{"title":"Rough Trade Records Vinyl, CDs \u0026 Cassettes","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eGeoff Travis opened Rough Trade as a record shop on Kensington Park Road in West London in February 1976, modeled on City Lights Bookstore in San Francisco, with the idea that a record store could be as much a community space as a retail one. By 1978, he was putting out records himself, starting with a French punk band called Métal Urbain, who wandered in off the street looking for help getting their music out. That accidental first release set the tone for everything that followed.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe Smiths recorded their entire catalog here, one of the most complete and significant bodies of work in British rock, made in a four-year burst between 1984 and 1987 that still sounds like nothing else. The label also became the home of Scritti Politti, The Raincoats, Robert Wyatt, and the early post-punk scene, reshaping British music from the margins. When Rough Trade went dormant in the Nineties and returned in the early 2000s, it came back with The Strokes and The Libertines, two bands that anchored a whole new wave of guitar music on both sides of the Atlantic.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe current roster carries that same restless instinct forward. Parquet Courts. Sleaford Mods. Lankum. black midi. Amyl and the Sniffers. ANOHNI. The label has never been interested in consolidating what it already has. Travis and co-director Jeannette Lee, who has been a creative force at the label since the Eighties, keep signing artists who are doing something genuinely new, which is exactly what Rough Trade has always been for.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eNow part of the Beggars Group alongside 4AD, XL, and Matador, still run by its founder, still based in London.\u003c\/p\u003e","products":[{"product_id":"the-charlatans-uk-between-10th-and-11th-2-cd","title":"The Charlatans UK – Between 10th And 11th (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBetween 10th and 11th arrived at a pivotal moment, when Madchester's baggy scene was giving way to something harder and more focused. The Charlatans UK leaned into the tension beautifully, with Tim Burgess's cool-fever vocals riding organ grooves that owed as much to Spencer Davis as to the dancefloor. The Chicago live recording included here captures the band at their live peak, when these songs still felt like a secret shared between the stage and a room full of true believers.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eBeggars Arkive is excited to reissue Between 10th and 11th, the second album by The Charlatans UK. Available on double clear vinyl and double CD, the reissue contains the original album plus remastered tracks from the often-bootlegged live show from Chicago in 1991, known as Isolation 21.2.91, a holy grail amongst fans. Between 10th and 11th was originally released in 1992 and contained the band's biggest US hit, \"Weirdo\" which landed at #1 on the Alternative songs chart. Produced by Flood, you can hear the pure crispness in the audio. Entertainment Weekly said that \"Between 10th and 11th consolidates the band's riveting, hypnotic attack, all musical tips o' the hat to the '60s and '70s, smeared over a smorgasbord of unrelenting dance beats and topped with hook (\"I Don't Want to See the Sights\") after hook (\"Weirdo\"). CD\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. I Don't Want To See The Sights (4:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Ignition (3:03)\u003c\/div\u003e\n\u003cdiv\u003e3. Page One (4:12)\u003c\/div\u003e\n\u003cdiv\u003e4. Tremelo Song (4:37)\u003c\/div\u003e\n\u003cdiv\u003e5. The End Of Everything (5:50)\u003c\/div\u003e\n\u003cdiv\u003e6. Subtitle (4:12)\u003c\/div\u003e\n\u003cdiv\u003e7. Can't Even Be Bothered (3:40)\u003c\/div\u003e\n\u003cdiv\u003e8. Weirdo (3:37)\u003c\/div\u003e\n\u003cdiv\u003e9. Chewing Gum Weekend (5:05)\u003c\/div\u003e\n\u003cdiv\u003e10. (No One) Not Even The Rain (4:27)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Imperial 109 (3:29)\u003c\/div\u003e\n\u003cdiv\u003e2. The Only One I Know (4:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Not Very Well (3:41)\u003c\/div\u003e\n\u003cdiv\u003e4. Believe You Me (3:48)\u003c\/div\u003e\n\u003cdiv\u003e5. Then (4:13)\u003c\/div\u003e\n\u003cdiv\u003e6. Happen To Die (5:13)\u003c\/div\u003e\n\u003cdiv\u003e7. Flower (5:19)\u003c\/div\u003e\n\u003cdiv\u003e8. White Shirt (3:34)\u003c\/div\u003e\n\u003cdiv\u003e9. Indian Rope (6:15)\u003c\/div\u003e\n\u003cdiv\u003e10. Opportunity (7:47)\u003c\/div\u003e\n\u003cdiv\u003e11. Sproston Green (7:56)\u003c\/div\u003e\n\u003cdiv\u003e12. 10th And 11th (2:59)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607618216528\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802318057627,"sku":"143850","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-charlatans-uk-between-10th-and-11th-2-cd-cd-relix.jpg?v=1781835953"},{"product_id":"the-moldy-peaches-the-moldy-peaches-lp-vinyl","title":"The Moldy Peaches – The Moldy Peaches (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAdam Green and Kimya Dawson recorded these songs on four-track cassette recorders, and the rawness was never a limitation but the whole point. The New York antifolk scene they helped define at the Fort was built on exactly this kind of willful amateurism and emotional directness, and this self-titled debut captures that spirit at its most unguarded.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe Moldy Peaches were established in the mid- 90s by Adam Green and Kimya Dawson, after meeting in upstate New York. The duo helped spawn the “anti-folk” music genre movement, bringing a more quirky, lo-fi punk element into the indie music scene. After releasing their own music for a few years, they collected their best material for a proper album, and in 2001 shared “The Moldy Peaches” via Rough Trade Records. Known for their sense of humor, whimsy and self-deprecation, the album featured gems like “Downloading Porn With Dave” and Who’s Got The Crack”. In 2007, “Anyone Else But You” (another song from the aforementioned album), was used in the Academy Award winning movi e Juno, and reignited the album’s cult popularity. Since then the two founders have had continued success in their respective solo careers. Kimya Dawson has also made children’s albums, and collaborated with many artists including Aesop Rock, They Might Be Giants, and The Mountain Goats. Adam Green has several albums on Rough Trade, as well as showing exhibitions of his visual art and making films. “punk poets disguised as Nancy Sinatra and Dean Martin against a background of guitars and hiss... sweetly crazy and completely memorable.” -GUARDIAN\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191402001518\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.10.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Lucky Number Nine\u003c\/div\u003e\n\u003cdiv\u003e2. Jorge Regula\u003c\/div\u003e\n\u003cdiv\u003e3. What Went Wrong\u003c\/div\u003e\n\u003cdiv\u003e4. Nothing Came Out\u003c\/div\u003e\n\u003cdiv\u003e5. Downloading Porn With Davo\u003c\/div\u003e\n\u003cdiv\u003e6. These Burgers\u003c\/div\u003e\n\u003cdiv\u003e7. Steak For Chicken\u003c\/div\u003e\n\u003cdiv\u003e8. On Top\u003c\/div\u003e\n\u003cdiv\u003e9. Greyhound Bus\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Anyone Else But You\u003c\/div\u003e\n\u003cdiv\u003e2. Little Bunny Foo-Foo\u003c\/div\u003e\n\u003cdiv\u003e3. The Ballad Of Helen Keller \u0026amp; Rip Van Winkle\u003c\/div\u003e\n\u003cdiv\u003e4. Who's Got The Crack\u003c\/div\u003e\n\u003cdiv\u003e5. Lucky Charms\u003c\/div\u003e\n\u003cdiv\u003e6. D.2. Boyfriend\u003c\/div\u003e\n\u003cdiv\u003e7. I Forgot\u003c\/div\u003e\n\u003cdiv\u003e8. Lazy Confessions\u003c\/div\u003e\n\u003cdiv\u003e9. NYC's Like A Graveyard\u003c\/div\u003e\n\u003cdiv\u003e10. Goodbye Song\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. County Fair\u003c\/div\u003e\n\u003cdiv\u003e2. Rainbows\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802318975131,"sku":"87652","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-moldy-peaches-the-moldy-peaches-vinyl-lp-relix.jpg?v=1781835729"},{"product_id":"black-midi-hellfire-cd","title":"black midi – Hellfire (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGeoff Moran, Cameron Picton, and Morgan Simpson have been rewriting the rulebook for what rock music can be since their debut *Schlagenheim* landed in 2019, drawing comparisons to everything from King Crimson to Captain Beefheart while remaining utterly their own thing. *Hellfire* finds them sharpening their attack, channeling the controlled chaos of their legendary live performances into something more concentrated and narrative-driven, without losing any of the intensity that made them one of the most talked-about bands of their generation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOn Monday May 9th we kick off our next black midi campaign for the band's sophomore album Hellfire, with the single \u0026amp; Gustaf Holtenäs (\"Slow\") directed video \"Welcome To Hell\". Hellfire will be out on July 15th. The album was written in London 2021 and produced by Marta Salogni and black midi, with additional production from Max Goulding. Artwork was created by David Rudnick (who's done the artwork for all previous black midi albums as well), using AI technology into which he fed lyrics from the album to generate imagery which was then printed, cut up and reconfigured into a detailed and complex collage.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNo band can quite build their own universe like black midi. Hellfire, their third album and second in two years sees the London three piece at their most direct. \"Welcome To Hell\" tells the story of a debauched soldier's excess and military discharge, soundtracked by funky guitar sections, driving horns and a progressively snarling vocal. Premiered by Steve Lamacq on 6 Music. 2022 live dates incl Coachella, Glastonbury, Somerset House, more to be announced. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Hellfire (1:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Sugar \/ Tzu (3:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Eat Men Eat (3:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Welcome To Hell (4:10)\u003c\/div\u003e\n\u003cdiv\u003e5. Still (5:46)\u003c\/div\u003e\n\u003cdiv\u003e6. Half Time (0:26)\u003c\/div\u003e\n\u003cdiv\u003e7. The Race Is About To Begin (7:15)\u003c\/div\u003e\n\u003cdiv\u003e8. Dangerous Liaisons (4:15)\u003c\/div\u003e\n\u003cdiv\u003e9. The Defence (2:59)\u003c\/div\u003e\n\u003cdiv\u003e10. 27 Questions (5:44)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191402032123\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.15.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802326085787,"sku":"238580","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-black-midi-hellfire-cd-relix.jpg?v=1781836293"},{"product_id":"black-midi-cavalcade-lp-vinyl","title":"black midi – Cavalcade (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLondon's black midi arrived at *Cavalcade* in 2021 having already rattled the foundations of what a guitar band could do, but this second record found them incorporating saxophone, strings, and full orchestration into their controlled chaos, with Kaidi Akinnibi's woodwind work becoming as central to their identity as Geordie Greep's fractured guitar lines.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e\"black midi's follow-up to Schlagenheim is a dynamic, hellacious, inventive success. Cavalcade, their second studio album for Rough Trade, scales beautiful new heights, reaching ever upwards from an already lofty base of early achievements.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. John L\u003c\/div\u003e\n\u003cdiv\u003e2. Marlene Dietrich\u003c\/div\u003e\n\u003cdiv\u003e3. Chondromalacia Patella\u003c\/div\u003e\n\u003cdiv\u003e4. Slow\u003c\/div\u003e\n\u003cdiv\u003e5. Diamond Stuff\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Dethroned\u003c\/div\u003e\n\u003cdiv\u003e2. Hogwash And Balderdash\u003c\/div\u003e\n\u003cdiv\u003e3. Ascending Forth\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. 21st Century Schizoid Man\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191402021219\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.28.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802332475547,"sku":"133914","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-black-midi-cavalcade-vinyl-lp-relix.jpg?v=1781836324"},{"product_id":"scritti-politti-cupid-psyche-85-cd-1","title":"Scritti Politti – Cupid \u0026 Psyche 85 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGreen Gartside spent years dismantling and rebuilding Scritti Politti from the inside out, moving from post-punk theory to an obsession with American R\u0026amp;B, funk, and the gleaming production of black pop radio. *Cupid \u0026amp; Psyche 85* landed that obsession perfectly, with singles like \"Perfect Way\" and \"Wood Beez\" threading genuine soul feeling through immaculate studio craft, earning crossover success without ever feeling like a sellout.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOriginally Released In 1985.\u003c\/p\u003e\u003cp\u003eIncludes Sleeve Notes Written By Green Gartside \u0026amp; David Gamson\u003c\/p\u003e\u003cp\u003eFrom A Bedsit In London To New York Recording Studios. Alternative Acclaim To Mainstream Adulation. Indie Label Hopefuls To Major Signings. Despite The Series Of Radical Shifts That Underpinned Its Creation, Scritti Politti's Second Album Cupid \u0026amp; Psyche 85 Achieved The Virtually Impossible. While Everything Was Scaled Up - The Ambition, The Sound, The Audience - The Singular Artistic Vision That Drove The Group Not Only Remained Intact And Undiluted In These Bigger Surroundings, But Became More Inventive, More Adventurous And, Ultimately, More Beloved. Introduced To Pianist And Programmer David Gamson while making The Band's debut album Songs To Remember, Green Gartside realized he had found a creative foil to help him achieve the ambitions he had for Scritti Politti\u003c\/p\u003e\u003cp\u003ePartially Recorded In New York, With Several Tracks Produced By Arif Mardin (Who Had Worked On Aretha Franklin's I Say A Little Prayer, a track that Green Beautifully Commemorates On This Record) And Partially In The UK, With Green And Gamson Directly Overseeing The Process, Cupid \u0026amp; Psyche 85 Is Infused Shimmering Synths And The Heat Of Classic Funk. Yet Weaved Together By Green's Intoxicating Melodies, It Is Also Embroidered With Ideas From Philosophical Writings, While Taking Cues From Myths And Fables.\u003c\/p\u003e\u003ch3\u003e\u003c\/h3\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. The Word Girl (4:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Small Talk (3:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Absolute (4:24)\u003c\/div\u003e\n\u003cdiv\u003e4. A Little Knowledge (5:01)\u003c\/div\u003e\n\u003cdiv\u003e5. Don't Work That Hard (3:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Perfect Way (4:33)\u003c\/div\u003e\n\u003cdiv\u003e7. Lover To Fall (4:12)\u003c\/div\u003e\n\u003cdiv\u003e8. Wood Beez (4:48)\u003c\/div\u003e\n\u003cdiv\u003e9. Hypnotize (3:35)\u003c\/div\u003e\n\u003cdiv\u003e10. Flesh \u0026amp; Blood (5:35)\u003c\/div\u003e\n\u003cdiv\u003e11. Absolute (Version) (6:10)\u003c\/div\u003e\n\u003cdiv\u003e12. Wood Beez (Version) (5:56)\u003c\/div\u003e\n\u003cdiv\u003e13. Hypnotize (Version) (4:21)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 883870069526\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.25.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802332803227,"sku":"279574","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-scritti-politti-cupid-psyche-85-cd-relix.jpg?v=1781833261"},{"product_id":"warpaint-warpaint-lp-vinyl","title":"Warpaint – Warpaint (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Los Angeles four-piece built their reputation on a live sound that resisted easy categorization, drawing as much from dream pop atmospherics as from the rhythmic interplay of Theresa Wayman, Emily Kokal, Jenny Lee Lindberg, and Stella Mozgawa locked in together. Their self-titled 2014 release, produced by Flood and mixed by Tom Elmhirst, captured that chemistry on tape with a precision that their devoted following had been waiting for.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2 x LP. Warpaint is a well-oiled machine. 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Endure arrived in 2022 as the band's Rough Trade debut, sharpening the noise-funk-punk collisions of their earlier work into something leaner and more urgent, the kind of record that hits different on a dancefloor than it does through headphones.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBrought together by New Orleans' DIY scene, Special Interest is, on every level, uncompromising: in their adventurous sound, their high-energy live performances, and their convictions. Dance music and punk culture have flirted in the warehouse before, but the desire of Special Interest is to dismantle genre. 2018's Spiraling and 2020's widely acclaimed The Passion Of articulated the group's style, driven by dance grooves and electronic textures as much as hardcore riffs, but Special Interest expands the vision with Endure, their latest album and first for Rough Trade. Informed not just by the bleakness of the pandemic, but the tremendous energy and righteous anger of the summer 2020 uprisings. Endure sets the intensity of that moment - from the gnawing despair of isolation to the euphoria of human contact and connection - to a driving dancefloor rhythm on No Wave-inflected tracks like \"Foul\" and \"Love Scene.\" \"Cherry Blue Intention\" brings together a sturdy post-punk bassline, shrieking guitar effects, and a jungle breakbeat into a driving anthem of an opening track.  New songs like \"(Herman's) House\" recall the art rock of Sparks and The B-52s as much as politically-minded punk, and on \"Midnight Legend,\" the group is more overtly pop than ever before - making something fun during a time of frequent sadness became a central priority. The group directly addresses the issues that surround them, like gentrification and the impending climate apocalypse. There's a universal resonance to songs like \"Concerning Peace,\" which takes its hook from a sample of Frantz Fanon, but Special Interest's music isn't just a call to action. Biting humor and irreverence intermingle with harsh edges of noise, and there's always room to dance and sweat.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Cherry Blue Intention (3:24)\u003c\/div\u003e\n\u003cdiv\u003e2. (Herman's) House (4:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Foul (2:47)\u003c\/div\u003e\n\u003cdiv\u003e4. Midnight Legend (3:25)\u003c\/div\u003e\n\u003cdiv\u003e5. Love Scene (4:43)\u003c\/div\u003e\n\u003cdiv\u003e6. Kurdish Radio (2:51)\u003c\/div\u003e\n\u003cdiv\u003e7. My Displeasure (5:23)\u003c\/div\u003e\n\u003cdiv\u003e8. Impulse Control (3:03)\u003c\/div\u003e\n\u003cdiv\u003e9. Concerning Peace (4:31)\u003c\/div\u003e\n\u003cdiv\u003e10. Interlude (1:45)\u003c\/div\u003e\n\u003cdiv\u003e11. LA Blues (8:02)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191402030327\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.4.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802338308251,"sku":"193891","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-special-interest-endure-cd-relix.jpg?v=1781836069"},{"product_id":"black-midi-schlagenheim-lp-vinyl","title":"black midi – Schlagenheim (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSchlagenheim arrived in 2019 like a genuine provocation, recorded live to tape at Chiswick's Konk Studios with producer Dan Carey, whose work capturing raw, room-filling energy suited black midi's controlled chaos perfectly. The album title is a German word relating to a particular type of percussive strike, which tells you something about how central Morgan Simpson's drumming is to the band's attack. For a debut, the confidence is almost unreasonable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eEnigmatic London-based black midi bring you their debut album Schlagenheim via Rough Trade Records. Since forming just over a year ago, black midi -- Geordie Greep (vocals\/guitar), Cameron Picton(bass\/vocals), Matt Kelvin (guitar\/vocals) and Morgan Simpson (drums) -- have quickly cemented their reputation as one of the hottest new underground bands, following a string of sold-out UK live dates and surprise shows punctuated by constantly shifting sets and blistering musicianship. They bonded over shared musical enthusiasms, or “liking messed up things” as Kelvin puts it, including an appreciation for rapper Danny Brown, Death Grips, Deerhoof, Miles Davis and Talking Heads, who they like so much they called a song... Talking Heads. Greep says that “we’ve always tried to make it heavy but danceable, melodic but good rhythms. It is accessible music, there are experimental aspects that we’ve taken from when we went crazy at the beginning, we’ve just reigned it in to make something that is pop music.” These new tracks were recorded in an initial burst with Speedy Wundergrund producer Dan Carey. In November, black midi retouched older recordings, and laid down eight songs in just five days. Drawing comparisons to groups like Shellac, Can, This Heat, \u0026amp; Slint, that’s only half the story to this deeply uncategorizable music. These songs are slippery creatures, the sparks from a musical unit that’s constantly in a state of flux and development. Recently, the band played their first North American live shows, were named a standout act at SXSW and sold out several dates in the Northeast, including their first two shows in New York. black midi will return stateside this July for Pitchfork Fest and more touring.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. 953\u003c\/div\u003e\n\u003cdiv\u003e2. Speedway\u003c\/div\u003e\n\u003cdiv\u003e3. Reggae\u003c\/div\u003e\n\u003cdiv\u003e4. Near DT,MI\u003c\/div\u003e\n\u003cdiv\u003e5. Western\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Of Schlagenheim\u003c\/div\u003e\n\u003cdiv\u003e2. bmbmbm\u003c\/div\u003e\n\u003cdiv\u003e3. Years Ago\u003c\/div\u003e\n\u003cdiv\u003e4. Ducter\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191402007312\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.21.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802338701467,"sku":"250359","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-black-midi-schlagenheim-vinyl-lp-relix.jpg?v=1781836191"},{"product_id":"black-midi-schlagenheim-cd","title":"black midi – Schlagenheim (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSchlagenheim arrived in 2019 like a dispatch from some parallel universe where prog, noise rock, and post-punk never stopped mutating into each other. Recorded live to tape at Rak Studios in London, the album captures a band whose reputation was already outrunning its catalog, translating the controlled chaos of their live sets into something that actually holds together on record.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eEnigmatic London-based black midi bring you their debut album Schlagenheim via Rough Trade Records. Since forming just over a year ago, black midi -- Geordie Greep (vocals\/guitar), Cameron Picton(bass\/vocals), Matt Kelvin (guitar\/vocals) and Morgan Simpson (drums) -- have quickly cemented their reputation as one of the hottest new underground bands, following a string of sold-out UK live dates and surprise shows punctuated by constantly shifting sets and blistering musicianship. They bonded over shared musical enthusiasms, or “liking messed up things” as Kelvin puts it, including an appreciation for rapper Danny Brown, Death Grips, Deerhoof, Miles Davis and Talking Heads, who they like so much they called a song... Talking Heads. Greep says that “we’ve always tried to make it heavy but danceable, melodic but good rhythms. It is accessible music, there are experimental aspects that we’ve taken from when we went crazy at the beginning, we’ve just reigned it in to make something that is pop music.” These new tracks were recorded in an initial burst with Speedy Wundergrund producer Dan Carey. In November, black midi retouched older recordings, and laid down eight songs in just five days. Drawing comparisons to groups like Shellac, Can, This Heat, \u0026amp; Slint, that’s only half the story to this deeply uncategorizable music. These songs are slippery creatures, the sparks from a musical unit that’s constantly in a state of flux and development. Recently, the band played their first North American live shows, were named a standout act at SXSW and sold out several dates in the Northeast, including their first two shows in New York. black midi will return stateside this July for Pitchfork Fest and more touring.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. 953 (5:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Speedway (3:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Reggae (3:29)\u003c\/div\u003e\n\u003cdiv\u003e4. Near DT, MI (2:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Western (8:08)\u003c\/div\u003e\n\u003cdiv\u003e6. Of Schlagenheim (6:25)\u003c\/div\u003e\n\u003cdiv\u003e7. BMBMBM (4:57)\u003c\/div\u003e\n\u003cdiv\u003e8. Years Ago (2:35)\u003c\/div\u003e\n\u003cdiv\u003e9. Ducter (6:42)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191402007329\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.21.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802339848347,"sku":"355430","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-black-midi-schlagenheim-cd-relix.jpg?v=1781836227"},{"product_id":"caroline-caroline-2-cd","title":"Caroline – Caroline 2 (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eExperimental rock collective Caroline built their sound around patience and accretion, layering strings, pedal steel, and processed guitar into something that resists easy categorization. Their self-titled debut announced a group willing to let ideas breathe and evolve slowly, and this second record carries that sensibility forward with a band that sounds increasingly confident in its own strange logic.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Total Euphoria\u003c\/div\u003e\n\u003cdiv\u003e2. Song Two\u003c\/div\u003e\n\u003cdiv\u003e3. Tell Me I Never Knew That\u003c\/div\u003e\n\u003cdiv\u003e4. When I Get Home\u003c\/div\u003e\n\u003cdiv\u003e5. U R UR Only Aching\u003c\/div\u003e\n\u003cdiv\u003e6. Coldplay Cover\u003c\/div\u003e\n\u003cdiv\u003e7. Two Riders Down\u003c\/div\u003e\n\u003cdiv\u003e8. Beautiful Ending\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. If You Let Them I'll Let Them\u003c\/div\u003e\n\u003cdiv\u003e2. MCJ 19_05_23_Not To Be Unkind #2\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191402053524\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.30.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802340634779,"sku":"223100","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-caroline-caroline-2-cd-relix.jpg?v=1781836111"},{"product_id":"little-joy-little-joy-mp3-coupon-lp-vinyl","title":"Little Joy – Little Joy (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFab Moretti formed Little Joy in Los Angeles with Brazilian singer-songwriter Rodrigo Amarante of Los Hermanos and Binki Shapiro, and the trio recorded this debut in Brazil and California. Amarante's Latin pop sensibility gives the record a warmth that cuts against the New York rock world Moretti came up in, resulting in something genuinely unhurried and personal.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eUS LP pressing. The new project from the Strokes drummer Fab Moretti. A tatefully executed cocktail of calypso-garage-folk.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Next Time Around (2:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Brand New Start (3:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Play The Part (2:57)\u003c\/div\u003e\n\u003cdiv\u003e4. No One's Better Sake (2:51)\u003c\/div\u003e\n\u003cdiv\u003e5. Unattainable (2:00)\u003c\/div\u003e\n\u003cdiv\u003e6. Shoulder To Shoulder (2:37)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. With Strangers (2:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Keep Me In Mind (2:22)\u003c\/div\u003e\n\u003cdiv\u003e3. How To Hang A Warhol (2:07)\u003c\/div\u003e\n\u003cdiv\u003e4. Don't Watch Me Dancing (3:33)\u003c\/div\u003e\n\u003cdiv\u003e5. Evaporar (3:52)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 883870048514\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.4.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802345320603,"sku":"371645","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-little-joy-little-joy-mp3-coupon-lp-vinyl-vinyl-lp-relix.jpg?v=1781833300"},{"product_id":"black-midi-hellfire-lp-vinyl","title":"black midi – Hellfire (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHellfire arrived in 2022 as the follow-up to Cavalcade, and black midi wasted no time proving that their avant-rock chaos was no accident. The London trio, built around Geordie Greep, Cameron Picton, and Morgan Simpson, pull from prog, jazz, post-punk, and cabaret in ways that feel genuinely unhinged yet completely controlled, a combination almost nobody else is attempting right now.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOn Monday May 9th we kick off our next black midi campaign for the band's sophomore album Hellfire, with the single \u0026amp; Gustaf Holtenäs (\"Slow\") directed video \"Welcome To Hell\". Hellfire will be out on July 15th. The album was written in London 2021 and produced by Marta Salogni and black midi, with additional production from Max Goulding. Artwork was created by David Rudnick (who's done the artwork for all previous black midi albums as well), using AI technology into which he fed lyrics from the album to generate imagery which was then printed, cut up and reconfigured into a detailed and complex collage.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNo band can quite build their own universe like black midi. Hellfire, their third album and second in two years sees the London three piece at their most direct. \"Welcome To Hell\" tells the story of a debauched soldier's excess and military discharge, soundtracked by funky guitar sections, driving horns and a progressively snarling vocal. Premiered by Steve Lamacq on 6 Music. 2022 live dates incl Coachella, Glastonbury, Somerset House, more to be announced. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hellfire (1:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Sugar\/Tzu (3:50)\u003c\/div\u003e\n\u003cdiv\u003e3. Eat Men, Eat (3:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Welcome To Hell (4:09)\u003c\/div\u003e\n\u003cdiv\u003e5. Still (5:46)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Half Time (0:26)\u003c\/div\u003e\n\u003cdiv\u003e2. The Race Is About To Begin (7:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Dangerous Liaisons (4:14)\u003c\/div\u003e\n\u003cdiv\u003e4. The Defence (2:59)\u003c\/div\u003e\n\u003cdiv\u003e5. 27 Questions (5:43)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191402032116\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.15.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802348826779,"sku":"360916","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-black-midi-hellfire-vinyl-lp-relix.jpg?v=1781836265"},{"product_id":"a-savage-several-songs-about-fire-lp-vinyl","title":"A. Savage – Several Songs About Fire (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAndrew Savage has spent fifteen years helping define New York's post-punk underground through Parquet Courts, but his solo work strips away the band's charged urgency in favor of something quieter and more searching. John Parish's production pedigree, built through decades of work with PJ Harvey and others, brings a spare, transatlantic sensibility that suits Savage's introspective lyricism. Bristol turns out to be the right room for these songs.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e“I imagine myself playing these songs in a small club that is slowly burning,” says A. Savage of his second solo record, Several Songs about Fire. After more than a decade in New York, the co-frontman of Parquet Courts has left the city, marking his exit with a masterpiece of maturity and a worthy corollary to his first solo venture, 2017’s Thawing Dawn. “Fire is something you have to escape from. This album is a burning building, and these songs are things I’d leave behind to save myself.” Produced by John Parish on a 1” 16-track in just ten days in Bristol and studded by the support of Cate Le Bon and Jack Cooper (Modern Nature, Ultimate Painting) as well as saxophonist Euan Hinshelwood (Cate Le Bon), drummer Dylan Hadley (Kamikaze Palm Tree, White Fence), and violinist Magdalena McLean (Caroline), Savage’s outsize gifts as a lyricist and observer – a quality Parish calls “an emotional openness guarded by a laconic wit\" – shine. Worrying questions of wealth and poverty, self and other, Savage displays the poet’s gift of knowing when to narrate and when to vanish, leaving the listener to their own emotional privacy rather than instructing them how to feel. The end result is tantamount to psychic odyssey, with “Elvis in the Army” placing us in a subterranean venue where the livid, ratifying cymbal raises the room’s blood pressure and “Mountain Time”, evoking an austere waltz playing in a desolate house, returning those listening to life. Influenced by Sybille Baier and Townes Van Zandt, Savage joins a canon of songwriters constantly dilating aperture and perspective. In rendering the signage of laundromats and threats of debt collectors as glistering and totemic as the scope of mountains, rivers, seas, and skies, Savage finds hopes and curses in equal measure.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hurtin' Or Healed\u003c\/div\u003e\n\u003cdiv\u003e2. Elvis In The Army\u003c\/div\u003e\n\u003cdiv\u003e3. Le Grand Balloon\u003c\/div\u003e\n\u003cdiv\u003e4. My My, My Dear\u003c\/div\u003e\n\u003cdiv\u003e5. Riding Cobbles\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Mountain Time\u003c\/div\u003e\n\u003cdiv\u003e2. David's Dead\u003c\/div\u003e\n\u003cdiv\u003e3. Thanksgiving Prayer\u003c\/div\u003e\n\u003cdiv\u003e4. My New Green Coat\u003c\/div\u003e\n\u003cdiv\u003e5. Out Of Focus\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191402042818\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.6.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802349351067,"sku":"475125","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-a-savage-several-songs-about-fire-vinyl-lp-relix.jpg?v=1781833503"},{"product_id":"the-libertines-up-the-bracket-20th-anniversary-edition-cd","title":"The Libertines – Up The Bracket: 20th Anniversary Edition (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMick Jones of The Clash producing a debut album in 2002 felt like a genuine passing of the torch, one London punk generation handing the keys to the next. The Libertines didn't just absorb that lineage; they filtered it through Victorian poetry, music hall, and the particular chaos of early-2000s Albion. Twenty years on, \"Up The Bracket\" sounds less like a period document than a live wire that never quite got grounded.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eUp The Bracket arrived like a raging bull in a tired post-Britpop china shop and introduced the world to The Libertines, a new gang of London bohemians, whose ragged tunes, red military tunics, opiated poetry and ‘live now pay never’ lifestyle came to define the millennial angst of the early noughties. At the heart of the band is the blood bond bromance between the ramshackle Music Hall Jagger\/Richards, Peter Doherty and Carl Barat, ably assisted by the rock solid rhythm twins John Hassall and Gary Powell. Any bookie worth his salt would have given you short odds on this quartet surviving more than a month or two, given the teetering on the brink lifestyle they chose to lead, but here we are two decades later and our Byronic heroes, though older and wiser, are still fighting the good fight and making music every bit as vital as their debut. The belief, talent and fervour that Doherty spoke of in their earliest manifesto has stood them in good stead. Up The Bracket, justly considered one of the greatest albums of the noughties, was originally released on October 21st 2002 by Rough Trade Records. The album, a heady stew of indie rock, skiffle, blues, dub and English bucolic pop, was a huge shot in the arm to a largely redundant music scene and helped to inspire the rebirth of guitar music, going on to influence countless artists who followed in its wake. Up The Bracket, which was produced by Mick Jones of The Clash, takes you on a wondrously poetic journey into the band’s mythical world and their fevered dreams of Albion, a land of squalid glamour, liberty, equality, fraternity, gin palaces and chip shops.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Vertigo\u003c\/div\u003e\n\u003cdiv\u003e2. Death On The Stairs\u003c\/div\u003e\n\u003cdiv\u003e3. Horrorshow\u003c\/div\u003e\n\u003cdiv\u003e4. Time For Heroes\u003c\/div\u003e\n\u003cdiv\u003e5. Boys In The Band\u003c\/div\u003e\n\u003cdiv\u003e6. Radio America\u003c\/div\u003e\n\u003cdiv\u003e7. Up The Bracket\u003c\/div\u003e\n\u003cdiv\u003e8. Tell The King\u003c\/div\u003e\n\u003cdiv\u003e9. The Boy Looked At Johnny\u003c\/div\u003e\n\u003cdiv\u003e10. Begging\u003c\/div\u003e\n\u003cdiv\u003e11. The Good Old Days\u003c\/div\u003e\n\u003cdiv\u003e12. I Get Along\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Horrorshow\u003c\/div\u003e\n\u003cdiv\u003e2. Vertigo\u003c\/div\u003e\n\u003cdiv\u003e3. The Delaney\u003c\/div\u003e\n\u003cdiv\u003e4. What A Waster\u003c\/div\u003e\n\u003cdiv\u003e5. Begging\u003c\/div\u003e\n\u003cdiv\u003e6. Time For Heroes\u003c\/div\u003e\n\u003cdiv\u003e7. Death On The Stairs\u003c\/div\u003e\n\u003cdiv\u003e8. Boys In The Band\u003c\/div\u003e\n\u003cdiv\u003e9. I Get Along\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191402033229\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.21.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802352464027,"sku":"437542","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-libertines-up-the-bracket-20th-anniversary-edition-cd-relix.jpg?v=1781835848"},{"product_id":"this-is-the-kit-careful-of-your-keepers-cd","title":"This Is The Kit – Careful Of Your Keepers (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKate Stables has spent the better part of two decades quietly building one of the most distinctive catalogs in British folk-adjacent songwriting, earning deep respect from the kind of listeners who parse lyrics the way others study setlists. Her collaboration with Gruff Rhys brings together two artists whose instincts have always favored texture and restraint over flash, a pairing that makes intuitive sense the moment you hear it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eSinger-songwriter and composer, Kate Stables returns with a wondrous new This Is The Kit album, Careful of Your Keepers, that chronicles a world of mistakes and mishaps, cruel circumstances, and universe-driven surprises. It's a record that embraces the concept of outrospection – the idea that you get to know oneself by developing relationships and empathic thinking with others – and brings the Paris-based, UK born bandleader's signature ability to move swiftly between cryptic poetry to honest inquisition to the fore. Guiding the ship through changing seas is producer Gruff Rhys (Super Furry Animals), who deftly enhances the innate shared language that Stables has with her band, capturing beautiful instrumental performances while leaving the space required for her robust, silken voice to lead. The music here is daring and soft, cutting and warm, a wild feat of complexity and combined dispositions. Surviving change is a constant throughout this record and This is the Kit takes us to the front lines in “More Change,” where we celebrate the losing battle of fighting change with barbed dancing lyrics that whisk us from the mundane to the massive as a steady beat and delicate guitars wind in and out, down and around Stables words: “light bulb \/ life changing \/ found a friend…claw sanity back again.” The sonic brilliance always comes back to bite and the cascading melodies of “Stuck In A Room” plant the listener in the most familiar of recent quandaries, wanting to leave but being unable to. There are so many versions of “leaving” one might be attracted to in this disappointing modern age, and Stables works through them all. 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Williamson's serrated wordplay and Fearn's beat constructions have always cut close to the bone of working-class Britain, but the weight behind it keeps accumulating with every release.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Demise of Planet X is Andrew Fearn and Jason Williamson's most expansive and ambitious release to date as Sleaford Mods. Boasting the duo's most varied and expressive musical approach so far, it charts, critiques and satirises our times, while offering a universal cry of anger and release of energy that pushes against the encroaching cultural darkness.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Good Life\u003c\/div\u003e\n\u003cdiv\u003e2. Double Diamond\u003c\/div\u003e\n\u003cdiv\u003e3. Elitest G.O.A.T.\u003c\/div\u003e\n\u003cdiv\u003e4. Megaton\u003c\/div\u003e\n\u003cdiv\u003e5. No Touch\u003c\/div\u003e\n\u003cdiv\u003e6. Bad Santa\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Demise Of Planet X\u003c\/div\u003e\n\u003cdiv\u003e2. Don Draper\u003c\/div\u003e\n\u003cdiv\u003e3. Gina Was\u003c\/div\u003e\n\u003cdiv\u003e4. Shoving The Images\u003c\/div\u003e\n\u003cdiv\u003e5. Flood The Zone\u003c\/div\u003e\n\u003cdiv\u003e6. Kill List\u003c\/div\u003e\n\u003cdiv\u003e7. The Unwrap\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191402057416\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802354135195,"sku":"45977970","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-sleaford-mods-demise-of-planet-x-vinyl-lp-relix.jpg?v=1781833203"},{"product_id":"tyler-ballgame-for-the-first-time-again-lp-vinyl","title":"Tyler Ballgame – For The First Time Again (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTyler Ballgame is a name worth filing away now, before everyone else catches up. A debut produced by Jonathan Rado and Ryan Pollie is a serious vote of confidence, and the pedigree of those recent road dates, opening for Shakey Graves and The Head and the Heart, puts Ballgame squarely in a lineage of singers who earn their audiences one honest song at a time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTyler Ballgame's stunning debut, For the First Time, Again, is a bracing reminder of how great songs delivered by a gifted vocalist can move, captivate, and inspire. Produced by Jonathan Rado (Foxygen, The Lemon Twigs, Weyes Blood) and Ryan Pollie (Los Angeles Police Department) and delivered in Ballgame's astonishing, versatile tenor, these 12 finely crafted tunes, rooted in classic rock, indie, and Americana, will make anyone with a heart feel seen. Even before the insightful, often provocative lyrics register, Ballgame's infectious melodies draw you into a story both relatable, and unlike any you've heard. 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Spare Ribs, released in January 2021, arrived amid lockdown Britain and features collaborations with Jane Weaver and Billy Nomates, pushing their sound into new territory without softening a single edge.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn 2021, Sleaford Mods will take stock of an astonishing rise with the release of their newest creation Spare Ribs. They will bring British political correctness, in the truest, purest sense of those words directly to the masses. Because Sleaford Mods are sincerity incarnate. 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The combination of Rado and Pollie in the producer's chair brings serious indie pedigree to songs that feel lived-in from the first play.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTyler Ballgame's stunning debut, For the First Time, Again, is a bracing reminder of how great songs delivered by a gifted vocalist can move, captivate, and inspire. Produced by Jonathan Rado (Foxygen, The Lemon Twigs, Weyes Blood) and Ryan Pollie (Los Angeles Police Department) and delivered in Ballgame's astonishing, versatile tenor, these 12 finely crafted tunes, rooted in classic rock, indie, and Americana, will make anyone with a heart feel seen. Even before the insightful, often provocative lyrics register, Ballgame's infectious melodies draw you into a story both relatable, and unlike any you've heard. After one listen, Ballgame's message of belief in one's true self resonates deep and wide. 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Her collaboration with Gruff Rhys connects two artists who share a gift for wrapping genuine strangeness inside accessible, melodic songwriting, a pairing that feels less like a production choice and more like a natural kinship.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSinger-songwriter and composer, Kate Stables returns with a wondrous new This Is The Kit album, Careful of Your Keepers, that chronicles a world of mistakes and mishaps, cruel circumstances, and universe-driven surprises. It's a record that embraces the concept of outrospection – the idea that you get to know oneself by developing relationships and empathic thinking with others – and brings the Paris-based, UK born bandleader's signature ability to move swiftly between cryptic poetry to honest inquisition to the fore. Guiding the ship through changing seas is producer Gruff Rhys (Super Furry Animals), who deftly enhances the innate shared language that Stables has with her band, capturing beautiful instrumental performances while leaving the space required for her robust, silken voice to lead. The music here is daring and soft, cutting and warm, a wild feat of complexity and combined dispositions. Surviving change is a constant throughout this record and This is the Kit takes us to the front lines in “More Change,” where we celebrate the losing battle of fighting change with barbed dancing lyrics that whisk us from the mundane to the massive as a steady beat and delicate guitars wind in and out, down and around Stables words: “light bulb \/ life changing \/ found a friend…claw sanity back again.” The sonic brilliance always comes back to bite and the cascading melodies of “Stuck In A Room” plant the listener in the most familiar of recent quandaries, wanting to leave but being unable to. There are so many versions of “leaving” one might be attracted to in this disappointing modern age, and Stables works through them all. 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The Clash connection gave the Libertines' chaos a backbone, sharpening the rough edges without sanding them down, and the result landed in 2002 like a reminder that British guitar music still had blood in it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eUp The Bracket arrived like a raging bull in a tired post-Britpop china shop and introduced the world to The Libertines, a new gang of London bohemians, whose ragged tunes, red military tunics, opiated poetry and ‘live now pay never’ lifestyle came to define the millennial angst of the early noughties. At the heart of the band is the blood bond bromance between the ramshackle Music Hall Jagger\/Richards, Peter Doherty and Carl Barat, ably assisted by the rock solid rhythm twins John Hassall and Gary Powell. Any bookie worth his salt would have given you short odds on this quartet surviving more than a month or two, given the teetering on the brink lifestyle they chose to lead, but here we are two decades later and our Byronic heroes, though older and wiser, are still fighting the good fight and making music every bit as vital as their debut. The belief, talent and fervour that Doherty spoke of in their earliest manifesto has stood them in good stead. Up The Bracket, justly considered one of the greatest albums of the noughties, was originally released on October 21st 2002 by Rough Trade Records. The album, a heady stew of indie rock, skiffle, blues, dub and English bucolic pop, was a huge shot in the arm to a largely redundant music scene and helped to inspire the rebirth of guitar music, going on to influence countless artists who followed in its wake. 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Throughout, \"On All Fours\", Goat Girl's Frequent use of sci-fi synthesisers, off-beat chord progressions, analogue drum machines, diverse vocal styles and distinct, gritty guitars fuse a musical language that expresses both former characteristics and newer developments of the band's sound and vision On All Fours.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Pest\u003c\/div\u003e\n\u003cdiv\u003e2. Badibaba\u003c\/div\u003e\n\u003cdiv\u003e3. Jazz (In The Supermarket)\u003c\/div\u003e\n\u003cdiv\u003e4. Once Again\u003c\/div\u003e\n\u003cdiv\u003e5. P.T.S. 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Echoing through the depths of it's dark lore, yet still relevant on sidewalks washed clean by gentrification, the singer-songwriter's music not only invokes his hometown, but it captures the unique confusion and connection of life within a city: the awkwardness and the adventure, the love affairs and the loneliness, the society and the separation.  His 2005 solo album Gemstones, a sort of musical reply to Bright Lights, Big City, is firmly rooted in the Big Apple, it's rockabilly rhythms rattle with the L-Train, it's melodies hit like a fresh cross street gust, but whether you've visited New York or not it's brisk, affecting songs will resonate with anyone who knows what it is like to be alone amongst the crowd. Driven by Green's beguiling baritone, from the album's spinning, Wurlitzer-driven opener and title track Gemstones, via the chiming organs and voodoo maraca of Over The Sunrise, the irresistible rock'n'roll bop of Emily and the bittersweet lament of Losing On A Tuesday, the record is as affecting as it is surreal. Fantastical imagery and linguistic twists that evoke an Escher-meets-Sesame Street version of city life, but beneath Green's visions, guided by his playful melodies, is a warm beating heart of genuinely moving emotions.  Yes, Gemstones can be heady and intoxicating, careering with an apparent free abandonment, yet it is also a warm, reassuring and ultimately nourishing record. Now, as Gemstones marks it's 20th anniversary with a new vinyl release, it is time for all of us to step back and truly appreciate this musical diamond.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Gemstones\u003c\/div\u003e\n\u003cdiv\u003e2. Down On The Street\u003c\/div\u003e\n\u003cdiv\u003e3. He's The Brat\u003c\/div\u003e\n\u003cdiv\u003e4. Over The Sunrise\u003c\/div\u003e\n\u003cdiv\u003e5. Crackhouse Blues\u003c\/div\u003e\n\u003cdiv\u003e6. Before My Bedtime\u003c\/div\u003e\n\u003cdiv\u003e7. Carolina\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Emily\u003c\/div\u003e\n\u003cdiv\u003e2. Who's Your Boyfriend\u003c\/div\u003e\n\u003cdiv\u003e3. Country Road\u003c\/div\u003e\n\u003cdiv\u003e4. Choke On A Cock\u003c\/div\u003e\n\u003cdiv\u003e5. Bible Club\u003c\/div\u003e\n\u003cdiv\u003e6. Chubby Princess\u003c\/div\u003e\n\u003cdiv\u003e7. Losing On A Tuesday\u003c\/div\u003e\n\u003cdiv\u003e8. Teddy Boys\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5050159819416\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.12.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802366226587,"sku":"50991627","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-adam-green-gemstones-vinyl-lp-relix.jpg?v=1781833478"},{"product_id":"sun-kil-moon-ghosts-of-the-great-highway-lp-vinyl","title":"Sun Kil Moon – Ghosts Of The Great Highway (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMark Kozelek had already built a devoted following through Red House Painters' slow-burn catalog when he quietly released this 2003 debut under the Sun Kil Moon name, and it remains the touchstone of his solo work. Named after a boxing documentary about heavyweight Edwin Valdes, the album carries that same weight, elegance worn down by miles and memory.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. An album as good as Ghosts of the Great Highway should never go out of print. Ghosts continues- even fine-tunes- the work Kozelek did with his former band, Red House Painters. These songs are virtuously stoic Americana- all shimmery guitars, measured tempos, malevolent moods, and wandering melodies. His voice sounds like Neil Young's, especially in the effortlessness with which he hits the high notes then returns to a lower, earthier texture. Ghosts is a travelogue of sorts, speeding through the Midwest and the West; in this sense, it's the male equivalent to Lucinda Williams' Car Wheels on a Gravel Road, especially in the imperfect mirroring of physical terrain and emotional geography. The band Kozelek assembled for Ghosts- Anthony Koutsos (Red House Painters), Tim Mooney (American Music Club), and Geoff Stanfield (Black Lab), along with a few guests- ably but subtly bolster his lyrics and vocals, generating a steady clip that never flags. The result is an album as hypnotic as highway divider lines whizzing past. Includes original bonus track \"Gentle Moon (Acoustic).\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Glenn Tipton (4:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Carry Me Ohio (6:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Salvador Sanchez (6:29)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Last Tide (3:01)\u003c\/div\u003e\n\u003cdiv\u003e2. Floating (3:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Gentle Moon (5:14)\u003c\/div\u003e\n\u003cdiv\u003e4. Lily And Parrots (4:16)\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Duk Koo Kim (14:23)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Sí, Paloma (5:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Pancho Villa (5:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Gentle Moon (Acoustic) (5:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 883870088510\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.16.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802367897755,"sku":"25997810","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-sun-kil-moon-ghosts-of-the-great-highway-vinyl-lp-relix.jpg?v=1781836031"},{"product_id":"black-midi-cavalcade-cd","title":"black midi – Cavalcade (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCavalcade arrived in 2021 as proof that black midi's chaotic early reputation undersold them. Where their debut leaned into noise and abrasion, this one pulled in jazz, chamber music, and prog without losing any of the danger, with saxophonist Kaidi Akinnibi joining the core trio to push the arrangements into genuinely unpredictable territory.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eblack midi's follow-up to Schlagenheim is a dynamic, hellacious, inventive success. Cavalcade, their second studio album for Rough Trade, scales beautiful new heights, reaching ever upwards from an already lofty base of early achievements.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Untitled (1:31)\u003c\/div\u003e\n\u003cdiv\u003e2. John L (5:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Marlene Dietrich (2:54)\u003c\/div\u003e\n\u003cdiv\u003e4. Chondromalacia Patella (4:49)\u003c\/div\u003e\n\u003cdiv\u003e5. Slow (5:37)\u003c\/div\u003e\n\u003cdiv\u003e6. Diamond Stuff (6:23)\u003c\/div\u003e\n\u003cdiv\u003e7. Dethroned (5:08)\u003c\/div\u003e\n\u003cdiv\u003e8. Hogwash and Balderdash (2:33)\u003c\/div\u003e\n\u003cdiv\u003e9. Ascending Forth (9:47)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191402021226\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.28.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802370060443,"sku":"569351","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-black-midi-cavalcade-cd-relix.jpg?v=1781836356"},{"product_id":"warpaint-heads-up-cd","title":"Warpaint – Heads Up (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWarpaint built their reputation on live shows where rhythm and atmosphere locked into something genuinely hypnotic, with Stella Mozgawa's drumming serving as the anchor for the band's layered, harmony-driven sound. For Heads Up, they brought in producer Flood and mixing engineer Nigel Godrich, two figures whose fingerprints are all over some of the most important alternative records of the past three decades, a pairing that signals the band's ambition to push their sonic palette into new territory without losing the tension that makes them compelling.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIt’s easy to get the wrong impression about Warpaint. The band’s studio albums (including their most recent full-length, 2014’s Warpaint) have tended to emphasize moody atmospheres: gauzy keyboards, hypnotic harmonies and sinister grooves. In concert, however, the Los Angeles quartet—vocalist\/guitarist Emily Kokal, vocalist\/guitarist Theresa Wayman, bassist\/vocalist Jenny Lee Lindberg and drummer\/keyboardist\/vocalist Stella Mozgawa—pair this moodiness with bumped-up tempos and sinewy beats. The music’s no less dark—but it has an additional rhythmic urgency and tension that can be surprising. Of course, confounding expectations has been part of Warpaint’s m.o. since the band formed in 2004. And so when the band convened to make their third studio album, Heads Up, they shared a common goal: to make a faster, dance-oriented record. “We’ve always had this really jammy, high-energy live show compared to some of our records,” Kokal says. “We all love to dance. 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Where *Up the Bracket* announced their arrival, this one felt like a farewell and a reckoning rolled into one, the Albion dream fraying at the edges even as the songs burned with urgency.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eUS LP pressing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Can't Stand Me Now (3:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Last Post On The Bugle (2:24)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Be Shy (3:04)\u003c\/div\u003e\n\u003cdiv\u003e4. The Man Who Would Be King (4:00)\u003c\/div\u003e\n\u003cdiv\u003e5. Music When The Lights Go Out (3:07)\u003c\/div\u003e\n\u003cdiv\u003e6. Narcissist (2:28)\u003c\/div\u003e\n\u003cdiv\u003e7. The Ha Ha Wall\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Arbeit Macht Frei (1:18)\u003c\/div\u003e\n\u003cdiv\u003e2. Campaign Of Hate (2:10)\u003c\/div\u003e\n\u003cdiv\u003e3. What Katie Did (3:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Tomblands (2:07)\u003c\/div\u003e\n\u003cdiv\u003e5. The Saga (1:53)\u003c\/div\u003e\n\u003cdiv\u003e6. Road To Ruin (4:22)\u003c\/div\u003e\n\u003cdiv\u003e7. What Became Of The Likely Lads (3:20)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 883870016612\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rough Trade Us\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.8.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802376745115,"sku":"588780","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-libertines-the-libertines-vinyl-lp-relix.jpg?v=1781835897"},{"product_id":"warpaint-the-fool-lp-vinyl","title":"Warpaint – The Fool (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFormed in Los Angeles in the mid-2000s, Warpaint built their reputation through years of relentless touring and a sound that drew equally from dream pop, dub, and post-punk. 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