{"title":"Nonesuch Records Vinyl, CDs \u0026 Cassettes","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eNonesuch has never cared much about genre, and that's exactly the point. Founded in 1964 as a budget classical imprint, the label spent the next six decades becoming something harder to categorize and far more interesting: a home for artists who didn't fit cleanly anywhere else and were better for it.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe catalog is genuinely staggering in its range. Steve Reich and Philip Glass found a serious home here at a time when minimalism was still fighting for legitimacy in concert halls. Emmylou Harris made some of her most enduring records under this roof. Brad Mehldau, Kronos Quartet, Bill Frisell, Rhiannon Giddens, Fleet Foxes, Punch Brothers, Ry Cooder, the Magnetic Fields. Artists from West Africa, Cuba, Eastern Europe, and beyond found American audiences through Nonesuch's Explorer Series before \"world music\" was even a category anybody used.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eWhat ties all of it together isn't a sound; it's a standard. Every record in this collection was made by someone who had something real to say, and a label behind them that knew it. These are the kind of records people hold onto, the ones that show up in collections passed down from parents, dog-eared in old issues of this very magazine.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eIf you're building a shelf worth being proud of, you're in the right place.\u003c\/p\u003e","products":[{"product_id":"the-black-keys-el-camino-10th-anniversary-edition-super-deluxe-4-lp-vinyl","title":"The Black Keys – El Camino: 10th Anniversary Edition (Super Deluxe 4-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn 2011, The Black Keys' sixth album, Brothers, hit No. 3 on the Billboard 200 and yielded the band multiple Grammy nominations. The story goes that, after a Saturday Night Live appearance, a snowstorm forced them to cancel a few live dates. Instead of hibernating, they teamed with Danger Mouse and promptly started banging out the tracks that would make up El Camino, arguably the band's most accessible record in their now-extensive catalog. For the 10th anniversary edition, the band culls together a few different versions, with the \"super deluxe\" offering a robust collection of live tracks recorded in 2011-2012. First up is a complete show from the band's tour stop in Portland, Maine—20 tracks that capture the group energized by new cuts like \"Gold on the Ceiling,\" \"Little Black Submarines,\" and \"Next Girl.\" The term \"garage rock\" has always been thrown around when discussing the Keys—but this night's performance was truly an assault on the blues, with Dan Auerbach's guitars thrashing throughout. The other two performances draw from more intimate settings—a BBC taping and a session at the famed Electro-Vox studio in Hollywood. Both gigs find the Keys performing at another intensely high level, with short and punchy versions of \"Howlin' for You\" and the smash single \"Lonely Boy\" showing off just how good this band was at creating compacted, yet transformative rock moments.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Mike Ayers, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/the-black-keys-el-camino-10th-anniversary-edition\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDan Auerbach and Patrick Carney recorded El Camino in just ten days in 2011, channeling decades of garage rock, glam, and soul into one of the tightest records of their career. The album broke the duo wide open commercially without softening the raw, two-piece attack that built their reputation in Akron, Ohio clubs a decade earlier.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eOriginal remastered album, previously unreleased full live concert and BBC Session Recorded in 2012, 2011 Electro-Vox Session, limited-edition poster and lithograph, “new car scent: air freshener, 100-page photo book.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe Black Keys release a special tenth anniversary edition of their landmark seventh studio album \u003c\/span\u003e\u003cem\u003eEl Camino \u003c\/em\u003e\u003cspan\u003evia Nonesuch Records on November 5, 2021\u003c\/span\u003e\u003cem\u003e. El Camino (10th Anniversary Deluxe Edition)\u003c\/em\u003e\u003cspan\u003e will be available in several formats including a Super Deluxe edition of five vinyl LPs or four CDs, featuring a remastered version of the original album, a previously unreleased \u003c\/span\u003e\u003cem\u003eLive in Portland, ME\u003c\/em\u003e\u003cspan\u003e concert recording, a BBC radio Zane Lowe session from 2012, a 2011 Electro-Vox session, a limited-edition photo book, poster, and lithograph, and a “new car scent” air freshener. A three-LP Deluxe edition, which includes the remastered album and the live recording, also will be available.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Black Keys won three awards at the 55\u003c\/span\u003e\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e annual GRAMMY Awards for \u003c\/span\u003e\u003cem\u003eEl Camino\u003c\/em\u003e\u003cspan\u003e— Best Rock Performance, Best Rock Song, and Best Rock Album—among other worldwide accolades. In the UK, the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEl Camino\u003c\/em\u003e\u003cspan\u003e was produced by Danger Mouse and The Black Keys and was recorded in the band’s then-new hometown of Nashville during the spring of 2011. In the UK, the record gave the band their first top 10 hit, and in the US it debuted at # 2 on the Billboard Top 200. The band was also the # 1 most played artist at Alternative and AAA radio formats for 2012 in the US.  The album’s first single, “Lonely Boy,” reached # 1 on the Alternative and AAA charts; it also entered the top 10 at Rock radio.  The second single, “Gold on the Ceiling,” also reached # 1 on Alternative radio and the third single, “Little Black Submarines,” reached the top 3 at Alternative radio.  \u003c\/span\u003e\u003cem\u003e El Camino \u003c\/em\u003e\u003cspan\u003ehas been certified Double Platinum in the US, Australia, and New Zealand; Platinum in the UK, France, Ireland, and Belgium; Quadruple Platinum in Canada; and Gold in Denmark, Italy, the Netherlands, and Spain. Of the album’s singles, \"Lonely Boy\" was certified nine-times platinum in Canada, triple-platinum in Australia, platinum in New Zealand, and gold in Denmark. \"Gold on the Ceiling\" was certified platinum in Australia and Canada.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRolling Stone\u003c\/em\u003e\u003cspan\u003e hailed \u003c\/span\u003e\u003cem\u003eEl Camino\u003c\/em\u003e\u003cspan\u003e for bringing “raw, riffed-out power back to pop’s lexicon,” and called it “the Keys’ grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair.” \u003c\/span\u003e\u003cem\u003eThe Guardian\u003c\/em\u003e\u003cspan\u003e said, “They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done.”\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Lonely Boy\u003c\/div\u003e\n\u003cdiv\u003e2. Dead And Gone\u003c\/div\u003e\n\u003cdiv\u003e3. Gold On The Ceiling\u003c\/div\u003e\n\u003cdiv\u003e4. Little Black Submarines\u003c\/div\u003e\n\u003cdiv\u003e5. Money Maker\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Run Right Back\u003c\/div\u003e\n\u003cdiv\u003e2. Sister\u003c\/div\u003e\n\u003cdiv\u003e3. Hell Of A Season\u003c\/div\u003e\n\u003cdiv\u003e4. Stop Stop\u003c\/div\u003e\n\u003cdiv\u003e5. Nova Baby\u003c\/div\u003e\n\u003cdiv\u003e6. Mind Eraser\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Howlin' for You\u003c\/div\u003e\n\u003cdiv\u003e2. Next Girl\u003c\/div\u003e\n\u003cdiv\u003e3. Run Right Back\u003c\/div\u003e\n\u003cdiv\u003e4. Same Old Thing\u003c\/div\u003e\n\u003cdiv\u003e5. Dead And Gone\u003c\/div\u003e\n\u003cdiv\u003e6. Gold On The Ceiling\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Thickfreakness\u003c\/div\u003e\n\u003cdiv\u003e2. Girl Is On My Mind\u003c\/div\u003e\n\u003cdiv\u003e3. I'll Be Your Man \/ Your Touch\u003c\/div\u003e\n\u003cdiv\u003e4. Little Black Submarines\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Money Maker\u003c\/div\u003e\n\u003cdiv\u003e2. Strange Times\u003c\/div\u003e\n\u003cdiv\u003e3. Chop And Change\u003c\/div\u003e\n\u003cdiv\u003e4. Nova Baby\u003c\/div\u003e\n\u003cdiv\u003e5. Ten Cent Pistol\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Tighten Up\u003c\/div\u003e\n\u003cdiv\u003e2. Lonely Boy\u003c\/div\u003e\n\u003cdiv\u003e3. Everlasting Light\u003c\/div\u003e\n\u003cdiv\u003e4. She's Long Gone\u003c\/div\u003e\n\u003cdiv\u003e5. I Got Mine\u003c\/div\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cdiv\u003e1. Howlin' For You\u003c\/div\u003e\n\u003cdiv\u003e2. Next Girl\u003c\/div\u003e\n\u003cdiv\u003e3. Gold On The Ceiling\u003c\/div\u003e\n\u003cdiv\u003e4. Thickfreakness\u003c\/div\u003e\n\u003cdiv\u003e5. I'll Be Your Man\u003c\/div\u003e\n\u003cdiv\u003e6. Your Touch\u003c\/div\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cdiv\u003e1. Little Black Submarines\u003c\/div\u003e\n\u003cdiv\u003e2. Dead And Gone\u003c\/div\u003e\n\u003cdiv\u003e3. Tighten Up\u003c\/div\u003e\n\u003cdiv\u003e4. Lonely Boy\u003c\/div\u003e\n\u003cdiv\u003e5. I Got Mine\u003c\/div\u003e\n\u003ch4\u003eSide I\u003c\/h4\u003e\n\u003cdiv\u003e1. Dead And Gone\u003c\/div\u003e\n\u003cdiv\u003e2. Gold On The Ceiling\u003c\/div\u003e\n\u003cdiv\u003e3. Howlin' For You\u003c\/div\u003e\n\u003cdiv\u003e4. Lonely Boy\u003c\/div\u003e\n\u003ch4\u003eSide J\u003c\/h4\u003e\n\u003cdiv\u003e1. Money Maker\u003c\/div\u003e\n\u003cdiv\u003e2. Next Girl\u003c\/div\u003e\n\u003cdiv\u003e3. Run Right Back\u003c\/div\u003e\n\u003cdiv\u003e4. Sister\u003c\/div\u003e\n\u003cdiv\u003e5. Tighten Up\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597914368\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.5.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262784155803,"sku":"324283","price":182.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Black-Keys-El-Camino-10th-Anniversary-Edition-Super-Deluxe-4-LP-Vinyl.png?v=1776111202"},{"product_id":"robert-plant-saving-grace-black-lp-vinyl","title":"Robert Plant – Saving Grace (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eWith Saving Grace, Robert Plant is taking the opportunity to engage in one of his periodic, post-Zeppelin looks in the rear view. This isn't to say Saving Grace—the name of Plant's new album and his new band—is a rehash, it is not, but it is an acknowledgment that the singer, at 77, seems to be taking at least a little bit of stock in what came before as he did on Now and Zen and with his Page and Plant and Band of Joy projects.\u003c\/p\u003e\u003cp\u003eWith co-lead vocalist Suzi Dian playing a prominent role and Tony Kelsey (guitar), Matt Worley (banjo and strings), Barney Morse-Brown (cello) and Oli Jefferson (drums) being masterful purveyors of moody, atmospheric accompaniment, Saving Grace is what Plant's collaborations with Alison Krauss would've sounded like if staked to the East. Plant, meanwhile, sneaks in coy references to Led Zeppelin recordings on \"As I Roved Out\" and \"Too Far from You\" that, though sly, are not so esoteric as to get lost.\u003c\/p\u003e\u003cp\u003eAs these traditional and Sarah Siskind titles suggest, Saving Grace is a covers album. It is also a band record, as Worley takes lead vocals on Blind Willie Johnson's \"Soul of a Man;\" Plant sings their wispy arrangement of \"I Never Will Marry\" from a female perspective; and the musicians manage to make contemporary compositions like Low's \"Everybody's Song\" fit comfortably alongside the traditional \"Gospel Plough\" with musical arrangements that defy time and space.\u003c\/p\u003e\u003cp\u003eIf Plant were to stop here, Saving Grace could serve as an ideal wrap on one of rock's most essential and eclectic careers. Given his propensity for moving forward, he won't stop, leaving the album as a 2025 mile marker along Plant's long, twisting aural road.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/10\/24\/robert-plant-saving-grace\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePlant's roots run deep in the English folk and blues traditions that predate Led Zeppelin, and this project finds him circling back to that well with a band built on genuine musical kinship rather than legacy. Where his recent work with Alison Krauss drew him toward Americana, Saving Grace pulls the compass back toward the British Isles, a reminder that the same artist who hunted down Skip James and Bukka White records as a teenager never really left those searching, rootsy instincts behind.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRobert Plant announces the release of Saving Grace: the first album featuring the Rock \u0026amp; Roll Hall of Famer’s new band of distinguished players, which he calls “a song book for the lost and found.” Arriving September 26 on Nonesuch Records, the genesis of Saving Grace began during a lockdown spent in “The Shire,” when Plant’s customary wandering was all but forbidden. While his recent adventures have centred around Nashville, having reunited with Alison Krauss for 2021’s chart-topping, multi GRAMMY-nominated Raise The Roof, it was in the English countryside that Robert Plant connected closely to this diverse group of musicians, who through their own experiences had a shared leaning towards his much-loved corners of evocative song. Together, Plant and Saving Grace – vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse-Brown – have spent the past six years growing into a wide-ranging workshop of styles and personalities, weaving through time and circumstance with joy and abandon.  Saving Grace breathes fresh life into a collection of centuries-old music arranged by Robert Plant, Saving Grace and Sam Amidon, as well as more recent treasures by Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind and Mimi Parker and Alan Sparhawk’s Low.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Chevrolet (2:38)\u003c\/div\u003e\n\u003cdiv\u003e2. As I Roved Out (6:11)\u003c\/div\u003e\n\u003cdiv\u003e3. It's A Beautiful Day Today (3:42)\u003c\/div\u003e\n\u003cdiv\u003e4. Soul Of A Man (4:44)\u003c\/div\u003e\n\u003cdiv\u003e5. Ticket Taker (3:40)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I Never Will Marry (3:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Higher Rock (3:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Too Far From You (4:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Everybody's Song (4:17)\u003c\/div\u003e\n\u003cdiv\u003e5. Gospel Plough (4:27)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597895704\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.26.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455501643931,"sku":"201982","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-robert-plant-saving-grace-black-lp-vinyl-vinyl-lp-relix.jpg?v=1777571404"},{"product_id":"wilco-wilco-the-album-bonus-cd-2-lp-vinyl","title":"Wilco – Wilco (LP + CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJeff Tweedy and company arrived at their self-titled record after nearly two decades of restless reinvention, from the alt-country roots of Uncle Tupelo through the sonic deconstruction of \"Yankee Hotel Foxtrot\" and beyond. Naming an album after yourself is either a bold statement or a quiet one, and Wilco chose quiet, delivering something lived-in and confident rather than declarative.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP with CD. While many suspected this self-titled album to be seen as some sort of reintroduction for the band-perhaps a return to the experimentalism of \"Yankee Foxtrot Hotel\"-the album actually seems like a direct successor of the more traditional-sounding 2007 \"Sky Blue Sky.\" \"Wilco (The Album)\" seems to come with a parenthetical aside, a reminder that the band is not really turning back to their original roots, but that they're just lightening up instead (the cover is, after all, that of a camel birthday party). Here, they pack on everything they've picked up while they've been away: there's heavy '60s and '70s pop influences, with songs that sound like singles: \"Sunny Feeling\" and \"You Never Know.\" There's tons of acoustics, tinkling keyboards, varying harmonies, and detailed melodies, bringing bands to mind such as Love, Wings and Badfinger. Ultimately, while the album seems less ambitious than it's predecessors, it establishes it's importance in the zeitgeist by being all about the confidence-the confidence of a band that knows itself and it's strengths, and is comfortable with them.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Wilco (The Song)\u003c\/div\u003e\n\u003cdiv\u003e2. Deeper Down\u003c\/div\u003e\n\u003cdiv\u003e3. One Wing\u003c\/div\u003e\n\u003cdiv\u003e4. Bull Black Nova\u003c\/div\u003e\n\u003cdiv\u003e5. You And I\u003c\/div\u003e\n\u003cdiv\u003e6. You Never Know\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Country Disappeared\u003c\/div\u003e\n\u003cdiv\u003e2. Solitaire\u003c\/div\u003e\n\u003cdiv\u003e3. I'll Fight\u003c\/div\u003e\n\u003cdiv\u003e4. Sonny Feeling\u003c\/div\u003e\n\u003cdiv\u003e5. Everlasting Everything\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Wilco (The Song) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e2. Deeper Down (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. One Wing (3:42)\u003c\/div\u003e\n\u003cdiv\u003e4. Bull Black Nova (5:39)\u003c\/div\u003e\n\u003cdiv\u003e5. You And I (3:26)\u003c\/div\u003e\n\u003cdiv\u003e6. You Never Know (4:21)\u003c\/div\u003e\n\u003cdiv\u003e7. Country Disappeared (4:02)\u003c\/div\u003e\n\u003cdiv\u003e8. Solitaire (3:04)\u003c\/div\u003e\n\u003cdiv\u003e9. I'll Fight (4:23)\u003c\/div\u003e\n\u003cdiv\u003e10. Sonny Feeling (4:13)\u003c\/div\u003e\n\u003cdiv\u003e11. Everlasting Everything (4:00)\u003c\/div\u003e\n\u003cdiv\u003e12. You Never Know\u003c\/div\u003e\n\u003cdiv\u003e13. Unlikely Japan\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597981896\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.30.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455502266523,"sku":"161096","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Wilco-Wilco-LP-CD.jpg?v=1777378687"},{"product_id":"wilco-yankee-hotel-foxtrot-20th-anniversary-lp-vinyl","title":"Wilco – Yankee Hotel Foxtrot: 20th Anniversary (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe story behind Yankee Hotel Foxtrot is almost as legendary as the music itself. Reprise Records rejected it, Wilco streamed it free online in 2001, and the album went on to become one of the most critically celebrated rock records of its era, eventually released by Nonesuch in 2002. Jeff Tweedy and Jay Bennett's fractured, radiophonic rock landed at exactly the right cultural moment, and two decades later it still sounds like nothing else.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOriginal album, remastered\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. I Am Trying To Break Your Heart (6:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Kamera (3:29)\u003c\/div\u003e\n\u003cdiv\u003e3. Radio Cure (5:08)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. War On War (3:47)\u003c\/div\u003e\n\u003cdiv\u003e2. Jesus, Etc. (3:50)\u003c\/div\u003e\n\u003cdiv\u003e3. Ashes Of American Flags (4:43)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Heavy Metal Drummer (3:08)\u003c\/div\u003e\n\u003cdiv\u003e2. I'm The Man Who Loves You (3:55)\u003c\/div\u003e\n\u003cdiv\u003e3. Pot Kettle Black (4:00)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Poor Places (5:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Reservations (7:22)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597910605\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.30.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455504658587,"sku":"199337","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Wilco-Yankee-Hotel-Foxtrot-20th-Anniversary-2-LP-Vinyl.png?v=1777378785"},{"product_id":"wilco-sky-blue-sky-cd","title":"Wilco – Sky Blue Sky (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSky Blue Sky arrived in 2007 as something of a left turn for a band that had spent years being celebrated for sonic deconstruction. Recorded with the then-newly expanded lineup that brought guitarists Nels Cline and Pat Sansone into the fold, the album leaned hard into the kind of warm, unhurried interplay that rewards repeated listening, Cline's improvisational instincts in particular giving these songs a live, breathing quality that connects directly to the band's increasingly exploratory concert performances.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSKY BLUE SKY is as eloquently straightforward as Wilco's last studio recording, the Grammy-winning a GHOST IS BORN, was daringly experimental. Tweedy's lyrics deal forthrightly with romantic separation and reconciliation, their bittersweet quality giving way, as the album progresses, to a more uplifting, redemptive mood. Tweedy quite literally banishes the darkness on the penultimate track, the inspiring, gospel-tinged \"What Light\" - the album's first single - and concludes with a deeply affecting, till-death-do-us-part lullaby, \"On and on and On\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Either Way (3:01)\u003c\/div\u003e\n\u003cdiv\u003e2. You Are My Face (4:39)\u003c\/div\u003e\n\u003cdiv\u003e3. Impossible Germany (5:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Sky Blue Sky (3:24)\u003c\/div\u003e\n\u003cdiv\u003e5. Side With The Seeds (4:16)\u003c\/div\u003e\n\u003cdiv\u003e6. Shake It Off (5:43)\u003c\/div\u003e\n\u003cdiv\u003e7. Please Be Patient With Me (3:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Hate It Here (4:34)\u003c\/div\u003e\n\u003cdiv\u003e9. Leave Me (Like You Found Me) (4:11)\u003c\/div\u003e\n\u003cdiv\u003e10. Walken (4:28)\u003c\/div\u003e\n\u003cdiv\u003e11. What Light (3:36)\u003c\/div\u003e\n\u003cdiv\u003e12. On And On And On (4:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597998795\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.15.07\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455506133147,"sku":"85236","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-wilco-sky-blue-sky-cd-relix.png?v=1777385341"},{"product_id":"wilco-a-ghost-is-born-cd","title":"Wilco – A Ghost Is Born (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during a turbulent period for Jeff Tweedy, who has spoken openly about his struggles with addiction and migraines around this time, *A Ghost Is Born* carries a rawness that never feels manufactured. Nels Cline joined the live band just as this record was being completed, and the guitar-heavy sprawl you hear throughout points directly toward the direction Wilco would explore on stage for years to come.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA GHOST IS BORN, the Chicago band's second Nonesuch release if full of extended guitar reveries and rave-ups, hushed late night balladry, orchestral pop and beautifully sculpted noise that more than lives up to the promise of it's illustrious predecessor, Wilco's watershed 2002 release, YANKEE HOTEL FOXTROT.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. At Least That's What You Said (5:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Hell Is Chrome (4:42)\u003c\/div\u003e\n\u003cdiv\u003e3. Spiders (Kidsmoke) (10:50)\u003c\/div\u003e\n\u003cdiv\u003e4. Muzzle Of Bees (5:00)\u003c\/div\u003e\n\u003cdiv\u003e5. Hummingbird (3:15)\u003c\/div\u003e\n\u003cdiv\u003e6. Handshake Drugs (6:11)\u003c\/div\u003e\n\u003cdiv\u003e7. Wishful Thinking (4:45)\u003c\/div\u003e\n\u003cdiv\u003e8. Company In My Back (3:50)\u003c\/div\u003e\n\u003cdiv\u003e9. I'm A Wheel (2:41)\u003c\/div\u003e\n\u003cdiv\u003e10. Theologians (3:40)\u003c\/div\u003e\n\u003cdiv\u003e11. Less Than You Think (15:06)\u003c\/div\u003e\n\u003cdiv\u003e12. The Late Greats (2:30)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597980929\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.22.04\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455508131995,"sku":"281258","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-wilco-a-ghost-is-born-cd-relix.png?v=1777386301"},{"product_id":"wilco-wilco-the-album-cd","title":"Wilco – Wilco (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJeff Tweedy and company arrived at this self-titled moment with a band that had spent years earning the right to that kind of confidence, a lineup that had stabilized into one of the most versatile live acts in American rock. Nels Cline's guitar work, honed through relentless touring, gives even the breezier moments here an underlying tension that rewards repeated listening.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWilco's seventh disc, Wilco (the album), took shape quickly in January '09 after the band traveled to Auckland, New Zealand to participate in an Oxfam International benefit project. The band began cutting tracks for the new album, producing it themselves with the help of engineer Jim Scott. The sextet completed the disc at its Chicago studio and performed some of the new material in April at the New Orleans Jazz \u0026amp; Heritage Festival; where the Times-Picayune praised the band's 'thrilling, nuanced set.' Wilco (the album) combines the intimacy of its previous studio disc, Sky Blue Sky (2007), with the experimentation of A Ghost Is Born (2004) in a set that boasts strong melodies and gorgeous, often unabashedly pop arrangements.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Wilco (The Song) (3:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Deeper Down (3:00)\u003c\/div\u003e\n\u003cdiv\u003e3. One Wing (3:42)\u003c\/div\u003e\n\u003cdiv\u003e4. Bull Black Nova (5:39)\u003c\/div\u003e\n\u003cdiv\u003e5. You And I (3:27)\u003c\/div\u003e\n\u003cdiv\u003e6. You  Never Know (4:22)\u003c\/div\u003e\n\u003cdiv\u003e7. Country Disappeared (4:02)\u003c\/div\u003e\n\u003cdiv\u003e8. Solitaire (3:05)\u003c\/div\u003e\n\u003cdiv\u003e9. I'll Fight (4:24)\u003c\/div\u003e\n\u003cdiv\u003e10. Sonny Feeling (4:14)\u003c\/div\u003e\n\u003cdiv\u003e11. Everlasting Everything (4:01)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597984965\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.30.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455528874139,"sku":"219088","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Wilco-Wilco-CD.png?v=1777379236"},{"product_id":"wilco-sky-blue-sky-lp-vinyl","title":"Wilco – Sky Blue Sky (2-LP Vinyl and Bonus DVD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eArriving after the upheaval that produced *Yankee Hotel Foxtrot* and *A Ghost Is Born*, *Sky Blue Sky* found Wilco settling into something harder to pull off than chaos: genuine calm. The album marked the full arrival of Nels Cline and Pat Sansone as creative voices, and the band's live-in-the-studio approach let six musicians actually breathe together, favoring extended guitar interplay over studio experimentation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\nThe Deluxe Edition includes a bonus DVD, which contains more than 45 minutes of footage of the band performing songs from Sky Blue Sky. The DVD also contains interview segments with all six band members. The film was directed by Christoph Green and Fugazi's Brendan Canty, the creators of the Jeff Tweedy solo concert film, Sunken Treasure: Live in the Pacific Northwest, as well as the acclaimed documentary series, Burn to Shine.\u003cbr\u003e\u003cbr\u003e\n\u003ca href=\"http:\/\/www.broadtime.com\/wilcoindieretailblurb.mp3\"\u003eListen to Jeff Tweedy discuss indie retail\u003c\/a\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Either Way (3:05)\u003c\/div\u003e\n\u003cdiv\u003e2. You Are My Face (4:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Impossible Germany (5:57)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Sky Blue Sky (3:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Side With The Seeds (4:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Shake It Off (5:40)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Please Be Patient With Me (3:17)\u003c\/div\u003e\n\u003cdiv\u003e2. Hate It Here (4:31)\u003c\/div\u003e\n\u003cdiv\u003e3. Leave Me (Like You Found Me) (4:09)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Walken (4:26)\u003c\/div\u003e\n\u003cdiv\u003e2. What Light (3:35)\u003c\/div\u003e\n\u003cdiv\u003e3. On And On And On (4:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597998689\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.15.07\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455536803995,"sku":"456720","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-wilco-sky-blue-sky-vinyl-lp-relix.png?v=1777385231"},{"product_id":"wilco-yankee-hotel-foxtrot-20th-anniversary-deluxe-7lp-box-set","title":"Wilco – Yankee Hotel Foxtrot: 20th Anniversary (5-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eYankee Hotel Foxtrot arrived in 2001 under circumstances that became rock legend, rejected by Reprise, streamed free online, and eventually certified gold before Wilco signed with Nonesuch. What this box set captures beyond the remastered original is the moment surrounding it, the radio sessions, the live documents, and the alternate takes that reveal just how carefully Jeff Tweedy and Jim O'Rourke shaped one of the most debated records of its era.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e39 previously unreleased tracks\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOriginal album, remastered plus Alternate version with bonus tracks\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWXRT Sound Opinions 9\/18\/01 performance\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eComplete 7\/23\/02 concert at The Pageant, St. Louis, MO\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePlus new liner notes\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eComes in a box, with a new cover, including a soft-bound book which also includes loads of previously unseen photos\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. I Am Trying To Break Your Heart (6:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Kamera (3:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Radio Cure (5:09)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. War On War (3:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Jesus, Etc. (3:52)\u003c\/div\u003e\n\u003cdiv\u003e3. Ashes Of American Flags (4:45)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Heavy Metal Drummer (3:09)\u003c\/div\u003e\n\u003cdiv\u003e2. I’m The Man Who Loves You (3:56)\u003c\/div\u003e\n\u003cdiv\u003e3. Pot Kettle Black (4:00)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Poor Places (5:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Reservations (7:24)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. A Magazine Called Sunset (2:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Remember To Remember (Hummingbird) (4:48)\u003c\/div\u003e\n\u003cdiv\u003e3. I Am Trying To Break Your Heart (7:03)\u003c\/div\u003e\n\u003cdiv\u003e4. Kamera (3:21)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Radio Cure (5:39)\u003c\/div\u003e\n\u003cdiv\u003e2. War On War (3:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Jesus, Etc. (3:54)\u003c\/div\u003e\n\u003cdiv\u003e4. Ashes Of American Flags (Stravinsky Mix) (4:22)\u003c\/div\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cdiv\u003e1. Heavy Metal Drummer (3:31)\u003c\/div\u003e\n\u003cdiv\u003e2. I’m The Man Who Loves You (3:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Pot Kettle Black (4:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Poor Places (3:46)\u003c\/div\u003e\n\u003cdiv\u003e5. Reservations (3:45)\u003c\/div\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cdiv\u003e1. War On War (Live In The Studio) (3:16)\u003c\/div\u003e\n\u003cdiv\u003e2. I’m The Man Who Loves You (Live In The Studio) (3:53)\u003c\/div\u003e\n\u003cdiv\u003e3. Should’ve Been In Love (Live In The Studio) (3:43)\u003c\/div\u003e\n\u003cdiv\u003e4. She’s A Jar (Live In The Studio) (4:41)\u003c\/div\u003e\n\u003cdiv\u003e5. Ashes Of American Flags (Live In The Studio) (4:38)\u003c\/div\u003e\n\u003ch4\u003eSide Z\u003c\/h4\u003e\n\u003cdiv\u003e1. I Am Trying To Break Your Heart (5:43)\u003c\/div\u003e\n\u003cdiv\u003e2. I’m The Man Who Loves You (4:20)\u003c\/div\u003e\n\u003cdiv\u003e3. War On War (3:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Kamera (3:16)\u003c\/div\u003e\n\u003ch4\u003eSnoozin’ At The Pageant – Live 7\/23\/02 At The Pageant, St. Louis, MO\u003c\/h4\u003e\n\u003cdiv\u003e1. Radio Cure (5:37)\u003c\/div\u003e\n\u003cdiv\u003e2. A Shot In The Arm (5:11)\u003c\/div\u003e\n\u003cdiv\u003e3. She’s A Jar (5:32)\u003c\/div\u003e\n\u003cdiv\u003e4. I’m Always In Love (5:21)\u003c\/div\u003e\n\u003cdiv\u003e5. Sunken Treasure (7:09)\u003c\/div\u003e\n\u003cdiv\u003e6. Jesus, Etc. (4:12)\u003c\/div\u003e\n\u003cdiv\u003e7. Heavy Metal Drummer (4:08)\u003c\/div\u003e\n\u003cdiv\u003e8. Pot Kettle Black (4:54)\u003c\/div\u003e\n\u003cdiv\u003e9. Ashes Of American Flags (4:42)\u003c\/div\u003e\n\u003cdiv\u003e10. Not For The Season (Laminated Cat) (8:36)\u003c\/div\u003e\n\u003cdiv\u003e11. Reservations (6:53)\u003c\/div\u003e\n\u003cdiv\u003e12. California Stars (6:30)\u003c\/div\u003e\n\u003cdiv\u003e13. Red-Eyed And Blue (2:19)\u003c\/div\u003e\n\u003cdiv\u003e14. I Got You (At The End Of The Century) (5:00)\u003c\/div\u003e\n\u003cdiv\u003e15. Misunderstood (6:48)\u003c\/div\u003e\n\u003cdiv\u003e16. Far, Far Away (4:53)\u003c\/div\u003e\n\u003cdiv\u003e17. Outtasite (Outta Mind) (2:35)\u003c\/div\u003e\n\u003cdiv\u003e18. I’m A Wheel (3:32)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597913538\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.30.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455540965531,"sku":"494954","price":182.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Wilco-Yankee-Hotel-Foxtrot-20th-Anniversary-5-LP-Vinyl.jpg?v=1777379680"},{"product_id":"robert-plant-carry-fire-lp-vinyl","title":"Robert Plant – Carry Fire (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRobert Plant has spent decades resisting the gravitational pull of his own legend, and the west of England and Wales recordings that make up Carry Fire find him deepening that pursuit rather than relenting. The Sensational Space Shifters, road-tested across years of touring, bring a loose, almost ritualistic feel to the arrangements, drawing on North African and folk textures that Plant has been chasing since his earliest explorations outside the Zeppelin catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eRobert Plant's eleventh studio album, \u003c\/span\u003e\u003cem\u003eCarry Fire\u003c\/em\u003e\u003cspan\u003e, will be released by Nonesuch\/Warner Bros. Records on October 13, 2017. The album, produced by Plant in the west of England and Wales, melds unusual rhythms with naturalism. As with his 2014 album, \u003c\/span\u003e\u003cem\u003elullaby and… The Ceaseless Roar\u003c\/em\u003e\u003cspan\u003e, the album features his band The Sensational Space Shifters. They are also joined here by special guests, including Chrissie Hynde. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The May Queen (4:14)\u003c\/div\u003e\n\u003cdiv\u003e2. New World (3:28)\u003c\/div\u003e\n\u003cdiv\u003e3. Season's Song (4:19)\u003c\/div\u003e\n\u003cdiv\u003e4. Dance With You Tonight (4:48)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Carving Up The World Again... A Wall And Not A Fence (3:54)\u003c\/div\u003e\n\u003cdiv\u003e2. A Way With Words (5:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Carry Fire (5:26)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Bones Of Saints (3:47)\u003c\/div\u003e\n\u003cdiv\u003e2. Keep It Hid (4:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Bluebirds Over The Mountain (4:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Heaven Sent (4:40)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597934953\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.13.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455541227675,"sku":"430278","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-robert-plant-carry-fire-vinyl-lp-relix.jpg?v=1777571632"},{"product_id":"wilco-yankee-hotel-foxtrot-20th-anniversary-deluxe-2-cd","title":"Wilco – Yankee Hotel Foxtrot: 20th Anniversary (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFew rock records of the past quarter-century carry the cultural weight of Yankee Hotel Foxtrot, whose troubled 2001-2002 release, when Reprise dropped the band before Wilco streamed it free online, turned a genuinely strange and searching album into a cause célèbre. This anniversary edition rewards long-time devotees with a deeper look into the sessions that produced Jeff Tweedy and co.'s most celebrated work.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOriginal album, remastered, plus 18 previously unreleased tracks including alternate versions and bonus tracks\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePlus new liner notes\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. I Am Trying To Break Your Heart (6:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Kamera (3:29)\u003c\/div\u003e\n\u003cdiv\u003e3. Radio Cure (5:08)\u003c\/div\u003e\n\u003cdiv\u003e4. War On War (3:47)\u003c\/div\u003e\n\u003cdiv\u003e5. Jesus, Etc. (3:50)\u003c\/div\u003e\n\u003cdiv\u003e6. Ashes Of American Flags (4:43)\u003c\/div\u003e\n\u003cdiv\u003e7. Heavy Metal Drummer (3:08)\u003c\/div\u003e\n\u003cdiv\u003e8. I'm The Man Who Loves You (3:55)\u003c\/div\u003e\n\u003cdiv\u003e9. Pot Kettle Black (4:00)\u003c\/div\u003e\n\u003cdiv\u003e10. Poor Places (5:15)\u003c\/div\u003e\n\u003cdiv\u003e11. Reservations (7:22)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. I Am Trying To Break Your Heart (7:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Kamera (3:21)\u003c\/div\u003e\n\u003cdiv\u003e3. Radio Cure (5:39)\u003c\/div\u003e\n\u003cdiv\u003e4. War On War (3:59)\u003c\/div\u003e\n\u003cdiv\u003e5. Jesus, Etc. (3:51)\u003c\/div\u003e\n\u003cdiv\u003e6. Ashes Of American Flags (Stravinsky Mix) (5:26)\u003c\/div\u003e\n\u003cdiv\u003e7. Heavy Metal Drummer (3:31)\u003c\/div\u003e\n\u003cdiv\u003e8. I'm The Man Who Loves You (3:40)\u003c\/div\u003e\n\u003cdiv\u003e9. Pot Kettle Black (4:20)\u003c\/div\u003e\n\u003cdiv\u003e10. Poor Places (3:46)\u003c\/div\u003e\n\u003cdiv\u003e11. Reservations (3:44)\u003c\/div\u003e\n\u003cdiv\u003e12. Shakin' Sugar (3:31)\u003c\/div\u003e\n\u003cdiv\u003e13. Venus Stopped The Train (4:30)\u003c\/div\u003e\n\u003cdiv\u003e14. Remember To Remember (Hummingbird) (4:48)\u003c\/div\u003e\n\u003cdiv\u003e15. A Magazine Called Sunset (2:52)\u003c\/div\u003e\n\u003cdiv\u003e16. The Good Part (3:10)\u003c\/div\u003e\n\u003cdiv\u003e17. Not For The Season (Laminated Cat) (3:13)\u003c\/div\u003e\n\u003cdiv\u003e18. Cars Can't Escape (3:57)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597910629\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.30.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455541784731,"sku":"545054","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Wilco-Yankee-Hotel-Foxtrot-20th-Anniversary-2-CD.png?v=1777379726"},{"product_id":"robert-plant-saving-grace-cd","title":"Robert Plant – Saving Grace (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eWith Saving Grace, Robert Plant is taking the opportunity to engage in one of his periodic, post-Zeppelin looks in the rear view. This isn't to say Saving Grace—the name of Plant's new album and his new band—is a rehash, it is not, but it is an acknowledgment that the singer, at 77, seems to be taking at least a little bit of stock in what came before as he did on Now and Zen and with his Page and Plant and Band of Joy projects.\u003c\/p\u003e\u003cp\u003eWith co-lead vocalist Suzi Dian playing a prominent role and Tony Kelsey (guitar), Matt Worley (banjo and strings), Barney Morse-Brown (cello) and Oli Jefferson (drums) being masterful purveyors of moody, atmospheric accompaniment, Saving Grace is what Plant's collaborations with Alison Krauss would've sounded like if staked to the East. Plant, meanwhile, sneaks in coy references to Led Zeppelin recordings on \"As I Roved Out\" and \"Too Far from You\" that, though sly, are not so esoteric as to get lost.\u003c\/p\u003e\u003cp\u003eAs these traditional and Sarah Siskind titles suggest, Saving Grace is a covers album. It is also a band record, as Worley takes lead vocals on Blind Willie Johnson's \"Soul of a Man;\" Plant sings their wispy arrangement of \"I Never Will Marry\" from a female perspective; and the musicians manage to make contemporary compositions like Low's \"Everybody's Song\" fit comfortably alongside the traditional \"Gospel Plough\" with musical arrangements that defy time and space.\u003c\/p\u003e\u003cp\u003eIf Plant were to stop here, Saving Grace could serve as an ideal wrap on one of rock's most essential and eclectic careers. Given his propensity for moving forward, he won't stop, leaving the album as a 2025 mile marker along Plant's long, twisting aural road.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/10\/24\/robert-plant-saving-grace\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRooted in the folk traditions of England's West Midlands, where Plant has always returned between his more far-flung musical adventures, this project finds him circling back to the acoustic and electric textures that shaped his earliest listening. The band's live performances, building quietly through UK venues before this studio debut, gave the material a road-tested intimacy rarely captured on a first record.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRobert Plant announces the release of Saving Grace: the first album featuring the Rock \u0026amp; Roll Hall of Famer’s new band of distinguished players, which he calls “a song book for the lost and found.” Arriving September 26 on Nonesuch Records, the genesis of Saving Grace began during a lockdown spent in “The Shire,” when Plant’s customary wandering was all but forbidden. While his recent adventures have centred around Nashville, having reunited with Alison Krauss for 2021’s chart-topping, multi GRAMMY-nominated Raise The Roof, it was in the English countryside that Robert Plant connected closely to this diverse group of musicians, who through their own experiences had a shared leaning towards his much-loved corners of evocative song. Together, Plant and Saving Grace – vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse-Brown – have spent the past six years growing into a wide-ranging workshop of styles and personalities, weaving through time and circumstance with joy and abandon.  Saving Grace breathes fresh life into a collection of centuries-old music arranged by Robert Plant, Saving Grace and Sam Amidon, as well as more recent treasures by Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind and Mimi Parker and Alan Sparhawk’s Low.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Chevrolet (2:38)\u003c\/div\u003e\n\u003cdiv\u003e2. As I Roved Out (6:11)\u003c\/div\u003e\n\u003cdiv\u003e3. It's A Beautiful Day Today (3:42)\u003c\/div\u003e\n\u003cdiv\u003e4. Soul Of A Man (4:44)\u003c\/div\u003e\n\u003cdiv\u003e5. Ticket Taker (3:40)\u003c\/div\u003e\n\u003cdiv\u003e6. I Will Never Marry (3:36)\u003c\/div\u003e\n\u003cdiv\u003e7. Higher Rock (3:44)\u003c\/div\u003e\n\u003cdiv\u003e8. Too Far From You (4:58)\u003c\/div\u003e\n\u003cdiv\u003e9. Everybody's Song (4:17)\u003c\/div\u003e\n\u003cdiv\u003e10. Gospel Plough (4:27)\u003c\/div\u003e\n\u003ch4\u003eBonus Tracks\u003c\/h4\u003e\n\u003cdiv\u003e1. Nothing Takes The Place Of You (6:01)\u003c\/div\u003e\n\u003cdiv\u003e2. Charlie Patton Highway (4:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Too Much Alike (2:32)\u003c\/div\u003e\n\u003cdiv\u003e4. New World (3:29)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597895384\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.26.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455568687259,"sku":"26157345","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-robert-plant-saving-grace-cd-relix.jpg?v=1777571343"},{"product_id":"wilco-a-ghost-is-born-deluxe-edition-2-lp-vinyl","title":"Wilco – A Ghost Is Born (Deluxe Edition) - (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during one of the more turbulent stretches in Wilco's history, A Ghost Is Born arrived in 2004 still carrying the shadow of the Yankee Hotel Foxtrot saga, yet it pushed further into noise, texture, and unease rather than retreating toward accessibility. The album's long, abrasive passages and Tweedy's unflinching lyrics about anxiety and medication made it a divisive listen on release; it later won two Grammys, for Best Alternative Album and Best Recording Package.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFor the A Ghost Is Born recording, Wilco was Jeff Tweedy, John Stirratt, Leroy Bach, Glenn Kotche, and Mikael Jorgensen; Jim O'Rourke, who mixed the band's previous release Yankee Hotel Foxtrot, co-produced the album with Wilco. Leroy Bach left Wilco at the completion of the sessions and the band announced the addition of two new members: Pat Sansone and Nels Cline. Sansone and Cline toured with Wilco to promote AGIB and that lineup has remained unchanged since 2004. As Tweedy said to Mehr for his new liner note, \"Making that record, and then finding this lineup, that was the start of something-of having a band that can play anything. That's why, twenty years later, we're still here and still going. \"Wilco first began sessions for what would become A Ghost Is Born in early 2002 at Chicago's Soma E. M. S. , where they had mixed Yankee Hotel Foxtrot. Much of the album was tracked live in the studio with O'Rourke and engineer Chris Shaw. They also reunited there with engineer and soon-to-be-bandmate Mikael Jorgensen. At Soma, the band began sketching out music using Tweedy's notebooks of lyrics, poetry, and prose. Mehr notes: \"In between more traditional song tracking, the group would engage in a series of conceptual improvisations in the studio. These musical experiments, broadly known as 'Fundamentals'... were part of what Kotche said was 'an attempt to search for a new group identity. To see what we could make this band into. '\"In the fall of 2003, the band relocated to New York to finish recording at Sear Sound. \"It seemed like the band needed to get out of Chicago, get out of the working mode they'd been in, and only be thinking about making a record,\" O'Rourke told Mehr. There, playing together in the corner of a large studio, the album began to take it's final shape. Emerging from a period of addiction and rehab, Tweedy discussed how he feels about A Ghost Is Born in retrospect. As he told Mehr, \"I was worried the album was going to feel like something dark and not me anymore. But the album was ahead of me as a person. It was the part of me that I was trying to preserve-enthusiastic and furious about the world, as well as open and loving. I reached that in the music, before I could get there emotionally on my own. \"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. At Least That's What You Said (5:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Hell Is Chrome (4:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Spiders (Kidsmoke) (10:46)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Muzzle Of Bees (4:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Hummingbird (3:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Handshake Drugs (6:07)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Wishful Thinking (4:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Company In My Back (3:46)\u003c\/div\u003e\n\u003cdiv\u003e3. I'm A Wheel (2:38)\u003c\/div\u003e\n\u003cdiv\u003e4. Theologians (3:37)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Less Than You Think (15:04)\u003c\/div\u003e\n\u003cdiv\u003e2. The Late Greats (2:31)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597899047\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455573012635,"sku":"26327856","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Wilco-A-Ghost-Is-Born-Deluxe-Edition-LP-Vinyl.jpg?v=1777380194"},{"product_id":"robert-plant-lullaby-and-the-ceaseless-roar-lp-vinyl","title":"Robert Plant – lullaby and... The Ceaseless Roar (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 2014, Plant had spent years honing a sound with the Sensational Space Shifters that pulled West African string traditions, blues, and rock into something genuinely unpredictable. Collaborator Juldeh Camara's ritti and Fulani vocals are central to that chemistry, rooting the record in a global folk sensibility far removed from Plant's Zeppelin past while honoring the same restless curiosity that defined him from the start.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRobert Plant's 2014 album, lullaby and... The Ceaseless Roar, his label debut for Nonesuch\/Warner Bros. Records, was produced by Plant and features 11 recordings, nine of which are original songs written by Plant with his band, The Sensational Space Shifters Justin Adams: bendirs, djembe, guitars, tehardant, background vocals; John Baggott: keyboards, loops, moog bass, piano, tabal, background vocals; Juldeh Camara: kologo, ritti, Fulani vocals; Billy Fuller: bass, drum programming, omnichord, upright bass; Dave Smith: drum set; and Liam \"Skin\" Tyson: banjo, guitar, background vocals.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Little Maggie\u003c\/div\u003e\n\u003cdiv\u003e2. Rainbow\u003c\/div\u003e\n\u003cdiv\u003e3. Pocketful Of Golden\u003c\/div\u003e\n\u003cdiv\u003e4. Embrace Another Fall\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Turn It Up\u003c\/div\u003e\n\u003cdiv\u003e2. A Stolen Kiss\u003c\/div\u003e\n\u003cdiv\u003e3. Somebody There\u003c\/div\u003e\n\u003cdiv\u003e4. Poor Howard\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. House Of Love\u003c\/div\u003e\n\u003cdiv\u003e2. Up On The Hollow Hill (Understanding Arthur)\u003c\/div\u003e\n\u003cdiv\u003e3. Arbaden (Maggie's Babby)\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Little Maggie (5:06)\u003c\/div\u003e\n\u003cdiv\u003e2. Rainbow (4:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Pocketful Of Golden (4:12)\u003c\/div\u003e\n\u003cdiv\u003e4. Embrace Another Fall (5:52)\u003c\/div\u003e\n\u003cdiv\u003e5. Turn It Up (4:05)\u003c\/div\u003e\n\u003cdiv\u003e6. A Stolen Kiss (5:15)\u003c\/div\u003e\n\u003cdiv\u003e7. Somebody There (4:32)\u003c\/div\u003e\n\u003cdiv\u003e8. Poor Howard (4:13)\u003c\/div\u003e\n\u003cdiv\u003e9. House Of Love (5:06)\u003c\/div\u003e\n\u003cdiv\u003e10. Up On The Hollow Hill (Understanding Arthur) (4:35)\u003c\/div\u003e\n\u003cdiv\u003e11. Arbaden (Maggie's Babby) (2:46)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597954333\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.9.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455575568539,"sku":"601975","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-robert-plant-lullaby-and-the-ceaseless-roar-vinyl-lp-relix.jpg?v=1777571528"},{"product_id":"wilco-a-ghost-is-born-deluxe-edition-cd","title":"Wilco – A Ghost Is Born (Deluxe Edition 2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 2004 amid Wilco's most turbulent and creatively restless period, \"A Ghost Is Born\" pushed further into noise, drone, and studio experimentation than anything the band had attempted before. The 19 unreleased tracks gathered here offer a rare window into sessions that ultimately reshaped the band's entire future, arriving just as one era was closing and the classic six-piece lineup, with Nels Cline and Pat Sansone, was about to begin.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis 2 CD Expanded Edition features the original album plus a disc with 19 previously unreleased tracks. For the A Ghost Is Born recording, Wilco was Jeff Tweedy, John Stirratt, Leroy Bach, Glenn Kotche, and Mikael Jorgensen; Jim O'Rourke, who mixed the band's previous release Yankee Hotel Foxtrot, co-produced the album with Wilco. Leroy Bach left Wilco at the completion of the sessions and the band announced the addition of two new members: Pat Sansone and Nels Cline. Sansone and Cline toured with Wilco to promote AGIB and that lineup has remained unchanged since 2004. As Tweedy said to Mehr for his new liner note, \"Making that record, and then finding this lineup, that was the start of something-of having a band that can play anything. That's why, twenty years later, we're still here and still going. \"Wilco first began sessions for what would become A Ghost Is Born in early 2002 at Chicago's Soma E. M. S. , where they had mixed Yankee Hotel Foxtrot. Much of the album was tracked live in the studio with O'Rourke and engineer Chris Shaw. They also reunited there with engineer and soon-to-be-bandmate Mikael Jorgensen. At Soma, the band began sketching out music using Tweedy's notebooks of lyrics, poetry, and prose. Mehr notes: \"In between more traditional song tracking, the group would engage in a series of conceptual improvisations in the studio. These musical experiments, broadly known as 'Fundamentals'... were part of what Kotche said was 'an attempt to search for a new group identity. To see what we could make this band into. '\"In the fall of 2003, the band relocated to New York to finish recording at Sear Sound. \"It seemed like the band needed to get out of Chicago, get out of the working mode they'd been in, and only be thinking about making a record,\" O'Rourke told Mehr. There, playing together in the corner of a large studio, the album began to take it's final shape. Emerging from a period of addiction and rehab, Tweedy discussed how he feels about A Ghost Is Born in retrospect. As he told Mehr, \"I was worried the album was going to feel like something dark and not me anymore. But the album was ahead of me as a person. It was the part of me that I was trying to preserve-enthusiastic and furious about the world, as well as open and loving. I reached that in the music, before I could get there emotionally on my own. \"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. At Least That's What You Said (5:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Hell Is Chrome (4:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Spiders (Kidsmoke) (10:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Muzzle Of Bees (4:56)\u003c\/div\u003e\n\u003cdiv\u003e5. Hummingbird (3:12)\u003c\/div\u003e\n\u003cdiv\u003e6. Handshake Drugs (6:07)\u003c\/div\u003e\n\u003cdiv\u003e7. Wishful Thinking (4:42)\u003c\/div\u003e\n\u003cdiv\u003e8. Company In My Back (3:46)\u003c\/div\u003e\n\u003cdiv\u003e9. I'm A Wheel (2:38)\u003c\/div\u003e\n\u003cdiv\u003e10. Theologians (3:37)\u003c\/div\u003e\n\u003cdiv\u003e11. Less Than You Think (15:04)\u003c\/div\u003e\n\u003cdiv\u003e12. The Late Greats (2:31)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. At Least That's What You Said (8\/13\/02 SOMA-Chicago) (5:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Hell Is Chrome (10\/5\/03 SOMA-Chicago) (3:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Spiders (Kidsmoke) (9\/28\/03 SOMA-Chicago) (4:47)\u003c\/div\u003e\n\u003cdiv\u003e4. Muzzle Of Bees (7\/15\/03 SOMA-Chicago) (5:09)\u003c\/div\u003e\n\u003cdiv\u003e5. Hummingbird (2\/8\/02 SOMA-Chicago) (3:52)\u003c\/div\u003e\n\u003cdiv\u003e6. Handshake Drugs (11\/13\/03 Sear Sound-NYC) (7:47)\u003c\/div\u003e\n\u003cdiv\u003e7. Wishful Thinking (11\/1\/03 Sear Sound-NYC) (4:41)\u003c\/div\u003e\n\u003cdiv\u003e8. Company In My Back (2\/8\/03 Hothouse-St. Kilda, Melbourne, Australia) (4:22)\u003c\/div\u003e\n\u003cdiv\u003e9. I'm A Wheel (August 2002 SOMA-Chicago) (2:36)\u003c\/div\u003e\n\u003cdiv\u003e10. Theologians (3\/1903 SOMA-Chicago) (3:26)\u003c\/div\u003e\n\u003cdiv\u003e11. Less Than You Think (11\/11\/03 Sear Sound-NYC) (2:57)\u003c\/div\u003e\n\u003cdiv\u003e12. The Late Greats (7\/19\/03 SOMA-Chicago) (3:47)\u003c\/div\u003e\n\u003cdiv\u003e13. Kicking Television (3\/18\/03 SOMA-Chicago) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e14. The High Heat (2\/5\/02 SOMA-Chicago) (3:03)\u003c\/div\u003e\n\u003cdiv\u003e15. Panthers (March 2003 SOMA-Chicago) (3:55)\u003c\/div\u003e\n\u003cdiv\u003e16. Diamond Claw (3\/21\/03 SOMA-Chicago) (3:29)\u003c\/div\u003e\n\u003cdiv\u003e17. Bob Dylan's 49th Beard (June 2002 SOMA-Chicago) (2:22)\u003c\/div\u003e\n\u003cdiv\u003e18. More Like The Moon (2\/8\/02 SOMA-Chicago) (6:34)\u003c\/div\u003e\n\u003cdiv\u003e19. Improbable Germany (10\/7\/03 SOMA-Chicago) (3:38)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597899023\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455575634075,"sku":"25869803","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-wilco-a-ghost-is-born-deluxe-edition-cd-relix.png?v=1777386216"},{"product_id":"the-black-keys-ohio-players-cd","title":"The Black Keys – Ohio Players (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAkron's favorite sons have spent the better part of two decades proving that two guys with the right chemistry can conjure something far bigger than the sum of their parts. Ohio Players finds Dan Auerbach and Patrick Carney leaning deeper into the collaborative instincts they rediscovered post-hiatus, building on a run of records that has quietly reestablished them as one of rock's most productive and uncompromising working units.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOhio Players is The Black Keys’ fourth album in five years, a momentum with a simple explanation, Auerbach says: “We never stopped recording.” There was his and Carney’s reunion, after a five-year hiatus, on 2019’s \"Let’s Rock”, then the 2021 blast of Mississippi-hill-country covers, Delta Kream. A rapid-fire follow-up of new originals, 2022’s Dropout Boogie, featured the duo working with outside writers for the first time: Greg Cartwright of Memphis rockers Reigning Sound and Angelo Petraglia, who has worked with Kings of Leon and the teenage Taylor Swift. (Cartwright and Petraglia are back for Ohio Players too.)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“We'd never worked harder to make a record,” Dan Auerbach says. “It's never taken us this long to make an album. We took our time and did it right.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“What we wanted to accomplish with this record was make something that was fun,” Patrick Carney says. “And something that most bands 20 years into their career don’t make, which is an approachable, fun record that is also cool.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhile making Ohio Players, a title inspired by the legendary Dayton, OH funk band of the same name, The Black Keys were also DJing dance parties in cities around the world that they called “record hangs,” spinning 45s from their own eclectic and growing collections. Mojo reports, “The spirit of those parties infused the album’s DNA. ‘That’s been the fun of it,’ [says] Auerbach. ‘Letting go a little bit.’” \u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. This Is Nowhere (3:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Don’t Let Me Go (2:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Beautiful People (Stay High) (2:47)\u003c\/div\u003e\n\u003cdiv\u003e4. On The Game (4:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Only Love Matters (3:23)\u003c\/div\u003e\n\u003cdiv\u003e6. Candy And Her Friends (3:25)\u003c\/div\u003e\n\u003cdiv\u003e7. I Forgot To Be Your Lover (2:28)\u003c\/div\u003e\n\u003cdiv\u003e8. Please Me (Till I’m Satisfied) (2:45)\u003c\/div\u003e\n\u003cdiv\u003e9. You’ll Pay (2:45)\u003c\/div\u003e\n\u003cdiv\u003e10. Paper Crown (4:18)\u003c\/div\u003e\n\u003cdiv\u003e11. Live Till I Die (2:24)\u003c\/div\u003e\n\u003cdiv\u003e12. Read Em And Weep (3:23)\u003c\/div\u003e\n\u003cdiv\u003e13. Fever Tree (3:05)\u003c\/div\u003e\n\u003cdiv\u003e14. Every Time You Leave (2:58)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597900149\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.5.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600404295835,"sku":"96393","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-black-keys-ohio-players-cd-relix.jpg?v=1779299830"},{"product_id":"the-black-keys-ohio-players-trophy-edition-lp-vinyl","title":"The Black Keys – Ohio Players (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDan Auerbach and Patrick Carney have been flying the flag for Akron, Ohio's raw, blues-drenched rock and roll since the early 2000s, and Ohio Players leans into that hometown pride with a collaborative spirit that spans generations. The expanded Trophy Edition deepens the original release with new guest appearances that stretch the record's already wide sonic net, connecting the Keys' garage-blues DNA to a broader lineage of American rock.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eGRAMMY Award-winning rock duo The Black Keys will release the eighteen-track Ohio Players (Trophy Edition), featuring four previously unreleased tracks, out November 15, 2024 on Nonesuch\/Warner Records. This deluxe edition of the band’s twelfth studio album is a two LP set, in a gatefold jacket, with an alternate cover and new album sequencing. The set will feature the new song, “Mi Tormenta” featuring DannyLux.  Other special guests on the new Trophy Edition tracks, in addition to the many collaborations on the original Ohio Players songs, include Alice Cooper and Beck.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. This Is Nowhere (3:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Don’t Let Me Go (2:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Beautiful People (Stay High) (2:47)\u003c\/div\u003e\n\u003cdiv\u003e4. On The Game (4:03)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Sin City (2:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Candy And Her Friends (3:25)\u003c\/div\u003e\n\u003cdiv\u003e3. Read Em And Weep (3:23)\u003c\/div\u003e\n\u003cdiv\u003e4. I Forgot To Be Your Lover (2:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Only Love Matters (3:23)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Every Time You Leave (2:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Mi Tormenta (3:21)\u003c\/div\u003e\n\u003cdiv\u003e3. You’ll Pay (2:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Paper Crown (4:18)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Live Till I Die (2:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Stay In Your Grave (2:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Please Me (Till I’m Satisfied) (2:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Fever Tree (3:05)\u003c\/div\u003e\n\u003cdiv\u003e5. I'm With The Band (2:55)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597900538\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.15.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600408555675,"sku":"193961","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-black-keys-ohio-players-trophy-edition-lp-vinyl-vinyl-lp-relix.jpg?v=1779299726"},{"product_id":"the-black-keys-dropout-boogie-cd","title":"The Black Keys – Dropout Boogie (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDan Auerbach and Patrick Carney built their reputation the hard way, hauling primitive blues-rock out of Akron basements and onto stages worldwide before Nashville ever entered the picture. Dropout Boogie finds them leaning back into that raw instinct while drawing on a lineage that connects directly to ZZ Top, Memphis soul, and the kind of greasy boogie that never really went out of style for people who know where to look.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Black Keys - Dropout Boogie - As they've done their entire career, The Black Keys' Dan Auerbach and Patrick Carney wrote all of the material for their new album, Dropout Boogie, in the studio, and the album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio, basements. After hashing out initial ideas at Auerbach's Easy Eye Sound studio in Nashville, the duo welcomed new collaborators Billy F. Gibbons, Greg Cartwright, and Angelo Petraglia to the sessions, marking the first time they've invited multiple new contributors to work simultaneously on one of their own albums\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Wild Child (2:48)\u003c\/div\u003e\n\u003cdiv\u003e2. It Ain't Over (3:51)\u003c\/div\u003e\n\u003cdiv\u003e3. For The Love of Money (3:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Your Team Is Looking Good (3:06)\u003c\/div\u003e\n\u003cdiv\u003e5. Good Love (3:37)\u003c\/div\u003e\n\u003cdiv\u003e6. How Long (3:21)\u003c\/div\u003e\n\u003cdiv\u003e7. Burn The Damn Thing Down (2:58)\u003c\/div\u003e\n\u003cdiv\u003e8. Happiness (3:44)\u003c\/div\u003e\n\u003cdiv\u003e9. Baby I'm Coming Home (3:10)\u003c\/div\u003e\n\u003cdiv\u003e10. Didn't I Love You (4:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597913439\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.13.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600411766939,"sku":"25979","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-black-keys-dropout-boogie-cd-relix.jpg?v=1779301083"},{"product_id":"the-black-keys-el-camino-10th-anniversary-edition-deluxe-2-lp-vinyl","title":"The Black Keys – El Camino: 10th Anniversary Edition (3-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn 2011, The Black Keys' sixth album, Brothers, hit No. 3 on the Billboard 200 and yielded the band multiple Grammy nominations. The story goes that, after a Saturday Night Live appearance, a snowstorm forced them to cancel a few live dates. Instead of hibernating, they teamed with Danger Mouse and promptly started banging out the tracks that would make up El Camino, arguably the band's most accessible record in their now-extensive catalog. For the 10th anniversary edition, the band culls together a few different versions, with the \"super deluxe\" offering a robust collection of live tracks recorded in 2011-2012. First up is a complete show from the band's tour stop in Portland, Maine—20 tracks that capture the group energized by new cuts like \"Gold on the Ceiling,\" \"Little Black Submarines,\" and \"Next Girl.\" The term \"garage rock\" has always been thrown around when discussing the Keys—but this night's performance was truly an assault on the blues, with Dan Auerbach's guitars thrashing throughout. The other two performances draw from more intimate settings—a BBC taping and a session at the famed Electro-Vox studio in Hollywood. Both gigs find the Keys performing at another intensely high level, with short and punchy versions of \"Howlin' for You\" and the smash single \"Lonely Boy\" showing off just how good this band was at creating compacted, yet transformative rock moments.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Mike Ayers, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/the-black-keys-el-camino-10th-anniversary-edition\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDan Auerbach and Patrick Carney recorded El Camino in just ten days in 2011, channeling early rock and roll, glam, and vintage soul into a lean, riff-driven statement that broke them wide open commercially without softening their edge. The Portland live set included here captures the duo at the peak of that album cycle, a reminder of how much ground two people and a wall of amps can cover.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOriginal remastered album, previously unreleased full live concert.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eThe Black Keys release a special tenth anniversary edition of their landmark seventh studio album \u003cem\u003eEl Camino \u003c\/em\u003evia Nonesuch Records on November 5, 2021\u003cem\u003e. El Camino (10th Anniversary Deluxe Edition)\u003c\/em\u003e will be available in several formats including a Super Deluxe edition of five vinyl LPs or four CDs, featuring a remastered version of the original album, a previously unreleased \u003cem\u003eLive in Portland, ME\u003c\/em\u003e concert recording, a BBC radio Zane Lowe session from 2012, a 2011 Electro-Vox session, a limited-edition photo book, poster, and lithograph, and a “new car scent” air freshener. A three-LP Deluxe edition, which includes the remastered album and the live recording, also will be available.\u003cbr\u003e\u003cbr\u003eThe Black Keys won three awards at the 55\u003csup\u003eth\u003c\/sup\u003e annual GRAMMY Awards for \u003cem\u003eEl Camino\u003c\/em\u003e— Best Rock Performance, Best Rock Song, and Best Rock Album—among other worldwide accolades. In the UK, the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band).\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEl Camino\u003c\/em\u003e was produced by Danger Mouse and The Black Keys and was recorded in the band’s then-new hometown of Nashville during the spring of 2011. In the UK, the record gave the band their first top 10 hit, and in the US it debuted at # 2 on the Billboard Top 200. The band was also the # 1 most played artist at Alternative and AAA radio formats for 2012 in the US.  The album’s first single, “Lonely Boy,” reached # 1 on the Alternative and AAA charts; it also entered the top 10 at Rock radio.  The second single, “Gold on the Ceiling,” also reached # 1 on Alternative radio and the third single, “Little Black Submarines,” reached the top 3 at Alternative radio.  \u003cem\u003e El Camino \u003c\/em\u003ehas been certified Double Platinum in the US, Australia, and New Zealand; Platinum in the UK, France, Ireland, and Belgium; Quadruple Platinum in Canada; and Gold in Denmark, Italy, the Netherlands, and Spain. Of the album’s singles, \"Lonely Boy\" was certified nine-times platinum in Canada, triple-platinum in Australia, platinum in New Zealand, and gold in Denmark. \"Gold on the Ceiling\" was certified platinum in Australia and Canada.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRolling Stone\u003c\/em\u003e hailed \u003cem\u003eEl Camino\u003c\/em\u003e for bringing “raw, riffed-out power back to pop’s lexicon,” and called it “the Keys’ grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair.” \u003cem\u003eThe Guardian\u003c\/em\u003e said, “They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Lonely Boy (3:17)\u003c\/div\u003e\n\u003cdiv\u003e2. Dead And Gone (3:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Gold On The Ceiling (3:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Little Black Submarines (4:13)\u003c\/div\u003e\n\u003cdiv\u003e5. Money Maker (2:59)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Run Right Back (3:16)\u003c\/div\u003e\n\u003cdiv\u003e2. Sister (3:27)\u003c\/div\u003e\n\u003cdiv\u003e3. Hell Of A Season (3:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Stop Stop (3:32)\u003c\/div\u003e\n\u003cdiv\u003e5. Nova Baby (3:29)\u003c\/div\u003e\n\u003cdiv\u003e6. Mind Eraser (3:16)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Howling for You (3:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Next Girl (3:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Run Right Back (3:41)\u003c\/div\u003e\n\u003cdiv\u003e4. Same Old Thing (3:17)\u003c\/div\u003e\n\u003cdiv\u003e5. Dead And Gone (4:07)\u003c\/div\u003e\n\u003cdiv\u003e6. Gold On The Ceiling (4:05)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Thickfreakness (3:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Girl Is On My Mind (5:08)\u003c\/div\u003e\n\u003cdiv\u003e3. I'll Be Your Man \/ Your Touch (7:17)\u003c\/div\u003e\n\u003cdiv\u003e4. Little Black Submarines (5:38)\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Money Maker (3:32)\u003c\/div\u003e\n\u003cdiv\u003e2. Strange Times (3:11)\u003c\/div\u003e\n\u003cdiv\u003e3. Chop And Change (3:56)\u003c\/div\u003e\n\u003cdiv\u003e4. Nova Baby (4:04)\u003c\/div\u003e\n\u003cdiv\u003e5. Ten Cent Pistol (6:16)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Tighten Up (3:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Lonely Boy (4:01)\u003c\/div\u003e\n\u003cdiv\u003e3. Everlasting Light (3:40)\u003c\/div\u003e\n\u003cdiv\u003e4. She's Long Gone (4:12)\u003c\/div\u003e\n\u003cdiv\u003e5. I Got Mine (5:32)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597914382\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.5.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600414224539,"sku":"34439","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-black-keys-el-camino-10th-anniversary-edition-deluxe-2-lp-vinyl-vinyl-lp-relix.jpg?v=1779300922"},{"product_id":"the-black-keys-attack-release-cd","title":"The Black Keys – Attack \u0026 Release (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAttack \u0026amp; Release marked a genuine turning point for the Akron duo, arriving just as Danger Mouse's reputation as a sonic architect was reaching new heights following his work with Gnarls Barkley and the Gray Album. The pairing made intuitive sense: two sides of American music's underground finding common ground in texture, space, and a shared reverence for the past.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eUntil now, guitarist\/singer Dan Auerbach and drummer Patrick Carney of the Black Keys took an extreme do-it-yourself approach to record marking, hunkering down in a basement studio or setting up equipment in one of the abandoned factories of their native Akron, Ohio. Their modus operandi was more séance than session. With a minimal set of tools, they conjured up a big, swaggering blues-rock sound, seemingly drawn from some distant time and place yet weirdly original to ever be called retro. For this album, however, the Black Keys decided not to go it alone; ATTACK AND RELEASE is the result of one of the most audacious - and eagerly awaited - collaborations in alternative rock history. As producer, the band enlisted Danger Mouse.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. All You Ever Wanted (2:56)\u003c\/div\u003e\n\u003cdiv\u003e2. I Got Mine (3:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Strange Times (3:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Psychotic Girl (4:11)\u003c\/div\u003e\n\u003cdiv\u003e5. Lies (3:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Remember When (Side A) (3:22)\u003c\/div\u003e\n\u003cdiv\u003e7. Remember When (Side B) (2:11)\u003c\/div\u003e\n\u003cdiv\u003e8. Same Old Thing (3:09)\u003c\/div\u003e\n\u003cdiv\u003e9. So He Won't Break (4:14)\u003c\/div\u003e\n\u003cdiv\u003e10. Oceans And Streams (3:26)\u003c\/div\u003e\n\u003cdiv\u003e11. Things Ain't Like They Used To Be (4:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597996920\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.1.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600420548763,"sku":"45651","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-black-keys-attack-release-cd-relix.jpg?v=1779301456"},{"product_id":"emmylou-harris-emmylou-harris-and-the-nash-ramblers-at-the-ryman-cd","title":"Emmylou Harris And The Nash Ramblers - At The Ryman (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at the Ryman before its 1994 renovation returned it to active use as a concert venue, these performances capture Harris and her crack acoustic unit on hallowed ground, in a room where the air itself carries the weight of country music history. The Nash Ramblers, featuring Sam Bush and Roy Huskey Jr. among others, brought a grassroots energy that reconnected Harris to the high lonesome tradition she'd long championed alongside Gram Parsons.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEmmylou Harris and the Nash Ramblers at The Ryman (originally released January 10, 1992) is a live album by Emmylou Harris and her then-newly formed acoustic backing band, The Nash Ramblers, recorded April 30 - May 2, 1991 at the Ryman Auditorium in Nashville, Tennessee.  Remastered version.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597939071\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.4.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Guitar Town (2:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Half As Much (3:01)\u003c\/div\u003e\n\u003cdiv\u003e3. Cattle Call (3:11)\u003c\/div\u003e\n\u003cdiv\u003e4. Guess Things Happen That Way (2:25)\u003c\/div\u003e\n\u003cdiv\u003e5. Hard Times (3:25)\u003c\/div\u003e\n\u003cdiv\u003e6. Mansion On The Hill (4:26)\u003c\/div\u003e\n\u003cdiv\u003e7. Scotland (2:58)\u003c\/div\u003e\n\u003cdiv\u003e8. Montana Cowgirl (3:08)\u003c\/div\u003e\n\u003cdiv\u003e9. Like Strangers (4:57)\u003c\/div\u003e\n\u003cdiv\u003e10. Lodi (3:07)\u003c\/div\u003e\n\u003cdiv\u003e11. Calling My Children Home (3:15)\u003c\/div\u003e\n\u003cdiv\u003e12. If I Could Be There (3:30)\u003c\/div\u003e\n\u003cdiv\u003e13. Walls Of Time (4:45)\u003c\/div\u003e\n\u003cdiv\u003e14. Get Up John (4:23)\u003c\/div\u003e\n\u003cdiv\u003e15. It's A Hard Life Wherever You Go\/Abraham, Martin And John (7:04)\u003c\/div\u003e\n\u003cdiv\u003e16. Smoke Along The Track (4:18)\u003c\/div\u003e\n\u003cdiv\u003e17. Rollin' And Ramblin' (The Death Of Hank Williams) (3:34)\u003c\/div\u003e\n\u003cdiv\u003e18. The Nash Ramble (3:33)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600426119323,"sku":"327280","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-emmylou-harris-emmylou-harris-and-the-nash-ramblers-at-the-ryman-cd-relix.jpg?v=1779370551"},{"product_id":"the-black-keys-ohio-players-lp-vinyl","title":"The Black Keys – Ohio Players (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDan Auerbach and Patrick Carney have been Akron, Ohio's most famous musical export for over two decades, keeping the raw, two-piece electric blues tradition alive long after most of their peers chased cleaner sounds. Ohio Players finds them leaning deeper into their collaborative instincts, expanding the circle without ever losing the greasy, garage-rooted core that built their reputation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOhio Players is The Black Keys’ fourth album in five years, a momentum with a simple explanation, Auerbach says: “We never stopped recording.” There was his and Carney’s reunion, after a five-year hiatus, on 2019’s \"Let’s Rock”, then the 2021 blast of Mississippi-hill-country covers, Delta Kream. A rapid-fire follow-up of new originals, 2022’s Dropout Boogie, featured the duo working with outside writers for the first time: Greg Cartwright of Memphis rockers Reigning Sound and Angelo Petraglia, who has worked with Kings of Leon and the teenage Taylor Swift. (Cartwright and Petraglia are back for Ohio Players too.)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“We'd never worked harder to make a record,” Dan Auerbach says. “It's never taken us this long to make an album. We took our time and did it right.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“What we wanted to accomplish with this record was make something that was fun,” Patrick Carney says. “And something that most bands 20 years into their career don’t make, which is an approachable, fun record that is also cool.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhile making Ohio Players, a title inspired by the legendary Dayton, OH funk band of the same name, The Black Keys were also DJing dance parties in cities around the world that they called “record hangs,” spinning 45s from their own eclectic and growing collections. 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Where Helplessness Blues leaned into pastoral folk tradition, this one pushes into more unsettled harmonic territory, drawing comparisons to late-period Van Morrison and the orchestral ambition of classic Joni Mitchell.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFleet Foxes will release Crack-Up, its long-awaited and highly anticipated third album, June 16 on Nonesuch Records. Crack-Up comes six years after the 2011 release of Helplessness Blues and nearly a decade since the band's 2008 self-titled debut. Fleet Foxes has released the album track \"Third of May \/ Ōdaigahara,\" a nearly nine-minute epic powered by piano and electric twelve-string guitar, string quartet, and the group's trademark sparkling harmonies.\u003c\/p\u003e\u003cp\u003eAll eleven of the songs on Crack-Up were written by Robin Pecknold. The album was co-produced by Pecknold and Skyler Skjelset, his longtime bandmate, collaborator, and childhood friend. Crack-Up was recorded at various locations across the United States between July 2016 and January 2017: at Electric Lady Studios, Sear Sound, The Void, Rare Book Room, Avast, and The Unknown. Phil Ek mixed the album, at Sear Sound, and it was mastered by Greg Calbi at Sterling Sound. Fleet Foxes is Robin Pecknold (vocals, multi-instrumentalist), Skyler Skjelset (multi-instrumentalist, vocals), Casey Wescott (multi-instrumentalist, vocals), Christian Wargo (multi-instrumentalist, vocals), and Morgan Henderson (multi-instrumentalist).\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. I Am All That I Need \/ Arroyo Seco \/ Thumbprint Scar (6:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Cassius, - (4:50)\u003c\/div\u003e\n\u003cdiv\u003e3. - Naiads, Cassadies (3:11)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Kept Woman (3:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Third Of May \/ Odaigahara (8:48)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. If You Need To, Keep Time On Me (3:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Mearcstapa (4:10)\u003c\/div\u003e\n\u003cdiv\u003e3. On Another Ocean (January \/ June) (4:23)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Fool's Errand (4:48)\u003c\/div\u003e\n\u003cdiv\u003e2. I Should See Memphis (4:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Crack-Up (6:24)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597937381\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.16.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600440832155,"sku":"480206","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-fleet-foxes-crack-up-vinyl-lp-relix.jpg?v=1779358877"},{"product_id":"the-black-keys-delta-kream-cd","title":"The Black Keys – Delta Kream (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDan Auerbach and Patrick Carney have been open about how Mississippi hill country blues shaped them from the start, long before the arena shows and Grammy stages. 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The album takes its name from William Eggleston’s iconic Mississippi photograph that is on its cover. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cdiv\u003e1. Crawling Kingsnake (John Lee Hooker \/ Bernard Besman)\u003c\/div\u003e\n\u003cdiv\u003e2. Louise (Fred McDowell)\u003c\/div\u003e\n\u003cdiv\u003e3. Poor Boy a Long Way From Home (Robert Lee Burnside)\u003c\/div\u003e\n\u003cdiv\u003e4. Stay All Night (David Kimbrough, Jr.)\u003c\/div\u003e\n\u003cdiv\u003e5. Going Down South (Robert Lee Burnside)\u003c\/div\u003e\n\u003cdiv\u003e6. Coal Black Mattie (Ranie Burnette)\u003c\/div\u003e\n\u003cdiv\u003e7. Do the Romp (David Kimbrough, Jr.)\u003c\/div\u003e\n\u003cdiv\u003e8. Sad Days, Lonely Nights (David Kimbrough, Jr.)\u003c\/div\u003e\n\u003cdiv\u003e9. Walk with Me (David Kimbrough, Jr.)\u003c\/div\u003e\n\u003cdiv\u003e10. Mellow Peaches (Joseph Lee Williams)\u003c\/div\u003e\n\u003cdiv\u003e11. Come on and Go with Me (David Kimbrough, Jr.)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597916652\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.14.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600446107803,"sku":"462440","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Black-Keys-Delta-Kream-CD.jpg?v=1779194144"},{"product_id":"the-black-keys-lets-rock-cd","title":"The Black Keys – Let's Rock (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAfter a five-year stretch that saw Dan Auerbach and Patrick Carney pursuing solo projects and collaborations, the Akron duo came back swinging with a stripped-down, two-piece urgency that echoes their early Ohio basement recordings. Tracked live to capture the raw interplay that made their Delta blues-influenced garage rock so compelling in the first place, it's a reminder that sometimes the most powerful thing a band can do is get back in a room together.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe Black Keys’ ninth studio album “Let’s Rock” will be released June 28, 2019 via Easy Eye Sound\/Nonesuch Records. The long-awaited album, their first in five years, is a return to the straightforward rock of the singer\/guitarist Dan Auerbach and drummer Patrick Carney’s early days as a band. “Let’s Rock” was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Shine A Little Light (3:16)\u003c\/div\u003e\n\u003cdiv\u003e2. Eagle Birds (2:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Lo\/Hi (2:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Walk Across The Water (3:56)\u003c\/div\u003e\n\u003cdiv\u003e5. Tell Me Lies (3:40)\u003c\/div\u003e\n\u003cdiv\u003e6. Every Little Thing (3:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Get Yourself Together (3:57)\u003c\/div\u003e\n\u003cdiv\u003e8. Sit Around And Miss You (2:40)\u003c\/div\u003e\n\u003cdiv\u003e9. Go (2:26)\u003c\/div\u003e\n\u003cdiv\u003e10. Breaking Down (3:25)\u003c\/div\u003e\n\u003cdiv\u003e11. Under The Gun (3:18)\u003c\/div\u003e\n\u003cdiv\u003e12. Fire Walk With Me (2:57)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597924954\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.28.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600453644443,"sku":"540330","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-black-keys-let-s-rock-cd-relix.jpg?v=1779300887"},{"product_id":"the-black-keys-turn-blue-lp-vinyl","title":"The Black Keys – Turn Blue (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in Los Angeles and released as the band was navigating real personal turbulence, Turn Blue finds Dan Auerbach and Patrick Carney stretching toward the warmth of 70s AM soul and classic rock balladry, a mood that sits closer to early Auerbach solo work than anything in the Keys' catalog. The psychedelic haze here owes as much to vintage FM radio as it does to the Akron basement blues where the duo started.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis eighth album from the Ohio garage rock duo is the follow-up to their 2011 breakthrough smash, El Camino. Recorded once again with Brian \"Danger Mouse\" Burton, the album sees the band change direction from its traditional raw blues-rock style toward a looser, smoother sound influenced by psychedelic soul. The singles \"Fever\" and \"Turn Blue\" are included.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Megamix (Tranquility Bass Remix)\u003c\/div\u003e\n\u003cdiv\u003e2. City Life (DJ Spooky That Subliminal Kid Open Circuit)\u003c\/div\u003e\n\u003cdiv\u003e3. Music For 18 Musicians (Coldcut Remix)\u003c\/div\u003e\n\u003cdiv\u003e4. Come Out (Ken Ishii Remix)\u003c\/div\u003e\n\u003cdiv\u003e5. Drumming (Mantronik Maximum Drum Formula)\u003c\/div\u003e\n\u003cdiv\u003e6. Proverb (Nobukazu Takemura Remix)\u003c\/div\u003e\n\u003cdiv\u003e7. Piano Phase (D*Note's Phased + Konfused Mix)\u003c\/div\u003e\n\u003cdiv\u003e8. Eight Lines (Howie B Remix)\u003c\/div\u003e\n\u003cdiv\u003e9. The Four Sections (Andrea Parker Remix)\u003c\/div\u003e\n\u003cdiv\u003e10. The Desert Music (freQ.Nasty + B.L.I.M Remix)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597955552\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.13.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600453841051,"sku":"561904","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-black-keys-turn-blue-vinyl-lp-relix.jpg?v=1779222592"},{"product_id":"the-black-keys-dropout-boogie-lp-vinyl","title":"The Black Keys – Dropout Boogie (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDropout Boogie finds Dan Auerbach and Patrick Carney leaning back into the raw, two-piece instincts that made albums like \"Thickfreakness\" and \"Rubber Factory\" feel like dispatches from some parallel universe where the blues never went anywhere. Billy F. Gibbons bringing his ZZ Top low-end thunder to these sessions is exactly the kind of unexpected-but-obvious pairing that reminds you how deep the Keys' roots run.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBLACK KEYS \/ DROPOUT BOOGIE - VINYL LP - As they've done their entire career, The Black Keys' Dan Auerbach and Patrick Carney wrote all of the material for their new album, Dropout Boogie, in the studio, and the album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio, basements. After hashing out initial ideas at Auerbach's Easy Eye Sound studio in Nashville, the duo welcomed new collaborators Billy F. Gibbons, Greg Cartwright, and Angelo Petraglia to the sessions, marking the first time they've invited multiple new contributors to work simultaneously on one of their own albums. 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The result is Fleet Foxes' most structurally ambitious work, built from long-form suites that shift tempo and texture mid-song, drawing comparisons to late-period Van Morrison and the more labyrinthine corners of Joni Mitchell's catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFleet Foxes will release Crack-Up, its long-awaited and highly anticipated third album, June 16 on Nonesuch Records. Crack-Up comes six years after the 2011 release of Helplessness Blues and nearly a decade since the band's 2008 self-titled debut. Fleet Foxes has released the album track \"Third of May \/ Ōdaigahara,\" a nearly nine-minute epic powered by piano and electric twelve-string guitar, string quartet, and the group's trademark sparkling harmonies.\u003c\/p\u003e\u003cp\u003eAll eleven of the songs on Crack-Up were written by Robin Pecknold. The album was co-produced by Pecknold and Skyler Skjelset, his longtime bandmate, collaborator, and childhood friend. Crack-Up was recorded at various locations across the United States between July 2016 and January 2017: at Electric Lady Studios, Sear Sound, The Void, Rare Book Room, Avast, and The Unknown. Phil Ek mixed the album, at Sear Sound, and it was mastered by Greg Calbi at Sterling Sound. Fleet Foxes is Robin Pecknold (vocals, multi-instrumentalist), Skyler Skjelset (multi-instrumentalist, vocals), Casey Wescott (multi-instrumentalist, vocals), Christian Wargo (multi-instrumentalist, vocals), and Morgan Henderson (multi-instrumentalist).\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. I Am All That I Need \/ Arroyo Seco \/ Thumbprint Scar (6:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Cassius, - (4:50)\u003c\/div\u003e\n\u003cdiv\u003e3. - Naiads, Cassadies (3:11)\u003c\/div\u003e\n\u003cdiv\u003e4. Kept Woman (3:55)\u003c\/div\u003e\n\u003cdiv\u003e5. Third Of May \/ Ōdaigahara (8:48)\u003c\/div\u003e\n\u003cdiv\u003e6. If You Need To, Keep Time On Me (3:31)\u003c\/div\u003e\n\u003cdiv\u003e7. Mearcstapa (4:10)\u003c\/div\u003e\n\u003cdiv\u003e8. On Another Ocean (January \/ June) (4:23)\u003c\/div\u003e\n\u003cdiv\u003e9. Fool's Errand (4:48)\u003c\/div\u003e\n\u003cdiv\u003e10. I Should See Memphis (4:44)\u003c\/div\u003e\n\u003cdiv\u003e11. Crack-Up (6:24)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597937336\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.16.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600467865755,"sku":"684034","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-fleet-foxes-crack-up-cd-relix.jpg?v=1779358964"},{"product_id":"the-black-keys-brothers-10th-anniversary-edition-deluxe-lp-vinyl","title":"The Black Keys – Brothers: 10th Anniversary Edition (Deluxe LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in a Memphis funeral home and a Muscle Shoals studio, *Brothers* marked the moment Dan Auerbach and Patrick Carney stopped being a cult secret and became one of rock's most essential acts. The raw, unadorned blues grit they'd been refining since Akron still runs through every track, but the songwriting hit a new emotional depth here, earning the duo a Grammy for Album of the Year.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBrothers (Deluxe Remastered Anniversary Edition) This is the Deluxe Anniversary Edition celebrating the album's 10th anniversary. This new LP version has been fully remastered and contains three previously unavailable tracks. 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Dan Auerbach and Patrick Carney had spent years refining their two-piece live power, and hearing them stretch into something slower and more spacious was a genuine left turn for longtime fans.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis eighth album from the Ohio garage rock duo is the follow-up to their 2011 breakthrough smash, El Camino. Recorded once again with Brian \"Danger Mouse\" Burton, the album sees the band change direction from its traditional raw blues-rock style toward a looser, smoother sound influenced by psychedelic soul. 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Smith's catalog, built on fingerpicked guitar, intimate vocal delivery, and a harmonic sophistication that belied its lo-fi origins, translates with surprising grace to Mehldau's lyrical touch.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNonesuch Records releases pianist and composer Brad Mehldau’s Ride into the Sun—a songbook record of music by the late singer, songwriter, and guitarist Elliott Smith. Featured musicians include singer\/guitarist Daniel Rossen (Grizzly Bear); singer\/mandolinist Chris Thile (Punch Brothers, Nickel Creek); bassists Felix Moseholm (Brad Mehldau Trio) and John Davis; drummer Matt Chamberlain (Fiona Apple, Tori Amos, Randy Newman, etc.); and a chamber orchestra led by Dan Coleman.\u003c\/p\u003e\u003cp\u003eRide into the Sun’s ten Elliott Smith songs are complemented by four Mehldau compositions that he says are “inspired by, and reflect, Smith’s oeuvre.” Also included are interpretations of Big Star’s “Thirteen,” which Smith also covered, and “Sunday” by Nick Drake, who Mehldau says, “I look at in some ways as sort of Smith’s visionary godfather.”\u003c\/p\u003e\u003cp\u003eRecalling how he first got to know Smith and his music, which has been a regular part of his repertoire for years, Mehldau said that after years living in New York, he moved to Los Angeles “and there was this wonderful scene of singer-songwriters that was congregating at a club called Largo. That included Elliott but it also included artists like Rufus Wainwright, Fiona Apple. And then other musicians who had been around for a while would come down every Friday night to sit in on a gig that was led by Jon Brion. I played behind Elliott on his own tunes with Jon. It felt to me like a kind of renaissance in songwriting that flourished for a number of years.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Better Be Quiet Now (4:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Everything Means Nothing to Me (5:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Tomorrow Tomorrow (4:03)\u003c\/div\u003e\n\u003cdiv\u003e4. Sweet Adeline (3:22)\u003c\/div\u003e\n\u003cdiv\u003e5. Sweet Adeline Fantasy (4:45)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Between The Bars (5:02)\u003c\/div\u003e\n\u003cdiv\u003e2. The White Lady Loves You More (4:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Ride Into The Sun: Part I (3:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Thirteen (4:01)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Everybody Cares, Everybody Understands (4:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Somebody Cares, Somebody Understands (3:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Southern Belle (3:53)\u003c\/div\u003e\n\u003cdiv\u003e4. Satellite (3:53)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Colorbars (5:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Sunday (3:34)\u003c\/div\u003e\n\u003cdiv\u003e3. Ride Into The Sun: Conclusion (9:38)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597896220\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.29.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744945483931,"sku":"97634","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-brad-mehldau-ride-into-the-sun-vinyl-lp-relix.jpg?v=1781325501"},{"product_id":"rhiannon-giddens-there-is-no-other-cd","title":"Rhiannon Giddens – There is No Other (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRhiannon Giddens built her reputation excavating the African American roots of old-time and bluegrass music with the Carolina Chocolate Drops, and her subsequent solo work has pushed that inquiry even deeper into questions of cultural exchange and erasure. Her partnership with Francesco Turrisi, whose background spans jazz, early music, and Middle Eastern percussion traditions, makes their conversation here feel genuinely reciprocal rather than curatorial.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan style=\"font-size:10pt\"\u003eRhiannon Giddens's latest album, \u003cem\u003ethere is no Other\u003c\/em\u003e, recorded with Italian multi-instrumentalist Francesco Turrisi, is set for May 3, 2019, release on Nonesuch Records. Produced by Joe Henry and tracked over an intensely productive five-day period in Dublin, Ireland,\u003cem\u003e there is no Other\u003c\/em\u003e is at once a condemnation of \"othering\" and a celebration of the spread of ideas, connectivity, and shared experience.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-size:10pt\"\u003eTracing the overlooked movement of sounds from Africa and the Arabic world and their influence on European and American music, \u003cem\u003ethere is no Other\u003c\/em\u003eilluminates the universality of music and the commonality of the human experience. It primarily features only Giddens and Turrisi playing one or two instruments together. The album comprises a mix of original songs penned by Giddens and a diverse set of interpretations ranging from Ola Belle Reed's \"I'm Gonna Write Me a Letter\" and Oscar Brown, Jr.'s \"Brown Baby\" to the Italian traditional \"Pizzica di San Vito\" to the aria \"Black Swan\" by Gian-Carlo Menotti\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Ten Thousand Voices (2:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Letter (4:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Wayfaring Stranger (4:47)\u003c\/div\u003e\n\u003cdiv\u003e4. There Is No Other (2:26)\u003c\/div\u003e\n\u003cdiv\u003e5. Trees On The Mountains (5:15)\u003c\/div\u003e\n\u003cdiv\u003e6. Pizzica Di San Vito (2:07)\u003c\/div\u003e\n\u003cdiv\u003e7. Brown Baby (5:08)\u003c\/div\u003e\n\u003cdiv\u003e8. Briggs' Forró (4:04)\u003c\/div\u003e\n\u003cdiv\u003e9. Little Margaret (3:03)\u003c\/div\u003e\n\u003cdiv\u003e10. Black Swan (4:18)\u003c\/div\u003e\n\u003cdiv\u003e11. I'm On My Way (2:58)\u003c\/div\u003e\n\u003cdiv\u003e12. He Will See You Through (3:59)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597925302\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.3.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744946827419,"sku":"155006","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-rhiannon-giddens-there-is-no-other-cd-relix.jpg?v=1781658587"},{"product_id":"brad-mehldau-seymour-reads-the-constitution-cd","title":"Brad Mehldau – Seymour Reads the Constitution (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMehldau's piano trio has long been one of jazz's most intellectually restless ensembles, treating the Beatles and Radiohead with the same analytical care as Monk or Bill Evans. The range of sources here, from Brian Wilson to Sam Rivers, reflects that same refusal to draw lines between the popular and the esoteric. It's a working band in the truest sense, and that road-tested chemistry is all over this recording.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2018 release. On Seymour Reads the Constitution!, Brad Mehldau Trio performs three Mehldau originals combined with interpretations of pop songs (Paul McCartney, Brian Wilson), jazz tunes (Elmo Hope, Sam Rivers), and one work from the American songbook (Frederick Loewe's \"Almost Like Being in Love\"). Brad Mehldau moved to New York City and first came to prominence as a member of current label mate Joshua Redman's quartet in the 1990s before becoming a bandleader himself. His trio, which tours the world extensively, made eight acclaimed recordings for Warner Bros. The pianist's time with Nonesuch has been equally productive.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Spiral (8:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Seymour Reads The Constitution (8:03)\u003c\/div\u003e\n\u003cdiv\u003e3. Almost Like Being In Love (5:41)\u003c\/div\u003e\n\u003cdiv\u003e4. De-Dah (8:42)\u003c\/div\u003e\n\u003cdiv\u003e5. Friends (8:15)\u003c\/div\u003e\n\u003cdiv\u003e6. Ten Tune (10:07)\u003c\/div\u003e\n\u003cdiv\u003e7. Great Day (5:54)\u003c\/div\u003e\n\u003cdiv\u003e8. Beatrice (8:54)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597934434\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.18.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744961441947,"sku":"202170","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-brad-mehldau-seymour-reads-the-constitution-cd-relix.jpg?v=1781325481"},{"product_id":"rhiannon-giddens-tomorrow-is-my-turn-cd","title":"Rhiannon Giddens – Tomorrow Is My Turn (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRhiannon Giddens spent years as a founding member of the Carolina Chocolate Drops, helping resurrect the Black string band tradition and bring it to audiences who'd never imagined that lineage existed. Produced by T Bone Burnett, this solo debut pulls from gospel, country, jazz, and blues not as genre exercise but as genuine reclamation, tracing the full breadth of American music through the lens of a classically trained vocalist who also happens to be a formidable banjo and fiddle player.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTomorrow Is My Turn follows Giddens’ work with Elvis Costello, Taylor Goldsmith, Jim James, and Marcus Mumford on Lost On The River: The New Basement Tapes, an album also produced by Burnett that was released in November 2014. Her contribution was hailed by Rolling Stone magazine as the “showstopper…evoking antebellum blues with a magnificent voice that interrogates the myths stirred up at Big Pink.” The New York Times agreed, saying “On lead vocals she’s the album’s revelation, singing melodies that hark back to Celtic modes with a decisive presence and a haunting grace.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Last Kind Word (4:14)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Let It Trouble Your Mind (3:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Waterboy (3:45)\u003c\/div\u003e\n\u003cdiv\u003e4. She's Got You (4:17)\u003c\/div\u003e\n\u003cdiv\u003e5. Up Above My Head (3:10)\u003c\/div\u003e\n\u003cdiv\u003e6. Tomorrow Is My Turn (4:37)\u003c\/div\u003e\n\u003cdiv\u003e7. Black Is The Color (3:46)\u003c\/div\u003e\n\u003cdiv\u003e8. Round About The Mountain (3:30)\u003c\/div\u003e\n\u003cdiv\u003e9. Shake Sugaree (4:24)\u003c\/div\u003e\n\u003cdiv\u003e10. O Love Is Teasin' (4:33)\u003c\/div\u003e\n\u003cdiv\u003e11. Angel City (3:53)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597956313\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.10.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744973107355,"sku":"363433","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-rhiannon-giddens-tomorrow-is-my-turn-cd-relix.jpg?v=1781658480"},{"product_id":"rhiannon-giddens-freedom-highway-cd","title":"Rhiannon Giddens – Freedom Highway (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRhiannon Giddens came up through the Carolina Chocolate Drops, helping reintroduce old-time string band music to a new generation, but Freedom Highway finds her trained operatic voice and deep command of Black American musical traditions channeled toward something more urgent. Recorded largely live in the studio with producer and multi-instrumentalist Francesco Turrisi, the album draws a direct line from the antebellum era to the present day without letting either moment off the hook.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"Know thy history. Let it horrify you; let it inspire you. Let it show you how the future can look, for nothing in this world has not come around before. These songs are based on slave narratives from the 1800s, African American experiences of the last century, and the Civil Rights movement of the 1960s and headlines from streets of Ferguson and Baltimore today. Voices demanding to be heard, to impart the hard-earned wisdom of a tangled, difficult, complicated history; we just try to open the door and let them through.\" —Rhiannon Giddens\u003c\/p\u003e\u003cp\u003eFreedom Highway, Grammy Award–winner and 2017 Grammy nominee Rhiannon Giddens' follow-up to her highly praised debut album Tomorrow Is My Turn, will be released by Nonesuch Records on February 24, 2017. The record includes nine original songs Giddens wrote or co-wrote while she and her band toured after Tomorrow Is My Turn's 2015 release, along with a traditional song and two civil rights-era songs, \"Birmingham Sunday\" and Staple Singers' well-known \"Freedom Highway,\" from which the album takes its name. Giddens and the band will tour the U.S. in the spring; details will be announced shortly.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. At The Purchaser's Option (4:16)\u003c\/div\u003e\n\u003cdiv\u003e2. The Angels Laid Him Away (2:31)\u003c\/div\u003e\n\u003cdiv\u003e3. Julie (4:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Birmingham Sunday (6:13)\u003c\/div\u003e\n\u003cdiv\u003e5. Better Get It Right The First Time (3:23)\u003c\/div\u003e\n\u003cdiv\u003e6. We Could Fly (4:53)\u003c\/div\u003e\n\u003cdiv\u003e7. Hey Bébé (3:19)\u003c\/div\u003e\n\u003cdiv\u003e8. Come Love Come (5:20)\u003c\/div\u003e\n\u003cdiv\u003e9. The Love We Almost Had (4:17)\u003c\/div\u003e\n\u003cdiv\u003e10. Baby Boy (4:29)\u003c\/div\u003e\n\u003cdiv\u003e11. Following The North Star (1:56)\u003c\/div\u003e\n\u003cdiv\u003e12. Freedom Highway (4:47)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597939613\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.24.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744981528731,"sku":"474519","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-rhiannon-giddens-freedom-highway-cd-relix.jpg?v=1781658703"},{"product_id":"brad-mehldau-your-mother-should-know-brad-mehldau-plays-the-beatles-cd","title":"Brad Mehldau – Your Mother Should Know: Brad Mehldau Plays The Beatles (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMehldau has spent decades reimagining the American songbook and rock canon through the lens of jazz improvisation, and his relationship with Beatles material stretches back through countless live performances where these songs became vehicles for his characteristically searching, harmonically rich explorations. Recorded in an empty Philharmonie de Paris during the pandemic, the intimacy here is palpable, a pianist alone with songs he's clearly lived with for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eNonesuch Records releases \u003c\/span\u003e\u003cem\u003eYour Mother Should Know: Brad Mehldau Plays The Beatles \u003c\/em\u003e\u003cspan\u003eon February 10, 2023. \u003c\/span\u003e\u003cspan\u003eThe live solo album \u003c\/span\u003e\u003cspan\u003efeatures the pianist and composer’s interpretations of nine songs by John Lennon and Paul McCartney and one by George Harrison. Although other Beatles songs have long been staples of Mehldau’s solo and trio shows, he had not previously recorded any of the tunes on \u003c\/span\u003e\u003cem\u003eYour Mother Should Know\u003c\/em\u003e\u003cspan\u003e. The album ends with a David Bowie classic that draws a connection between The Beatles and pop songwriters who followed. \u003c\/span\u003e\u003cem\u003eYour Mother Should Know\u003c\/em\u003e\u003cspan\u003e was recorded in September 2020 at Philharmonie de Paris.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“There is an undisputed universality to The Beatles,” Mehldau says. “Their music cuts across cultural and generational lines, as new listeners continue to discover it. There is an immediacy and integrity to their songs that draws everyone in.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“When I was getting started at the instrument, The Beatles were not on my radar yet, but a lot of the enduring piano-pop music I heard on the radio grew out of them. That music became part of my personality, and when I discovered The Beatles later, it all tied together. Their music, and its wide influence on other artists, continues to inform what I do.”\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. I Am The Walrus (4:14)\u003c\/div\u003e\n\u003cdiv\u003e2. Your Mother Should Know (2:18)\u003c\/div\u003e\n\u003cdiv\u003e3. I Saw Her Standing There (3:54)\u003c\/div\u003e\n\u003cdiv\u003e4. For No One (2:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Baby's In Black (7:19)\u003c\/div\u003e\n\u003cdiv\u003e6. She Said She Said (2:42)\u003c\/div\u003e\n\u003cdiv\u003e7. Here, There And Everywhere (3:58)\u003c\/div\u003e\n\u003cdiv\u003e8. If I Needed Someone (2:25)\u003c\/div\u003e\n\u003cdiv\u003e9. Maxwell's Silver Hammer (6:42)\u003c\/div\u003e\n\u003cdiv\u003e10. Golden Slumbers (8:17)\u003c\/div\u003e\n\u003cdiv\u003e11. Life On Mars? 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Named for the archangel, the album draws on themes of faith, mortality, and human connection, with Mehldau handling nearly every sonic layer himself before inviting a cast of collaborators into the vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe album comprises nine thematically related songs by Mehldau and features performances by him on piano, synthesizers, percussion, and Fender Rhodes, as well as vocals. 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The result is genuinely rare: a serious musician reckoning with adolescent obsessions not as nostalgia, but as theology.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBrad Mehldau \/ JACOB'S LADDER - The album features new music that reflects on scripture and the search for God through music inspired by the prog rock Mehldau loved as a young adolescent, which was his gateway to the fusion that eventually led to his discovery of jazz. Jacob's Ladder is made up of original compositions by Mehldau alongside interpolations and covers of songs by Rush, Gentle Giant and Yes. 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The ETA IVtet grew directly out of residency nights at that beloved Highland Park room, meaning their chemistry was forged through repetition and trust rather than studio planning; catching them documented at Lodge Room in this moment carries real weight.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e‘Happy Today’, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/p\u003e\u003cp\u003eThe performance captures a distinctly joyful night of togetherness set against the backdrop of dark times. 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Bringing them together as co-composers, not just improvisers, reveals how much their individual practices share in common: a patience with space, a resistance to resolution, and a sense that melody is something to be approached sideways.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNonesuch Records releases Slo-Mo Neon Luminate Hoverings by trumpeter\/composer Ambrose Akinmusire and guitarist\/composer Mary Halvorson on June 12, 2026. The album features four new compositions by each musician as well as one collaboration.  The duo, long admirers of each other’s musicianship, met at Halvorson’s Brooklyn apartment and began playing together periodically as far back as 2015. They rehearsed the music on Slo-Mo Neon Luminate Hoverings in January 2025, just before performing it at the New York City club The Stone; they recorded this album the next day at Sear Sound.\u003c\/p\u003e\u003cp\u003eHalvorson says of the duo’s rapport, “I think it’s partly a shared aesthetic and an ease of communication. I feel comfortable to try whatever.” Akinmusire concurs, “It’s rare to feel like you don’t have to do anything and you can do anything. And that’s what love about playing with Mary.”\u003c\/p\u003e\u003cp\u003eDuring his career, Ambrose Akinmusire has paradoxically situated himself in both the center and the periphery of jazz, most recently emerging in classical and hip-hop circles. He is on a perpetual quest for new paradigms, masterfully weaving inspiration from other genres, arts, and life in general into compositions that are as poetic and graceful as they are bold and unflinching. His unorthodox approach to sound and composition makes him a regular on critics’ polls and has earned him grants and commissions from the Doris Duke Foundation, the MAP Fund, the Kennedy Center, and the Berlin and Monterey Jazz Festivals. While Akinmusire continues to garner accolades, including the DownBeat Critics Poll Trumpeter of the Year for 2025, his reach is always beyond—himself, his instrument, genre, form, preconceived notions, and anything else imposing limitations. \u003c\/p\u003e\u003cp\u003eMary Halvorson’s first three Nonesuch records were named Jazz Album of the Year in DownBeat’s annual Critics Poll, where she was also named Guitarist of the Year for the last three years in a row. PopMatters noted in its review of her most recent record, 2025’s About Ghosts, “The latest from guitarist Mary Halvorson is another master class in jazz performance and composition. If she is the future of jazz, we are in tremendously gifted hands ... she’s currently in the midst of what may be her most acclaimed and creatively fruitful period.” And Spin said, “You hear Mary Halvorson play a guitar once—it sticks with you. Her tone, both liquid and spiky, burrows into your nervous system on contact. Using a delay pedal and digital effects, she flattens, smears, and discombobulates single notes, which creates an eerie, addictive effect. Her darting, slippery approach makes her songs simultaneously vaporous, brittle, and kinetic ... Instead of dominating with virtuosity, however, Halvorson prefers to insinuate, often submerging her balletic verve beneath contrasting textures and busy, interlocking rhythms.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Prelude In The Ash (6:04)\u003c\/div\u003e\n\u003cdiv\u003e2. This Vivid (4:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Nice To Meet You Again For The First Time (5:50)\u003c\/div\u003e\n\u003cdiv\u003e4. Soundcheck (3:32)\u003c\/div\u003e\n\u003cdiv\u003e5. Watersmoke (3:19)\u003c\/div\u003e\n\u003cdiv\u003e6. Tangled Pretty (4:25)\u003c\/div\u003e\n\u003cdiv\u003e7. Ofo (4:13)\u003c\/div\u003e\n\u003cdiv\u003e8. Blood \u0026amp; Sand (6:18)\u003c\/div\u003e\n\u003cdiv\u003e9. Slo-Mo Neon Luminate Hoverings (7:48)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597892819\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745107652763,"sku":"157871343","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ambrose-akinmusire-mary-halvorson-slo-mo-neon-luminate-hoverings-cd-relix.jpg?v=1781659079"},{"product_id":"ambrose-akinmusire-mary-halvorson-slo-mo-neon-luminate-hoverings-lp-vinyl","title":"Ambrose Akinmusire \u0026 Mary Halvorson – Slo Mo Neon Luminate Hoverings (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAkinmusire has long pushed the trumpet into deeply introspective territory, from his acclaimed Blue Note recordings to collaborations across jazz, classical, and experimental contexts. Halvorson, widely recognized as one of the most distinctive voices in contemporary guitar, brings her signature warped-time phrasing and harmonic restlessness to any room she enters. A decade in the making, their partnership feels less like a project than a natural reckoning between two composers who've been circling each other's gravity for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNonesuch Records releases Slo-Mo Neon Luminate Hoverings by trumpeter\/composer Ambrose Akinmusire and guitarist\/composer Mary Halvorson on June 12, 2026. The album features four new compositions by each musician as well as one collaboration.  The duo, long admirers of each other’s musicianship, met at Halvorson’s Brooklyn apartment and began playing together periodically as far back as 2015. They rehearsed the music on Slo-Mo Neon Luminate Hoverings in January 2025, just before performing it at the New York City club The Stone; they recorded this album the next day at Sear Sound. \u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eHalvorson says of the duo’s rapport, “I think it’s partly a shared aesthetic and an ease of communication. I feel comfortable to try whatever.” Akinmusire concurs, “It’s rare to feel like you don’t have to do anything and you can do anything. And that’s what love about playing with Mary.”\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eDuring his career, Ambrose Akinmusire has paradoxically situated himself in both the center and the periphery of jazz, most recently emerging in classical and hip-hop circles. He is on a perpetual quest for new paradigms, masterfully weaving inspiration from other genres, arts, and life in general into compositions that are as poetic and graceful as they are bold and unflinching. His unorthodox approach to sound and composition makes him a regular on critics’ polls and has earned him grants and commissions from the Doris Duke Foundation, the MAP Fund, the Kennedy Center, and the Berlin and Monterey Jazz Festivals. While Akinmusire continues to garner accolades, including the DownBeat Critics Poll Trumpeter of the Year for 2025, his reach is always beyond—himself, his instrument, genre, form, preconceived notions, and anything else imposing limitations. \u003c\/p\u003e\u003cp\u003eMary Halvorson’s first three Nonesuch records were named Jazz Album of the Year in DownBeat’s annual Critics Poll, where she was also named Guitarist of the Year for the last three years in a row. PopMatters noted in its review of her most recent record, 2025’s About Ghosts, “The latest from guitarist Mary Halvorson is another master class in jazz performance and composition. If she is the future of jazz, we are in tremendously gifted hands ... she’s currently in the midst of what may be her most acclaimed and creatively fruitful period.” And Spin said, “You hear Mary Halvorson play a guitar once—it sticks with you. Her tone, both liquid and spiky, burrows into your nervous system on contact. Using a delay pedal and digital effects, she flattens, smears, and discombobulates single notes, which creates an eerie, addictive effect. Her darting, slippery approach makes her songs simultaneously vaporous, brittle, and kinetic ... Instead of dominating with virtuosity, however, Halvorson prefers to insinuate, often submerging her balletic verve beneath contrasting textures and busy, interlocking rhythms.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Prelude In The Ash (6:04)\u003c\/div\u003e\n\u003cdiv\u003e2. This Vivid (4:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Nice To Meet You Again For The First Time (5:50)\u003c\/div\u003e\n\u003cdiv\u003e4. Soundcheck (3:32)\u003c\/div\u003e\n\u003cdiv\u003e5. Watersmoke (3:19)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Tangled Pretty (4:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Ofo (4:13)\u003c\/div\u003e\n\u003cdiv\u003e3. Blood \u0026amp; Sand (6:18)\u003c\/div\u003e\n\u003cdiv\u003e4. Slo-Mo Neon Luminate Hoverings (7:48)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075597892826\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nonesuch\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745111060635,"sku":"157880045","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ambrose-akinmusire-mary-halvorson-slo-mo-neon-luminate-hoverings-vinyl-lp-relix.jpg?v=1781658953"}],"url":"https:\/\/relix.shop\/collections\/nonesuch-records-vinyl-cds-cassettes.oembed?page=2","provider":"relix.shop","version":"1.0","type":"link"}