{"title":"Live Albums on CD","description":"\u003cp\u003eThis page is for the listener who wants the show, not the studio approximation: Heads, collectors, and roots-music devotees hunting live concert recordings on CD, from single-disc archival finds to sprawling multi-disc sets pulled from the vault.\u003c\/p\u003e\u003cp\u003eThe catalog here runs deep. Old \u0026amp; In The Way's \u003cem\u003eLive At Sonoma State - 11\/4\/73\u003c\/em\u003e on CD captures the acoustic bluegrass supergroup in their prime. The Grateful Dead appear across several releases, including the 2xCD \u003cem\u003eFillmore Auditorium, San Francisco, CA (7\/3\/66)\u003c\/em\u003e and the 3xCD \u003cem\u003eMadison Square Garden, New York, NY 3\/9\/81\u003c\/em\u003e, both on Grateful Dead Records, plus the \u003cem\u003eEurope '72: 50th Anniversary Edition\u003c\/em\u003e 2xCD. Tedeschi Trucks Band shows up twice: the 2xCD \u003cem\u003eLayla Revisited (Live at LOCKN')\u003c\/em\u003e on Concord, and alongside Leon Russell on \u003cem\u003eMad Dogs \u0026amp; Englishmen Revisited (Live at LOCKN')\u003c\/em\u003e. Jefferson Airplane's \u003cem\u003eSweeping Up The Spotlight Live At The Fillmore East 1969\u003c\/em\u003e on Sony Music sits near New Riders Of The Purple Sage's 2xCD \u003cem\u003eLive At The Capitol Theater - October 31 1975\u003c\/em\u003e on Renaissance Records. Widespread Panic's \u003cem\u003eLive in the Classic City II\u003c\/em\u003e is here as a 2xCD on ATO Records, and John Prine's \u003cem\u003eLive on Tour\u003c\/em\u003e on Oh Boy Records rounds out the singer-songwriter corner. Altogether, more than 230 titles are available.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has been writing about the Grateful Dead, Phish, and the wider jam and roots world since 1974. That history informs how we stock the store: the same artists and recordings the magazine has covered for decades are the ones you find on these shelves. The Relix Sessions series extends that editorial relationship into recorded performance. When we put a live album in the catalog, it is because it belongs in the conversation, not because an algorithm suggested it.\u003c\/p\u003e\u003cp\u003eRecords here are new and sealed. Pre-order titles display a street date and ship as soon as the label makes them available. Vinyl orders travel in protective packaging built specifically for LPs, so sleeves and discs arrive the way they left the warehouse.\u003c\/p\u003e\u003cp\u003eTo keep exploring, browse \u003ca href=\"\/collections\/live-vinyl-albums\"\u003eLive Vinyl Albums \u0026amp; Records\u003c\/a\u003e if you want the same performances on wax, dig into the broader \u003ca href=\"\/collections\/cds\"\u003eCDs Straight from the Vault\u003c\/a\u003e collection, or go straight to \u003ca href=\"\/collections\/grateful-dead-cds\"\u003eGrateful Dead CDs, Box Sets \u0026amp; Live Albums\u003c\/a\u003e for the full Dead discography the store carries.\u003c\/p\u003e","products":[{"product_id":"grateful-dead-road-trips-cd-vol-1-no-2-october-77-2008","title":"Grateful Dead Road Trips CD | Vol. 1 No. 2 – October ’77 (2008)","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eGrateful Dead – Road Trips Vol. 1 No. 2: October ’77\u003c\/em\u003e\u003c\/strong\u003e revisits one of the band’s most celebrated creative peaks. Released in March 2008, this installment stitches together highlights from Norman, OK (10\/11), Houston, TX (10\/14), and Baton Rouge, LA (10\/16), capturing the effortless interplay and tight improvisation that made 1977 a benchmark year for the Dead.\u003c\/p\u003e\n\u003cp\u003eThe release flows through radiant versions of \u003cem\u003eLet It Grow\u003c\/em\u003e and \u003cem\u003eSugaree\u003c\/em\u003e, a stunning \u003cem\u003eHelp on the Way → Slipknot! → Franklin’s Tower\u003c\/em\u003e sequence, and a fluid second set built around \u003cem\u003ePlaying in the Band\u003c\/em\u003e, \u003cem\u003eThe Other One\u003c\/em\u003e, and \u003cem\u003eTerrapin Station\u003c\/em\u003e. The \u003cstrong\u003eBonus Disc\u003c\/strong\u003e expands the experience with the beloved \u003cem\u003eScarlet Begonias → Fire on the Mountain\u003c\/em\u003e pairing and more gems from that same week.\u003c\/p\u003e\n\u003cp\u003ePerformed by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e, and \u003cstrong\u003eDonna Godchaux\u003c\/strong\u003e. Mixed and mastered by \u003cstrong\u003eJeffrey Norman\u003c\/strong\u003e under the supervision of \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDisc One\u003c\/strong\u003e\u003cbr\u003eLet It Grow\u003cbr\u003eSugaree\u003cbr\u003eThe Music Never Stopped\u003cbr\u003eMississippi Half-Step Uptown Toodleoo → El Paso\u003cbr\u003eHelp on the Way → Slipknot! → Franklin’s Tower\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDisc Two\u003c\/strong\u003e\u003cbr\u003ePlaying in the Band → Drums → The Other One → Good Lovin’ → Terrapin Station → Black Peter → Around and Around → Brokedown Palace\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBonus Disc\u003c\/strong\u003e\u003cbr\u003eScarlet Begonias → Fire on the Mountain\u003cbr\u003eEstimated Prophet\u003cbr\u003eSunrise\u003cbr\u003eIko Iko\u003cbr\u003eThe Wheel → Wharf Rat → Sugar Magnolia\u003c\/p\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47391200182427,"sku":"ROADTRIPS-OCT77","price":79.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/gdroadtripscdA.jpg?v=1776960938"},{"product_id":"mad-dogs-englishmen-revisited-live-at-lockn-cd","title":"Tedeschi Trucks Band \u0026 Leon Russell – Mad Dogs \u0026 Englishmen Revisited (Live at LOCKN’) | CD","description":"\u003cp\u003eIn 2015, Tedeschi Trucks Band revived Joe Cocker and Leon Russell's legendary Mad Dogs \u0026amp; Englishmen tour with the man himself—Leon Russell joining for one of his final major performances before his 2016 death. This CD captures that historic LOCKN' Festival recreation, with TTB's already-stacked 12-piece lineup expanding further to accommodate the material's orchestral scope. Original Mad Dogs alumni Claudia Lennear and Dave Mason also joined, creating a direct connection between the 1970 original and this tribute.\u003c\/p\u003e\n\u003cp\u003eMad Dogs \u0026amp; Englishmen's horn-driven, gospel-tinged soul-rock suits TTB's strengths perfectly. \"Feelin' Alright,\" \"The Letter,\" \"Cry Me a River,\" \"Delta Lady,\" and \"Space Captain\" all receive full-band treatments that honor the originals while adding the improvisational firepower that defines TTB's approach. Derek's slide guitar references Russell's piano work while adding his own voice; Susan's vocals channel Cocker's raw power while maintaining her own identity. The presence of Leon Russell—frail but commanding—adds emotional weight that transforms tribute into something more profound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD.\u003c\/strong\u003e Fantasy Records. Recorded live at LOCKN' Festival 2015. Features Leon Russell, Claudia Lennear, Dave Mason. Complete Mad Dogs \u0026amp; Englishmen recreation.\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":47417453183131,"sku":"888072705241","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Tedeschi-Trucks-Band-Leon-Russell-Mad-Dogs-Englishmen-Revisited-Live-at-LOCKN-CD.jpg?v=1770132160"},{"product_id":"layla-revisited-live-at-lockn-2cd","title":"Tedeschi Trucks Band – Layla Revisited (Live at LOCKN’) | 2-CD","description":"\u003cp\u003eAt the 2019 LOCKN' Festival, Tedeschi Trucks Band performed Derek and the Dominos' Layla and Other Assorted Love Songs in its entirety—with Trey Anastasio joining on guitar. This 2-CD set captures that complete performance, documenting one of the most ambitious tributes to Eric Clapton and Duane Allman's 1970 masterpiece. The Layla sessions hold special resonance for Derek Trucks, whose uncle Butch drummed for the Allman Brothers alongside Duane. With Trey adding his distinctive voice to the dual-guitar attack, the performance honors the original while pushing into new improvisational territory.\u003c\/p\u003e\u003cp\u003eTTB's 12-piece lineup—dual drummers, three-piece horn section, backup vocalists—brings orchestral depth to Clapton and Allman's guitar interplay. \"Tell the Truth,\" \"Bell Bottom Blues,\" \"I Looked Away,\" and the iconic \"Layla\" all receive extended treatment that respects the source while showcasing what makes TTB special. Derek's slide guitar channels Duane without imitating him; Susan's vocals bring new emotional depth to songs originally sung by Clapton. This isn't a cover band exercise—it's a reimagining by musicians who understand that honoring the past means pushing it forward.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e2-CD Set.\u003c\/strong\u003e Fantasy Records. Recorded live at LOCKN' Festival, September 14, 2019. Features Trey Anastasio. Complete Layla album performance.\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":47417455411355,"sku":"888072234888","price":19.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Tedeschi-Trucks-Band-Layla-Revisited-Live-at-LOCKN-2-CD.jpg?v=1770132161"},{"product_id":"grateful-dead-europe-72-50th-anniversary-edition-cd","title":"Grateful Dead – Europe '72: 50th Anniversary Edition (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe spring 1972 European run marked the debut of three musicians who would reshape the band's sound for years to come: pianist Keith Godchaux, vocalist Donna Jean Godchaux, and percussionist Bill Kreutzmann's new partner in the drum chair. The tour also introduced live versions of songs like \"Brown-Eyed Women\" and \"Ramble On Rose\" that Deadheads would chase across setlists for decades, making this document not just a souvenir but a genuine musical turning point.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCelebrating the 50th Anniversary of the Grateful Dead's iconic Europe '72 Tour with the original \u003cem\u003eEurope '72\u003c\/em\u003e album, newly remastered. Plangent Processes tape restoration and speed correction, with mastering by GRAMMY® Award-winning engineer Dave Glasser, produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eIn another industry-defying move, the Grateful Dead followed up their first Gold Record — the 1971 live showcase \u003cem\u003eSkull \u0026amp; Roses\u003c\/em\u003e — with another live album, one that to most fans and critics surpassed even the excellence of the previous offering.\u003c\/p\u003e\n\n\u003cp\u003eFrom April 7 to May 26, 1972, the Dead performed and recorded 21 live concerts, plus a set in a television studio, with every night being an exceptional display of the magic that was uniquely the live Grateful Dead. These concerts and this tour, 50 years later, are still considered one of the highest of high points in the Grateful Dead's performing career.\u003c\/p\u003e\n\n\u003cp\u003eIn an era when a double album was rare enough, the Dead outdid even their own lofty standards by producing what is widely regarded as one of the finest live albums ever made — originally released as a sprawling 3-LP set, and now available here in a newly remastered 2-CD edition. Remastered from the original analog tapes, the album has never sounded better.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Cumberland Blues (5:42)\u003cbr\u003e\n1-2. He's Gone (6:58)\u003cbr\u003e\n1-3. One More Saturday Night (4:49)\u003cbr\u003e\n1-4. Jack Straw (4:49)\u003cbr\u003e\n1-5. You Win Again (4:00)\u003cbr\u003e\n1-6. China Cat Sunflower (5:33)\u003cbr\u003e\n1-7. I Know You Rider (5:04)\u003cbr\u003e\n1-8. Brown-Eyed Women (4:39)\u003cbr\u003e\n1-9. Hurts Me Too (7:20)\u003cbr\u003e\n1-10. Ramble On Rose (6:01)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Sugar Magnolia (7:10)\u003cbr\u003e\n2-2. Mr. Charlie (3:38)\u003cbr\u003e\n2-3. Tennessee Jed (7:11)\u003cbr\u003e\n2-4. Truckin' (13:05)\u003cbr\u003e\n2-5. Epilogue (5:07)\u003cbr\u003e\n2-6. Prelude (7:36)\u003cbr\u003e\n2-7. 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This particular run at MSG came just as the band was hitting a strong stride with their post-\"Go to Heaven\" live approach, and the New York crowd, always one of the most electric on the circuit, gave them plenty to play up to.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CDs. Madison Square Garden, the world-famous New York City arena, was a home away from home for The Grateful Dead, a reliable sanctuary where the band would ultimately play 52 shows, a record at the time. The venue's fine acoustics, combined with the fans' unbridled energy, consistently brought out the best in the Dead. \u003c\/p\u003e\u003cp\u003eAt the band's 2015 induction ceremony into Madison Square Garden's Walk Of Fame, Bobby Weir said \"This place was both horrifying and titillating with an audience that was discerning but ravenous. We had to rise to the occasion every time.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Feel Like A Stranger (9:07)\u003cbr\u003e\n1-2. Althea (7:52)\u003cbr\u003e\n1-3. C.C. Rider (8:00)\u003cbr\u003e\n1-4. Ramble On Rose (7:41)\u003cbr\u003e\n1-5. El Paso (5:31)\u003cbr\u003e\n1-6. Deep Elem Blues (7:03)\u003cbr\u003e\n1-7. Beat It On Down The Line (3:58)\u003cbr\u003e\n1-8. Bird Song (11:15)\u003cbr\u003e\n1-9. New Minglewood Blues (7:02)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. China Cat Sunflower (9:33)\u003cbr\u003e\n2-2. I Know You Rider (6:11)\u003cbr\u003e\n2-3. Samson And Delilah (7:32)\u003cbr\u003e\n2-4. Ship Of Fools (8:22)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. Estimated Prophet (14:07)\u003cbr\u003e\n3-2. Uncle John's Band (11:46)\u003cbr\u003e\n3-3. Drums (10:32)\u003cbr\u003e\n3-4. Space (7:30)\u003cbr\u003e\n3-5. The Other One (7:47)\u003cbr\u003e\n3-6. Stella Blue (9:50)\u003cbr\u003e\n3-7. Good Lovin' (6:51)\u003cbr\u003e\n3-8. 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These recordings pull from some of the most documented years in rock history, a period when the band was simultaneously inventing and perfecting a concert language that tens of thousands of fans built their lives around. Consider it a map of the territory, not a substitute for the journey.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA two-CD collection made for die-hard Deadheads and new fans alike, \u003cem\u003eThe Best of the Grateful Dead Live\u003c\/em\u003e is the ultimate introduction to the band's live legacy. Drawing from official live albums on Warner Bros. and Arista, plus key archival releases, the set spans the full arc of the Dead's performing career — from \u003cstrong\u003e\"St. Stephen\"\u003c\/strong\u003e recorded at the Fillmore West in 1969 to the poignant \u003cstrong\u003e\"So Many Roads,\"\u003c\/strong\u003e taken from the band's final concert at Chicago's Soldier Field in July 1995.\u003c\/p\u003e\n\n\u003cp\u003eAlong the way: the raw power of the early Fillmore East shows, the soaring Europe '72 performances, the beloved Warfield and Radio City runs of 1980, and standout moments from the band's final decade. Few live compilations cover this much ground this well.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. St. Stephen (6:37)\u003cbr\u003e\n1-2. Bertha (5:42)\u003cbr\u003e\n1-3. 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Spanning the band's career from the psychedelic Haight-Ashbury years through the arena-filling 1980s and beyond, these 19 tracks were pulled from the same vault that made the film so revelatory, prioritizing moments that capture the Dead at their most electrically alive rather than the obvious greatest hits.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMotion Picture Soundtrack for Long Strange Trip.  Long Strange Trip is an unprecedented four-hour documentary about the legendary band the Grateful Dead from executive producer Martin Scorsese (Silence, The Departed), and director Amir Bar-Lev (The Tillman Story, Happy Valley). Long Strange Trip probes the creative forces, subversive ambitions, and interpersonal dynamics that drove the Grateful Dead in their 30-year career. The first biographical film authorized and supported by the band, LST includes never-before-seen archival footage (of performances, backstage, and home movies) as well as new interviews with band members and cultural critics.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Death Don't Have No Mercy (10:32)\u003cbr\u003e\n1-2. St. Stephen (6:42)\u003cbr\u003e\n1-3. Uncle John's Band (4:46)\u003cbr\u003e\n1-4. Dark Star (23:52)\u003cbr\u003e\n1-5. Easy Wind (5:01)\u003cbr\u003e\n1-6. Candyman (6:16)\u003cbr\u003e\n1-7. China Cat Sunflower (5:09)\u003cbr\u003e\n1-8. I Know You Rider (5:55)\u003cbr\u003e\n1-9. Morning Dew (5:01)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. He's Gone (8:53)\u003cbr\u003e\n2-2. The Music Never Stopped (5:33)\u003cbr\u003e\n2-3. Scarlet Begonias (9:54)\u003cbr\u003e\n2-4. Fire On The Mountain (15:09)\u003cbr\u003e\n2-5. Althea (8:33)\u003cbr\u003e\n2-6. Touch Of Grey (5:52)\u003cbr\u003e\n2-7. Dear Mr. Fantasy (7:07)\u003cbr\u003e\n2-8. Hey Jude (4:00)\u003cbr\u003e\n2-9. Ripple (4:10)\u003cbr\u003e\n2-10. Brokedown Palace (4:07)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227934507\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.26.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149517140123,"sku":"282147","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Long-Strange-Trip-Soundtrack-2-CD.png?v=1776107930"},{"product_id":"jerry-garcia-garcialive-vol-21-february-13th-1976-keystone-cd","title":"Jerry Garcia – GarciaLive Vol. 21: February 13th, 1976 - Keystone (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn a gratefully welcomed return to the GarciaLive archival series, Volume 21 brings us back to February of 1976, when on a Friday night one could stand amongst 500 or so paying customers and watch Jerry Garcia and his band peacefully, pleasingly, and proficiently take over Berkeley's Keystone club. The Jerry Garcia Band was a vital component of Garcia's life away from the circus, and a grounding space to work-out solo material, nod to songs he was digging at the time, and just play. In the end, a JGB show would require an arena to accommodate the demand, but in '76, a modest club date in the Bay was all he and his friends needed.\u003c\/p\u003e\u003cp\u003eIt's a mostly mellow show, with a particularly slow take on Bob Dylan's \"Knockin' on Heaven's Door,\" that may be among the more transfixed and affecting Garcia has performed. It's in keeping with a set that darts between eventual staples of a JGB show- \"Catfish John,\" \"After Midnight,\" and \"The Harder They Come,\"- and contemporaneous homages, such as a beautifully Jerry-esque reading of the Rolling Stones' \"Moonlight Mile.\" The mix tilts toward Jerry's guitar, and fittingly, as there is plenty of his engaging fretwork, yet Garcia is quick to share the moments with his mates- especially with on-loan Dead keyboardist, Keith Godchaux, on a glistening \"Mission in the Rain.\"\u003c\/p\u003e\u003cp\u003eTwo songs pulled from a Palo Alto date two nights later serve as an \"encore,\" filling out the winning two-disc set. All in all, this edition reignites a GarciaLive series that's been so adept at detailing the arc of Garcia's solo excursions. Hopefully, this marks the first of another run of many releases to follow.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/09\/14\/jerry-garcia-band-garcialive-volume-21-keystone-february-13-1976\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy early 1976, the Jerry Garcia Band was operating in a genuinely unusual space, with Garcia essentially running two overlapping musical families. Having Keith and Donna Jean Godchaux in the room meant the chemistry from the Dead's own mid-70s peak was bleeding directly into these intimate club nights at the Keystone, a Berkeley venue that Garcia returned to again and again throughout the decade as a kind of low-pressure laboratory for exactly this kind of musical exploration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 21\u003c\/em\u003e brings the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e back to their Bay Area stomping grounds with a then-new lineup — Grateful Dead members \u003cstrong\u003eDonna Jean\u003c\/strong\u003e and \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e joining mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e. Recorded live at the Keystone in Berkeley in February 1976, the set is a fascinating snapshot of the JGB in transition.\u003c\/p\u003e\n\n\u003cp\u003eThe setlist is loaded with highlights: rarities like the Rolling Stones' \u003cstrong\u003e\"Moonlight Mile\"\u003c\/strong\u003e and Ray Charles' \u003cstrong\u003e\"Talkin' 'Bout You,\"\u003c\/strong\u003e deep cuts like \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"Who Was John?\"\u003c\/strong\u003e and \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e alongside scintillating takes on favorites like \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e and \u003cstrong\u003e\"They Love Each Other.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Catfish John (14:13)\u003cbr\u003e\n1-2. After Midnight (13:37)\u003cbr\u003e\n1-3. Mission In The Rain (6:57)\u003cbr\u003e\n1-4. Who Was John? (12:28)\u003cbr\u003e\n1-5. They Love Each Other (7:31)\u003cbr\u003e\n1-6. Moonlight Mile (10:27)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. The Harder They Come (18:41)\u003cbr\u003e\n2-2. Knockin' On Heaven's Door (19:17)\u003cbr\u003e\n2-3. Talkin' 'Bout You (10:33)\u003cbr\u003e\n2-4. How Sweet It Is (To Be Loved By You) (9:29)\u003cbr\u003e\n2-5. My Sisters And Brothers (6:42)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882624620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.14.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187691139227,"sku":"221763","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-21-February-13th-1976-Keystone-2-CD.jpg?v=1776107956"},{"product_id":"neil-young-crazy-horse-arc-live-cd","title":"Neil Young  \u0026 Crazy Horse – Arc Live (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCompanion piece to *Ragged Glory* and the *Weld* tour, *Arc* captures Young and Crazy Horse at their most unhinged, filtering the chaos of those arena performances into something closer to avant-garde noise sculpture than rock and roll. It sits in direct conversation with the sonic confrontationalism Young had been circling since \"Like a Hurricane,\" proving that his relationship with feedback was never a gimmick but a genuine compositional language.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eArc is a live album by Neil Young and Crazy Horse, recorded early 1991 and released in October 1991. The album consists of feedback, guitar noise, improvisations and vocal fragments which were recorded during various live shows on the 1991 US tour, and then re-edited into a 35-minute composition.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Arc (35:00)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624882497\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reprise \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.4.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187709489307,"sku":"575963","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Neil-Young-Crazy-Horse-Arc-Live-CD.png?v=1776108021"},{"product_id":"king-gizzard-the-lizard-wizard-live-at-bonnaroo-22-cd","title":"King Gizzard \u0026 The Lizard Wizard – Live At Bonnaroo '22 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMelbourne's most prolific psychedelic outfit had already released multiple albums in 2022 alone by the time they took the Bonnaroo stage, a relentless creative pace that made their live sets feel like detonations of everything they'd been building in the studio. King Gizzard's festival performances from that era were legendary for their shape-shifting energy, blending microtonal experiments, thrash, and kosmische drift within a single set.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLive at Bonnaroo '22 captures Melbourne psych-rockers King Gizzard \u0026amp; the Lizard Wizard at their most freewheeling and ferocious. Taking the stage at the Tennessee festival to a captive audience as the clock struck midnight, the band ripped through this eleven-song set with intensity, letting up only to space out on certain tracks like the near ten-minute \"Magenta Mountain\" and a poignant rendition of fan favorite \"Work This Time\". This official bootlegger version of the release is spread out across two LPs, with one pressed on plutonium and the other on magma color vinyl. The release was mastered for vinyl by Kern Haug and pressed at Furnace Record Pressing, with artwork by Michael Rogers.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Robot Stop (8:11)\u003c\/div\u003e\n\u003cdiv\u003e2. Hot Water (6:36)\u003c\/div\u003e\n\u003cdiv\u003e3. The Grim Reaper (4:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Mars For The Rich (4:13)\u003c\/div\u003e\n\u003cdiv\u003e5. Hell (4:42)\u003c\/div\u003e\n\u003cdiv\u003e6. Planet B (5:03)\u003c\/div\u003e\n\u003cdiv\u003e7. Gaia (7:44)\u003c\/div\u003e\n\u003cdiv\u003e8. Magenta Mountain (9:45)\u003c\/div\u003e\n\u003cdiv\u003e9. The Garden Goblin (3:29)\u003c\/div\u003e\n\u003cdiv\u003e10. Work This Time (7:58)\u003c\/div\u003e\n\u003cdiv\u003e11. The Dripping Tap (13:08)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 711574949915\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Org Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.2.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187709522075,"sku":"323949","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Live-At-Bonnaroo-22-CD_9e7633d9.jpg?v=1776108035"},{"product_id":"jerry-garcia-garcialive-volume-15-may-21st-1971-keystone-korner-cd","title":"Jerry Garcia – GarciaLive Vol. 15: May 21st, 1971 Keystone Korner (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eListening to the work of Jerry Garcia often feels like an act of discovery, no matter how long one's been doing it. On GarciaLive Vol. 15: Jerry Garcia \u0026amp; Merl Saunders, May 21st, 1971, listeners are truly discovering something new. This previously uncirculated recording finds Garcia, keyboardist Merl Saunders and drummer Bill Vitt playing as a rare trio (sans regular bassist John Kahn) with occasional saxophone screeches from future Legion of Mary member Martin Fierro. At San Francisco's 200-cap Keystone Korner (not to be confused with the sister club in Berkeley), Garcia was free to step out from the Grateful Dead's shadow (just days before a Winterland Ballroom run) and flex his jazz muscles in raw, exhilarating form. Without bass, Saunders' keyboard work and organ playing holds down the low end and gives each musician even more room to groove with a loose, conversational tone. Opening with Saunders' \"Man-Child,\" the trio doesn't waste any time getting out there with Saunders driving several subterranean-sounding peaks. On \"One Kind Favor,\" the Blind Lemon Jefferson song also known as \"See That My Grave Is Kept Clean,\" Garcia's aching vocals recall \"Death Don't Have No Mercy,\" as Saunders' organ swirls. Fierro first speaks up on a swinging instrumental take on Stevie Wonder's \"I Was Made to Love Her.\" The \"Keystone Korner Jam\" best captures the vibe of the performance—17 minutes of the quartet playing off each other, composing in the moment, with Garcia and Fierro pushing each other to explore. The real star of the recording, however, is the only known Garcia-sung performance of David Crosby's \"The Wall Song,\" which Garcia would play guitar on in the studio. Garcia does an admirable job on vocals but it's Fierro who commands the jam with an assault of sax squeals (and a few Beatles quotes). For fans of Garcia's more esoteric work, GarciaLive Vol. 15 is a thrilling listen and a reminder that there's always something new waiting around the Korner.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Rudi Greenberg, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/garcialive-vol-15-jerry-garcia-merl-saunders-may-21st-1971\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1971, Garcia was already deep in the exploratory side-project work that would define so much of his legacy outside the Dead, and these Keystone Korner sessions capture that restless curiosity at an early stage. His partnership with Merl Saunders would stretch across years and hundreds of gigs, but recordings from this particular period are scarce, making this document an essential piece of the puzzle for anyone tracing how Garcia's improvisational voice developed away from the mothership.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 15\u003c\/em\u003e showcases a free-spirited performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e, and drummer \u003cstrong\u003eBill Vitt\u003c\/strong\u003e at the celebrated and intimate San Francisco jazz club Keystone Korner. The trio — aided by saxophonist \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on five songs — fuses R\u0026amp;B, jazz, and rock across two adventurous sets.\u003c\/p\u003e\n\n\u003cp\u003eExtended takes on Saunders's own \u003cstrong\u003e\"Man-Child\"\u003c\/strong\u003e and \u003cstrong\u003e\"Save Mother Earth\"\u003c\/strong\u003e anchor the performance, alongside rare gems including David Crosby's \u003cstrong\u003e\"The Wall Song,\"\u003c\/strong\u003e Stevie Wonder's \u003cstrong\u003e\"I Was Made to Love Her,\"\u003c\/strong\u003e a smoking \u003cstrong\u003e\"Mystery Train,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Keystone Korner Jam.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Man-Child (17:36)\u003cbr\u003e\n1-2. One Kind Favor (9:34)\u003cbr\u003e\n1-3. I Know It's A Sin (6:53)\u003cbr\u003e\n1-4. I Was Made To Love Her (9:58)\u003cbr\u003e\n1-5. Keystone Korner Jam (16:38)\u003cbr\u003e\n1-6. The Night They Drove Old Dixie Down (5:04)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Save Mother Earth (25:19)\u003cbr\u003e\n2-2. That's All Right (8:28)\u003cbr\u003e\n2-3. The Wall Song (12:45)\u003cbr\u003e\n2-4. Mystery Train (6:44)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882442323\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.4.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820114075,"sku":"168487","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-15-May-21st-1971-Keystone-Korner-2-CD.jpg?v=1776108276"},{"product_id":"jerry-garcia-band-garcialive-volume-19-october-31st-1992-oakland-coliseum-arena-cd","title":"Jerry Garcia Band – GarciaLive Vol. 19: October 31st, 1992 Oakland Coliseum Arena (2–CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eFor generations of students taking college entrance exams, there has been an oft-repeated adage: that test-takers get a few hundred points just for showing up. If, after his experience in a coma a few months earlier, this was Jerry Garcia’s test- a first performance back onstage- he got about 17,000 points just for showing up. The roar of those 17,000 filling the Oakland Coliseum Arena on Halloween night are just what the aging Captain needed to hear, and for the next two-and-a-half hours he gives them just what they needed: the music of the Jerry Garcia Band, and the assurance that he was, indeed, back.\u003c\/p\u003e\u003cp\u003eWith the first-set selections each hovering around the seven-minutes-and-change mark, that seems to be the sweet spot of expendable energy for the opening “How Sweet It Is (To Be Loved By You)” through to the closing “Deal.” Garcia stretches “The Night They Drove Old Dixie Down” a bit longer than its counterparts, but otherwise the nine songs tend to cruise at similar altitudes, with Jerry’s relatively paced and relaxed guitar work and Melvin Seals’ flash of keyboards finding their peaks. Garcia’s voice is of fine vintage the entire evening, crackling with understood vulnerability on “The Maker,” against the always steadying backdrop of his loyal singers, Gloria Jones and Jacklyn LaBranch.\u003c\/p\u003e\u003cp\u003eThe comeback show, as far as repertoire and approach, is not unlike others of its era, nor should it be; it was Garcia’s style to underplay if not completely ignore any personal significance. A simple “So, how ya’ll doing?” is the majority of his communication with the hometown capacity crowd, ahead of the sly wink of Chuck Berry’s, “You Never Can Tell (C’est La Vie).” Such is life for this old folk.\u003c\/p\u003e\u003cp\u003eThe highlight of the second half- and possibly the show- is on its set starter, “Shining Star.” Performed with gentle hands and effortless restraint, the soulful cover of The Manhattans’ classic falls like leaves of orange and red from the weathering trees, wafting down and landing with a whisper. At over 12 minutes, it’s the showcase track of the autumnal night and all the proof anyone could ask for that Jerry Garcia could move an arena as one.\u003c\/p\u003e\u003cp\u003eThe second set is also slightly greasier than the first, and Garcia and Seals do get a bit fiery when the mood is right on “Tore Up Over You.” The ensemble returns for the now-hallowed favorite of this holiday, borrowed over from Garcia’s days with the Dead- Warren Zevon’s “Werewolves of London.” If it’s a bit ragged, it’s all forgiven; most costumes get that way by the end of the night. More important is everything that came before that last rocking encore, as Garcia and his band conjured up the spirits to dance once again.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/11\/10\/jerry-garcia-band-garcialive-volume-19-oakland-coliseum-arena-october-31-1992\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHalloween has always carried weight in the Bay Area concert calendar, but this particular night hit different. Garcia had nearly died that summer, and the Oakland faithful showed up knowing they might be witnessing something they'd almost lost forever; the joy in that room was inseparable from the relief.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 19\u003c\/em\u003e documents one of the most emotionally charged nights in \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e history — his triumphant return to the stage on Halloween, October 31, 1992, at the Oakland Coliseum Arena, just three months after a health crisis so severe it forced the cancellation of an entire Grateful Dead tour. Slimmed down and in great spirits, Garcia took the stage to 17,000 roaring fans, and the setlist reflects the significance of the moment. Mastered from \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e's original soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals — what \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e himself dubbed \"the magic band.\" A poignant \u003cstrong\u003e\"The Maker\"\u003c\/strong\u003e opens the emotional core of the evening; \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e stuns with its lush harmonies to open Set Two; and the night closes with a rousing Halloween encore of \u003cstrong\u003e\"Werewolves of London.\"\u003c\/strong\u003e The package includes liner notes and previously unpublished photos from the festivities, which included a costume contest judged by \u003cstrong\u003eKen Kesey\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThe Maker\u003c\/li\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eWonderful World\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003cli\u003eWerewolves of London (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882536527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.28.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820441755,"sku":"483345","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-19-October-31st-1992-Oakland-Coliseum-Arena-2-CD.jpg?v=1776108369"},{"product_id":"jerry-garcia-band-garcialive-vol-3-legion-of-mary-december-14-15-1974-northwest-tour-cd","title":"Legion of Mary – GarciaLive Vol. 3: December 14-15, 1974 Northwest Tour (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLegion of Mary existed in a sweet spot between the Grateful Dead's extended hiatus of 1974 and Garcia's return to that band, giving him room to stretch into territory the Dead rarely touched. With Merl Saunders anchoring the organ and Martin Fierro's saxophone pushing the ensemble toward genuine jazz improvisation, these Oregon nights show Garcia in a deeply collaborative mode, trading phrases rather than soloing over a rhythm section.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe third installment of the GarciaLive archival series presents over two and a half hours of previously unreleased music from one of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e's most experimental and revered projects: \u003cstrong\u003eLegion of Mary.\u003c\/strong\u003e Culled from two consecutive nights in Oregon on what is thought to be the band's first-ever tour, the recordings capture the quintet in an exploratory, jazz-and-soul-infused groove unlike anything in the broader Garcia catalog.\u003c\/p\u003e\n\u003cp\u003eLegion of Mary features \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e on keyboards and vocals, \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on saxophone and flute, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums. Disc One documents the December 14th performance at the Paramount Theatre in Portland; Discs Two and Three present both sets from the December 15th show at the EMU Ballroom in Eugene. 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Keith and Donna Jean Godchaux's presence here is bittersweet in hindsight; their chemistry with Garcia in this setting remains one of the most underappreciated chapters in the whole extended Garcia story. That Betty Cantor-Jackson had her recorder running that night is something to be genuinely grateful for.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA genuine vault discovery, \u003cem\u003eGarciaLive Volume Seven\u003c\/em\u003e presents the complete November 8, 1976 performance by the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at Sophie's in Palo Alto, California — recorded by \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e on original soundboard reels that were nearly lost forever. The tapes were recovered in 2015 when \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e found them in a box while moving, and were meticulously remastered for this release.\u003c\/p\u003e\n\n\u003cp\u003eThe recording captures one of the most beloved lineups in JGB history: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards, \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums — the quintessential mid-'70s Garcia Band in peak form. Set One flows through \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e while Set Two delivers the goods with \u003cstrong\u003e\"Ride Mighty High,\"\u003c\/strong\u003e a sprawling \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e and the bluegrass closer \u003cstrong\u003e\"Midnight Moonlight.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eKnockin' on Heaven's Door\u003c\/li\u003e\n\u003cli\u003eAfter Midnight\u003c\/li\u003e\n\u003cli\u003eWho Was John?\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eStir It Up\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eStrange Man\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eRide Mighty High\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882267223\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.19.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187830141083,"sku":"401904","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-7-November-8th-1976-Sophies-Palo-Alto-2-CD.jpg?v=1776108583"},{"product_id":"jerry-garcia-band-garcialive-vol-2-august-5th-1990-greek-theater-2-cd","title":"Jerry Garcia Band – GarciaLive Vol.2: August 5th, 1990, Greek Theatre (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Greek Theatre in Berkeley was practically a second home for Garcia, and summer nights there had a particular magic that regulars still talk about decades later. Béla Fleck's cameo here is a genuine rarity, a reminder that Garcia's musical friendships crossed every genre boundary, and that any given JGB show could turn into something you'd spend years trying to describe to someone who wasn't there.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume Two\u003c\/em\u003e captures the classic latter-era lineup of the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at the Greek Theatre in Berkeley on August 5, 1990 — featuring \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals. 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These live performances were originally released on the 2003 Led Zeppelin DVD and appear on CD for the very first time.\u003c\/p\u003e\u003cp\u003eFollowing the 10-week North American tour that ran from January through March, 1975, Led Zeppelin played five sold-out nights at London's Earl's Court in May, 1975. Initially, three shows were announced, with another two added after the tremendous demand for tickets.\u003c\/p\u003e\u003cp\u003eThe band headlined both nights of the Knebworth Festival, which took place at Knebworth House, Hertfordshire, England on August 4 and 11, 1979. These were Led Zeppelin's first live dates since their 1977 North American tour, and their first U.K. dates since the Earl's Court 1975 shows.\u003c\/p\u003e\u003ch3\u003eLED ZEPPELIN \/ LIVE EP\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. In My Time Of Dying (11:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Trampled Under Foot (9:06)\u003c\/div\u003e\n\u003cdiv\u003e3. Sick Again (5:18)\u003c\/div\u003e\n\u003cdiv\u003e4. Kashmir (9:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497815302\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.12.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832205467,"sku":"1387286","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Led-Zeppelin-Live-E_P_-CD.png?v=1776109013"},{"product_id":"jerry-garcia-john-kahn-garcialive-volume-14-january-27th-1986-the-ritz-cd","title":"Jerry Garcia \u0026 John Kahn – GarciaLive Vol. 14: January 27th, 1986 The Ritz (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1986, Jerry Garcia and John Kahn had been playing together for over a decade, and their acoustic duo shows captured something the full band rarely could: pure conversation between two musicians who knew each other's instincts completely. The Ritz, one of New York's premier rock venues of the era, gave this intimate format an unlikely stage, and the crowd got something closer to a front-porch session than a concert.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 14\u003c\/em\u003e showcases a buoyant acoustic performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and longtime friend and bassist \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e during the middle of a rare duo tour. Recorded on January 27, 1986 at The Ritz in New York City, Garcia and Kahn deliver two exquisite sets featuring Grateful Dead favorites — \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bird Song\"\u003c\/strong\u003e — alongside spirited takes on Bob Dylan's \u003cstrong\u003e\"When I Paint My Masterpiece\"\u003c\/strong\u003e and \u003cstrong\u003e\"Simple Twist of Fate,\"\u003c\/strong\u003e plus deep cuts like \u003cstrong\u003e\"Deep Elem Blues,\"\u003c\/strong\u003e \u003cstrong\u003e\"Little Sadie,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Spike Driver Blues.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDeep Elem Blues\u003c\/li\u003e\n\u003cli\u003eLittle Sadie\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eOh Babe, It Ain't No Lie\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDire Wolf\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eSpike Driver Blues\u003c\/li\u003e\n\u003cli\u003eBird Song\u003c\/li\u003e\n\u003cli\u003eRipple\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eEncore\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGoodnight Irene\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882416621\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832565915,"sku":"547360","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-John-Kahn-GarciaLive-Vol_-14-January-27th-1986-The-Ritz-CD.jpg?v=1776109097"},{"product_id":"jerry-garcia-merl-saunders-garcialive-vol-18-november-2nd-1974-keystone-berkeley-2-cd","title":"Jerry Garcia \u0026 Merl Saunders – GarciaLive Vol. 18: November 2nd, 1974 - Keystone Berkeley (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOne of the more appetizing aspects among many in the GarciaLive series- this one, number 18- is the way in which the performances chosen among the dozen and a half so far define the variety of work in Jerry Garcia’s career. It’s easy enough to regale the guitarist, singer, and songwriter as the Pied Piper of the Deadheads, and the description would not be unfair, yet it only touches on the most obvious of Garcia’s guises. Less apparent, and epitomized with this two-disc set, is the club-haunting Jerry delving into bluesy jazz and soul; the consummate teammate within a Bay Area all-star configuration equally as willing to support a honking Martin Fierro sax solo or a tasty Merl Saunders keyboard run.\u003c\/p\u003e\u003cp\u003eTaken from a November 2,1974 appearance at Keystone Berkeley, Garcia and a quartet commandeer the local club for an evening of covers rendered in R\u0026amp;B, even dipped, at times, in a glaze of fusion. It’s familiar in its showcase of Jerry’s proclivity for a good jam, but it’s also relatively inconspicuous; Garcia, beyond the recognizable voice and guitar work, plays comfortably the roles of both support and lead. When Fierro stretches on flute, or Saunders fronts the vocal, Garcia slides into the background with as much maturity and skill as he does helming Jimmy Cliff’s “The Harder They Come” or Bob Dylan’s “Tough Mama;” the former, an adroit choice at the time for the eclectic repertoire; the movie and its soundtrack a somewhat niche release only two years prior.\u003c\/p\u003e\u003cp\u003eStretch these five do, (on the ten tracks only one comes in under five minutes), conjoining a late set, twenty-minutes-plus take on the Saunders original, “Wondering Why,” with “People Make the World Go Round.” The closing ride on “Mystery Train,” a Junior Parker blues popularized by Elvis Presley, is a rousing finale, running almost 15 minutes itself. Still, this is very much the egalitarian work of a talented ensemble, not a star-trip for the Captain. Nothing is more pervasive within the distinguished musicianship than the generosity of space and time for each and all of the five to have their fun, individually and collectively. The result is another face of Garcia and another night of wonderful music captured and shared.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/07\/22\/garcialive-volume-18-keystone-berkeley-november-2-1974\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Keystone Berkeley run was Jerry's home away from home during the mid-70s, a small room in the East Bay where he could stretch out without the weight of the Dead's amphitheater expectations. By late 1974, the Garcia-Saunders band had been working together for several years, and the telepathy between them was deep and unguarded. Betty Cantor-Jackson's recordings from this era have a warmth and intimacy that match the music perfectly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eProduced from the original 1\/4\" analog master reels by \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e, \u003cem\u003eGarciaLive Vol. 18\u003c\/em\u003e presents a previously uncirculated complete two-set performance from the legendary Keystone Berkeley, recorded November 2, 1974. Garcia and Saunders are joined by \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on saxophone and flute, and Paul Humphrey on drums for genre-bending explorations of R\u0026amp;B, reggae, jazz, and rock.\u003c\/p\u003e\n\n\u003cp\u003eThe first set is a monster — a seamless fusion of Donny Hathaway's \u003cstrong\u003e\"Valdez in the Country,\"\u003c\/strong\u003e Jimmy Cliff's \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and Randy Newman's \u003cstrong\u003e\"You Can Leave Your Hat On\"\u003c\/strong\u003e that destroys any notion of genre. The second set delivers a super-charged \u003cstrong\u003e\"Freedom Jazz Dance,\"\u003c\/strong\u003e an extended \u003cstrong\u003e\"Wondering Why\"\u003c\/strong\u003e flowing into \u003cstrong\u003e\"People Make the World Go Round,\"\u003c\/strong\u003e and a fiery closing \u003cstrong\u003e\"Mystery Train.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeighbor, Neighbor\u003c\/li\u003e\n\u003cli\u003eValdez in the Country\u003c\/li\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eYou Can Leave Your Hat On\u003c\/li\u003e\n\u003cli\u003eThat's the Touch I Like\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFreedom Jazz Dance\u003c\/li\u003e\n\u003cli\u003eTough Mama\u003c\/li\u003e\n\u003cli\u003eWondering Why\u003c\/li\u003e\n\u003cli\u003ePeople Make the World Go Round\u003c\/li\u003e\n\u003cli\u003eMystery Train\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882445928\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.10.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832631451,"sku":"114022","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Merl-Saunders-GarciaLive-Vol_-18-November-2nd-1974-Keystone-Berkeley-2-CD_9db423b3.jpg?v=1776109118"},{"product_id":"jerry-garcia-band-garcialive-volume-17-norcal-76-cd","title":"Jerry Garcia Band – GarciaLive Vol. 17: NorCal 1976 (3-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eTalk about peaking. Even though the 17th installment of the GarciaLive series breaks a bit from most of the others in the terrific ongoing chain of archival sets- as it is a compilation of cuts from several shows rather than a singular, complete performance- its chosen tracks and sequencing approximate well a Jerry Garcia Band '76 concert. And with the standout version of \"Mighty High\" closing the three-disc volume, it is one not to be missed.\u003c\/p\u003e\u003cp\u003eDuring that Bicentennial year, Garcia was moving between circles of the Grateful Dead- in a limited year of touring- and his own JGB. Not to mention releasing an underrated nugget of an album, Reflections, featuring the Dead on half and his session band on the remainder. The record would include songs that became regulars on setlists for both entities- \"Might As Well,\" \"Mission In The Rain,\" \"They Love Each Other,\" to name three.\u003c\/p\u003e\u003cp\u003eThat fall, when the Garcia Band undertook a run of appearances in Northern California including several university dates, it was a time, as the album's title suggested, of reflection; not looking back, but more a mirror image of where Garcia was at in the moment. Sharing an obvious kinship with Keith Godchaux (keyboards) and his wife, Donna Jean (vocals), who doubled in those roles with the Dead, as well as a growing bond with bassist John Kahn and drummer Ron Tutt, Garcia's singing and playing sparkle with unconcerned liberation.\u003c\/p\u003e\u003cp\u003eThe opening pairing of \"Sugaree\" and \"They Love Each Other\" is top-shelf stuff; sounding as much like his other band as ever. Garcia, as well, touches upon some contemporaries for covers, exposing reggae to his faithful through Bob Marley's \"Stir It Up,\" and the backroad swing of J.J. Cale's \"After Midnight,\" while friskily bopping on his Reflections cut, \"I'll Take A Melody.\" Still, it's the \"Mighty High\" finale, from an unknown show date, that sits atop the mountain, surging with an inspired tempo, group chemistry, and fiery flurries from Godchaux and Garcia that never lack for incandescent ideas.\u003c\/p\u003e\u003cp\u003eWith a determined freedom, this is the Jerry Garcia Band emblazing the Norcal scene with its spirit of '76.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jerry-garcia-band-garcialive-volume-17-norcal-76\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Jerry Garcia Band of 1976 operated in a different headspace than the Dead, built around tighter song structures and Garcia's love of R\u0026amp;B, soul, and country alongside his own compositions. Having Keith and Donna Jean Godchaux in the lineup created a rare overlap between the two bands, giving these Northern California club and campus dates a looseness and familiarity that crackles through Betty Cantor-Jackson's recordings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 17: NorCal '76\u003c\/em\u003e presents highlights from three standout \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e performances captured over a single week in Northern California — November 7th at the Keystone in Berkeley, November 12th at Freeborn Hall, UC Davis, and November 13th at the East Gym, Humboldt State University in Arcata. While reel damage, tape loss, and other technical issues prevent the release of complete shows, what remains of \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e's original recordings represents some of the finest performances from this iteration of the JGB.\u003c\/p\u003e\n\n\u003cp\u003e1976 marked a period of transition for Garcia, who welcomed fellow Grateful Dead members \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards and \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals into the fold alongside mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums. Garcia himself extolled the group's harmonious sound, and the chemistry is unmistakable throughout — from a fiery opening \u003cstrong\u003e\"Sugaree\"\u003c\/strong\u003e and sublime \u003cstrong\u003e\"Catfish John\"\u003c\/strong\u003e bolstered by \u003cstrong\u003eDonna Jean\u003c\/strong\u003e's harmonies, to a driving \u003cstrong\u003e\"Russian Lullaby,\"\u003c\/strong\u003e \u003cstrong\u003e\"Tore Up Over You,\"\u003c\/strong\u003e and a reggae-infused \u003cstrong\u003e\"Stir It Up.\"\u003c\/strong\u003e Liner notes by longtime Garcia road manager \u003cstrong\u003eSteve Parish\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: \"Mighty High\" is sourced from an undated recording believed to be from this period.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSugaree \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatfish John \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You) \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eRussian Lullaby \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTore Up Over You \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eI'll Take a Melody \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAfter Midnight \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eStir It Up \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMystery Train \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Way You Do the Things You Do \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMighty High \u003cem\u003e(1976, unknown)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882444426\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.12.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833254043,"sku":"542657","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-17-NorCal-1976-3-CD.jpg?v=1776109255"},{"product_id":"jerry-garcia-band-1989-the-long-island-sound-cd","title":"Jerry Garcia Band – Fall 1989: The Long Island Sound (6–CD Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1989, the Jerry Garcia Band had settled into one of its most consistently inspired configurations, with Melvin Seals' organ work and the voices of Gloria Jones and Jaclyn LaBranch pushing Garcia toward some of his most soulful electric playing. The Weir\/Wasserman acoustic opening sets added a rare intimacy to these East Coast arena nights, making each show a study in contrast and community.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA 6-CD box set featuring two complete, previously unreleased performances from the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and \u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e, recorded live during the acclaimed Fall 1989 East Coast tour. Captured by \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e to 2-track DAT and mastered by \u003cstrong\u003eJoe Gastwirt\u003c\/strong\u003e, the collection presents over five and a half hours of music from two consecutive nights — September 5th at the Hartford Civic Center in Hartford, CT and September 6th at Nassau Coliseum in Uniondale, NY.\u003c\/p\u003e\n\n\u003cp\u003eEach night, the acoustic duo of \u003cstrong\u003eBob Weir\u003c\/strong\u003e and \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e opened the show before the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e took the stage for two full electric sets — featuring the classic JGB lineup of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e. Highlights across the two nights include Weir\/Wasserman's adventurous takes on \u003cstrong\u003e\"Desolation Row,\"\u003c\/strong\u003e \u003cstrong\u003e\"Looks Like Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Heaven Help the Fool,\"\u003c\/strong\u003e and JGB standouts like \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e Cover art by \u003cstrong\u003eStanley Mouse\u003c\/strong\u003e, with liner notes by \u003cstrong\u003eBlair Jackson\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: This collection contains audio with some sonic imperfections inherent to the original recordings, most notably distortion on Jerry's vocal during \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e — consistent with what audiences experienced in person.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFestival\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eK.C. Moan\u003c\/li\u003e\n\u003cli\u003eDesolation Row\u003c\/li\u003e\n\u003cli\u003eLooks Like Rain\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eVictim or the Crime\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 1\u003c\/li\u003e\n\u003cli\u003eThrowing Stones\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003cli\u003eLike a Road\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eGomorrah\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eLonesome and a Long Way from Home\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 4 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalking Blues\u003c\/li\u003e\n\u003cli\u003eCity Girls\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eBlackbird\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eShade of Grey\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eEasy to Slip\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 2\u003c\/li\u003e\n\u003cli\u003eHeaven Help the Fool\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 5 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eMississippi Moon\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 6 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882193423\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.8.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833909403,"sku":"267534","price":279.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Fall-1989-The-Long-Island-Sound-6-CD-Box-Set.jpg?v=1776109367"},{"product_id":"king-gizzard-the-lizard-wizard-live-in-san-francisco-16-cd","title":"King Gizzard \u0026 The Lizard Wizard – Live In San Francisco '16 (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNonagon Infinity was a genuinely unusual achievement, a seamlessly looping album designed so its final note feeds directly back into its opening riff, meaning a live set built around it could theoretically never end. Catching King Gizzard at a sweaty club in 2016, still in that raw pre-arena phase, meant experiencing that relentless psychedelic machinery up close, before the production scaled up to match the ambition.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eShortly after delivering their breakthrough album Nonagon Infinity, King Gizzard \u0026amp; The Lizard Wizard hit San Francisco's The Independent for a wildly frenetic and meticulously executed set. One of their final club gigs, the Melbourne septet gave a breakneck performance that \"made every organ ache just right\" (SF Weekly). Live in San Francisco '16 (ATO Records) captures an extraordinary moment in the band's history, a 13-song spectacular likely to leave every listener awestruck and adrenalized.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Robot Stop\u003c\/div\u003e\n\u003cdiv\u003e2. Hot Water\u003c\/div\u003e\n\u003cdiv\u003e3. Big Fig Wasp\u003c\/div\u003e\n\u003cdiv\u003e4. Gamma Knife\u003c\/div\u003e\n\u003cdiv\u003e5. People-Vultures\u003c\/div\u003e\n\u003cdiv\u003e6. Trapdoor\u003c\/div\u003e\n\u003cdiv\u003e7. I’m In Your Mind\u003c\/div\u003e\n\u003cdiv\u003e8. I’m Not In Your Mind\u003c\/div\u003e\n\u003cdiv\u003e9. Cellophane\u003c\/div\u003e\n\u003cdiv\u003e10. I’m In Your Mind Fuzz\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. The River\u003c\/div\u003e\n\u003cdiv\u003e2. Evil Death Roll\u003c\/div\u003e\n\u003cdiv\u003e3. Head On\/Pill\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882431020\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.4.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835547803,"sku":"154004","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959408275611-cd-relix.png?v=1776961412"},{"product_id":"jerry-garcia-band-garcialive-volume-16-november-15th-1991-madison-square-garden-cd","title":"Jerry Garcia Band – GarciaLive Vol. 16: November 15th, 1991 Madison Square Garden (3–CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIt’s especially nice when substance aligns with sentiment. The 16th installment of the GarciaLive series issues a complete concert drawn from the Jerry Garcia Band’s debut at Madison Square Garden in November of 1991. Fortunately, it’s so strong a performance at the hallowed New York City venue that it probably would’ve bullied its way to being released regardless of its historical significance.\u003c\/p\u003e\u003cp\u003eThe three-disc collection captures Garcia bringing his solo group for its first appearance at Manhattan’s mecca, though the greying guitarist and singer had been there plenty of times in his day job with the Grateful Dead, including just a few months prior. Still, Jerry (and Dead) fans knew these were separate wells meant to be visited often. And, as any fan also knew, even though the repertoire of a Jerry show was relatively consistent, it was, as always, the performance that mattered most.\u003c\/p\u003e\u003cp\u003eTrue enough, the MSG setlist is loaded with JGB standards, touching off with “How Sweet It Is (To Be Loved By You),” that, if not for being a regular in the song rotation, would seem like an acknowledgement of gratitude to the NYC faithful that packed, and necessitated graduating Garcia to, the world’s most famous arena. Jerry returns the love with a conspicuously tight and inspired array of musicianship. Adrenalin shots come from a set-one closing “Deal,” and a set-two recharge, “Ain’t No Bread in the Breadbox,” while a tranquil “Simple Twist of Fate,” with elbow room for John Kahn’s peaceful bass, and a gorgeously placid reading of “Shining Star” rock-a-bye the Garden party.\u003c\/p\u003e\u003cp\u003eMelvin Seals is mesmerizing as he dresses “The Way You Do The Things You Do” with spritely vibes. Equally Seals owns “That Lucky Old Sun,” as Garcia modestly supports the keyboardist’s commanding blooms. And while the final two entries- “Bright Side of the Road” and “(What A) Wonderful World”- can’t help but symbolically reinforce the night’s obvious sentiment, it’s the accompanying musical substance of this captivating crew and its captain that cement this blissful evening into the annals of the Jerry Garcia Band.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2021\/08\/21\/jerry-garcia-band-garcialive-volume-16-madison-square-garden-november-15-1991\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe JGB in the fall of 1991 was operating at a remarkable peak, with Garcia's guitar work carrying a clarity and emotional directness that longtime followers still cite as some of his finest in that format. Madison Square Garden, a room the Grateful Dead had made synonymous with New York ritual, took on a different intimacy when Garcia brought his smaller, tighter unit through, with Melvin Seals and the vocalists pushing the material somewhere the Dead never quite went.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 16\u003c\/em\u003e presents the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's debut performance at Madison Square Garden — November 15, 1991, at the midpoint of their legendary Fall '91 tour. Though just two months removed from the Grateful Dead's sold-out 9-night residency at the Garden, the crowd's eruption as the houselights dimmed revealed the immense excitement for Garcia's return. Produced from two-track soundboard recordings meticulously remastered for release, with liner notes by Relix editor-in-chief \u003cstrong\u003eDean Budnick\u003c\/strong\u003e featuring reflections from \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e. Blues Traveler opened the show.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e on backing vocals. Love is the central theme throughout the evening — from Van Morrison's \u003cstrong\u003e\"He Ain't Give You None\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bright Side of the Road\"\u003c\/strong\u003e to Smokey Robinson's \u003cstrong\u003e\"The Way You Do the Things You Do\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"(What A) Wonderful World\"\u003c\/strong\u003e encore. A poignant \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e became the centerpiece of the release's promotional campaign.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStruggling Man\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — Set Two (cont.) \u0026amp; Encore\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eThat Lucky Old Sun\u003c\/li\u003e\n\u003cli\u003eBright Side of the Road\u003c\/li\u003e\n\u003cli\u003e(What A) Wonderful World (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882442422\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835711643,"sku":"102276","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-16-November-15th-1991-Madison-Square-Garden-3-CD.jpg?v=1776109680"},{"product_id":"jerry-garcia-electric-on-the-eel-6cd-box-set","title":"Jerry Garcia Band – Electric On The Eel (6-CD Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFrench's Camp on the Eel River was one of those rare venues where the JGB could stretch out in an almost private setting, playing to a community of devoted fans rather than an arena crowd. These three summer nights spanning 1987 to 1991 document the band at different points in its evolution, with Garcia's guitar work and the tight interplay between Melvin Seals and John Kahn giving each show its own distinct character.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn August 29, 1987, \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e led both the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and the \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e Acoustic Band for performances at French's Camp on the Eel River in Piercy, California. He brought the JGB back to the scenic Northern California venue on June 10, 1989 and August 10, 1991 — and all three electric sets are captured here across this 6-CD box set.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, \u003cem\u003eElectric on the Eel\u003c\/em\u003e presents the JGB in their element: an intimate outdoor setting, deep setlists, and the kind of loose, soulful energy that made this band a beloved institution in its own right. Highlights across the three shows include scorching runs through \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Tangled Up in Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Everybody Needs Somebody to Love,\"\u003c\/strong\u003e alongside JGB staples like \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e \u003cstrong\u003e\"Deal,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Waiting for a Miracle.\"\u003c\/strong\u003e The set also includes a limited edition bonus disc — housed in a separate slipcase jacket and limited to 2,000 units — as a gift with purchase.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. How Sweet It Is (To Be Loved By You) (7:10)\u003cbr\u003e1-2. Forever Young (7:22)\u003cbr\u003e1-3. Get Out Of My Life Woman (6:46)\u003cbr\u003e1-4. Run For The Roses (5:16)\u003cbr\u003e1-5. And It Stoned Me (6:14)\u003cbr\u003e1-6. My Sisters And Brothers (4:01)\u003cbr\u003e1-7. Deal (6:58)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e2-1. The Harder They Come (10:25)\u003cbr\u003e2-2. I Shall Be Released (7:28)\u003cbr\u003e2-3. Think (6:36)\u003cbr\u003e2-4. Evangeline (2:57)\u003cbr\u003e2-5. Gomorrah (6:20)\u003cbr\u003e2-6. Let It Rock (6:37)\u003cbr\u003e2-7. That Lucky Old Sun (8:30)\u003cbr\u003e2-8. Tangled Up In Blue (9:43)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e3-1. I'll Take A Melody (10:23)\u003cbr\u003e3-2. They Love Each Other (6:20)\u003cbr\u003e3-3. Get Out Of My Life Woman (7:51)\u003cbr\u003e3-4. Run For The Roses (5:31)\u003cbr\u003e3-5. Stop That Train (8:09)\u003cbr\u003e3-6. Mission In The Rain (7:41)\u003cbr\u003e3-7. My Sisters And Brothers (4:08)\u003cbr\u003e3-8. Deal (7:25)\u003c\/p\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cp\u003e4-1. The Harder They Come (11:16)\u003cbr\u003e4-2. Waiting For A Miracle (6:16)\u003cbr\u003e4-3. I Shall Be Released (10:22)\u003cbr\u003e4-4. Think (6:54)\u003cbr\u003e4-5. I Hope It Won't Be This Way Always (4:50)\u003cbr\u003e4-6. Don't Let Go (14:13)\u003cbr\u003e4-7. Evangeline (3:35)\u003cbr\u003e4-8. That Lucky Old Sun (8:45)\u003cbr\u003e4-9. Tangled Up In Blue (10:30)\u003c\/p\u003e\n\u003ch4\u003eDisc 5\u003c\/h4\u003e\n\u003cp\u003e5-1. The Way You Do The Things You Do (10:41)\u003cbr\u003e5-2. And It Stoned Me (8:25)\u003cbr\u003e5-3. You Never Can Tell [C'est La Vie] (7:08)\u003cbr\u003e5-4. Waiting For A Miracle (5:32)\u003cbr\u003e5-5. Struggling Man (6:34)\u003cbr\u003e5-6. My Sisters And Brothers (4:53)\u003cbr\u003e5-7. Deal (8:18)\u003c\/p\u003e\n\u003ch4\u003eDisc 6\u003c\/h4\u003e\n\u003cp\u003e6-1. Shining Star (11:29)\u003cbr\u003e6-2. Think (7:13)\u003cbr\u003e6-3. Lay Down Sally (8:00)\u003cbr\u003e6-4. Twilight (9:24)\u003cbr\u003e6-5. See What Love Can Do (6:32)\u003cbr\u003e6-6. Lazy Bones (6:28)\u003cbr\u003e6-7. Everybody Needs Somebody To Love (10:25)\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882347529\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.15.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187842789531,"sku":"557550","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Electric-On-The-Eel-6-CD-Box-Set.jpg?v=1776109984"},{"product_id":"jerry-garcia-garcialive-vol-20-june-18th-1982-cape-cod-coliseum-cd","title":"Jerry Garcia Band – GarciaLive Vol. 20: June 18th, 1982 - Cape Cod Coliseum (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe fandom that surrounds the music of the Grateful Dead—and in this case, the Jerry Garcia Band—is one for which context matters. As the Dead never played the same set from night to night, the what, the where, the when, and the how became integral to an understanding and appreciation of the performance. Look no further than May of 1977 in Grateful Dead lore for the proof.\u003c\/p\u003e\u003cp\u003eSo, too, context mattered in Garcia's solo career. Perhaps not as much, as Jerry Garcia Band drew from a smaller repertoire than the Dead. Yet even with a show as loaded with JGB staples as this one is, the friends of this devil are in the details.\u003c\/p\u003e\u003cp\u003eIn June of 1982, Garcia and his band teamed up with a fellow Dead-on-a-summer-getaway, Bob Weir, and his group, the Midnites, for a joint tour. Garcia also brought along Dead drummer Billy Kreutzmann for the ride. And filled out a septet that partnered his longtime JGB keyboardist, Melvin Seals, with the electric piano of Jimmy Warren, in a unique lineup that immediately grabs the ear on this two-disc, full-show set from the Cape Cod Coliseum in Massachusetts.\u003c\/p\u003e\u003cp\u003eWarren is front and center in the mix on the brightened bounce of \"How Sweet It is (To Be Loved by You), as the opener bubbles away beneath Garcia's ever-effervescent guitar. From there, Garcia saunters through \"Valerie,\" with a knowing bluesman's lament; a scintillating rendition of the Garcia\/Hunter original. Then, with skilled and patient aplomb, the ensemble injects reggae into The Beatles' \"Dear Prudence,\" and then dazzles on the bluegrass undertones of Peter Rowan's \"Mississippi Moon.\" Just four songs in, and this show feels very special.\u003c\/p\u003e\u003cp\u003eGarcia and his band float into the minor-key space of \"Don't Let Go\" for a healthy twenty minutes of interstellar travel, and contrast that with the gentle, earthbound flow downstream on the river of Dylan, for the disc-closing \"Simple Twist of Fate.\" The second-half opens with \"Run for the Roses,\" and its Bertha-like jangle, followed with the wonky, clavinet-led lope of \"They Love Each Other,\" (with Weir, Bobby Cochran, and Billy Cobham sitting-in, but unfortunately unheard).\u003c\/p\u003e\u003cp\u003eAnd then, poof, just like that, it's over.\u003c\/p\u003e\u003cp\u003eThose familiar with full shows from this exceptional GarciaLive series will not doubt notice the shift—sonically, and in personnel—to a four-song excerpt from a June '81 set at The Stone that fills out the rest of the second disc. It's a smartly-chosen fours songs, maintaining the energy and spirit of the Cape set; Garcia really stretches on \"After Midnight\" as it accelerates into cut-time. And while the continuity technically is broken, the mood is not.\u003c\/p\u003e\u003cp\u003eThis 8-song Cape performance by Jerry Garcia Band has all the invention and freedom of a classic show, packed into half the space. The jams are just as lengthy, but steam forward with urgency and intent. Garcia's voice is particularly present and mystical, with a grand storyteller's command of melody and cadence.\u003c\/p\u003e\u003cp\u003eWhich leads back to context, and why this latest volume in the series is a must-have. As Garcia and his band were well-aware of the show's parameters—sharing each night with Weir—and how much less stage time that equaled, they acted accordingly. This was a group comfortable and happy to play shows twice as long as the Cape appearance, but as such, paced those two-set shows as marathons. This one, albeit in its own inimitable JGB way, is a single-set, magical summer sprint on the shore.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2023\/07\/28\/jerry-garcia-band-garcialive-volume-20-june-18th-1982-cape-cod-coliseum\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1982, the Jerry Garcia Band had settled into a deep, soulful groove that felt distinct from anything happening on the Dead's stage. Kreutzmann's presence behind the kit gave the Cape Cod show a particular rhythmic punch, bridging the two worlds Garcia inhabited simultaneously. The bonus Stone material makes this a document of a band still finding new footing, caught live before these configurations dissolved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 20\u003c\/em\u003e showcases the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e during their transitional, high-octane early '80s era — with Grateful Dead drummer \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e behind the kit. The release presents the complete Cape Cod 1982 set, plus 45+ minutes of additional uncirculated selections captured in 1981 at The Stone in San Francisco, all remastered from soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eHighlights include the relative rarity \u003cstrong\u003e\"Valerie,\"\u003c\/strong\u003e a show-stopping \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e and an otherworldly \u003cstrong\u003e\"After Midnight\"\u003c\/strong\u003e — alongside JGB staples \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e \u003cstrong\u003e\"They Love Each Other,\"\u003c\/strong\u003e \u003cstrong\u003e\"Simple Twist of Fate,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e Presented as a 2-CD digipak.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. How Sweet It Is (To Be Loved By You) (10:05)\u003cbr\u003e\n1-2. Valerie (7:05)\u003cbr\u003e\n1-3. Dear Prudence (13:56)\u003cbr\u003e\n1-4. Mississippi Moon (9:58)\u003cbr\u003e\n1-5. Don't Let Go (19:03)\u003cbr\u003e\n1-6. Simple Twist Of Fate (12:19)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Run For The Roses (6:47)\u003cbr\u003e\n2-2. They Love Each Other (7:07)\u003cbr\u003e\n2-3. Sitting In Limbo (12:56)\u003cbr\u003e\n2-4. After Midnight (16:35)\u003cbr\u003e\n2-5. Deal \u0026gt; (8:23)\u003cbr\u003e\n2-6. Tangled Up In Blue (11:11)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882570620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.30.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187842920603,"sku":"304996","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-20-June-18th-1982-Cape-Cod-Coliseum-2-CD.jpg?v=1776110032"},{"product_id":"jerry-garcia-garcialive-volume-eleven-november-11th-1993-providence-civic-center-cd","title":"Jerry Garcia Band – GarciaLive Vol. 11: November 11th, 1993 Providence Civic Center (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThere's no doubt it's one of those fabled hot shows when the final song of the night exerts as much if not more crackling energy than the first and, with this thoroughly lively performance, that is saying something. The 11th in the GarciaLive series, it's no accident that this 11\/11\/93 ripper from Providence was chosen to be next, beyond the numeric synchronicity. In fact, it's a wonder it wasn't released sooner, given all of its strengths.\u003c\/p\u003e\u003cp\u003eFirst and foremost is Jerry Garcia's inspired voice and guitar work that proves once again why he was so beloved. The setlist is full of familiar trails- cookers, covers, and ballads-, with a few surprises, but it's almost beside the point; it's the vivid articulation, the verve, from Garcia and company deployed on every song that makes this one another must-have from this ongoing series.\u003c\/p\u003e\u003cp\u003eThe two-disc collection is recorded quite well, balancing sonically and with strong fidelity each stellar contribution from the always-steady ensemble; whether Melvin Seal's dexterity on \"That's What Love Will Make You Do,\" John Kahn's storytelling bass on \"Simple Twist of Fate,\" or David Kemper's intuitive double-time push on \"Dear Prudence\" as Garcia ripples through the changes. Yet, if the reasoning for acquisition of this gem needs to be reduced to one word, it's Garcia. Jerry is masterful, measuring blitz with bliss as he travels, often driving solos past the exit signs that appear with resolving chords, instead 'feeling it' and heading further on down the road.\u003c\/p\u003e\u003cp\u003eThis final JGB performance in Rhode Island's capital- always a Northeast stronghold for the Dead- is closed with a bluegrass staple, \"Midnight Moonlight.\" It's jaunty, old-time fun contrasting the exploratory, improvisation-infested \"Don't Let Go,\" that precedes it, beautifully showing off two of the many shades of Garcia. It's also a bit bittersweet, recalling a much younger man playing jug music in the hills of Appalachia, with the whole strange trip still ahead.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jerry-garcia-band-garcialive-volume-11-november-11th-1993-providence-civic-center\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1993, the Jerry Garcia Band had settled into one of the most soulful configurations of Garcia's career, with Melvin Seals' Hammond work and the vocal interplay between Gloria Jones and Jaclyn LaBranch giving the group a genuine gospel-and-R\u0026amp;B backbone that set it apart from anything happening on the Dead stage. Providence caught the band deep in their stride, and the breadth of the repertoire here, from Garcia-Hunter originals to Van Morrison to Motown, speaks to how wide Garcia's musical world truly was.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded on November 11, 1993 at the Providence Civic Center in Providence, Rhode Island, \u003cem\u003eGarciaLive Volume 11\u003c\/em\u003e captures the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e on their final East Coast tour — and \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e's last-ever performance in Providence. Featuring the band's most celebrated lineup: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on vocals.\u003c\/p\u003e\n\n\u003cp\u003eThe show opens with two Garcia\/Hunter JGB classics — \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mission in the Rain\"\u003c\/strong\u003e — before rolling through a setlist full of cookers, covers, and surprises. Set two brings a jubilant \u003cstrong\u003e\"The Way You Do the Things You Do,\"\u003c\/strong\u003e the rarely performed Van Morrison gem \u003cstrong\u003e\"He Ain't Give You None,\"\u003c\/strong\u003e a seamless pairing of the Beatles' \u003cstrong\u003e\"Dear Prudence\"\u003c\/strong\u003e into Smokey Robinson's \u003cstrong\u003e\"When the Hunter Gets Captured by the Game,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Don't Let Go\"\u003c\/strong\u003e before the show closes with the bluegrass staple \u003cstrong\u003e\"Midnight Moonlight\"\u003c\/strong\u003e — Garcia's folk roots coming full circle on his final night in the city.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003cli\u003eDear Prudence\u003c\/li\u003e\n\u003cli\u003eWhen the Hunter Gets Captured by the Game\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882365325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.12.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187843215515,"sku":"448237","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-11-November-11th-1993-Providence-Civic-Center-2-CD.jpg?v=1776110039"},{"product_id":"jerry-garcia-band-garcialive-vol-1-march-1st-1980-capitol-theater-cd","title":"Jerry Garcia Band – GarciaLive Vol. 1: March 1st, 1980 Capitol Theatre (3–CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Capitol Theatre in Passaic was one of the great rooms of the era, a 3,000-capacity venue that drew the best touring acts of the late '70s and early '80s, and the JGB fit it perfectly. By 1980, Garcia's band outside the Dead had become its own essential institution, a soul and R\u0026amp;B-rooted vehicle where he could stretch into repertoire the Dead never touched, from reggae to classic rock and roll to Dylan deep cuts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe debut release from the GarciaLive archival series, recorded at the historic Capitol Theatre in Passaic, New Jersey on March 1, 1980. The \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e performed an early and a late show on this evening — both captured on 24-track tape for broadcast on New York radio station WNEW — with Garcia on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eOzzie Ahlers\u003c\/strong\u003e on keyboards, and \u003cstrong\u003eJohnny de Foncesca\u003c\/strong\u003e on drums.\u003c\/p\u003e\n\n\u003cp\u003eThe early show is a crisp, start-to-finish showcase of the JGB at their most focused, moving through \u003cstrong\u003e\"Sugaree,\"\u003c\/strong\u003e \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Simple Twist of Fate\"\u003c\/strong\u003e before closing with a thunderous \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e The late show brings its own highlights — a rollicking \u003cstrong\u003e\"That's What Love Will Make You Do,\"\u003c\/strong\u003e \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and two special appearances by longtime Garcia collaborator \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e on \u003cstrong\u003e\"Tiger Rose\"\u003c\/strong\u003e and \u003cstrong\u003e\"Promontory Rider,\"\u003c\/strong\u003e before a top-flight \u003cstrong\u003e\"Dear Prudence\"\u003c\/strong\u003e closes out the night. Liner notes by David Gans.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Early Show\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSugaree\u003c\/li\u003e\n\u003cli\u003eCatfish John\u003c\/li\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eSitting in Limbo\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Early Show (cont.) \/ Late Show\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThat's All Right\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eRussian Lullaby\u003c\/li\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — Late Show (cont.)\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTiger Rose (with \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e)\u003c\/li\u003e\n\u003cli\u003ePromontory Rider (with \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e)\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eDear Prudence (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882183325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.19.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187843510427,"sku":"616629","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-1-March-1st-1980-Capitol-Theatre-3-CD.jpg?v=1776110110"},{"product_id":"grateful-dead-duke-78-cd","title":"Grateful Dead – Duke '78 (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eApril 1978 found the Grateful Dead in one of their most fertile periods, the year after Keith and Donna Godchaux's final stretch with the band and deep into a run of shows that longtime fans regard as some of the most adventurous of the era. Duke University was a regular stop on the spring touring circuit, and the performances captured here reflect a band pushing their improvisational language to its limits, night after night.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CDs. DUKE '78 is the worldwide retail breakout from The Grateful Dead's limited-edition, dead. Net exclusive boxed set, Friend Of The Devils: April 1978.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e1. Jack Straw (6:29)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e2. Dire Wolf (4:41)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e3. Beat It On Down The Line (4:42)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e4. Peggy-O (8:54)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e5. Mama Tried (2:29)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e6. Mexicali Blues (4:03)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e7. Funiculi Funicula (1:57)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e8. Row Jimmy (10:50)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e9. New Minglewood Blues (5:47)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e10. Loser (8:59)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e11. Lazy Lightning (3:56)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e12. Supplication (5:41)\u003c\/div\u003e\n\u003c\/h4\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e1. Bertha (7:50)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e2. Good Lovin' (6:59)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e3. It Must Have Been The Roses (8:55)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e4. U.S. Blues (6:00)\u003c\/div\u003e\n\u003c\/h4\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e1. Estimated Prophet (12:02)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e2. Eyes Of The World (12:21)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e3. Rhythm Devils (25:54)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e4. Truckin' (8:45)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e5. Wharf Rat (10:38)\u003c\/div\u003e\n\u003cdiv style=\"font-weight: 400;\"\u003e6. Around And Around (8:20)\u003c\/div\u003e\n\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497826124\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.20.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777012379,"sku":"471206","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Duke-78-3-CD.webp?v=1776110388"},{"product_id":"grateful-dead-lyceum-theatre-london-england-5-26-72-cd","title":"Grateful Dead – Lyceum Theatre, London, England 5\/26\/72 (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Europe '72 tour is widely regarded as one of the most creatively fertile stretches in the Dead's entire run, capturing the band at a moment of remarkable ensemble chemistry with a lineup that would never quite exist again. This night at the Lyceum closes that journey, with Pigpen still in the fold, delivering the blues-soaked presence that had anchored the band since the Haight-Ashbury days, making it a document that carries both musical and deeply human weight.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReissuing the outof print, standalone show of the Dead’s final performance of their Europe ’72 Tour at the Lyceum Theatre in Lo ndon on May 26, 1972. This is the Dead’s lastperformance to feature vocals by founding front man Ron “Pigpen” McKernan before his passing 9 months later.-Fifty years ago, when Europe '72 was released, the third LP of the set included two sides of some of the finest, most uniquely beautiful music the Dead had ever played, and thankfully, recorded. The Truckin', Epilogue , Prelude , and Morning Dew knocked everyone's socks off. Decades later, when tape traders were able to hear the entirety of the final show of the Europe '72 tour, not only were they greeted with this spectacular 40+minutes of music, but what is widely considered one of the best complete shows the Dead performed in their 30 year touring career. With Playing In The Band clocking in at more than 17 minutes, by far the longest version of this improvisational masterpieceby this point and ending their first set with the traditional second set closing Not Fade Away Goin ' Down The Road Feeling Bad Not Fade Away , the Dead signaled throughout this show that they wanted to leave everything on the stage. They clearly weren't out of gas and wanted this tour to keep rolling. If there was one show that encapsulates the entirety of the excellence of the Europe '72 tour, it's this one. Pigpen would sing a few songs this night, the final show at which Pigpen sang, as he left the band a few weeks later.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePromised Land (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eSugaree (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eMr. Charlie (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eBlack-Throated Wind (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eLoser (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eNext Time You See Me (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eEl Paso (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eDire Wolf (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eThe Stranger (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eHe's Gone (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eCumberland Blues (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eJack Straw (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eChinatown Shuffle (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eChina Cat Sunflower (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eI Know You Rider (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eNot Fade Away, Pt. 1 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eGoin' Down the Road Feeling Bad (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster\u003c\/li\u003e\n\u003cli\u003eNot Fade Away, Pt. 2 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eTruckin' (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eThe Other One, Pt. 1 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eDrums (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eThe Other One, Pt. 2 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eMorning Dew (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eThe Other One, Pt. 3 (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eSing Me Back Home (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eMe and My Uncle (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eRamble on Rose (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eSugar Magnolia (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eCasey Jones (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003cli\u003eOne More Saturday Night (Live at the Lyceum Theatre, London, England 5\/26\/72) [2022 Remaster]\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497839667\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.29.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262778421403,"sku":"614793","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/1-grateful-dead-lyceum-theatre-london-england-digipak-edition.webp?v=1789440029"},{"product_id":"grateful-dead-cornell-5-8-77-3-cd","title":"Grateful Dead – Cornell 5\/8\/77 (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMay 8, 1977, Barton Hall, Cornell University. Deadheads have passed around this recording for decades, holding it up as the definitive example of the band at the peak of their powers during what many consider their greatest touring year. The second set alone, with \"Scarlet Begonias\" flowing into \"Fire on the Mountain\" and a scorching \"Morning Dew\" to close, makes a case that's hard to argue with.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCornell 5\/8\/77 was recorded live directly from the soundboards by Betty Cantor-Jackson. After several years the master tapes were seemingly lost for good, but that all changed at the end of 2016. The lost tapes, or lost “Betty boards” as they are commonly known, finally made their way back home to the Grateful Dead vault, making it possible to officially bring the world this legendary show just in time for its 40th Anniversary. The complete live show has been Plangentized by Plangent Processes and remastered by GRAMMY ® award winning sound engineer, Jeffrey Norman.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. New Minglewood Blues (5:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Loser (7:58)\u003c\/div\u003e\n\u003cdiv\u003e3. El Paso (4:51)\u003c\/div\u003e\n\u003cdiv\u003e4. They Love Each Other (7:29)\u003c\/div\u003e\n\u003cdiv\u003e5. Jack Straw (6:29)\u003c\/div\u003e\n\u003cdiv\u003e6. Deal (6:10)\u003c\/div\u003e\n\u003cdiv\u003e7. Lazy Lightning (3:26)\u003c\/div\u003e\n\u003cdiv\u003e8. Supplication (4:48)\u003c\/div\u003e\n\u003cdiv\u003e9. Brown-Eyed Women (5:49)\u003c\/div\u003e\n\u003cdiv\u003e10. Mama Tried (3:12)\u003c\/div\u003e\n\u003cdiv\u003e11. Row Jimmy (11:14)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Dancing In The Street (16:32)\u003c\/div\u003e\n\u003cdiv\u003e2. Scarlet Begonias (11:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Fire On The Mountain (15:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Estimated Prophet (8:49)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. St. Stephen (5:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Not Fade Away (18:20)\u003c\/div\u003e\n\u003cdiv\u003e3. St. Stephen (1:54)\u003c\/div\u003e\n\u003cdiv\u003e4. Morning Dew (14:17)\u003c\/div\u003e\n\u003cdiv\u003e5. One More Saturday Night (5:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227942557\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.5.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779076763,"sku":"189647","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8975153299611-cd-relix.png?v=1777050003"},{"product_id":"the-allman-brothers-band-allman-brothers-live-at-fillmore-east-cd-1","title":"The Allman Brothers Band – Allman Brothers Live at Fillmore East (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded over two nights in March 1971, just months before Duane Allman's death, this document captures the band at the absolute peak of their improvisational power, with Duane and Dickey Betts trading leads that reshaped what a rock guitar duo could be. The interplay between the twin drummers, Butch Trucks and Jaimoe, gave the whole thing a rhythmic foundation unlike anything else happening in American music at the time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis Allman Brothers classic comes home to Capricorn Records, sporting remastering from the original master tapes and packaging authentic to the original LP release (2 complete LPs on 1 CD). Tracks: \"Statesboro Blues,\" \"Done Somebody Wrong,\" \"Stormy Monday,\" \"You Don't Love Me,\" \"Hot 'Lanta,\" \"In Memory of Elizabeth Reed\" and \"Whipping Post.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Statesboro Blues (4:17)\u003cbr\u003e\n2. Done Somebody Wrong (4:33)\u003cbr\u003e\n3. Stormy Monday (8:47)\u003cbr\u003e\n4. You Don't Love Me (19:16)\u003cbr\u003e\n5. Hot 'Lanta (5:19)\u003cbr\u003e\n6. In Memory Of Elizabeth Reed (13:04)\u003cbr\u003e\n7. 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The acoustic half strips \"The Needle and the Damage Done\" and \"Comes a Time\" down to bare wood, while the electric second half lets Crazy Horse stretch \"Like a Hurricane\" and \"Cortez the Killer\" into the kind of extended, feedback-laced territory that would define Young's live reputation for decades to come.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLive Rust is a live album by Neil Young \u0026amp; Crazy Horse, recorded during his fall 1978 Rust Never Sleeps tour. Live Rust composed of performances recorded at several venues, including the Cow Palace outside San Francisco. Young also directed a companion film, Rust Never Sleeps, under a pseudonym \"Bernard Shakey\", which consisted of footage from the Cow Palace.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Sugar Mountain (4:53)\u003cbr\u003e\n2. I Am A Child (2:53)\u003cbr\u003e\n3. Comes A Time (3:05)\u003cbr\u003e\n4. After The Gold Rush (3:38)\u003cbr\u003e\n5. My My, Hey Hey (Out Of The Blue) (3:49)\u003cbr\u003e\n6. When You Dance I Can Really Love (3:39)\u003cbr\u003e\n7. The Loner (4:51)\u003cbr\u003e\n8. The Needle And The Damage Done (2:12)\u003cbr\u003e\n9. Lotta Love (2:51)\u003cbr\u003e\n10. Sedan Delivery (4:46)\u003cbr\u003e\n11. Powderfinger (5:29)\u003cbr\u003e\n12. Cortez The Killer (7:25)\u003cbr\u003e\n13. Cinnamon Girl (3:08)\u003cbr\u003e\n14. Like A Hurricane (7:10)\u003cbr\u003e\n15. Hey Hey, My My (Into The Black) (4:59)\u003cbr\u003e\n16. Tonight's The Night (6:59)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075992725026\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reprise \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.25.90\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262781075611,"sku":"45244","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Neil-Young-Live-Rust-CD.png?v=1776110874"},{"product_id":"kris-kristofferson-live-at-gilley-s-pasadena-tx-september-15-1981-cd","title":"Kris Kristofferson – Live At Gilley’s - Pasadena, TX: September 15, 1981 (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIt's the next-best thing to a time machine for music lovers. It is Kris Kristofferson's Live at Gilley's – Pasadena, TX: September 15, 1981, a new LP capturing the one-time Highwayman with a full band behind him and an exuberant audience in front of him, wrapping his 1981 tour at the famed Texas venue. Fans who weren't there in 1981 will feel like they are in 2022 as the partial-show release has just enough crowd noise to capture the excitement of the evening and the music proves Kristofferson was one of the rare artists not to fall victim to 1980s production and arrangement values. Kristofferson and band – acoustic and electric guitars, keys, rhythm section and occasional mandolin – stand at the crossroads of country, rock and folk music while playing stone classics such as \"Me and Bobby McGee,\" \"The Pilgrim,\" \"Sunday Mornin' Comin' Down\" and 12 others. Though he could never really sing 'em, Kristofferson sure could write 'em – \"You Show Me Yours (And I'll Show You Mine),\" \"For the Good Times\" and \"Why Me\" are among the other tracks – and his '81 band sure could play 'em.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/09\/09\/kris-kristofferson-live-at-gilleys-pasadena-tx-september-15-1981\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKris Kristofferson arrived at Gilley's already carrying one of the heaviest songwriting catalogs in American music, a body of work that had put artists like Johnny Cash, Janis Joplin, and Roger Miller on the charts before he ever stepped in front of a crowd himself. Caught here in the thick of his touring years, this is the rare document that lets the songs breathe in the setting they were built for: a Texas honky-tonk, live and loud.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded live on September 15, 1981, Live At Gilley's captures Kris Kristofferson at a time in his career where he and his band were firing on all cylinders. Kristofferson was with a full band out of the road that featured Stephen Bruton, Donnie Fritts and Billy Swan. On this night, the band stopped by Gilley's Honkytonk in Pasadena, Texas to deliver a one in a lifetime performance featuring the hits, \"Me And Bobby McGee\", \"The Pilgrim\" and \"Sunday Mornin' Comin' Down.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Me And Bobby McGee\u003c\/div\u003e\n\u003cdiv\u003e2. Here Comes That Rainbow Again\u003c\/div\u003e\n\u003cdiv\u003e3. Casey's Last Ride\u003c\/div\u003e\n\u003cdiv\u003e4. You Show Me Yours (And I'll Show You Mine) \/ Stranger\u003c\/div\u003e\n\u003cdiv\u003e5. Nobody Love's Anybody Anymore\u003c\/div\u003e\n\u003cdiv\u003e6. Darby's Castle\u003c\/div\u003e\n\u003cdiv\u003e7. If It's All The Same To You\u003c\/div\u003e\n\u003cdiv\u003e8. The Pilgrim\u003c\/div\u003e\n\u003cdiv\u003e9. For The Good Times\u003c\/div\u003e\n\u003cdiv\u003e10. Sunday Mornin' Coming Down\u003c\/div\u003e\n\u003cdiv\u003e11. The Silver Tongued Devil And I\u003c\/div\u003e\n\u003cdiv\u003e12. Smile At Me Again\u003c\/div\u003e\n\u003cdiv\u003e13. Same Old Song\u003c\/div\u003e\n\u003cdiv\u003e14. Loving Her Was Easier (Than Anything I'll Ever Do Again)\u003c\/div\u003e\n\u003cdiv\u003e15. Why Me\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396653324\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.2.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271115255963,"sku":"13150","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Kris-Kristofferson-Live-At-Gilleys-Pasadena-TX-September-15-1981-CD.png?v=1776111363"},{"product_id":"santana-santana-3-cd","title":"Santana – Santana 3 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCarlos Santana's guitar tone has always been its own instrument, instantly recognizable across five decades of recordings. The third album from the San Francisco band, released in 1971, captured the group at a peak moment of creative confidence, deepening the Afro-Latin percussion foundation while pushing further into jazz-inflected territory. Neal Schon, then just a teenager, joined on guitar, and his presence gave the record a dual-lead tension that would echo through rock history.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Batuka (3:35)\u003c\/div\u003e\n\u003cdiv\u003e2. No One To Depend On (5:31)\u003c\/div\u003e\n\u003cdiv\u003e3. Taboo (5:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Toussaint L'Overture (5:56)\u003c\/div\u003e\n\u003cdiv\u003e5. Everybody's Everything (3:31)\u003c\/div\u003e\n\u003cdiv\u003e6. Guajira (5:43)\u003c\/div\u003e\n\u003cdiv\u003e7. Jungle Strut (5:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Everything's Coming Our Way (3:15)\u003c\/div\u003e\n\u003cdiv\u003e9. Para Los Rumberos (2:47)\u003c\/div\u003e\n\u003ch4\u003eBonus Tracks: All Recorded Live At The Fillmore West July 4, 1971\u003c\/h4\u003e\n\u003cdiv\u003e1. Batuka (3:41)\u003c\/div\u003e\n\u003cdiv\u003e2. Jungle Strut (5:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Gumbo (5:26)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886977109324\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sbme Special Mkts.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.31.98\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271122858139,"sku":"46964","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Santana-Santana-3-CD.png?v=1776111474"},{"product_id":"pearl-jam-mtv-unplugged-cd","title":"Pearl Jam – MTV Unplugged (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePearl Jam's March 1992 Unplugged taping captured the Seattle five-piece at a pivotal moment, just before \"Ten\" became a cultural phenomenon and the band's live reputation began to take on a life of its own. Eddie Vedder, Stone Gossard, Jeff Ament, Mike McCready, and Dave Abbruzzese delivered a performance raw enough to remind you that grunge's emotional core was always acoustic at heart.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThree days after completing their first American tour, Pearl Jam headed to New York to strip back songs from their debut album ‘Ten’, well on its way to becoming one of 1992’s top rock albums. The album features all seven songs in the MTV Unplugged broadcast.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Oceans\u003c\/div\u003e\n\u003cdiv\u003e2. State Of Love And Trust\u003c\/div\u003e\n\u003cdiv\u003e3. Alive\u003c\/div\u003e\n\u003cdiv\u003e4. Black\u003c\/div\u003e\n\u003cdiv\u003e5. Jeremy\u003c\/div\u003e\n\u003cdiv\u003e6. Even Flow\u003c\/div\u003e\n\u003cdiv\u003e7. Porch\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194398086729\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.23.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271132131483,"sku":"50858","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Pearl-Jam-MTV-Unplugged-CD.png?v=1776111522"},{"product_id":"merle-haggard-live-from-austin-tx-78-2-cd","title":"Merle Haggard – Live From Austin, TX '78 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1978, Merle Haggard had already done more to define the Bakersfield sound than almost anyone outside Buck Owens, and his reverence for Bob Wills ran deep enough that Western swing wasn't a detour for him, it was homecoming. Catching him in this era, before the '80s radio landscape shifted the conversation, means hearing a bandleader at full command of two traditions at once.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIncludes Bonus DVD. Merle Haggard's very first Austin City Limits performance, recorded in January 1978. 12 different songs than previous Live from Austin, Texas release (recorded in 1985). Five #1 Country singles (The Fugitive Song, Sing Me Back Home, Cherokee Maiden, the Farmer's Daughter, and Workin' Man Blues). Features four classic Bob Wills (King of Western Swing) songs with Merle on fiddle. When he stepped onto the Austin City Limits stage for the very first time on that brisk January day in 1978, Merle Haggard was at the top of his game. It had been over a decade since his first national hit, 'Sing a Sad Song', and not that long after 'Okie from Muskogee' had firmly planted his music in to the world.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Working Man Can't Get Nowhere Today\u003c\/div\u003e\n\u003cdiv\u003e2. Silver Wings\u003c\/div\u003e\n\u003cdiv\u003e3. Ramblin' Fever\u003c\/div\u003e\n\u003cdiv\u003e4. Lonesome Fugitive\u003c\/div\u003e\n\u003cdiv\u003e5. Sing Me Back Home\u003c\/div\u003e\n\u003cdiv\u003e6. Orange Blossom Special\u003c\/div\u003e\n\u003cdiv\u003e7. Old-Fashioned Love\u003c\/div\u003e\n\u003cdiv\u003e8. Long Black Limousine\u003c\/div\u003e\n\u003cdiv\u003e9. Cherokee Maiden\u003c\/div\u003e\n\u003cdiv\u003e10. San Antonio Rose\u003c\/div\u003e\n\u003cdiv\u003e11. Misery\u003c\/div\u003e\n\u003cdiv\u003e12. Farmer's Daughter\u003c\/div\u003e\n\u003cdiv\u003e13. Brain Cloudy Blues\u003c\/div\u003e\n\u003cdiv\u003e14. Workin' Man Blues\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396615322\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.28.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271147401371,"sku":"258725","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978163761307-cd-relix.png?v=1776425095"},{"product_id":"canned-heat-live-at-the-kaleidoscope-1969-cd","title":"Canned Heat – Live At The Kaleidoscope 1969 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCanned Heat arrived at the Kaleidoscope riding the momentum of Woodstock, where their set that August became one of the festival's most electrifying moments. The Los Angeles club was a home turf baptism for a band steeped in the Delta and Chicago traditions, and hearing Alan Wilson and Bob Hite work through the blues canon in that intimate setting captures something the studio records never quite could.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJust months after they broke through with \"On the Road Again\" and \"Going up the Country,\" Canned Heat played this hot boogie 'n' blues set at the Kaleidscope in L.A. This is Bob Hite, Alan Wilson and the band at the peak of their prime powers (this album has forever gone in and out of print): \"Bullfrog Blues,\" \"Sweet Sixteen,\" \"Wish You Would,\" \"Dust My Broom,\" \"When Things Go Wrong\" and more! Good Time.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Bullfrog Blues (7:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Sweet Sixteen (10:57)\u003c\/div\u003e\n\u003cdiv\u003e3. I'd Rather Be The Devil (5:10)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Dust My Broom (5:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Wish You Would (8:03)\u003c\/div\u003e\n\u003cdiv\u003e3. When Things Go Wrong (9:08)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 730167316521\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.20.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271162114203,"sku":"98057","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978165530779-cd-relix.png?v=1776288670"},{"product_id":"the-rolling-stones-live-at-the-wiltern-blu-ray-cd","title":"The Rolling Stones – Live At The Wiltern (2-CD \u0026 Blu-ray)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Licks World Tour brought the Stones to arenas and stadiums across the globe in 2002 and 2003, but the Wiltern stop was something different entirely, a deliberate detour into the kind of small-room intimacy that lets a band stretch out and take chances. Solomon Burke's presence that night connected the evening to the deepest roots of the music the Stones built their sound on, soul and R\u0026amp;B traditions Burke had carried since the early 1960s.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn November 2002, the Stones arrived in Los Angeles to perform at a packed Wiltern Theatre, treating fans to a set \u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eheavy on rarities which feel right at home in such an intimate setting. While some of the hits are performed, this \u003c\/span\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003enight at the Wiltern is for the rarely played classics, including “Stray Cat Blues,” “No Expectations” and a cover of \u003c\/span\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e“Everybody Needs Somebody To Love,” featuring a guest spot by the legendary Solomon Burke, who opened the \u003c\/span\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eshow that night. Blu-ray\/2 CD Softpak set with 12-page booklet included.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eCD 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Jumpin' Jack Flash (3:59)\u003c\/div\u003e\n\u003cdiv\u003e2. Live With Me (4:31)\u003c\/div\u003e\n\u003cdiv\u003e3. Neighbours (4:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Hand Of Fate (3:56)\u003c\/div\u003e\n\u003cdiv\u003e5. No Expectations (4:41)\u003c\/div\u003e\n\u003cdiv\u003e6. Beast Of Burden (5:17)\u003c\/div\u003e\n\u003cdiv\u003e7. Stray Cat Blues (5:11)\u003c\/div\u003e\n\u003cdiv\u003e8. Dance, Part 1 (6:37)\u003c\/div\u003e\n\u003cdiv\u003e9. Everybody Needs Somebody To Love (5:50)\u003c\/div\u003e\n\u003cdiv\u003e10. That's How Strong My Love Is (3:47)\u003c\/div\u003e\n\u003cdiv\u003e11. Going To A Go-Go (3:54)\u003c\/div\u003e\n\u003cdiv\u003e12. Band Introductions (3:25)\u003c\/div\u003e\n\u003ch4\u003eCD 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Thru And Thru (7:08)\u003c\/div\u003e\n\u003cdiv\u003e2. You Don't Have To Mean It (4:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Can't You Hear Me Knocking? (10:17)\u003c\/div\u003e\n\u003cdiv\u003e4. Rock Me Baby (4:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Bitch (3:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Honky Tonk Women (4:34)\u003c\/div\u003e\n\u003cdiv\u003e7. Start Me Up (4:14)\u003c\/div\u003e\n\u003cdiv\u003e8. Brown Sugar (5:28)\u003c\/div\u003e\n\u003cdiv\u003e9. Tumbling Dice (5:55)\u003c\/div\u003e\n\u003ch4\u003eBlu-ray\u003c\/h4\u003e\n\u003cdiv\u003e1. Jumpin' Jack Flash\u003c\/div\u003e\n\u003cdiv\u003e2. Live With Me\u003c\/div\u003e\n\u003cdiv\u003e3. Neighbours\u003c\/div\u003e\n\u003cdiv\u003e4. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e5. No Expectations\u003c\/div\u003e\n\u003cdiv\u003e6. Beast Of Burden\u003c\/div\u003e\n\u003cdiv\u003e7. Stray Cat Blues\u003c\/div\u003e\n\u003cdiv\u003e8. Dance, Part 1\u003c\/div\u003e\n\u003cdiv\u003e9. Everybody Needs Somebody To Love\u003c\/div\u003e\n\u003cdiv\u003e10. That's How Strong My Love Is\u003c\/div\u003e\n\u003cdiv\u003e11. Going To A Go-Go\u003c\/div\u003e\n\u003cdiv\u003e12. Band Introductions\u003c\/div\u003e\n\u003cdiv\u003e13. Thru And Thru\u003c\/div\u003e\n\u003cdiv\u003e14. You Don't Have To Mean It\u003c\/div\u003e\n\u003cdiv\u003e15. Can't You Hear Me Knocking?\u003c\/div\u003e\n\u003cdiv\u003e16. Rock Me Baby\u003c\/div\u003e\n\u003cdiv\u003e17. Bitch\u003c\/div\u003e\n\u003cdiv\u003e18. Honky Tonk Women\u003c\/div\u003e\n\u003cdiv\u003e19. Start Me Up\u003c\/div\u003e\n\u003cdiv\u003e20. Brown Sugar\u003c\/div\u003e\n\u003cdiv\u003e21. Tumbling Dice\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602455927378\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mercury Studios\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.8.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271176499355,"sku":"201524","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Rolling-Stones-Live-At-The-Wiltern-2-CD-Blu-ray.jpg?v=1793042026"},{"product_id":"willie-nelson-live-at-the-us-festival-1983-cd","title":"Willie Nelson – Live at the Us Festival 1983 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1983, Willie Nelson had completed one of the most remarkable image transformations in American music, going from Nashville outsider to genuine crossover phenomenon on the strength of records like *Red Headed Stranger* and *Stardust*. That mainstream breakthrough made him a natural headliner for a festival drawing a million fans across rock, pop, and country, and his 23-song set captures a road-hardened touring band at full stride, delivering the kind of loose, unhurried performance that had become his signature.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWillie Nelson appeared at the US Festival on June 4, 1983. It was billed as Country Day, with Waylon performing alongside such artists as Waylon Jennings, Alabama, Hank Williams, Jr.., and Emmylou Harris. The US Festival was held over two weekends in 1982 and 1983. Steve Wozniak, cofounder of Apple Computer, funded the concerts and accompanying technology exposition, as well as the construction of a brand-new outdoor venue in Glen Helen Regional Park in San Bernadino, CA. Nearly every musical genre was represented by bands as diverse as U2, Fleetwood Mac, David Bowie, Ozzy Osbourne, Willie Nelson, Van Halen, the Police and the Clash. Over the combined seven days of the festival, more than one million people passed through the entrance gates.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Whiskey River\u003cbr\u003e\n2. Stay All Night (Stay A Little Longer)\u003cbr\u003e\n3. Funny How Time Slips Away\u003cbr\u003e\n4. Crazy\u003cbr\u003e\n5. Night Life\u003cbr\u003e\n6. If You've Got The Money I've Got The Time\u003cbr\u003e\n7. Good Hearted Woman\u003cbr\u003e\n8. Sweet Memories\u003cbr\u003e\n9. Mammas Don't Let Your Babies Grow Up To Be Cowboys\u003cbr\u003e\n10. Good Hearted Woman\u003cbr\u003e\n11. Why Do I Have To Choose\u003cbr\u003e\n12. Help Me Make It Through The Night\u003cbr\u003e\n13. Bloody Mary Morning\u003cbr\u003e\n14. Blue Eyes Crying In The Rain\u003cbr\u003e\n15. Blue Skies\u003cbr\u003e\n16. Georgia On My Mind\u003cbr\u003e\n17. All Of Me\u003cbr\u003e\n18. Stardust\u003cbr\u003e\n19. My Heroes Have Always Been Cowboys\u003cbr\u003e\n20. I Can Get Off On You\u003cbr\u003e\n21. Angel Flying Too Close To The Ground\u003cbr\u003e\n22. On The Road Again\u003cbr\u003e\n23. Always On My Mind\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 826663131123\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Shout Factory\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.28.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271191441563,"sku":"195848","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Willie-Nelson-Live-at-the-Us-Festival-1983-CD.png?v=1776112373"},{"product_id":"the-rolling-stones-englands-newest-hit-makers-the-rolling-stones-cd","title":"The Rolling Stones – England's Newest Hit Makers: The Rolling Stones (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore they were the Greatest Rock and Roll Band in the World, they were five London kids obsessed with Chicago blues and Mississippi Delta grit, playing sweaty club sets at the Crawdaddy to anyone who'd listen. This debut captures that raw, pre-fame hunger, a band burning through Reed, Waters, and Diddley not as tribute but as the only music that made sense to them.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRemastered 1964 debut US album. With Beatlemania \u0026amp; the British invasion in full swing the band were announced as \"England's Newest Hit Makers\". Released to coincide with the Stones' arrival in New York City on June 1, 1964, where they began their first US tour. The band played to very small audiences in the eight cities. The track listing is the same as their eponymous first UK release except for their Buddy Holly cover of \"Not Fade Away\" replacing \"Mona (I Need You Baby)\". Keith Richards describing the album said it \"reflected what we used to play at the Crawdaddy, a regular diet of Jimmy Reed, Bo Diddley, Muddy Waters with some Slim Harpo. The album was the cream of the set.\" Mostly covers there is one Jagger\/Richards original \"Tell Me\" \u0026amp; two group compositions under their nom de plume Nanker Phelge (including one co-write with Phil Spector). The album was recorded at Regent Sound in London mostly live in the studio.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Not Fade Away (1:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Route 66 (2:22)\u003c\/div\u003e\n\u003cdiv\u003e3. I Just Want To Make Love To You (2:19)\u003c\/div\u003e\n\u003cdiv\u003e4. Honest I Do (2:11)\u003c\/div\u003e\n\u003cdiv\u003e5. Now I've Got A Witness (2:32)\u003c\/div\u003e\n\u003cdiv\u003e6. Little By Little (2:41)\u003c\/div\u003e\n\u003cdiv\u003e7. I'm A King Bee (2:37)\u003c\/div\u003e\n\u003cdiv\u003e8. Carol (2:35)\u003c\/div\u003e\n\u003cdiv\u003e9. Tell Me (4:06)\u003c\/div\u003e\n\u003cdiv\u003e10. Can I Get A Witness (2:57)\u003c\/div\u003e\n\u003cdiv\u003e11. You Can Make It If You Try (2:03)\u003c\/div\u003e\n\u003cdiv\u003e12. Walking The Dog (3:09)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 018771937524\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Abkco\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.27.02\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271192752283,"sku":"137504","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Rolling-Stones-Englands-Newest-Hit-Makers-The-Rolling-Stones-CD.png?v=1776112459"},{"product_id":"canned-heat-live-in-australia-1985-mod-cd","title":"Canned Heat – Live In Australia, 1985 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCanned Heat's roots run deep in the Woodstock generation, where their swampy California boogie and Delta blues reverence made them one of the late 1960s' most distinctive festival acts. By 1985, the band had weathered tremendous loss but kept the flame alive, and Walter Trout's presence here represents a pivotal chapter in his development before his own celebrated solo career took off.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe kings of boogie blues are back to bring you some of their biggest and best hits live from Australia. Dedicated to the lives of past members Bob Hite and Alan Wilson, the Heat's tradition of driving blues continues here with some fresh faces and returning legends including founding member Fito de la Parra on drums and the great Walter Trout on guitar. Don't forget to boogie!\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eOn the Road Again\u003c\/li\u003e\n\u003cli\u003eAmphetamine Annie\u003c\/li\u003e\n\u003cli\u003eGoing Up the Country\u003c\/li\u003e\n\u003cli\u003eLet's Work Together\u003c\/li\u003e\n\u003cli\u003eKings of the Boogie\u003c\/li\u003e\n\u003cli\u003eRefried Hockey Boogie\u003c\/li\u003e\n\u003cli\u003eHell's on Down the Line\u003c\/li\u003e\n\u003cli\u003eChicken Shack Boogie\u003c\/li\u003e\n\u003cli\u003eSo Long\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 730167344272\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.29.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271193374875,"sku":"274155","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978171625627-cd-relix.png?v=1776199019"},{"product_id":"the-rolling-stones-licked-live-in-nyc-2-cd-blu-ray","title":"The Rolling Stones – Licked Live In NYC (2-CD + Blu-ray)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eCelebrating the 40th anniversary of the greatest rock-and-roll band in the world, The Rolling Stones drop into the Big Apple for a night at Madison Square Garden and it's a loaded one. Immediately, from the first strains of \"Street Fighting Man,\" the Stones move and groove like street fighting men, themselves, albeit with a smile. For the next two hours, the mood never wavers.\u003c\/p\u003e\u003cp\u003eDetermined to prove once again the rightful ownership of rock's championship belt, the Stones come out swinging on a 21-song set of nearly all classics from the band's four decades, including a spotlight on the Let It Bleed record. It's an HBO broadcast as well- Jagger and Keith Richards both take the opportunity to nod to The Sopranos– and knowing there are the millions watching, the Glimmer Twins are on their (relatively) better behavior; exceptionally sharp playing, noticeable laughs and grins, and a sizzling guest spot from Sheryl Crow on \"Honky Tonk Women.\"\u003c\/p\u003e\u003cp\u003eThere is, too, plenty of relentless energy from Jagger (who works his way through at least three shirt-changes); fuel to the fire, he takes a jab at a writer who suggested this January 2003 date would be the group's final Garden appearance ever. (It wasn't; and the Stones roll on.) And plenty of music to channel the sting, including previously unreleased takes of \"Start Me Up,\" \"Tumbling Dice,\" \"Gimme Shelter,\" and \"Sympathy for the Devil,\" now part of this restored and remastered DVD.\u003c\/p\u003e\u003cp\u003eMSG was home in 1969 to performances that showed up on, arguably, the Stones' best live album, Get Yer Ya-Ya's Out. 34 years later Licked Live In NYC continues the lasting relationship of very special performances in the city. The street fighting men prevailed. Another victory in the Garden for the Rolling Stones.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/06\/25\/the-rolling-stones-licked-live-in-nyc\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Licks Tour marked the first time the Stones hit the road following Charlie Watts' 2001 health scare, making these MSG performances carry extra emotional weight for longtime fans. Captured at one of rock's most storied venues, the band was visibly energized by the return to New York City crowds, a city that has always pushed them toward their most electric nights.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Rolling Stones embarked on a worldwide tour in 2002 and 2003 with 117 shows. This show captures their 2003 performance at Madison Square Garden in NYC and features a guest appearance from Sheryl Crow on \"Honky Tonk Women.\" Licked Live In NYC includes unreleased performances of \"Start Me Up,\" \"Tumbling Dice,\" \"Gimme Shelter,\" and \"Sympathy For The Devil,\" along with remixed\/remastered audio on 2 CDs and SD Blu-ray (which contains almost an hour of bonus footage not available on the DVD).\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eCD 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Intro (0:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Street Fighting Man (4:13)\u003c\/div\u003e\n\u003cdiv\u003e3. Start Me Up (4:23)\u003c\/div\u003e\n\u003cdiv\u003e4. If You Can't Rock Me (5:06)\u003c\/div\u003e\n\u003cdiv\u003e5. Don't Stop (5:05)\u003c\/div\u003e\n\u003cdiv\u003e6. Monkey Man (4:04)\u003c\/div\u003e\n\u003cdiv\u003e7. Angie (4:06)\u003c\/div\u003e\n\u003cdiv\u003e8. Let It Bleed (5:14)\u003c\/div\u003e\n\u003cdiv\u003e9. Tumbling Dice (5:33)\u003c\/div\u003e\n\u003cdiv\u003e10. Introductions (4:44)\u003c\/div\u003e\n\u003cdiv\u003e11. Thru And Thru (7:12)\u003c\/div\u003e\n\u003cdiv\u003e12. Happy (3:45)\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Midnight Rambler (13:01)\u003c\/div\u003e\n\u003ch4\u003eCD 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Gimme Shelter (7:11)\u003c\/div\u003e\n\u003cdiv\u003e2. You Got Me Rocking (3:48)\u003c\/div\u003e\n\u003cdiv\u003e3. Can't You Hear Me Knocking (11:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Honky Tonk Women (5:01)\u003c\/div\u003e\n\u003cdiv\u003e5. (I Can't Get No) Satisfaction (6:11)\u003c\/div\u003e\n\u003cdiv\u003e6. It's Only Rock 'N' Roll (But I Like It) (5:04)\u003c\/div\u003e\n\u003cdiv\u003e7. When The Whip Comes Down (4:51)\u003c\/div\u003e\n\u003cdiv\u003e8. Brown Sugar (5:38)\u003c\/div\u003e\n\u003cdiv\u003e9. Sympathy For The Devil (6:49)\u003c\/div\u003e\n\u003cdiv\u003e10. Jumpin' Jack Flash (6:13)\u003c\/div\u003e\n\u003ch4\u003eBlu-ray\u003c\/h4\u003e\n\u003cdiv\u003e1. Intro\u003c\/div\u003e\n\u003cdiv\u003e2. Street Fighting Man\u003c\/div\u003e\n\u003cdiv\u003e3. Start Me Up\u003c\/div\u003e\n\u003cdiv\u003e4. If You Can't Rock Me\u003c\/div\u003e\n\u003cdiv\u003e5. Don't Stop\u003c\/div\u003e\n\u003cdiv\u003e6. Monkey Man\u003c\/div\u003e\n\u003cdiv\u003e7. Angie\u003c\/div\u003e\n\u003cdiv\u003e8. Let It Bleed\u003c\/div\u003e\n\u003cdiv\u003e9. Midnight Rambler\u003c\/div\u003e\n\u003cdiv\u003e10. Tumbling Dice\u003c\/div\u003e\n\u003cdiv\u003e11. Thru And Thru\u003c\/div\u003e\n\u003cdiv\u003e12. Happy\u003c\/div\u003e\n\u003cdiv\u003e13. Gimme Shelter\u003c\/div\u003e\n\u003cdiv\u003e14. You Got Me Rocking\u003c\/div\u003e\n\u003cdiv\u003e15. Can't You Hear Me Knocking\u003c\/div\u003e\n\u003cdiv\u003e16. Honky Tonk Women\u003c\/div\u003e\n\u003cdiv\u003e17. (I Can't Get No) Satisfaction\u003c\/div\u003e\n\u003cdiv\u003e18. It's Only Rock 'N' Roll (But I Like It)\u003c\/div\u003e\n\u003cdiv\u003e19. When The Whip Comes Down\u003c\/div\u003e\n\u003cdiv\u003e20. Brown Sugar\u003c\/div\u003e\n\u003cdiv\u003e21. Sympathy For The Devil\u003c\/div\u003e\n\u003cdiv\u003e22. Jumpin' Jack Flash\u003c\/div\u003e\n\u003cdiv\u003e23. Star Star\u003c\/div\u003e\n\u003cdiv\u003e24. I Just Want To Make Love To You\u003c\/div\u003e\n\u003cdiv\u003e25. Street Fighting Man\u003c\/div\u003e\n\u003cdiv\u003e26. Well Well\u003c\/div\u003e\n\u003cdiv\u003e27. Extreme Western Grip\u003c\/div\u003e\n\u003cdiv\u003e28. Tip Of The Tongue Documentary \/ Backstage Bonus Footage\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602445538447\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mercury Studios\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.10.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271220801691,"sku":"329951","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Rolling-Stones-Licked-Live-In-NYC-2-CD-Blu-ray.jpg?v=1793061611"},{"product_id":"johnny-cash-man-in-black-live-in-demark-1971-cd","title":"Johnny Cash – Man in Black: Live in Demark 1971 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCaptured just months after the release of *Man in Black*, the single that would become his defining statement, Cash was at a creative and commercial peak that few country artists have ever matched. The Denmark concert catches his full road show in peak form, a reminder that Cash's live experience was inseparable from his identity as an artist, built on community, conviction, and the kind of unvarnished connection with an audience that no studio recording could replicate.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn 1971, Johnny Cash was sitting on top of the world, riding a wave of hit singles that had topped the country charts, winning a Grammy Award with wife and duet partner June Carter Cash for their rendition of \"If I Was a Carpenter,\" and, since 1969, hosting a weekly music-variety program on network television whose guests included no less than Bob Dylan, James Taylor, Derek \u0026amp; The Dominos and many others. 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Raw and intimate, it's a document of an artist finding his footing as a solo voice, with \"Outfit,\" one of his most personal songs, already fully formed and road-tested.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eBack on CD for the first time in a number of years, Live From Twist \u0026amp; Shout 11.16.07 is a 2008 live EP from the former member of Drive-By Truckers and his backing band, The 400 Unit. This record was recorded live during an in-store at Twist And Shout Records in 2007. This EP features six tracks including 'Hurricane And Hand', 'Outfit' as well as a cover of Van Morrison’s “Into The Mystic”\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Grown (4:16)\u003c\/div\u003e\n\u003cdiv\u003e2. Goddamn Lonely Love (6:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Hurricanes And Hand Grenades (5:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Danko\/Manuel (6:46)\u003c\/div\u003e\n\u003cdiv\u003e5. Outfit (4:52)\u003c\/div\u003e\n\u003cdiv\u003e6. Into The Mystic (4:07)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396613922\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.23.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271232139419,"sku":"373785","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978180800667-cd-relix.png?v=1776116079"},{"product_id":"widespread-panic-live-in-the-classic-city-ii-2-cd","title":"Widespread Panic – Live in the Classic City II (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAthens, Georgia gave the world Widespread Panic, and the Classic Center has long served as a homecoming shrine where the band plays looser, deeper, and with the kind of comfort that only comes from performing for the people who watched you come up. This companion to the original *Live in the Classic City* pulls from the same legendary 2000 run, capturing a band at the peak of their improvisational powers with material that never made the first volume.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2010 two CD live release from the American rockers, recorded during a three-night run that took place on April 1-3, 2000 at the Classic Center Theater in Athens, Georgia.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Travelin' Light (6:16)\u003cbr\u003e\n1-2. Machine (3:13)\u003cbr\u003e\n1-3. Barstools And Dreamers (11:45)\u003cbr\u003e\n1-4. This Part Of Town (5:17)\u003cbr\u003e\n1-5. Sleeping Man (6:37)\u003cbr\u003e\n1-6. Radio Child (5:32)\u003cbr\u003e\n1-7. 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The Who captured here were deep into the *Who's Next* era, road-hardened and playing at a ferocity that studio recordings could never fully contain. Daltrey, Townshend, Entwistle, and Moon were, by most accounts, the most dangerous live unit on the planet at that moment.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eThe Who - Live At The Oval 1971 - CD\u003c\/h2\u003e\u003cp\u003eWith 35,000 in attendance, on September 18, 1971, The Who headlined Goodbye Summer: A Rock Concert in Aid of Famine Relief for the People of Bangladesh at The Oval cricket ground in Kennington, South London. Newly mixed from the original 8-track analog multi-track tapes, this concert shows The Who continuing their dominance as the top live rock band of the era. 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Featuring guest spots from The Black Keys, Gary Clark Jr., Lady Gaga, John Mayer, Bruce Springsteen, and Mick Taylor, the concert proved to be one of the most memorable shows in the band’s history.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eBlu-ray\u003c\/h4\u003e\n\u003cdiv\u003e1. Get Off Of My Cloud\u003c\/div\u003e\n\u003cdiv\u003e2. The Last Time\u003c\/div\u003e\n\u003cdiv\u003e3. It's Only Rock 'N' Roll (But I Like It)\u003c\/div\u003e\n\u003cdiv\u003e4. Paint It Black\u003c\/div\u003e\n\u003cdiv\u003e5. Gimme Shelter\u003c\/div\u003e\n\u003cdiv\u003e6. Wild Horses\u003c\/div\u003e\n\u003cdiv\u003e7. I'm Going Down\u003c\/div\u003e\n\u003cdiv\u003e8. Dead Flowers\u003c\/div\u003e\n\u003cdiv\u003e9. Who Do You Love?\u003c\/div\u003e\n\u003cdiv\u003e10. Doom And Gloom\u003c\/div\u003e\n\u003cdiv\u003e11. One More Shot\u003c\/div\u003e\n\u003cdiv\u003e12. Miss You\u003c\/div\u003e\n\u003cdiv\u003e13. Honky Tonk Women\u003c\/div\u003e\n\u003cdiv\u003e14. Before They Make Me Run\u003c\/div\u003e\n\u003cdiv\u003e15. Happy\u003c\/div\u003e\n\u003cdiv\u003e16. Midnight Rambler\u003c\/div\u003e\n\u003cdiv\u003e17. Start Me Up\u003c\/div\u003e\n\u003cdiv\u003e18. Tumbling Dice\u003c\/div\u003e\n\u003cdiv\u003e19. Brown Sugar\u003c\/div\u003e\n\u003cdiv\u003e20. Sympathy For The Devil\u003c\/div\u003e\n\u003cdiv\u003e21. You Can't Always Get What You Want\u003c\/div\u003e\n\u003cdiv\u003e22. Jumpin' Jack Flash\u003c\/div\u003e\n\u003cdiv\u003e23. (I Can't Get No) Satisfaction\u003c\/div\u003e\n\u003cdiv\u003e24. Respectable\u003c\/div\u003e\n\u003cdiv\u003e25. Around And Around\u003c\/div\u003e\n\u003cdiv\u003e26. Gimme Shelter\u003c\/div\u003e\n\u003ch4\u003eCD 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Get Off Of My Cloud (3:54)\u003c\/div\u003e\n\u003cdiv\u003e2. The Last Time (4:14)\u003c\/div\u003e\n\u003cdiv\u003e3. It's Only Rock 'N' Roll (But I Like It) (4:37)\u003c\/div\u003e\n\u003cdiv\u003e4. Paint It Black (5:06)\u003c\/div\u003e\n\u003cdiv\u003e5. Gimme Shelter (7:04)\u003c\/div\u003e\n\u003cdiv\u003e6. Wild Horses (5:48)\u003c\/div\u003e\n\u003cdiv\u003e7. I'm Going Down (6:32)\u003c\/div\u003e\n\u003cdiv\u003e8. Dead Flowers (5:02)\u003c\/div\u003e\n\u003cdiv\u003e9. Who Do You Love? 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