{"title":"Motorhead Vinyl Records \u0026 CDs","description":"\u003cp\u003eFor the collector who wants Motörhead done properly: original studio records, live documents, and archival deep cuts, on vinyl and CD, from a shop that has tracked this music since before \u003cem\u003eOverkill\u003c\/em\u003e hit the racks.\u003c\/p\u003e\u003cp\u003eThe collection runs nine titles across both formats. On the vinyl side, \u003cem\u003eOn Parole: The Alternative Mixes\u003c\/em\u003e arrives on colored vinyl via Rhino, and the RSD pressing of \u003cem\u003eOn Parole Steve Wilson Remix\u003c\/em\u003e is here for anyone chasing that variant. \u003cem\u003eThe World Is Yours\u003c\/em\u003e and \u003cem\u003eAftershock\u003c\/em\u003e, both on BMG, are available as LPs and as CDs. \u003cem\u003eBeyond The Band - Ultimate Guest \u0026amp; Side Project\u003c\/em\u003e rounds out the LP selection with a look at Lemmy and company outside the core catalog. On the CD side, the three-disc \u003cem\u003eOn Parole Sessions\u003c\/em\u003e set from Rhino gives the early years serious archival treatment, and \u003cem\u003eNo Sleep At All\u003c\/em\u003e arrives as an import CD on BMG. Whether you are filling a gap in the studio run or hunting a specific pressing, the titles here cover a meaningful stretch of the band's recorded life.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has been writing about the intersection of rock, roots, and the wider underground since 1974. That history shapes what ends up in the store. We also produce the Relix Sessions series, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label, which sits alongside titles like these from Rhino and BMG. The Motörhead titles here were chosen because they represent real moments in the catalog, not because an algorithm flagged them as high-margin. If a title is listed, it belongs.\u003c\/p\u003e\u003cp\u003eAll records are new and sealed. Pre-order titles display a street date on the product page and ship when the label releases them. Vinyl ships in protective packaging designed for LPs. CDs ship in protective packaging.\u003c\/p\u003e\u003cp\u003eIf Motörhead is the anchor but you want to keep browsing, the store has related pages worth knowing: \u003ca href=\"\/collections\/metal-punk-vinyl\"\u003eMetal \u0026amp; Punk Vinyl Records\u003c\/a\u003e covers the harder end of the spectrum, \u003ca href=\"\/collections\/rock-vinyl\"\u003eRock Vinyl Records\u003c\/a\u003e casts a wider net, \u003ca href=\"\/collections\/live-vinyl-albums\"\u003eLive Vinyl Albums \u0026amp; Records\u003c\/a\u003e is the place for concert documents, and \u003ca href=\"\/collections\/colored-vinyl\"\u003eColored Vinyl Records \u0026amp; Limited Variants\u003c\/a\u003e is where pressing variants like the colored \u003cem\u003eOn Parole: The Alternative Mixes\u003c\/em\u003e LP have company.\u003c\/p\u003e","products":[{"product_id":"on-parole-steve-wilson-remix-rsd-2026-lp-vinyl","title":"Motörhead - On Parole Steve Wilson Remix (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Motörhead became one of the loudest, fastest, and most influential bands in rock history, there was this: raw, unpolished recordings capturing Lemmy Kilmister and company finding their footing. Steven Wilson, the meticulous sonic architect behind landmark remixes for King Crimson and others, brings fresh clarity to these foundational sessions, revealing textures that the original mixes buried decades ago.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe very first recordings made my Motorhead in 1975 and 1976, featuring Lemmy, guitarist Larry Wallis from the Pink Fairies, drummer Phil Taylor and original drummer Lucas Fox. All nine tracks have been remixed by Steven Wilson. Pressed on Black \u0026amp; White Marble vinyl. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eTracklist\u003cbr\u003eSide One:\u003cbr\u003e1. Motorhead \u003cbr\u003e2. On Parole \u003cbr\u003e3. Vibrator \u003cbr\u003e4. Iron Horse \/ Born To Lose\u003cbr\u003eSide Two: \u003cbr\u003e1. City Kids \u003cbr\u003e2. Fools\u003cbr\u003e3. The Watcher \u003cbr\u003e4. Leaving Here\u003cbr\u003e5. Lost Johnny\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732623478\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Motorhead\u003c\/div\u003e\n\u003cdiv\u003e2. On Parole\u003c\/div\u003e\n\u003cdiv\u003e3. Vibrator\u003c\/div\u003e\n\u003cdiv\u003e4. Iron Horse \/ Born To Lose\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. City Kids\u003c\/div\u003e\n\u003cdiv\u003e2. Fools\u003c\/div\u003e\n\u003cdiv\u003e3. The Watcher\u003c\/div\u003e\n\u003cdiv\u003e4. Leaving Here\u003c\/div\u003e\n\u003cdiv\u003e5. Lost Johnny\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48685899055259,"sku":"110306262","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/On-Parole-Steve-Wilson-Remix-RSD-2026-LP-Vinyl.jpg?v=1780664344"},{"product_id":"motorhead-on-parole-sessions-wbr-cd","title":"Motörhead – On Parole Sessions (3-CD \u0026 Blu-ray)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLemmy Kilmister formed Motörhead in 1975 after his unceremonious exit from Hawkwind, and the band's earliest recordings capture a group still finding the ferocious identity that would eventually reshape heavy rock. The *On Parole* sessions predate the classic Motörhead lineup, with Lucas Fox and later Phil Taylor behind the kit, documenting a rawer, more uncertain moment before the machine locked in.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFour CDs. 2025 was an important year in the history of Motörhead. It saw the 50thAnniversary of Motörhead forming, the 50thAnniversary of their first gig and it would have also beenLemmy's 80thbirthday. And now in 2026 is the 50thAnniversary of their very first recordings, completed in early 1976. To celebrate we will be releasing the completeOn ParoleSessions, a4 disc set - 3 CDs and 1 Blu-ray - with the original album remixed by Steven Wilson, plus two discs from the same recording sessions remixed by Richard Digby Smith. OnParoleMotörhead's first ever studio recordings from 1975-76, feature Larry Wallisonguitar, Phil Taylor and Lucas Foxondrums and Lemmyonbass guitar and vocals. This is a unique opportunity to hear this legendary, fledgling band, writing and capturing their earliest recordings.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eCD 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Motorhead (2:53)\u003c\/div\u003e\n\u003cdiv\u003e2. On Parole (5:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Vibrator (2:55)\u003c\/div\u003e\n\u003cdiv\u003e4. Iron Horse - Born To Lose (5:24)\u003c\/div\u003e\n\u003cdiv\u003e5. City Kids (3:44)\u003c\/div\u003e\n\u003cdiv\u003e6. Fools (5:40)\u003c\/div\u003e\n\u003cdiv\u003e7. The Watcher (4:51)\u003c\/div\u003e\n\u003cdiv\u003e8. Leaving Here (2:57)\u003c\/div\u003e\n\u003cdiv\u003e9. Lost Johnny (3:36)\u003c\/div\u003e\n\u003ch4\u003eCD 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Motorhead (Instrumental Take 1) (2:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Studio Dialogue 1 (0:04)\u003c\/div\u003e\n\u003cdiv\u003e3. City Kids (Take 1) (3:26)\u003c\/div\u003e\n\u003cdiv\u003e4. City Kids (Instrumental Outtake 1) (3:14)\u003c\/div\u003e\n\u003cdiv\u003e5. City Kids (Instrumental Outtake 2) (3:10)\u003c\/div\u003e\n\u003cdiv\u003e6. Studio Dialogue 2 (0:10)\u003c\/div\u003e\n\u003cdiv\u003e7. City Kids (Instrumental Outtake 3) (3:23)\u003c\/div\u003e\n\u003cdiv\u003e8. Motorhead (Album Take - Without Bike Intro) (2:49)\u003c\/div\u003e\n\u003cdiv\u003e9. Motorhead (Album Take - Backing Track) (2:48)\u003c\/div\u003e\n\u003cdiv\u003e10. Motorhead (Album Take) (2:52)\u003c\/div\u003e\n\u003cdiv\u003e11. Motorhead (Instrumental Take 2) (1:15)\u003c\/div\u003e\n\u003cdiv\u003e12. Drum Solo (1:21)\u003c\/div\u003e\n\u003cdiv\u003e13. Studio Dialogue 3 (0:18)\u003c\/div\u003e\n\u003cdiv\u003e14. Fools (Take 1 - Demo Version) (4:53)\u003c\/div\u003e\n\u003cdiv\u003e15. City Kids (Album Take) (3:49)\u003c\/div\u003e\n\u003cdiv\u003e16. City Kids (Album Take - With Piano) (3:50)\u003c\/div\u003e\n\u003cdiv\u003e17. Studio Dialogue 4 (0:11)\u003c\/div\u003e\n\u003cdiv\u003e18. Motorhead (Take 5 - Backing Track) (2:43)\u003c\/div\u003e\n\u003cdiv\u003e19. Motorhead (Take 5 - Without Vocal Overdubs) (2:46)\u003c\/div\u003e\n\u003cdiv\u003e20. Motorhead (Take 5) (2:47)\u003c\/div\u003e\n\u003cdiv\u003e21. Lost Johnny (Album Take) (3:38)\u003c\/div\u003e\n\u003cdiv\u003e22. Leaving Here (Instrumental Take 1) (2:56)\u003c\/div\u003e\n\u003cdiv\u003e23. Leaving Here (Album Take) (2:56)\u003c\/div\u003e\n\u003cdiv\u003e24. Studio Dialogue 5 (0:10)\u003c\/div\u003e\n\u003cdiv\u003e25. On Parole (Instrumental Take 1) (5:27)\u003c\/div\u003e\n\u003cdiv\u003e26. On Parole (Instrumental Take 2 With False-Start) (6:10)\u003c\/div\u003e\n\u003cdiv\u003e27. Iron Horse - Born To Lose (Album Take) (6:05)\u003c\/div\u003e\n\u003ch4\u003eCD 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Jam \/ On Parole (Instrumental Jam) (19:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Iron Horse - Born To Lose (Take 4 - Vocal 2) (6:14)\u003c\/div\u003e\n\u003cdiv\u003e3. On Parole (Album Take - Extended Version) (6:53)\u003c\/div\u003e\n\u003cdiv\u003e4. Studio Dialogue 6 (0:07)\u003c\/div\u003e\n\u003cdiv\u003e5. The Watcher (Album Take) (4:50)\u003c\/div\u003e\n\u003cdiv\u003e6. Vibrator (Album Take - Without Vibrator) (2:55)\u003c\/div\u003e\n\u003cdiv\u003e7. Vibrator (Album Take - With Vibrator) (2:55)\u003c\/div\u003e\n\u003cdiv\u003e8. Iron Horse - Born To Lose (Instrumental Jam) (5:48)\u003c\/div\u003e\n\u003cdiv\u003e9. Studio Dialogue 7 (0:06)\u003c\/div\u003e\n\u003cdiv\u003e10. Iron Horse - Born To Lose (Instrumental) (6:40)\u003c\/div\u003e\n\u003cdiv\u003e11. Studio Dialogue 8 (0:04)\u003c\/div\u003e\n\u003cdiv\u003e12. Fools (Instrumental Jam) (12:23)\u003c\/div\u003e\n\u003cdiv\u003e13. Fools (Album Take - Extended Version) (7:39)\u003c\/div\u003e\n\u003cdiv\u003e14. Studio Dialogue 9 (0:07)\u003c\/div\u003e\n\u003cdiv\u003e15. Motorhead (Instrumental Guitar Riff) (2:51)\u003c\/div\u003e\n\u003ch4\u003eBlu-ray\u003c\/h4\u003e\n\u003cdiv\u003e1. Motorhead\u003c\/div\u003e\n\u003cdiv\u003e2. On Parole\u003c\/div\u003e\n\u003cdiv\u003e3. Vibrator\u003c\/div\u003e\n\u003cdiv\u003e4. Iron Horse \/ Born To Lose\u003c\/div\u003e\n\u003cdiv\u003e5. City Kids\u003c\/div\u003e\n\u003cdiv\u003e6. Fools\u003c\/div\u003e\n\u003cdiv\u003e7. The Watcher\u003c\/div\u003e\n\u003cdiv\u003e8. Leaving Here\u003c\/div\u003e\n\u003cdiv\u003e9. Lost Johnny\u003c\/div\u003e\n\u003cdiv\u003e10. Motorhead\u003c\/div\u003e\n\u003cdiv\u003e11. On Parole\u003c\/div\u003e\n\u003cdiv\u003e12. Vibrator\u003c\/div\u003e\n\u003cdiv\u003e13. Iron Horse \/ Born To Lose\u003c\/div\u003e\n\u003cdiv\u003e14. City Kids\u003c\/div\u003e\n\u003cdiv\u003e15. Fools\u003c\/div\u003e\n\u003cdiv\u003e16. The Watcher\u003c\/div\u003e\n\u003cdiv\u003e17. Leaving Here\u003c\/div\u003e\n\u003cdiv\u003e18. Lost Johnny\u003c\/div\u003e\n\u003cdiv\u003e19. Motorhead\u003c\/div\u003e\n\u003cdiv\u003e20. On Parole\u003c\/div\u003e\n\u003cdiv\u003e21. Vibrator\u003c\/div\u003e\n\u003cdiv\u003e22. Iron Horse \/ Born To Lose\u003c\/div\u003e\n\u003cdiv\u003e23. City Kids\u003c\/div\u003e\n\u003cdiv\u003e24. Fools\u003c\/div\u003e\n\u003cdiv\u003e25. The Watcher\u003c\/div\u003e\n\u003cdiv\u003e26. Leaving Here\u003c\/div\u003e\n\u003cdiv\u003e27. Lost Johnny\u003c\/div\u003e\n\u003cdiv\u003e28. Motorhead\u003c\/div\u003e\n\u003cdiv\u003e29. On Parole\u003c\/div\u003e\n\u003cdiv\u003e30. Vibrator\u003c\/div\u003e\n\u003cdiv\u003e31. Iron Horse \/ Born To Lose\u003c\/div\u003e\n\u003cdiv\u003e32. City Kids\u003c\/div\u003e\n\u003cdiv\u003e33. Fools\u003c\/div\u003e\n\u003cdiv\u003e34. The Watcher\u003c\/div\u003e\n\u003cdiv\u003e35. Leaving Here\u003c\/div\u003e\n\u003cdiv\u003e36. Lost Johnny\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732623461\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino \/ Parlophone\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.17.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48685911441563,"sku":"113634626","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-mot-rhead-on-parole-sessions-wbr-cd-cd-relix.jpg?v=1781003333"},{"product_id":"motorhead-no-sleep-at-all-import-cd","title":"Motörhead – No Sleep At All (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLemmy Kilmister, Phil Campbell, and Mikkey Dee had no interest in polish or pretense, and a Motörhead live record was always the truest document of what the band actually was. Captured on their 1988 tour behind \"Bomber\" and \"Rock 'n' Roll,\" this is the band at the peak of a lineup that would carry them into the '90s, with the two bonus tracks pulling from the classic \"Overkill\" era material that anchored their sets for decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRaw, relentless, and unapologetically loud, No Sleep at All captures Motorhead at full throttle in the live arena. Recorded during their blistering late-'80s run, this album delivers the band's signature mix of speed, grit, and no-nonsense rock 'n' roll with ear-splitting intensity. His edition expands the original 1988 live album (which ended at \"Overkill\") by adding two extra live tracks, \"Stay Clean\" and \"Metropolis.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Doctor Rock (3:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Traitor (2:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Dogs (3:25)\u003c\/div\u003e\n\u003cdiv\u003e4. Ace Of Spades (2:52)\u003c\/div\u003e\n\u003cdiv\u003e5. Eat The Rich (4:51)\u003c\/div\u003e\n\u003cdiv\u003e6. Built For Speed (4:04)\u003c\/div\u003e\n\u003cdiv\u003e7. Deaf Forever (4:04)\u003c\/div\u003e\n\u003cdiv\u003e8. Just 'Cos You Got The Power (7:37)\u003c\/div\u003e\n\u003cdiv\u003e9. Killed By Death (5:57)\u003c\/div\u003e\n\u003cdiv\u003e10. Overkill (6:32)\u003c\/div\u003e\n\u003ch4\u003eBonus Tracks\u003c\/h4\u003e\n\u003cdiv\u003e1. Stay Clean\u003c\/div\u003e\n\u003cdiv\u003e2. Metropolis\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5050749206824\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e BMG Rights Managemen\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745015148699,"sku":"461533","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-mot-rhead-no-sleep-at-all-import-cd-cd-relix.jpg?v=1782622613"},{"product_id":"motorhead-aftershock-cd","title":"Motörhead – Aftershock (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLemmy Kilmister was already a rock and roll institution by the time *Aftershock* arrived in 2013, with Motörhead having spent four decades proving that volume, speed, and absolute conviction were all you needed. Recorded with the classic Kilmister, Phil Campbell, and Mikkey Dee lineup, it landed as one of the band's final studio statements, still hitting with the same locomotive force that made them legends in the first place.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Heartbreaker (3:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Coup De Grace (3:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Lost Woman Blues (4:09)\u003c\/div\u003e\n\u003cdiv\u003e4. End Of Time (3:17)\u003c\/div\u003e\n\u003cdiv\u003e5. Do You Believe (2:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Death Machine (2:37)\u003c\/div\u003e\n\u003cdiv\u003e7. Dust And Glass (2:51)\u003c\/div\u003e\n\u003cdiv\u003e8. Going To Mexico (2:51)\u003c\/div\u003e\n\u003cdiv\u003e9. Silence When You Speak To Me (4:30)\u003c\/div\u003e\n\u003cdiv\u003e10. Crying Shame (4:28)\u003c\/div\u003e\n\u003cdiv\u003e11. Queen Of The Damned (2:41)\u003c\/div\u003e\n\u003cdiv\u003e12. Knife (2:57)\u003c\/div\u003e\n\u003cdiv\u003e13. Keep Your Powder Dry (3:54)\u003c\/div\u003e\n\u003cdiv\u003e14. Paralyzed (2:50)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4099964250619\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e BMG Rights Managemen\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48931216261275,"sku":"262489750","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-mot-rhead-aftershock-cd-relix.jpg?v=1783913227"},{"product_id":"motorhead-aftershock-lp-vinyl","title":"Motörhead – Aftershock (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLemmy Kilmister spent decades proving that rock and roll was a blunt instrument, and *Aftershock*, released in 2013, found him and the classic Motörhead trio of Kilmister, Phil Campbell, and Mikkey Dee still swinging that instrument with zero apology. 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