destruction doubles as a form of world-building. Idutydu channels that same voltage into something rawer and more immediate, a debut that treats the studio less as a polished endpoint and more as another instrument to push past its limits.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFrantx is a glit-noise band based in Paris that creates music in a dimension of hyper-speed where individualities get blurred, immersed in post-internet sonic drifts. The four members of Frantx explore the limits of their instruments and new modes of interaction through extended techniques, heterodox amplifications and electronic extensions. Frantx was born to question our roles as musicians and target the political dimension in which we are supposed to exist in this contemporary context. Music for weird legged dancers, exploring new ways of listening and dreaming.IDUTYDU is a post-teenage dream from overstimulated brains about escaping real life glitches. Like a sabbath of punk ghosts and hyper pop fairies, saturated voices trying to exorcise the horrors of the world through a rageful vocoder: sometimes naive, sometimes cruel, always raw.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3770002812266\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.31.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. SORRY I'M FEELING EMOJI (1:33)\u003c\/div\u003e\n\u003cdiv\u003e2. PINGU TRAUMA (3:25)\u003c\/div\u003e\n\u003cdiv\u003e3. LTB (5:38)\u003c\/div\u003e\n\u003cdiv\u003e4. ORGASMIC KITCHEN (4:05)\u003c\/div\u003e\n\u003cdiv\u003e5. BARBIECUE (3:28)\u003c\/div\u003e\n\u003cdiv\u003e6. ANSUM (3:54)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. BARBIECODA (2:58)\u003c\/div\u003e\n\u003cdiv\u003e2. BANANA PHONE BOI (6:38)\u003c\/div\u003e\n\u003cdiv\u003e3. VITTORIA (1:50)\u003c\/div\u003e\n\u003cdiv\u003e4. LIQUIFY (3:39)\u003c\/div\u003e\n\u003cdiv\u003e5. FLY COMMUNICATION (5:23)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745056993435,"sku":"131947626","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-frantx-idutydu-colored-lp-vinyl-vinyl-lp-relix.jpg?v=1783338445"},{"product_id":"olivier-temime-marcenay-encore-cd","title":"Olivier Temime – Marcenay Encore (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOlivier Temime has spent decades carving out a singular voice in the French jazz scene, drawing equally from the American post-bop tradition and a deeply personal relationship with the music and landscapes of Burgundy. Where the first Marcenay session leaned into the intimate interplay of a trio, this second chapter opens the room, letting four musicians push and pull against each other with the kind of trust that only comes from years of shared stages.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEight months after Marcenay recorded as a trio with Emmanuel Bex and Simon Goubert, the saxophonist unveils the second installment of his diptych devoted to life in his adopted Burgundian village.For this new opus, Temime surrounds himself with three longtime companions - Étienne Deconfin (piano), Sylvain Romano (double bass), and Antoine Paganotti - shaping a free, incandescent Power Quartet, always ready to venture off the beaten track.Here, the worlds of Mireille Mathieu, Rahsaan Roland Kirk, and Michel Sardou intersect and transform one another. Six original compositions seal this summit meeting, where popular memory engages in dialogue with the boldness of contemporary jazz, confirming Olivier Temime's freedom of expression and strongly affirmed musical identity.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Raashan 2 (4:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Aldonza (4:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Cats (2:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Didier du Duc (5:40)\u003c\/div\u003e\n\u003cdiv\u003e5. Les choses de la vie (5:55)\u003c\/div\u003e\n\u003cdiv\u003e6. Le France (2:12)\u003c\/div\u003e\n\u003cdiv\u003e7. A Brasilia (6:44)\u003c\/div\u003e\n\u003cdiv\u003e8. Fancy Free (10:27)\u003c\/div\u003e\n\u003cdiv\u003e9. Ghostin' Blues (12:26)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398740300\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745080848539,"sku":"145833815","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-olivier-temime-marcenay-encore-cd-relix.jpg?v=1783508502"},{"product_id":"futuro-pelo-sketches-of-loss-lp-vinyl","title":"Futuro Pelo – Sketches of Loss (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBenjamin Sportès has been a restless force in European alternative music for over four decades, and Futuro Pelo has always been his most personal outlet. Sketches of Loss arrives as genuine document of grief processed through sound, the kind of record that could only come from someone who has lived enough to mean every note. Fourteen tracks, almost nothing wasted.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFuturo Pelo: The Visceral Return of Benjamin SportèsForget the labels. Futuro Pelo is the radical, unfiltered project of Benjamin Sportès. A veteran of the alternative scene since 1983 and a founding member of the legendary Sporto Kantes, Sportès has traded the stages of Paris for a brutalist studio in Brussels to write his most raw chapter yet.His upcoming album, Sketches of Loss (Spring 2026, EXAG' Records), is a Molotov cocktail of rock'n'roll, garage, and electro-punk. Born from a \"visceral need\" to perform following a year of profound personal loss, the record is a minimalist, 14-track exutoire. It strips music down to it's primal bones: one voice, one guitar, and a steady drum loop.Drawing on the urgency of The Gun Club and the theatricality of John Maus, Futuro Pelo's new era is a testament to fierce resilience-a \"temporal face-off\" between his 24-year-old self and the man he is today.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCrazy Fool\u003c\/li\u003e\n\u003cli\u003eStromboli\u003c\/li\u003e\n\u003cli\u003eGot Too Loose\u003c\/li\u003e\n\u003cli\u003eDetonatör\u003c\/li\u003e\n\u003cli\u003eLevon\u003c\/li\u003e\n\u003cli\u003ePower Supply\u003c\/li\u003e\n\u003cli\u003eTropical Sun\u003c\/li\u003e\n\u003cli\u003eNumb\u003c\/li\u003e\n\u003cli\u003eGet Away\u003c\/li\u003e\n\u003cli\u003eSpeed Up\u003c\/li\u003e\n\u003cli\u003eThe File\u003c\/li\u003e\n\u003cli\u003eMirror\u003c\/li\u003e\n\u003cli\u003eThe Thing\u003c\/li\u003e\n\u003cli\u003eTrauma\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398740591\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.7.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745149005979,"sku":"184585118","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-futuro-pelo-sketches-of-loss-vinyl-lp-relix.jpg?v=1783508549"},{"product_id":"futuro-pelo-sketches-of-loss-clear-lp-vinyl","title":"Futuro Pelo – Sketches of Loss (Clear LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBenjamin Sportès has been operating at the fringes of French alternative music long enough to know exactly when to strip everything away. Rooted in the post-punk and no-wave currents that ran through Paris and Brussels in the 1980s, his work with Sporto Kantes built a reputation on intensity and refusal to compromise, and *Sketches of Loss* arrives as the logical, if brutal, endpoint of that trajectory.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFuturo Pelo: The Visceral Return of Benjamin SportèsForget the labels. Futuro Pelo is the radical, unfiltered project of Benjamin Sportès. A veteran of the alternative scene since 1983 and a founding member of the legendary Sporto Kantes, Sportès has traded the stages of Paris for a brutalist studio in Brussels to write his most raw chapter yet.His upcoming album, Sketches of Loss (Spring 2026, EXAG' Records), is a Molotov cocktail of rock'n'roll, garage, and electro-punk. Born from a \"visceral need\" to perform following a year of profound personal loss, the record is a minimalist, 14-track exutoire. It strips music down to it's primal bones: one voice, one guitar, and a steady drum loop.Drawing on the urgency of The Gun Club and the theatricality of John Maus, Futuro Pelo's new era is a testament to fierce resilience-a \"temporal face-off\" between his 24-year-old self and the man he is today.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCrazy Fool\u003c\/li\u003e\n\u003cli\u003eStromboli\u003c\/li\u003e\n\u003cli\u003eGot Too Loose\u003c\/li\u003e\n\u003cli\u003eDetonatör\u003c\/li\u003e\n\u003cli\u003eLevon\u003c\/li\u003e\n\u003cli\u003ePower Supply\u003c\/li\u003e\n\u003cli\u003eTropical Sun\u003c\/li\u003e\n\u003cli\u003eNumb\u003c\/li\u003e\n\u003cli\u003eGet Away\u003c\/li\u003e\n\u003cli\u003eSpeed Up\u003c\/li\u003e\n\u003cli\u003eThe File\u003c\/li\u003e\n\u003cli\u003eMirror\u003c\/li\u003e\n\u003cli\u003eThe Thing\u003c\/li\u003e\n\u003cli\u003eTrauma\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398740607\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.7.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745155395739,"sku":"184709694","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-futuro-pelo-sketches-of-loss-clear-lp-vinyl-vinyl-lp-relix.jpg?v=1783305349"},{"product_id":"inflatable-dead-horse-hello-magpie-lp-vinyl","title":"Inflatable Dead Horse – Hello Magpie (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the Quercy region of southwestern France, Hello Magpie finds Inflatable Dead Horse pushing further into the kind of patient, expansive songwriting that rewards repeated listening. Daniel Mark Williams has always had a gift for melancholy with weight behind it, and the two-year stretch between records shows in the deliberateness of these nine tracks.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFollowing the critical reception of Love Songs, Inflatable Dead Horse returns with Hello Magpie, a second album that took more than two years to complete.Recorded in the Quercy region and carefully refined through an extended mixing process, the album marks a clear evolution in the band's sound. The compositions are longer, the arrangements richer, and the music opens up to new influences ranging from krautrock to post-rock.Tracks like A Pin Drops and Creator (All Kinds of Love) introduce hypnotic, repetitive structures, while others such as Fine Down Here, Sleep It Off and Drive Me Home retain the intimate and melancholic songwriting that defines Daniel Mark Williams' work.With Hello Magpie, Inflatable Dead Horse takes a significant step forward while maintaining the balance between raw energy and melodic depth.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Morning Light\u003c\/div\u003e\n\u003cdiv\u003e2. Fine Down Here\u003c\/div\u003e\n\u003cdiv\u003e3. Milkman\u003c\/div\u003e\n\u003cdiv\u003e4. Creator (All Kinds of Love)\u003c\/div\u003e\n\u003cdiv\u003e5. These Our Dying Days\u003c\/div\u003e\n\u003cdiv\u003e6. Hip to be Dead\u003c\/div\u003e\n\u003cdiv\u003e7. A Pin Drops\u003c\/div\u003e\n\u003cdiv\u003e8. Sleep It Off\u003c\/div\u003e\n\u003cdiv\u003e9. Drive Me Home\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3770026616130\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745161097371,"sku":"204065564","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-inflatable-dead-horse-hello-magpie-vinyl-lp-relix.jpg?v=1783508520"},{"product_id":"christine-road-to-ruins-colored-lp-vinyl","title":"Christine – Road To Ruins (LP Vinyl)","description":"\u003cp\u003eChristine unveils in March 2026 her new album Road To Ruin, a dark, cinematic electro journey driven by powerful analog synths and meticulous production.Anchored by previously released singles, including \"Noize After Dark, Pt. 2\" and \"Catharsis Resurrection,\" the album explores the night as a space of tension, emotion, and transformation.Blending retro-futurism, dark synthwave, and narrative sound design, Christine asserts a strong artistic identity.Road To Ruin offers a dense, aesthetic, and immersive sonic journey, designed equally for listening and live performance.A coherent conceptual album that cements Christine's place in the French electronic music landscape.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Logan's Run (Christine Version) (1:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Road To Ruin (2:16)\u003c\/div\u003e\n\u003cdiv\u003e3. Shadowz (2:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Renegade (3:02)\u003c\/div\u003e\n\u003cdiv\u003e5. Night Tuned (3:38)\u003c\/div\u003e\n\u003cdiv\u003e6. Sinister Waves (Unfinished Version) (2:27)\u003c\/div\u003e\n\u003cdiv\u003e7. Catharsis Resurrection (3:15)\u003c\/div\u003e\n\u003cdiv\u003e8. Noize After Dark, Pt 1 (3:22)\u003c\/div\u003e\n\u003cdiv\u003e9. Noize After Dark, Pt 2 (2:38)\u003c\/div\u003e\n\u003cdiv\u003e10. Chaos En France (3:39)\u003c\/div\u003e\n\u003cdiv\u003e11. Burning Sky (Ruined Master) (3:29)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398739243\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48826729791643,"sku":"123403084","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-christine-road-to-ruins-colored-lp-vinyl-vinyl-lp-relix.jpg?v=1783508353"},{"product_id":"high-tone-live-lp-vinyl","title":"High Tone – Live (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLyon's dub underground ran deep in the late 1990s and early 2000s, and High Tone were among its most restless architects. Their live sets were never simple reproductions of studio work; the stage was where their sound truly shapeshifted, with electronics and bass pressure pushing into territory the recordings only hinted at.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWhen High Tone Live dropped on Jarring Effects, it wasn't just another live album - it was a statement. Captured in the spring of 2003, the Lyon-based collective condensed years of experimentation into an 11-track journey that redefines what live dub can be. A moment in their evolutionSince their formation in 1997, High Tone have stood at the crossroads of dub, electronic music, rock, and urban culture. With Jarring Effects as their home base, they built a reputation for transforming the stage into a laboratory - a place where basslines mutate, beats deconstruct, and every frequency breathes.High Tone Live draws from four key releases - Low Tone, Opus Incertum, Bass Température and ADN - Acid Dub Nucleik - revisiting them through the raw energy of the stage. Classics like \"Dehli Katmandou\" and \"Enter the Dragon\" are stretched, twisted, and reborn in extended, improvisational forms. Two unreleased tracks, \"112 Dub\" and \"Onew Dub,\" complete the set, adding a dose of fresh material to a disc that feels both retrospective and forward-looking. Why this live record mattersPlenty of live albums simply document a band's tour. High Tone Live goes further - it captures the group's alchemy in real time. You can feel the tension between precision and chaos, structure and freedom. The dub elements - delay, echo, reverb - act less as production tricks and more as instruments in their own right. Every layer, every drop, is alive.At a time when the French dub scene was carving it's own identity, High Tone offered something distinctly theirs: electronic, cinematic, and fiercely independent. The sound is heavier, more immediate than in the studio. It breathes, it sweats, it moves. Not flawless - and that's the pointAs with any live recording, there are rough edges: the mix shifts, some moments feel caught mid-explosion. But that's the beauty of High Tone Live. The imperfections add warmth, immediacy - a reminder that this music is made by humans pushing machines to their limits.For newcomers, it may feel like a cross-section rather than a continuous journey, since the set pulls from several albums. Yet for fans, it's a perfect snapshot of the group's artistic peak: raw, fearless, and sonically boundless.VerdictHigh Tone Live stands as one of the strongest documents of Europe's post-dub explosion. It's a record that bridges continents and genres - a sonic travelogue where analog grit meets digital hypnosis. More than a live set, it's a manifesto of independence and sound exploration, stamped with the unmistakable seal of Jarring Effects. \"Dub is about sound treatment - delay and reverb - but it's not our musical culture. We come more from rock,\" the band once said. That statement sums up High Tone Live perfectly: this is dub not as a genre, but as a method - a way to stretch, reshape, and reimagine music in motion.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. The Orientalist (4:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Mother Dubber (4:09)\u003c\/div\u003e\n\u003cdiv\u003e3. 112 Dub (6:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Hard Working (8:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Bad Weather (6:03)\u003c\/div\u003e\n\u003cdiv\u003e6. Short Visit (6:26)\u003c\/div\u003e\n\u003cdiv\u003e7. Enter The Dragon (11:46)\u003c\/div\u003e\n\u003cdiv\u003e8. Onew Dub (7:09)\u003c\/div\u003e\n\u003cdiv\u003e9. Delhi-Katmandou (6:06)\u003c\/div\u003e\n\u003cdiv\u003e10. Taniotoshi (6:00)\u003c\/div\u003e\n\u003cdiv\u003e11. Echo-Logik (6:15)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398738819\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48826729922715,"sku":"105450175","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-high-tone-live-vinyl-lp-relix.jpg?v=1783508303"},{"product_id":"heimat-heimat-10th-anniversary-colored-aniv-remastered-lp-vinyl","title":"Heimat – Heimat (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHeimat's self-titled debut arrived quietly from France's underground, where Armelle and Olivier Demeaux were already building something patient and uncompromising, far outside the industry's usual channels. A decade on, the music holds the same weight it did at first listen, the kind of record that rewards returning to rather than explaining.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThose albums that never age, that never cease to surprise with their innovative freshness-listen after listen-defying the years that go by.Released in 2016, Heimat's debut album is one of those records you love knowing is there on the shelf or on the turntable, like a reassuring talisman.To mark it's 10th anniversary, and such an awaited repress, we decided to honor this landmark album as it deserves: with a powerful remaster by Tioma Tchoulanov (UVB76, NzeNze) featuring enhanced dynamics, and an ultra-limited edition on blue splatter vinyl.What a beautiful object this is, celebrating-alongside Armelle and Olivier Demeaux-ten years spent exploring the outer limits of music, in France and abroad, from SMAC venues to squats and other joyful initiatives.Their deeply sincere music loses none of it's naive tension; the emphasis is there, yet it remains restrained, contained, almost nervous, without any show of. Here, then, is something to make this fantastic album, a subtle milestone in a teeming musical landscape.A fine achievement indeed!\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Wieder Ja\u003c\/div\u003e\n\u003cdiv\u003e2. Dein Architekt\u003c\/div\u003e\n\u003cdiv\u003e3. Tot und Hoch\u003c\/div\u003e\n\u003cdiv\u003e4. Trocadero\u003c\/div\u003e\n\u003cdiv\u003e5. Flutath\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Pompei\u003c\/div\u003e\n\u003cdiv\u003e2. So Traurig\u003c\/div\u003e\n\u003cdiv\u003e3. Afrikistan\u003c\/div\u003e\n\u003cdiv\u003e4. Pietrocitta\u003c\/div\u003e\n\u003cdiv\u003e5. Wek\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398738987\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48826732085403,"sku":"137841535","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-heimat-heimat-10th-anniversary-colored-aniv-remastered-lp-vinyl-vinyl-lp-relix.jpg?v=1783911730"},{"product_id":"christine-road-to-ruins-cd","title":"Christine – Road To Ruins (CD)","description":"\u003cp\u003eChristine unveils in March 2026 her new album Road To Ruin, a dark, cinematic electro journey driven by powerful analog synths and meticulous production.Anchored by previously released singles, including \"Noize After Dark, Pt. 2\" and \"Catharsis Resurrection,\" the album explores the night as a space of tension, emotion, and transformation.Blending retro-futurism, dark synthwave, and narrative sound design, Christine asserts a strong artistic identity.Road To Ruin offers a dense, aesthetic, and immersive sonic journey, designed equally for listening and live performance.A coherent conceptual album that cements Christine's place in the French electronic music landscape.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoad To Ruin\u003c\/li\u003e\n\u003cli\u003eShadowwws ft. 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Rooted in the quieter corners of European electronic music, her work carries the unease of late nights and the emotional directness of someone with nothing left to perform.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThrough her compositions, Oonagh Haines explores nocturnal atmospheres where contemporary electronic music, underground aesthetics and deconstructed pop forms intersect.Her music is built on a play of opposites: a modified voice performs it's antipodal double, while avant-garde techno and sentimentalism coexist, carried by a certain nonchalance and a restrained posture that is not without recalling Anika.Not Not Pretending is her first album. 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Mystic Transfers has quietly built a roster that understands darkness as texture rather than aesthetic, and this release fits that ethos perfectly. 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Seven years is a long silence for an artist this prolific, which makes the architecture of this return, two full discs built around a single emotional rupture, feel all the more deliberate and earned.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTété returns after 7 years with \"Une semaine sur deux\", a double album built on a strong and instantly clear concept.Inspired by a life now shaped by shared custody, the project features 10 fully produced tracks and their 10 acoustic counterparts in mirror form.Two realities, two temporalities: one week \"with\", one week \"without\".Through letters to loved ones that were never sent, he explores with poetry and perspective the transformation of a man after a separation.The album addresses love, transmission and the weight of promises with a deeply universal emotional resonance.Musically, Tété delivers a textured acoustic pop sound, blending French songwriting with blues-soul and Anglo influences.More spacious arrangements open into a cinematic dimension while preserving his signature groove.20 years career, 600,000 records sold and 1,500 concerts worldwide.Collaborations include Jérémy Frérot, Ben Mazué, Mark Daumail (Cocoon), Ziggy Marley, Imany; the title track is co-written with Justin Nozuka and the Petit Génie team.A strong and distinctive return, aligned with real life and designed to create a lasting connection with audiences.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVertige Du Seum\u003c\/li\u003e\n\u003cli\u003eUne Semaine Sur Deux\u003c\/li\u003e\n\u003cli\u003ePapa Parfait\u003c\/li\u003e\n\u003cli\u003eLes Rivières Du Midi\u003c\/li\u003e\n\u003cli\u003eLe Desamour\u003c\/li\u003e\n\u003cli\u003eLe Mime Marceau\u003c\/li\u003e\n\u003cli\u003eAvant-Hier Ou Jamais\u003c\/li\u003e\n\u003cli\u003eSexy de Dos\u003c\/li\u003e\n\u003cli\u003eRitaline\u003c\/li\u003e\n\u003cli\u003eSolitudes Mitoyennes\u003c\/li\u003e\n\u003cli\u003eVertige Du Seum (Guitar + Voice)\u003c\/li\u003e\n\u003cli\u003eUne Semaine Sur Deux (Guitar + Voice)\u003c\/li\u003e\n\u003cli\u003ePapa Parfait (Guitar + Voice)\u003c\/li\u003e\n\u003cli\u003eLes Rivières Du Midi (Guitar + Voice)\u003c\/li\u003e\n\u003cli\u003eLe Desamour (Guitar + Voice)\u003c\/li\u003e\n\u003cli\u003eLe Mime Marceau (Guitar + Voice)\u003c\/li\u003e\n\u003cli\u003eAvant-Hier Ou Jamais (Guitar + Voice)\u003c\/li\u003e\n\u003cli\u003eSexy de Dos (Guitar + Voice)\u003c\/li\u003e\n\u003cli\u003eRitaline (Guitar + Voice)\u003c\/li\u003e\n\u003cli\u003eSolitudes Mitoyennes (Guitar + Voice)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398740805\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48826819903643,"sku":"184662963","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-tete-une-semaine-sur-deux-vinyl-lp-relix.jpg?v=1783485475"},{"product_id":"alain-palo-alto-damasio-les-furtifs-emeute-musicale-cd","title":"Alain Damasio \u0026 Palo Alto – Les Furtifs, Emeute Musicale (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAlain Damasio occupies a singular space in French culture, a novelist whose dense, politically charged speculative fiction has inspired a devoted following that crosses literary and electronic music communities. Palo Alto, the Marseille-rooted group, brings a cinematic intensity to live performance that makes them a natural collaborator for work this visceral. The result is something closer to an event than a recording, capturing a collision of radical text and improvised sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn 2019, publisher La Volte released The Furtives, the latest novel by science fiction writer Alain Damasio. At the time of it's publication, Damasio invited the band Palo Alto to join him on stage in response to an invitation from the literary festival Oh les beaux jours !, held at La Criée - Théâtre national de Marseille.The project aimed to create a musical and theatrical adaptation of one chapter of the novel, depicting an urban riot in Marseille. Designed to give maximum space to the text, the performance brought together three narrators - Alain Damasio, Jacques Barbéri, and Sophie Zed - alongside Palo Alto performing live (Jacques Barbéri, Laurent Pernice, Philippe Perreaudin). A film directed by Gilles Bénéjam, projected onstage throughout the performance, accompanied both the narration and the music.What was initially intended as a one-off performance at La Criée led to further dates, until a booking agency, Ulysse, added the show to it's roster. Les Furtifs, émeute musicale was subsequently performed across France, Belgium, and Switzerland.The show was recorded during a performance organized by Gonzaï at La Maroquinerie in Paris. This performance was filmed and captured in multitrack audio for release on CD and DVD. The recording presents the show in it's entirety.Mastering by Norscq.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Intertime (5:26)\u003c\/div\u003e\n\u003cdiv\u003e2. The Stealthy Ones (4:01)\u003c\/div\u003e\n\u003cdiv\u003e3. A feu et à son (1:05)\u003c\/div\u003e\n\u003cdiv\u003e4. Frisson minéral (3:35)\u003c\/div\u003e\n\u003cdiv\u003e5. L'orchestre furtif du désastre (3:35)\u003c\/div\u003e\n\u003cdiv\u003e6. Une grâce (3:03)\u003c\/div\u003e\n\u003cdiv\u003e7. Sur la ligne chahutée du cortège (3:43)\u003c\/div\u003e\n\u003cdiv\u003e8. Menace prophylaxie niveau 6 (4:13)\u003c\/div\u003e\n\u003cdiv\u003e9. La ville est à nous ! (4:31)\u003c\/div\u003e\n\u003cdiv\u003e10. Oriflamme (1:59)\u003c\/div\u003e\n\u003cdiv\u003e11. Lueur ultramarine (4:09)\u003c\/div\u003e\n\u003cdiv\u003e12. Un clameur de sabbat (8:49)\u003c\/div\u003e\n\u003cdiv\u003e13. Un cri (4:51)\u003c\/div\u003e\n\u003cdiv\u003e14. Le temps se dilate encore (2:09)\u003c\/div\u003e\n\u003cdiv\u003e15. Obtempérez ! (12:41)\u003c\/div\u003e\n\u003ch4\u003eDVD 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Les Furtifs, Émeute Musicale [Le Film du concert] (69:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Slam des Sarabandes [rappel Maroquinerie] (11:00)\u003c\/div\u003e\n\u003cdiv\u003e3. La Marche des Clameurs [Marseille, dimanche 5 juin 2022] (4:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398739359\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.31.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48826821017755,"sku":"184823537","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-alain-palo-alto-damasio-les-furtifs-emeute-musicale-cd-relix.jpg?v=1783508421"},{"product_id":"brain-damage-ashes-to-ashes-dub-to-dub-lp-vinyl","title":"Brain Damage – Ashes To Ashes Dub To Dub (LP Vinyl)","description":"\u003cp\u003eBy 2004, dub had a history stretching back more than thirty years. This remarkable longevity can easily be explained by the evolving nature of this musical genre, which is constantly changing both artistically and technically, from Kingston to London, New York, and more recently Berlin, Paris, Lyon and Saint-Étienne. For example, it is worth noting that for some years now, in France and elsewhere, a good number of artists have been thinking in terms of dub from the outset, breaking free from the original Jamaican model, which involved drawing inspiration almost systematically from an existing vocal track. Thirty years on, with the release of their second album, Brain Damage aim to reconnect with this tradition. Recent collaborations with the two vocalists, Learoy Green and Black Sifichi, have indeed provided the ideal source material for the creation of five tracks, each rendered in their respective dub versions, thus forming an album with a symmetrical, even geometric character - from it's very structure right down to it's title: 'Ashes to ashes \/ Dub to dub'. At the heart of the project lies the astute choice of two guests, each operating in diametrically opposed spheres yet brought together for the occasion, thereby emphasizing a certain 'unity of the circle': 'the unity of the circle'. Born of a genuine artistic vision, this geometric, symmetrical aesthetic-omnipresent in every detail of the album, both auditory and visual-complements Brain Damage's 'square' and robotic side, with it's three-dimensional evocations. Always working in close collaboration with the very latest digital technologies. This brings to mind 'the balance of the cube'. Finally, the title itself, 'Ashes to ashes \/ Dub to dub', should be understood as a reference to the transience of all things in this world, against a backdrop of widespread, globalized, international, national and local crises\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Unity of The Circle\u003c\/li\u003e\n\u003cli\u003eLet me be\u003c\/li\u003e\n\u003cli\u003eMy Father\u003c\/li\u003e\n\u003cli\u003eOne dollar\u003c\/li\u003e\n\u003cli\u003eThe balance of the cube\u003c\/li\u003e\n\u003cli\u003eCircle Dub\u003c\/li\u003e\n\u003cli\u003eDollard Dub\u003c\/li\u003e\n\u003cli\u003eCube Dub\u003c\/li\u003e\n\u003cli\u003eLet me be Dub\u003c\/li\u003e\n\u003cli\u003eMy father Dub\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398740515\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":49042942918811,"sku":"294749923","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/4530263-3673198.jpg?v=1784665689"},{"product_id":"brain-damage-always-greener-on-the-other-side-lp-vinyl","title":"Brain Damage – Always Greener (On The Other Side LP Vinyl)","description":"\u003cp\u003eThe grass is greener... elsewhere...\"\" Brain Damage told us with their debut album, released in 2002. Yet here, they've reached full maturity. Rarely has a \"\"made in France\"\" dub album strayed so far from the Jamaican model while still harboring, in every detail, so many references and tributes to the inventors of the style (King Tubby \/ Lee Perry), as well as to many of the key figures in it's evolution (Tikiman \/ Rhythm \u0026amp; Sound, Dub Syndicate, etc.). The recording studio, 7\/11 Laboratory, is used here as a true musical instrument. The optimal use of three-dimensional stereo effects will immerse the listener in soundscapes ranging from classic space echoes and Mont Blanc tunnel-style reverberations to crackles, electronic interference, exogenous samples, and other parasitic noises coming straight from Babylon. For this album, continuing in the vein of his previous collaborations with the international dub scene (Zion Train, Alpha \u0026amp; Omega, Disciples, Spectre, Lab°...), Brain Damage traveled to London to record two tracks at Conscious Sounds Studio with Jamaican-born singer Tena Stelin. With the melancholic \"\"Spirit World,\"\" one is reminded of the fruitful collaborations between Massive Attack and Horace Andy, while on \"\"Genetic Weapon,\"\" the tone becomes more overtly assertive. Two vocal tracks, then, woven into these ten compositions, where the emotional moods and atmospheres will shift with each listen. \"\"Always Greener (On the Other Side)\"\" emerges as the manifesto of music conceived as cinema for the ear...\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDoom's Day Machine\u003c\/li\u003e\n\u003cli\u003eSpirit\u003c\/li\u003e\n\u003cli\u003ePre-War Psychosis\u003c\/li\u003e\n\u003cli\u003eOn the Other Side\u003c\/li\u003e\n\u003cli\u003eA Little Walk to Nowhere\u003c\/li\u003e\n\u003cli\u003eJust Suddenly Peaceful\u003c\/li\u003e\n\u003cli\u003eGenetic Weapon\u003c\/li\u003e\n\u003cli\u003eJust Suddenly Painful\u003c\/li\u003e\n\u003cli\u003eLes petits yeux métalliques\u003c\/li\u003e\n\u003cli\u003eVanishing Point\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398740508\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":49042952978587,"sku":"294920606","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/4530262-3673197.jpg?v=1784665586"},{"product_id":"bilal-hassani-bonsoirparis-cd","title":"Bilal Hassani – Bonsoirparis (CD)","description":"\u003cp\u003eBilal Hassani, aged 25, a singer-songwriter, actor and producer, shares his daily life with over 3 million loyal fans around the world. He is the symbol of a new generation and champions the values of tolerance, acceptance, self-love and respect for all. Bilal is ranked among the world's 20 most influential LGBTQ+ figures by Vanity Fair. He was named Personality of the Year 2021 by the French magazine Têtu. Regarded as a pop icon by Les Inrockuptibles magazine, Bilal Hassani has three albums and one mixtape to his name. With *Bonsoir Paris*, Bilal Hassani has released a twelve-track album entirely dedicated to partying, nightlife and the freedom to be oneself. Produced by himself and Sutus, and featuring compositions by Sutus, Poussin, Balthazar Picard, Lilian Mille, Augustin Charnet and Lowonstage, the record revives the unapologetic pop and French Touch of the likes of David Guetta, Bob Sinclar, Daft Punk and Martin Solveig - that 90s house music that shaped his childhood - which he blends with bolder electro sounds and even a touch of Romanian pop. The album is mainly mixed by Nathan Boddy, whose work features on tracks by New Jeans, Mura Masa, Oklou, Olivia Dean and Shygirl, guaranteeing a production that is both pop and resolutely contemporary. With an average tempo of 124 BPM, it's an album made for dancing, conceived as a breath of fresh air for his audience. Billal: key dates: In 2019, after representing France at Eurovision with his song \"\"ROI\"\" - a powerful message of self-acceptance - he released his debut album, KINGDOM, and won the NRJ Music Award for \"\"Francophone Breakthrough Artist of the Year\"\". That same year, his first tour won an Olympia Award. In 2020, the music video for his single \"\"FAIS LE VIDE\"\", taken from his second album CONTRE SOIREE, won the MTV France Music Video of the Year 2020 = In 2021, Bilal was a finalist in series 11 of *Danse avec les Stars*, becoming the first celebrity in Europe to dance with a same-sex partner, thereby shining a spotlight on the LGBTQIA+ community during prime time. His performances left a lasting impression, both for their technical skill and his stage presence. In 2022, his third album, *Théorème*, was released, produced by the king of French pop, GrandMarnier of the group Yelle. Always in search of new forms of artistic expression, Bilal is now turning his attention to cinema. He landed his first role in *Les Reines du Drame* by director Alexis Langlois, sharing the screen with Asia Argento and Alma Jodorowsky. Distributed by Bac-Films, the film was screened at Cannes as part of the 'Quinzaine des Cinéastes'. 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He is the symbol of a new generation and champions the values of tolerance, acceptance, self-love and respect for all. Bilal is ranked among the world's 20 most influential LGBTQ+ figures by Vanity Fair. He was named Personality of the Year 2021 by the French magazine Têtu. Regarded as a pop icon by Les Inrockuptibles magazine, Bilal Hassani has three albums and one mixtape to his name. With *Bonsoir Paris*, Bilal Hassani has released a twelve-track album entirely dedicated to partying, nightlife and the freedom to be oneself. Produced by himself and Sutus, and featuring compositions by Sutus, Poussin, Balthazar Picard, Lilian Mille, Augustin Charnet and Lowonstage, the record revives the unapologetic pop and French Touch of the likes of David Guetta, Bob Sinclar, Daft Punk and Martin Solveig - that 90s house music that shaped his childhood - which he blends with bolder electro sounds and even a touch of Romanian pop. The album is mainly mixed by Nathan Boddy, whose work features on tracks by New Jeans, Mura Masa, Oklou, Olivia Dean and Shygirl, guaranteeing a production that is both pop and resolutely contemporary. With an average tempo of 124 BPM, it's an album made for dancing, conceived as a breath of fresh air for his audience. Billal: key dates: In 2019, after representing France at Eurovision with his song \"\"ROI\"\" - a powerful message of self-acceptance - he released his debut album, KINGDOM, and won the NRJ Music Award for \"\"Francophone Breakthrough Artist of the Year\"\". That same year, his first tour won an Olympia Award. In 2020, the music video for his single \"\"FAIS LE VIDE\"\", taken from his second album CONTRE SOIREE, won the MTV France Music Video of the Year 2020 = In 2021, Bilal was a finalist in series 11 of *Danse avec les Stars*, becoming the first celebrity in Europe to dance with a same-sex partner, thereby shining a spotlight on the LGBTQIA+ community during prime time. His performances left a lasting impression, both for their technical skill and his stage presence. In 2022, his third album, *Théorème*, was released, produced by the king of French pop, GrandMarnier of the group Yelle. Always in search of new forms of artistic expression, Bilal is now turning his attention to cinema. He landed his first role in *Les Reines du Drame* by director Alexis Langlois, sharing the screen with Asia Argento and Alma Jodorowsky. Distributed by Bac-Films, the film was screened at Cannes as part of the 'Quinzaine des Cinéastes'. 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Influenced by acts such as Kraftwerk, Depeche Mode, Ultravox and Human League, they played a pioneering role in the Yugoslav synth-pop scene. Their debut studio album, \"\"Remek Depo,\"\" was released in late 1982 on cassette and in early 1983 on LP by the state-run PGP RTB label. It achieved great media success and the public loved it, as it was released at the time of the buzzing Belgrade Alternative scene (BAS) - a vibrant 'underground' movement of avantgarde artists and musicians which included seminal bands such as Sarlo Akrobata, Ekatarina Velika, Idoli, Elektricni Orgazam etc. Unfortunately, the band disbanded shortly after the album's release. The original line-up of Beograd consisted of Slobodan Stanic (synthesizer), Ljubodrag Bubalo (bass guitar, synthesizer), Milan Bubalo (rhythm machine, electric drums), and Dejan Stanisavljevic (synthesizer, vocals). In 2012, Dejan Stanisavljevic and Milan Bubalo reformed Beograd with a group of younger musicians and released the album \"\"Pola\/pola\"\" in 2015. Currently, the band is on hiatus, with the latest lineup comprising of Dejan Stanisavljevic (synthesizer and vocals), Milan Bubalo (Ableton Live sequencer), and Sana Garic (synthesizer, vocals). Beograd's debut live performance took place at the Belgrade Dadov Theatre where they were joined by an additional member who operated a rhythm machine in the backstage area. For the purpose of subsequent live appearances, the band continued to expand, often including drummer MiloÅ¡ Obrenovic. They primarily performed at Dadov Theatre and the Engineering Students' Club. However, after Slobodan Stanic left the band, Beograd continued as a trio. To compensate for Stanic's absence, they incorporated music samples previously recorded by the band into their live performances. During the spring of 1982, the band released a 7-inch single titled \"\"SanjaÅ¡ li u boji\"\" (\"\"Do You Dream In Colour?\"\") backed by \"\"TV\"\" on the B-side. The single, written by Dejan Stanisavljevic and arranged by SaÅ¡a Habic, was released through Jugoton and is now considered a rarity and collector's item due to it's limited run of 500 copies. Their debut album was recorded between August and November 1982 at the PGP-RTB Studio V and released shortly after. It featured nine new songs, some with politically provocative lyrics, for example \"\"Kontrolori\"\" (\"\"Controllers\"\"), \"\"Opasne igre\"\" (\"\"Dangerous Games\"\"), and \"\"Mrak\"\" (\"\"Dusk\"\"). All lyrics, except for \"\"Ulice su nocas...\"\" (\"\"Tonight, the Streets Are...\"\"), were written by Dejan Stanisavljevic. The record was produced by SaÅ¡a Habic and is notable for it's guest musicians - timpanist Borislav \"\"Bora Longa\"\" Pavicevic, avant-garde saxophonist Paul Pignon, and veteran jazz trumpeter Stjepko Gut who contributed to it's 'soul' feel, creating an unique warm\/cold combination. 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The carefully remastered album includes an exclusive bonus live album 'Dal Vivo A El Paso', recorded in December 1988 at their gig in Torino (Italy) during one of their European tours. The recording features very different, raw and at times 'dubbed up' versions of their early tracks such as 'Naked, Uniformed, Dead', Am I? and Him (On). The historical perfectly captures the atmosphere and energy of their live appearances at the time. Borghesia (Italian for 'bourgeoisie'), who were formed in Ljubljana (Slovenia) in 1982, had always considered it's art to be far broader than just sonic. Borghesia's transgressive, transdisciplinary alloy of film expression, distinctively physical performative practices, usage of new technology and conveniently abrasive EBM (electronic body music) musical production hasn't only been ground-breaking in terms of the holistic, visual\/sonic presence of an art collective, but had a rather decisive influence on the general aesthetics of the immensely important Yugoslav subcultural landscape of the 1980s. Borghesia was one of the first bands from the East of the Iron Curtain who used the VHS video medium to distribute their art and was also one of few projects from socialist Yugoslavia to successfully penetrate the curtain itself, reaching international audiences. A series of their releases in the fruitful period between the years 1987 and 1991, including the Resistance album itself, was released by the legendary Belgian label Play It Again Sam (PIAS). The band dissolved in the mid-1990s and then continued their work in 2014. In line with Borghesia's unique social engagement, progressiveness and political criticism, Resistance is one of their most powerful statements. It's the ultimate fight the power manifesto, which makes punk and hip-hop albums of the time sound like children's songs. Released during the last stages of socialist Yugoslavia, and in the last sighs of the original Borghesia line-up, the album's sole sonic character anticipated the oncoming atrocities of the civil wars in the region. This is not music for nodding your head to; it's tactical broadcast for the nocturnal resistance to this very day. Borghesia didn't address control only - they sampled the political top, the secret police and explicitly connected authority with dominance. They offer the tendency for liberation as the only appropriate exit. The production of the album isn't clean or polished. On the contrary - Resistance sounds like it was created in a bunker, using stolen military equipment and synthesisers. Borghesia's genius lies in their understanding that the relentless, mechanical EBM beat was the sound of the State - and by hijacking it, turning the system's own rhythm against itself they created the most powerful form of sonic insurgency. And since history repeats itself while the little man learns slowly, the re-release of 'Resistance' comes at the right time. The dark clouds of violence are already looming over Europe, they've never really left the Middle East, and the levers of power and capital ever so louder, not even covertly at all incite: war, war, war! In these times the only appropriate answer is: revolt, rebel, Resistance! 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The carefully remastered album includes an exclusive bonus live album 'Dal Vivo A El Paso', recorded in December 1988 at their gig in Torino (Italy) during one of their European tours. The recording features very different, raw and at times 'dubbed up' versions of their early tracks such as 'Naked, Uniformed, Dead', Am I? and Him (On). The historical perfectly captures the atmosphere and energy of their live appearances at the time. Borghesia (Italian for 'bourgeoisie'), who were formed in Ljubljana (Slovenia) in 1982, had always considered it's art to be far broader than just sonic. Borghesia's transgressive, transdisciplinary alloy of film expression, distinctively physical performative practices, usage of new technology and conveniently abrasive EBM (electronic body music) musical production hasn't only been ground-breaking in terms of the holistic, visual\/sonic presence of an art collective, but had a rather decisive influence on the general aesthetics of the immensely important Yugoslav subcultural landscape of the 1980s. Borghesia was one of the first bands from the East of the Iron Curtain who used the VHS video medium to distribute their art and was also one of few projects from socialist Yugoslavia to successfully penetrate the curtain itself, reaching international audiences. A series of their releases in the fruitful period between the years 1987 and 1991, including the Resistance album itself, was released by the legendary Belgian label Play It Again Sam (PIAS). The band dissolved in the mid-1990s and then continued their work in 2014. In line with Borghesia's unique social engagement, progressiveness and political criticism, Resistance is one of their most powerful statements. It's the ultimate fight the power manifesto, which makes punk and hip-hop albums of the time sound like children's songs. Released during the last stages of socialist Yugoslavia, and in the last sighs of the original Borghesia line-up, the album's sole sonic character anticipated the oncoming atrocities of the civil wars in the region. This is not music for nodding your head to; it's tactical broadcast for the nocturnal resistance to this very day. Borghesia didn't address control only - they sampled the political top, the secret police and explicitly connected authority with dominance. They offer the tendency for liberation as the only appropriate exit. The production of the album isn't clean or polished. On the contrary - Resistance sounds like it was created in a bunker, using stolen military equipment and synthesisers. Borghesia's genius lies in their understanding that the relentless, mechanical EBM beat was the sound of the State - and by hijacking it, turning the system's own rhythm against itself they created the most powerful form of sonic insurgency. And since history repeats itself while the little man learns slowly, the re-release of 'Resistance' comes at the right time. The dark clouds of violence are already looming over Europe, they've never really left the Middle East, and the levers of power and capital ever so louder, not even covertly at all incite: war, war, war! In these times the only appropriate answer is: revolt, rebel, Resistance! 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The carefully remastered album includes an exclusive bonus live album 'Dal Vivo A El Paso', recorded in December 1988 at their gig in Torino (Italy) during one of their European tours. The recording features very different, raw and at times 'dubbed up' versions of their early tracks such as 'Naked, Uniformed, Dead', Am I? and Him (On). The historical perfectly captures the atmosphere and energy of their live appearances at the time. Borghesia (Italian for 'bourgeoisie'), who were formed in Ljubljana (Slovenia) in 1982, had always considered it's art to be far broader than just sonic. Borghesia's transgressive, transdisciplinary alloy of film expression, distinctively physical performative practices, usage of new technology and conveniently abrasive EBM (electronic body music) musical production hasn't only been ground-breaking in terms of the holistic, visual\/sonic presence of an art collective, but had a rather decisive influence on the general aesthetics of the immensely important Yugoslav subcultural landscape of the 1980s. Borghesia was one of the first bands from the East of the Iron Curtain who used the VHS video medium to distribute their art and was also one of few projects from socialist Yugoslavia to successfully penetrate the curtain itself, reaching international audiences. A series of their releases in the fruitful period between the years 1987 and 1991, including the Resistance album itself, was released by the legendary Belgian label Play It Again Sam (PIAS). The band dissolved in the mid-1990s and then continued their work in 2014. In line with Borghesia's unique social engagement, progressiveness and political criticism, Resistance is one of their most powerful statements. It's the ultimate fight the power manifesto, which makes punk and hip-hop albums of the time sound like children's songs. Released during the last stages of socialist Yugoslavia, and in the last sighs of the original Borghesia line-up, the album's sole sonic character anticipated the oncoming atrocities of the civil wars in the region. This is not music for nodding your head to; it's tactical broadcast for the nocturnal resistance to this very day. Borghesia didn't address control only - they sampled the political top, the secret police and explicitly connected authority with dominance. They offer the tendency for liberation as the only appropriate exit. The production of the album isn't clean or polished. On the contrary - Resistance sounds like it was created in a bunker, using stolen military equipment and synthesisers. Borghesia's genius lies in their understanding that the relentless, mechanical EBM beat was the sound of the State - and by hijacking it, turning the system's own rhythm against itself they created the most powerful form of sonic insurgency. And since history repeats itself while the little man learns slowly, the re-release of 'Resistance' comes at the right time. The dark clouds of violence are already looming over Europe, they've never really left the Middle East, and the levers of power and capital ever so louder, not even covertly at all incite: war, war, war! In these times the only appropriate answer is: revolt, rebel, Resistance! 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