{"title":"Metal \u0026 Punk Vinyl Records","description":"\u003cp\u003eThis page is for the collector who treats heavy music with the same seriousness Relix has always brought to the Dead, Phish, and every genre that rewards deep listening. If you track pressing variants, anniversary editions, and limited-run colors the way other people track setlists, you are in the right place.\u003c\/p\u003e\u003cp\u003eThe Metal and Punk Vinyl collection runs 241 titles. Among them: Meshuggah's \u003cem\u003eCatch ThirtyThree\u003c\/em\u003e 20th Anniversary Edition on marbled 2xLP vinyl, remastered for 2026; Judas Priest's \u003cem\u003eSad Wings of Destiny\u003c\/em\u003e cut from the original 1976 masters; Iron Maiden's \u003cem\u003e50th Anniversary Studio Album Collection, Part One: 1980–1992\u003c\/em\u003e, a multi-LP box set spanning the band's first decade of studio work; Machine Head's \u003cem\u003eMore Things Change\u003c\/em\u003e on 2xLP; Korn's \u003cem\u003eSerenity of Suffering\u003c\/em\u003e on LP; Ministry's \u003cem\u003eHate to Go – Take Out or Delivery\u003c\/em\u003e in both a standard black LP pressing and a deluxe 4xLP box set on black and green splatter vinyl; Enforcer's \u003cem\u003eFrom Beyond\u003c\/em\u003e on blue vinyl; Fervence's \u003cem\u003eConstructs\u003c\/em\u003e on pearl bone marble LP from Metal Blade; and Whitechapel's self-titled on a black, colored, and white marble pressing. Pressing color and weight are noted in each product listing where the label has supplied them.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered music from the edges and the underground since 1974. That history shapes how we stock the store: we are interested in records that hold up as objects and as listening experiences, from legacy catalog titles to current-roster releases on independent labels. The Relix Sessions series, which has put artists in the room for intimate recorded performances over the years, reflects the same instinct. We carry what we would want on our own shelves, and the metal and punk section is no exception. You will find major-label pressings alongside releases from Svart, Prophecy, Testimony, Metal Blade, and other labels that take the format seriously.\u003c\/p\u003e\u003cp\u003eEvery record in the store is new and sealed. Pre-order titles display a street date and ship as soon as the label makes them available. Vinyl ships in protective packaging built for LPs.\u003c\/p\u003e\u003cp\u003eTo keep exploring, browse \u003ca href=\"\/collections\/heavy-metal-vinyl-cds\"\u003eHeavy Metal Vinyl and CDs\u003c\/a\u003e for a broader look at the genre, dig into \u003ca href=\"\/collections\/colored-vinyl\"\u003eColored Vinyl Records and Limited Variants\u003c\/a\u003e if the pressing itself is the priority, check \u003ca href=\"\/collections\/live-vinyl-albums\"\u003eLive Vinyl Albums and Records\u003c\/a\u003e for concert documents, or head to \u003ca href=\"\/collections\/rock-vinyl\"\u003eRock Vinyl Records\u003c\/a\u003e for the wider catalog.\u003c\/p\u003e","products":[{"product_id":"santana-inner-secrets-45th-anniversary-colored-limited-edition-180-gram-lp-vinyl","title":"Santana – Inner Secrets: 45th Anniversary (Colored, Limited Edition, 180 Gram LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1978, Inner Secrets marked a commercial pivot for Carlos Santana, leaning into polished rock and pop production while never losing the guitarist's unmistakable tone. The Blind Faith connection is worth noting: \"Well All Right\" traces back to Buddy Holly through Eric Clapton's band, a lineage that speaks to Santana's lifelong habit of finding the blues thread running through every genre he touches.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e45th anniversary edition of 3000 individually numbered copies on translucent red coloured 180-gram audiophile vinyl. After a few band changes, Santana found his new form with band members Chris Solberg and Chris Rhyme. Inner Secrets proved to be one of the most successful moments in Santana's career. With Billboard charting songs such as \"One Chain (Don't Make No Prison)\", \"Stormy\" and the Buddy Holly cover of \"Well All Right\" done in the Blind Faith version.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Dealer \/ Spanish Rose (5:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Move On (4:27)\u003c\/div\u003e\n\u003cdiv\u003e3. One Chain (Don't Make No Prison) (7:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Stormy (4:45)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Well All Right (4:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Open Invitation (4:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Life Is A Lady \/ Holiday (3:47)\u003c\/div\u003e\n\u003cdiv\u003e4. The Facts Of Love (5:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Wham! (3:24)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8719262014220\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music On Vinyl\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.22.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271187280027,"sku":"136819","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Santana-Inner-Secrets-45th-Anniversary-Colored-Limited-Edition-180-Gram-LP-Vinyl.jpg?v=1776048737"},{"product_id":"rage-against-the-machine-people-of-sun-2-lp-vinyl","title":"Rage Against The Machine – People of Sun (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRage Against The Machine spent the better part of the 1990s proving that a rock band could be both sonically devastating and politically uncompromising, and that tension never felt performative. \"People of the Sun,\" the lead track from *Evil Empire*, captured the band at full throttle, and this collection gathers live and rare material that documents why their catalog still resonates with anyone who ever believed music could mean something.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. People Of The Sun (2:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Without A Face (Live) (4:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Intro (Black Steel In The Hour Of Chaos) (Live) (3:39)\u003c\/div\u003e\n\u003cdiv\u003e4. Zapata's Blood (Live) (3:49)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Bulls On Parade (3:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Hadda Be Playing On The Jukebox (Live) (8:09)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098796005613\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Revelation\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.4.97\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48656361095323,"sku":"102146","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Rage-Against-The-Machine-People-of-Sun-LP-Vinyl.jpg?v=1780143514"},{"product_id":"warrior-lp-vinyl","title":"Warrior (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePatty Smyth's voice was one of the most distinctive of the MTV era, raw enough to satisfy rock fans and polished enough to dominate radio. \"Warrior\" hit number seven on the Billboard Hot 100 in 1984, and \"Goodbye to You\" has only grown in cultural reach over the decades, introduced to new generations through film and television. Forty years on, this pressing is a reminder of how much genuine edge that era of New York rock could carry.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eScandal featuring Patty Smyth emerged as a beacon of rock rebellion and pop prowess in the 1980s. The band's inception was a fusion of Patty Smyth's arresting vocals and a dynamic ensemble that crafted a sound which straddled the realms of rock, pop, and new wave, marking a distinct departure from the period's mainstream offerings. Their music, epitomized by tracks such as \"Goodbye to You\" and \"The Warrior,\" resonated deeply with an audience yearning for anthems that both challenged and entertained. In celebration of the album's 40th Anniversary this 1LP black vinyl is being reissued\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Warrior\u003c\/div\u003e\n\u003cdiv\u003e2. Beat Of A Heart\u003c\/div\u003e\n\u003cdiv\u003e3. Hands Tied\u003c\/div\u003e\n\u003cdiv\u003e4. Less Than Half\u003c\/div\u003e\n\u003cdiv\u003e5. Only The Young\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. All I Want\u003c\/div\u003e\n\u003cdiv\u003e2. Talk To Me\u003c\/div\u003e\n\u003cdiv\u003e3. Say What You Will\u003c\/div\u003e\n\u003cdiv\u003e4. Tonight\u003c\/div\u003e\n\u003cdiv\u003e5. Maybe We Went Too Far\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028001311\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.16.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669934977179,"sku":"161571","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Warrior-LP-Vinyl.jpg?v=1780489558"},{"product_id":"ozzy-osbourne-blizzard-of-ozz-lp-vinyl","title":"Ozzy Osbourne – Blizzard Of Ozz (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1980 following Ozzy's acrimonious split from Black Sabbath, Blizzard of Ozz introduced the world to Randy Rhoads, a classically trained guitarist from Quiet Riot whose precision and creativity gave Ozzy's solo vision an identity all its own. Tracks like \"Crazy Train\" and \"Mr. Crowley\" became instant cornerstones of heavy metal, built on Rhoads' distinctive blend of neoclassical technique and raw power.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2011 marked the 30th anniversary of BLIZZARD OF OZZ (U.S. release) and DIARY OF a MADMAN. Both landmark albums took metal in a new direction in the early 1980s, inspiring new generations of rock bands and fans. This latest edition of this Hard Rock Masterpieces showcase Ozzy's musical collaborations with late guitar hero Randy Rhoads. Both BLIZZARD OF OZZ and DIARY OF a MADMAN have been restored and remastered from the original tapes for these definitive editions.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. I Don't Know (5:14)\u003c\/div\u003e\n\u003cdiv\u003e2. Crazy Train (4:50)\u003c\/div\u003e\n\u003cdiv\u003e3. Goodbye To Romance (5:33)\u003c\/div\u003e\n\u003cdiv\u003e4. Dee (0:49)\u003c\/div\u003e\n\u003cdiv\u003e5. Suicide Solution (4:17)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Mr. Crowley (5:02)\u003c\/div\u003e\n\u003cdiv\u003e2. No Bone Movies (3:53)\u003c\/div\u003e\n\u003cdiv\u003e3. Revelation (Mother Earth) (6:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Steal Away (The Night) (3:27)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886977381911\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.3.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669935468699,"sku":"375650","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Ozzy-Osbourne-Blizzard-Of-Ozz-LP-Vinyl.jpg?v=1780489566"},{"product_id":"all-them-witches-lightning-at-the-door-lp-vinyl","title":"All Them Witches – Lightning At The Door (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLightning At The Door arrived at a pivotal moment, cementing All Them Witches as genuine heirs to a lineage stretching from early Black Sabbath through the swampy blues of Junior Kimbrough. Recorded before the band had a major label behind them, the rawness here is intentional and earned, the kind of document that spreads through a community tape-trading style, one devoted listener at a time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis is a repress of the band's 2014 release. Nashville-based All Them Witches impress in both their cohesiveness of sound and their obvious drive toward an individual approach. Their blend of blues rocking grooves and heavy psych-derived jamming comes through clearly, they soon became known for their engaging live shows. The foursome, who take their name from Roman Polanski's 1968 masterpiece \"Rosemary's Baby\". With their transfixing releases, 2012's Our Mother Electricity and 2014's Lightning At The Door, and a jam-filled live show where no two shows are the same, the band has amassed a devoted following and have become something of a sensation in the underground rock scene. A1. Funeral for a Great Drunken Bird 4:24 A2. When God Comes Back 3:34 A3. The Marriage of Coyote Woman 5:50 A4. Swallowed by The Sea 8:23 B1. Charles William 5:45 B2. The Death of Coyote Woman 8:12 B3. Romany Dagger 2:46 B4. Mountain 6:17\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396573912\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.21.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Funeral For A Great Drunken Bird (4:19)\u003c\/div\u003e\n\u003cdiv\u003e2. When God Comes Back (3:31)\u003c\/div\u003e\n\u003cdiv\u003e3. The Marriage Of Coyote Woman (5:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Swallowed By The Sea (8:18)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Charles William (5:39)\u003c\/div\u003e\n\u003cdiv\u003e2. The Death Of Coyote Woman (8:06)\u003c\/div\u003e\n\u003cdiv\u003e3. Romany Dagger (2:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Mountain (6:12)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669940809883,"sku":"185430","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-all-them-witches-lightning-at-the-door-vinyl-lp-relix.jpg?v=1780543895"},{"product_id":"alice-cooper-dirty-diamonds-limited-edition-transparent-red-lp-vinyl","title":"Alice Cooper – Dirty Diamonds (Red Blood LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at a moment when Cooper had fully reclaimed his footing as hard rock's reigning theatrical provocateur, Dirty Diamonds found him working with a lean, riff-driven urgency that nodded back to his classic early-'70s era without nostalgia. Producer Bob Ezrin, who shaped the sound of \"Welcome to My Nightmare\" and \"The Wall,\" sat this one out, giving the album a rawer, more stripped-down feel that longtime fans responded to immediately.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eDirty Diamonds\u003c\/span\u003e\u003cspan\u003e is the 24th studio album by Alice Cooper, released in 2005 on CD and digitally. The album peaked on Billboard’s “Top Independent Albums” chart at #17, and the \u003c\/span\u003e\u003cspan\u003eBillboard\u003c\/span\u003e\u003cspan\u003e 200 album chart at #169. In 2019 New West Records released \u003c\/span\u003e\u003cspan\u003eDirty Diamonds on vinyl\u003c\/span\u003e\u003cspan\u003e for the first time in the Americas. The original release was pressed limited edition Blood-Splatter vinyl. 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What makes this document particularly resonant is the context: a band whose music genuinely needs a room to breathe, finding a way to honor that live covenant when no rooms were available.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAll Them Witches are known for their loud and lengthy live shows. 2020 found the band releasing their critically acclaimed album, Nothing As The Ideal. An album release from this band would traditionally be followed by a lengthy 18-month tour across the globe. Due to an international pandemic, the band’s touring plans were brought to a halt. This did not stop All Them Witches from assembling in a studio to broadcast a live set for their fans. The set was roundly received as an amazing performance and fans immediately inquired as to whether or not this show would be available outside of the broadcast. 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Where earlier work leaned into density and collaboration, Flowers In The Spring pulls inward, favoring patience and sustained tension over sheer volume. Three tracks, opaque pink vinyl, and a record that rewards the kind of deep listening that defines the best of this label's experimental tradition.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWrekmeister Harmonies, the duo of JR Robinson and Esther Shaw, are sonic shape shifters with expansive ideas. From special performances to collaborations the band have worked with David Yow (Jesus Lizard) Ryley Walker, Ken Vandermark, Bruce Lamont, Mark Solotroff, Sanford Parker, Jamie Fennely (Mind Over Mirrors), The Body, Mary Lattimore, Olivia Block, Jamie Stewart (Xiu Xiu), Chris Brokaw, Fred Lonberg-Holm and Thor Harris (Swans). Inspired by artists such as Glenn Branca, Rhys Chatham, and Lou Reed, the duo approach each album as a new sonic adventure. 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Originally released in 2001, Ride The Skies captured the duo at a pivotal moment, translating that live chaos into something more deliberately constructed without losing the ferocity that made them essential.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRide the Skies is the 2nd album by Lightning Bolt, and this re-release makes it available to fans for the first time since it's original release. Compared to their first album it's cleaner, tighter, recorded in studio rather than live. Which is not to say this is boring or sanitized in any way, Lightning Bolt never fail to make magic, filling a space with loud, raw sound. Sounds of synth or guitar turn out to be bass, and riffs become patterns, become a beat in the background, become a wall of noise, become a clear sound above it all. Lightning Bolt are known for the sound that truly comes into it's own in this album.1. Forcefield2. St. Jacques3. 13 Monsters4. Ride The Sky5. The Faire Folk6. Into The Mist 27. 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This self-titled debut is where that mythology began, a document of two people making more sound than seems physically possible.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSince their first moment it seems like they've been as electric as their name suggests. Lightning Bolt, their first album, captures that energy in a raw form. 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Oblivion Hunter captures that same feral energy on wax, a collection of tracks that hit like a PA stack tipped directly onto your chest.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDeluxe vinyl LP pressing. Includes digital download. Lightning Bolt redefines what it means to be DIY. An utterly singular band in every way, unbridled creativity and energy propel them well past most categorical boundaries, least of which is the boundary between band and audience. 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J.R. Robinson and Esther Shaw have built their catalog through an ongoing dialogue between restraint and eruption, and the roster of collaborators drawn to their work, from the Swans orbit to noise-rock's outer edges, speaks to the genuine gravity of what they're doing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWe Love to Look at the Carnage the 5th album by Brooklyn's Wrekmeister Harmonies, J.R. Robinson, and Esther Shaw, features frequent collaborator Thor Harris (Swans, Shearwater) percussion and Jamie Stewart (Xiu Xiu) electronics. The album was tracked in a cabin in the woods and mixed with Martin Bisi (Sonic Youth, Swans) at his BC Studios. Wrekmeister Harmonies, known for their large ensemble performances and intense recordings, create immense tension with spare arrangements and instrumentation. We Love to Look at the Carnage charts a restless journey beginning in the middle of the night and ending in the wee hours of the morning. Robinson's brooding lyrics grapple with phantoms both real and imagined, apparitions amplified by the feverish anxiety of insomnia. Shaw's ethereal vocals dueling with Robinson's baritone create a delicious tension. Her stellar keyboard and violin work are on full display providing moments of calm.1. Midnight To Six2. Still Life With Prick Cancer3. Coyotes of Central Park4. The Rat Catcher5. 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Bringing these two forces together on a single record is less a collaboration than a controlled collision, the kind that only makes sense in retrospect. Film arrives as one of 2025's most genuinely strange and necessary pairings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWhat happens when you combine SUMAC: a band that uses the volume, distortion, and guitar-centric approach of metal to make music that has the malleability of jazz and textural exploration of noise with Moor Mother: a poet and sound artist that has deconstructed hip hop to a point where it's less about rhyme and rhythm (though obviously both are present in her work) and more about oratorical cadence and power. The Film is an album that takes attributes of both artists' work and finds common ground in shifting musical patterns, and expressive force. The record is a musical thumbing of their noses at the more traditional approaches of their respective fields, an innovative, powerhouse of an album.The Film's moniker speaks to the fact that it is conceived and delivered as a complete album, a full story or narrative. Moor Mother puts it best: \"The idea is to create a moment outside of the convention. This is a work of art. Thinking about the work as a Film, instead of an album or a collection of songs. This task is impossible in an industry that wants to force everything into a box of consumption. You won't understand or get the full picture until the artwork is completed. 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The seeds of the duo's celebrated collaborative inclination are evident as the album features Assembly of Light Choir leader Chrissy Wolpert, choir member Reba Mitchell, Otesanek vocalist Leslie Weitz, and guitarist David Lifrieri. With the expanded edition, the album's striking cover painting by Providence mainstay Manifester aka Matt Brinkman (Mindflayer, Forcefield) is finally rendered in it's original form.Master, We Perish is expanded with rare bonus tracks from The Body's early days, taken from a pair of rare 7\" singles Cop Killer\/Dead Cops as well as a split with Get Killed. These storied singles mark the first time the band truly pushed the boundaries of sound in the studio and on record. It also marks the beginning of The Body's practice of wielding the studio as a veritable weapon to translate their gargantuan sound with deeper impact on LP. The results are not only pushing the capacity of the album format but are sonically riveting. 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Focus is the band's long-awaiting fifth studio album, a record brimming with new energy and cementing their stomp-inducing riff-rock as it transcends into heavier sonic realms. 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Frontman Lizzy Borden's shock-rock theatrics owed as much to Alice Cooper as to the NWOBHM bands reshaping heavy music at the time, and that collision of influences made the live show their sharpest weapon.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e40th Anniversary Edition. Few bands captured the theatrical danger, speed, and raw electricity of mid-'80s American metal quite like Lizzy Borden. The Murderess Metal Road Show documents the band at a moment when everything was clicking-songs sharpened by the stage, performances fueled by chaos, and a reputation that was spreading fast through the Los Angeles metal underground.Recorded live at Chuck Landis' Country Club in Reseda, California on Friday, December 13, 1985, this album arrived astonishingly early in the band's career-just one EP and one studio album in. Instead of waiting years to issue a live release, Lizzy Borden chose to capture the intensity of their shows while the danger still felt real. The result is one of the most overlooked but essential live metal albums of the era.The set explodes out of the gate with \"Council for the Cauldron, \" instantly locking into fast, aggressive California metal driven by razor-sharp riffs and Lizzy's unmistakable voice-part Halford scream, part Dickinson drama, part pure menace. Tracks like \"Warfare, \" \"No Time to Lose, \" and \"Psychopath\" showcase a band firing on all cylinders, while the theatrical pairing of \"Psychopath\" into \"Love You to Pieces\" mirrors the band's infamous stage show, where shock, story, and performance were inseparable.The album also includes a blistering cover of Paul McCartney's \"Live and Let Die, \" recorded years before Guns N' Roses made the song famous, as well as \"(Wake Up) Time to Die, \" inspired by the cult sci-fi classic Blade Runner. The show closes with \"American Metal, \" a song that would go on to become the most frequently performed track of Lizzy Borden's career-and the perfect anthem to end a live set built on volume, spectacle, and conviction.This Blood Moon Swirl edition presents The Murderess Metal Road Show as a deluxe 2-LP gatefold vinyl release, pressed in a striking Blood Moon Swirl colorway and limited to 400 copies worldwide. Featuring the full live performance across two LPs, this edition captures the raw power, theatrical intensity, and larger-than-life presence of Lizzy Borden at their mid-'80s peak.The audio has been mastered for vinyl by Rob Colwell (Helstar, Voivod, Lizzy Borden, Starwood), delivering power, clarity, and punch while preserving the raw live atmosphere. 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Jaime Gomez Arellano, whose work with Paradise Lost deepened that band's late-period resurrection, brings the same instinct for cavernous atmosphere here, making Far From God feel like a record pulled from somewhere genuinely cold and ancient.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn July 3, 2026, MOONSPELL unveil \"Far From God\" via Napalm Records. Darker, sharper and emotionally unfiltered, the album stands as Gothic Metal in its purest form: romantic, dramatic and unapologetically heavy. The title track burns with tragic vampiric intensity, while “Cross Your Heart” or “The Great Wolf in the Sky” balance brooding melody, weight and epic scope. Produced by Jaime Gomez Arellano (Paradise Lost, Sólstafir, Ghost), the record reconnects with the band’s darkest essence. It's MOONSPELL’s Irreligious of the 21st century. 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Frontman Nasty Ronnie's unhinged stage presence became the stuff of legend in underground circles, and the songs here reflect a band that was pushing hard against the boundaries of what thrash was supposed to sound like.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBy 1987, Nasty Savage were no longer just the feral newcomers from Florida's underground-they were evolving into something darker, sharper, and more deliberate.Originally released on Metal Blade Records, Indulgence (1987) expanded the band's early thrash foundation into more progressive territory. The riffs grew tighter and more technical. The structures became more ambitious. The atmosphere turned more sinister. Yet the theatrical volatility that defined Nasty Savage from the beginning remained fully intact.Paired here with the 1988 Abstract Reality EP, this definitive edition captures the band at a critical moment in Florida metal history-bridging the gap between raw mid-80s thrash and the darker extremity that would soon define the region.Nasty Savage's early appearance on Metal Massacre VI helped establish them as serious players in the American underground. By the time of Indulgence, their influence was already taking root locally. Members of Morbid Angel and Obituary have cited Nasty Savage as part of the early Florida foundation, and drummer Curtis Beeson would later perform with Death, further cementing the band's place in the region's lineage.Musically, the material balances razor-edged thrash aggression with dramatic, unpredictable vocal delivery that draws comparisons to King Diamond, while maintaining the intensity and precision fans of Slayer and Dark Angel expect.This Brutal Planet Records Metal Icon Series edition unites the complete 1987 Indulgence LP and the full 1988 Abstract Reality EP across two Blood Red vinyl LPs, housed in a premium gatefold jacket and limited to just 300 copies worldwide. Remastered by Rob Colwell (Flotsam, Helstar, Geoff Tate, Nevermore), the audio has been carefully restored to enhance clarity and depth while preserving the aggressive character of the original recordings.This is more than a reissue-it is a snapshot of Florida metal in transition.Ambitious. Darker. 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