{"title":"Rock Vinyl \u0026 CDs","description":"\u003cp\u003eFor the listener who still cares about the format: this page collects more than 7,000 rock titles on vinyl and CD, from standard black pressings to colored variants and multi-disc box sets.\u003c\/p\u003e\u003cp\u003eThe range here covers a lot of ground. The Grateful Dead appear across several configurations, including the \u003cem\u003eMerriweather Post Pavilion Co\u003c\/em\u003e four-LP vinyl set and a three-CD edition, the \u003cem\u003eCornell 5\/8\/77\u003c\/em\u003e three-CD set, and \u003cem\u003eTerrapin Station\u003c\/em\u003e on Syeor 24 Emerald Green vinyl. \u003cem\u003eSteal Your Face\u003c\/em\u003e is here on Grateful Red and Stealie Blue vinyl. Bob Weir shows up twice: \u003cem\u003eAce: 50th Anniversary Remaster\u003c\/em\u003e on Translucent Red vinyl and \u003cem\u003eKingfish\u003c\/em\u003e on Teal Marbled vinyl. The Jerry Garcia Band and Grateful Dead \u003cem\u003e30th Anniversary\u003c\/em\u003e vinyl box set rounds out the Garcia-related entries. Beyond the Dead family, The Claypool Lennon Delirium's \u003cem\u003eThe Great Parrot-Ox and the Golden Egg of Empathy\u003c\/em\u003e arrives on Opaque Green two-LP vinyl with a 24-page comic book. Trey Anastasio's \u003cem\u003eLive and Acoustic\u003c\/em\u003e spreads across three black LPs. Widespread Panic's \u003cem\u003eSpace Wrangler\u003c\/em\u003e is here in a limited teal and white colored pressing. Phoebe Bridgers' \u003cem\u003eLost Weekend\u003c\/em\u003e is a two-LP set on Dead Oceans.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has been writing about rock, the Grateful Dead, Phish, and the wider jam and roots world since 1974. That half-century of listening shapes how we stock the store: we pay attention to pressings, to reissues worth owning, and to live documents that hold up. The Relix Sessions series is one expression of that commitment, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label. When we carry a title, it is because it belongs in a serious collection, not because an algorithm put it in a cart.\u003c\/p\u003e\u003cp\u003eEvery record and disc in this collection is new and sealed. Pre-order titles display a street date and ship when the label releases them. Vinyl ships in protective packaging designed for LPs.\u003c\/p\u003e\u003cp\u003eIf you want to narrow your search, browse \u003ca href=\"\/collections\/rock-vinyl\"\u003eRock Vinyl Records\u003c\/a\u003e for LP-only listings, dig into \u003ca href=\"\/collections\/alternative-rock-vinyl-cds\"\u003eAlternative Rock Vinyl and CDs\u003c\/a\u003e for that corner of the catalog, or go straight to \u003ca href=\"\/collections\/cds\"\u003eCDs Straight from the Vault\u003c\/a\u003e for disc-only titles.\u003c\/p\u003e","products":[{"product_id":"grateful-dead-aoxomoxoa-cd","title":"Grateful Dead – Aoxomoxoa (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRobert Hunter's arrival as the band's primary lyricist gave the Dead something they'd been reaching for since the Haight-Ashbury days, a true poet in the room. Songs like \"St. Stephen\" and \"China Cat Sunflower\" that debuted here became cornerstones of the live canon, played thousands of times over the next two decades and still burning bright in setlists today.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e“In 1969, for their third album, the Grateful Dead eschewed outside producers and created Aoxomoxoa themselves, beginning a run of self-produced albums that would continue until 1977. Scrapping the first sessions, which were recorded to eight-track tape, the Dead now had 16 tracks with which to experiment their psychedelic sound, with an album that included entirely \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e-penned lyrics for the first time.”\u003c\/p\u003e\n\n\u003cp\u003eArchivist \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. St. Stephen (4:26)\u003cbr\u003e\n2. Dupree's Diamond Blues (3:32)\u003cbr\u003e\n3. Rosemary (1:58)\u003cbr\u003e\n4. Doin' That Rag (4:41)\u003cbr\u003e\n5. Mountains Of The Moon (4:08)\u003cbr\u003e\n6. China Cat Sunflower (3:40)\u003cbr\u003e\n7. What's Become Of The Baby (8:12)\u003cbr\u003e\n8. Cosmic Charlie (5:29)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497846931\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.28.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149476966555,"sku":"698909","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Aoxomoxoa-CD_230fe867.jpg?v=1776107637"},{"product_id":"grateful-dead-go-to-heaven-lp-vinyl","title":"Grateful Dead – Go To Heaven (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBrent Mydland's debut on a Dead studio record proved he was no placeholder. Where his predecessors had shaped the band's sound through the psychedelic and jazz-leaning seventies, Mydland brought a blue-eyed soul edge that pushed the Dead toward something rawer and more direct, a quality that would define their sound well into the eighties and beyond.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGo To Heaven\u003c\/em\u003e (1980) is the Grateful Dead's eleventh studio album and their first with keyboardist \u003cstrong\u003eBrent Mydland\u003c\/strong\u003e, who joined in 1979 following \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e's departure. Recorded at Club Front studio in San Rafael, California and produced by Gary Lyons, the album captures the Dead attempting to create radio-friendly songs while maintaining their musical identity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\"Alabama Getaway\"\u003c\/strong\u003e became the band's highest-charting single in years, while the Garcia\/Hunter classic \u003cstrong\u003e\"Althea\"\u003c\/strong\u003e went on to become a live staple for decades. \u003cstrong\u003eBob Weir\u003c\/strong\u003e contributes some of his most sophisticated writing with the paired suite of \u003cstrong\u003e\"Lost Sailor\"\u003c\/strong\u003e and \u003cstrong\u003e\"Saint of Circumstance,\"\u003c\/strong\u003e and Mydland announces his arrival with a pair of his own compositions — \u003cstrong\u003e\"Far from Me\"\u003c\/strong\u003e and \u003cstrong\u003e\"Easy to Love You\"\u003c\/strong\u003e — sung with a grit and soul that immediately distinguished him as a vital addition to the band.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eGo To Heaven\u003c\/em\u003e would be the last Grateful Dead studio album for seven years — until \u003cem\u003eIn the Dark\u003c\/em\u003e in 1987 — and an album that has aged considerably better than its mixed initial reception suggested.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Alabama Getaway (3:37)\u003cbr\u003e\nA2. Far From Me (3:39)\u003cbr\u003e\nA3. Althea (6:52)\u003cbr\u003e\nA4. Feel Like A Stranger (5:06)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Lost Sailor (5:54)\u003cbr\u003e\nB2. Saint Of Circumstance (5:40)\u003cbr\u003e\nB3. Antwerp's Placebo (The Plumber) (0:39)\u003cbr\u003e\nB4. Easy To Love You (3:39)\u003cbr\u003e\nB5. Don't Ease Me In (3:13)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497828456\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Arista\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.28.80\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515337883,"sku":"259661","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Go-To-Heaven-LP-Vinyl_3bc682d7.jpg?v=1776107652"},{"product_id":"grateful-dead-best-of-the-skeletons-from-the-closet-greatest-hits-cd","title":"Grateful Dead – Best Of The Skeletons From The Closet: Greatest Hits (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFor anyone just finding their way into the Dead's universe, this Rhino compilation draws from the band's Warner Bros. studio years, capturing the polished, song-focused side of a group whose reputation was built on endless improvisation. These are the tracks that pulled a generation toward the rabbit hole, the ones that still sound on the radio before someone inevitably asks, \"Have you ever heard the live version?\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe classic Dead best-of. Includes Truckin'; Casey Jones; Sugar Magnolia; Uncle John's Band; Friend of the Devil and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. The Golden Road (To Unlimited Devotion)\u003cbr\u003e\n2. Truckin'\u003cbr\u003e\n3. Rosemary\u003cbr\u003e\n4. Sugar Magnolia\u003cbr\u003e\n5. St. Stephen\u003cbr\u003e\n6. Uncle John's Band\u003cbr\u003e\n7. Casey Jones\u003cbr\u003e\n8. Mexicali Blues\u003cbr\u003e\n9. Turn On Your Love Light\u003cbr\u003e\n11. One More Saturday Night\u003cbr\u003e\n12. Friend Of The Devil\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227646622\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.28.04\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515468955,"sku":"423537","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Best-Of-The-Skeletons-From-The-Closet-Greatest-Hits-CD_01cb8e06.jpg?v=1776107682"},{"product_id":"grateful-dead-fillmore-east-2-11-69-180-gram-anniversary-lp-vinyl","title":"Grateful Dead – Fillmore East 2-11-69 (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFebruary 1969 found the Dead at one of their creative peaks, with the twin-drummer lineup of Hart and Kreutzmann locked in and Tom Constanten's keyboards adding psychedelic texture to a band still writing the rules of improvisational rock. The Fillmore East, Bill Graham's New York room, was one of the few stages in America that could hold what the Dead were becoming, and recordings from this run capture that electricity with rare immediacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eGrateful Dead Fillmore East 2-11-69 (180 Gram Audiophile Vinyl\/Limited Anniversary Edition\/Tri-fold Cover)\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eIn celebration of 6 Decades of Grateful Dead, Friday Music is very pleased to announce this stunning 180 Gram Audiophile 3 LP Deluxe Set of Grateful Dead's \u003cstrong\u003e\"Fillmore East 2-11-69.\"\u003c\/strong\u003e This amazing, super-limited-edition treasure trove features tunes from these significant concerts, both early and late.\u003c\/p\u003e\n\n\u003cp\u003eFilled with 17 stellar vinyl performances, The Grateful Dead's \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, Bill Kreutzmann, Ron McKernan, and \u003cstrong\u003eTom Constanten\u003c\/strong\u003e truly radiate their finest playing and singing, making this a wonderful listen and a highly collectible album for years to come.\u003c\/p\u003e\n\n\u003cp\u003eAs an added super-rare treat, a tip of the hat to The Beatles is preserved in the audiophile domain, with their fine interpretation of Hey Jude, as well as a pair of masterful blues classics: King Bee and Good Morning Little School Girl.\u003c\/p\u003e\n\n\u003cp\u003eThe Grateful Dead's Fillmore 2-11-69 album is packaged in a stunning tri-fold cover with beautifully detailed artwork, Gary Lambert's original liner notes, and wonderful retro LP label artwork for each vinyl album.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGood Morning Little Schoolgirl\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eThe Other One\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eDoin' That Rag\u003c\/li\u003e\n\u003cli\u003eI'm A King Bee\u003c\/li\u003e\n\u003cli\u003eHey Jude\u003c\/li\u003e\n\u003cli\u003eTurn On Your Lovelight\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eDupree's Diamond Blues\u003c\/li\u003e\n\u003cli\u003eMountains Of The Moon\u003c\/li\u003e\n\u003cli\u003eDark Star\u003c\/li\u003e\n\u003cli\u003eSt. Stephen\u003c\/li\u003e\n\u003cli\u003eThe Eleven\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eCaution (Do Not Stop On Tracks)\u003c\/li\u003e\n\u003cli\u003eFeedback\u003c\/li\u003e\n\u003cli\u003eWe Bid You Goodnight\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 829421021698\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Friday Music Two\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515534491,"sku":"71456052","price":174.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Fillmore-East-2-11-69-3-LP-Vinyl.png?v=1776107685"},{"product_id":"grateful-dead-europe-72-50th-anniversary-edition-cd","title":"Grateful Dead – Europe '72: 50th Anniversary Edition (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe spring 1972 European run marked the debut of three musicians who would reshape the band's sound for years to come: pianist Keith Godchaux, vocalist Donna Jean Godchaux, and percussionist Bill Kreutzmann's new partner in the drum chair. The tour also introduced live versions of songs like \"Brown-Eyed Women\" and \"Ramble On Rose\" that Deadheads would chase across setlists for decades, making this document not just a souvenir but a genuine musical turning point.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCelebrating the 50th Anniversary of the Grateful Dead's iconic Europe '72 Tour with the original \u003cem\u003eEurope '72\u003c\/em\u003e album, newly remastered. Plangent Processes tape restoration and speed correction, with mastering by GRAMMY® Award-winning engineer Dave Glasser, produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eIn another industry-defying move, the Grateful Dead followed up their first Gold Record — the 1971 live showcase \u003cem\u003eSkull \u0026amp; Roses\u003c\/em\u003e — with another live album, one that to most fans and critics surpassed even the excellence of the previous offering.\u003c\/p\u003e\n\n\u003cp\u003eFrom April 7 to May 26, 1972, the Dead performed and recorded 21 live concerts, plus a set in a television studio, with every night being an exceptional display of the magic that was uniquely the live Grateful Dead. These concerts and this tour, 50 years later, are still considered one of the highest of high points in the Grateful Dead's performing career.\u003c\/p\u003e\n\n\u003cp\u003eIn an era when a double album was rare enough, the Dead outdid even their own lofty standards by producing what is widely regarded as one of the finest live albums ever made — originally released as a sprawling 3-LP set, and now available here in a newly remastered 2-CD edition. Remastered from the original analog tapes, the album has never sounded better.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Cumberland Blues (5:42)\u003cbr\u003e\n1-2. He's Gone (6:58)\u003cbr\u003e\n1-3. One More Saturday Night (4:49)\u003cbr\u003e\n1-4. Jack Straw (4:49)\u003cbr\u003e\n1-5. You Win Again (4:00)\u003cbr\u003e\n1-6. China Cat Sunflower (5:33)\u003cbr\u003e\n1-7. I Know You Rider (5:04)\u003cbr\u003e\n1-8. Brown-Eyed Women (4:39)\u003cbr\u003e\n1-9. Hurts Me Too (7:20)\u003cbr\u003e\n1-10. Ramble On Rose (6:01)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Sugar Magnolia (7:10)\u003cbr\u003e\n2-2. Mr. Charlie (3:38)\u003cbr\u003e\n2-3. Tennessee Jed (7:11)\u003cbr\u003e\n2-4. Truckin' (13:05)\u003cbr\u003e\n2-5. Epilogue (5:07)\u003cbr\u003e\n2-6. Prelude (7:36)\u003cbr\u003e\n2-7. Morning Dew (11:29)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497842186\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.29.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515927707,"sku":"158137","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Europe-72-50th-Anniversary-Edition-2-CD.jpg?v=1776107711"},{"product_id":"grateful-dead-terrapin-station-syeor-24-exclusive-emerald-green-lp-vinyl","title":"Grateful Dead – Terrapin Station (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTerrapin Station arrived in 1977 at a genuine crossroads, the Dead signing to Arista after years on their own Round Records imprint, trading full creative autonomy for major-label resources and a polished studio hand. The centerpiece suite that closes Side 2 would become one of Jerry Garcia and Robert Hunter's most beloved long-form compositions, a piece the band carried through their live sets for decades, always searching for new ways into its layered mythology.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNewly mastered by GRAMMY® Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe first Grateful Dead album on Arista Records and the first studio album featuring an outside producer since their debut a decade earlier, \u003cem\u003eTerrapin Station\u003c\/em\u003e is one of the deepest, densest, and most ambitious records in the entire Dead catalog. Arista president Clive Davis paired the band with Fleetwood Mac producer Keith Olson, and together they created something unlike anything the Dead had made before — filled with strings, horns, a choir, and countless new sonic textures.\u003c\/p\u003e\n\n\u003cp\u003eSide 1 is a remarkable collection of songs in its own right: the hypnotic \u003cstrong\u003e\"Estimated Prophet,\"\u003c\/strong\u003e the hard-driving \u003cstrong\u003e\"Samson and Delilah,\"\u003c\/strong\u003e Lesh's funky \u003cstrong\u003e\"Passenger,\"\u003c\/strong\u003e a rollicking \u003cstrong\u003e\"Dancin' in the Streets,\"\u003c\/strong\u003e and \u003cstrong\u003eDonna Jean\u003c\/strong\u003e Godchaux's first lead vocal on a Dead album, the tender \u003cstrong\u003e\"Sunrise.\"\u003c\/strong\u003e Side 2 is given over entirely to the sprawling Terrapin Station suite — Lady With a Fan, Terrapin Station, Terrapin, Terrapin Transit, At a Siding, Terrapin Flyer, and Refrain — one of the most ambitious and exciting sequences of music the Grateful Dead ever committed to record.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEstimated Prophet\u003c\/li\u003e\n\u003cli\u003eDancin' in the Streets\u003c\/li\u003e\n\u003cli\u003ePassenger\u003c\/li\u003e\n\u003cli\u003eSamson \u0026amp; Delilah\u003c\/li\u003e\n\u003cli\u003eSunrise\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2 — Terrapin Station\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLady With a Fan\u003c\/li\u003e\n\u003cli\u003eTerrapin Station\u003c\/li\u003e\n\u003cli\u003eTerrapin\u003c\/li\u003e\n\u003cli\u003eTerrapin Transit\u003c\/li\u003e\n\u003cli\u003eAt a Siding\u003c\/li\u003e\n\u003cli\u003eTerrapin Flyer\u003c\/li\u003e\n\u003cli\u003eRefrain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227819514\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.12.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515960475,"sku":"372220","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Terrapin-Station-Emerald-Green-LP-Vinyl.jpg?v=1776804863"},{"product_id":"grateful-dead-gratest-hits-cd","title":"Grateful Dead – Gratest Hits (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSixty years in, the Dead's catalog still sounds like nothing else in American music. This single-disc collection pulls from a body of work that defined what live rock and roll could be, with songs that meant as much around a campfire tape deck as they did inside the Fillmore or Soldier Field.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCelebrate Grateful Dead's 60th Anniversary with a collection of the band's \"Gratest\" hits, available for the first time as a 1 CD\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Casey Jones (4:24)\u003cbr\u003e\n2. Friend of the Devil (3:21)\u003cbr\u003e\n3. Box of Rain (5:17)\u003cbr\u003e\n4. Sugar Magnolia (3:17)\u003cbr\u003e\n5. Truckin' (5:03)\u003cbr\u003e\n6. Scarlet Begonias (4:19)\u003cbr\u003e\n7. Fire on the Mountain (3:47)\u003cbr\u003e\n8. Estimated Prophet (5:35)\u003cbr\u003e\n9. Touch of Grey (5:48)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497813773\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.13.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149515993243,"sku":"446057","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Gratest-Hits-CD.png?v=1776107718"},{"product_id":"grateful-dead-music-never-stopped-cd","title":"Grateful Dead – Music Never Stopped (3-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eWhile Deadheads almost unanimously say they prefer full-show recordings over anything else, anyone who quibbles with the long, strange sonic trip that is the Music Never Stopped is simply looking to complain.\u003c\/p\u003e\u003cp\u003eClocking in at close to four hours, overflowing with fan favorites and rarities and spanning 1969-1994, this set contains a song or segue from each of the concerts on the sprawling companion box set Enjoying the Ride - full-show recordings galore, folks! - and ensures every band member, even short-timers Tom Constanten and Bruce Hornsby, is represented.\u003c\/p\u003e\u003cp\u003eJumping around haphazardly, Music is sequenced so Pigpen powering a mighty “Hard to Handle” in ’71 is followed by an elegiac 1987 “Wharf Rat.” The set closes similarly, with an equally wistful “Days Between” from ’94 melting into a dizzying “Not Fade Away” - “Going Down the Road Feeling Bad” - “Not Fade Away” sandwich from 23 years prior.\u003c\/p\u003e\u003cp\u003eThe producers were sympathetic and generous in the song selection, featuring short-in-rotation numbers like “Doin’ that Rag” (’69), “My Brother Esau” (’87) and the bonkers return of “Big Boy Pete” for its one-time-only reprise in ’85.\u003c\/p\u003e\u003cp\u003eBonus - the sound quality ranges from quite good to sublime.\u003c\/p\u003e\u003cp\u003eToss in the famous Greek “Scarlet” - “Touch” - “Fire” of ’84; perhaps the perfectest “Attics of My Life” from 10\/3\/94 in Boston; and the crazy transition between “Truckin’” and “Smokestack Lightnin’” at Deer Creek ’89 that is somehow both smooth and sloppy and unusual enough to merit inclusion even without the powerful performances on either side, and only a cynic could say the Music Never Stopped is not just exactly perfect, even if it doesn’t run just like a Swiss watch.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/06\/14\/grateful-dead-the-music-never-stopped\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCompiled as a road map through one of the longest strange trips in American music, this collection pulls from 25 years of live recordings spanning the venues where Dead culture was built, night by night and city by city. For anyone who's ever debated which era, which room, or which version captures what made this band unlike anything else, consider this a starting point and an argument all at once.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CD set. Narrowing down The Grateful Dead's touring career and live performances to 60 CDs, 20 venues, and more than 450 songs is hard enough. Narrowing THAT down for 3CD and 6LP sets is a monumental undertaking, but with so much great music to select from, it's one of the most enjoyable compilations we've ever assembled. \u003c\/p\u003e\u003cp\u003eThis nearly four-hour collection contains one song (or two, or three...) from every show in the Dead's new road tripping boxed set, ENJOYING THE RIDE, which brings together music from 20 (21...) of the most essential venues in Grateful Dead and Dead Head history. \u003c\/p\u003e\u003cp\u003eThis compilation is crafted with songs spanning the 25 years in the boxed set, 1969-1994. Drawn from such iconic venues as Red Rocks, Frost Amphitheatre, Greek Theatre, Fillmores East and West, Madison Square Garden, Alpine Valley, and many more, THE MUSIC NEVER STOPPED features such classics as \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e \u003cstrong\u003e\"Eyes Of The World,\"\u003c\/strong\u003e \u003cstrong\u003e\"Scarlet Begonias,\"\u003c\/strong\u003e the title track, and plenty of under the radar tracks like \u003cstrong\u003e\"Big Boy Pete,\"\u003c\/strong\u003e \u003cstrong\u003e\"My Brother Esau,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Doin' That Rag.\"\u003c\/strong\u003e \u003c\/p\u003e\u003cp\u003e\"This is a career-defining live collection filled with some of the greatest tracks performed at their greatest venues.\" \u003cstrong style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eDavid Lemieux\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. The Music Never Stopped (9:04)\u003cbr\u003e\n1-2. Althea (8:37)\u003cbr\u003e\n1-3. Playing In The Band (19:58)\u003cbr\u003e\n1-4. Hard To Handle (8:30)\u003cbr\u003e\n1-5. Wharf Rat (10:45)\u003cbr\u003e\n1-6. Doin’ That Rag (6:59)\u003cbr\u003e\n1-7. My Brother Esau (5:04)\u003cbr\u003e\n1-8. Deal (10:47)\u003c\/p\u003e\u003ch4\u003eDisc 2\u003c\/h4\u003e\u003cp\u003e\n2-1. Scarlet Begonias (11:54)\u003cbr\u003e\n2-2. Touch Of Grey (6:50)\u003cbr\u003e\n2-3. Fire On The Mountain (12:08)\u003cbr\u003e\n2-4. Lazy Lightning (3:31)\u003cbr\u003e\n2-5. Supplication (6:19)\u003cbr\u003e\n2-6. Attics Of My Life (4:18)\u003cbr\u003e\n2-7. Estimated Prophet (13:55)\u003cbr\u003e\n2-8. Eyes Of The World (11:49)\u003cbr\u003e\n2-9. Brown-Eyed Women (5:35)\u003c\/p\u003e\u003ch4\u003eDisc 3\u003c\/h4\u003e\u003cp\u003e\n3-1. Truckin’ (8:26)\u003cbr\u003e\n3-2. Smokestack Lightnin’ (10:32)\u003cbr\u003e\n3-3. Big Boy Pete (3:08)\u003cbr\u003e\n3-4. Bird Song (12:11)\u003cbr\u003e\n3-5. Let It Grow (10:25)\u003cbr\u003e\n3-6. Black Muddy River (6:23)\u003cbr\u003e\n3-7. Days Between (10:19)\u003cbr\u003e\n3-8. Not Fade Away (3:51)\u003cbr\u003e\n3-9. Goin’ Down The Road Feeling Bad (8:57)\u003cbr\u003e\n3-10. Not Fade Away (2:26)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497815791\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.30.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516026011,"sku":"386947","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Music-Never-Stopped-3-CD.jpg?v=1776107723"},{"product_id":"grateful-dead-madison-square-garden-new-york-ny-3-9-81-live-cd","title":"Grateful Dead – Madison Square Garden, New York, NY 3\/9\/81 (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMarch 1981 found the Dead deep in one of their most musically fertile periods, with Jerry Garcia's guitar work carrying a focused intensity that defined the early-'80s sound. This particular run at MSG came just as the band was hitting a strong stride with their post-\"Go to Heaven\" live approach, and the New York crowd, always one of the most electric on the circuit, gave them plenty to play up to.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CDs. Madison Square Garden, the world-famous New York City arena, was a home away from home for The Grateful Dead, a reliable sanctuary where the band would ultimately play 52 shows, a record at the time. The venue's fine acoustics, combined with the fans' unbridled energy, consistently brought out the best in the Dead. \u003c\/p\u003e\u003cp\u003eAt the band's 2015 induction ceremony into Madison Square Garden's Walk Of Fame, Bobby Weir said \"This place was both horrifying and titillating with an audience that was discerning but ravenous. We had to rise to the occasion every time.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Feel Like A Stranger (9:07)\u003cbr\u003e\n1-2. Althea (7:52)\u003cbr\u003e\n1-3. C.C. Rider (8:00)\u003cbr\u003e\n1-4. Ramble On Rose (7:41)\u003cbr\u003e\n1-5. El Paso (5:31)\u003cbr\u003e\n1-6. Deep Elem Blues (7:03)\u003cbr\u003e\n1-7. Beat It On Down The Line (3:58)\u003cbr\u003e\n1-8. Bird Song (11:15)\u003cbr\u003e\n1-9. New Minglewood Blues (7:02)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. China Cat Sunflower (9:33)\u003cbr\u003e\n2-2. I Know You Rider (6:11)\u003cbr\u003e\n2-3. Samson And Delilah (7:32)\u003cbr\u003e\n2-4. Ship Of Fools (8:22)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. Estimated Prophet (14:07)\u003cbr\u003e\n3-2. 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Coming just months after the Europe '72 tour that produced one of the band's most beloved official releases, the Dead arrived in Oregon at an absolute peak, road-hardened and loose, playing for old friends in a setting that stripped away any pretense of a conventional concert.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn August 27, 1972, fresh off their now-legendary European tour, the Grateful Dead traveled to Veneta, Oregon and reunited with the Merry Pranksters to throw a benefit concert for the Kesey family's Springfield Creamery. The show was recorded and filmed but never officially released for decades — and in the years since, it became the most-requested live show in Grateful Dead history.\u003c\/p\u003e\n\n\u003cp\u003eThe setlist is a masterclass in peak-era Dead, moving from the opening \u003cstrong\u003e\"Promised Land\"\u003c\/strong\u003e through fan favorites like \u003cstrong\u003e\"China Cat Sunflower \u0026gt; I Know You Rider,\"\u003c\/strong\u003e \u003cstrong\u003e\"Playing in the Band,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bird Song,\"\u003c\/strong\u003e before culminating in a soaring \u003cstrong\u003e\"Dark Star\"\u003c\/strong\u003e deep into the second set. On a sweltering Oregon afternoon, the band played like they had something to prove — and delivered one of the finest performances of their career.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eCD 1\u003c\/h4\u003e\n\u003cp\u003eCD1-1. Introduction (4:01)\u003cbr\u003e\nCD1-2. Promised Land (3:24)\u003cbr\u003e\nCD1-3. Sugaree (7:30)\u003cbr\u003e\nCD1-4. Me And My Uncle (3:16)\u003cbr\u003e\nCD1-5. Deal (4:55)\u003cbr\u003e\nCD1-6. Black-Throated Wind (7:01)\u003cbr\u003e\nCD1-7. China Cat Sunflower (7:58)\u003cbr\u003e\nCD1-8. I Know You Rider (7:03)\u003cbr\u003e\nCD1-9. Mexicali Blues (3:49)\u003cbr\u003e\nCD1-10. Bertha (5:59)\u003c\/p\u003e\n\u003ch4\u003eCD 2\u003c\/h4\u003e\n\u003cp\u003e\nCD2-1. Playing In The Band (19:57)\u003cbr\u003e\nCD2-2. He's Gone (9:32)\u003cbr\u003e\nCD2-3. Jack Straw (5:06)\u003cbr\u003e\nCD2-4. Bird Song (13:17)\u003cbr\u003e\nCD2-5. Greatest Story Ever Told (5:36)\u003c\/p\u003e\n\u003ch4\u003eCD 3\u003c\/h4\u003e\n\u003cp\u003e\nCD3-1. Dark Star (31:28)\u003cbr\u003e\nCD3-2. El Paso (5:04)\u003cbr\u003e\nCD3-3. Sing Me Back Home (10:51)\u003cbr\u003e\nCD3-4. Sugar Magnolia (8:45)\u003cbr\u003e\nCD3-5. Casey Jones (6:25)\u003cbr\u003e\nCD3-6. One More Saturday Night (5:03)\u003c\/p\u003e\n\u003ch4\u003eDVD\u003c\/h4\u003e\n\u003cp\u003eDVD-1. Promised Land\u003cbr\u003e\nDVD-2. China Cat Sunflower\u003cbr\u003e\nDVD-3. I Know You Rider\u003cbr\u003e\nDVD-4. Jack Straw\u003cbr\u003e\nDVD-5. Bird Song\u003cbr\u003e\nDVD-6. Dark Star\u003cbr\u003e\nDVD-7. El Paso\u003cbr\u003e\nDVD-8. Sing Me Back Home\u003cbr\u003e\nDVD-9. Greatest Story Ever Told\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227965013\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. UK\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.7.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516189851,"sku":"679459","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Sunshine-Daydream-Veneta-OR-82772-4-CD-DVD.jpg?v=1776107747"},{"product_id":"grateful-dead-workingmans-dead-limited-edition-180-gram-lp-vinyl","title":"Grateful Dead – Workingman's Dead (Mobile Fidelity 180 Gram 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the wake of serious personal and financial turbulence for the band, Workingman's Dead marked a deliberate turn toward the acoustic-influenced California country sound that Hunter and Garcia had been absorbing from artists like Merle Haggard and the Band. Songs like \"Casey Jones\" and \"Uncle John's Band\" became instant cornerstones of the live repertoire, performed thousands of times over the next two and a half decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eSublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eYou've never heard this roots-based marvel sound better: mastered from the original master tapes and given extra-wide grooves on 45RPM LP. Ranked \u003cstrong\u003e#264 on Rolling Stone's List of the 500 Greatest Albums of All Time\u003c\/strong\u003e: airy harmonies, simple structures, concise arrangements, and burnished tones anchor songs that bookend to 1970's \u003cem\u003eAmerican Beauty\u003c\/em\u003e, also available on 180g 45RPM 2LP from Mobile Fidelity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, the album attains \u003cstrong\u003eaudiophile reference status\u003c\/strong\u003e courtesy of this first-ever 45RPM version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs with a transcendence associated with timeless American music.\u003c\/p\u003e\n\n\u003cp\u003eColorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives. \u003cstrong\u003eMastered from the original master tapes and pressed on 180g LPs at RTI\u003c\/strong\u003e, Mobile Fidelity's numbered limited edition of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and-touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances — traits made possible by the format's wider grooves.\u003c\/p\u003e\n\n\u003cp\u003eInstrumental melds and refined accents, such as guest David Nelson's nimble fills on \"Cumberland Blues,\" are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling.\u003c\/p\u003e\n\n\u003cp\u003eThe first Grateful Dead album to eschew cosmic jams and complex signatures, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e stakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state — immediately apparent via the innocent album-opening invitation \"Will you come with me?\" on \"Uncle John's Band\" — owes to the circumstances surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from — and reacting to — the tragic events of the Altamont Music Festival and the symbolic end of the peace and love era. As such, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship.\u003c\/p\u003e\n\n\u003cp\u003eLyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning \u003cstrong\u003e\"Cumberland Blues,\"\u003c\/strong\u003e pastoral ballad \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and bluesy \u003cstrong\u003e\"Easy Wind\"\u003c\/strong\u003e hit the mark. Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus.\u003c\/p\u003e\n\n\u003cp\u003eAside from the economical concision and thematic consistency, the genius of \u003cem\u003eWorkingman's Dead\u003c\/em\u003e resides in the group's expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live \"air blends\" of multi-part vocal harmonies that provide the foundations of nearly every track. \u003cstrong\u003e\"Uncle John's Band,\" \"High Time,\" \"New Speedway Boogie,\"\u003c\/strong\u003e and the radio favorite \u003cstrong\u003e\"Casey Jones\"\u003c\/strong\u003e practically float on the ensemble's communal vocal beds. Mobile Fidelity's 45RPM edition renders these invigorating characteristics in \u003cstrong\u003ethree-dimensional sound, transporting you to the event. Recordings don't get more lifelike.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e — an iconic, ageless record that drew countless listeners to the band's unique style because of its accessibility and charm — deserves nothing less. Neither do you.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Uncle John's Band (4:42)\u003cbr\u003e\nA2. High Time (5:13)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Dire Wolf (3:13)\u003cbr\u003e\nB2. New Speedway Boogie (4:05)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Cumberland Blues (3:15)\u003cbr\u003e\nC2. Black Peter (5:42)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Easy Wind (4:59)\u003cbr\u003e\nD2. Casey Jones (4:24)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797242813\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e November 25, 2014\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl (180g, 45RPM, Limited Edition)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516451995,"sku":"15951166","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Workingmans-Dead-Mobile-Fidelity-180-Gram-2-LP-Vinyl.png?v=1776107834"},{"product_id":"grateful-dead-gratest-hits-blue-colored-lp-vinyl","title":"Grateful Dead – Gratest Hits (Blue LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNine songs shouldn't be enough to capture a band that regularly played four-hour shows, yet this Warner Bros. survey pulls off something remarkable: a snapshot of the Dead at their most radio-approachable, drawing from the fertile 1970 to 1971 studio run that produced both \"Workingman's Dead\" and \"American Beauty\" alongside the harder-edged \"Casey Jones\" and \"Truckin'.\" The blue vinyl pressing gives a catalog staple a reason to come off the shelf again.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Grateful Dead's essential compilation, pressed on limited edition light blue vinyl. Originally released as \u003cem\u003eWhat a Long Strange Trip It's Been\u003c\/em\u003e in 1977, this single-LP collection covers the band's Warner Bros. years — featuring \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Sugar Magnolia,\"\u003c\/strong\u003e \u003cstrong\u003e\"Casey Jones,\"\u003c\/strong\u003e \u003cstrong\u003e\"Touch of Grey,\"\u003c\/strong\u003e and four more essentials, all in 2015-remastered audio. The ideal entry point for new listeners and a collectible variant for longtime fans.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Casey Jones (4:24)\u003cbr\u003e\nA2. Friend Of The Devil (3:21)\u003cbr\u003e\nA3. Box Of Rain (5:17)\u003cbr\u003e\nA4. Sugar Magnolia (3:17)\u003cbr\u003e\nA5. Truckin' (5:03)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Scarlet Begonias (4:19)\u003cbr\u003e\nB2. Fire On The Mountain (3:47)\u003cbr\u003e\nB3. Estimated Prophet (5:35)\u003cbr\u003e\nB4. Touch Of Grey (5:48)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227809119\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.13.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516681371,"sku":"165662","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Gratest-Hits-Blue-LP-Vinyl.webp?v=1776107846"},{"product_id":"grateful-dead-blues-for-allah-aniv-remastered-cd","title":"Grateful Dead – Blues For Allah (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during the Dead's extended hiatus from touring, Blues For Allah found Garcia, Weir, Lesh, and the rest of the band retreating to a home studio in Stinson Beach, free from the road and genuinely experimenting with form. The title suite, a sprawling meditation that closes the original album, remains one of the most adventurous pieces the band ever committed to tape. This 50th anniversary edition pulls from analog masters to restore what that creative freedom actually sounded like.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGrateful Dead Blues For Allah (50th Anniversary Remaster) \"To celebrate the 50th Anniversary of The Grateful Dead's ambitious 1975 album Blues For Allah, we have produced what we feel is the most eclectic 50th Anniversary reissue since this series began in 2017. \u003c\/p\u003e\u003cp\u003eThe 3-disc special release features the original album on Disc 1, remastered by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e at Airshow Mastering, with tape restoration and speed correction by Plangent Processes. On Disc 2, we have nearly 45 minutes of nearly-live material from August 12, 1975, at the Great American Music Hall in San Francisco, the soundcheck the day before the Dead's famous show at the venue on August 13, 1975, all mixed from the 16-track analog masters. \u003c\/p\u003e\u003cp\u003eAdditionally, we have included the full Blues For Allah suite from the March 23, 1975, SNACK Benefit at Kezar Stadium, where the Dead played their first of four 1975 shows by debuting one of their wildest pieces of music they'd ever composed. Disc 3 features 75 minutes of live material recorded in June 1976 at the Tower Theatre in Upper Darby, PA, on the Dead's first tour after the release of Blues For Allah.\u003cimg\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Help On The Way \/ Slipknot! (7:23)\u003cbr\u003e\n1-2. Franklin's Tower (4:35)\u003cbr\u003e\n1-3. King Solomon's Marbles: Stronger Than Dirt \/ Milkin' The Turkey (5:16)\u003cbr\u003e\n1-4. The Music Never Stopped (4:37)\u003cbr\u003e\n1-5. Crazy Fingers (6:42)\u003cbr\u003e\n1-6. Sage \u0026amp; Spirit (3:07)\u003cbr\u003e\n1-7. Blues For Allah \/ Sand Castles \u0026amp; Glass Camels \/ Unusual Occurrences in the Desert (12:34)\u003cbr\u003e\n2-1. Help On The Way (3:21)\u003cbr\u003e\n2-2. Slipknot! (4:19)\u003cbr\u003e\n2-3. Franklin's Tower (3:27)\u003cbr\u003e\n2-4. Help On The Way (2:05)\u003cbr\u003e\n2-5. Slipknot! (4:06)\u003cbr\u003e\n2-6. Franklin's Tower (7:13)\u003cbr\u003e\n2-7. King Solomon's Marbles (6:21)\u003cbr\u003e\n2-8. Crazy Fingers (9:02)\u003cbr\u003e\n2-9. Sage \u0026amp; Spirit (3:31)\u003cbr\u003e\n2-10. Blues For Allah (10:00)\u003cbr\u003e\n2-11. Stronger Than Dirt (Or Milkin' The Turkey) (6:29)\u003cbr\u003e\n2-12. Drums (3:22)\u003cbr\u003e\n2-13. Stronger Than Dirt (Or Milkin' The Turkey) (9:44)\u003cbr\u003e\n2-14. Blues For Allah (3:38)\u003cbr\u003e\n3-1. The Music Never Stopped (7:04)\u003cbr\u003e\n3-2. Help On The Way (3:45)\u003cbr\u003e\n3-3. Slipknot! (9:29)\u003cbr\u003e\n3-4. Franklin's Tower (11:16)\u003cbr\u003e\n3-5. Crazy Fingers (12:56)\u003cbr\u003e\n3-6. Comes A Time (8:06)\u003cbr\u003e\n3-7. Eyes Of The World (12:23)\u003cbr\u003e\n3-8. Dancing In The Street (12:21)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497816200\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.12.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516714139,"sku":"148299","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Blues-For-Allah-3-CD.jpg?v=1776107852"},{"product_id":"grateful-dead-wake-of-the-flood-pict-aniv-remastered-lp-vinyl","title":"Grateful Dead – Wake Of The Flood (Picture Disc LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWake Of The Flood arrived in October 1973 on the band's own Grateful Dead Records imprint, a deliberate step toward artistic and commercial independence that put the Dead in direct control of their music. The Keith Godchaux era brought a jazz-informed elegance to the songwriting, and Jerry Garcia and Robert Hunter were operating at a peak lyrical chemistry that runs all the way through \"Stella Blue\" and \"Eyes of the World.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA picture disc pressing of the 50th Anniversary Remaster of \u003cem\u003eWake of the Flood\u003c\/em\u003e — the debut album from the band's own Grateful Dead Records label. Remastered by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e with Plangent Processes tape restoration and speed correction, and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eReleased in 1973, \u003cem\u003eWake of the Flood\u003c\/em\u003e introduced a pivotal new lineup following the passing of founding member Ron \u003cstrong\u003e\"Pigpen\"\u003c\/strong\u003e McKernan and the temporary exit of drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. Newest members Keith and Donna Godchaux step into the fold on keys and vocals, and the result is one of the most musically rich albums in the Dead's catalog — featuring \u003cstrong\u003e\"Eyes of the World,\"\u003c\/strong\u003e \u003cstrong\u003e\"Stella Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"Here Comes Sunshine,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Half-Step Uptown Toodeloo.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Mississippi Half-Step Uptown Toodeloo (5:44)\u003cbr\u003e\nA2. Let Me Sing Your Blues Away (3:18)\u003cbr\u003e\nA3. Row Jimmy (7:14)\u003cbr\u003e\nA4. Stella Blue (6:23)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Here Comes Sunshine (4:40)\u003cbr\u003e\nB2. Eyes Of The World (5:20)\u003cbr\u003e\nB3. 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These recordings pull from some of the most documented years in rock history, a period when the band was simultaneously inventing and perfecting a concert language that tens of thousands of fans built their lives around. Consider it a map of the territory, not a substitute for the journey.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA two-CD collection made for die-hard Deadheads and new fans alike, \u003cem\u003eThe Best of the Grateful Dead Live\u003c\/em\u003e is the ultimate introduction to the band's live legacy. 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Songs like \"Friend of the Devil,\" \"Ripple,\" and \"Truckin'\" became cornerstones of the repertoire, played in some form across five decades of touring and still beloved by every generation that finds its way into this music.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe crown jewel of the Dead's studio output! Featuring the 50th Anniversary remastered audio.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Box Of Rain (5:18)\u003cbr\u003e\n2. Friend Of The Devil (3:23)\u003cbr\u003e\n3. Sugar Magnolia (3:17)\u003cbr\u003e\n4. Operator (2:23)\u003cbr\u003e\n5. Candyman (6:11)\u003cbr\u003e\n6. Ripple (4:07)\u003cbr\u003e\n7. Brokedown Palace (4:06)\u003cbr\u003e\n8. Till The Morning Comes (3:06)\u003cbr\u003e\n9. Attics Of My Life (5:09)\u003cbr\u003e\n10. 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What the Dead brought to his catalog was something few backing bands could offer: a communal improvisational language built over two decades of live performance, and an audience already primed to follow wherever the music led.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDylan \u0026amp; The Dead is a collaborative live album by American singer-songwriter Bob Dylan and the Grateful Dead, released on February 6, 1989 by Columbia Records. The album consists of seven songs written and sung by Dylan, with the Grateful Dead providing accompaniment. 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That crossover didn't dilute the community; it expanded it, bringing a whole new generation into the fold before the band's final years together.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe second and final volume of the Grateful Dead's 2015 career-spanning compilation, covering the band's Arista years from 1977 through 1989. 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Featuring \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Sugar Magnolia,\"\u003c\/strong\u003e \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e \u003cstrong\u003e\"Brokedown Palace,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Truckin',\"\u003c\/strong\u003e it remains the definitive entry point to the Grateful Dead's catalog.\u003c\/p\u003e\n\n\u003cp\u003eThis 2024 pressing is on 180-gram black vinyl, remastered from the original analog tapes, and housed in a deluxe tip-on gatefold jacket with an obi strip and printed liner note insert.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBox of Rain\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eSugar Magnolia\u003c\/li\u003e\n\u003cli\u003eOperator\u003c\/li\u003e\n\u003cli\u003eCandyman\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRipple\u003c\/li\u003e\n\u003cli\u003eBrokedown Palace\u003c\/li\u003e\n\u003cli\u003eTill the Morning Comes\u003c\/li\u003e\n\u003cli\u003eAttics of My Life\u003c\/li\u003e\n\u003cli\u003eTruckin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227814533\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.19.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149517205659,"sku":"249800","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/americanbeautylpA.jpg?v=1778778006"},{"product_id":"king-gizzard-the-lizard-wizard-live-in-san-francisco-16-random-color-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard – Live In San Francisco '16 (Random Color 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNonagon Infinity had just dropped in May 2016, and King Gizzard were still road-testing its interlocking, infinite-loop architecture in rooms where you could feel the volume in your chest. Catching them at that scale, before the festival headline slots and the avalanche of releases that followed, was the kind of right-place-right-time moment that becomes a story you tell for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eShortly after delivering their breakthrough album Nonagon Infinity, King Gizzard \u0026amp; The Lizard Wizard hit San Francisco's The Independent for a wildly frenetic and meticulously executed set. One of their final club gigs, the Melbourne septet gave a breakneck performance that \"made every organ ache just right\" (SF Weekly). Live in San Francisco '16 captures an extraordinary moment in their history, a spectacular likely to leave you awestruck and adrenalized. Random Colorway 2LP via ATO Records.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Robot Stop\u003c\/div\u003e\n\u003cdiv\u003e2. Hot Water\u003c\/div\u003e\n\u003cdiv\u003e3. Big Fig Wasp\u003c\/div\u003e\n\u003cdiv\u003e4. Gamma Knife\u003c\/div\u003e\n\u003cdiv\u003e5. People-Vultures\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Trapdoor\u003c\/div\u003e\n\u003cdiv\u003e2. I’m In Your Mind\u003c\/div\u003e\n\u003cdiv\u003e3. I’m Not In Your Mind\u003c\/div\u003e\n\u003cdiv\u003e4. Cellophane\u003c\/div\u003e\n\u003cdiv\u003e5. I’m In Your Mind Fuzz\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. The River\u003c\/div\u003e\n\u003cdiv\u003e2. Evil Death Roll\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Head On\/Pill\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882431013\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.20.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187656568987,"sku":"169291","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Live-In-San-Francisco-16-Random-Color-2-LP-Vinyl.png?v=1791667639"},{"product_id":"jerry-garcia-garcialive-vol-21-february-13th-1976-keystone-cd","title":"Jerry Garcia – GarciaLive Vol. 21: February 13th, 1976 - Keystone (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn a gratefully welcomed return to the GarciaLive archival series, Volume 21 brings us back to February of 1976, when on a Friday night one could stand amongst 500 or so paying customers and watch Jerry Garcia and his band peacefully, pleasingly, and proficiently take over Berkeley's Keystone club. The Jerry Garcia Band was a vital component of Garcia's life away from the circus, and a grounding space to work-out solo material, nod to songs he was digging at the time, and just play. In the end, a JGB show would require an arena to accommodate the demand, but in '76, a modest club date in the Bay was all he and his friends needed.\u003c\/p\u003e\u003cp\u003eIt's a mostly mellow show, with a particularly slow take on Bob Dylan's \"Knockin' on Heaven's Door,\" that may be among the more transfixed and affecting Garcia has performed. It's in keeping with a set that darts between eventual staples of a JGB show- \"Catfish John,\" \"After Midnight,\" and \"The Harder They Come,\"- and contemporaneous homages, such as a beautifully Jerry-esque reading of the Rolling Stones' \"Moonlight Mile.\" The mix tilts toward Jerry's guitar, and fittingly, as there is plenty of his engaging fretwork, yet Garcia is quick to share the moments with his mates- especially with on-loan Dead keyboardist, Keith Godchaux, on a glistening \"Mission in the Rain.\"\u003c\/p\u003e\u003cp\u003eTwo songs pulled from a Palo Alto date two nights later serve as an \"encore,\" filling out the winning two-disc set. All in all, this edition reignites a GarciaLive series that's been so adept at detailing the arc of Garcia's solo excursions. Hopefully, this marks the first of another run of many releases to follow.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/09\/14\/jerry-garcia-band-garcialive-volume-21-keystone-february-13-1976\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy early 1976, the Jerry Garcia Band was operating in a genuinely unusual space, with Garcia essentially running two overlapping musical families. Having Keith and Donna Jean Godchaux in the room meant the chemistry from the Dead's own mid-70s peak was bleeding directly into these intimate club nights at the Keystone, a Berkeley venue that Garcia returned to again and again throughout the decade as a kind of low-pressure laboratory for exactly this kind of musical exploration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 21\u003c\/em\u003e brings the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e back to their Bay Area stomping grounds with a then-new lineup — Grateful Dead members \u003cstrong\u003eDonna Jean\u003c\/strong\u003e and \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e joining mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e. Recorded live at the Keystone in Berkeley in February 1976, the set is a fascinating snapshot of the JGB in transition.\u003c\/p\u003e\n\n\u003cp\u003eThe setlist is loaded with highlights: rarities like the Rolling Stones' \u003cstrong\u003e\"Moonlight Mile\"\u003c\/strong\u003e and Ray Charles' \u003cstrong\u003e\"Talkin' 'Bout You,\"\u003c\/strong\u003e deep cuts like \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"Who Was John?\"\u003c\/strong\u003e and \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e alongside scintillating takes on favorites like \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e and \u003cstrong\u003e\"They Love Each Other.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Catfish John (14:13)\u003cbr\u003e\n1-2. After Midnight (13:37)\u003cbr\u003e\n1-3. Mission In The Rain (6:57)\u003cbr\u003e\n1-4. Who Was John? (12:28)\u003cbr\u003e\n1-5. They Love Each Other (7:31)\u003cbr\u003e\n1-6. Moonlight Mile (10:27)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. The Harder They Come (18:41)\u003cbr\u003e\n2-2. Knockin' On Heaven's Door (19:17)\u003cbr\u003e\n2-3. Talkin' 'Bout You (10:33)\u003cbr\u003e\n2-4. How Sweet It Is (To Be Loved By You) (9:29)\u003cbr\u003e\n2-5. My Sisters And Brothers (6:42)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882624620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.14.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187691139227,"sku":"221763","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-21-February-13th-1976-Keystone-2-CD.jpg?v=1776107956"},{"product_id":"king-gizzard-the-lizard-wizard-flight-b741-recycled-black-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard – Flight B741 (Recycled Black LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMelbourne's most prolific road warriors, King Gizzard have built one of the most devoted live followings in rock by treating every tour cycle as its own creative universe. Flight b741 lands as a reminder that beneath all the microtonal experiments and concept records is a band that genuinely loves to play, and the live circuit has always been where that chemistry burns hottest.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eKing Gizzard \u0026amp; The Lizard Wizard - \"Flight b741\" \/ For their 26th album, King Gizzard \u0026amp; The Lizard Wizard swap the widescreen concepts of their recent albums for the intimacy of six good friends collaborating on the most bonhomie-laden set they've yet committed to wax. For Flight b741, bandleader Stu Mackenzie says King Gizzard \"wanted to make something that was primal, instinctual, more 'from the gut' - just people in a room, doing what feels right. We wanted to make something fun.\" Available on 180g recycled black vinyl with printed inner sleeve and housed in a brown paper bag. Virgin Music Group; KGLW; Alternative EXPLICIT\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Mirage City\u003c\/div\u003e\n\u003cdiv\u003e2. Antarctica\u003c\/div\u003e\n\u003cdiv\u003e3. Raw Feel\u003c\/div\u003e\n\u003cdiv\u003e4. Field Of Vision\u003c\/div\u003e\n\u003cdiv\u003e5. Hog Calling Contest\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Le Risque\u003c\/div\u003e\n\u003cdiv\u003e2. Flight b741\u003c\/div\u003e\n\u003cdiv\u003e3. Sad Pilot\u003c\/div\u003e\n\u003cdiv\u003e4. Rats In The Sky\u003c\/div\u003e\n\u003cdiv\u003e5. Daily Blues\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196922920264\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kglw\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.9.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187709423771,"sku":"496599","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Flight-B741-Recycled-Black-LP-Vinyl.png?v=1791645691"},{"product_id":"neil-young-roxy-tonights-the-night-live-lp-vinyl","title":"Neil Young – Roxy: Tonight's The Night Live (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just weeks after the death of roadie Bruce Berry, whose loss haunted the sessions that inspired *Tonight's The Night*, these Roxy performances captured Young and the Santa Monica Flyers in a state of raw, unguarded grief. The album sat unreleased for 45 years, a ghost in the archive, but its emotional weight hasn't dimmed a bit.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLive archive release from the rock icon. Roxy - Tonight's The Night Live is one of the most sought-after recordings from his vast archives. This was the first public performance of many of the songs that would make up Young's seminal album Tonight's The Night, which would not be released until June 1975. The album's final track \"Walk On\" would not appear until the release of On The Beach, in July 1974. Young would be the first artist to christen the stage at what would become one of the world's great clubs, The Roxy Theater on the riotous Sunset Strip, right next door to the already infamous Rainbow Bar \u0026amp; Grille. The shows took place on September 20-22, 1973. Produced by Young and the late David Briggs, these resultant recordings were mixed by John Nowland with updated post-production and mastering by John Hanlon - along with Chris Bellman - at Bernie Grundman Mastering using the original analog master tape source. Close your eyes and you'll be right there in that dark, smoky, 500 capacity room in West, L.A. on a hot summer night in 1973. Tonight's The Night would go on to be named one of Rolling Stone's 500 Greatest Albums Of All Time, and universally praised for it's dark honesty and unapologetic raw delivery. The very same can be said for Roxy - Tonight's The Night Live.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Intro (0:51)\u003cbr\u003e\nA2. Tonight's The Night (6:48)\u003cbr\u003e\nA3. Roll Out The Barrel (0:52)\u003cbr\u003e\nA4. Mellow My Mind (3:11)\u003cbr\u003e\nA5. World On A String (2:43)\u003cbr\u003e\nA6. Band Intro (1:23)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Speakin' Out (6:37)\u003cbr\u003e\nB2. Candy Bar Rap (0:31)\u003cbr\u003e\nB3. Albuquerque (3:51)\u003cbr\u003e\nB4. Perry Como Rap (0:17)\u003cbr\u003e\nB5. New Mama (2:29)\u003cbr\u003e\nB6. David Geffen Rap (0:35)\u003cbr\u003e\nB7. Roll Another Number (For The Road) (4:40)\u003cbr\u003e\nB8. Candy Bar 2 Rap (0:28)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Tired Eyes (7:02)\u003cbr\u003e\nC2. Tonight's The Night - Part II (6:38)\u003cbr\u003e\nC3. Walk On (3:38)\u003cbr\u003e\nC4. Outro (0:31)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624907008\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reprise \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.24.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187709456539,"sku":"55016","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Neil-Young-Roxy-Tonights-The-Night-Live-2-LP-Vinyl.png?v=1776108011"},{"product_id":"neil-young-crazy-horse-arc-live-cd","title":"Neil Young  \u0026 Crazy Horse – Arc Live (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCompanion piece to *Ragged Glory* and the *Weld* tour, *Arc* captures Young and Crazy Horse at their most unhinged, filtering the chaos of those arena performances into something closer to avant-garde noise sculpture than rock and roll. It sits in direct conversation with the sonic confrontationalism Young had been circling since \"Like a Hurricane,\" proving that his relationship with feedback was never a gimmick but a genuine compositional language.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eArc is a live album by Neil Young and Crazy Horse, recorded early 1991 and released in October 1991. The album consists of feedback, guitar noise, improvisations and vocal fragments which were recorded during various live shows on the 1991 US tour, and then re-edited into a 35-minute composition.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. 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King Gizzard's festival performances from that era were legendary for their shape-shifting energy, blending microtonal experiments, thrash, and kosmische drift within a single set.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLive at Bonnaroo '22 captures Melbourne psych-rockers King Gizzard \u0026amp; the Lizard Wizard at their most freewheeling and ferocious. Taking the stage at the Tennessee festival to a captive audience as the clock struck midnight, the band ripped through this eleven-song set with intensity, letting up only to space out on certain tracks like the near ten-minute \"Magenta Mountain\" and a poignant rendition of fan favorite \"Work This Time\". This official bootlegger version of the release is spread out across two LPs, with one pressed on plutonium and the other on magma color vinyl. 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That lawsuit became one of rock's more notorious artist-vs.-label battles, a reminder that Young's refusal to repeat himself has always been both his greatest strength and his most combative trait.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEverybody's Rockin' is the thirteenth studio album by Canadian musician Neil Young, released on August 1, 1983. The album was recorded with the Shocking Pinks (a band made up just for the occasion), and features a selection of rockabilly songs (both covers and original material). Running 25 minutes, it is Young's shortest album. Everybody's Rockin' is typical of his 1980s period in that it bears little, or no resemblance to the album released before it (Trans (1982), a synth-heavy, electro-rock album), nor the one released after it (Old Ways (1985), which is pure country).  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Their 1971 debut introduced a Southern California stew of slide guitar, New Orleans funk, and country grit that didn't fit neatly anywhere, which is exactly what made it matter. 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Murder Of The Universe stands as one of their most narratively ambitious swings, leaning hard into the spoken-word storytelling that separates it from the rest of the Gizz catalog. The translucent red with black splatter pressing, complete with a Side D etching, is the kind of artifact that rewards the collector who treats vinyl as a physical extension of the music's visual mythology.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA concept album to end all concepts, Murder Of The Universe is the 2017 collection by head-bending psychedelicists King Gizzard \u0026amp; The Lizard Wizard. Murder Of The Universe is a face-melting musical assault concerned with the downfall of man, the death of the planet....the murder of the whole goddamn universe. A disorientating experience, the album hinges on three distinct chapters that rise from larval beds, and whose lyrics should be carved in stone, squeezed from moss, discovered in ancient runes. 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Jim James brings the same cathedral reverb and genuine feeling to these tracks that makes MMJ's best live moments so memorable, treating Christmas songs with the same open-hearted sincerity he brings to everything else.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2025 Re-press CD EP. An evergreen, perennial. Better than having Elvis, Brian Wilson, Neil Young and a bottle of Wild Turkey 101 over for the holidays! My Morning Jacket compiles their most beloved Christmas hits into one, easy to love package. Who could forget the timeless charm of such songs as \"Xmas Curtain,\" and \"I Just Wanted to Say,\" or the irrepressible sonic delights of \"Christmas Time is Here Again.\" Also included are two classic covers: \"New Morning\" (by Nick Cave) and \"Santa Claus is Back in Town\" (as done by Elvis Presley). 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Captured at Austin's Levitation Festival, this set finds the Melbourne seven-piece at a pivotal moment, road-hardened and locked into the kind of collective telepathy that only comes from relentless touring. It's a snapshot of a band becoming something genuinely unstoppable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLive at The Barracuda, Austin, Texas, USA, May 1st 2016\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Robot Stop (4:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Hot Water (4:53)\u003c\/div\u003e\n\u003cdiv\u003e3. Trapdoor (3:15)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I'm In Your Mind (3:18)\u003c\/div\u003e\n\u003cdiv\u003e2. I'm Not In Your Mind (2:56)\u003c\/div\u003e\n\u003cdiv\u003e3. Cellophane (3:19)\u003c\/div\u003e\n\u003cdiv\u003e4. I'm In Your Mind Fuzz (3:26)\u003c\/div\u003e\n\u003cdiv\u003e5. Gamma Knife (3:55)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. People Vultures (5:45)\u003c\/div\u003e\n\u003cdiv\u003e2. The River (10:40)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Evil Death Roll (8:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Cut Throat Boogie (2:59)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3760300318195\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Diggers Factory\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.19.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819294875,"sku":"220973","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Live-At-Levitation-16-Red-2-LP-Vinyl-3.png?v=1776425433"},{"product_id":"king-gizzard-the-lizard-wizard-murder-of-the-universe-live-at-red-rocks-2022-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard – Murder Of The Universe (Live At Red Rocks 2022 LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRed Rocks Amphitheatre has always rewarded bands willing to meet the room's drama head-on, and King Gizzard's 2022 run there found the Melbourne outfit channeling the conceptual heaviness of Murder Of The Universe into a live setting that the venue's natural geology seemed almost built for. The album's narrative arc, voice acting and all, translates with surprising force outside the studio, proof that this group's ambitions hold up under open sky and crowd noise.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eKING GIZZARD \u0026amp; THE LIZARD WIZARD - MURDER OF THE UNIVERSE (LIVE AT RED ROCKS 2022) We Are Busy Bodies compiles songs from Murder Of The Universe live from Red Rocks 2022 performances. Part of the Bootlegger Series. On translucent white sparkle vinyl. Comes with a 100-piece puzzle with artwork by Jason Galea.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. A New World (1:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Altered Beast I (2:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Alter Me I (0:53)\u003c\/div\u003e\n\u003cdiv\u003e4. Altered Beast II (4:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Alter Me II (0:53)\u003c\/div\u003e\n\u003cdiv\u003e6. Altered Beast III (2:54)\u003c\/div\u003e\n\u003cdiv\u003e7. Alter Me III (0:50)\u003c\/div\u003e\n\u003cdiv\u003e8. Altered Beast IV (6:05)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Lord Of Lightning (5:36)\u003c\/div\u003e\n\u003cdiv\u003e2. The Balrog (5:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Digital Black (2:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Han-Tyumi, The Confused Cyborg (2:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Soy Protein Munt Machine (0:29)\u003c\/div\u003e\n\u003cdiv\u003e6. Vomit Coffin (2:09)\u003c\/div\u003e\n\u003cdiv\u003e7. Murder Of The Universe (5:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634457134720\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e We Are Busy Bodies\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.23.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819327643,"sku":"69247","price":41.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Murder-Of-The-Universe-Live-At-Red-Rocks-2022-LP-Vinyl.png?v=1776108143"},{"product_id":"neil-young-tonights-the-night-50th-anniversary-cd","title":"Neil Young – Tonight's The Night - 50th Anniversary (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in a haze of grief and tequila over a few raw sessions at Studio Instrument Rentals in Hollywood, Tonight's The Night was Young's most deliberately difficult record, the kind of thing his label sat on for two years because it scared them. Fifty years on, its loose, haunted energy still sounds like nothing else in the rock canon, a document of communal mourning that the Crazy Horse circle made for themselves before anyone else.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNeil Young - Tonight’s The Night 50th Anniversary Deluxe Limited Edition\u003c\/p\u003e\u003cp\u003eIn 1975, Neil Young released Tonight’s The Night, an album that is widely regarded as one of the masterpieces in his catalog. The album was recorded in 1973, following the major success of his album Harvest, but it was not released for two more years. The album is dedicated to two of Neil’s close friends, Danny Whitten and Bruce Berry, who both died in the year before this album was recorded.\u003c\/p\u003e\u003cp\u003eRecorded on analog tape, Tonight’s The Night includes some of Young’s most brilliant and emotionally moving songs. In addition to the two versions of the title track, the album features “Borrowed Tune”, “World on a String”, “Mellow My Mind”, “Tired Eyes”, “Come On Baby Let’s Go Downtown”, \"Albuquerque” and “Roll Another Number (For The Road)”. For the 50th anniversary edition of this album, Young has replaced “Lookout Joe” with an unreleased version, also from the original album sessions at SIR studios in 1973.\u003c\/p\u003e\u003cp\u003eTo commemorate the 50th anniversary of Tonight’s The Night, the album has been expanded with six additional songs. The versions of “Walk On” and “Tonight’s The Night [take 3]” have never been released. “Everybody’s Alone”, “Raised On Robbery” (featuring Joni Mitchell) and “Speakin’ Out Jam” were included on Neil Young Archives Vol. II, and the version of “Wonderin’” has only been available to stream on NYA. 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This compilation pulls back the curtain further, surfacing demo-era material that traces the band's shape-shifting early years before they became one of the most relentlessly prolific acts in contemporary rock.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMusic To Kill Bad People To is a compilation of demos and rare recordings by Australian acid rock band King Gizzard \u0026amp; The Lizard Wizard, recorded between 2011 and 2020. 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Lanois's atmospheric production gave Dylan's weathered voice a murky, cinematic backdrop that suited the material perfectly, yielding some of the sharpest songwriting of his later career, including \"Most of the Time\" and \"Everything Is Broken.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 889854384210\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Imports\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.18.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819458715,"sku":"533185","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Dylan-Oh-Mercy-Import-LP-Vinyl_f40e5dda.jpg?v=1776108165"},{"product_id":"bob-dylan-greatest-hits-vol-ii-lp-vinyl","title":"Bob Dylan – Greatest Hits Vol. II (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased originally in 1971, this double LP arrived at a pivotal moment, drawing from across Dylan's Columbia catalog to capture the full sweep of his early-to-mid career transformations, from acoustic folk provocateur to electric rock iconoclast to country-inflected songwriter. The Basement Tapes material and live recordings woven throughout give it a depth that separates it from a standard hits package, offering a portrait of an artist who was already, just a decade in, impossible to contain in any single sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2-LP collection featuring \"Lay Lady Lay,\" \"Tonight I'll Be Staying Here with You,\" \"Watching the River Flow\" along with other classics \"Don't Think Twice, It's All Right,\" \"All I Really Want to Do,\" \"My Back Pages,\" \"Maggie's Farm,\" \"She Belongs to Me,\" \"If Not for You,\" and \"Just Like Tom Thumb's Blues.\"  The 21-track set also includes a live version of \"Tomorrow Is a Long Time\" along with a live take of \"The Mighty Quinn (Quinn the Eskimo),\" plus \"I Shall Be Released,\" \"Down in the Flood,\" and \"You Ain't Goin' Nowhere” from The Basement Tapes.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. 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Songs like \"It Ain't Me Babe\" and \"My Back Pages\" signaled where he was headed, planting seeds for the electric reinvention that would arrive just one year later with Bringing It All Back Home.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAnother Side of Bob Dylan is the fourth studio album by American singer-songwriter Bob Dylan, released on August 8, 1964, by Columbia Records. \u003c\/p\u003e\u003cp\u003eThe album deviates from the more socially conscious style that Dylan had developed with his previous LP, The Times They Are A-Changin'. The change prompted criticism from some influential figures in the folk community - Sing Out! Editor Irwin Silber complained that Dylan had \"somehow lost touch with people\" and was caught up in \"the paraphernalia of fame\". \u003c\/p\u003e\u003cp\u003eDespite the album's thematic shift, Dylan performed the entirety of Another Side of Bob Dylan as he had on previous records - solo. In addition to his usual acoustic guitar and harmonica, Dylan provides piano on one selection, \"Black Crow Blues\". Another Side of Bob Dylan reached No. 43 in the US (although it eventually went gold), and peaked at No. 8 on the UK charts in 1965.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. All I Really Want To Do (4:06)\u003cbr\u003e\n2. Black Crow Blues (3:15)\u003cbr\u003e\n3. Spanish Harlem Incident (2:26)\u003cbr\u003e\n4. Chimes Of Freedom (7:11)\u003cbr\u003e\n5. I Shall Be Free No. 10 (4:48)\u003cbr\u003e\n6. To Ramona (3:53)\u003cbr\u003e\n7. Motorpsycho Nitemare (4:34)\u003cbr\u003e\n8. My Back Pages (4:23)\u003cbr\u003e\n9. I Don't Believe You (4:23)\u003cbr\u003e\n10. Ballad In Plain D (8:17)\u003cbr\u003e\n11. 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Robert Plant, Jimmy Page, John Paul Jones, and Jason Bonham, stepping into his late father John's role, delivered a set pulling from deep across the catalog, from \"Ramble On\" to \"Whole Lotta Love,\" proving the music had lost none of its voltage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn December 10, 2007, Led Zeppelin took the stage at London’s O2 Arena to headline a tribute concert for dear friend and Atlantic Records founder Ahmet Ertegun. What followed was a two-hour-plus tour de force of the band’s signature blues-infused rock ’n’ roll that instantly became part of the legend of Led Zeppelin.\u003c\/p\u003e\u003cp\u003e2 CD - SoftPack - Audio Only\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Good Times Bad Times (3:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Ramble On (5:37)\u003c\/div\u003e\n\u003cdiv\u003e3. Black Dog (5:18)\u003c\/div\u003e\n\u003cdiv\u003e4. In My Time Of Dying (11:01)\u003c\/div\u003e\n\u003cdiv\u003e5. For Your Life (6:08)\u003c\/div\u003e\n\u003cdiv\u003e6. Trampled Under Foot (6:02)\u003c\/div\u003e\n\u003cdiv\u003e7. Nobody's Fault But Mine (6:24)\u003c\/div\u003e\n\u003cdiv\u003e8. No Quarter (9:00)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Since I've Been Loving You (7:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Dazed And Confused (11:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Stairway To Heaven (8:28)\u003c\/div\u003e\n\u003cdiv\u003e4. The Song Remains The Same (5:35)\u003c\/div\u003e\n\u003cdiv\u003e5. Misty Mountain Hop (4:48)\u003c\/div\u003e\n\u003cdiv\u003e6. Kashmir (8:48)\u003c\/div\u003e\n\u003cdiv\u003e7. Whole Lotta Love (6:49)\u003c\/div\u003e\n\u003cdiv\u003e8. Rock And Roll (4:19)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227970994\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.19.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187819983003,"sku":"388312","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Led-Zeppelin-Celebration-Day-2-CD-Softpak.png?v=1776108251"},{"product_id":"neil-young-with-crazy-horse-barn-deluxe-edition-lp-cd-blu-ray","title":"Neil Young with Crazy Horse – Barn (LP Vinyl + CD + Blu-ray)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eBarn didn’t have to be this good. More than 50 years after the first Neil Young \u0026amp; Crazy Horse album, the all-time rock classic Everybody Knows This Is Nowhere, the group decamped to a restored 19th century barn in the Rocky Mountains during the summer of 2021 to lay down a new collection of songs. The fresh, crisp air did them well: Barn is a clear-eyed, righteously ragged, emotionally piercing rock-and-roll record. It’s almost unbelievable to think that a half century on, this collection of rock stalwarts can still crank it up this much. And yet, these 10 songs perfectly encapsulate the spirit of the genre: loose, loud, swaggering and fun. Barn kicks off with first single “Song of the Seasons,” the only real descendent here of, say, Comes A Time. (Most of these tunes share more DNA with 1990’s Ragged Glory.) It’s a lovely acoustic folk tune, with backing harmonies from his Crazy Horse compatriots. But the album really lights up beginning with “Heading West”—from that first raw, jagged guitar tone, you can tell Young is having a wild time. Same goes for “Canerican,” a ripping rocker with Young looking back on his long, winding history: “I was born in Canada, came south to join a band\/ Got caught up in the big time, travelin’ through the land,” his voice (and guitar solo) every bit as proud and raging as in decades past. Barn could’ve been made by a young rock-and-roll band, and it’d be well-received. But to have been created by a crew of rock lifers in their 70s— clearly having a blast making music together—it should be celebrated.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Justin Jacobs, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/04\/15\/neil-young-crazy-horse-barn-2\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNeil Young and Crazy Horse have been making records together since 1969, and the loose, lived-in chemistry they found on albums like \"Everybody Knows This Is Nowhere\" and \"Rust Never Sleeps\" remains unlike anything else in rock. \"Barn\" arrives as Young's environmental concerns sit at the center of his lyrics, connecting the off-grid recording setting to the broader themes running through his later work.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eBARN, the new Neil Young\/Crazy Horse album was recorded in a remote, restored, 19th century log barn. This musical family has played together for a half century, yet they continue creating new music. Neil and the Horse fans have long shouted for “more barn” and here it is… 10 new songs that capture the wild, rock and roll spirit, the idiosyncratic raw sound and the lyrical beauty that epitomizes a classic NYCH collaboration. The last song appeared on the last morning and was recorded just an hour later during a pounding hailstorm and during the full moon.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eThe album was recorded this summer over a handful of days. The ten new songs encompass all that Neil Young with Crazy Horse are known for, beautiful romantic acoustic ballads, powerhouse electric rockers and insightful rollicking tunes that stick with you. \u003cbr\u003e\u003cbr\u003eNiko Bolas was parked adjacent to the barn, in an exquisite analog mobile recording truck, Le Mobile ready to capture and mix the album on the spot. Produced by The Volume Dealers – Neil Young and Niko Bolas, the album will be released on vinyl, CD, cassette and digitally. There will also be a deluxe edition that will include the LP, CD. and Blu-ray film.Special edition of the album includes 6 photographs from the Barn sessions.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Song Of The Seasons (6:04)\u003cbr\u003e\nA2. Heading West (3:23)\u003cbr\u003e\nA3. Change Ain't Never Gonna (2:53)\u003cbr\u003e\nA4. Canerican (3:12)\u003cbr\u003e\nA5. Shape Of You (2:55)\u003cbr\u003e\nA6. They Might Be Lost (4:32)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Human Race (4:14)\u003cbr\u003e\nB2. Tumblin' Thru The Years (3:20)\u003cbr\u003e\nB3. Welcome Back (8:28)\u003cbr\u003e\nB4. Don't Forget Love (3:48)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624877547\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reprise \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.10.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820015771,"sku":"159096","price":97.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Neil-Young-with-Crazy-Horse-Barn-LP-Vinyl-CD-Blu-ray.png?v=1791667641"},{"product_id":"my-morning-jacket-is-cd-softpak-w-booklet","title":"My Morning Jacket – is (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJim James and company have always treated the studio as an extension of the stage, chasing sounds with the same improvisational spirit that makes their live sets legendary. Pairing that restless energy with O'Brien's instinct for rock architecture that breathes and hits hard, *is* arrives as MMJ's third decade begins, a reminder that the Louisville band remains one of the few acts capable of filling an amphitheater and still making it feel like a revelation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFor more than 25 years, My Morning Jacket has achieved an incredibly rare feat in rock \u0026amp; roll, upholding a long-established cultural legacy while sustaining the curiosity and creative hunger of their earliest days. For their 10th studio album, the band teamed up with GRAMMY Award-winning producer Brendan O’Brien (Springsteen, Pearl Jam) for what may be their most masterfully realized work yet, once again expanding the limits of their sound while elevating their artistry to unprecedented heights. CD Softpak with booklet.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Out In The Open\u003c\/div\u003e\n\u003cdiv\u003e2. Half A Lifetime\u003c\/div\u003e\n\u003cdiv\u003e3. Everyday Magic\u003c\/div\u003e\n\u003cdiv\u003e4. I Can Hear Your Love\u003c\/div\u003e\n\u003cdiv\u003e5. Time Waited\u003c\/div\u003e\n\u003cdiv\u003e6. Beginning From The Ending\u003c\/div\u003e\n\u003cdiv\u003e7. Lemme Know\u003c\/div\u003e\n\u003cdiv\u003e8. Squid Ink\u003c\/div\u003e\n\u003cdiv\u003e9. Die For It\u003c\/div\u003e\n\u003cdiv\u003e10. River Road\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882652227\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820048539,"sku":"289654","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959400018075-cd-relix.png?v=1776961221"},{"product_id":"king-gizzard-the-lizard-wizard-willoughbys-beach-cd","title":"King Gizzard \u0026 The Lizard Wizard – Willoughby's Beach (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore the psychedelic sprawls and microtonal experiments that would make them one of the most talked-about live bands on the planet, King Gizzard was a scrappy Melbourne garage outfit finding its footing. Willoughby's Beach, their 2011 EP, captures that raw, unpolished origin point, a document of a band that had no idea it would eventually release five albums in a single year.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eKG\u0026amp;TLW s second EP, Willoughby's Beach was self-released in 2011 and originally limited to 350 hand-numbered copies. Lo-fi garage rock. · New Artwork Re-Imagined by Ican Harem\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Danger $$ (1:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Black Tooth (2:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Lunch Meat (1:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Crookedile (2:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Let It Bleed (3:13)\u003c\/div\u003e\n\u003cdiv\u003e6. Dead-Beat (3:01)\u003c\/div\u003e\n\u003cdiv\u003e7. Dustbin Fletcher (3:09)\u003c\/div\u003e\n\u003cdiv\u003e8. Stoned Mullet (2:11)\u003c\/div\u003e\n\u003cdiv\u003e9. Willoughby's Beach (2:53)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882339326\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.2.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820081307,"sku":"530815","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-Willoughbys-Beach-CD.png?v=1776108269"},{"product_id":"jerry-garcia-garcialive-volume-15-may-21st-1971-keystone-korner-cd","title":"Jerry Garcia – GarciaLive Vol. 15: May 21st, 1971 Keystone Korner (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eListening to the work of Jerry Garcia often feels like an act of discovery, no matter how long one's been doing it. On GarciaLive Vol. 15: Jerry Garcia \u0026amp; Merl Saunders, May 21st, 1971, listeners are truly discovering something new. This previously uncirculated recording finds Garcia, keyboardist Merl Saunders and drummer Bill Vitt playing as a rare trio (sans regular bassist John Kahn) with occasional saxophone screeches from future Legion of Mary member Martin Fierro. At San Francisco's 200-cap Keystone Korner (not to be confused with the sister club in Berkeley), Garcia was free to step out from the Grateful Dead's shadow (just days before a Winterland Ballroom run) and flex his jazz muscles in raw, exhilarating form. Without bass, Saunders' keyboard work and organ playing holds down the low end and gives each musician even more room to groove with a loose, conversational tone. Opening with Saunders' \"Man-Child,\" the trio doesn't waste any time getting out there with Saunders driving several subterranean-sounding peaks. On \"One Kind Favor,\" the Blind Lemon Jefferson song also known as \"See That My Grave Is Kept Clean,\" Garcia's aching vocals recall \"Death Don't Have No Mercy,\" as Saunders' organ swirls. Fierro first speaks up on a swinging instrumental take on Stevie Wonder's \"I Was Made to Love Her.\" The \"Keystone Korner Jam\" best captures the vibe of the performance—17 minutes of the quartet playing off each other, composing in the moment, with Garcia and Fierro pushing each other to explore. The real star of the recording, however, is the only known Garcia-sung performance of David Crosby's \"The Wall Song,\" which Garcia would play guitar on in the studio. Garcia does an admirable job on vocals but it's Fierro who commands the jam with an assault of sax squeals (and a few Beatles quotes). For fans of Garcia's more esoteric work, GarciaLive Vol. 15 is a thrilling listen and a reminder that there's always something new waiting around the Korner.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Rudi Greenberg, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/garcialive-vol-15-jerry-garcia-merl-saunders-may-21st-1971\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1971, Garcia was already deep in the exploratory side-project work that would define so much of his legacy outside the Dead, and these Keystone Korner sessions capture that restless curiosity at an early stage. His partnership with Merl Saunders would stretch across years and hundreds of gigs, but recordings from this particular period are scarce, making this document an essential piece of the puzzle for anyone tracing how Garcia's improvisational voice developed away from the mothership.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 15\u003c\/em\u003e showcases a free-spirited performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e, and drummer \u003cstrong\u003eBill Vitt\u003c\/strong\u003e at the celebrated and intimate San Francisco jazz club Keystone Korner. The trio — aided by saxophonist \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on five songs — fuses R\u0026amp;B, jazz, and rock across two adventurous sets.\u003c\/p\u003e\n\n\u003cp\u003eExtended takes on Saunders's own \u003cstrong\u003e\"Man-Child\"\u003c\/strong\u003e and \u003cstrong\u003e\"Save Mother Earth\"\u003c\/strong\u003e anchor the performance, alongside rare gems including David Crosby's \u003cstrong\u003e\"The Wall Song,\"\u003c\/strong\u003e Stevie Wonder's \u003cstrong\u003e\"I Was Made to Love Her,\"\u003c\/strong\u003e a smoking \u003cstrong\u003e\"Mystery Train,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Keystone Korner Jam.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Man-Child (17:36)\u003cbr\u003e\n1-2. One Kind Favor (9:34)\u003cbr\u003e\n1-3. I Know It's A Sin (6:53)\u003cbr\u003e\n1-4. I Was Made To Love Her (9:58)\u003cbr\u003e\n1-5. Keystone Korner Jam (16:38)\u003cbr\u003e\n1-6. The Night They Drove Old Dixie Down (5:04)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Save Mother Earth (25:19)\u003cbr\u003e\n2-2. That's All Right (8:28)\u003cbr\u003e\n2-3. The Wall Song (12:45)\u003cbr\u003e\n2-4. Mystery Train (6:44)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882442323\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.4.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820114075,"sku":"168487","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-15-May-21st-1971-Keystone-Korner-2-CD.jpg?v=1776108276"},{"product_id":"my-morning-jacket-my-morning-jacket-lp-vinyl","title":"My Morning Jacket – My Morning Jacket (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLouisville's My Morning Jacket returned after a six-year recording hiatus with this self-titled release, a statement of renewed purpose from one of rock's most reliably transcendent live acts. The band's sprawling catalog had long blurred genre lines, and their tenth studio effort found them embracing that restlessness fully, with Jim James and company stretching across styles the way they stretch a song on stage, without apology.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eWalmart Exclusive - My Morning Jacket - My Morning Jacket (Sky Blue \u0026amp; Tangerine Colored Vinyl)\u003c\/h2\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Regularly Scheduled Programming\u003cbr\u003e\nA2. Love Love Love\u003cbr\u003e\nA3. In Color\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Least Expected\u003cbr\u003e\nB2. Never In The Real World\u003cbr\u003e\nB3. The Devil's In The Details\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Lucky To Be Alive\u003cbr\u003e\nC2. Complex\u003cbr\u003e\nC3. Out Of Range, Pt. 2\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Penny For Your Thoughts\u003cbr\u003e\nD2. I Never Could Get Enough\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882460112\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.22.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820245147,"sku":"323368","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/My-Morning-Jacket-My-Morning-Jacket-2-LP-Vinyl.png?v=1791645744"},{"product_id":"led-zeppelin-in-through-the-out-door-remastered-deluxe-edition-2-cd","title":"Led Zeppelin – In Through The Out Door: Remastered Deluxe Edition (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1979 after a two-year hiatus that had many wondering if the band was finished, In Through The Out Door arrived with John Paul Jones driving much of the compositional weight, his keyboard work pushing Zeppelin into territory that surprised longtime fans. The companion disc's unreleased material offers a rare window into how these sessions actually developed, something even obsessive collectors haven't had access to before.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePresence, In Through The Out Door, and Coda have been remastered for 2015 by guitarist and producer Jimmy Page and are accompanied by companion audio comprised of previously unreleased music related to the original release.\u003c\/p\u003e\u003cp\u003eIn Through The Out Door topped the U.S. and UK album charts and has since been certified six-times platinum. Sadly, it would be the last album that Led Zeppelin recorded prior to drummer John Bonham s passing the following year. Among the seven album tracks are Fool In The Rain and All My Love, two songs that remain rock radio staples to this day.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. In The Evening (6:48)\u003c\/div\u003e\n\u003cdiv\u003e2. South Bound Saurez (4:11)\u003c\/div\u003e\n\u003cdiv\u003e3. Fool In The Rain (6:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Hot Dog (3:15)\u003c\/div\u003e\n\u003cdiv\u003e5. Carouselambra (10:28)\u003c\/div\u003e\n\u003cdiv\u003e6. All My Love (5:51)\u003c\/div\u003e\n\u003cdiv\u003e7. I'm Gonna Crawl (5:28)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. In The Evening (6:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Southbound Piano (South Bound Saurez) (4:14)\u003c\/div\u003e\n\u003cdiv\u003e3. Fool In The Rain (6:13)\u003c\/div\u003e\n\u003cdiv\u003e4. Hot Dog (3:17)\u003c\/div\u003e\n\u003cdiv\u003e5. The Epic (Carouselambra) (10:48)\u003c\/div\u003e\n\u003cdiv\u003e6. The Hook (All My Love) (5:52)\u003c\/div\u003e\n\u003cdiv\u003e7. Blot (I'm Gonna Crawl) (5:31)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227955793\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.31.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820310683,"sku":"468640","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Led-Zeppelin-In-Through-The-Out-Door-Remastered-Deluxe-Edition-2-CD.png?v=1776108310"},{"product_id":"led-zeppelin-houses-of-the-holy-remastered-original-album-lp-vinyl","title":"Led Zeppelin – Houses Of The Holy: Remastered Original Album (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1973, Houses of the Holy finds Led Zeppelin at their most adventurous and eclectic, stretching from the reggae-inflected \"D'yer Mak'er\" to the funk-driven \"The Crunge\" while never losing the raw power that defined their earlier work. The album's title track was notably left off the original pressing and later surfaced on Physical Graffiti, a piece of trivia that still fascinates collectors decades later.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn 1968, John Bonham, John Paul Jones, Jimmy Page and Robert Plant formed Led Zeppelin, one of the most influential, innovative and successful groups in modern music, having sold more than 300 million albums worldwide. The band rose from the ashes of The Yardbirds, when Page brought in Plant, Bonham and Jones to tour as The New Yardbirds. In 1969, Led Zeppelin released its self-titled debut. It marked the beginning of a 12-year reign, during which the group was widely considered to be the biggest and most innovative rock band in the world.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Song Remains The Same (5:24)\u003c\/div\u003e\n\u003cdiv\u003e2. The Rain Song (6:32)\u003c\/div\u003e\n\u003cdiv\u003e3. Over The Hills And Far Away (4:06)\u003c\/div\u003e\n\u003cdiv\u003e4. The Crunge (3:52)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Dancing Days (3:40)\u003c\/div\u003e\n\u003cdiv\u003e2. D'yer Mak'er (4:18)\u003c\/div\u003e\n\u003cdiv\u003e3. No Quarter (6:52)\u003c\/div\u003e\n\u003cdiv\u003e4. The Ocean (4:16)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227965730\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.27.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820343451,"sku":"504379","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Led-Zeppelin-Houses-Of-The-Holy-Remastered-Original-Album-LP-Vinyl.jpg?v=1776051127"},{"product_id":"king-gizzard-the-lizard-wizard-the-silver-cord-recycled-black-lp-vinyl","title":"King Gizzard \u0026 The Lizard Wizard – The Silver Cord (Recycled Black LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThere's a fine line between \"fun creative prompt\" and \"tired gimmick,\" but fortunately King Gizzard \u0026amp; The Lizard Wizard have always steered clear of the latter. Over the course of 24 studio albums, they have (among numerous other experiments) explored the rarely charted realms of microtonal tuning, edited jams into structured songs and established strict sonic parameters for various projects— lovingly tapping into thrash metal, suite-form prog and electronica. (One of their most fascinating works was a sort of \"failure\" in execution: 2019's Fishing for Fishies began its life with a quest for blues and boogie, but it wound up in a much weirder space, incorporating synthprog and sunshiny psych-pop into the ingredient-rich gumbo.) The prompt, it seems, is the point—a way of shaking songs loose. And it's working pretty damn well. The Australian shapeshifters seem to constantly one-up their own prolificacy—they released a mind-boggling five records in 2022 followed by a pair in 2023. (Only two, dudes? Get it together!) Their latest, The Silver Cord, reaches a new peak of conceptual focus: Hyped up after drummer Michael Cavanagh bought an electronic Simmons kit—the brand most famously used throughout the '80s by everyone from Rush's Neil Peart to Duran Duran's Roger Taylor—the Gizz guys hung their guitars on the wall and dusted off their keyboards. (The album cover is a hat-tip to the contents inside: The stoic sextet are literally encircled by synthesizers, each member evoking vintage Geddy Lee with their red-tinted sunglasses.) The second, even higher-brow prompt is in the release strategy. They recorded two versions of this thumping, demented electro-rock album—a tighter, no-frills version and another with rambling \"extended mixes\" inspired by Donna Summer's work with producer Giorgio Moroder. The latter edition is a bit fatiguing for everyone but diehards, but more frustrating is the general goofiness streaked throughout the track list's back half, including the cringe-worthy rapping and chanting on \"Gilgamesh.\" Nonetheless, brilliance emerges through the fog of dance-club drumming and repetitive synth-bass—particularly when they lean toward the proggier end of the spectrum with \"Theia\" and the title cut, back-to-back bangers that ascend to their typical thrill-per-second heights. The quest continues.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Ryan Reed, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/king-gizzard-the-lizard-wizard-the-silver-cord\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMelbourne's most prolific rock collective has never been afraid to pivot hard, but *The Silver Cord* finds them going full synthesizer without a safety net, building on the electronic textures they explored on *Nonagon Infinity* and beyond into something genuinely hypnotic. At seven tracks, it's one of their more focused statements, each piece given room to breathe and evolve in ways their heavier, riff-driven records rarely allow.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Silver Cord, King Gizzard \u0026amp; The Lizard Wizard's 25th studio album is a full-hearted and purposeful embrace of electronic equipment\u003c\/p\u003e\u003cp\u003eand electronic music in its own right. Standard Edition LP is pressed on recycled black vinyl and housed in a thick brown outer sleeve.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Theia (3:24)\u003c\/div\u003e\n\u003cdiv\u003e2. The Silver Cord (4:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Set (3:56)\u003c\/div\u003e\n\u003cdiv\u003e4. Chang'e (3:46)\u003c\/div\u003e\n\u003cdiv\u003e5. Space Junk (4:33)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Gilgamesh (3:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Swan Song (4:25)\u003c\/div\u003e\n\u003cdiv\u003e3. Extinction (4:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Plasma (3:09)\u003c\/div\u003e\n\u003cdiv\u003e5. Embryo (4:04)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 842812194184\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kglw\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.27.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820376219,"sku":"652009","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/King-Gizzard-The-Lizard-Wizard-The-Silver-Cord-Recycled-Black-LP-Vinyl.png?v=1776108343"},{"product_id":"jerry-garcia-band-garcialive-volume-19-october-31st-1992-oakland-coliseum-arena-cd","title":"Jerry Garcia Band – GarciaLive Vol. 19: October 31st, 1992 Oakland Coliseum Arena (2–CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eFor generations of students taking college entrance exams, there has been an oft-repeated adage: that test-takers get a few hundred points just for showing up. If, after his experience in a coma a few months earlier, this was Jerry Garcia’s test- a first performance back onstage- he got about 17,000 points just for showing up. The roar of those 17,000 filling the Oakland Coliseum Arena on Halloween night are just what the aging Captain needed to hear, and for the next two-and-a-half hours he gives them just what they needed: the music of the Jerry Garcia Band, and the assurance that he was, indeed, back.\u003c\/p\u003e\u003cp\u003eWith the first-set selections each hovering around the seven-minutes-and-change mark, that seems to be the sweet spot of expendable energy for the opening “How Sweet It Is (To Be Loved By You)” through to the closing “Deal.” Garcia stretches “The Night They Drove Old Dixie Down” a bit longer than its counterparts, but otherwise the nine songs tend to cruise at similar altitudes, with Jerry’s relatively paced and relaxed guitar work and Melvin Seals’ flash of keyboards finding their peaks. Garcia’s voice is of fine vintage the entire evening, crackling with understood vulnerability on “The Maker,” against the always steadying backdrop of his loyal singers, Gloria Jones and Jacklyn LaBranch.\u003c\/p\u003e\u003cp\u003eThe comeback show, as far as repertoire and approach, is not unlike others of its era, nor should it be; it was Garcia’s style to underplay if not completely ignore any personal significance. A simple “So, how ya’ll doing?” is the majority of his communication with the hometown capacity crowd, ahead of the sly wink of Chuck Berry’s, “You Never Can Tell (C’est La Vie).” Such is life for this old folk.\u003c\/p\u003e\u003cp\u003eThe highlight of the second half- and possibly the show- is on its set starter, “Shining Star.” Performed with gentle hands and effortless restraint, the soulful cover of The Manhattans’ classic falls like leaves of orange and red from the weathering trees, wafting down and landing with a whisper. At over 12 minutes, it’s the showcase track of the autumnal night and all the proof anyone could ask for that Jerry Garcia could move an arena as one.\u003c\/p\u003e\u003cp\u003eThe second set is also slightly greasier than the first, and Garcia and Seals do get a bit fiery when the mood is right on “Tore Up Over You.” The ensemble returns for the now-hallowed favorite of this holiday, borrowed over from Garcia’s days with the Dead- Warren Zevon’s “Werewolves of London.” If it’s a bit ragged, it’s all forgiven; most costumes get that way by the end of the night. More important is everything that came before that last rocking encore, as Garcia and his band conjured up the spirits to dance once again.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/11\/10\/jerry-garcia-band-garcialive-volume-19-oakland-coliseum-arena-october-31-1992\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHalloween has always carried weight in the Bay Area concert calendar, but this particular night hit different. Garcia had nearly died that summer, and the Oakland faithful showed up knowing they might be witnessing something they'd almost lost forever; the joy in that room was inseparable from the relief.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 19\u003c\/em\u003e documents one of the most emotionally charged nights in \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e history — his triumphant return to the stage on Halloween, October 31, 1992, at the Oakland Coliseum Arena, just three months after a health crisis so severe it forced the cancellation of an entire Grateful Dead tour. Slimmed down and in great spirits, Garcia took the stage to 17,000 roaring fans, and the setlist reflects the significance of the moment. Mastered from \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e's original soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals — what \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e himself dubbed \"the magic band.\" A poignant \u003cstrong\u003e\"The Maker\"\u003c\/strong\u003e opens the emotional core of the evening; \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e stuns with its lush harmonies to open Set Two; and the night closes with a rousing Halloween encore of \u003cstrong\u003e\"Werewolves of London.\"\u003c\/strong\u003e The package includes liner notes and previously unpublished photos from the festivities, which included a costume contest judged by \u003cstrong\u003eKen Kesey\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThe Maker\u003c\/li\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eWonderful World\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003cli\u003eWerewolves of London (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882536527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.28.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820441755,"sku":"483345","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-19-October-31st-1992-Oakland-Coliseum-Arena-2-CD.jpg?v=1776108369"},{"product_id":"led-zeppelin-led-zeppelin-iv-remastered-original-album-cd","title":"Led Zeppelin – Led Zeppelin IV: Remastered Original Album (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1971 without a title, band name, or any text on its cover, Led Zeppelin IV remains one of rock's great acts of defiance against the music industry. The four symbols on the inner sleeve, each chosen by a band member, became shorthand for an entire era. From Bonham's opening kick drum on \"Black Dog\" to the acoustic intimacy of \"Going to California,\" the album captured a band at the absolute peak of its creative powers.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn 1968, John Bonham, John Paul Jones, Jimmy Page and Robert Plant formed Led Zeppelin, one of the most influential, innovative and successful groups in modern music, having sold more than 300 million albums worldwide. The band rose from the ashes of The Yardbirds, when Page brought in Plant, Bonham and Jones to tour as The New Yardbirds. In 1969, Led Zeppelin released its self-titled debut. 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