{"title":"New Releases \u0026 Pre-Orders | Vinyl, CDs \u0026 More","description":"\u003cp\u003eFor the Head who wants to know what just dropped and what to put on hold before it's gone: this page collects new releases and pre-orders across vinyl, CDs, and more, updated as titles come in.\u003c\/p\u003e\u003cp\u003eWhat's here right now spans a wide range of the music Relix has followed for fifty years. The Grateful Dead appear in force, with the \u003cem\u003eMerriweather Post Pavilion Co\u003c\/em\u003e box set available as both a 4xLP vinyl edition and a 3xCD set, and \u003cem\u003eLive At The Cow Palace - New Years Eve 1976\u003c\/em\u003e on 5xLP. Widespread Panic has several titles in stock, including \u003cem\u003eSpace Wrangler\u003c\/em\u003e on colored 2xLP vinyl, \u003cem\u003eAin't Life Grand\u003c\/em\u003e on blue colored 2xLP vinyl, and the self-titled \u003cem\u003eWidespread Panic\u003c\/em\u003e on colored 2xLP vinyl, alongside the \u003cem\u003eWidespread Panic: 40 Years Special Relix Softcover Edition\u003c\/em\u003e with cover art by Chuck Sperry. Daniel Donato's \u003cem\u003eRyman To Robert's\u003c\/em\u003e arrives as a 5xLP set on Retrace Music. Frank Zappa and The Mothers of Invention are represented by the \u003cem\u003eFreak Out! 60th Anniversary Super Deluxe Box Set\u003c\/em\u003e in both a \u003ca href=\"\/collections\/vinyl-box-sets-collectors-editions\"\u003evinyl box set\u003c\/a\u003e pressing at 180g and a 5xCD edition. Neil Young and The Chrome Hearts' \u003cem\u003eSecond Song\u003c\/em\u003e is available on both LP and CD. John Prine's \u003cem\u003eFound Dogs\u003c\/em\u003e is here on vinyl LP from Oh Boy Records. King Gizzard and The Lizard Wizard's \u003cem\u003eAlien Metal\u003c\/em\u003e comes on translucent black 180g LP, and Way Dynamic's \u003cem\u003eMassive Shoe\u003c\/em\u003e is pressed on silver opaque vinyl from Jagjaguwar.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered the Grateful Dead, Phish, and the wider jam and roots world since 1974. The store reflects that same editorial sensibility: the titles here are chosen because they matter to the community this magazine has served for decades, not because of an algorithm. The \u003ca href=\"\/collections\/the-relix-sessions-vinyl-record-series\"\u003eRelix Sessions\u003c\/a\u003e series is a particular point of pride, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label. Beyond that series, the selection runs from major archival box sets to colored pressing reissues to new studio records from artists who have appeared in these pages for years.\u003c\/p\u003e\u003cp\u003eEvery record sold here is new and sealed. Pre-order titles display a street date and ship when the label releases them into distribution. Vinyl ships in protective packaging designed for LPs.\u003c\/p\u003e\u003cp\u003eBrowse by format to go deeper: \u003ca href=\"\/collections\/vinyl-lps\"\u003eVinyl LPs\u003c\/a\u003e covers the full range of single and multi-LP titles, \u003ca href=\"\/collections\/cds\"\u003eCDs Straight from the Vault\u003c\/a\u003e collects disc editions across genres, and the \u003ca href=\"\/collections\/the-relix-sessions-vinyl-record-series\"\u003eRelix Sessions Vinyl Record Series\u003c\/a\u003e is the place for those live recordings on the Relix Vinyl label.\u003c\/p\u003e","products":[{"product_id":"nsync-no-strings-attached-lp-vinyl","title":"Nsync – No Strings Attached (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 2000, No Strings Attached moved over 2.4 million copies in its first week, a sales record that stood for over a decade. The album captured a generation at peak boy band fever, and its influence on pop production and choreography still echoes in the music that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e*NSYNC’s third studio album, No Strings Attached is available now on black vinyl. Blending both pop and R\u0026amp;B, the album features the band's smash hits, “Bye Bye Bye,” “It’s Gonna Be Me,” “This I Promise You” and more. No Strings Attached solidified *NSYNC's place as one of the most popular and culture-defining bands of the 2000s. \u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Bye Bye Bye\u003c\/div\u003e\n\u003cdiv\u003e2. It's Gonna Be Me\u003c\/div\u003e\n\u003cdiv\u003e3. Space Cowboy (Yippie-Yi-Yay)\u003c\/div\u003e\n\u003cdiv\u003e4. Just Got Paid\u003c\/div\u003e\n\u003cdiv\u003e5. It Makes Me Ill\u003c\/div\u003e\n\u003cdiv\u003e6. This I Promise You\u003c\/div\u003e\n\u003cdiv\u003e7. No Strings Attached\u003c\/div\u003e\n\u003cdiv\u003e8. Digital Get Down\u003c\/div\u003e\n\u003cdiv\u003e9. Bringin' Da Noise\u003c\/div\u003e\n\u003cdiv\u003e10. That's When I'll Stop Loving You\u003c\/div\u003e\n\u003cdiv\u003e11. I'll Be Good For You\u003c\/div\u003e\n\u003cdiv\u003e12. I Thought She Knew\u003c\/div\u003e\n\u003cdiv\u003e13. I'll Never Stop\u003c\/div\u003e\n\u003cdiv\u003e14. If Only In Heaven's Eyes\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199584362212\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669985865883,"sku":"170716345","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Nsync-No-Strings-Attached-LP-Vinyl.jpg?v=1780491830"},{"product_id":"western-swing-authority-12-to-6-central-cd","title":"The Western Swing Authority – 12 To 6 Central (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWestern Swing Authority carries the torch for a tradition that runs from Bob Wills and the Texas Playboys through the honky-tonks and dancehalls of the American South and Southwest, keeping the steel guitar, fiddle, and hot jazz picking alive for audiences who know exactly what they're hearing. *12 To 6 Central* arrives in 2026 as fresh evidence that the genre still has plenty of road left in it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Western Swing Authority is one of the worlds most recognized and awarded authentic Western Swing group. Made up of a collection of some of the country's finest touring and studio musicians, they came together to play the timeless style of music they love. Seamlessly combining stellar musicianship and vocals with traditional country and jazz standards and their own \"new vintage\" originals, they have created a sound that is truly their own.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. New Favourite Whiskey Song\u003c\/div\u003e\n\u003cdiv\u003e2. Bottom Of This Glass\u003c\/div\u003e\n\u003cdiv\u003e3. The Heartache\u003c\/div\u003e\n\u003cdiv\u003e4. The Day That You Left Me\u003c\/div\u003e\n\u003cdiv\u003e5. Full Moon Full Of Love\u003c\/div\u003e\n\u003cdiv\u003e6. Milk Cow Blues\u003c\/div\u003e\n\u003cdiv\u003e7. Heart Of The Country\u003c\/div\u003e\n\u003cdiv\u003e8. Who Walks In\u003c\/div\u003e\n\u003cdiv\u003e9. I'm Dreaming\u003c\/div\u003e\n\u003cdiv\u003e10. Spring\u003c\/div\u003e\n\u003cdiv\u003e11. Happy Chickens\u003c\/div\u003e\n\u003cdiv\u003e12. Let's Have A Natural Ball\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 829982215161\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Curve Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744964358299,"sku":"343598","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-western-swing-authority-12-to-6-central-cd-relix.jpg?v=1782790672"},{"product_id":"creamy-mami-magical-angel-creamy-mami-rockn-mami-pink-lp-vinyl","title":"Creamy Mami – Magical Angel Creamy Mami - Rock'n Mami (Pink LP Vinyl)","description":"\u003cp\u003eMami Transforms into a Rock Singer! 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The members are Riri (vocals \u0026amp; guitar), Yollan (guitar), Meiga (bass), and Desita (drums). They released their debut EP 'Inthrovvvert' in 2018 and kicked off their live performances on April 21 of the same year at 'Record Store Day Lombok 2018. 'The band name 'The Dare' is derived from the Sasak word Dedare, meaning 'girl. ' Their name embodies the spirit of redefining girlhood as something brave and bold. Influenced heavily by the riot grrrl movement of the '90s, their music expresses resistance against gender discrimination, prejudice, and stereotypes-while also celebrating the joy of being a woman. Their sound is deeply inspired by indie pop bands from the K Records and Sarah Records scenes, as well as artists featured on the legendary C86 compilation-especially Heavenly and Tiger Trap. Growing up watching Japanese anime, the members also cite influences from theme songs like JUDY AND MARY's 'Sobakasu' (Rurouni Kenshin) and Hysteric Blue's 'Grow Up' (Ghost Stories), as well as Japanese punk and pop-punk bands like Shonen Knife and PiGGiES. In Indonesia's indie scene, The Dare commands a devoted following. Their limited-edition vinyl releases sell out instantly, and their packed live shows testify to their status as one of the most important indie pop bands in the region. Their latest EP, '369 Days' (2025), is a powerful work that touches on themes of life and death, love for those dearest, loss, and hope. The EP opens with the beachy instrumental 'White Sand' (A1), followed by pure sing-along guitar pop tracks like 'Sunburn' (A2) and 'Slanky Fools' (A3). Side B continues with the sparkling melancholy of 'Yes Sir!' (B1), the Dolly Mixture-inspired 'BLA BLA BLAH' (B2), the catchy, surf-tinged indie rock of 'Hello Mama' (B3), and more. With a total of eight tracks, this landmark release blends indie pop and twee pop with touches of riot grrrl, pop punk, surf, and tropical vibes-ready to take this Lombok-born girl group to the world stage. For fans of... Dolly Mixture, Drizzly. , The Drums, Go Sailor, Grrrl Gang, Heavenly, Sobs, Teenage Fanclub, Tennis, Tiger Trap, and more. The DareRiri (Vo\/Gt), Yollan (Gt), Meiga (Ba), and Desita (Dr) - a four-piece girl group from Lombok Island, Indonesia. Formed in 2017, their indie pop sound is influenced by K Records, Sarah Records, C86, Heavenly, Tiger Trap, and more. Beloved in the Indonesian indie scene, their limited releases sell out immediately and their shows are always packed. They've released three EPs to date: 'Inthrovvvert' (2018), 'Women Who Sailed The World' (2021), and '369 Days' (2025). LISTEN: https:\/\/open. Spotify. com\/album\/57F9gACfYCIkHMxjHVDxbhTracklist:1. White Sand2. Sunburn3. Slanky Fools4. Days5. Yes Sir!6. BLA BLA BLAH7. Hello Mama8. 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Four tracks across an LP side demands patience and rewards it, the kind of extended large-ensemble writing that needs room to breathe and vinyl to do it justice.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEvery new release from Quinsin Nachoff is a headline event, a radical combining and recombining of sonic and conceptual innovations, ever-evolving textures, powerful melodies and rhythms, that always open up new vistas for exploration while clearly marking the way back to what has come before. The album Patterns from Nature is an unashamedly ambitious showcase for his remarkable abilities as a composer and orchestrator, working within the space where the heartfelt collaborative improvisation of jazz meets the adventurous rigor of contemporary music and the depth and complexity of conceptual art. As composer, Nachoff created the closely written, intricately detailed scores for a pair of large-ensemble pieces. As bandleader, he oversaw the realisation of those scores by a hand-picked team of remarkable genre-crossing musicians, including pianist Matt Mitchell, percussionist Satoshi Takeishi, bassist Carlo de Rosa, clarinetist Francois Houle, trombonist Ryan Keberle, and the internationally renowned Molinari String Quartet, supported by a large chamber ensemble conducted by JC Sanford. As interdisciplinary collaborator, he worked with physicist Dr. Stephen Morris, whose research into emergent patterns in nature informed the project's structural concepts, and four filmmakers -Tina de Groot, Lee Hutzulak, Gita Blak, and Udo Prinsen - originally conceived alongside them for a multimedia version of the work, resulting in the titular Patterns from Nature suite of four contrasting movements that engage the listener at every level.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePatterns from Nature: I. Branches\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: II. Flow\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: III. Cracks\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: IV. 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For jazz collectors, At Shelly's Manne-Hole isn't just another Bill Evans record - it's a landmark. This was Evans' final album for Riverside, the label that first brought his genius to light, and his last chapter in one of the most creative partnerships in modern jazz recording.Captured live at drummer Shelly Manne's famous Hollywood club in 1963, the album finds Evans in rare form - intimate, reflective, yet full of quiet fire. It's only the second time Riverside ever caught him in a live setting (the first being the legendary Village Vanguard sessions), and it documents a fleeting but brilliant trio: Evans with bassist Chuck Israels and drummer Larry Bunker.The sound is wonderfully alive - you can feel the room, the energy, the warmth of an audience hanging on every note. 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The blue vinyl pressing of No Chaser arrives as a proper artifact for a band that earned its audience the old-fashioned way, one sweat-soaked room at a time, building from an Australian chart debut straight onto international stages.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEighteen months on from the runaway success of The Only Place I Know - the debut that crashed in at #1 on the ARIA charts and #2 on the ARIA Vinyl Chart - Lake Macquarie's Surf Trash are back, and they're not watering it down. Their sophomore album No Chaser lands neat, on the rocks, no apologies: ten tracks of melodic surf-pop-punk hammered out by a band that has clearly spent the last year sharpening every edge. It's a record you can hear the kilometers in. Between The Only Place I Know and now, Andrew Scott, Lachlan Jackson, Patrick Russell and Nick Scott have torn through a sold-out national run, crisscrossed the UK and Europe, and made a habit of leaving rooms louder than they found them. No Chaser carries the dust from all of it - bigger choruses, leaner production, a touch more bruise underneath the gloss. There's still that windows-down, salt-on-the-windscreen feel that made the debut impossible to ignore, but it's wired into songs that swing harder and cut deeper. Less wistful afternoon, more last-light drive home with the volume creeping up. The four-piece make melodic surf-pop-punk that sounds great turned up loud - driving in your mate's car on the way back to the beach. 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