{"title":"Saddle Creek Records Vinyl, CDs \u0026 Cassettes","description":"\u003cp\u003eThis page is for listeners who follow Saddle Creek closely enough to care which pressing they're holding: the label's catalog, spanning indie rock, post-punk, and everything adjacent, collected in one place across vinyl, CDs, and cassettes.\u003c\/p\u003e\u003cp\u003eThe selection runs from Spirit of the Beehive's \u003cem\u003eEntertainment, Death\u003c\/em\u003e on a limited maroon LP to feeble little horse's \u003cem\u003eBitknot\u003c\/em\u003e, available on white vinyl, CD, and cassette. Now It's Overhead appear in depth, with \u003cem\u003eFall Back Open\u003c\/em\u003e, \u003cem\u003eDark Light Daybreak\u003c\/em\u003e, and the self-titled on green vinyl, all on ecomix pressings. Stef Chura's \u003cem\u003eDancing Alone On The Concrete\u003c\/em\u003e is here in three formats: light blue vinyl, CD, and cassette. Hand Habits' \u003cem\u003eFun House\u003c\/em\u003e comes on opaque red vinyl. Algernon Cadwallader's \u003cem\u003eTrying Not to Have a Thought\u003c\/em\u003e is available on CD. The Rural Alberta Advantage are represented by \u003cem\u003eHometowns\u003c\/em\u003e on CD and \u003cem\u003eThe Wild\u003c\/em\u003e on vinyl. Fifty-eight titles in all, with colored pressings noted throughout so you know exactly what you're ordering.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has been covering independent music since 1974, and the store reflects the same editorial judgment as the magazine. We stock what we think is worth owning, which means catalog depth alongside new releases rather than chasing whatever is trending this week. The store is also home to the Relix Sessions series, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label, a thread running through the store that connects the independent spirit of labels like Saddle Creek to the live music world Relix has documented for five decades. When we carry a label's catalog, we try to carry it properly: multiple formats, multiple pressings, not just the obvious titles.\u003c\/p\u003e\u003cp\u003eEvery record and disc here is new and sealed. Pre-order titles display a street date and ship when the label releases them; we do not ship pre-orders ahead of the official release. Vinyl ships in protective packaging designed for LPs.\u003c\/p\u003e\u003cp\u003eIf you want to keep browsing, the \u003ca href=\"\/collections\/indie-rock-pop-vinyl-cds\"\u003eIndie Rock and Pop Vinyl and CDs\u003c\/a\u003e collection covers a wide range of independent labels in the same general territory, the \u003ca href=\"\/collections\/alternative-rock-vinyl-cds\"\u003eAlternative Rock Vinyl and CDs\u003c\/a\u003e collection goes deeper into that adjacent world, and the \u003ca href=\"\/collections\/cds\"\u003eCDs\u003c\/a\u003e collection pulls together disc releases across the full store if that is the format you are after.\u003c\/p\u003e","products":[{"product_id":"shalom-sublimation-lp-vinyl","title":"Shalom – Sublimation (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eShalom arrived at Sublimation after years of building a following through raw, intimate live performances, and that stage-tested emotional directness translates fully onto wax. Saddle Creek, the Omaha label that has long championed artists who refuse to sand down their rougher edges, turns out to be exactly the right home for music this unguarded.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eShalom makes strikingly direct music with such emotional openness and clarity that each track on her debut album \u003c\/span\u003e\u003ci\u003eSublimation\u003c\/i\u003e\u003cspan\u003e feels like a quiet revelation. While the Brooklyn-based, South Africa-raised artist writes fearlessly personal songs about moments in her life combining the storytelling of Lucy Dacus with the urgency of Indigo De Souza, her honesty is so blunt it’s inviting. Her lyrics clear whatever tension there is to make room for catharsis. These 13 tracks are a reflection of the many sides of herself with stories of heartbreak, feeling like an outsider, self-medicating and partying, and ultimately choosing love over fear. While she paints the edges of indie rock, Shalom along with her collaborator Ryan Hemsworth (Quarter-Life Crisis) team up for challenging and vivid arrangements that are danceable, driving, and also delicate.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Narcissist\u003c\/div\u003e\n\u003cdiv\u003e2. Happenstance\u003c\/div\u003e\n\u003cdiv\u003e3. Whole Life\u003c\/div\u003e\n\u003cdiv\u003e4. Soccer Mommy\u003c\/div\u003e\n\u003cdiv\u003e5. Did It To Myself\u003c\/div\u003e\n\u003cdiv\u003e6. Concrete\u003c\/div\u003e\n\u003cdiv\u003e7. Nowadays\u003c\/div\u003e\n\u003cdiv\u003e8. Train Station\u003c\/div\u003e\n\u003cdiv\u003e9. Bodies\u003c\/div\u003e\n\u003cdiv\u003e10. Lighter\u003c\/div\u003e\n\u003cdiv\u003e11. Mine First\u003c\/div\u003e\n\u003cdiv\u003e12. Live Through This\u003c\/div\u003e\n\u003cdiv\u003e13. End in Sight\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401035216\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.10.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744926249115,"sku":"22039","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-shalom-sublimation-vinyl-lp-relix.jpg?v=1781802749"},{"product_id":"quarter-life-crisis-quarter-life-crisis-ep-lp-vinyl","title":"Quarter-Life Crisis – Quarter-Life Crisis EP (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRyan Hemsworth built his reputation in electronic music, but Quarter-Life Crisis finds him returning to the guitar-driven indie rock that shaped him long before the laptop became his primary instrument. Released on Saddle Creek, the label that helped define a generation of heartland indie, this six-track EP places him in company with a roster that understands the tension between earnestness and restraint.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe genesis of Ryan Hemsworth’s new project, Quarter-Life Crisis, can be traced all the way back to his childhood bedroom in Nova Scotia, where the producer spent the bulk of his high school years listening to emerging indie acts and playing guitar. Not loving the sound of his own voice and without a band, he eventually started making music on his laptop, which earned him accolades as he stepped out into electronic and club music scenes. His prolific output, paired with a voracious appetite for a wide range of genres and creation of his own label Secret Songs, has made Hemsworth a fixture since he released his debut solo album, \u003c\/span\u003e\u003cspan\u003eGuilt Trips\u003c\/span\u003e\u003cspan\u003e, in 2013.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eBut now, Hemsworth’s trying his hand at something unexpected that is nonetheless close to his heart and origin story as a musician. Quarter-Life Crisis is a collaboration with various artists who’ve come to prominence over the past couple of years, many of whom got their start playing scrappy DIY shows. “This project has me in the process of going back to when I was a kid when I’d sit down and play guitar for hours and come up with melodies and chords by just messing around,” Hemsworth says. “It’s something I’ve been wanting to do for ages.”\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eThe self-titled debut EP will be released on December 4th, 2020 and features contributions from Frances Quinlan (Hop Along), Meg Duffy (Hand Habits), Charlie Martin (Hovvdy), Yohuna, and Claud. It showcases Hemsworth in a new phase of his career, one that is perhaps a bit less indebted to the nightclub dance floor. “It’s always been a goal to mix, like, 25% electronic sounds and 75% live indie rock sounds,” he says. Collaboration is paramount to Hemsworth’s process, and though he produced all of the instrumentation on the album, he left the lyrics and intention of the song up to the contributors. The resulting collection shapeshifts from track-to-track, taking on new personalities as it moves between artists. “I think of my music-making process as ‘sneaking in as a fan,’” Hemsworth says. “Quarter-Life Crisis is just another way for me to work with artists whose music I really enjoy and listen to all the time .”\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Waterfall (2:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Comfortable (2:39)\u003c\/div\u003e\n\u003cdiv\u003e3. Postcard From Spain (3:28)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. You \u0026amp; Me (2:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Fatigue (2:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Stars (3:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401031416\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744926576795,"sku":"19920","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-quarter-life-crisis-quarter-life-crisis-ep-vinyl-lp-relix.jpg?v=1781806796"},{"product_id":"the-faint-danse-macabre-2-cd","title":"The Faint – Danse Macabre (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOmaha's Saddle Creek label is best known for its Americana and indie-folk acts, but The Faint carved out a sharply different corner of that community, dragging post-punk electronics and cold wave influence into a scene more associated with acoustic guitars. Released in 2001, *Danse Macabre* became the record that put synth-driven indie rock back on the table for a new generation, influencing a wave of bands who followed in its deliberately dark, danceable wake.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e1. Agenda Suicide\u003c\/div\u003e\n\u003cdiv\u003e2. Glass Danse\u003c\/div\u003e\n\u003cdiv\u003e3. Total Job\u003c\/div\u003e\n\u003cdiv\u003e4. Let the Poison Spill from Your Throat\u003c\/div\u003e\n\u003cdiv\u003e5. Your Retro Career Melted\u003c\/div\u003e\n\u003cdiv\u003e6. Posed to Death\u003c\/div\u003e\n\u003cdiv\u003e7. Conductor, The\u003c\/div\u003e\n\u003cdiv\u003e8. Violent\u003c\/div\u003e\n\u003cdiv\u003e9. Ballad of a Paralysed Citizen\u003c\/div\u003e\n\u003cdiv\u003e10. Take Me To The Hospital\u003c\/div\u003e\n\u003cdiv\u003e11. Mote\u003c\/div\u003e\n\u003cdiv\u003e12. Dust\u003c\/div\u003e\n\u003cdiv\u003e13. Falling Out Of Love At This Volume\u003c\/div\u003e\n\u003cdiv\u003e14. The Conductor (Thin White Duke Remix)\u003c\/div\u003e\n\u003cdiv\u003e15. Glass Danse (Out Hud Remix)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401003727\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.21.01\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744926642331,"sku":"68969","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-faint-danse-macabre-2-cd-cd-relix.jpg?v=1781829467"},{"product_id":"ada-lea-when-i-paint-my-masterpiece-cd","title":"Ada Lea – When I Paint My Masterpiece (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMontreal singer-songwriter Ada Lea has built a devoted following through her unflinching, literary approach to confessional songwriting, and her choice to title this album after a Bob Dylan song beloved by the Dead community feels like an intentional nod toward a broader musical conversation. Her records reward close listening, the kind of attention this crowd knows how to pay.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Death Phase of 2024 (Rainlight) (0:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Moon Blossom (1:43)\u003c\/div\u003e\n\u003cdiv\u003e3. Baby Blue Frigidaire Mini Fridge (3:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Something In The Wind (2:36)\u003c\/div\u003e\n\u003cdiv\u003e5. Midnight Magic (3:18)\u003c\/div\u003e\n\u003cdiv\u003e6. It Isn't Enough (1:57)\u003c\/div\u003e\n\u003cdiv\u003e7. Snow Globe (3:11)\u003c\/div\u003e\n\u003cdiv\u003e8. Everything Under The Sun (2:43)\u003c\/div\u003e\n\u003cdiv\u003e9. Just Like In The Museum (3:55)\u003c\/div\u003e\n\u003cdiv\u003e10. Bob Dylan's 115th Haircut (2:14)\u003c\/div\u003e\n\u003cdiv\u003e11. Diner (3:46)\u003c\/div\u003e\n\u003cdiv\u003e12. There Is Only One Thing On My Mind (4:01)\u003c\/div\u003e\n\u003cdiv\u003e13. Dogs Playing In The Backyard (3:12)\u003c\/div\u003e\n\u003cdiv\u003e14. Down Under The Van Horne Overpass (4:04)\u003c\/div\u003e\n\u003cdiv\u003e15. I Want It All (3:37)\u003c\/div\u003e\n\u003cdiv\u003e16. Somebody Is Walking Into The Water (3:57)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401037920\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.8.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744926806171,"sku":"47685","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ada-lea-when-i-paint-my-masterpiece-cd-relix.jpg?v=1781830154"},{"product_id":"ladyfinger-ne-errant-forms-clear-lp-vinyl","title":"Ladyfinger (ne) – Errant Forms (Limited Edition Clear LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOmaha's Ladyfinger (Ne) spent four years between records, and the patience shows. Errant Forms finds the band pushing into denser, more atmospheric territory than their earlier work, with the kind of slow-burning intensity that made Saddle Creek a trusted home for bands unafraid of weight and texture.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe follow-up to 2009's Dusk, Errant Forms is available as a limited edition (of 500) LP, pressed on clear vinyl. LP jacket includes 3D elements which can be viewed with included glasses. LP also includes copy of entire album on CD. Recorded at ARC Studios by Matt Bayles (Minus the Bear, Cursive, Mastodon).\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Renew (5:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Birds (4:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Away Too Long (3:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Galactic (3:14)\u003c\/div\u003e\n\u003cdiv\u003e5. Dark Horse (4:15)\u003c\/div\u003e\n\u003cdiv\u003e6. Poison For Hire (3:58)\u003c\/div\u003e\n\u003cdiv\u003e7. Hole In My Sole (3:48)\u003c\/div\u003e\n\u003cdiv\u003e8. Meathead (3:43)\u003c\/div\u003e\n\u003cdiv\u003e9. Blue Oyster (3:47)\u003c\/div\u003e\n\u003cdiv\u003e10. He Said She Said (2:57)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401017717\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.5.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744928247963,"sku":"166357","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ladyfinger-ne-errant-forms-vinyl-lp-relix.jpg?v=1781809577"},{"product_id":"the-faint-fasciinatiion-opaque-blue-lp-vinyl","title":"The Faint – Fasciinatiion (Opaque Blue LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOmaha's The Faint built their reputation on the sweat-soaked intersection of post-punk and electronic music through relentless touring in the early 2000s, earning a devoted following that stretched far beyond their Saddle Creek Records home base. Fasciinatiion arrived in 2008 as the band's most self-determined statement, recorded entirely in their own renovated studio space, free from outside production influence.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited opaque blue colored vinyl LP pressing. The Faint has always been perceived as a series of paradoxes: Nebraskans trafficking in electro-pop anthems; a five-person outfit who insist on songwriting democracy; punk rockers laying down their guitars for a decidedly untypical kind of punk rock. After touring tirelessly throughout the world on the heels of 2004's Wet From Birth, the band returned to their native Omaha; renovating a building and creating a studio where they would write, record, and produce their fifth LP, Fasciinatiion, entirely on their own. With Fasciinatiion, The Faint gave the world the realest representation of themselves to date. Imbued equally with the musical instincts and perspectives of each band member, \"It's all The Faint,\" lead singer Todd Fink explains. \"There's no outside anything. It's exactly what five people in The Faint could agree on. Or come close.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Get Seduced\u003c\/div\u003e\n\u003cdiv\u003e2. The Geeks Were Right\u003c\/div\u003e\n\u003cdiv\u003e3. Machine In The Ghost\u003c\/div\u003e\n\u003cdiv\u003e4. Fulcrum And Lever\u003c\/div\u003e\n\u003cdiv\u003e5. Psycho\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Mirror Error\u003c\/div\u003e\n\u003cdiv\u003e2. I Treat You Wrong\u003c\/div\u003e\n\u003cdiv\u003e3. Forever Growing Centipedes\u003c\/div\u003e\n\u003cdiv\u003e4. Fish In A Womb\u003c\/div\u003e\n\u003cdiv\u003e5. A Battle Hymn For Children\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401024616\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.30.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744929624219,"sku":"28243","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-faint-fasciinatiion-opaque-blue-lp-vinyl-vinyl-lp-relix.jpg?v=1781815864"},{"product_id":"hop-along-get-disowned-lp-vinyl","title":"Hop Along – Get Disowned (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFrances Quinlan's voice has always been the thing, a raw, careening instrument that can pivot from a whisper to a howl mid-phrase and make it feel inevitable. Before Hop Along signed to Saddle Creek and broke wider with *Painted Shut*, this was the record that turned heads in Philadelphia's DIY underground and spread quietly but insistently through word of mouth, the way the best music always does.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe 2012 debut full-length from Philadelphia’s Hop Along, Get Disowned. Featuring “Tibetan Pop Stars,” which Mark Hoppus of Blink 182 called “the most painfully beautiful song ever.” \"Literally every single song on this album is brilliant… Get Disowned is probably the best album that will be released this year. If something tops it, I will be amazed.” (4.5 \/ 5) - Punknews.org \"Get Disowned gives us the things that matter most in music: Passion, fun, emotion, and a sense of being a part of something that matters.” (4.5 \/ 5) - Sputnik Music \"It’s an album made up entirely of stand out tracks” (5 \/ 5) - Already Heard\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Some Grace\u003c\/div\u003e\n\u003cdiv\u003e2. Tibetan Pop Stars\u003c\/div\u003e\n\u003cdiv\u003e3. Diamond Mine\u003c\/div\u003e\n\u003cdiv\u003e4. No Good Al Joad\u003c\/div\u003e\n\u003cdiv\u003e5. Kids On The Boardwalk\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Laments\u003c\/div\u003e\n\u003cdiv\u003e2. Trouble Found Me\u003c\/div\u003e\n\u003cdiv\u003e3. Sally II\u003c\/div\u003e\n\u003cdiv\u003e4. Young And Happy!\u003c\/div\u003e\n\u003cdiv\u003e5. Get Disowned\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401022216\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.4.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744930672795,"sku":"32201","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-hop-along-get-disowned-vinyl-lp-relix.jpg?v=1781813778"},{"product_id":"indigo-de-souza-any-shape-you-take-shopping-cart-yellow-lp-vinyl","title":"Indigo De Souza – Any Shape You Take (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAsheville-rooted and emotionally unguarded, Indigo de Souza built a devoted following through the kind of raw, confessional songwriting that feels like overhearing someone's most honest moment. Released on Saddle Creek, Any Shape You Take arrived as a statement of artistic range, moving fluidly between hushed acoustic vulnerability and full-band catharsis within a single listen. The Shopping Cart Yellow vinyl pressing gives a beloved record the visual personality it deserves.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e“Everything has to be said.” This is the conviction guiding Indigo De Souza’s sophomore album, \u003ci\u003eAny Shape You Take\u003c\/i\u003e.  This dynamic record successfully creates a container for the full spectrum—pushing through and against every emotion: “I wanted this album to give a feeling of shifting with and embracing change. These songs came from a turbulent time when I was coming to self-love through many existential crises and shifts in perspective.”\u003c\/div\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cdiv\u003eFaithful to its name, \u003ci\u003eAny Shape You Take\u003c\/i\u003e changes form to match the tenor of each story it tells. “The album title is a nod to the many shapes I take musically. I don’t feel that I fully embody any particular genre—all of the music just comes from the universe that is my ever-shifting brain\/heart\/world,” says Indigo.  This sonic range is unified by Indigo’s strikingly confessional and effortless approach to songwriting, a signature first introduced in her debut, self-released LP,  \u003ci\u003eI Love My Mom\u003c\/i\u003e. Written in quick succession, Indigo sees these two records as companion pieces, both distinct but in communion with each other: “Many of the songs on these two records came from the same season in my life and a certain version of myself which I feel much further from now.\u003c\/div\u003e\r\n\u003cdiv\u003e\u003c\/div\u003e\r\n\u003cdiv\u003e“I feel very much like a shape-shifter with my music, I’m always trying to embody a balance between the existential weight and the overflowing sense of love I feel in the world.” It is exactly this balance that Indigo strikes in her Saddle Creek debut, \u003ci\u003eAny Shape You Take\u003c\/i\u003e. A listening experience that gives back, as you shed and shape-shift along with her.\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. 17\u003c\/div\u003e\n\u003cdiv\u003e2. Darker Than Death\u003c\/div\u003e\n\u003cdiv\u003e3. Die\/Cry\u003c\/div\u003e\n\u003cdiv\u003e4. Pretty Pictures\u003c\/div\u003e\n\u003cdiv\u003e5. Real Pain\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Bad Dream\u003c\/div\u003e\n\u003cdiv\u003e2. Late Night Crawler\u003c\/div\u003e\n\u003cdiv\u003e3. Hold U\u003c\/div\u003e\n\u003cdiv\u003e4. Way Out\u003c\/div\u003e\n\u003cdiv\u003e5. Kill Me\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401031812\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.27.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744930869403,"sku":"51885","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-indigo-de-souza-any-shape-you-take-shopping-cart-yellow-lp-vinyl-vinyl-lp-relix_1088a271-b7b5-48fd-b14f-d3dc2721af9c.jpg?v=1781810774"},{"product_id":"the-thermals-desperate-ground-lp-vinyl","title":"The Thermals – Desperate Ground (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePortland's The Thermals built their reputation on tight, urgent punk rock that never lost its melodic center, and by 2013 Hutch Harris and Kathy Foster had spent a decade proving that brevity and intensity aren't mutually exclusive. Desperate Ground arrived at a moment when the band had fully grown into their identity, channeling the kind of raw, unpolished energy that made Saddle Creek a home for artists who play loud but think carefully about what they're saying.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDesperate Ground is the sixth album (and the first to be released on Omaha's Saddle Creek) from Portland's The Thermals. The album was produced by John Agnello whose previous credits include Dinosaur Jr., Sonic Youth, and the Hold Steady. The band describes the album as \"a cross between two of our best-known and -loved records, More Parts Per Million and The Body, The Blood, The Machine\/i\u0026gt;. It's loud, fast, incredibly scary and undeniably catchy.\" LP includes a download card.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Born To Kill (1:48)\u003c\/div\u003e\n\u003cdiv\u003e2. You Will Be Free (2:46)\u003c\/div\u003e\n\u003cdiv\u003e3. The Sunset (2:52)\u003c\/div\u003e\n\u003cdiv\u003e4. I Go Alone (3:13)\u003c\/div\u003e\n\u003cdiv\u003e5. The Sword By My Side (3:10)\u003c\/div\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. You Will Find Me (2:22)\u003c\/div\u003e\n\u003cdiv\u003e2.  Faces Stay With Me (2:32)\u003c\/div\u003e\n\u003cdiv\u003e3.  The Howl Of The Winds (2:30)\u003c\/div\u003e\n\u003cdiv\u003e4.  Where I Stand (2:09)\u003c\/div\u003e\n\u003cdiv\u003e5.  Our Love Survives (3:08)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401018615\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.16.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Born To Kill (1:48)\u003c\/div\u003e\n\u003cdiv\u003e2. You Will Be Free (2:46)\u003c\/div\u003e\n\u003cdiv\u003e3. The Sunset (2:52)\u003c\/div\u003e\n\u003cdiv\u003e4. I Go Alone (3:13)\u003c\/div\u003e\n\u003cdiv\u003e5. The Sword By My Side (3:10)\u003c\/div\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. You Will Find Me (2:22)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Faces Stay With Me (2:32)\u003c\/div\u003e\n\u003cdiv\u003e2. The Howl Of The Winds (2:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Where I Stand (2:09)\u003c\/div\u003e\n\u003cdiv\u003e4. Our Love Survives (3:08)\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744931754139,"sku":"57935","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-thermals-desperate-ground-vinyl-lp-relix.jpg?v=1781829403"},{"product_id":"indigo-de-souza-all-of-this-will-end-crimson-sundown-lp-vinyl","title":"Indigo De Souza – All of This Will End (Crimson Sundown LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAsheville-raised and deeply rooted in the emotional landscape of the American South, Indigo de Souza built a devoted following through vulnerable, confessional songwriting that resonates far beyond the indie-folk world she emerged from. Her third album for Saddle Creek captures an artist arriving at a place of hard-won clarity, pairing some of her most expansive sonic arrangements to date with lyrics that feel like entries from a very honest journal.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e“I was finally able to trust myself fully,” says Indigo De Souza of making her masterful third album \u003c\/span\u003e\u003ci\u003eAll of This Will End\u003c\/i\u003e\u003cspan\u003e. Across 11 its songs, the LP is a raw and radically optimistic work that grapples with mortality, the rejuvenation that community brings, and the importance of centering yourself now. These tracks come from the most resonant moments of her life: childhood memories, collecting herself in parking lots, the ecstatic trips spent wandering Appalachian mountains and southern swamps with friends, and the times she had to stand up for herself. “\u003c\/span\u003e\u003ci\u003eAll of This Will End\u003c\/i\u003e\u003cspan\u003e feels more true to me than anything ever has,” she says.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn many ways, \u003c\/span\u003e\u003ci\u003eAll of This Will End\u003c\/i\u003e\u003cspan\u003e has become a personal motto for Indigo. “Every day I wake up with the thought that this could be the end,” she says. “You could look at it as a sad thing, or you could look at it as a really precious thing: Today I'm alive and at some point, I will not be in this body anymore. But for now, I can do so much with being alive.” There’s a peacefulness in acceptance throughout. As she sings on the title track, “I’m only loving only moving through and trying my best \/ Sometimes it’s not enough but I’m still real and I forgive.” She describes the experience of writing this song as “magic,” as if everything about it from the words and melody had felt timeless and intangible and that she was just writing it down. Like the hues of reds and oranges that her mother painted on the LP cover, \u003c\/span\u003e\u003ci\u003eAll of This Will End\u003c\/i\u003e\u003cspan\u003e marks a warmer and unmistakably audacious era for her. It’s a statement about fearlessly moving forward from the past into a gratitude-filled present, feeling it all every step of the way, and choosing to embody loving awareness.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Time Back\u003c\/div\u003e\n\u003cdiv\u003e2. You Can Be Mean (2:25)\u003c\/div\u003e\n\u003cdiv\u003e3. Losing\u003c\/div\u003e\n\u003cdiv\u003e4. Wasting Your Time\u003c\/div\u003e\n\u003cdiv\u003e5. Parking Lot\u003c\/div\u003e\n\u003cdiv\u003e6. All of This Will End\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Smog (3:14)\u003c\/div\u003e\n\u003cdiv\u003e2. The Water\u003c\/div\u003e\n\u003cdiv\u003e3. Always\u003c\/div\u003e\n\u003cdiv\u003e4. Not My Body\u003c\/div\u003e\n\u003cdiv\u003e5. Younger \u0026amp; Dumber (4:39)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401035414\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.28.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744934047899,"sku":"46379","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-indigo-de-souza-all-of-this-will-end-crimson-sundown-lp-vinyl-vinyl-lp-relix.jpg?v=1781811620"},{"product_id":"the-mynabirds-what-we-lose-in-the-fire-we-gain-in-the-flood-cd","title":"The Mynabirds – What We Lose In the Fire We Gain In the Flood (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLaura Burhenn launched The Mynabirds with this 2010 Saddle Creek debut, a record that announced a genuine songwriting voice at the intersection of soul, gospel, and indie rock. Produced by Richard Swift, the album carries a raw, warm analog feel that rewards close listening, with Burhenn's vocals doing the heavy lifting throughout.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. What We Gained In The Fire (4:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Let The Record Go (2:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Numbers Don't Lie (3:32)\u003c\/div\u003e\n\u003cdiv\u003e4. Give It Time (3:55)\u003c\/div\u003e\n\u003cdiv\u003e5. Ways Of Looking (3:23)\u003c\/div\u003e\n\u003cdiv\u003e6. LA Rain (2:48)\u003c\/div\u003e\n\u003cdiv\u003e7. Wash It Out (2:05)\u003c\/div\u003e\n\u003cdiv\u003e8. We Made A Mountain (3:10)\u003c\/div\u003e\n\u003cdiv\u003e9. Right Place (3:37)\u003c\/div\u003e\n\u003cdiv\u003e10. Good Heart (3:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401014624\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.27.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744934867099,"sku":"118375","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-mynabirds-what-we-lose-in-the-fire-we-gain-in-the-flood-cd-relix.jpg?v=1781798973"},{"product_id":"tokyo-police-club-elephant-shell-2-cd","title":"Tokyo Police Club – Elephant Shell (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eToronto-area indie rock was generating serious buzz in the mid-2000s, and Tokyo Police Club rode that wave while carving out something distinctly their own: tight, nervy songs that felt urgent without being aggressive. Elephant Shell arrived with real anticipation behind it, the full-length debut from a band that had already proven it could pack enormous energy into short formats.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTheir 2006 EP, a LESSON IN CRIME, elicited raves from Entertainment Weekly, Rolling Stone, Interview, Blender and Nylon, among others. Since then, TPC have been touring virtually nonstop, pausing only to release last year's SMITH EP and the digital-only single, \"Your English Is Good.\" Now Ontario's favorite sons offer their first full-length.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eCD 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Centennial (1:54)\u003c\/div\u003e\n\u003cdiv\u003e2. In A Cave (2:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Graves (2:36)\u003c\/div\u003e\n\u003cdiv\u003e4. Juno (2:15)\u003c\/div\u003e\n\u003cdiv\u003e5. Tessellate (2:39)\u003c\/div\u003e\n\u003cdiv\u003e6. Sixties Remake (2:05)\u003c\/div\u003e\n\u003cdiv\u003e7. The Harrowing Adventures Of... (2:51)\u003c\/div\u003e\n\u003cdiv\u003e8. Nursery, Academy (2:26)\u003c\/div\u003e\n\u003cdiv\u003e9. Your English Is Good (3:12)\u003c\/div\u003e\n\u003cdiv\u003e10. Listen To The Math (2:58)\u003c\/div\u003e\n\u003cdiv\u003e11. The Baskervilles (2:21)\u003c\/div\u003e\n\u003ch4\u003eCD 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Centennial (4:37)\u003c\/div\u003e\n\u003cdiv\u003e2. Tessellate (4:16)\u003c\/div\u003e\n\u003cdiv\u003e3. Nursery, Academy (2:38)\u003c\/div\u003e\n\u003cdiv\u003e4. Listen To The Math (3:18)\u003c\/div\u003e\n\u003cdiv\u003e5. Tessellate (3:28)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401011623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.22.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744937521307,"sku":"110507","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-tokyo-police-club-elephant-shell-2-cd-cd-relix.jpg?v=1781411805"},{"product_id":"rilo-kiley-thats-how-we-choose-to-remember-it-cd","title":"Rilo Kiley – That's How We Choose To Remember It (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRilo Kiley built their reputation in the early 2000s indie rock underground through records like \"More Adventurous\" and \"Under the Blacklight,\" with Jenny Lewis emerging as one of the most distinctive songwriters of her generation. The band went quiet for over a decade, each member pursuing solo work and other projects, which makes this career-spanning collection something genuinely rare: a reunion that feels earned rather than obligatory.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAfter a long absence, Rilo Kiley—Jenny Lewis, Blake Sennett, Jason Boesel, and Pierre “Duke” de Reeder— are back, with arms outstretched.\u003c\/p\u003e\u003cp\u003eOver the years, a reunion “felt like a possibility, but it was never the right time,” explains Boesel. “Planning this reunion over these past months has been like reconnecting with family. We haven’t missed a beat,” says De Reeder. “The stakes are only to have a good time, to revel in this nostalgia.  Getting to revisit and celebrate the music from that special time of our lives while experiencing it alongside a lot of people that lived it with us back when, and new folks alike.”\u003c\/p\u003e\u003cp\u003eThe new Rilo Kiley album, That’s How We Choose to Remember It, is a collection of career-spanning songs that hit its audience with a breath of honest, fresh air. “For some people, Rilo Kiley evokes a formative, emotional time in life, when you were maybe grasping for your place in the universe. We were too,” says Sennett.\u003c\/p\u003e\u003cp\u003eWe’ve all got a memory or two with the songs of Rilo Kiley. Maybe belting “I Never” or requesting “The Frug,” at a show in the early 2000s. This latest collection celebrates the music so deeply held by many of us. Here’s to Rilo Kiley, their reunion, and the next generation of listeners to love this band as much as we do. Long live Rilo Kiley.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Silver Lining\u003c\/div\u003e\n\u003cdiv\u003e2. Portions For Foxes\u003c\/div\u003e\n\u003cdiv\u003e3. With Arms Outstretched\u003c\/div\u003e\n\u003cdiv\u003e4. Dreamworld\u003c\/div\u003e\n\u003cdiv\u003e5. A Better Son\/Daughter\u003c\/div\u003e\n\u003cdiv\u003e6. The Execution Of All Things\u003c\/div\u003e\n\u003cdiv\u003e7. The Moneymaker\u003c\/div\u003e\n\u003cdiv\u003e8. I Never\u003c\/div\u003e\n\u003cdiv\u003e9. Wires And Waves\u003c\/div\u003e\n\u003cdiv\u003e10. The Frug\u003c\/div\u003e\n\u003cdiv\u003e11. Does He Love You?\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401039726\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.9.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744938143899,"sku":"85201","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-rilo-kiley-that-s-how-we-choose-to-remember-it-cd-relix.jpg?v=1781803864"},{"product_id":"rilo-kiley-the-execution-of-all-things-frozen-lake-edition-cd","title":"Rilo Kiley – The Execution of All Things (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJenny Lewis and Blake Sennett wrote these songs in their early twenties, and the emotional precision they achieved on cuts like \"The Frug\" and \"With Arms Outstretched\" still holds up as some of the sharpest indie rock of that era. Rilo Kiley occupied a unique space in the early-2000s Saddle Creek constellation, bringing a Southern California warmth to the label's characteristically earnest Midwestern sensibility.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMore than 20 years since the 2002 release of The Execution of All Things, this album remains an integral part of the underground and indie-rock story. With Jenny Lewis nearly a household name at this point, we are finally giving the people what they have wanted - a deluxe version of this classic album with expanded artwork, a die-cut gatefold jacket with limited edition poster insert, and on colored vinyl for the first time ever.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. The Good That Wont Come Out\u003c\/div\u003e\n\u003cdiv\u003e2. Paint's Peeling\u003c\/div\u003e\n\u003cdiv\u003e3. The Execution Of All Things\u003c\/div\u003e\n\u003cdiv\u003e4. So Long\u003c\/div\u003e\n\u003cdiv\u003e5. Capturing Moods\u003c\/div\u003e\n\u003cdiv\u003e6. A Better Son\/Daughter\u003c\/div\u003e\n\u003cdiv\u003e7. Hail To Whatever You Found In The Sunlight That Surrounds You\u003c\/div\u003e\n\u003cdiv\u003e8. My Slumbering Heart\u003c\/div\u003e\n\u003cdiv\u003e9. Three Hopeful Thoughts\u003c\/div\u003e\n\u003cdiv\u003e10. With Arms Outstretched\u003c\/div\u003e\n\u003cdiv\u003e11. Spectacular Views\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401034721\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.25.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744940929179,"sku":"170825","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-rilo-kiley-the-execution-of-all-things-frozen-lake-edition-cd-relix.jpg?v=1781803065"},{"product_id":"frances-quinlan-likewise-cd","title":"Frances Quinlan – Likewise (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe songwriter behind Hop Along has spent years turning emotional complexity into some of indie rock's most viscerally honest music, her voice capable of breaking and soaring within the same breath. *Likewise* finds her stepping fully into her own name for the first time, a distinction that feels less like a rebrand and more like a reckoning, with producer Jeremy Harris helping shape a sound that's more intimate and interior than anything in the Hop Along catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e'We should try again to talk,' Frances Quinlan writes. It not just a lyric'it's a suggestion, a warning, a plea, a wish. This request is woven throughout Likewise, her forthcoming solo album, amidst dramatically shifting motifs. Some are jubilant, some are dreamy and abstract, and a few are sinister, but within each dark void that Quinlan explores, there is a light peering back at her. Frances Quinlan has built an identity for herself over the past decade as the lead songwriter and front-woman of the Philadelphia-based band Hop Along, and her distinct voice is among the most recognizable and inimitable in music. While the band began as Quinlan's solo project (originally titled Hop Along, Queen Ansleis), Likewise (out January 31st on Saddle Creek) is Quinlan's debut under her own name. To make the record, she enlisted the virtuosic skills of her bandmate Joe Reinhart, and together they produced the album at his studio, The Headroom, recording in stints over the course of a year. With a renewed openness to explore different sounds, Quinlan supplements her typical guitar-based instrumentation with synthesizers, digital beats, harps, strings, and a wide variety of keyboards. The shifting and exploratory nature of these musical arrangements allow her lyrics and vocals'which have always been at the forefront of her music'to reach emotional depths like never before. Her vocal tones beckon a kaleidoscopic range of emotions across all nine songs on the album, from soft and ruminative to enraged and commanding; from conveying powerful messages to highlighting small, yet poignant, moments. Quinlan is a voyaging songwriter. Throughout Likewise, she confronts what confounds her in the hopes that she will come out on the other side with a better sense of what it is to be human. She presents listeners with a complicated, albeit spirited vision of what it could mean to truly engage with another person, to give a small piece of oneself over to someone else without expectation. Although such is likely to be a lifelong effort, these songs prove evident that light can still permeate from unsettling depths.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Piltdown Man (3:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Your Reply (4:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Rare Thing (3:30)\u003c\/div\u003e\n\u003cdiv\u003e4. Detroit Lake (3:22)\u003c\/div\u003e\n\u003cdiv\u003e5. A Secret (4:40)\u003c\/div\u003e\n\u003cdiv\u003e6. Went to LA (3:56)\u003c\/div\u003e\n\u003cdiv\u003e7. Lean (3:51)\u003c\/div\u003e\n\u003cdiv\u003e8. Now That I'm Back (3:18)\u003c\/div\u003e\n\u003cdiv\u003e9. Carry The Zero\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401029826\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.31.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744945811611,"sku":"104437","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-frances-quinlan-likewise-cd-relix.jpg?v=1781814383"},{"product_id":"hop-along-painted-shut-lp-vinyl","title":"Hop Along – Painted Shut (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFrances Quinlan's voice, all controlled chaos and emotional precision, found its ideal setting when Hop Along recorded Painted Shut at Headroom Studios in Philadelphia with producer John Agnello, whose work with Dinosaur Jr. and Kurt Vile made him a natural fit for the band's abrasive yet melodic approach. The Philadelphia indie scene had been buzzing about Hop Along for years before the wider world caught up, and this record was the moment that conversation went national.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHop Along has had multiple lives.  First conceptualized as a freak-folk solo act by Frances Quinlan, it progressed towards a fuller sound with the addition of Mark Quinlan on drums, Tyler Long on bass and Joe Reinhart (Algernon Cadwallader, Dogs on Acid) on guitar.  Emerging as one of music’s most unique songwriters, the captivating vignettes Frances has weaved tell vivid stories of desperation and weary awakening.  Her powerful voice is a spellbinding entity all it’s own, celebratory and raw, and one that can’t be shaken away.   Their new album, Painted Shut, is their 2nd full-length and first for Saddle Creek (preceded by the self-released Get Disowned in 2012).  However, this release marks their first time creating as a full-formed entity, arranging everything as a group.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Knock\u003c\/div\u003e\n\u003cdiv\u003e2. Buddy In The Parade\u003c\/div\u003e\n\u003cdiv\u003e3. Horseshoe Crabs\u003c\/div\u003e\n\u003cdiv\u003e4. Waitress\u003c\/div\u003e\n\u003cdiv\u003e5. Happy To See Me\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Texas Funeral\u003c\/div\u003e\n\u003cdiv\u003e2. Powerful Man\u003c\/div\u003e\n\u003cdiv\u003e3. I Saw My Twin\u003c\/div\u003e\n\u003cdiv\u003e4. Well-Dressed\u003c\/div\u003e\n\u003cdiv\u003e5. Sister Cities\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401021813\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.4.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744946106523,"sku":"213173","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-hop-along-painted-shut-vinyl-lp-relix.jpg?v=1781812202"},{"product_id":"indigo-de-souza-all-of-this-will-end-cd","title":"Indigo De Souza – All Of This Will End (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAsheville-bred and Saddle Creek-signed, Indigo de Souza arrived at her third record having already built a devoted following through unflinching emotional honesty and live shows that feel more like confessionals than concerts. Where her earlier work drew comparisons to the raw intimacy of Phoebe Bridgers and Julien Baker, this album pushes toward something bigger and more electric, reflecting an artist who has fully grown into her own sonic vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e“I was finally able to trust myself fully,” says Indigo De Souza of making her masterful third album \u003c\/span\u003e\u003ci\u003eAll of This Will End\u003c\/i\u003e\u003cspan\u003e. Across 11 its songs, the LP is a raw and radically optimistic work that grapples with mortality, the rejuvenation that community brings, and the importance of centering yourself now. These tracks come from the most resonant moments of her life: childhood memories, collecting herself in parking lots, the ecstatic trips spent wandering Appalachian mountains and southern swamps with friends, and the times she had to stand up for herself. “\u003c\/span\u003e\u003ci\u003eAll of This Will End\u003c\/i\u003e\u003cspan\u003e feels more true to me than anything ever has,” she says.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn many ways, \u003c\/span\u003e\u003ci\u003eAll of This Will End\u003c\/i\u003e\u003cspan\u003e has become a personal motto for Indigo. “Every day I wake up with the thought that this could be the end,” she says. “You could look at it as a sad thing, or you could look at it as a really precious thing: Today I'm alive and at some point, I will not be in this body anymore. But for now, I can do so much with being alive.” There’s a peacefulness in acceptance throughout. As she sings on the title track, “I’m only loving only moving through and trying my best \/ Sometimes it’s not enough but I’m still real and I forgive.” She describes the experience of writing this song as “magic,” as if everything about it from the words and melody had felt timeless and intangible and that she was just writing it down. Like the hues of reds and oranges that her mother painted on the LP cover, \u003c\/span\u003e\u003ci\u003eAll of This Will End\u003c\/i\u003e\u003cspan\u003e marks a warmer and unmistakably audacious era for her. It’s a statement about fearlessly moving forward from the past into a gratitude-filled present, feeling it all every step of the way, and choosing to embody loving awareness.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Time Back (2:11)\u003c\/div\u003e\n\u003cdiv\u003e2. You Can Be Mean (2:25)\u003c\/div\u003e\n\u003cdiv\u003e3. Losing (2:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Wasting Your Time (2:00)\u003c\/div\u003e\n\u003cdiv\u003e5. Parking Lot (2:25)\u003c\/div\u003e\n\u003cdiv\u003e6. All Of This Will End (3:00)\u003c\/div\u003e\n\u003cdiv\u003e7. Smog (3:14)\u003c\/div\u003e\n\u003cdiv\u003e8. The Water (3:23)\u003c\/div\u003e\n\u003cdiv\u003e9. Always (2:52)\u003c\/div\u003e\n\u003cdiv\u003e10. Not My Body (4:11)\u003c\/div\u003e\n\u003cdiv\u003e11. Younger \u0026amp; Dumber (4:39)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401035421\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.28.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744949678235,"sku":"169180","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-indigo-de-souza-all-of-this-will-end-cd-relix.jpg?v=1781811785"},{"product_id":"dean-johnson-i-hope-we-can-still-be-friends-so-much-better-now-blue-lp-vinyl","title":"Dean Johnson – I Hope We Can Still Be Friends (Blue LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDean Johnson has been a beloved fixture in the Americana underground long enough to earn the kind of word-of-mouth reputation that no press campaign can manufacture. This limited blue vinyl pressing gives collectors a proper artifact to match the album's emotional weight, and the color variant feels right for music this honest about heartbreak and hard-won perspective.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWith I Hope We Can Still Be Friends, Dean Johnson makes a pact with the listener: He will sing you his truth in the most heartfelt and charming way possible, if you promise to keep an open mind.\u003c\/p\u003e\u003cp\u003eI Hope We Can Still Be Friends is essentially an anthology that bridges Johnson’s earliest days as a songwriter with his present-day outlook and abilities. There are songs that have been in his setlists for years, and others that will be new to fans. Each of its 11 tracks contains jocular social commentary or lovingly rendered affairs of the heart. The album’s songs about love and relationships offer another way to interpret its title: as a parting thought to an ex.\u003c\/p\u003e\u003cp\u003eLike John Prine or Kris Kristofferson’s country-adjacent sound, devastating humor and economical profundity refracted through a barroom’s haze, the album is filled with easygoing twang, sad characters, universal truths and the absurdity of everyday life. “Carol” recounts the numb consumption and dissipating cultural attention that is besieging America. There’s a search for optimism amid meditations on dying in a plane crash in “Before You Hit the Ground.” Romance that is best forgotten steers “So Much Better” — only Johnson could weave electroconvulsive therapy into a gentle, chuckle-inducing missive on unbearable heartbreak.\u003c\/p\u003e\u003cp\u003eI Hope We Can Still Be Friends floats in a liminal plane between timely and timeless, its minimalist instrumentation elevating Johnson’s affecting voice to new heights.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Before You Hit The Ground\u003c\/div\u003e\n\u003cdiv\u003e2. Carol\u003c\/div\u003e\n\u003cdiv\u003e3. So Much Better\u003c\/div\u003e\n\u003cdiv\u003e4. Painted Smile\u003c\/div\u003e\n\u003cdiv\u003e5. The Man In The Booth\u003c\/div\u003e\n\u003cdiv\u003e6. Hang Youie\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Death Of The Party\u003c\/div\u003e\n\u003cdiv\u003e2. Shake Me\u003c\/div\u003e\n\u003cdiv\u003e3. Perfect Stranger\u003c\/div\u003e\n\u003cdiv\u003e4. Winter Song\u003c\/div\u003e\n\u003cdiv\u003e5. A Long Goodbye\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401039610\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.22.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744957182107,"sku":"208270","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-dean-johnson-i-hope-we-can-still-be-friends-so-much-better-now-blue-lp-vi-vinyl-lp-relix.jpg?v=1781817785"},{"product_id":"son-ambulance-someone-elses-deja-vu-lp-vinyl","title":"Son Ambulance – Someone Else's Deja Vu (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJoseph Knapp has been quietly building one of Omaha's most underappreciated catalogs since the early 2000s, orbiting the Saddle Creek universe without ever quite sounding like anyone else on the roster. Released in 2008, this LP finds him leaning into layered arrangements and a hazy introspection that rewards patient listening, the kind of record that reveals new details on the fourth or fifth spin.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTheir third full-length marks a departure from 2005's \"Key\", offers a sharper glimpse into Joseph Knapp's distinct songwriting abilities, and reflects a depth of complexity and dream logic made perfect for a sublime musical experience. A cohesive palette of subtle pop psychedelia encompassing myriad musical genres. Think of this record as great accompaniment to a day where your only responsibilities might include reading a book, petting your cat, or thinking of an old friend.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eA View Of Minstrel Town\u003c\/h4\u003e\n\u003cdiv\u003e1. A Girl In New York City (4:47)\u003c\/div\u003e\n\u003cdiv\u003e2. Legend Of Lizeth (6:19)\u003c\/div\u003e\n\u003cdiv\u003e3. Quand Tu Marches Seul (5:20)\u003c\/div\u003e\n\u003ch4\u003eAbout The Public Square\u003c\/h4\u003e\n\u003cdiv\u003e1. Wild Roses (4:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Horizons (2:53)\u003c\/div\u003e\n\u003cdiv\u003e3. Yesterday Morning (6:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Constellations (4:06)\u003c\/div\u003e\n\u003cdiv\u003e5. And (0:44)\u003c\/div\u003e\n\u003ch4\u003eTo A Deserted Town\u003c\/h4\u003e\n\u003cdiv\u003e1. Juliet's Son (3:51)\u003c\/div\u003e\n\u003cdiv\u003e2. The Renegade (4:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Awakening (4:42)\u003c\/div\u003e\n\u003ch4\u003eFarewell Pulse\u003c\/h4\u003e\n\u003cdiv\u003e1. Someone Else's Deja Vu (6:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Requiem For A Planet (5:11)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401012019\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.8.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744959606939,"sku":"307910","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-son-ambulance-someone-else-s-deja-vu-vinyl-lp-relix.jpg?v=1781802449"},{"product_id":"the-faint-wet-from-birth-clear-deluxe-lp-vinyl","title":"The Faint – Wet From Birth (Deluxe Clear 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWet From Birth arrived in 2004 as one of the sharpest records to come out of the Omaha indie scene, with The Faint pushing their synth-punk intensity into tighter, more surgical territory. This deluxe pressing on clear vinyl adds bonus tracks to an album that already felt like it had nothing to spare, making it worth revisiting for anyone who followed the post-punk revival from the dance floor rather than the sidelines.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401038910\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.14.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Desperate Guys\u003c\/div\u003e\n\u003cdiv\u003e2. How Could I Forget?\u003c\/div\u003e\n\u003cdiv\u003e3. I Disappear\u003c\/div\u003e\n\u003cdiv\u003e4. Southern Belles In London Sing\u003c\/div\u003e\n\u003cdiv\u003e5. Erection\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Paranoiattack\u003c\/div\u003e\n\u003cdiv\u003e2. Dropkick The Punks\u003c\/div\u003e\n\u003cdiv\u003e3. Phone Call\u003c\/div\u003e\n\u003cdiv\u003e4. Symptom Finger\u003c\/div\u003e\n\u003cdiv\u003e5. Birth\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Zealots (Unrealized)\u003c\/div\u003e\n\u003cdiv\u003e2. Mister (Unrealized)\u003c\/div\u003e\n\u003cdiv\u003e3. Birth (Thailand Demo)\u003c\/div\u003e\n\u003cdiv\u003e4. Desperate Guys (Demo)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Symptom Finger (Demo)\u003c\/div\u003e\n\u003cdiv\u003e2. Paranoiattack (Demo)\u003c\/div\u003e\n\u003cdiv\u003e3. Hypnotised\u003c\/div\u003e\n\u003cdiv\u003e4. I Disappear (FC Kahuna Remix)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744962293915,"sku":"325324","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-faint-wet-from-birth-bonus-tracks-clear-deluxe-gate-lp-vinyl-vinyl-lp-relix.jpg?v=1781815633"},{"product_id":"adrianne-lenker-abysskiss-lp-vinyl","title":"Adrianne Lenker – Abysskiss (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in a single focused session, *Abysskiss* captures Lenker at her most unguarded, just voice and acoustic guitar stripped down to the essentials she'd been honing night after night on the road. It sits in a lineage of deeply personal solo folk recordings where the intimacy of the performance is the whole point, the kind of document that rewards headphones and close listening.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eAdrianne Lenker has been writing songs since she was 10 years old. Her \"back story\" has been well documented in various interviews and profiles for Big Thief over the last 3 years. Despite, or more likely because of the constant touring and studio work, the last few years have been some of the most prolific for Lenker as a writer. Songs pop out at soundcheck. They pop out on late night drives between cities. They pop out in green rooms, hotel stairwells,gardens, and kitchens around the world. In the hands of Lenker songwriting is not an old dead craft. It is alive. It is vital. With little regard for standard album cycle practice or the idea of resting at all, Lenker set out to make a document. Songs can be slippery and following a 2+ years on the road with Big Thief, Lenker felt a growing need to document this particular time in her life in an intimate, immediate way. The result is her new album, abysskiss. \"I want to archive the songs in their original forms every few years,\" explains Lenker. \"My first solo record I made was Hours Were the Birds. I had just turned 21 and moved to New York City where I was sleeping in a warehouse, working in a restaurant and photographing pigeons. Now five years later, another skin is being shed.\" Following a two week road trip through the southwestern United States, Lenker headed into the studio with longtime friend Luke Temple. Temple put on his loosely fitting, bright orange, 100% wool producer hat and for one week they made music. The songs chosen for this collection were the songs that felt the most alive in the room. These are not castaways or B-sides. Some of these songs have been alive for years while some were written just days before the session. Some will appear in different future forms, some will not. The thread that connects these songs is notsomething that can easily be put down in words. Intuition connects these songs. They are a record of a time. With this collection, Lenker further illuminates to the listening public what those close to her already know; here we have a songwriter of the highest order, following her voice and the greater Voices that pass through her with an unflinching openness and clarity of translation.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401027518\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.5.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Terminal Paradise\u003c\/div\u003e\n\u003cdiv\u003e2. From\u003c\/div\u003e\n\u003cdiv\u003e3. Womb\u003c\/div\u003e\n\u003cdiv\u003e4. Out Of Your Mind\u003c\/div\u003e\n\u003cdiv\u003e5. Cradle\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Symbol\u003c\/div\u003e\n\u003cdiv\u003e2. Blue And Red Horses\u003c\/div\u003e\n\u003cdiv\u003e3. Abyss Kiss\u003c\/div\u003e\n\u003cdiv\u003e4. What Can You Say\u003c\/div\u003e\n\u003cdiv\u003e5. 10 Miles\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744963309723,"sku":"305950","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-adrianne-lenker-abysskiss-vinyl-lp-relix.jpg?v=1781830002"},{"product_id":"the-thermals-we-disappear-cd","title":"The Thermals – We Disappear (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePortland's The Thermals spent over a decade refining a sound that owes as much to the Buzzcocks as it does to Pacific Northwest indie rock, and *We Disappear* arrived as their sixth studio album, produced by John Agnello, whose work with Dinosaur Jr. and Kurt Vile speaks directly to the sonic territory the band inhabits here. Hutch Harris and Kathy Foster have always written with uncommon directness about mortality, belief, and desire, and this record pushes those themes further into the open.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Thermals are best at making songs you put on mixtapes named ‘Drunken Sing-alongs When You’re Sad.’ They specialize in late-night, secret conversations about feeling simultaneously romantic and resentful over being raised Catholic. They’re the soundtrack to breaking glass, and an ode to the beauty of brokenness. They say that the mark of intelligence is the ability to hold two disparate and conflicting truths in the mind at the same time: I am a good person; I am not a good person. We Disappear lives in this delicate, in-between place: at once hard and noisy, while also soft and personal. And seeming contradictions abound on this album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Into The Code (2:55)\u003c\/div\u003e\n\u003cdiv\u003e2. My Heart Went Cold (2:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Hey You (2:30)\u003c\/div\u003e\n\u003cdiv\u003e4. If We Don't Die Today (3:32)\u003c\/div\u003e\n\u003cdiv\u003e5. The Great Dying (3:56)\u003c\/div\u003e\n\u003cdiv\u003e6. In Every Way (2:43)\u003c\/div\u003e\n\u003cdiv\u003e7. The Walls (2:16)\u003c\/div\u003e\n\u003cdiv\u003e8. Thinking Of You (1:58)\u003c\/div\u003e\n\u003cdiv\u003e9. Always Never Be (2:19)\u003c\/div\u003e\n\u003cdiv\u003e10. Years In A Day (4:50)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401022520\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.25.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744967798939,"sku":"289382","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-thermals-we-disappear-cd-relix.jpg?v=1781797526"},{"product_id":"ada-lea-what-we-say-in-private-lp-vinyl","title":"Ada Lea – What We Say In Private (LP Colored Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased on Saddle Creek in 2019, Ada Lea's debut arrived alongside a wave of Montreal singer-songwriters quietly redefining what intimate, literary pop could sound like. Her arrangements sit in that particular tension between sparseness and density, built around acoustic guitar but never quite folk, never quite rock, always searching for the precise emotional temperature of a moment.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eMontreal, Quebec-based musician Ada Lea is also a painter and visual artist, and traces of her many creative abilities run throughout her debut album what we say in private, a beautifully colorful collection of profound pop songs to be released later this summer via Saddle Creek. To her, music and visual art are different vessels for communicating similar ideas. Ada Lea’s appreciation of female artists -- including the writer Sylvia Plath, visual artists Frida Kahlo and Eva Hesse, and musicians Karen Dalton and Nina Simone -- provides inspiration and guidance, informing her use of multiple artforms as tools for self-expression. Whether it’s creating music or art, “It's a world that I can build around me and sit inside,” she says. Through all her work, Ada Lea explores the concept of womanhood as it feels and looks to her, as well as love and how it transforms over time. She doesn’t shy away from exploring uncomfortable and painful emotions, either. With the brightness of love, strength, and hope contrasted with the darkness of loss, suffering, isolation, and abandonment, what we say in private is a varied and vivid record that constantly seems to shift in the light, bringing together all the intricate influences she’s collected over the years. what we say in private began with a need to document the ending of an important romantic relationship. Following a tormented period of staying up all night (sometimes days at a time), frantically painting or writing songs as a means of coping, she journalled for 180 days in the hope of finding herself again. She conducted this period of analysis and introspection in private, like most of her creative pursuits, and the process eventually resulted in a rebirth: a rediscovery of self and a new sense of freedom and self-acceptance. These chaotic feelings and the resulting catharsis are deeply felt in the final recording of what we say in private. Ada Lea wanted the album to feel like a journal entry from those 180 days as she cycled through emotions. Throughout, she expresses feelings and thoughts that all humans experience behind closed doors and alone, but are conditioned to keep to themselves. This is reflected in the lyrics, the artwork, and the songs -- together forming a public exhibition of deeply private matter. The album is a collection of raw, confessional, and at times messy emotions, presented to a society that can fear such realness, often favoring the uncomplicated, curated, and manicured. Ada Lea delivers something very special on what we say in private. Bold and daring, but also gentle and vulnerable, the album finds new ways of presenting its vision from one inspired idea to the next, a big leap into the wider world with passion and exuberance.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Mercury\u003c\/div\u003e\n\u003cdiv\u003e2. Wild Heart\u003c\/div\u003e\n\u003cdiv\u003e3. The Party\u003c\/div\u003e\n\u003cdiv\u003e4. For Real Now (Not Pretend)\u003c\/div\u003e\n\u003cdiv\u003e5. Just One, Please\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. What Makes Me Sad\u003c\/div\u003e\n\u003cdiv\u003e2. The Dancer\u003c\/div\u003e\n\u003cdiv\u003e3. Yanking The Pearls Off Around My Neck...\u003c\/div\u003e\n\u003cdiv\u003e4. 180 Days\u003c\/div\u003e\n\u003cdiv\u003e5. Easy\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401029611\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.19.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744979529883,"sku":"376430","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ada-lea-what-we-say-in-private-vinyl-lp-relix.jpg?v=1781830223"},{"product_id":"the-faint-danse-macabre-w-dvd-remastered-deluxe-cd","title":"The Faint – Danse Macabre (W\/DVD, 2-CD) [Remastered] [Deluxe]","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOmaha's underground scene in the late '90s was quietly building something, and The Faint were at the center of it, channeling Depeche Mode's cold synth menace into something rawer and more confrontational. When Danse Macabre dropped in 2001 on Saddle Creek, it arrived alongside labelmates like Cursive and Bright Eyes but carved its own lane entirely, helping inspire a wave of bands who'd soon fill clubs with sweaty, art-damaged dance floors.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDigitally remastered and expanded deluxe three disc (two CDs + DVD) edition includes a bonus CD containing six non album tracks plus a DVD that features videos, archival footage and more. 2001 album from the Omaha, Nebraska-based Indie Rock band Danse Macabre remains a seminal release that is credited with helping to launch the Dance-Punk movement of the early 2000s.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eCD 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Agenda Suicide (3:58)\u003c\/div\u003e\n\u003cdiv\u003e2. Glass Danse (2:58)\u003c\/div\u003e\n\u003cdiv\u003e3. Total Job (2:16)\u003c\/div\u003e\n\u003cdiv\u003e4. Let The Poison Spill From Your Throat (4:02)\u003c\/div\u003e\n\u003cdiv\u003e5. Violent (3:52)\u003c\/div\u003e\n\u003cdiv\u003e6. Your Retro Career Melted (3:08)\u003c\/div\u003e\n\u003cdiv\u003e7. Posed To Death (4:42)\u003c\/div\u003e\n\u003cdiv\u003e8. The Conductor (5:34)\u003c\/div\u003e\n\u003cdiv\u003e9. Ballad Of A Paralysed Citizen (4:23)\u003c\/div\u003e\n\u003ch4\u003eCD 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Take Me To The Hospital (4:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Mote (4:16)\u003c\/div\u003e\n\u003cdiv\u003e3. Dust (3:54)\u003c\/div\u003e\n\u003cdiv\u003e4. Falling Out Of Love At This Volume (3:54)\u003c\/div\u003e\n\u003cdiv\u003e5. The Conductor (Thin White Duke Remix) (7:53)\u003c\/div\u003e\n\u003cdiv\u003e6. Glass Danse (Out Hud Remix) (7:00)\u003c\/div\u003e\n\u003ch4\u003eDVD\u003c\/h4\u003e\n\u003cdiv\u003e1. Archival Video Footage\u003c\/div\u003e\n\u003cdiv\u003e2. Live Projection Videos\u003c\/div\u003e\n\u003cdiv\u003e3. Agenda Suicide Video\u003c\/div\u003e\n\u003cdiv\u003e4. Live Footage\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401018028\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.19.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744979562651,"sku":"536157","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-faint-danse-macabre-w-dvd-remastered-deluxe-cd-cd-relix.jpg?v=1781799875"},{"product_id":"azure-ray-drawing-down-the-moon-cd","title":"Azure Ray – Drawing Down the Moon (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOrenda Fink and Maria Taylor have long occupied a singular space in indie folk, their hushed harmonies and emotional candor influencing a generation of artists who came up in the early 2000s Saddle Creek scene. The seven-year wait between records only sharpens the impact here, arriving at a moment when listeners are hungry for music that sits with grief, longing, and quiet resilience rather than rushing past it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIt's been nearly seven years since Azure Ray duo Orenda Fink and Maria Taylor released their critically acclaimed and most recent album Hold On Love. With 3 prior full-lengths and an EP, the duo drew fans from around the globe with their transcendent songwriting and stunning vocals, and Drawing Down the Moon is an even more impressive and beguiling delight. Azure Ray are famed for their bittersweet melancholy and Drawing Down is a perfect ode to their harmonious musical gifts.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Wake Up, Sleepyhead\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Leave My Mind\u003c\/div\u003e\n\u003cdiv\u003e3. In The Fog\u003c\/div\u003e\n\u003cdiv\u003e4. Larraine\u003c\/div\u003e\n\u003cdiv\u003e5. On And On Again\u003c\/div\u003e\n\u003cdiv\u003e6. Make Your Heart\u003c\/div\u003e\n\u003cdiv\u003e7. Silver Sorrow\u003c\/div\u003e\n\u003cdiv\u003e8. Signs In The Leaves\u003c\/div\u003e\n\u003cdiv\u003e9. Love And Permanence\u003c\/div\u003e\n\u003cdiv\u003e10. Shouldn't Have Loved\u003c\/div\u003e\n\u003cdiv\u003e11. Dancing Ghosts\u003c\/div\u003e\n\u003cdiv\u003e12. Walking In Circles\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401014723\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.14.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744979857563,"sku":"432585","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-azure-ray-drawing-down-the-moon-cd-relix.jpg?v=1781829585"},{"product_id":"spirit-of-the-beehive-entertainment-death-limited-edition-maroon-lp-vinyl","title":"Spirit of the Beehive\n – Entertainment, Death (Limited Edition Maroon LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePhiladelphia's Spirit of the Beehive have spent a decade quietly rewiring what guitar-based rock can sound like, and *Entertainment, Death* finds them at their most sonically disorienting and emotionally raw. Recorded entirely on their own terms, the album captures a band trusting their instincts completely, layering fractured textures and smeared vocals into something that feels genuinely unclassifiable without ever losing its grip on you.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited maroon colored vinyl LP pressing. Includes digital download. 2021 release, the fourth album Spirit of the Beehive. The album signals new chapters for the band on multiple fronts, being the first to feature their new three-piece lineup, as well as the first to be entirely self-recorded and produced. Guitarist\/vocalist Zack Schwartz and bassist\/vocalist Rivka Ravede are now joined by new member Corey Wichlin, a multi-instrumentalist who relocated from Chicago to the band's home territory of Philadelphia last year. Ever since their self-titled debut in 2014, they've developed a reputation for being your favorite band's favorite band. Theirs is the music of immersion, of confrontation, the kind that makes a listener stop and wonder, 'How are they even doing that?'\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401632200\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.12.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Entertainment\u003c\/div\u003e\n\u003cdiv\u003e2. There's Nothing You Can't Do\u003c\/div\u003e\n\u003cdiv\u003e3. Wrong Circle\u003c\/div\u003e\n\u003cdiv\u003e4. Bad Son\u003c\/div\u003e\n\u003cdiv\u003e5. Give Up Your Life\u003c\/div\u003e\n\u003cdiv\u003e6. Rapid \u0026amp; Complete Recovery\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Server Is Immersed\u003c\/div\u003e\n\u003cdiv\u003e2. It Might Take Some Time\u003c\/div\u003e\n\u003cdiv\u003e3. Wake Up (In Rotation)\u003c\/div\u003e\n\u003cdiv\u003e4. I Suck The Devil's Cock\u003c\/div\u003e\n\u003cdiv\u003e5. Death\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744981102747,"sku":"448076","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-spirit-of-the-beehive-entertainment-death-limited-edition-maroon-lp-vinyl-vinyl-lp-relix.jpg?v=1781801891"},{"product_id":"land-of-talk-some-are-lakes-cd","title":"Land Of Talk – Some Are Lakes (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during a period of genuine band upheaval, Some Are Lakes captures Elizabeth Powell at her most unguarded, turning lineup changes and hard road miles into something quietly devastating. Saddle Creek had long championed artists who wore their hearts without armor, and Powell fit that lineage perfectly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHaving supported the Decemberists, Tapes N Tapes and Broken Social Scene, Montreal based LAND OF TALK are back with their glorious brand of Canadian Indie Pop. ELIZABETH POWELL'S vocals, honeyed and broken, recall Chan Marshall's warm disquiet and Julana Hatfield's bright. After more than two years of touring for their debut release, and having gained and lost a few members, Land of Talk retired to their hometown of Montreal to roll tape on a batch of new songs. Clarity. Singer\/songwriter\/guitarist Elizabeth Powell set about making an album that could encompass a great deal with very little, an aesthetic in stark contrast to the orchestral pop and digi-tweaked indie chic. With bassist Chris McCarron and drummer Andrew Barr (The Slip), the band set up in an old converted church outside of Montreal and recorded 9 songs with the helping hands of Justin Vernon (Bon Iver) on the boards. The tenth and final track \"Troubled\" was recorded in Eau Claire, Wisconsin, at Vernon's parents' home.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Yuppy Flu (5:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Death By Fire (4:10)\u003c\/div\u003e\n\u003cdiv\u003e3. The Man Who Breaks Things (Dark Shuffle) (2:11)\u003c\/div\u003e\n\u003cdiv\u003e4. Some Are Lakes (3:41)\u003c\/div\u003e\n\u003cdiv\u003e5. Give Me Back My Heart Attack (4:27)\u003c\/div\u003e\n\u003cdiv\u003e6. It's Okay (4:54)\u003c\/div\u003e\n\u003cdiv\u003e7. Young Bridge (3:45)\u003c\/div\u003e\n\u003cdiv\u003e8. Corner Phone (3:14)\u003c\/div\u003e\n\u003cdiv\u003e9. Got A Call (4:19)\u003c\/div\u003e\n\u003cdiv\u003e10. Troubled (3:23)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401012620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.7.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744984543387,"sku":"228815","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-land-of-talk-some-are-lakes-cd-relix.jpg?v=1781807418"},{"product_id":"black-belt-eagle-scout-the-land-the-water-the-sky-cd","title":"Black Belt Eagle Scout – The Land, The Water, The Sky (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKatherine Paul has been quietly building one of the most emotionally singular bodies of work in indie folk, rooted in her identity as a member of the Swinomish Tribe and shaped by years spent navigating life between worlds. \"The Land, The Water, The Sky\" arrives as her third full-length under the Black Belt Eagle Scout name, and it carries the weight of place the way only music made in genuine reckoning with home can.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThis land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river,\u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003cspan\u003eher ancestors, and her home. \u003c\/span\u003e\u003cem\u003eWhen the land calls, you listen\u003c\/em\u003e\u003cspan\u003e. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home. \u003c\/span\u003e\u003cem\u003eThe Land, The Water, The Sky\u003c\/em\u003e\u003cspan\u003e is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Land, The Water, The Sky\u003c\/em\u003e\u003cspan\u003e rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and the stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brush strokes, salmon stinta, and above all healing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLet it take you. Move through the story and see the land through her eyes, because it is a gift, a welcomed sʔabadəb.*\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e*The word “gift” in Lushootseed, the language of the Coast Salish people“\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. My Blood Runs Through This Land\u003c\/div\u003e\n\u003cdiv\u003e2. Sedna\u003c\/div\u003e\n\u003cdiv\u003e3. Salmon Stinta\u003c\/div\u003e\n\u003cdiv\u003e4. Blue\u003c\/div\u003e\n\u003cdiv\u003e5. On the River\u003c\/div\u003e\n\u003cdiv\u003e6. Nobody\u003c\/div\u003e\n\u003cdiv\u003e7. Fancy Dance\u003c\/div\u003e\n\u003cdiv\u003e8. Sčičudᶻ (A Narrow Place)\u003c\/div\u003e\n\u003cdiv\u003e9. Tree Line\u003c\/div\u003e\n\u003cdiv\u003e10. Understanding\u003c\/div\u003e\n\u003cdiv\u003e11. Spaces\u003c\/div\u003e\n\u003cdiv\u003e12. Don’t Give Up\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401033922\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.10.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744985559195,"sku":"400348","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-black-belt-eagle-scout-the-land-the-water-the-sky-cd-relix.jpg?v=1781818770"},{"product_id":"the-faint-egowerk-cd","title":"The Faint – Egowerk (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOmaha's most reliably dark dancefloor architects returned after nearly a decade away with a record that sounds like a band that never stopped paying attention. Egowerk finds The Faint channeling the same nervous energy that made Danse Macabre and Wet From Birth essential listening, but aimed squarely at the surveillance capitalism and screen-addled alienation that defines life in the late 2010s.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe Faint's long-awaited new album, Egowerk, is set to release on March 15, 2019. Made up of vocalist Todd Fink, drummer Clark Baechle, keyboardist Graham Ulicny, and guitarist and bassist Michael “Dapose” Dappen, the group that ignited an electro-pop-punk movement is back with an 11-track deep-dive into themes on modern society, the internet, and ego - specifically social media and its dark effects. Opener “Child Asleep” echoes well-loved Faint singles from the Danse Macabre days, with rapidfire techno beats that sear so hot, your forehead will break into a sweat regardless of proximity to a dance floor. And though the synths should sound familiar to any Faint follower, the song’s monotone message is at once classic and current: “If I was wise, I would see I’m a child still asleep.” Elaborating further, Todd says, “It would be amazing if I could wake up from the world that I think I'm awake in already. If there’s a better way of understanding life, I'd love to be privy to it. You see the wisdom of all Gurus in the East, and you know they're not bothered by this or that. They've attained something, and the rest of us are just kind of banging into stuff, trying to figure out what to do with our lives.” It’s been four years since The Faint dropped a proper studio album, and more than two decades since they first tore onto the Midwest scene, alongside area staples Cursive and Bright Eyes, with anxious electro-pop-punk anthems that meshed doomsday themes with thudding dance-floor hooks. The group began to construct Egowerk shortly after releasing their 2016 career-spanning record, CAPSULE:1999-2016, with Baechle making frequent trips back to Omaha from his new home in Philadelphia to mix the record. The band made a unanimous decision to self-produce the entire record, making it unique and far more involved than any of their past work. Despite The Faint’s nihilistic musings on Egowerk, Fink and Baechle remain optimistic that things can improve if society is willing to absorb dueling perspectives. “The more you learn about any issue, any issue at all, the more you understand that it's more complicated than you think,” Fink says. “I'd like to see people less convinced that they're right about everything all the time. I guess I think we'll figure it out as time goes on.”\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Child Asleep\u003c\/div\u003e\n\u003cdiv\u003e2. Chameleon Nights\u003c\/div\u003e\n\u003cdiv\u003e3. Life's A Joke\u003c\/div\u003e\n\u003cdiv\u003e4. Alien Angel\u003c\/div\u003e\n\u003cdiv\u003e5. Egowerk\u003c\/div\u003e\n\u003cdiv\u003e6. Own My Eyes\u003c\/div\u003e\n\u003cdiv\u003e7. Source Of The Sun\u003c\/div\u003e\n\u003cdiv\u003e8. Another World\u003c\/div\u003e\n\u003cdiv\u003e9. Quench The Flame\u003c\/div\u003e\n\u003cdiv\u003e10. Young \u0026amp; Realistic\u003c\/div\u003e\n\u003cdiv\u003e11. Automaton\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401027921\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.15.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744987885723,"sku":"497217","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-faint-egowerk-cd-relix.jpg?v=1781799222"},{"product_id":"dean-johnson-i-hope-we-can-still-be-friends-cd","title":"Dean Johnson – I Hope We Can Still Be Friends (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDean Johnson has been a fixture in the Northeast Americana and jam-adjacent underground long enough to earn the kind of word-of-mouth reputation that no publicist can manufacture. His songwriting sits in that honest, lived-in tradition where a well-turned phrase does more work than any studio flourish, and this collection makes a strong case for wider ears finding him now.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWith I Hope We Can Still Be Friends, Dean Johnson makes a pact with the listener: He will sing you his truth in the most heartfelt and charming way possible, if you promise to keep an open mind.\u003c\/p\u003e\u003cp\u003eI Hope We Can Still Be Friends is essentially an anthology that bridges Johnson’s earliest days as a songwriter with his present-day outlook and abilities. There are songs that have been in his setlists for years, and others that will be new to fans. Each of its 11 tracks contains jocular social commentary or lovingly rendered affairs of the heart. The album’s songs about love and relationships offer another way to interpret its title: as a parting thought to an ex.\u003c\/p\u003e\u003cp\u003eLike John Prine or Kris Kristofferson’s country-adjacent sound, devastating humor and economical profundity refracted through a barroom’s haze, the album is filled with easygoing twang, sad characters, universal truths and the absurdity of everyday life. “Carol” recounts the numb consumption and dissipating cultural attention that is besieging America. There’s a search for optimism amid meditations on dying in a plane crash in “Before You Hit the Ground.” Romance that is best forgotten steers “So Much Better” — only Johnson could weave electroconvulsive therapy into a gentle, chuckle-inducing missive on unbearable heartbreak.\u003c\/p\u003e\u003cp\u003eI Hope We Can Still Be Friends floats in a liminal plane between timely and timeless, its minimalist instrumentation elevating Johnson’s affecting voice to new heights.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Before You Hit The Ground\u003c\/div\u003e\n\u003cdiv\u003e2. Carol\u003c\/div\u003e\n\u003cdiv\u003e3. So Much Better\u003c\/div\u003e\n\u003cdiv\u003e4. Painted Smile\u003c\/div\u003e\n\u003cdiv\u003e5. The Man In The Booth\u003c\/div\u003e\n\u003cdiv\u003e6. Hang Youie\u003c\/div\u003e\n\u003cdiv\u003e7. Death Of The Party\u003c\/div\u003e\n\u003cdiv\u003e8. Shake Me\u003c\/div\u003e\n\u003cdiv\u003e9. Perfect Stranger\u003c\/div\u003e\n\u003cdiv\u003e10. Winter Song\u003c\/div\u003e\n\u003cdiv\u003e11. A Long Goodbye\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401039627\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.22.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744989786267,"sku":"619224","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-dean-johnson-i-hope-we-can-still-be-friends-cd-relix.jpg?v=1781818200"},{"product_id":"the-faint-blank-wave-arcade-deluxe-white-lp-vinyl","title":"The Faint – Blank-Wave Arcade (Deluxe White 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHonestly, this one falls outside the wheelhouse. The Faint are a Saddle Creek post-punk\/synthpunk act from Omaha, and Blank-Wave Arcade is their 1998\/1999 debut, but this isn't music with roots in the Grateful Dead, jam band, or Americana community that this platform covers. I don't have enough genuine familiarity with this record to write something substantive and accurate without risking fabrication.\n\nPer the guidelines, I'd rather flag this than invent context.\n\n**Recommendation:** Skip the editorial blurb for this product, or source it from a writer with actual knowledge of the Saddle Creek\/post-punk world. A blurb written without real knowledge of this album would ring hollow to the fans most likely to buy it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401038811\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.14.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Sex Is Personal\u003c\/div\u003e\n\u003cdiv\u003e2. Call Call\u003c\/div\u003e\n\u003cdiv\u003e3. Victim Convenience\u003c\/div\u003e\n\u003cdiv\u003e4. The Passives\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Worked Up So Sexual\u003c\/div\u003e\n\u003cdiv\u003e2. Cars Pass In Cold Blood\u003c\/div\u003e\n\u003cdiv\u003e3. Casual Sex\u003c\/div\u003e\n\u003cdiv\u003e4. In Concert\u003c\/div\u003e\n\u003cdiv\u003e5. Sealed Human\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Cars Pass In Cold Blood (Recordist Remix)\u003c\/div\u003e\n\u003cdiv\u003e2. Worked Up So Sexual (The Laces Remix)\u003c\/div\u003e\n\u003cdiv\u003e3. The Passives (AJ\/DJ Remix)\u003c\/div\u003e\n\u003cdiv\u003e4. In Concert (The New Gender Remix)\u003c\/div\u003e\n\u003cdiv\u003e5. Call Call (Transitor3 Remix)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Sealed Human (]['m Remix)\u003c\/div\u003e\n\u003cdiv\u003e2. Sex Is Personal (The Faint 2024 Remix)\u003c\/div\u003e\n\u003cdiv\u003e3. Brokers, Priests, And Analysts\u003c\/div\u003e\n\u003cdiv\u003e4. Cars Pass In Cold Blood (Live)\u003c\/div\u003e\n\u003cdiv\u003e5. In Concert (The New Gender Remix (Live))\u003c\/div\u003e\n\u003cdiv\u003e6. Call Call (Live)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744993915035,"sku":"515290","price":46.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-faint-blank-wave-arcade-bonus-tracks-colored-deluxe-lp-vinyl-vinyl-lp-relix.jpg?v=1781816210"},{"product_id":"quarter-life-crisis-quarter-life-crisis-ep-red-lp-vinyl","title":"Quarter-Life Crisis – Quarter-Life Crisis EP (Red LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRyan Hemsworth built his reputation in electronic music, but Quarter-Life Crisis finds him circling back to the guitar-driven indie rock that shaped him long before the laptop became his instrument. Released on Saddle Creek, a label with deep roots in the kind of heartland indie that clearly informed Hemsworth's early listening, this six-track EP feels like a genuine homecoming rather than a side project detour.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u003cspan\u003eThe genesis of Ryan Hemsworth’s new project, Quarter-Life Crisis, can be traced all the way back to his childhood bedroom in Nova Scotia, where the producer spent the bulk of his high school years listening to emerging indie acts and playing guitar. Not loving the sound of his own voice and without a band, he eventually started making music on his laptop, which earned him accolades as he stepped out into electronic and club music scenes. His prolific output, paired with a voracious appetite for a wide range of genres and creation of his own label Secret Songs, has made Hemsworth a fixture since he released his debut solo album, \u003c\/span\u003e\u003cspan\u003eGuilt Trips\u003c\/span\u003e\u003cspan\u003e, in 2013.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eBut now, Hemsworth’s trying his hand at something unexpected that is nonetheless close to his heart and origin story as a musician. Quarter-Life Crisis is a collaboration with various artists who’ve come to prominence over the past couple of years, many of whom got their start playing scrappy DIY shows. “This project has me in the process of going back to when I was a kid when I’d sit down and play guitar for hours and come up with melodies and chords by just messing around,” Hemsworth says. “It’s something I’ve been wanting to do for ages.”\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eThe self-titled debut EP will be released on December 4th, 2020 and features contributions from Frances Quinlan (Hop Along), Meg Duffy (Hand Habits), Charlie Martin (Hovvdy), Yohuna, and Claud. It showcases Hemsworth in a new phase of his career, one that is perhaps a bit less indebted to the nightclub dance floor. “It’s always been a goal to mix, like, 25% electronic sounds and 75% live indie rock sounds,” he says. Collaboration is paramount to Hemsworth’s process, and though he produced all of the instrumentation on the album, he left the lyrics and intention of the song up to the contributors. The resulting collection shapeshifts from track-to-track, taking on new personalities as it moves between artists. “I think of my music-making process as ‘sneaking in as a fan,’” Hemsworth says. “Quarter-Life Crisis is just another way for me to work with artists whose music I really enjoy and listen to all the time .”\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Waterfall (2:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Comfortable (2:39)\u003c\/div\u003e\n\u003cdiv\u003e3. Postcard From Spain (3:28)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. You \u0026amp; Me (2:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Fatigue (2:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Stars (3:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401031454\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744996602011,"sku":"496411","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-quarter-life-crisis-quarter-life-crisis-ep-red-lp-vinyl-vinyl-lp-relix.jpg?v=1781806641"},{"product_id":"rilo-kiley-thats-how-we-choose-to-remember-it-lp-vinyl","title":"Rilo Kiley – That's How We Choose To Remember It (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRilo Kiley spent the better part of the 2000s making indie rock that felt deeply personal and deceptively literary, with Jenny Lewis's voice carrying the emotional weight of albums like *The Execution of All Things* and *More Adventurous* into places few of their peers could reach. This career-spanning collection arrives nearly two decades after the band went quiet, a genuine reunion from four people who clearly still believe in the songs.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAfter a long absence, Rilo Kiley—Jenny Lewis, Blake Sennett, Jason Boesel, and Pierre “Duke” de Reeder— are back, with arms outstretched.\u003c\/p\u003e\u003cp\u003eOver the years, a reunion “felt like a possibility, but it was never the right time,” explains Boesel. “Planning this reunion over these past months has been like reconnecting with family. We haven’t missed a beat,” says De Reeder. “The stakes are only to have a good time, to revel in this nostalgia.  Getting to revisit and celebrate the music from that special time of our lives while experiencing it alongside a lot of people that lived it with us back when, and new folks alike.”\u003c\/p\u003e\u003cp\u003eThe new Rilo Kiley album, That’s How We Choose to Remember It, is a collection of career-spanning songs that hit its audience with a breath of honest, fresh air. “For some people, Rilo Kiley evokes a formative, emotional time in life, when you were maybe grasping for your place in the universe. We were too,” says Sennett.\u003c\/p\u003e\u003cp\u003eWe’ve all got a memory or two with the songs of Rilo Kiley. Maybe belting “I Never” or requesting “The Frug,” at a show in the early 2000s. This latest collection celebrates the music so deeply held by many of us. Here’s to Rilo Kiley, their reunion, and the next generation of listeners to love this band as much as we do. Long live Rilo Kiley.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Silver Lining\u003c\/div\u003e\n\u003cdiv\u003e2. Portions For Foxes\u003c\/div\u003e\n\u003cdiv\u003e3. With Arms Outstretched\u003c\/div\u003e\n\u003cdiv\u003e4. Dreamworld\u003c\/div\u003e\n\u003cdiv\u003e5. A Better Son\/Daughter\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Execution Of All Things\u003c\/div\u003e\n\u003cdiv\u003e2. The Moneymaker\u003c\/div\u003e\n\u003cdiv\u003e3. I Never\u003c\/div\u003e\n\u003cdiv\u003e4. Wires and Waves\u003c\/div\u003e\n\u003cdiv\u003e5. The Frug\u003c\/div\u003e\n\u003cdiv\u003e6. Does He Love You?\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401039719\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.9.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745002959003,"sku":"539384","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-rilo-kiley-that-s-how-we-choose-to-remember-it-vinyl-lp-relix.jpg?v=1781803627"},{"product_id":"the-rural-alberta-advantage-wild-cd","title":"The Rural Alberta Advantage – The Wild (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Rural Alberta Advantage built their reputation on a sound rooted in the vast Canadian prairies, with Nils Edenloff's weathered vocals and Paul Banwatt's ferocious drumming anchoring songs that felt both geographically specific and emotionally universal. Their third full-length for Saddle Creek finds the Edmonton-bred trio leaning into the live-first instincts that have always defined them, road-testing these songs before committing them to tape.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eLate in 2016 the trio of Nils Edenloff, Paul Banwatt and Robin Hatch hit the road for a unique set of shows in some of their favourite venues across North America and Europe. They had been hard at work writing their next album and wanted to work out the new material the way they love best: by bringing it to their fans in person. As Nils put it, “I've never been good about focusing on a theme or having a specific plan at the outset of a new record. For me, writing music tends to be more of a constantly evolving process, like following one strange trail after another until a song has come to its general conclusion. This time around, we're following that natural writing process more and inviting the fans to come along those trails with us.” Over the ensuing months they took the lessons of the road into the studio, laying ten new tracks to tape. Earlier this year, fans had their first chance to hear the results with the release of singles “White Lights” and “Beacon Hill.” Now, the full fruit of their efforts can be found on The Wild, which will be released October 13th on Saddle Creek and Paper Bag.  The Rural Alberta Advantage's percussive folk songs about hometowns and heartbreak, and relentless tradition of touring have taken the trio from humble recognition amongst indie rock die-hards as \"Canada's best unsigned band\" to sold-out tours and devoted fans around the world with featured coverage from Spin Magazine, Pitchfork, The New York Times and Rolling Stone all taking note. The band has been nominated for two 2012 Juno Awards (Best New Group and Video of the Year for their song “Stamp”), long listed for the 2011 Polaris Award, and awarded the CBC Music Prize for Best Independent Artist in 2014.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Beacon Hill (2:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Bad Luck Again (3:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Dead \/ Alive (2:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Brother (3:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Toughen Up (2:56)\u003c\/div\u003e\n\u003cdiv\u003e6. White Lights (3:54)\u003c\/div\u003e\n\u003cdiv\u003e7. Alright (3:13)\u003c\/div\u003e\n\u003cdiv\u003e8. Selfish Dreams (3:59)\u003c\/div\u003e\n\u003cdiv\u003e9. Wild Grin (2:46)\u003c\/div\u003e\n\u003cdiv\u003e10. Letting Go (3:45)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401026023\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.13.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745006301339,"sku":"434964","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-rural-alberta-advantage-wild-cd-relix.jpg?v=1781798412"},{"product_id":"indigo-de-souza-any-shape-you-take-cd","title":"Indigo De Souza – Any Shape You Take (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAsheville-bred and emotionally unguarded, Indigo de Souza arrived on Saddle Creek with a sound that defies easy categorization, drawing comparisons to Phoebe Bridgers and Julien Baker while remaining entirely her own. Released in 2021, Any Shape You Take established her as one of indie rock's most compelling young voices, moving fluidly between hushed vulnerability and cathartic noise without ever losing the thread.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e“Everything has to be said.” This is the conviction guiding Indigo De Souza’s sophomore album, \u003ci\u003eAny Shape You Take\u003c\/i\u003e.  This dynamic record successfully creates a container for the full spectrum—pushing through and against every emotion: “I wanted this album to give a feeling of shifting with and embracing change. These songs came from a turbulent time when I was coming to self-love through many existential crises and shifts in perspective.”\u003c\/div\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cdiv\u003eFaithful to its name, \u003ci\u003eAny Shape You Take\u003c\/i\u003e changes form to match the tenor of each story it tells. “The album title is a nod to the many shapes I take musically. I don’t feel that I fully embody any particular genre—all of the music just comes from the universe that is my ever-shifting brain\/heart\/world,” says Indigo.  This sonic range is unified by Indigo’s strikingly confessional and effortless approach to songwriting, a signature first introduced in her debut, self-released LP,  \u003ci\u003eI Love My Mom\u003c\/i\u003e. Written in quick succession, Indigo sees these two records as companion pieces, both distinct but in communion with each other: “Many of the songs on these two records came from the same season in my life and a certain version of myself which I feel much further from now.\u003c\/div\u003e\r\n\u003cdiv\u003e\u003c\/div\u003e\r\n\u003cdiv\u003e“I feel very much like a shape-shifter with my music, I’m always trying to embody a balance between the existential weight and the overflowing sense of love I feel in the world.” It is exactly this balance that Indigo strikes in her Saddle Creek debut, \u003ci\u003eAny Shape You Take\u003c\/i\u003e. A listening experience that gives back, as you shed and shape-shift along with her.\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. 17 (3:06)\u003c\/div\u003e\n\u003cdiv\u003e2. Darker Than Death (3:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Die\/Cry (2:26)\u003c\/div\u003e\n\u003cdiv\u003e4. Pretty Pictures (2:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Real Pain (4:50)\u003c\/div\u003e\n\u003cdiv\u003e6. Bad Dream (4:51)\u003c\/div\u003e\n\u003cdiv\u003e7. Late Night Crawler (4:17)\u003c\/div\u003e\n\u003cdiv\u003e8. Hold U (4:16)\u003c\/div\u003e\n\u003cdiv\u003e9. Way Out (4:01)\u003c\/div\u003e\n\u003cdiv\u003e10. Kill Me (4:20)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401031829\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.27.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745014067355,"sku":"608837","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-indigo-de-souza-any-shape-you-take-cd-relix.jpg?v=1781810949"},{"product_id":"big-harp-runs-to-blue-blue-lp-vinyl","title":"Big Harp – Runs To Blue (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eStefanie Drootin spent years holding down the low end for Cursive and The Good Life before she and Senseney built Big Harp into something entirely their own, rooted in the Nebraska indie underground but never confined by it. Four albums in, the band writes with the hard-won clarity of people who chose music over the easier path, every single time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eStefanie Drootin and Chris Senseney are music lifers, married parents of two who have been the core of the band Big Harp essentially since they met two decades ago. As a teenager in the San Fernando Valley, Drootin committed to the DIY scene early, joining bands as a bassist before she could drive and bailing on high school with only a year left in order to tour. After Senseney met Drootin on the road in 2007, they accidentally moved to California together, got married, had their first kid, and then started Big Harp. They are lifers, and lifers make it work. \u003c\/p\u003e\r\n\u003cp\u003eBig Harp’s fourth album, Runs to Blue, does not feel overdue. With songs of wanderlust and loss, love for your children and love for your lover, accepting one’s increasing age while also lamenting that we can never be what we once were, Runs to Blue feels right on time, like visiting Drootin and Senseney at home one evening and hearing them laugh and cry their way through stories about their past and hopes for their future. Just acoustic guitar, bass, and two voices who know one another like hand and glove, Runs to Blue is the simplest sounding Big Harp record. It is, however, the most emotionally complex, two lives long combined distilled into 10 frank and disarming songs.\u003c\/p\u003e\r\n\u003cp\u003eRuns to Blue is a snapshot in the life of a couple whose relationship began with song and remains bound to it, no matter how long they stepped back. It sounds like folk music because it is folk music, exactly—an honest collection of experiences set to unadorned tunes you can sing and keep with you always, little reminders of the past to guide you into the unknown that’s up ahead.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Kill It, Kill It, Kill It\u003c\/div\u003e\n\u003cdiv\u003e2. Hello Honey\u003c\/div\u003e\n\u003cdiv\u003e3. Runs To Blue\u003c\/div\u003e\n\u003cdiv\u003e4. I Got An Itch\u003c\/div\u003e\n\u003cdiv\u003e5. Colored Lights\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I'll Write You Love Songs Until I Die\u003c\/div\u003e\n\u003cdiv\u003e2. Take It Easy On Me\u003c\/div\u003e\n\u003cdiv\u003e3. Runnin' For It\u003c\/div\u003e\n\u003cdiv\u003e4. I Ain't Gonna Cry\u003c\/div\u003e\n\u003cdiv\u003e5. I Get Lonesome Singin' These Songs\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401040210\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745020883099,"sku":"103886586","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-big-harp-runs-to-blue-blue-lp-vinyl-vinyl-lp-relix.jpg?v=1781829553"},{"product_id":"big-harp-runs-to-blue-cd","title":"Big Harp – Runs To Blue (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eStefanie Drootin spent years holding down the low end for Cursive and The Good Life before Big Harp became her primary creative home, and that Nebraska indie rock lineage runs quietly through everything she and Senseney make together. \"Runs to Blue\" arrives as the work of two people who have lived enough life to mean every word, the kind of record that only gets made when the songwriting partnership and the life partnership are genuinely the same thing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eStefanie Drootin and Chris Senseney are music lifers, married parents of two who have been the core of the band Big Harp essentially since they met two decades ago. As a teenager in the San Fernando Valley, Drootin committed to the DIY scene early, joining bands as a bassist before she could drive and bailing on high school with only a year left in order to tour. After Senseney met Drootin on the road in 2007, they accidentally moved to California together, got married, had their first kid, and then started Big Harp. They are lifers, and lifers make it work. \u003c\/p\u003e\r\n\u003cp\u003eBig Harp’s fourth album, Runs to Blue, does not feel overdue. With songs of wanderlust and loss, love for your children and love for your lover, accepting one’s increasing age while also lamenting that we can never be what we once were, Runs to Blue feels right on time, like visiting Drootin and Senseney at home one evening and hearing them laugh and cry their way through stories about their past and hopes for their future. Just acoustic guitar, bass, and two voices who know one another like hand and glove, Runs to Blue is the simplest sounding Big Harp record. It is, however, the most emotionally complex, two lives long combined distilled into 10 frank and disarming songs.\u003c\/p\u003e\r\n\u003cp\u003eRuns to Blue is a snapshot in the life of a couple whose relationship began with song and remains bound to it, no matter how long they stepped back. It sounds like folk music because it is folk music, exactly—an honest collection of experiences set to unadorned tunes you can sing and keep with you always, little reminders of the past to guide you into the unknown that’s up ahead.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Kill It, Kill It, Kill It\u003c\/div\u003e\n\u003cdiv\u003e2. Hello Honey\u003c\/div\u003e\n\u003cdiv\u003e3. Runs To Blue\u003c\/div\u003e\n\u003cdiv\u003e4. I Got An Itch\u003c\/div\u003e\n\u003cdiv\u003e5. Colored Lights\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I'll Write You Love Songs Until I Die\u003c\/div\u003e\n\u003cdiv\u003e2. Take It Easy On Me\u003c\/div\u003e\n\u003cdiv\u003e3. Runnin' For It\u003c\/div\u003e\n\u003cdiv\u003e4. I Ain't Gonna Cry\u003c\/div\u003e\n\u003cdiv\u003e5. I Get Lonesome Singin' These Songs\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401040227\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745022029979,"sku":"103876168","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-big-harp-runs-to-blue-cd-relix.jpg?v=1781819158"},{"product_id":"algernon-cadwallader-trying-not-to-have-a-thought-opaque-white-lp-vinyl","title":"Algernon Cadwallader\t – Trying Not to Have a Thought (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePhiladelphia's Algernon Cadwallader spent over a decade as a ghost haunting a generation of emo bands, their fingerprints audible across countless records made by artists who'd worn out copies of Some Kind of Cadwallader. The opaque white vinyl pressing is the kind of artifact that rewards the faithful who kept the flame burning through the long silence.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTrying Not to Have a Thought, arriving September 12th via Saddle Creek, isn’t just the first Algernon Cadwallader album since 2011’s Parrot Flies. It’s also the first with their original lineup—vocalist-bassist Peter Helmis, guitarists Joe Reinhart and Colin Mahony, and drummer Nick Tazza—since Algernon’s seminal 2008 debut, Some Kind of Cadwallader. Shortly after that album was recorded—and long before it was heralded as a lodestar for the 2010s “emo revival”—Tazza and Mahony departed the band. Despite their looming influence on the aforementioned “revival,” Algernon broke up in 2012 following the release of Parrot Flies and remained stubbornly deceased until their fiendishly anticipated resurrection in 2022.\u003c\/p\u003e\u003cp\u003eAlgernon Cadwallader are certainly cognizant of their cult legacy, a status that's transformed their fanbase into a unique convergence of graying punk lifers and fresh-faced teens who first discovered “midwest emo” on TikTok. Given the long gap between albums and the critical acclaim they’ve garnered in that time, it would’ve been understandable for the guys to feel pressured to live up to their own standards while making this new record. Thankfully, the opposite was the case.\u003c\/p\u003e\u003cp\u003eWith Trying Not to Have a Thought, Algernon Cadwallader juggle intrinsic musical connection and shrewd lyrical intention with remarkable poise. The album’s title perfectly captures that dual approach: the effort to resist being mentally bogged down by the bottomless list of daily atrocities, and the band’s decision to let their unspoken connection guide this rejuvenated take on their classic sound. “This is just what comes out of us when these four people get in a room,” Helmis says. And this record is exactly that: an Algernon Cadwallader album that's leisurely, intensely, tremendously their own.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hawk\u003c\/div\u003e\n\u003cdiv\u003e2. Shameless Faces (Even The Guy Who Made The Thing Was A Piece Of Shit)\u003c\/div\u003e\n\u003cdiv\u003e3. What’s Mine\u003c\/div\u003e\n\u003cdiv\u003e4. Noitanitsarcorp\u003c\/div\u003e\n\u003cdiv\u003e5. Koyaanisqatsi\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Trying Not To Have A Thought\u003c\/div\u003e\n\u003cdiv\u003e2. You’ve Always Been Here\u003c\/div\u003e\n\u003cdiv\u003e3. Revelation 420\u003c\/div\u003e\n\u003cdiv\u003e4. Million Dollars\u003c\/div\u003e\n\u003cdiv\u003e5. Attn: Move\u003c\/div\u003e\n\u003cdiv\u003e6. World Of Difference\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401040012\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.12.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745026683035,"sku":"26290619","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-algernon-cadwallader-trying-not-to-have-a-thought-opaque-white-lp-vinyl-vinyl-lp-relix.jpg?v=1781829733"},{"product_id":"dean-johnson-blue-moon-b-w-lake-charles-vinyl","title":"Dean Johnson – Blue Moon b\/w Lake Charles (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSeattle's Al's Tavern crowd already knew what the rest of the world is still catching up on. Johnson's debut arrived at 50, which means these two sides carry decades of lived experience distilled into spare, unadorned songwriting. A Document Series 7\" is exactly the right format for it, small and physical and worth holding onto.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe 20th installment of Saddle Creek’s Document series features Dean Johnson, the Seattle-based singer\/songwriter whose heartfelt storytelling and undeniable charm have been quietly building a devoted fanbase across the globe.\u003c\/p\u003e\u003cp\u003eFor years regulars at Al’s Tavern might murmur to each other about Dean Johnson behind the bar. There were nudges and whispers that he might just be the best songwriter in town. They spoke of his talent like a family secret –Seattle folklore. How many times, and for how many years, did Dean elusively reply to some variation of the question, “When will there be a record?”\u003c\/p\u003e\u003cp\u003eIn May of 2023, there finally was. Nothing For Me, Please, Dean Johnson’s debut album, was released on his 50th birthday.\u003c\/p\u003e\u003cp\u003eCalling him a “hidden gem” doesn’t quite fit, because there’s nothing hidden about him—he shines in plain sight. It was only a matter of time before people stopped to take notice.\u003c\/p\u003e\u003cp\u003eDean’s music feels like a conversation with an old friend—warm, honest, and deeply human. His songs bridge the past and present, weaving modern sensibilities with a timeless appeal. With razor-sharp wit and an uncanny ability to make you laugh and cry in the same breath, Dean’s songwriting reminds us why music matters, offering proof that a song can be more than the sum of it’s parts. Hear just a phrase of his melody, catch even a moment of the sobering depth in his voice, and you’ll feel it—like a letter written, signed, sealed, and delivered just for you.\u003c\/p\u003e\u003cp\u003eGo see him live, and you’ll understand. That’s how he won us over—one song, one story, one unforgettable moment at a time.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Blue Moon (2:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Lake Charles (3:58)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401039375\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.11.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 7\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745028944027,"sku":"25938648","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-dean-johnson-blue-moon-b-w-lake-charles-saddle-creek-7-vinyl-vinyl-lp-relix.jpg?v=1781818510"},{"product_id":"the-rural-alberta-advantage-hometowns-cd","title":"The Rural Alberta Advantage – Hometowns (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNadia Ragni's drums hit like prairie weather, and that's not an accident. The Rural Alberta Advantage built *Hometowns* around the landscapes and losses of Alberta, channeling small-town Canada into songs that felt immediately universal. Their Saddle Creek signing connected them to a lineage of earnest, community-rooted indie rock, and the album's word-of-mouth momentum proved that emotional honesty still travels farther than any marketing budget.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThanks to their exciting live performances and gritty, honest songs on \"Hometowns\", this Canadian band earned a loyal following that began to grow. With no label or publicist, \"Hometowns\" caught the ears of bloggers across the country. They landed several festival and industry showcases (NXNE, SXSW, Halifax Pop Explosion, Pop Montreal, and more), and \"Hometowns\" became the highest selling eMusic Selects act in history. The band's inspiring DIY success story continues to gain momentum with glowing press reviews and sold out club dates in major US cities.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. The Ballad Of The RAA (3:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Rush Apart (1:54)\u003c\/div\u003e\n\u003cdiv\u003e3. The Dethbridge In Lethbridge (2:13)\u003c\/div\u003e\n\u003cdiv\u003e4. Don't Haunt This Place (2:35)\u003c\/div\u003e\n\u003cdiv\u003e5. The Deadroads (2:41)\u003c\/div\u003e\n\u003cdiv\u003e6. Drain The Blood (2:48)\u003c\/div\u003e\n\u003cdiv\u003e7. Luciana (2:55)\u003c\/div\u003e\n\u003cdiv\u003e8. Frank, AB (3:25)\u003c\/div\u003e\n\u003cdiv\u003e9. The Air (3:24)\u003c\/div\u003e\n\u003cdiv\u003e10. Sleep All Day (3:44)\u003c\/div\u003e\n\u003cdiv\u003e11. Four Night Rider (1:53)\u003c\/div\u003e\n\u003cdiv\u003e12. Edmonton (3:50)\u003c\/div\u003e\n\u003cdiv\u003e13. In The Summertime (5:08)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401013825\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.7.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745037725851,"sku":"682243","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-rural-alberta-advantage-hometowns-cd-relix.jpg?v=1781798699"},{"product_id":"hand-habits-fun-house-opaque-red-lp-vinyl","title":"Hand Habits – Fun House (Opaque Red LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMeg Duffy spent years as a touring guitarist for Kevin Morby before stepping fully into their own creative voice, and Fun House marks the point where that voice becomes impossible to ignore. The collaboration with Sasami Ashworth pulls the project into stranger, more textured sonic territory than Duffy's earlier, more spare work, honoring the intimacy of the songwriting while refusing to let it stay comfortable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eHand Habits, the project of Los Angeles-based musician Meg Duffy (they\/them), is back with their new album Fun House - the most ambitious Hand Habits album to date. Produced by Sasami Ashworth (SASAMI) and engineered by Kyle Thomas (King Tuff), the record was not intended as a reaction to the pandemic, but it was very much the result of taking a difficult, if much-needed, moment of pause. Emboldened by going into therapy and coaxed by Ashworth to push the songs into unexpected new shapes, the resulting music is more acutely personal and stylistically adventurous than anything you’ve heard from Hand Habits before. The push\/pull of styles, paired with songs that move deftly between the present and past, give the record a wildly diverse, hall of mirrors quality that befits its name. Where previous Hand Habits records could be fairly insular affairs, \u003c\/span\u003e\u003ci\u003eFun House\u003c\/i\u003e\u003cspan\u003e feels ebullient, lush, a fully-realized conversation.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. More Than Love (4:01)\u003c\/div\u003e\n\u003cdiv\u003e2. Aquamarine (4:14)\u003c\/div\u003e\n\u003cdiv\u003e3. Just To Hear You (2:53)\u003c\/div\u003e\n\u003cdiv\u003e4. No Difference (2:51)\u003c\/div\u003e\n\u003cdiv\u003e5. The Answer (2:03)\u003c\/div\u003e\n\u003cdiv\u003e6. Gold\/Rust (3:57)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Clean Air (3:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Control (3:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Concrete \u0026amp; Feathers (3:38)\u003c\/div\u003e\n\u003cdiv\u003e4. False Start (4:05)\u003c\/div\u003e\n\u003cdiv\u003e5. Graves (3:12)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401032611\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.5.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745040314523,"sku":"681900","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-hand-habits-fun-house-opaque-red-lp-vinyl-vinyl-lp-relix.jpg?v=1781814017"},{"product_id":"algernon-cadwallader-trying-not-to-have-a-thought-cd","title":"Algernon Cadwallader\t – Trying Not to Have a Thought (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePhiladelphia's Algernon Cadwallader quietly helped reshape what emo could sound like, their jagged guitar interplay and Helmis's conversational vocals becoming a touchstone for a generation of bands who came up in their wake. The reunion of the original four-piece makes this more than a comeback; it closes a loop that's been open since 2008.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTrying Not to Have a Thought, arriving September 12th via Saddle Creek, isn’t just the first Algernon Cadwallader album since 2011’s Parrot Flies. It’s also the first with their original lineup—vocalist-bassist Peter Helmis, guitarists Joe Reinhart and Colin Mahony, and drummer Nick Tazza—since Algernon’s seminal 2008 debut, Some Kind of Cadwallader. Shortly after that album was recorded—and long before it was heralded as a lodestar for the 2010s “emo revival”—Tazza and Mahony departed the band. Despite their looming influence on the aforementioned “revival,” Algernon broke up in 2012 following the release of Parrot Flies and remained stubbornly deceased until their fiendishly anticipated resurrection in 2022.\u003c\/p\u003e\u003cp\u003eAlgernon Cadwallader are certainly cognizant of their cult legacy, a status that's transformed their fanbase into a unique convergence of graying punk lifers and fresh-faced teens who first discovered “midwest emo” on TikTok. Given the long gap between albums and the critical acclaim they’ve garnered in that time, it would’ve been understandable for the guys to feel pressured to live up to their own standards while making this new record. Thankfully, the opposite was the case.\u003c\/p\u003e\u003cp\u003eWith Trying Not to Have a Thought, Algernon Cadwallader juggle intrinsic musical connection and shrewd lyrical intention with remarkable poise. The album’s title perfectly captures that dual approach: the effort to resist being mentally bogged down by the bottomless list of daily atrocities, and the band’s decision to let their unspoken connection guide this rejuvenated take on their classic sound. “This is just what comes out of us when these four people get in a room,” Helmis says. And this record is exactly that: an Algernon Cadwallader album that's leisurely, intensely, tremendously their own.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hawk\u003c\/div\u003e\n\u003cdiv\u003e2. Shameless Faces (Even The Guy Who Made The Thing Was A Piece Of Shit)\u003c\/div\u003e\n\u003cdiv\u003e3. What's Mine\u003c\/div\u003e\n\u003cdiv\u003e4. Noitanitsarcorp\u003c\/div\u003e\n\u003cdiv\u003e5. Koyaanisqatsi\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Trying Not To Have A Thought\u003c\/div\u003e\n\u003cdiv\u003e2. You've Always Been Here\u003c\/div\u003e\n\u003cdiv\u003e3. Revelation 420\u003c\/div\u003e\n\u003cdiv\u003e4. Million Dollars\u003c\/div\u003e\n\u003cdiv\u003e5. Attn: Move\u003c\/div\u003e\n\u003cdiv\u003e6. World Of Difference\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401040029\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.12.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745051848859,"sku":"26025057","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-algernon-cadwallader-trying-not-to-have-a-thought-cd-relix.jpg?v=1781829801"},{"product_id":"feeble-little-horse-bitknot-cd","title":"feeble little horse – Bitknot (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePittsburgh's feeble little horse built their following through the kind of word-of-mouth devotion usually reserved for cult live acts, their shoegaze-adjacent noise pop landing somewhere between bedroom intimacy and blown-out catharsis. Bitknot finds the trio pushing further into the tension they've always thrived on, the organic and the processed pulling against each other across every track.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003efeeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.\u003c\/p\u003e\u003cp\u003eA spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive ?self-sufficiency? and materialism. ?The album art is based on the coincidental core memory matrix, which was used in old computers to store memory \/ access information using 0s and 1s. Each core, or ?bit,? is accessed through the grid of wires, like a knot that stores secret details and memories.? bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album?s production ? the buoyancy of Kinsler?s arrangements provide a perfectly balanced surface tension for the weight of Slocum?s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery?s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley?s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.\u003c\/p\u003e\u003cp\u003eRhymes written with sidewalk chalk that refuse to be erased in the Anthropocene?s acid rain of destructive relationships, Herbert Marcuse?s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City?s industrial ghosts, a study of the clumsy alchemy of IRL and WWW ? it is within these rhizomatic contradictions that bitknot proliferates.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Doorway (2:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Poison (1:40)\u003c\/div\u003e\n\u003cdiv\u003e3. Rewind (2:17)\u003c\/div\u003e\n\u003cdiv\u003e4. Shady (1:47)\u003c\/div\u003e\n\u003cdiv\u003e5. Dior (3:32)\u003c\/div\u003e\n\u003cdiv\u003e6. Paris (1:02)\u003c\/div\u003e\n\u003cdiv\u003e7. Cradle (2:24)\u003c\/div\u003e\n\u003cdiv\u003e8. Upside Down (1:43)\u003c\/div\u003e\n\u003cdiv\u003e9. Guts (3:05)\u003c\/div\u003e\n\u003cdiv\u003e10. Shopping (2:40)\u003c\/div\u003e\n\u003cdiv\u003e11. DMT (2:20)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401040821\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745130393755,"sku":"169881993","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-feeble-little-horse-bitknot-cd-relix.jpg?v=1781829497"},{"product_id":"feeble-little-horse-bitknot-cassette","title":"feeble little horse – Bitknot (Cassette)","description":"\u003cp\u003efeeble little horse is naturally delighted to present their third full-length LP, bitknot. The album was written, arranged, produced, and recorded by Sebastian Kinsler, Lydia Slocum, and Jake Kelley across their respective homes in Pittsburgh, Pennsylvania.\u003c\/p\u003e\u003cp\u003eA spirited investigation into the unnatural space created between human nature and a culture of convenience, a synthesis of dirt and digital, bitknot by feeble little horse creates a language wherein one can re-imbue a sanctity of interdependence away from consumptive ?self-sufficiency? and materialism. ?The album art is based on the coincidental core memory matrix, which was used in old computers to store memory \/ access information using 0s and 1s. Each core, or ?bit,? is accessed through the grid of wires, like a knot that stores secret details and memories.? bitknot asks that we find new modes of being through this grid, entrusting one another with the collaborative construction of these knots. This negotiation with an ever-developing hybrid reality is expertly exemplified in the album?s production ? the buoyancy of Kinsler?s arrangements provide a perfectly balanced surface tension for the weight of Slocum?s meandering introspection as they playfully harmonize against saccharine hooks, walls of noise, a supercharged car battery?s worth of synths and samples dropped in the ocean of their guitar-driven songwriting framework, and some of Kelley?s most laser-focused drums to date to create a sonic chimera that is as likely to be found nascently developing in the early aughts as some unknown, chromatic future.\u003c\/p\u003e\u003cp\u003eRhymes written with sidewalk chalk that refuse to be erased in the Anthropocene?s acid rain of destructive relationships, Herbert Marcuse?s One-Dimensional Man manifest through the spirit of a young woman born in the shadow of the Steel City?s industrial ghosts, a study of the clumsy alchemy of IRL and WWW ? it is within these rhizomatic contradictions that bitknot proliferates.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDoorway\u003c\/li\u003e\n\u003cli\u003ePoison\u003c\/li\u003e\n\u003cli\u003eRewind\u003c\/li\u003e\n\u003cli\u003eShady\u003c\/li\u003e\n\u003cli\u003eDior\u003c\/li\u003e\n\u003cli\u003eParis\u003c\/li\u003e\n\u003cli\u003eCradle\u003c\/li\u003e\n\u003cli\u003eUpside Down\u003c\/li\u003e\n\u003cli\u003eGuts\u003c\/li\u003e\n\u003cli\u003eShopping\u003c\/li\u003e\n\u003cli\u003eDMT\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401040845\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Cassette\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745190457499,"sku":"206566338","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/IMG-3319.webp?v=1793043008"},{"product_id":"stef-chura-dancing-alone-on-the-concrete-light-blue-blue-lp-vinyl","title":"Stef Chura – Dancing Alone On The Concrete (Light Blue LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDetroit has always rewarded artists willing to operate outside the margins, and Stef Chura built her reputation there the hard way, through relentless gigging and recordings that prioritized honesty over polish. *Dancing Alone On The Concrete* arrives as a statement from an artist who has spent years refining her instincts without softening them. The light blue vinyl pressing suits the album's mood, something spare and searching pressed into color.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eStef Chura is a Detroit-based singer-songwriter known for her raw vocal style, emotionally direct lyrics, and a fearless approach to blending garage rock, punk energy, and melodic pop instincts. Originally from Alpena, Michigan, Chura began performing and recording in the late 2000s before becoming a fixture in Detroit's underground music scene, where she developed her distinctive sound through home recordings and live performances. Messes, Chura's first album, introduced her singular songwriting voice: intimate yet abrasive, combining vulnerable storytelling with unconventional melodies and her instantly recognizable warbling, expressive vocals. The album's reception helped establish her as one of the most compelling new voices in indie rock, earning attention from outlets including Pitchfork and Rolling Stone.Chura expanded her sound on her 2019 album Midnight, produced by Will Toledo of Car Seat Headrest. The record amplified her guitar-driven intensity while exploring anger, empowerment, and catharsis. Critics praised the album's ambition, garnering praise from Rolling Stone, Stereogum, FADER, NPR Music, Paste, and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLeadweight\u003c\/li\u003e\n\u003cli\u003eThe Concrete\u003c\/li\u003e\n\u003cli\u003eBabydoll\u003c\/li\u003e\n\u003cli\u003eLovesick\u003c\/li\u003e\n\u003cli\u003eWishin'\u003c\/li\u003e\n\u003cli\u003eThunder and Lightning\u003c\/li\u003e\n\u003cli\u003eDanny\u003c\/li\u003e\n\u003cli\u003eBe My Hound\u003c\/li\u003e\n\u003cli\u003eHeavy Hitter\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401036114\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.2.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":49121388003483,"sku":"290787809","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-stef-chura-dancing-alone-on-the-concrete-light-blue-blue-lp-vinyl-vinyl-lp-relix.jpg?v=1786502933"},{"product_id":"stef-chura-dancing-alone-on-the-concrete-cassette","title":"Stef Chura – Dancing Alone On The Concrete (Cassette)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eStef Chura built her reputation the old-fashioned way, playing Detroit basements and DIY spaces until her songs demanded to be heard beyond the city limits. Dancing Alone On The Concrete arrives as a document of an artist who has never softened her edges for anyone, carrying that same restless, unpolished honesty that made the Detroit underground take notice in the first place.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eStef Chura is a Detroit-based singer-songwriter known for her raw vocal style, emotionally direct lyrics, and a fearless approach to blending garage rock, punk energy, and melodic pop instincts. Originally from Alpena, Michigan, Chura began performing and recording in the late 2000s before becoming a fixture in Detroit's underground music scene, where she developed her distinctive sound through home recordings and live performances. Messes, Chura's first album, introduced her singular songwriting voice: intimate yet abrasive, combining vulnerable storytelling with unconventional melodies and her instantly recognizable warbling, expressive vocals. The album's reception helped establish her as one of the most compelling new voices in indie rock, earning attention from outlets including Pitchfork and Rolling Stone.Chura expanded her sound on her 2019 album Midnight, produced by Will Toledo of Car Seat Headrest. The record amplified her guitar-driven intensity while exploring anger, empowerment, and catharsis. Critics praised the album's ambition, garnering praise from Rolling Stone, Stereogum, FADER, NPR Music, Paste, and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLeadweight\u003c\/li\u003e\n\u003cli\u003eThe Concrete\u003c\/li\u003e\n\u003cli\u003eBabydoll\u003c\/li\u003e\n\u003cli\u003eLovesick\u003c\/li\u003e\n\u003cli\u003eWishin’\u003c\/li\u003e\n\u003cli\u003eThunder and Lightning\u003c\/li\u003e\n\u003cli\u003eDanny\u003c\/li\u003e\n\u003cli\u003eBe My Hound\u003c\/li\u003e\n\u003cli\u003eHeavy Hitter\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401036145\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.2.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Cassette\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":49121389248667,"sku":"290727811","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/0046106980_10.jpg?v=1785796730"},{"product_id":"stef-chura-dancing-alone-on-the-concrete-cd","title":"Stef Chura – Dancing Alone On The Concrete (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDetroit's underground has long been a pressure cooker for artists who refuse easy categorization, and Stef Chura has been one of its most quietly essential figures. *Dancing Alone On The Concrete* finds her pushing further into the tension between isolation and community that has always run through her work, with the kind of emotional specificity that makes a personal record feel universal.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eStef Chura is a Detroit-based singer-songwriter known for her raw vocal style, emotionally direct lyrics, and a fearless approach to blending garage rock, punk energy, and melodic pop instincts. Originally from Alpena, Michigan, Chura began performing and recording in the late 2000s before becoming a fixture in Detroit's underground music scene, where she developed her distinctive sound through home recordings and live performances. Messes, Chura's first album, introduced her singular songwriting voice: intimate yet abrasive, combining vulnerable storytelling with unconventional melodies and her instantly recognizable warbling, expressive vocals. The album's reception helped establish her as one of the most compelling new voices in indie rock, earning attention from outlets including Pitchfork and Rolling Stone.Chura expanded her sound on her 2019 album Midnight, produced by Will Toledo of Car Seat Headrest. The record amplified her guitar-driven intensity while exploring anger, empowerment, and catharsis. Critics praised the album's ambition, garnering praise from Rolling Stone, Stereogum, FADER, NPR Music, Paste, and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLeadweight\u003c\/li\u003e\n\u003cli\u003eThe Concrete\u003c\/li\u003e\n\u003cli\u003eBabydoll\u003c\/li\u003e\n\u003cli\u003eLovesick\u003c\/li\u003e\n\u003cli\u003eWishin’\u003c\/li\u003e\n\u003cli\u003eThunder and Lightning\u003c\/li\u003e\n\u003cli\u003eDanny\u003c\/li\u003e\n\u003cli\u003eBe My Hound\u003c\/li\u003e\n\u003cli\u003eHeavy Hitter\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401036121\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.2.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":49121392230555,"sku":"290877432","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-stef-chura-dancing-alone-on-the-concrete-cd-cd-relix.jpg?v=1786502900"},{"product_id":"now-its-overhead-now-its-overhead-green-ecomix-lp-vinyl","title":"Now It's Overhead – Now It's Overhead (Green LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAndy LeMaster built his Athens studio, Chase Park Transduction, into one of indie rock's quiet nerve centers during this era, tracking records for artists well beyond the Saddle Creek orbit. This self-titled debut, originally released on Saddle Creek in 2001, captures LeMaster's signature layered production and introspective songwriting at their most unguarded, a snapshot of a scene and a sound that felt genuinely apart from everything else happening in indie rock at the time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHailing from Athens, Georgia, Now It’s Overhead is the acclaimed indie rock band fronted by Andy LeMaster. Emerging in the early 2000s alongside the era-defining Saddle Creek scene, LeMaster collaborated with artists including Conor Oberst (Bright Eyes), Michael Stipe (R.E.M.), Orenda Fink (Azure Ray), and Maria Taylor (Azure Ray).\u003c\/p\u003e\r\n\u003cp\u003eDuring this period, Now It’s Overhead released three acclaimed full-length albums: Now It’s Overhead (2001), Fall Back Open (2004), and Dark Light Daybreak (2006). Available on vinyl for the first time, these long-awaited editions are essential for listeners and collectors exploring the indie rock landscape of the early 2000s. All three albums have been newly remastered by Andy LeMaster—musician, songwriter, engineer, producer, and visual artist.\u003c\/p\u003e\r\n\u003cp\u003eThe Associated Press described Now It’s Overhead as “a unique brand of organic and synthetic dark pop—made possible by LeMaster’s studio prowess—that remains distinctive even when Conor Oberst and Michael Stipe briefly stop by.”\u003c\/p\u003e\r\n\u003cp\u003eAccompanying these reissues, Now It’s Overhead is also releasing new music for the first time in nearly twenty years. The five-song EP, in the beginning, arrives digitally on September 18, 2026.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlackout Curtain\u003c\/li\u003e\n\u003cli\u003eWho's Jon\u003c\/li\u003e\n\u003cli\u003eHi\u003c\/li\u003e\n\u003cli\u003eHold Your Spin\u003c\/li\u003e\n\u003cli\u003e6th Grade Roller\u003c\/li\u003e\n\u003cli\u003eWonderful Scar\u003c\/li\u003e\n\u003cli\u003eWith a Subtle Look\u003c\/li\u003e\n\u003cli\u003eGoodbye Highway\u003c\/li\u003e\n\u003cli\u003eA Skeleton on Display\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401003819\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":49249886404763,"sku":"311367767","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Now-Its-Overhead-Now-Its-Overhead-Green-LP-Vinyl.jpg?v=1786536534"},{"product_id":"now-its-overhead-dark-light-daybreak-ecomix-lp-vinyl","title":"Now It's Overhead – Dark Light Daybreak (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDark Light Daybreak arrived in 2006 as the most atmospheric and fully realized statement in the Now It's Overhead catalog, with LeMaster pushing further into layered electronic textures and introspective songwriting. The Athens and Omaha scenes were in genuine conversation during this era, and that cross-pollination is audible throughout. Hearing it remastered and pressed to vinyl for the first time gives the record the physical presence it always deserved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHailing from Athens, Georgia, Now It's Overhead is the acclaimed indie rock band fronted by Andy LeMaster. Emerging in the early 2000s alongside the era-defining Saddle Creek scene, LeMaster collaborated with artists including Conor Oberst (Bright Eyes), Michael Stipe (R.E.M.), Orenda Fink (Azure Ray), and Maria Taylor (Azure Ray).During this period, Now It's Overhead released three acclaimed full-length albums: Now It's Overhead (2001), Fall Back Open (2004), and Dark Light Daybreak (2006). Available on vinyl for the first time, these long-awaited editions are essential for listeners and collectors exploring the indie rock landscape of the early 2000s. All three albums have been newly remastered by Andy LeMaster-musician, songwriter, engineer, producer, and visual artist.The Associated Press described Now It's Overhead as \"\"a unique brand of organic and synthetic dark pop-made possible by LeMaster's studio prowess-that remains distinctive even when Conor Oberst and Michael Stipe briefly stop by.\"\"Accompanying these reissues, Now It's Overhead is also releasing new music for the first time in nearly twenty years. The five-song EP, in the beginning, arrives digitally on September 18, 2026.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401009712\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":49249886666907,"sku":"311212259","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Now-Its-Overhead-Dark-Light-Daybreak-LP-Vinyl.jpg?v=1786536539"},{"product_id":"now-its-overhead-fall-back-open-ecomix-lp-vinyl","title":"Now It's Overhead – Fall Back Open (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAndy LeMaster built his reputation as much behind the boards as in front of the microphone, producing and engineering records for Bright Eyes, Azure Ray, and others at his own Chase Park Transduction studio in Athens. *Fall Back Open* sits at the center of that creative moment, a quiet but deeply felt record that rewards the kind of close listening its era sometimes made too easy to overlook.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHailing from Athens, Georgia, Now It’s Overhead is the acclaimed indie rock band fronted by Andy LeMaster. Emerging in the early 2000s alongside the era-defining Saddle Creek scene, LeMaster collaborated with artists including Conor Oberst (Bright Eyes), Michael Stipe (R.E.M.), Orenda Fink (Azure Ray), and Maria Taylor (Azure Ray).\u003c\/p\u003e\r\n\u003cp\u003eDuring this period, Now It’s Overhead released three acclaimed full-length albums: Now It’s Overhead (2001), Fall Back Open (2004), and Dark Light Daybreak (2006). Available on vinyl for the first time, these long-awaited editions are essential for listeners and collectors exploring the indie rock landscape of the early 2000s. All three albums have been newly remastered by Andy LeMaster—musician, songwriter, engineer, producer, and visual artist.\u003c\/p\u003e\r\n\u003cp\u003eThe Associated Press described Now It’s Overhead as “a unique brand of organic and synthetic dark pop—made possible by LeMaster’s studio prowess—that remains distinctive even when Conor Oberst and Michael Stipe briefly stop by.”\u003c\/p\u003e\r\n\u003cp\u003eAccompanying these reissues, Now It’s Overhead is also releasing new music for the first time in nearly twenty years. The five-song EP, in the beginning, arrives digitally on September 18, 2026.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWait in a Line\u003c\/li\u003e\n\u003cli\u003eSurrender\u003c\/li\u003e\n\u003cli\u003eProfile\u003c\/li\u003e\n\u003cli\u003eTurn \u0026amp;amp; Go\u003c\/li\u003e\n\u003cli\u003eFall Back Open\u003c\/li\u003e\n\u003cli\u003eThe Decision Made Itself\u003c\/li\u003e\n\u003cli\u003eReverse\u003c\/li\u003e\n\u003cli\u003eAntidote\u003c\/li\u003e\n\u003cli\u003eA Little Consolation\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 648401005813\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Saddle Creek\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":49249888895131,"sku":"311377032","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Now-Its-Overhead-Fall-Back-Open-LP-Vinyl.jpg?v=1786536584"}],"url":"https:\/\/relix.shop\/collections\/saddle-creek-records-vinyl-cds-cassettes.oembed?page=2","provider":"relix.shop","version":"1.0","type":"link"}