{"title":"Rock Vinyl \u0026 CDs","description":"\u003cp\u003eThe deep end of the crate: Grateful Dead, Phish, Widespread Panic, the Allman Brothers, Neil Young, and the rock lineage that shaped the jam scene. Studio pressings, live vault releases, and the limited colored-vinyl variants collectors chase down first. New arrivals land here before they land anywhere else.\u003c\/p\u003e","products":[{"product_id":"grateful-dead-aoxomoxoa-cd","title":"Grateful Dead – Aoxomoxoa (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRobert Hunter's arrival as the band's primary lyricist gave the Dead something they'd been reaching for since the Haight-Ashbury days, a true poet in the room. Songs like \"St. Stephen\" and \"China Cat Sunflower\" that debuted here became cornerstones of the live canon, played thousands of times over the next two decades and still burning bright in setlists today.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e“In 1969, for their third album, the Grateful Dead eschewed outside producers and created Aoxomoxoa themselves, beginning a run of self-produced albums that would continue until 1977. Scrapping the first sessions, which were recorded to eight-track tape, the Dead now had 16 tracks with which to experiment their psychedelic sound, with an album that included entirely \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e-penned lyrics for the first time.”\u003c\/p\u003e\n\n\u003cp\u003eArchivist \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. St. Stephen (4:26)\u003cbr\u003e\n2. Dupree's Diamond Blues (3:32)\u003cbr\u003e\n3. Rosemary (1:58)\u003cbr\u003e\n4. Doin' That Rag (4:41)\u003cbr\u003e\n5. Mountains Of The Moon (4:08)\u003cbr\u003e\n6. China Cat Sunflower (3:40)\u003cbr\u003e\n7. What's Become Of The Baby (8:12)\u003cbr\u003e\n8. 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Where his predecessors had shaped the band's sound through the psychedelic and jazz-leaning seventies, Mydland brought a blue-eyed soul edge that pushed the Dead toward something rawer and more direct, a quality that would define their sound well into the eighties and beyond.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGo To Heaven\u003c\/em\u003e (1980) is the Grateful Dead's eleventh studio album and their first with keyboardist \u003cstrong\u003eBrent Mydland\u003c\/strong\u003e, who joined in 1979 following \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e's departure. Recorded at Club Front studio in San Rafael, California and produced by Gary Lyons, the album captures the Dead attempting to create radio-friendly songs while maintaining their musical identity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\"Alabama Getaway\"\u003c\/strong\u003e became the band's highest-charting single in years, while the Garcia\/Hunter classic \u003cstrong\u003e\"Althea\"\u003c\/strong\u003e went on to become a live staple for decades. \u003cstrong\u003eBob Weir\u003c\/strong\u003e contributes some of his most sophisticated writing with the paired suite of \u003cstrong\u003e\"Lost Sailor\"\u003c\/strong\u003e and \u003cstrong\u003e\"Saint of Circumstance,\"\u003c\/strong\u003e and Mydland announces his arrival with a pair of his own compositions — \u003cstrong\u003e\"Far from Me\"\u003c\/strong\u003e and \u003cstrong\u003e\"Easy to Love You\"\u003c\/strong\u003e — sung with a grit and soul that immediately distinguished him as a vital addition to the band.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eGo To Heaven\u003c\/em\u003e would be the last Grateful Dead studio album for seven years — until \u003cem\u003eIn the Dark\u003c\/em\u003e in 1987 — and an album that has aged considerably better than its mixed initial reception suggested.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. 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After nearly two years away, the dual-drummer configuration was restored, the setlists were adventurous, and the band was clearly rediscovering what it could do on a live stage. The Landover date alone earns its place in the historical record as the final known performance of \"Cosmic Charlie.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eDick's Picks Vol. 20\u003c\/em\u003e captures the Grateful Dead across two shows from September 1976 — \u003cstrong\u003eCapital Centre, Landover, MD (9\/25\/76)\u003c\/strong\u003e and \u003cstrong\u003eOnondaga County War Memorial, Syracuse, NY (9\/28\/76)\u003c\/strong\u003e — spread across four discs and over five hours of music.\u003c\/p\u003e\n\n\u003cp\u003eThe timing makes this volume especially significant. 1976 marked the Dead's return to the road after a 20-month hiatus, with \u003cstrong\u003eMickey Hart\u003c\/strong\u003e back in the fold for the first time in five years. The band sounds newly energized, weaving together fresh material like \u003cstrong\u003e\"Lazy Lightnin'\"\u003c\/strong\u003e and \u003cstrong\u003e\"Supplication\"\u003c\/strong\u003e with deep catalog rarities including \u003cstrong\u003e\"St. Stephen\"\u003c\/strong\u003e and \u003cstrong\u003e\"Cosmic Charlie\"\u003c\/strong\u003e — the latter appearing on the Landover setlist for the last time ever.\u003c\/p\u003e\n\n\u003cp\u003eThe Syracuse second set is the crown jewel: a breathtaking run through \u003cstrong\u003e\"Comes a Time\"\u003c\/strong\u003e into \u003cstrong\u003e\"Eyes of the World\"\u003c\/strong\u003e and into the out-of-nowhere \u003cstrong\u003e\"Orange Tango Jam\"\u003c\/strong\u003e that stands among the finest moments in the entire Dick's Picks series.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1\u003c\/strong\u003e — Capital Centre, Landover, MD 9\/25\/76 (Set 1)\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBertha\u003c\/li\u003e\n\u003cli\u003eNew Minglewood Blues\u003c\/li\u003e\n\u003cli\u003eRamble On Rose\u003c\/li\u003e\n\u003cli\u003eCassidy\u003c\/li\u003e\n\u003cli\u003eBrown Eyed Woman\u003c\/li\u003e\n\u003cli\u003eMama Tried\u003c\/li\u003e\n\u003cli\u003ePeggyO\u003c\/li\u003e\n\u003cli\u003eLoser\u003c\/li\u003e\n\u003cli\u003eLet It Grow\u003c\/li\u003e\n\u003cli\u003eSugaree\u003c\/li\u003e\n\u003cli\u003eLazy Lightnin'\u003c\/li\u003e\n\u003cli\u003eSupplication\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2\u003c\/strong\u003e — Capital Centre, Landover, MD 9\/25\/76 (Set 2)\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMississippi Half-Step Uptown Toodeloo\u003c\/li\u003e\n\u003cli\u003eDancing in the Streets\u003c\/li\u003e\n\u003cli\u003eCosmic Charlie\u003c\/li\u003e\n\u003cli\u003eScarlet Begonias\u003c\/li\u003e\n\u003cli\u003eSt. Stephen\u003c\/li\u003e\n\u003cli\u003eNot Fade Away\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eJam\u003c\/li\u003e\n\u003cli\u003eSt. Stephen\u003c\/li\u003e\n\u003cli\u003eSugar Magnolia\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3\u003c\/strong\u003e — Onondaga County War Memorial, Syracuse, NY 9\/28\/76 (Set 1)\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCold Rain and Snow\u003c\/li\u003e\n\u003cli\u003eBig River\u003c\/li\u003e\n\u003cli\u003eCassidy\u003c\/li\u003e\n\u003cli\u003eTennessee Jed\u003c\/li\u003e\n\u003cli\u003eNew Minglewood Blues\u003c\/li\u003e\n\u003cli\u003eCandyman\u003c\/li\u003e\n\u003cli\u003eIt's All Over Now\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eLet It Grow\u003c\/li\u003e\n\u003cli\u003eGoin' Down the Road Feeling Bad\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 4\u003c\/strong\u003e — Onondaga County War Memorial, Syracuse, NY 9\/28\/76 (Set 2)\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlaying in the Band\u003c\/li\u003e\n\u003cli\u003eThe Wheel\u003c\/li\u003e\n\u003cli\u003eSamson and Delilah\u003c\/li\u003e\n\u003cli\u003eJam\u003c\/li\u003e\n\u003cli\u003eComes a Time\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eEyes of the World\u003c\/li\u003e\n\u003cli\u003eOrange Tango Jam\u003c\/li\u003e\n\u003cli\u003eDancing in the Streets\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band\u003c\/li\u003e\n\u003cli\u003eJohnny B. 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Covers were never filler for this band; they were a window into the record collections and front-porch traditions that shaped Jerry Garcia, Bob Weir, and Ron McKernan from the beginning.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBrown colored vinyl pressing of live radio recordings from 1980, capturing the Grateful Dead's deep roots in American folk, blues, and country. The set draws from the band's vast catalog of covers and originals that defined their live shows — from the Jesse Fuller ragtime staple \u003cstrong\u003e\"Monkey and the Engineer\"\u003c\/strong\u003e to the Garcia\/Hunter perennial \u003cstrong\u003e\"Must've Been the Roses,\"\u003c\/strong\u003e \u003cstrong\u003eBob Weir\u003c\/strong\u003e's barroom classic \u003cstrong\u003e\"Mexicali Blues,\"\u003c\/strong\u003e and the blues standard \u003cstrong\u003e\"Little Red Rooster.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eHeaven Help the Fool\u003c\/li\u003e\n\u003cli\u003eSadie\u003c\/li\u003e\n\u003cli\u003eMonkey and the Engineer\u003c\/li\u003e\n\u003cli\u003eMust've Been the Roses\u003c\/li\u003e\n\u003cli\u003eMe \u0026amp; My Uncle\u003c\/li\u003e\n\u003cli\u003eMexicali Blues\u003c\/li\u003e\n\u003cli\u003eRamble on Rose\u003c\/li\u003e\n\u003cli\u003eLittle Red Rooster\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4262428984003\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue-line\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.12.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515436187,"sku":"29730806","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-The-Rock-N-Roots-Of-Brown-LP-Vinyl.jpg?v=1776107669"},{"product_id":"grateful-dead-best-of-the-skeletons-from-the-closet-greatest-hits-cd","title":"Grateful Dead – Best Of The Skeletons From The Closet: Greatest Hits (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFor anyone just finding their way into the Dead's universe, this Rhino compilation draws from the band's Warner Bros. studio years, capturing the polished, song-focused side of a group whose reputation was built on endless improvisation. These are the tracks that pulled a generation toward the rabbit hole, the ones that still sound on the radio before someone inevitably asks, \"Have you ever heard the live version?\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe classic Dead best-of. Includes Truckin'; Casey Jones; Sugar Magnolia; Uncle John's Band; Friend of the Devil and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. The Golden Road (To Unlimited Devotion)\u003cbr\u003e\n2. Truckin'\u003cbr\u003e\n3. Rosemary\u003cbr\u003e\n4. Sugar Magnolia\u003cbr\u003e\n5. St. Stephen\u003cbr\u003e\n6. Uncle John's Band\u003cbr\u003e\n7. Casey Jones\u003cbr\u003e\n8. Mexicali Blues\u003cbr\u003e\n9. Turn On Your Love Light\u003cbr\u003e\n11. One More Saturday Night\u003cbr\u003e\n12. 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The Fillmore East, Bill Graham's New York room, was one of the few stages in America that could hold what the Dead were becoming, and recordings from this run capture that electricity with rare immediacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eGrateful Dead Fillmore East 2-11-69 (180 Gram Audiophile Vinyl\/Limited Anniversary Edition\/Tri-fold Cover)\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eIn celebration of 6 Decades of Grateful Dead, Friday Music is very pleased to announce this stunning 180 Gram Audiophile 3 LP Deluxe Set of Grateful Dead's \u003cstrong\u003e\"Fillmore East 2-11-69.\"\u003c\/strong\u003e This amazing, super-limited-edition treasure trove features tunes from these significant concerts, both early and late.\u003c\/p\u003e\n\n\u003cp\u003eFilled with 17 stellar vinyl performances, The Grateful Dead's \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, Bill Kreutzmann, Ron McKernan, and \u003cstrong\u003eTom Constanten\u003c\/strong\u003e truly radiate their finest playing and singing, making this a wonderful listen and a highly collectible album for years to come.\u003c\/p\u003e\n\n\u003cp\u003eAs an added super-rare treat, a tip of the hat to The Beatles is preserved in the audiophile domain, with their fine interpretation of Hey Jude, as well as a pair of masterful blues classics: King Bee and Good Morning Little School Girl.\u003c\/p\u003e\n\n\u003cp\u003eThe Grateful Dead's Fillmore 2-11-69 album is packaged in a stunning tri-fold cover with beautifully detailed artwork, Gary Lambert's original liner notes, and wonderful retro LP label artwork for each vinyl album.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGood Morning Little Schoolgirl\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eThe Other One\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eDoin' That Rag\u003c\/li\u003e\n\u003cli\u003eI'm A King Bee\u003c\/li\u003e\n\u003cli\u003eHey Jude\u003c\/li\u003e\n\u003cli\u003eTurn On Your Lovelight\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eDupree's Diamond Blues\u003c\/li\u003e\n\u003cli\u003eMountains Of The Moon\u003c\/li\u003e\n\u003cli\u003eDark Star\u003c\/li\u003e\n\u003cli\u003eSt. Stephen\u003c\/li\u003e\n\u003cli\u003eThe Eleven\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eCaution (Do Not Stop On Tracks)\u003c\/li\u003e\n\u003cli\u003eFeedback\u003c\/li\u003e\n\u003cli\u003eWe Bid You Goodnight\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 829421021698\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Friday Music Two\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515534491,"sku":"71456052","price":174.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Fillmore-East-2-11-69-3-LP-Vinyl.png?v=1776107685"},{"product_id":"grateful-dead-american-beauty-50th-anniversary-deluxe-cd","title":"Grateful Dead – American Beauty: 50th Anniversary (Deluxe 3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the summer of 1970 and released that November, American Beauty arrived just months after Workingman's Dead and completed one of the most remarkable back-to-back creative statements in rock history. Where its predecessor leaned into country grit, American Beauty opened into something more luminous, with the harmonies of Crosby, Stills and Nash filtering through the Dead's own communal voice. The Capitol Theatre run captured here was among the first major tests of these songs on the road, the band still fresh inside material that would anchor their live sets for decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDeluxe three CD edition. Includes the original album with newly remastered audio, plus an unreleased concert recorded on February 18, 1971, at the Capitol Theatre in Port Chester, NY. \u003c\/p\u003e\u003cp\u003eThe show was mixed from the 16-track analog master tapes by Jeffrey Norman at \u003cstrong\u003eBob Weir\u003c\/strong\u003e's Marin County TRI Studios and mastered by Grammy Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e. The crown jewel of the Dead's studio output! The album's original 10 tracks include many of the Dead's best-known, most-loved, and most popular songs both on record and in concert for the next 25 years. \u003c\/p\u003e\u003cp\u003eAn album that includes Box Of Rain, Friend Of The Devil, Sugar Magnolia, Candyman, Ripple, Brokedown Palace, Attics Of My Life, and Truckin' looks more like a greatest-hits compilation than a second album of 1970, and yet American Beauty demonstrates a band unable to slow down in terms of the quality of its writing, recording, and performing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Box Of Rain (5:17)\u003cbr\u003e\n1-2. Friend Of The Devil (3:23)\u003cbr\u003e\n1-3. Sugar Magnolia (3:17)\u003cbr\u003e\n1-4. Operator (2:23)\u003cbr\u003e\n1-5. Candyman (6:13)\u003cbr\u003e\n1-6. Ripple (4:08)\u003cbr\u003e\n1-7. Brokedown Palace (4:06)\u003cbr\u003e\n1-8. Till The Morning Comes (3:08)\u003cbr\u003e\n1-9. Attics Of My Life (5:09)\u003cbr\u003e\n1-10. Truckin' (5:06)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Bertha (6:20)\u003cbr\u003e\n2-2. Truckin' (9:14)\u003cbr\u003e\n2-3. Hurts Me Too (5:56)\u003cbr\u003e\n2-4. Loser (6:55)\u003cbr\u003e\n2-5. Greatest Story Ever Told \u0026gt; (3:48)\u003cbr\u003e\n2-6. Johnny B. Goode (3:08)\u003cbr\u003e\n2-7. Mama Tried (3:22)\u003cbr\u003e\n2-8. Hard To Handle (9:14)\u003cbr\u003e\n2-9. Dark Star \u0026gt; (7:02)\u003cbr\u003e\n2-10. Wharf Rat \u0026gt; (7:24)\u003cbr\u003e\n2-11. Dark Star \u0026gt; (7:21)\u003cbr\u003e\n2-12. Me And My Uncle (4:13)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. Casey Jones (7:38)\u003cbr\u003e\n3-2. Playing In The Band (6:11)\u003cbr\u003e\n3-3. Me And Bobby McGee (6:35)\u003cbr\u003e\n3-4. Candyman (7:59)\u003cbr\u003e\n3-5. Big Boss Man (5:42)\u003cbr\u003e\n3-6. Sugar Magnolia (7:12)\u003cbr\u003e\n3-7. St. Stephen \u0026gt; (6:26)\u003cbr\u003e\n3-8. Not Fade Away \u0026gt; (4:31)\u003cbr\u003e\n3-9. Goin' Down The Road Feeling Bad \u0026gt; (5:03)\u003cbr\u003e\n3-10. Not Fade Away (4:00)\u003cbr\u003e\n3-11. Uncle John's Band (6:39)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497848515\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515731099,"sku":"148613","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-American-Beauty-50th-Anniversary-Deluxe-3-CD.jpg?v=1776107688"},{"product_id":"grateful-dead-europe-72-50th-anniversary-edition-cd","title":"Grateful Dead – Europe '72: 50th Anniversary Edition (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe spring 1972 European run marked the debut of three musicians who would reshape the band's sound for years to come: pianist Keith Godchaux, vocalist Donna Jean Godchaux, and percussionist Bill Kreutzmann's new partner in the drum chair. The tour also introduced live versions of songs like \"Brown-Eyed Women\" and \"Ramble On Rose\" that Deadheads would chase across setlists for decades, making this document not just a souvenir but a genuine musical turning point.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCelebrating the 50th Anniversary of the Grateful Dead's iconic Europe '72 Tour with the original \u003cem\u003eEurope '72\u003c\/em\u003e album, newly remastered. Plangent Processes tape restoration and speed correction, with mastering by GRAMMY® Award-winning engineer Dave Glasser, produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eIn another industry-defying move, the Grateful Dead followed up their first Gold Record — the 1971 live showcase \u003cem\u003eSkull \u0026amp; Roses\u003c\/em\u003e — with another live album, one that to most fans and critics surpassed even the excellence of the previous offering.\u003c\/p\u003e\n\n\u003cp\u003eFrom April 7 to May 26, 1972, the Dead performed and recorded 21 live concerts, plus a set in a television studio, with every night being an exceptional display of the magic that was uniquely the live Grateful Dead. These concerts and this tour, 50 years later, are still considered one of the highest of high points in the Grateful Dead's performing career.\u003c\/p\u003e\n\n\u003cp\u003eIn an era when a double album was rare enough, the Dead outdid even their own lofty standards by producing what is widely regarded as one of the finest live albums ever made — originally released as a sprawling 3-LP set, and now available here in a newly remastered 2-CD edition. Remastered from the original analog tapes, the album has never sounded better.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Cumberland Blues (5:42)\u003cbr\u003e\n1-2. He's Gone (6:58)\u003cbr\u003e\n1-3. One More Saturday Night (4:49)\u003cbr\u003e\n1-4. Jack Straw (4:49)\u003cbr\u003e\n1-5. You Win Again (4:00)\u003cbr\u003e\n1-6. China Cat Sunflower (5:33)\u003cbr\u003e\n1-7. I Know You Rider (5:04)\u003cbr\u003e\n1-8. Brown-Eyed Women (4:39)\u003cbr\u003e\n1-9. Hurts Me Too (7:20)\u003cbr\u003e\n1-10. Ramble On Rose (6:01)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Sugar Magnolia (7:10)\u003cbr\u003e\n2-2. Mr. Charlie (3:38)\u003cbr\u003e\n2-3. Tennessee Jed (7:11)\u003cbr\u003e\n2-4. Truckin' (13:05)\u003cbr\u003e\n2-5. Epilogue (5:07)\u003cbr\u003e\n2-6. Prelude (7:36)\u003cbr\u003e\n2-7. 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This single-disc collection pulls from a body of work that defined what live rock and roll could be, with songs that meant as much around a campfire tape deck as they did inside the Fillmore or Soldier Field.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCelebrate Grateful Dead's 60th Anniversary with a collection of the band's \"Gratest\" hits, available for the first time as a 1 CD\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Casey Jones (4:24)\u003cbr\u003e\n2. Friend of the Devil (3:21)\u003cbr\u003e\n3. Box of Rain (5:17)\u003cbr\u003e\n4. Sugar Magnolia (3:17)\u003cbr\u003e\n5. Truckin' (5:03)\u003cbr\u003e\n6. Scarlet Begonias (4:19)\u003cbr\u003e\n7. Fire on the Mountain (3:47)\u003cbr\u003e\n8. Estimated Prophet (5:35)\u003cbr\u003e\n9. 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Jerry Garcia was in strong form that year, and the band's willingness to let Dark Star breathe across an entire evening rather than contain it to a single slot speaks to how fully locked-in they were from the first note.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWidely considered one of the most inspired and celebrated shows of the Dead's final decade, the 6\/17\/91 Giants Stadium performance fires on all cylinders from the opening notes. The setlist is filled with both beloved classics and genuine rarities — and at the center of it all, \u003cstrong\u003eDark Star\u003c\/strong\u003e weaves in and out throughout the show, making no less than six distinct appearances including during the first set.\u003c\/p\u003e\n\n\u003cp\u003eRarities like \u003cstrong\u003e\"Saint of Circumstance,\"\u003c\/strong\u003e \u003cstrong\u003e\"Might As Well,\"\u003c\/strong\u003e \u003cstrong\u003e\"New Speedway Boogie,\"\u003c\/strong\u003e and \u003cstrong\u003e\"China Doll\"\u003c\/strong\u003e sit alongside perennials like \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e \u003cstrong\u003e\"Uncle John's Band,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Eyes of the World\"\u003c\/strong\u003e — which opens the show in shocking fashion and sets the tone for everything that follows. The Band's \u003cstrong\u003e\"The Weight\"\u003c\/strong\u003e closes the night as an encore, the perfect sendoff for one of the Dead's most highly regarded shows. The lineup that night: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e, Vince Welnick, and \u003cstrong\u003eBruce Hornsby\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Eyes Of The World \u0026gt; (15:26)\u003cbr\u003e\n1-2. Walkin’ Blues (7:01)\u003cbr\u003e\n1-3. Brown-Eyed Women (6:10)\u003cbr\u003e\n1-4. Dark Star \u0026gt; (1:32)\u003cbr\u003e\n1-5. When I Paint My Masterpiece (5:28)\u003cbr\u003e\n1-6. Loose Lucy (9:16)\u003cbr\u003e\n1-7. Cassidy (7:11)\u003cbr\u003e\n1-8. Might As Well (6:41)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Saint Of Circumstance \u0026gt; (10:55)\u003cbr\u003e\n2-2. Ship Of Fools \u0026gt; (8:01)\u003cbr\u003e\n2-3. Dark Star \u0026gt; (1:14)\u003cbr\u003e\n2-4. Truckin’ \u0026gt; (6:55)\u003cbr\u003e\n2-5. New Speedway Boogie \u0026gt; (9:12)\u003cbr\u003e\n2-6. Dark Star \u0026gt; (0:55)\u003cbr\u003e\n2-7. Uncle John’s Band \u0026gt; (11:18)\u003cbr\u003e\n2-8. Dark Star \u0026gt; (8:05)\u003cbr\u003e\n2-9. Drums (12:30)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. Space \u0026gt; (8:47)\u003cbr\u003e\n3-2. China Doll \u0026gt; (5:07)\u003cbr\u003e\n3-3. Playing In The Band \u0026gt; (4:35)\u003cbr\u003e\n3-4. Sugar Magnolia (10:53)\u003cbr\u003e\n3-5. The Weight (6:20)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497852376\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.27.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516058779,"sku":"59255","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Saint-Of-Circumstance-Giants-Stadium-East-Rutherford-NJ-61791-3-CD_f363515c.jpg?v=1776107736"},{"product_id":"grateful-dead-madison-square-garden-new-york-ny-3-9-81-live-cd","title":"Grateful Dead – Madison Square Garden, New York, NY 3\/9\/81 (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMarch 1981 found the Dead deep in one of their most musically fertile periods, with Jerry Garcia's guitar work carrying a focused intensity that defined the early-'80s sound. This particular run at MSG came just as the band was hitting a strong stride with their post-\"Go to Heaven\" live approach, and the New York crowd, always one of the most electric on the circuit, gave them plenty to play up to.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CDs. Madison Square Garden, the world-famous New York City arena, was a home away from home for The Grateful Dead, a reliable sanctuary where the band would ultimately play 52 shows, a record at the time. The venue's fine acoustics, combined with the fans' unbridled energy, consistently brought out the best in the Dead. \u003c\/p\u003e\u003cp\u003eAt the band's 2015 induction ceremony into Madison Square Garden's Walk Of Fame, Bobby Weir said \"This place was both horrifying and titillating with an audience that was discerning but ravenous. We had to rise to the occasion every time.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Feel Like A Stranger (9:07)\u003cbr\u003e\n1-2. Althea (7:52)\u003cbr\u003e\n1-3. C.C. Rider (8:00)\u003cbr\u003e\n1-4. Ramble On Rose (7:41)\u003cbr\u003e\n1-5. El Paso (5:31)\u003cbr\u003e\n1-6. Deep Elem Blues (7:03)\u003cbr\u003e\n1-7. Beat It On Down The Line (3:58)\u003cbr\u003e\n1-8. Bird Song (11:15)\u003cbr\u003e\n1-9. New Minglewood Blues (7:02)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. China Cat Sunflower (9:33)\u003cbr\u003e\n2-2. I Know You Rider (6:11)\u003cbr\u003e\n2-3. Samson And Delilah (7:32)\u003cbr\u003e\n2-4. Ship Of Fools (8:22)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. Estimated Prophet (14:07)\u003cbr\u003e\n3-2. Uncle John's Band (11:46)\u003cbr\u003e\n3-3. Drums (10:32)\u003cbr\u003e\n3-4. Space (7:30)\u003cbr\u003e\n3-5. The Other One (7:47)\u003cbr\u003e\n3-6. Stella Blue (9:50)\u003cbr\u003e\n3-7. Good Lovin' (6:51)\u003cbr\u003e\n3-8. U.S. Blues (5:32)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497840274\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.23.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516157083,"sku":"72463","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Madison-Square-Garden-New-York-NY-3981-3-CD.jpg?v=1776107744"},{"product_id":"grateful-dead-sunshine-daydream-veneta-or-8-27-72-cd","title":"Grateful Dead – Sunshine Daydream, Veneta, OR, 8\/27\/72 (4-CD \u0026 DVD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Veneta show exists in a special category of Dead lore, the kind of recording that circulated on cassette for decades before most fans even knew what they were hearing. Coming just months after the Europe '72 tour that produced one of the band's most beloved official releases, the Dead arrived in Oregon at an absolute peak, road-hardened and loose, playing for old friends in a setting that stripped away any pretense of a conventional concert.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn August 27, 1972, fresh off their now-legendary European tour, the Grateful Dead traveled to Veneta, Oregon and reunited with the Merry Pranksters to throw a benefit concert for the Kesey family's Springfield Creamery. The show was recorded and filmed but never officially released for decades — and in the years since, it became the most-requested live show in Grateful Dead history.\u003c\/p\u003e\n\n\u003cp\u003eThe setlist is a masterclass in peak-era Dead, moving from the opening \u003cstrong\u003e\"Promised Land\"\u003c\/strong\u003e through fan favorites like \u003cstrong\u003e\"China Cat Sunflower \u0026gt; I Know You Rider,\"\u003c\/strong\u003e \u003cstrong\u003e\"Playing in the Band,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bird Song,\"\u003c\/strong\u003e before culminating in a soaring \u003cstrong\u003e\"Dark Star\"\u003c\/strong\u003e deep into the second set. On a sweltering Oregon afternoon, the band played like they had something to prove — and delivered one of the finest performances of their career.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eCD 1\u003c\/h4\u003e\n\u003cp\u003eCD1-1. Introduction (4:01)\u003cbr\u003e\nCD1-2. Promised Land (3:24)\u003cbr\u003e\nCD1-3. Sugaree (7:30)\u003cbr\u003e\nCD1-4. Me And My Uncle (3:16)\u003cbr\u003e\nCD1-5. Deal (4:55)\u003cbr\u003e\nCD1-6. Black-Throated Wind (7:01)\u003cbr\u003e\nCD1-7. China Cat Sunflower (7:58)\u003cbr\u003e\nCD1-8. I Know You Rider (7:03)\u003cbr\u003e\nCD1-9. Mexicali Blues (3:49)\u003cbr\u003e\nCD1-10. Bertha (5:59)\u003c\/p\u003e\n\u003ch4\u003eCD 2\u003c\/h4\u003e\n\u003cp\u003e\nCD2-1. Playing In The Band (19:57)\u003cbr\u003e\nCD2-2. He's Gone (9:32)\u003cbr\u003e\nCD2-3. Jack Straw (5:06)\u003cbr\u003e\nCD2-4. Bird Song (13:17)\u003cbr\u003e\nCD2-5. Greatest Story Ever Told (5:36)\u003c\/p\u003e\n\u003ch4\u003eCD 3\u003c\/h4\u003e\n\u003cp\u003e\nCD3-1. Dark Star (31:28)\u003cbr\u003e\nCD3-2. El Paso (5:04)\u003cbr\u003e\nCD3-3. Sing Me Back Home (10:51)\u003cbr\u003e\nCD3-4. Sugar Magnolia (8:45)\u003cbr\u003e\nCD3-5. Casey Jones (6:25)\u003cbr\u003e\nCD3-6. One More Saturday Night (5:03)\u003c\/p\u003e\n\u003ch4\u003eDVD\u003c\/h4\u003e\n\u003cp\u003eDVD-1. Promised Land\u003cbr\u003e\nDVD-2. China Cat Sunflower\u003cbr\u003e\nDVD-3. I Know You Rider\u003cbr\u003e\nDVD-4. Jack Straw\u003cbr\u003e\nDVD-5. Bird Song\u003cbr\u003e\nDVD-6. Dark Star\u003cbr\u003e\nDVD-7. El Paso\u003cbr\u003e\nDVD-8. Sing Me Back Home\u003cbr\u003e\nDVD-9. Greatest Story Ever Told\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227965013\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. UK\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.7.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516189851,"sku":"679459","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Sunshine-Daydream-Veneta-OR-82772-4-CD-DVD.jpg?v=1776107747"},{"product_id":"grateful-dead-anthem-of-the-sun-1971-remix-cd","title":"Grateful Dead – Anthem Of The Sun (1971 Remix CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAnthem of the Sun remains one of the most genuinely strange artifacts in the rock canon, a document of the Dead pushing studio and stage into a single continuous experiment. The 1971 remix, overseen as the band's own understanding of the material deepened, brought greater clarity to a record that had always rewarded close listening. For collectors who've worn out earlier pressings chasing the buried details in \"That's It for the Other One\" and \"Dark Star,\" this remaster is the version worth returning to.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDigitally remastered edition of the 1971 remix of this classic album. Anthem of the Sun is the second album by The Grateful Dead, originally released in 1968 on Warner Bros\/Seven Arts. It is the first album to feature second drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. The band was also joined by \u003cstrong\u003eTom Constanten\u003c\/strong\u003e, who contributed avant-garde instrumental and studio techniques influenced by composers John Cage and Karlheinz Stockhausen. \u003c\/p\u003e\u003cp\u003eThe album was assembled through a collage-like editing approach helmed by members \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e (along with soundman Dan Healy), in which disparate studio and live performance tapes were spliced together to create new hybrid recordings. The band also supplemented their performances with instruments such as prepared piano, kazoo, harpsichord, timpani, trumpet, and güiro. The result is an experimental amalgam that is neither a true studio album nor a live album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e2. New Potato Caboose\u003cbr\u003e\n3. Born Cross-Eyed\u003cbr\u003e\n4. Alligator\u003cbr\u003e\n5. Caution (Do Not Stop On Tracks)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497846948\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.28.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516288155,"sku":"196141","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Anthem-Of-The-Sun-1971-Remix-CD_1cec25b6.jpg?v=1776107805"},{"product_id":"grateful-dead-workingmans-dead-cd","title":"Grateful Dead – Workingman's Dead (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in early 1970 in the immediate aftermath of drug arrests, financial strain, and immersion in the sounds of Crosby, Stills \u0026amp; Nash and the Band, Workingman's Dead arrived as a radical simplification, the Dead stripping away psychedelic sprawl in favor of close harmonies and acoustic clarity. It came out just weeks before American Beauty, the two albums together forming one of the most remarkable back-to-back statements in rock history.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Mobile Fidelity Sound Lab reissue of \u003cem\u003eWorkingman's Dead\u003c\/em\u003e — the Grateful Dead's 1970 acoustic masterwork, remastered from the original analog tapes for audiophile playback. Recorded during a period of intense creative focus, the album marked a deliberate stylistic shift toward country, folk, and bluegrass, with \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e producing some of their most enduring songs: \u003cstrong\u003e\"Uncle John's Band,\"\u003c\/strong\u003e \u003cstrong\u003e\"Casey Jones,\"\u003c\/strong\u003e \u003cstrong\u003e\"Cumberland Blues,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Truckin'.\"\u003c\/strong\u003e Widely considered one of the finest-sounding pressings of the album available.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Uncle John's Band (4:42)\u003cbr\u003e\n2. High Time (5:13)\u003cbr\u003e\n3. Dire Wolf (3:13)\u003cbr\u003e\n4. New Speedway Boogie (4:05)\u003cbr\u003e\n5. Cumberland Blues (3:15)\u003cbr\u003e\n6. Black Peter (5:42)\u003cbr\u003e\n7. Easy Wind (4:59)\u003cbr\u003e\n8. Casey Jones (4:24)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797213769\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.17.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516320923,"sku":"129778","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Workingmans-Dead-CD_2db868bb.jpg?v=1776107818"},{"product_id":"grateful-dead-workingmans-dead-limited-edition-180-gram-lp-vinyl","title":"Grateful Dead – Workingman's Dead (Mobile Fidelity 180 Gram 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the wake of serious personal and financial turbulence for the band, Workingman's Dead marked a deliberate turn toward the acoustic-influenced California country sound that Hunter and Garcia had been absorbing from artists like Merle Haggard and the Band. Songs like \"Casey Jones\" and \"Uncle John's Band\" became instant cornerstones of the live repertoire, performed thousands of times over the next two and a half decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eSublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eYou've never heard this roots-based marvel sound better: mastered from the original master tapes and given extra-wide grooves on 45RPM LP. Ranked \u003cstrong\u003e#264 on Rolling Stone's List of the 500 Greatest Albums of All Time\u003c\/strong\u003e: airy harmonies, simple structures, concise arrangements, and burnished tones anchor songs that bookend to 1970's \u003cem\u003eAmerican Beauty\u003c\/em\u003e, also available on 180g 45RPM 2LP from Mobile Fidelity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, the album attains \u003cstrong\u003eaudiophile reference status\u003c\/strong\u003e courtesy of this first-ever 45RPM version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs with a transcendence associated with timeless American music.\u003c\/p\u003e\n\n\u003cp\u003eColorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives. \u003cstrong\u003eMastered from the original master tapes and pressed on 180g LPs at RTI\u003c\/strong\u003e, Mobile Fidelity's numbered limited edition of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and-touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances — traits made possible by the format's wider grooves.\u003c\/p\u003e\n\n\u003cp\u003eInstrumental melds and refined accents, such as guest David Nelson's nimble fills on \"Cumberland Blues,\" are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling.\u003c\/p\u003e\n\n\u003cp\u003eThe first Grateful Dead album to eschew cosmic jams and complex signatures, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e stakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state — immediately apparent via the innocent album-opening invitation \"Will you come with me?\" on \"Uncle John's Band\" — owes to the circumstances surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from — and reacting to — the tragic events of the Altamont Music Festival and the symbolic end of the peace and love era. As such, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship.\u003c\/p\u003e\n\n\u003cp\u003eLyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning \u003cstrong\u003e\"Cumberland Blues,\"\u003c\/strong\u003e pastoral ballad \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and bluesy \u003cstrong\u003e\"Easy Wind\"\u003c\/strong\u003e hit the mark. Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus.\u003c\/p\u003e\n\n\u003cp\u003eAside from the economical concision and thematic consistency, the genius of \u003cem\u003eWorkingman's Dead\u003c\/em\u003e resides in the group's expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live \"air blends\" of multi-part vocal harmonies that provide the foundations of nearly every track. \u003cstrong\u003e\"Uncle John's Band,\" \"High Time,\" \"New Speedway Boogie,\"\u003c\/strong\u003e and the radio favorite \u003cstrong\u003e\"Casey Jones\"\u003c\/strong\u003e practically float on the ensemble's communal vocal beds. Mobile Fidelity's 45RPM edition renders these invigorating characteristics in \u003cstrong\u003ethree-dimensional sound, transporting you to the event. Recordings don't get more lifelike.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e — an iconic, ageless record that drew countless listeners to the band's unique style because of its accessibility and charm — deserves nothing less. Neither do you.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Uncle John's Band (4:42)\u003cbr\u003e\nA2. High Time (5:13)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Dire Wolf (3:13)\u003cbr\u003e\nB2. New Speedway Boogie (4:05)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Cumberland Blues (3:15)\u003cbr\u003e\nC2. Black Peter (5:42)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Easy Wind (4:59)\u003cbr\u003e\nD2. Casey Jones (4:24)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797242813\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e November 25, 2014\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl (180g, 45RPM, Limited Edition)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516451995,"sku":"15951166","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Workingmans-Dead-Mobile-Fidelity-180-Gram-2-LP-Vinyl.png?v=1776107834"},{"product_id":"grateful-dead-gratest-hits-blue-colored-lp-vinyl","title":"Grateful Dead – Gratest Hits (Blue LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNine songs shouldn't be enough to capture a band that regularly played four-hour shows, yet this Warner Bros. survey pulls off something remarkable: a snapshot of the Dead at their most radio-approachable, drawing from the fertile 1970 to 1971 studio run that produced both \"Workingman's Dead\" and \"American Beauty\" alongside the harder-edged \"Casey Jones\" and \"Truckin'.\" The blue vinyl pressing gives a catalog staple a reason to come off the shelf again.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Grateful Dead's essential compilation, pressed on limited edition light blue vinyl. Originally released as \u003cem\u003eWhat a Long Strange Trip It's Been\u003c\/em\u003e in 1977, this single-LP collection covers the band's Warner Bros. years — featuring \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Sugar Magnolia,\"\u003c\/strong\u003e \u003cstrong\u003e\"Casey Jones,\"\u003c\/strong\u003e \u003cstrong\u003e\"Touch of Grey,\"\u003c\/strong\u003e and four more essentials, all in 2015-remastered audio. The ideal entry point for new listeners and a collectible variant for longtime fans.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Casey Jones (4:24)\u003cbr\u003e\nA2. Friend Of The Devil (3:21)\u003cbr\u003e\nA3. Box Of Rain (5:17)\u003cbr\u003e\nA4. Sugar Magnolia (3:17)\u003cbr\u003e\nA5. 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Touch Of Grey (5:48)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227809119\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.13.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516681371,"sku":"165662","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Gratest-Hits-Blue-LP-Vinyl.webp?v=1776107846"},{"product_id":"grateful-dead-american-beauty-colored-vinyl-grn-uk-lp-vinyl","title":"Grateful Dead – American Beauty (Limeade Green LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at Wally Heider's Studio in San Francisco and released in November 1970, American Beauty captured the Dead at a moment of remarkable creative focus, completing two of their most enduring studio albums within the same year. The songs here took on second lives on the road, with \"Friend of the Devil\" and \"Truckin'\" evolving dramatically across thousands of performances over the following decades. This limeade green pressing makes an already essential record genuinely collectible.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA limited pressing of the Grateful Dead's beloved 1970 classic, \u003cem\u003eAmerican Beauty\u003c\/em\u003e, on \"Limeade\" green colored vinyl. Features the 2020 50th Anniversary remastered audio in a direct-to-board jacket.\u003c\/p\u003e\n\n\u003cp\u003eOne of the most celebrated albums in the Dead's catalog, \u003cem\u003eAmerican Beauty\u003c\/em\u003e arrived just months after \u003cem\u003eWorkingman's Dead\u003c\/em\u003e and doubled down on the band's newfound embrace of folk, country, and Americana. Anchored by \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e's masterful lyricism and the band's lush vocal harmonies — honed under the influence of Crosby, Stills, Nash \u0026amp; Young — the record gave the world \u003cstrong\u003e\"Box of Rain,\"\u003c\/strong\u003e \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e \u003cstrong\u003e\"Brokedown Palace,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e songs that became cornerstones of the Dead's live repertoire for decades.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Box Of Rain (5:16)\u003cbr\u003e\nA2. Friend Of The Devil (3:20)\u003cbr\u003e\nA3. Sugar Magnolia (3:15)\u003cbr\u003e\nA4. Operator (2:21)\u003cbr\u003e\nA5. Candyman (6:12)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Ripple (4:10)\u003cbr\u003e\nB2. Brokedown Palace (4:18)\u003cbr\u003e\nB3. Till The Morning Comes (3:13)\u003cbr\u003e\nB4. Attics Of My Life (5:09)\u003cbr\u003e\nB5. Truckin' (5:09)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227883232\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino International\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.10.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516779675,"sku":"48367","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-American-Beauty-Limeade-Green-LP-Vinyl.webp?v=1776107868"},{"product_id":"grateful-dead-very-best-of-grateful-dead-cd","title":"Grateful Dead – Very Best of Grateful Dead (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSeventeen studio tracks can't contain what the Dead actually were, and no one knew that better than David Lemieux and James Austin when they assembled this. What it does capture is the arc of a band that reinvented American music across three decades and multiple label homes, from the psychedelic San Francisco of the late '60s through the arena-filling years of \"Touch of Grey.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe first ever career-spanning single-disc compilation from the Grateful Dead, drawing from every label the band recorded on: Warner Bros. Records, Grateful Dead Records\/United Artists Records, and Arista Records. Tracks hand-picked by Dead archivists James Austin and \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e — a perfect entry point for new listeners and a handy single-disc overview for longtime Deadheads.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Truckin' (5:08)\u003cbr\u003e\n2. Touch Of Grey (5:50)\u003cbr\u003e\n3. 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Wake of the Flood arrived at a genuine crossroads moment, with Keith Godchaux's piano giving the band a harmonic depth and melodic sophistication that pushed their studio writing into new territory. The songs road-tested here became cornerstones of setlists for the next two decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe 50th Anniversary Deluxe Edition of \u003cem\u003eWake of the Flood\u003c\/em\u003e — the debut album from the band's own Grateful Dead Records label — newly remastered with Plangent Processes tape restoration and speed correction by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e, and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eReleased October 15, 1973, \u003cem\u003eWake of the Flood\u003c\/em\u003e introduced a pivotal new lineup following the passing of founding member Ron \u003cstrong\u003e\"Pigpen\"\u003c\/strong\u003e McKernan and the temporary exit of drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. Newest members Keith and Donna Godchaux step into the fold on keys and vocals, and the result is one of the most musically rich albums in the Dead's catalog — featuring \u003cstrong\u003e\"Eyes of the World,\"\u003c\/strong\u003e \u003cstrong\u003e\"Stella Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"Here Comes Sunshine,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Half-Step Uptown Toodeloo.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe bonus disc draws from the final night of the album's brief release tour: November 1, 1973 at McGaw Memorial Hall, Northwestern University, Evanston, Illinois. Bookended by two songs from the new album — \u003cstrong\u003e\"Weather Report Suite\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Half-Step\"\u003c\/strong\u003e — the live set features one of the most creative and inspired jams of the entire tour: a breathtaking \u003cstrong\u003e\"Morning Dew\"\u003c\/strong\u003e → \u003cstrong\u003e\"Playing in the Band\"\u003c\/strong\u003e → \u003cstrong\u003e\"Uncle John's Band\"\u003c\/strong\u003e → \u003cstrong\u003e\"Playing in the Band\"\u003c\/strong\u003e sequence that stands as a highlight of the era.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Wake of the Flood (50th Anniversary Remaster)\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMississippi Half-Step Uptown Toodeloo (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eLet Me Sing Your Blues Away (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eRow Jimmy (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eStella Blue (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eHere Comes Sunshine (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eEyes of the World (2023 Remaster)\u003c\/li\u003e\n\u003cli\u003eWeather Report Suite (2023 Remaster)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Demos \u0026amp; Live at McGaw Memorial Hall, Northwestern University, Evanston, IL, 11\/1\/73\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEyes of the World (Demo)\u003c\/li\u003e\n\u003cli\u003eHere Comes Sunshine (Demo)\u003c\/li\u003e\n\u003cli\u003eWeather Report Suite (Live)\u003c\/li\u003e\n\u003cli\u003eMorning Dew (Live)\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band, Pt. 1 (Live)\u003c\/li\u003e\n\u003cli\u003eUncle John's Band (Live)\u003c\/li\u003e\n\u003cli\u003ePlaying in the Band, Pt. 2 (Live)\u003c\/li\u003e\n\u003cli\u003eMississippi Half-Step Uptown Toodeloo (Live)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497833870\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.29.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516943515,"sku":"360428","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Wake-Of-The-Flood-Deluxe-2-CD.jpg?v=1776107890"},{"product_id":"grateful-dead-the-best-of-the-grateful-dead-live-1969-1977-2-cd","title":"Grateful Dead – The Best of the Grateful Dead Live: 1969-1977 (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Grateful Dead never treated any two nights the same, which is what makes a collection like this both necessary and genuinely difficult to assemble. These recordings pull from some of the most documented years in rock history, a period when the band was simultaneously inventing and perfecting a concert language that tens of thousands of fans built their lives around. Consider it a map of the territory, not a substitute for the journey.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA two-CD collection made for die-hard Deadheads and new fans alike, \u003cem\u003eThe Best of the Grateful Dead Live\u003c\/em\u003e is the ultimate introduction to the band's live legacy. Drawing from official live albums on Warner Bros. and Arista, plus key archival releases, the set spans the full arc of the Dead's performing career — from \u003cstrong\u003e\"St. Stephen\"\u003c\/strong\u003e recorded at the Fillmore West in 1969 to the poignant \u003cstrong\u003e\"So Many Roads,\"\u003c\/strong\u003e taken from the band's final concert at Chicago's Soldier Field in July 1995.\u003c\/p\u003e\n\n\u003cp\u003eAlong the way: the raw power of the early Fillmore East shows, the soaring Europe '72 performances, the beloved Warfield and Radio City runs of 1980, and standout moments from the band's final decade. Few live compilations cover this much ground this well.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. St. Stephen (6:37)\u003cbr\u003e\n1-2. Bertha (5:42)\u003cbr\u003e\n1-3. Wharf Rat (8:32)\u003cbr\u003e\n1-4. Sugar Magnolia (7:10)\u003cbr\u003e\n1-5. Jack Straw (4:48)\u003cbr\u003e\n1-6. Truckin' (13:07)\u003cbr\u003e\n1-7. Morning Dew (11:28)\u003cbr\u003e\n1-8. Brown-Eyed Women (4:37)\u003cbr\u003e\n1-9. The Music Never Stopped (5:28)\u003cbr\u003e\n1-10. Estimated Prophet (6:44)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Friend Of The Devil (7:32)\u003cbr\u003e\n2-2. Feel Like A Stranger (5:46)\u003cbr\u003e\n2-3. Fire On The Mountain (6:47)\u003cbr\u003e\n2-4. Bird Song (7:38)\u003cbr\u003e\n2-5. Ripple (4:26)\u003cbr\u003e\n2-6. Eyes Of The World (16:13)\u003cbr\u003e\n2-7. Touch Of Grey (6:30)\u003cbr\u003e\n2-8. Blow Away (12:19)\u003cbr\u003e\n2-9. 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What the Dead brought to his catalog was something few backing bands could offer: a communal improvisational language built over two decades of live performance, and an audience already primed to follow wherever the music led.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDylan \u0026amp; The Dead is a collaborative live album by American singer-songwriter Bob Dylan and the Grateful Dead, released on February 6, 1989 by Columbia Records. The album consists of seven songs written and sung by Dylan, with the Grateful Dead providing accompaniment. 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That crossover didn't dilute the community; it expanded it, bringing a whole new generation into the fold before the band's final years together.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe second and final volume of the Grateful Dead's 2015 career-spanning compilation, covering the band's Arista years from 1977 through 1989. Available as a 180-gram 2-LP set, \u003cem\u003eVolume 2\u003c\/em\u003e picks up where the first collection left off — moving from the orchestral ambition of \u003cstrong\u003e\"Terrapin Station\"\u003c\/strong\u003e through the disco-funk of \u003cstrong\u003e\"Shakedown Street,\"\u003c\/strong\u003e the commercial breakthrough of \u003cstrong\u003e\"Touch of Grey,\"\u003c\/strong\u003e and deep into the underrated gems of \u003cem\u003eIn the Dark\u003c\/em\u003e and \u003cem\u003eBuilt to Last\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eTaken together, the 13 tracks here make a compelling case that the Dead's Arista era — often dismissed by purists — produced some of their most enduring songs.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. 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Spanning the band's career from the psychedelic Haight-Ashbury years through the arena-filling 1980s and beyond, these 19 tracks were pulled from the same vault that made the film so revelatory, prioritizing moments that capture the Dead at their most electrically alive rather than the obvious greatest hits.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMotion Picture Soundtrack for Long Strange Trip.  Long Strange Trip is an unprecedented four-hour documentary about the legendary band the Grateful Dead from executive producer Martin Scorsese (Silence, The Departed), and director Amir Bar-Lev (The Tillman Story, Happy Valley). Long Strange Trip probes the creative forces, subversive ambitions, and interpersonal dynamics that drove the Grateful Dead in their 30-year career. The first biographical film authorized and supported by the band, LST includes never-before-seen archival footage (of performances, backstage, and home movies) as well as new interviews with band members and cultural critics.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Death Don't Have No Mercy (10:32)\u003cbr\u003e\n1-2. St. Stephen (6:42)\u003cbr\u003e\n1-3. Uncle John's Band (4:46)\u003cbr\u003e\n1-4. Dark Star (23:52)\u003cbr\u003e\n1-5. Easy Wind (5:01)\u003cbr\u003e\n1-6. Candyman (6:16)\u003cbr\u003e\n1-7. China Cat Sunflower (5:09)\u003cbr\u003e\n1-8. I Know You Rider (5:55)\u003cbr\u003e\n1-9. Morning Dew (5:01)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. He's Gone (8:53)\u003cbr\u003e\n2-2. The Music Never Stopped (5:33)\u003cbr\u003e\n2-3. Scarlet Begonias (9:54)\u003cbr\u003e\n2-4. Fire On The Mountain (15:09)\u003cbr\u003e\n2-5. Althea (8:33)\u003cbr\u003e\n2-6. Touch Of Grey (5:52)\u003cbr\u003e\n2-7. Dear Mr. Fantasy (7:07)\u003cbr\u003e\n2-8. Hey Jude (4:00)\u003cbr\u003e\n2-9. Ripple (4:10)\u003cbr\u003e\n2-10. Brokedown Palace (4:07)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227934507\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.26.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149517140123,"sku":"282147","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Long-Strange-Trip-Soundtrack-2-CD.png?v=1776107930"},{"product_id":"grateful-dead-american-beauty-bme-lp-vinyl","title":"Grateful Dead – American Beauty (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at Wally Heider's studio in San Francisco with contributions from David Crosby and David Nelson among others, American Beauty captured the Dead at their most songcraft-focused, drawing heavily on the country and folk roots that Garcia, Hunter, and the band had been absorbing throughout that era. The harmonies here, anchored by Garcia, Bob Weir, and Phil Lesh singing together, defined a warmer, more intimate side of a band better known for marathon live improvisation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe crown jewel of the Grateful Dead's studio output, \u003cem\u003eAmerican Beauty\u003c\/em\u003e was recorded in the summer of 1970 — just months after \u003cem\u003eWorkingman's Dead\u003c\/em\u003e — and the two albums together represent the peak of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e's songwriting partnership. 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Catching them at that scale, before the festival headline slots and the avalanche of releases that followed, was the kind of right-place-right-time moment that becomes a story you tell for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eShortly after delivering their breakthrough album Nonagon Infinity, King Gizzard \u0026amp; The Lizard Wizard hit San Francisco's The Independent for a wildly frenetic and meticulously executed set. One of their final club gigs, the Melbourne septet gave a breakneck performance that \"made every organ ache just right\" (SF Weekly). Live in San Francisco '16 captures an extraordinary moment in their history, a spectacular likely to leave you awestruck and adrenalized. Random Colorway 2LP via ATO Records.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Robot Stop\u003c\/div\u003e\n\u003cdiv\u003e2. Hot Water\u003c\/div\u003e\n\u003cdiv\u003e3. Big Fig Wasp\u003c\/div\u003e\n\u003cdiv\u003e4. Gamma Knife\u003c\/div\u003e\n\u003cdiv\u003e5. People-Vultures\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Trapdoor\u003c\/div\u003e\n\u003cdiv\u003e2. I’m In Your Mind\u003c\/div\u003e\n\u003cdiv\u003e3. I’m Not In Your Mind\u003c\/div\u003e\n\u003cdiv\u003e4. Cellophane\u003c\/div\u003e\n\u003cdiv\u003e5. I’m In Your Mind Fuzz\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. The River\u003c\/div\u003e\n\u003cdiv\u003e2. Evil Death Roll\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Head On\/Pill\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882431013\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.20.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187656568987,"sku":"169291","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Live-In-San-Francisco-16-Random-Color-2-LP-Vinyl.jpg?v=1776107953"},{"product_id":"jerry-garcia-garcialive-vol-21-february-13th-1976-keystone-cd","title":"Jerry Garcia – GarciaLive Vol. 21: February 13th, 1976 - Keystone (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn a gratefully welcomed return to the GarciaLive archival series, Volume 21 brings us back to February of 1976, when on a Friday night one could stand amongst 500 or so paying customers and watch Jerry Garcia and his band peacefully, pleasingly, and proficiently take over Berkeley's Keystone club. The Jerry Garcia Band was a vital component of Garcia's life away from the circus, and a grounding space to work-out solo material, nod to songs he was digging at the time, and just play. In the end, a JGB show would require an arena to accommodate the demand, but in '76, a modest club date in the Bay was all he and his friends needed.\u003c\/p\u003e\u003cp\u003eIt's a mostly mellow show, with a particularly slow take on Bob Dylan's \"Knockin' on Heaven's Door,\" that may be among the more transfixed and affecting Garcia has performed. It's in keeping with a set that darts between eventual staples of a JGB show- \"Catfish John,\" \"After Midnight,\" and \"The Harder They Come,\"- and contemporaneous homages, such as a beautifully Jerry-esque reading of the Rolling Stones' \"Moonlight Mile.\" The mix tilts toward Jerry's guitar, and fittingly, as there is plenty of his engaging fretwork, yet Garcia is quick to share the moments with his mates- especially with on-loan Dead keyboardist, Keith Godchaux, on a glistening \"Mission in the Rain.\"\u003c\/p\u003e\u003cp\u003eTwo songs pulled from a Palo Alto date two nights later serve as an \"encore,\" filling out the winning two-disc set. All in all, this edition reignites a GarciaLive series that's been so adept at detailing the arc of Garcia's solo excursions. Hopefully, this marks the first of another run of many releases to follow.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/09\/14\/jerry-garcia-band-garcialive-volume-21-keystone-february-13-1976\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy early 1976, the Jerry Garcia Band was operating in a genuinely unusual space, with Garcia essentially running two overlapping musical families. Having Keith and Donna Jean Godchaux in the room meant the chemistry from the Dead's own mid-70s peak was bleeding directly into these intimate club nights at the Keystone, a Berkeley venue that Garcia returned to again and again throughout the decade as a kind of low-pressure laboratory for exactly this kind of musical exploration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 21\u003c\/em\u003e brings the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e back to their Bay Area stomping grounds with a then-new lineup — Grateful Dead members \u003cstrong\u003eDonna Jean\u003c\/strong\u003e and \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e joining mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e. Recorded live at the Keystone in Berkeley in February 1976, the set is a fascinating snapshot of the JGB in transition.\u003c\/p\u003e\n\n\u003cp\u003eThe setlist is loaded with highlights: rarities like the Rolling Stones' \u003cstrong\u003e\"Moonlight Mile\"\u003c\/strong\u003e and Ray Charles' \u003cstrong\u003e\"Talkin' 'Bout You,\"\u003c\/strong\u003e deep cuts like \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"Who Was John?\"\u003c\/strong\u003e and \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e alongside scintillating takes on favorites like \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e and \u003cstrong\u003e\"They Love Each Other.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Catfish John (14:13)\u003cbr\u003e\n1-2. After Midnight (13:37)\u003cbr\u003e\n1-3. Mission In The Rain (6:57)\u003cbr\u003e\n1-4. Who Was John? (12:28)\u003cbr\u003e\n1-5. They Love Each Other (7:31)\u003cbr\u003e\n1-6. Moonlight Mile (10:27)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. The Harder They Come (18:41)\u003cbr\u003e\n2-2. Knockin' On Heaven's Door (19:17)\u003cbr\u003e\n2-3. Talkin' 'Bout You (10:33)\u003cbr\u003e\n2-4. How Sweet It Is (To Be Loved By You) (9:29)\u003cbr\u003e\n2-5. My Sisters And Brothers (6:42)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882624620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.14.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187691139227,"sku":"221763","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-21-February-13th-1976-Keystone-2-CD.jpg?v=1776107956"},{"product_id":"king-gizzard-the-lizard-wizard-flight-b741-recycled-black-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard – Flight B741 (Recycled Black LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMelbourne's most prolific road warriors, King Gizzard have built one of the most devoted live followings in rock by treating every tour cycle as its own creative universe. Flight b741 lands as a reminder that beneath all the microtonal experiments and concept records is a band that genuinely loves to play, and the live circuit has always been where that chemistry burns hottest.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eKing Gizzard \u0026amp; The Lizard Wizard - \"Flight b741\" \/ For their 26th album, King Gizzard \u0026amp; The Lizard Wizard swap the widescreen concepts of their recent albums for the intimacy of six good friends collaborating on the most bonhomie-laden set they've yet committed to wax. For Flight b741, bandleader Stu Mackenzie says King Gizzard \"wanted to make something that was primal, instinctual, more 'from the gut' - just people in a room, doing what feels right. We wanted to make something fun.\" Available on 180g recycled black vinyl with printed inner sleeve and housed in a brown paper bag. Virgin Music Group; KGLW; Alternative EXPLICIT\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Mirage City\u003c\/div\u003e\n\u003cdiv\u003e2. Antarctica\u003c\/div\u003e\n\u003cdiv\u003e3. Raw Feel\u003c\/div\u003e\n\u003cdiv\u003e4. Field Of Vision\u003c\/div\u003e\n\u003cdiv\u003e5. Hog Calling Contest\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Le Risque\u003c\/div\u003e\n\u003cdiv\u003e2. Flight b741\u003c\/div\u003e\n\u003cdiv\u003e3. Sad Pilot\u003c\/div\u003e\n\u003cdiv\u003e4. Rats In The Sky\u003c\/div\u003e\n\u003cdiv\u003e5. Daily Blues\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196922920264\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kglw\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.9.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187709423771,"sku":"496599","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Flight-B741-Recycled-Black-LP-Vinyl.jpg?v=1776023309"},{"product_id":"neil-young-crazy-horse-arc-live-cd","title":"Neil Young  \u0026 Crazy Horse – Arc Live (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCompanion piece to *Ragged Glory* and the *Weld* tour, *Arc* captures Young and Crazy Horse at their most unhinged, filtering the chaos of those arena performances into something closer to avant-garde noise sculpture than rock and roll. It sits in direct conversation with the sonic confrontationalism Young had been circling since \"Like a Hurricane,\" proving that his relationship with feedback was never a gimmick but a genuine compositional language.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eArc is a live album by Neil Young and Crazy Horse, recorded early 1991 and released in October 1991. The album consists of feedback, guitar noise, improvisations and vocal fragments which were recorded during various live shows on the 1991 US tour, and then re-edited into a 35-minute composition.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. 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King Gizzard's festival performances from that era were legendary for their shape-shifting energy, blending microtonal experiments, thrash, and kosmische drift within a single set.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLive at Bonnaroo '22 captures Melbourne psych-rockers King Gizzard \u0026amp; the Lizard Wizard at their most freewheeling and ferocious. Taking the stage at the Tennessee festival to a captive audience as the clock struck midnight, the band ripped through this eleven-song set with intensity, letting up only to space out on certain tracks like the near ten-minute \"Magenta Mountain\" and a poignant rendition of fan favorite \"Work This Time\". This official bootlegger version of the release is spread out across two LPs, with one pressed on plutonium and the other on magma color vinyl. The release was mastered for vinyl by Kern Haug and pressed at Furnace Record Pressing, with artwork by Michael Rogers.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Robot Stop (8:11)\u003c\/div\u003e\n\u003cdiv\u003e2. Hot Water (6:36)\u003c\/div\u003e\n\u003cdiv\u003e3. The Grim Reaper (4:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Mars For The Rich (4:13)\u003c\/div\u003e\n\u003cdiv\u003e5. Hell (4:42)\u003c\/div\u003e\n\u003cdiv\u003e6. Planet B (5:03)\u003c\/div\u003e\n\u003cdiv\u003e7. Gaia (7:44)\u003c\/div\u003e\n\u003cdiv\u003e8. Magenta Mountain (9:45)\u003c\/div\u003e\n\u003cdiv\u003e9. The Garden Goblin (3:29)\u003c\/div\u003e\n\u003cdiv\u003e10. Work This Time (7:58)\u003c\/div\u003e\n\u003cdiv\u003e11. The Dripping Tap (13:08)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 711574949915\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Org Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.2.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187709522075,"sku":"323949","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Live-At-Bonnaroo-22-CD_9e7633d9.jpg?v=1776108035"},{"product_id":"neil-young-everybodys-rockin-remastered-cd","title":"Neil Young – Everybody's Rockin (Remastered CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNeil Young handed Geffen Records a greaser throwback when they were expecting another \"Harvest\" follow-up, and the label actually sued him over it, claiming the album was \"uncharacteristic\" of his work. That lawsuit became one of rock's more notorious artist-vs.-label battles, a reminder that Young's refusal to repeat himself has always been both his greatest strength and his most combative trait.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEverybody's Rockin' is the thirteenth studio album by Canadian musician Neil Young, released on August 1, 1983. The album was recorded with the Shocking Pinks (a band made up just for the occasion), and features a selection of rockabilly songs (both covers and original material). Running 25 minutes, it is Young's shortest album. Everybody's Rockin' is typical of his 1980s period in that it bears little, or no resemblance to the album released before it (Trans (1982), a synth-heavy, electro-rock album), nor the one released after it (Old Ways (1985), which is pure country).  Tracks: \"Betty Lou's Got a New Pair of Shoes,\" \"Rainin in My Heart,\" \"Payola Blues,\" \"Wonderin',\" \"Kinda Fonda Wanda,\" \"Jellyroll Man,\" \"Bright Lights Big City,\" \"Cry, Cry, Cry,\" \"Mystery Train,\" \"Everybody's Rockin.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Betty Lou's Got A New Pair Of Shoes (3:04)\u003cbr\u003e\n2. Rainin' In My Heart (2:13)\u003cbr\u003e\n3. Payola Blues (3:11)\u003cbr\u003e\n4. Wonderin' (3:00)\u003cbr\u003e\n5. Kinda Fonda Wanda (1:53)\u003cbr\u003e\n6. Jellyroll Man (2:02)\u003cbr\u003e\n7. Bright Lights, Big City (2:20)\u003cbr\u003e\n8. Cry, Cry, Cry (2:41)\u003cbr\u003e\n9. Mystery Train (2:49)\u003cbr\u003e\n10. 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Whitten's death in November of that year, shortly after Neil Young dismissed him from the Harvest tour, would cement this album's place as a quietly haunting document, a band pushing forward without the guitarist whose fragile genius had defined them.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\"Loose\" is original released in 1972 by the rock band Crazy Horse, the follow-up to their self-titled debut. It marked the departure of founding guitarist Danny Whitten, as well as Jack Nitzsche and Nils Lofgren. In Nitzsche's place is singer, songwriter, and keyboard player John Blanton, and the lead and bottleneck guitar work is provided by singer and songwriter Greg Leroy. Among them, Ralph Molina, Billy Talbot and George Whitsell contribute on all the album's songs, with Whitsell chipping in seven. Loose is a professional effort, constructed roughly in the style of Crazy Horse. In particular, Leroy takes off on some Neil Young-like leads on \"All the Little Things\" and \"One Sided Love,\" and his bottleneck work on \"I Don't Believe It\" recalls Cooder. 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Their 1971 debut introduced a Southern California stew of slide guitar, New Orleans funk, and country grit that didn't fit neatly anywhere, which is exactly what made it matter. Mobile Fidelity's remaster brings fresh clarity to recordings that have always rewarded close listening.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Snakes On Everything (3:04)\u003c\/div\u003e\n\u003cdiv\u003e2. Strawberry Flats (2:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Truck Stop Girl (2:32)\u003c\/div\u003e\n\u003cdiv\u003e4. Brides Of Jesus (3:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Willing (2:24)\u003c\/div\u003e\n\u003cdiv\u003e6. Hamburger Midnight (2:30)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Forty Four Blues \/ How Many More Years (6:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Crack In Your Door (2:16)\u003c\/div\u003e\n\u003cdiv\u003e3. I've Been The One (2:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Takin' My Time (2:45)\u003c\/div\u003e\n\u003cdiv\u003e5. Crazy Captain Gunboat Willie (1:55)\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797129916\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.1.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187810939035,"sku":"662047","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Little-Feat-Little-Feat-Mobile-Fidelity-LP-Vinyl.png?v=1776108045"},{"product_id":"king-gizzard-the-lizard-wizard-murder-of-the-universe-cosmic-carnage-edition-translucent-red-w-heavy-black-splatter-side-d-etching-2-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard – Murder Of The Universe: Cosmic Carnage Edition (Translucent Red w\/ Black Splatter \u0026 Side D Etching 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMelbourne's most prolific shapeshifters were already deep into a recording frenzy by 2017, dropping multiple full-lengths that year alone. Murder Of The Universe stands as one of their most narratively ambitious swings, leaning hard into the spoken-word storytelling that separates it from the rest of the Gizz catalog. The translucent red with black splatter pressing, complete with a Side D etching, is the kind of artifact that rewards the collector who treats vinyl as a physical extension of the music's visual mythology.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA concept album to end all concepts, Murder Of The Universe is the 2017 collection by head-bending psychedelicists King Gizzard \u0026amp; The Lizard Wizard. Murder Of The Universe is a face-melting musical assault concerned with the downfall of man, the death of the planet....the murder of the whole goddamn universe. A disorientating experience, the album hinges on three distinct chapters that rise from larval beds, and whose lyrics should be carved in stone, squeezed from moss, discovered in ancient runes. And all the while a passing cast of characters imbue the tale with both human and non-human emotions.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882568917\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.18.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. A New World (0:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Altered Beast I (2:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Alter Me I (0:45)\u003c\/div\u003e\n\u003cdiv\u003e4. Altered Beast II (4:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Alter Me II (1:25)\u003c\/div\u003e\n\u003cdiv\u003e6. Altered Beast III (2:14)\u003c\/div\u003e\n\u003cdiv\u003e7. Alter Me III (1:26)\u003c\/div\u003e\n\u003cdiv\u003e8. Altered Beast IV (5:10)\u003c\/div\u003e\n\u003cdiv\u003e9. Life\/Death (0:59)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Some Context (0:16)\u003c\/div\u003e\n\u003cdiv\u003e2. The Reticent Raconteur (1:05)\u003c\/div\u003e\n\u003cdiv\u003e3. The Lord Of Lightning (5:07)\u003c\/div\u003e\n\u003cdiv\u003e4. The Balrog (4:29)\u003c\/div\u003e\n\u003cdiv\u003e5. The Floating Fire (1:54)\u003c\/div\u003e\n\u003cdiv\u003e6. The Acid Corpse (1:00)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Welcome To An Altered Future (0:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Digital Black (2:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Han-Tyumi, The Confused Cyborg (2:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Soy-Protein Munt Machine (0:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Vomit Coffin (2:29)\u003c\/div\u003e\n\u003cdiv\u003e6. Murder Of The Universe (4:09)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819032731,"sku":"421122","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Murder-Of-The-Universe-Cosmic-Carnage-Edition-Translucent-Red-w-Black-Splatter-Side-D-Etching-2-LP-Vinyl.jpg?v=1776108083"},{"product_id":"bob-dylan-bringing-it-all-back-home-cd","title":"Bob Dylan – Bringing It All Back Home (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe moment Dylan plugged in, the folk world fractured and rock music got smarter. Released in 1965, *Bringing It All Back Home* split the difference between his acoustic roots and full-band electricity, opening with the snarl of \"Subterranean Homesick Blues\" and closing with the quiet devastation of \"It's All Over Now, Baby Blue.\" It remains the sound of an artist outrunning every category anyone tried to put him in.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis is the re-mastered reissue of Bob Dylan's 1965 album BRINGING IT ALL BACK HOME.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Subterranean Homesick Blues (2:21)\u003cbr\u003e\n2. She Belongs To Me (2:49)\u003cbr\u003e\n3. Maggie's Farm (3:57)\u003cbr\u003e\n4. Love Minus Zero\/No Limit (2:51)\u003cbr\u003e\n5. Outlaw Blues (3:06)\u003cbr\u003e\n6. On The Road Again (2:37)\u003cbr\u003e\n7. 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Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul,” and “False Prophet.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. I Contain Multitudes (4:36)\u003cbr\u003e\n1-2. False Prophet (6:00)\u003cbr\u003e\n1-3. My Own Version Of You (6:41)\u003cbr\u003e\n1-4. I've Made Up My Mind To Give Myself To You (6:32)\u003cbr\u003e\n1-5. Black Rider (4:12)\u003cbr\u003e\n1-6. Goodbye Jimmy Reed (4:13)\u003cbr\u003e\n1-7. Mother Of Muses (4:29)\u003cbr\u003e\n1-8. Crossing The Rubicon (7:22)\u003cbr\u003e\n1-9. Key West (Philosopher Pirate) (9:34)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. 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Jim James brings the same cathedral reverb and genuine feeling to these tracks that makes MMJ's best live moments so memorable, treating Christmas songs with the same open-hearted sincerity he brings to everything else.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2025 Re-press CD EP. An evergreen, perennial. Better than having Elvis, Brian Wilson, Neil Young and a bottle of Wild Turkey 101 over for the holidays! My Morning Jacket compiles their most beloved Christmas hits into one, easy to love package. Who could forget the timeless charm of such songs as \"Xmas Curtain,\" and \"I Just Wanted to Say,\" or the irrepressible sonic delights of \"Christmas Time is Here Again.\" Also included are two classic covers: \"New Morning\" (by Nick Cave) and \"Santa Claus is Back in Town\" (as done by Elvis Presley). 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Captured at Austin's Levitation Festival, this set finds the Melbourne seven-piece at a pivotal moment, road-hardened and locked into the kind of collective telepathy that only comes from relentless touring. It's a snapshot of a band becoming something genuinely unstoppable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLive at The Barracuda, Austin, Texas, USA, May 1st 2016\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Robot Stop (4:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Hot Water (4:53)\u003c\/div\u003e\n\u003cdiv\u003e3. Trapdoor (3:15)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I'm In Your Mind (3:18)\u003c\/div\u003e\n\u003cdiv\u003e2. I'm Not In Your Mind (2:56)\u003c\/div\u003e\n\u003cdiv\u003e3. Cellophane (3:19)\u003c\/div\u003e\n\u003cdiv\u003e4. I'm In Your Mind Fuzz (3:26)\u003c\/div\u003e\n\u003cdiv\u003e5. Gamma Knife (3:55)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. People Vultures (5:45)\u003c\/div\u003e\n\u003cdiv\u003e2. The River (10:40)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Evil Death Roll (8:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Cut Throat Boogie (2:59)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3760300318195\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Diggers Factory\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.19.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819294875,"sku":"220973","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Live-At-Levitation-16-Red-2-LP-Vinyl-3.png?v=1776425433"},{"product_id":"king-gizzard-the-lizard-wizard-murder-of-the-universe-live-at-red-rocks-2022-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard – Murder Of The Universe (Live At Red Rocks 2022 LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRed Rocks Amphitheatre has always rewarded bands willing to meet the room's drama head-on, and King Gizzard's 2022 run there found the Melbourne outfit channeling the conceptual heaviness of Murder Of The Universe into a live setting that the venue's natural geology seemed almost built for. The album's narrative arc, voice acting and all, translates with surprising force outside the studio, proof that this group's ambitions hold up under open sky and crowd noise.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eKING GIZZARD \u0026amp; THE LIZARD WIZARD - MURDER OF THE UNIVERSE (LIVE AT RED ROCKS 2022) We Are Busy Bodies compiles songs from Murder Of The Universe live from Red Rocks 2022 performances. Part of the Bootlegger Series. On translucent white sparkle vinyl. Comes with a 100-piece puzzle with artwork by Jason Galea.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. A New World (1:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Altered Beast I (2:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Alter Me I (0:53)\u003c\/div\u003e\n\u003cdiv\u003e4. Altered Beast II (4:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Alter Me II (0:53)\u003c\/div\u003e\n\u003cdiv\u003e6. Altered Beast III (2:54)\u003c\/div\u003e\n\u003cdiv\u003e7. Alter Me III (0:50)\u003c\/div\u003e\n\u003cdiv\u003e8. Altered Beast IV (6:05)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Lord Of Lightning (5:36)\u003c\/div\u003e\n\u003cdiv\u003e2. The Balrog (5:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Digital Black (2:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Han-Tyumi, The Confused Cyborg (2:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Soy Protein Munt Machine (0:29)\u003c\/div\u003e\n\u003cdiv\u003e6. Vomit Coffin (2:09)\u003c\/div\u003e\n\u003cdiv\u003e7. Murder Of The Universe (5:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634457134720\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e We Are Busy Bodies\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.23.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819327643,"sku":"69247","price":41.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Murder-Of-The-Universe-Live-At-Red-Rocks-2022-LP-Vinyl.png?v=1776108143"},{"product_id":"neil-young-greatest-hits-cd","title":"Neil Young – Greatest Hits (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRemarkably, it took Young until 2004 to release his first official hits collection, a fact that says everything about an artist who spent decades prioritizing albums as complete artistic statements over commercial convenience. Compiled directly from original analog masters at his own Redwood Ranch Studios, this is as close to a definitive introduction as Young's catalog allows, drawing from a body of work that runs from Buffalo Springfield through Crazy Horse and beyond.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNeil Young  His first ever greatest-hits collection, Greatest Hits is a long-awaited retrospective from one of rock's most influential and enduring singer-songwriters. With 16 selections spanning his entire career since 1969, Greatest Hits features some of the greatest hits of rock'n'roll, period. This collection was assembled and prepared by John Knowland, at Neil Young's Redwood Ranch Studios. The meticulous studio work presented in this collection ensures that this is the very best these songs have ever sounded. For the collection, 30 IPS, flat tape copies of tracks 1-14, were assembled from the original analog masters. Tracks 15 and 16 were transferred from up-converted 176.4\/24 bit digital masters created from the original lower res. digital masters.  CD\/DVD package includes the original stereo master mixes (for highest resolution listening), photo gallery and other bonuses. When a song is played via the DVD, the screen shows the original vinyl album spinning on a turntable as the needle goes to the appropriate groove and progresses in synch with incredible audio clarity with the song.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Down By The River (9:16)\u003c\/div\u003e\n\u003cdiv\u003e2. Cowgirl In The Sand (10:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Cinnamon Girl (2:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Helpless (3:37)\u003c\/div\u003e\n\u003cdiv\u003e5. After The Goldrush (3:46)\u003c\/div\u003e\n\u003cdiv\u003e6. Only Love Can Break Your Heart (3:03)\u003c\/div\u003e\n\u003cdiv\u003e7. Southern Man (5:31)\u003c\/div\u003e\n\u003cdiv\u003e8. Ohio (2:59)\u003c\/div\u003e\n\u003cdiv\u003e9. The Needle \u0026amp; The Damage Done (2:10)\u003c\/div\u003e\n\u003cdiv\u003e10. Old Man (3:22)\u003c\/div\u003e\n\u003cdiv\u003e11. Heart Of Gold (3:07)\u003c\/div\u003e\n\u003cdiv\u003e12. Like A Hurricane (8:20)\u003c\/div\u003e\n\u003cdiv\u003e13. Comes A Time (3:04)\u003c\/div\u003e\n\u003cdiv\u003e14. Hey Hey My My (Into The Black) (4:59)\u003c\/div\u003e\n\u003cdiv\u003e15. Rockin In The Free World (4:41)\u003c\/div\u003e\n\u003cdiv\u003e16. Harvest Moon (5:03)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624893523\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reprise \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.16.04\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819360411,"sku":"613856","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959399526555-cd-relix.png?v=1777131706"},{"product_id":"neil-young-tonights-the-night-50th-anniversary-cd","title":"Neil Young – Tonight's The Night - 50th Anniversary (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in a haze of grief and tequila over a few raw sessions at Studio Instrument Rentals in Hollywood, Tonight's The Night was Young's most deliberately difficult record, the kind of thing his label sat on for two years because it scared them. Fifty years on, its loose, haunted energy still sounds like nothing else in the rock canon, a document of communal mourning that the Crazy Horse circle made for themselves before anyone else.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNeil Young - Tonight’s The Night 50th Anniversary Deluxe Limited Edition\u003c\/p\u003e\u003cp\u003eIn 1975, Neil Young released Tonight’s The Night, an album that is widely regarded as one of the masterpieces in his catalog. The album was recorded in 1973, following the major success of his album Harvest, but it was not released for two more years. The album is dedicated to two of Neil’s close friends, Danny Whitten and Bruce Berry, who both died in the year before this album was recorded.\u003c\/p\u003e\u003cp\u003eRecorded on analog tape, Tonight’s The Night includes some of Young’s most brilliant and emotionally moving songs. In addition to the two versions of the title track, the album features “Borrowed Tune”, “World on a String”, “Mellow My Mind”, “Tired Eyes”, “Come On Baby Let’s Go Downtown”, \"Albuquerque” and “Roll Another Number (For The Road)”. For the 50th anniversary edition of this album, Young has replaced “Lookout Joe” with an unreleased version, also from the original album sessions at SIR studios in 1973.\u003c\/p\u003e\u003cp\u003eTo commemorate the 50th anniversary of Tonight’s The Night, the album has been expanded with six additional songs. The versions of “Walk On” and “Tonight’s The Night [take 3]” have never been released. “Everybody’s Alone”, “Raised On Robbery” (featuring Joni Mitchell) and “Speakin’ Out Jam” were included on Neil Young Archives Vol. II, and the version of “Wonderin’” has only been available to stream on NYA. None of the bonus tracks have been previously released on vinyl.\u003c\/p\u003e\u003cp\u003eTonight’s The Night 50th Anniversary Deluxe limited edition will be released on vinyl, CD and digitally. A clear vinyl format is available at Greedy Hand and indie stores. The original artwork has been creatively reimagined for this limited edition release.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Tonight's The Night\u003cbr\u003e\n2. Speakin' Out\u003cbr\u003e\n3. World On A String\u003cbr\u003e\n4. Borrowed Tune\u003cbr\u003e\n5. Come On Baby Let's Go Downtown\u003cbr\u003e\n6. Mellow My Mind\u003cbr\u003e\n7. Roll Another Number\u003cbr\u003e\n8. Albuquerque\u003cbr\u003e\n9. New Mama\u003cbr\u003e\n10. Lookout Joe\u003cbr\u003e\n11. Tired Eyes\u003cbr\u003e\n12. Tonight's The Night (Part II)\u003cbr\u003e\n13. Walk On\u003cbr\u003e\n14. Wonderin\u003cbr\u003e\n15. Everybody's Alone\u003cbr\u003e\n16. Raised On Robbery\u003cbr\u003e\n17. Speakin' Out Jam\u003cbr\u003e\n18. 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This compilation pulls back the curtain further, surfacing demo-era material that traces the band's shape-shifting early years before they became one of the most relentlessly prolific acts in contemporary rock.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMusic To Kill Bad People To is a compilation of demos and rare recordings by Australian acid rock band King Gizzard \u0026amp; The Lizard Wizard, recorded between 2011 and 2020. Part of the official Bootlegger series, this release has exclusive cover art by visual artist Griffin Scanlan, mastered by Joseph Carra.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Music To Kill Bad People To (4:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Evil Death Roll (4:32)\u003c\/div\u003e\n\u003cdiv\u003e3. Dirt (3:16)\u003c\/div\u003e\n\u003cdiv\u003e4. Bit Bit Bit Bit Bit Bit Bit (2:11)\u003c\/div\u003e\n\u003cdiv\u003e5. Sketches Of Brunswick East (4:30)\u003c\/div\u003e\n\u003cdiv\u003e6. Demo No. 79 (2:07)\u003c\/div\u003e\n\u003cdiv\u003e7. Planet B (3:57)\u003c\/div\u003e\n\u003cdiv\u003e8. The Bird Song (3:15)\u003c\/div\u003e\n\u003cdiv\u003e9. Muddy Water (2:01)\u003c\/div\u003e\n\u003cdiv\u003e10. Mars For The Rich (2:04)\u003c\/div\u003e\n\u003cdiv\u003e11. Footy Footy (1:38)\u003c\/div\u003e\n\u003cdiv\u003e12. Stevie Ray Horn (3:19)\u003c\/div\u003e\n\u003cdiv\u003e13. Automation (2:56)\u003c\/div\u003e\n\u003cdiv\u003e14. Fishing For Fishies (4:23)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 711574950317\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Org Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.30.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819425947,"sku":"301344","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Music-To-Kill-Bad-People-To-Vol_-1-CD.png?v=1776108151"},{"product_id":"bob-dylan-oh-mercy-import-lp-vinyl","title":"Bob Dylan – Oh Mercy (Import LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in New Orleans with producer Daniel Lanois in 1989, *Oh Mercy* marked a genuine creative resurgence for Dylan after a string of albums that left even devoted fans cold. Lanois's atmospheric production gave Dylan's weathered voice a murky, cinematic backdrop that suited the material perfectly, yielding some of the sharpest songwriting of his later career, including \"Most of the Time\" and \"Everything Is Broken.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 889854384210\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Imports\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.18.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819458715,"sku":"533185","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Dylan-Oh-Mercy-Import-LP-Vinyl_f40e5dda.jpg?v=1776108165"},{"product_id":"bob-dylan-greatest-hits-vol-ii-lp-vinyl","title":"Bob Dylan – Greatest Hits Vol. II (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased originally in 1971, this double LP arrived at a pivotal moment, drawing from across Dylan's Columbia catalog to capture the full sweep of his early-to-mid career transformations, from acoustic folk provocateur to electric rock iconoclast to country-inflected songwriter. The Basement Tapes material and live recordings woven throughout give it a depth that separates it from a standard hits package, offering a portrait of an artist who was already, just a decade in, impossible to contain in any single sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2-LP collection featuring \"Lay Lady Lay,\" \"Tonight I'll Be Staying Here with You,\" \"Watching the River Flow\" along with other classics \"Don't Think Twice, It's All Right,\" \"All I Really Want to Do,\" \"My Back Pages,\" \"Maggie's Farm,\" \"She Belongs to Me,\" \"If Not for You,\" and \"Just Like Tom Thumb's Blues.\"  The 21-track set also includes a live version of \"Tomorrow Is a Long Time\" along with a live take of \"The Mighty Quinn (Quinn the Eskimo),\" plus \"I Shall Be Released,\" \"Down in the Flood,\" and \"You Ain't Goin' Nowhere” from The Basement Tapes.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. 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Recorded with a rotating cast that included the Restless and a handful of studio veterans, Freedom reminded a generation that had nearly written Young off exactly what uncompromising guitar rock sounded like when it came from somewhere real.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFreedom is the 19th studio album by Neil Young, originally released in 1989. Freedom relaunched Young's career after a largely unsuccessful decade.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Rockin' In The Free World\u003cbr\u003e\n2. Crime In The City (Sixty To Zero Part 1)\u003cbr\u003e\n3. Don't Cry\u003cbr\u003e\n4. Hangin' On A Limb\u003cbr\u003e\n5. Eldorado\u003cbr\u003e\n6. The Ways Of Love\u003cbr\u003e\n7. Someday\u003cbr\u003e\n8. On Broadway\u003cbr\u003e\n9. Wrecking Ball\u003cbr\u003e\n10. No More\u003cbr\u003e\n11. Too Far Gone\u003cbr\u003e\n12. 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The sonic difference is not subtle: the compressed, centered mono mixes carry a rawness and immediacy that the stereo versions, often mixed as afterthoughts, simply don't have.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis box collects Bob Dylan’s first eight 12-inch LPs on 8 CDs, his albums from Bob Dylan in 1962 to John Wesley Harding in 1968, as most people heard them, as they were expected to be heard, and as they were most often meant to be heard: in mono. --- Greil Marcus, taken from the liner notes of Bob Dylan: The Original Mono Recordings\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. You're No Good (1:41)\u003cbr\u003e\n1-2. Talkin' New York (3:21)\u003cbr\u003e\n1-3. In My Time Of Dyin' (2:41)\u003cbr\u003e\n1-4. Man Of Constant Sorrow (3:10)\u003cbr\u003e\n1-5. Fixin' To Die (2:22)\u003cbr\u003e\n1-6. Pretty Peggy-O (3:25)\u003cbr\u003e\n1-7. Highway 51 (2:53)\u003cbr\u003e\n1-8. Gospel Plow (1:47)\u003cbr\u003e\n1-9. Baby, Let Me Follow You Down (2:37)\u003cbr\u003e\n1-10. House Of The Risin' Sun (5:19)\u003cbr\u003e\n1-11. Freight Train Blues (2:20)\u003cbr\u003e\n1-12. Song To Woody (2:44)\u003cbr\u003e\n1-13. See That My Grave Is Kept Clean (2:42)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Blowin' In The Wind (2:53)\u003cbr\u003e\n2-2. Girl From The North Country (3:24)\u003cbr\u003e\n2-3. Masters Of War (4:34)\u003cbr\u003e\n2-4. Down The Highway (3:25)\u003cbr\u003e\n2-5. Bob Dylan's Blues (2:24)\u003cbr\u003e\n2-6. A Hard Rain's A-Gonna Fall (6:53)\u003cbr\u003e\n2-7. Don't Think Twice, It's All Right (3:41)\u003cbr\u003e\n2-8. Bob Dylan's Dream (5:04)\u003cbr\u003e\n2-9. Oxford Town (1:52)\u003cbr\u003e\n2-10. Talkin' World War III Blues (6:28)\u003cbr\u003e\n2-11. Corrina, Corrina (2:46)\u003cbr\u003e\n2-12. Honey, Just Allow Me One More Chance (2:02)\u003cbr\u003e\n2-13. I Shall Be Free (4:46)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. The Times They Are A-Changin' (3:17)\u003cbr\u003e\n3-2. Ballad Of Hollis Brown (5:07)\u003cbr\u003e\n3-3. With God On Our Side (7:11)\u003cbr\u003e\n3-4. One Too Many Mornings (2:43)\u003cbr\u003e\n3-5. North Country Blues (4:36)\u003cbr\u003e\n3-6. Only A Pawn In Their Game (3:34)\u003cbr\u003e\n3-7. Boots Of Spanish Leather (4:43)\u003cbr\u003e\n3-8. When The Ship Comes In (3:19)\u003cbr\u003e\n3-9. The Lonesome Death Of Hattie Carroll (5:50)\u003cbr\u003e\n3-10. Restless Farewell (5:35)\u003c\/p\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cp\u003e\n4-1. All I Really Want To Do (4:07)\u003cbr\u003e\n4-2. Black Crow Blues (3:17)\u003cbr\u003e\n4-3. Spanish Harlem Incident (2:28)\u003cbr\u003e\n4-4. Chimes Of Freedom (7:14)\u003cbr\u003e\n4-5. I Shall Be Free No. 10 (4:51)\u003cbr\u003e\n4-6. To Ramona (3:54)\u003cbr\u003e\n4-7. Motorpsycho Nitemare (4:36)\u003cbr\u003e\n4-8. My Back Pages (4:27)\u003cbr\u003e\n4-9. I Don't Believe You (4:26)\u003cbr\u003e\n4-10. Ballad In Plain D (8:21)\u003cbr\u003e\n4-11. It Ain't Me Babe (3:34)\u003c\/p\u003e\n\u003ch4\u003eDisc 5\u003c\/h4\u003e\n\u003cp\u003e\n5-1. Subterranean Homesick Blues (2:19)\u003cbr\u003e\n5-2. She Belongs To Me (2:52)\u003cbr\u003e\n5-3. Maggie's Farm (3:26)\u003cbr\u003e\n5-4. Love Minus Zero \/ No Limit (2:51)\u003cbr\u003e\n5-5. Outlaw Blues (3:01)\u003cbr\u003e\n5-6. On The Road Again (2:36)\u003cbr\u003e\n5-7. Bob Dylan's 115th Dream (6:34)\u003cbr\u003e\n5-8. Mr. Tambourine Man (5:34)\u003cbr\u003e\n5-9. Gates Of Eden (5:36)\u003cbr\u003e\n5-10. It's Alright Ma (I'm Only Bleeding) (7:35)\u003cbr\u003e\n5-11. It's All Over Now, Baby Blue (4:16)\u003c\/p\u003e\n\u003ch4\u003eDisc 6\u003c\/h4\u003e\n\u003cp\u003e\n6-1. 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Songs like \"It Ain't Me Babe\" and \"My Back Pages\" signaled where he was headed, planting seeds for the electric reinvention that would arrive just one year later with Bringing It All Back Home.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAnother Side of Bob Dylan is the fourth studio album by American singer-songwriter Bob Dylan, released on August 8, 1964, by Columbia Records. \u003c\/p\u003e\u003cp\u003eThe album deviates from the more socially conscious style that Dylan had developed with his previous LP, The Times They Are A-Changin'. The change prompted criticism from some influential figures in the folk community - Sing Out! Editor Irwin Silber complained that Dylan had \"somehow lost touch with people\" and was caught up in \"the paraphernalia of fame\". \u003c\/p\u003e\u003cp\u003eDespite the album's thematic shift, Dylan performed the entirety of Another Side of Bob Dylan as he had on previous records - solo. 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Robert Plant, Jimmy Page, John Paul Jones, and Jason Bonham, stepping into his late father John's role, delivered a set pulling from deep across the catalog, from \"Ramble On\" to \"Whole Lotta Love,\" proving the music had lost none of its voltage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn December 10, 2007, Led Zeppelin took the stage at London’s O2 Arena to headline a tribute concert for dear friend and Atlantic Records founder Ahmet Ertegun. What followed was a two-hour-plus tour de force of the band’s signature blues-infused rock ’n’ roll that instantly became part of the legend of Led Zeppelin.\u003c\/p\u003e\u003cp\u003e2 CD - SoftPack - Audio Only\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Good Times Bad Times (3:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Ramble On (5:37)\u003c\/div\u003e\n\u003cdiv\u003e3. Black Dog (5:18)\u003c\/div\u003e\n\u003cdiv\u003e4. In My Time Of Dying (11:01)\u003c\/div\u003e\n\u003cdiv\u003e5. For Your Life (6:08)\u003c\/div\u003e\n\u003cdiv\u003e6. Trampled Under Foot (6:02)\u003c\/div\u003e\n\u003cdiv\u003e7. Nobody's Fault But Mine (6:24)\u003c\/div\u003e\n\u003cdiv\u003e8. No Quarter (9:00)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Since I've Been Loving You (7:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Dazed And Confused (11:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Stairway To Heaven (8:28)\u003c\/div\u003e\n\u003cdiv\u003e4. The Song Remains The Same (5:35)\u003c\/div\u003e\n\u003cdiv\u003e5. Misty Mountain Hop (4:48)\u003c\/div\u003e\n\u003cdiv\u003e6. Kashmir (8:48)\u003c\/div\u003e\n\u003cdiv\u003e7. Whole Lotta Love (6:49)\u003c\/div\u003e\n\u003cdiv\u003e8. Rock And Roll (4:19)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227970994\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.19.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819983003,"sku":"388312","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Led-Zeppelin-Celebration-Day-2-CD-Softpak.png?v=1776108251"},{"product_id":"neil-young-with-crazy-horse-barn-deluxe-edition-lp-cd-blu-ray","title":"Neil Young with Crazy Horse – Barn (LP Vinyl + CD + Blu-ray)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eBarn didn’t have to be this good. More than 50 years after the first Neil Young \u0026amp; Crazy Horse album, the all-time rock classic Everybody Knows This Is Nowhere, the group decamped to a restored 19th century barn in the Rocky Mountains during the summer of 2021 to lay down a new collection of songs. The fresh, crisp air did them well: Barn is a clear-eyed, righteously ragged, emotionally piercing rock-and-roll record. It’s almost unbelievable to think that a half century on, this collection of rock stalwarts can still crank it up this much. And yet, these 10 songs perfectly encapsulate the spirit of the genre: loose, loud, swaggering and fun. Barn kicks off with first single “Song of the Seasons,” the only real descendent here of, say, Comes A Time. (Most of these tunes share more DNA with 1990’s Ragged Glory.) It’s a lovely acoustic folk tune, with backing harmonies from his Crazy Horse compatriots. But the album really lights up beginning with “Heading West”—from that first raw, jagged guitar tone, you can tell Young is having a wild time. Same goes for “Canerican,” a ripping rocker with Young looking back on his long, winding history: “I was born in Canada, came south to join a band\/ Got caught up in the big time, travelin’ through the land,” his voice (and guitar solo) every bit as proud and raging as in decades past. Barn could’ve been made by a young rock-and-roll band, and it’d be well-received. But to have been created by a crew of rock lifers in their 70s— clearly having a blast making music together—it should be celebrated.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Justin Jacobs, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/04\/15\/neil-young-crazy-horse-barn-2\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNeil Young and Crazy Horse have been making records together since 1969, and the loose, lived-in chemistry they found on albums like \"Everybody Knows This Is Nowhere\" and \"Rust Never Sleeps\" remains unlike anything else in rock. \"Barn\" arrives as Young's environmental concerns sit at the center of his lyrics, connecting the off-grid recording setting to the broader themes running through his later work.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eBARN, the new Neil Young\/Crazy Horse album was recorded in a remote, restored, 19th century log barn. This musical family has played together for a half century, yet they continue creating new music. Neil and the Horse fans have long shouted for “more barn” and here it is… 10 new songs that capture the wild, rock and roll spirit, the idiosyncratic raw sound and the lyrical beauty that epitomizes a classic NYCH collaboration. The last song appeared on the last morning and was recorded just an hour later during a pounding hailstorm and during the full moon.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eThe album was recorded this summer over a handful of days. The ten new songs encompass all that Neil Young with Crazy Horse are known for, beautiful romantic acoustic ballads, powerhouse electric rockers and insightful rollicking tunes that stick with you. \u003cbr\u003e\u003cbr\u003eNiko Bolas was parked adjacent to the barn, in an exquisite analog mobile recording truck, Le Mobile ready to capture and mix the album on the spot. Produced by The Volume Dealers – Neil Young and Niko Bolas, the album will be released on vinyl, CD, cassette and digitally. There will also be a deluxe edition that will include the LP, CD. and Blu-ray film.Special edition of the album includes 6 photographs from the Barn sessions.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Song Of The Seasons (6:04)\u003cbr\u003e\nA2. Heading West (3:23)\u003cbr\u003e\nA3. Change Ain't Never Gonna (2:53)\u003cbr\u003e\nA4. Canerican (3:12)\u003cbr\u003e\nA5. Shape Of You (2:55)\u003cbr\u003e\nA6. They Might Be Lost (4:32)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Human Race (4:14)\u003cbr\u003e\nB2. Tumblin' Thru The Years (3:20)\u003cbr\u003e\nB3. Welcome Back (8:28)\u003cbr\u003e\nB4. 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Willoughby's Beach, their 2011 EP, captures that raw, unpolished origin point, a document of a band that had no idea it would eventually release five albums in a single year.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eKG\u0026amp;TLW s second EP, Willoughby's Beach was self-released in 2011 and originally limited to 350 hand-numbered copies. 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