{"title":"Sub Pop Records Vinyl, CDs \u0026 Cassettes","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eBruce Pavitt and Jonathan Poneman started Sub Pop in Seattle in 1988 with a motto they've been using ever since: \"Going out of business since 1988.\" The self-deprecation is earned. The label nearly went under more than once in the early years, scrambling to pay pressing costs while releasing records by bands that were doing something genuinely new in the Pacific Northwest, a heavy, emotionally raw sound that nobody had quite named yet.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eWhat they were sitting on turned out to be the center of gravity for an entire cultural moment. Nirvana recorded their first album here. Soundgarden's early work. Mudhoney, who in many ways defined what the label sounded like at its most foundational. TAD. When Nevermind broke through in 1991, and the whole world turned its attention to Seattle, Sub Pop had been there for three years already, grinding it out.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe label's second act is just as interesting as the first. After the grunge wave crested, Sub Pop quietly rebuilt around a completely different sound, signing Fleet Foxes, whose baroque folk debut became one of the most acclaimed records of the late 2000s. The Shins. Iron and Wine. The Postal Service. Beach House. Father John Misty. Sleater-Kinney's return. The label followed its ear wherever it went, which is the only real through-line across thirty-plus years.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eStill independently minded, still Seattle-based, still finding artists worth caring about before most people know their names.\u003c\/p\u003e","products":[{"product_id":"flock-of-dimes-life-you-save-colored-lp-vinyl","title":"Flock Of Dimes – Life You Save (Colored 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJenn Wasner has spent years being the secret ingredient in other people's records, but Flock of Dimes is where she gets to be the whole thing. *Life You Save* arrives as her most ambitious solo statement yet, twelve tracks that find her pushing further into the tension between pop clarity and experimental unease that has defined her work since Wye Oak's earliest days.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Life You Save is the third album by Flock of Dimes, the solo project of multi-instrumentalist and producer Jenn Wasner.Across the last few decades - whether it be as Flock of Dimes, as half of beloved duo Wye Oak, or via one of her many collaborations with Bon Iver, Sylvan Esso, and a sprawling list of other musical juggernauts - Jenn Wasner's extensive catalog displays her gift for balancing authenticity and directness with an unmistakable left-of-center sensibility. Her songwriting has always found her as a keen-eyed observer, a deeply empathetic and thoughtful storyteller with a skill for probing memory, heartbreak, and unhealed trauma, a shroud of syncopation or off-kilter guitar taking a song somewhere quietly prodigious. Her last solo album, the critically-lauded Head of Roses, took on heartbreak from a dualistic perspective, following a winding thread of intuition into the unknown and into healing. Her new album, The Life You Save, takes that a step further; put simply, it's the most honest, intimate and personally revealing record of Wasner's career. As heart-wrenching as they are hopeful, it's twelve tracks delve the depths of addiction and codependency, inherited and experienced trauma, and the process of finding peace in the face of others' suffering. The Life You Save is resonant, unflinchingly exposed - like a missive from the eye of a storm. But while it somehow manages to feel both viscerally raw and vulnerable, above it floats a sense of quiet peace, a sheen of hindsight, or perhaps of acceptance. It is the story of how it feels to be trapped between two worlds-the one you came from, and the one you've escaped to; about the belief that somehow, you can take the ones you love with you to this place; about the grief of realizing that the only person you can save is yourself.The Life You Save was produced by Jenn Wasner and recorded at Betty's in Chapel Hill, NC, and Montrose Recording in Los Angeles, CA, with additional production from Nick Sanborn. The album was engineered by Adrian Olsen \u0026amp; Alli Rogers, mixed by Adrian Olsen, and mastered by Huntley Miller.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Afraid\u003c\/div\u003e\n\u003cdiv\u003e2. Keep Me In The Dark\u003c\/div\u003e\n\u003cdiv\u003e3. Long After Midnight\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Defeat\u003c\/div\u003e\n\u003cdiv\u003e2. Close To Home\u003c\/div\u003e\n\u003cdiv\u003e3. The Enemy\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Not Yet Free\u003c\/div\u003e\n\u003cdiv\u003e2. Pride\u003c\/div\u003e\n\u003cdiv\u003e3. Theo\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Instead Of Calling\u003c\/div\u003e\n\u003cdiv\u003e2. River In My Arms\u003c\/div\u003e\n\u003cdiv\u003e3. I Think I'm God\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787159509\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.10.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262782517403,"sku":"500351","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Flock-Of-Dimes-Life-You-Save-Colored-LP-Vinyl.jpg?v=1776116631"},{"product_id":"preservation-hall-jazz-band-a-tuba-to-cuba-original-soundtrack-cd","title":"Preservation Hall Jazz Band – A Tuba to Cuba (Original Soundtrack CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eNew Orleans and the shores of Cuba are about a thousand miles apart, close enough to have instigated a centuries-old cultural exchange and shared historical touchstones but, in other ways, so far from one another. NOLA's Preservation Hall Jazz Band visited the island in 2015 and made a documentary film about their travels, and this collection is ostensibly its soundtrack, augmented by new tunes written on their return. Its diversity is its greatest strength: Cuba, like New Orleans, is not about one style of music, and A Tuba to Cuba does as much as possible within its 43 minutes to make that clear. Its leadoff track, all 49 forlorn and yearning seconds of it, features a lone tenor saxophone played in a small space somewhere in Havana by Clint Maedgen, but the mood picks up soon enough with \"Tumba,\" all pulsating polyrhythms and celebration. \"Keep Your Head Up,\" featuring a lead vocal by the alluring Eme Alfonso, is a spicy dish of condensed cream of party, irresistibly rhythmic—if the PHJB has ever had more fun cutting a tune, this fan would like to hear it. The liner notes liken the number's spellbinding chanting to a Mardi Gras Indians march in the band's hometown, and from there it's nothing but a straight line to Havana. As for that tuba, it's here, and there, but the Pres Hall folks aimed for, and discovered, something higher on this set, which runs the glorious gamut from the solo guitar of Alejandro Almenares, on \"Las Palomas\" (written by his father) to the sly Latin soul of \"Kreyol\" to the full-band blast of \"I Am.\"\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Jeff Tamarkin, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/preservation-hall-jazz-band-a-tuba-to-cuba\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBen Jaffe has been the soul of Preservation Hall since taking the reins from his parents Allan and Sandra Jaffe, and this project represents something deeply personal: a pilgrimage to the Afro-Cuban wellspring that shaped New Orleans rhythm and brass long before either city's music was ever recorded. Photographer and director Danny Clinch brings the same intimacy to the film that he's brought to decades of iconic rock and roll portraiture, and the music captured here reflects a genuine cultural exchange rather than a studio recreation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe legendary Preservation Hall Jazz Band present the soundtrack to A Tuba to Cuba, the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The film follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. A Tuba to Cuba celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls. The New York Times said: “This joyous, wide-ranging account of a New Orleans jazz band's 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.” And, from the LA Times: “Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.” Preservation Hall Jazz Band’s Ben Jaffe said of “Kreyol,” the lead single from the soundtrack: “Every evening in Havana people gather along the waterfront to socialize. I’ve always been taken by the tempo at which people stroll, like New Orleans, there’s a very particular rhythm to their walk. That rhythm was the inspiration for ‘Kreyol.’ In fact, ‘Kreyol’ is the Cuban spelling of ‘Creole.’ You can feel that same Creole influence in New Orleans, it’s one of our many shared connections with Cuba.” (The film is available through Amazon Video, iTunes, DirecTV, Google Play, YouTube Movies and more. Check your local service provider for additional listings.) About Preservation Hall Jazz Band: At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band recently signed with Sub Pop Records, who are re-releasing the band’s 2013 album That’s It! (over 39,000 copies sold) and 2017’s So It Is on June 28th, with new music to follow.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Yesteryear\u003c\/div\u003e\n\u003cdiv\u003e2. Tumba\u003c\/div\u003e\n\u003cdiv\u003e3. I Am\u003c\/div\u003e\n\u003cdiv\u003e4. Descarga Del Son \/ Septeto Tipico Oriental\u003c\/div\u003e\n\u003cdiv\u003e5. Keep Your Head \/ Eme Alfonso\u003c\/div\u003e\n\u003cdiv\u003e6. Corazon\u003c\/div\u003e\n\u003cdiv\u003e7. Eleggua \/ Raices Habaneras\u003c\/div\u003e\n\u003cdiv\u003e8. Kreyol\u003c\/div\u003e\n\u003cdiv\u003e9. El Manicero\u003c\/div\u003e\n\u003cdiv\u003e10. Solitude\u003c\/div\u003e\n\u003cdiv\u003e11. Las Palomas \/ Alejandro Almanares\u003c\/div\u003e\n\u003cdiv\u003e12. Malecon\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787131024\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.29.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271140618395,"sku":"15800","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Preservation-Hall-Jazz-Band-A-Tuba-to-Cuba-Original-Soundtrack-CD.png?v=1776111586"},{"product_id":"preservation-hall-jazz-band-thats-it-cd","title":"Preservation Hall Jazz Band – That's It (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRooted in a French Quarter institution that has been drawing pilgrims since 1961, the Preservation Hall Jazz Band has always understood that tradition isn't a museum piece. Their Sub Pop signing raised eyebrows in some quarters, but the pairing made a certain kind of sense: both have long championed artists who defy easy categorization while remaining fiercely committed to their communities.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eAt a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band’s That’s It! (2013) is an eclectic album that draws on the collective experience of players nurtured in the New Orleans tradition but determined to build something fresh and exciting on that foundation. It marks an important milestone in PHJB Creative Director Ben Jaffe’s crusade to carry forward the Hall’s original mission while making it relevant to today’s audiences.” For his part, co-producer Jim James (My Morning Jacket) is convinced that the PHJB has a future as vibrant as its past: “The music will speak forever,” he says. “Will people stop listening to Beethoven? Will people stop listening to Bob Dylan? Will people stop listening to the Preservation Hall Jazz Band?” That's It! is now back in print on vinyl and CD via Sub Pop, which signed Preservation Hall Jazz Band in 2018, and will soon be releasing new music by the band.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. That's It! (3:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Dear Lord (Give Me The Strength) (4:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Come With Me (2:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Sugar Plum (4:29)\u003c\/div\u003e\n\u003cdiv\u003e5. Rattlin' Bones (3:17)\u003c\/div\u003e\n\u003cdiv\u003e6. I Think I Love You (3:21)\u003c\/div\u003e\n\u003cdiv\u003e7. August Nights (4:24)\u003c\/div\u003e\n\u003cdiv\u003e8. Halfway Right, Halfway Wrong (4:19)\u003c\/div\u003e\n\u003cdiv\u003e9. Yellow Moon (2:38)\u003c\/div\u003e\n\u003cdiv\u003e10. The Darker It Gets (3:02)\u003c\/div\u003e\n\u003cdiv\u003e11. Emmalena's Lullaby (1:46)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787126426\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.28.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271193702555,"sku":"486516","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Preservation-Hall-Jazz-Band-Thats-It-CD.png?v=1776112523"},{"product_id":"charlie-gabriel-eighty-nine-cd","title":"Charlie Gabriel – Eighty Nine (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded when Gabriel was 89 years old, this release marks a remarkable chapter for a New Orleans jazz institution whose roots stretch back to the city's mid-century club scene. That Sub Pop, a label built on Pacific Northwest rock, chose to release it speaks to how far Gabriel's story transcends genre boundaries and why the Preservation Hall tradition continues to find new audiences decades after the Hall first opened its doors on St. Peter Street.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eI've been playing since I was 11 years old,\" says Charlie Gabriel, the most senior member of the legendary Preservation Hall Band, \"I never did anything in my life but play music. I've been blessed with that gift that God gave me, and I've tried to nurse it the best way I knew how.\" While he's faced plenty of challenges nursing that gift for more than 78 years, none likely rank with last winter's passing of his brother and last living sibling, Leonard, lost to COVID-19. For the first time ever, Gabriel put down his horn, filling his days and weeks instead with dark reflection, a stubborn despondency broken now and then by regular chess matches in the studio kitchen of Hall leader Ben Jaffe, working overtime to bring his friend some light. One such afternoon also included Joshua Starkman, sitting off in a corner playing his guitar and half-watching the chess from a distance. When Charlie returned the next day, he brought his saxophone. \"I was just inspired to try it, to play again. It had been a long time, and a guitar makes me feel free. I do love the sound of a piano, but it takes up a lot of a space, keeps me kind of boxed in.\" That day was to be the first session for Eighty Nine, almost entirely the work of Gabriel, Jaffe and Starkman, recorded mostly right there, in the kitchen, by Matt Aguiluz. Charlie Gabriel's first professional gig dates to 1943, sitting in for his father in New Orleans' Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band then included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer J.C. Heard. While he's also fronted a bebop quintet, played and\/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader. Since 2006, Gabriel has been a member of the Preservation Hall Jazz Band, featuring prominently on That's It, So It Is, and Tuba to Cuba. Eighty Nine was different, and not simply due to a smaller ensemble. \"We had no particular plan, or any particular insight on what we were gonna do. But we were enjoying what we were doing, jamming, having a musical conversation,\" Charlie says, further musing, \"Musical conversations cancel out complications.\" Eighty Nine includes six standards and three newer pieces on which Gabriel is a writer: \"Yellow Moon,\" \"The Darker It Gets\" and \"I Get Jealous.\" The record also marks Charlie's return to his first instrument, clarinet, on many of the tracks. \"The clarinet is the mother of the saxophone,\" he says. \"I started playing clarinet early in life, and this [taught me] the saxophone.\" Finally, Eighty Nine includes three tracks of Charlie singing. \"I always sung, but it wasn't my forte to become a singer,\" he says. \"The truth is, people often develop a real relationship with a song once they hear the words. Sometimes I enjoy singing them.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Memories Of You (5:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Chelsea Bridge (3:02)\u003c\/div\u003e\n\u003cdiv\u003e3. I'm Confessin' (6:12)\u003c\/div\u003e\n\u003cdiv\u003e4. The Darker It Gets (4:12)\u003c\/div\u003e\n\u003cdiv\u003e5. Stardust (5:09)\u003c\/div\u003e\n\u003cdiv\u003e6. Three Little Words (3:19)\u003c\/div\u003e\n\u003cdiv\u003e7. Yellow Moon (3:48)\u003c\/div\u003e\n\u003cdiv\u003e8. I Get Jealous (5:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787149029\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.1.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271204384923,"sku":"397062","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978174312603-cd-relix.png?v=1776304962"},{"product_id":"charlie-gabriel-eighty-nine-limited-edition-translucent-gold-lp-vinyl","title":"Charlie Gabriel – Eighty Nine (Translucent Gold LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded when Gabriel was 89 years old, this debut solo album arrived nearly eight decades into a life spent inside New Orleans jazz, a tradition he's carried as a cornerstone of the Preservation Hall Band. The city's musical lineage runs deep in him, and hearing it surface this intimately, on clarinet and saxophone, with Sub Pop of all labels giving it a home, is one of those genuinely unlikely and quietly beautiful things that the music world occasionally gets right.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eI've been playing since I was 11 years old,\" says Charlie Gabriel, the most senior member of the legendary Preservation Hall Band, \"I never did anything in my life but play music. I've been blessed with that gift that God gave me, and I've tried to nurse it the best way I knew how.\" While he's faced plenty of challenges nursing that gift for more than 78 years, none likely rank with last winter's passing of his brother and last living sibling, Leonard, lost to COVID-19. For the first time ever, Gabriel put down his horn, filling his days and weeks instead with dark reflection, a stubborn despondency broken now and then by regular chess matches in the studio kitchen of Hall leader Ben Jaffe, working overtime to bring his friend some light. One such afternoon also included Joshua Starkman, sitting off in a corner playing his guitar and half-watching the chess from a distance. When Charlie returned the next day, he brought his saxophone. \"I was just inspired to try it, to play again. It had been a long time, and a guitar makes me feel free. I do love the sound of a piano, but it takes up a lot of a space, keeps me kind of boxed in.\" That day was to be the first session for Eighty Nine, almost entirely the work of Gabriel, Jaffe and Starkman, recorded mostly right there, in the kitchen, by Matt Aguiluz. Charlie Gabriel's first professional gig dates to 1943, sitting in for his father in New Orleans' Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band then included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer J.C. Heard. While he's also fronted a bebop quintet, played and\/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader. Since 2006, Gabriel has been a member of the Preservation Hall Jazz Band, featuring prominently on That's It, So It Is, and Tuba to Cuba. Eighty Nine was different, and not simply due to a smaller ensemble. \"We had no particular plan, or any particular insight on what we were gonna do. But we were enjoying what we were doing, jamming, having a musical conversation,\" Charlie says, further musing, \"Musical conversations cancel out complications.\" Eighty Nine includes six standards and three newer pieces on which Gabriel is a writer: \"Yellow Moon,\" \"The Darker It Gets\" and \"I Get Jealous.\" The record also marks Charlie's return to his first instrument, clarinet, on many of the tracks. \"The clarinet is the mother of the saxophone,\" he says. \"I started playing clarinet early in life, and this [taught me] the saxophone.\" Finally, Eighty Nine includes three tracks of Charlie singing. \"I always sung, but it wasn't my forte to become a singer,\" he says. \"The truth is, people often develop a real relationship with a song once they hear the words. Sometimes I enjoy singing them.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eMemories of You\u003c\/li\u003e\n\u003cli\u003eChelsea Bridge\u003c\/li\u003e\n\u003cli\u003eI'm Confessin'\u003c\/li\u003e\n\u003cli\u003eThe Darker It Gets\u003c\/li\u003e\n\u003cli\u003eStardust\u003c\/li\u003e\n\u003cli\u003eThree Little Words\u003c\/li\u003e\n\u003cli\u003eYellow Moon\u003c\/li\u003e\n\u003cli\u003eI Get Jealous\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787149005\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.29.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271231451291,"sku":"363816","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978180571291-lp-relix.png?v=1776193984"},{"product_id":"preservation-hall-jazz-band-so-it-is-cd","title":"Preservation Hall Jazz Band – So It Is (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRooted in a French Quarter institution that has been welcoming musicians and listeners through its doors since 1961, the Preservation Hall Jazz Band has never been a museum piece. So It Is, recorded with producer Jim James of My Morning Jacket, finds the band reaching outward without losing the second-line soul that defines them, a testament to New Orleans music as a living, breathing conversation rather than a relic.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eAt a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. So It Is (2017) finds the classic Preservation Hall Jazz Band sound invigorated by a number of fresh influences, not least among them the band’s 2015 life-changing trip to Cuba. A visit to the island, so integral to the evolution of jazz and New Orleans culture in general, had long been in the works when President Obama’s diplomatic opening suddenly allowed for a more extensive journey than had originally seemed possible. Producer David Sitek, a founder of art rock innovators TV on the Radio who has helmed projects by Kelis, the Yeah Yeah Yeahs and Santigold among others, offered both a keen modern perspective and a profound respect for the band’s storied history. So It Is is now back in print on vinyl and CD via Sub Pop, which signed Preservation Hall Jazz Band in 2018, and will soon be releasing new music by the band.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. So It Is (3:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Santiago (4:01)\u003c\/div\u003e\n\u003cdiv\u003e3. Innocence (5:28)\u003c\/div\u003e\n\u003cdiv\u003e4. La Malanga (5:31)\u003c\/div\u003e\n\u003cdiv\u003e5. Convergence (5:42)\u003c\/div\u003e\n\u003cdiv\u003e6. One Hundred Fires (6:26)\u003c\/div\u003e\n\u003cdiv\u003e7. Mad (3:19)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787126327\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.28.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271241445531,"sku":"373622","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Preservation-Hall-Jazz-Band-So-It-Is-CD.png?v=1776113963"},{"product_id":"father-john-misty-mahashmashana-cd","title":"Father John Misty – Mahashmashana (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJosh Tillman has spent his Father John Misty career as rock's most self-aware provocateur, but *Mahashmashana* finds him trading ironic distance for something rawer and more orchestral. The title references a Hindu cremation ground, and the album leans into that cosmic weight across eight expansive tracks built around Tillman and longtime collaborator Drew Erickson's sweeping arrangements.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAfter a decade being born, Josh Tillman is finally busy dying. Mahashmashana is the sixth album by Father John Misty. It was produced by Josh Tillman and Drew Erickson. It was engineered and additionally produced by Michael Harris. It was arranged by Drew Erickson. It was performed by Josh Tillman, Drew Erickson, Jonathan Wilson, Dan Bailey, Eli Thomson, David Vandervelde, Chris Dixie Darley, Jon Titterington, and Kyle Flynn. It was executive produced by Jonathan Wilson. It was recorded and mixed at Five Star and East\/West, United and Drew's House. Mahasmasana - great cremation ground, all things going thither. MMXXIV Sub Pop Records\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Mahashmashana (9:21)\u003c\/div\u003e\n\u003cdiv\u003e2. She Cleans Up (4:26)\u003c\/div\u003e\n\u003cdiv\u003e3. Josh Tillman And The Accidental Dose (5:12)\u003c\/div\u003e\n\u003cdiv\u003e4. Mental Health (6:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Screamland (6:52)\u003c\/div\u003e\n\u003cdiv\u003e6. Being You (5:13)\u003c\/div\u003e\n\u003cdiv\u003e7. I Guess Time Just Makes Fools Of Us All (8:36)\u003c\/div\u003e\n\u003cdiv\u003e8. Summer's Gone (4:20)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787166620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.22.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600412881051,"sku":"119947","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-father-john-misty-mahashmashana-cd-relix.jpg?v=1779361500"},{"product_id":"fleet-foxes-fleet-foxes-lp-vinyl","title":"Fleet Foxes – Fleet Foxes (LP \u0026 12\" Inch Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRobin Pecknold and company arrived fully formed, stacking vocals into cathedral-high harmonies that felt ancient and urgent all at once. Released the same year as the Sun Giant EP, this self-titled debut announced a band that had clearly absorbed decades of Crosby, Stills \u0026amp; Nash, the Beach Boys, and British folk revival without sounding like any of them.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2008 album from this Seattle based quintet. Fleet Foxes are, for lack of an imminently more marketable descriptor, a group trafficking in baroque harmonic pop. And the joy they derive in doing so is palpable. We feel it too. They are, self-described, not much of a rock band. With the help of credit cards, minimum wages, tip money, friends and family, Fleet Foxes crafted their first demo, and subsequently the Sun Giant EP and this debut full-length album, with family friend Phil Ek manning the rudder. Drawing influence from the traditions of folk music, pop, choral music and gospel, sacred harp singing, West Coast music, traditional music from Ireland to Japan, film scores, and their NW peers, Fleet Foxes ranges in subject matter from the natural world and familial bonds to bygone loves and stone cold graves.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e\u003cb\u003eSIDE A\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e1. \"Sun It Rises\" (3:14)\u003c\/div\u003e\n\u003cdiv\u003e2. \"White Winter Hymnal\" (2:27)\u003c\/div\u003e\n\u003cdiv\u003e3. “Ragged Wood\" (5:07)\u003c\/div\u003e\n\u003cdiv\u003e4. \"Tiger Mountain Peasant Song\" (3:28)\u003c\/div\u003e\n\u003cdiv\u003e5. \"Quiet Houses\" (3:32)\u003c\/div\u003e\n\u003cdiv\u003e6. \"He Doesn't Know Why\" (3:20)\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eSIDE B\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e7. \"Heard Them Stirring\" (3:02)\u003c\/div\u003e\n\u003cdiv\u003e8. “Your Protector\" (4:09)\u003c\/div\u003e\n\u003cdiv\u003e9. \"Meadowlarks\" (3:11)\u003c\/div\u003e\n\u003cdiv\u003e10. \"Blue Ridge Mountains\" (4:25)\u003c\/div\u003e\n\u003cdiv\u003e11. \"Oliver James\" (3:23)\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eEP SIDE A\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e12. \"Sun Giant\" (2:06)\u003c\/div\u003e\n\u003cdiv\u003e13. \"Drops In The River\" (4:11)\u003c\/div\u003e\n\u003cdiv\u003e14. “English House\" (4:48)\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eEP SIDE B\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e15. \"Mykonos\" (alternate Version) (3:39)\u003c\/div\u003e\n\u003cdiv\u003e16. “Isles\" (3:06)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787077711\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.3.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600421040283,"sku":"75731","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-fleet-foxes-fleet-foxes-vinyl-lp-relix.jpg?v=1779358823"},{"product_id":"fleet-foxes-first-collection-2006-2009-4-cd","title":"Fleet Foxes – First Collection: 2006-2009 (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRobin Pecknold and company arrived seemingly out of nowhere in 2008, their close harmonies and baroque folk arrangements feeling ancient and urgent all at once. The Sun Giant EP alone was enough to make clear this was something different; pairing it here with early, hard-to-find recordings gives longtime fans a fuller picture of just how fully formed Fleet Foxes' vision was from the very beginning.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eFleet Foxes and Sub Pop present a limited-edition collection in honor of the 10th anniversary of Fleet Foxes’ debut LP. First Collection 2006–2009 spans the early days of Fleet Foxes’ career, including the self-titled debut album, plus the Sun Giant EP, The First EP (formerly a self-titled, very limited-edition, self-released EP), and B-sides \u0026amp; Rarities. The vinyl version is packaged in a lavish box, with a 12” LP of the debut album and separate 10” records for each of the added titles; the CD version has a separate CD for each title. In addition to its musical offerings, the collection features a 32-page booklet including show flyers, lyrics and artwork from band’s early history.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Sun It Rises (3:11)\u003c\/div\u003e\n\u003cdiv\u003e2. White Winter Hymnal (2:27)\u003c\/div\u003e\n\u003cdiv\u003e3. Ragged Wood (5:07)\u003c\/div\u003e\n\u003cdiv\u003e4. Tiger Mountain Peasant Song (3:29)\u003c\/div\u003e\n\u003cdiv\u003e5. Quiet Houses (3:32)\u003c\/div\u003e\n\u003cdiv\u003e6. He Doesn't Know Why (3:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Heard Them Stirring (3:02)\u003c\/div\u003e\n\u003cdiv\u003e8. Your Protector (4:10)\u003c\/div\u003e\n\u003cdiv\u003e9. Meadowlarks (3:12)\u003c\/div\u003e\n\u003cdiv\u003e10. Blue Ridge Mountains (4:26)\u003c\/div\u003e\n\u003cdiv\u003e11. Oliver James (3:24)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Sun Giant (2:14)\u003c\/div\u003e\n\u003cdiv\u003e2. Drops in the River (4:13)\u003c\/div\u003e\n\u003cdiv\u003e3. English House (4:41)\u003c\/div\u003e\n\u003cdiv\u003e4. Mykonos (4:35)\u003c\/div\u003e\n\u003cdiv\u003e5. Innocent Son (3:07)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. She Got Dressed (3:30)\u003c\/div\u003e\n\u003cdiv\u003e2. In the Hot Hot Rays (3:06)\u003c\/div\u003e\n\u003cdiv\u003e3. Anyone Who's Anyone (3:49)\u003c\/div\u003e\n\u003cdiv\u003e4. Textbook Love (3:26)\u003c\/div\u003e\n\u003cdiv\u003e5. So Long To The Headstrong (4:19)\u003c\/div\u003e\n\u003cdiv\u003e6. Icicle Tusk (4:38)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. False Knight on the Road (3:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Silver Dagger (3:19)\u003c\/div\u003e\n\u003cdiv\u003e3. White Lace Regretfully (2:32)\u003c\/div\u003e\n\u003cdiv\u003e4. Isles (3:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Ragged Wood (Transition Basement Sketch) (1:48)\u003c\/div\u003e\n\u003cdiv\u003e6. He Doesn't Know Why (Demo) (3:15)\u003c\/div\u003e\n\u003cdiv\u003e7. English House (Basement Demo) (4:00)\u003c\/div\u003e\n\u003cdiv\u003e8. Hot Air (Basement Sketch) (0:49)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787126020\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.9.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600421499035,"sku":"252886","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Fleet-Foxes-First-Collection-2006-2009-4-CD.jpg?v=1779193654"},{"product_id":"father-john-misty-josh-tillman-presents-fr-john-mistys-greatish-lp-vinyl","title":"Father John Misty – Josh Tillman Presents: Fr. John Misty's Greatest Hits (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJosh Tillman spent years as Fleet Foxes' drummer before stepping out as Father John Misty, and that background in service to a larger sound informs everything about how he constructs a song. A career retrospective like this one rewards the kind of close listening his catalog has always demanded, tracing the arc from the loose, Laurel Canyon-inflected folk-rock of his early work to the orchestral ambition and sharp social commentary that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJosh Tillman Presents Fr. John Misty's Greatish Hits: I Followed My Dreams and My Dreams Said to Crawl is the singer-songwriter's career-spanning collection of songs taken from his five widely acclaimed albums, including Fear Fun (2012), I Love You, Honeybear (2015), the Grammy-nominated Pure Comedy (2017), God's Favorite Customer (2018), and Chloë and The Next 20th Century (2022). Greatish Hits is also the first appearance of Father John Misty's platinum-certified single \"Real Love Baby\" on an album release. It also includes the brand new, previously unreleased song \"I Guess Time Just Makes Fools of Us All.\" Father John Misty has sold over 1.1 million copies in the US and has amassed over 11.7 million monthly listeners to date. He's earned accolades from the likes of The Guardian, The Sunday Times, Rolling Stone, Stereogum, and Pitchfork, and performed on Saturday Night Live, Austin City Limits, the Late Show with Stephen Colbert, Tonight Show, Jimmy Kimmel Live and Late Night with Seth Meyers. Father John Misty and his incredible live band have headlined The Hollywood Bowl, Red Rocks, and Radio City Music Hall and have appeared at Coachella, Roskilde, Primavera, and Lollapalooza festivals. He's also contributed to hit songs for artists like Beyonce, Post Malone, Lady Gaga, and Khalid.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Nancy From Now On\u003c\/div\u003e\n\u003cdiv\u003e2. Disappointing Diamonds Are The Rarest Of Them All\u003c\/div\u003e\n\u003cdiv\u003e3. Chateau Lobby #4 (In C For Two Virgins)\u003c\/div\u003e\n\u003cdiv\u003e4. Goodbye Mr. Blue\u003c\/div\u003e\n\u003cdiv\u003e5. When You're Smiling And Astride Me\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Mr. Tillman\u003c\/div\u003e\n\u003cdiv\u003e2. Things It Would Have Been Helpful to Know Before the Revolution\u003c\/div\u003e\n\u003cdiv\u003e3. Please Don’t Die\u003c\/div\u003e\n\u003cdiv\u003e4. I'm Writing A Novel\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Real Love Baby\u003c\/div\u003e\n\u003cdiv\u003e2. Buddy’s Rendezvous\u003c\/div\u003e\n\u003cdiv\u003e3. Total Entertainment Forever\u003c\/div\u003e\n\u003cdiv\u003e4. Hollywood Forever Cemetery Sings\u003c\/div\u003e\n\u003cdiv\u003e5. Holy Shit\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Pure Comedy\u003c\/div\u003e\n\u003cdiv\u003e2. I Love You, Honeybear\u003c\/div\u003e\n\u003cdiv\u003e3. I Guess Time Just Makes Fools Of Us All\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787166002\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.16.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600422219931,"sku":"338664","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Father-John-Misty-Josh-Tillman-Presents-Fr_-John-Mistys-Greatish-LP-Vinyl.jpg?v=1779193665"},{"product_id":"father-john-misty-gods-favorite-customer-cd","title":"Father John Misty – God's Favorite Customer (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJosh Tillman recorded God's Favorite Customer while staying at the Chateau Marmont, and that sense of expensive, lonely dislocation bleeds into every track. Arriving just a year after the sprawling Pure Comedy, it's a deliberately leaner set, trading grand civilizational satire for something rawer and more personal, proof that Tillman is just as unsettling when he strips away the orchestration and turns the microscope on himself.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWritten largely in New York between summer 2016 and winter 2017, Josh Tillman’s fourth Father John Misty LP, God’s Favorite Customer, reflects on the experience of being caught between the vertigo of heartbreak and the manic throes of freedom. \u003cbr\u003e\u003cbr\u003eGod’s Favorite Customer reveals a bittersweetness and directness in Tillman’s songwriting, without sacrificing any of his wit or taste for the absurd. From “Mr. Tillman,” where he trains his lens on his own misadventure, to the cavernous pain of estrangement in “Please Don’t Die,” Tillman plays with perspective throughout to alternatingly hilarious and devastating effect. “We’re Only People (And There’s Not Much Anyone Can Do About That)” is a meditation on our inner lives and the limitations we experience in our attempts to give and receive love. It stands in solidarity with the title track, which examines the ironic relationship between forgiveness and sin. Together, these are songs that demand to know either real love or what comes after, and as the album progresses, that entreaty leads to discovering the latter’s true stakes. \u003cbr\u003e\u003cbr\u003eGod's Favorite Customer was produced by Tillman and recorded with Jonathan Rado (Foxygen), Dave Cerminara (Jonathan Wilson, Foster the People, Conor Oberst), and Trevor Spencer (FJM). The album features contributions from Haxan Cloak, Natalie Mering of Weyes Blood, longtime collaborator Jonathan Wilson, and members of Misty’s touring band.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Hangout At The Gallows (4:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Mr. Tillman (3:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Just Dumb Enough To Try (4:02)\u003c\/div\u003e\n\u003cdiv\u003e4. Date Night (2:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Please Don't Die (3:24)\u003c\/div\u003e\n\u003cdiv\u003e6. The Palace (4:09)\u003c\/div\u003e\n\u003cdiv\u003e7. Disappointing Diamonds Are The Rarest Of Them All (2:23)\u003c\/div\u003e\n\u003cdiv\u003e8. God's Favorite Customer (5:22)\u003c\/div\u003e\n\u003cdiv\u003e9. The Songwriter (3:46)\u003c\/div\u003e\n\u003cdiv\u003e10. We're Only People (And There's Not Much Anyone Can Do About That) (5:04)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787124521\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.1.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600434966683,"sku":"363840","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-father-john-misty-god-s-favorite-customer-cd-relix.jpg?v=1779361885"},{"product_id":"father-john-misty-chloe-and-the-next-20th-century-cd","title":"Father John Misty – Chloe and the Next 20th Century (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJosh Tillman has always written from a place of deep cinematic literacy, and on his fifth album he leans fully into the orchestrated pop of a mid-century Hollywood that never quite existed. Recorded during the suspended reality of late 2020, the songs carry a wistfulness that feels both period-accurate and strangely immediate, with Drew Erickson's lush string and brass arrangements giving Tillman's sardonic romanticism its most elegantly costumed setting yet.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFather John Misty returns with Chloë and The Next 20th Century, his fifth album and first new material since the release of God's Favorite Customer in 2018. Chloë and the Next 20th Century was written and recorded August through December 2020 and features arrangements by Drew Erickson. The album sees Father John Misty - aka Josh Tillman - and producer\/multi-instrumentalist Jonathan Wilson resume their longtime collaboration, with Dave Cerminara returning as engineer and mixer. Basic tracks were recorded at Wilson's Five Star Studios with strings, brass and woodwinds recorded at United Recordings in a session featuring Dan Higgins and Wayne Bergeron, among others. Chloë and The Next 20th Century features the singles \"Funny Girl,\" \"Q4,\" \"Goodbye Mr. Blue,\" and \"Kiss Me (I Loved You).\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Chloë (3:29)\u003c\/div\u003e\n\u003cdiv\u003e2. Goodbye Mr. Blue (5:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Kiss Me (I Loved You) (3:57)\u003c\/div\u003e\n\u003cdiv\u003e4. (Everything But) Her Love (4:16)\u003c\/div\u003e\n\u003cdiv\u003e5. Buddy’s Rendezvous (4:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Q4 (4:57)\u003c\/div\u003e\n\u003cdiv\u003e7. Olvidado (Otro Momento) (4:48)\u003c\/div\u003e\n\u003cdiv\u003e8. Funny Girl (3:39)\u003c\/div\u003e\n\u003cdiv\u003e9. Only A Fool (4:02)\u003c\/div\u003e\n\u003cdiv\u003e10. We Could Be Strangers (4:31)\u003c\/div\u003e\n\u003cdiv\u003e11. The Next 20th Century (6:58)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787143027\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.8.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600437817499,"sku":"322361","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Father-John-Misty-Chloe-and-the-Next-20th-Century-CD.jpg?v=1779193950"},{"product_id":"father-john-misty-chloe-and-the-next-20th-century-lp-vinyl","title":"Father John Misty – Chloe and the Next 20th Century (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJosh Tillman has always written from a place of theatrical self-awareness, but on this 2022 release he turns the lens outward, conjuring a mid-century Hollywood romanticism steeped in orchestral pop and cinematic longing. The lush arrangements from Drew Erickson and the steady hand of Jonathan Wilson give these songs a warmth that rewards the kind of deep listening vinyl demands.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFather John Misty returns with Chloë and The Next 20th Century, his fifth album and first new material since the release of God's Favorite Customer in 2018. Chloë and the Next 20th Century was written and recorded August through December 2020 and features arrangements by Drew Erickson. The album sees Father John Misty - aka Josh Tillman - and producer\/multi-instrumentalist Jonathan Wilson resume their longtime collaboration, with Dave Cerminara returning as engineer and mixer. Basic tracks were recorded at Wilson's Five Star Studios with strings, brass and woodwinds recorded at United Recordings in a session featuring Dan Higgins and Wayne Bergeron, among others. Chloë and The Next 20th Century features the singles \"Funny Girl,\" \"Q4,\" \"Goodbye Mr. Blue,\" and \"Kiss Me (I Loved You).\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Chloë\u003c\/div\u003e\n\u003cdiv\u003e2. Goodbye Mr. Blue\u003c\/div\u003e\n\u003cdiv\u003e3. Kiss Me (I Loved You)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. (Everything But) Her Love\u003c\/div\u003e\n\u003cdiv\u003e2. Buddy’s Rendezvous\u003c\/div\u003e\n\u003cdiv\u003e3. Q4\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Olvidado (Otro Momento)\u003c\/div\u003e\n\u003cdiv\u003e2. Funny Girl\u003c\/div\u003e\n\u003cdiv\u003e3. Only A Fool\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. We Could Be Strangers\u003c\/div\u003e\n\u003cdiv\u003e2. The Next 20th Century\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787143010\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.8.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600453873819,"sku":"453523","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-father-john-misty-chloe-and-the-next-20th-century-vinyl-lp-relix.jpg?v=1779361932"},{"product_id":"father-john-misty-chloe-and-the-next-20th-century-limited-edition-box-set-lp-vinyl","title":"Father John Misty – Chloe and the Next 20th Century (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJosh Tillman has always written from a place of unflinching self-examination, but on this fourth collaboration with Jonathan Wilson, he pivots toward something more cinematic and outward-facing, conjuring a mid-century Hollywood sound that owes as much to film noir as to singer-songwriter tradition. The orchestral lushness here, built around Erickson's string and brass arrangements, marks a deliberate departure from the raw confessional edges of his earlier work.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eBox set with hardcover book containing both LPs on clear red vinyl, poster, and two bonus 7\"s. Father John Misty returns with Chloë and The Next 20th Century, his fifth album and first new material since the release of God's Favorite Customer in 2018. Chloë and the Next 20th Century was written and recorded August through December 2020 and features arrangements by Drew Erickson. The album sees Father John Misty - aka Josh Tillman - and producer\/multi-instrumentalist Jonathan Wilson resume their longtime collaboration, with Dave Cerminara returning as engineer and mixer. Basic tracks were recorded at Wilson's Five Star Studios with strings, brass and woodwinds recorded at United Recordings in a session featuring Dan Higgins and Wayne Bergeron, among others. Chloë and The Next 20th Century features the singles \"Funny Girl,\" \"Q4,\" \"Goodbye Mr. Blue,\" and \"Kiss Me (I Loved You).\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Chloë\u003c\/div\u003e\n\u003cdiv\u003e2. Goodbye Mr. Blue\u003c\/div\u003e\n\u003cdiv\u003e3. Kiss Me (I Loved You)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. (Everything But) Her Love\u003c\/div\u003e\n\u003cdiv\u003e2. Buddy’s Rendezvous\u003c\/div\u003e\n\u003cdiv\u003e3. Q4\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Olvidado (Otro Momento)\u003c\/div\u003e\n\u003cdiv\u003e2. Funny Girl\u003c\/div\u003e\n\u003cdiv\u003e3. Only A Fool\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. We Could Be Strangers\u003c\/div\u003e\n\u003cdiv\u003e2. The Next 20th Century\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Kiss Me (I Loved You)\u003c\/div\u003e\n\u003cdiv\u003e2. Kiss Me (I Loved You) (Alternate Version)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Buddy’s Rendezvous\u003c\/div\u003e\n\u003cdiv\u003e2. Chloë (Instrumental)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787143034\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.22.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600474812571,"sku":"687593","price":81.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Father-John-Misty-Chloe-and-the-Next-20th-Century-Limited-Edition-Box-Set-LP-Vinyl.jpg?v=1779194733"},{"product_id":"father-john-misty-josh-tillman-presents-fr-john-mistys-greatish-cd","title":"Father John Misty – JoJosh Tillman Presents: Fr. John Misty's Greatest Hits (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJosh Tillman spent years as Fleet Foxes' drummer before reinventing himself as Father John Misty, one of the sharpest lyrical voices to emerge from the indie-folk world in the past decade. The title's self-deprecating humor is classic Tillman, a songwriter who has built a devoted following on wit, candor, and a willingness to skewer his own mythology as readily as anyone else's.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eGreatish Hits: I Followed My Dreams and My Dreams Said to Crawl is the singer-songwriter's career-spanning collection of songs taken from his five widely acclaimed albums, including Fear Fun (2012), I Love You, Honeybear (2015), the Grammy-nominated Pure Comedy (2017), God's Favorite Customer (2018), and Chloë and The Next 20th Century (2022). Greatish Hits marks the first appearance of fan favorite \"Real Love Baby\" on an album release. It also includes the brand new, previously unreleased song \"I Guess Time Just Makes Fools of Us All.\" Father John Misty has sold over 1.1 million copies in the US and has amassed over 11.7 million monthly listeners to date. He's earned accolades from the likes of The Guardian, The Sunday Times, Rolling Stone, and has performed on Saturday Night Live, Austin City Limits, The Late Show with Stephen Colbert, and The Tonight Show. Father John Misty and his incredible nine piece live band have headlined The Hollywood Bowl, Red Rocks, and Radio City Music Hall as well as appearances at renowned International festivals including Coachella, Glastonbury, Roskilde, and Fuji Rock.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Nancy From Now On\u003c\/div\u003e\n\u003cdiv\u003e2. Disappointing Diamonds Are The Rarest Of Them All\u003c\/div\u003e\n\u003cdiv\u003e3. Chateau Lobby #4 (In C For Two Virgins)\u003c\/div\u003e\n\u003cdiv\u003e4. Goodbye Mr. Blue\u003c\/div\u003e\n\u003cdiv\u003e5. When You're Smiling And Astride Me\u003c\/div\u003e\n\u003cdiv\u003e6. Mr. Tillman\u003c\/div\u003e\n\u003cdiv\u003e7. Things It Would Have Been Helpful to Know Before the Revolution\u003c\/div\u003e\n\u003cdiv\u003e8. Please Don’t Die\u003c\/div\u003e\n\u003cdiv\u003e9. I'm Writing A Novel\u003c\/div\u003e\n\u003cdiv\u003e10. Real Love Baby\u003c\/div\u003e\n\u003cdiv\u003e11. Buddy’s Rendezvous\u003c\/div\u003e\n\u003cdiv\u003e12. Total Entertainment Forever\u003c\/div\u003e\n\u003cdiv\u003e13. Hollywood Forever Cemetery Sings\u003c\/div\u003e\n\u003cdiv\u003e14. Holy Shit\u003c\/div\u003e\n\u003cdiv\u003e15. Pure Comedy\u003c\/div\u003e\n\u003cdiv\u003e16. I Love You, Honeybear\u003c\/div\u003e\n\u003cdiv\u003e17. I Guess Time Just Makes Fools Of Us All\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787166026\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.16.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600477335707,"sku":"679244","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-father-john-misty-josh-tillman-presents-fr-john-misty-s-greatish-cd-relix.jpg?v=1779361721"},{"product_id":"father-john-misty-pure-comedy-cd","title":"Father John Misty – Pure Comedy (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJosh Tillman spent years as Fleet Foxes' drummer before reinventing himself as Father John Misty, a persona that gave him the distance to become one of the sharpest satirists in contemporary American song. Pure Comedy arrived at a particularly raw cultural moment, and its sprawling, orchestrated arrangements reward the kind of patient listening that feels increasingly rare.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePure Comedy, Father John Misty’s third album, is a complex, often-sardonic, and, equally often, touching meditation on the confounding folly of modern humanity. Father John Misty is the brainchild of singer-songwriter Josh Tillman. Tillman has released two widely acclaimed albums – Fear Fun (2012) and I Love You, Honeybear (2015) – and the recent “Real Love Baby” single as Father John Misty, and recently contributed to songs by Beyoncé, Lady Gaga, and Kid Cudi. While we could say a lot about Pure Comedy – including that it is a bold, important album in the tradition of American songwriting greats like Harry Nilsson, Randy Newman, and Leonard Cohen – we think it’s best to let its creator describe it himself. Take it away, Mr. Tillman: Pure Comedy is the story of a species born with a half-formed brain. The species’ only hope for survival, finding itself on a cruel, unpredictable rock surrounded by other species who seem far more adept at this whole thing (and to whom they are delicious), is the reliance on other, slightly older, half-formed brains. This reliance takes on a few different names as their story unfolds, like “love,” “culture,” “family,” etc. Over time, and as their brains prove to be remarkably good at inventing meaning where there is none, the species becomes the purveyor of increasingly bizarre and sophisticated ironies. These ironies are designed to help cope with the species’ loathsome vulnerability and to try and reconcile how disproportionate their imagination is to the monotony of their existence. Something like that. Pure Comedy was recorded in 2016 at the legendary United Studios (Frank Sinatra, Ray Charles, Beck) in Hollywood, CA. 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Drew Erickson's arrangements give these eight songs a cinematic weight that rewards the kind of close listening vinyl demands, while Tillman's lyrical obsessions with ego, mortality, and meaning have rarely felt this unguarded.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAfter a decade being born, Josh Tillman is finally busy dying. Mahashmashana is the sixth album by Father John Misty. It was produced by Josh Tillman and Drew Erickson. It was engineered and additionally produced by Michael Harris. It was arranged by Drew Erickson. It was performed by Josh Tillman, Drew Erickson, Jonathan Wilson, Dan Bailey, Eli Thomson, David Vandervelde, Chris Dixie Darley, Jon Titterington, and Kyle Flynn. It was executive produced by Jonathan Wilson. It was recorded and mixed at Five Star and East\/West, United and Drew's House. Mahasmasana (?????????) - great cremation ground, all things going thither. 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Each time we finish a record I want the next one to sound totally different. It's fun to play with people who bring in new styles and ideas, \" says Martsch. \"And it's nice to be in a band with people who aren't sick of me yet.\" Following several albums and EPs on Pacific Northwest independent labels, including the indie-rock classic, There's Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more great albums during that time - Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band's impeccable recorded catalog is the entry point, Built to Spill live is an essential force of it's own: heavy, psychedelic, melodic, and visceral tunes blaring from amps that sound as if they're powered by Mack trucks. Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch's unbelievably great new album (and his eighth full-length)... with a fresh new label. \"I'm psyched: I've wanted to be on Sub Pop since I was a teenager. And I think I'm the first fifty year-old they've ever signed.\" (The rumors are true, we love quinquagenarians...). When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways. In 2018 Martsch's good fortune and keen intuition brought him together with Brazilian lo-fi punk artist and producer Le Almeida, and his long-time collaborator, Joao Casaes, both of the psychedelic jazz rock band, Orua. Martsch fell in love with their music the moment he heard it. So when he needed a new band for shows in Brazil, he asked them, and the partnership went so well Martsch, Almeida, and Casaes continued playing together throughout 2019, touring the US and Europe and ultimately recording the bass and drum tracks for When the Wind Forgets Your Name at Doug's rehearsal space in Boise. After Martsch tracked guitars and vocals, they group collaborated from afar to mix the album. What emerged is When the Wind Forgets Your Name, a complex and cohesive blend of the artists' distinct musical ideas. Alongside Built to Spill's poetic lyrics and themes, the experimentation and attention to detail produces an album full of unique, vivid, and timeless sounds, from guitar-driven rock odes to REM and Dinosaur Jr to bluesy '60s-style anthems to dub-reggae-inspired instrumentation. 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