{"title":"The Audiophile Shelf","description":"\u003cp\u003eThis is the shelf you keep separate from the rest of the collection—the one you pull out when the system's warmed up and you've actually got time to sit with it. Mobile Fidelity half-speed masters, Definitive Sound Series (DSS) One-Steps pressed from a lacquer cut straight off the master tape with no intermediate stampers, and hybrid SACDs that'll play on any CD deck but open up something else entirely on an SACD-capable rig. No shortcuts in the chain — that's the whole point of this stuff.\u003c\/p\u003e\n\u003cp\u003eIf you're chasing a specific pressing, this is where the good ones land as we get them. Looking for the everyday spins instead? Head over to \u003ca href=\"\/collections\/vinyl-lps\"\u003eVinyl \u0026amp; CDs\u003c\/a\u003e for the full run, or check \u003ca href=\"\/collections\/grateful-dead-cds-dvds\"\u003eGrateful Dead CDs \u0026amp; DVDs\u003c\/a\u003e for the Dead's catalog on disc.\u003c\/p\u003e","products":[{"product_id":"grateful-dead-workingmans-dead-cd","title":"Grateful Dead – Workingman's Dead (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in early 1970 in the immediate aftermath of drug arrests, financial strain, and immersion in the sounds of Crosby, Stills \u0026amp; Nash and the Band, Workingman's Dead arrived as a radical simplification, the Dead stripping away psychedelic sprawl in favor of close harmonies and acoustic clarity. It came out just weeks before American Beauty, the two albums together forming one of the most remarkable back-to-back statements in rock history.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Mobile Fidelity Sound Lab reissue of \u003cem\u003eWorkingman's Dead\u003c\/em\u003e — the Grateful Dead's 1970 acoustic masterwork, remastered from the original analog tapes for audiophile playback. Recorded during a period of intense creative focus, the album marked a deliberate stylistic shift toward country, folk, and bluegrass, with \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e producing some of their most enduring songs: \u003cstrong\u003e\"Uncle John's Band,\"\u003c\/strong\u003e \u003cstrong\u003e\"Casey Jones,\"\u003c\/strong\u003e \u003cstrong\u003e\"Cumberland Blues,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Truckin'.\"\u003c\/strong\u003e Widely considered one of the finest-sounding pressings of the album available.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Uncle John's Band (4:42)\u003cbr\u003e\n2. High Time (5:13)\u003cbr\u003e\n3. Dire Wolf (3:13)\u003cbr\u003e\n4. New Speedway Boogie (4:05)\u003cbr\u003e\n5. Cumberland Blues (3:15)\u003cbr\u003e\n6. Black Peter (5:42)\u003cbr\u003e\n7. Easy Wind (4:59)\u003cbr\u003e\n8. Casey Jones (4:24)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797213769\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.17.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516320923,"sku":"129778","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Workingmans-Dead-CD_2db868bb.jpg?v=1776107818"},{"product_id":"grateful-dead-workingmans-dead-limited-edition-180-gram-lp-vinyl","title":"Grateful Dead – Workingman's Dead (Mobile Fidelity 180 Gram 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the wake of serious personal and financial turbulence for the band, Workingman's Dead marked a deliberate turn toward the acoustic-influenced California country sound that Hunter and Garcia had been absorbing from artists like Merle Haggard and the Band. Songs like \"Casey Jones\" and \"Uncle John's Band\" became instant cornerstones of the live repertoire, performed thousands of times over the next two and a half decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eSublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eYou've never heard this roots-based marvel sound better: mastered from the original master tapes and given extra-wide grooves on 45RPM LP. Ranked \u003cstrong\u003e#264 on Rolling Stone's List of the 500 Greatest Albums of All Time\u003c\/strong\u003e: airy harmonies, simple structures, concise arrangements, and burnished tones anchor songs that bookend to 1970's \u003cem\u003eAmerican Beauty\u003c\/em\u003e, also available on 180g 45RPM 2LP from Mobile Fidelity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, the album attains \u003cstrong\u003eaudiophile reference status\u003c\/strong\u003e courtesy of this first-ever 45RPM version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs with a transcendence associated with timeless American music.\u003c\/p\u003e\n\n\u003cp\u003eColorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives. \u003cstrong\u003eMastered from the original master tapes and pressed on 180g LPs at RTI\u003c\/strong\u003e, Mobile Fidelity's numbered limited edition of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and-touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances — traits made possible by the format's wider grooves.\u003c\/p\u003e\n\n\u003cp\u003eInstrumental melds and refined accents, such as guest David Nelson's nimble fills on \"Cumberland Blues,\" are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling.\u003c\/p\u003e\n\n\u003cp\u003eThe first Grateful Dead album to eschew cosmic jams and complex signatures, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e stakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state — immediately apparent via the innocent album-opening invitation \"Will you come with me?\" on \"Uncle John's Band\" — owes to the circumstances surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from — and reacting to — the tragic events of the Altamont Music Festival and the symbolic end of the peace and love era. As such, \u003cem\u003eWorkingman's Dead\u003c\/em\u003e acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship.\u003c\/p\u003e\n\n\u003cp\u003eLyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning \u003cstrong\u003e\"Cumberland Blues,\"\u003c\/strong\u003e pastoral ballad \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and bluesy \u003cstrong\u003e\"Easy Wind\"\u003c\/strong\u003e hit the mark. Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus.\u003c\/p\u003e\n\n\u003cp\u003eAside from the economical concision and thematic consistency, the genius of \u003cem\u003eWorkingman's Dead\u003c\/em\u003e resides in the group's expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live \"air blends\" of multi-part vocal harmonies that provide the foundations of nearly every track. \u003cstrong\u003e\"Uncle John's Band,\" \"High Time,\" \"New Speedway Boogie,\"\u003c\/strong\u003e and the radio favorite \u003cstrong\u003e\"Casey Jones\"\u003c\/strong\u003e practically float on the ensemble's communal vocal beds. Mobile Fidelity's 45RPM edition renders these invigorating characteristics in \u003cstrong\u003ethree-dimensional sound, transporting you to the event. Recordings don't get more lifelike.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWorkingman's Dead\u003c\/em\u003e — an iconic, ageless record that drew countless listeners to the band's unique style because of its accessibility and charm — deserves nothing less. Neither do you.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Uncle John's Band (4:42)\u003cbr\u003e\nA2. High Time (5:13)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Dire Wolf (3:13)\u003cbr\u003e\nB2. New Speedway Boogie (4:05)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Cumberland Blues (3:15)\u003cbr\u003e\nC2. Black Peter (5:42)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Easy Wind (4:59)\u003cbr\u003e\nD2. Casey Jones (4:24)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797242813\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e November 25, 2014\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl (180g, 45RPM, Limited Edition)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48149516451995,"sku":"15951166","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Grateful-Dead-Workingmans-Dead-Mobile-Fidelity-180-Gram-2-LP-Vinyl.png?v=1776107834"},{"product_id":"little-feat-little-feat-lp-vinyl","title":"Little Feat – Little Feat (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLowell George was barely 24 when he wrote \"Willin',\" the truckers-and-outlaws anthem that would define Little Feat's entire aesthetic before the band had even found its footing. Their 1971 debut introduced a Southern California stew of slide guitar, New Orleans funk, and country grit that didn't fit neatly anywhere, which is exactly what made it matter. Mobile Fidelity's remaster brings fresh clarity to recordings that have always rewarded close listening.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Snakes On Everything (3:04)\u003c\/div\u003e\n\u003cdiv\u003e2. Strawberry Flats (2:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Truck Stop Girl (2:32)\u003c\/div\u003e\n\u003cdiv\u003e4. Brides Of Jesus (3:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Willing (2:24)\u003c\/div\u003e\n\u003cdiv\u003e6. Hamburger Midnight (2:30)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Forty Four Blues \/ How Many More Years (6:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Crack In Your Door (2:16)\u003c\/div\u003e\n\u003cdiv\u003e3. I've Been The One (2:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Takin' My Time (2:45)\u003c\/div\u003e\n\u003cdiv\u003e5. Crazy Captain Gunboat Willie (1:55)\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797129916\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.1.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187810939035,"sku":"662047","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Little-Feat-Little-Feat-Mobile-Fidelity-LP-Vinyl.png?v=1776108045"},{"product_id":"bob-dylan-bob-dylans-greatest-hits-limited-edition-180-gram-lp-vinyl","title":"Bob Dylan – Bob Dylan's Greatest Hits (180 Gram Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe years 1963 to 1966 represent one of the most compressed creative explosions in American music history, Dylan moving from acoustic protest folk to electrified rock and roll with a speed that left audiences, critics, and fellow musicians scrambling to keep up. Mobile Fidelity's pressing brings genuine sonic weight to recordings that have been copied and compressed into ubiquity, restoring the physical presence these performances always deserved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMastered from the Original Master Tapes, Five-Times Platinum Collection of Dylan's World-Changing Singles Spanning 1963 Through 1966. \u003c\/p\u003e\u003cp\u003eExperience These Precedent-Setting Songs in the Best Fidelity Possible: Wider Grooves Translate into More Information and Detail. Includes Anthems Such as 'Blowin' in the Wind,' 'The Times They Are A-Changin',' 'Like A Rolling Stone,' and 'Mr. Tambourine Man: Ten songs that ultimately changed the world. Ten songs pulled from precedent-establishing albums recorded between 1963 and 1966. More than five million copies sold. \u003c\/p\u003e\u003cp\u003eIn every way, Bob Dylan's Greatest Hits is a fundamental collection for every music lover, and the perfect choice for those seeking an introduction into the legend's vast career. For this is a collection so prized, even the cover photo won a Grammy. Mastered from the original master tapes on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this restored 45RPM analog version offers listeners of all stripes the chance to hear some of the world's most important music ever recorded in supreme fidelity. \u003c\/p\u003e\u003cp\u003eWhile the tracks stem from several different albums, on this release, they share more in common than Bob Dylan-they share rich, sonic traits steeped in astounding dynamics, great balances, tremendous soundstaging, and realistic imaging. Wider grooves mean more information reaches your ears. Greatest-hits volumes are often hit-and-miss propositions not because of what they contain, but because of what's missing. Filtering the top selections from the six formative, life-altering albums Dylan made between 1963 and 1966 is an arbitrary process, but one performed impeccably on this set. \u003c\/p\u003e\u003cp\u003eHome to his biggest chart successes as well as his most influential songs, Bob Dylan's Greatest Hits is a veritable template for any aspiring singer-songwriter, an American history lesson, and a seminal release for anyone new to his work, as well as for audiences that find some of his deeper cuts an acquired taste. Every signature facet of Dylan is represented, and done so authoritatively. Serious, protest folk anthems ('Blowin' in the Wind,' 'The Times Are A-Changin') sit alongside defiant rock statements ('Positively Fourth Street'), landscape-changing epics ('Like a Rolling Stone'), beautiful blues-inspired odes ('I Want You'), and surrealist dreamscapes ('Subterranean Homesick Blues'). Infused with literary poetry, impassioned emotion, and career-making performances, this material serves as both a definitive account of American culture and society and a soundtrack to the era's social movements.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eRainy Day Women #12 ; 35\u003c\/li\u003e\n\u003cli\u003eBlowin' in the Wind\u003c\/li\u003e\n\u003cli\u003eThe Times They Are A-Changin'\u003c\/li\u003e\n\u003cli\u003eIt Ain't Me, Babe\u003c\/li\u003e\n\u003cli\u003eLike a Rolling Stone\u003c\/li\u003e\n\u003cli\u003eMr. Tambourine Man\u003c\/li\u003e\n\u003cli\u003eSubterranean Homesick Blues\u003c\/li\u003e\n\u003cli\u003eI Want You\u003c\/li\u003e\n\u003cli\u003ePositively 4th Street\u003c\/li\u003e\n\u003cli\u003eJust Like a Woman\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888750225511\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.13.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187831713947,"sku":"20777","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Dylan-Bob-Dylans-Greatest-Hits-180-Gram-LP-Vinyl.jpg?v=1776108907"},{"product_id":"bob-dylan-bob-dylan-180-gram-lp-vinyl","title":"Bob Dylan – Bob Dylan (Mobile Fidelity 180 Gram LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in just two sessions in November 1961, Dylan was 20 years old when he walked into Columbia's Studio A with little more than a guitar, a harmonica, and a head full of Woody Guthrie. The album sold modestly at first, earning him the nickname \"Hammond's Folly\" after the producer who signed him, but the songs here, particularly his own \"Talkin' New York\" and \"Song to Woody,\" already hint at the writer who would reshape American music within a few short years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eNumbered Special Edition\u003c\/h2\u003e\u003cp\u003eThe Understated Debut That Launched a Peerless Career: Bob Dylan Is the Clearest Connection to the Singer-Songwriter's Folk Roots Pressed on MoFi SuperVinyl for Reference Playback: Mobile Fidelity 33RPM SuperVinyl Mono LP \u003c\/p\u003e\u003cp\u003eFeatures the Direct Sound Dylan Intended. Bob Dylan's self-titled 1962 debut is as understated an entrance as any significant musician has ever made. Well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of contemporary songs and styles. \u003c\/p\u003e\u003cp\u003eFree of ego and performed with masterful conviction, Bob Dylan ranks with the initial efforts of giants like Elvis Presley and the Rolling Stones. Nodding to Woody Guthrie and re-imagining Blind Lemon Jefferson's 'See That My Grave Is Kept Clean,' Dylan straddles the past and future. He authoritatively displays the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his then-20-year-old age. \u003c\/p\u003e\u003cp\u003eSourced from the original master tapes, housed in a Stoughton jacket, and pressed on MoFi SuperVinyl at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180g 33RPM mono SuperVinyl LP brings the contents of this seminal release as close as they've ever come to live-in-the-studio quality. Transparent to the source, Dylan's voice, acoustic guitar, and harmonica come across with exceptional realism - the 'husk and bark' to which Robert Shelton referred in his legendary New York Times review of a Dylan appearance at Gerde's Folk City - courtesy of the format's nearly non-existent noise floor, groove definition, and quiet surfaces. \u003c\/p\u003e\u003cp\u003eHeard in the original mono configuration, Dylan's vocals are in the heart of the musical action and as one with the accompaniment. This reissue paints an incredibly accurate portrait of the concrete mass of sound, featuring no artificial panning and offering straight-ahead immersion into the music that producer John Hammond recorded in just two days in November 1961. \u003c\/p\u003e\u003cp\u003eThough much has been made of the commercial indifference that greeted the album upon its low-key release, focusing on sales figures and the reaction of a public not yet hip to Dylan's name misses the forest for the trees. Distinguished from the era's other folk efforts by way of the singer-songwriter's determination, brazenness, and lived-through-this worldliness, Bob Dylan lays the groundwork for the path he'd soon trailblaze and everyone else would follow. \u003c\/p\u003e\u003cp\u003eAs Dylan scholar and pop-culture critic Greil Marcus observed in 2010: 'Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn't, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer's name as if it were already common coin.' Mono is how almost everyone first heard Dylan's opening salvo. A career like no other starts here.MoFi SuperVinyl. \u003c\/p\u003e\u003cp\u003eDeveloped by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the proprietary compound addresses two specific areas for improvement: noise-floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also enables cleaner grooves that are virtually indistinguishable from the original lacquer. \u003c\/p\u003e\u003cp\u003eMoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab. 1\/4' \/ 15 IPS analog mono master to DSD 256 to analog console to lathe. \u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. You're No Good (1:37)\u003cbr\u003e\nA2. Talkin' New York (3:15)\u003cbr\u003e\nA3. In My Time Of Dyin' (2:37)\u003cbr\u003e\nA4. Man Of Constant Sorrow (3:06)\u003cbr\u003e\nA5. Fixin' To Die (2:17)\u003cbr\u003e\nA6. Pretty Peggy-O (3:22)\u003cbr\u003e\nA7. Highway 51 (2:49)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Gospel Plow (1:44)\u003cbr\u003e\nB2. Baby, Let Me Follow You Down (2:32)\u003cbr\u003e\nB3. House Of The Risin' Sun (5:15)\u003cbr\u003e\nB4. Freight Train Blues (2:16)\u003cbr\u003e\nB5. Song To Woody (2:39)\u003cbr\u003e\nB6. See That My Grave Is Kept Clean (2:40)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797152310\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.15.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48187833385115,"sku":"453749","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Dylan-Bob-Dylan-180-Gram-LP-Vinyl_eb80d03d.jpg?v=1776109285"},{"product_id":"jefferson-airplane-volunteers-limited-edition-180-gram-lp-vinyl","title":"Jefferson Airplane – Volunteers (Mobile Fidelity 180 Gram 2xLP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at Wally Heider's studio in San Francisco and released just weeks after Woodstock, Volunteers captured the Airplane at their most politically combustible, with Grace Slick and Marty Balin pushing the band's psychedelic fire into rawer, more urgent territory. The title track became an outright call to revolution, and RCA's attempts to censor the lyrics only sharpened the album's defiant edge.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited double 180gm vinyl LP reissue pressed at 45RPM. Awash in controversy and loaded with revolutionary protest, Jefferson Airplane's Volunteers stands as the last album made by the group's classic lineup and brings insurgent closure to the peace-and-love era. The potent 1969 record confronts war, politics, greed, and environmental ruin in head-on fashion matched by few peers. Steeped in the belief people and music could transform the world, it steers the band in community-minded and county-rock directions, and features charged playing by guest luminaries such as Jerry Garcia, Stephen Stills, David Crosby, and Nicky Hopkins. Volunteers also benefits from being one of the first 16-track recordings. And now, the historic set can be heard in the fidelity the artists and producers intended. Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's Volunteers teems with soul-affirming energy, dynamics, immediacy, and standout textures. The wider and deeper grooves translate into finer pacing, enhanced information retrieval, and superior transparency. Soundstages stretch far and extend back, with instrumental separation giving all of the musicians their own place in the mix. As a result, subtle albeit important details - Hopkins' rollicking piano, guitarist Norma Kaukonen's biting tones, Garcia's deft pedal-steel work - emerge in three-dimensional fashion amidst a musical canvas that manages to be both edgy and produced, raw and revealing. Jefferson Airplane has never sounded more vital.\u003c\/p\u003e \u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. We Can Be Together (5:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Good Shepherd (4:22)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Farm (2:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Hey Fredrick (8:31)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Turn My Life Down (2:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Wooden Ships (6:00)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Eskimo Blue Day (6:31)\u003c\/div\u003e\n\u003cdiv\u003e2. A Song For All Seasons (3:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Meadowlands (1:01)\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e4. Volunteers (2:03)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797245715\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.24.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. We Can Be Together (5:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Good Shepherd (4:22)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Farm (2:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Hey Fredrick (8:31)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Turn My Life Down (2:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Wooden Ships (6:00)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Eskimo Blue Day (6:31)\u003c\/div\u003e\n\u003cdiv\u003e2. A Song For All Seasons (3:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Meadowlands (1:01)\u003c\/div\u003e\n\u003cdiv\u003e4. Volunteers (2:03)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271154577563,"sku":"111059","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-8978164613275-2xlp-relix.png?v=1776114384"},{"product_id":"bob-dylan-good-as-i-been-to-you-limited-edition-180-gram-lp-vinyl","title":"Bob Dylan – Good As I Been To You (Mobile Fidelity 180 Gram LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased the same year Dylan turned 51, Good As I Been To You finds him retreating to the folk and blues sources that first shaped him in the Greenwich Village coffeehouses of the early 1960s. Tracks like \"Frankie \u0026amp; Albert\" and \"Hard Times\" trace a lineage running from Mississippi John Hurt to Lead Belly, reminding anyone listening that Dylan was always, at his core, a song carrier.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eLIMITED EDITION OF 5,000\u003c\/h2\u003e\u003cp\u003eBob Dylan's First Solo Acoustic Album in Nearly 30 Years Remains an Overlooked Gem: Good As I Been to You Serves as a Prelude to His Celebrated Late-Career ArcSourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity's Numbered-Edition 180g SuperVinyl LP and Hybrid SACD Play with Riveting DetailCenturies-Spanning Cover Songs Punctuated with Strange Mystery, Common Circumstance, and Epic Adventure.\u003c\/p\u003e\u003cp\u003eThree decades before he released The Philosophy of Modern Song - an insightful book devoted to 66 tunes that both impacted his career and the music world at large - Bob Dylan issued Good As I Been to You. The under-heralded 1992 album, Dylan's first solo acoustic album in nearly 30 years and first all-covers effort in nearly 20 years, can be seen as a prophetic prelude to what has become the Nobel Laureate's celebrated late-career arc. It's also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar. Resonating with the same originality, honesty, resolve, and age-defying relevance as the seminal Anthology of American Folk Music that fired Dylan's imagination as a kid in small-town Minnesota, this record contains the type of music the maverick singer-songwriter was playing during his acoustic sets at his period Never Ending Tour shows. \u003c\/p\u003e\u003cp\u003eSourced from the original master tapes, pressed at RTI, and housed in a Stoughton jacket, Mobile Fidelity's numbered-edition 180g SuperVinyl LP, as well as the companion hybrid SACD of Good As I Been to You, reveal the immediacy, detail, and stripped-down nature of recording sessions that took place in Dylan's garage studio in California. \u003c\/p\u003e\u003cp\u003eSimple, raw, and unplugged, the effort presents Dylan in peak form - and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and closeup ambiance that on these reissues emerge like never before. As the first-ever audiophile editions of this almost-lost classic, these collectible versions also benefit from natural tones, superb balances, and visceral directness. Good As I've been to You? Dylan has seldom been better.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Frankie \u0026amp; Albert\u003cbr\u003e\nA2. Jim Jones\u003cbr\u003e\nA3. Blackjack Davey\u003cbr\u003e\nA4. Canadee-I-O\u003cbr\u003e\nA5. Sittin' On Top Of The World\u003cbr\u003e\nA6. Little Maggie\u003cbr\u003e\nA7. Hard Times\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Step It Up And Go\u003cbr\u003e\nB2. Tomorrow Night\u003cbr\u003e\nB3. Arthur McBride\u003cbr\u003e\nB4. You're Gonna Quit Me\u003cbr\u003e\nB5. Diamond Joe\u003cbr\u003e\nB6. Froggie Went A Courtin'\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196587247119\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.9.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271174008987,"sku":"209851","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Bob-Dylan-Good-As-I-Been-To-You-Limited-Edition-180-Gram-LP-Vinyl.png?v=1776111972"},{"product_id":"the-rolling-stones-beggars-banquet-50th-anniversary-edition-cd-1","title":"The Rolling Stones – Beggars Banquet: 50th Anniversary Edition (SACD 2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBeggars Banquet marked a pivot point, the moment the Stones shed psychedelia and planted their feet back in the Delta blues and country roots that would define their classic run through Exile on Main St. Recorded in 1968 with Jimmy Miller producing for the first time, the album introduced \"Sympathy for the Devil\" and \"Street Fighting Man\" to a world that wasn't quite ready for either.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBespoke special SACD edition of Beggars Banquet 50th Anniversary release, adopted from the special vinyl edition of BB50 sized to a 7\" package. Contains 2 SACDs, Flexi Disc in printed sleve with Mick Jagger phone interview 1968. Printed replica packshots of 2 Japanese 7\" single sleeves (\"Jumpin' Jack Flash,\" \"Street Fighting Man\") and maintains original Japanese wrap in poly bag.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Sympathy For The Devil (6:18)\u003c\/div\u003e\n\u003cdiv\u003e2. No Expectations (3:57)\u003c\/div\u003e\n\u003cdiv\u003e3. Dear Doctor (3:22)\u003c\/div\u003e\n\u003cdiv\u003e4. Parachute Woman (2:21)\u003c\/div\u003e\n\u003cdiv\u003e5. Jigsaw Puzzle (6:06)\u003c\/div\u003e\n\u003cdiv\u003e6. Street Fighting Man (3:16)\u003c\/div\u003e\n\u003cdiv\u003e7. Prodigal Son (2:52)\u003c\/div\u003e\n\u003cdiv\u003e8. Stray Cat Blues (4:38)\u003c\/div\u003e\n\u003cdiv\u003e9. Factory Girl (2:10)\u003c\/div\u003e\n\u003cdiv\u003e10. Salt Of The Earth (4:47)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Sympathy For The Devil (6:29)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. \"Hello! This Is Mick Jagger\" London To Tokyo April 17, 1968 Interview (8:52)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 018771849827\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Abkco\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.22.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48271238234267,"sku":"480635","price":57.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Rolling-Stones-Beggars-Banquet-50th-Anniversary-Edition-2-CD.jpg?v=1793043008"},{"product_id":"santana-lotus-limited-edition-180-gram-lp-vinyl","title":"Santana – Lotus (Mobile Fidelity 3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at the peak of the band's spiritual and musical partnership with John McLaughlin, the 1973 performances captured on Lotus find Carlos Santana and his ensemble in a state of pure collective flow, stretching pieces like \"A-1 Funk\" and \"Yours Is the Light\" far beyond their studio counterparts. Originally released only in Japan, the album's scarcity made it a holy grail for collectors for years before wider pressings arrived. MoFi's meticulous 180g treatment gives these Osaka nights the fidelity they've always deserved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e* One of the Most Exhilarating Live Albums Ever Released: Santana's Lotus Documents 1973 Performances Distinguished by Passionate Soulfulness, Chemistry, and Inventiveness* Mobile Fidelity's 180g 33RPM 3LP Set Features Reference Sound and Deluxe Trifold Packaging Faithful to That of the Original Japanese Import: Strictly Limited to 5,000 Numbered Copies, Includes Four Photo Inserts and Two Fold-Out PostersThe bizarre legacy of Lotus transcends it's status as both the definitive onstage document of Santana's career and one of the most spectacular live albums ever released. Originally issued in 1974, the triple LP contains exhilarating performances of the band recorded at two shows in early July 1973 at the 2400-seat Osaka Kosei Nenkin Kaikan concert hall. It bears witness to the eight-piece collective playing with a chemistry, inventiveness, cohesiveness, and soulfulness no other Santana lineup would ever surpass. Featuring seven previously unreleased tracks as well as remarkable renditions of material from Santana's first four albums and the Carlos Santana-John McLaughlin collaboration Love Devotion Surrender, Lotus simultaneously suggests and inspires, dreams and delivers.Transferred by original engineer Tomoo Suzuki, strictly limited to 3,000 numbered copies, and housed in deluxe trifold packaging faithful to that of the original pressing, Lotus benefits from reference audiophile treatment on Mobile Fidelity's 180g 3LP set. Featuring rich tones, smooth dynamics, excellent separation, deep soundstages, and involving presence, this reissue pays tribute to both the virtuosic lineup and the magnetic fusion of Latin- and Afro-Cuban-influenced jazz, rock, psychedelia, R\u0026amp;B, and blues. The complexity of the spiritual passages, demands of the crescendos, delicacy of the calm transitions, electricity of the solos: everything is rendered with superb balance and free of the harshness, compression, and fatiguing peaks that would otherwise distract from the presentations at hand. Black magic, indeed.1\/2' \/ 15 IPS \/ four-track analog master to two-track DSD 256 to analog console to latheNumbered 180g 33RPM Vinyl 3LPNUMBERED LIMITED EDITION OF 5,000Tracklisting:SIDE A1. Meditation 2. Going Home 3. A-1 Funk 4. Every Step of the WaySIDE B1. Black Magic Woman 2. Gypsy Queen3. Oye Como Va 4. Yours Is the Light5. Batukada 6. Xibaba (She-Ba-Ba)SIDE C1. Stone Flower (Introduction) 2. Waiting3. Castillos de Arena, Pt. 1 4. Free Angela5. Samba de SausalitoSIDE D1. Mantra2. Kyoto3. Castillos de Arena, Pt. 2 (Sand Castle)4. Se a CaboSIDE E1. Samba Pa Ti \/ 2. Mr. Udo3. Toussaint L'OvertureSIDE F1. 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Her voice on \"Somebody to Love\" and \"White Rabbit\" gave the San Francisco psychedelic scene its most commanding presence, and Surrealistic Pillow became the sound of 1967 whether you were in the Haight or anywhere else paying attention. Jerry Garcia, credited as \"spiritual advisor,\" quietly shaped the record's guitar approach during sessions, leaving his fingerprints on one of rock's defining documents.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797217569\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.20.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. She Has Funny Cars (3:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Somebody To Love (2:54)\u003c\/div\u003e\n\u003cdiv\u003e3. My Best Friend (2:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Today (2:57)\u003c\/div\u003e\n\u003cdiv\u003e5. Comin' Back To Me (5:14)\u003c\/div\u003e\n\u003cdiv\u003e6. 3\/5 of a Mile in 10 Seconds (3:39)\u003c\/div\u003e\n\u003cdiv\u003e7. D.C.B.A.-25 (2:35)\u003c\/div\u003e\n\u003cdiv\u003e8. How Do You Feel (3:28)\u003c\/div\u003e\n\u003cdiv\u003e9. Embryonic Journey (1:51)\u003c\/div\u003e\n\u003cdiv\u003e10. White Rabbit (2:30)\u003c\/div\u003e\n\u003cdiv\u003e11. Plastic Fantastic Lover (2:33)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455503904923,"sku":"58397","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-jefferson-airplane-surrealistic-pillow-cd-relix.jpg?v=1777584253"},{"product_id":"crosby-stills-nash-crosby-stills-nash-cd","title":"Crosby, Stills \u0026 Nash – Crosby, Stills \u0026 Nash (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWhen David Crosby, Stephen Stills, and Graham Nash convened in 1969, each was already a veteran of groups that had reshaped American and British rock, yet nothing in their individual catalogs quite anticipated the vocal chemistry they discovered together. The three-part harmonies on this debut set a template that countless artists have chased ever since, rooted in a specific moment when acoustic intimacy and countercultural idealism felt like the same thing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e* Virtuosic Playing, Homespun Arrangements, Resonant Lyrics: Crosby, Stills \u0026amp; Nash Includes 'Suite: Judy Blue Eyes,' 'Long Time Coming,' 'Marrakesh Express,' and 'Helplessly Hoping'* Sourced from the Original Master Tapes and Packaged in a Mini-LP Gatefold Sleeve: Mobile Fidelity's Numbered-Edition Hybrid SACD Plays with Richness, Detail, Fullness, and Organic Tones* Crosby, Stills \u0026amp; Nash Is Ranked the 252nd Greatest Album of All Time by Rolling StoneThe enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills \u0026amp; Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills \u0026amp; Nash lingers as an example of the whole being greater than the sum of it's parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same. From the opening of the lead track, the multi-part 'Suite: Judy Blue Eyes,' written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted.Sourced from the original analog master tapes and packaged in a mini-LP gatefold sleeve, Mobile Fidelity's numbered-edition hybrid SACD provides a transparent look into a record that established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals - all those facets (and more) reach demonstration-grade levels on this reissue. That sonic magnetism reflects in standards such as the breezy 'Marrakesh Express,' protesting 'Long Time Gone,' poignant 'Helplessly Hoping,' and poetic 'Wooden Ships.' No wonder the trio's chemistry - as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities - became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Suite: Judy Blue Eyes (7:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Marrakesh Express (2:36)\u003c\/div\u003e\n\u003cdiv\u003e3. Guinnevere (4:43)\u003c\/div\u003e\n\u003cdiv\u003e4. You Don't Have To Cry (2:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Pre-Road Downs (2:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Wooden Ships (5:22)\u003c\/div\u003e\n\u003cdiv\u003e7. Lady Of The Island (2:36)\u003c\/div\u003e\n\u003cdiv\u003e8. Helplessly Hoping (2:37)\u003c\/div\u003e\n\u003cdiv\u003e9. Long Time Gone (4:17)\u003c\/div\u003e\n\u003cdiv\u003e10. 49 Bye-Byes (5:15)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797222860\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.18.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455526219931,"sku":"550069","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-crosby-stills-nash-crosby-stills-nash-cd-relix.png?v=1777386725"},{"product_id":"willie-nelson-shotgun-willie-hybr-cd","title":"Willie Nelson – Shotgun Willie (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1973, *Shotgun Willie* marked the moment Nelson stopped writing hits for other people and started making music entirely on his own terms. Recorded in New York with a loose, freewheeling energy far removed from the polished Nashville Sound that had frustrated him for years, it laid the groundwork for the outlaw country movement that would define the decade.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAnalogue Productions (Atlantic Series) Celebrating the 75th Anniversary of Atlantic Records! Willie Nelson's breakthrough solo album! Hybrid Stereo SACD Pressed at Quality Record Pressings Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans. Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country - a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time The album - the first to feature Nelson with long hair and a beard on the cover - gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums, and the songs 'Shotgun Willie' and 'Stay All Night (Stay A Little Longer)' peaked at Nos. 60 and 22 on Hot Country Songs, respectively. \u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088754562\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.26.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Shotgun Willie\u003c\/div\u003e\n\u003cdiv\u003e2. Whiskey River\u003c\/div\u003e\n\u003cdiv\u003e3. Sad Songs And Waltzes\u003c\/div\u003e\n\u003cdiv\u003e4. Local Memory\u003c\/div\u003e\n\u003cdiv\u003e5. Slow Down Old World\u003c\/div\u003e\n\u003cdiv\u003e6. Stay All Night (Stay A Little Longer)\u003c\/div\u003e\n\u003cdiv\u003e7. Devil In A Sleepin' Bag\u003c\/div\u003e\n\u003cdiv\u003e8. She's Not For You\u003c\/div\u003e\n\u003cdiv\u003e9. Bubbles In My Beer\u003c\/div\u003e\n\u003cdiv\u003e10. You Look Like The Devil\u003c\/div\u003e\n\u003cdiv\u003e11. So Much To Do\u003c\/div\u003e\n\u003cdiv\u003e12. A Song For You\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455575765147,"sku":"18216222","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-willie-nelson-shotgun-willie-hybr-cd-cd-relix.jpg?v=1777520843"},{"product_id":"joni-mitchell-blue-cd","title":"Joni Mitchell – Blue (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased during a period when Mitchell had deliberately stepped back from the music industry to travel through Europe and North Africa, *Blue* arrived in 1971 as something wholly apart from what her contemporaries were making. The album's stark, open tunings and unflinching self-exposure set a template for confessional songwriting that singers and writers are still measuring themselves against today, more than five decades on.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTEMPORARY DESCRIPTION:BLUE REACHES NEW AUDIOPHILE HEIGHTS ON HYBRID SACDBlue would literally change everything shortly after it's release in June 1971. But what's even more remarkable about Joni Mitchell's exponentially influential and emotionally candid fourth record is that, more than 50 years later, the largely autobiographical work continues to alter contemporary music, cultural, and songwriting landscapes. Deemed the third Greatest Album of All Time by Rolling Stone; universally celebrated by critics, fans, artists, and educators; and defined by a spell of disarmingly vulnerable songs at once confessional, intense, spare, honest, painful, hopeful, and exquisite, Blue charts love, spiritualism, independence, and loss like no music before or since. 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Jaco Pastorius's fretless bass weaves through nearly every track not as accompaniment but as a second voice, turning Mitchell's open guitar tunings into something genuinely new, a sound that still hasn't been replicated.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1976 ALBUM PLAYS WITH IMMERSIVE SOUND ULTRADISC ONE-STEP BOX SETMastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When AuthenticatedThe eccentric title of Joni Mitchell's eighth studio album, Hejira, reflects the liberating circumstances that inspired the revered record - as well as the explorative nature of the restless music, dense songwriting, and resilient moods. A transliterate reference to the migration of the prophet Mohammad in the seventh century, the term to Mitchell symbolized the sensation of 'leaving the dream, no blame' - or, 'running away, honorably.' Largely written as Mitchell traveled alone across the United States and came to terms with her own mental, emotional, and physical health, the sparsely arranged Hejira is the sound of starting over; embracing change; meditating on the divide between free will and possession; channeling the colors, looks, and feelings of landscapes seen and imagined. The 1976 work - deemed the 133rd Greatest Album of All Time by Rolling Stone - also features Mitchell diving into the deep end of the jazz spectrum and partnering on several songs with virtuosic bassist and fellow sonic cosmonaut Jaco Pastorius. Viewed by many fans as the Canadian native's finest hour, Hejira comes across like nine short films that will linger in your mind on Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Coyote (5:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Amelia (6:00)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Furry Sings The Blues (5:03)\u003c\/div\u003e\n\u003cdiv\u003e2. A Strange Boy (4:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Hejira (6:35)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Song For Sharon (8:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Black Crow (4:20)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Motel Room (5:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Refuge Of The Roads (6:37)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797205320\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.25.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600400953499,"sku":"111220","price":219.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-joni-mitchell-hejira-vinyl-lp-relix.jpg?v=1779322775"},{"product_id":"miles-davis-round-about-midnight-lp-vinyl","title":"Miles Davis – 'Round About Midnight (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1957, 'Round About Midnight marked Miles Davis arriving at Columbia with something to prove, fresh off his electrifying 1955 Newport Jazz Festival performance that had reminded the world exactly where he stood. The rhythm section here, Red Garland, Paul Chambers, and Philly Joe Jones, was as tight a unit as jazz had produced, and hearing them alongside a young Coltrane still finding his voice makes this document genuinely irreplaceable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHipness Personified: Miles Davis' 'Round About Midnight Features Famed Quintet with John Coltrane Playing Memorable Hard Bop and BalladsSourced from the Original Master Tapes and Pressed on MoFi SuperVinyl: Mobile Fidelity's 180g 33RPM SuperVinyl LP Presents the Music with Engrossing Transparency, Presence, and FocusNumbered-Edition Reissue of 1957 Album Features Ultra-Low Noise Floor, Dead-Quiet Surfaces, and Superb Groove DefinitionMiles Davis' first album for Columbia, 'Round About Midnight, represents the beginning of a three-decade-plus relationship with the famed label and the start of an extended collaboration with saxophonist John Coltrane. It stands as a hard-bop benchmark - a summation of the styles that came before its creation, an immersion into the period's cutting-edge strains, and a hint of the modalism that would follow. The record remains ageless, it's fundamental cool epitomized by first-rate arrangements and astonishing performances of pensive ballads, bebop classics, and pop standards.Part of Mobile Fidelity's Miles Davis SuperVinyl reissue series, Round About Midnight resonates with newfound palpability and emotionalism on the label's 180g 33RPM SuperVinyl LP. Sourced from the original master tapes and housed in a Stoughton jacket, this numbered-edition collectible traces the individual paths each musician takes in contributing to the whole - from pianist Red Garland's left hand weaving counter-melodic chords to Coltrane infusing a tune with forward, harmony-defying patterns to the extent that iconic pianist Cecil Taylor declared 'Coltrane's what you hear on that record' the first time he heard the album. Indeed, the music sounds cohesive, immediate, and involving. Ballads are warm, lush, gentle, and illuminated; upbeat pieces bounce, snap, and energize. The high ceilings at Columbia's 30th Street Studio doubtlessly add to the sonic awe. This is hipness personified.1\/4' \/ 15 IPS ANALOG MASTER DSD 64 ANALOG CONSOLE LATHENumbered 180g 33RPM SuperVinyl LPNUMBERED SPECIAL EDITIONTrack ListSide One:1. 'Round Midnight2. Ah-Leu-Cha3. All of YouSide Two:1. Bye Bye Blackbird2. Tadd's Delight3. Dear Old Stockholm\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. 'Round Midnight\u003c\/div\u003e\n\u003cdiv\u003e2. Ah-Leu-Cha\u003c\/div\u003e\n\u003cdiv\u003e3. All Of You\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Bye Bye Blackbird\u003c\/div\u003e\n\u003cdiv\u003e2. Tadd's Delight\u003c\/div\u003e\n\u003cdiv\u003e3. Dear Old Stockholm\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826317\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.13.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600405115035,"sku":"52894","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-round-about-midnight-vinyl-lp-relix.jpg?v=1779281753"},{"product_id":"paul-simon-there-goes-rhymin-simon-cd","title":"Paul Simon – There Goes Rhymin' Simon (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1973, the year Simon also saw \"Kodachrome\" crack the Top 2 on the Billboard Hot 100, There Goes Rhymin' Simon found him fully stepping out of the Simon \u0026amp; Garfunkel shadow and into something warmer, looser, and deeply American. The Muscle Shoals rhythm section and the Dixie Hummingbirds brought a lived-in Southern soul feel that no amount of studio polish could manufacture, which makes Mobile Fidelity's return to the original analog tapes exactly the right approach for hearing it properly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePaul Simon Finds Soul in Muscle Shoals: There Goes Rhymin' Simon Features Vibrant Vocal Performances, Gospel Accents, Pop Melodies, and Narrative LyricsMastered from the Original Analog Master Tapes for Audiophile Sound: Mobile Fidelity's Hybrid SACD Plays with Exceptional Detail and Reveals 'Those Nice Bright Colors'R\u0026amp;B-Drenched 1973 Album Includes 'Kodachrome' and 'American Tune': Quincy Jones Contributes String Charts, Allen Toussaint Provides Horn Arrangements, Dixie Hummingbirds Supply Background VocalsDemonstrating a deep-seated flair for soul and R\u0026amp;B, Paul Simon recruited gospel backup singers and traveled to the Muscle Shoals Sound Studios to refine the vibrant sounds he desired for There Goes Rhymin' Simon. His instincts proved correct. Many rightly consider the iconic singer-songwriter's third album a masterpiece - one that, per critic Robert Christgau, 'suggests a new grace and flexibility for the mass-pop mode, and invests small subjects and emotions with an almost luminous wit and awareness.' Musically, the record runs the gamut with Jamaican-leaning rhythms and orchestral flourishes at home alongside blues currents and New Orleans-soaked brass accents. Simon's instinct for conveying strong narratives with heartfelt emotion completes a trifecta of instrumentation, arrangement, and delivery.Mastered from the original analog master tapes, Mobile Fidelity's hybrid SACD elevates the 1973 effort to audiophile status. Newly revealed transparency, presence, balance, immediacy, and darkblack backgrounds showcase the scope and craft of Simon's alluring melodies - as well as vocal performances that, arguably, remain the album's standout element. Simon's singing hits peaks that equal or best those on any of his other works. Assured, natural, and supple, his baritone resonates with immersive realism and extension. As the man said, 'everything looks worse in black and white.' Rest assured: Mobile Fidelity's SACD plays with the greens of summers and those nice bright colors!Numbered Hybrid Stereo SACD\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Kodachrome\u003c\/div\u003e\n\u003cdiv\u003e2. Tenderness\u003c\/div\u003e\n\u003cdiv\u003e3. Take Me To The Mardi Gras\u003c\/div\u003e\n\u003cdiv\u003e4. Something So Right\u003c\/div\u003e\n\u003cdiv\u003e5. One Man's Ceiling Is Another Man's Floor\u003c\/div\u003e\n\u003cdiv\u003e6. American Tune\u003c\/div\u003e\n\u003cdiv\u003e7. Was A Sunny Day\u003c\/div\u003e\n\u003cdiv\u003e8. Learn How To Fall\u003c\/div\u003e\n\u003cdiv\u003e9. St. Judy's Comet\u003c\/div\u003e\n\u003cdiv\u003e10. Loves Me Like A Rock\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797221764\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.17.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600419401883,"sku":"456172","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-paul-simon-there-goes-rhymin-simon-cd-relix.jpg?v=1779309092"},{"product_id":"miles-davis-tribute-to-jack-johnson-180-gram-lp-vinyl","title":"Miles Davis – Tribute To Jack Johnson (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1970 as the soundtrack to a documentary about the first Black heavyweight boxing champion of the world, this session captured Davis at his most politically charged and sonically fearless. The two-track structure, \"Right Off\" and \"Yesternow,\" gave him room to let ideas breathe and combust, with John McLaughlin's guitar work landing somewhere between Hendrix and pure electricity.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe 'Greatest Rock and Roll Band You Have Ever Heard': Miles Davis, John McLaughlin, and Co. Merge Electric Fusion and Defiant Rock on the Funky, Freeing A Tribute to Jack JohnsonSourced from the Original Analog Master Tapes: Mobile Fidelity's Numbered-Edition 180g SuperVinyl LP Presents 1971 Landmark in Exuberant, Full-Range SoundMiles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the 'greatest rock and roll band you have ever heard,' his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio - and just as infrequently accepted by the mainstream. Sourced from the original analog master tapes, pressed on MoFi SuperVinyl, and housed in a Stoughton jacket, Mobile Fidelity's 180g LP reissue brings it all to fore with startling realism. Benefitting from SuperVinyl's nearly inaudible noise floor, superb groove definition, and clean, ultra-quiet surfaces, this 180g LP showcases everything - from the bold tonality of the headliner's white-hot trumpet solos to the decay of crashing cymbals, carry of wiry guitar notes, and echoes of the studio - in reference fashion. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences longtime fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires. Utilizing wah-wah and distortion, the go-to instrumentalist of the performances- guitarist John McLaughlin - attacks with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson cross the until-then-impenetrable divide between rock and jazz. Davis puts both feet in the former camp and erases any gap. The stories of the record's creation are nearly as legendary as the sounds within: Two sessions, multiple jams, different sets of musicians (several uncredited), and near-miraculous production perfectionism that made it all appear cohesive.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826218\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.7.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Right Off (26:54)\u003c\/div\u003e\n\u003cdiv\u003e2. Yesternow (25:36)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600434770075,"sku":"237168","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-tribute-to-jack-johnson-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779277520"},{"product_id":"miles-davis-nefertiti-cd","title":"Miles Davis – Nefertiti (Mobile Fidelity CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1967 with his second great quintet, Nefertiti captures Miles Davis, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams at a peak of collective invention, the kind of small-group telepathy that still sets the standard for what a working band can achieve. The title track's unusual structure, with the rhythm section shifting and churning beneath repeated melodic statements, remains one of the most quietly radical moments in the jazz canon.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797214667\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.23.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Nefertiti (7:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Fall (6:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Hand Jive (8:57)\u003c\/div\u003e\n\u003cdiv\u003e4. Madness (7:33)\u003c\/div\u003e\n\u003cdiv\u003e5. Riot (3:06)\u003c\/div\u003e\n\u003cdiv\u003e6. Pinocchio (5:08)\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600440570011,"sku":"344372","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-nefertiti-cd-relix.jpg?v=1779278228"},{"product_id":"fleetwood-mac-mirage-lp-vinyl","title":"Fleetwood Mac – Mirage (Mobile Fidelity 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSandwiched between the sprawling ambition of Tusk and the polished comeback of Tango in the Night, Mirage often gets lost in the conversation, but its three Top 25 singles, including the chart-topping \"Hold Me,\" made it the best-selling album of 1982. Mobile Fidelity's 45RPM pressing, sourced from the original master tapes, is the format this meticulous studio recording always deserved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e* Fleetwood Mac Delivers Soft-Rock Bliss Amid Thematic Longing on Mirage: Double-Platinum 1982 Album Distills Band's Trademark Strengths, Features Addictive Pop Hooks and Three Top 25 Hits* Experience the Well-Recorded and Well-Crafted Set in Reference Sound: Mobile Fidelity's Numbered-Edition 180g 45RPM 2LP Is Sourced from the Original Master Tapes and Pressed at Fidelity Record PressingIf every significant artist has an underrated gem in it's catalog, then Mirage is that album for Fleetwood Mac. An obvious return to relative simplicity, the 1982 album finds the band re-grouping after a brief hiatus and again climbing to the top of the charts. Extremely well-crafted, well-produced, and well-performed, the double-platinum effort distills the group's hallmark strengths into a filler-free set that never runs short of addictive pop hooks or daft accents. Home to three Top 25 singles, Mirage rightfully resonated with the mainstream. And how, via a smart blend of sugary melodies, warm harmonies, interlaced notes, nimble rhythms, taut structures, and passionate vocals.Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton jacket, Mobile Fidelity's numbered-edition 180g 45RPM 2LP set presents Mirage in reference sound. The efforts co-producers\/engineers Ken Caillat and Richard Dashut went to capture the splintered albeit formidable band can be heard with stunning accuracy, range, depth, and detail. Though Rumours has a permanent spot in the audiophile hall of fame, the smooth, clear, and dynamic sonics here confirm that what stood as Fleetwood Mac's last album for five years deserves a place in the same vaunted arena. The presence and imaging of Mick Fleetwood's percussion alone on this reissue might have you wondering how this slice of soft-rock bliss has gone under-noticed for decades. Other prized aural aspects - separation, definition, impact, tonal balance - are also abundant. 'Can't Go Back'? We beg to differ.1\/2' \/ 30 IPS Analog Master DSD 256 Analog Console LatheNumbered 180g 45RPM Vinyl 2LPNUMBERED SPECIAL EDITIONTrack ListSide A:Love in StoreCan't Go BackThat's AlrightSide B:Book of LoveGypsyOnly over YouSide C:Empire StateStraight BackHold MeSide D:Oh DianeEyes of the WorldWish You Were Here\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797257015\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Love In Store (3:14)\u003c\/div\u003e\n\u003cdiv\u003e2. Can't Go Back (2:42)\u003c\/div\u003e\n\u003cdiv\u003e3. That's Alright (3:09)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Book Of Love (3:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Gypsy (4:24)\u003c\/div\u003e\n\u003cdiv\u003e3. Only Over You (4:08)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Empire State (2:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Straight Back (4:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Hold Me (3:44)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Oh Diane (2:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Eyes Of The World (3:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Wish You Were Here (4:45)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600442765467,"sku":"447716","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-fleetwood-mac-mirage-vinyl-lp-relix.jpg?v=1779250356"},{"product_id":"joni-mitchell-hejira-cd","title":"Joni Mitchell – Hejira (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during a period when Mitchell was traveling solo across America, Hejira arrived in late 1976 as one of the most sonically distinctive records of its era, built largely around Jaco Pastorius's fretless bass weaving through the open spaces Mitchell and her collaborators left deliberately unfilled. The album sits at a fascinating intersection of folk introspection and jazz-inflected adventurousness, a direction she'd been moving toward since Court and Spark.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1976 ALBUM PLAYS WITH IMMERSIVE SOUND ON HYBRID SACDThe eccentric title of Joni Mitchell's eighth studio album, Hejira, reflects the liberating circumstances that inspired the revered record - as well as the explorative nature of the restless music, dense songwriting, and resilient moods within it. A reference to the migration of the prophet Mohammad in the seventh century, the term to Mitchell symbolized the sensation of 'leaving the dream, no blame' - or, 'running away, honorably.' Largely written as Mitchell traveled alone across the United States and came to terms with her own mental, emotional, and physical health, the sparsely arranged Hejira is the sound of starting over; embracing change; meditating on the divide between free will and possession; channeling the colors, looks, and feelings of landscapes seen and imagined. The 1976 work - deemed the 133rd Greatest Album of All Time by Rolling Stone - also features Mitchell diving into the deep end of the jazz spectrum and partnering on several songs with virtuosic bassist and fellow sonic cosmonaut Jaco Pastorius. Viewed by many fans as the Canadian native's finest hour, Hejira comes across like nine short films that will linger in your mind on Mobile Fidelity's numbered-edition hybrid SACD.More information is coming soon!CoyoteAmeliaFurry Sings the BluesA Strange BoyHejiraSong for SharonBlack CrowBlue Motel RoomRefuge of the Roads\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Coyote (5:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Amelia (6:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Furry Sings The Blues (5:03)\u003c\/div\u003e\n\u003cdiv\u003e4. A Strange Boy (4:15)\u003c\/div\u003e\n\u003cdiv\u003e5. Hejira (6:49)\u003c\/div\u003e\n\u003cdiv\u003e6. Song For Sharon (8:39)\u003c\/div\u003e\n\u003cdiv\u003e7. Black Crow (4:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Blue Motel Room (5:03)\u003c\/div\u003e\n\u003cdiv\u003e9. Refuge Of The Roads (6:43)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797227568\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.29.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600452432027,"sku":"340376","price":64.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-joni-mitchell-hejira-cd-relix.jpg?v=1779322839"},{"product_id":"joni-mitchell-court-spark-cd-1","title":"Joni Mitchell – Court \u0026 Spark (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at A\u0026amp;M Studios in Los Angeles with Tom Scott and the L.A. Express providing the jazz-inflected backbone, Court \u0026amp; Spark marked the moment Mitchell's art and mainstream recognition finally converged. The album produced two Top 25 singles in \"Help Me\" and \"Free Man in Paris,\" with the latter drawing on her friendship with David Geffen, grounding its most outward-looking songs in deeply personal geography.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eHYBRID SACD OF LUSH 1974 ALBUM PLAYS WITH SUPERB DETAIL, CLARITY, AND OPENNESSCourt and Spark, the most commercially successful album of Joni Mitchell's trailblazing career, arrived after a year in which she took some time to breathe and kept a low profile. The much-deserved break led to yet more breakthroughs. Demonstrably marking Mitchell's increasing drift toward jazz (and proclivity for absorbing the works of Miles Davis and John Coltrane), and teeming with heightened confidence, beautiful melodies, and shape-shifting arrangements, the lush 1974 record earned four Grammy nominations and was voted the Best Album of the Year in the prestigious Pazz \u0026amp; Jop poll. Court and Spark witnesses the singer-songwriter finding not only her footing with a group of musicians who seemingly understand her visions and desires - but expanding her lyrical palette and venturing further into territory no artist had dared explore. Balancing deceptively light compositions with underlying tensions, the work Rolling Stone named the 110th Best Album of All Time now possesses the rich, detailed sound it's always deserved on Mobile Fidelity's numbered-edition hybrid SACD.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Court And Spark (2:46)\u003c\/div\u003e\n\u003cdiv\u003e2. Help Me (3:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Free Man In Paris (3:02)\u003c\/div\u003e\n\u003cdiv\u003e4. People's Parties (2:14)\u003c\/div\u003e\n\u003cdiv\u003e5. The Same Situation (3:01)\u003c\/div\u003e\n\u003cdiv\u003e6. Car On A Hill (2:59)\u003c\/div\u003e\n\u003cdiv\u003e7. Down To You (5:37)\u003c\/div\u003e\n\u003cdiv\u003e8. Just Like This Train (4:23)\u003c\/div\u003e\n\u003cdiv\u003e9. Raised On Robbery (3:06)\u003c\/div\u003e\n\u003cdiv\u003e10. Trouble Child (3:58)\u003c\/div\u003e\n\u003cdiv\u003e11. Twisted (2:24)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797227360\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.24.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600453611675,"sku":"674701","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-joni-mitchell-court-spark-cd-relix.jpg?v=1779323809"},{"product_id":"simon-garfunkel-bookends-cd-1","title":"Simon \u0026 Garfunkel – Bookends (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in April 1968, Bookends arrived at a cultural inflection point, just weeks before the assassinations of Martin Luther King Jr. and Robert F. Kennedy would shatter whatever remained of the decade's optimism. Paul Simon's songwriting here carries the weight of a generation reckoning with adulthood, aging, and disconnection, concerns that felt radical then and quietly universal now.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA Timeless Reflection on America and Ourselves: Simon \u0026amp; Garfunkel's Searching Bookends Asks Big Questions, Includes 'Mrs. Robinson' and 'A Hazy Shade of Winter'Mastered on MoFi's Renowned System at the Label's California Studio: Mobile Fidelity's Numbered-Edition Hybrid SACD Magnifies the Brilliance of the Original Recording SessionsConcept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel's Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to it's exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.Mastered on MoFi's renowned system at the label's California studio and housed in mini-LP- style packaging, Mobile Fidelity's numbered-edition hybrid SACD of Bookends presents the duo's timeless effort in reference-quality sound. Playing with superb clarity, definition, and purity, this collectible reissue magnifies the brilliance of the extended production sessions that took place over the course of 18 months at Columbia's iconic 52nd Street Studio.Simon himself said that Bookends possesses 'the most use of the studio' of any Simon \u0026amp; Garfunkel effort. The plain truth of his observation comes to fore on this audiophile SACD. The full bloom and natural decay of notes; weight and impact of low-end frequencies; lushness, breathiness, and air of the omnipresent harmonies; separation and imaging of the wood, string, and brass instruments; timbres and in-the-room realism of Simon's lead vocals - these critical traits and more are rendered with elevated accuracy, detail, and presence.And that's exactly what Simon, Garfunkel, and producer Roy Halee intended while taking as many as 50 hours to nail a single track. Envisioned from the start by Simon as a way to capture the age's zeitgeist, and inspired by the broad strokes of the Beatles' Sgt. Pepper's Lonely Hearts Club Band and Bob Dylan's Blonde on Blonde, Bookends pairs it's sonic flair - and diverse arrangements that incorporate folk, rock, jazz, pop, and baroque elements - with arresting lyrics that address restlessness, uncertainty, alienation, love, and heritage.The first half of Bookends traces the cycle of life from beginning to end, with the final words to 'Bookends Theme' - a call to 'preserve your memories\/they're all that's left you' - echoing as the overarching and recurring theme of the album. Before the pair lands on that advice, Simon \u0026amp; Garfunkel use irony ('Save the Life of My Child'), metaphor ('America'), suggestion ('Overs'), field recordings ('Voices of Old People'), and descriptive imagery ('Old Friends') to cover everything from the loss of innocence to institutional hypocrisy and fears of loneliness.Released amid a tumultuous political and cultural climate, Bookends retains enormous significance and relevance more than five decades later in a 21st century facing many of the same issues. It's central motifs - searching for meaning and identity; dealing with loss and disappointment; negotiating the split between authenticity and ersatz; reconciling with what one sacrifices over a lifetime; confronting life stages that involve sadness, bewilderment, and disappointment - are universal concerns. And the 'America' Simon \u0026amp; Garfunkel pursues remains more elusive than ever.As does our collective want for a lasting hero ('Mrs. Robinson'), tendency toward affectation ('Fakin' It'), and inclination to wishfully insert ourselves into circumstances rooted in whimsical fantasy ('Punky's Dilemma'), particularly when we need an escape. Though the songs on the album's second half were not devised as part of a unified narrative, they speak a related language steeped in disillusionment, anxiety, and doubt. None more so than on the grayscale 'A Hazy Shade of Winter.''Simply pretend,' Simon sings,' that you can build [hopes] again,' knowing full well he's not even fooling himself. Like few albums before or since, Bookends exposes the human condition from the inside-out amid an environment that isn't what it often appears - or what we originally sought.Track List1. Bookends Theme2. Save the Life of My Child3. America4. Overs5. Voices of Old People6. Old Friends7. Bookends Theme8. Fakin' It9. Punky's Dilemma10. Mrs. Robinson11. A Hazy Shade of Winter12. At the Zoo\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196588551826\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.27.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Bookends Theme (Instrumental) (0:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Save The Life Of My Child (2:48)\u003c\/div\u003e\n\u003cdiv\u003e3. America (3:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Overs (2:19)\u003c\/div\u003e\n\u003cdiv\u003e5. Voices Of Old People (2:06)\u003c\/div\u003e\n\u003cdiv\u003e6. Old Friends (2:35)\u003c\/div\u003e\n\u003cdiv\u003e7. Bookends Theme (1:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Fakin' It (3:21)\u003c\/div\u003e\n\u003cdiv\u003e9. Punky's Dilemma (2:16)\u003c\/div\u003e\n\u003cdiv\u003e10. Mrs. Robinson (4:07)\u003c\/div\u003e\n\u003cdiv\u003e11. A Hazy Shade Of Winter (2:17)\u003c\/div\u003e\n\u003cdiv\u003e12. At The Zoo (2:21)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600455905435,"sku":"429282","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-simon-garfunkel-bookends-cd-relix.jpg?v=1779303421"},{"product_id":"joni-mitchell-ladies-of-the-canyon-limited-edition-lp-vinyl","title":"Joni Mitchell – Ladies Of The Canyon (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at the peak of Laurel Canyon's communal creative moment, Ladies of the Canyon arrived in 1970 alongside work from Crosby, Stills, Nash \u0026amp; Young and others who shared that same hillside scene, giving Mitchell's most accessible early record a sense of place that still resonates. Tracks like \"Woodstock\" and \"Big Yellow Taxi\" became generational touchstones, the latter a piece of environmental writing that only grows more urgent with each passing decade.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eULTRADISC ONE-STEP PRESENTS LANDMARK 1970 ALBUM IN UNPARALLELED SOUNDMastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When AuthenticatedLadies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area - her house is depicted in a watercolor painting she made for the record's cover - the Canadian icon turned to her immediate surroundings for inspiration all the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The rather upbeat Ladies of the Canyon also finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard. Deemed 'powerful and brilliant' upon release by The New York Times, this 1970 set marks the first of six consecutive masterworks Mitchell made - and an album that deserves to be heard in the finest-possible fidelity on Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797204927\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.16.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600459903131,"sku":"453269","price":219.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Joni-Mitchell-Ladies-Of-The-Canyon-Limited-Edition-LP-Vinyl.jpg?v=1779194416"},{"product_id":"miles-davis-my-funny-valentine-in-concert-limited-edition-180-gram-lp-vinyl","title":"Miles Davis – My Funny Valentine: In Concert (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at Philharmonic Hall in New York on February 12, 1964, this concert captured Davis and his second great quintet at a pivotal crossroads, just as the ensemble was quietly beginning its transformation into the telepathic unit that would soon redefine jazz harmony on the ESP and Miles Smiles sessions. George Coleman's tenor saxophone work here remains among the most underappreciated contributions in the Davis canon, with Herbie Hancock, Ron Carter, and Tony Williams already operating as a single breathing organism beneath him.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis Turns Balladic on My Funny Valentine: Live Album Is Distinguished with Deep Emotions, Spontaneous Brilliance, Poetic Elegance, and Sensitive BeautyMastered at MoFi's California Studio and Pressed on MoFi SuperVinyl for Reference Sound: Mobile Fidelity's 180g 33RPM SuperVinyl LP 60th Anniversary-Edition Reissue ofthe 1965 Set Plays with Lifelike Clarity, Balanced Tones, and Acoustic IntimacyMy Funny Valentine: Miles Davis in Concert marks several historic turning points. For Davis, the live album represents the final time on record he'd perform standards rather than original compositions. It also stands as one of the last documents made by the same band that created Seven Steps to Heaven. As such, the work teems with bebop melodicism yet steers clear of Davis' oft-controversial avant-garde leanings. Most significantly, the richly textured set - the bookend to the fast-paced Four \u0026amp; More - captures the warm ballads and delicate pieces performed at a February 12, 1964 benefit concert at New York's then-new Philharmonic Hall that occurred just months after President Kennedy's assassination. Seemingly channeling divine inspiration, Davis never sounded more elegant or poetic, particularly given the uniqueness of this 60th Anniversary Edition pressing. Mastered at MoFi's California studio, housed in a Stoughton jacket, pressed at Fideltiy Record Pressing on MoFi SuperVinyl, and strictly limited to 3, 000 numbered copies, Mobile Fidelity's 180g 33RPM SuperVinyl LP plays with stunning depth, presence, dynamics, clarity, and ambience. Benefitting from SuperVinyl's low-as-possible noise floor and superb groove definition, this audiophile LP boasts balances, tonalities, and airiness that duplicate the experience of witnessing live jazz in an acoustically ideal hall. The images of each individual instrument, the decay of the notes, the inner reaches of the piano, and symmetry of the horns are rendered with palpable detail. Held as a benefit to support voter registration in the South - and a fundraiser for NAACP, the Congress of Racial Equality, and SNCC - the concert came amidst the height of the Civil Rights movement, a cause dear to Davis' heart. The unforeseen circumstances surrounding Kennedy's death further raised the stakes. Having professed admiration for Kennedy years prior, Davis appears to approach the compositions on My Funny Valentine (in particular, the title track) as an homage to the fallen leader.Nearing their one-year anniversary together, he and his band turned half the event into a collective soliloquy comprised of pieces shot through with deeply emotional passages, spontaneous brilliance, sensitive beauty, and sublime poignancy. Elegiac moods permeate these performances; Davis and his Harmon mute paint with intricate brushstrokes. Pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams are their leader's equal. They would continue with Davis until later in the decade, helping form his Second Great Quintet. But the secret weapon on My Funny Valentine arrives in the form of tenor saxophonist George Coleman, whom jazz experts Brian Morton and Richard Cook deem 'one of the unsung heroes of modern jazz.' His lines are subtle and sophisticated, straight-ahead but capable of unanticipated direction. Here, Coleman comes into his own.The combination of introspective chemistry, lyrical reach, and telepathic communication demonstrated by the group on My Funny Valentine exceeds that of any of Davis' live 1960s efforts. One listen confirms something special transpiring. And on this breathtaking reissue, those properties are rendered in a manner that's as transparent to the source. Here's your chance to experience them again and again.1\/4' \/ 15 IPS analog copy to DSD 64 to analog console to latheNumbered 180g 33RPM SuperVinyl LPLIMITED EDITION OF 3, 000Tracklist:Side One:1. My Funny Valentine2. All of YouSide Two:1. Stella by Starlight2. All Blues3. I Thought About You\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826010\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. My Funny Valentine\u003c\/div\u003e\n\u003cdiv\u003e2. All Of You\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight\u003c\/div\u003e\n\u003cdiv\u003e2. All Blues\u003c\/div\u003e\n\u003cdiv\u003e3. I Thought About You\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600469373083,"sku":"554607","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-my-funny-valentine-in-concert-limited-edition-180-gram-lp-vi-vinyl-lp-relix.jpg?v=1779278270"},{"product_id":"miles-davis-seven-steps-to-heaven-180-gram-lp-vinyl","title":"Miles Davis – Seven Steps To Heaven (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in New York and Los Angeles in spring 1963, Seven Steps to Heaven captured Miles in transition, working with both his departing rhythm section and a young Tony Williams, Ron Carter, and Herbie Hancock who would soon define what a jazz rhythm section could be. The title track became a live staple that Davis' subsequent quintets returned to for years, making this session less a finished statement than a doorway that never quite closed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Vibrant Bridge Between Miles Davis' First and Second Great Quintets: Seven Steps to Heaven Teems with Originality, Expressivity, Cohesiveness, and BeautySourced from the Original Analog Master Tapes: Mobile Fidelity 180g SuperVinyl LP and Hybrid SACD Play with Superb Clarity, Detail, Tone, and DefinitionGrammy-Nominated 1963 Album Is a Harbinger of Things to Come: Features Definitive Title Track and 'Joshua'Seven Steps to Heaven arrived at a crucial junction in Miles Davis' career. Recorded at two separate locations in spring 1963, it served as Davis' first release in more than a year - a layoff that was then unprecedented for the jazz visionary who had issued at least one LP a year since debuting in the early '50s. Equally notable, Seven Steps to Heaven marks the point at which the core of Davis' Second Great Quintet started to assemble. The twice Grammy-nominated effort is also Davis' final studio record to blend standards with originals. And it happens to be one of the most expressive, well-played albums in the jazz canon. There's nary a passage on this landmark that isn't great. That Davis manages to make it feel so cohesive and seamless is a testament to the inspired performances and engaging compositions.Sourced from the original master tapes, Mobile Fidelity's 180g SuperVinyl LP and hybrid SACD of Seven Steps to Heaven add yet another step towards the bliss suggested by the album title. Playing with standout clarity, detail, tone, and balance, these audiophile reissues pull back the curtain on the instrumentalists. Afforded the tremendous advantages of SuperVinyl - including a nearly inaudible noise floor, dead-quiet surfaces, and superb groove definition - the numbered-edition LP version presents Davis and Co. Amid a wide, deep soundstage whose dimensions and solidity help bring the record's historical importance and musical merit into focus. The painstakingly mastered SACD does the same. And why not: The aptly titled Seven Steps to Heaven deserves nothing less.Numbered 180g 33RPM SuperVinyl LP1\/4' \/ 15 IPS DOLBY SR ANALOG REMIX MASTER DSD 256 ANALOG CONSOLE LATHETrack ListSide One:1. Basin Street Blues2. Seven Steps to Heaven3. I Fall in Love Too EasilySide Two:1. So Near, So Far2. Baby Won't You Please Come Home3. Joshua\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Basin Street Blues (10:29)\u003c\/div\u003e\n\u003cdiv\u003e2. Seven Steps To Heaven (6:24)\u003c\/div\u003e\n\u003cdiv\u003e3. I Fall In Love Too Easily (6:47)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. So Near So Far (7:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Baby Won't You Please Come Home (8:27)\u003c\/div\u003e\n\u003cdiv\u003e3. Joshua (7:01)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196588233814\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.27.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600471011483,"sku":"565051","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-seven-steps-to-heaven-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1779277873"},{"product_id":"miles-davis-sketches-of-spain-cd","title":"Miles Davis – Sketches of Spain (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1959 and 1960 with arranger Gil Evans, Sketches of Spain stands apart from everything else in the Davis catalog, drawing on Spanish classical and folk traditions to create something that defied easy categorization then and still does now. The collaboration between Davis and Evans was one of the great artistic partnerships in 20th-century music, and this Mobile Fidelity pressing brings renewed clarity to every nuance of Davis's muted trumpet against Evans's lush, cinematic orchestrations.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eConcierto de Aranjuez\u003c\/li\u003e\n\u003cli\u003eWill O' the Wisp\u003c\/li\u003e\n\u003cli\u003eThe Pan Piper\u003c\/li\u003e\n\u003cli\u003eSaeta\u003c\/li\u003e\n\u003cli\u003eSolea\u003c\/li\u003e\n\u003cli\u003eSure Drop\u003c\/li\u003e\n\u003cli\u003eBugo Hall\u003c\/li\u003e\n\u003cli\u003eBrazil\u003c\/li\u003e\n\u003cli\u003eSlow Attack On Canvas\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797208666\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.26.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600476057755,"sku":"633283","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Miles-Davis-Sketches-of-Spain-CD.jpg?v=1779194751"},{"product_id":"miles-davis-sketches-of-spain-limited-edition-180-gram-aniv-lp-vinyl","title":"Miles Davis – Sketches Of Spain (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded over multiple sessions in 1959 and 1960, Sketches of Spain captured Davis at a moment when he was simultaneously redefining jazz with Kind of Blue and pushing far beyond its boundaries. The album's centerpiece, his interpretation of the Adagio from Rodrigo's Concierto de Aranjuez, remains one of the most quietly devastating performances in his catalog, a trumpet voice so human it barely sounds like an instrument at all.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis' Final Collaboration with Arranger Gil Evans Yields Watershed Innovations: Flamenco-Themed Sketches of Spain Spins Graceful Webs of Sound and EmotionMobile Fidelity's UltraDisc One-Step 180g 33RPM LP Set Brings Out the Record's Full Spectrum of Color: 65th Anniversary Edition Pressed at Fidelity Record PressingMiles Davis and Gil Evans bridged styles and collaborated on high-concept projects three times during their celebrated careers. For their final act, they created Sketches of Spain, a peak moment in each legend's legacy. The transformative record weds Spanish themes, lush orchestrations, romantic timbres, and Davis' lyrical methods in a tender ceremony. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a like-minded partner to help draw out tones, shades, and textures. Ranked #358 on Rolling Stone's 500 Greatest Albums of All Time, deemed 'a work of unparalleled grace and lyricism' by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken 'jazz in a new direction,' Sketches of Spain remains universallyrenowned.Part of Mobile Fidelity's Miles Davis restoration series, the 1960 landmark has been afforded the ultimate white-gloves treatment for it's 65th anniversary. Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing, this UltraDisc One-Step 33RPM 180g LP set dramatically expands the soundstages and eradicates a prior dryness that many critics found inhibitive to the record's enjoyment. You'll hear the full-range extension of woodwinds, strings, and percussion, all of which come alive with superior definition and detail amid ultra-quiet backgrounds. Sonically, the results are as breathtaking as the music, and a personal invitation to pull up a chair and enjoy what went down at Columbia 30th Street Studio decades ago in New York City.1\/4' \/ 15 IPS ANALOG MASTER DSD 64 ANALOG CONSOLE LATHENumbered Limited Edition UD1S180g 33RPM LP Box SetNUMBERED LIMITED EDITION OF 5,000Track ListSide One:1. Concierto de Aranjuez2. Will o' the WispSide Two:1. The Pan Piper2. Saeta3. Solea\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194399826614\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.22.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Concierto de Aranjuez (16:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Will O’ the Wisp (3:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Pan Piper (3:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Saeta (5:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Solea (12:14)\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600479072411,"sku":"593228","price":179.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-miles-davis-sketches-of-spain-limited-edition-180-gram-aniv-lp-vinyl-vinyl-lp-relix.jpg?v=1779277826"},{"product_id":"fleetwood-mac-fleetwood-mac-cd","title":"Fleetwood Mac – Fleetwood Mac (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe 1975 addition of Buckingham and Nicks didn't just save Fleetwood Mac, it transformed them into something entirely new, blending California pop sensibility with the British blues foundation Mick Fleetwood and John McVie had been building since 1967. Christine McVie's keyboards and vocals held it all together, giving the album a warmth that made songs like \"Say You Love Me\" and \"Over My Head\" instant radio staples alongside the better-remembered \"Rhiannon\" and \"Landslide.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFleetwood Mac Comes into It's Own with Lindsey Buckingham and Stevie Nicks: Self-Titled Record Ranked 182nd Greatest Album of All Time by Rolling Stone, Includes 'Landslide' and 'Rhiannon'Hear the 1975 Blockbuster in Reference Sound: Mobile Fidelity's Numbered-Edition Hybrid SACD Plays with Stunning Transparency, Detail, and OpennessA veteran band with waning prospects, personnel churn, and management issues. A largely unknown duo whose eponymous debut flopped. An impromptu meeting in a supermarket that led to a fact-finding trip to Sound City Studios. The backstory behind Fleetwood Mac's self-titled album is nearly as incredible as the music on the 1975 recording - a blockbuster that altered pop-rock history, and found newcomers Lindsey Buckingham and Stevie Nicks permanently changing the profile and popularity of the British ensemble.Sourced from the original analog master tapes and housed in mini-LP-style gatefold packaging, Mobile Fidelity's numbered edition hybrid SACD of the nine-times-platinum effort plays with stunning transparency, dynamics, and detail. This reissue captures what went down in the California studio with arresting presence and sumptuous tonality. The innate chemistry among the five musicians can be heard here in stunning clarity, the taut albeit flexible rhythms distinguished with palpable grip, the blended vocals and airy harmonies benefitting from seemingly unlimited frequency extension. The thrilling results speak to the band's bond as well as healthy tension that led to recordings that remain revered for their exceptional realism, openness, textures, imaging, and soundstaging. Listen to this collectible version and you'll immediately understand why.Numbered Hybrid Stereo.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Monday Morning (2:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Warm Ways (3:53)\u003c\/div\u003e\n\u003cdiv\u003e3. Blue Letter (2:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Rhiannon (4:10)\u003c\/div\u003e\n\u003cdiv\u003e5. Over My Head (3:38)\u003c\/div\u003e\n\u003cdiv\u003e6. Crystal (5:15)\u003c\/div\u003e\n\u003cdiv\u003e7. Say You Love Me (4:10)\u003c\/div\u003e\n\u003cdiv\u003e8. Landslide (3:19)\u003c\/div\u003e\n\u003cdiv\u003e9. World Turning (4:24)\u003c\/div\u003e\n\u003cdiv\u003e10. Sugar Daddy (4:09)\u003c\/div\u003e\n\u003cdiv\u003e11. I'm So Afraid (4:28)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797231169\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600484511899,"sku":"57988056","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-fleetwood-mac-fleetwood-mac-cd-relix.jpg?v=1779250981"},{"product_id":"fleetwood-mac-fleetwood-mac-lp-vinyl-1","title":"Fleetwood Mac – Fleetwood Mac (Mobile Fidelity 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe 1975 addition of Lindsey Buckingham and Stevie Nicks didn't just save Fleetwood Mac, it fundamentally rewired the band's DNA, blending California pop instincts with the British blues-rock foundation Mick Fleetwood and John McVie had been carrying since 1967. Mobile Fidelity's UltraDisc One-Step treatment is exactly the format this album deserves, letting Christine McVie's keyboards and the layered vocal harmonies breathe with a clarity that standard pressings have never fully captured.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFleetwood Mac Comes into It's Own with Lindsey Buckingham and Stevie Nicks: Self-Titled Record Ranked 182nd Greatest Album of All Time by Rolling Stone, Includes 'Landslide' and 'Rhiannon'Hear the 1975 Blockbuster in Reference Sound: Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP Box Set Plays with Extraordinary Definition, Presence, and DetailA veteran band with waning prospects, personnel churn, and management issues. A largely unknown duo whose eponymous debut flopped. An impromptu meeting in a supermarket that led to a factfinding trip to Sound City Studios. The backstory behind Fleetwood Mac's self-titled album is nearly as incredible as the music on the 1975 recording - a blockbuster that altered pop-rock history, and found newcomers Lindsey Buckingham and Stevie Nicks permanently changing the profile and popularity of the British ensemble.Sourced from the original analog master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set of the nine-times-platinum effort plays with reference level transparency, dynamics, and detail. This vinyl edition captures what went down in the California studio with arresting presence, tube-like warmth, and sumptuous tonality. The innate chemistry among the five musicians can be heard here in stunning clarity, the taut albeit flexible rhythms distinguished with palpable grip, the blended vocals and airy harmonies benefitting from seemingly unlimited frequency extension. The thrilling results speak to the band's bond as well as healthy tension that led to recordings that remain revered for their exceptional openness, textures, imaging, and soundstaging. Listen to this collectible version and you'll immediately understand why.1\/4' \/ 30 IPS Dolby A analog master to DSD 256 to analog console to latheNumbered Limited Edition UD1S180g 45RPM 2LP SetNUMBERED LIMITED EDITION OF 7,500Mobile Fidelity UltraDisc One-Step ProcessInstead of utilizing the industry-standard three-step lacquer process, UltraDisc One-Step (UD1S) uses only one step and bypasses two processes of generational loss. In addition to revealing extra musical detail and dynamics otherwise lost due to the standard copying process, the UD1S technique produces a final LP with the lowest noise floor possible today.Track ListSide One:Monday MorningWarm WaysBlue LetterSide Two:RhiannonOver My HeadCrystalSide Three:Say You Love MeLandslideWorld TurningSide Four:Sugar DaddyI'm So Afraid\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Monday Morning\u003c\/div\u003e\n\u003cdiv\u003e2. Warm Ways\u003c\/div\u003e\n\u003cdiv\u003e3. Blue Letter\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Rhiannon\u003c\/div\u003e\n\u003cdiv\u003e2. Over My Head\u003c\/div\u003e\n\u003cdiv\u003e3. Crystal\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Say You Love Me\u003c\/div\u003e\n\u003cdiv\u003e2. Landslide\u003c\/div\u003e\n\u003cdiv\u003e3. World Turning\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Sugar Daddy\u003c\/div\u003e\n\u003cdiv\u003e2. I'm So Afraid\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797206525\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600486215835,"sku":"57942650","price":219.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-fleetwood-mac-fleetwood-mac-vinyl-lp-relix.jpg?v=1779250820"},{"product_id":"carly-simon-anticipation-limited-edition-180-gram-lp-vinyl","title":"Carly Simon – Anticipation (Mobile Fidelity 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCarly Simon wrote the title track in 1971 while waiting for Cat Stevens to pick her up for a date, a spontaneous burst of inspiration that captures exactly what made her early work so compelling: real emotion, barely processed, committed to tape. Anticipation arrived at a moment when singer-songwriters were rewriting the rules of confessional pop, and Simon held her own alongside Joni Mitchell and James Taylor in ways that history has continued to validate.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCarly Simon's Gold-Certified Anticipation Is Steeped In Romantic Yearning: Largely Autobiographical Album Boldly Addresses Longing, Love, and VulnerabilityOn 180g 45RPM 2LP for the First Time: Strictly Limited to 3,000 Numbered Copies, Mobile Fidelity's Reissue Lays Bare the Personal Emotions, Acoustic Arrangements, and Vocal NuancesCarly Simon's quietly intense sophomore album comes across like an assertive notice nailed to a telephone pole for all to see. Bold, personal, and largely autobiographical, Anticipation announces the arrival of an artist who won't back down. While Simon stands her ground on her eponymous debut, she elevates her passion and persona to heightened levels throughout this gold-certified record, dealing in private matters related to love, relationships, and desire. At times, Simon is nothing short of primal. She reflects on the difficulties of retaining your own identity while giving yourself to a partner. Simon's connection to her folk roots would never be stronger.Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's 180g 45RPM 2LP set of Anticipation lays bare the rich tapestries afforded by the spare blend of soft guitars, mellow orchestration, and dreamy melodies. This is the first time Anticipation has been available on 45RPM. The wide grooves prove extremely rewarding. The rhythmic framework sounds dynamic and balanced, with songs benefiting from a focused midrange and taut low-end. Simon's investment in each lyric is made evident by way of the hushed atmospherics and expansive responsiveness. She would achieve international fame with her next album. Yet as this definitive reissue shows, Anticipation suggests the rest of the world was a little late catching up to her.1\/4' \/ 15 IPS Dolby A analog master to DSD 256 to analog console to latheNumbered 180g 45RPM Vinyl 2LPLIMITED EDITION OF 3,000Track ListSide One:AnticipationLegend in Your Own TimeSide Two:Our First Day TogetherThe Girl You Think You SeeSummer's Coming Around AgainSide Three:Share the EndThe GardenSide Four:Three DaysJulie Through the GlassI've Got to Have You\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Anticipation (3:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Legend In Your Own Time (3:45)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Our First Day Together (3:29)\u003c\/div\u003e\n\u003cdiv\u003e2. The Girl You Think You See (3:07)\u003c\/div\u003e\n\u003cdiv\u003e3. Summer's Coming Around Again (4:10)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Share The End (3:58)\u003c\/div\u003e\n\u003cdiv\u003e2. The Garden (4:08)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Three Days (3:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Julie Through The Glass (3:23)\u003c\/div\u003e\n\u003cdiv\u003e3. I've Got To Have You (4:45)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797263115\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745040380059,"sku":"118192531","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-carly-simon-anticipation-limited-edition-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1782596377"},{"product_id":"zz-top-tres-hombres-cd-1","title":"ZZ Top – Tres Hombres (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1973, Tres Hombres was the record that put ZZ Top on the national map, driven largely by \"La Grange,\" a grinding Muddy Waters-indebted boogie built on one of rock's most instantly recognizable riffs. Gibbons has cited the John Lee Hooker and Muddy Waters records he grew up on as direct blueprints, and you can hear that Houston-to-Chicago lineage running through every track.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe breakthrough album that defined Texas blues rock! One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans - Billy F. Gibbons, Frank Beard, and Dusty Hill - are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas.With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blues, soul, garage-funk, Americana, and more. Nowhere is their force of nature musicianship better displayed than their 1973 classic Tres Hombres. Packed with swagger, grit, and some of the most infectious guitar grooves ever recorded, Tres Hombres cemented the band's signature sound - raw, greasy, and undeniably cool.One of rock's greatest anthems - \"La Grange\" swaggers! That iconic opening boogie riff? Instantly recognizable. The groove? Absolutely irresistible. \"La Grange\" is a masterclass in blues-based rock perfection. And beyond? Whether it's the slow-burning \"Hot, Blue and Righteous,\" the funky \"Move Me on Down the Line,\" or the driving \"Waitin' for the Bus\/Jesus Just Left Chicago\" combo, every track grooves with unmistakable attitude.ZZ Top fans will instantly recognize Tres Hombres as the album that shaped the band's legend. It's loud, it's bluesy, and it's packed with riffs that demand to be cranked up!Hybrid Stereo SACDFeatures lead single \"La Grange\"Rolling Stone's 500 Greatest Albums of All Time ranked No. 490\/500 (2012)Named Best Boogie Rock album ever by the Houston Chronicle!Mastered Direct To DSD by Matthew Lutthans at The Mastering Lab from the original analog tape\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e1. Waitin' For The Bus (2:59)\u003c\/div\u003e\n\u003cdiv\u003e2. Jesus Just Left Chicago (3:29)\u003c\/div\u003e\n\u003cdiv\u003e3. Beer Drinkers \u0026amp; Hell Raisers (3:23)\u003c\/div\u003e\n\u003cdiv\u003e4. Master Of Sparks (3:33)\u003c\/div\u003e\n\u003cdiv\u003e5. Hot, Blue And Righteous (3:14)\u003c\/div\u003e\n\u003cdiv\u003e6.  Move Me On Down The Line (2:30)\u003c\/div\u003e\n\u003cdiv\u003e7.  Precious And Grace (3:09)\u003c\/div\u003e\n\u003cdiv\u003e8.  La Grange (3:51)\u003c\/div\u003e\n\u003cdiv\u003e9.  Shiek (4:04)\u003c\/div\u003e\n\u003cdiv\u003e10.  Have You Heard? 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The title track, a 13-minute instrumental that weaves Indian raga structures and modal jazz into electric blues, pointed directly toward the extended improvisational language that would define the next decade of rock, and you can draw a straight line from it to everything from the Grateful Dead's early jams to the Allman Brothers' guitar interplay.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe BUTTERFIELD BLUES BAND Blows Open the Doors of Possibility: Recorded at Chess Studios, East-West Sows the Seeds for Acid-Rock and Features Monster Performances from Mike Bloomfield and MoreExperience the 1966 Effort in Definitive Sound: Sourced from the Original Master Tapes and Strictly Limited to 2,500 Numbered Copies, Mobile Fidelity's Numbered-Edition Hybrid Mono SACD Makes the Album Available in Mono for the First Time in Nearly 60 YearsThe BUTTERFIELD BLUES BAND might be most famous for serving as the backing group for Bob Dylan's famous electrified show at the Newport Folk Festival, but the collective earned a spot in the Rock and Roll Hall of Fame due to East-West. Though it remains a footnote in most incomplete histories of music, the 1966 record changed the shape of popular music, sowed the seeds for acidrock, and further demonstrated the visionary abilities and virtuosic skills of a sextet that took the blues in novel directions.Sourced from the original master tapes, strictly limited to 2,500numbered copies, and housed in a mini-LP-style gatefold package, Mobile Fidelity's hybrid SACD presents East-West in audiophile sound - and in the original mono mix for the first time in nearly 60 years. Featuring crystal-clear clarity that exposes critical details, dynamics, and tones, this collectible reissue exhibits elevated levels of directness, coherency, and spaciousness. You'll experience the prized acoustics and dimensions of Chicago's Chess Studios at 2120 S. Michigan Avenue, where the set was recorded. Every aspect of the album benefits. Paul Butterfield's lead vocals and signature harmonica; Elvin Bishop's fusion of gospel, R\u0026amp;B, and country threads; Jerome Arnold's in-the-pocket bass; Billy Davenport's bossanova-derived drumming; Mark Naftalin's illuminating piano and organ; and of course, Mike Bloomfield's zinging electric guitar. Many decades later, that east-west journey is still one to be taken again and again.Numbered Hybrid Mono SACDLIMITED EDITION OF 2,500Tracklist:1. Walkin' Blues2. Get Out of My Life, Woman3. I Got a Mind to Give Up Living4. All These Blues5. Work Song6. Mary, Mary7. Two Trains Running8. Never Say No9. East-West\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797230865\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Walkin' Blues (3:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Get Out Of My Life, Woman (3:16)\u003c\/div\u003e\n\u003cdiv\u003e3. I Got A Mind To Give Up Living (5:01)\u003c\/div\u003e\n\u003cdiv\u003e4. All These Blues (2:22)\u003c\/div\u003e\n\u003cdiv\u003e5. Work Song (7:57)\u003c\/div\u003e\n\u003cdiv\u003e6. Mary, Mary (2:53)\u003c\/div\u003e\n\u003cdiv\u003e7. Two Trains Running (3:54)\u003c\/div\u003e\n\u003cdiv\u003e8. Never Say No (3:03)\u003c\/div\u003e\n\u003cdiv\u003e9. East-West (13:12)\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745052897435,"sku":"43577847","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-butterfield-blues-band-east-west-cd-relix.jpg?v=1783625357"},{"product_id":"deee-lite-world-clique-limited-edition-180-gram-lp-vinyl","title":"Deee-Lite – World Clique (Mobile Fidelity 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFormed in New York City by DJ Dmitry, Lady Miss Kier, and Towa Tei, Deee-Lite bridged downtown club culture and pop radio at a moment when that crossing felt genuinely radical. \"Groove Is in the Heart\" became one of the defining singles of 1990, but the full album around it rewards the kind of careful listening this Mobile Fidelity pressing invites, with Bootsy Collins's bass and the horn work of Maceo Parker and Fred Wesley sitting in a mix that deserves serious speakers.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDe-lovely, Delightful, and Truly Delicious: Deee-Lite's World Clique Makes Deliriously Fun Dance Magic with House, Funk, and Soul Music, Includes 'Groove Is in the Heart' and Contributions from Bootsy Collins, Maceo Parker, and Fred WesleyHear the 1990 Club Favorite in Audiophile Sound for the First Time: Mobile Fidelity's 180g 45RPM 2LP Set Abounds with Tones, Colors, Definition, and Spatial DetailsDig! A rare club album that crossed over into the mainstream and became an international success, World Clique seemingly came from out of the blue from a band whose whimsical, quasipsychedelic name - Deee-Lite - hints at the sheer fun, quirky personality, and humorous flair within it's diverse borders. Renowned for the smash 'Groove Is in the Heart,' ranked #233 on Rolling Stone's list of the 500 Greatest Songs of All Time and No. 2 on Billboard's 100 Best Dance Songs of All Time, the 1990 record is a good-time dive into funk, house, disco, and pop waters that never fails to put a smile on listeners' faces or a spring in their clog-heels step.Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 2,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity's 180g 45RPM 2LP set presents World Clique in audiophile quality for the first time. One of the most important aspects of the effort - rhythmic grooves, natch - tremendously benefits from the fact the 48-minute album gets spread across four vinyl sides. The upgrade allows for a boost in groove velocity and near eradication of inner-groove distortion all the while enhancing high- and low-frequency reproduction. Unless you've got out-of-print 12-inch singles from this Billboard Top 20 set, you've never come close to hearing how good it sounds. Delovely. Delightful. And truly delicious.1\/2' \/ 30 IPS analog master to DSD 256 to analog console to latheNumbered 180g 45RPM Vinyl 2LPLIMITED EDITION OF 2,000Track ListSide One:Deee-Lite ThemeGood BeatPower of LoveSide Two:Try Me On... I'm Very YouSmile OnWhat Is Love?Side Three:World CliqueE.S.P.Groove Is in the HeartSide Four:Who Was That?Deep-EndingBuild the Bridge\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797260916\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Deee-Lite Theme\u003c\/div\u003e\n\u003cdiv\u003e2. Good Beat\u003c\/div\u003e\n\u003cdiv\u003e3. Power Of  Love\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Try Me On...I'm Very You\u003c\/div\u003e\n\u003cdiv\u003e2. Smile On\u003c\/div\u003e\n\u003cdiv\u003e3. What Is Love?\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. World Clique\u003c\/div\u003e\n\u003cdiv\u003e2. E.S.P.\u003c\/div\u003e\n\u003cdiv\u003e3. Groove Is In The Heart\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Who Was That?\u003c\/div\u003e\n\u003cdiv\u003e2. Deep-Ending\u003c\/div\u003e\n\u003cdiv\u003e3. Build The Bridge\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745054535835,"sku":"136580834","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-deee-lite-world-clique-limited-edition-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1783625194"},{"product_id":"doobie-brothers-captain-me-limited-edition-180-gram-lp-vinyl","title":"Doobie Brothers – Captain \u0026 Me (Mobile Fidelity 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at Amigo Studios in North Hollywood with producer Ted Templeman, The Captain and Me captured a band hitting its stride with a twin-guitar attack and rhythmic drive that would define West Coast rock for years to come. Tom Johnston's bluesy swagger on \"China Grove\" and \"Long Train Runnin'\" made both songs instant radio staples in 1973, while the album's deeper cuts revealed a band equally comfortable with acoustic ease as with throttling grooves.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Album That Made The Doobie Brothers Superstars: Smartly Balanced Between Edgy Rock and Rustic Balladry, The Captain and Me Features the Timeless Hits 'China Grove' and 'Long Train Runnin'Experience the 1973 Record in Definitive Sound on Mobile Fidelity's 180g 45RPM 2LP Set: Numbered-Edition Reissue Elevates Ted Templeman's Standout ProductionTaking off on the commercial success of Toulouse Street, The Captain and Me propelled The Doobie Brothers to superstar status. Having spent an entire year on the charts after it's March 1973 release, it features one classic cut after another. Not to mention an even-keeled balance between gritty rock fare and mellow balladry that showcases the group's chemistry and songwriting prowess. By keeping their craft deceptively simple and thoroughly enjoyable, The Doobie Brothers understand music is supposed to be fun - and that it needs to groove. And groove this double-platinum record does without fail.Sourced from the original analog master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180g 45RPM 2LP presents The Captain and Me in definitive sound. Facets that help make the album so welcoming - voices that naturally rise and fall, notes that properly carry and decay, bass lines you can trace, well-placed percussive accents, warm tones, defined separation between the musicians - come across with involving presence, openness, and realism. You'd likely never guess The Doobie Brothers created The Captain and Me under the pressures associated with a quick turnaround time and demands for a set that would prove it's prior LP wasn't a fluke. To say they accomplished that mission is a vast understatement.1\/4' \/ 15 IPS Dolby A analog master to DSD 256 to analog console to latheNumbered 180g 45RPM Vinyl 2LPLIMITED SPECIAL EDITIONTrack ListSide One:Natural ThingLong Train Runnin'China GroveSide Two:Dark Eyed Cajun WomanClear as the Driven SnowSide Three:Without YouSouth City Midnight LadySide Four:Evil WomanBusted Down Around O'Connelly CornersUkiahThe Captain and Me\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797259712\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Natural Thing\u003c\/div\u003e\n\u003cdiv\u003e2. Long Train Runnin'\u003c\/div\u003e\n\u003cdiv\u003e3. China Grove\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Dark Eyed Cajun Woman\u003c\/div\u003e\n\u003cdiv\u003e2. Clear as the Driven Snow\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Without You\u003c\/div\u003e\n\u003cdiv\u003e2. South City Midnight Lady\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Evil Woman\u003c\/div\u003e\n\u003cdiv\u003e2. Busted Down Around O'Connelly Corners\u003c\/div\u003e\n\u003cdiv\u003e3. Ukiah\u003c\/div\u003e\n\u003cdiv\u003e4. The Captain and Me\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745061712027,"sku":"136583614","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-doobie-brothers-captain-me-limited-edition-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1783625175"},{"product_id":"television-marquee-moon-lp-vinyl","title":"Television – Marquee Moon (Mobile Fidelity 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMarquee Moon arrived out of New York's CBGB scene in 1977, but Television always stood slightly apart from the punk chaos surrounding them, more interested in the melodic interplay between Tom Verlaine and Richard Lloyd than in speed or aggression. Verlaine's guitar lines coil and stretch in ways that owed as much to jazz improvisation as to rock and roll, a quality that makes this record feel genuinely alive on vinyl, where every overtone and dynamic shift has room to breathe.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTelevision Reimagines Guitar Rock on MarqueeMoon: Band's 1977 Debut Is Ranked the 107thGreatest Album of All Time by Rolling Stone andCited on Virtually Every Major \"Best\" ListExperience the Pioneering Record in DefinitiveSound: Mobile Fidelity's UltraDisc One-Step 180g45RPM 2LP Box Set Reveals Brilliant Dynamics,Textures, and TonesTelevision's Marquee Moon reimagines guitar rock in such original,pioneering ways that critics and fans still struggle to describe it'sessence five decades after it's original release. Made after the bandcut it's teeth for four years amid New York's thriving arts scene, the1977 album blends the inimitable interplay of guitarists Tom Verlaineand Richard Lloyd; spontaneous and precise approaches; andwinding arrangements that draw as much from classical, jazz, andpsychedelia as the punk ethos to which the album is often linked.Few records of the era combine such high-wire technical prowess,back-to-basics architecture, jam-band improvisation, narrativemysticism, delicate finesse, hook-laden catchiness, and excess-freeexploration.Available as a 45RPM edition for the first time, Marquee Moonreaches a new sonic pinnacle on Mobile Fidelity's UltraDisc OneStep 180g 2LP box set. Strictly limited to 3,000 numbered copiesand pressed at Fidelity Record Pressing in California, this deluxereissue of the effort Pitchfork named the third greatest of the entire1970s plays with incredible detail, dynamics, and definition. Thepresence, emotionalism, warmth, and dimensionality of the texturesalone make this premium reissue a treat for both listeners who knowthe record inside-out and for audiophiles embarking on Television'sincomparable journeys for perhaps the first time. To quote Verlaine on\"Prove It,\" those are \"just the facts.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. See No Evil (3:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Venus (3:48)\u003c\/div\u003e\n\u003cdiv\u003e3. Friction (4:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Marquee Moon (10:43)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Elevation (5:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Guiding Light (5:36)\u003c\/div\u003e\n\u003cdiv\u003e3. Prove It (5:04)\u003c\/div\u003e\n\u003cdiv\u003e4. Torn Curtain (7:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797206426\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.9.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745081012379,"sku":"159440771","price":219.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-television-marquee-moon-vinyl-lp-relix.jpg?v=1783374869"},{"product_id":"jimmy-cobb-quartet-jazz-in-the-key-of-blue-hybr-cd","title":"Jimmy Cobb  Quartet – Jazz In The Key Of Blue (SACD CD)","description":"\u003cp\u003eIn 2009, 79-year-old jazz drummer Jimmy Cobb, then the last surviving member of the famous Miles Davis group that had recorded the iconic Kind Of Blue album, was enjoying a late-career renaissance as a bandleader. Recruiting the Texas trumpet sensation and flugelhorn master Roy Hargrove alongside guitarist Russell Malone and bassist John Webber, Cobb recorded Jazz In The Key Of Blue, an exquisite collection of quiet, moody-invoking, late-night ballads for Chesky Records. The quartet offers stunning interpretations of standards from The Great American Songbook - including 'Every Time We Say Goodbye, ' and 'I Had The Craziest Dream' - with jazz-inflected covers of pop hits (Billy Preston and Syreeta's 1979 Motown hit 'With You I'm Born Again') and striking original tunes (Cobb's 'Remembering U').Bolstered with new liner notes featuring quotes from bassist John Webber, Jazz In The Key Of Blue is reissued in 2026 as part of the Chesky Original Masters series on SACD Hybrid Stereo.Note: These Hybrid SACD discs are compatible with all standard CD and SACD players.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEvery Time We Say Goodbye\u003c\/li\u003e\n\u003cli\u003eWith You I'm Born Again\u003c\/li\u003e\n\u003cli\u003eI'll Still Be In Love with You\u003c\/li\u003e\n\u003cli\u003eEmily\u003c\/li\u003e\n\u003cli\u003eStairway to the Stars\u003c\/li\u003e\n\u003cli\u003eI Had the Craziest Dream\u003c\/li\u003e\n\u003cli\u003eRemembering U\u003c\/li\u003e\n\u003cli\u003eWhat Will I Do\u003c\/li\u003e\n\u003cli\u003eIf Ever I Would Leave You\u003c\/li\u003e\n\u003cli\u003eWe'll Be Together Again)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4895241451119\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chesky Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745085927579,"sku":"151408436","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Jimmy-Cobb-Quartet-Jazz-In-The-Key-Of-Blue-Hybr-CD.jpg?v=1781270739"},{"product_id":"chuck-mangione-everything-for-love-180-gram-lp-vinyl","title":"Chuck Mangione – Everything For Love (One-Step LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eChuck Mangione came up through the fertile Rochester jazz scene before studying at the Eastman School of Music, and his warm, breathy flugelhorn tone became one of the most recognizable sounds in jazz. Best known to mainstream audiences for \"Feels So Good,\" his 1977 Grammy-winning crossover hit, Mangione never stopped pushing deeper into his craft long after the pop spotlight moved on. Everything for Love stands as his final recorded statement, a testament to the relationships and musical values he carried his entire career.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe final album recorded by the late double-Grammy-winning Chuck Mangione, Everything for Love, was the flugelhorn maestro's second outing for Chesky Records, a New York label renowned for it's audiophile-quality recordings and for cutting it's artists live in what producer David Chesky described as \"reverberant spaces\" using a single microphone. Recorded in St. Peter's Church, Chelsea, New York, in 2000, Everything for Love reunited Mangione with some of the musicians who had played with him in the '70s - saxophonist\/flutist Gerry Niewood, guitarist Grant Geissman, and bassist Charles Meeks - and featured mostly original material. Highlights include 'Peggy Hill,' which Mangione composed for the animated sitcom King Of The Hill; 'Slo Ro,' a portrait of Mangione's wife Rosie; and the album's only cover, a soulful, gospel-tinged rendition of the hymn 'Amazing Grace,' where Mangione takes the listener to church. Everything for Love is a fitting musical epitaph for Mangione, who died in 2025. The album will be reissued in 2026 on SACD Hybrid Stereo and 180g One-step Pressing Vinyl LP as part of the Chesky Original Masters series.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Peggy Hill (6:13)\u003c\/div\u003e\n\u003cdiv\u003e2. Slo Ro (7:11)\u003c\/div\u003e\n\u003cdiv\u003e3. Amazing Grace (7:05)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Seoul Sister (6:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Viola (7:51)\u003c\/div\u003e\n\u003cdiv\u003e3. I Do Everything For Love (6:03)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4895241451317\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chesky Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745087041691,"sku":"170532249","price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-chuck-mangione-everything-for-love-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1786072736"},{"product_id":"dance-album-of-carl-perkins-cd","title":"Dance Album of Carl Perkins (SACD CD)","description":"\u003cp\u003eIntervention Records is proud to announce the first CD\/SACD release in it's Intervention Sun Records Hi-Fi Series, Carl Perkins' groundbreaking rockabilly classic, 1957's \"Dance Album of Carl Perkins.\" Available for Preorder today.As great as many of these versions are from over the decades, arguably, no one ever did these tunes with more swag than Carl himself on \"Dance Album!\"The SMASH hits include Perkins-written classics like \"Blue Suede Shoes,\" \"Honey Don't,\" \"Matchbox,\" and \"Everybody's Trying to Be My Baby.\" The album also includes Carl's covers of \"Only You\" and \"Wrong Yo Yo.\" Intervention worked closely with Sun Records and the Archive Team at Iron Mountain to compile a completely NEW set of A\/B reel master tapes for this release. In the late 1960s, when Shelby Singleton purchased Sun Records from legendary Sam Phillips, the original 7\" single master tape reels were compiled onto many different sets of 1\/4\" tapes. Identifying any one tape as \"THE master\" for a given song is no longer possible, but hours and hours were spent by Sun and IR's Shane Buettner listening to tapes and identifying the absolute best sounding tape version of each and every song. Kelly Pribble, Mark Berger, and Scott Delaney at Iron Mountain made flat 1\/4\" transfers at our direction to a newly minted set of 1\/4\" A\/B reels for this release. For the CD\/SACD Extra Tracks Iron Mountain made DSD transfers directly from the analog master tapes. Gus Skinas at the Super Audio Center prepared Kevin Gray's mastered DSD files for the original repertoire, and mastered the extra tracks in the DSD domain using Gray's mastering notes as a guide. Of course, IR's paid no less attention to the album art, and very special thanks are owed to Joe Goldmark, who loaned us his very-hard-to-find original jacket for color reference. 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This Mobile Fidelity pressing rewards the patience, bringing out every shimmering tremolo and the full depth of Isaak's aching baritone.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eChris Isaak's Heart Shaped World Is a MoodMasterpiece: Double-Platinum Album Featuresthe Smash \"Wicked Game,\" Brilliant Singing, andExtraordinary Guitar TonesExperience the Brooding 1989 Record inDefinitive Sound: Mobile Fidelity's UltraDisc 180g45RPM 2LP Box Set Plays with Remarkable Detailand Includes the Bonus Track \"Diddley Daddy\"There was nothing in contemporary music like Chris Isaak's HeartShaped World when it hit shelves in June 1989. More than threedecades later, the singer-songwriter's third album still sounds unique.Home to the Top 10 smash \"Wicked Game,\" the brooding set remainsa masterful mood piece that invites you to pour a late-night drink andrelish Isaak's elegant albeit raw ruminations on love, relationships,and questionable decisions. For all the melodrama and sadness athand, Isaak's baritone dives deep underneath emotional surfaces.He mines subtleties that go beyond heartbreak and anguish,and occasionally suggest frustration, menace, and anger. Thecontributions of his backing band, anchored by the brilliant playing ofguitarist James Calvin Wilsey, seamlessly match his patient deliveriesand cool command.Sourced from the original master tapes, pressed at Fidelity RecordPressing, and featuring the bonus track \"Diddley Daddy,\" MobileFidelity's UltraDisc One-Step 180g 45RPM 2LP box set of HeartShaped World unearths the staggering inner details, saturatedtones, and extraordinary atmospherics of the crisp production. Thisdemonstration-grade reissue brings you up close and personalwith Isaak's spectacular singing - impeccably controlled, tense,brooding, steamy, smoldering, haunted - situated amidst strippeddown backdrops that allow every note to fully bloom and decay. Therecord's lonesome temperaments and pensive themes have neverbeen more hypnotic on vinyl. As Isaak croons on the title track:\"Trouble going down.\" Indeed.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Heart Shaped World\u003c\/div\u003e\n\u003cdiv\u003e2. I'm Not Waiting\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Make Me Dream About You\u003c\/div\u003e\n\u003cdiv\u003e4. Kings Of The Highway\u003c\/div\u003e\n\u003cdiv\u003e5. Wicked Game\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Spanish Sky\u003c\/div\u003e\n\u003cdiv\u003e2. Wrong To Love You\u003c\/div\u003e\n\u003cdiv\u003e3. Forever Young\u003c\/div\u003e\n\u003cdiv\u003e4. Nothing's Changed\u003c\/div\u003e\n\u003cdiv\u003e5. In The Heat Of The Jungle\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797207522\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745094512795,"sku":"159321959","price":219.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-chris-isaak-heart-shaped-world-vinyl-lp-relix.jpg?v=1783625245"},{"product_id":"butterfield-blues-band-keep-on-moving-lp-vinyl","title":"The Butterfield Blues Band – Keep On Moving (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded the same year Woodstock redrew the map of American music, Paul Butterfield was charting his own course deeper into soul and R\u0026amp;B, steering his band away from the electric blues that made his name and toward something harder to categorize. David Sanborn, then a young unknown, found one of his earliest prominent platforms here, a reminder that the Butterfield orbit had a way of pulling in serious talent before the rest of the world caught on.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe BUTTERFIELD BLUES BAND Leans into R\u0026amp;B Fervor onthe Brassy Keep on Moving: Album Features a HornSection with David Sanborn and Prioritizes the Art ofthe GrooveHear the 1969 Record in Audiophile Sound for theFirst Time: Strictly Limited to 3,000 Numbered Copies,Mobile Fidelity's 180g Vinyl LP Plays with DynamicLiveliness and Involving PresenceAnd then there was one. Paul Butterfield stands as the lastremaining original member of his namesake collective on Keep onMoving. It's hard to imagine it being any other way. Picking up whereit left off on In My Own Dream, the BUTTERFIELD BLUES BAND whollyembraces R\u0026amp;B fervor - and indirectly dares any horn-accompaniedensemble of the era to match it's energy, pulse, tightness, and flair.While going all-in on soul with a crack support cast on this 1969 set,Butterfield would pull the plug on the band just two years later. Thegroup's pursuit of funky, bluesy paths carved by rolling bass lines,stacked horns, buttoned-up rhythms, and harmonica blasts almostmakes that decision unthinkable.Sourced from the original analog master tapes, pressed at FidelityRecord Pressing in California, and housed in a Stoughton jacket,Mobile Fidelity's 180g LP makes Keep on Moving available inaudiophile quality. Open, clear, and balanced, it underlines thedynamic liveliness and organic feel of Jerry Ragovoy's production.As well as the palpable chemistry of the sessions recorded at histhen-brand-new Hit Factory studio in New York. The prominenceand positioning of the horn section - comprised of a youngDavid Sanborn, Gene Dinwiddie, Trevor Lawrence, Keith Johnson,and Steve Madaio - particularly benefit from the newfoundtransparency and presence. This reissue's quiet surfaces andblack backgrounds also expose key details, accents, and texturesgermane to the music. Keep on moving, indeed.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Love March (2:56)\u003c\/div\u003e\n\u003cdiv\u003e2. No Amount Of Loving (3:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Morning Sunrise (2:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Losing Hand (3:33)\u003c\/div\u003e\n\u003cdiv\u003e5. Walking By Myself (4:28)\u003c\/div\u003e\n\u003cdiv\u003e6. Except You (3:52)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Love Disease (3:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Where Did My Baby Go (4:37)\u003c\/div\u003e\n\u003cdiv\u003e3. All In A Day (2:26)\u003c\/div\u003e\n\u003cdiv\u003e4. So Far So Good (2:27)\u003c\/div\u003e\n\u003cdiv\u003e5. Buddy's Advice (3:19)\u003c\/div\u003e\n\u003cdiv\u003e6. Keep Moving (5:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797161213\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745096118427,"sku":"159812717","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-butterfield-blues-band-keep-on-moving-vinyl-lp-relix.jpg?v=1783625302"},{"product_id":"jon-anderson-olias-of-sunhillow-limited-edition-180-gram-lp-vinyl","title":"Jon Anderson – Olias Of Sunhillow (Mobile Fidelity LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJon Anderson wrote, performed, and produced every note of Olias of Sunhillow himself, a solo undertaking that stands apart even within the famously ambitious catalog of 1970s progressive rock. The album arrived in 1976 between Yes's Relayer and Going for the One, a period when the band was pushing the outer limits of what rock music could contain, and Anderson's solo vision extended even further into pure fantasy and sound sculpture.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJon Anderson Embarks on a Cosmic Journey with Olias of Sunhillow: 1976 Concept Album Intrigues with Ambitious Instrumentation, Fantasy Narratives, and Fastidious ProductionStrictly Limited to 2,000 Numbered Copies, Mobile Fidelity's 50th Anniversary Reissue Is the First Audiophile Vinyl Edition of Yes Singer's Solo Debut: Deluxe Packaging Replicates the Original Gatefold Jacket with Inner Hinged Panel and Embossed TexturesJon Anderson nearly drove himself insane making Olias of Sunhillow. That's not a figure of speech. By his own admission, the Yes singer pushed himself to such extreme limits working on his first solo album that he began questioning his creative decisions and state of mind. Yet Anderson's labor of love ultimately resulted in a cosmic set that immediately became a hybrid prog-psychedelic favorite that stands as one of the most revered cult classics in the rock canon. Reissued in celebration of it's 50th anniversary and only the second domestic vinyl version of the record since it's initial 1976 release, Mobile Fidelity's numbered-edition 180g LP presents Olias of Sunhillow in audiophile sound for the first time. The complexities of Anderson's extravagant array of ambient landscapes, new-age synthesizers, and signature vocals are resolved and laid out amid black backgrounds that deeply immerse you in the transportative music. The British legend's cornucopia of exotic and familiar instrumentation - he famously played every note on the record - now seems even more impressive and impossible. Grand in scope, symphonic in scale, and epic in execution, Olias of Sunhillow invites listeners to set sail on a wondrous journey. Hop aboard.1\/4\" \/ 15 IPS Dolby A analog master to DSD 256 to analog console to latheNumbered 180g 33RPM Vinyl LPLIMITED EDITION OF 2,000\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSide One:\u003c\/li\u003e\n\u003cli\u003eOcean Song\u003c\/li\u003e\n\u003cli\u003eMeeting (Garden of Geda)\u003c\/li\u003e\n\u003cli\u003eSound Out the Galleon\u003c\/li\u003e\n\u003cli\u003eDance of Ranyart\u003c\/li\u003e\n\u003cli\u003eOlias (To Build the Moorglade)\u003c\/li\u003e\n\u003cli\u003eQoquaq En Transic\u003c\/li\u003e\n\u003cli\u003eNaon\u003c\/li\u003e\n\u003cli\u003eTransic Tö\u003c\/li\u003e\n\u003cli\u003eFlight of the Moorglade\u003c\/li\u003e\n\u003cli\u003eSide Two:\u003c\/li\u003e\n\u003cli\u003eSolid Space\u003c\/li\u003e\n\u003cli\u003eMoon Ra\u003c\/li\u003e\n\u003cli\u003eChords\u003c\/li\u003e\n\u003cli\u003eSong of Search\u003c\/li\u003e\n\u003cli\u003eTo the Runner\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797164610\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745103360155,"sku":"182069081","price":79.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-jon-anderson-olias-of-sunhillow-limited-edition-180-gram-lp-vinyl-vinyl-lp-relix.jpg?v=1783625128"},{"product_id":"stooges-fun-house-limited-edition-180-gram-lp-vinyl","title":"Stooges – Fun House (Mobile Fidelity 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in a single week in May 1970 at Elektra Sound Recorders in Los Angeles, Fun House captures the Stooges playing essentially live in the studio, a decision that preserved every ounce of the band's ferocious stage energy. saxophonist Steve Mackay's free-jazz howl pushing the back half of the album into genuinely uncharted territory, this is the sound of a band burning everything down with no interest in what comes next.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Stooges Make the Ultimate Rock 'n' Roll Statement on Fun House: Primal Punk-Jazz Landmark Is Ranked the 94th Greatest Album of All Time by Rolling StoneExperience the Band's 1970 Effort in Definitive Sound on Vinyl: Mobile Fidelity's Numbered-Edition 180g 45RPM 2LP Set Explodes with Energy, Immediacy, and Force\"Do you feel it?\" Iggy Pop asks on \"Dirt.\" The answer is patently obvious for anyone who encounters the Stooges' Fun House. This is a record where unabandoned feeling takes precedence, primal energy surges to the fore, outsider attitude snarls with destructive force, electrifying chaos assumes the form of wild joyousness - all of which might very well be impossible to put into words. Legendary Village Voice journalist Robert Christgau even admitted \"language wasn't designed for the job\" of conveying what many critics and artists believe to be the ultimate rock 'n' roll statement. Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's 180g 45RPM 2LP set marks the first time this 1970 landmark is available at 45RPM speed. The live-in-the-room characteristics closely identified with Fun House and Don Gallucci's esteemed production - the unrelenting sense of groove; the sheer impact of the rhythms; the ferocity of Pop's heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension - emerge with gripping presence, body, and power. The Stooges' most controlled and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb to which Christgau thought of comparing it. 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Rooted in the same Lower Manhattan ferment that produced Patti Smith and the Ramones, *Marquee Moon* arrived from a completely different angle, owing as much to the long-form improvisation of the Velvet Underground as to anything happening in punk. Nearly fifty years on, those guitar conversations still sound unresolved in the best possible way.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTelevision Reimagines Guitar Rock onMarquee Moon: Band's 1977 Debut Is Rankedthe 107th Greatest Album of All Time byRolling Stone and Cited on Virtually EveryMajor \"Best\" ListExperience the Pioneering Record inAudiophile Sound: Mobile Fidelity'sNumbered-Edition Hybrid SACD Plays withExceptional Clarity, Textures, and TonesTelevision's Marquee Moon reimagines guitar rock in such original,pioneering ways that critics and fans still struggle to describe it'sessence five decades after it's original release. Made after the bandcut it's teeth for four years amid New York's thriving arts scene, the1977 album blends the inimitable interplay of guitarists Tom Verlaineand Richard Lloyd; spontaneous and precise approaches; andwinding arrangements that draw as much from classical, jazz, andpsychedelia as the punk ethos to which the album is often linked.Few records of the era combine such high-wire technical prowess,back-to-basics architecture, jam-band improvisation, narrativemysticism, delicate finesse, hook-laden catchiness, and excess-freeexploration.Marquee Moon reaches new sonic heights on Mobile Fidelity'snumbered-edition hybrid SACD. Housed in mini-LP-style packaging,this numbered-edition reissue of the effort Pitchfork named the thirdgreatest of the entire 1970s plays with excellent detail, dynamics,and clarity. The presence, emotionalism, warmth, and dimensionalityof the textures alone make this audiophile release a treat for bothlisteners who know the record inside-out and for audiophilesembarking on Television's incomparable journeys for perhaps thefirst time. To quote Verlaine on \"Prove It,\" those are \"just the facts.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. See No Evil (3:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Venus (3:48)\u003c\/div\u003e\n\u003cdiv\u003e3. Friction (4:43)\u003c\/div\u003e\n\u003cdiv\u003e4. Marquee Moon (10:43)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Elevation (5:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Guiding Light (5:36)\u003c\/div\u003e\n\u003cdiv\u003e3. Prove It (5:04)\u003c\/div\u003e\n\u003cdiv\u003e4. Torn Curtain (7:00)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797232166\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.9.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745110995099,"sku":"159824174","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-television-marquee-moon-cd-relix.jpg?v=1783625079"},{"product_id":"stone-temple-pilots-no-4-lp-vinyl","title":"Stone Temple Pilots – No. 4 (Mobile Fidelity 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1999, the alt-rock landscape had largely moved on from the sounds STP helped define earlier in the decade, making No. 4's commercial and creative success genuinely hard-won. 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Blending the strengths of the quartet's three prior LPs while marking a return to it's hardrock roots, the platinum-certified record stands as the heaviest of the California ensemble's career. That it succeeded while flying in the face of trends underlines it's significance and appeal. Massive riffs drive tracks such as the grinding \"Down,\" stormy \"Heaven \u0026amp; Hot Rods,\" and vitriolic \"Sex \u0026amp; Violence.\" These and other songs bulldoze and plow, their muscular arrangements caked with thick sludge and aluminum tones, their sinister moods draped in distortion.Sourced from the original analog tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's 180g 45RPM 2LP set presents No. 4. in audiophile sound for the first time on vinyl. With exceptional groove definition, quiet surfaces, and black backgrounds, this collectible reissue plays with enhanced liveliness, balance, and solidity that raise the profile of an album that contains a wealth of colors, dynamics, and subtle accents that demand transparent resolution. Rest assured you'll get that here - as well as previously obscured imaging and separation. 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That it succeeded while flying in the face of trends underlines it's significance and appeal. Massive riffs drive tracks such as the grinding \"Down,\" stormy \"Heaven \u0026amp; Hot Rods,\" and vitriolic \"Sex \u0026amp; Violence.\" These and other songs bulldoze and plow, their muscular arrangements caked with thick sludge and aluminum tones, their sinister moods draped in distortion.Sourced from the original analog tapes and housed in mini-LPstyle gatefold packaging, Mobile Fidelity's hybrid SACD presents No. 4. in audiophile quality for the first time on disc. It plays with a combination of enhanced liveliness, fullness, and solidity that raises the profile of an album that contains a wealth of colors, dynamics, and subtle accents that demand transparent resolution. Rest assured you'll get that here - as well as previously obscured imaging and separation. 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Legendary Village Voice journalist Robert Christgau even admitted \"language wasn't designed for the job\" of conveying what many critics and artists believe to be the ultimate rock 'n' roll statement. Sourced from the original master tapes and housed in mini-LPstyle gatefold packaging, Mobile Fidelity's hybrid SACD plays with enhanced definition, stellar clarity, and realistic ambience. The livein-the-room characteristics and sudden mayhem closely identified with Fun House and Don Gallucci's esteemed production emerge with gripping presence, body, and power. Witness the unrelenting sense of groove; the sheer impact of the rhythms; the ferocity of Pop's heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension. The Stooges' most controlled and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb to which Christgau thought of comparing it. 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Like Barefoot Adventure (IMP6048\/IMP6057 LP \/ IMP8330 SACD), Holiday in Brazil is a perfect summer jazz confection: light, soulful, and breezy. It goes down easy and satisfies deeply. Impex Records is proud to reintroduce this musically stunning and sonically superb \"Holiday in Brazil.\" First Time on Analog-Sourced Hi-Rez SACD. Designed to Play on Standard CD Players, SACD Players \u0026amp; Other SACD-Capable Players. 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Trained as a classical pianist under Stravinsky associate Robert \"Bob\" Craft, Zevon brought a formal musical literacy to songs that lesser writers would have played straight, giving even the bleakest material an unlikely grandeur.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePlay It All Night Long: Warren Zevon Explores Contrasts and Classical Flourishes on Bad Luck Streak in Dancing School, Which Includes Collaborations with Members of the Eagles, Linda Ronstadt, and Other LuminariesHear the 1980 Album in Audiophile Sound: Strictly Limited to 2,500 Numbered Copies, Mobile Fidelity's Hybrid SACD Plays with Exceptional Presence, Detail, and ClarityThe regal strings and successive gunshots that announce the start of Bad Luck Streak in Dancing School encapsulate the contrasts Warren Zevon deftly navigates on an album that further telescoped his witty, neo-noir songwriting to a broad audience. Recorded as the Chicago native struggled to overcome toxic addictions and advance from a soured marriage, it showcases his interest in classical arrangements and knack for incisive observation, tongue-in-cheek fun, and heartbreaking emotion. And it benefits from collaborations with ace musicians such as Jackson Browne, Linda Ronstadt, Ben Keith, Waddy Wachtel, J.D. Souther, and Eagles members Glenn Frey, Don Henley, Joe Walsh, and Don Felder.Sourced from the original analog master tapes, housed in mini-LP-style packaging, and strictly limited to 2,500 numbered copies, Mobile Fidelity's hybrid SACD presents Zevon's 1980 album in audiophile sound. You will expe (more...)\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e1. Bad Luck Streak In Dancing School (2:58)\u003c\/div\u003e\n\u003cdiv\u003e2. A Certain Girl (3:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Jungle Work (3:52)\u003c\/div\u003e\n\u003cdiv\u003e4. Empty-Handed Heart (3:10)\u003c\/div\u003e\n\u003cdiv\u003e5. Interlude No. 1 (0:25)\u003c\/div\u003e\n\u003cdiv\u003e6. Play It All Night Long (2:50)\u003c\/div\u003e\n\u003cdiv\u003e7.  Jeannie Needs A Shooter (3:52)\u003c\/div\u003e\n\u003cdiv\u003e8.  Interlude No. 2 (1:07)\u003c\/div\u003e\n\u003cdiv\u003e9.  Bill Lee (1:35)\u003c\/div\u003e\n\u003cdiv\u003e10.  Gorilla, You're A Desperado (2:44)\u003c\/div\u003e\n\u003cdiv\u003e11.  Bed Of Coals (5:01)\u003c\/div\u003e\n\u003cdiv\u003e12.  Wild Age (4:18)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797230667\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745168830619,"sku":"198040007","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-zevon-warren-bad-luck-streak-in-dancing-school-cd-relix.jpg?v=1782766479"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/collections\/ChatGPT_Image_Sep_21_2026_12_25_38_PM.png?v=1790008195","url":"https:\/\/relix.shop\/collections\/the-audiophile-shelf.oembed?page=2","provider":"relix.shop","version":"1.0","type":"link"}