{"title":"Round Records Vinyl, CDs \u0026 Cassettes","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eRound Records was founded in 1973 as a subsidiary of Grateful Dead Records, the band's own independent label, which was started after the Dead's contract with Warner Bros. expired and they decided to take things into their own hands. The original run of the label produced a small but essential group of records, Jerry Garcia's solo output, Robert Hunter's first albums, Old and in the Way, the Phil Lesh and Ned Lagin collaboration Seastones, and a handful of other releases from the extended Dead family. It was an experiment in artist ownership at a time when that wasn't the default, and it lasted until 1976.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe label was revived decades later as the home for the GarciaLive series, an ongoing archival project that pulls complete Jerry Garcia Band concerts from the vault and releases them with the care they deserve. The series runs deep now, more than twenty volumes of Jerry and his band working through their wide-ranging repertoire, Dylan, Motown, reggae, rock and roll, gospel-inflected soul, all of it run through Garcia's singular guitar voice and the JGB's loose, warm approach to whatever they touched.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eFor Heads who know the Jerry Garcia Band's live catalog, these releases are the real thing. Specific dates, specific venues, full sets, documented properly and pressed right. If you've spent time at a show wondering what a particular night sounded like or following the evolution of the band across different eras and lineups, this is where you go to find out.\u003c\/p\u003e","products":[{"product_id":"jerry-garcia-garcialive-vol-21-february-13th-1976-keystone-cd","title":"Jerry Garcia – GarciaLive Vol. 21: February 13th, 1976 - Keystone (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn a gratefully welcomed return to the GarciaLive archival series, Volume 21 brings us back to February of 1976, when on a Friday night one could stand amongst 500 or so paying customers and watch Jerry Garcia and his band peacefully, pleasingly, and proficiently take over Berkeley's Keystone club. The Jerry Garcia Band was a vital component of Garcia's life away from the circus, and a grounding space to work-out solo material, nod to songs he was digging at the time, and just play. In the end, a JGB show would require an arena to accommodate the demand, but in '76, a modest club date in the Bay was all he and his friends needed.\u003c\/p\u003e\u003cp\u003eIt's a mostly mellow show, with a particularly slow take on Bob Dylan's \"Knockin' on Heaven's Door,\" that may be among the more transfixed and affecting Garcia has performed. It's in keeping with a set that darts between eventual staples of a JGB show- \"Catfish John,\" \"After Midnight,\" and \"The Harder They Come,\"- and contemporaneous homages, such as a beautifully Jerry-esque reading of the Rolling Stones' \"Moonlight Mile.\" The mix tilts toward Jerry's guitar, and fittingly, as there is plenty of his engaging fretwork, yet Garcia is quick to share the moments with his mates- especially with on-loan Dead keyboardist, Keith Godchaux, on a glistening \"Mission in the Rain.\"\u003c\/p\u003e\u003cp\u003eTwo songs pulled from a Palo Alto date two nights later serve as an \"encore,\" filling out the winning two-disc set. All in all, this edition reignites a GarciaLive series that's been so adept at detailing the arc of Garcia's solo excursions. Hopefully, this marks the first of another run of many releases to follow.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/09\/14\/jerry-garcia-band-garcialive-volume-21-keystone-february-13-1976\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy early 1976, the Jerry Garcia Band was operating in a genuinely unusual space, with Garcia essentially running two overlapping musical families. Having Keith and Donna Jean Godchaux in the room meant the chemistry from the Dead's own mid-70s peak was bleeding directly into these intimate club nights at the Keystone, a Berkeley venue that Garcia returned to again and again throughout the decade as a kind of low-pressure laboratory for exactly this kind of musical exploration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 21\u003c\/em\u003e brings the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e back to their Bay Area stomping grounds with a then-new lineup — Grateful Dead members \u003cstrong\u003eDonna Jean\u003c\/strong\u003e and \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e joining mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e. Recorded live at the Keystone in Berkeley in February 1976, the set is a fascinating snapshot of the JGB in transition.\u003c\/p\u003e\n\n\u003cp\u003eThe setlist is loaded with highlights: rarities like the Rolling Stones' \u003cstrong\u003e\"Moonlight Mile\"\u003c\/strong\u003e and Ray Charles' \u003cstrong\u003e\"Talkin' 'Bout You,\"\u003c\/strong\u003e deep cuts like \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"Who Was John?\"\u003c\/strong\u003e and \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e alongside scintillating takes on favorites like \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e and \u003cstrong\u003e\"They Love Each Other.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Catfish John (14:13)\u003cbr\u003e\n1-2. After Midnight (13:37)\u003cbr\u003e\n1-3. Mission In The Rain (6:57)\u003cbr\u003e\n1-4. Who Was John? (12:28)\u003cbr\u003e\n1-5. They Love Each Other (7:31)\u003cbr\u003e\n1-6. Moonlight Mile (10:27)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. The Harder They Come (18:41)\u003cbr\u003e\n2-2. Knockin' On Heaven's Door (19:17)\u003cbr\u003e\n2-3. Talkin' 'Bout You (10:33)\u003cbr\u003e\n2-4. How Sweet It Is (To Be Loved By You) (9:29)\u003cbr\u003e\n2-5. My Sisters And Brothers (6:42)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882624620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.14.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187691139227,"sku":"221763","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-21-February-13th-1976-Keystone-2-CD.jpg?v=1776107956"},{"product_id":"jerry-garcia-garcialive-volume-15-may-21st-1971-keystone-korner-cd","title":"Jerry Garcia – GarciaLive Vol. 15: May 21st, 1971 Keystone Korner (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eListening to the work of Jerry Garcia often feels like an act of discovery, no matter how long one's been doing it. On GarciaLive Vol. 15: Jerry Garcia \u0026amp; Merl Saunders, May 21st, 1971, listeners are truly discovering something new. This previously uncirculated recording finds Garcia, keyboardist Merl Saunders and drummer Bill Vitt playing as a rare trio (sans regular bassist John Kahn) with occasional saxophone screeches from future Legion of Mary member Martin Fierro. At San Francisco's 200-cap Keystone Korner (not to be confused with the sister club in Berkeley), Garcia was free to step out from the Grateful Dead's shadow (just days before a Winterland Ballroom run) and flex his jazz muscles in raw, exhilarating form. Without bass, Saunders' keyboard work and organ playing holds down the low end and gives each musician even more room to groove with a loose, conversational tone. Opening with Saunders' \"Man-Child,\" the trio doesn't waste any time getting out there with Saunders driving several subterranean-sounding peaks. On \"One Kind Favor,\" the Blind Lemon Jefferson song also known as \"See That My Grave Is Kept Clean,\" Garcia's aching vocals recall \"Death Don't Have No Mercy,\" as Saunders' organ swirls. Fierro first speaks up on a swinging instrumental take on Stevie Wonder's \"I Was Made to Love Her.\" The \"Keystone Korner Jam\" best captures the vibe of the performance—17 minutes of the quartet playing off each other, composing in the moment, with Garcia and Fierro pushing each other to explore. The real star of the recording, however, is the only known Garcia-sung performance of David Crosby's \"The Wall Song,\" which Garcia would play guitar on in the studio. Garcia does an admirable job on vocals but it's Fierro who commands the jam with an assault of sax squeals (and a few Beatles quotes). For fans of Garcia's more esoteric work, GarciaLive Vol. 15 is a thrilling listen and a reminder that there's always something new waiting around the Korner.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Rudi Greenberg, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/garcialive-vol-15-jerry-garcia-merl-saunders-may-21st-1971\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1971, Garcia was already deep in the exploratory side-project work that would define so much of his legacy outside the Dead, and these Keystone Korner sessions capture that restless curiosity at an early stage. His partnership with Merl Saunders would stretch across years and hundreds of gigs, but recordings from this particular period are scarce, making this document an essential piece of the puzzle for anyone tracing how Garcia's improvisational voice developed away from the mothership.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 15\u003c\/em\u003e showcases a free-spirited performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e, and drummer \u003cstrong\u003eBill Vitt\u003c\/strong\u003e at the celebrated and intimate San Francisco jazz club Keystone Korner. The trio — aided by saxophonist \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on five songs — fuses R\u0026amp;B, jazz, and rock across two adventurous sets.\u003c\/p\u003e\n\n\u003cp\u003eExtended takes on Saunders's own \u003cstrong\u003e\"Man-Child\"\u003c\/strong\u003e and \u003cstrong\u003e\"Save Mother Earth\"\u003c\/strong\u003e anchor the performance, alongside rare gems including David Crosby's \u003cstrong\u003e\"The Wall Song,\"\u003c\/strong\u003e Stevie Wonder's \u003cstrong\u003e\"I Was Made to Love Her,\"\u003c\/strong\u003e a smoking \u003cstrong\u003e\"Mystery Train,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Keystone Korner Jam.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Man-Child (17:36)\u003cbr\u003e\n1-2. One Kind Favor (9:34)\u003cbr\u003e\n1-3. I Know It's A Sin (6:53)\u003cbr\u003e\n1-4. I Was Made To Love Her (9:58)\u003cbr\u003e\n1-5. Keystone Korner Jam (16:38)\u003cbr\u003e\n1-6. The Night They Drove Old Dixie Down (5:04)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Save Mother Earth (25:19)\u003cbr\u003e\n2-2. That's All Right (8:28)\u003cbr\u003e\n2-3. The Wall Song (12:45)\u003cbr\u003e\n2-4. Mystery Train (6:44)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882442323\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.4.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820114075,"sku":"168487","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-15-May-21st-1971-Keystone-Korner-2-CD.jpg?v=1776108276"},{"product_id":"jerry-garcia-band-garcialive-volume-19-october-31st-1992-oakland-coliseum-arena-cd","title":"Jerry Garcia Band – GarciaLive Vol. 19: October 31st, 1992 Oakland Coliseum Arena (2–CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eFor generations of students taking college entrance exams, there has been an oft-repeated adage: that test-takers get a few hundred points just for showing up. If, after his experience in a coma a few months earlier, this was Jerry Garcia’s test- a first performance back onstage- he got about 17,000 points just for showing up. The roar of those 17,000 filling the Oakland Coliseum Arena on Halloween night are just what the aging Captain needed to hear, and for the next two-and-a-half hours he gives them just what they needed: the music of the Jerry Garcia Band, and the assurance that he was, indeed, back.\u003c\/p\u003e\u003cp\u003eWith the first-set selections each hovering around the seven-minutes-and-change mark, that seems to be the sweet spot of expendable energy for the opening “How Sweet It Is (To Be Loved By You)” through to the closing “Deal.” Garcia stretches “The Night They Drove Old Dixie Down” a bit longer than its counterparts, but otherwise the nine songs tend to cruise at similar altitudes, with Jerry’s relatively paced and relaxed guitar work and Melvin Seals’ flash of keyboards finding their peaks. Garcia’s voice is of fine vintage the entire evening, crackling with understood vulnerability on “The Maker,” against the always steadying backdrop of his loyal singers, Gloria Jones and Jacklyn LaBranch.\u003c\/p\u003e\u003cp\u003eThe comeback show, as far as repertoire and approach, is not unlike others of its era, nor should it be; it was Garcia’s style to underplay if not completely ignore any personal significance. A simple “So, how ya’ll doing?” is the majority of his communication with the hometown capacity crowd, ahead of the sly wink of Chuck Berry’s, “You Never Can Tell (C’est La Vie).” Such is life for this old folk.\u003c\/p\u003e\u003cp\u003eThe highlight of the second half- and possibly the show- is on its set starter, “Shining Star.” Performed with gentle hands and effortless restraint, the soulful cover of The Manhattans’ classic falls like leaves of orange and red from the weathering trees, wafting down and landing with a whisper. At over 12 minutes, it’s the showcase track of the autumnal night and all the proof anyone could ask for that Jerry Garcia could move an arena as one.\u003c\/p\u003e\u003cp\u003eThe second set is also slightly greasier than the first, and Garcia and Seals do get a bit fiery when the mood is right on “Tore Up Over You.” The ensemble returns for the now-hallowed favorite of this holiday, borrowed over from Garcia’s days with the Dead- Warren Zevon’s “Werewolves of London.” If it’s a bit ragged, it’s all forgiven; most costumes get that way by the end of the night. More important is everything that came before that last rocking encore, as Garcia and his band conjured up the spirits to dance once again.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/11\/10\/jerry-garcia-band-garcialive-volume-19-oakland-coliseum-arena-october-31-1992\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHalloween has always carried weight in the Bay Area concert calendar, but this particular night hit different. Garcia had nearly died that summer, and the Oakland faithful showed up knowing they might be witnessing something they'd almost lost forever; the joy in that room was inseparable from the relief.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 19\u003c\/em\u003e documents one of the most emotionally charged nights in \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e history — his triumphant return to the stage on Halloween, October 31, 1992, at the Oakland Coliseum Arena, just three months after a health crisis so severe it forced the cancellation of an entire Grateful Dead tour. Slimmed down and in great spirits, Garcia took the stage to 17,000 roaring fans, and the setlist reflects the significance of the moment. Mastered from \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e's original soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals — what \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e himself dubbed \"the magic band.\" A poignant \u003cstrong\u003e\"The Maker\"\u003c\/strong\u003e opens the emotional core of the evening; \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e stuns with its lush harmonies to open Set Two; and the night closes with a rousing Halloween encore of \u003cstrong\u003e\"Werewolves of London.\"\u003c\/strong\u003e The package includes liner notes and previously unpublished photos from the festivities, which included a costume contest judged by \u003cstrong\u003eKen Kesey\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThe Maker\u003c\/li\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eWonderful World\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003cli\u003eWerewolves of London (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882536527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.28.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187820441755,"sku":"483345","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-19-October-31st-1992-Oakland-Coliseum-Arena-2-CD.jpg?v=1776108369"},{"product_id":"jerry-garcia-band-garcialive-vol-3-legion-of-mary-december-14-15-1974-northwest-tour-cd","title":"Legion of Mary – GarciaLive Vol. 3: December 14-15, 1974 Northwest Tour (3-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLegion of Mary existed in a sweet spot between the Grateful Dead's extended hiatus of 1974 and Garcia's return to that band, giving him room to stretch into territory the Dead rarely touched. With Merl Saunders anchoring the organ and Martin Fierro's saxophone pushing the ensemble toward genuine jazz improvisation, these Oregon nights show Garcia in a deeply collaborative mode, trading phrases rather than soloing over a rhythm section.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe third installment of the GarciaLive archival series presents over two and a half hours of previously unreleased music from one of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e's most experimental and revered projects: \u003cstrong\u003eLegion of Mary.\u003c\/strong\u003e Culled from two consecutive nights in Oregon on what is thought to be the band's first-ever tour, the recordings capture the quintet in an exploratory, jazz-and-soul-infused groove unlike anything in the broader Garcia catalog.\u003c\/p\u003e\n\u003cp\u003eLegion of Mary features \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e on keyboards and vocals, \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on saxophone and flute, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums. Disc One documents the December 14th performance at the Paramount Theatre in Portland; Discs Two and Three present both sets from the December 15th show at the EMU Ballroom in Eugene. Standout moments include an 18-minute \u003cstrong\u003e\"Boogie on Reggae Woman,\"\u003c\/strong\u003e a labyrinthine \u003cstrong\u003e\"Freedom Jazz Dance,\"\u003c\/strong\u003e extended excursions on \u003cstrong\u003e\"Valdez in the Country\"\u003c\/strong\u003e and \u003cstrong\u003e\"Wondering Why,\"\u003c\/strong\u003e and a rollicking closing \u003cstrong\u003e\"Roadrunner.\"\u003c\/strong\u003e Liner notes by \u003cstrong\u003eDarryl Norsen\u003c\/strong\u003e with previously unpublished live photos.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Boogie On Reggae Woman (18:04)\u003c\/div\u003e\n\u003cdiv\u003e2. The Night They Drove Old Dixie Down (7:56)\u003c\/div\u003e\n\u003cdiv\u003e3. Freedom Jazz Dance (13:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Mystery Train (12:30)\u003c\/div\u003e\n\u003cdiv\u003e5. How Sweet It Is (To Be Loved By You) (11:06)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. You Can Leave Your Hat On (16:27)\u003c\/div\u003e\n\u003cdiv\u003e2. Neighbor, Neighbor (12:30)\u003c\/div\u003e\n\u003cdiv\u003e3. The Night They Drove Old Dixie Down (8:25)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. It's No Use (13:26)\u003c\/div\u003e\n\u003cdiv\u003e2. Valdez In The Country (13:23)\u003c\/div\u003e\n\u003cdiv\u003e3. I Second That Emotion (14:53)\u003c\/div\u003e\n\u003cdiv\u003e4. Wondering Why (24:53)\u003c\/div\u003e\n\u003cdiv\u003e5. Roadrunner (7:26)\u003c\/div\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882190828\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.15.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187829452955,"sku":"556694","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Legion-of-Mary-GarciaLive-Vol_-3-December-14-15-1974-Northwest-Tour-3-CD.jpg?v=1776108443"},{"product_id":"jerry-garcia-band-garcialive-vol-2-august-5th-1990-greek-theater-2-cd","title":"Jerry Garcia Band – GarciaLive Vol.2: August 5th, 1990, Greek Theatre (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Greek Theatre in Berkeley was practically a second home for Garcia, and summer nights there had a particular magic that regulars still talk about decades later. Béla Fleck's cameo here is a genuine rarity, a reminder that Garcia's musical friendships crossed every genre boundary, and that any given JGB show could turn into something you'd spend years trying to describe to someone who wasn't there.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume Two\u003c\/em\u003e captures the classic latter-era lineup of the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at the Greek Theatre in Berkeley on August 5, 1990 — featuring \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals. Recorded during a fruitful period that also yielded the releases \u003cem\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003eHow Sweet It Is\u003c\/em\u003e, the show is a showcase for the JGB at their most fluid and expansive.\u003c\/p\u003e\n\n\u003cp\u003eSet One moves confidently through \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e a brooding \u003cstrong\u003e\"Tears of Rage,\"\u003c\/strong\u003e and a scorching \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e Set Two opens with a special guest appearance by banjo virtuoso \u003cstrong\u003eBéla Fleck\u003c\/strong\u003e, who kicks things off with a fiery \u003cstrong\u003e\"Midnight Moonlight\"\u003c\/strong\u003e and an otherworldly run through Jimmy Cliff's \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e before the band closes the night with a towering \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. How Sweet It Is (To Be Loved By You) (7:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Stop That Train (6:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Forever Young (7:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Run For The Roses (5:50)\u003c\/div\u003e\n\u003cdiv\u003e5. That's What Love Will Make You Do (8:06)\u003c\/div\u003e\n\u003cdiv\u003e6. My Sisters And Brothers (4:15)\u003c\/div\u003e\n\u003cdiv\u003e7. Tears Of Rage (8:16)\u003c\/div\u003e\n\u003cdiv\u003e8. Deal (8:34)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Midnight Moonlight (7:26)\u003c\/div\u003e\n\u003cdiv\u003e2. The Harder They Come (10:46)\u003c\/div\u003e\n\u003cdiv\u003e3. And It Stoned Me (6:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Waiting For A Miracle (6:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Evangeline (4:22)\u003c\/div\u003e\n\u003cdiv\u003e6. Think (7:01)\u003c\/div\u003e\n\u003cdiv\u003e7. That Lucky Old Sun (8:22)\u003c\/div\u003e\n\u003cdiv\u003e8. Tangled Up In Blue (11:19)\u003c\/div\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882186623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187830534299,"sku":"295690","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959403458715-cd-relix.png?v=1776288629"},{"product_id":"jerry-garcia-before-the-dead-4-cd","title":"Jerry Garcia – Before The Dead (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLong before the Wall of Sound or the psychedelic sprawl of the Fillmore, Garcia was a young musician woodshedding through the American folk revival, absorbing Bill Monroe, Mississippi John Hurt, and the Carter Family with the same intensity he'd later bring to improvisation. These recordings capture the formative years when Garcia and Hunter were still figuring out who they were, playing coffeehouses and living rooms in the Bay Area folk scene that would quietly lay the groundwork for everything that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eBefore the Dead\u003c\/em\u003e brings together a rare collection of the earliest known performances by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e. From an informal 1961 recording of folk songs at a birthday party — featuring future songwriting partner \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e — to polished coffeehouse gigs with old-timey and bluegrass bands through 1964, the collection showcases Garcia's deep immersion in American folk tradition and the musical roots that would shape the Grateful Dead.\u003c\/p\u003e\n\n\u003cp\u003eAcross four discs and 84 tracks, Garcia works through an extraordinary range of material: Appalachian folk songs, old-time fiddle tunes, bluegrass standards, country blues, and gospel — performed with the kind of reverence and technical seriousness that defined his early years as a musician. An essential document for anyone who wants to understand where Garcia came from.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Santy Anno (2:15)\u003cbr\u003e\n1-2. I Got A Home In That Rock (1:46)\u003cbr\u003e\n1-3. Oh, Mary Don't You Weep (3:31)\u003cbr\u003e\n1-4. All My Trials (4:01)\u003cbr\u003e\n1-5. I Was Born Then Thousand Years Ago (2:12)\u003cbr\u003e\n1-6. Blow The Candles Out (2:02)\u003cbr\u003e\n1-7. Rake And A Rambling Boy (1:31)\u003cbr\u003e\n1-8. Trouble In Mind (3:10)\u003cbr\u003e\n1-9. Brown's Ferry Blues (2:31)\u003cbr\u003e\n1-10. Jesse James (4:13)\u003cbr\u003e\n1-11. Down In The Willow Garden (1:48)\u003cbr\u003e\n1-12. Long Lonesome Road (2:39)\u003cbr\u003e\n1-13. Railroad Bill (3:17)\u003cbr\u003e\n1-14. The Wagoner's Lad (3:00)\u003cbr\u003e\n1-15. Katie Cruel (3:40)\u003cbr\u003e\n2-1. Cannonball Blues (3:02)\u003cbr\u003e\n2-2. Little Birdie (3:17)\u003cbr\u003e\n2-3. Sally Goodin (2:06)\u003cbr\u003e\n2-4. Hold That Woodpile Down (3:32)\u003cbr\u003e\n2-5. Legend Of The Johnson Boys (3:10)\u003cbr\u003e\n2-6. Shady Grove (2:49)\u003cbr\u003e\n2-7. Sweet Sunny South (3:13)\u003cbr\u003e\n2-8. Man Of Constant Sorrow (2:26)\u003cbr\u003e\n2-9. Band Introductions (1:12)\u003cbr\u003e\n2-10. Roving Gambler (3:46)\u003cbr\u003e\n2-11. Ground Speed (1:29)\u003cbr\u003e\n2-12. Pig In A Pen (2:15)\u003cbr\u003e\n2-13. Standing In The Need Of Prayer (2:09)\u003cbr\u003e\n2-14. Flint Hill Special (2:00)\u003cbr\u003e\n2-15. Nine Pound Hammer (2:42)\u003cbr\u003e\n2-16. Handsome Molly (2:19)\u003cbr\u003e\n2-17. Clinch Mountain Backstep (1:18)\u003cbr\u003e\n2-18. Think Of What You've Done (2:41)\u003cbr\u003e\n2-19. Cripple Creek (1:24)\u003cbr\u003e\n2-20. All The Good Times Have Past And Gone (3:07)\u003cbr\u003e\n2-21. Billy Grimes, The Rover (2:42)\u003cbr\u003e\n2-22. Paddy On The Turnpike (Boys, My Money's All Gone) (1:38)\u003cbr\u003e\n2-23. Run Mountain (4:11)\u003cbr\u003e\n2-24. Sugar Baby (3:52)\u003cbr\u003e\n2-25. Sitting On Top Of The World (3:37)\u003cbr\u003e\n3-1. Roll In My Sweet Baby's Arms (3:25)\u003cbr\u003e\n3-2. Jerry's Breakdown (2:08)\u003cbr\u003e\n3-3. Standing In The Need Of Prayer (2:39)\u003cbr\u003e\n3-4. Mule Skinner Blues (3:23)\u003cbr\u003e\n3-5. Saturday Night Shuffle (2:05)\u003cbr\u003e\n3-6. Pike Country Breakdown (1:44)\u003cbr\u003e\n3-7. The Little Sparrow (3:25)\u003cbr\u003e\n3-8. We Shall Not Be Moved (2:41)\u003cbr\u003e\n3-9. Deep Elem Blues (3:17)\u003cbr\u003e\n3-10. Will The Weaver (3:14)\u003cbr\u003e\n3-11. I Truly Understand (3:20)\u003cbr\u003e\n3-12. Long Black Veil (4:28)\u003cbr\u003e\n3-13. The Man Who Wrote Home Sweet Home Never Was A Married Man (3:38)\u003cbr\u003e\n3-14. Foggy Mountain Top (3:13)\u003cbr\u003e\n4-1. Barefoot Nellie (3:41)\u003cbr\u003e\n4-2. She's More To Be Pitied (3:26)\u003cbr\u003e\n4-3. Noah's Breakdown (2:18)\u003cbr\u003e\n4-4. Who Will Sing For Me? (2:07)\u003cbr\u003e\n4-5. Salt Creek (2:19)\u003cbr\u003e\n4-6. Monroe's Hornpipe (Jody's Hornpipe) (1:51)\u003cbr\u003e\n4-7. Rosa Lee McFall (2:31)\u003cbr\u003e\n4-8. John Hardy\/Closing Theme (1:26)\u003cbr\u003e\n4-9. Katie Kline (3:17)\u003cbr\u003e\n4-10. Walkin' The Dog (2:10)\u003cbr\u003e\n4-11. Paddy On The Turnpike (Boys, My Money's All Gone) (3:12)\u003cbr\u003e\n4-12. Love And Wealth (2:19)\u003cbr\u003e\n4-13. Sourwood Mountain (0:45)\u003cbr\u003e\n4-14. If I Lose (2:16)\u003cbr\u003e\n4-15. Homestead On The Farm (I Wonder How The Old Folks Are At Home) (2:20)\u003cbr\u003e\n4-16. Stoney Creek (2:24)\u003cbr\u003e\n4-17. Salty Dog Blues (2:21)\u003cbr\u003e\n4-18. Love Please Come Home (2:21)\u003cbr\u003e\n4-19. Make Me A Pallet On The Floor (2:27)\u003cbr\u003e\n4-20. Darlin' Allalee (2:08)\u003cbr\u003e\n4-21. In The Pines (3:25)\u003cbr\u003e\n4-22. Raw Hide (2:32)\u003cbr\u003e\n4-23. Black Mountain Rag (2:12)\u003cbr\u003e\n4-24. True Life Blues (2:21)\u003cbr\u003e\n4-25. Medley: Devil's Dream - Sailor's Hornpipe (1:45)\u003cbr\u003e\n4-26. Drink Up And Go Home (3:05)\u003cbr\u003e\n4-27. These Men Of God (3:14)\u003cbr\u003e\n4-28. Roll On Buddy (2:11)\u003cbr\u003e\n4-29. Goodbye Old Pal (1:50)\u003cbr\u003e\n4-30. Back Up And Push (1:10)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882302528\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.11.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187831550107,"sku":"187384","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Before-The-Dead-4-CD.png?v=1776108865"},{"product_id":"jerry-garcia-john-kahn-garcialive-volume-14-january-27th-1986-the-ritz-cd","title":"Jerry Garcia \u0026 John Kahn – GarciaLive Vol. 14: January 27th, 1986 The Ritz (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1986, Jerry Garcia and John Kahn had been playing together for over a decade, and their acoustic duo shows captured something the full band rarely could: pure conversation between two musicians who knew each other's instincts completely. The Ritz, one of New York's premier rock venues of the era, gave this intimate format an unlikely stage, and the crowd got something closer to a front-porch session than a concert.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 14\u003c\/em\u003e showcases a buoyant acoustic performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and longtime friend and bassist \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e during the middle of a rare duo tour. Recorded on January 27, 1986 at The Ritz in New York City, Garcia and Kahn deliver two exquisite sets featuring Grateful Dead favorites — \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bird Song\"\u003c\/strong\u003e — alongside spirited takes on Bob Dylan's \u003cstrong\u003e\"When I Paint My Masterpiece\"\u003c\/strong\u003e and \u003cstrong\u003e\"Simple Twist of Fate,\"\u003c\/strong\u003e plus deep cuts like \u003cstrong\u003e\"Deep Elem Blues,\"\u003c\/strong\u003e \u003cstrong\u003e\"Little Sadie,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Spike Driver Blues.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDeep Elem Blues\u003c\/li\u003e\n\u003cli\u003eLittle Sadie\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eOh Babe, It Ain't No Lie\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDire Wolf\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eSpike Driver Blues\u003c\/li\u003e\n\u003cli\u003eBird Song\u003c\/li\u003e\n\u003cli\u003eRipple\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eEncore\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGoodnight Irene\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882416621\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832565915,"sku":"547360","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-John-Kahn-GarciaLive-Vol_-14-January-27th-1986-The-Ritz-CD.jpg?v=1776109097"},{"product_id":"jerry-garcia-merl-saunders-garcialive-vol-18-november-2nd-1974-keystone-berkeley-2-cd","title":"Jerry Garcia \u0026 Merl Saunders – GarciaLive Vol. 18: November 2nd, 1974 - Keystone Berkeley (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOne of the more appetizing aspects among many in the GarciaLive series- this one, number 18- is the way in which the performances chosen among the dozen and a half so far define the variety of work in Jerry Garcia’s career. It’s easy enough to regale the guitarist, singer, and songwriter as the Pied Piper of the Deadheads, and the description would not be unfair, yet it only touches on the most obvious of Garcia’s guises. Less apparent, and epitomized with this two-disc set, is the club-haunting Jerry delving into bluesy jazz and soul; the consummate teammate within a Bay Area all-star configuration equally as willing to support a honking Martin Fierro sax solo or a tasty Merl Saunders keyboard run.\u003c\/p\u003e\u003cp\u003eTaken from a November 2,1974 appearance at Keystone Berkeley, Garcia and a quartet commandeer the local club for an evening of covers rendered in R\u0026amp;B, even dipped, at times, in a glaze of fusion. It’s familiar in its showcase of Jerry’s proclivity for a good jam, but it’s also relatively inconspicuous; Garcia, beyond the recognizable voice and guitar work, plays comfortably the roles of both support and lead. When Fierro stretches on flute, or Saunders fronts the vocal, Garcia slides into the background with as much maturity and skill as he does helming Jimmy Cliff’s “The Harder They Come” or Bob Dylan’s “Tough Mama;” the former, an adroit choice at the time for the eclectic repertoire; the movie and its soundtrack a somewhat niche release only two years prior.\u003c\/p\u003e\u003cp\u003eStretch these five do, (on the ten tracks only one comes in under five minutes), conjoining a late set, twenty-minutes-plus take on the Saunders original, “Wondering Why,” with “People Make the World Go Round.” The closing ride on “Mystery Train,” a Junior Parker blues popularized by Elvis Presley, is a rousing finale, running almost 15 minutes itself. Still, this is very much the egalitarian work of a talented ensemble, not a star-trip for the Captain. Nothing is more pervasive within the distinguished musicianship than the generosity of space and time for each and all of the five to have their fun, individually and collectively. The result is another face of Garcia and another night of wonderful music captured and shared.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/07\/22\/garcialive-volume-18-keystone-berkeley-november-2-1974\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Keystone Berkeley run was Jerry's home away from home during the mid-70s, a small room in the East Bay where he could stretch out without the weight of the Dead's amphitheater expectations. By late 1974, the Garcia-Saunders band had been working together for several years, and the telepathy between them was deep and unguarded. Betty Cantor-Jackson's recordings from this era have a warmth and intimacy that match the music perfectly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eProduced from the original 1\/4\" analog master reels by \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e, \u003cem\u003eGarciaLive Vol. 18\u003c\/em\u003e presents a previously uncirculated complete two-set performance from the legendary Keystone Berkeley, recorded November 2, 1974. Garcia and Saunders are joined by \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on saxophone and flute, and Paul Humphrey on drums for genre-bending explorations of R\u0026amp;B, reggae, jazz, and rock.\u003c\/p\u003e\n\n\u003cp\u003eThe first set is a monster — a seamless fusion of Donny Hathaway's \u003cstrong\u003e\"Valdez in the Country,\"\u003c\/strong\u003e Jimmy Cliff's \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and Randy Newman's \u003cstrong\u003e\"You Can Leave Your Hat On\"\u003c\/strong\u003e that destroys any notion of genre. The second set delivers a super-charged \u003cstrong\u003e\"Freedom Jazz Dance,\"\u003c\/strong\u003e an extended \u003cstrong\u003e\"Wondering Why\"\u003c\/strong\u003e flowing into \u003cstrong\u003e\"People Make the World Go Round,\"\u003c\/strong\u003e and a fiery closing \u003cstrong\u003e\"Mystery Train.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeighbor, Neighbor\u003c\/li\u003e\n\u003cli\u003eValdez in the Country\u003c\/li\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eYou Can Leave Your Hat On\u003c\/li\u003e\n\u003cli\u003eThat's the Touch I Like\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFreedom Jazz Dance\u003c\/li\u003e\n\u003cli\u003eTough Mama\u003c\/li\u003e\n\u003cli\u003eWondering Why\u003c\/li\u003e\n\u003cli\u003ePeople Make the World Go Round\u003c\/li\u003e\n\u003cli\u003eMystery Train\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882445928\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.10.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832631451,"sku":"114022","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Merl-Saunders-GarciaLive-Vol_-18-November-2nd-1974-Keystone-Berkeley-2-CD_9db423b3.jpg?v=1776109118"},{"product_id":"jerry-garcia-band-pure-jerry-coliseum-hampton-va-november-9-1991-rsd-black-friday-2022-lp-vinyl","title":"Jerry Garcia Band – Pure Jerry: Coliseum, Hampton, VA, November 9, 1991 (5–LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Fall '91 run is widely considered one of the JGB's finest stretches, with Garcia's guitar voice carrying a clarity and emotional directness that longtime followers still talk about. Hornsby had been deep in the Grateful Dead orbit since joining as an unofficial member around 1990, but his appearance here on electric piano alongside Melvin Seals created a keyboard pairing that never happened again in this configuration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRegarded as one of several standouts from the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's landmark Fall '91 tour, this stop in Hampton, Virginia is certainly worthy of its lore. In addition to all the hallmarks of a quintessential latter-era JGB performance, this night featured a very special guest: Virginia's own \u003cstrong\u003eBruce Hornsby\u003c\/strong\u003e, joining on electric piano for the first and only time.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals. The setlist is well-balanced throughout — mixing road-tested staples like \u003cstrong\u003e\"How Sweet It Is (To Be Loved by You)\"\u003c\/strong\u003e and \u003cstrong\u003e\"The Night They Drove Old Dixie Down\"\u003c\/strong\u003e with more recent additions like Van Morrison's \u003cstrong\u003e\"Bright Side of the Road\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"What A Wonderful World.\"\u003c\/strong\u003e Playing with Hornsby always seemed to ignite a spark in Garcia, and this proved no exception — their potent chemistry fueling lively versions of \u003cstrong\u003e\"Ain't No Bread in the Breadbox,\"\u003c\/strong\u003e \u003cstrong\u003e\"You Never Can Tell (C'est La Vie),\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Midnight Moonlight.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePressed to five 180-gram LPs in a limited edition of 7,500, housed in a deluxe clamshell box with new artwork by \u003cstrong\u003eGraham Yarrington\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 1 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 1 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 2 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 2 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 3 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBright Side of the Road\u003c\/li\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 3 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eThink\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 4 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Shall Be Released\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 4 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 5 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eWhat A Wonderful World (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882468910\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.25.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187832729755,"sku":"515340","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Pure-Jerry-Coliseum-Hampton-VA-November-9-1991-5-LP-Vinyl.webp?v=1776109130"},{"product_id":"jerry-garcia-john-kahn-pure-jerry-marin-veterans-memorial-auditorium-san-rafael-ca-february-28-1986-rsd-black-friday-2023-lp-vinyl","title":"Jerry Garcia \u0026 John Kahn – Pure Jerry: Marin Veterans Memorial Auditorium, San Rafael, CA - February 28, 1986 (2–LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe acoustic duo setting always brought out something unguarded in Garcia, and 1986 found him deep in the format he'd been refining with Kahn since the early 1970s. Just miles from his Marin County home, performing for a local crowd that knew him as a neighbor as much as a legend, Garcia let the folk and jug band roots that shaped him breathe without the electricity of a full band.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003ePure Jerry: Marin Veterans Memorial Auditorium\u003c\/em\u003e showcases a quintessential \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e acoustic duo performance recorded on February 28, 1986. Originally released in 2009, this archival album comes to vinyl for the first time with newly remastered audio and all-new artwork, pressed on \u003cstrong\u003elimited edition gold vinyl\u003c\/strong\u003e in an edition of 7,500 for RSD Black Friday.\u003c\/p\u003e\n\n\u003cp\u003eThe 2-LP set features Grateful Dead fan favorites \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bird Song,\"\u003c\/strong\u003e alongside folk and blues staples like \u003cstrong\u003e\"Deep Elem Blues,\"\u003c\/strong\u003e \u003cstrong\u003e\"Little Sadie,\"\u003c\/strong\u003e \u003cstrong\u003e\"Spike Driver Blues,\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"Goodnight Irene.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDeep Elem Blues\u003c\/li\u003e\n\u003cli\u003eLittle Sadie\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eSpike Driver Blues\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003cli\u003eDire Wolf\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJack-A-Roe\u003c\/li\u003e\n\u003cli\u003eOh Babe, It Ain't No Lie\u003c\/li\u003e\n\u003cli\u003eBird Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRipple\u003c\/li\u003e\n\u003cli\u003eGoodnight Irene\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882577612\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.24.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833221275,"sku":"357469","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-John-Kahn-Pure-Jerry-Marin-Veterans-Memorial-Auditorium-San-Rafael-CA-February-28-1986-2-LP-Vinyl.jpg?v=1776109252"},{"product_id":"jerry-garcia-band-garcialive-volume-17-norcal-76-cd","title":"Jerry Garcia Band – GarciaLive Vol. 17: NorCal 1976 (3-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eTalk about peaking. Even though the 17th installment of the GarciaLive series breaks a bit from most of the others in the terrific ongoing chain of archival sets- as it is a compilation of cuts from several shows rather than a singular, complete performance- its chosen tracks and sequencing approximate well a Jerry Garcia Band '76 concert. And with the standout version of \"Mighty High\" closing the three-disc volume, it is one not to be missed.\u003c\/p\u003e\u003cp\u003eDuring that Bicentennial year, Garcia was moving between circles of the Grateful Dead- in a limited year of touring- and his own JGB. Not to mention releasing an underrated nugget of an album, Reflections, featuring the Dead on half and his session band on the remainder. The record would include songs that became regulars on setlists for both entities- \"Might As Well,\" \"Mission In The Rain,\" \"They Love Each Other,\" to name three.\u003c\/p\u003e\u003cp\u003eThat fall, when the Garcia Band undertook a run of appearances in Northern California including several university dates, it was a time, as the album's title suggested, of reflection; not looking back, but more a mirror image of where Garcia was at in the moment. Sharing an obvious kinship with Keith Godchaux (keyboards) and his wife, Donna Jean (vocals), who doubled in those roles with the Dead, as well as a growing bond with bassist John Kahn and drummer Ron Tutt, Garcia's singing and playing sparkle with unconcerned liberation.\u003c\/p\u003e\u003cp\u003eThe opening pairing of \"Sugaree\" and \"They Love Each Other\" is top-shelf stuff; sounding as much like his other band as ever. Garcia, as well, touches upon some contemporaries for covers, exposing reggae to his faithful through Bob Marley's \"Stir It Up,\" and the backroad swing of J.J. Cale's \"After Midnight,\" while friskily bopping on his Reflections cut, \"I'll Take A Melody.\" Still, it's the \"Mighty High\" finale, from an unknown show date, that sits atop the mountain, surging with an inspired tempo, group chemistry, and fiery flurries from Godchaux and Garcia that never lack for incandescent ideas.\u003c\/p\u003e\u003cp\u003eWith a determined freedom, this is the Jerry Garcia Band emblazing the Norcal scene with its spirit of '76.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jerry-garcia-band-garcialive-volume-17-norcal-76\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Jerry Garcia Band of 1976 operated in a different headspace than the Dead, built around tighter song structures and Garcia's love of R\u0026amp;B, soul, and country alongside his own compositions. Having Keith and Donna Jean Godchaux in the lineup created a rare overlap between the two bands, giving these Northern California club and campus dates a looseness and familiarity that crackles through Betty Cantor-Jackson's recordings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 17: NorCal '76\u003c\/em\u003e presents highlights from three standout \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e performances captured over a single week in Northern California — November 7th at the Keystone in Berkeley, November 12th at Freeborn Hall, UC Davis, and November 13th at the East Gym, Humboldt State University in Arcata. While reel damage, tape loss, and other technical issues prevent the release of complete shows, what remains of \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e's original recordings represents some of the finest performances from this iteration of the JGB.\u003c\/p\u003e\n\n\u003cp\u003e1976 marked a period of transition for Garcia, who welcomed fellow Grateful Dead members \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards and \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals into the fold alongside mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums. Garcia himself extolled the group's harmonious sound, and the chemistry is unmistakable throughout — from a fiery opening \u003cstrong\u003e\"Sugaree\"\u003c\/strong\u003e and sublime \u003cstrong\u003e\"Catfish John\"\u003c\/strong\u003e bolstered by \u003cstrong\u003eDonna Jean\u003c\/strong\u003e's harmonies, to a driving \u003cstrong\u003e\"Russian Lullaby,\"\u003c\/strong\u003e \u003cstrong\u003e\"Tore Up Over You,\"\u003c\/strong\u003e and a reggae-infused \u003cstrong\u003e\"Stir It Up.\"\u003c\/strong\u003e Liner notes by longtime Garcia road manager \u003cstrong\u003eSteve Parish\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: \"Mighty High\" is sourced from an undated recording believed to be from this period.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSugaree \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatfish John \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You) \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eRussian Lullaby \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTore Up Over You \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eI'll Take a Melody \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAfter Midnight \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eStir It Up \u003cem\u003e(11\/7\/76, Keystone Berkeley)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMystery Train \u003cem\u003e(11\/13\/76, Humboldt State)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Way You Do the Things You Do \u003cem\u003e(11\/12\/76, UC Davis)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMighty High \u003cem\u003e(1976, unknown)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882444426\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.12.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833254043,"sku":"542657","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-17-NorCal-1976-3-CD.jpg?v=1776109255"},{"product_id":"jerry-garcia-band-1989-the-long-island-sound-cd","title":"Jerry Garcia Band – Fall 1989: The Long Island Sound (6–CD Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1989, the Jerry Garcia Band had settled into one of its most consistently inspired configurations, with Melvin Seals' organ work and the voices of Gloria Jones and Jaclyn LaBranch pushing Garcia toward some of his most soulful electric playing. The Weir\/Wasserman acoustic opening sets added a rare intimacy to these East Coast arena nights, making each show a study in contrast and community.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA 6-CD box set featuring two complete, previously unreleased performances from the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and \u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e, recorded live during the acclaimed Fall 1989 East Coast tour. Captured by \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e to 2-track DAT and mastered by \u003cstrong\u003eJoe Gastwirt\u003c\/strong\u003e, the collection presents over five and a half hours of music from two consecutive nights — September 5th at the Hartford Civic Center in Hartford, CT and September 6th at Nassau Coliseum in Uniondale, NY.\u003c\/p\u003e\n\n\u003cp\u003eEach night, the acoustic duo of \u003cstrong\u003eBob Weir\u003c\/strong\u003e and \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e opened the show before the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e took the stage for two full electric sets — featuring the classic JGB lineup of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e. Highlights across the two nights include Weir\/Wasserman's adventurous takes on \u003cstrong\u003e\"Desolation Row,\"\u003c\/strong\u003e \u003cstrong\u003e\"Looks Like Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Heaven Help the Fool,\"\u003c\/strong\u003e and JGB standouts like \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e Cover art by \u003cstrong\u003eStanley Mouse\u003c\/strong\u003e, with liner notes by \u003cstrong\u003eBlair Jackson\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: This collection contains audio with some sonic imperfections inherent to the original recordings, most notably distortion on Jerry's vocal during \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e — consistent with what audiences experienced in person.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFestival\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eK.C. Moan\u003c\/li\u003e\n\u003cli\u003eDesolation Row\u003c\/li\u003e\n\u003cli\u003eLooks Like Rain\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eVictim or the Crime\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 1\u003c\/li\u003e\n\u003cli\u003eThrowing Stones\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003cli\u003eLike a Road\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eGomorrah\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eLonesome and a Long Way from Home\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 4 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalking Blues\u003c\/li\u003e\n\u003cli\u003eCity Girls\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eBlackbird\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eShade of Grey\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eEasy to Slip\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 2\u003c\/li\u003e\n\u003cli\u003eHeaven Help the Fool\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 5 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eMississippi Moon\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 6 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882193423\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.8.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833909403,"sku":"267534","price":279.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Fall-1989-The-Long-Island-Sound-6-CD-Box-Set.jpg?v=1776109367"},{"product_id":"jerry-garcia-band-garcialive-volume-16-november-15th-1991-madison-square-garden-cd","title":"Jerry Garcia Band – GarciaLive Vol. 16: November 15th, 1991 Madison Square Garden (3–CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIt’s especially nice when substance aligns with sentiment. The 16th installment of the GarciaLive series issues a complete concert drawn from the Jerry Garcia Band’s debut at Madison Square Garden in November of 1991. Fortunately, it’s so strong a performance at the hallowed New York City venue that it probably would’ve bullied its way to being released regardless of its historical significance.\u003c\/p\u003e\u003cp\u003eThe three-disc collection captures Garcia bringing his solo group for its first appearance at Manhattan’s mecca, though the greying guitarist and singer had been there plenty of times in his day job with the Grateful Dead, including just a few months prior. Still, Jerry (and Dead) fans knew these were separate wells meant to be visited often. And, as any fan also knew, even though the repertoire of a Jerry show was relatively consistent, it was, as always, the performance that mattered most.\u003c\/p\u003e\u003cp\u003eTrue enough, the MSG setlist is loaded with JGB standards, touching off with “How Sweet It Is (To Be Loved By You),” that, if not for being a regular in the song rotation, would seem like an acknowledgement of gratitude to the NYC faithful that packed, and necessitated graduating Garcia to, the world’s most famous arena. Jerry returns the love with a conspicuously tight and inspired array of musicianship. Adrenalin shots come from a set-one closing “Deal,” and a set-two recharge, “Ain’t No Bread in the Breadbox,” while a tranquil “Simple Twist of Fate,” with elbow room for John Kahn’s peaceful bass, and a gorgeously placid reading of “Shining Star” rock-a-bye the Garden party.\u003c\/p\u003e\u003cp\u003eMelvin Seals is mesmerizing as he dresses “The Way You Do The Things You Do” with spritely vibes. Equally Seals owns “That Lucky Old Sun,” as Garcia modestly supports the keyboardist’s commanding blooms. And while the final two entries- “Bright Side of the Road” and “(What A) Wonderful World”- can’t help but symbolically reinforce the night’s obvious sentiment, it’s the accompanying musical substance of this captivating crew and its captain that cement this blissful evening into the annals of the Jerry Garcia Band.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2021\/08\/21\/jerry-garcia-band-garcialive-volume-16-madison-square-garden-november-15-1991\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe JGB in the fall of 1991 was operating at a remarkable peak, with Garcia's guitar work carrying a clarity and emotional directness that longtime followers still cite as some of his finest in that format. Madison Square Garden, a room the Grateful Dead had made synonymous with New York ritual, took on a different intimacy when Garcia brought his smaller, tighter unit through, with Melvin Seals and the vocalists pushing the material somewhere the Dead never quite went.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 16\u003c\/em\u003e presents the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's debut performance at Madison Square Garden — November 15, 1991, at the midpoint of their legendary Fall '91 tour. Though just two months removed from the Grateful Dead's sold-out 9-night residency at the Garden, the crowd's eruption as the houselights dimmed revealed the immense excitement for Garcia's return. Produced from two-track soundboard recordings meticulously remastered for release, with liner notes by Relix editor-in-chief \u003cstrong\u003eDean Budnick\u003c\/strong\u003e featuring reflections from \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e. Blues Traveler opened the show.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e on backing vocals. Love is the central theme throughout the evening — from Van Morrison's \u003cstrong\u003e\"He Ain't Give You None\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bright Side of the Road\"\u003c\/strong\u003e to Smokey Robinson's \u003cstrong\u003e\"The Way You Do the Things You Do\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"(What A) Wonderful World\"\u003c\/strong\u003e encore. A poignant \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e became the centerpiece of the release's promotional campaign.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStruggling Man\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — Set Two (cont.) \u0026amp; Encore\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eThat Lucky Old Sun\u003c\/li\u003e\n\u003cli\u003eBright Side of the Road\u003c\/li\u003e\n\u003cli\u003e(What A) Wonderful World (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882442422\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835711643,"sku":"102276","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-16-November-15th-1991-Madison-Square-Garden-3-CD.jpg?v=1776109680"},{"product_id":"jerry-garcia-electric-on-the-eel-6cd-box-set","title":"Jerry Garcia Band – Electric On The Eel (6-CD Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFrench's Camp on the Eel River was one of those rare venues where the JGB could stretch out in an almost private setting, playing to a community of devoted fans rather than an arena crowd. These three summer nights spanning 1987 to 1991 document the band at different points in its evolution, with Garcia's guitar work and the tight interplay between Melvin Seals and John Kahn giving each show its own distinct character.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn August 29, 1987, \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e led both the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and the \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e Acoustic Band for performances at French's Camp on the Eel River in Piercy, California. He brought the JGB back to the scenic Northern California venue on June 10, 1989 and August 10, 1991 — and all three electric sets are captured here across this 6-CD box set.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, \u003cem\u003eElectric on the Eel\u003c\/em\u003e presents the JGB in their element: an intimate outdoor setting, deep setlists, and the kind of loose, soulful energy that made this band a beloved institution in its own right. Highlights across the three shows include scorching runs through \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Tangled Up in Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Everybody Needs Somebody to Love,\"\u003c\/strong\u003e alongside JGB staples like \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e \u003cstrong\u003e\"Deal,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Waiting for a Miracle.\"\u003c\/strong\u003e The set also includes a limited edition bonus disc — housed in a separate slipcase jacket and limited to 2,000 units — as a gift with purchase.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. How Sweet It Is (To Be Loved By You) (7:10)\u003cbr\u003e1-2. Forever Young (7:22)\u003cbr\u003e1-3. Get Out Of My Life Woman (6:46)\u003cbr\u003e1-4. Run For The Roses (5:16)\u003cbr\u003e1-5. And It Stoned Me (6:14)\u003cbr\u003e1-6. My Sisters And Brothers (4:01)\u003cbr\u003e1-7. Deal (6:58)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e2-1. The Harder They Come (10:25)\u003cbr\u003e2-2. I Shall Be Released (7:28)\u003cbr\u003e2-3. Think (6:36)\u003cbr\u003e2-4. Evangeline (2:57)\u003cbr\u003e2-5. Gomorrah (6:20)\u003cbr\u003e2-6. Let It Rock (6:37)\u003cbr\u003e2-7. That Lucky Old Sun (8:30)\u003cbr\u003e2-8. Tangled Up In Blue (9:43)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e3-1. I'll Take A Melody (10:23)\u003cbr\u003e3-2. They Love Each Other (6:20)\u003cbr\u003e3-3. Get Out Of My Life Woman (7:51)\u003cbr\u003e3-4. Run For The Roses (5:31)\u003cbr\u003e3-5. Stop That Train (8:09)\u003cbr\u003e3-6. Mission In The Rain (7:41)\u003cbr\u003e3-7. My Sisters And Brothers (4:08)\u003cbr\u003e3-8. Deal (7:25)\u003c\/p\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cp\u003e4-1. The Harder They Come (11:16)\u003cbr\u003e4-2. Waiting For A Miracle (6:16)\u003cbr\u003e4-3. I Shall Be Released (10:22)\u003cbr\u003e4-4. Think (6:54)\u003cbr\u003e4-5. I Hope It Won't Be This Way Always (4:50)\u003cbr\u003e4-6. Don't Let Go (14:13)\u003cbr\u003e4-7. Evangeline (3:35)\u003cbr\u003e4-8. That Lucky Old Sun (8:45)\u003cbr\u003e4-9. Tangled Up In Blue (10:30)\u003c\/p\u003e\n\u003ch4\u003eDisc 5\u003c\/h4\u003e\n\u003cp\u003e5-1. The Way You Do The Things You Do (10:41)\u003cbr\u003e5-2. And It Stoned Me (8:25)\u003cbr\u003e5-3. You Never Can Tell [C'est La Vie] (7:08)\u003cbr\u003e5-4. Waiting For A Miracle (5:32)\u003cbr\u003e5-5. Struggling Man (6:34)\u003cbr\u003e5-6. My Sisters And Brothers (4:53)\u003cbr\u003e5-7. Deal (8:18)\u003c\/p\u003e\n\u003ch4\u003eDisc 6\u003c\/h4\u003e\n\u003cp\u003e6-1. Shining Star (11:29)\u003cbr\u003e6-2. Think (7:13)\u003cbr\u003e6-3. Lay Down Sally (8:00)\u003cbr\u003e6-4. Twilight (9:24)\u003cbr\u003e6-5. See What Love Can Do (6:32)\u003cbr\u003e6-6. Lazy Bones (6:28)\u003cbr\u003e6-7. Everybody Needs Somebody To Love (10:25)\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882347529\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.15.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187842789531,"sku":"557550","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Electric-On-The-Eel-6-CD-Box-Set.jpg?v=1776109984"},{"product_id":"jerry-garcia-garcialive-vol-20-june-18th-1982-cape-cod-coliseum-cd","title":"Jerry Garcia – GarciaLive Vol. 20: June 18th, 1982 - Cape Cod Coliseum (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe fandom that surrounds the music of the Grateful Dead—and in this case, the Jerry Garcia Band—is one for which context matters. As the Dead never played the same set from night to night, the what, the where, the when, and the how became integral to an understanding and appreciation of the performance. Look no further than May of 1977 in Grateful Dead lore for the proof.\u003c\/p\u003e\u003cp\u003eSo, too, context mattered in Garcia's solo career. Perhaps not as much, as Jerry Garcia Band drew from a smaller repertoire than the Dead. Yet even with a show as loaded with JGB staples as this one is, the friends of this devil are in the details.\u003c\/p\u003e\u003cp\u003eIn June of 1982, Garcia and his band teamed up with a fellow Dead-on-a-summer-getaway, Bob Weir, and his group, the Midnites, for a joint tour. Garcia also brought along Dead drummer Billy Kreutzmann for the ride. And filled out a septet that partnered his longtime JGB keyboardist, Melvin Seals, with the electric piano of Jimmy Warren, in a unique lineup that immediately grabs the ear on this two-disc, full-show set from the Cape Cod Coliseum in Massachusetts.\u003c\/p\u003e\u003cp\u003eWarren is front and center in the mix on the brightened bounce of \"How Sweet It is (To Be Loved by You), as the opener bubbles away beneath Garcia's ever-effervescent guitar. From there, Garcia saunters through \"Valerie,\" with a knowing bluesman's lament; a scintillating rendition of the Garcia\/Hunter original. Then, with skilled and patient aplomb, the ensemble injects reggae into The Beatles' \"Dear Prudence,\" and then dazzles on the bluegrass undertones of Peter Rowan's \"Mississippi Moon.\" Just four songs in, and this show feels very special.\u003c\/p\u003e\u003cp\u003eGarcia and his band float into the minor-key space of \"Don't Let Go\" for a healthy twenty minutes of interstellar travel, and contrast that with the gentle, earthbound flow downstream on the river of Dylan, for the disc-closing \"Simple Twist of Fate.\" The second-half opens with \"Run for the Roses,\" and its Bertha-like jangle, followed with the wonky, clavinet-led lope of \"They Love Each Other,\" (with Weir, Bobby Cochran, and Billy Cobham sitting-in, but unfortunately unheard).\u003c\/p\u003e\u003cp\u003eAnd then, poof, just like that, it's over.\u003c\/p\u003e\u003cp\u003eThose familiar with full shows from this exceptional GarciaLive series will not doubt notice the shift—sonically, and in personnel—to a four-song excerpt from a June '81 set at The Stone that fills out the rest of the second disc. It's a smartly-chosen fours songs, maintaining the energy and spirit of the Cape set; Garcia really stretches on \"After Midnight\" as it accelerates into cut-time. And while the continuity technically is broken, the mood is not.\u003c\/p\u003e\u003cp\u003eThis 8-song Cape performance by Jerry Garcia Band has all the invention and freedom of a classic show, packed into half the space. The jams are just as lengthy, but steam forward with urgency and intent. Garcia's voice is particularly present and mystical, with a grand storyteller's command of melody and cadence.\u003c\/p\u003e\u003cp\u003eWhich leads back to context, and why this latest volume in the series is a must-have. As Garcia and his band were well-aware of the show's parameters—sharing each night with Weir—and how much less stage time that equaled, they acted accordingly. This was a group comfortable and happy to play shows twice as long as the Cape appearance, but as such, paced those two-set shows as marathons. This one, albeit in its own inimitable JGB way, is a single-set, magical summer sprint on the shore.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2023\/07\/28\/jerry-garcia-band-garcialive-volume-20-june-18th-1982-cape-cod-coliseum\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1982, the Jerry Garcia Band had settled into a deep, soulful groove that felt distinct from anything happening on the Dead's stage. Kreutzmann's presence behind the kit gave the Cape Cod show a particular rhythmic punch, bridging the two worlds Garcia inhabited simultaneously. The bonus Stone material makes this a document of a band still finding new footing, caught live before these configurations dissolved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 20\u003c\/em\u003e showcases the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e during their transitional, high-octane early '80s era — with Grateful Dead drummer \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e behind the kit. The release presents the complete Cape Cod 1982 set, plus 45+ minutes of additional uncirculated selections captured in 1981 at The Stone in San Francisco, all remastered from soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eHighlights include the relative rarity \u003cstrong\u003e\"Valerie,\"\u003c\/strong\u003e a show-stopping \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e and an otherworldly \u003cstrong\u003e\"After Midnight\"\u003c\/strong\u003e — alongside JGB staples \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e \u003cstrong\u003e\"They Love Each Other,\"\u003c\/strong\u003e \u003cstrong\u003e\"Simple Twist of Fate,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e Presented as a 2-CD digipak.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. How Sweet It Is (To Be Loved By You) (10:05)\u003cbr\u003e\n1-2. Valerie (7:05)\u003cbr\u003e\n1-3. Dear Prudence (13:56)\u003cbr\u003e\n1-4. Mississippi Moon (9:58)\u003cbr\u003e\n1-5. Don't Let Go (19:03)\u003cbr\u003e\n1-6. Simple Twist Of Fate (12:19)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Run For The Roses (6:47)\u003cbr\u003e\n2-2. They Love Each Other (7:07)\u003cbr\u003e\n2-3. Sitting In Limbo (12:56)\u003cbr\u003e\n2-4. After Midnight (16:35)\u003cbr\u003e\n2-5. Deal \u0026gt; (8:23)\u003cbr\u003e\n2-6. Tangled Up In Blue (11:11)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882570620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.30.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187842920603,"sku":"304996","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-20-June-18th-1982-Cape-Cod-Coliseum-2-CD.jpg?v=1776110032"},{"product_id":"jerry-garcia-garcialive-volume-eleven-november-11th-1993-providence-civic-center-cd","title":"Jerry Garcia – GarciaLive Vol. 11: November 11th, 1993 Providence Civic Center (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThere's no doubt it's one of those fabled hot shows when the final song of the night exerts as much if not more crackling energy than the first and, with this thoroughly lively performance, that is saying something. The 11th in the GarciaLive series, it's no accident that this 11\/11\/93 ripper from Providence was chosen to be next, beyond the numeric synchronicity. In fact, it's a wonder it wasn't released sooner, given all of its strengths.\u003c\/p\u003e\u003cp\u003eFirst and foremost is Jerry Garcia's inspired voice and guitar work that proves once again why he was so beloved. The setlist is full of familiar trails- cookers, covers, and ballads-, with a few surprises, but it's almost beside the point; it's the vivid articulation, the verve, from Garcia and company deployed on every song that makes this one another must-have from this ongoing series.\u003c\/p\u003e\u003cp\u003eThe two-disc collection is recorded quite well, balancing sonically and with strong fidelity each stellar contribution from the always-steady ensemble; whether Melvin Seal's dexterity on \"That's What Love Will Make You Do,\" John Kahn's storytelling bass on \"Simple Twist of Fate,\" or David Kemper's intuitive double-time push on \"Dear Prudence\" as Garcia ripples through the changes. Yet, if the reasoning for acquisition of this gem needs to be reduced to one word, it's Garcia. Jerry is masterful, measuring blitz with bliss as he travels, often driving solos past the exit signs that appear with resolving chords, instead 'feeling it' and heading further on down the road.\u003c\/p\u003e\u003cp\u003eThis final JGB performance in Rhode Island's capital- always a Northeast stronghold for the Dead- is closed with a bluegrass staple, \"Midnight Moonlight.\" It's jaunty, old-time fun contrasting the exploratory, improvisation-infested \"Don't Let Go,\" that precedes it, beautifully showing off two of the many shades of Garcia. It's also a bit bittersweet, recalling a much younger man playing jug music in the hills of Appalachia, with the whole strange trip still ahead.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jerry-garcia-band-garcialive-volume-11-november-11th-1993-providence-civic-center\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1993, the Jerry Garcia Band had settled into one of the most soulful configurations of Garcia's career, with Melvin Seals' Hammond work and the vocal interplay between Gloria Jones and Jaclyn LaBranch giving the group a genuine gospel-and-R\u0026amp;B backbone that set it apart from anything happening on the Dead stage. Providence caught the band deep in their stride, and the breadth of the repertoire here, from Garcia-Hunter originals to Van Morrison to Motown, speaks to how wide Garcia's musical world truly was.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded on November 11, 1993 at the Providence Civic Center in Providence, Rhode Island, \u003cem\u003eGarciaLive Volume 11\u003c\/em\u003e captures the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e on their final East Coast tour — and \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e's last-ever performance in Providence. Featuring the band's most celebrated lineup: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on vocals.\u003c\/p\u003e\n\n\u003cp\u003eThe show opens with two Garcia\/Hunter JGB classics — \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mission in the Rain\"\u003c\/strong\u003e — before rolling through a setlist full of cookers, covers, and surprises. Set two brings a jubilant \u003cstrong\u003e\"The Way You Do the Things You Do,\"\u003c\/strong\u003e the rarely performed Van Morrison gem \u003cstrong\u003e\"He Ain't Give You None,\"\u003c\/strong\u003e a seamless pairing of the Beatles' \u003cstrong\u003e\"Dear Prudence\"\u003c\/strong\u003e into Smokey Robinson's \u003cstrong\u003e\"When the Hunter Gets Captured by the Game,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Don't Let Go\"\u003c\/strong\u003e before the show closes with the bluegrass staple \u003cstrong\u003e\"Midnight Moonlight\"\u003c\/strong\u003e — Garcia's folk roots coming full circle on his final night in the city.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003cli\u003eDear Prudence\u003c\/li\u003e\n\u003cli\u003eWhen the Hunter Gets Captured by the Game\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882365325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.12.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187843215515,"sku":"448237","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-11-November-11th-1993-Providence-Civic-Center-2-CD.jpg?v=1776110039"},{"product_id":"jerry-garcia-band-garcialive-vol-1-march-1st-1980-capitol-theater-cd","title":"Jerry Garcia Band – GarciaLive Vol. 1: March 1st, 1980 Capitol Theatre (3–CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Capitol Theatre in Passaic was one of the great rooms of the era, a 3,000-capacity venue that drew the best touring acts of the late '70s and early '80s, and the JGB fit it perfectly. By 1980, Garcia's band outside the Dead had become its own essential institution, a soul and R\u0026amp;B-rooted vehicle where he could stretch into repertoire the Dead never touched, from reggae to classic rock and roll to Dylan deep cuts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe debut release from the GarciaLive archival series, recorded at the historic Capitol Theatre in Passaic, New Jersey on March 1, 1980. The \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e performed an early and a late show on this evening — both captured on 24-track tape for broadcast on New York radio station WNEW — with Garcia on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eOzzie Ahlers\u003c\/strong\u003e on keyboards, and \u003cstrong\u003eJohnny de Foncesca\u003c\/strong\u003e on drums.\u003c\/p\u003e\n\n\u003cp\u003eThe early show is a crisp, start-to-finish showcase of the JGB at their most focused, moving through \u003cstrong\u003e\"Sugaree,\"\u003c\/strong\u003e \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Simple Twist of Fate\"\u003c\/strong\u003e before closing with a thunderous \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e The late show brings its own highlights — a rollicking \u003cstrong\u003e\"That's What Love Will Make You Do,\"\u003c\/strong\u003e \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and two special appearances by longtime Garcia collaborator \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e on \u003cstrong\u003e\"Tiger Rose\"\u003c\/strong\u003e and \u003cstrong\u003e\"Promontory Rider,\"\u003c\/strong\u003e before a top-flight \u003cstrong\u003e\"Dear Prudence\"\u003c\/strong\u003e closes out the night. Liner notes by David Gans.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Early Show\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSugaree\u003c\/li\u003e\n\u003cli\u003eCatfish John\u003c\/li\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eSitting in Limbo\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Early Show (cont.) \/ Late Show\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThat's All Right\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eRussian Lullaby\u003c\/li\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — Late Show (cont.)\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTiger Rose (with \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e)\u003c\/li\u003e\n\u003cli\u003ePromontory Rider (with \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e)\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eDear Prudence (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882183325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.19.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187843510427,"sku":"616629","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-1-March-1st-1980-Capitol-Theatre-3-CD.jpg?v=1776110110"},{"product_id":"jerry-garcia-garcialive-vol-14-january-27th-1986-the-ritz-red-lp-vinyl","title":"Jerry Garcia – GarciaLive Vol. 14: January 27th, 1986 - The Ritz (Red 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJanuary 1986 found Jerry Garcia and his band deep in one of their most consistent stretches, just months before the Grateful Dead would head into the studio for \"In the Dark.\" The Ritz was a natural home for JGB's soul-drenched sound, a converted ballroom that drew New York's most devoted Garcia faithful and gave the band a room that rewarded subtlety as much as firepower.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eRead our review of Jerry Garcia's GarciaLive Vol. 14: January 27th 1986 at The Ritz from September 2020 on \u003ca href=\"https:\/\/jambands.com\/reviews\/2020\/09\/18\/garcialive-volume-14-jerry-garcia-and-john-kahn-january-27-1986\/\" title=\"Jerry Garcia - GarciaLive Vol. 14: January 27th 1986 at The Ritz (2-LP Red Vinyl)\"\u003ejambands.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePressed on red vinyl, GarciaLive Vol. 14 captures Jerry Garcia Band's complete January 27, 1986, performance at The Ritz in New York City during a period when JGB was playing at absolute peak power. The lineup—Garcia, Melvin Seals (organ), John Kahn (bass), David Kemper (drums), Gloria Jones and Jaclyn LaBranch (vocals)—had developed telepathic communication through constant touring, and this show documents that connection at full strength. The Ritz's intimate atmosphere (1,500 capacity) creates proximity that larger venues couldn't match, capturing every guitar nuance and vocal harmony with clarity.\u003c\/p\u003e\n\u003cp\u003eThe setlist balances JGB staples like \"Don't Let Go,\" \"Waiting for a Miracle,\" and \"Dear Prudence\" with deeper cuts and covers that showcase the band's range: Dylan, Motown, reggae, gospel, and R\u0026amp;B material all transformed through Garcia's filter. Melvin Seals' Hammond B3 organ is particularly prominent, providing the harmonic foundation that allowed Garcia to sing melodic lead lines with his guitar. The dual female vocalists add gospel-influenced power to songs like \"I'll Take a Melody\" and \"Stop That Train,\" while Garcia's guitar work balances technical command with emotional expressiveness.\u003c\/p\u003e\n\u003cp\u003eWhat makes GarciaLive Vol. 14 essential is how it captures JGB at a creative peak in a perfect setting—small room, engaged audience, band locked in completely. The red vinyl adds collectibility while preserving the warmth of the original soundboard recording. For Garcia fans who know his Grateful Dead work, this release reveals the different energy and focus he brought to JGB performances.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2-LP red vinyl.\u003c\/strong\u003e GarciaLive Vol. 14. Complete show from The Ritz NYC, January 27, 1986. Classic JGB lineup with Melvin Seals.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Deep Elem Blues (5:37)\u003cbr\u003e\nA2. Little Sadie (4:31)\u003cbr\u003e\nA3. Friend Of The Devil (6:25)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Oh Babe, It Ain't No Lie (5:26)\u003cbr\u003e\nB2. When I Paint My Masterpiece (5:44)\u003cbr\u003e\nB3. Run For The Roses (4:33)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Dire Wolf (4:27)\u003cbr\u003e\nC2. Simple Twist Of Fate (8:26)\u003cbr\u003e\nC3. Spike Driver Blues (4:10)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Bird Song (9:14)\u003cbr\u003e\nD2. Ripple (4:02)\u003cbr\u003e\nD3. Goodnight Irene (7:45)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882546410\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.31.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777340059,"sku":"124171","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-GarciaLive-Vol_-14-January-27th-1986-The-Ritz-Red-2-LP-Vinyl.webp?v=1776110402"},{"product_id":"jerry-garcia-band-heads-tails-vol-1-cloudy-blue-lp-vinyl","title":"Jerry Garcia Band – Heads \u0026 Tails Vol. 1 (Cloudy Blue LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePaul Butterfield's appearance alongside Garcia and Merl Saunders in 1972 captures a moment when the San Francisco scene was still thick with that kind of spontaneous, cross-pollinating brilliance. Jump forward sixteen years and the JGB's back-to-back run through \"Don't Let Go\" and \"Think\" shows a band that had fully grown into Garcia's vision for soul-drenched, groove-centered live music. Two eras, one slab of cloudy blue wax.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe first installment in a new archival vinyl series which will showcase previously unreleased performances from the Jerry Garcia Family vaults. Heads \u0026amp; Tails: Vol. 1 presents two mind-boggling performances on a single LP.  One side features a Garcia\/Saunders' 1972 recording of “Save Mother Earth” with special guest Paul Butterfield on harmonica. The other side features the Jerry Garcia Band’s exhilarating paring of “Don’t Let Go” and “Think” captured in 1988. Pressed on \"cloudy blue\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Save Mother Earth (16:55)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Don't Let Go (13:19)\u003cbr\u003e\nB2. Think (6:58)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882582111\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.3.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262777372827,"sku":"142711","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Band-Heads-Tails-Vol_-1-Cloudy-Blue-LP-Vinyl.webp?v=1776110411"},{"product_id":"jerry-garcia-compliments-of-lp-vinyl","title":"Jerry Garcia – Compliments Of (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eA covers record at heart, but Garcia's affection for American song runs so deep here that nothing feels like an exercise. Hearing him work through material from the Great American Songbook alongside R\u0026amp;B and country alongside a studio band this stacked offers a rare window into the breadth of his musical tastes away from the road and the Dead.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOriginally released in 1974, Garcia (Compliments Of) is Jerry's second full-length solo studio album. Produced by long-time collaborator John Kahn, the track list boasts classics from artists like Chuck Berry, Smokey Robinson, and Peter Rowan. This record showcases an all-star cast of the 1970's most in-demand session players: drummer Ron Tutt, guitarist Larry Carlton (Steely Dan, Joni Mitchell), organist Merl Saunders, and legendary backing vocalists Merry Clayton and Clydie King among others.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Let It Rock (3:12)\u003cbr\u003e\nA2. When The Hunter Gets Captured By The Game (2:46)\u003cbr\u003e\nA3. That's What Love Will Make You Do (3:42)\u003cbr\u003e\nA4. Russian Lullaby (3:04)\u003cbr\u003e\nA5. Turn On The Bright Lights (5:04)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. He Ain't Give You None (3:25)\u003cbr\u003e\nB2. What Goes Around (3:07)\u003cbr\u003e\nB3. Let's Spend The Night Together (3:40)\u003cbr\u003e\nB4. Mississippi Moon (3:06)\u003cbr\u003e\nB5. Midnight Town (3:12)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882227111\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.28.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779142299,"sku":"314077","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Compliments-Of-LP-Vinyl_bca1de7d.jpg?v=1776110715"},{"product_id":"jerry-garcia-band-jerry-garcia-band-30th-anniversary-lp-vinyl","title":"Jerry Garcia Band – 30th Anniversary (5-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally released on CD in 1991, the self-titled Jerry Garcia Band album captured a unit that had spent years refining one of the most soulful sounds in the Bay Area live circuit, with Melvin Seals' Hammond organ and the vocal harmonies of Gloria Jones and Jacklyn LaBranch giving Garcia's songwriting a warmth and gospel depth that set JGB apart from anything happening in the Dead universe. Hearing it spread across five records is the right way to let these performances breathe.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSelling over 360,000 CDs since it's release, the beloved self-titled album, Jerry Garcia Band, was the band's first live release recorded in the spring and summer of 1990 at the Warfield in San Francisco. The iconic lineup features John Kahn, Melvin Seals, David Kemper, Gloria Jones, and Jacklyn LaBranch. In celebration of the album's 30th anniversary, it is released on vinyl for the first time. 5 LP set: standard weight vinyl.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. The Way You Do The Things You Do (8:06)\u003cbr\u003e\nA2. Waiting For A Miracle (5:55)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Simple Twist Of Fate (11:54)\u003cbr\u003e\nB2. Get Out Of My Life (8:54)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. My Sisters And Brothers (4:19)\u003cbr\u003e\nC2. I Shall Be Released (9:28)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Dear Prudence (11:43)\u003cbr\u003e\nD2. Deal (8:37)\u003c\/p\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cp\u003eE1. Stop That Train (6:48)\u003cbr\u003e\nE2. Señor (Tales Of Yankee Power) (7:45)\u003c\/p\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cp\u003eF1. Evangeline (4:49)\u003cbr\u003e\nF2. The Night They Drove Old Dixie Down (9:36)\u003c\/p\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cp\u003eG1. Don't Let Go (17:21)\u003c\/p\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cp\u003eH1. That Lucky Old Sun (11:36)\u003c\/p\u003e\n\u003ch4\u003eSide I\u003c\/h4\u003e\n\u003cp\u003eI1. Tangled Up In Blue (12:17)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882452919\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.3.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779273371,"sku":"599612","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/IMG-2724.jpg?v=1776131821"},{"product_id":"bare-bones-volume-ii-other-tunes-arrangements-lp-vinyl","title":"Jerry Garcia \u0026 David Grisman - Bare Bones: Volume II - Other Tunes \u0026 Arrangements (2-LP)","description":"\u003cp\u003e\u003cstrong\u003eLearn more about this release in our Jerry Garcia \u0026amp; David Grisman - Bare Bones: Volume II announcement from December 2024 on \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/12\/21\/jerry-garcia-and-david-grisman-bare-bones-the-duo-recordings-master-takes-other-tunes-arrangements-alternate-takes\/\" title=\"Jerry Garcia \u0026amp; David Grisman - Bare Bones: Volume II\" rel=\"noopener\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/12\/21\/jerry-garcia-and-david-grisman-bare-bones-the-duo-recordings-master-takes-other-tunes-arrangements-alternate-takes\/\" title=\"Jerry Garcia \u0026amp; David Grisman - Bare Bones: Volume II\"\u003e\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing the success of Shady Grove (1996) and Not for Kids Only (1993), Jerry Garcia and David Grisman continued their acoustic partnership with a series of intimate recordings that stripped away the Grateful Dead's electric power in favor of mandolin, acoustic guitar, and close harmonies. Bare Bones: Volume II collects alternate takes, unreleased tracks, and informal performances from these sessions, offering a glimpse into Garcia and Grisman's musical friendship and their shared love of bluegrass, traditional folk, and jazz standards.\u003c\/p\u003e\n\u003cp\u003eThe double LP format allows these performances to breathe naturally across the sides, capturing the warmth and immediacy of Garcia's acoustic guitar work paired with Grisman's virtuosic mandolin. Songs like \"The Thrill is Gone,\" \"Arabia,\" and \"Grateful Dawg\" showcase the duo's ability to find new angles on familiar material, while traditional tunes reveal Garcia's deep connection to the folk and bluegrass traditions that informed the Dead's early sound. Without drums, bass, or keyboards to fill the space, every note matters—Garcia's fingerpicking becomes the rhythm section, Grisman's mandolin provides both melody and punctuation.\u003c\/p\u003e\n\u003cp\u003eWhat makes Bare Bones essential for Garcia fans is hearing him in his most relaxed and playful mode, freed from the pressure of leading the Grateful Dead and able to focus purely on the joy of playing music with a close friend. These sessions occurred during the Dead's final years, when Garcia's health was declining and the band's touring schedule was punishing. Here, you can hear him having fun, exploring melodies without the weight of expectation. This double LP preserves that intimacy, making listeners feel like they're sitting in the room while Garcia and Grisman trade licks and share musical ideas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble LP:\u003c\/strong\u003e Alternate takes and unreleased material from Garcia-Grisman sessions. Acoustic guitar and mandolin duets. Recorded mid-1990s.\u003c\/p\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Bare Bones Prelude (12:01)\u003cbr\u003e\nA2. Friend Of The Devil (3:48)\u003cbr\u003e\nA3. Grateful Dawg (3:28)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. The Sweet Sunny South (3:49)\u003cbr\u003e\nB2. Take Me (4:24)\u003cbr\u003e\nB3. Walkin' Boss (5:30)\u003cbr\u003e\nB4. Dawg's Walz (4:50)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Two Soldiers (4:05)\u003cbr\u003e\nC2. Little Glass Of Wine (2:56)\u003cbr\u003e\nC3. Teddy Bear's Picnic (5:19)\u003cbr\u003e\nC4. Arabia (3:03)\u003cbr\u003e\nC5. Crawdad Song (2:27)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Man Of Constant Sorrow (3:28)\u003cbr\u003e\nD2. Moonlight Bay (1:29)\u003cbr\u003e\nD3. Drink Up And Go Home (2:48)\u003cbr\u003e\nD4. Shenandoah (5:46)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882656812\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.4.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262781665435,"sku":"27121","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-David-Grisman-Bare-Bones-Volume-II-Other-Tunes-Arrangements-2-LP.webp?v=1776110948"},{"product_id":"jerry-garcia-merl-saunders-garcialive-volume-22-september-25th-1971-lions-share-2-cd","title":"Jerry Garcia \u0026 Merl Saunders – GarciaLive Volume 22: September 25th, 1971 Lion's Share (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIt was a jam-session atmosphere on Sept. 25, 1971, when an unnamed-but-well-known quintet performed two shows at San Anselmo’s Lion’s Share.\u003c\/p\u003e\u003cp\u003eThe emcee introduces the band as Jerry Garcia, Tom Fogerty, Merl Saunders and Friends. Garcia quickly pipes in to clarify John Kahn (bass) and Grateful Dead drummer Bill Kreutzmann are the friends.\u003c\/p\u003e\u003cp\u003eAll but one song from the gigs is out as GarciaLive Volume 22, credited to Garcia and Saunders and featuring 90 minutes of the sound of Garcia transitioning away from his role as solely the Dead’s frontman and toward the polymathic approach that would carry him toward Old \u0026amp; in the Way, Legion of Mary and the Jerry Garcia Band as the ’70s unfolded. And hearing him play alongside a traditional rhythm guitarist in the form of Creedence Clearwater Revival’s Fogerty is revelatory on its own as Garcia develops mainstream rock ‘n’ roll chops on the fly.\u003c\/p\u003e\u003cp\u003eFogerty shares co-lead vocals with Garcia on “Baby What You Want Me to Do,” delivered in a slow shuffle not dissimilar to “Deal.” Saunders, meanwhile, is the bandleader on originals like the instrumental “Save Mother Earth,” which segues into a wordless reading of John Lennon’s “Imagine” that is nearly impossible to identify as John Lennon’s “Imagine.”\u003c\/p\u003e\u003cp\u003eGarcia, Fogerty, Saunders, Kahn and Kreutzmann sound most like a working band on the slow-build balladry of “Biloxi,” which closes show No. 1 and show No. 2 opener “Hi-Heel Sneakers,” which previews the arrangement of “Big Boss Man” Garcia would bring to the Dead the following decade.\u003c\/p\u003e\u003cp\u003eAnother Saunders instrumental, “Man-Child,” foreshadows “Space” before dropping into “Summertime.” Like “Imagine,” it’d be difficult to peg this as the Gershwin number if not for the title, but it proves these cats could play the blues with authority.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/05\/10\/jerry-garcia-and-merl-saunders-garcialive-volume-22\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Garcia found his footing with the Jerry Garcia Band, he was a regular at small Marin County rooms like the Lion's Share, working out a shared musical language with Merl Saunders rooted in R\u0026amp;B, gospel, and loose improvisational conversation. This September 1971 date captures that chemistry in its earliest form, nearly a year before the two appeared together on record, when these sets were pure community happenings with no commercial stakes attached.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eGarciaLive Volume 22 showcases almost every note of music played during the early \u0026amp; late shows at San Anselmo’s cozy Lion’s Share. While the evening’s closing “The Night They Drove Old Dixie Down” seemingly went unrecorded, and “Biloxi” suffers from tape degradation, the rest stands as a rare slice of transcendent two-guitar Garcia\/Saunders alchemy. Listen comfortably with our promise that every effort was made to produce this release in a manner which honors the spirit of its creation.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-pm-slice=\"0 0 []\"\u003eEARLY SHOW\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBAND INTRODUCTIONS\u003c\/li\u003e\n\u003cli\u003eSAVE MOTHER EARTH\u0026gt;\u003c\/li\u003e\n\u003cli\u003eIMAGINE\u003c\/li\u003e\n\u003cli\u003eONE KIND FAVOR\u003c\/li\u003e\n\u003cli\u003eI WAS MADE TO LOVE HER\u003c\/li\u003e\n\u003cli\u003eBABY WHAT YOU WANT ME TO DO?\u003c\/li\u003e\n\u003cli\u003eBILOXI\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLATE SHOW\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHI-HEEL SNEAKERS\u003c\/li\u003e\n\u003cli\u003eMAN-CHILD\u0026gt;\u003c\/li\u003e\n\u003cli\u003eSUMMERTIME\u003c\/li\u003e\n\u003cli\u003eTHAT'S A TOUCH I LIKE\u003c\/li\u003e\n\u003cli\u003eANNIE HAD A BABY\u0026gt;\u003c\/li\u003e\n\u003cli\u003eW-P-L-J\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882691226\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.1.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455570391195,"sku":"127849519","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jerry-Garcia-Merl-Saunders-GarciaLive-Volume-22-September-25th-1971-Lions-Share-2-CD.png?v=1777380094"}],"url":"https:\/\/relix.shop\/collections\/round-records-vinyl-cds-cassettes.oembed","provider":"relix.shop","version":"1.0","type":"link"}