{"title":"Matador Records Vinyl, CDs \u0026 Cassettes","description":"\u003cp\u003eFor the listener who has followed Matador Records across decades of independent music, this page collects more than 200 titles from the label in vinyl, CD, and cassette formats.\u003c\/p\u003e\u003cp\u003eThe range here is wide. Horsegirl's \u003cem\u003ePhonetics On And On\u003c\/em\u003e arrives on LP. Snail Mail's \u003cem\u003eLush\u003c\/em\u003e is pressed on red and blue vinyl. Belle and Sebastian are represented by both \u003cem\u003eThe Boy With The Arab Strap\u003c\/em\u003e on blue LP and the double LP \u003cem\u003eLife Pursuit\u003c\/em\u003e. Yo La Tengo appears across multiple formats, including the double LP \u003cem\u003eI Can Hear The Heart Beating As One\u003c\/em\u003e, the double LP \u003cem\u003eElectr-O-Pura\u003c\/em\u003e, and \u003cem\u003eAnd Then Nothing Turned Itself Inside-Out\u003c\/em\u003e on CD. Bardo Pond's \u003cem\u003eMelt Away\u003c\/em\u003e is here as a double LP. Queens of the Stone Age's \u003cem\u003ePerfecth\u003c\/em\u003e is available on both LP and CD. Interpol's \u003cem\u003eTurn on the Bright Lights\u003c\/em\u003e, Mdou Moctar's \u003cem\u003eIlana (The Creator)\u003c\/em\u003e, Spoon's \u003cem\u003eTransference\u003c\/em\u003e, and David Byrne's \u003cem\u003eWho Is The Sky\u003c\/em\u003e round out the CD side. The boygenius EP is here on LP, and Desert Sessions' \u003cem\u003eVols. 11 and 12\u003c\/em\u003e rounds out the vinyl selection.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered the wider world of independent and adventurous music since 1974. That history informs what ends up in the store. Alongside catalog titles and new releases, the shop carries the Relix Sessions series, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label. The Matador titles here are stocked because they fit the same standard: records worth owning in a physical format, from a label that has consistently released them.\u003c\/p\u003e\u003cp\u003eAll titles are new and sealed. Pre-order listings show a street date and ship when the label releases them. Vinyl ships in protective packaging designed for LPs.\u003c\/p\u003e\u003cp\u003eIf Matador is your entry point, there is more to explore. \u003ca href=\"\/collections\/alternative-rock-vinyl-cds\"\u003eAlternative Rock Vinyl and CDs\u003c\/a\u003e and \u003ca href=\"\/collections\/indie-rock-pop-vinyl-cds\"\u003eIndie Rock and Pop Vinyl and CDs\u003c\/a\u003e pull from across the store's catalog, and \u003ca href=\"\/collections\/cds\"\u003eCDs Straight from the Vault\u003c\/a\u003e covers the full CD section for anyone who has kept the disc player running.\u003c\/p\u003e","products":[{"product_id":"david-byrne-who-is-the-sky-lp-vinyl","title":"David Byrne – Who Is The Sky (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDavid Byrne has spent five decades refusing to make the same record twice, from the nervous energy of early Talking Heads through the global rhythms of *Rei Momo* and the orchestral ambition of his work with Brian Eno. *Who Is The Sky* finds him in genuinely new territory, pairing the intimacy of solo acoustic demos with full chamber arrangements, a combination that suits the searching, existential questions he's been sitting with since the pandemic reshaped daily life.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn 2023, as his triumphant American Utopia era came to a close, David Byrne began jotting down the occasional groove, chord or melody and assembling them into demos he recorded with just an acoustic guitar atop a programmed beat or loop. The prior three years had given him, and much of humanity, the opportunity to ask, \"Do I like what I'm doing? Why am I writing songs, or working this job, or whatever? Does any of it matter?\" Byrne's attempts to answer those weighty questions can be found on Who Is The Sky?, a first-time collaboration between himself, Grammy-winning producer Kid Harpoon aka Tom Hull (Harry Styles, Miley Cyrus) and New York-based chamber ensemble Ghost Train Orchestra, and featuring guest appearances by Paramore's Hayley Williams, longtime collaborator St. Vincent and The Smile drummer Tom Skinner. The album builds upon the optimistic themes laid out by American Utopia and it's supporting tour, but more specifically spelled out by the Grammy-winning Broadway show and subsequent movie. With this offering, Byrne continues his lifelong exploration of human connection and the potential for societal unity against the chaotic backdrop of the world. Who Is the Sky? is particularly personal, cinematic, humorous and joyful, but often with a lesson baked in - that love is unexplainable, that enlightenment means very different things to different people and that it's always a good idea to moisturize, whether you wake up the next morning with skin like a baby or not. Most importantly, the songs evince Byrne's gift for riding the razor's edge of avant-garde and accessible pop.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEverybody Laughs\u003c\/li\u003e\n\u003cli\u003eWhen We Are Singing\u003c\/li\u003e\n\u003cli\u003eMy Apartment Is My Friend\u003c\/li\u003e\n\u003cli\u003eA Door Called No\u003c\/li\u003e\n\u003cli\u003eWhat Is The Reason For It?\u003c\/li\u003e\n\u003cli\u003eI Met The Buddha at a Downtown Party\u003c\/li\u003e\n\u003cli\u003eDon't Be Like That\u003c\/li\u003e\n\u003cli\u003eThe Avant Garde\u003c\/li\u003e\n\u003cli\u003eMoisturizing Thing\u003c\/li\u003e\n\u003cli\u003eI'm an Outsider\u003c\/li\u003e\n\u003cli\u003eShe Explains Things To Me\u003c\/li\u003e\n\u003cli\u003eThe Truth\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401217811\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271122825371,"sku":"31670","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978160877723-lp-relix.png?v=1776181662"},{"product_id":"david-byrne-who-is-the-sky-cd","title":"David Byrne – Who Is The Sky (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDavid Byrne has always treated the album format as a conceptual space, from the paranoid funk of *Fear of Music* to the global rhythms of *Remain in Light* to the theatrical ambition of *Songs of David Byrne and Brian Eno*. Arriving in his 70s, *Who Is The Sky?* finds him asking the kind of questions that only feel earned after decades of restless reinvention, pairing acoustic intimacy with orchestral arrangement in a way that sidesteps nostalgia entirely.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn 2023, as his triumphant American Utopia era came to a close, David Byrne began jotting down the occasional groove, chord or melody and assembling them into demos he recorded with just an acoustic guitar atop a programmed beat or loop. The prior three years had given him, and much of humanity, the opportunity to ask, \"Do I like what I'm doing? Why am I writing songs, or working this job, or whatever? Does any of it matter?\" Byrne's attempts to answer those weighty questions can be found on Who Is The Sky?, a first-time collaboration between himself, Grammy-winning producer Kid Harpoon aka Tom Hull (Harry Styles, Miley Cyrus) and New York-based chamber ensemble Ghost Train Orchestra, and featuring guest appearances by Paramore's Hayley Williams, longtime collaborator St. Vincent and The Smile drummer Tom Skinner. The album builds upon the optimistic themes laid out by American Utopia and it's supporting tour, but more specifically spelled out by the Grammy-winning Broadway show and subsequent movie. With this offering, Byrne continues his lifelong exploration of human connection and the potential for societal unity against the chaotic backdrop of the world. Who Is the Sky? is particularly personal, cinematic, humorous and joyful, but often with a lesson baked in - that love is unexplainable, that enlightenment means very different things to different people and that it's always a good idea to moisturize, whether you wake up the next morning with skin like a baby or not. Most importantly, the songs evince Byrne's gift for riding the razor's edge of avant-garde and accessible pop.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eEverybody Laughs\u003c\/li\u003e\n\u003cli\u003eWhen We Are Singing\u003c\/li\u003e\n\u003cli\u003eMy Apartment Is My Friend\u003c\/li\u003e\n\u003cli\u003eA Door Called No\u003c\/li\u003e\n\u003cli\u003eWhat Is The Reason For It?\u003c\/li\u003e\n\u003cli\u003eI Met The Buddha at a Downtown Party\u003c\/li\u003e\n\u003cli\u003eDon't Be Like That\u003c\/li\u003e\n\u003cli\u003eThe Avant Garde\u003c\/li\u003e\n\u003cli\u003eMoisturizing Thing\u003c\/li\u003e\n\u003cli\u003eI'm an Outsider\u003c\/li\u003e\n\u003cli\u003eShe Explains Things To Me\u003c\/li\u003e\n\u003cli\u003eThe Truth\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401217828\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271234334875,"sku":"370669","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978181849243-cd-relix.png?v=1776181625"},{"product_id":"boygenius-boygenius-ep-cd","title":"boygenius – Boygenius EP (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJulien Baker, Phoebe Bridgers, and Lucy Dacus each arrived at this collaboration as solo artists who had already built devoted followings through unflinching, confessional songwriting. What made the 2018 EP remarkable was how completely their voices and sensibilities merged, turning six songs into something that felt less like a side project and more like an inevitable convergence of three distinct but deeply complementary creative voices.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2022 release. Julien Baker, Phoebe Bridgers, and Lucy Dacus formed Boygenius after booking a tour together, but the trio had subconsciously been in the works for longer than that. Through a series of tours and performances together, and chance encounters that led to friendships - including Bridgers' and Dacus' first in-person meeting backstage at a Philadelphia festival, greenroom hangouts that felt instantly comfortable and compatible, a couple of long email chains and even a secret handshake between Baker and Dacus - the lyrically and musically arresting singer-songwriters and kindred spirits got to know each other on their own terms. \"A long time ago, before I even met Phoebe, Julien mentioned that she had a pipe dream of starting a band with both of us,\" says Dacus. \"Then we booked this tour and decided the time was right.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Bite The Hand\u003c\/div\u003e\n\u003cdiv\u003e2. Me \u0026amp; My Dog\u003c\/div\u003e\n\u003cdiv\u003e3. Souvenir\u003c\/div\u003e\n\u003cdiv\u003e4. Stay Down\u003c\/div\u003e\n\u003cdiv\u003e5. Salt In The Wound\u003c\/div\u003e\n\u003cdiv\u003e6. Ketchum, ID\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 744861140825\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.30.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600409309339,"sku":"192260","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-boygenius-boygenius-ep-cd-relix.jpg?v=1779366953"},{"product_id":"mdou-moctar-afrique-victime-lp-vinyl","title":"Mdou Moctar – Afrique Victime (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eHailing from Agadez, a small desert town in Niger, Mdou Moctar is an unlikely guitar hero. He initially built a word-of-mouth following when fans started passing his music around by using a cellphone's bluetooth capabilities. His first proper studio album, 2019's IIana: The Creator received a heap of praise from U.S. press, most of which highlighted his Tuareg style of guitar playing and drooled over the idea that this self-taught musician could turn up the guitar psychedelia in such a unique fashion. (It's said that when he was little, he made his own guitar out of a piece of wood and brake wires from an old bike.) Arriving on indie stalwart label Matador, Afrique Victime fully brings Moctar's field-recording approach and live ethos to the next level. The sound is never over-produced; instead, it feels like you're experiencing Moctar's proclivity for spontaneity and improv. Aside from a bit of French in spots, the songs are all sung in Tamasheq—and a look at the translated lyrics shows Moctar honing in on deeply religious and political themes throughout Afrique Victime, while still retaining a wonderment about the naturalistic world. On the seven-and-a-half minute title track, Moctar opens with just his voice and the guitar, soulfully lamenting Africa as a place where so many crimes are committed before it yields into a driving beat that gradually builds in tempo over the guitar. Even on \"Asdikte Akal,\" a song full of nostalgia for Moctar's homeland and the love of his life, the funk remains their driving force. The concepts may seem simple, but that's actually where Moctar excels—he gives life to these everlasting notions while also amplifying them with his entirely singular instrumental approach.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Mike Ayers, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/mdou-moctar-afrique-victime\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMdou Moctar has been carrying the torch of Tuareg guitar tradition since long before Western audiences caught on, honing his sound in Niger and across the Sahara before the world stage came calling. On *Afrique Victime*, he and his band push that lineage somewhere rawer and more urgent, with Maiken Beer's production leaving plenty of space for the distortion and dissonance to breathe. If you came to this corner of the world through Tinariwen, consider this the next chapter.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOn May 21, Matador Records will release Afrique Victime, the long-awaited new album by Mdou Moctar. On Afrique Victime the prodigious Tuareg guitarist and songwriter rips a new hole in the sky ­' boldly reforging contemporary Saharan music and 'rock music' by melding guitar pyrotechnics, full-blast noise, and field recordings with poetic meditations on love, religion, women's rights inequality, and Western Africa's exploitation at the hands of colonial powers.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401161411\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.21.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Chismiten\u003c\/div\u003e\n\u003cdiv\u003e2. Taliat\u003c\/div\u003e\n\u003cdiv\u003e3. Ya Habibti\u003c\/div\u003e\n\u003cdiv\u003e4. Tala Tannam\u003c\/div\u003e\n\u003cdiv\u003e5. Untitled\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Asdikte Akal\u003c\/div\u003e\n\u003cdiv\u003e2. Layla\u003c\/div\u003e\n\u003cdiv\u003e3. Afrique Victime\u003c\/div\u003e\n\u003cdiv\u003e4. Bismilahi Atagah\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600427135131,"sku":"295554","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-mdou-moctar-afrique-victime-vinyl-lp-relix.jpg?v=1779314767"},{"product_id":"boygenius-boygenius-ep-lp-vinyl","title":"boygenius – BoyGenius EP (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWhen three of indie rock's most emotionally precise voices decided to make music together in 2018, the result wasn't a compromise between styles but something that sounded inevitable. Baker's austere intensity, Bridgers' haunted intimacy, and Dacus' grounded storytelling push against and reinforce each other across six tracks, each songwriter taking a lead while the others fill space in ways that feel less like collaboration and more like conversation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJulien Baker, Phoebe Bridgers, and Lucy Dacus formed boygenius after booking a tour together, but the trio had subconsciously been in the works for longer than that. Through a series of tours and performances together, and chance encounters that led to friendships – including Bridgers’ and Dacus’ first in-person meeting backstage at a Philadelphia festival, greenroom hangouts that felt instantly comfortable and compatible, a couple of long email chains and even a secret handshake between Baker and Dacus – the lyrically and musically arresting singer-songwriters and kindred spirits got to know each other on their own terms. \u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Bite The Hand\u003c\/div\u003e\n\u003cdiv\u003e2. Me \u0026amp; My Dog\u003c\/div\u003e\n\u003cdiv\u003e3. Souvenir\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stay Down\u003c\/div\u003e\n\u003cdiv\u003e2. Salt In The Wound\u003c\/div\u003e\n\u003cdiv\u003e3. Ketchum, ID\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 744861140818\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.9.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600427167899,"sku":"295251","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-boygenius-boygenius-ep-vinyl-lp-relix.jpg?v=1779366927"},{"product_id":"mdou-moctar-tears-of-injustice-cd","title":"Mdou Moctar – Tears Of Injustice (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMdou Moctar arrived in the U.S. for touring in 2023 only to find himself stranded when a military coup closed Niger's borders, turning an unexpected pause into a document of resistance. The Tuareg guitarist has long carried the political weight of his home region in his music, and hearing these songs stripped of amplification doesn't soften that message so much as concentrate it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTears for Injustice is a new recording of Mdou Moctar's 2024 album Funeral for Justice performed entirely on acoustic instruments.Sessions took place at Brooklyn's Bunker Studio in the summer of 2023 - booked as a way to make use of downtime while the band was briefly stranded in the United Sates in the wake of Niger's recent military coup.The arrangements give new dimension to the songs, swapping Funeral's blistering volume for a more intimate and meditative tone.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Funeral For Justice\u003c\/div\u003e\n\u003cdiv\u003e2. Imouhar\u003c\/div\u003e\n\u003cdiv\u003e3. Takoba\u003c\/div\u003e\n\u003cdiv\u003e4. Sousoume Tamacheq\u003c\/div\u003e\n\u003cdiv\u003e5. Imajighen\u003c\/div\u003e\n\u003cdiv\u003e6. Tchinta\u003c\/div\u003e\n\u003cdiv\u003e7. Oh France\u003c\/div\u003e\n\u003cdiv\u003e8. Modern Slaves\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401209120\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600452464795,"sku":"521176","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-mdou-moctar-tears-of-injustice-cd-relix.jpg?v=1779314517"},{"product_id":"mdou-moctar-funeral-for-justice-lp-vinyl","title":"Mdou Moctar – Funeral For Justice (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNiger-born guitarist Mdou Moctar has spent years redefining what electric guitar can mean, rooting his Tuareg rock in the desert traditions of his homeland while wielding a Stratocaster with an intensity that puts him in conversation with the great axe heroes of any era. *Funeral For Justice* arrives as a direct response to the suffering and political turmoil facing the Sahel region, giving his ferocious playing an urgent moral weight that goes well beyond the stage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Funeral For Justice\u003c\/div\u003e\n\u003cdiv\u003e2. Imouhar\u003c\/div\u003e\n\u003cdiv\u003e3. Takoba\u003c\/div\u003e\n\u003cdiv\u003e4. Sousoume Tamacheq\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Imajighen\u003c\/div\u003e\n\u003cdiv\u003e2. Tchinta\u003c\/div\u003e\n\u003cdiv\u003e3. Djallo #1\u003c\/div\u003e\n\u003cdiv\u003e4. Oh France\u003c\/div\u003e\n\u003cdiv\u003e5. Modern Slaves\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401203111\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.3.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600466456731,"sku":"584484","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Mdou-Moctar-Funeral-For-Justice-LP-Vinyl.jpg?v=1779194572"},{"product_id":"mdou-moctar-tears-of-injustice-lp-vinyl","title":"Mdou Moctar – Tears Of Injustice (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMdou Moctar has spent years redefining what electric guitar can mean, channeling the asrin traditions of Tuareg music through a voltage that draws equally from Hendrix and the Saharan blues lineage he was born into. Tears Of Injustice arrives as a direct response to the ongoing conflict and displacement facing the Tuareg people of Niger and the broader Sahel region, giving political urgency to the pyrotechnic fretwork that made Afrique Victime an international breakthrough.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Funeral For Justice\u003c\/div\u003e\n\u003cdiv\u003e2. Imouhar\u003c\/div\u003e\n\u003cdiv\u003e3. Takoba\u003c\/div\u003e\n\u003cdiv\u003e4. Sousoume Tamacheq\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Imajighen\u003c\/div\u003e\n\u003cdiv\u003e2. Tchinta\u003c\/div\u003e\n\u003cdiv\u003e3. Oh France\u003c\/div\u003e\n\u003cdiv\u003e4. Modern Slaves\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401209113\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600476221595,"sku":"642575","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-mdou-moctar-tears-of-injustice-vinyl-lp-relix.jpg?v=1779314497"},{"product_id":"mdou-moctar-funeral-for-justice-cd","title":"Mdou Moctar – Funeral For Justice (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMdou Moctar learned guitar by trading a goat for a Chinese knockoff instrument and teaching himself by ear from cassettes, and the electric desert blues he's built from that origin have made him one of the most vital guitarists alive today. Recorded against the backdrop of political crisis in Niger, this 2024 release channels the raw intensity of his live performances into something with urgent purpose, connecting the Tuareg tradition of assouf to a full-band rock fury that hits like a live show.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe songs on 'Funeral For Justice' speak unflinchingly to the plight of Niger and of the Tuareg people. \"This album is really different for me,\" explains Moctar, the band's singer, namesake, and indisputably iconic guitarist. \"Now the problems of terrorist violence are more serious in Africa. When the US and Europe came here, they said they're going to help us, but what we see is really different. They never help us to find a solution.\" \"Mdou Moctar has been a strong anti-colonial band ever since I've been a part of it,\" says producer \/ bassist Mikey Coltun, who has been playing with Moctar since 2017. On the lead single and title track, Moctar addresses African leaders directly, bidding them: \"Retake control of your countries, rich in resources \/ Build them and quit sleeping\". The song 'Sousoume Tamacheq' deals with the plight of the Tuareg people to which the band belong, and who are spread across three countries: Niger, Mali and Algeria.\"Oppressed in all three \/ In addition to lack of unity, ignorance is the third issue.\" Mdou Moctar in it's current iteration is first and foremost a band. Alongside Moctar, it consists of rhythm guitarist Ahmoudou Madassane, drummer Souleymane Ibrahim, and American bassist and producer Mikey Coltun. The band got their start performing at traditional weddings. These are high energy events - amps are dialed to 11 and the whole town is invited to attend. Their first concerts in the US were sometimes, mistakenly, organized to be tame seated affairs. That's no longer the case. Over hundreds of shows, they've proven themselves as one of the world's most vital rock bands - a group rooted in Tuareg tradition, but undeniably it's own singular organism. 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The Tuareg tradition of assouf, music rooted in exile and longing, runs through every fretboard pyrotechnic here, grounding the intensity in something ancient and communal.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBlistering and hypnotic, 'Ilana (The Creator)' (2019) marked the beginning of a new chapter for Mdou Moctar. It is the Nigerien guitar hero's first album recorded with a live rock band and perfectly captures the heavy, psychedelic sound - part Tuareg desert blues, part ZZ Top - that the quartet had honed through endless touring and which would come to explosive fruition on 'Afrique Victime' (2021) and 'Funeral For Justice' (2024). 'Ilana' was the first step and it's songs remain setlist standbys for the quartet's soaring performances.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Kamane Tarhanin\u003c\/div\u003e\n\u003cdiv\u003e2. Asshet Akal\u003c\/div\u003e\n\u003cdiv\u003e3. Inizgam\u003c\/div\u003e\n\u003cdiv\u003e4. Anna\u003c\/div\u003e\n\u003cdiv\u003e5. Takamba\u003c\/div\u003e\n\u003cdiv\u003e6. Tarhatazed\u003c\/div\u003e\n\u003cdiv\u003e7. Wiwasharnine\u003c\/div\u003e\n\u003cdiv\u003e8. Ilana\u003c\/div\u003e\n\u003cdiv\u003e9. Tumastin\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401204323\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.13.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600485036187,"sku":"105617039","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-mdou-moctar-ilana-the-creator-cd-cd-relix.jpg?v=1779314712"},{"product_id":"mdou-moctar-ilana-the-creator-lp-vinyl","title":"Mdou Moctar – Ilana (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMoctar's reputation in the Saharan guitar underground long preceded his international breakthrough, built on cassette culture and regional circuits across Niger and beyond. *Ilana* is where Western rock audiences first heard what those who'd been paying attention already knew: that his fretwork carries the spiritual intensity of Tuareg assouf tradition filtered through something rawer and more urgent, a sound that would eventually fill festival stages worldwide.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBlistering and hypnotic, 'Ilana (The Creator)' (2019) marked the beginning of a new chapter for Mdou Moctar. 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She got Al Green's guitarist and songwriting partner Mabon \"Teenie\" Hodges (\"Love and Happiness\" and \"Take Me to the River\") to play guitar on the whole album. With Teenie came his Hi Rhythm bandmate (and brother) Leroy \"Flick\" Hodges, who plays on half of the album (Memphis A-team bassist Dave Smith supplements). Anchoring the band is Steve Potts (Booker T. and the MG). Other top Memphis musicians guest on keyboards, horns and strings. Cat Power went right to the sources, and created her own paean to the songs and styles she grew up on.'The Greatest' adds to Cat Power's singular sound all the elements that make an Al Green record great: Memphis horns, funky string arrangements, smooth background vocals. \"Lived in Bars\" is a hypnotic song that seems to start in the middle of the night and flow backward like water upstream to the source of a good time. Many songs hearken back to earlier in Cat Power's career, like the surface simplicity of \"Willie\"-much more complicated upon deeper listen-and like \"Where Is My Love,\" which sounds like it could be the first song she ever wrote, and also the one to which she has always aspired. \"Living Proof,\" on the other hand, has an almost gospel-like swing that stands in contrast to the quieter songs. 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This revisitation finds Toledo doing what the best songwriters do with distance: not nostalgia, but excavation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAvailable as a gatefold 2xLP \/ CD with new artwork on October 16th: Car Seat Headrest's Will Toledo re-imagines the band's breakout on Teen of Denial: Joe's Story. On the original record, Toledo used the name \"Joe\" as a stand-in for himself. Revisiting Teens in the run-up to it's 10th year, he felt compelled to give Joe a backstory and began tweaking the album to tell that tale. \"The resulting work feels more like the album Teens of Denial was meant to be,\" Will Toledo writes in a new message to fans. \"When you're writing from a dark space, it's hard to have perspective on where you're at. This time, I could pull from memories of that darkness, and use the distance and additional perspective of ten years of life to shed a fuller light on the experience. Joe is a character going through some of what I experienced, and some of his own problems.\"Early this year, the group returned to the studio with producer Steve Fisk to update accordingly -tweaking lyrics and recording new tunes in the \"Denial-style,\" including the optimistic and anthemic \"Joe Drives Again.\" The result retains Teens's dark edge and youthful cynicism, but promises a bit of light at the end of the tunnel. Toledo writes, \"I'm so grateful that this is a work that people have kept coming to, and I hope that this presentation does them honor with a fresh offering to the conversation. We've known that \"it doesn't have to be like this\"; now we can wonder - \"'what it if were like this?'\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Fill In The Blank (4:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Vincent (7:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Destroyed By Hippie Powers (5:04)\u003c\/div\u003e\n\u003cdiv\u003e4. (Joe Gets Kicked Out Of School For Using) Drugs With Friends (But Says This Isn't A Problem) (5:36)\u003c\/div\u003e\n\u003cdiv\u003e5. Optimistic Son (3:39)\u003c\/div\u003e\n\u003cdiv\u003e6. Drunk Drivers\/Killer Whales (6:10)\u003c\/div\u003e\n\u003cdiv\u003e7. 1937 State Park (4:02)\u003c\/div\u003e\n\u003cdiv\u003e8. Joe Drives Again (4:06)\u003c\/div\u003e\n\u003cdiv\u003e9. Cosmic Hero (8:29)\u003c\/div\u003e\n\u003cdiv\u003e10. The Ravenous House (11:31)\u003c\/div\u003e\n\u003cdiv\u003e11. Connect The Dots (Song Of Secretariat) (6:01)\u003c\/div\u003e\n\u003cdiv\u003e12. Joe Goes To School (1:19)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401224710\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745167290523,"sku":"191896150","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-car-seat-headrest-teen-of-denial-joe-s-story-vinyl-lp-relix.jpg?v=1782508310"},{"product_id":"car-seat-headrest-teen-of-denial-joes-story-cd","title":"Car Seat Headrest – Teen Of Denial: Joe's Story (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWill Toledo has always written with the kind of confessional precision that makes listeners feel caught, recognized, and a little exposed. \"Teens of Denial\" arrived in 2016 as one of indie rock's most emotionally raw documents, a record about being young and unraveling that resonated far beyond the bedroom-recording underground where Toledo built his early following. This revisitation isn't a remaster or a cash-in; it's a genuine second draft, a songwriter returning to the scene with clearer eyes.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAvailable as a gatefold 2xLP \/ CD with new artwork on October 16th: Car Seat Headrest's Will Toledo re-imagines the band's breakout on Teen of Denial: Joe's Story. On the original record, Toledo used the name \"Joe\" as a stand-in for himself. Revisiting Teens in the run-up to it's 10th year, he felt compelled to give Joe a backstory and began tweaking the album to tell that tale. \"The resulting work feels more like the album Teens of Denial was meant to be,\" Will Toledo writes in a new message to fans. \"When you're writing from a dark space, it's hard to have perspective on where you're at. This time, I could pull from memories of that darkness, and use the distance and additional perspective of ten years of life to shed a fuller light on the experience. Joe is a character going through some of what I experienced, and some of his own problems.\"Early this year, the group returned to the studio with producer Steve Fisk to update accordingly -tweaking lyrics and recording new tunes in the \"Denial-style,\" including the optimistic and anthemic \"Joe Drives Again.\" The result retains Teens's dark edge and youthful cynicism, but promises a bit of light at the end of the tunnel. Toledo writes, \"I'm so grateful that this is a work that people have kept coming to, and I hope that this presentation does them honor with a fresh offering to the conversation. We've known that \"it doesn't have to be like this\"; now we can wonder - \"'what it if were like this?'\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Fill In The Blank (4:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Vincent (7:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Destroyed By Hippie Powers (5:04)\u003c\/div\u003e\n\u003cdiv\u003e4. (Joe Gets Kicked Out Of School For Using) Drugs With Friends (But Says This Isn't A Problem) (5:36)\u003c\/div\u003e\n\u003cdiv\u003e5. Optimistic Son (3:39)\u003c\/div\u003e\n\u003cdiv\u003e6. Drunk Drivers\/Killer Whales (6:10)\u003c\/div\u003e\n\u003cdiv\u003e7. 1937 State Park (4:02)\u003c\/div\u003e\n\u003cdiv\u003e8. Joe Drives Again (4:06)\u003c\/div\u003e\n\u003cdiv\u003e9. Cosmic Hero (8:29)\u003c\/div\u003e\n\u003cdiv\u003e10. The Ravenous House (11:31)\u003c\/div\u003e\n\u003cdiv\u003e11. Connect The Dots (Song Of Secretariat) (6:01)\u003c\/div\u003e\n\u003cdiv\u003e12. Joe Goes To School (1:19)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401224727\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745169879195,"sku":"191885657","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-car-seat-headrest-teen-of-denial-joe-s-story-cd-relix.jpg?v=1782508274"},{"product_id":"solex-low-kick-hard-bop-lp-vinyl","title":"Solex – Low Kick \u0026 Hard Bop (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eElisabeth Esselink's magpie approach to sound construction put her in a lineage of collage artists, but her roots running a Amsterdam record shop gave her an archivist's instincts that set Solex apart from purely academic cut-up practitioners. Released in 2001, Low Kick and Hard Bop arrived at a moment when Matador was expanding its roster well beyond guitar rock, and Esselink's tactile, sample-dense songcraft fit that restless curatorial spirit perfectly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAvailable on vinyl for the first time EVER: Solex and Matador Records celebrate 25 years of 'Low Kick and Hard Bop' this September.Solex is the pseudonym of singer-songwriter and former Amsterdam record store owner Elisabeth Esselink, who came up with a deft blend of low-key techno and 'found sounds.''Solex Versus The Hitmeister' (1998) was her debut album for Matador and was composed using snippets from crappy, unsellable CDs. In a change of tack, 'Pick Up' (1999) was constructed from dozens of recordings that Esselink had secretly made during the gigs of local bands in Amsterdam. It can be considered a variant of a live-album. This extraordinary technique culminates on 'Low Kick And Hard Bop' (2001), where she sourced material from old vinyl, television, the better-looking talk show hosts, films, bootlegs, radio, street noises, and animals.Throughout that time, Solex kept great company, performing with my bloody valentine, Cibo Matto, Yo La Tengo, and The Notwist. She has remixed Grizzly Bear, Wire and St. Vincent, and has collaborated with Mike Watt.\"15 songs built out of a dizzying array of elements: a Nancy Sinatra bassline slips by; elsewhere there is a kind of exuberance you thought went out of fashion with The B-52s... \"Comely Row\" and \"Have You No Shame, Girl?\" have an echo of surf punk or classic 60s girl groups... even The Slits. Solex's multitracked voice produces a buoyant presence that floats the entire album. With such references there is a collapse of time inherent in her process. And yet, paradoxically, Low Kick could be of no other time than now... Low Kick is a reflex action in the groin of the Prog rock tendencies of anyone who forgets what a studio's for.\" - Louise Gray, The Wire\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Low Kick And Hard Bop (3:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Mere Imposters (2:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Have You No Shame, Girl? (3:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Not A Hoot (2:49)\u003c\/div\u003e\n\u003cdiv\u003e5. Knee-High (2:41)\u003c\/div\u003e\n\u003cdiv\u003e6. Honey (Amsterdam Is Not LA) (3:22)\u003c\/div\u003e\n\u003cdiv\u003e7. Shoot Shoot! (3:08)\u003c\/div\u003e\n\u003cdiv\u003e8. Comely Row (3:22)\u003c\/div\u003e\n\u003cdiv\u003e9. Ease Up, You Fundamentalist! (2:34)\u003c\/div\u003e\n\u003cdiv\u003e10. The Dot On The I Between The H And The T (2:36)\u003c\/div\u003e\n\u003cdiv\u003e11. Good Comrades Go To Heaven (3:39)\u003c\/div\u003e\n\u003cdiv\u003e12. Cayenne (2:08)\u003c\/div\u003e\n\u003cdiv\u003e13. Ololo (3:08)\u003c\/div\u003e\n\u003cdiv\u003e14. You Say Potato, I Say Aardappel (1:37)\u003c\/div\u003e\n\u003cdiv\u003e15. Look...No Fingerprints! 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The band's first proper soundtrack, rooted in the wry, bittersweet register they've refined since \"If You're Feeling Sinister,\" arrives with the same intimacy that made them cult heroes in the first place.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eComing September 13th: Brand new recordings from Glasgow’s finest, Belle and Sebastian. Is releasing a soundtrack a different prospect from releasing a regular album? Would a Belle and Sebastian fan notice the difference if they didn’t know? “Everything we do that becomes an album is a big deal for us,” says Murdoch. “We’re quietly pleased with how the collaboration went, but the truth is that you don’t know what’s going to hap- pen when it goes out into the world, and people hear it.” Martin thinks it is slightly different from other records they’ve put out. “It’s more consistent, probably, than most of our albums. Soundtracks are a deeper cut. They’re not a big pop statement.” But is making music for film that different than making it for a listener? “The whole thing with music is to make a good moment better,” Murdoch says. “Deeper, more thrilling, more heartfelt.” Days of the Bagnold Summer is the latest outside- the-box accomplishment from storied Glasgow 6-piece Belle and Sebastian, comprised of Stuart Murdoch, Stevie Jackson, Sarah Martin, Chris Geddes, Richard Colburn, Dave McGowan, and Bobby Kildea. The last two years have seen them go against conventional practice by releasing a trilogy of EPs to some of the best reviews of their career, and launch and curate their own four-day music festival at sea in The Boaty Weekender, continuing the individualist streak that has characterized them from day one.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Sister Buddha (Intro) (3:04)\u003c\/div\u003e\n\u003cdiv\u003e2. I Know Where The Summer Goes (4:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Did The Day Go Just Like You Wanted? 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From Shakespeare to Mozart to classical opera, Car Seat Headrest's Will Toledo pulled from the classics when devising the lyrics and story arc of 'The Scholars,' while the music draws, carefully, from classic rock story song cycles such as The Who's 'Tommy' and David Bowie's 'Ziggy Stardust.' \"One thing that can be a struggle with rock operas is that the individual songs kind of get sacrificed for the flow of the plot,\" Toledo notes. \"I didn't want to sacrifice that to make a very fluid narrative. And so this is sort of a middle ground where each song can be a character and it's like each one is coming out on center stage and they have their song and dance.\" While Car Seat Headrest started as Toledo's solo project, the four-piece is now fully a band. \"What we've been doing more of in recent years is just taking the pulses of each other.\" says Toledo. \"It didn't really feel to me like things got in sync in an inner feeling way until this record, with that internal communal energy. And it's become that band feeling for me in a much more realized way. That's been a big journey.\" It is a journey that listeners will want to embark on again and again as they absorb and discover the rich depths and clanging resonances of 'The Scholars.'\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003ePart 1: The Companions\u003c\/h4\u003e\n\u003cdiv\u003e1. CCF (I'm Gonna Stay With You) (8:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Devereaux (4:31)\u003c\/div\u003e\n\u003cdiv\u003e3. Lady Gay Approximately (3:48)\u003c\/div\u003e\n\u003cdiv\u003e4. The Catastrophe (Good Luck With That, Man) (5:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Equals (4:12)\u003c\/div\u003e\n\u003ch4\u003ePart 2: The Ransom\u003c\/h4\u003e\n\u003cdiv\u003e1. Gethsemane (10:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Reality (11:14)\u003c\/div\u003e\n\u003cdiv\u003e3. Planet Desperation (18:52)\u003c\/div\u003e\n\u003ch4\u003eEpilogue: The Reward\u003c\/h4\u003e\n\u003cdiv\u003e1. True\/False Lover (3:29)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401213226\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.2.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802315403419,"sku":"28662","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-car-seat-headrest-scholars-cd-relix.jpg?v=1782098266"},{"product_id":"interpol-turn-on-the-bright-lights-cd","title":"Interpol – Turn on the Bright Lights (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWhen Turn on the Bright Lights landed in 2002, it arrived fully formed, a debut with the confidence of a band that had spent years playing New York's downtown circuit before anyone outside it was paying attention. 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In the time that’s elapsed since Habit, her 2016 EP, Jordan has graduated high school, toured the country, opened for the likes of Girlpool and Waxahatchee as well as selling out her own headline shows, and participated in a round-table discussion for The New York Times about women in punk -- giving her time to reflect and refine her songwriting process by using tempered pacings and alternate tunings to create a jawdropping debut both thoughtful and cathartic. Recorded with producer Jake Aron and engineer Johnny Schenke, with contributions from touring bandmates drummer Ray Brown and bassist Alex Bass as well, Lush sounds cinematic, yet still perfectly homemade. “Is there any better feeling than coming clean?” sings the eighteen-year-old guitarist and songwriter halfway through the sprawling anthem that is “Pristine,” the album’s first single. You can’t help but agree with her. It’s a hook that immediately sticks in your head—and a question she seems to be grappling with throughout the record’s 10-songs of crystalline guitar pop. Throughout Lush, Jordan’s clear and powerful voice, acute sense of pacing, and razor-sharp writing cut through the chaos and messiness of growing up: the passing trends, the awkward house parties, the sick-to-your-stomach crushes and the heart wrenching breakups. Jordan’s most masterful skill is in crafting tension, working with muted melodrama that builds and never quite breaks, stretching out over moody rockers and soft-burning hooks, making for visceral slow-releases that stick under the skin. “The artist I’m most excited for in 2018” -Jon Caramanica, NYTimes “Songs that combat the acute smallness of suburban youth, filling in empty space with punk-inflected guitar and imagining vantages from which everything feels bigger and more beautiful”. 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The rhythm section alone, with Jim Keltner and Pino Palladino anchoring the sessions, gives these songs a physical weight that matches Hadreas's most visceral writing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eSet My Heart On Fire Immediately is the fifth studio album from Perfume Genius that will be released May 15th on Matador Records. It sees artist and musician Mike Hadreas re-teaming with GRAMMY-nominated producer Blake Mills and features contributions from musicians Jim Keltner, Pino Palladino and Matt Chamberlin. It was recorded in Los Angeles, where Perfume Genius settled in 2017 with longtime partner and musical collaborator Alan Wyffels. 'I wanted to feel more open, more free and spiritually wild,' says Hadreas, 'and I'm in a place now where those feelings are very close-- but it can border on being unhinged. 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Eyes on the Lines arrived in 2016 on Matador Records, marking his full embrace of the song as a vehicle, where groove and melody carry the same weight as texture and atmosphere.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePeople have written about roads for as long as they’ve been around. And before there were roads, people still wrote about travel and about landscape. Roads are the stages upon which our greatest experiences and desires play out. Steve Gunn’s music has always embraced expanse and movement. Eyes on the Lines is his most explicit ode to the blissful uncertainty of adventure yet. His solo ventures, emerging over the past decade and culminating most recently the highly-acclaimed Way Out Weather, have been pastoral, evocative affairs. Here he embraces his urban surroundings through a series of songs that fully showcase his extraordinary ability to match hooks to deftly constructed melodies. These are songs you can take in quickly, but spend all the time in the world devouring. The very large and the very small are present in equal measure. The inability to categorize them within the avalanche of impotent diatribes that pass for categorization is a testament to their power. And what a pleasure to have this music presented to the wider public. 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Making A Door Less Open finds him pushing hard against that reputation, wrestling with questions of identity and artifice by essentially splitting himself in two across the writing and recording process. The CD mix offers its own distinct experience from the vinyl pressing, making format choice genuinely meaningful here.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eMaking A Door Less Open, the new album from Car Seat Headrest and the first set of brand-new songs since 2016's Teens Of Denial, is set for release on May 1. The album will be available on vinyl and CD featuring distinct tracklists and mixes for each format. Created over the course of four years, Making a Door Less Open is the result of a fruitful 'collaboration' between Car Seat Headrest, led by Will Toledo, and 1 Trait Danger, a CSH electronic side project consisting of drummer Andrew Katz and Toledo's alternative persona, 'Trait.' 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Two decades on, it holds up as one of the more quietly adventurous records to come out of that D.C. lineage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. 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The transition to a full band didn't sand down his confessional instincts; if anything, the added muscle makes the self-examination hit harder, particularly across the album's two extended centerpieces, \"Destroyed by Hippie Powers\" and the eleven-minute closer \"Joe Gets Kicked Out of School for Using Drugs.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWith Teens of Denial, his first real “studio” album with an actual band, Will Toledo moves from bedroom pop to something approaching classic rock grandeur and huge (if detailed and personal) narrative ambitions, with nods to the Cars, Pavement, Jonathan Richman, Wire, and William Onyeabor. Teens of Denial refracts Toledo’s particular, personal story of one difficult year through cultural touchstones such as the biography of Frank Sinatra, the evolution of the Me Generation as seen in Mad Men and elsewhere, plus elements of eastern and western theology. The whole thing flaunts a kind of conceptual, lyrical, and musical ambition that has been missing from far too much 21st-century music. Horns, keyboards, and elegant instrumental interludes set off art-garage moments; vivid vocal harmonies follow punk frenzy. The selfish captain of the capsized cruise liner in the Mediterranean in 2013 becomes a metaphor for struggles of the individual in society, as experienced by one hungover young man on the verge of adulthood. The album was produced by Steve Fisk (Nirvana, Beat Happening, Soundgarden) at his studio in Seattle, July-September 2015. 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Produced by Justin Raisen, the album draws from hip-hop textures and abrasive electronics as much as guitar, mapping a portrait of contemporary American alienation that only someone who has spent a lifetime pushing rock music to its edges could deliver.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eWith a career spanning nearly four decades, Kim Gordon is one of the most prolific and visionary artists working today. A co-founder of the legendary Sonic Youth, Gordon has performed all over the world, collaborating with many of music’s most exciting figures including Tony Conrad, Ikue Mori, Julie Cafritz and Stephen Malkmus. Most recently, Gordon has been hitting the road with Body\/Head, her spellbinding partnership with artist and musician Bill Nace. Despite the exhaustive nature of her résumé, the most reliable aspect of Gordon’s music may be its resistance to formula. Songs discover themselves as they unspool, each one performing a test of the medium’s possibilities and limits. Her command is astonishing, but Gordon’s artistic curiosity remains the guiding force behind her music. It makes sense that this “American idea” (as Gordon says on the agitated rock track “Air BnB”) of purchasing utopia permeates the record, as no place is this phenomenon more apparent than Los Angeles, where Gordon was born and recently returned to after several lifetimes on the east coast. It was a move precipitated by a number of seismic shifts in her personal life and undoubtedly plays a role in No Home Record’s fascination with transience. The album opens with the restless “Sketch Artist,” where Gordon sings about “dreaming in a tent” as the music shutters and skips like scenery through a car window. “Even Earthquake,” perhaps the record’s most straightforward track embodies this mood; Gordon’s voice wavering like watercolor: “If I could cry and shake for you \/ I’d lay awake for you \/ I got sand in my heart for you,” guitar strokes blending into one another as they bleed out across an unstable page. Front to back, No Home Record is an expert operation in the uncanny. 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Jehnny Beth and guitarist Gemma Thompson push the band's sound into more expansive, emotionally direct territory here, with love as both subject and weapon.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIt’s about change and the power to change. It’s about metamorphosis and evolution. It’s about sticking to your guns and toughing it out. It’s about now, not tomorrow. It’s about recognizing your potential. It’s about self-doubt and inaction. It’s about you. It’s about me. It’s about you and me and the others. It’s about the choices we make. It’s about finding the poetry and avoiding the cliché. It’s about being the solution, not the problem. It’s about showing weakness to be strong. It’s about digging through your dirt to look for diamonds. It’s about claiming your right to think unacceptable thoughts. It’s about boredom and the things we do to drive it away. It’s about being on your own so you can be with people. It’s about knowing what it means to be human and what it might mean one day. It’s about the parts and the sum of the parts. It’s about the music and the message: together, one and the same. It’s about bass, guitars, drums and vocals. It’s about opening-out and never, ever dying. But most of all it’s about love, every kind of love. Love is the answer. Savages’ second album, Adore Life, was recorded at RAK Studios, London in April 2015. Johnny Hostile was the producer and Richard Woodcraft the engineer. Anders Trentmøller took care of the mixing in Copenhagen.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Answer (3:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Evil (3:36)\u003c\/div\u003e\n\u003cdiv\u003e3. Sad Person (3:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Adore (5:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Slowing Down The World (4:00)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I Need Something New (4:38)\u003c\/div\u003e\n\u003cdiv\u003e2. When In Love (3:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Surrender (3:24)\u003c\/div\u003e\n\u003cdiv\u003e4. T.I.W.Y.G. 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Phonetics On And On marks a deliberate stripping back, the trio leaning into sparseness and texture rather than the distortion-heavy approach of their debut.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThere is something about the bitter cold in Chicago that unites the city in January- the two weeks in 2024 that Horsegirl spent recording Phonetics On and On were some of the coldest days in Chicago that year. With the heating off in The Loft to avoid sound interference, the band was bundled in multiple sweaters and sitting on their hands between takes. Working closely with musician\/producer Cate Le Bon (Deerhunter, Kurt Vile, Wilco) Horsegirl found focus and intimacy in the studio that can only arise when it's simply too cold to step outside. Abandoning the heavysaturation and character studies of Versions of Modern Performance, Le Bon leads them into new, bright, clear, sonic territories that highlight the inventive nature of these new songs.After playing together for four years, Horsegirl explores the limits of the trio configuration within Phonetics On and On- what if instead of filling out songs with distortion, they utilized the expanse that the three of them didn't occupy? This question seems to be the motivating force behind the record, and the songs are a testament to experimenting with space and texture while maintaining a pop song at the core. 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