{"title":"Miles Davis Vinyl, CDs \u0026 Merch","description":"\u003cp\u003eJazz's shape-shifter — Kind Of Blue, Bitches Brew 2-LP, and Birth Of The Cool anchor a catalog that traces Miles Davis from cool bop to fusion.\u003c\/p\u003e\u003cp\u003eEssential listening, pressed deep for the record crate.\u003c\/p\u003e","products":[{"product_id":"miles-davis-1969","title":"Miles Davis, 1969","description":"\u003cp\u003eArchival Limited Edition Pigment Print\u003cbr\u003eSigned Certificate Of Authenticity\u003cbr\u003e\u003cbr\u003eThank you for supporting the Rock \u0026amp; Roll Hall of Fame’s mission to engage, teach, and inspire through the power of rock \u0026amp; roll. This print is one of a limited-edition of 10 archival pigment prints created exclusively for the Rock \u0026amp; Roll Hall of Fame by Baron Wolman in October 2020 and is stamped by the artist. Davis was inducted into the Rock \u0026amp; Roll Hall of Fame in 2006.\u003cbr\u003e\u003cbr\u003e“For me, portrait photography was more about putting my subjects at ease. If I could do that, they would give me something more intimate, something about themselves. I rarely talked about music; instead I focused on the lives of my subjects during our conversations. They would relax and they would forget to pose and would lose their anxiety about being photographed…There were moments when I was indeed intimidated by my subject or was nervous about taking his or her picture. Miles Davis  was a perfect example. I had been told that Miles could be really difficult, so I was nervous and didn’t know what to expect when I went to his house. But we got along really well and even went riding together in his red Ferrari. There had been no need to worry.”\u003cbr\u003e– Baron Wolman\u003c\/p\u003e\n\u003cdiv class=\"elementToProof\"\u003e\u003cspan\u003eSHEET SIZE: \u003cmeta charset=\"utf-8\"\u003eapprox. 17” x 25\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAVERAGE IMAGE SIZE: \u003cmeta charset=\"utf-8\"\u003eapprox. 15” x 22 1\/2\u003c\/div\u003e\n\u003cdiv\u003eFRAME: Wood frame matte black finish 5\/8 wide x 1 ½” tall\u003c\/div\u003e\n\u003cdiv\u003eMAT: 8ply archival rag mat with approx. 3” x 3 ½” margins, ¼” plate line around image. Mat size may vary slightly\u003c\/div\u003e\n\u003cdiv\u003eaccording to image size.\u003c\/div\u003e\n\u003cdiv\u003eGLASS: Museum Grade UV acrylic\u003c\/div\u003e\n\u003cdiv class=\"elementToProof\"\u003eFINAL SIZE: \u003cmeta charset=\"utf-8\"\u003eapprox. outside finished dimension of framed piece: 22 ½” x 29 ½”\u003c\/div\u003e\n\u003cdiv class=\"elementToProof\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementToProof\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOrders ship in 4-6 Weeks\u003c\/p\u003e\n\u003cp\u003ePlease provide phone number at checkout for shipping communication\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Rock Hall Shop","offers":[{"title":"PRINT + FRAME","offer_id":46693184077979,"sku":"sku-45955032580265","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Miles-Davis-1969.png?v=1770120486"},{"product_id":"cookin-with-the-miles-davis-quintet-lp","title":"Miles Davis – Cookin' With The Miles Davis Quintet (LP Vinyl)","description":"\u003cp\u003eFeaturing an all-star personnel of \u003cstrong\u003eMiles Davis\u003c\/strong\u003e, \u003cstrong\u003eJohn Coltrane\u003c\/strong\u003e, \u003cstrong\u003eRed Garland\u003c\/strong\u003e, \u003cstrong\u003ePaul Chambers\u003c\/strong\u003e and \u003cstrong\u003ePhilly Joe Jones\u003c\/strong\u003e, \u003cstrong\u003e\u003cem\u003eCookin' with the Miles Davis Quintet\u003c\/em\u003e\u003c\/strong\u003e is one of the four albums that came out of the two legendary 1956 sessions of the quintet.\u003c\/p\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":47927239245979,"sku":"OJC128","price":22.08,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Miles-Davis-Cookin-With-The-Miles-Davis-Quintet-LP-Vinyl.jpg?v=1770133817"},{"product_id":"bags-groove-lp","title":"Miles Davis – Bags' Groove (LP Vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eBags' Groove\u003c\/em\u003e\u003c\/strong\u003e was recorded by \u003cstrong\u003eRudy Van Gelder\u003c\/strong\u003e and originally released by \u003cstrong\u003ePrestige Records\u003c\/strong\u003e. 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By 1984, Miles was fully committed to the electric, funk-inflected sound he'd been building since the Bitches Brew era, and this session captures a band that was genuinely road-tested, tight, and pushing forward. Darryl Jones would go on to join the Rolling Stones the following year.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis record is self produced by Miles himself! Without long time production collaborator Teo Macero, Miles chases new directions with this 1984 recording. Miles allowed keyboardist Robert Irving and guitar legend John Sco eld to write most of the material on the LP.\u003c\/p\u003e\u003cp\u003eThe record is dripping with some of the new sounds of synths which makes this a very unique entry in the Miles catalog.\u003c\/p\u003e\u003cp\u003eDecoy features John Sco eld on guitar, Robert Irving on synths and programming, Darryl Jones on bass, Al Foster on drums, Mino Cinelu on percussion, Bill Evans on sax, and guest appearances from Branford Marsalis.\u003c\/p\u003e\u003ch3\u003eRemastered From The Original Analog Tapes\u003c\/h3\u003e\u003ch3\u003ePRESSED ON CRYSTAL CLEAR VINYL HOUSED IN A GATEFOLD JACKET WITH JAPANESE STYLIZED INSERT AND DELUXE OBI STRIP\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Decoy (8:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Robot 415 (1:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Code M.D. (5:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Freaky Deaky (4:33)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. What It Is (4:32)\u003c\/div\u003e\n\u003cdiv\u003e2. That's Right (11:11)\u003c\/div\u003e\n\u003cdiv\u003e3. That's What Happened (3:34)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 664425147216\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Get On Down\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.26.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600400363675,"sku":"34944","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-decoy-vinyl-lp-relix.jpg?v=1779279399"},{"product_id":"miles-davis-kind-of-blue-remastered-bonus-track-cd","title":"Miles Davis – Kind Of Blue (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe session that became Kind of Blue took place over just two days in March and April of 1959, with Davis presenting his musicians, including John Coltrane, Bill Evans, and Cannonball Adderley, with minimal sketches rather than composed parts. The result redefined what improvisation could be, pulling jazz away from bebop complexity toward modal exploration that still feels open and inevitable sixty-plus years on.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA new Kind of Blue with the GREATEST SOUND EVER! Cited frequently as the greatest, most influential and possibly largest-selling jazz album of all time, this definitive reissue showcases classic tracks remixed from the original 3-track masters (in fact, the first 3 songs are now in their correct pitch). Highlights include bonus track (a rare alternate of \"Flamenco Sketches\"), new liner notes (in addition to the original notes by Bill Evans) and previously unseen photos.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. So What (9:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Freddie Freeloader (9:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Blue In Green (5:37)\u003c\/div\u003e\n\u003cdiv\u003e4. All Blues (11:33)\u003c\/div\u003e\n\u003cdiv\u003e5. Flamenco Sketches (9:26)\u003c\/div\u003e\n\u003ch4\u003eBonus Track\u003c\/h4\u003e\n\u003cdiv\u003e1. Flamenco Sketches (Alternate Take) (9:32)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 074646493526\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.25.97\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600402722971,"sku":"64311","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-kind-of-blue-remastered-bonus-track-cd-cd-relix.jpg?v=1779279045"},{"product_id":"miles-davis-on-the-corner-cd","title":"Miles Davis – On the Corner (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWhen *On the Corner* dropped in 1972, the jazz establishment largely rejected it, while funk and hip-hop communities hadn't yet caught up to what Miles was doing. Decades later, its dense, rhythm-driven grooves, drawing on Sly Stone, James Brown, and Stockhausen simultaneously, sound less like jazz fusion and more like the blueprint for entire genres that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. On The Corner \/ New York Girl \/ Thinkin' Of One Thing And Doin' Another \/ Vote For Miles (19:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Black Satin (5:15)\u003c\/div\u003e\n\u003cdiv\u003e3. One And One (6:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Helen Butte \/ Mr. Freedom X (23:18)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886919847529\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sbme Special Mkts.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.1.00\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600403050651,"sku":"27792","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-on-the-corner-cd-relix.jpg?v=1779278168"},{"product_id":"miles-davis-amandla-cd","title":"Miles Davis – Amandla (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during the final chapter of Miles Davis's restless evolution, Amandla arrived in 1989 as he was deep into his fusion period, collaborating closely with guitarist Marcus Miller, who wrote and produced nearly the entire album. The title itself means \"power\" in Zulu and Xhosa, and the record carries that political charge alongside its sleek, layered sound. For fans who followed Miles through every reinvention, this one rewards patience.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eTracklist\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cdiv\u003e1. Catembe (5:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Cobra (5:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Big Time (5:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Hannibal (5:49)\u003c\/div\u003e\n\u003cdiv\u003e5. Jo-Jo (4:51)\u003c\/div\u003e\n\u003cdiv\u003e6. Amandla (5:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Jilli (5:05)\u003c\/div\u003e\n\u003cdiv\u003e8. Mr. Pastorius (5:41)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075992587327\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.18.89\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600403083419,"sku":"98858","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-amandla-cd-relix.jpg?v=1779281594"},{"product_id":"miles-davis-sextet-someday-my-prince-will-come-cd","title":"Miles Davis Sextet – Someday My Prince Will Come (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1961, this session caught Miles in a restless transitional moment, already pushing past the modal breakthroughs of *Kind of Blue* and probing something harder to name. The rhythm section anchors deep while John Coltrane and Hank Mobley trade tenor duties across different tracks, a subtle tension that gives the record its unusual texture.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Someday My Prince Will Come (9:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Old Folks (5:14)\u003c\/div\u003e\n\u003cdiv\u003e3. Pfrancing (8:30)\u003c\/div\u003e\n\u003cdiv\u003e4. Drad Dog (4:49)\u003c\/div\u003e\n\u003cdiv\u003e5. Teo (9:33)\u003c\/div\u003e\n\u003cdiv\u003e6. I Thought About You (4:52)\u003c\/div\u003e\n\u003ch4\u003eBonus Tracks Not On Original LP\u003c\/h4\u003e\n\u003cdiv\u003e1. Blues No. 2 (7:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Someday My Prince Will Come (Alternate Take) (5:34)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886972670027\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sbme Special Mkts.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.29.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600404197531,"sku":"64712","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-sextet-someday-my-prince-will-come-cd-relix.jpg?v=1779197535"},{"product_id":"miles-davis-quartet-musings-of-miles-original-jazz-classics-series-lp-vinyl","title":"Miles Davis  Quartet – Musings Of Miles (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in June 1954, this session captures Davis at a pivotal moment, just before the celebrated quintet recordings that would define his mid-decade peak. The rhythm section here previews what was coming: Red Garland's block chords and Philly Joe Jones's crackling brushwork would soon become central to some of the most important small-group jazz ever committed to tape.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReleased in 1955 on Prestige Records, The Musings of Miles is the first album from legendary trumpet player Miles Davis released in the 12\" LP format. With Davis as bandleader, other players include Red Garland (piano), Oscar Pettiford (bass) and Philly Joe Jones (drums). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Will You Still Be Mine?\u003c\/div\u003e\n\u003cdiv\u003e2. I See Your Face Before Me\u003c\/div\u003e\n\u003cdiv\u003e3. I Didn't\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. A Gal In Calico\u003c\/div\u003e\n\u003cdiv\u003e2. A Night In Tunisia\u003c\/div\u003e\n\u003cdiv\u003e3. Green Haze\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072662643\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.18.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600404721819,"sku":"114360","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-quartet-musings-of-miles-original-jazz-classics-series-lp-vinyl-vinyl-lp-relix.jpg?v=1779283519"},{"product_id":"miles-davis-round-about-midnight-lp-vinyl","title":"Miles Davis – 'Round About Midnight (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1957, 'Round About Midnight marked Miles Davis arriving at Columbia with something to prove, fresh off his electrifying 1955 Newport Jazz Festival performance that had reminded the world exactly where he stood. The rhythm section here, Red Garland, Paul Chambers, and Philly Joe Jones, was as tight a unit as jazz had produced, and hearing them alongside a young Coltrane still finding his voice makes this document genuinely irreplaceable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHipness Personified: Miles Davis' 'Round About Midnight Features Famed Quintet with John Coltrane Playing Memorable Hard Bop and BalladsSourced from the Original Master Tapes and Pressed on MoFi SuperVinyl: Mobile Fidelity's 180g 33RPM SuperVinyl LP Presents the Music with Engrossing Transparency, Presence, and FocusNumbered-Edition Reissue of 1957 Album Features Ultra-Low Noise Floor, Dead-Quiet Surfaces, and Superb Groove DefinitionMiles Davis' first album for Columbia, 'Round About Midnight, represents the beginning of a three-decade-plus relationship with the famed label and the start of an extended collaboration with saxophonist John Coltrane. It stands as a hard-bop benchmark - a summation of the styles that came before its creation, an immersion into the period's cutting-edge strains, and a hint of the modalism that would follow. The record remains ageless, it's fundamental cool epitomized by first-rate arrangements and astonishing performances of pensive ballads, bebop classics, and pop standards.Part of Mobile Fidelity's Miles Davis SuperVinyl reissue series, Round About Midnight resonates with newfound palpability and emotionalism on the label's 180g 33RPM SuperVinyl LP. Sourced from the original master tapes and housed in a Stoughton jacket, this numbered-edition collectible traces the individual paths each musician takes in contributing to the whole - from pianist Red Garland's left hand weaving counter-melodic chords to Coltrane infusing a tune with forward, harmony-defying patterns to the extent that iconic pianist Cecil Taylor declared 'Coltrane's what you hear on that record' the first time he heard the album. Indeed, the music sounds cohesive, immediate, and involving. Ballads are warm, lush, gentle, and illuminated; upbeat pieces bounce, snap, and energize. The high ceilings at Columbia's 30th Street Studio doubtlessly add to the sonic awe. This is hipness personified.1\/4' \/ 15 IPS ANALOG MASTER DSD 64 ANALOG CONSOLE LATHENumbered 180g 33RPM SuperVinyl LPNUMBERED SPECIAL EDITIONTrack ListSide One:1. 'Round Midnight2. Ah-Leu-Cha3. All of YouSide Two:1. Bye Bye Blackbird2. Tadd's Delight3. Dear Old Stockholm\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. 'Round Midnight\u003c\/div\u003e\n\u003cdiv\u003e2. Ah-Leu-Cha\u003c\/div\u003e\n\u003cdiv\u003e3. All Of You\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Bye Bye Blackbird\u003c\/div\u003e\n\u003cdiv\u003e2. Tadd's Delight\u003c\/div\u003e\n\u003cdiv\u003e3. Dear Old Stockholm\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826317\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.13.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600405115035,"sku":"52894","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-round-about-midnight-vinyl-lp-relix.jpg?v=1779281753"},{"product_id":"miles-davis-sketches-of-spain-remastered-3-bonus-tracks-cd","title":"Miles Davis – Sketches Of Spain (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1960, Sketches of Spain grew out of Miles Davis and Gil Evans's shared obsession with Joaquín Rodrigo's \"Concierto de Aranjuez,\" an unlikely entry point that resulted in one of the most emotionally raw recordings either man ever made. The three bonus tracks here offer a rare window into the studio process behind that alchemy, showing how Davis and Evans shaped the orchestral canvas before arriving at the definitive takes.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOne of the greatest jazz recordings of all time, Sketches of Spain features Miles with large ensemble arranged and conducted by Gil Evans. Truly a jazz milestone, this album presents Davis and Evans at their musical peak. This title is part of Sony's Jazz Masterpiece reissue series, featuring 20-bit digital remastering, deluxe packaging and bonus material. Additional tracks: \"Song of Our Country\" and 2 alternate takes of \"Concierto de Aranjuez\"; 19 minutes of new music!\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Concierto De Aranjuez (Adagio) (16:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Will O' The Wisp (3:47)\u003c\/div\u003e\n\u003cdiv\u003e3. The Pan Piper (3:52)\u003c\/div\u003e\n\u003cdiv\u003e4. Saeta (5:06)\u003c\/div\u003e\n\u003cdiv\u003e5. Solea (12:15)\u003c\/div\u003e\n\u003ch4\u003eBonus Tracks\u003c\/h4\u003e\n\u003cdiv\u003e1. Song Of Our Country (3:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Concierto De Aranjuez (Part One) (12:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Concierto De Aranjuez (Part Two Ending) (3:33)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 074646514221\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.23.97\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600407834779,"sku":"52379","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-sketches-of-spain-remastered-3-bonus-tracks-cd-cd-relix.jpg?v=1779277769"},{"product_id":"miles-davis-birth-of-the-blue-gate-180-gram-lp-vinyl","title":"Miles Davis – Birth Of The Blue (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe four tracks collected here have long lived in the shadow of *Kind of Blue*, scattered across reissues and compilations as afterthoughts. But the 1958 sextet that produced them, with John Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, and Jimmy Cobb, was operating at a level where even the sessions left on the shelf deserve a proper home.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances - all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year - have not been served well. They have largely been treated as add-ons to other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor!The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played the trumpet sublime with his sextet, featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley.Undervalued since their recording, the tunes on this album reflect historical and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-it's-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard.For this release, we started with the original 3-track recording session tapes, which were mixed down to a brand-new 30-ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab cut the lacquers at 33 1\/3 RPM utilizing the legendary Doug Sax's custom all-tube system and cutting lathe. The lacquers were plated and pressed on 180-gram vinyl at Quality Record Pressings. Lastly, the Stoughton Printing tip-on gatefold jacket with a deluxe scuff-resistant matte finish is the highest quality available. The artwork has an incredible spot-on look to a 1959 Columbia records release! Smash follow-up to what many consider the greatest jazz record ever! Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue! Modal jazz precursor laid the groundwork for future jazz innovation! 180-gram vinyl. Mastered by Matthew Lutthans at The Mastering Lab from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapesPlated and pressed at Quality Record Pressings for flawless production and superior fidelity! Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028166218\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. On Green Dolphin Street\u003c\/div\u003e\n\u003cdiv\u003e2. Fran-Dance\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight\u003c\/div\u003e\n\u003cdiv\u003e2. Love For Sale\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600408621211,"sku":"122610","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-birth-of-the-blue-gate-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779281543"},{"product_id":"miles-davis-miles-style-lp-vinyl","title":"Miles Davis – Miles Style (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAcross five decades, Miles Davis didn't just play jazz, he reinvented it repeatedly, moving from bebop to cool to modal to electric fusion without ever losing the spare, searching quality that made his trumpet immediately identifiable. A compilation drawing from his vast catalog serves as a reminder that his influence runs through virtually every serious musician who came after him.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIf I had to do it all over again, I wouldn't listen to records. I very rarely listen to jazz records because they all do the same thing. I only listen to original musicians like Ahmad Jamal and Duke Ellington, musicians like Clark Terry, Dizzy Gillespie, Sonny Rollins and John Coltrane. \" A true icon, Miles Davis left an indelible mark on the genre through his recordings. \"The Miles Style\" is a compilation of his masterpieces, the timeless quality of the album and Miles Davis' ability to reshape jazz make it a classic. Translated with DeepL. Com (free version)\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. It Never Entered My Mind (4:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Fran Dance (5:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Blue in Green (5:35)\u003c\/div\u003e\n\u003cdiv\u003e4. On the Champs Elysées (2:51)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. In Your Own Sweet Way (5:41)\u003c\/div\u003e\n\u003cdiv\u003e2. When I Fall In Love (4:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Yesterdays (3:44)\u003c\/div\u003e\n\u003cdiv\u003e4. Petit Bac Blues (2:53)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3760396020958\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Diggers Factory\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.20.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600412094619,"sku":"48646","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-miles-style-vinyl-lp-relix.jpg?v=1779278487"},{"product_id":"miles-davis-classic-albums-collection-cd","title":"Miles Davis – Classic Albums Collection (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe years between 1953 and 1960 represent one of the most concentrated bursts of genius in recorded music history. Davis moved from the hard bop explorations of early Blue Note and Prestige sessions through the modal revolution of \"Kind of Blue,\" reshaping what jazz could be at nearly every turn, with collaborators like John Coltrane, Bill Evans, and Cannonball Adderley alongside him for the ride.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis - The Classic Albums Collection - This four CD set contains Miles Davis' nine most popular albums both critically and commercially, all originally recorded between 1953 and 1960. Among the most influential and acclaimed figures in the history of jazz, and indeed in 20th-century music, Miles Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in the genre. This four CD set contains Miles Davis' nine most popular albums both critically and commercially, all originally recorded between 1953 and 1960; for most enthusiasts the period during which the great man's star shone brightest.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Tempus Fugit (3:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Enigma (3:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Ray’s Idea (3:44)\u003c\/div\u003e\n\u003cdiv\u003e4. Kelo (3:18)\u003c\/div\u003e\n\u003cdiv\u003e5. I Waited For You (3:30)\u003c\/div\u003e\n\u003cdiv\u003e6. C.T.A. 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(13:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Blue 'N' Boogie (8:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Solar (4:45)\u003c\/div\u003e\n\u003cdiv\u003e4. You Don't Know What Love Is (4:24)\u003c\/div\u003e\n\u003cdiv\u003e5. Love Me Or Leave Me (6:56)\u003c\/div\u003e\n\u003cdiv\u003e6. Take Off (3:39)\u003c\/div\u003e\n\u003cdiv\u003e7. Weirdo (4:44)\u003c\/div\u003e\n\u003cdiv\u003e8. Woody 'N' You (3:25)\u003c\/div\u003e\n\u003cdiv\u003e9. I Waited For You (3:30)\u003c\/div\u003e\n\u003cdiv\u003e10. Ray's Idea (alternate Take) (3:48)\u003c\/div\u003e\n\u003cdiv\u003e11. Donna (3:13)\u003c\/div\u003e\n\u003cdiv\u003e12. Well You Needn't (5:23)\u003c\/div\u003e\n\u003cdiv\u003e13. The Leap (4:30)\u003c\/div\u003e\n\u003cdiv\u003e14. Lazy Susan (4:02)\u003c\/div\u003e\n\u003cdiv\u003e15. Tempus Fugit (alternate Take) (3:57)\u003c\/div\u003e\n\u003cdiv\u003e16. It Never Entered My Mind (4:03)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. If I Were A Bell (8:21)\u003c\/div\u003e\n\u003cdiv\u003e2. You're My Everything (5:21)\u003c\/div\u003e\n\u003cdiv\u003e3. I Could Write A Book (5:12)\u003c\/div\u003e\n\u003cdiv\u003e4. Oleo (6:31)\u003c\/div\u003e\n\u003cdiv\u003e5. It Could Happen To You (6:39)\u003c\/div\u003e\n\u003cdiv\u003e6. Woody 'N' You (2:45)\u003c\/div\u003e\n\u003cdiv\u003e7. Dr Jackle (5:51)\u003c\/div\u003e\n\u003cdiv\u003e8. Sid’s Ahead (13:03)\u003c\/div\u003e\n\u003cdiv\u003e9. Two Bass Hit (5:17)\u003c\/div\u003e\n\u003cdiv\u003e10. Milestones (5:45)\u003c\/div\u003e\n\u003cdiv\u003e11. Billy Boy (7:18)\u003c\/div\u003e\n\u003cdiv\u003e12. Straight, No Chaser (10:42)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. So What (9:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Freddie Freeloader (9:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Blue In Green (9:48)\u003c\/div\u003e\n\u003cdiv\u003e4. All Blues (5:37)\u003c\/div\u003e\n\u003cdiv\u003e5. Flamenco Sketche (11:35)\u003c\/div\u003e\n\u003cdiv\u003e6. Concierto De Aranjuez (9:26)\u003c\/div\u003e\n\u003cdiv\u003e7. Will O' The Wisp (9:09)\u003c\/div\u003e\n\u003cdiv\u003e8. The Pan Piper (3:51)\u003c\/div\u003e\n\u003cdiv\u003e9. Saeta (3:56)\u003c\/div\u003e\n\u003cdiv\u003e10. Solea (12:17)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 823564037523\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Enlightenment\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.22.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600432214171,"sku":"215443","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-classic-albums-collection-cd-relix.jpg?v=1779281037"},{"product_id":"miles-davis-workin-cd","title":"Miles Davis – Workin (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Miles Davis First Great Quintet recordings from 1956 rank among the most documented and debated sessions in jazz history, capturing Davis alongside John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones at a creative peak. *Workin'* was one of four albums drawn from those May and October sessions, released by Prestige as Davis was already moving toward Columbia and the innovations that would follow.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. It Never Entered My Mind (5:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Four (7:12)\u003c\/div\u003e\n\u003cdiv\u003e3. In Your Own Sweet Way (5:42)\u003c\/div\u003e\n\u003cdiv\u003e4. The Theme (Take 1) (1:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Trane's Blues (8:33)\u003c\/div\u003e\n\u003cdiv\u003e6. Ahmad's Blues (7:23)\u003c\/div\u003e\n\u003cdiv\u003e7. Half Nelson (4:46)\u003c\/div\u003e\n\u003cdiv\u003e8. The Theme (Take 2) (1:05)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 025218629621\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ojc\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.17.90\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600434540699,"sku":"313136","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-workin-cd-relix.jpg?v=1779277387"},{"product_id":"miles-davis-tribute-to-jack-johnson-180-gram-lp-vinyl","title":"Miles Davis – Tribute To Jack Johnson (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1970 as the soundtrack to a documentary about the first Black heavyweight boxing champion of the world, this session captured Davis at his most politically charged and sonically fearless. The two-track structure, \"Right Off\" and \"Yesternow,\" gave him room to let ideas breathe and combust, with John McLaughlin's guitar work landing somewhere between Hendrix and pure electricity.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe 'Greatest Rock and Roll Band You Have Ever Heard': Miles Davis, John McLaughlin, and Co. Merge Electric Fusion and Defiant Rock on the Funky, Freeing A Tribute to Jack JohnsonSourced from the Original Analog Master Tapes: Mobile Fidelity's Numbered-Edition 180g SuperVinyl LP Presents 1971 Landmark in Exuberant, Full-Range SoundMiles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the 'greatest rock and roll band you have ever heard,' his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio - and just as infrequently accepted by the mainstream. Sourced from the original analog master tapes, pressed on MoFi SuperVinyl, and housed in a Stoughton jacket, Mobile Fidelity's 180g LP reissue brings it all to fore with startling realism. Benefitting from SuperVinyl's nearly inaudible noise floor, superb groove definition, and clean, ultra-quiet surfaces, this 180g LP showcases everything - from the bold tonality of the headliner's white-hot trumpet solos to the decay of crashing cymbals, carry of wiry guitar notes, and echoes of the studio - in reference fashion. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences longtime fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires. Utilizing wah-wah and distortion, the go-to instrumentalist of the performances- guitarist John McLaughlin - attacks with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson cross the until-then-impenetrable divide between rock and jazz. Davis puts both feet in the former camp and erases any gap. The stories of the record's creation are nearly as legendary as the sounds within: Two sessions, multiple jams, different sets of musicians (several uncredited), and near-miraculous production perfectionism that made it all appear cohesive.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826218\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.7.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Right Off (26:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Yesternow (25:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600434770075,"sku":"237168","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-tribute-to-jack-johnson-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779277520"},{"product_id":"miles-davis-sonn-dig-lp-vinyl","title":"Miles Davis – Dig (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in October 1951, *Dig* captures a pivotal crossroads moment, with a then-20-year-old Sonny Rollins and 17-year-old Jackie McLean pushing Miles toward a harder, more urgent attack. The personnel alone tells the story of a generation finding its footing, Blakey and Mingus anchoring a session that would shape the next decade of modern jazz.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1951 release by Miles Davis with Sonny Rollins, Jackie McLean, Art Blakey, Charles Mingus, Walter Bishop and Tommy Potter. This record finds Miles moving away from his \"cool\" sound of the late 1940s into more bop oriented terrain.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Dig (7:30)\u003c\/div\u003e\n\u003cdiv\u003e2. It's Only A Paper Moon (5:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Denial (5:35)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Bluing (9:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Out Of The Blue (6:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 025218110518\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.10.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600436441243,"sku":"410807","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-sonn-dig-vinyl-lp-relix.jpg?v=1779281941"},{"product_id":"miles-davis-merci-miles-live-at-vienne-lp-vinyl","title":"Miles Davis – Merci Miles Live At Vienne (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCaptured just weeks before his death in September 1991, the Vienne performance stands as one of the last documents of Miles in full flight, leading a band that included guitarist Foley McCreary and saxophonist Kenny Garrett. France had long embraced Miles with a devotion that matched his own love for the country, and the Jazz à Vienne festival gave him a stage worthy of that relationship, one final time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. By 1991, the world's most celebrated trumpeter could look back on five decades of musical evolution - his own, and that of the world around him. Miles Davis had found ways of marrying jazz with classical ideas, then later R\u0026amp;B, rock and funk, producing hybrid offspring that shaped the course of popular music and had come to define his legend. In 1985, he'd left Columbia after thirty years to sign to Warner Bros. Records, a label riding high with best-selling artists like Madonna, Van Halen and Prince, with whom he had a mutual admiration and friendship. Miles Davis's lifelong love for France is well-documented, and in July 1991, he became a Knight of their Legion of Honour. Davis received the award from French culture minister Jack Lang, who described him as: \"The Picasso of jazz.\" A few days before, he played this electrifying set at the Vienne Jazz Festival with the Miles Davis Group. He passed away two months later in September 1991. Miles Davis' performance at Jazz a Vienne on July 1, 1991 became one of his final live performances before he passed away on September 28, 1991, and this previously unreleased set includes two songs written by Prince, \"Penetration\" and \"Jailbait\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hannibal\u003c\/div\u003e\n\u003cdiv\u003e2. Jailbait\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Time After Time\u003c\/div\u003e\n\u003cdiv\u003e2. Wrinkle\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Human Nature\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Penetration\u003c\/div\u003e\n\u003cdiv\u003e2. Amandla\u003c\/div\u003e\n\u003cdiv\u003e3. Finale (Band Only)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497844623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600438538395,"sku":"300518","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-merci-miles-live-at-vienne-vinyl-lp-relix.jpg?v=1779278937"},{"product_id":"miles-davis-nefertiti-cd","title":"Miles Davis – Nefertiti (Mobile Fidelity CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1967 with his second great quintet, Nefertiti captures Miles Davis, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams at a peak of collective invention, the kind of small-group telepathy that still sets the standard for what a working band can achieve. The title track's unusual structure, with the rhythm section shifting and churning beneath repeated melodic statements, remains one of the most quietly radical moments in the jazz canon.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797214667\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.23.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Nefertiti (7:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Fall (6:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Hand Jive (8:57)\u003c\/div\u003e\n\u003cdiv\u003e4. Madness (7:33)\u003c\/div\u003e\n\u003cdiv\u003e5. Riot (3:06)\u003c\/div\u003e\n\u003cdiv\u003e6. Pinocchio (5:08)\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600440570011,"sku":"344372","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-nefertiti-cd-relix.jpg?v=1779278228"},{"product_id":"miles-davis-bitches-brew-lp-vinyl","title":"Miles Davis – Bitches Brew (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased just months after Woodstock reframed what popular music could be, *Bitches Brew* arrived as Davis's direct answer to Sly Stone and Jimi Hendrix, artists he was listening to obsessively at the time. The sessions, recorded over three days in August 1969, brought together a sprawling ensemble including Chick Corea, Joe Zawinul, John McLaughlin, and Wayne Shorter, musicians who would go on to define fusion for the next decade.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eDouble vinyl LP pressing. Bitches Brew is a studio album by jazz musician, composer, and bandleader Miles Davis, originally released on March 30, 1970. It marked his continuing experimentation with electric instruments that he had previously featured on the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. In subsequent years, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSIDE A\u003c\/h4\u003e\n\u003cdiv\u003e1. Pharaoh's Dance (20:05)\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eSIDE B\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e2. Bitches Brew (26:58)\u003c\/div\u003e\n\u003ch4\u003e\n\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eSIDE\u003c\/span\u003e C\u003c\/h4\u003e\n\u003cdiv\u003e1. Spanish Key (17:32)\u003c\/div\u003e\n\u003cdiv\u003e2. John McLaughlin (4:22)\u003c\/div\u003e\n\u003ch4\u003e\n\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eSIDE\u003c\/span\u003e D\u003c\/h4\u003e\n\u003cdiv\u003e1. Miles Runs The Voodoo Down (14:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Sanctuary (10:57)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 190759508619\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600441127067,"sku":"317888","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-bitches-brew-vinyl-lp-relix.jpg?v=1779281321"},{"product_id":"miles-davis-musings-of-miles-lp-vinyl","title":"Miles Davis – Musings Of Miles (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in June 1955, this session captured Davis in a transitional moment, just months before he assembled the First Great Quintet that would reshape modern jazz. The interplay with Red Garland and Philly Joe Jones here is a direct preview of the chemistry he'd soon harness on the celebrated Prestige marathon sessions of 1956.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Musings of Miles is the first 12\" LP by Miles Davis, issued by Prestige Records in 1955. This jazz classic, newly reissued by Prestige, features, in addition to Davis on trumpet, Red Garland on piano, Oscar Pettiford on bass and Philly Joe Jones on drums. This is an essential new addition to all vinyl and jazz collectors alike.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Will You Still Be Mine? 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These 1952-54 Blue Note sides capture him in a transitional moment, post-Bird and pre-modal, working through bebop vocabulary with a lyrical restraint that was already distinctly his own.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles' early Blue Note sessions from 1952-54 yielded two later LPs that Blue Note released as part of the 1500 Series. Volume 2 is split between the blazing bebop and beautiful ballads that first made Miles famous: \"Well You Needn't,\" \"Lazy Susan,\" \"The Leap,\" \"It Never Entered My Mind,\" \"Donna,\" alternate takes of \"Ray's Idea\" and \"Tempus Fugit\" and more. This mono Blue Note Classic Vinyl edition is all-analog mastered from the original tapes and pressed on 180-gram vinyl! Blue Note.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602458319958\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.15.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Take Off\u003c\/div\u003e\n\u003cdiv\u003e2. Weirdo\u003c\/div\u003e\n\u003cdiv\u003e3. Would'n You\u003c\/div\u003e\n\u003cdiv\u003e4. I Waited For You\u003c\/div\u003e\n\u003cdiv\u003e5. Ray's Idea (Alternate Master)\u003c\/div\u003e\n\u003cdiv\u003e6. Donna\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Well You Needn't\u003c\/div\u003e\n\u003cdiv\u003e2. The Leap\u003c\/div\u003e\n\u003cdiv\u003e3. Lazy Susan\u003c\/div\u003e\n\u003cdiv\u003e4. Tempus Fugit (Alternate Master)\u003c\/div\u003e\n\u003cdiv\u003e5. It Never Entered My Mind\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600442798235,"sku":"326932","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-volume-2-blue-note-classic-vinyl-series-vinyl-lp-relix.jpg?v=1779277417"},{"product_id":"miles-davis-columbia-years-55-85-4-cd","title":"Miles Davis – Columbia Years 1955-85 (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThree decades of restless reinvention, distilled across four discs. Miles Davis reshaped jazz not once but repeatedly during his Columbia tenure, moving from the cool modal language of *Kind of Blue* through the electric funk of *Bitches Brew* and beyond, pulling generations of listeners into territory they didn't know existed. This collection traces that arc from bebop's shadow all the way to the synthesizer-laced 1980s, a span that encompasses some of the most consequential recordings in American music history.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Générique (2:49)\u003c\/div\u003e\n\u003cdiv\u003e2. All Blues (11:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Eighty-One (6:16)\u003c\/div\u003e\n\u003cdiv\u003e4. Blues From Pablo (5:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Summertime (3:20)\u003c\/div\u003e\n\u003cdiv\u003e6. Straight, No Chaser (8:58)\u003c\/div\u003e\n\u003cdiv\u003e7. Footprints (9:48)\u003c\/div\u003e\n\u003cdiv\u003e8. Florence Sur Les Champs Élysées (2:52)\u003c\/div\u003e\n\u003cdiv\u003e9. I Thought About You (11:51)\u003c\/div\u003e\n\u003cdiv\u003e10. Someday My Prince Will Come (5:42)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Bye Bye Black Bird (7:57)\u003c\/div\u003e\n\u003cdiv\u003e2. My Funny Valentine (14:55)\u003c\/div\u003e\n\u003cdiv\u003e3. Love For Sale (11:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Budo (5:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Miles (5:45)\u003c\/div\u003e\n\u003cdiv\u003e6. Filles De Kilimanjaro (12:03)\u003c\/div\u003e\n\u003cdiv\u003e7. Fran-Dance (5:50)\u003c\/div\u003e\n\u003cdiv\u003e8. Seven Steps To Heaven (6:23)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Flamenco Sketches (9:34)\u003c\/div\u003e\n\u003cdiv\u003e2. So What (12:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Water Babies (5:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Saeta (5:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Masqalero (8:53)\u003c\/div\u003e\n\u003cdiv\u003e6. Pinocchio (5:10)\u003c\/div\u003e\n\u003cdiv\u003e7. Summer Night (6:04)\u003c\/div\u003e\n\u003cdiv\u003e8. Fall (6:38)\u003c\/div\u003e\n\u003cdiv\u003e9. It's About That Time (11:28)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. Sivad (3:33)\u003c\/div\u003e\n\u003cdiv\u003e2. What It Is (4:34)\u003c\/div\u003e\n\u003cdiv\u003e3. Ms. Morrisine (4:52)\u003c\/div\u003e\n\u003cdiv\u003e4. Shout (5:51)\u003c\/div\u003e\n\u003cdiv\u003e5. Honky Tonk (5:56)\u003c\/div\u003e\n\u003cdiv\u003e6. Star On Cicely (4:28)\u003c\/div\u003e\n\u003cdiv\u003e7. Thinkin' One Thing And Doin' Another (6:48)\u003c\/div\u003e\n\u003cdiv\u003e8. Miles Runs The Voodoo Down (14:02)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 696998656925\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.6.02\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600446271643,"sku":"490993","price":52.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-columbia-years-55-85-4-cd-cd-relix.jpg?v=1779280993"},{"product_id":"miles-davis-water-babies-cd","title":"Miles Davis – Water Babies (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during the fertile late-'60s sessions that surrounded \"Filles de Kilimanjaro\" and the birth of electric Miles, \"Water Babies\" captures a transitional moment when Davis was quietly dismantling the rules of post-bop and replacing them with something far more open and restless. Wayne Shorter and Herbie Hancock are both present, making this a document of the classic second great quintet at the edge of its own evolution.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eWater Babies\u003c\/li\u003e\n\u003cli\u003eCapricorn\u003c\/li\u003e\n\u003cli\u003eSweet Pea\u003c\/li\u003e\n\u003cli\u003eTwo Faced\u003c\/li\u003e\n\u003cli\u003eDual Mr. Anthony Tillmon Williams Process\u003c\/li\u003e\n\u003cli\u003eSplash\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886972418926\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sbme Special Mkts.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.1.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600454332571,"sku":"426068","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Miles-Davis-Water-Babies-CD.jpg?v=1779194294"},{"product_id":"miles-davis-birth-of-the-cool-lp-vinyl","title":"Miles Davis – Birth Of The Cool (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePulled from three Capitol Records sessions cut between January 1949 and March 1950, these nineteen musicians, rarely assembled in a group this size for jazz at the time, included Gerry Mulligan, Lee Konitz, and a young arranger named Gil Evans, whose collaboration with Davis would reshape the sound of jazz for decades. The nonet format, borrowing the french horn and tuba from the classical world, pointed toward a cooler, more orchestral sensibility that stood in direct contrast to the fire of bebop.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited vinyl LP pressing. This aptly named 1957 album by jazz icon Miles Davis includes three sessions originally recorded between 1949 and 1950. What would go on to become known as cool jazz, these recordings were complex in arrangement, with just the right touch of restraint from Davis and the rest of his ensemble. Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title implies, these recordings are considered seminal in the history of cool jazz. Most of them were originally released in the 10-inch 78-rpm format and are all approximately three minutes long. Forever hip and innovative, this vinyl reissue is a timeless classic for any jazz collection.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Move\u003c\/div\u003e\n\u003cdiv\u003e2. Jeru\u003c\/div\u003e\n\u003cdiv\u003e3. Moon Dreams\u003c\/div\u003e\n\u003cdiv\u003e4. Venus De Milo\u003c\/div\u003e\n\u003cdiv\u003e5. Budo\u003c\/div\u003e\n\u003cdiv\u003e6. Deception\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Godchild\u003c\/div\u003e\n\u003cdiv\u003e2. Boplicity\u003c\/div\u003e\n\u003cdiv\u003e3. Rocker\u003c\/div\u003e\n\u003cdiv\u003e4. Israel\u003c\/div\u003e\n\u003cdiv\u003e5. Rouge\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602547972972\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.7.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600455807131,"sku":"556571","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-birth-of-the-cool-vinyl-lp-relix.jpg?v=1779281386"},{"product_id":"miles-davis-birth-of-the-blue-cd","title":"Miles Davis – Birth Of The Blue (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe four tracks collected here come from the same extraordinary sextet that made Kind of Blue, featuring John Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, and Jimmy Cobb. Recorded in 1958 at Columbia's 30th Street Studio in New York, these performances have spent decades buried in compilations, their full weight never quite given its due. That changes here.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever!Through the years, these four remarkable performances - all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year - have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., has deservedly given these tracks a stellar stand-alone release for jazz fans to savor!The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley.Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously.Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-it's-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard.For this release, we started with the original 3-track recording session tapes that were mixed down to a brand-new 30 ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab mastered the album direct to DSD for this Hybrid Stereo SACD.Smash follow-up to what many consider the greatest jazz record ever!Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue!Modal jazz precursor laid the groundwork for future jazz innovation!Hybrid Stereo SACDMastered by Matthew Lutthans at The Mastering Lab direct to DSD from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapes.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTRACKLIST\u003c\/b\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eOn Green Dolphin Street\u003c\/li\u003e\n\u003cli\u003eFran-Dance\u003c\/li\u003e\n\u003cli\u003eStella by Starlight\u003c\/li\u003e\n\u003cli\u003eLove For Sale\u003c\/li\u003e\n\u003c\/ol\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028166423\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600459346075,"sku":"486979","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Miles-Davis-Birth-Of-The-Blue-CD.jpg?v=1779194405"},{"product_id":"miles-davis-miles-55-the-prestige-recordings-lp-vinyl","title":"Miles Davis – Miles '55: The Prestige Recordings - (3-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThis two-disc compilation of Miles Davis sessions in 1955 overflows with the optimism of the moment. Throughout these Prestige recordings, done seven decades ago with the legendary Rudy Van Gelder at his New Jersey studio, there are myriad and palpable post-war, baby-booming bouquets of bop mirroring brilliantly what was blooming in the jazz clubs across the river in NYC. Davis was just a few years away from igniting a modal revolution with his iconic Kind of Blue, and the trumpeter, here, is squarely in a phase of evolution intent on both honoring and pushing ahead of Charlie Parker's legacy, precipitating a period when Davis would become a titan.\u003c\/p\u003e\u003cp\u003eIt's a pleasing, compact set that splits the 16 tracks evenly across the two spins. Leading an ensemble that featured giants of jazz- including John Coltrane, Paul Chambers, and Red Garland, to name just a few- Davis is in a fully confident mode, delivering assertive, bright, and melodic runs as punchy and sunny as any in his long career. He also authors three of the cuts, slotting them into a mix of poppish delights and contemporary nods to Dizzy (\"A Night in Tunisia\") and Duke (\"Just Squeeze Me\").\u003c\/p\u003e\u003cp\u003eIn the accompanying booklet, there is another illuminating essay by no less than the living authority on all things Davis (and Coltrane), Ashley Kahn, that details the sessions and time-period, alongside entries particular to each studio date. Essentially a follow-up to the 1954 set from last year, this collection provides a tightly-stocked comparative; back-to-back giving a very discernible picture of Davis and his accelerated movements over those 24 months. What followed was the monumental Davis quintet that produced a string of ground-shifting albums from 1956-1961, making this 70th anniversary set from 1955 all the more revelatory, integral, and valued.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/miles-davis-55-the-prestige-recordings\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1955, Miles Davis had already survived his own wilderness years, kicking heroin and clawing his way back to the forefront of jazz with a legendary Newport Jazz Festival set that reminded everyone exactly who he was. What followed, documented across these Prestige sessions, captures a bandleader in the act of assembling one of the most consequential small groups in the music's history, the sound of something clicking into place in real time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles ’55 offers a deeper look at 1955, the year in which jazz icon Miles Davis formed his first great quintet (John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones) and established his influential sound. Released on limited 3-LP it collects 16 tracks remastered from the original analog tapes by GRAMMY-winning engineer Paul Blakemore, with lacquers cut by Kevin Gray. Included are new liner notes by GRAMMY® Award-winning music historian Ashley Kahn and session notes by Dan Morgenstern.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. I Didn't (6:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Will You Still Be Mine (6:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Green Haze (5:49)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I See Your Face Before Me (4:45)\u003c\/div\u003e\n\u003cdiv\u003e2. A Night In Tunisia (7:22)\u003c\/div\u003e\n\u003cdiv\u003e3. A Gal In Calico (5:17)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Dr. Jackle (8:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Bitty Ditty (6:37)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Minor March (8:17)\u003c\/div\u003e\n\u003cdiv\u003e2. Changes (7:10)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Stablemates (5:20)\u003c\/div\u003e\n\u003cdiv\u003e2. How Am I To Know (4:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Just Squeeze Me (7:28)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. There is No Greater Love (5:20)\u003c\/div\u003e\n\u003cdiv\u003e2. The Theme (5:52)\u003c\/div\u003e\n\u003cdiv\u003e3. S’posin' (5:14)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072682412\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.22.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600463311003,"sku":"26215716","price":124.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Miles-Davis-Miles-55-The-Prestige-Recordings-LP-Vinyl.jpg?v=1779194492"},{"product_id":"miles-davis-merci-miles-live-at-vienne-cd","title":"Miles Davis – Merci Miles Live At Vienne (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Jazz à Vienne festival appearance in July 1991 captured Miles just weeks before his death in September of that year, making this one of the final recordings of a live performance from one of the twentieth century's most restless musical minds. The band he assembled for that late period, featuring saxophonist Kenny Garrett and guitarist Foley, reflected his ongoing refusal to look backward, even as audiences worldwide were celebrating his full legacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTwo CDs. By 1991, the world's most celebrated trumpeter could look back on five decades of musical evolution - his own, and that of the world around him. Miles Davis had found ways of marrying jazz with classical ideas, then later R\u0026amp;B, rock and funk, producing hybrid offspring that shaped the course of popular music and had come to define his legend. In 1985, he'd left Columbia after thirty years to sign to Warner Bros. Records, a label riding high with best-selling artists like Madonna, Van Halen and Prince, with whom he had a mutual admiration and friendship. Miles Davis's lifelong love for France is well-documented, and in July 1991, he became a Knight of their Legion of Honour. Davis received the award from French culture minister Jack Lang, who described him as: \"The Picasso of jazz.\" A few days before, he played this electrifying set at the Vienne Jazz Festival with the Miles Davis Group. He passed away two months later in September 1991. Miles Davis' performance at Jazz a Vienne on July 1, 1991 became one of his final live performances before he passed away on September 28, 1991, and this previously unreleased set includes two songs written by Prince, \"Penetration\" and \"Jailbait\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Hannibal (15:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Human Nature (18:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Time After Time (9:52)\u003c\/div\u003e\n\u003cdiv\u003e4. Penetration (8:50)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Wrinkle (7:59)\u003c\/div\u003e\n\u003cdiv\u003e2. Amandla (5:33)\u003c\/div\u003e\n\u003cdiv\u003e3. Jailbait (5:35)\u003c\/div\u003e\n\u003cdiv\u003e4. Finale (Band Only) (5:41)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497844616\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600464031899,"sku":"479940","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-merci-miles-live-at-vienne-cd-relix.jpg?v=1779278977"},{"product_id":"miles-davis-bopping-the-blues-180-gram-lp-vinyl","title":"Miles Davis – Bopping The Blues (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded when Davis was just 20 years old, this 1946 session captures a musician on the verge of reshaping jazz forever, still finding his voice alongside heavyweights who would define the bebop era. The supporting cast alone, Ammons burning through changes, Blakey propelling the rhythm section, makes this essential listening well beyond its historical footnote status.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e180gm vinyl LP pressing. One of Miles Davis' earliest recording sessions. The very first known instance of the famed trumpeter playing in an \"open\" style, and in a band with legendary tenor saxophonist Gene Ammons and drummer Art Blakey. Need any more be said? Very few jazz albums possess more historical import and wow-inspiring significance than Bopping the Blues, which documents a 1946 session in which Davis supported a group and two singers, Earl Coleman and Ann Baker, in a splendid bop affair. Yes, it's got that elusive Holy Grail quality. Originally released by the UK label Black Lion, an imprint that specialized in resurrecting rare gems from US jazz and blues legends, Bopping the Blues marks what are indisputably Davis' initial open-voiced contributions and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Sing Me The Blues (Take 1) (2:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Sing Me The Blues (Take 2) (2:55)\u003c\/div\u003e\n\u003cdiv\u003e3. I've Always Got The Blues (Take 1 Incomplete) (2:18)\u003c\/div\u003e\n\u003cdiv\u003e4. I've Always Got The Blues (Take 2) (3:11)\u003c\/div\u003e\n\u003cdiv\u003e5. I've Always Got The Blues (Take 3) (2:51)\u003c\/div\u003e\n\u003cdiv\u003e6. Don't Explain To Me Baby (Take 1) (3:05)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Explain To Me Baby (Take 2) (2:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Explain To Me Baby (Take 3) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Explain To Me Baby (Take 4) (2:57)\u003c\/div\u003e\n\u003cdiv\u003e4. Baby, Won't You Make Up Your Mind (Take 1) (2:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Baby, Won't You Make Up Your Mind (Take 2) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Baby, Won't You Make Up Your Mind (Take 3) (3:13)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Sing Me The Blues (Take 1) (2:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Sing Me The Blues (Take 2) (2:55)\u003c\/div\u003e\n\u003cdiv\u003e3. I've Always Got The Blues (Take 1 Incomplete) (2:18)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. I've Always Got The Blues (Take 2) (3:11)\u003c\/div\u003e\n\u003cdiv\u003e2. I've Always Got The Blues (Take 3) (2:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Explain To Me Baby (Take 1) (3:05)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Explain To Me Baby (Take 2) (2:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Explain To Me Baby (Take 3) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Explain To Me Baby (Take 4) (2:57)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Baby, Won't You Make Up Your Mind (Take 1) (2:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Baby, Won't You Make Up Your Mind (Take 2) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Baby, Won't You Make Up Your Mind (Take 3) (3:13)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 711574703111\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Org Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.7.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600464949403,"sku":"527548","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-bopping-the-blues-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779281129"},{"product_id":"miles-davis-the-best-of-miles-davis-lp-vinyl","title":"Miles Davis – The Best Of Miles Davis (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMiles Davis reshaped jazz not once but several times over, and the years captured here represent the peak of his classic quintet era, when his partnership with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones produced some of the most emotionally direct small-group recordings in the music's history. That cool, searching tone on \"'Round Midnight\" remains as arresting today as it was when it hit jukeboxes in 1957.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Best Of Miles Davis is a new compilation released to celebrate the legendary jazz trumpeters centennial in 2026. Designed as an introduction to this influential artist, it covers his prime years between 1956 and 1961, during which time he recorded albums including Workin', Cookin', Steamin' and Relaxin'. The 8 cuts included feature “ 'Round Midnight,” “My Funny Valentine,” “Just Squeeze Me (But Don't Tease Me)” and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Just Squeeze Me (But Don't Tease Me) (7:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Oleo (5:51)\u003c\/div\u003e\n\u003cdiv\u003e3. 'Round Midnight (5:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Airegin (4:22)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. My Funny Valentine (5:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Well, You Needn't (6:22)\u003c\/div\u003e\n\u003cdiv\u003e3. You're My Everything (4:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Four (7:11)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072721289\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.13.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600466096283,"sku":"105291596","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-the-best-of-miles-davis-vinyl-lp-relix.jpg?v=1779277737"},{"product_id":"miles-davis-filles-de-kilimanjaro-deluxe-edition-remastered-bonus-track-cd","title":"Miles Davis – Filles De Kilimanjaro (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1968, *Filles de Kilimanjaro* captures Miles at the precise hinge point between his classic acoustic quintets and the electric revolution that would produce *Bitches Brew*. Herbie Hancock and Chick Corea both appear here, on separate sessions, making the personnel shifts themselves part of the story of where jazz was about to go.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA Miles masterpiece as the artist transitions from old to new! Frelon Brun; Tout de Suite; Petits Machins; Mademoiselle Mabry, and Filles de Kilimanjaro.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Frelon Brun (5:37)\u003c\/div\u003e\n\u003cdiv\u003e2. Tout De Suite (14:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Petits Machins (Little Stuff) (8:04)\u003c\/div\u003e\n\u003cdiv\u003e4. Filles De Kilimanjaro (Girls Of Kilimanjaro) (12:01)\u003c\/div\u003e\n\u003cdiv\u003e5. Mademoiselle Mabry (Miss Mabry) (16:32)\u003c\/div\u003e\n\u003cdiv\u003e6. Tout De Suite (Alternate Take) (14:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886972379623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sbme Special Mkts.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.1.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600467734683,"sku":"519694","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-filles-de-kilimanjaro-deluxe-edition-remastered-bonus-track--cd-relix.jpg?v=1779279288"},{"product_id":"miles-davis-my-funny-valentine-in-concert-limited-edition-180-gram-lp-vinyl","title":"Miles Davis – My Funny Valentine: In Concert (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at Philharmonic Hall in New York on February 12, 1964, this concert captured Davis and his second great quintet at a pivotal crossroads, just as the ensemble was quietly beginning its transformation into the telepathic unit that would soon redefine jazz harmony on the ESP and Miles Smiles sessions. George Coleman's tenor saxophone work here remains among the most underappreciated contributions in the Davis canon, with Herbie Hancock, Ron Carter, and Tony Williams already operating as a single breathing organism beneath him.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis Turns Balladic on My Funny Valentine: Live Album Is Distinguished with Deep Emotions, Spontaneous Brilliance, Poetic Elegance, and Sensitive BeautyMastered at MoFi's California Studio and Pressed on MoFi SuperVinyl for Reference Sound: Mobile Fidelity's 180g 33RPM SuperVinyl LP 60th Anniversary-Edition Reissue ofthe 1965 Set Plays with Lifelike Clarity, Balanced Tones, and Acoustic IntimacyMy Funny Valentine: Miles Davis in Concert marks several historic turning points. For Davis, the live album represents the final time on record he'd perform standards rather than original compositions. It also stands as one of the last documents made by the same band that created Seven Steps to Heaven. As such, the work teems with bebop melodicism yet steers clear of Davis' oft-controversial avant-garde leanings. Most significantly, the richly textured set - the bookend to the fast-paced Four \u0026amp; More - captures the warm ballads and delicate pieces performed at a February 12, 1964 benefit concert at New York's then-new Philharmonic Hall that occurred just months after President Kennedy's assassination. Seemingly channeling divine inspiration, Davis never sounded more elegant or poetic, particularly given the uniqueness of this 60th Anniversary Edition pressing. Mastered at MoFi's California studio, housed in a Stoughton jacket, pressed at Fideltiy Record Pressing on MoFi SuperVinyl, and strictly limited to 3, 000 numbered copies, Mobile Fidelity's 180g 33RPM SuperVinyl LP plays with stunning depth, presence, dynamics, clarity, and ambience. Benefitting from SuperVinyl's low-as-possible noise floor and superb groove definition, this audiophile LP boasts balances, tonalities, and airiness that duplicate the experience of witnessing live jazz in an acoustically ideal hall. The images of each individual instrument, the decay of the notes, the inner reaches of the piano, and symmetry of the horns are rendered with palpable detail. Held as a benefit to support voter registration in the South - and a fundraiser for NAACP, the Congress of Racial Equality, and SNCC - the concert came amidst the height of the Civil Rights movement, a cause dear to Davis' heart. The unforeseen circumstances surrounding Kennedy's death further raised the stakes. Having professed admiration for Kennedy years prior, Davis appears to approach the compositions on My Funny Valentine (in particular, the title track) as an homage to the fallen leader.Nearing their one-year anniversary together, he and his band turned half the event into a collective soliloquy comprised of pieces shot through with deeply emotional passages, spontaneous brilliance, sensitive beauty, and sublime poignancy. Elegiac moods permeate these performances; Davis and his Harmon mute paint with intricate brushstrokes. Pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams are their leader's equal. They would continue with Davis until later in the decade, helping form his Second Great Quintet. But the secret weapon on My Funny Valentine arrives in the form of tenor saxophonist George Coleman, whom jazz experts Brian Morton and Richard Cook deem 'one of the unsung heroes of modern jazz.' His lines are subtle and sophisticated, straight-ahead but capable of unanticipated direction. Here, Coleman comes into his own.The combination of introspective chemistry, lyrical reach, and telepathic communication demonstrated by the group on My Funny Valentine exceeds that of any of Davis' live 1960s efforts. One listen confirms something special transpiring. And on this breathtaking reissue, those properties are rendered in a manner that's as transparent to the source. Here's your chance to experience them again and again.1\/4' \/ 15 IPS analog copy to DSD 64 to analog console to latheNumbered 180g 33RPM SuperVinyl LPLIMITED EDITION OF 3, 000Tracklist:Side One:1. My Funny Valentine2. All of YouSide Two:1. Stella by Starlight2. All Blues3. I Thought About You\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826010\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. My Funny Valentine\u003c\/div\u003e\n\u003cdiv\u003e2. All Of You\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight\u003c\/div\u003e\n\u003cdiv\u003e2. All Blues\u003c\/div\u003e\n\u003cdiv\u003e3. I Thought About You\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600469373083,"sku":"554607","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-my-funny-valentine-in-concert-limited-edition-180-gram-lp-vi-vinyl-lp-relix.jpg?v=1779278270"},{"product_id":"miles-davis-jones-quincy-live-at-montreux-rhino-reserve-lp-vinyl","title":"Miles Davis \u0026 Quincy Jones – Live At Montreux (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe 1991 Montreux Jazz Festival performance captured here represented something genuinely historic: Miles Davis reuniting with Quincy Jones and the Gil Evans Orchestra repertoire for the first and only time in a live setting, a collaboration that Davis had largely set aside for three decades. It was one of Miles' final major performances before his death that September, making this document both a celebration and a farewell.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Introduction By Claude Nobs And Quincy Jones (1:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Boplicity (3:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Introduction To Miles Ahead Medley (0:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Springsville (3:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Maids Of Cadiz (3:37)\u003c\/div\u003e\n\u003cdiv\u003e6. The Duke (4:01)\u003c\/div\u003e\n\u003cdiv\u003e7. My Ship (4:11)\u003c\/div\u003e\n\u003cdiv\u003e8. Miles Ahead (3:39)\u003c\/div\u003e\n\u003cdiv\u003e9. Blues For Pablo (6:04)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Introduction To Porgy And Bess Medley (0:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Orgone (4:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Gone, Gone, Gone (1:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Summertime (2:54)\u003c\/div\u003e\n\u003cdiv\u003e5. Here Come De Honey Man (3:41)\u003c\/div\u003e\n\u003cdiv\u003e6. The Pan Piper (1:40)\u003c\/div\u003e\n\u003cdiv\u003e7. Solea (11:44)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497808571\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600470356123,"sku":"119676367","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-jones-quincy-live-at-montreux-rhino-reserve-lp-vinyl-vinyl-lp-relix.jpg?v=1779283626"},{"product_id":"miles-davis-paris-jazz-festival-salle-pleyel-10-1-1964-lp-vinyl","title":"Miles Davis – Paris Jazz Festival, Salle Pleyel 10\/1\/1964 (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy October 1964, Miles Davis had assembled what many consider the most telepathic small group in jazz history, with Wayne Shorter's arrival completing a quintet that would spend the next several years quietly dismantling the boundaries of post-bop. Europe, and Paris especially, received this band with a reverence that stood in sharp contrast to the racial hostilities Miles faced at home, a dynamic that visibly loosened the ensemble and pushed their live performances toward something freer and more emotionally unguarded than what they recorded in the studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eParis Jazz Festival, Salle Pleyel 10\/1\/1964 (2 LP) (140g Vinyl\/ Blue, White \u0026amp; Red French Flag Inspired Vinyl) (Non-Returnable) This 2LP set captures Miles Davis' Second Great Quintet just as Wayne Shorter completed the group and the band toured Europe. Recorded live in Paris on October 1, 1964 and pressed on blue\/white\/red French Flag vinyl, the album contains two separate and distinct concerts of the Miles Davis Quintet spread over 2 LPs and the energy and depth of feeling in the transcendent playing hint at the special relationship Miles and the group had with the French nation that embraced them in a way their homeland would not. It contains over 90 minutes of revelatory, unreleased live music featuring Miles backed by the legendary lineup of Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams. The audio has been lovingly mixed and mastered in the highest quality possible and the LPs are packaged in a gatefold jacket.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Autumn Leaves (12:49)\u003c\/div\u003e\n\u003cdiv\u003e2. So What (9:39)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight (11:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Walkin’ (9:07)\u003c\/div\u003e\n\u003cdiv\u003e3. The Theme (0:38)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. All Of You (16:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Joshua (12:35)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. My Funny Valentine (12:18)\u003c\/div\u003e\n\u003cdiv\u003e2. No Blues (13:13)\u003c\/div\u003e\n\u003cdiv\u003e3. The Theme (1:05)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028113410\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.8.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600471732379,"sku":"355579","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-paris-jazz-festival-salle-pleyel-10-1-1964-vinyl-lp-relix.jpg?v=1779278085"},{"product_id":"miles-davis-kind-of-blue-lp-vinyl","title":"Miles Davis – Kind Of Blue (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in just two sessions at Columbia's 30th Street Studio in New York in the spring of 1959, Kind of Blue found Davis assembling one of the most storied lineups in jazz history, including John Coltrane, Bill Evans, and Cannonball Adderley, to explore modal improvisation in a way that permanently shifted the music's direction. The approach gave players vast melodic space rather than dense chord changes, and the results still feel like a conversation, unhurried and inevitable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFew recordings maintain their power to utterly intoxicate for decades as Kind of Blue does. This 1959 all-time classic is one of the monuments of jazz: So What; Freddie Freeloader; Blue in Green; All Blues , and Flamenco Sketches . This vinyl release is the way to experience one of the greatest albums ever made.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. So What\u003c\/div\u003e\n\u003cdiv\u003e2. Freddie Freeloader\u003c\/div\u003e\n\u003cdiv\u003e3. Blue In Green\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. All Blues\u003c\/div\u003e\n\u003cdiv\u003e2. Flamenco Sketches\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886976805715\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.12.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600473272475,"sku":"571540","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-kind-of-blue-vinyl-lp-relix.jpg?v=1779279211"},{"product_id":"miles-davis-sketches-of-spain-cd","title":"Miles Davis – Sketches of Spain (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1959 and 1960 with arranger Gil Evans, Sketches of Spain stands apart from everything else in the Davis catalog, drawing on Spanish classical and folk traditions to create something that defied easy categorization then and still does now. The collaboration between Davis and Evans was one of the great artistic partnerships in 20th-century music, and this Mobile Fidelity pressing brings renewed clarity to every nuance of Davis's muted trumpet against Evans's lush, cinematic orchestrations.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eConcierto de Aranjuez\u003c\/li\u003e\n\u003cli\u003eWill O' the Wisp\u003c\/li\u003e\n\u003cli\u003eThe Pan Piper\u003c\/li\u003e\n\u003cli\u003eSaeta\u003c\/li\u003e\n\u003cli\u003eSolea\u003c\/li\u003e\n\u003cli\u003eSure Drop\u003c\/li\u003e\n\u003cli\u003eBugo Hall\u003c\/li\u003e\n\u003cli\u003eBrazil\u003c\/li\u003e\n\u003cli\u003eSlow Attack On Canvas\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797208666\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.26.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600476057755,"sku":"633283","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Miles-Davis-Sketches-of-Spain-CD.jpg?v=1779194751"},{"product_id":"miles-davis-complete-plugged-nickel-live-1965-lp-vinyl","title":"Miles Davis – Complete Plugged Nickel Live 1965 (9-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe December 1965 Plugged Nickel residency caught the Second Great Quintet at a pivotal hinge point, just months after the group had coalesced and barely a year before Miles would begin the electric experiments that changed everything. What you hear across these nine discs is a band collectively dismantling the bebop repertoire they'd inherited and replacing its load-bearing walls in real time, with Tony Williams in particular playing like someone who'd decided the ride cymbal was optional.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe most requested Miles Davis reissue arrives for his centennial in spectacular style. What began as a holiday residency at Chicago's Plugged Nickel Café became the crucible where the Second Great Quintet forged it's identity. Miles, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams delivered a masterclass in risk and invention, dismantling familiar tunes and rebuilding them on the fly. Producer Teo Macero captured every note across seven sets on December 22 and 23, 1965. Portions trickled out in the '70s and '80s, but only in the early '90s did Legacy (CD) and Mosaic (LP) reveal the full scope of seven and half hours of revelatory music-instantly hailed as one of the greatest live jazz recordings ever, earning the Penguin Jazz Guide's coveted \"Crown, \" and becoming pricey, secondary-market rarities. Now, 30 years later and six decades after the shows themselves, veteran fans finally get the repress they've demanded, and new fans get a chance to own one of the most mythologized live engagements in jazz history. This new 10LP edition mirrors the original sequence, cut from the high-res Mosaic masters and pressed on 140-gram black vinyl. Each LP comes in it's own newly designed jacket, housed in a gold foil-embossed slipcase box. The 44 page 12\"x12\" Smyth Sewn book includes rare Plugged Nickel photos and extensive new liner notes and track-by-track commentary by Syd Schwartz alongside Bob Blumenthal's original essay.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. If I Were A Bell (16:42)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight (12:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Walkin' (15:51)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. I Fall In Love Too Easily (11:43)\u003c\/div\u003e\n\u003cdiv\u003e2. The Theme (10:19)\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. My Funny Valentine (16:33)\u003c\/div\u003e\n\u003cdiv\u003e2. No Blues (17:35)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Four (15:05)\u003c\/div\u003e\n\u003cdiv\u003e2. When I Fall In Love (10:44)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Agitation (13:13)\u003c\/div\u003e\n\u003cdiv\u003e2. 'Round Midnight (8:42)\u003c\/div\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cdiv\u003e1. Milestones (14:04)\u003c\/div\u003e\n\u003cdiv\u003e2. The Theme (0:38)\u003c\/div\u003e\n\u003cdiv\u003e3. I Fall In Love Too Easily (11:53)\u003c\/div\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cdiv\u003e1. All Of You (14:38)\u003c\/div\u003e\n\u003cdiv\u003e2. Oleo (6:05)\u003c\/div\u003e\n\u003ch4\u003eSide J\u003c\/h4\u003e\n\u003cdiv\u003e1. I Thought About You (11:03)\u003c\/div\u003e\n\u003cdiv\u003e2. The Theme (8:05)\u003c\/div\u003e\n\u003ch4\u003eSide K\u003c\/h4\u003e\n\u003cdiv\u003e1. If I Were A Bell (13:29)\u003c\/div\u003e\n\u003cdiv\u003e2. Stella By Starlight (13:09)\u003c\/div\u003e\n\u003ch4\u003eSide L\u003c\/h4\u003e\n\u003cdiv\u003e1. Walkin' (11:01)\u003c\/div\u003e\n\u003cdiv\u003e2. I Fall In Love Too Easily (12:07)\u003c\/div\u003e\n\u003cdiv\u003e3. The Theme (2:50)\u003c\/div\u003e\n\u003ch4\u003eSide M\u003c\/h4\u003e\n\u003cdiv\u003e1. All Of You (10:39)\u003c\/div\u003e\n\u003cdiv\u003e2. Agitation (10:48)\u003c\/div\u003e\n\u003ch4\u003eSide N\u003c\/h4\u003e\n\u003cdiv\u003e1. My Funny Valentine (13:52)\u003c\/div\u003e\n\u003cdiv\u003e2. On Green Dolphin Street (12:48)\u003c\/div\u003e\n\u003ch4\u003eSide O\u003c\/h4\u003e\n\u003cdiv\u003e1. So What? 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The album's centerpiece, his interpretation of the Adagio from Rodrigo's Concierto de Aranjuez, remains one of the most quietly devastating performances in his catalog, a trumpet voice so human it barely sounds like an instrument at all.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis' Final Collaboration with Arranger Gil Evans Yields Watershed Innovations: Flamenco-Themed Sketches of Spain Spins Graceful Webs of Sound and EmotionMobile Fidelity's UltraDisc One-Step 180g 33RPM LP Set Brings Out the Record's Full Spectrum of Color: 65th Anniversary Edition Pressed at Fidelity Record PressingMiles Davis and Gil Evans bridged styles and collaborated on high-concept projects three times during their celebrated careers. For their final act, they created Sketches of Spain, a peak moment in each legend's legacy. The transformative record weds Spanish themes, lush orchestrations, romantic timbres, and Davis' lyrical methods in a tender ceremony. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a like-minded partner to help draw out tones, shades, and textures. Ranked #358 on Rolling Stone's 500 Greatest Albums of All Time, deemed 'a work of unparalleled grace and lyricism' by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken 'jazz in a new direction,' Sketches of Spain remains universallyrenowned.Part of Mobile Fidelity's Miles Davis restoration series, the 1960 landmark has been afforded the ultimate white-gloves treatment for it's 65th anniversary. Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing, this UltraDisc One-Step 33RPM 180g LP set dramatically expands the soundstages and eradicates a prior dryness that many critics found inhibitive to the record's enjoyment. You'll hear the full-range extension of woodwinds, strings, and percussion, all of which come alive with superior definition and detail amid ultra-quiet backgrounds. Sonically, the results are as breathtaking as the music, and a personal invitation to pull up a chair and enjoy what went down at Columbia 30th Street Studio decades ago in New York City.1\/4' \/ 15 IPS ANALOG MASTER DSD 64 ANALOG CONSOLE LATHENumbered Limited Edition UD1S180g 33RPM LP Box SetNUMBERED LIMITED EDITION OF 5,000Track ListSide One:1. Concierto de Aranjuez2. Will o' the WispSide Two:1. The Pan Piper2. Saeta3. Solea\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826614\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.22.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Concierto de Aranjuez (16:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Will O’ the Wisp (3:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Pan Piper (3:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Saeta (5:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Solea (12:14)\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600479072411,"sku":"593228","price":179.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-sketches-of-spain-limited-edition-180-gram-aniv-lp-vinyl-vinyl-lp-relix.jpg?v=1779277826"},{"product_id":"miles-davis-complete-plugged-nickel-live-1965-cd","title":"Miles Davis – Complete Plugged Nickel Live 1965 (8-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDecember 1965 found Miles Davis at a crossroads, just months removed from the modal explorations of the classic quintet era and still crystallizing what would become one of the most telepathic small groups in jazz history. The Plugged Nickel dates capture that electricity in real time, with Williams, Hancock, and Carter rewriting the rhythm section rulebook beneath Miles and Shorter on every chorus.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe most requested Miles Davis reissue arrives for his centennial in spectacular style. What began as a holiday residency at Chicago's Plugged Nickel Café became the crucible where the Second Great Quintet forged it's identity. Miles, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams delivered a masterclass in risk and invention, dismantling familiar tunes and rebuilding them on the fly. Producer Teo Macero captured every note across seven sets on December 22 and 23, 1965. Portions trickled out in the '70s and '80s, but only in the early '90s did Legacy reveal the full scope across seven and half hours of revelatory music-instantly hailed as one of the greatest live jazz recordings ever and earning the Penguin Jazz Guide's coveted \"Crown.\" Now, 30 years later and six decades after the shows themselves, veteran fans finally get the reissue they've demanded, and new fans get a chance to own one of the most mythologized live engagements in jazz history. This new 8CD edition mirrors the original sequence. Each CD comes in it's own newly designed mini-gatefold jacket, housed in a gold foil-embossed slipcase box. The 44-page perfect bound book includes rare Plugged Nickel photos and extensive new liner notes and track-by-track commentary by Syd Schwartz alongside Bob Blumenthal's original essay.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. If I Were A Bell (16:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Stella By Starlight (13:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Walkin' (11:01)\u003c\/div\u003e\n\u003cdiv\u003e4. I Fall In Love Too Easily (11:43)\u003c\/div\u003e\n\u003cdiv\u003e5. The Theme (10:19)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. My Funny Valentine (16:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Four (15:05)\u003c\/div\u003e\n\u003cdiv\u003e3. When I Fall In Love (10:44)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Agitation (13:03)\u003c\/div\u003e\n\u003cdiv\u003e2. 'Round Midnight (8:42)\u003c\/div\u003e\n\u003cdiv\u003e3. Milestones (14:04)\u003c\/div\u003e\n\u003cdiv\u003e4. The Theme (0:38)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. All Of You (14:38)\u003c\/div\u003e\n\u003cdiv\u003e2. Oleo (6:05)\u003c\/div\u003e\n\u003cdiv\u003e3. I Fall In Love Too Easily (11:53)\u003c\/div\u003e\n\u003cdiv\u003e4. No Blues (17:35)\u003c\/div\u003e\n\u003cdiv\u003e5. I Thought About You (11:03)\u003c\/div\u003e\n\u003cdiv\u003e6. The Theme (8:05)\u003c\/div\u003e\n\u003ch4\u003eDisc 5\u003c\/h4\u003e\n\u003cdiv\u003e1. If I Were A Bell (13:29)\u003c\/div\u003e\n\u003cdiv\u003e2. Stella By Starlight (13:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Walkin' (11:01)\u003c\/div\u003e\n\u003cdiv\u003e4. I Fall In Love Too Easily (12:07)\u003c\/div\u003e\n\u003cdiv\u003e5. The Theme (2:50)\u003c\/div\u003e\n\u003ch4\u003eDisc 6\u003c\/h4\u003e\n\u003cdiv\u003e1. All Of You (10:39)\u003c\/div\u003e\n\u003cdiv\u003e2. Agitation (10:48)\u003c\/div\u003e\n\u003cdiv\u003e3. My Funny Valentine (13:52)\u003c\/div\u003e\n\u003cdiv\u003e4. On Green Dolphin Street (12:48)\u003c\/div\u003e\n\u003cdiv\u003e5. So What (13:36)\u003c\/div\u003e\n\u003cdiv\u003e6. The Theme (3:28)\u003c\/div\u003e\n\u003ch4\u003eDisc 7\u003c\/h4\u003e\n\u003cdiv\u003e1. When I Fall In Love (13:39)\u003c\/div\u003e\n\u003cdiv\u003e2. Milestones (11:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Autumn Leaves (11:56)\u003c\/div\u003e\n\u003cdiv\u003e4. I Fall In Love Too Easily (11:43)\u003c\/div\u003e\n\u003cdiv\u003e5. No Blues (20:06)\u003c\/div\u003e\n\u003cdiv\u003e6. The Theme (0:22)\u003c\/div\u003e\n\u003ch4\u003eDisc 8\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight (14:16)\u003c\/div\u003e\n\u003cdiv\u003e2. All Blues (12:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Yesterdays (15:00)\u003c\/div\u003e\n\u003cdiv\u003e4. The Theme (4:51)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198029412529\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600491163803,"sku":"35381197","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-complete-plugged-nickel-live-1965-cd-relix.jpg?v=1779280923"},{"product_id":"miles-davis-sketches-of-spain-mono-lp-vinyl","title":"Miles Davis – Sketches Of Spain (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded over several sessions in 1959 and 1960 with arranger and composer Gil Evans, Sketches Of Spain marked the third and most ambitious chapter in their celebrated collaboration, following Miles Ahead and Porgy and Bess. The centerpiece, a sweeping adaptation of Joaquín Rodrigo's Concierto de Aranjuez, placed Davis's trumpet in conversation with full orchestration in a way that felt genuinely cinematic, drawing the album toward classical and flamenco traditions without abandoning the emotional directness that defined his best work.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e180gm vinyl repressing of the mono edition of the Jazz legend's 1960 album. Sketches Of Spain is considered by fans and critics alike to be one of the most accessible albums of Davis's career. Less improvisational than much of his other work, some of Davis' contemporaries suggested that Sketches Of Spain was something other than jazz. Davis replied (according to Rolling Stone magazine), \"It's music, and I like it\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Concierto De Aranjuez (Adagio) (16:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Will O' The Wisp (From \"El Amor Brujo\") (3:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Pan Piper (3:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Saeta (5:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Solea (12:14)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 887654076519\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.23.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669939204251,"sku":"349079","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-sketches-of-spain-mono-lp-vinyl-vinyl-lp-relix.jpg?v=1780541037"},{"product_id":"miles-davis-a-tribute-to-jack-johnson-lp-vinyl","title":"Miles Davis – A Tribute To Jack Johnson (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSitting at the crossroads of electric Miles and the rock revolution happening around him, Jack Johnson captures Davis at his most viscerally aggressive, a side that even some devoted fans took years to fully reckon with. The same sessions that fed Bitches Brew and On the Corner produced this one, and the raw, locked-in groove of \"Right Off\" remains one of the most thrilling extended workouts in his entire catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. A Tribute to Jack Johnson is a studio album and soundtrack by jazz trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971. The album was conceived by Davis for Bill Cayton's documentary of the same name, on the life of boxer Jack Johnson. It's two 25-minute-plus tracks were produced from recordings made on February 18 and April 7, 1970, at 30th Street Studio in New York City. Davis was inspired by the political and racial subtext of Johnson's saga as well as the hard rock and funk sounds of his own era, leading a rock-inspired line-up of musicians in the studio: guitarists John McLaughlin and Sonny Sharrock, keyboardists Herbie Hancock and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 190759508718\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Right Off (26:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Yesternow (25:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669955850395,"sku":"328967","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-a-tribute-to-jack-johnson-vinyl-lp-relix.jpg?v=1780541078"},{"product_id":"miles-davis-doo-bop-lp-vinyl","title":"Miles Davis – doo-bop (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased just after Miles died in September 1991, doo-bop captured a restless genius mid-experiment, chasing the same instinct that had driven him through bebop, modal jazz, fusion, and funk. Working with Easy Mo Bee placed Miles squarely inside early-90s New York hip-hop, a move that scandalized purists at the time but made perfect sense given a career defined by moving toward whatever sound felt most alive.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eVinyl LP pressing. doo-bop was a 1992 studio album by American jazz trumpeter Miles Davis. It was recorded with hip hop producer Easy Mo Bee and released posthumously. The album won a Grammy Award for Best R\u0026amp;B Instrumental Performance the following year.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Mystery (3:55)\u003c\/div\u003e\n\u003cdiv\u003e2. The Doo-Bop Song (5:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Chocolate Chip (4:38)\u003c\/div\u003e\n\u003cdiv\u003e4. High Speed Chase (4:41)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Blow (5:06)\u003c\/div\u003e\n\u003cdiv\u003e2. Sonya (5:31)\u003c\/div\u003e\n\u003cdiv\u003e3. Fantasy (4:35)\u003c\/div\u003e\n\u003cdiv\u003e4. Duke Booty (4:55)\u003c\/div\u003e\n\u003cdiv\u003e5. Mystery (Reprise) (1:29)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227805517\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48685904691355,"sku":"119664825","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-doo-bop-vinyl-lp-relix.jpg?v=1781004792"},{"product_id":"miles-davis-miles-56-3-cd","title":"Miles Davis – Miles '56 (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe May 1956 marathon sessions that produced those four Prestige albums were famously arranged so Davis could fulfill his contract and sign with Columbia, where \"Kind of Blue\" awaited three years later. What he left behind was anything but contractual obligation: a working band at the peak of its collective instincts, with a then-19-year-old Philly Joe Jones anchoring rhythms that still feel inevitable, and a 29-year-old Coltrane still finding the voice that would soon change everything.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReleased to celebrate Miles Davis’ centennial, Miles ’56 collects together recordings from the year that Davis recorded his most influential work on Prestige. With cuts from “Cookin,” “Relaxin,” “Workin” and “Steamin”, this collection includes the Quintet of Davis, Coltrane, Garland, Chambers, \u0026amp; Jones. Released on limited 4-LP and remastered from the original analog tapes by GRAMMY-winning engineer Paul Blakemore the set Included new liner notes by GRAMMY-winners Ashley Kahn and Dan Morgenstern.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. In Your Own Sweet Way (March 16, 1956 Version) (4:34)\u003c\/div\u003e\n\u003cdiv\u003e2. No Line (5:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Vierd Blues (6:50)\u003c\/div\u003e\n\u003cdiv\u003e4. In Your Own Sweet Way (May 11 1956 Version) (5:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Diane (7:49)\u003c\/div\u003e\n\u003cdiv\u003e6. Trane's Blues (8:33)\u003c\/div\u003e\n\u003cdiv\u003e7. Something I Dreamed Last Night (6:14)\u003c\/div\u003e\n\u003cdiv\u003e8. It Could Happen To You (6:31)\u003c\/div\u003e\n\u003cdiv\u003e9. Woody'N You (5:01)\u003c\/div\u003e\n\u003cdiv\u003e10. Ahmad's Blues (7:23)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Surrey With The Fringe On Top (9:03)\u003c\/div\u003e\n\u003cdiv\u003e2. It Never Entered My Mind (5:23)\u003c\/div\u003e\n\u003cdiv\u003e3. When I Fall In Love (4:25)\u003c\/div\u003e\n\u003cdiv\u003e4. Salt Peanuts (6:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Four (7:12)\u003c\/div\u003e\n\u003cdiv\u003e6. The Theme (Take 1) (1:59)\u003c\/div\u003e\n\u003cdiv\u003e7. The Theme (Take 2) (1:04)\u003c\/div\u003e\n\u003cdiv\u003e8. If I Were A Bell (8:16)\u003c\/div\u003e\n\u003cdiv\u003e9. Well, You Needn't (6:20)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. 'Round Midnight (5:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Half Nelson (4:46)\u003c\/div\u003e\n\u003cdiv\u003e3. You're My Everything (5:18)\u003c\/div\u003e\n\u003cdiv\u003e4. I Could Write A Book (5:09)\u003c\/div\u003e\n\u003cdiv\u003e5. Oleo (6:17)\u003c\/div\u003e\n\u003cdiv\u003e6. Airegin (4:27)\u003c\/div\u003e\n\u003cdiv\u003e7. Tune Up (5:43)\u003c\/div\u003e\n\u003cdiv\u003e8. When Lights Are Low (7:30)\u003c\/div\u003e\n\u003cdiv\u003e9. Blues By Five (10:27)\u003c\/div\u003e\n\u003cdiv\u003e10. My Funny Valentine (6:03)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072745643\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745078980763,"sku":"159444441","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Miles-Davis-Miles-56-3-CD.jpg?v=1781270592"},{"product_id":"miles-davis-ascenseur-pour-lechafaud-box-uk-cd","title":"Miles Davis – Ascenseur Pour L'echafaud (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in a single overnight session in December 1957, Miles Davis's improvised score for Louis Malle's French noir film stands as one of the most quietly radical moments in jazz history. Davis and a small Paris ensemble watched the film projected in a darkened studio and played live to the images, creating music that feels less composed than conjured. 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John Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, and Jimmy Cobb are all present, and hearing them in this dedicated context makes clear how much was percolating before that February 1959 morning.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances - all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year - have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor! The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley. Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. 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Producer Marcus Miller wrote and played the majority of the album, shaping a sleek, groove-forward sound that still carries Miles's unmistakable voice front and center. 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