{"title":"Southern Rock Vinyl \u0026 CDs","description":"\u003cp\u003eLittle Feat's swampy groove and Drive-By Truckers' Southern Rock Opera set the tone for this shelf — the rootsier, more regional cousin to the main rock catalog. Pressed on wax, burned to disc, and restocked as new titles land.\u003c\/p\u003e","products":[{"product_id":"little-feat-little-feat-lp-vinyl","title":"Little Feat – Little Feat (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLowell George was barely 24 when he wrote \"Willin',\" the truckers-and-outlaws anthem that would define Little Feat's entire aesthetic before the band had even found its footing. Their 1971 debut introduced a Southern California stew of slide guitar, New Orleans funk, and country grit that didn't fit neatly anywhere, which is exactly what made it matter. Mobile Fidelity's remaster brings fresh clarity to recordings that have always rewarded close listening.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Snakes On Everything (3:04)\u003c\/div\u003e\n\u003cdiv\u003e2. Strawberry Flats (2:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Truck Stop Girl (2:32)\u003c\/div\u003e\n\u003cdiv\u003e4. Brides Of Jesus (3:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Willing (2:24)\u003c\/div\u003e\n\u003cdiv\u003e6. Hamburger Midnight (2:30)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Forty Four Blues \/ How Many More Years (6:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Crack In Your Door (2:16)\u003c\/div\u003e\n\u003cdiv\u003e3. I've Been The One (2:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Takin' My Time (2:45)\u003c\/div\u003e\n\u003cdiv\u003e5. Crazy Captain Gunboat Willie (1:55)\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797129916\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.1.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187810939035,"sku":"662047","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Little-Feat-Little-Feat-Mobile-Fidelity-LP-Vinyl.png?v=1776108045"},{"product_id":"little-feat-original-album-series-cd","title":"Little Feat – Original Album Series (5-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLowell George cast a long shadow. The five albums collected here trace Little Feat's arc from scrappy Burbank oddballs to one of the most soulful, rhythmically adventurous bands in American rock, blending New Orleans funk, country, and blues in ways that influenced everyone from Bonnie Raitt to Phish. Sailin' Shoes through The Last Record Album, 1971 to 1975, is as strong a run as any band produced in that era.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIt's 5 classic artist albums in wallets housed in a new slipcase. Nice and simple, no frills just great music! This series features Little Feat, SAILIN' SHOES, DIXIE CHICKEN, FEATS DON't FAIL ME NOW and THE LAST RECORD ALBUM.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Snakes On Everything\u003c\/div\u003e\n\u003cdiv\u003e2. Strawberry Flats\u003c\/div\u003e\n\u003cdiv\u003e3. Truck Stop Girl\u003c\/div\u003e\n\u003cdiv\u003e4. Brides Of Jesus\u003c\/div\u003e\n\u003cdiv\u003e5. Willin'\u003c\/div\u003e\n\u003cdiv\u003e6. Hamburger Midnight\u003c\/div\u003e\n\u003cdiv\u003e7. Forty Four Blues \/ How Many More Years\u003c\/div\u003e\n\u003cdiv\u003e8. Crack In Your Door\u003c\/div\u003e\n\u003cdiv\u003e9. I've Been The One\u003c\/div\u003e\n\u003cdiv\u003e10. Takin' My Time\u003c\/div\u003e\n\u003cdiv\u003e11. Crazy Captain Gunboat Willie\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Easy To Slip\u003c\/div\u003e\n\u003cdiv\u003e2. Cold, Cold, Cold\u003c\/div\u003e\n\u003cdiv\u003e3. Trouble\u003c\/div\u003e\n\u003cdiv\u003e4. Tripe Face Boogie\u003c\/div\u003e\n\u003cdiv\u003e5. Willin'\u003c\/div\u003e\n\u003cdiv\u003e6. A Apolitical Blues\u003c\/div\u003e\n\u003cdiv\u003e7. Sailin' Shoes\u003c\/div\u003e\n\u003cdiv\u003e8. Teenage Nervous Breakdown\u003c\/div\u003e\n\u003cdiv\u003e9. Got No Shadow\u003c\/div\u003e\n\u003cdiv\u003e10. Cat Fever\u003c\/div\u003e\n\u003cdiv\u003e11. Texas Rose Cafe\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Dixie Chicken\u003c\/div\u003e\n\u003cdiv\u003e2. Two Trains\u003c\/div\u003e\n\u003cdiv\u003e3. Roll Um Easy\u003c\/div\u003e\n\u003cdiv\u003e4. On Your Way Down\u003c\/div\u003e\n\u003cdiv\u003e5. Kiss It Off\u003c\/div\u003e\n\u003cdiv\u003e6. Fool Yourself\u003c\/div\u003e\n\u003cdiv\u003e7. Walkin All Night\u003c\/div\u003e\n\u003cdiv\u003e8. Fat Man In The Bathtub\u003c\/div\u003e\n\u003cdiv\u003e9. Juliette\u003c\/div\u003e\n\u003cdiv\u003e10. Lafayette Railroad\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. Rock And Roll Doctor\u003c\/div\u003e\n\u003cdiv\u003e2. Oh Atlanta\u003c\/div\u003e\n\u003cdiv\u003e3. Skin It Back\u003c\/div\u003e\n\u003cdiv\u003e4. Down The Road\u003c\/div\u003e\n\u003cdiv\u003e5. Spanish Moon\u003c\/div\u003e\n\u003cdiv\u003e6. Feats Don't Fail Me Now\u003c\/div\u003e\n\u003cdiv\u003e7. The Fan\u003c\/div\u003e\n\u003cdiv\u003e8. Medley: Cold Cold Cold \/ Tripe Face Boogie\u003c\/div\u003e\n\u003ch4\u003eDisc 5\u003c\/h4\u003e\n\u003cdiv\u003e1. Romance Dance (3:50)\u003c\/div\u003e\n\u003cdiv\u003e2. All That You Dream (3:53)\u003c\/div\u003e\n\u003cdiv\u003e3. Long Distance Love (2:42)\u003c\/div\u003e\n\u003cdiv\u003e4. Day Or Night (6:26)\u003c\/div\u003e\n\u003cdiv\u003e5. One Love Stand (4:26)\u003c\/div\u003e\n\u003cdiv\u003e6. Down Below The Borderline (3:45)\u003c\/div\u003e\n\u003cdiv\u003e7. Somebody's Leavin' (5:08)\u003c\/div\u003e\n\u003cdiv\u003e8. Mercenary Territory (4:24)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227983598\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Wea Europe\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.26.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187834204315,"sku":"403590","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959406932123-cd-relix.png?v=1776964861"},{"product_id":"drive-by-truckers-english-oceans-cd","title":"Drive-By Truckers – English Oceans (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePatterson Hood and Mike Cooley split songwriting duties evenly here for the first time in years, and the tension that balance creates is exactly what makes English Oceans feel so alive. Recorded with longtime collaborator David Barbe, it captures a band that had weathered serious lineup changes and came out leaner, more focused, and hungry to prove something.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eEnglish Oceans, the band's 12th release, is an elegantly balanced and deeply engaged new effort that finds the group refreshed and firing on all cylinders. 'It can go from this chainsaw rock 'n' roll to this very delicate, pretty-sounding stuff,' says Mike Cooley.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Shit Shots Count (4:10)\u003c\/div\u003e\n\u003cdiv\u003e2. When He's Gone (3:41)\u003c\/div\u003e\n\u003cdiv\u003e3. Primer Coat (4:25)\u003c\/div\u003e\n\u003cdiv\u003e4. Pauline Hawkins (6:39)\u003c\/div\u003e\n\u003cdiv\u003e5. Made Up English Oceans (3:27)\u003c\/div\u003e\n\u003cdiv\u003e6. The Part Of Him (4:29)\u003c\/div\u003e\n\u003cdiv\u003e7. Hearing Jimmy Loud (4:45)\u003c\/div\u003e\n\u003cdiv\u003e8. Til He's Dead Or Rising (4:24)\u003c\/div\u003e\n\u003cdiv\u003e9. Hanging On (4:01)\u003c\/div\u003e\n\u003cdiv\u003e10. Natural Light (5:16)\u003c\/div\u003e\n\u003cdiv\u003e11. When Walter Went Crazy (3:48)\u003c\/div\u003e\n\u003cdiv\u003e12. First Air Of Autumn (3:31)\u003c\/div\u003e\n\u003cdiv\u003e13. Grand Canyon (7:50)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882196424\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ato Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.3.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187835613339,"sku":"452209","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8959408341147-cd-relix.png?v=1776117778"},{"product_id":"little-feat-time-loves-a-hero-cd","title":"Little Feat – Time Loves a Hero (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLowell George's shadow looms large over Little Feat's catalog, but *Time Loves a Hero* captures the full band flexing its collective muscle, with Bill Payne's keyboards and the Malone-Gradney rhythm section driving the expanded sound as much as any single voice. Recorded at a moment when the band was stretching its ambitions beyond George's solo vision, it remains one of the clearest documents of Little Feat as a true democratic ensemble.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLittle Feat's eccentric cocktails of funky blues and country-rock were spiked with jazz-fusion jams on this 1977 LP. The result: A Top 40 album featuring the title track plus Old Folks Boogie; Hi Roller ; Lowell George's tune Rocket in My Pocket, and more!\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Hi Roller (3:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Time Loves A Hero (3:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Rocket In My Pocket (3:25)\u003c\/div\u003e\n\u003cdiv\u003e4. Day At The Dog Races (6:27)\u003c\/div\u003e\n\u003cdiv\u003e5. Old Folks Boogie (3:31)\u003c\/div\u003e\n\u003cdiv\u003e6. Red Streamliner (4:44)\u003c\/div\u003e\n\u003cdiv\u003e7. New Delhi Freight Train (3:42)\u003c\/div\u003e\n\u003cdiv\u003e8. Keepin' Up With The Joneses (3:51)\u003c\/div\u003e\n\u003cdiv\u003e9. Missin' You (2:21)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227990084\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino Flashback\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.30.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187842494619,"sku":"177715","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Little-Feat-Time-Loves-a-Hero-CD.png?v=1776109975"},{"product_id":"little-feat-waiting-for-columbus-remastered-2-lp-vinyl","title":"Little Feat – Waiting For Columbus: Remastered (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLowell George and company captured lightning in a bottle across two nights at the Rainbow Theatre in London and the Lisner Auditorium in Washington, D.C. in 1977, and the original double LP that followed became the gold standard for what a live rock record could be. Bonnie Raitt joins the band on several tracks, and the interplay between George's slide guitar and the ensemble's New Orleans-soaked grooves sounds as locked-in and alive as ever on this remastered pressing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNewly remastered 2LP edition of the original album.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Join The Band\u003c\/div\u003e\n\u003cdiv\u003e2. Fat Man In The Bathtub\u003c\/div\u003e\n\u003cdiv\u003e3. All That You Dream\u003c\/div\u003e\n\u003cdiv\u003e4. Oh Atlanta\u003c\/div\u003e\n\u003cdiv\u003e5. Old Folks' Boogie\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Time Loves A Hero\u003c\/div\u003e\n\u003cdiv\u003e2. Day Or Night\u003c\/div\u003e\n\u003cdiv\u003e3. Mercenary Territory\u003c\/div\u003e\n\u003cdiv\u003e4. Spanish Moon\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Dixie Chicken\u003c\/div\u003e\n\u003cdiv\u003e2. Tripe Face Boogie\u003c\/div\u003e\n\u003cdiv\u003e3. Rocket In My Pocket\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Willin'\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Bogart That Joint\u003c\/div\u003e\n\u003cdiv\u003e3. A Apolitical Blues\u003c\/div\u003e\n\u003cdiv\u003e4. Sailin' Shoes\u003c\/div\u003e\n\u003cdiv\u003e5. Feats Don't Fail Me Now\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497841738\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.29.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262779895963,"sku":"617690","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-little-feat-waiting-for-columbus-remastered-2-lp-vinyl-vinyl-lp-relix.jpg?v=1778702640"},{"product_id":"the-allman-brothers-band-decade-of-hits-1969-79-cd-1","title":"The Allman Brothers Band – Decade of Hits 1969-79 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDuane Allman's slide guitar and the twin-lead interplay with Dickey Betts defined a template that virtually every Southern rock and jam band since has had to reckon with. This collection traces the arc from the raw Macon, Georgia beginnings through the Fillmore East triumphs and the grief-shadowed years after Duane's and Berry Oakley's deaths, capturing a band that built its reputation as much on the road as in the studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1991 16 song compilation of songs from the legendary band's first decade up to their 1979 reunion album Enlightened Rogues.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Statesboro Blues (4:08)\u003cbr\u003e\n2. Ramblin' Man (4:47)\u003cbr\u003e\n3. Midnight Rider (2:57)\u003cbr\u003e\n4. Southbound (5:10)\u003cbr\u003e\n5. Melissa (3:52)\u003cbr\u003e\n6. Jessica (7:05)\u003cbr\u003e\n7. Ain't Wastin' Time No More (3:37)\u003cbr\u003e\n8. Little Martha (2:09)\u003cbr\u003e\n9. 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Like Ashley Kahn and his routinely revelatory and in-depth examinations of John Coltrane and Miles Davis, author Alan Paul has become the resident expert on all things Allman Brothers Band. With that reputation preceding him and affording trusted access, Paul, indeed, finds new things to share, not only about the Brothers’ climb to rock’s peak, but what came before and after.\u003c\/p\u003e\u003cp\u003ePaul’s 300-page effort benefits from a trove of never-heard interviews with all of the principal characters- collected and conducted by ABB ‘Tour Mystic,’ Kirk West- making this journey essentially a new one, despite detailing a period of the legendary group when it was at its most visible. Paul understands better than anyone the significance of each step the Brothers took; from birth in 1969, through two tragic deaths, a leadership shift, and an album four years later that made them rock gods. Wisely, though, Paul also carries us through to the downslope; and why success isn’t an unconditional positive.\u003c\/p\u003e\u003cp\u003eThe album’s creation united a reconfigured band, following the deaths of founders Duane Allman and Berry Oakley, and introduces key replacements, Chuck Leavell, on keyboards, and Lamar Williams, on bass. It also necessitates the rise of Dickey Betts as ensemble leader, furthering a country music influence that began with Betts’ “Blue Sky,” on the preceding Eat a Peach, and produced the band’s chart pinnacle with “Ramblin’ Man.” Paul’s attention to Betts also explores the singer-guitarist’s growing affinity for Jerry Garcia, and the Brothers’ relationship with the Grateful Dead, that never saw more interaction and, perhaps, friendly competition than in ’73.\u003c\/p\u003e\u003cp\u003ePaul’s best strength is his knack for striking the balance between the front page and the back- the disintegrating partnership with the Capricorn record label; the fraying interpersonal relationships within the group- over the course of becoming the biggest band in the land. Nothing is off-limits, nor is it mined for salacious effect. It’s candid and, more often than not, coming directly from the individuals, themselves. Brothers and sisters they were. Paul’s book gives us a seat at the table.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2023\/08\/18\/brothers-and-sisters-the-allman-brothers-band-and-the-inside-story-of-the-album-that-defined-the-70s-by-alan-paul\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1973 in the immediate aftermath of Duane Allman's and Berry Oakley's deaths, Brothers \u0026amp; Sisters marked the band's pivot toward country-inflected grooves and Dickey Betts stepping fully into the songwriting spotlight, delivering both \"Ramblin' Man\" and \"Jessica\" in a single stroke. Chuck Leavell's piano work throughout the record became a defining element of the Southern rock sound that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis Allman Brothers classic comes home to Capricorn Records sporting remastering from the original master tapes and packaging authentic to the original LP release. Tracks: \"Wasted Words,\" \"Ramblin' Man,\" \"Come And Go Blues,\" \"Jelly Jelly,\" \"Southbound,\" \"Jessica\" and \"Pony Boy.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Wasted Words (4:19)\u003cbr\u003e\n2. Ramblin' Man (4:48)\u003cbr\u003e\n3. Come and Go Blues (4:53)\u003cbr\u003e\n4. Jelly Jelly (5:46)\u003cbr\u003e\n5. Southbound (5:08)\u003cbr\u003e\n6. Jessica (7:28)\u003cbr\u003e\n7. Pony Boy (5:51)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 731453126220\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mercury\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.14.97\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262780518555,"sku":"96998","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Allman-Brothers-Band-Brothers-Sisters-Remastered-CD.png?v=1776110823"},{"product_id":"the-allman-brothers-band-allman-brothers-live-at-fillmore-east-cd-1","title":"The Allman Brothers Band – Allman Brothers Live at Fillmore East (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded over two nights in March 1971, just months before Duane Allman's death, this document captures the band at the absolute peak of their improvisational power, with Duane and Dickey Betts trading leads that reshaped what a rock guitar duo could be. The interplay between the twin drummers, Butch Trucks and Jaimoe, gave the whole thing a rhythmic foundation unlike anything else happening in American music at the time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis Allman Brothers classic comes home to Capricorn Records, sporting remastering from the original master tapes and packaging authentic to the original LP release (2 complete LPs on 1 CD). Tracks: \"Statesboro Blues,\" \"Done Somebody Wrong,\" \"Stormy Monday,\" \"You Don't Love Me,\" \"Hot 'Lanta,\" \"In Memory of Elizabeth Reed\" and \"Whipping Post.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Statesboro Blues (4:17)\u003cbr\u003e\n2. Done Somebody Wrong (4:33)\u003cbr\u003e\n3. Stormy Monday (8:47)\u003cbr\u003e\n4. You Don't Love Me (19:16)\u003cbr\u003e\n5. Hot 'Lanta (5:19)\u003cbr\u003e\n6. In Memory Of Elizabeth Reed (13:04)\u003cbr\u003e\n7. Whipping Post (23:03)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 731453126022\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mercury\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.14.97\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262780649627,"sku":"62675","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Allman-Brothers-Band-Allman-Brothers-Live-at-Fillmore-East-CD.png?v=1776110827"},{"product_id":"little-feat-little-feat-cd-1","title":"Little Feat – Little Feat (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLowell George was already a visionary before most people knew his name, and this 1971 debut captures him assembling something genuinely strange and original out of Los Angeles session culture, Bakersfield country, and gutbucket blues. The album stiffed commercially on release, yet George's slide guitar work and songwriting here laid the foundation for one of the most beloved cult bands in American rock history.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLittle Feat's 1971 debut has become one of the greatest \"lost\" rock and roll albums of all time. It's a little different than the sound that made them popular, with a mix of garage, blues and country. Includes Willin'; Truck Stop Girl; Crazy Captain Gunboat Willie; Strawberry Flats, and more gems.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Snakes On Everything (3:03)\u003cbr\u003e\n2. Strawberry Flats (2:21)\u003cbr\u003e\n3. Truck Stop Girl (2:29)\u003cbr\u003e\n4. Brides Of Jesus (3:20)\u003cbr\u003e\n5. Willin' (2:23)\u003cbr\u003e\n6. Hamburger Midnight (2:28)\u003cbr\u003e\n7. Forty Four Blues \/ How Many More Years (6:27)\u003cbr\u003e\n8. Crack In Your Door (2:16)\u003cbr\u003e\n9. I've Been The One (2:20)\u003cbr\u003e\n10. Takin' My Time (3:46)\u003cbr\u003e\n11. Crazy Captain Gunboat Willie (1:56)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227988005\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino Flashback\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.3.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262780846235,"sku":"637525","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Little-Feat-Little-Feat-CD.png?v=1776110850"},{"product_id":"the-allman-brothers-band-live-at-fillmore-east-180-gram-2-lp-vinyl","title":"The Allman Brothers Band – Live at Fillmore East (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just months before Duane Allman's death in October 1971, these Fillmore East performances carry a weight that only deepens with time. The extended readings of \"Whipping Post\" and \"In Memory of Elizabeth Reed\" remain benchmarks for what a rock band can do when the songs are just a starting point, not a destination.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eRead our review of The Allman Brothers Band's Live at Fillmore East from July 2014 on \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/the_allman_brothers_band_at_fillmore_east_the_1971_fillmore_east_recordings\/\" title=\"The Allman Brothers Band – Live at Fillmore East (2-LP Vinyl)\" rel=\"noopener\" target=\"_blank\"\u003eRelix.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLive at Fillmore East (1971), pressed on double vinyl, stands as one of the greatest live rock albums ever recorded—capturing the Allman Brothers Band at absolute peak power during March 1971 performances at Bill Graham's legendary New York venue. With Duane Allman and Dickey Betts creating dual-lead guitar interplay that set the template for every jam band that followed, the album documents Southern rock meeting the improvisational ambitions of jazz. Fillmore East proved the Allman Brothers were the greatest live band in America, influencing the Grateful Dead, jam bands, and Southern rock acts for generations. Producer Tom Dowd's recording captures both the power and the musical detail that separated the Allmans from bar bands who could play loud but not deep.\u003c\/p\u003e\n\u003cp\u003eThe album features extended versions of Allman Brothers material that revealed how strong compositions support improvisation: \"Whipping Post\" stretches to 23 minutes, \"In Memory of Elizabeth Reed\" becomes a jazz-influenced showcase for the dual guitars, \"You Don't Love Me\" demonstrates how blues tradition can support extended exploration, and \"Statesboro Blues\" proves slide guitar mastery creates its own language. Duane and Dickey's improvisational telepathy throughout establishes a standard that few guitar duos have matched—each solo feels both planned and spontaneous, with ideas developing organically through musical conversation rather than ego-driven showboating. Gregg Allman's vocals and organ provide soul and power, while the rhythm section creates grooves that give improvisations foundation without constraint.\u003c\/p\u003e\n\u003cp\u003eWhat makes Fillmore East essential is how it established the live album as art form—not just documentation but a statement of artistic vision. The Allmans proved improvisation and composition weren't opposing forces but complementary approaches. For Grateful Dead fans and jam band enthusiasts, Fillmore East is required listening: the improvisational approach, the dual-guitar telepathy, and the balance between structure and freedom all influenced the movement that followed.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Statesboro Blues (4:08)\u003cbr\u003e\nA2. Done Somebody Wrong (4:05)\u003cbr\u003e\nA3. Stormy Monday (8:31)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB. You Don't Love Me (19:06)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Hot 'Lanta (5:10)\u003cbr\u003e\nC2. In Memory Of Elizabeth Reed (12:46)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD. 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The slide-guitar textures and country-soul swing that define tracks like \"Ramblin' Man\" reflected Betts' growing songwriting voice, cementing his place alongside Gregg Allman as a cornerstone of the group's identity.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited edition vinyl LP reissue from 2013. Digitally remastered for superior sound in 2013, the Allman Brothers classic \"Brothers and Sisters\" celebrated its 40th anniversary as a platinum-selling southern rock classic! The original 1973 pressing was the first complete album recorded without the recently deceased Duane Allman and Berry Oakley. \u003c\/p\u003e\u003cp\u003eThis album also saw the addition of Chuck Leavell on piano and Lamar Williams on bass. Dickey Betts remained solo on lead guitar and shared vocal duties with Gregg Allman. Reinvention didn't slow the band down at all, as they scored huge hits on \"Ramblin' Man\" and \"Jessica.\" \u003c\/p\u003e\u003cp\u003eThe album peaked at #1 on the Billboard 200 chart, with \"Ramblin' Man\" stalling out at #2 on the Hot 100 Singles chart and \"Jessica\" topping out at #65 on the same chart. This imported remastered album is a limited edition.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Wasted Words (4:19)\u003cbr\u003e\nA2. Ramblin' Man (4:46)\u003cbr\u003e\nA3. Come And Go Blues (4:52)\u003cbr\u003e\nA4. Jelly Jelly (5:47)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Southbound (5:07)\u003cbr\u003e\nB2. Jessica (7:02)\u003cbr\u003e\nB3. 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The 33-minute \"Mountain Jam\" alone stands as a monument to the band's improvisational philosophy, and Duane's slide work throughout remains a masterclass that guitarists are still studying.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis Allman Brothers classic comes home to Capricorn Records, sporting remastering from the original master tapes and packaging authentic to the original LP release (2 complete LPs on 1 CD). Tracks: \"Ain't Wastin' Time No More,\" \"Les Brers In A Minor,\" \"Melissa,\" \"Mountain Jam,\" \"One Way Out,\" \"Trouble No More,\" \"Back,\" \"Blue Sky,\" and \"Little Martha.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Ain't Wastin' Time No More (3:40)\u003cbr\u003e\n2. Les Brers In A Minor (9:03)\u003cbr\u003e\n3. Melissa (3:54)\u003cbr\u003e\n4. 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(2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased at a moment when the Crowes were pushing hard against the grain of mid-90s rock radio, Amorica. found Chris and Rich Robinson leaning deeper into their influences, weaving together blues, soul, and psychedelia into something rawer and more expansive than their debut had promised. The controversy over the cover overshadowed what was genuinely one of the more ambitious rock records of 1994, and this double-LP format gives the sprawling, unhurried grooves the room they always deserved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited double vinyl LP pressing of this album by the American rockers. Amorica is the third album by The Black Crowes. Spawned from their unreleased scrapped album Tall, Amorica was released in late 1994 on American Recordings. The album was banned from some stores like Walmart and Kmart, due to its sexually explicit album cover, which features a woman's crotch wearing a United States flag thong with pubic hair sticking out. The picture was from the cover of a July 1976 Hustler magazine. The image was censored and replaced with a black background which only featured the triangle. 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That tension between roots and reinvention is exactly what made them outliers in the psychedelic era and enduring favorites on stages from arenas to festival fields decades later.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis is the ultimate greatest hits collection by one of America's all-time most beloved bands. Here are the essential 12 tracks that prove exactly why Creedence Clearwater Revival is one of the greatest rock 'n' roll bands ever.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Born On The Bayou (Single Edit)\u003c\/div\u003e\n\u003cdiv\u003e2. Fortunate Sun\u003c\/div\u003e\n\u003cdiv\u003e3. Proud Mary\u003c\/div\u003e\n\u003cdiv\u003e4. Down On The Corner\u003c\/div\u003e\n\u003cdiv\u003e5. Green River\u003c\/div\u003e\n\u003cdiv\u003e6. Bad Moon Rising\u003c\/div\u003e\n\u003cdiv\u003e7. Travelin' Band\u003c\/div\u003e\n\u003cdiv\u003e8. Have You Ever Seen The Rain\u003c\/div\u003e\n\u003cdiv\u003e9. Up Around The Bend\u003c\/div\u003e\n\u003cdiv\u003e10. Lodi\u003c\/div\u003e\n\u003cdiv\u003e11. Hey Tonight\u003c\/div\u003e\n\u003cdiv\u003e12. Lookin' Out My Back Door\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072355002\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.29.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271169028251,"sku":"212407","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Creedence-Clearwater-Revival-Greatest-Hits-CD.png?v=1776111923"},{"product_id":"the-allman-brothers-band-idlewild-sounth-import-cd","title":"The Allman Brothers Band – Idlewild Sounth (Import CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at Criteria Studios in Miami and released in 1970, *Idlewild South* captured the Allman Brothers Band in the full bloom of their early power, balancing studio craft with the improvisational fire they were already legendary for on Southern stages. The presence of \"In Memory of Elizabeth Reed\" and \"Midnight Rider\" alone would cement its place in the canon, but the whole record breathes like a band discovering exactly what they were capable of.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Revival (4:03)\u003cbr\u003e2. Don't Keep Me Wonderin' (3:28)\u003cbr\u003e3. Midnight Rider (2:57)\u003cbr\u003e4. In Memory Of Elizabeth Reed (6:15)\u003cbr\u003e5. Hoochie Coochie Man (4:54)\u003cbr\u003e6. Please Call Home (3:57)\u003cbr\u003e7. 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The album marked the beginning of one of the most creatively fertile late-career runs in blues history, pairing his searing Texas slide work with a no-frills production approach that put the guitar exactly where it belonged: front and center.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe first of Grammy Award-winning blues and rock icon Johnny Winter's celebrated Alligator releases, with over 100,000 sold in the U.S. alone. This reissue has one song from the original release removed (Kiss Tomorrow Goodbye), and a previously unreleased track featuring guest James Cotton, \"Nothin' But The Devil,\" added.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. It's My Life, Baby (4:11)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Take Advantage Of Me (5:24)\u003c\/div\u003e\n\u003cdiv\u003e3. Iodine In My Coffee (3:56)\u003c\/div\u003e\n\u003cdiv\u003e4. Trick Bag (3:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Mad Dog (4:27)\u003c\/div\u003e\n\u003cdiv\u003e6. Boot Hill (3:35)\u003c\/div\u003e\n\u003cdiv\u003e7. I Smell Trouble (4:48)\u003c\/div\u003e\n\u003cdiv\u003e8. Lights Out (2:35)\u003c\/div\u003e\n\u003cdiv\u003e9. Nothin' But The Devil (4:05)\u003c\/div\u003e\n\u003cdiv\u003e10. My Soul (3:49)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 014551273523\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Alligator Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.29.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271182987419,"sku":"240182","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Johnny-Winter-Guitar-Slinger-CD.png?v=1776112158"},{"product_id":"creedence-clearwater-revival-bayou-country-remastered-2025-digipak-cd","title":"Creedence Clearwater Revival – Bayou Country (Remastered 2025, Digipak CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in a matter of weeks and released in January 1969, *Bayou Country* was the record that launched CCR into the stratosphere, introducing \"Proud Mary\" and \"Born on the Bayou\" to a generation hungry for something raw and rooted. John Fogerty's swamp-soaked vision had nothing to do with the Bay Area where the band came from, and everything to do with a mythologized South he conjured entirely from imagination.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFeatures 5 bonus tracks: \"Broken Spoke Shuffle\" (Wally Heider warm up session), \"Glory Be\" (Wally Heider warm up session), \"Bad Moon Rising\" (live-Berlin 1971; previously unreleased), \"Green River\/Susie Q\" (live-Stockholm 1971), and \"Lodi\" (live-Hamburg 1971; previously unreleased).\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Born On The Bayou (5:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Bootleg (3:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Graveyard Train (8:36)\u003c\/div\u003e\n\u003cdiv\u003e4. Good Golly Miss Molly (2:42)\u003c\/div\u003e\n\u003cdiv\u003e5. Penthouse Pauper (3:38)\u003c\/div\u003e\n\u003cdiv\u003e6. Proud Mary (3:08)\u003c\/div\u003e\n\u003cdiv\u003e7. Keep On Chooglin' (7:42)\u003c\/div\u003e\n\u003ch4\u003eBonus Tracks:\u003c\/h4\u003e\n\u003cdiv\u003e1. Bootleg (Alternate Take) (5:47)\u003c\/div\u003e\n\u003cdiv\u003e2. Born On The Bayou (Live In London, England, 9\/28\/71) (4:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Proud Mary (Live In Stockholm, Sweden, 9\/21\/71) (2:50)\u003c\/div\u003e\n\u003cdiv\u003e4. Crazy Otto (Live At The Fillmore, San Francisco, CA, 3\/14\/69) (8:48)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072308770\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.30.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271186788507,"sku":"384913","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Creedence-Clearwater-Revival-Bayou-Country-Remastered-2025-Digipak-CD.png?v=1776112226"},{"product_id":"the-allman-brothers-band-gold-2-cd","title":"The Allman Brothers Band – Gold (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMacon, Georgia gave the world something it didn't know it needed when Duane Allman and Gregg gathered a band of brothers around them in 1969 and essentially invented Southern rock while simultaneously pointing it toward jazz and the blues. Thirty tracks spanning a decade means you get the twin-guitar interplay with Dickey Betts, the dual-drummer thunder of Butch Trucks and Jaimoe, and the full arc from raw Capricorn Records debuts through the post-Duane years when the band refused to fold.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis retrospective captures their \"Classic\" years 1969 through 1979. Featuring highlights from the albums The Allman Brothers Band, IDLEWILD SOUTH, LIVE AT FILLMORE EAST, EAT A PEACH, BROTHERS \u0026amp; SISTERS, WIN, LOSE OR DRAW, WIPE THE WINDOWS, CHECK THE OIL, DOLLAR GAS, and ENLIGHTENED ROGUES.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Don't Want You No More (2:25)\u003cbr\u003e\n1-2. It's Not My Cross To Bear (4:55)\u003cbr\u003e\n1-3. Blackhearted Woman (5:15)\u003cbr\u003e\n1-4. 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The Muscle Shoals rhythm section and those storied FAME Studios rooms gave the songs a lived-in gravity that would define Isbell's work for years to come.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe debut album from accomplished guitarist and songwriter Jason Isbell, formerly of Drive By Truckers (DBT), is reissued with 4 unreleased tracks from the original recording sessions. The addition of those 4 extra songs finds Sirens Of The Ditch clocking in at 15 total tracks. Sirens Of The Ditch's mystical quality can be partially attributed to the FAME recording studio (Aretha Franklin, Duane Allman, Otis Redding) in Isbell’s hometown of Muscle Shoals, AL where the album was recorded. Co-produced by Isbell and Patterson Hood (DBT), Sirens Of The Ditch features Isbell singing lead vocals and playing guitar throughout, joined by Shonna Tucker (Formerly of DBT) on Bass and Brad Morgan (DBT) on drums. Several musicians pop in for cameos including Spooner Oldham and David Hood (Patterson s father) on \"Down In A Hole\", John Neff (Formerly of DBT) on \"Dress Blues\" and Patterson himself guests on \"Shotgun Wedding\". \"a strong debut, full of the kind of confident, charismatic songwriting that just can't be taught.\" - Pitckfork “Isbell could be roots rock’s Flannery O’Connor.” - Spin\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Brand New Kind Of Actress (5:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Down In A Hole (4:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Try (4:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Chicago Promenade (3:19)\u003c\/div\u003e\n\u003cdiv\u003e5. Dress Blues (4:07)\u003c\/div\u003e\n\u003cdiv\u003e6. Grown (3:42)\u003c\/div\u003e\n\u003cdiv\u003e7. Hurricanes And Hand Grenades (5:07)\u003c\/div\u003e\n\u003cdiv\u003e8. In A Razor Town (3:15)\u003c\/div\u003e\n\u003cdiv\u003e9. Shotgun Wedding (3:45)\u003c\/div\u003e\n\u003cdiv\u003e10. The Magician (4:16)\u003c\/div\u003e\n\u003cdiv\u003e11. The Devil Is My Running Mate (3:45)\u003c\/div\u003e\n\u003cdiv\u003e12. Whisper (4:39)\u003c\/div\u003e\n\u003cdiv\u003e13. Crystal Clear (5:03)\u003c\/div\u003e\n\u003cdiv\u003e14. The Assassin (3:38)\u003c\/div\u003e\n\u003cdiv\u003e15. Racetrack Romeo (5:11)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396642724\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.13.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271207825563,"sku":"359949","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978175819931-cd-relix.png?v=1776115885"},{"product_id":"jason-isbell-sirens-of-the-ditch-lp-vinyl","title":"Jason Isbell – Sirens Of The Ditch (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally released in 2007, *Sirens of the Ditch* introduced Isbell as a singular voice stepping out from his years as a Drive-By Truckers guitarist, channeling Southern rock grit and Muscle Shoals soul into songs that felt both deeply personal and geographically rooted. The album's emotional weight, shaped in part by his turbulent years on the road, announced a songwriter who was only getting started.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Brand New Kind Of Actress (5:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Down In A Hole (4:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Try (4:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Chicago Promenade (3:19)\u003c\/div\u003e\n\u003cdiv\u003e5. Dress Blues (4:07)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Grown (3:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Hurricanes And Hand Grenades (5:07)\u003c\/div\u003e\n\u003cdiv\u003e3. In A Razor Town (3:15)\u003c\/div\u003e\n\u003cdiv\u003e4. Shotgun Wedding (3:45)\u003c\/div\u003e\n\u003cdiv\u003e5. The Magician (4:16)\u003c\/div\u003e\n\u003cdiv\u003e6. The Devil Is My Running Mate (3:45)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396500024\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.31.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271227322523,"sku":"474588","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978179326107-lp-relix.png?v=1776115837"},{"product_id":"jason-isbell-something-more-than-free-lp-vinyl","title":"Jason Isbell – Something More Than Free (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWinning back-to-back Album of the Year honors at the Americana Music Awards, for both Southeastern and Something More Than Free, Isbell cemented himself as the foremost songwriter of his generation working in the American roots tradition. Recorded with the 400 Unit, this 2015 follow-up finds Isbell writing about working-class struggle and hard-won sobriety with a specificity and earned grace that few country, rock, or folk writers have matched.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSomething More Than Free is the follow up to Isbell s 2013 celebrated breakthrough album Southeastern, which received overwhelming support from the press and went on to sell over 150,000 copies. Isbell was the subject of stories in outlets ranging from The New York Times Magazine and Wall Street Journal to NPR s All Things Considered and Fresh Air with Terry Gross. Jason Isbell \u0026amp; The 400 Unit made multiple television appearances, including The Late Show with David Letterman, Conan and Austin City Limits. Isbell won Artist of the Year, Song of the Year (Cover Me Up) and Album of the Year at the 2014 Americana Music Awards. At David Letterman s personal request, Jason and his wife, Amanda Shires performed on one of the last episodes of The Late Show in April 2015.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. If It Takes A Lifetime\u003c\/div\u003e\n\u003cdiv\u003e2. 24 Frames\u003c\/div\u003e\n\u003cdiv\u003e3. Flagship\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. How To Forget\u003c\/div\u003e\n\u003cdiv\u003e2. Children Of Children\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. The Life You Chose\u003c\/div\u003e\n\u003cdiv\u003e2. Something More Than Free\u003c\/div\u003e\n\u003cdiv\u003e3. Speed Trap Town\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Hudson Commodore\u003c\/div\u003e\n\u003cdiv\u003e2. Palmetto Rose\u003c\/div\u003e\n\u003cdiv\u003e3. To A Band That I Loved\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 696859946011\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Southeastern Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.17.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271231123611,"sku":"514970","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978180276379-2xlp-relix.png?v=1776115674"},{"product_id":"jason-isbell-live-from-twist-shout-11-16-07-cd","title":"Jason Isbell – Live From Twist \u0026 Shout 11.16.07 (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded just a year after Isbell parted ways with Drive-By Truckers, this in-store session at Denver's beloved Twist \u0026amp; Shout Records captures him at a pivotal moment, building something new with the band that would become his long-running creative partnership. Raw and intimate, it's a document of an artist finding his footing as a solo voice, with \"Outfit,\" one of his most personal songs, already fully formed and road-tested.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eBack on CD for the first time in a number of years, Live From Twist \u0026amp; Shout 11.16.07 is a 2008 live EP from the former member of Drive-By Truckers and his backing band, The 400 Unit. This record was recorded live during an in-store at Twist And Shout Records in 2007. This EP features six tracks including 'Hurricane And Hand', 'Outfit' as well as a cover of Van Morrison’s “Into The Mystic”\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Grown (4:16)\u003c\/div\u003e\n\u003cdiv\u003e2. Goddamn Lonely Love (6:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Hurricanes And Hand Grenades (5:10)\u003c\/div\u003e\n\u003cdiv\u003e4. Danko\/Manuel (6:46)\u003c\/div\u003e\n\u003cdiv\u003e5. Outfit (4:52)\u003c\/div\u003e\n\u003cdiv\u003e6. Into The Mystic (4:07)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396613922\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.23.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271232139419,"sku":"373785","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978180800667-cd-relix.png?v=1776116079"},{"product_id":"the-black-crowes-greatest-hits-1990-1999-a-tribute-to-a-work-in-progress-cd","title":"The Black Crowes – Greatest Hits 1990-1999: A Tribute To A Work In Progress (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Black Crowes arrived in 1990 sounding like they'd been road-tested for decades, dragging Faces-era swagger and Otis Redding soul into a rock landscape that desperately needed both. This collection spans the band's most commercially visible run, when Chris Robinson's voice and Rich Robinson's guitar tone made them one of the few acts of their era genuinely rooted in the classic rock and R\u0026amp;B traditions they worshipped.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe definitive collection of hits from The Black Crowes. Includes all the hits, and then some.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Jealous Again (4:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Twice As Hard (4:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Hard To Handle (3:09)\u003c\/div\u003e\n\u003cdiv\u003e4. She Talks To Angels (5:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Remedy (5:25)\u003c\/div\u003e\n\u003cdiv\u003e6. Sting Me (4:42)\u003c\/div\u003e\n\u003cdiv\u003e7. Thorn In My Pride (6:05)\u003c\/div\u003e\n\u003cdiv\u003e8. Bad Luck Blue Eyes Goodbye (6:31)\u003c\/div\u003e\n\u003cdiv\u003e9. A Conspiracy (4:46)\u003c\/div\u003e\n\u003cdiv\u003e10. Wiser Time (5:34)\u003c\/div\u003e\n\u003cdiv\u003e11. Good Friday (3:52)\u003c\/div\u003e\n\u003cdiv\u003e12. Blackberry (3:27)\u003c\/div\u003e\n\u003cdiv\u003e13. Kicking My Heart Around (3:41)\u003c\/div\u003e\n\u003cdiv\u003e14. Go Faster (4:04)\u003c\/div\u003e\n\u003cdiv\u003e15. Only A Fool (3:45)\u003c\/div\u003e\n\u003cdiv\u003e16. By Your Side (4:28)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 731458678922\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e American Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.5.02\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271235252379,"sku":"348484","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Black-Crowes-Greatest-Hits-1990-1999-A-Tribute-To-A-Work-In-Progress-CD.png?v=1776113397"},{"product_id":"north-mississippi-allstars-up-and-rolling-cd","title":"North Mississippi Allstars – Up And Rolling (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eFor the first single from their 10th album, North Mississippi Allstars chose \"What You Gonna Do?,\" a song that brothers Luther and Cody Dickinson first heard on a Staple Singers album from 1965 that belonged to their dad, the late musician and producer Jim Dickinson. They brought in Mavis Staples to sing on the cover and it's a seriously rousing, funky, glorious affair—one of those tunes you could play over and over and never tire of. At some point while replaying it, though, you remember that there are 11 other tracks on the new album that also rock and roll with the same level of gutsiness and energy and, really, any of them will do the trick when you just need a reminder that real soul is still out there. Some of the tunes, like \"Mean Old World,\" also feature guests, in this case Duane Betts and Jason Isbell, and it, too, is real and gritty—just the kind of antidote you'd want if you're having a shitty day. Some others, like \"Drunk Outdoors\" and \"Bump That Mother,\" require nothing more from a listener than the desire to have a little fun, while \"Take My Hand, Precious Lord,\" one of a pair of tracks featuring Mississippi bluesman Cedric Burnside, burns with gospel fervor. North Mississippi Allstars are inching up on their 25th year together but, somehow, even with all of that behind them, it seems like this party they've got going is just getting started.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Jeff Tamarkin, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/north-mississippi-allstars-up-and-rolling\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLuther and Cody Dickinson have been carrying the North Mississippi hill country blues tradition forward since their teenage years, absorbing it directly from neighbors and family friends like R.L. Burnside and Junior Kimbrough. Up And Rolling deepens that lineage, weaving together the raw, hypnotic groove of fife and drum country with electric slide and collaborative family energy that feels less like a studio session and more like a front porch gathering that happened to get recorded.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e'A forgotten roll of film was found. Shot before the turn of the century, the photographs resonate with music. The images inspired an accompanying soundtrack. The music is full of stories. The songs and stories originate in two neighboring rural counties. The cast of characters includes four families of Mississippi musicians, three generations deep, and a photographer from Texas.' - Luther Dickinson In 2017, Wyatt McSpadden found an old roll of film and tracked down members of North Mississippi Allstars to share his forgotten photographs. The images were so profound and so beautiful that they would come to inspire the latest recording, Up And Rolling. The images inspired the band to ask, 'What did the music sound like that night in 96? What does Mississippi music sound like now? What would ideally be on the push button AM\/FM radio as we drove thru the hills?' The North Mississippi Allstars would return to the famous Zebra Ranch to record Up And Rolling, inspired by Wyatt's images. They gathered together, trimmed back the wisteria, and swept out the converted barn recording studio. The fired up the tube amps and old computers and began conjuring up modern Mississippi music, ancient and futuristic all at once. Telling it how it was and how they think it should be. Up And Rolling is modern Mississippi. Transcending time and space, the music reaches out into the dark of night like the wisteria vine, looking for free hearted souls to latch onto and wedge into the foundation of hate, slowly tearing down walls a generation at a time.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Call That Gone (4:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Up And Rolling (5:03)\u003c\/div\u003e\n\u003cdiv\u003e3. What You Gonna Do? 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A Texas guitarist who came up in an era when Muddy Waters and B.B. King were still very much active forces, Winter never had to borrow blues authority; it was always his by right.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReissue of this 2004 album from the blues guitarist. His first album of new material in almost eight years was certainly very much in the straightforward blues-rock mold, emphasis on the \"blues\" over \"rock.\" The songs here are a mixture of originals, contributions from past and present sidemen. A fantastic collection of good-natured blues-rock, and the acoustic \"That Wouldn't Satisfy\" that provides inspired moments. Winter's slide guitar on this track is simply superb. Johnny Winter was an American blues guitarist, multi-instrumentalist, singer, and producer. 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That tension, four guys from El Cerrito playing music that felt ancient and immediate all at once, is exactly what makes this record so enduring and why hearing it cut at half-speed from the original tapes matters.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eA 50th anniversary edition of Creedence Clearwater Revival’s 1969 sophomore studio album, featuring the classic hits “Proud Mary,” “Born On The Bayou” and “Bootleg.” The album has been mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch, bringing these classic recordings a new vibrancy. 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Don Henley and Glenn Frey sharpened their songwriting into a pointed critique of California excess, and Joe Walsh's addition brought a harder electric edge that pushed the band toward the arena rock peak they'd been building toward for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHotel California is the fifth studio album by the American rock band Eagles, released on Asylum in late 1976. 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It's also the album that introduced Don Felder, whose guitar chemistry with Joe Walsh would later define some of the band's most enduring sounds. 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