{"title":"New Releases \u0026 Pre-Orders | Vinyl, CDs \u0026 More","description":"\u003cp\u003eFor the Head who wants to know what just dropped and what to put on hold before it's gone: this page collects new releases and pre-orders across vinyl, CDs, and more, updated as titles come in.\u003c\/p\u003e\u003cp\u003eWhat's here right now spans a wide range of the music Relix has followed for fifty years. The Grateful Dead appear in force, with the \u003cem\u003eMerriweather Post Pavilion Co\u003c\/em\u003e box set available as both a 4xLP vinyl edition and a 3xCD set, and \u003cem\u003eLive At The Cow Palace - New Years Eve 1976\u003c\/em\u003e on 5xLP. Widespread Panic has several titles in stock, including \u003cem\u003eSpace Wrangler\u003c\/em\u003e on colored 2xLP vinyl, \u003cem\u003eAin't Life Grand\u003c\/em\u003e on blue colored 2xLP vinyl, and the self-titled \u003cem\u003eWidespread Panic\u003c\/em\u003e on colored 2xLP vinyl, alongside the \u003cem\u003eWidespread Panic: 40 Years Special Relix Softcover Edition\u003c\/em\u003e with cover art by Chuck Sperry. Daniel Donato's \u003cem\u003eRyman To Robert's\u003c\/em\u003e arrives as a 5xLP set on Retrace Music. Frank Zappa and The Mothers of Invention are represented by the \u003cem\u003eFreak Out! 60th Anniversary Super Deluxe Box Set\u003c\/em\u003e in both a vinyl box set pressing at 180g and a 5xCD edition. Neil Young and The Chrome Hearts' \u003cem\u003eSecond Song\u003c\/em\u003e is available on both LP and CD. John Prine's \u003cem\u003eFound Dogs\u003c\/em\u003e is here on vinyl LP from Oh Boy Records. King Gizzard and The Lizard Wizard's \u003cem\u003eAlien Metal\u003c\/em\u003e comes on translucent black 180g LP, and Way Dynamic's \u003cem\u003eMassive Shoe\u003c\/em\u003e is pressed on silver opaque vinyl from Jagjaguwar.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered the Grateful Dead, Phish, and the wider jam and roots world since 1974. The store reflects that same editorial sensibility: the titles here are chosen because they matter to the community this magazine has served for decades, not because of an algorithm. The \u003ca href=\"\/collections\/the-relix-sessions-vinyl-record-series\"\u003eRelix Sessions\u003c\/a\u003e series is a particular point of pride, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label. Beyond that series, the selection runs from major archival box sets to colored pressing reissues to new studio records from artists who have appeared in these pages for years.\u003c\/p\u003e\u003cp\u003eEvery record sold here is new and sealed. Pre-order titles display a street date and ship when the label releases them into distribution. Vinyl ships in protective packaging designed for LPs.\u003c\/p\u003e\u003cp\u003eBrowse by format to go deeper: \u003ca href=\"\/collections\/vinyl-lps\"\u003eVinyl LPs\u003c\/a\u003e covers the full range of single and multi-LP titles, \u003ca href=\"\/collections\/cds\"\u003eCDs Straight from the Vault\u003c\/a\u003e collects disc editions across genres, and the \u003ca href=\"\/collections\/the-relix-sessions-vinyl-record-series\"\u003eRelix Sessions Vinyl Record Series\u003c\/a\u003e is the place for those live recordings on the Relix Vinyl label.\u003c\/p\u003e","products":[{"product_id":"nsync-no-strings-attached-lp-vinyl","title":"Nsync – No Strings Attached (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 2000, No Strings Attached moved over 2.4 million copies in its first week, a sales record that stood for over a decade. The album captured a generation at peak boy band fever, and its influence on pop production and choreography still echoes in the music that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e*NSYNC’s third studio album, No Strings Attached is available now on black vinyl. Blending both pop and R\u0026amp;B, the album features the band's smash hits, “Bye Bye Bye,” “It’s Gonna Be Me,” “This I Promise You” and more. 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Made up of a collection of some of the country's finest touring and studio musicians, they came together to play the timeless style of music they love. 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The members are Riri (vocals \u0026amp; guitar), Yollan (guitar), Meiga (bass), and Desita (drums). They released their debut EP 'Inthrovvvert' in 2018 and kicked off their live performances on April 21 of the same year at 'Record Store Day Lombok 2018. 'The band name 'The Dare' is derived from the Sasak word Dedare, meaning 'girl. ' Their name embodies the spirit of redefining girlhood as something brave and bold. Influenced heavily by the riot grrrl movement of the '90s, their music expresses resistance against gender discrimination, prejudice, and stereotypes-while also celebrating the joy of being a woman. Their sound is deeply inspired by indie pop bands from the K Records and Sarah Records scenes, as well as artists featured on the legendary C86 compilation-especially Heavenly and Tiger Trap. Growing up watching Japanese anime, the members also cite influences from theme songs like JUDY AND MARY's 'Sobakasu' (Rurouni Kenshin) and Hysteric Blue's 'Grow Up' (Ghost Stories), as well as Japanese punk and pop-punk bands like Shonen Knife and PiGGiES. In Indonesia's indie scene, The Dare commands a devoted following. Their limited-edition vinyl releases sell out instantly, and their packed live shows testify to their status as one of the most important indie pop bands in the region. Their latest EP, '369 Days' (2025), is a powerful work that touches on themes of life and death, love for those dearest, loss, and hope. The EP opens with the beachy instrumental 'White Sand' (A1), followed by pure sing-along guitar pop tracks like 'Sunburn' (A2) and 'Slanky Fools' (A3). Side B continues with the sparkling melancholy of 'Yes Sir!' (B1), the Dolly Mixture-inspired 'BLA BLA BLAH' (B2), the catchy, surf-tinged indie rock of 'Hello Mama' (B3), and more. With a total of eight tracks, this landmark release blends indie pop and twee pop with touches of riot grrrl, pop punk, surf, and tropical vibes-ready to take this Lombok-born girl group to the world stage. For fans of... Dolly Mixture, Drizzly. , The Drums, Go Sailor, Grrrl Gang, Heavenly, Sobs, Teenage Fanclub, Tennis, Tiger Trap, and more. The DareRiri (Vo\/Gt), Yollan (Gt), Meiga (Ba), and Desita (Dr) - a four-piece girl group from Lombok Island, Indonesia. Formed in 2017, their indie pop sound is influenced by K Records, Sarah Records, C86, Heavenly, Tiger Trap, and more. Beloved in the Indonesian indie scene, their limited releases sell out immediately and their shows are always packed. They've released three EPs to date: 'Inthrovvvert' (2018), 'Women Who Sailed The World' (2021), and '369 Days' (2025). LISTEN: https:\/\/open. Spotify. com\/album\/57F9gACfYCIkHMxjHVDxbhTracklist:1. White Sand2. Sunburn3. Slanky Fools4. Days5. Yes Sir!6. BLA BLA BLAH7. Hello Mama8. 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Shelly's Manne-Hole was a room that drew serious listeners, and Evans met that room with the kind of concentrated intimacy his best live performances always demanded.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception.... The 45 rpm reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out!' Myles Astor, Positive-Feedback Online, Issue 34Of everything Analogue Productions has reissued, few titles have sparked the accolades accorded our 45 RPM versions of Bill Evans titles from his Riverside catalog. Now, we're breaking the titles out from that terrific set for individual sale. These are the audiophile jazz fan's definitive releases for your collection! For jazz collectors, At Shelly's Manne-Hole isn't just another Bill Evans record - it's a landmark. This was Evans' final album for Riverside, the label that first brought his genius to light, and his last chapter in one of the most creative partnerships in modern jazz recording.Captured live at drummer Shelly Manne's famous Hollywood club in 1963, the album finds Evans in rare form - intimate, reflective, yet full of quiet fire. It's only the second time Riverside ever caught him in a live setting (the first being the legendary Village Vanguard sessions), and it documents a fleeting but brilliant trio: Evans with bassist Chuck Israels and drummer Larry Bunker.The sound is wonderfully alive - you can feel the room, the energy, the warmth of an audience hanging on every note. For collectors, this is the bridge between Evans' early introspection and the confident, searching tone of his later work.Musicians:Bill Evans, pianoChuck Israels, bassLarry Bunker, drumsIndividual title from The Bill Evans Riverside Recordings Box Set180-gram 45 RPM double LPMastered by Kevin Gray \u0026amp; Steve Hoffman at AcousTech Mastering AAA analog from original master tapes\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088948718\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Isn't It Romantic\u003c\/div\u003e\n\u003cdiv\u003e2. The Boy Next Door\u003c\/div\u003e\n\u003cdiv\u003e3. Wonder Why\u003c\/div\u003e\n\u003cdiv\u003e4. Sweedish Pastry\u003c\/div\u003e\n\u003cdiv\u003e5. Our Love Is Here To Stay\u003c\/div\u003e\n\u003cdiv\u003e6. 'Round Midnight\u003c\/div\u003e\n\u003cdiv\u003e7. Stella By Starlight\u003c\/div\u003e\n\u003cdiv\u003e8. Blues in \"F\"\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745109782683,"sku":"182122168","price":97.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-bill-evans-trio-at-shelly-s-manne-hole-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1782240952"},{"product_id":"sun-ra-his-arkestra-east-two-5-lp-vinyl","title":"Sun Ra \u0026 His Arkestra – East Two +5 (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSun Ra's early-70s output remains among the most document-rich and yet still partially excavated terrain in the jazz avant-garde, with sessions from this era scattered across private pressings, tape vaults, and small imprints that have trickled out for decades. The Arkestra during 1972-73 was a genuinely working unit, road-tested and cosmically restless, pushing Ra's synthesis of ancient mythology, space philosophy, and collective improvisation into increasingly dense and electric territory.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEAST TWO + 5 comprises previously unreleased tracks from one of Sun Ra's most productive periods: 1972-73. Those two hectic years saw Sun Ra recording numerous albums, staging concerts, teaching at Berkeley, acting in and composing the score for a full-length movie, embarking on a multi-album (though ill-fated) major label deal, and touring the U.S. and Europe. The title track, \"East Two,\" is one of two pieces on this album originating at a two day October 1972 session at Chicago's Streeterville Studios. It's an ominous, sprawling processional, and the only known recording of this moody work. Arkestra baritone saxophonist Pat Patrick played electric bass on this session, which also featured Ra's typically idiosyncratic synth, along with fine solos from Kwame Hadi (trumpet) and Arkestra mainstay John Gilmore (tenor sax). The other track is an alternate version of \"Rocket #9\" where Ra's voice is scarcely heard in the ensemble vocals in favor of the Space Ethnic Voices. Additional material is taken from 1973 Variety Studios sessions in NYC including \"In Tomorrow's Realm,\" where veteran Arkestra bassist Ronnie Boykins provided the anchor with his bass line forming it's vital rhythmic framework. This would be the final year Boykins worked regularly with Ra and this track is a fitting tribute to his role in the band, demonstrating how essential he was to Sun Ra's sound.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEast Two\u003c\/li\u003e\n\u003cli\u003eIn Tomorrow's Realm\u003c\/li\u003e\n\u003cli\u003eRocket#9\u003c\/li\u003e\n\u003cli\u003eEast Five\u003c\/li\u003e\n\u003cli\u003eYesterdays\u003c\/li\u003e\n\u003cli\u003eLights on a Satellite\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 881626816912\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Cosmic Myth Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745110700187,"sku":"162587046","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-sun-ra-his-arkestra-east-two-5-vinyl-lp-relix.jpg?v=1782792301"},{"product_id":"television-marquee-moon-cd","title":"Television – Marquee Moon (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTom Verlaine and Richard Lloyd built their twin-guitar language on the stages of CBGB before most rock critics had a framework to understand what they were doing. Rooted in the same Lower Manhattan ferment that produced Patti Smith and the Ramones, *Marquee Moon* arrived from a completely different angle, owing as much to the long-form improvisation of the Velvet Underground as to anything happening in punk. Nearly fifty years on, those guitar conversations still sound unresolved in the best possible way.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTelevision Reimagines Guitar Rock onMarquee Moon: Band's 1977 Debut Is Rankedthe 107th Greatest Album of All Time byRolling Stone and Cited on Virtually EveryMajor \"Best\" ListExperience the Pioneering Record inAudiophile Sound: Mobile Fidelity'sNumbered-Edition Hybrid SACD Plays withExceptional Clarity, Textures, and TonesTelevision's Marquee Moon reimagines guitar rock in such original,pioneering ways that critics and fans still struggle to describe it'sessence five decades after it's original release. Made after the bandcut it's teeth for four years amid New York's thriving arts scene, the1977 album blends the inimitable interplay of guitarists Tom Verlaineand Richard Lloyd; spontaneous and precise approaches; andwinding arrangements that draw as much from classical, jazz, andpsychedelia as the punk ethos to which the album is often linked.Few records of the era combine such high-wire technical prowess,back-to-basics architecture, jam-band improvisation, narrativemysticism, delicate finesse, hook-laden catchiness, and excess-freeexploration.Marquee Moon reaches new sonic heights on Mobile Fidelity'snumbered-edition hybrid SACD. Housed in mini-LP-style packaging,this numbered-edition reissue of the effort Pitchfork named the thirdgreatest of the entire 1970s plays with excellent detail, dynamics,and clarity. The presence, emotionalism, warmth, and dimensionalityof the textures alone make this audiophile release a treat for bothlisteners who know the record inside-out and for audiophilesembarking on Television's incomparable journeys for perhaps thefirst time. To quote Verlaine on \"Prove It,\" those are \"just the facts.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. See No Evil (3:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Venus (3:48)\u003c\/div\u003e\n\u003cdiv\u003e3. Friction (4:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Marquee Moon (10:43)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Elevation (5:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Guiding Light (5:36)\u003c\/div\u003e\n\u003cdiv\u003e3. Prove It (5:04)\u003c\/div\u003e\n\u003cdiv\u003e4. Torn Curtain (7:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797232166\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745110995099,"sku":"159824174","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-television-marquee-moon-cd-relix.jpg?v=1783625079"},{"product_id":"kane-live-in-ahoy-2025-lp-vinyl","title":"Kane – Live In Ahoy 2025 (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRotterdam Ahoy has hosted some of the biggest farewell nights in Dutch rock history, and Kane's final stand there in October 2025 fits squarely in that tradition. Dinand Woesthoff's voice was the sound of a generation of Dutch rock fans growing up, and a 46-track setlist across a double LP suggests the band left nothing on the table for their last night together.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAfter almost 30 years, the Dutch rock band Kane marked the end of an era with their final concert in Rotterdam Ahoy on 18 October 2025. Kane, formed in 1998 by Dinand Woesthoff and Dennis van Leeuwen, became one of the most recognizable and successful rock bands in the Netherlands. Throughout their career, Kane released multiple chart-topping albums and singles, and established a strong reputation for both studio recordings and live performances. This live recording of their final concert brings together the songs that shaped their success, and proved to be a special, unique night where fans had the chance to indulge themselves in the live experience one more time before the band disbanded. Guitarist Dennis van Leeuwen described the night as \"unforgettable\" and \"magic\". The setlist of the concert includes well-known hits such as \"Rain Down on Me\", \"No Surrender\", \"Shot of a Gun\", \"Something to Say\" and \"Fearless\", alongside other fan favourites that highlight the different phases the band went through. This concert and record is a testament of the band's achievement and ever-lastig impact they had in the past decades on Dutch pop culture. Kane Live in Ahoy 2025 is available as a limited edition on red colored vinyl and includes an 8-page booklet with concert photos. LISTEN: https:\/\/www. Youtube. com\/watch?v=qGPlT4Fe7mY*180 GRAM AUDIOPHILE VINYL*INCLUDES 8-PAGE BOOKLET WITH CONCERT PHOTOS*THE FINAL CONCERT OF THE BAND ON 3LP, RECORDED LIVE ON OCTOBER 18th AT ROTTERDAM AHOY*FEATURING LIVE PERFORMANCES OF THE BAND'S BIGGEST HITS SUCH AS \"SOMETHING TO SAY\", \"RAIN DOWN ON ME\", SHOT OF A GUN\" AND \"NO SURRENDER\"*LIMITED EDITION ON RED COLORED VINYL\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. As Long As You Want This\u003c\/div\u003e\n\u003cdiv\u003e2. Free\u003c\/div\u003e\n\u003cdiv\u003e3. Something To Say\u003c\/div\u003e\n\u003cdiv\u003e4. What Are You Waiting For\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Older\u003c\/div\u003e\n\u003cdiv\u003e2. Everything You Want\u003c\/div\u003e\n\u003cdiv\u003e3. Hands\u003c\/div\u003e\n\u003cdiv\u003e4. Before You Let Me Go\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Scream\u003c\/div\u003e\n\u003cdiv\u003e2. Hold On To The World\u003c\/div\u003e\n\u003cdiv\u003e3. Damn Those Eyes\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Fearless\u003c\/div\u003e\n\u003cdiv\u003e2. What If I Want You Now\u003c\/div\u003e\n\u003cdiv\u003e3. Love Over Healing\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Where Do I Go Now\u003c\/div\u003e\n\u003cdiv\u003e2. Catwalk Criminal\u003c\/div\u003e\n\u003cdiv\u003e3. Rain Down On Me\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Shot Of A Gun\u003c\/div\u003e\n\u003cdiv\u003e2. No Surrender\u003c\/div\u003e\n\u003cdiv\u003e3. I Belong To You\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8719262043794\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music On Vinyl\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745114239131,"sku":"164821776","price":89.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Kane-Live-In-Ahoy-2025-LP-Vinyl.jpg?v=1781271252"},{"product_id":"crack-cloud-peace-purpose-cd","title":"Crack Cloud – Peace \u0026 Purpose (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCrack Cloud has never been a band content to stay in one place, geographically or sonically. The Vancouver-rooted collective built their reputation on unflinching portraits of addiction, recovery, and systemic failure, delivered through a restless collage of post-punk, dub, and art-rock that somehow coheres into something genuinely its own. Peace \u0026amp; Purpose arrives as their most ambitious formal statement yet, the kind of release that rewards patience and demands full attention.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCan't go over it. Can't go under it. Gotta go through it. And somewhere out there in the Pitch black beyond all darkness lies Peace \u0026amp; Purpose. The horizon you never quite crest until the inevitable end. Breathe deep - this fearful moment is the most alive you're ever gonna feel. For the last decade, Crack Cloud's vision has grown ever more expansive, more cinematic. Last go around, they dropped from The Heavens and then performed with their bare backs to an endless darkening desert. Now they've crammed all that life into some metallic and strange object called Peace \u0026amp; Purpose. All the terror of living. All the helplessness. All the raw human will. All glued and screwed and locked into this impossible tactile shape of dungeon dub; sour milk vox; Avant-protest music.Music armwrestling itself to the ground. Far afield of beauty. The discordant symphony of factory farming and grim timber of the meat processing plant. The grinding din of the cogs. And yet, never giving up in spite of all good sense. Even in death, we are a coterie of survivors. Look now: There's Terry Fox on his one-legged Marathon of Hope across The Great White North while cancer spreads through his lungs. A self-annihilating drive to feel alive. Rage against the dying of the light, they say. Well, how 'bout it then!?! Peace \u0026amp; Purpose is not in any way some art project meditation on Punk Rock. It is Punk Rock. Terrifying, inspiring, vital, invigorating and most importantly, utterly unexpected. Every goddamn stupid day is a sublime slice of fresh hell. That's the point. Gotta go through it. 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The discordant symphony of factory farming and grim timber of the meat processing plant. The grinding din of the cogs. And yet, never giving up in spite of all good sense. Even in death, we are a coterie of survivors. Look now: There's Terry Fox on his one-legged Marathon of Hope across The Great White North while cancer spreads through his lungs. A self-annihilating drive to feel alive. Rage against the dying of the light, they say. Well, how 'bout it then!?! Peace \u0026amp; Purpose is not in any way some art project meditation on Punk Rock. It is Punk Rock. Terrifying, inspiring, vital, invigorating and most importantly, utterly unexpected. Every goddamn stupid day is a sublime slice of fresh hell. That's the point. Gotta go through it. 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While intrinsically linked to the personal grief of 2024's Coyote Butterfly, the autobiographical album Joyner made in the wake of his son's death, this new album explores the concept of tough love as a dichotomy applied to various fictional relationships including romantic, familial, and political. This balancing act comes through in vivid portrayals of everyday heartache and in the exploration of political rage and the betrayals of the American Dream.One of the marvels of Joyner's catalog is how his patterns don't repeat but transform. Knowing nods to Cohen, Dylan, and the Velvets have been part of his songwriting since the early lo-fi days, but the ways these touchstones get infused keep changing. While Joyner's ragged acoustic songs are in the spotlight, they're prodded by electric guitars and imbued with experimental tendencies. Rock songs split the difference between minimal grooves learned from Loaded-era Velvet Underground and the ecstatic rhythmic weirdness of Can. By the time we arrive at the penultimate track, \"Anniversary Song,\" the ghost vocals and scratches of microtonal synth have blurred the lines between Joyner's folk singer heart and his avant garde spirit. All of this leads to the 20-minute title track which closes Tough Love, an eviscerating plunge into a seemingly bottomless pit of regret, survivor's guilt, and unvarnished grief. Borrowing a repetitious structure from Lou Reed's narrated suite, \"Street Hassle,\" and combined with the full-side testimonial of Dylan's \"Sad-eyed Lady of the Lowlands,\" Joyner narrates from the perspective of his departed son speaking to his father and laying out his every failure and brutally highlighting how none of it can be undone. Soon, though, this agony opens up into something transcendent, in both it's elegant imagery and ethereal atmospherics. The final moments of the album grant permission for self-forgiveness and hopefully someday, understanding. 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