{"title":"New West Records Vinyl \u0026 CDs","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNew West Records has been doing things the right way since 1998, building one of the most respected rosters in Americana, alt-country, and roots music without ever chasing a trend. The label is home to Jason Isbell, Drive-By Truckers, Dwight Yoakam, Steve Earle, and Old 97's, alongside a deep catalog that covers Texas blues, outlaw country, and the kind of guitar-forward rock that never goes out of style. \u003cspan class=\"inline-flex\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Relix shop carries New West Records vinyl, CDs, and collector pressings across the full label catalog. New West also controls the Texas Music Group, which includes the Antone's and Watermelon Records catalogs, meaning the collection runs deeper than the marquee names, reaching into Texas roots, Western swing, and Gulf Coast soul. \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eGrammy wins for Delbert McClinton, Steve Earle, Kris Kristofferson, and Tom Morello tell part of the story. The rest is in the grooves. Browse the full New West catalog below. \u003c\/p\u003e","products":[{"product_id":"drive-by-truckers-southern-rock-opera-w-book-bonv-deluxe-gate-lp-vinyl","title":"Drive-By Truckers – Southern Rock Opera (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePatterson Hood and Mike Cooley built this sprawling double album on a central paradox: how do you love something and interrogate it at the same time? Released in 2001 after years of financial struggle and near-breakup, Southern Rock Opera saved the band, found them their audience, and established the Truckers as the sharpest voices writing about the American South. The Skynyrd plane crash looms over the whole thing like a Greek tragedy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDRIVE-BY TRUCKERS \/ SOUTHERN ROCK OPERA - Southern Rock Opera is the third studio album by the American rock band Drive-By Truckers, released in 2001. Originally released as a double album covering an ambitious range of subject matter from the politics of race to 1970s stadium rock, Southern Rock Opera either imagines, or filters, every topic through the context of legendary Southern band Lynyrd Skynyrd. New West Records is proud to present a remixed and remastered deluxe edition LP featuring a re-sequenced record as well as a third disc with multiple bonus tracks including a song \"Mystery Song\" that was recorded one night in Birmingham. Lead Singer, Patterson Hood explains, \"Birmingham\" and \"Moved\" were originally part of Act I on original CD release. This is the first vinyl version to feature \"Moved\" and we felt that \"Birmingham\" would be the best other song to move without messing up the story element of Betamax Guillotine. We moved them here to keep the vinyl sides within time of maximum high fidelity. (Under 23 minutes per mastering guidelines). In the process of re-mixing the original tracks for the album. We stumbled upon a mysterious track that was recorded late one night in Birmingham. None of us have any memory whatsoever of recording it. The song itself was never even written down, just made up on the spot while the tape was rolling. We're calling it \"Mystery Song.\" It's actually a keeper.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Days Of Graduation\u003c\/div\u003e\n\u003cdiv\u003e2. Ronnie And Neil\u003c\/div\u003e\n\u003cdiv\u003e3. 72 (This Highway's Mean)\u003c\/div\u003e\n\u003cdiv\u003e4. Dead, Drunk And Naked\u003c\/div\u003e\n\u003cdiv\u003e5. Guitar Man Upstairs\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Southern Thing\u003c\/div\u003e\n\u003cdiv\u003e2. The Great Alabama Icons\u003c\/div\u003e\n\u003cdiv\u003e3. Wallace\u003c\/div\u003e\n\u003cdiv\u003e4. Zip City\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Let There Be Rock\u003c\/div\u003e\n\u003cdiv\u003e2. Road Cases\u003c\/div\u003e\n\u003cdiv\u003e3. Women Without Whiskey\u003c\/div\u003e\n\u003cdiv\u003e4. Plastic Flowers On The Highway\u003c\/div\u003e\n\u003cdiv\u003e5. Cassie's Brother\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Life In The Factory\u003c\/div\u003e\n\u003cdiv\u003e2. Shut Up And Get On The Plane\u003c\/div\u003e\n\u003cdiv\u003e3. Greenville To Baton Rouge\u003c\/div\u003e\n\u003cdiv\u003e4. Angels And Fuselage\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Birmingham\u003c\/div\u003e\n\u003cdiv\u003e2. Mystery Song\u003c\/div\u003e\n\u003cdiv\u003e3. Moved\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Don’t Cockblock The Rock\u003c\/div\u003e\n\u003cdiv\u003e2. Zip City\u003c\/div\u003e\n\u003cdiv\u003e3. Road Cases\u003c\/div\u003e\n\u003cdiv\u003e4. 72 (This Highway’s Mean)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396583119\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.26.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820638363,"sku":"696925","price":82.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959400575131-3xlp-relix.png?v=1776117214"},{"product_id":"drive-by-truckers-fine-print-blue-colored-gate-lp-vinyl","title":"Drive-By Truckers – Fine Print (Blue 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe years between *Decoration Day* and *The Dirty South* represent the creative peak of Patterson Hood, Mike Cooley, and Jason Isbell writing in the same room together, and the vault material here captures that chemistry in its rawest form. This blue vinyl pressing gives that overflow a proper physical home, the kind of release that rewards the obsessives who always suspected the scraps from that era were worth more than most bands' finished work.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Fine Print is a compilation album by American rock band Drive-By Truckers. Released in 2009, it consists unreleased material mostly recorded throughout the making of their albums Decoration Day and The Dirty South; a highly prolific period for the band. It features album artwork and a sample of concert posters from 2009 by Wes Freed, and is produced by David Barbe.The Fine Print is the first Drive-By Trucker studio album to include covers of other artist's original recordings; most notably \"Rebels\" by Tom Petty, and \"Like a Rolling Stone\" by Bob Dylan. The latter of these songs has each of it's four verses sung in rotation by Hood, Tucker, Isbell, and Cooley. Two of the songs on the album, \"Uncle Frank\" and \"Goode's Field Road\" are alternate takes of songs released on other Drive-By Truckers albums. \"Uncle Frank\" has only minor differences from the original as heard on Pizza Deliverance, while \"Goode's Field Road\" is much harder and faster than the slower paced track eventually recorded for Brighter Than Creation's Dark. The Fine Print version of \"Goode's Field Road\" almost made it onto The Dirty South, but at the last minute was switched for \"Lookout Mountain\".As the album was recorded during Jason Isbell's tenure with the Drive-By Truckers, two of his songs as performed by the Drive-By Truckers were also included. New West is proud to bring this amazing album back in print. This title is being pressed on CRYSTAL BLUE CURAÇAO color vinyl\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. George Jones Talkin' Cell Phone Blues\u003c\/div\u003e\n\u003cdiv\u003e2. Rebels\u003c\/div\u003e\n\u003cdiv\u003e3. TVA\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Uncle Frank (Alternate Version)\u003c\/div\u003e\n\u003cdiv\u003e2. Goode's Field Road (Alternate Version)\u003c\/div\u003e\n\u003cdiv\u003e3. The Great Car Dealer War\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Mama Bake A Pie (Daddy Kill A Chicken)\u003c\/div\u003e\n\u003cdiv\u003e2. When The Well Runs Dry\u003c\/div\u003e\n\u003cdiv\u003e3. Little Pony And The Great Big Horse\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Mrs. Claus' Kimono\u003c\/div\u003e\n\u003cdiv\u003e2. Play It All Night Long\u003c\/div\u003e\n\u003cdiv\u003e3. Like A Rolling Stone\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396598014\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187829125275,"sku":"44060587","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959402147995-2xlp-relix.png?v=1776117707"},{"product_id":"drive-by-truckers-blessing-and-a-curse-colored-pnk-lp-vinyl","title":"Drive-By Truckers – Blessing And A Curse (Colored, Pink LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePatterson Hood and Mike Cooley have spent three decades building one of American rock's most honest catalogs, and *Blessing And A Curse* finds the Truckers in a reflective but unsparing mode, the kind of record that rewards repeated listens the way a great late-night drive does. Originally released in 2006, it captures the band navigating the weight of Southern identity and personal upheaval with their trademark plainspoken grit.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis is a limited edition pink pressing of the Drive-By Truckers 7th album. Limited to 1000 units worldwide.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Feb 14 (3:40)\u003cbr\u003e\nA2. Gravity's Gone (3:33)\u003cbr\u003e\nA3. Easy On Yourself (3:28)\u003cbr\u003e\nA4. Aftermath USA (3:16)\u003cbr\u003e\nA5. Goodbye (6:09)\u003cbr\u003e\nA6. Daylight (3:35)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Wednesday (4:04)\u003cbr\u003e\nB2. Little Bonnie (3:56)\u003cbr\u003e\nB3. Space City (4:48)\u003cbr\u003e\nB4. A Blessing And A Curse (5:31)\u003cbr\u003e\nB5. A World Of Hurt (4:50)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396597819\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187830698139,"sku":"44058548","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Drive-By-Truckers-Blessing-And-A-Curse-Colored-Pink-LP-Vinyl.jpg?v=1776108683"},{"product_id":"drive-by-truckers-brighter-than-creations-dark-cd","title":"Drive-By Truckers – Brighter Than Creation's Dark (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAt 19 tracks, this is the Truckers swinging for the fences at a moment when Patterson Hood and Mike Cooley were writing with uncommon urgency, channeling Southern gothic storytelling through a band that had fully grown into itself. Recorded partly at the legendary Muscle Shoals Sound Studio, it carries the weight of that room's history while remaining unmistakably, stubbornly DBT.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDrive-By Truckers are one of the most unique recording artists and live bands in popular music today. The Truckers write about people, places and situations like no one else, and have won a worldwide audience in the process. Their latest album adds new elements to the mix including the singing and songwriting debut of gifted bassist Shonna Tucker, the promotion of long time sidekick John Neff to full time band member on pedal steel and guitar, and the addition of legendary Muscle Shoals keyboardist Spooner Oldham to the recording sessions. Founding members Patterson Hood and Mike Cooley contribute some of the strongest writing and playing of their careers. The result is an inspired effort that resulted in a wealth of material: BRIGHTER THAN CREATION'S DARK is 19 tracks of pure DBT, spanning multiple genres.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Two Daughters And A Beautiful Wife (3:06)\u003c\/div\u003e\n\u003cdiv\u003e2. 3 Dimes Down (3:19)\u003c\/div\u003e\n\u003cdiv\u003e3. The Righteous Path (4:13)\u003c\/div\u003e\n\u003cdiv\u003e4. I'm Sorry Huston (3:11)\u003c\/div\u003e\n\u003cdiv\u003e5. Perfect Timing (2:57)\u003c\/div\u003e\n\u003cdiv\u003e6. Daddy Needs A Drink (3:48)\u003c\/div\u003e\n\u003cdiv\u003e7. Self Destructive Zones (4:12)\u003c\/div\u003e\n\u003cdiv\u003e8. Bob (2:15)\u003c\/div\u003e\n\u003cdiv\u003e9. Home Field Advantage (5:01)\u003c\/div\u003e\n\u003cdiv\u003e10. The Opening Act (6:45)\u003c\/div\u003e\n\u003cdiv\u003e11. Lisa's Birthday (3:19)\u003c\/div\u003e\n\u003cdiv\u003e12. That Man I Shot (6:03)\u003c\/div\u003e\n\u003cdiv\u003e13. The Purgatory Line (3:48)\u003c\/div\u003e\n\u003cdiv\u003e14. The Home Front (3:15)\u003c\/div\u003e\n\u003cdiv\u003e15. Checkout Time In Vegas (2:40)\u003c\/div\u003e\n\u003cdiv\u003e16. You And Your Crystal Meth (2:19)\u003c\/div\u003e\n\u003cdiv\u003e17. Goode's Field Road (5:28)\u003c\/div\u003e\n\u003cdiv\u003e18. A Ghost To Most (4:39)\u003c\/div\u003e\n\u003cdiv\u003e19. The Monument Valley (4:31)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396613526\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.22.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832074395,"sku":"160520","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Drive-By-Truckers-Brighter-Than-Creations-Dark-CD.png?v=1776108978"},{"product_id":"drive-by-truckers-a-blessing-and-a-curse-lp-vinyl","title":"Drive-By Truckers – A Blessing and A Curse (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePatterson Hood and Mike Cooley have always written Southern rock with literary precision, and *A Blessing and A Curse* finds the Truckers pushing into darker, more atmospheric territory than the sprawling narratives of their earlier work. Recorded with producer David Barbe, it's a tighter, more restrained record from a band that had already proven it could go epic.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Feb 14 (3:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Gravity's Gone (3:33)\u003c\/div\u003e\n\u003cdiv\u003e3. Easy On Yourself (3:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Aftermath USA (3:16)\u003c\/div\u003e\n\u003cdiv\u003e5. Goodbye (6:09)\u003c\/div\u003e\n\u003cdiv\u003e6. Daylight (3:35)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Wednesday (4:04)\u003c\/div\u003e\n\u003cdiv\u003e2. Little Bonnie (3:56)\u003c\/div\u003e\n\u003cdiv\u003e3. Space City (4:48)\u003c\/div\u003e\n\u003cdiv\u003e4. A Blessing And A Curse (5:31)\u003c\/div\u003e\n\u003cdiv\u003e5. A World Of Hurt (4:50)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396500826\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.5.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832336539,"sku":"332290","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-drive-by-truckers-a-blessing-and-a-curse-vinyl-lp-relix.jpg?v=1778529624"},{"product_id":"drive-by-truckers-plan-9-records-july-13-2006-cd","title":"Drive-By Truckers – Plan 9 Records July 13, 2006 (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eA Richmond institution celebrating a milestone, a band at the height of their powers, and a cause rooted in genuine tragedy. The Harvey Family murders in January 2006 shook the Richmond music community to its core, and the connection Patterson Hood drew between that grief and this performance gives the set a weight that goes well beyond a typical in-store document. Drive-By Truckers have always understood that Southern rock carries both celebration and sorrow, and this show captures exactly that tension.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn July 13, 2006 the Drive-By Truckers set up shop at Plan 9 Records in Richmond, VA. It was the 25th Anniversary of the store. The band performed to a packed house and played a blistering set of fan-favorites featuring the songs, “18 Wheels of Love”, “Let There Be Rock”, “Goddamn Lonely Love” and “Daddy’s Cup.” The performance was also set up to benefi t the Bryan and Kathryn Harvey Family Memorial Endowment. The foundation provides, among other things, music scholarships in the Richmond area. Lead vocalist and songwriter, Patterson Hood ended up writing the song “Two Daughters and A Beautiful Wife” about Bryan Harvey and his family.Following the release of this record on 2020 RSD Black Friday, this 3 LP set will be pressed on color vinyl for the fi rst time. The updated packaging includes original artwork from acclaimed artist and long time collaborator, Wes Freed. Now available on CD for the fi rst time as well\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Tales Facing Up\u003c\/div\u003e\n\u003cdiv\u003e2. One Of These Days\u003c\/div\u003e\n\u003cdiv\u003e3. Easy On Yourself\u003c\/div\u003e\n\u003cdiv\u003e4. Feb. 14\u003c\/div\u003e\n\u003cdiv\u003e5. Aftermath USA\u003c\/div\u003e\n\u003cdiv\u003e6. Gravity's Gone\u003c\/div\u003e\n\u003cdiv\u003e7. Sink Hole\u003c\/div\u003e\n\u003cdiv\u003e8. Outfit\u003c\/div\u003e\n\u003cdiv\u003e9. My Sweet Annette\u003c\/div\u003e\n\u003cdiv\u003e10. Marry Me\u003c\/div\u003e\n\u003cdiv\u003e11. A World Of Hurt\u003c\/div\u003e\n\u003cdiv\u003e12. Why Henry Drinks\u003c\/div\u003e\n\u003cdiv\u003e13. The Day John Henry Died\u003c\/div\u003e\n\u003cdiv\u003e14. Wednesday\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Shut Up And Get On The Plane\u003c\/div\u003e\n\u003cdiv\u003e2. Ronnie And Neil\u003c\/div\u003e\n\u003cdiv\u003e3. Moonlight Mile\u003c\/div\u003e\n\u003cdiv\u003e4. Let There Be Rock\u003c\/div\u003e\n\u003cdiv\u003e5. Zip City\u003c\/div\u003e\n\u003cdiv\u003e6. Goddamn Lonely Love\u003c\/div\u003e\n\u003cdiv\u003e7. 18 Wheels Of Love\u003c\/div\u003e\n\u003cdiv\u003e8. Nine Bullets\u003c\/div\u003e\n\u003cdiv\u003e9. Daddy's Cup\u003c\/div\u003e\n\u003cdiv\u003e10. Decoration Day\u003c\/div\u003e\n\u003cdiv\u003e11. Lookout Mountain\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396650224\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.6.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833876635,"sku":"95500","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959406768283-cd-relix.png?v=1776117469"},{"product_id":"drive-by-truckers-brighter-than-creations-dark-colored-gate-ylw-lp-vinyl","title":"Drive-By Truckers – Brighter Than Creation's Dark (Yellow 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBrighter Than Creation's Dark arrived in 2008 as a high-water mark for the Southern rock storytelling that Patterson Hood and Mike Cooley had been honing since the Truckers' earliest days in Muscle Shoals. With both writers firing on all cylinders across 19 tracks, the album gave Jason Isbell some of his final contributions to the band's catalog before his departure, making it a document of a particular and unrepeatable lineup.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBrighter Than Creations dark is back in print and pressed on Crystal Amber color vinyl. The bands 19-song epic is one of their most expansive albums in length and sound. Recorded during and after the acoustic Dirt Underneath Tour, the album features a more stripped-down, country-based sound not seen since their second release, Pizza Deliverance. The album's title is taken from a line in a Mike Cooley song entitled \"Checkout Time in Vegas\". Wes Freed once again provided the album artwork. According to guitarist Patterson Hood, the band's decision on the name of the album was greatly influenced by the Freed's artwork. Hood also said that the album was recorded with much ease and did not require compromises.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Two Daughters And A Beautiful Wife (3:06)\u003c\/div\u003e\n\u003cdiv\u003e2. 3 Dimes Down (3:19)\u003c\/div\u003e\n\u003cdiv\u003e3. The Righteous Path (4:13)\u003c\/div\u003e\n\u003cdiv\u003e4. I'm Sorry Huston (3:11)\u003c\/div\u003e\n\u003cdiv\u003e5. Perfect Timing (2:57)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Daddy Needs A Drink (3:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Self Destructive Zones (4:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Bob (2:15)\u003c\/div\u003e\n\u003cdiv\u003e4. Home Field Advantage (5:01)\u003c\/div\u003e\n\u003cdiv\u003e5. The Opening Act (6:45)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Lisa's Birthday (3:19)\u003c\/div\u003e\n\u003cdiv\u003e2. That Man I Shot (6:03)\u003c\/div\u003e\n\u003cdiv\u003e3. The Purgatory Line (3:48)\u003c\/div\u003e\n\u003cdiv\u003e4. The Home Front (3:15)\u003c\/div\u003e\n\u003cdiv\u003e5. Checkout Time In Vegas (2:40)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. You And Your Crystal Meth (2:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Goode's Field Road (5:28)\u003c\/div\u003e\n\u003cdiv\u003e3. A Ghost To Most (4:39)\u003c\/div\u003e\n\u003cdiv\u003e4. The Monument Valley (4:31)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396597918\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835121819,"sku":"44072399","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959407849627-2xlp-relix.png?v=1776118127"},{"product_id":"john-hiatt-with-the-jerry-douglas-band-leftover-feelings-indie-exclusive-limited-edition-blue-marble-lp-vinyl","title":"John Hiatt with The Jerry Douglas Band – Leftover Feelings (Limited Edition Blue Marble LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJohn Hiatt has been one of Nashville's most quietly essential songwriters since the 1970s, his songs covered by everyone from Bonnie Raitt to Bob Dylan, yet his own recordings have always carried something no cover version can quite replicate. Pairing him with Jerry Douglas, the reigning master of the resonator guitar, strips the arrangements down to something raw and conversational, the kind of sound that feels less like a studio session and more like a late-night porch conversation between old friends.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eIn the midst of a global pandemic, John Hiatt walked into Historic RCA Studio B and opened up a lifetime full of leftover feelings. A half-century ago, Hiatt lived in a ratty, $15-a-week room on Nashville’s 16th Avenue, less than a mile away from the RCA and Columbia studios that were the heartbeat of what had come to be known as “Music Row.” In the ensuing 50 years, he went from a scuffling young buck to a celebrated grand master of song.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWith \u003c\/span\u003e\u003cspan\u003eLeftover Feelings\u003c\/span\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cspan\u003e Hiatt teamed up with multi-grammy winning artist and producer, Jerry Douglas and his band, The Jerry Douglas Band. There’s no drummer, yet these grooves are deep and true. And while the up-tempo songs are, as ever, filled with delightful internal rhyme and sly aggression, the Jerry Douglas Band’s empathetic musicianship nudges Hiatt to performances that are startlingly vulnerable. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eIn life, leftover feelings can remain unresolved, no matter how often explored. Explicated in a place of history, a place of comfort. A sacred place, if you believe the documentation of human expression to be a holy thing. Here then, with this album,  there is a meeting of bruised and triumphant American giants. Here are Hiatt and Douglas, creating the meant-to-be: Love songs and road songs, sly songs and hurt songs. Their songs, and now our songs.  Leftover feelings that edify and sustain.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Long Black Electric Cadillac (3:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Mississippi Phone Booth (3:06)\u003c\/div\u003e\n\u003cdiv\u003e3. The Music Is Hot (3:45)\u003c\/div\u003e\n\u003cdiv\u003e4. All The Lilacs In Ohio (3:29)\u003c\/div\u003e\n\u003cdiv\u003e5. I’m In Asheville (3:26)\u003c\/div\u003e\n\u003cdiv\u003e6. Light Of The Burning Sun (4:38)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Little Goodnight (4:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Buddy Boy (3:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Changes In My Mind (3:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Keen Rambler (3:25)\u003c\/div\u003e\n\u003cdiv\u003e5. Sweet Dream (4:28)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396550814\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.21.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262782058651,"sku":"509599","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8975156084891-lp-relix.png?v=1776113215"},{"product_id":"kris-kristofferson-live-at-gilley-s-pasadena-tx-september-15-1981-cd","title":"Kris Kristofferson – Live At Gilley’s - Pasadena, TX: September 15, 1981 (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIt's the next-best thing to a time machine for music lovers. It is Kris Kristofferson's Live at Gilley's – Pasadena, TX: September 15, 1981, a new LP capturing the one-time Highwayman with a full band behind him and an exuberant audience in front of him, wrapping his 1981 tour at the famed Texas venue. Fans who weren't there in 1981 will feel like they are in 2022 as the partial-show release has just enough crowd noise to capture the excitement of the evening and the music proves Kristofferson was one of the rare artists not to fall victim to 1980s production and arrangement values. Kristofferson and band – acoustic and electric guitars, keys, rhythm section and occasional mandolin – stand at the crossroads of country, rock and folk music while playing stone classics such as \"Me and Bobby McGee,\" \"The Pilgrim,\" \"Sunday Mornin' Comin' Down\" and 12 others. Though he could never really sing 'em, Kristofferson sure could write 'em – \"You Show Me Yours (And I'll Show You Mine),\" \"For the Good Times\" and \"Why Me\" are among the other tracks – and his '81 band sure could play 'em.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/09\/09\/kris-kristofferson-live-at-gilleys-pasadena-tx-september-15-1981\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKris Kristofferson arrived at Gilley's already carrying one of the heaviest songwriting catalogs in American music, a body of work that had put artists like Johnny Cash, Janis Joplin, and Roger Miller on the charts before he ever stepped in front of a crowd himself. Caught here in the thick of his touring years, this is the rare document that lets the songs breathe in the setting they were built for: a Texas honky-tonk, live and loud.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded live on September 15, 1981, Live At Gilley's captures Kris Kristofferson at a time in his career where he and his band were firing on all cylinders. Kristofferson was with a full band out of the road that featured Stephen Bruton, Donnie Fritts and Billy Swan. On this night, the band stopped by Gilley's Honkytonk in Pasadena, Texas to deliver a one in a lifetime performance featuring the hits, \"Me And Bobby McGee\", \"The Pilgrim\" and \"Sunday Mornin' Comin' Down.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Me And Bobby McGee\u003c\/div\u003e\n\u003cdiv\u003e2. Here Comes That Rainbow Again\u003c\/div\u003e\n\u003cdiv\u003e3. Casey's Last Ride\u003c\/div\u003e\n\u003cdiv\u003e4. You Show Me Yours (And I'll Show You Mine) \/ Stranger\u003c\/div\u003e\n\u003cdiv\u003e5. Nobody Love's Anybody Anymore\u003c\/div\u003e\n\u003cdiv\u003e6. Darby's Castle\u003c\/div\u003e\n\u003cdiv\u003e7. If It's All The Same To You\u003c\/div\u003e\n\u003cdiv\u003e8. The Pilgrim\u003c\/div\u003e\n\u003cdiv\u003e9. For The Good Times\u003c\/div\u003e\n\u003cdiv\u003e10. Sunday Mornin' Coming Down\u003c\/div\u003e\n\u003cdiv\u003e11. The Silver Tongued Devil And I\u003c\/div\u003e\n\u003cdiv\u003e12. Smile At Me Again\u003c\/div\u003e\n\u003cdiv\u003e13. Same Old Song\u003c\/div\u003e\n\u003cdiv\u003e14. Loving Her Was Easier (Than Anything I'll Ever Do Again)\u003c\/div\u003e\n\u003cdiv\u003e15. Why Me\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396653324\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.2.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271115255963,"sku":"13150","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Kris-Kristofferson-Live-At-Gilleys-Pasadena-TX-September-15-1981-CD.png?v=1776111363"},{"product_id":"merle-haggard-live-from-austin-tx-78-2-cd","title":"Merle Haggard – Live From Austin, TX '78 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1978, Merle Haggard had already done more to define the Bakersfield sound than almost anyone outside Buck Owens, and his reverence for Bob Wills ran deep enough that Western swing wasn't a detour for him, it was homecoming. Catching him in this era, before the '80s radio landscape shifted the conversation, means hearing a bandleader at full command of two traditions at once.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIncludes Bonus DVD. Merle Haggard's very first Austin City Limits performance, recorded in January 1978. 12 different songs than previous Live from Austin, Texas release (recorded in 1985). Five #1 Country singles (The Fugitive Song, Sing Me Back Home, Cherokee Maiden, the Farmer's Daughter, and Workin' Man Blues). Features four classic Bob Wills (King of Western Swing) songs with Merle on fiddle. When he stepped onto the Austin City Limits stage for the very first time on that brisk January day in 1978, Merle Haggard was at the top of his game. It had been over a decade since his first national hit, 'Sing a Sad Song', and not that long after 'Okie from Muskogee' had firmly planted his music in to the world.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Working Man Can't Get Nowhere Today\u003c\/div\u003e\n\u003cdiv\u003e2. Silver Wings\u003c\/div\u003e\n\u003cdiv\u003e3. Ramblin' Fever\u003c\/div\u003e\n\u003cdiv\u003e4. Lonesome Fugitive\u003c\/div\u003e\n\u003cdiv\u003e5. Sing Me Back Home\u003c\/div\u003e\n\u003cdiv\u003e6. Orange Blossom Special\u003c\/div\u003e\n\u003cdiv\u003e7. Old-Fashioned Love\u003c\/div\u003e\n\u003cdiv\u003e8. Long Black Limousine\u003c\/div\u003e\n\u003cdiv\u003e9. Cherokee Maiden\u003c\/div\u003e\n\u003cdiv\u003e10. San Antonio Rose\u003c\/div\u003e\n\u003cdiv\u003e11. Misery\u003c\/div\u003e\n\u003cdiv\u003e12. Farmer's Daughter\u003c\/div\u003e\n\u003cdiv\u003e13. Brain Cloudy Blues\u003c\/div\u003e\n\u003cdiv\u003e14. Workin' Man Blues\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396615322\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.28.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271147401371,"sku":"258725","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978163761307-cd-relix.png?v=1776425095"},{"product_id":"north-mississippi-allstars-still-shakin-limited-autographed-opaque-red-lp-vinyl","title":"North Mississippi Allstars – Still Shakin' (Limited Autographed Opaque Red LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLuther and Cody Dickinson carry the DNA of North Mississippi hill country blues in their hands, literally, having grown up absorbing the hypnotic, fife-and-drum-rooted grooves of their Coldwater neighbors before most kids their age knew what a one-chord groove could do to a room. Still Shakin' arrives nearly three decades into their run, a title that doubles as a statement of purpose from a band that has never stopped evolving the tradition they were born into.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNorth Mississippi Allstars was founded by brothers Luther and Cody Dickinson in 1996 as a loose collective of musicians from North Mississippi and Memphis, TN, inspired by their neighbors, RL Burnside, Junior Kimbrough, Otha Turner and the late Fred McDowell. Over the years the touring lineup has included, Cedric, Duwayne and Garry Burnside, Chris Chew, Berry Oakley Jr, Oteil Burbridge, Ray Ray Hollowman (guitar player for Eminem and Ne-Yo), and currently Joey Williams (of the Blind Boys of Alabama). Since their Grammy nominated debut album in 2000 they have toured the world, shared the stage with countless legends, Mavis Staples, Robert Plant, John Hiatt, the Allman Brothers, Buddy Guy, Snoop Dogg, and Phil Lesh to name a few, while earning multiple Grammy nominations for their experimental albums of Psychedelic folk roots rock.\u003c\/p\u003e\u003cp\u003e“Still Shakin’ is a celebration of their life-changing first album Shake Hands with Shorty, released 25 years ago. They dipped into the North Mississippi repertoire and experience of the ‘90s, touring with RL Burnside, recording Otha Turner, hanging at Junior’s Juke, filtering new interpretations through their current instincts. The well never runs dry and the cast of characters never fails.\u003c\/p\u003e\u003cp\u003eThey recorded their 2nd generation friends Duwayne Burnside and Robert Kimbrough at Duwayne’s Juke Joint in Holly Springs. The Sacred Steel Guitar of bandmates Ray Ray Hollowman and Kashiah Hunter blessed the music alongside the vocals and rhythm of Joey Williams, from the Blind Boys of Alabama. Their albums meld music to come but are always a snapshot of who they are running with presently. That to say, Ray Ray and Joey have enriched NMA’s music for the last few years and they cherish their contributions to Still Shakin’. The group looks forward to the next 25 years of North Mississippi World Boogie.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Preachin' Blues\u003c\/div\u003e\n\u003cdiv\u003e2. Stay All Night\u003c\/div\u003e\n\u003cdiv\u003e3. My Mind Is Ramblin'\u003c\/div\u003e\n\u003cdiv\u003e4. Pray For Peace\u003c\/div\u003e\n\u003cdiv\u003e5. K.C. Jones (Part II)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Still Shakin'\u003c\/div\u003e\n\u003cdiv\u003e2. Poor Boy\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Let The Devil Ride\u003c\/div\u003e\n\u003cdiv\u003e4. Write Me A Few Lines\u003c\/div\u003e\n\u003cdiv\u003e5. John Henry\u003c\/div\u003e\n\u003cdiv\u003e6. Monomyth (Folk Hero's Last Ride)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396592012\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.6.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271207792795,"sku":"384268","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/North-Mississippi-Allstars-Still-Shakin-Limited-Autographed-Opaque-Red-LP-Vinyl.png?v=1776112907"},{"product_id":"jason-isbell-sirens-of-the-ditch-cd","title":"Jason Isbell – Sirens Of The Ditch (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just after Isbell parted ways with Drive-By Truckers, Sirens Of The Ditch announced the arrival of a solo voice already fully formed, one rooted in Southern rock tradition but reaching toward something more personal and unflinching. The Muscle Shoals rhythm section and those storied FAME Studios rooms gave the songs a lived-in gravity that would define Isbell's work for years to come.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe debut album from accomplished guitarist and songwriter Jason Isbell, formerly of Drive By Truckers (DBT), is reissued with 4 unreleased tracks from the original recording sessions. The addition of those 4 extra songs finds Sirens Of The Ditch clocking in at 15 total tracks. Sirens Of The Ditch's mystical quality can be partially attributed to the FAME recording studio (Aretha Franklin, Duane Allman, Otis Redding) in Isbell’s hometown of Muscle Shoals, AL where the album was recorded. Co-produced by Isbell and Patterson Hood (DBT), Sirens Of The Ditch features Isbell singing lead vocals and playing guitar throughout, joined by Shonna Tucker (Formerly of DBT) on Bass and Brad Morgan (DBT) on drums. Several musicians pop in for cameos including Spooner Oldham and David Hood (Patterson s father) on \"Down In A Hole\", John Neff (Formerly of DBT) on \"Dress Blues\" and Patterson himself guests on \"Shotgun Wedding\". \"a strong debut, full of the kind of confident, charismatic songwriting that just can't be taught.\" - Pitckfork “Isbell could be roots rock’s Flannery O’Connor.” - Spin\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Brand New Kind Of Actress (5:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Down In A Hole (4:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Try (4:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Chicago Promenade (3:19)\u003c\/div\u003e\n\u003cdiv\u003e5. Dress Blues (4:07)\u003c\/div\u003e\n\u003cdiv\u003e6. Grown (3:42)\u003c\/div\u003e\n\u003cdiv\u003e7. Hurricanes And Hand Grenades (5:07)\u003c\/div\u003e\n\u003cdiv\u003e8. In A Razor Town (3:15)\u003c\/div\u003e\n\u003cdiv\u003e9. Shotgun Wedding (3:45)\u003c\/div\u003e\n\u003cdiv\u003e10. The Magician (4:16)\u003c\/div\u003e\n\u003cdiv\u003e11. The Devil Is My Running Mate (3:45)\u003c\/div\u003e\n\u003cdiv\u003e12. Whisper (4:39)\u003c\/div\u003e\n\u003cdiv\u003e13. Crystal Clear (5:03)\u003c\/div\u003e\n\u003cdiv\u003e14. The Assassin (3:38)\u003c\/div\u003e\n\u003cdiv\u003e15. Racetrack Romeo (5:11)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396642724\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.13.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271207825563,"sku":"359949","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978175819931-cd-relix.png?v=1776115885"},{"product_id":"drive-by-truckers-the-complete-dirty-south-cd","title":"Drive-By Truckers – The Complete Dirty South (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePatterson Hood has described *The Dirty South* as the album where Drive-By Truckers fully found their voice, rooting their Southern gothic storytelling in the specific geography and contradictions of small-town Alabama. This expanded edition restores the sequencing and sonic vision Hood originally heard in his head, making it the definitive version of a record that cemented the band's place alongside the great Southern rock storytellers, from Lynyrd Skynyrd to Jason Isbell's own early work cutting his teeth in this very lineup.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"In 2004 the Drive-By Truckers released what would become the best selling album in their illustrious catalog. The Dirty South is a concept album that examines the state of the South, and unveils the hypocrisy, irony, and tragedy that continues to exist. The album features live show staples like, “Tornadoes”, “Where The Devil Dont Stay” and “Puttin People On The Moon” as well as rarities like “Goode’s Field Road” and “Daddy’s Cup.”\u003cbr\u003e\u003cbr\u003eThe Complete Dirty South is a band-led rework of the original album. Principal member, Patterson Hood, took the reins and reimagined this record as it was originally intended. The complete version features resequenced audio, three additional tracks, four remixes along with updated vocals. The packaging comes with a perfect bound book featuring liner notes from Patterson Hood, track by track descriptions from Mike Cooley and Jason Isbell as well as never before seen photos along with updated artwork from the late Wes Freed.\u003cbr\u003e\u003cbr\u003e“This ‘Director’s Cut’ is the way it was always intended to be heard” - Patterson Hood\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Where The Devil Don't Stay\u003c\/div\u003e\n\u003cdiv\u003e2. Tornadoes\u003c\/div\u003e\n\u003cdiv\u003e3. The Day John Henry Died\u003c\/div\u003e\n\u003cdiv\u003e4. Puttin' People On The Moon\u003c\/div\u003e\n\u003cdiv\u003e5. Goode's Field Road\u003c\/div\u003e\n\u003cdiv\u003e6. Carl Perkins' Cadillac\u003c\/div\u003e\n\u003cdiv\u003e7. TVA\u003c\/div\u003e\n\u003cdiv\u003e8. The Sands Of Iwo Jima\u003c\/div\u003e\n\u003cdiv\u003e9. Danko \/ Manuel\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. The Boys From Alabama\u003c\/div\u003e\n\u003cdiv\u003e2. The Buford Stick\u003c\/div\u003e\n\u003cdiv\u003e3. Never Gonna Change\u003c\/div\u003e\n\u003cdiv\u003e4. Cottonseed\u003c\/div\u003e\n\u003cdiv\u003e5. The Great Car Dealer War\u003c\/div\u003e\n\u003cdiv\u003e6. Daddy's Cup\u003c\/div\u003e\n\u003cdiv\u003e7. Lookout Mountain\u003c\/div\u003e\n\u003cdiv\u003e8. Goddamn Lonely Love\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396654826\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.16.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271211069595,"sku":"439092","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978176835739-cd-relix.png?v=1776117068"},{"product_id":"jason-isbell-sirens-of-the-ditch-lp-vinyl","title":"Jason Isbell – Sirens Of The Ditch (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally released in 2007, *Sirens of the Ditch* introduced Isbell as a singular voice stepping out from his years as a Drive-By Truckers guitarist, channeling Southern rock grit and Muscle Shoals soul into songs that felt both deeply personal and geographically rooted. The album's emotional weight, shaped in part by his turbulent years on the road, announced a songwriter who was only getting started.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Brand New Kind Of Actress (5:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Down In A Hole (4:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Try (4:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Chicago Promenade (3:19)\u003c\/div\u003e\n\u003cdiv\u003e5. Dress Blues (4:07)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Grown (3:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Hurricanes And Hand Grenades (5:07)\u003c\/div\u003e\n\u003cdiv\u003e3. In A Razor Town (3:15)\u003c\/div\u003e\n\u003cdiv\u003e4. Shotgun Wedding (3:45)\u003c\/div\u003e\n\u003cdiv\u003e5. The Magician (4:16)\u003c\/div\u003e\n\u003cdiv\u003e6. The Devil Is My Running Mate (3:45)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396500024\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.31.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271227322523,"sku":"474588","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978179326107-lp-relix.png?v=1776115837"},{"product_id":"jason-isbell-live-from-twist-shout-11-16-07-cd","title":"Jason Isbell – Live From Twist \u0026 Shout 11.16.07 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just a year after Isbell parted ways with Drive-By Truckers, this in-store session at Denver's beloved Twist \u0026amp; Shout Records captures him at a pivotal moment, building something new with the band that would become his long-running creative partnership. Raw and intimate, it's a document of an artist finding his footing as a solo voice, with \"Outfit,\" one of his most personal songs, already fully formed and road-tested.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eBack on CD for the first time in a number of years, Live From Twist \u0026amp; Shout 11.16.07 is a 2008 live EP from the former member of Drive-By Truckers and his backing band, The 400 Unit. This record was recorded live during an in-store at Twist And Shout Records in 2007. This EP features six tracks including 'Hurricane And Hand', 'Outfit' as well as a cover of Van Morrison’s “Into The Mystic”\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Grown (4:16)\u003c\/div\u003e\n\u003cdiv\u003e2. Goddamn Lonely Love (6:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Hurricanes And Hand Grenades (5:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Danko\/Manuel (6:46)\u003c\/div\u003e\n\u003cdiv\u003e5. Outfit (4:52)\u003c\/div\u003e\n\u003cdiv\u003e6. Into The Mystic (4:07)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396613922\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.23.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271232139419,"sku":"373785","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978180800667-cd-relix.png?v=1776116079"},{"product_id":"north-mississippi-allstars-up-and-rolling-cd","title":"North Mississippi Allstars – Up And Rolling (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eFor the first single from their 10th album, North Mississippi Allstars chose \"What You Gonna Do?,\" a song that brothers Luther and Cody Dickinson first heard on a Staple Singers album from 1965 that belonged to their dad, the late musician and producer Jim Dickinson. They brought in Mavis Staples to sing on the cover and it's a seriously rousing, funky, glorious affair—one of those tunes you could play over and over and never tire of. At some point while replaying it, though, you remember that there are 11 other tracks on the new album that also rock and roll with the same level of gutsiness and energy and, really, any of them will do the trick when you just need a reminder that real soul is still out there. Some of the tunes, like \"Mean Old World,\" also feature guests, in this case Duane Betts and Jason Isbell, and it, too, is real and gritty—just the kind of antidote you'd want if you're having a shitty day. Some others, like \"Drunk Outdoors\" and \"Bump That Mother,\" require nothing more from a listener than the desire to have a little fun, while \"Take My Hand, Precious Lord,\" one of a pair of tracks featuring Mississippi bluesman Cedric Burnside, burns with gospel fervor. North Mississippi Allstars are inching up on their 25th year together but, somehow, even with all of that behind them, it seems like this party they've got going is just getting started.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Jeff Tamarkin, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/north-mississippi-allstars-up-and-rolling\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLuther and Cody Dickinson have been carrying the North Mississippi hill country blues tradition forward since their teenage years, absorbing it directly from neighbors and family friends like R.L. Burnside and Junior Kimbrough. Up And Rolling deepens that lineage, weaving together the raw, hypnotic groove of fife and drum country with electric slide and collaborative family energy that feels less like a studio session and more like a front porch gathering that happened to get recorded.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e'A forgotten roll of film was found. Shot before the turn of the century, the photographs resonate with music. The images inspired an accompanying soundtrack. The music is full of stories. The songs and stories originate in two neighboring rural counties. The cast of characters includes four families of Mississippi musicians, three generations deep, and a photographer from Texas.' - Luther Dickinson In 2017, Wyatt McSpadden found an old roll of film and tracked down members of North Mississippi Allstars to share his forgotten photographs. The images were so profound and so beautiful that they would come to inspire the latest recording, Up And Rolling. The images inspired the band to ask, 'What did the music sound like that night in 96? What does Mississippi music sound like now? What would ideally be on the push button AM\/FM radio as we drove thru the hills?' The North Mississippi Allstars would return to the famous Zebra Ranch to record Up And Rolling, inspired by Wyatt's images. They gathered together, trimmed back the wisteria, and swept out the converted barn recording studio. The fired up the tube amps and old computers and began conjuring up modern Mississippi music, ancient and futuristic all at once. Telling it how it was and how they think it should be. Up And Rolling is modern Mississippi. Transcending time and space, the music reaches out into the dark of night like the wisteria vine, looking for free hearted souls to latch onto and wedge into the foundation of hate, slowly tearing down walls a generation at a time.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Call That Gone (4:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Up And Rolling (5:03)\u003c\/div\u003e\n\u003cdiv\u003e3. What You Gonna Do? (3:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Drunk Outdoors (3:37)\u003c\/div\u003e\n\u003cdiv\u003e5. Peaches (5:17)\u003c\/div\u003e\n\u003cdiv\u003e6. Mean Old World (6:32)\u003c\/div\u003e\n\u003cdiv\u003e7. Out On The Road (2:18)\u003c\/div\u003e\n\u003cdiv\u003e8. Lonesome In My Home (3:06)\u003c\/div\u003e\n\u003cdiv\u003e9. Bump That Mother (3:11)\u003c\/div\u003e\n\u003cdiv\u003e10. Living Free (3:56)\u003c\/div\u003e\n\u003cdiv\u003e11. Take My Hand, Precious Lord (3:07)\u003c\/div\u003e\n\u003cdiv\u003e12. Otha's Bye Bye Baby (0:38)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396646623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.4.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271237316763,"sku":"621166","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/North-Mississippi-Allstars-Up-And-Rolling-CD.png?v=1776113546"},{"product_id":"kris-kristofferson-live-from-austin-tx-colored-gate-spla-lp-vinyl","title":"Kris Kristofferson – Live From Austin TX (Colored LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore he was a movie star and before \"Me and Bobby McGee\" became one of the most covered songs in American music, Kristofferson was scrubbing floors at Columbia Studio A in Nashville, slipping demos to Johnny Cash. That hustle paid off in a catalog that reshaped country songwriting, and this September 1981 Austin City Limits taping catches him delivering those songs with the lived-in authority of a man who wrote them from the bone.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLive archive release from the singer\/songwriter. Kris Kristofferson has an unusual resume. Brownsville, Texas-born, football star and Golden Gloves boxer in college, Rhodes scholar at Oxford, Army captain, and chopper pilot, studio janitor, part-time bartender, leading man opposite Barbara Streisand and Jane Fonda. But on his passport, under occupation, it reads \"songwriter\". And that, more than anything, sums up the essence of Kris Kristofferson. This performance from September 1981 captures Kris in his prime, and includes classics like 'Me And Bobby McGee', 'Loving Her Was Easier', 'Why Me?', and 'Sunday Mornin ' Comin' Down'.Now back in print and pressed on HERE COMES THAT RAINBOW SPLATTER vinyl\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396596911\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271237447835,"sku":"44017760","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Kris-Kristofferson-Live-From-Austin-TX-Colored-LP-Vinyl.png?v=1776113561"},{"product_id":"north-mississippi-allstars-still-shakin-lp-vinyl","title":"North Mississippi Allstars – Still Shakin' (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLuther and Cody Dickinson grew up in the studio, sons of legendary producer Jim Dickinson, absorbing the North Mississippi hill country blues tradition at the source before most musicians their age had figured out their first chord. Nearly three decades into carrying that torch, Still Shakin' finds them exactly where they belong, deepening a sound rooted in the raw, hypnotic groove of Junior Kimbrough and RL Burnside while keeping it very much alive for the next generation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNorth Mississippi Allstars was founded by brothers Luther and Cody Dickinson in 1996 as a loose collective of musicians from North Mississippi and Memphis, TN, inspired by their neighbors, RL Burnside, Junior Kimbrough, Otha Turner and the late Fred McDowell. Over the years the touring lineup has included, Cedric, Duwayne and Garry Burnside, Chris Chew, Berry Oakley Jr, Oteil Burbridge, Ray Ray Hollowman (guitar player for Eminem and Ne-Yo), and currently Joey Williams (of the Blind Boys of Alabama). Since their Grammy nominated debut album in 2000 they have toured the world, shared the stage with countless legends, Mavis Staples, Robert Plant, John Hiatt, the Allman Brothers, Buddy Guy, Snoop Dogg, and Phil Lesh to name a few, while earning multiple Grammy nominations for their experimental albums of Psychedelic folk roots rock.\u003c\/p\u003e\u003cp\u003e“Still Shakin’ is a celebration of their life-changing first album Shake Hands with Shorty, released 25 years ago. They dipped into the North Mississippi repertoire and experience of the ‘90s, touring with RL Burnside, recording Otha Turner, hanging at Junior’s Juke, filtering new interpretations through their current instincts. The well never runs dry and the cast of characters never fails.\u003c\/p\u003e\u003cp\u003eThey recorded their 2nd generation friends Duwayne Burnside and Robert Kimbrough at Duwayne’s Juke Joint in Holly Springs. 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Lamar Williams, Jr. brings a direct bloodline connection to that same Southern rock continuum, his father having anchored the Allman Brothers Band through some of their most essential years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eLuther and Cody Dickinson started \u003c\/span\u003e\u003cb\u003eN\u003c\/b\u003e\u003cspan\u003e\u003cb\u003eorth \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eM\u003c\/b\u003e\u003cspan\u003e\u003cb\u003eississippi \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eA\u003c\/b\u003e\u003cspan\u003e\u003cb\u003ellst\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003ea\u003c\/span\u003e\u003cspan\u003e\u003cb\u003ers \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003ein 1996 as a loose collective of like-minded second-generation musicians who shared a local repertoire and regional style. 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The red vinyl pressing makes a fitting artifact of a restless artist who never stopped treating the live stage as a laboratory.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDavid Byrne is a modern renaissance man - and that's not just a cliché. From the heady days as co-founder of the celebrated art new-wave group Talking Heads (1976-88) through his own constantly evolving and innovative solo music career, he has pursued his muse on many different artistic fronts. He's been the driving force behind a body of work that has been both intellectually daring and commercially successful... and he shows no signs of slowing down decades later.This show, captured on November 28, 2001, came on the heels of his hit single, \"Like Humans Do\" and the release of the album Look Into The Eyeball, which was another typically eclectic musical stew reflecting a variety of styles and influences, from Philly soul to a D.C. Go-Go inspired groove and his first-ever Spanish composition, \"Desconocido Soy.\" Critics at the time called it his best work in years, and his performance on the Austin City Limits stage shows why. Joined by Austin's own eclectic tango ensemble Tosca, Byrne takes us down many different musical roads in his ACL debut.Of course, besides the brilliant songwriter and performer that he is, he's also an accomplished performance artist, photographer, web journalist, film writer \/ director, composer of motion picture soundtracks, and founder of his own world music label, Luaka Bop Records.He also has a collection of Grammys, Oscars and Golden Globes on his mantel. 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Still Shakin', arriving nearly three decades into their run, finds the band continuing to carry that torch forward while keeping one foot firmly planted in the raw, hypnotic groove of the hill country sound they helped introduce to a wider world.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNorth Mississippi Allstars was founded by brothers Luther and Cody Dickinson in 1996 as a loose collective of musicians from North Mississippi and Memphis, TN, inspired by their neighbors, RL Burnside, Junior Kimbrough, Otha Turner and the late Fred McDowell. Over the years the touring lineup has included, Cedric, Duwayne and Garry Burnside, Chris Chew, Berry Oakley Jr, Oteil Burbridge, Ray Ray Hollowman (guitar player for Eminem and Ne-Yo), and currently Joey Williams (of the Blind Boys of Alabama). Since their Grammy nominated debut album in 2000 they have toured the world, shared the stage with countless legends, Mavis Staples, Robert Plant, John Hiatt, the Allman Brothers, Buddy Guy, Snoop Dogg, and Phil Lesh to name a few, while earning multiple Grammy nominations for their experimental albums of Psychedelic folk roots rock.\u003c\/p\u003e\u003cp\u003e“Still Shakin’ is a celebration of their life-changing first album Shake Hands with Shorty, released 25 years ago. They dipped into the North Mississippi repertoire and experience of the ‘90s, touring with RL Burnside, recording Otha Turner, hanging at Junior’s Juke, filtering new interpretations through their current instincts. The well never runs dry and the cast of characters never fails.\u003c\/p\u003e\u003cp\u003eThey recorded their 2nd generation friends Duwayne Burnside and Robert Kimbrough at Duwayne’s Juke Joint in Holly Springs. 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The four previously unreleased tracks added to this reissue make it the definitive version of a record that longtime fans have always known deserved a deeper listen.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe debut album from accomplished guitarist and songwriter Jason Isbell, formerly of Drive By Truckers (DBT), is reissued with 4 unreleased tracks from the original recording sessions. The addition of those 4 extra songs finds Sirens Of The Ditch clocking in at 15 total tracks.Sirens Of The Ditch's mystical quality can be partially attributed to the FAME recording studio (Aretha Franklin, Duane Allman, Otis Redding) in Isbell's hometown of Muscle Shoals, AL where the album was recorded. Co-produced by Isbell and Patterson Hood (DBT), Sirens Of The Ditch features Isbell singing lead vocals and playing guitar throughout, joined by Shonna Tucker (Formerly of DBT) on Bass and Brad Morgan (DBT) on drums. Several musicians pop in for cameos including Spooner Oldham and David Hood (Patterson's father) on \"Down In A Hole\", John Neff (Formerly of DBT) on \"Dress Blues\" and Patterson himself guests on \"Shotgun Wedding\".\"a strong debut, full of the kind of confident, charismatic songwriting that just can't be taught.\" - Pitckfork\"Isbell could be roots rock's Flannery O'Connor.\" - SpinThis record is being pressed on \"Dress Blues\" blue swirl vinyl.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Brand New Kind Of Actress (5:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Down In A Hole (4:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Try (4:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Chicago Promenade (3:19)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Dress Blues (4:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Grown (3:42)\u003c\/div\u003e\n\u003cdiv\u003e3. Hurricanes And Hand Grenades (5:07)\u003c\/div\u003e\n\u003cdiv\u003e4. In A Razor Town (3:15)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Shotgun Wedding (3:45)\u003c\/div\u003e\n\u003cdiv\u003e2. The Magician (4:16)\u003c\/div\u003e\n\u003cdiv\u003e3. The Devil Is My Running Mate (3:45)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Whisper (4:39)\u003c\/div\u003e\n\u003cdiv\u003e2. Crystal Clear (5:03)\u003c\/div\u003e\n\u003cdiv\u003e3. The Assassin (3:38)\u003c\/div\u003e\n\u003cdiv\u003e4. Racetrack Romeo (5:11)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396598113\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271242395803,"sku":"44036834","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978187550875-2xlp-relix.png?v=1776115981"},{"product_id":"big-band-of-brothers-jazz-celebration-of-the-allman-brothers-band-cd","title":"Big Band of Brothers – Jazz Celebration Of The Allman Brothers Band (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Allman Brothers Band always had jazz in their blood, from Duane's lyrical phrasing to the band's extended improvisational language that owed as much to Miles and Coltrane as it did to the blues. This project finds that lineage honored on its own terms, translating the muscle of \"Whipping Post\" and the sweep of \"Jessica\" into the vocabulary of horns, swing, and collective improvisation where those ideas were always pointing anyway.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn honor of the 50th Anniversary of the Allman Brothers' debut album, New West Records is proud to present Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band. This record is a true collection of big band jazz interpretations of Allman Brothers classics. The record features guest vocals by Marc Broussard and Ruthie Foster. Big Band of Brothers also features Jack Pearson on guitar, who has performed as a guest of the Allman Brothers Band on numerous occasions and joined the band as a member in 1997. \u003c\/p\u003e\u003cp\u003eTogether with Dickey Betts, he completed the band's archetypal guitar duo for nearly 3 years. Wycliffe Gordon (of Jazz at Lincoln Center fame) is also featured as a soloist. Gordon is consistently ranked among the leading trombone players in the Downbeat critics poll.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Statesboro Blues (5:14)\u003cbr\u003e\n2. Don't Want You No More (3:48)\u003cbr\u003e\n3. It's Not My Cross To Bear (7:52)\u003cbr\u003e\n4. Hot 'Lanta (5:15)\u003cbr\u003e\n5. Whipping Post (5:11)\u003cbr\u003e\n6. Stand Back (5:35)\u003cbr\u003e\n7. Dreams (6:39)\u003cbr\u003e\n8. In Memory Of Elizabeth Reed (7:11)\u003cbr\u003e\n9. Don't Keep Me Wonderin' (4:08)\u003cbr\u003e\n10. Les Brers In A Minor (12:03)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396647422\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.22.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271242756251,"sku":"680068","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Big-Band-of-Brothers-Jazz-Celebration-Of-The-Allman-Brothers-Band-CD.png?v=1776114118"},{"product_id":"north-mississippi-allstars-still-shakin-limited-autographed-cd","title":"North Mississippi Allstars – Still Shakin' (Limited Autographed CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLuther and Cody Dickinson grew up in the Mississippi hill country with this music in their blood, the sons of producer Jim Dickinson, who worked with everyone from the Rolling Stones to Big Star. Still Shakin' arrives nearly three decades into their run, a testament to how deeply they've absorbed and carried forward a regional tradition that was already ancient when RL Burnside first picked up a guitar.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNorth Mississippi Allstars was founded by brothers Luther and Cody Dickinson in 1996 as a loose collective of musicians from North Mississippi and Memphis, TN, inspired by their neighbors, RL Burnside, Junior Kimbrough, Otha Turner and the late Fred McDowell. Over the years the touring lineup has included, Cedric, Duwayne and Garry Burnside, Chris Chew, Berry Oakley Jr, Oteil Burbridge, Ray Ray Hollowman (guitar player for Eminem and Ne-Yo), and currently Joey Williams (of the Blind Boys of Alabama). Since their Grammy nominated debut album in 2000 they have toured the world, shared the stage with countless legends, Mavis Staples, Robert Plant, John Hiatt, the Allman Brothers, Buddy Guy, Snoop Dogg, and Phil Lesh to name a few, while earning multiple Grammy nominations for their experimental albums of Psychedelic folk roots rock.\u003c\/p\u003e\u003cp\u003e“Still Shakin’ is a celebration of their life-changing first album Shake Hands with Shorty, released 25 years ago. They dipped into the North Mississippi repertoire and experience of the ‘90s, touring with RL Burnside, recording Otha Turner, hanging at Junior’s Juke, filtering new interpretations through their current instincts. The well never runs dry and the cast of characters never fails.\u003c\/p\u003e\u003cp\u003eThey recorded their 2nd generation friends Duwayne Burnside and Robert Kimbrough at Duwayne’s Juke Joint in Holly Springs. The Sacred Steel Guitar of bandmates Ray Ray Hollowman and Kashiah Hunter blessed the music alongside the vocals and rhythm of Joey Williams, from the Blind Boys of Alabama. Their albums meld music to come but are always a snapshot of who they are running with presently. That to say, Ray Ray and Joey have enriched NMA’s music for the last few years and they cherish their contributions to Still Shakin’. The group looks forward to the next 25 years of North Mississippi World Boogie.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePreachin’ Blues\u003c\/li\u003e\n\u003cli\u003eStay All Night (feat. Robert Kimbrough \u0026amp;amp; Joey Williams)\u003c\/li\u003e\n\u003cli\u003eMy Mind is Ramblin’\u003c\/li\u003e\n\u003cli\u003ePray for Peace\u003c\/li\u003e\n\u003cli\u003eK.C. Jones (Part II) (feat. Jojo Hermann \u0026amp;amp; Grahame Lesh)\u003c\/li\u003e\n\u003cli\u003eStill Shakin'\u003c\/li\u003e\n\u003cli\u003ePoor Boy (feat. Duwayne Burnside)\u003c\/li\u003e\n\u003cli\u003eDon’t Let the Devil Ride (feat. Joey Williams)\u003c\/li\u003e\n\u003cli\u003eJohn Henry\u003c\/li\u003e\n\u003cli\u003eMonomyth (Folk Hero’s Last Ride)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396660506\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.6.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271252619419,"sku":"25823948","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/North-Mississippi-Allstars-Still-Shakin-Limited-Autographed-CD.png?v=1776114579"},{"product_id":"luther-dickinson-blues-ballads-a-folksingers-songbook-volumes-i-ii-cd","title":"Luther Dickinson – Blues \u0026 Ballads (A Folksinger's Songbook) Volumes I \u0026 II (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSon of Jim Dickinson and a cornerstone of the North Mississippi Allstars, Luther Dickinson carries one of American roots music's most storied bloodlines. These two volumes find him doing what the deepest tradition demands: stripping everything back, letting the songs breathe, and trusting the material to hold its own weight without ornament.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBlues and Ballads, this acoustic collection of songs interpreted simply, recorded live, solo or with a small group of friends celebrates my relationship between music, songs, the written word and legacy. Blues and Ballads celebrates the American oral tradition of blues and folk songs, not only being passed down and evolving but being transcribed (the original recording technique) and entered into the discipline of written sheet music and songbooks. I represent the Memphis underground and the mid-south region's music. This art is not for the masses. It is meant to wither and fade and then rise from the ashes again and again, evolving and mutating. - Luther Dickinson 2015\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eVolume I\u003c\/h4\u003e\n\u003cdiv\u003e1. Hurry Up Sunrise (3:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Up Over Yonder (3:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Bang Bang Lulu (3:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Moonshine (4:40)\u003c\/div\u003e\n\u003cdiv\u003e5. Jackson (3:46)\u003c\/div\u003e\n\u003cdiv\u003e6. Mean Ol' Wind Died Down (4:00)\u003c\/div\u003e\n\u003cdiv\u003e7. How I Wish My Train Would Come (4:32)\u003c\/div\u003e\n\u003cdiv\u003e8. Ain't No Grave (3:51)\u003c\/div\u003e\n\u003cdiv\u003e9. Let It Roll (4:02)\u003c\/div\u003e\n\u003cdiv\u003e10. My Leavin' (2:25)\u003c\/div\u003e\n\u003ch4\u003eVolume II\u003c\/h4\u003e\n\u003cdiv\u003e1. Horseshoe (Reprise) (3:01)\u003c\/div\u003e\n\u003cdiv\u003e2. Highwater (Soldier) (3:06)\u003c\/div\u003e\n\u003cdiv\u003e3. And It Hurts (3:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Storm (4:38)\u003c\/div\u003e\n\u003cdiv\u003e5. Mojo, Mojo (3:33)\u003c\/div\u003e\n\u003cdiv\u003e6. Ol' Cannonball (2:44)\u003c\/div\u003e\n\u003cdiv\u003e7. Devilment (3:21)\u003c\/div\u003e\n\u003cdiv\u003e8. Blow Out (1:59)\u003c\/div\u003e\n\u003cdiv\u003e9. Mayor Langford Birmingham Blues (2:49)\u003c\/div\u003e\n\u003cdiv\u003e10. Shake (Yo Mama) (3:19)\u003c\/div\u003e\n\u003cdiv\u003e11. Horseshoe (3:46)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396634620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.5.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455527891099,"sku":"451146","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-luther-dickinson-blues-ballads-a-folksinger-s-songbook-volumes-i-ii-cd-relix.jpg?v=1777605376"},{"product_id":"drive-by-truckers-blessing-a-curse-digipak-cd","title":"Drive-By Truckers – Blessing \u0026 A Curse (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at the peak of the band's creative momentum following the Southern rock trilogy that made their reputation, \"Blessing \u0026amp; A Curse\" finds Patterson Hood, Mike Cooley, and Jason Isbell stretching into rawer, more urgent territory. The rotating songwriting between those three distinct voices gives the album an almost live-show unpredictability, the same quality that made their marathon sets so magnetic.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Drive-By Truckers are back with another kickass CD. a Blessing and a Curse is the band's hardest rockin' CD yet. It is fitting that the final words on the album are 'It's great to be alive.' the songs on this record illustrate the triumphant struggle it takes to survive and thrive in this world. New West. 2006.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Feb 14 (3:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Gravity's Gone (3:33)\u003c\/div\u003e\n\u003cdiv\u003e3. Easy On Yourself (3:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Aftermath USA (3:16)\u003c\/div\u003e\n\u003cdiv\u003e5. Goodbye (6:09)\u003c\/div\u003e\n\u003cdiv\u003e6. Daylight (3:35)\u003c\/div\u003e\n\u003cdiv\u003e7. Wednesday (4:04)\u003c\/div\u003e\n\u003cdiv\u003e8. Little Bonnie (3:56)\u003c\/div\u003e\n\u003cdiv\u003e9. Space City (4:48)\u003c\/div\u003e\n\u003cdiv\u003e10. A Blessing And A Curse (5:31)\u003c\/div\u003e\n\u003cdiv\u003e11. A World Of Hurt (4:50)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. When The Wells Runs Dry\u003c\/div\u003e\n\u003cdiv\u003e2. Like A Rolling Stone\u003c\/div\u003e\n\u003cdiv\u003e3. Careless\u003c\/div\u003e\n\u003cdiv\u003e4. Marry Me\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396608928\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.18.06\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455531462811,"sku":"149146","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-drive-by-truckers-blessing-a-curse-digipak-cd-cd-relix.jpg?v=1777606302"},{"product_id":"drive-by-truckers-southern-rock-opera-deluxe-edition-3-lp-vinyl","title":"Drive-By Truckers – Southern Rock Opera (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePatterson Hood and Mike Cooley built *Southern Rock Opera* as both a love letter and a reckoning, wrestling the complicated legacy of the South into a double album that arrived in 2001 on a shoestring budget but with the ambition of a true epic. This deluxe pressing restores and expands the work at the scale it always deserved, giving one of the most important rock records of its era room to breathe across three sides of vinyl.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\"\u003eThis is the sales paragraph and I think it does a decent job opf summing this project up,\u003c\/span\u003e\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSouthern Rock Opera\u003c\/span\u003e\u003cspan\u003e is the third studio album by the American \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_music\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/en.wikipedia.org\/wiki\/Rock_music\u0026amp;source=gmail\u0026amp;ust=1715120151621000\u0026amp;usg=AOvVaw3rzZ3zZxJK58MZfWjbJ3d5\" rel=\"noopener\"\u003e\u003cspan\u003erock\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e band \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Drive-By_Truckers\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/en.wikipedia.org\/wiki\/Drive-By_Truckers\u0026amp;source=gmail\u0026amp;ust=1715120151621000\u0026amp;usg=AOvVaw0jbzQf_pE5OT898Py9WoIO\" rel=\"noopener\"\u003e\u003cspan\u003eDrive-By Truckers\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cspan\u003e released in 2001. Originally released as a  \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Double_album\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/en.wikipedia.org\/wiki\/Double_album\u0026amp;source=gmail\u0026amp;ust=1715120151621000\u0026amp;usg=AOvVaw0QSDF0LxSyUfSQ_SM0fOUg\" rel=\"noopener\"\u003e\u003cspan\u003edouble album\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e covering an ambitious range of subject matter from the politics of race to 1970s stadium rock, \u003c\/span\u003e\u003cspan\u003eSouthern Rock Opera\u003c\/span\u003e\u003cspan\u003e either imagines, or filters, every topic through the context of legendary Southern band \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Lynyrd_Skynyrd\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/en.wikipedia.org\/wiki\/Lynyrd_Skynyrd\u0026amp;source=gmail\u0026amp;ust=1715120151621000\u0026amp;usg=AOvVaw1YQkEW8gPZpzs3baBg_mVB\" rel=\"noopener\"\u003e\u003cspan\u003eLynyrd Skynyrd\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cspan\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eNew West Records is proud to present a remixed and remastered deluxe edition LP featuring a resequenced record as well as a third disc with multiple bonus tracks including a song “Mystery Song” that was recorded one night in Birmingham. Lead Singer, Patterson Hood explains, “\u003c\/span\u003e\u003cspan\u003e“Birmingham” and “Moved” were originally part of Act I on the original CD release. This is the first vinyl version to feature “Moved” and we felt that “Birmingham” would be the best other song to move without messing up the story element of Betamax Guillotine. We moved them here to keep the vinyl sides within time of maximum high fidelity. (Under 23 minutes per mastering guidelines)\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eIn the process of re-mixing the original tracks for the album. We stumbled upon a mysterious track that was recorded late one night in Birmingham. None of us have any memory whatsoever of recording it. The song itself was never even written down, just made up on the spot while the tape was rolling. We’re calling it “Mystery Song.” It’s actually a keeper.”\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\"\u003e\u003cbr\u003eThis 3-disc deluxe edition comes packed in a foil stamped rigid slipcase with the original album packaged as a 2xLP set in gatefold. The 3rd LP is packaged in a separate jacket. Each record comes with a  28-page book that is given the spot gloss treatment throughout.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396583218\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.26.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Days Of Graduation\u003c\/div\u003e\n\u003cdiv\u003e2. Ronnie And Neil\u003c\/div\u003e\n\u003cdiv\u003e3. 72 (This Highway's Mean)\u003c\/div\u003e\n\u003cdiv\u003e4. Dead, Drunk And Naked\u003c\/div\u003e\n\u003cdiv\u003e5. Guitar Man Upstairs\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Southern Thing\u003c\/div\u003e\n\u003cdiv\u003e2. The Great Alabama Icons\u003c\/div\u003e\n\u003cdiv\u003e3. Wallace\u003c\/div\u003e\n\u003cdiv\u003e4. Zip City\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Let There Be Rock\u003c\/div\u003e\n\u003cdiv\u003e2. Road Cases\u003c\/div\u003e\n\u003cdiv\u003e3. Women Without Whiskey\u003c\/div\u003e\n\u003cdiv\u003e4. Plastic Flowers On The Highway\u003c\/div\u003e\n\u003cdiv\u003e5. Cassie's Brother\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Life In The Factory\u003c\/div\u003e\n\u003cdiv\u003e2. Shut Up And Get On The Plane\u003c\/div\u003e\n\u003cdiv\u003e3. Greenville To Baton Rouge\u003c\/div\u003e\n\u003cdiv\u003e4. Angels And Fuselage\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Birmingham\u003c\/div\u003e\n\u003cdiv\u003e2. Mystery Song\u003c\/div\u003e\n\u003cdiv\u003e3. Moved\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Don’t Cockblock The Rock\u003c\/div\u003e\n\u003cdiv\u003e2. Zip City\u003c\/div\u003e\n\u003cdiv\u003e3. Road Cases\u003c\/div\u003e\n\u003cdiv\u003e4. 72 (This Highway’s Mean)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455535296667,"sku":"239958","price":82.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-drive-by-truckers-southern-rock-opera-deluxe-edition-3-lp-vinyl-vinyl-lp-relix.jpg?v=1777606184"},{"product_id":"kris-kristofferson-live-from-austin-texas-cd","title":"Kris Kristofferson – Live from Austin Texas (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKristofferson arrived in Nashville as a janitor at Columbia Recording Studios and left as one of the most important songwriters in American music history, placing songs with Johnny Cash, Ray Charles, and Janis Joplin before most people knew his name. This Austin City Limits document captures a writer's writer performing material that long ago transcended country radio and entered the permanent American songbook.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe latest release from the highly anticipated LIVE FROM AUSTIN, TX, this Austin City Limits performance includes many of Kris's classic songs including: \"Me And Bobby McGee,\" \"For the Good Times,\" \"Help Me Make It Through the Night\" among many others.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Star Crossed (3:08)\u003c\/div\u003e\n\u003cdiv\u003e2. You Show Me Yours (And I'll Show Mine) \/ Stranger (3:11)\u003c\/div\u003e\n\u003cdiv\u003e3. Here Comes That Rainbow Again (2:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Help Me Make It Through The Night (2:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Me And Bobby McGee (4:03)\u003c\/div\u003e\n\u003cdiv\u003e6. Magdalene (3:43)\u003c\/div\u003e\n\u003cdiv\u003e7. Nobody Loves Anybody Anymore (3:08)\u003c\/div\u003e\n\u003cdiv\u003e8. Darby's Castle (3:10)\u003c\/div\u003e\n\u003cdiv\u003e9. Casey's Last Ride (4:03)\u003c\/div\u003e\n\u003cdiv\u003e10. The Pilgrim (2:35)\u003c\/div\u003e\n\u003cdiv\u003e11. For The Good Times (3:50)\u003c\/div\u003e\n\u003cdiv\u003e12. Loving Her Was Easier (Than Anything I'll Ever Do Again) (4:00)\u003c\/div\u003e\n\u003cdiv\u003e13. Sunday Mornin' Comin' Down (2:28)\u003c\/div\u003e\n\u003cdiv\u003e14. Silver Tongued Devil (2:08)\u003c\/div\u003e\n\u003cdiv\u003e15. Smile At Me Again (3:19)\u003c\/div\u003e\n\u003cdiv\u003e16. Why Me (3:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396609826\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.30.06\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455565115547,"sku":"641329","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-kris-kristofferson-live-from-austin-texas-cd-relix.jpg?v=1777575297"},{"product_id":"los-lobos-native-sons-lp-vinyl","title":"Los Lobos – Native Sons (2-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe cover art of this collection of (mostly) cover songs says it all: the five veteran members of Los Lobos standing in silhouette on an East L.A. overlook; the downtown skyline in the distance to their left; the setting sun just above the ocean's horizon to their right. The band tying the connective soundtrack between the City of Angels and the sea.\u003c\/p\u003e\u003cp\u003eThis letter of affection to Southern California-spawned songs, near and dear to the hometown boys from Whittier Blvd., comes alive on the opening \"Love Special Delivery,\" tipping the hat to local '60s stalwarts, Thee Midnighters, immediately bringing back the heat of fast cars and flying fringe skirts. The 13-track journey around town culminates with \"Where Lovers Go,\" a Chicano soul classic from '65, and a reliable closer from the early days when Lobos was an ambitious group working the wedding circuit. Yet, in between, this conscientious homage to the quintet's roots is no nostalgia trip. Instead, it's a proper and present Los Lobos album in all but authorship.\u003c\/p\u003e\u003cp\u003eIndeed, the enduring band from East L.A. is taking a deliberate strut down its lane of memories, stopping to check in with influences ranging from starships Stephen Stills, Jackson Browne, and The Beach Boys to personal heroes such as Lalo Guerrero (on \"Los Chucos Suaves\") or Don Harris and Dewey Terry (on \"Farmer John\"). It's also attacking each tribute the same way it delivers the new original track, \"Native Son;\" with a guitar-helmed, united front that appreciates subtle melodic, harmonic, and poetic nuances as much as it lights the backyard barbeque.\u003c\/p\u003e\u003cp\u003eLos Lobos has never been a band to time-stamp its work. If anything, the ensemble has written and performed its vast repertoire always as in-the-moment expressions. Decades old or newly drafted, cover or original, once in the hands and voices of these five the music becomes property of the wolves.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2021\/09\/17\/los-lobos-native-sons\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFifty years into their run, Los Lobos remain one of the great American bands precisely because East Los Angeles was never just a backdrop for them, it was the whole story. Native Sons makes that argument explicit, tracing the sonic DNA of a city through songs that shaped them long before they were recording artists themselves. Hearing them move from surf and folk rock to brown-eyed soul and beyond, you realize the playlist was always inside the band.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eLos Angeles based band, \u003c\/span\u003e\u003cspan\u003eLos Lobos\u003c\/span\u003e\u003cspan\u003e, have always been inspired by their surroundings and the place they call home. \u003c\/span\u003e\u003cspan\u003eTheir music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R\u0026amp;B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. With \u003c\/span\u003e\u003cspan\u003eNative Sons\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ethe band set out to showcase all of these influences with their own take on the songs of Los Angeles from some of the cities greatest songwriters.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eNative Sons\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003efeatures 13-songs from well known LA artists such as Buffalo Springfield, WAR, Jackson Browne and the Beach Boys as well as deep cuts from the Jaguars, The Basters and The Premiers. The album title track is the sole original composition written by the band. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Love Special Delivery\u003c\/div\u003e\n\u003cdiv\u003e2. Misery\u003c\/div\u003e\n\u003cdiv\u003e3. Bluebird\/For What It’s Worth\u003c\/div\u003e\n\u003cdiv\u003e4. Los Chucos Suaves\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Jamaica Say You Will\u003c\/div\u003e\n\u003cdiv\u003e2. Never No More\u003c\/div\u003e\n\u003cdiv\u003e3. Native Son\u003c\/div\u003e\n\u003cdiv\u003e4. Farmer John\u003c\/div\u003e\n\u003cdiv\u003e5. Dichoso\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Sail On, Sailor\u003c\/div\u003e\n\u003cdiv\u003e2. The World Is A Ghetto\u003c\/div\u003e\n\u003cdiv\u003e3. Flat Top Joint\u003c\/div\u003e\n\u003cdiv\u003e4. Where Lovers Go\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396551415\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.30.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600405737627,"sku":"135486","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-los-lobos-native-sons-vinyl-lp-relix.jpg?v=1779321702"},{"product_id":"los-lobos-native-sons-cd","title":"Los Lobos – Native Sons (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe cover art of this collection of (mostly) cover songs says it all: the five veteran members of Los Lobos standing in silhouette on an East L.A. overlook; the downtown skyline in the distance to their left; the setting sun just above the ocean's horizon to their right. The band tying the connective soundtrack between the City of Angels and the sea.\u003c\/p\u003e\u003cp\u003eThis letter of affection to Southern California-spawned songs, near and dear to the hometown boys from Whittier Blvd., comes alive on the opening \"Love Special Delivery,\" tipping the hat to local '60s stalwarts, Thee Midnighters, immediately bringing back the heat of fast cars and flying fringe skirts. The 13-track journey around town culminates with \"Where Lovers Go,\" a Chicano soul classic from '65, and a reliable closer from the early days when Lobos was an ambitious group working the wedding circuit. Yet, in between, this conscientious homage to the quintet's roots is no nostalgia trip. Instead, it's a proper and present Los Lobos album in all but authorship.\u003c\/p\u003e\u003cp\u003eIndeed, the enduring band from East L.A. is taking a deliberate strut down its lane of memories, stopping to check in with influences ranging from starships Stephen Stills, Jackson Browne, and The Beach Boys to personal heroes such as Lalo Guerrero (on \"Los Chucos Suaves\") or Don Harris and Dewey Terry (on \"Farmer John\"). It's also attacking each tribute the same way it delivers the new original track, \"Native Son;\" with a guitar-helmed, united front that appreciates subtle melodic, harmonic, and poetic nuances as much as it lights the backyard barbeque.\u003c\/p\u003e\u003cp\u003eLos Lobos has never been a band to time-stamp its work. If anything, the ensemble has written and performed its vast repertoire always as in-the-moment expressions. Decades old or newly drafted, cover or original, once in the hands and voices of these five the music becomes property of the wolves.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2021\/09\/17\/los-lobos-native-sons\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eEast LA's finest have spent five decades proving that the city's musical DNA runs deeper than Hollywood myths. Native Sons finds Los Lobos doing what no other band could, tracing a lineage that runs from the barrio to the Sunset Strip and back, with the kind of lived-in authority that comes from growing up inside all of it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eLos Angeles based band, \u003c\/span\u003e\u003cspan\u003eLos Lobos\u003c\/span\u003e\u003cspan\u003e, have always been inspired by their surroundings and the place they call home. \u003c\/span\u003e\u003cspan\u003eTheir music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R\u0026amp;B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. With \u003c\/span\u003e\u003cspan\u003eNative Sons\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ethe band set out to showcase all of these influences with their own take on the songs of Los Angeles from some of the cities greatest songwriters.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eNative Sons\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003efeatures 13-songs from well known LA artists such as Buffalo Springfield, WAR, Jackson Browne and the Beach Boys as well as deep cuts from the Jaguars, The Basters and The Premiers. The album title track is the sole original composition written by the band. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Love Special Delivery (2:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Misery (2:33)\u003c\/div\u003e\n\u003cdiv\u003e3. Bluebird\/For What It's Worth (6:39)\u003c\/div\u003e\n\u003cdiv\u003e4. Los Chucos Suaves (3:24)\u003c\/div\u003e\n\u003cdiv\u003e5. Jamaica Say You Will (3:16)\u003c\/div\u003e\n\u003cdiv\u003e6. Never No More (2:36)\u003c\/div\u003e\n\u003cdiv\u003e7. Native Son (3:21)\u003c\/div\u003e\n\u003cdiv\u003e8. Farmer John (2:29)\u003c\/div\u003e\n\u003cdiv\u003e9. Dichoso (3:36)\u003c\/div\u003e\n\u003cdiv\u003e10. Sail On, Sailor (3:20)\u003c\/div\u003e\n\u003cdiv\u003e11. The World Is A Ghetto (8:33)\u003c\/div\u003e\n\u003cdiv\u003e12. Flat Top Joint (2:51)\u003c\/div\u003e\n\u003cdiv\u003e13. Where Lovers Go (4:32)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396651627\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.30.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600439029915,"sku":"396440","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-los-lobos-native-sons-cd-relix.jpg?v=1779321739"},{"product_id":"emmylou-harris-spyboy-clear-lp-vinyl","title":"Emmylou Harris – Spyboy - (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSpyboy the band brought together Buddy Miller, his wife Julie Miller, and drummer Brady Blade, a lineup that rewired Harris's country songbook with electric grit and loose-limbed interplay. Where her studio work of that era leaned toward the pristine productions of Daniel Lanois, these live performances let the songs breathe and sprawl, closer in spirit to the exploratory end of the Americana spectrum than anything Nashville was doing at the time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e“A good song can survive and shine in different ways in the hands of different musicians,” says Emmylou Harris. “It can have different meanings at different times in your life. A good song can travel with you anywhere.” It’s that philosophy which has guided her fifty-year career in music, where she has covered countless songs across countless genres and put her own indelible stamp on each one. The same philosophy animates both Spyboy, her touring band in the late 1990s, and Spyboy, the 1998 live album that demonstrates how these musicians made her songs shine. Sequencing old songs alongside new ones, the album tests the tensile strength of each one, pushing them into wilder and more psychedelic territory while remaining grounded in earthy country music. It’s completely unique in her catalog, a crucial document of an important chapter in her career, and it’s finally getting reissued after years of being unavailable. “It’s such a special record,” she says. “Well, they all are, but this one is really, really special. That was such a fantastic band and such an amazing time.”\u003c\/p\u003e\u003cp\u003eSpyboy grew out of Wrecking Ball, Harris’ groundbreaking 1995 collaboration with producer Daniel Lanois. That album, among her best and most celebrated, offers a very different idea of what country music could be, how it might sound and move. In 1996 and 1997 together with Buddy Miller, Brady Blade and Daryl Johnson - the band, also named Spyboy, toured America and Europe together, never playing a song the same way twice. Buddy Miller brought along his recording gear to record nearly every show on the tour. When their time on the road ended, Miller and Harris sat down together and they culled through hundreds of tracks to choose the ones that best represented the Spyboy ethos of endless possibility. They whittled the original release down to 14 tracks and in 1998 Eminent Records released Spyboy on CD.\u003c\/p\u003e\u003cp\u003eNew West Records is proud to put Spyboy back in print after 27 years. The CD features four unreleased bonus tracks from the original show recordings. The LP is being pressed for the second time (RSD ‘25) and is available on clear vinyl and features five unreleased bonus tracks from the original show recordings.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. My Songbird\u003c\/div\u003e\n\u003cdiv\u003e2. Where Will I Be\u003c\/div\u003e\n\u003cdiv\u003e3. I Ain't Living Long Like This\u003c\/div\u003e\n\u003cdiv\u003e4. Love Hurts\u003c\/div\u003e\n\u003cdiv\u003e5. Green Pastures\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Deeper Well\u003c\/div\u003e\n\u003cdiv\u003e2. Prayer In Open D\u003c\/div\u003e\n\u003cdiv\u003e3. Calling My Children Home\u003c\/div\u003e\n\u003cdiv\u003e4. Tulsa Queen\u003c\/div\u003e\n\u003cdiv\u003e5. Wheels\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Born To Run\u003c\/div\u003e\n\u003cdiv\u003e2. Boulder To Birmingham\u003c\/div\u003e\n\u003cdiv\u003e3. All My Tears\u003c\/div\u003e\n\u003cdiv\u003e4. The Maker\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Thing About You\u003c\/div\u003e\n\u003cdiv\u003e2. All I Left Behind\u003c\/div\u003e\n\u003cdiv\u003e3. Every Grain Of Sand\u003c\/div\u003e\n\u003cdiv\u003e4. Get Up John\u003c\/div\u003e\n\u003cdiv\u003e5. Sweet Old World\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396595310\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600466489499,"sku":"13094590","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Emmylou-Harris-Spyboy-Clear-LP-Vinyl.jpg?v=1779194582"},{"product_id":"emmylou-harris-spyboy-cd","title":"Emmylou Harris – Spyboy (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSpyboy the band grew out of Harris's restless desire to push her sound somewhere unexpected: drummer Brady Blade, bassist Daryl Johnson, and guitarist Buddy Miller brought a looseness and electric unpredictability that stripped her catalog down to its emotional core while simultaneously expanding it. Miller's presence in particular is crucial here, his guitar work threading the needle between roots reverence and something genuinely untamed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e“A good song can survive and shine in different ways in the hands of different musicians,” says Emmylou Harris. “It can have different meanings at different times in your life. A good song can travel with you anywhere.” It’s that philosophy which has guided her fifty-year career in music, where she has covered countless songs across countless genres and put her own indelible stamp on each one. The same philosophy animates both Spyboy, her touring band in the late 1990s, and Spyboy, the 1998 live album that demonstrates how these musicians made her songs shine. Sequencing old songs alongside new ones, the album tests the tensile strength of each one, pushing them into wilder and more psychedelic territory while remaining grounded in earthy country music. It’s completely unique in her catalog, a crucial document of an important chapter in her career, and it’s finally getting reissued after years of being unavailable. “It’s such a special record,” she says. “Well, they all are, but this one is really, really special. That was such a fantastic band and such an amazing time.”\u003c\/p\u003e\u003cp\u003eSpyboy grew out of Wrecking Ball, Harris’ groundbreaking 1995 collaboration with producer Daniel Lanois. That album, among her best and most celebrated, offers a very different idea of what country music could be, how it might sound and move. In 1996 and 1997 together with Buddy Miller, Brady Blade and Daryl Johnson - the band, also named Spyboy, toured America and Europe together, never playing a song the same way twice. Buddy Miller brought along his recording gear to record nearly every show on the tour. When their time on the road ended, Miller and Harris sat down together and they culled through hundreds of tracks to choose the ones that best represented the Spyboy ethos of endless possibility. They whittled the original release down to 14 tracks and in 1998 Eminent Records released Spyboy on CD.\u003c\/p\u003e\u003cp\u003eNew West Records is proud to put Spyboy back in print after 27 years. The CD features four unreleased bonus tracks from the original show recordings. The LP is being pressed for the second time (RSD ‘25) and is available on clear vinyl and features five unreleased bonus tracks from the original show recordings.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. My Songbird (3:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Where Will I Be (4:21)\u003c\/div\u003e\n\u003cdiv\u003e3. I Ain't Living Long Like This (4:12)\u003c\/div\u003e\n\u003cdiv\u003e4. Love Hurts (3:04)\u003c\/div\u003e\n\u003cdiv\u003e5. Green Pastures (3:06)\u003c\/div\u003e\n\u003cdiv\u003e6. Deeper Well (7:08)\u003c\/div\u003e\n\u003cdiv\u003e7. Prayer In Open D (4:09)\u003c\/div\u003e\n\u003cdiv\u003e8. Calling My Children Home (3:04)\u003c\/div\u003e\n\u003cdiv\u003e9. Tulsa Queen (4:31)\u003c\/div\u003e\n\u003cdiv\u003e10. Wheels (3:04)\u003c\/div\u003e\n\u003cdiv\u003e11. Born To Run (4:45)\u003c\/div\u003e\n\u003cdiv\u003e12. Boulder To Birmingham (3:22)\u003c\/div\u003e\n\u003cdiv\u003e13. All My Tears (5:07)\u003c\/div\u003e\n\u003cdiv\u003e14. The Maker (8:31)\u003c\/div\u003e\n\u003cdiv\u003e15. Thing About You (4:25)\u003c\/div\u003e\n\u003cdiv\u003e16. All I Left Behind (3:25)\u003c\/div\u003e\n\u003cdiv\u003e17. Get Up John (3:32)\u003c\/div\u003e\n\u003cdiv\u003e18. Sweet Old World (4:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396660728\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600478482587,"sku":"26161392","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-emmylou-harris-spyboy-cd-relix.jpg?v=1779370354"},{"product_id":"johnny-cash-live-from-austin-tx-colc-red-stic-aniv-cassette","title":"Johnny Cash – Live From Austin, TX (Cassette)","description":"\u003cp\u003eThis is a limited edition, one-time color pressing of this classic live record from Austin City Limits. Celebrate 50 years of this iconic TV show with a RED CASSETTE.\u003c\/p\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRing Of Fire\u003c\/li\u003e\n\u003cli\u003eFolsom Prison Blues\u003c\/li\u003e\n\u003cli\u003eSunday Mornin' Comin' Down\u003c\/li\u003e\n\u003cli\u003eI Walk The Line\u003c\/li\u003e\n\u003cli\u003eThe Wall\u003c\/li\u003e\n\u003cli\u003eLong Black Veil\u003c\/li\u003e\n\u003cli\u003eBig River\u003c\/li\u003e\n\u003cli\u003eI'll Go Somewhere And Sing My Songs Again\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLet Him Roll\u003c\/li\u003e\n\u003cli\u003eBallad Of Barbara\u003c\/li\u003e\n\u003cli\u003eSam Stone\u003c\/li\u003e\n\u003cli\u003e(Ghost) Riders In The Sky\u003c\/li\u003e\n\u003cli\u003eWhere Did We Go Right? 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All titles have been backordered or out of stock. These are all limited edition, one time color pressings. Get 'em while you can\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. All The Gifts I Need (2:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Bad Kid (3:14)\u003c\/div\u003e\n\u003cdiv\u003e3. Hey Skinny Santa! (2:54)\u003c\/div\u003e\n\u003cdiv\u003e4. Socks (3:33)\u003c\/div\u003e\n\u003cdiv\u003e5. Every Single Christmas (2:27)\u003c\/div\u003e\n\u003cdiv\u003e6. Ugly Sweater Blues (2:56)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Holly, Carol, Candy \u0026amp; Joy (3:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Santa's Got A Mean Machine (2:34)\u003c\/div\u003e\n\u003cdiv\u003e3. What's That Sound? (2:33)\u003c\/div\u003e\n\u003cdiv\u003e4. Claus vs. Claus (3:39)\u003c\/div\u003e\n\u003cdiv\u003e5. Twinkle (Little Christmas Lights) (2:04)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396587117\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.29.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669934190747,"sku":"131041","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-jd-mcpherson-socks-pict-lp-vinyl-vinyl-lp-relix.jpg?v=1781124464"},{"product_id":"warren-zevon-preludes-2-cd","title":"Warren Zevon – Preludes (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLong before the sardonic wit and Hollywood Babylon darkness of his 1976 self-titled breakthrough, Zevon was haunting Los Angeles as a journeyman songwriter, absorbing the Laurel Canyon scene while honing the literary instincts that would later earn him comparisons to Raymond Chandler set to music. These early recordings capture an artist still assembling the pieces, and hearing \"Werewolves of London\" in an unreleased form is a rare window into how a genuine cult classic took shape.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePRELUDES includes 16 rare and unreleased recordings by the great Warren Zevon. Featuring an unreleased version of the hit song \"Werewolves of London\". Also includes a bonus CD with an interview\/radio special recorded in 2000. Tracks: \"Studebaker,\" \"Going All the Way,\" \"Carmelita,\" \"Steady Rain\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Empty Hearted Town (3:04)\u003c\/div\u003e\n\u003cdiv\u003e2. Steady Rain (4:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Join Me In L.A. (2:27)\u003c\/div\u003e\n\u003cdiv\u003e4. Hasten Down The Wind (2:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Werewolves Of London (3:36)\u003c\/div\u003e\n\u003cdiv\u003e6. Tule's Blues (3:02)\u003c\/div\u003e\n\u003cdiv\u003e7. The French Inhaler (3:31)\u003c\/div\u003e\n\u003cdiv\u003e8. Going All The Way (2:15)\u003c\/div\u003e\n\u003cdiv\u003e9. Poor Poor Pitiful Me (3:09)\u003c\/div\u003e\n\u003cdiv\u003e10. Studebaker (2:24)\u003c\/div\u003e\n\u003cdiv\u003e11. Accidentally Like A Martyr (3:05)\u003c\/div\u003e\n\u003cdiv\u003e12. Carmelita (3:56)\u003c\/div\u003e\n\u003cdiv\u003e13. I Used To Ride So High (2:43)\u003c\/div\u003e\n\u003cdiv\u003e14. Stop Rainin' Lord (2:11)\u003c\/div\u003e\n\u003cdiv\u003e15. The Rosarita Beach Café (4:08)\u003c\/div\u003e\n\u003cdiv\u003e16. Desperados Under The Eaves (3:44)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. I Was In The House When The House Burned Down (3:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Discourse - Warren Waxes And Wanes On Songwriting, Los Angeles, Modern Classical Music, The Early Days Of  His Career And Playing The Guitar Versus The Piano. (7:14)\u003c\/div\u003e\n\u003cdiv\u003e3. Discourse - Musings On Mortality, Song Noir, Religion In His Music And The King Of Rock N' Roll. (5:07)\u003c\/div\u003e\n\u003cdiv\u003e4. Discourse - A Chat About The Producers Of \"Life'll Kill Ya\", The Album's Stark Sound And Other Singers Covering His Songs. (5:09)\u003c\/div\u003e\n\u003cdiv\u003e5. Back In The Highlife (3:11)\u003c\/div\u003e\n\u003cdiv\u003e6. Discourse - His Take On Steve Winwood's Classic, The Split Personality, Images And Inspirations In His Compositions. (3:58)\u003c\/div\u003e\n\u003cdiv\u003e7. Discourse - His Feelings About The Rhino Records 2 CD Anthology Of His Work, The Size Of His Audience, Having His Music Used On TV Shows And Movies, Acting, Performing And The Response To \"Don't Let Us Get Sick\". 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Catching him live with Eddy, whose ferocious Telecaster work gave his father's plain-spoken gospel a raw, electric spine, was witnessing a family legacy in full bloom.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis 2-disc CD and DVD combo set is special for more than catching Billy Joe in his prime. It also features his now deceased guitar virtuoso son Eddy, as he thrills on his axe. Together you will see and hear 15 of Billy Joe's greatest hits. 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The band's ability to stretch songs into sprawling, hypnotic territory made them a natural fit for the festival circuit and late-night listening alike, drawing in fans who cut their teeth on heavy psych and electric blues.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2014 witnessed the release of All Them Witches, Lightning At The Door. Birthed to the world was an 8-song, kick you in the teeth, swirling mixture of rock, blues, psych and jam. A supernatural commutation channeling darkness and illumination. 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Recorded at the same Nashville room where Elvis, Chet Atkins, and the Everly Brothers made history, this one finds McPherson pushing against his own established sound, trading polish for fuzz and vulnerability.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJD McPherson presents what he calls \"A truly romantic garage rock record\". Undivided Heart \u0026amp; Soul produced by Dan Molad (Lucius) \u0026amp; McPherson, and developed largely in the studio (that studio being the historic RCA Studio B in Nashville), carries a sense of immediacy and irreverence. \"In writing this record, I threw several handfuls of caution to the wind. Lyrically, I was allowing myself to be exposed in a way I never have before. Concurrently, maybe as some sort of a self defense mechanism, the guitars got fuzzier and louder. The first day at RCA was like being in church... by the second day, it was a high school band's rehearsal space.\" Putting the hands of Dan Molad on the wheel of the record ensured that the music didn't take too many expected turns. \"Having toured with Lucius and befriended Dan, I knew he was the guy to push my buttons and challenge me to try new things. He's a tireless worker. He's constantly tinkering away on something... and music just falls out of him.\" The vintage recording equipment and instruments still housed in RCA Studio B greatly informed the direction of the record. \"Each night, at the end of tracking, someone would invariably say, \"You wanna put vibes on this?\", speaking of the old RCA Vibraphone. I mean, you can hear THAT vibraphone on Roy Orbison's \"Crying\"... we couldn't keep our hands off of it. It guided some of the songs into some strange and wonderful places. \"Lucky Penny\" took such a cool turn once Ray (Jacildo, keys) added some to it. We wrote several songs on the piano that Floyd Cramer played \"Last Date\" on. We were soaking up so much of the phantom energy in that room, it led to some incredible sonic territory.\" \"Most folks know us for our take on vintage R\u0026amp;B and early Rock N' Roll. The past year, I've been digging so much into the heavier, brasher sounds of early Rock N' Roll... from bands like The Sonics, Link Wray, and into some early British Rock such as The Creation... these influences feature heavily in these songs. \"The tunes that showed up weren't exactly always in familiar territory, and... we greeted them as welcome strangers. 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This live document from Austin captures him in his natural element, holding court in the city he helped put on the musical map long before anyone was calling it weird.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396576814\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.17.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. (Is Anybody Goin' To) San Antone (3:32)\u003c\/div\u003e\n\u003cdiv\u003e2. Cotton Eyed Joe (1:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Rains Came (3:49)\u003c\/div\u003e\n\u003cdiv\u003e4. Papa Ain't Salty (4:01)\u003c\/div\u003e\n\u003cdiv\u003e5. Stormy Monday (5:37)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. At The Crossroads (6:11)\u003c\/div\u003e\n\u003cdiv\u003e2. Nuevo Laredo (3:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Dynamite Woman (3:40)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Mendocino (5:06)\u003c\/div\u003e\n\u003cdiv\u003e2. It's Gonna Be Easy (3:40)\u003c\/div\u003e\n\u003cdiv\u003e3. She's About A Mover (6:21)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669934649499,"sku":"82175","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Doug-Sahm-Live-From-Austin-TX-2-LP-Vinyl.jpg?v=1780489526"},{"product_id":"dwight-yoakam-live-from-austin-tx-remastered-cd","title":"Dwight Yoakam – Live From Austin, TX (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDwight Yoakam arrived at the Austin City Limits studio in 1988 as one of the architects of the honky-tonk revival, already two albums deep into proving that Bakersfield-influenced country had a pulse while Nashville played it safe. This October taping catches his band at a lean, road-hardened peak, with Pete Anderson's Telecaster doing the kind of work that reminded everyone where country's backbone actually lived.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis is Dwight Yoakam live from the Austin City Limits TV studio. Taped in October 1988, this CD features many of Dwight Yoakam's signature songs and includes many songs not included the original broadcast. 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Isaac Gibson's songwriting carries the weight of real place and real consequence, rooted in the same Appalachian tradition that runs through the Carter Family and on through every hard-luck country song that ever meant something.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRussell County, Virginia-based \u003c\/span\u003e\u003cspan\u003e49 Winchester\u003c\/span\u003e\u003cspan\u003e is following up their 2022 breakthrough hit, \u003c\/span\u003e\u003cspan\u003eFortune Favors The Bold \u003c\/span\u003e\u003cspan\u003ewith their latest album,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eLeavin’ This Holler. \u003c\/span\u003e\u003cspan\u003eSince their last release in 2022 the band has mined success across the globe by playing multiple sold out tours in the US as well as a sold out run of arena concerts opening for Luke Combs across Europe. Crowds have celebrated and supported this band across the globe and the band’s hard workin ways continue to help build their devoted following.\u003c\/span\u003e\u003cb id=\"m_4987991493297581372m_8904627759330882346gmail-docs-internal-guid-12b63de6-7fff-c1c7-4d09-176b915d5b70\"\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLeavin’ This Holler\u003c\/span\u003e\u003cspan\u003e is a soulful anthem of liberation and renewal. The album narrates a journey of breaking free from the chains of the past to pursue happiness and freedom. With a resolute spirit and a clean washed heart, 49 Winchester embraces change and sets out on a quest for new heights. Fortune has favored these bold boys and fueled by determination and the promise of a bright future, ‘Leavin’ this holler’ is a powerful ode to resilience and the pursuit of personal fulfillment.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Favor\u003c\/div\u003e\n\u003cdiv\u003e2. Hillbilly Happy\u003c\/div\u003e\n\u003cdiv\u003e3. Yearnin' For You\u003c\/div\u003e\n\u003cdiv\u003e4. Make It Count\u003c\/div\u003e\n\u003cdiv\u003e5. Leavin' This Holler\u003c\/div\u003e\n\u003cdiv\u003e6. Fast Asleep\u003c\/div\u003e\n\u003cdiv\u003e7. Tulsa\u003c\/div\u003e\n\u003cdiv\u003e8. Rest Of My Days\u003c\/div\u003e\n\u003cdiv\u003e9. Traveling Band\u003c\/div\u003e\n\u003cdiv\u003e10. Anchor\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396658121\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.2.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669935173787,"sku":"30632","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-49-winchester-leavin-this-holler-cd-relix.jpg?v=1780802428"},{"product_id":"the-devil-makes-three-spirits-lp-vinyl","title":"The Devil Makes Three – Spirits (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSanta Cruz's Devil Makes Three have spent two decades proving that old-time string band music never lost its teeth. Spirits finds Pete Bernhard, Lucia Turino, and Cooper McBean pushing their songwriting into sharper, more urgent territory, the kind of record that sits comfortably beside a Dog House Roses reissue but hits with the immediacy of something written last Tuesday.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe beauty of The Devil Makes Three is the way they take an old-time musical genre and, by putting their own imprint on it, turn it into something that lives and breathes anew, passing the torch to a new generation, just as stateside rock fans learned about the likes of pioneers Little Richard, Chuck Berry, Jerry Lee Lewis and Buddy Holly from the first wave of British Invasion bands. With their latest album, Spirits, the band continues this tradition by incorporating their signature  punk, folk and bluegrass sound along with country and singer-songwriter leanings.\u003c\/p\u003e\u003cp\u003e“That’s what we set out to do. We wanted to use these musical forms to talk about current issues,” explains Pete Bernhard.  “We didn’t want to just sing about trains and mining and drinking. For myself, it didn’t seem relevant. Folk music should be about what’s happening now, just as it was when Woody Guthrie and Bob Dylan did it. Our music is not just a re-enactment of something old and dusty.”\u003c\/p\u003e\u003cp\u003eThe song titles alone describe the band’s return to a stripped-down, drum-less sound and songs that reflect the ongoing struggle to survive amid the uncertainties of the current volatile climate: “Dark Gets the Best of You,” “Divide and Conquer,” “Ghost are Weak,” “Hard Times,” “I Love Doing Drugs,” “Poison Well” and “The Devil Wins.” The tracks were recorded at Dreamland, part of a converted church compound outside Woodstock in upstate New York which offered some haunted moments of its own, with plenty of spooky thunderstorms and lightning.\u003c\/p\u003e\u003cp\u003e“There’s definitely a theme of ghosts and death running through this album,” acknowledged Bernhard, who lost his mother, brother and closest childhood friend while making the record. “It also has a good amount of political material, a reflection on how divided people are these days, just trying to find common ground. Not being able to perform our music live led to some deep reflections.”\u003c\/p\u003e\u003cp\u003eThe Devil Makes Three have a very loyal, dedicated and diverse fan base that wouldn't necessarily spend much time together. With Spirits the band hope to continue to bring together all sides to listen to the band's take on personal hardships as well as shared struggles.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Lights On Me\u003c\/div\u003e\n\u003cdiv\u003e2. Spirits\u003c\/div\u003e\n\u003cdiv\u003e3. Ghosts Are Weak\u003c\/div\u003e\n\u003cdiv\u003e4. Half As High\u003c\/div\u003e\n\u003cdiv\u003e5. Hard Times\u003c\/div\u003e\n\u003cdiv\u003e6. The Devil Wins\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Dark Gets The Best Of You\u003c\/div\u003e\n\u003cdiv\u003e2. Fallen Champions\u003c\/div\u003e\n\u003cdiv\u003e3. The Gift\u003c\/div\u003e\n\u003cdiv\u003e4. Divide And Conquer\u003c\/div\u003e\n\u003cdiv\u003e5. I Love Doing Drugs\u003c\/div\u003e\n\u003cdiv\u003e6. Poison Well\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396589517\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669935534235,"sku":"159509","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-devil-makes-three-spirits-vinyl-lp-relix.jpg?v=1780504289"},{"product_id":"esther-rose-want-cd","title":"Esther Rose – Want (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eEsther Rose built her reputation in the New Orleans music community, where the city's deep roots in country, folk, and second-line tradition soaked into her songwriting in ways you can still hear in every record she makes. Want finds her channeling that restless, road-worn honesty into something that feels both deeply personal and universally felt, the kind of writing that reminds you why country music at its best has always been about telling the plain truth in a melody you can't shake.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEsther Rose was on a long solo drive when she started writing the opening title track of Want, her stunning fifth album. At first, the words seemed almost like a joke, something to keep herself amused as the miles passed. “I want a puppy, but I don't want a mess. I want to know where I’m going without GPS,” she sang from behind the wheel. Soon, the idea snowballed into a list of desires that spanned existential, spiritual, and mundane; romantic to platonic to familial; at once wildly ambitious yet piercingly relatable; all set to a catchy melody that blends her pop instincts with country storytelling and the raw immediacy of a basement punk show. In other words, she was on her way to another classic Esther Rose song.\u003c\/p\u003e\u003cp\u003eThis precise blend has made the Santa Fe-based artist one of her generation’s most beloved songwriters: someone whose live shows are known to conclude in mass tears and group hugs. Still, something was different this time. “For me, these songs felt like revelations,” she explains, comparing the 11-song record to a memoir, alive with kinetic storytelling and personal insight. In its newly direct and stirringly nuanced writing, you’ll hear about rock bottom encounters, shifting relationships with substances, evolving perspectives on adult partnership, and, as evidenced by those early lines in “Want,” a few jokes along the way. Vivid and bracing, Want places you in the passenger seat while each of these feelings arrive.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Want\u003c\/div\u003e\n\u003cdiv\u003e2. Tailspin\u003c\/div\u003e\n\u003cdiv\u003e3. Had To\u003c\/div\u003e\n\u003cdiv\u003e4. Ketamine\u003c\/div\u003e\n\u003cdiv\u003e5. Rescue You\u003c\/div\u003e\n\u003cdiv\u003e6. Scars\u003c\/div\u003e\n\u003cdiv\u003e7. Messenger\u003c\/div\u003e\n\u003cdiv\u003e8. New Bad\u003c\/div\u003e\n\u003cdiv\u003e9. The Clown\u003c\/div\u003e\n\u003cdiv\u003e10. Color Wheel\u003c\/div\u003e\n\u003cdiv\u003e11. Want Pt. 2\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396659524\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.2.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669935567003,"sku":"334830","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-esther-rose-want-cd-relix.jpg?v=1781127955"},{"product_id":"shaver-victory-cd","title":"Shaver – Victory (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBilly Joe Shaver wrote some of the most honest songs in outlaw country history, and his son Eddy's guitar work gave the duo a live ferocity that set them apart from the Austin mainstream. *Victory*, released in 1998, found the father-son partnership fully locked in, delivering the kind of hard-won, plainspoken spirituality that made Shaver a touchstone for everyone from Waylon Jennings to Bobby Bare.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Son Of Calvary (1:12)\u003c\/div\u003e\n\u003cdiv\u003e2. You Can't Beat Jesus Christ (3:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Cowboy Who Started The Fight (4:33)\u003c\/div\u003e\n\u003cdiv\u003e4. Live Forever (3:51)\u003c\/div\u003e\n\u003cdiv\u003e5. I'm In Love (2:22)\u003c\/div\u003e\n\u003cdiv\u003e6. If I Give My Soul (4:36)\u003c\/div\u003e\n\u003cdiv\u003e7. When The Fallen Angels Fly (3:40)\u003c\/div\u003e\n\u003cdiv\u003e8. Christian Soldier (3:05)\u003c\/div\u003e\n\u003cdiv\u003e9. My Mother's Name Is Victory (3:51)\u003c\/div\u003e\n\u003cdiv\u003e10. Old Five And Dimers (2:39)\u003c\/div\u003e\n\u003cdiv\u003e11. Presents From The Past (1:53)\u003c\/div\u003e\n\u003cdiv\u003e12. The Bow And The Arrow (1:41)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396600328\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.14.98\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669935632539,"sku":"433858","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-shaver-victory-cd-relix.jpg?v=1780544877"},{"product_id":"all-them-witches-dying-surfer-meets-his-maker-cd","title":"All Them Witches – Dying Surfer Meets His Maker (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNashville's All Them Witches built their reputation the old-fashioned way, through relentless touring and a live intensity that translates directly onto tape. Released in 2015, *Dying Surfer Meets His Maker* is the album where their slow-burning, blues-soaked approach fully crystallized, drawing as much from the meditative sprawl of early 70s rock as from the DIY underground that shaped them.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHeavy, heady and hypnotic, All Them Witches concoct a powerful and potent psychedelic sound that fuses bluesy soul, Southern swagger and thunderous hard rock.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Untitled (Hidden)\u003c\/div\u003e\n\u003cdiv\u003e2. Call Me Star (3:55)\u003c\/div\u003e\n\u003cdiv\u003e3. El Centro (8:25)\u003c\/div\u003e\n\u003cdiv\u003e4. Dirt Preachers (3:45)\u003c\/div\u003e\n\u003cdiv\u003e5. This Is Where It Falls Apart (7:02)\u003c\/div\u003e\n\u003cdiv\u003e6. Mellowing (3:11)\u003c\/div\u003e\n\u003cdiv\u003e7. Open Passageways (3:14)\u003c\/div\u003e\n\u003cdiv\u003e8. Instrumental 2 (Welcome To The Caveman Future) (2:33)\u003c\/div\u003e\n\u003cdiv\u003e9. Talisman (6:07)\u003c\/div\u003e\n\u003cdiv\u003e10. Blood And Sand \/ Milk And Endless Waters (7:20)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396644421\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669935763611,"sku":"284103","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-all-them-witches-dying-surfer-meets-his-maker-cd-relix.jpg?v=1780544053"},{"product_id":"john-hiatt-dirty-jeans-and-mudslide-hymns-cd","title":"John Hiatt – Dirty Jeans and Mudslide Hymns (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJohn Hiatt has spent five decades writing songs that other artists desperately wish they'd written first, with cuts like \"Thing Called Love\" and \"Have a Little Faith in Me\" becoming standards long before most listeners traced them back to him. This 2011 release finds him leaning hard into the gritty, road-worn side of his catalog, the kind of record that sounds like it was built for smoky rooms and late nights rather than radio playlists.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eProduced by Kevin \"Caveman\" Shirley (Silverchair, Aerosmith, Joe Bonamassa), Hiatt's timeless songwriting is paired with the aggressive blues guitar. Hiatt is back in the studio with his touring combo (Kenny Blevins on drums, Patrick O'Hearn on bass and Doug Lancio on guitars). 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Drawing on country, soul, folk, and the Nashville he grew up inside, he had a storyteller's precision that few of his generation could match.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJustin Townes Earle released Kids In The Street, his first record on New West Records, in May of 2017. The album received critical acclaim and further cemented Justin's legacy as one of the best active songwriters in music. Songs like, \"Champagne Corolla\" showcased his wry sense of humor as well as his deft ability to build upon the music that came before him while at the same time creating something unique and new. Familiar, inventive, creative, and clever. Justin would release his second album with New West Records in May of 2019. The Saint of Lost Causes was hailed as one of the best albums of 2019 by Rolling Stone Magazine with \"half a dozen or so career classics.\" \"I was trying to look through the eyes of America,\" Earle says. \"Because I believe in the idea of America - that everybody's welcome here and has a right to be here.\" Earle tells these American stories in detail and without judgement. While some songs cite historic events like \"Flint City Shake It,\" and \"Don't Drink The Water,\" other tracks present fictionalized narratives that are no less harrowing, or true-to-life, as heard in \"Appalachian Nightmare,\" \"The Saint Of Lost Causes,\" and \"Over Alameda.\"Justin Townes Earle was always a champion of the underdog and All In features in depth looks at the hopeful, and the hopeless. Fueled by empathy, baked in the blues, Justin was never without something poignant or humorous to say. Sadly, Justin passed away in 2020 at the age of 38. ALL IN: Unreleased \u0026amp; Rarities (The New West Years) is a fitting tribute to Justin's legacy. The collection features many never heard before songs, demos, and cover tunes, spanning his time as a New West Records recording artist.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Cold Comfort (Unreleased Demo For The Saint Of Lost Causes)\u003c\/div\u003e\n\u003cdiv\u003e2. Already Gone (Unreleased Demo For The Saint Of Lost Causes)\u003c\/div\u003e\n\u003cdiv\u003e3. I Know You (Unreleased Demo For The Saint Of Lost Causes)\u003c\/div\u003e\n\u003cdiv\u003e4. Troubled Eyes (Unreleased Demo For The Saint Of Lost Causes)\u003c\/div\u003e\n\u003cdiv\u003e5. Lonely Mornings (Unreleased Demo For The Saint Of Lost Causes)\u003c\/div\u003e\n\u003cdiv\u003e6. All Or Nothing (Unreleased Demo For The Saint Of Lost Causes)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. If I Was The Devil (Demo For Kids In The Street)\u003c\/div\u003e\n\u003cdiv\u003e2. Champagne Corolla (Steve Earle Show On SiriusXM)\u003c\/div\u003e\n\u003cdiv\u003e3. So Different Blues (Steve Earle Show On SiriusXM)\u003c\/div\u003e\n\u003cdiv\u003e4. Dreams (Unreleased Bonus Track From The Saint Of Lost Causes)\u003c\/div\u003e\n\u003cdiv\u003e5. Rocket 88 (Unreleased Bonus Track From The Saint Of Lost Causes)\u003c\/div\u003e\n\u003cdiv\u003e6. The Saint Of Lost Causes (Demo For The Saint Of Lost Causes – A Work In Progress)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Appalachian Nightmare (Demo For The Saint Of Lost Causes)\u003c\/div\u003e\n\u003cdiv\u003e2. Appalachian Nightmare (Album Version From The Saint Of Lost Causes)\u003c\/div\u003e\n\u003cdiv\u003e3. Over Alameda (Demo For The Saint Of Lost Causes)\u003c\/div\u003e\n\u003cdiv\u003e4. Over Alameda (Album Version From The Saint Of Lost Causes)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Glory Days (From Dead Man’s Town: A Tribute To Born In The U.S.A.)\u003c\/div\u003e\n\u003cdiv\u003e2. Far From Me (From Broken Hearts \u0026amp; Dirty Windows: Songs Of John Prine)\u003c\/div\u003e\n\u003cdiv\u003e3. Graceland (Bonus Track From Kids In The Street, Limited Release 7” And Digital Only)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396586011\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.27.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669936189595,"sku":"427288","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Justin-Earle-Townes-All-In-Unreleased-Rarities-2-LP-Vinyl.jpg?v=1780489640"},{"product_id":"robert-ellis-photographs-lavender-lp-vinyl","title":"Robert Ellis – Photographs (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRobert Ellis arrived on the Houston scene steeped in the same tradition that produced Townes Van Zandt and Guy Clark, where songwriting is treated as a serious craft and pretty words alone won't cut it. Photographs announced him as someone worth watching closely, a young writer already comfortable sitting with heartbreak and memory rather than rushing past them.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eWho is Robert Ellis? At first glance, he’s simply a smiling, longhaired, twenty-two-year old in a hand-stitched western shirt and Dwight Yoakam-tight blue jeans. But there’s more to this youthful Houston, Texas native than meets the eye. The young songwriter’s second release and debut for New West Records is an impressive and diverse concept album split between five breathtaking folk songs and five soon-to-be country standards. Listening to Photographs, one finds it difficult to pigeonhole Robert Ellis. It’s even harder to remember that he’s barely just begun.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396567812\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.18.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Friends Like Those (4:05)\u003c\/div\u003e\n\u003cdiv\u003e2. Bamboo (3:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Cemetery (6:56)\u003c\/div\u003e\n\u003cdiv\u003e4. Two Cans Of Paint (4:35)\u003c\/div\u003e\n\u003cdiv\u003e5. Westbound Train (4:03)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Comin' Home (3:02)\u003c\/div\u003e\n\u003cdiv\u003e2. What's In It For Me? 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A limited Black Friday pressing like this is exactly where his sensibility shines, bringing the same analog warmth and rhythmic snap he applies to his studio work to the holiday canon.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis is a new 7\" of two Christmas songs. “Red Bows for A Blue Girl” is a brand new original record specifically for RSD Black Friday. “Holly, Carol, Candy and Joy” is a b-side from the album SOCKs which was released in November of 2018. \u003cbr\u003e\u003cbr\u003e\"Red Bows For A Blue Girl\" \/ \"Holly, Carol, Candy and Joy\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396414512\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.28.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 7\" Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Holly, Carol, Candy \u0026amp; Joy\u003c\/div\u003e\n\u003cdiv\u003e2. Red Bow (For A Blue Girl)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48669936418971,"sku":"87581","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-jd-mcpherson-red-bows-for-a-blue-girl-holly-carol-candy-and-joy-rsd-bf-20-vinyl-lp-relix.jpg?v=1781124686"},{"product_id":"arthur-buck-arthur-buck-cd","title":"Arthur Buck – Arthur Buck (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePeter Buck's post-R.E.M. years have been defined by restless collaboration, from his work with various side projects to curating the Todos Santos festival community. Joseph Arthur, meanwhile, built a reputation as one of his generation's most distinctive singer-songwriters, known for layered, loop-based live performances. Their pairing here feels less like a calculated project and more like something that simply had to happen.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eSometimes the catalyst for creating great art is simply being in the right place at the right time. For Arthur Buck, the new collaboration between singer-songwriter Joseph Arthur and guitarist Peter Buck, that place was Mexico, and that time was the fall of 2017.  Specifically, a little town off the Baja coast named Todos Santos, with the Sierra de la Laguna mountains to the east and the bright blue Pacific stretching out infinitely to the west. It is here that Buck has, for the last several years, held the Todos Santos Music Festival, which he created with his wife, Chloe Johnson, in 2012, shortly after R.E.M. called it a day. Among the many artists who have played the festival is Joseph Arthur, who also happened to leave behind a guitar—a Dobro, specifically—after his last appearance there. And so last year he made the trek down to Todos Santos to pick up the instrument. Which is where he ran into Peter Buck.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThat was the beginning of Arthur Buck. The creative result of this relationship is a vibrant 11-song collection that captures the spontaneity at the heart of the project—right down to the 1-2-3-4 count off from Buck that opens the record—with sounds and styles meshed together in an easy, almost playful manner. Tchad Blake was brought in to mix the proceedings, and the result is the new Arthur Buck—the result of a shockingly productive burst of inspiration.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. I Am The Moment (3:14)\u003c\/div\u003e\n\u003cdiv\u003e2. Are You Electrified? 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