{"title":"The Beatles Vinyl Records \u0026 CDs","description":"\u003cp\u003eThe Beatles vinyl records, CDs, and albums spanning the full catalog. From the early Liverpool sound through Abbey Road and the solo years, this collection covers the greatest rock and roll band ever assembled in the formats worth owning. Stereo and mono pressings, remastered editions, live recordings, and rarities all represented here.\u003c\/p\u003e\u003cp\u003eBeatles vinyl is some of the most sought-after in collecting circles, and for good reason. These are records that reward close listening and hold their value. We carry officially licensed pressings including remastered LPs, anniversary editions, box sets, and CD reissues so you can own the catalog the right way.\u003c\/p\u003e\u003cp\u003eDig deeper into rock and roll collecting with our \u003ca href=\"\/collections\/collectors-editions\"\u003eCollector's Editions\u003c\/a\u003e section, or browse other classic rock artists across the full Relix store.\u003c\/p\u003e","products":[{"product_id":"ringo-starr-march-2025-relix-issue","title":"Ringo Starr - March 2025 Relix Issue","description":"\u003cp\u003eThe March 2025 edition of \u003cem\u003eRelix\u003c\/em\u003e features \u003cstrong\u003eRingo Starr\u003c\/strong\u003e, who, along with legendary producer \u003cstrong\u003eT Bone Burnett\u003c\/strong\u003e and a lineup of contemporary Nashville talents including \u003cstrong\u003eBilly Strings\u003c\/strong\u003e and \u003cstrong\u003eMolly Tuttle\u003c\/strong\u003e, returns to his musical roots on his latest project, \u003cem\u003eLook Up\u003c\/em\u003e. In our exclusive cover story, Starr explores the American sounds that captivated him as a young musician in Liverpool, long before he joined The Beatles.\u003c\/p\u003e\n\u003cp\u003eThis issue also includes in-depth profiles and interviews with \u003cstrong\u003eNeal Francis\u003c\/strong\u003e, \u003cstrong\u003eSharon Van Etten\u003c\/strong\u003e, \u003cstrong\u003eSam Grisman\u003c\/strong\u003e, \u003cstrong\u003eThe National\u003c\/strong\u003e, \u003cstrong\u003eCymande\u003c\/strong\u003e, \u003cstrong\u003eWidespread Panic\u003c\/strong\u003e, \u003cstrong\u003eGov't Mule\u003c\/strong\u003e, \u003cstrong\u003eSierra Hull\u003c\/strong\u003e, \u003cstrong\u003eChick Corea\u003c\/strong\u003e, \u003cstrong\u003eChristian McBride\u003c\/strong\u003e, \u003cstrong\u003eBrian Blade\u003c\/strong\u003e, and many more. Plus, readers can explore special features with \u003cstrong\u003eTom Constanten\u003c\/strong\u003e, \u003cstrong\u003eJimmy Vivino\u003c\/strong\u003e, and photographer \u003cstrong\u003eCassidy Rose\u003c\/strong\u003e, along with reflections from \u003cstrong\u003eBenmont Tench\u003c\/strong\u003e, an inside look at MusiCares' 34th annual Persons of the Year Gala honoring the \u003cstrong\u003eGrateful Dead\u003c\/strong\u003e,\u003cstrong\u003e \u003c\/strong\u003eand more!\u003c\/p\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":46156027232411,"sku":"MAG-202503","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Ringo-Starr-March-2025-Relix-Issue_cf9a7ea7-af94-4ed6-9142-be50bf4ca477.jpg?v=1790695878"},{"product_id":"paul-mccartney-the-boys-of-dungeon-lane-black-lp-vinyl","title":"Paul McCartney – The Boys of Dungeon Lane (Black LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003ch3\u003eReview\u003c\/h3\u003e\n\u003cp\u003eOn his latest album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDream Chaser\u003c\/em\u003e, Willie Nelson leads with the title track, the latest in a series of songs he’s released in recent years about aging and how it has affected him. “Last night a new song came to me faster than I could write it down,” he sings, then muses, “Sometimes I wonder if there’ll be another, then another comes around.” Ultimately, he concludes, “You may not understand it, why we live with the sacrifice\/ But it’s worth every mile to get to sing for a while.”\u003cbr\u003e\u003cbr\u003ePaul McCartney would surely agree. Although nearly a decade Nelson’s junior—McCartney will turn 84 on June 18—he, too, has been taking stock of where he’s been and what it’s all meant. Not superficially nostalgic but, rather, warmly reflective, the 14-track\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Boys of Dungeon Lane\u003c\/em\u003e, McCartney’s 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003esolo release, is named after a street in Liverpool that he remembered from his childhood, the phrase itself having surfaced first in a song McCartney wrote in the early ’90s called “In Liverpool.” He returns to it here in “Days We Left Behind,” the first single culled from the album, a song in which he reminisces affectionately about meeting a friend—he’s undoubtedly referring to John Lennon—on Forthlin Road, where the McCartney family lived. “See the boys of Dungeon Lane along the Mersey shore,” he sings. “Some of them will feel the pain but some were meant for more.”\u003cbr\u003e\u003cbr\u003eClearly, Paul McCartney was one of the boys meant for more, and for millions of us, whether those who were there for the first shrieks of Beatlemania or those who fell in love with his music later, he’s always been a gift that keeps on giving. While there have been missteps along the way for sure, anyone who would deny that McCartney’s been one of our most significant artists of the past century is simply living in an alternate universe. Admittedly, like many other musical artists in his age bracket, his singing voice is rougher, more ragged, than it once was—nature takes its course and few octogenarians, particularly creatives, are as sharp as they were in their youth. Will we still want to listen to\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e…Dungeon Lane\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e10 years or even six months from now? Can’t tell you ’cause I don’t know (and ’fess up, neither do you). Perhaps it will be a keeper or maybe, after it’s settled in and been with us for a while, it won’t go down as one of the more memorable works of his long career. No matter: At this particular moment, in its newness, it feels to this lifelong fan that that there are at least some moments here that are nothing short of remarkable. And that, in itself, makes it an essential addition to McCartney’s hefty catalog.\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eThe Boys of Dungeon Lane\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecertifies that he’s still got it.\u003c\/p\u003e\n\u003cp\u003eLike the best albums of The Beatles, Wings and McCartney’s 55-plus-year solo career, the new one, his first proper solo release since 2020’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMcCartney III\u003c\/em\u003e, flaunts the artist’s penchant for diversity, and his skills: No two songs sound alike, despite the fact that most of it is performed by one person: Paul McCartney. Vocals and bass (of course), a range of guitars, a battery of keyboard instruments (he still digs his Mellotron!), drums—mostly Paul. The rest: mostly Andrew Watt, who produced the album. Only 35 years old, Long Islander Watt has produced fellow youngsters like Demi Lovato, Justin Bieber, Post Malone and Miley Cyrus, but has also shown an affinity for classic rock, lending his guidance to recordings by the Rolling Stones, Elton John, Pearl Jam, Ozzy Osbourne and Iggy Pop. He’s a sympathetic producer, whose greatest contribution would appear to be knowing when to step back and let genius take its course. Does Paul McCartney even need a producer? Nah, but it’s to his credit that he chooses to hire one, perhaps if only to add the occasional no to all of the yeses.\u003cbr\u003e\u003cbr\u003eMost of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e…Dungeon Lane\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eworks, managing to sound both contemporary and seasoned. The word “Beatlesque” is often tossed around when describing a certain strain of richly melodic pop-rock, and there are hints of that to be sure—how could there not be?—but at the same time, this is as fresh as any other rock being made today, and arrives there without relying on soon-to-be-outdated technological gimmicks. A song as spare as “Down South,” a beautifully understated not-so-silly love song recounting the earliest days of McCartney’s friendship with George Harrison, needs nothing but one voice, one acoustic guitar and one electric, and that’s all that it gets. The aforementioned “Days We Left Behind,” a highlight of the recording, is another that features no other musicians: Whatever McCartney has to say, he can say himself.\u003cbr\u003e\u003cbr\u003eThat’s not always the case, but even when he invites others into the studio, McCartney prefers to keep the guest list small. Watt is the most frequent co-contributor, playing a bunch of instruments, filling out arrangements and spicing things up but never dominating: “Life Can Be Hard,” folksy and sweet, one of a few tunes on which McCartney employs a near-falsetto (the whispery “Days We Left Behind”—yes, that one again—being another), is populated not only with McCartney’s Mellotron, Moog and piano but Watt’s synth and both strings and woodwinds. It’s easy to think of a song like “When I’m 64” or even “Honey Pie” when listening to it, but there’s enough crackle in the vocal to serve as a reminder that the singer is no longer the 25-year-old who made that music. “Mountain Top,” which flirts with Beatle-era psychedelia but never gets too corny about it (well, there is this line: “Magic mushrooms peeping through\/Seem to want to talk and say hello”), is another Macca-only creation—he’s credited with harpsichord, bass, electric guitar, acoustic guitar, piano, Wurlitzer, Moog, Moog bass, drums, maracas, book slap, bongos, tambourine, Brenell loops—or would be if not for a mysterious notation that a spoken word bit is that of Nancy McCartney, Paul’s wife of nearly 15 years.\u003c\/p\u003e\n\u003cp\u003eThis is probably as good a place as any to elaborate more fully on that Paul-ephant in the room: McCartney’s voice. Anyone who has seen him in concert on his most recent tour, or in the past several years, is exercising a serious case of denial if they insist that the man’s singing voice hasn’t become, well, less pristine. Like any number of vocalists who’ve managed to keep going this long and this hard (You’ve heard him sing “Helter Skelter,” right?), McCartney’s most special instrument has weathered. It’s got a fracture to it now, there are notes he can no longer hit, and at times he appears to be struggling. That’s just the way it is—it’s that aging business again. Some longtime fans have groused that it’s time for him to pack it in, that since he’s no longer singing as well as he did at his peak and has accomplished enough in this life, it’s time for him to pull up the old rocking chair and enjoy the rest of his time on the planet without doing this music thing anymore.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMcCartney’s response to all that grumbling has been, more or less, to ignore it, to continue Pauling, and that means performing live. Don’t like the way he sounds? Then don’t, he seems to be saying by saying nothing, go to see him. Someone else will be happy to take that seat in the stadium. Anyway, a little grit never hurt anyone—there’s a new earthiness to his singing that seems to say yes, I’m old and I’m not trying to hide it. The authenticity has always been there, it still is, and no real fan would begrudge him for staying honest.\u003c\/p\u003e\n\u003cp\u003eThat said, those who do have an issue with the live vocals can take some comfort in knowing that the vocal work on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Boys of Dungeon Lane\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eskirts the issue quite deftly. However he and Watt did it, the most obvious signs of that coarsening are convincingly masked in the studio—he hasn’t entered Dylan territory quite yet, and likely never will. Like the latter, McCartney has learned to use the jagged edges to his advantage, tempering the blemishes masterfully, turning the lack of smoothness into a sign of maturing gracefully, a badge of honor.\u003c\/p\u003e\n\u003cp\u003eIn each of the most talked-about songs on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Boys of Dungeon Lane\u003c\/em\u003e, we are never unaware that the man at the heart of each performance is the act we’ve known for all these years, getting back to where he once belonged—so immediately familiar, albeit with a few wrinkles and age spots. Except when he’s not. “As You Lie There,” which opens the album—with a spoken-word verse—may at first seem an odd choice for an intro. Wispy and wistful at first, it rides on a bit of fantasy recalling a long-ago teenage crush. As a setup for the album’s overriding theme, it’s not creepy, and is actually quite empowering. But it doesn’t stay in one place for long With periodic accelerations, the intensity of the memory becomes more vivid, more manic, and by the time he gets to “In the room beyond the blind, do I ever cross your mind?” prior to the bridge, McCartney is shouting it out, much as he does toward the coda of a particularly raucous “Maybe I’m Amazed.”\u003cbr\u003e\u003cbr\u003eFrom the garage-y “Come Inside” to the easygoing “We Two” to the tender, album-closing “Momma Gets By,” there’s plenty of ace McCartney music to be found on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Boys of Dungeon Lane\u003c\/em\u003e. And then there’s “Home to Us,” the newsiest tune on the album, the first-ever true duet between Paul McCartney and Ringo Starr. “The place we used to live in you could say it wasn’t much, but it was home to us,” they sing together, and it works like a charm. Like Simon and Garfunkel’s old friends, sharing a park bench in their twilight years. \u003cbr\u003e\u003cbr\u003eAs its verses unfold, mum washing dishes, kids playing in the alley, the purity of the shared recollection becomes ever clearer and homier. Joined in the chorus by Chrissie Hynde and Sharleen Spiteri, the Beatle bros sing, “We didn’t worry where the road was going to lead us to\/There wasn’t time to make a fuss ’cause that was all we knew.” They still may not know exactly where that road is leading, but they have a better idea about it than they once did. So do we all, and one thing we know is that we’ve always been lucky to have them, and lucky to have them still.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJeff Tamarkin - \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003ca rel=\"noopener\" style=\"color: rgb(255, 42, 0);\" href=\"https:\/\/relix.com\/reviews\/detail\/paul-mccartney-the-boys-of-dungeon-lane\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003ePRODUCT DETAILS\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cp\u003e‘The Boys of Dungeon Lane’ is a collection of rare and revealing glimpses into memories never-before shared, along with some newly inspired love songs, from one of the most culturally significant figures of our time. These extraordinary new songs find Paul writing with rare openness about his childhood in post-war Liverpool, the resilience of his parents, and early adventures shared with George Harrison and John Lennon long before the world had ever heard of Beatlemania.\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Go (3:13)\u003c\/div\u003e\n\u003cdiv\u003e2. Animal (2:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Daughter (3:54)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Glorified G (3:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Dissident (3:34)\u003c\/div\u003e\n\u003cdiv\u003e3. W.M.A. (5:57)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Blood (2:49)\u003c\/div\u003e\n\u003cdiv\u003e2. Rearviewmirror (4:43)\u003c\/div\u003e\n\u003cdiv\u003e3. Rats (4:15)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Elderly Woman Behind The Counter In A Small Town (3:16)\u003c\/div\u003e\n\u003cdiv\u003e2. Leash (3:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Indifference (5:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199957248617\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.29.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262772490395,"sku":"143479788","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Paul-McCartney-The-Boys-of-Dungeon-Lane-Black-LP-Vinyl.jpg?v=1775563600"},{"product_id":"the-beatles-anthology-collection-2025-edition-12lp-box-set","title":"The Beatles – Anthology Collection (2025 Edition, 12-LP Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Anthology series arrived in 1995 as one of the most ambitious archival projects in rock history, giving fans their first official look inside the Abbey Road sessions and the band's earliest Hamburg and Cavern Club performances. Giles Martin, who has overseen the remasters of the core Beatles catalog since his father George Martin's passing, brings fresh ears to material that defined the possibilities of the recording studio itself. With \"Now and Then\" bookending a catalog that stretches back to skiffle-era John Lennon, this collection spans the full arc of popular music's most consequential story.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eAnthology Collection\u003c\/span\u003e\u003cspan\u003e 12LP set includes the three groundbreaking Anthology albums from the mid-1990s, remastered in 2025 by Giles Martin, plus a new compilation, \u003c\/span\u003e\u003cspan\u003eAnthology 4\u003c\/span\u003e\u003cspan\u003e. Containing 191 tracks, the collection’s studio outtakes, live performances, broadcasts and demos reveal the musical development of The Beatles from 1958 to the final single ‘Now And Then’ released in 2023. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnthology 4\u003c\/span\u003e\u003cspan\u003e features 13 previously unreleased tracks and 17 songs selected from Super Deluxe versions of five classic albums. In addition to fascinating outtakes dating from 1963 to 1969, the album includes new 2025 mixes by Jeff Lynne of ‘Free As A Bird’ and ‘Real Love’.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFurthermore, \u003c\/span\u003e\u003cspan\u003eAnthology 4\u003c\/span\u003e\u003cspan\u003e presents 26 tracks that have never previously been released on vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb id=\"docs-internal-guid-15a4c083-7fff-9da0-c7d2-c89606678257\"\u003e\u003cspan\u003ePressed on 180g black vinyl, each 3LP album will be housed within a triple gatefold sleeve, featuring the original art, sleevenotes by Mark Lewisohn, and restored photos for \u003c\/span\u003e\u003cspan\u003eAnthology 1-3\u003c\/span\u003e\u003cspan\u003e; \u003c\/span\u003e\u003cspan\u003eAnthology 4\u003c\/span\u003e\u003cspan\u003e has brand new sleevenotes written by Kevin Howlett alongside photos. The outer slipcase features the original Klaus Voorman triptych art, and a 3\/4 O-Card image of the band with detailed track listing.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Free As A Bird\u003c\/div\u003e\n\u003cdiv\u003e2. Speech: John Lennon\u003c\/div\u003e\n\u003cdiv\u003e3. That'll Be The Day\u003c\/div\u003e\n\u003cdiv\u003e4. In Spite Of All The Danger\u003c\/div\u003e\n\u003cdiv\u003e5. Speech: Paul McCartney\u003c\/div\u003e\n\u003cdiv\u003e6. Hallelujah, I Love Her So\u003c\/div\u003e\n\u003cdiv\u003e7. You'll Be Mine\u003c\/div\u003e\n\u003cdiv\u003e8. Cayenne\u003c\/div\u003e\n\u003cdiv\u003e9. Speech: Paul\u003c\/div\u003e\n\u003cdiv\u003e10. My Bonnie\u003c\/div\u003e\n\u003cdiv\u003e11. Ain't She Sweet\u003c\/div\u003e\n\u003cdiv\u003e12. Cry For A Shadow\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Speech: John\u003c\/div\u003e\n\u003cdiv\u003e2. Speech: Brian\u003c\/div\u003e\n\u003cdiv\u003e3. Searchin'\u003c\/div\u003e\n\u003cdiv\u003e4. Three Cool Cats\u003c\/div\u003e\n\u003cdiv\u003e5. The Sheik Of Araby\u003c\/div\u003e\n\u003cdiv\u003e6. Like Dreamers Do\u003c\/div\u003e\n\u003cdiv\u003e7. Hello Little Girl\u003c\/div\u003e\n\u003cdiv\u003e8. Speech: Brian Epstein\u003c\/div\u003e\n\u003cdiv\u003e9. Besame Mucho\u003c\/div\u003e\n\u003cdiv\u003e10. Love Me Do\u003c\/div\u003e\n\u003cdiv\u003e11. How Do You Do It\u003c\/div\u003e\n\u003cdiv\u003e12. Please Please Me\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. One After 909 (Sequence)\u003c\/div\u003e\n\u003cdiv\u003e2. One After 909 (Complete)\u003c\/div\u003e\n\u003cdiv\u003e3. Lend Me Your Comb\u003c\/div\u003e\n\u003cdiv\u003e4. I'll Get You\u003c\/div\u003e\n\u003cdiv\u003e5. Speech: John\u003c\/div\u003e\n\u003cdiv\u003e6. I Saw Her Standing There\u003c\/div\u003e\n\u003cdiv\u003e7. From Me To You\u003c\/div\u003e\n\u003cdiv\u003e8. Money (That's What I Want)\u003c\/div\u003e\n\u003cdiv\u003e9. You Really Got A Hold On Me\u003c\/div\u003e\n\u003cdiv\u003e10. Roll Over Beethoven\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. She Loves You\u003c\/div\u003e\n\u003cdiv\u003e2. Till There Was You\u003c\/div\u003e\n\u003cdiv\u003e3. Twist And Shout\u003c\/div\u003e\n\u003cdiv\u003e4. This Boy\u003c\/div\u003e\n\u003cdiv\u003e5. I Want To Hold Your Hand\u003c\/div\u003e\n\u003cdiv\u003e6. Speech: Eric Morecambe And Ernie Wise\u003c\/div\u003e\n\u003cdiv\u003e7. Moonlight Bay\u003c\/div\u003e\n\u003cdiv\u003e8. Can't Buy Me Love\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. All My Loving\u003c\/div\u003e\n\u003cdiv\u003e2. You Can't Do That\u003c\/div\u003e\n\u003cdiv\u003e3. And I Love Her\u003c\/div\u003e\n\u003cdiv\u003e4. A Hard Day's Night\u003c\/div\u003e\n\u003cdiv\u003e5. I  Wanna Be Your Man\u003c\/div\u003e\n\u003cdiv\u003e6. Long Tall Sally\u003c\/div\u003e\n\u003cdiv\u003e7. Boys\u003c\/div\u003e\n\u003cdiv\u003e8. Shout\u003c\/div\u003e\n\u003cdiv\u003e9. I'll Be Back (Take 2)\u003c\/div\u003e\n\u003cdiv\u003e10. I'll Be Back (Take 3)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. You Know What To Do\u003c\/div\u003e\n\u003cdiv\u003e2. No Reply (Demo)\u003c\/div\u003e\n\u003cdiv\u003e3. Mr. Moonlight\u003c\/div\u003e\n\u003cdiv\u003e4. Leave My Kitten Alone\u003c\/div\u003e\n\u003cdiv\u003e5. No Reply\u003c\/div\u003e\n\u003cdiv\u003e6. Eight Days A Week (Sequence)\u003c\/div\u003e\n\u003cdiv\u003e7. Eight Days A Week (Complete)\u003c\/div\u003e\n\u003cdiv\u003e8. Kansas City \/ Hey-Hey-Hey-Hey!\u003c\/div\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cdiv\u003e1. Real Love\u003c\/div\u003e\n\u003cdiv\u003e2. Yes It Is\u003c\/div\u003e\n\u003cdiv\u003e3. I'm Down\u003c\/div\u003e\n\u003cdiv\u003e4. If You've Got Trouble\u003c\/div\u003e\n\u003cdiv\u003e5. You've Got To Hide Your Love Away\u003c\/div\u003e\n\u003cdiv\u003e6. That Means A Lot\u003c\/div\u003e\n\u003cdiv\u003e7. Yesterday\u003c\/div\u003e\n\u003cdiv\u003e8. It's Only Love\u003c\/div\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cdiv\u003e1. I Feel Fine\u003c\/div\u003e\n\u003cdiv\u003e2. Ticket To Ride\u003c\/div\u003e\n\u003cdiv\u003e3. Yesterday\u003c\/div\u003e\n\u003cdiv\u003e4. Help!\u003c\/div\u003e\n\u003cdiv\u003e5. Everybody's Trying To Be My Baby\u003c\/div\u003e\n\u003cdiv\u003e6. Norwegian Wood (This Bird Has Flown)\u003c\/div\u003e\n\u003cdiv\u003e7. I'm Looking Through You\u003c\/div\u003e\n\u003cdiv\u003e8. 12-Bar Original\u003c\/div\u003e\n\u003ch4\u003eSide I\u003c\/h4\u003e\n\u003cdiv\u003e1. Tomorrow Never Knows\u003c\/div\u003e\n\u003cdiv\u003e2. Got To Get You Into My Life\u003c\/div\u003e\n\u003cdiv\u003e3. And Your Bird Can Sing\u003c\/div\u003e\n\u003cdiv\u003e4. Taxman\u003c\/div\u003e\n\u003cdiv\u003e5. Eleanor Rigby (Strings Only)\u003c\/div\u003e\n\u003cdiv\u003e6. I'm Only Sleeping (Rehearsal)\u003c\/div\u003e\n\u003cdiv\u003e7. I'm Only Sleeping (Take 1)\u003c\/div\u003e\n\u003cdiv\u003e8. Rock And Roll Music\u003c\/div\u003e\n\u003cdiv\u003e9. She's A Woman\u003c\/div\u003e\n\u003ch4\u003eSide J\u003c\/h4\u003e\n\u003cdiv\u003e1. Strawberry Fields Forever (Demo Sequence)\u003c\/div\u003e\n\u003cdiv\u003e2. Strawberry Fields Forever (Take 1)\u003c\/div\u003e\n\u003cdiv\u003e3. Strawberry Fields Forever (Take 7 \u0026amp; Edit Piece)\u003c\/div\u003e\n\u003cdiv\u003e4. Penny Lane\u003c\/div\u003e\n\u003cdiv\u003e5. A Day In The Life\u003c\/div\u003e\n\u003cdiv\u003e6. Good Morning Good Morning\u003c\/div\u003e\n\u003cdiv\u003e7. Only A Northern Song\u003c\/div\u003e\n\u003ch4\u003eSide K\u003c\/h4\u003e\n\u003cdiv\u003e1. Being For The Benefit Of Mr Kite! (Takes 1 And 2)\u003c\/div\u003e\n\u003cdiv\u003e2. Being For The Benefit Of Mr Kite! (Take 7)\u003c\/div\u003e\n\u003cdiv\u003e3. Lucy In The Sky With Diamonds\u003c\/div\u003e\n\u003cdiv\u003e4. Within You Without You (Instrumental)\u003c\/div\u003e\n\u003cdiv\u003e5. Sgt Pepper's Lonely Hearts Club Band (Reprise)\u003c\/div\u003e\n\u003cdiv\u003e6. You Know My Name (Look Up The Number\u003c\/div\u003e\n\u003ch4\u003eSide L\u003c\/h4\u003e\n\u003cdiv\u003e1. I Am The Walrus\u003c\/div\u003e\n\u003cdiv\u003e2. The Fool On The Hill (Demo)\u003c\/div\u003e\n\u003cdiv\u003e3. Your Mother Should Know\u003c\/div\u003e\n\u003cdiv\u003e4. The Fool On The Hill (Take 4)\u003c\/div\u003e\n\u003cdiv\u003e5. Hello, Goodbye\u003c\/div\u003e\n\u003cdiv\u003e6. Lady Madonna\u003c\/div\u003e\n\u003cdiv\u003e7. Across The Universe\u003c\/div\u003e\n\u003ch4\u003eSide M\u003c\/h4\u003e\n\u003cdiv\u003e1. A Beginning\u003c\/div\u003e\n\u003cdiv\u003e2. Happiness Is A Warm Gun\u003c\/div\u003e\n\u003cdiv\u003e3. Helter Skelter\u003c\/div\u003e\n\u003cdiv\u003e4. Mean Mr Mustard\u003c\/div\u003e\n\u003cdiv\u003e5. Polythene Pam\u003c\/div\u003e\n\u003cdiv\u003e6. Glass Onion\u003c\/div\u003e\n\u003cdiv\u003e7. Junk\u003c\/div\u003e\n\u003cdiv\u003e8. Piggies\u003c\/div\u003e\n\u003cdiv\u003e9. Honey Pie\u003c\/div\u003e\n\u003cdiv\u003e10. Don't Pass Me By\u003c\/div\u003e\n\u003cdiv\u003e11. Ob-La-Di, Ob-La-Da\u003c\/div\u003e\n\u003cdiv\u003e12. Good Night\u003c\/div\u003e\n\u003ch4\u003eSide N\u003c\/h4\u003e\n\u003cdiv\u003e1. Cry Baby Cry\u003c\/div\u003e\n\u003cdiv\u003e2. Blackbird\u003c\/div\u003e\n\u003cdiv\u003e3. Sexy Sadie\u003c\/div\u003e\n\u003cdiv\u003e4. While My Guitar Gently Weeps\u003c\/div\u003e\n\u003cdiv\u003e5. Hey Jude\u003c\/div\u003e\n\u003cdiv\u003e6. Not Guilty\u003c\/div\u003e\n\u003cdiv\u003e7. Mother Nature's Son\u003c\/div\u003e\n\u003ch4\u003eSide O\u003c\/h4\u003e\n\u003cdiv\u003e1. Glass Onion\u003c\/div\u003e\n\u003cdiv\u003e2. Rocky Raccoon\u003c\/div\u003e\n\u003cdiv\u003e3. What's The New Mary Jane\u003c\/div\u003e\n\u003cdiv\u003e4. Step Inside Love\/Los Paranoias\u003c\/div\u003e\n\u003cdiv\u003e5. I'm So Tired\u003c\/div\u003e\n\u003cdiv\u003e6. I Will\u003c\/div\u003e\n\u003cdiv\u003e7. Why Don't We Do It In The Road\u003c\/div\u003e\n\u003cdiv\u003e8. Julia\u003c\/div\u003e\n\u003ch4\u003eSide P\u003c\/h4\u003e\n\u003cdiv\u003e1. I've Got A Feeling\u003c\/div\u003e\n\u003cdiv\u003e2. She Came In Through The Bathroom Window\u003c\/div\u003e\n\u003cdiv\u003e3. Dig A Pony\u003c\/div\u003e\n\u003cdiv\u003e4. Two Of Us\u003c\/div\u003e\n\u003cdiv\u003e5. For You Blue\u003c\/div\u003e\n\u003cdiv\u003e6. Teddy Boy\u003c\/div\u003e\n\u003ch4\u003eSide Q\u003c\/h4\u003e\n\u003cdiv\u003e1. The Long And Winding Road\u003c\/div\u003e\n\u003cdiv\u003e2. Oh! Darling\u003c\/div\u003e\n\u003cdiv\u003e3. All Things Must Pass\u003c\/div\u003e\n\u003cdiv\u003e4. Mailman, Bring Me No More Blues\u003c\/div\u003e\n\u003cdiv\u003e5. Get Back\u003c\/div\u003e\n\u003cdiv\u003e6. Old Brown Shoes\u003c\/div\u003e\n\u003cdiv\u003e7. Octopus's Garden\u003c\/div\u003e\n\u003cdiv\u003e8. Maxwell's Silver Hammer\u003c\/div\u003e\n\u003ch4\u003eSide R\u003c\/h4\u003e\n\u003cdiv\u003e1. Something\u003c\/div\u003e\n\u003cdiv\u003e2. Come Together\u003c\/div\u003e\n\u003cdiv\u003e3. Come And Get It\u003c\/div\u003e\n\u003cdiv\u003e4. Ain't She Sweet\u003c\/div\u003e\n\u003cdiv\u003e5. Because\u003c\/div\u003e\n\u003cdiv\u003e6. Let It Be\u003c\/div\u003e\n\u003cdiv\u003e7. I Me Mine\u003c\/div\u003e\n\u003cdiv\u003e8. The End\u003c\/div\u003e\n\u003ch4\u003eSide S\u003c\/h4\u003e\n\u003cdiv\u003e1. I Saw Her Standing There\u003c\/div\u003e\n\u003cdiv\u003e2. Money (That's What I Want)\u003c\/div\u003e\n\u003cdiv\u003e3. This Boy\u003c\/div\u003e\n\u003cdiv\u003e4. Tell Me Why\u003c\/div\u003e\n\u003cdiv\u003e5. If I Fell\u003c\/div\u003e\n\u003cdiv\u003e6. Matchbox\u003c\/div\u003e\n\u003cdiv\u003e7. Every Little Thing\u003c\/div\u003e\n\u003cdiv\u003e8. I Need You\u003c\/div\u003e\n\u003ch4\u003eSide T\u003c\/h4\u003e\n\u003cdiv\u003e1. I've Just Seen A Face\u003c\/div\u003e\n\u003cdiv\u003e2. In My Life\u003c\/div\u003e\n\u003cdiv\u003e3. Nowhere Man\u003c\/div\u003e\n\u003cdiv\u003e4. Got To Get You Into My Life\u003c\/div\u003e\n\u003cdiv\u003e5. Love You To\u003c\/div\u003e\n\u003cdiv\u003e6. Strawberry Fields Forever\u003c\/div\u003e\n\u003cdiv\u003e7. She's Leaving Home (Instrumental)\u003c\/div\u003e\n\u003ch4\u003eSide U\u003c\/h4\u003e\n\u003cdiv\u003e1. Baby  You're A Rich Man\u003c\/div\u003e\n\u003cdiv\u003e2. All You Need Is Love (Rehearsal)\u003c\/div\u003e\n\u003cdiv\u003e3. The Fool On The Hill (Instrumental)\u003c\/div\u003e\n\u003cdiv\u003e4. I Am The Walrus (Orchestra Overdub)\u003c\/div\u003e\n\u003ch4\u003eSide V\u003c\/h4\u003e\n\u003cdiv\u003e1. Hey Bulldog (Instrumental)\u003c\/div\u003e\n\u003cdiv\u003e2. Good Night\u003c\/div\u003e\n\u003cdiv\u003e3. While My Guitar Gently Weeps\u003c\/div\u003e\n\u003cdiv\u003e4. (You're So Square) Baby I Don't Care (Studio Jam)\u003c\/div\u003e\n\u003cdiv\u003e5. Helter Skelter\u003c\/div\u003e\n\u003cdiv\u003e6. I Will\u003c\/div\u003e\n\u003cdiv\u003e7. Can You Take Me Back?\u003c\/div\u003e\n\u003cdiv\u003e8. Julia (Rehearsals)\u003c\/div\u003e\n\u003ch4\u003eSide W\u003c\/h4\u003e\n\u003cdiv\u003e1. Get Back\u003c\/div\u003e\n\u003cdiv\u003e2. Octopus's Garden (Rehearsal)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Let Me Down (Rooftop)\u003c\/div\u003e\n\u003cdiv\u003e4. You Never Give Me Your Money\u003c\/div\u003e\n\u003cdiv\u003e5. Here Comes The Sun\u003c\/div\u003e\n\u003cdiv\u003e6. Something (Strings Only)\u003c\/div\u003e\n\u003ch4\u003eSide X\u003c\/h4\u003e\n\u003cdiv\u003e1. Free As A Bird (2025 Mix)\u003c\/div\u003e\n\u003cdiv\u003e2. Real Love (2025 Mix)\u003c\/div\u003e\n\u003cdiv\u003e3. Now And Then\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602475840435\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262781894811,"sku":"8620623","price":459.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Beatles-Anthology-Collection-2025-Edition-12-LP-Box-Set.jpg?v=1776110973"},{"product_id":"the-beatles-revolver-special-edition-cd","title":"The Beatles – Revolver: Special Edition (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn recent years The Beatles have been piercing plenty of their own veils. First with a series of remastered reissues of their catalog, then a handful of deluxe editions that featured new mixes of their classic albums, and especially with Get Back, their exhaustive multi-episodic documentary look at the making of Let It Be and their final live performance. Never before has the work of the Liverpool four been so re-examined.\u003c\/p\u003e\u003cp\u003eUp next is Revolver. It's the album, for many, before the album; the creative step before the leap into Sgt. Pepper's Lonely Hearts Club Band. Yet, as the gaze of history has revealed, the slow fade of the Fabs as a perpetually working band begins the same year as Revolver- 1966- first when they shelve, essentially permanently, the thought and practice of performing in concert. Then, they become devoted to the studio; with McCartney guiding the group, giving Lennon more reasons to do less, with the culmination of the growing divide coming with the sessions of The Beatles (aka the White Album); the ironically titled double that found the quartet working often in separate studios.\u003c\/p\u003e\u003cp\u003eThey made their attempts to get back, as it were, to the solidarity of a band on Let It Be and Abbey Road, but by then the die was all but cast.\u003c\/p\u003e\u003cp\u003eThus, it circles back to Revolver as perhaps the final, truly balanced and breakthrough Beatles record. Time has been more illuminating of its grandeur. And this multi-disc shines on it even brighter, with a new stereo mix, a polish on the mono version, and two discs worthy of outtakes and demos from the sessions. It's the latter- the 'building blocks' of rough drafts and trials- that go deeply into the process. Among the joys are Ringo's drumming on several early runs; feverishly up-tempo, rattling, and inspiring a new appreciation for his acumen; Lennon's quite somber early work-up of \"Yellow Submarine;\" the busy bee backing vocals of \"Taxman,\" that once shed, thankfully, allow Harrison's opener to express its bite cleanly.\u003c\/p\u003e\u003cp\u003ePlus, a lovingly detailed book is included, with plenty of forensic reports on the songs, individually, and archival photos; a favorite pic is of McCartney in the studio eyeing the Rolling Stones' Aftermath album. It's a subtle but pointed reminder of the talent working at their art at the time; those two friendly rivals jet-lining towards their creative peaks. Not to mention the now well-known anecdote of Revolver inspiring The Beach Boys, a continent away, to create their masterwork, Pet Sounds.\u003c\/p\u003e\u003cp\u003eAs for the new mixes crafted by Giles Martin and Sam Okell, they show off both what technology can do with the over 55-year-old recordings and what brilliant magic The Beatles were capable of those five decades ago. Purists may scoff, but they need not. This is The Beatles' Revolver as contemporary sonic bliss.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/the-beatles-revolver-special-edition-super-deluxe\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWhen Revolver landed in 1966, it didn't just push rock forward, it redrew the map entirely, bridging the band's touring years to their studio-as-instrument era. Giles Martin's new mix restores the album to something closer to what those original sessions must have felt like in the room, giving familiar songs a spatial depth that rewards headphones as much as a great pair of speakers.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eFrom “Taxman” to “Tomorrow Never Knows,” The Beatles’ REVOLVER has been newly mixed by producer Giles Martin and Sam Okell, and sourced directly from the original four-track master tapes with audio brought forth in stunning clarity with the help of cutting-edge technology developed by the award-winning sound team at Peter Jackson’s WingNut Films Productions Ltd.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Taxman (2:38)\u003c\/div\u003e\n\u003cdiv\u003e2. Eleanor Rigby (2:06)\u003c\/div\u003e\n\u003cdiv\u003e3. I'm Only Sleeping (3:00)\u003c\/div\u003e\n\u003cdiv\u003e4. Love You To (2:59)\u003c\/div\u003e\n\u003cdiv\u003e5. Here, There And Everywhere (2:24)\u003c\/div\u003e\n\u003cdiv\u003e6. Yellow Submarine (2:38)\u003c\/div\u003e\n\u003cdiv\u003e7. She Said She Said (2:36)\u003c\/div\u003e\n\u003cdiv\u003e8. Good Day Sunshine (2:09)\u003c\/div\u003e\n\u003cdiv\u003e9. And Your Bird Can Sing (2:00)\u003c\/div\u003e\n\u003cdiv\u003e10. For No One (1:59)\u003c\/div\u003e\n\u003cdiv\u003e11. Doctor Robert (2:14)\u003c\/div\u003e\n\u003cdiv\u003e12. I Want To Tell You (2:27)\u003c\/div\u003e\n\u003cdiv\u003e13. Got To Get You Into My Life (2:29)\u003c\/div\u003e\n\u003cdiv\u003e14. Tomorrow Never Knows (2:57)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602445599684\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.28.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455497089179,"sku":"20798","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-9018835402907-cd-1777346800842_png.webp?v=1777393044"},{"product_id":"the-beatles-now-and-then-cd-single","title":"The Beatles – Now and Then (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJohn Lennon recorded the demo for \"Now and Then\" on a cassette tape, part of the same batch of home recordings Yoko Ono passed along to the surviving Beatles in the mid-'90s that also yielded \"Free as a Bird\" and \"Real Love.\" What machine learning finally made possible in 2023, separating Lennon's voice cleanly from the piano, had eluded producers for nearly three decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles’ double-A-side single for “Now And Then” and “Love Me Do” pairs the last Beatles song with the band’s first UK single. Powerful musical\u003c\/p\u003e\u003cp\u003ebookends to The Beatles’ recorded canon, both songs are also featured in the expanded 2023 Editions for 1962-1966 (‘The Red Album’) and 1967-1970\u003c\/p\u003e\u003cp\u003e(‘The Blue Album’). “Now And Then” is the last Beatles song, written and demoed by John Lennon in the mid\/late 1970s. With John’s voice now pristine in\u003c\/p\u003e\u003cp\u003ethe mix, “Now And Then” features elements from the 1995 sessions including George Harrison’s guitar parts, and vocal and instrumental parts recorded\u003c\/p\u003e\u003cp\u003eby Paul McCartney and Ringo Starr in 2022, along with a new arrangement for strings. Produced by Paul and Giles Martin, “Now And Then” is the last\u003c\/p\u003e\u003cp\u003esong recorded by all four Beatles, a powerful and fitting finale for the band’s timeless recordings. The song that started it all, “Love Me Do” was The\u003c\/p\u003e\u003cp\u003eBeatles’ first UK single in 1962. For the first time, the iconic song has been de-mixed using machine aided learning and remixed in true stereo. “Love Me\u003c\/p\u003e\u003cp\u003eDo” launched The Beatles’ journey to unparalleled worldwide success and acclaim that continues to this day. CD Single (Wallet).\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Now And Then (4:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Love Me Do (2023 Mix) (2:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Baby It's You (2:45)\u003c\/div\u003e\n\u003cdiv\u003e4. I'll Follow The Sun (1:51)\u003c\/div\u003e\n\u003cdiv\u003e5. Devil In Her Heart (2:23)\u003c\/div\u003e\n\u003cdiv\u003e6. Boys (2:29)\u003c\/div\u003e\n\u003cdiv\u003e7. Real Love (3:55)\u003c\/div\u003e\n\u003cdiv\u003e8. Baby's In Black (Hollywood Bowl Live Version) (3:03)\u003c\/div\u003e\n\u003cdiv\u003e9. Yellow Submarine (New Mix With Ringo Intro) (2:48)\u003c\/div\u003e\n\u003cdiv\u003e10. Here, There And Everywhere (Remix) (2:23)\u003c\/div\u003e\n\u003cdiv\u003e11. Free As A Bird (Single) (4:26)\u003c\/div\u003e\n\u003cdiv\u003e12. I Saw Her Standing There (The Full Take 9) (2:51)\u003c\/div\u003e\n\u003cdiv\u003e13. This Boy (Eavestdrop) (3:17)\u003c\/div\u003e\n\u003cdiv\u003e14. Christmas Time (Is Here Again) (3:03)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602455919939\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.17.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455498170523,"sku":"35007","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/nownthencdA.jpg?v=1777393539"},{"product_id":"paul-mccartney-mccartney-i-ii-iii-3-lp-box-set","title":"Paul McCartney – McCartney I \/ II \/ III (3-LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003ePackaged as a set, this trio of eponymous solo albums from Paul McCartney adjoins 50 years, beginning with the solo debut that essentially confirmed his departure from The Beatles in 1970, and rounding off with 2020’s lockdown-induced III. Since that historic day five decades ago, Macca has been the most prolific former Fab, churning out dozens of studio and live albums. Yet, probably none are as conceptually unique as these three: written, performed, and produced entirely by Sir Paul.\u003c\/p\u003e\u003cp\u003eNot only does it make sense symbolically to group them as a collection, it also accentuates the traits that thread through and connect each to the others. Mainly, it’s a lo-fi sensibility- not to be confused with lo-fi audio fidelity- that serves as the connective tissue; a preference for sparse and spacious instrumentation and arrangements that reveal McCartney in home workshop mode, and as a very adroit multi-instrumentalist, more than polished pop prophet.\u003c\/p\u003e\u003cp\u003eThe self-conscious quirk- most apparent on McCartney II- is regarded in some circles as revolutionary, or at least evolutionary for Paul, (whose original, synth-heavy, vocal-affected “Coming Up” held John Lennon among its admirers, as one such example). “Temporary Secretary” and its intentionally robotic chorus push that boundary furthest. Still, the less experimental offerings within the three records are the ones that hold the keel long enough below the waterline to keep the ship upright and moving forward, as well.\u003c\/p\u003e\u003cp\u003eBeautifully simplistic metaphor on “Junk;” the garage blues of “On The Way:” the throwback, finger-picked falsetto folk of “The Kiss of Venus;” these are the quieter, less restless hidden gems of McCartney I, II, and III, respectively, that shimmer as brightly as their splashier brethren.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/08\/26\/paul-mccartney-mccartney-i-ii-iii\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe McCartney trilogy spans five decades of one man following his own instincts into the home studio, from the fractured optimism of the Beatles' breakup year to a pandemic-era creative retreat that reminded a new generation what this kind of radical self-sufficiency sounds like. Each volume is a document of solitude transformed into something playful and restless, with McCartney playing nearly every instrument himself.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe eponymous solo albums written, performed, and produced by Paul McCartney from 1970, 1980, and 2020. Includes 3 LPs on 180-gram audiophile vinyl with 3 limited edition photo prints and an introduction from Paul housed in a beautiful slipcase box.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Lovely Linda\u003c\/div\u003e\n\u003cdiv\u003e2. That Would Be Something\u003c\/div\u003e\n\u003cdiv\u003e3. Valentine Day\u003c\/div\u003e\n\u003cdiv\u003e4. Every Night\u003c\/div\u003e\n\u003cdiv\u003e5. Hot As Sun\u003c\/div\u003e\n\u003cdiv\u003e6. Glasses\u003c\/div\u003e\n\u003cdiv\u003e7. Junk\u003c\/div\u003e\n\u003cdiv\u003e8. Man We Was Lonely\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Oo You\u003c\/div\u003e\n\u003cdiv\u003e2. Momma Miss America\u003c\/div\u003e\n\u003cdiv\u003e3. Teddy Boy\u003c\/div\u003e\n\u003cdiv\u003e4. Singalong Junk\u003c\/div\u003e\n\u003cdiv\u003e5. Maybe I'm Amazed\u003c\/div\u003e\n\u003cdiv\u003e6. Kreen-Akrore\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Coming Up\u003c\/div\u003e\n\u003cdiv\u003e2. Temporary Secretary\u003c\/div\u003e\n\u003cdiv\u003e3. On The Way\u003c\/div\u003e\n\u003cdiv\u003e4. Waterfalls\u003c\/div\u003e\n\u003cdiv\u003e5. Nobody Knows\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Front Parlour\u003c\/div\u003e\n\u003cdiv\u003e2. Summer's Day Song\u003c\/div\u003e\n\u003cdiv\u003e3. Frozen Jap\u003c\/div\u003e\n\u003cdiv\u003e4. Bogey Music\u003c\/div\u003e\n\u003cdiv\u003e5. Darkroom\u003c\/div\u003e\n\u003cdiv\u003e6. One Of These Days\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Long Tailed Winter Bird\u003c\/div\u003e\n\u003cdiv\u003e2. Find My Way\u003c\/div\u003e\n\u003cdiv\u003e3. Pretty Boys\u003c\/div\u003e\n\u003cdiv\u003e4. Women And Wives\u003c\/div\u003e\n\u003cdiv\u003e5. Lavatory Lil\u003c\/div\u003e\n\u003cdiv\u003e6. Slidin'\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Deep Deep Feeling\u003c\/div\u003e\n\u003cdiv\u003e2. The Kiss Of Venus\u003c\/div\u003e\n\u003cdiv\u003e3. Seize The Day\u003c\/div\u003e\n\u003cdiv\u003e4. Deep Down\u003c\/div\u003e\n\u003cdiv\u003e5. Winter Bird \/ When Winter Comes\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602445029570\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.5.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455498203291,"sku":"205175","price":104.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Paul-McCartney-McCartney-I-II-III-3-LP-Box-Set.jpg?v=1777378633"},{"product_id":"the-beatles-let-it-be-special-edition-cd","title":"The Beatles – Let It Be: Special Edition (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eNo album in The Beatles canon has ripples of revision, dissection, and debate quite like Let It Be. It's the last album the Fabs released, but not the last album they recorded. It's the break-up album that wasn't.\u003c\/p\u003e\u003cp\u003eIt's also the impetus for the last live performance by the four (or five, if you count Billy Preston's guesting; and you should count him- he helped save the entire project). Then, some of the raw, \"live\" tracks oddly became a canvas for Phil Spector's gloopy overdubs; ones that angered no less than Paul McCartney, and irritated longtime Beatles producer, George Martin. Not exactly the finale either man wanted.\u003c\/p\u003e\u003cp\u003eThis six-disc special edition, five decades later, adds two more versions to consider: a brand new mix of Let It Be and the 1969 Get Back LP mix by revered engineer Glyn Johns (The Rolling Stones). Counting that pair, there are currently in existence at least five versions of an album whose own title suggests, well, letting it be.\u003c\/p\u003e\u003cp\u003eSo, Beatles fans, which will it be?\u003c\/p\u003e\u003cp\u003eThe original 1970 release that coincided with an eponymous (now out-of-print) film of the sessions and the famed rooftop concert at Apple; the original that Spector, in post-production, loaded with over four-dozen orchestral players, including a flourishing harp that notoriously coated McCartney's long and winding road in a glaze of syrup? Or McCartney's response in 2003, Let It Be… Naked, that effectively exorcised Spector, and essentially kept only the contributions of the quartet and Preston? Or the 2009 remaster that reverted back to the original mix, granted, with a renewing sheen?\u003c\/p\u003e\u003cp\u003eOr will it be Johns' 1969 mix titled, as McCartney first conceived, Get Back– as much a name as an edict for the group to return bare to its rock-and-roll roots, including the cover shot taken in the same EMI stairwell where the mop-tops posed for the Please Please Me cover six years earlier?\u003c\/p\u003e\u003cp\u003eOr this new mix- brighter, with more separation and a greater emphasis on the vocal- by none other than Giles Martin, son of George, that tightropes between Macca's unadorned intentions and Spector's mellifluous essence?\u003c\/p\u003e\u003cp\u003eHow about all of them? Rather than choosing one, how about reveling in this opportunity in modern times to appreciate them all? Because, really, each version contains very revealing and rewarding moments. Plus, what true Beatles fan is ever satiated? Old and new. Original and updated. Let it be debated. Let it be celebrated.\u003c\/p\u003e\u003cp\u003ePossibly the most rewarding parts of this collection aren't even the two proper albums- though the Johns' mix (requested in '69 by John Lennon and McCartney) is an unquestionable joy to finally behold. Talk about naked Beatles; Johns' edit is as pink and exposed as The Beatles could be at the time. One can only imagine how releasing Get Back instead of Let It Be would've tilted things; punk may have arrived years sooner.\u003c\/p\u003e\u003cp\u003eThe two discs of rehearsals and jams- these, too, are real treasures. Honestly, is there a fan or musician alive who wouldn't have wanted to be a fly on the wall for any Beatles session, let alone ones that give us sketches of \"I've Got A Feeling,\" \"Don't Let Me Down,\" and early previews of songs that Abbey Road would debut?\u003c\/p\u003e\u003cp\u003eThese two discs offer that and more: hearing John, Paul, George, and Ringo talk through the creative process, and more importantly, work through the music; with numerous takes of the blossoming material, including a Beatles rundown of George Harrison's gestating \"All Things Must Pass.\" It bears repeating: we get to hear The Beatles work. (And, order lunch.) For this reason alone, the Let It Be Super Deluxe Special Edition is as essential as it gets.\u003c\/p\u003e\u003cp\u003eForget the fact that they were irritated with each other at times during the sessions; Preston's presence calmed everyone and put them on their better behavior. And what band hasn't gone through tense exchanges while making an album?\u003c\/p\u003e\u003cp\u003eMonths after the Let It Be sessions, The Beatles (with George Martin producing) recorded the magnificent Abbey Road, and its penultimate song, \"The End.\" Yet Let It Be, issued after Abbey Road, became, symbolically and otherwise, the end. And with it, the feeling that the sessions and the resulting recordings had to self-fulfill the prophecy: viewed and heard as the breaking up of The Beatles.\u003c\/p\u003e\u003cp\u003eRegardless of albums and sessions and dates, in light of this new set, we can instead consider an end of The Beatles to be the moment when the police arrive to close down Let It Be's rooftop concert. For anyone who's ever picked up an instrument, determined to rock and roll, there is no more perfect way to call it a day.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/the-beatles-let-it-be-super-deluxe-special-edition\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in January 1969, the sessions that became *Let It Be* captured the Beatles in a moment of raw, unguarded tension and beauty, culminating in the now-legendary rooftop concert atop the Apple Corps building on Savile Row. That January 30th performance, the band's final public show, gives this material a weight no studio polish could manufacture, and Giles Martin's new mix honors that unvarnished immediacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe Let It Be album has been newly mixed by producer Giles Martin and engineer Sam Okell. All the new Let It Be releases feature the new stereo mix of the album as guided by the original \"reproduced for disc\" version by Phil Spector and sourced directly from the original session and rooftop performance eight-track tapes.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Two Of Us (3:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Dig A Pony (3:55)\u003c\/div\u003e\n\u003cdiv\u003e3. Across The Universe (3:48)\u003c\/div\u003e\n\u003cdiv\u003e4. I Me Mine (2:25)\u003c\/div\u003e\n\u003cdiv\u003e5. Dig It (0:51)\u003c\/div\u003e\n\u003cdiv\u003e6. Let It Be (4:03)\u003c\/div\u003e\n\u003cdiv\u003e7. Maggie Mae (0:40)\u003c\/div\u003e\n\u003cdiv\u003e8. I've Got A Feeling (3:38)\u003c\/div\u003e\n\u003cdiv\u003e9. One After 909 (2:54)\u003c\/div\u003e\n\u003cdiv\u003e10. The Long And Winding Road (3:38)\u003c\/div\u003e\n\u003cdiv\u003e11. For You Blue (2:33)\u003c\/div\u003e\n\u003cdiv\u003e12. Get Back (3:08)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602507138585\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.15.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455500497051,"sku":"158315","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/letitbecdA.jpg?v=1777400207"},{"product_id":"ringo-starr-stop-smell-the-roses-limited-edition-pict-remastered-reissue-lp-vinyl","title":"Ringo Starr – Stop \u0026 Smell The Roses (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally recorded during a stretch when post-Beatles solo careers were in full swing, Ringo leaned on his remarkable network of friends and collaborators to make this one feel genuinely communal. McCartney's fingerprints on the sessions connect it directly to the Fab Four's legacy, while Wood and Stills push it into looser, rockier territory that suits Starr's easy charm behind the mic.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRingo Starr achieved international fame as the drummer for THE BEATLES. Stop and Smell the Roses is a studio album originally released in 1981 which includes contributions from Paul McCartney, Ronnie Wood and Stephen Stills. This release has NEVER been released on PICTURE DISC VINYL format before. The sound includes High-Res remastering. The packaging includes the vinyl picture disc, inner clear plastic sleeve and a cut-out jacket with marketing sticker. This is a MUST for fans\/collectors of Ringo Starr and The Beatles.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Private Property (2:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Wrack My Brain (2:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Drumming Is My Madness (3:30)\u003c\/div\u003e\n\u003cdiv\u003e4. Attention (3:18)\u003c\/div\u003e\n\u003cdiv\u003e5. Stop And Take The Time To Smell The Roses (3:13)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Dead Giveaway (4:33)\u003c\/div\u003e\n\u003cdiv\u003e2. You Belong To Me (2:11)\u003c\/div\u003e\n\u003cdiv\u003e3. Sure To Fall (In Love With You) (3:41)\u003c\/div\u003e\n\u003cdiv\u003e4. You've Got A Nice Way (3:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Back Off Boogaloo (3:16)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 819514012771\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Culture Factory Usa\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.15.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455501152411,"sku":"167465","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ringo-starr-stop-smell-the-roses-limited-edition-pict-remastered-reissue-vinyl-lp-relix.jpg?v=1777460018"},{"product_id":"the-beatles-beatles-for-sale-reissue-remastered-180-gram-lp-vinyl","title":"The Beatles – Beatles For Sale (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded and released in 1964, Beatles For Sale captured a band running on fumes but refusing to slow down, with Lennon and McCartney leaning harder on American R\u0026amp;B and country influences than ever before. Covers of Chuck Berry, Buddy Holly, and Carl Perkins sit alongside originals that show the cracks of exhaustion turning into something rawer and more honest.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut.  Beatles For Sale makes its North American LP debut in stereo\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. No Reply\u003c\/div\u003e\n\u003cdiv\u003e2. I'm A Loser\u003c\/div\u003e\n\u003cdiv\u003e3. Baby's In Black\u003c\/div\u003e\n\u003cdiv\u003e4. Rock And Roll Music\u003c\/div\u003e\n\u003cdiv\u003e5. I'll Follow The Sun\u003c\/div\u003e\n\u003cdiv\u003e6. Mr. Moonlight\u003c\/div\u003e\n\u003cdiv\u003e7. Kansas City\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Eight Days A Week\u003c\/div\u003e\n\u003cdiv\u003e2. Words Of Love\u003c\/div\u003e\n\u003cdiv\u003e3. Honey Don't\u003c\/div\u003e\n\u003cdiv\u003e4. Every Little Thing\u003c\/div\u003e\n\u003cdiv\u003e5. I Don't Want To Spoil The Party\u003c\/div\u003e\n\u003cdiv\u003e6. What You're Doing\u003c\/div\u003e\n\u003cdiv\u003e7. Everybody's Trying To Be My Baby\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094638241416\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455502102683,"sku":"168647","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/forsaleA.jpg?v=1777402070"},{"product_id":"paul-mccartney-chaos-and-creation-in-the-backyard-limited-edition-shm-cd","title":"Paul McCartney – Chaos And Creation In The Backyard (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded largely solo, with McCartney playing most of the instruments himself, this 2005 album marked a genuine return to the intimacy of his earliest work. Nigel Godrich's production strips away any arena-rock gloss, pushing Paul toward something quieter and more searching than much of his post-Beatles catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePaul McCartney - \"Chaos and Creation in the Backyard\". Released to widespread, critical acclaim in 2005 and earning Paul three Grammy nominations, Chaos and Creation in the Backyard saw McCartney hand over production to Nigel Godrich. Featuring a cover image (taken by his brother Mike) of a young Paul absentmindedly strumming a guitar in his back garden, the album is a deeply personal collection of songs, including a song inspired by George Harrison (\"Friends to Go\") and \"How Kind of You,\" which was triggered by Paul's love of language. SHM-CD (Super High Material) format featuring more clarity, depth and definition of sound. Includes miniature poster, inner-sleeve and booklet featuring Japanese translations of the lyrics. Limited Edition.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Fine Line (3:05)\u003c\/div\u003e\n\u003cdiv\u003e2. How Kind Of You (4:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Jenny Wren (3:47)\u003c\/div\u003e\n\u003cdiv\u003e4. At The Mercy (2:38)\u003c\/div\u003e\n\u003cdiv\u003e5. Friends To Go (2:43)\u003c\/div\u003e\n\u003cdiv\u003e6. English Tea (2:12)\u003c\/div\u003e\n\u003cdiv\u003e7. Too Much Rain (3:24)\u003c\/div\u003e\n\u003cdiv\u003e8. A Certain Softness (2:42)\u003c\/div\u003e\n\u003cdiv\u003e9. Riding To Vanity Fair (5:07)\u003c\/div\u003e\n\u003cdiv\u003e10. Follow Me (2:31)\u003c\/div\u003e\n\u003cdiv\u003e11. Promise To You Girl (3:10)\u003c\/div\u003e\n\u003cdiv\u003e12. This Never Happened Before (3:24)\u003c\/div\u003e\n\u003cdiv\u003e13. Anyway (3:50)\u003c\/div\u003e\n\u003cdiv\u003e14. (silence) (0:19)\u003c\/div\u003e\n\u003cdiv\u003e15. I've Only Got Two Hands (3:16)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 600753828878\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.25.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455503610011,"sku":"62712","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Paul-McCartney-Chaos-And-Creation-In-The-Backyard-CD.png?v=1777378757"},{"product_id":"paul-mccartney-pipes-of-peace-lp-vinyl","title":"Paul McCartney – Pipes Of Peace (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased during a period when McCartney's commercial instincts were sharply in focus, *Pipes of Peace* marked one of the final chapters of his classic-era collaborations, bringing together George Martin's orchestral sensibility with the pop momentum McCartney had carried since the Beatles. The title track reached number one in the UK, and the Jackson duets here extend the partnership that began on *Thriller*-era sessions.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003ePipes of Peace is the fourth studio album by Paul McCartney using his own name, released in 1983. Produced by George Martin, featuring collaborations with Michael Jackson and Stevie Wonder. The album continued McCartney's alliance in the studio with Ringo Starr, former 10cc guitarist Eric Stewart and his last session work with Wings guitarist Denny Laine. Now reissued on 180g vinyl with included download card to complete your collection.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Pipes Of Peace (3:55)\u003c\/div\u003e\n\u003cdiv\u003e2. Say Say Say (3:55)\u003c\/div\u003e\n\u003cdiv\u003e3. The Other Me (3:58)\u003c\/div\u003e\n\u003cdiv\u003e4. Keep Under Cover (3:06)\u003c\/div\u003e\n\u003cdiv\u003e5. So Bad (3:22)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The Man (3:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Sweetest Little Show (2:51)\u003c\/div\u003e\n\u003cdiv\u003e3. Average Person (4:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Hey Hey (2:54)\u003c\/div\u003e\n\u003cdiv\u003e5. Tug Of Peace (2:56)\u003c\/div\u003e\n\u003cdiv\u003e6. Through Our Love (3:30)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602557567595\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.17.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455505281179,"sku":"312530","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-paul-mccartney-pipes-of-peace-vinyl-lp-relix.jpg?v=1777460708"},{"product_id":"paul-mccartney-and-wings-one-hand-clapping-cd","title":"Paul McCartney And Wings – One Hand Clapping (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eAmong the many reasons why Paul McCartney still commands arena-sized crowds whenever he tours is the fact that his early, post-Beatles repertoire reached and remains at such a high level, often inspiring the same kind of excitement as that from his days with the famed Liverpool quartet. McCartney’s Wings era represented on One Hand Clapping- a 50th anniversary lookback at a 1974 live session at Abbey Road by the Macca-led group- reminds of some really great songs that more than hold up five decades later. It also reminds of how feisty and versatile McCartney was during this moment of rebirth and renewal, charging into every song with vocal range and personality that was equal to and sometimes surpassing what he did with the Fab Four.\u003c\/p\u003e\u003cp\u003eThis two-disc set is drawn mostly from Wings’ first batch of albums, leaning on the recently released Band on the Run and nibbling at some Beatles faves such as “Let It Be,” and a blending of “The Long and Winding Road” and “Lady Madonna.” There are also nods to McCartney’s old-time music fascinations, as he sits solo at the piano, and, with the full band, his rock-and-roll roots. And, even though it’s essentially a live album capturing the Wings five in the studio, it’s embellished in spots by horns and lush strings; the latter dressing up a version of “My Love,” that may be one of McCartney’s more impassioned readings on record.\u003c\/p\u003e\u003cp\u003eThe music here existed initially as source material for a promo video for Wings, for a band that wouldn’t launch full-scale touring for another couple of years, and with the Wings Over America album render this session to the vault. Yet, wonderfully, it’s been resurrected for a 50th celebration. As such, it recalls not only how impressive a band Wings was, in and of itself, but also McCartney’s inherent proclivity for elevating during performance-in-studio or onstage-that still continues today.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/08\/03\/paul-mccartney-and-wings-one-hand-clapping\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at Abbey Road in August 1974 and shelved for fifty years, this document of Wings at a creative peak captures McCartney road-testing material from *Band on the Run* alongside deeper cuts in an intimate, unguarded setting. The sessions find him at the piano, on bass, fronting a tight band that included Denny Laine, with the cameras rolling for a promotional film that never saw wide release. Worth hearing simply for what McCartney sounds like when he's playing for the room rather than the charts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e50th Anniversary edition of 1974 live recording at Abbey Road. Double CD\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. One Hand Clapping (2:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Jet (3:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Soily (3:55)\u003c\/div\u003e\n\u003cdiv\u003e4. C Moon \/ Little Woman Love (3:19)\u003c\/div\u003e\n\u003cdiv\u003e5. Maybe I'm Amazed (4:52)\u003c\/div\u003e\n\u003cdiv\u003e6. My Love (4:15)\u003c\/div\u003e\n\u003cdiv\u003e7. Bluebird (3:27)\u003c\/div\u003e\n\u003cdiv\u003e8. Let's Love (1:09)\u003c\/div\u003e\n\u003cdiv\u003e9. All Of You (2:04)\u003c\/div\u003e\n\u003cdiv\u003e10. I'll Give You A Ring (2:03)\u003c\/div\u003e\n\u003cdiv\u003e11. Band On The Run (5:20)\u003c\/div\u003e\n\u003cdiv\u003e12. Live And Let Die (3:26)\u003c\/div\u003e\n\u003cdiv\u003e13. Nineteen Hundred And Eighty Five (5:50)\u003c\/div\u003e\n\u003cdiv\u003e14. Baby Face (1:56)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Let Me Roll It (4:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Blue Moon Of Kentucky (3:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Power Cut (1:33)\u003c\/div\u003e\n\u003cdiv\u003e4. Love My Baby (1:13)\u003c\/div\u003e\n\u003cdiv\u003e5. Let It Be (1:02)\u003c\/div\u003e\n\u003cdiv\u003e6. The Long And Winding Road \/ Lady Madonna (2:10)\u003c\/div\u003e\n\u003cdiv\u003e7. Junior's Farm (4:17)\u003c\/div\u003e\n\u003cdiv\u003e8. Sally G (3:28)\u003c\/div\u003e\n\u003cdiv\u003e9. Tomorrow (2:12)\u003c\/div\u003e\n\u003cdiv\u003e10. Go Now (3:35)\u003c\/div\u003e\n\u003cdiv\u003e11. Wild Life (4:30)\u003c\/div\u003e\n\u003cdiv\u003e12. Hi, Hi, Hi (3:57)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602465081640\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.14.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455505346715,"sku":"286706","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-paul-mccartney-and-wings-one-hand-clapping-cd-relix.jpg?v=1777462995"},{"product_id":"the-beatles-sgt-peppers-lonely-hearts-club-band-anniversary-edition-2cd-deluxe-edition","title":"The Beatles – Sgt. Pepper's Lonely Hearts Club Band: Anniversary Edition (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in the spring of 1967, Sgt. Pepper arrived at a moment when the Beatles had already retired from touring, channeling everything into the studio. Giles Martin's 2017 remix opens up the original four-track recordings in ways that let you hear the album almost as the band heard it in the room, with \"A Day in the Life\" and \"Lucy in the Sky with Diamonds\" taking on new depth and spatial presence.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIt was 50 years ago when The Beatles' John Lennon, Paul McCartney, George Harrison, and Ringo Starr astonished and delighted the world, ushering in the Summer of Love with Sgt. Pepper's Lonely Hearts Club Band, a groundbreaking masterwork that became popular music's most universally\u003c\/p\u003e\u003cp\u003eacclaimed album. The album is newly mixed by Giles Martin and engineer Sam Okell in stereo, sourced directly from the four-track masters at Abbey Road Studios in London, and guided by the original, Beatles-preferred mono mix produced by his father, George Martin.\u003c\/p\u003e\u003cp\u003eThis expanded 2CD package features the new stereo album mix on the first CD and adds a second CD of 18 tracks, including previously unreleased alternate takes of each of the album's 13 songs, newly mixed in stereo and sequenced in the same order as the album. The second CD also includes a new stereo mix and a previously unreleased instrumental take of 'Penny Lane,' and the 2015 stereo mix and two previously unreleased alternate takes of 'Strawberry Fields Forever.'\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Sgt. Pepper's Lonely Hearts Club Band (2:03)\u003c\/div\u003e\n\u003cdiv\u003e2. With A Little Help From My Friends (2:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Lucy In The Sky With Diamonds (3:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Getting Better (2:47)\u003c\/div\u003e\n\u003cdiv\u003e5. Fixing A Hole (2:38)\u003c\/div\u003e\n\u003cdiv\u003e6. She's Leaving Home (3:26)\u003c\/div\u003e\n\u003cdiv\u003e7. Being For The Benefit Of Mr. Kite (2:39)\u003c\/div\u003e\n\u003cdiv\u003e8. Within You Without You (5:08)\u003c\/div\u003e\n\u003cdiv\u003e9. When I'm Sixty-Four (2:40)\u003c\/div\u003e\n\u003cdiv\u003e10. Lovely Rita (2:46)\u003c\/div\u003e\n\u003cdiv\u003e11. Good Morning Good Morning (2:34)\u003c\/div\u003e\n\u003cdiv\u003e12. Sgt. Pepper's Lonely Hearts Club Band (Reprise) (1:21)\u003c\/div\u003e\n\u003cdiv\u003e13. A Day In The Life (5:33)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Sgt. Pepper's Lonely Hearts Club Band (Take 9) (2:37)\u003c\/div\u003e\n\u003cdiv\u003e2. With A Little Help From My Friends (Take 1 - False Start And Take 2 - Instrumental) (3:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Lucy In The Sky With Diamonds (Take 1) (3:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Getting Better (Take 1 - Instrumental) (2:19)\u003c\/div\u003e\n\u003cdiv\u003e5. Fixing A Hole (Take 3) (3:28)\u003c\/div\u003e\n\u003cdiv\u003e6. She's Leaving Home (Take 1 - Instrumental) (3:49)\u003c\/div\u003e\n\u003cdiv\u003e7. Being For The Benefit Of Mr. Kite (Take 4) (3:07)\u003c\/div\u003e\n\u003cdiv\u003e8. Within You Without You (Take 1 - Indian Instrumental) (5:33)\u003c\/div\u003e\n\u003cdiv\u003e9. When I'm Sixty-Four (Take 2) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e10. Lovely Rita (Take 9) (3:04)\u003c\/div\u003e\n\u003cdiv\u003e11. Good Morning Good Morning (Take 8) (2:47)\u003c\/div\u003e\n\u003cdiv\u003e12. Sgt. Pepper's Lonely Hearts Club Band (Reprise) (Take 8) (1:56)\u003c\/div\u003e\n\u003cdiv\u003e13. A Day In The Life (Take 1 And Hummed Last Chord) (4:52)\u003c\/div\u003e\n\u003cdiv\u003e14. Strawberry Fields Forever (Take 7) (3:17)\u003c\/div\u003e\n\u003cdiv\u003e15. Strawberry Fields Forever (Take 26) (3:20)\u003c\/div\u003e\n\u003cdiv\u003e16. Strawberry Fields Forever (Stereo Mix - 2015) (4:06)\u003c\/div\u003e\n\u003cdiv\u003e17. Penny Lane (Take 6 - Instrumental) (2:57)\u003c\/div\u003e\n\u003cdiv\u003e18. Penny Lane (Stereo Mix - 2017) (3:01)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602557455366\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.26.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455505510555,"sku":"68092","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-beatles-sgt-pepper-s-lonely-hearts-club-band-anniversary-edition-2cd-cd-relix.png?v=1777392382"},{"product_id":"paul-mccartney-paul-is-live-cd","title":"Paul McCartney – Paul Is Live (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCaptured on the 1993 New World Tour, this is McCartney in full command of a catalog that spans decades and generations, playing stadiums full of fans who grew up with both \"Yesterday\" and \"Band on the Run.\" The set pulls from his entire arc, Beatles classics sitting comfortably alongside Wings cuts and solo work, proof that few catalogs hold up as well live as his does.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003ePaul Is Live, recorded during the tour in support of Off The Ground, was Paul's fifth live album and is famous for its title's double meaning and the rumour-scotching cover art. Ever since the 1969 release of Abbey Road, there had been hoax-fuelled stories of Paul's untimely death. The new title was a way of saying that this was most definitely not the case. The artwork is a play on the famous Abbey Road cover, with Paul crossing that same street but wearing shoes and using his left hand this time. (Originally, his bare feet and the holding of a cigarette in his right hand had supposedly been clues that it wasn't him on the cover.) As well as a raft of solo, Wings and Beatles favourites, the album also offers an insight into the band s sound checks, the final three songs all being improvised during rehearsals in various locations on the tour. Performed by Paul McCartney: Vocals, Bass, Electric \u0026amp; Acoustic Guitars, Piano Linda McCartney: Vocals, Keyboards Hamish Stuart: Vocals, Electric \u0026amp; Acoustic Guitars, Bass Robbie McIntosh: Electric \u0026amp; Acoustic Guitars, Vocals Wix Wickens: Keyboards, Vocals Blair Cunningham: Drums, Percussion\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Drive My Car (2:16)\u003c\/div\u003e\n\u003cdiv\u003e2. Let Me Roll It (4:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Looking For Changes (2:37)\u003c\/div\u003e\n\u003cdiv\u003e4. Peace In The Neighbourhood (4:42)\u003c\/div\u003e\n\u003cdiv\u003e5. All My Loving (2:14)\u003c\/div\u003e\n\u003cdiv\u003e6. Robbie's Bit (Thanks Chet) (1:35)\u003c\/div\u003e\n\u003cdiv\u003e7. Good Rockin' Tonight (2:41)\u003c\/div\u003e\n\u003cdiv\u003e8. We Can Work It Out (2:34)\u003c\/div\u003e\n\u003cdiv\u003e9. Hope Of Deliverance (3:25)\u003c\/div\u003e\n\u003cdiv\u003e10. Michelle (2:49)\u003c\/div\u003e\n\u003cdiv\u003e11. Biker Like An Icon (3:28)\u003c\/div\u003e\n\u003cdiv\u003e12. Here, There And Everywhere (2:27)\u003c\/div\u003e\n\u003cdiv\u003e13. My Love (3:57)\u003c\/div\u003e\n\u003cdiv\u003e14. Magical Mystery Tour (3:09)\u003c\/div\u003e\n\u003cdiv\u003e15. C'Mon People (5:31)\u003c\/div\u003e\n\u003cdiv\u003e16. Lady Madonna (2:24)\u003c\/div\u003e\n\u003cdiv\u003e17. Paperback Writer (2:32)\u003c\/div\u003e\n\u003cdiv\u003e18. Penny Lane (2:52)\u003c\/div\u003e\n\u003cdiv\u003e19. Live And Let Die (3:10)\u003c\/div\u003e\n\u003cdiv\u003e20. Kansas City (3:19)\u003c\/div\u003e\n\u003cdiv\u003e21. Welcome To Soundcheck (Link) (0:45)\u003c\/div\u003e\n\u003cdiv\u003e22. Hotel In Benidorm (2:00)\u003c\/div\u003e\n\u003cdiv\u003e23. I Wanna Be Your Man (2:20)\u003c\/div\u003e\n\u003cdiv\u003e24. A Fine Day (6:04)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602577285684\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.12.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455505576091,"sku":"232547","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-paul-mccartney-paul-is-live-cd-relix.jpg?v=1777460815"},{"product_id":"the-beatles-hard-days-night-reissue-remastered-180-gram-lp-vinyl","title":"The Beatles – Hard Day's Night (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased as the soundtrack to their 1964 film of the same name, *A Hard Day's Night* stands as the first Beatles album composed entirely of Lennon-McCartney originals, a milestone that signaled just how seriously the world needed to take them as songwriters, not just performers.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut.  A Hard Day's Night makes its North American LP debut in stereo\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. A Hard Day's Night\u003c\/div\u003e\n\u003cdiv\u003e2. I Should Have Known Better\u003c\/div\u003e\n\u003cdiv\u003e3. If I Fell\u003c\/div\u003e\n\u003cdiv\u003e4. I'm Happy Just To Dance With You\u003c\/div\u003e\n\u003cdiv\u003e5. And I Love Her\u003c\/div\u003e\n\u003cdiv\u003e6. Tell Me Why\u003c\/div\u003e\n\u003cdiv\u003e7. Can't Buy Me Love\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Any Time At All\u003c\/div\u003e\n\u003cdiv\u003e2. I'll Cry Instead\u003c\/div\u003e\n\u003cdiv\u003e3. Things We Said Today\u003c\/div\u003e\n\u003cdiv\u003e4. When I Get Home\u003c\/div\u003e\n\u003cdiv\u003e5. You Can't Do That\u003c\/div\u003e\n\u003cdiv\u003e6. I'll Be Back\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094638241317\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455505641627,"sku":"105667","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/harddaylpA.jpg?v=1777401979"},{"product_id":"the-beatles-with-the-beatles-reissue-remastered-180-gram-lp-vinyl","title":"The Beatles – With The Beatles (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe second Beatles LP, released in the UK in November 1963, arrived as Beatlemania was cresting on both sides of the Atlantic. Where *Please Please Me* captured the band nearly live in the studio, this one showed a group already pushing forward, balancing Lennon-McCartney originals against sharp R\u0026amp;B covers that reveal exactly where their heads were.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut.  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At 82, his instinct for a hook remains undimmed, and the peace-and-love ethos that has defined his solo career since the early 1970s runs through every groove here.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003ci\u003e\u003cspan\u003eRingo Starr’s newest EP, cleverly named “EP3,” features 4 brand new tracks featuring longtime collaborators Steve Lukather, Linda Perry, Dave Koz, José Antonio Rodriguez, and Bruce Sugar. With Ringo’s instantly recognizable vocals, feel-good lyrics, and easy-breezy melodies.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. World Go Around\u003c\/div\u003e\n\u003cdiv\u003e2. Everyone And Everything\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Let's Be Friends\u003c\/div\u003e\n\u003cdiv\u003e2. Free Your Soul\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602448129666\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ume\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.18.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455506362523,"sku":"70864","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ringo-starr-ep3-vinyl-lp-relix.jpg?v=1777460379"},{"product_id":"the-beatles-love-cd","title":"The Beatles – Love (CD + DVD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eConceived by George Martin and his son Giles for the Cirque du Soleil theatrical production of the same name, *Love* pulls apart and reassembles decades of Beatles recordings into something genuinely strange and revelatory. Stems and isolated tracks from the original Abbey Road session tapes were used, meaning you hear the band in ways no standard release ever allowed, vocals and instrumentation surfacing from the mix like they're being heard for the first time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFirst time ever Special Edition will include both the stereo CD and a bonus audio DVD packaged in a digipack with O-Card. The DVD is audio only and will contain 81 minutes of music in both 5.1 surround sound and stereo.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Because (2:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Get Back (2:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Glass Onion (1:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Eleanor Rigby \/ Julia (Transition) (3:05)\u003c\/div\u003e\n\u003cdiv\u003e5. I Am The Walrus (4:28)\u003c\/div\u003e\n\u003cdiv\u003e6. I Want To Hold Your Hand (1:22)\u003c\/div\u003e\n\u003cdiv\u003e7. Drive My Car \/ The Word \/ What You're Doing (1:54)\u003c\/div\u003e\n\u003cdiv\u003e8. Gnik Nus (0:55)\u003c\/div\u003e\n\u003cdiv\u003e9. Something \/ Blue Jay Way (Transition) (3:29)\u003c\/div\u003e\n\u003cdiv\u003e10. Being For The Benefit Of Mr. Kite! \/ I Want You (She's So Heavy) \/ Helter Skelter (3:22)\u003c\/div\u003e\n\u003cdiv\u003e11. Help! (2:18)\u003c\/div\u003e\n\u003cdiv\u003e12. Blackbird \/ Yesterday (2:31)\u003c\/div\u003e\n\u003cdiv\u003e13. Strawberry Fields Forever (4:31)\u003c\/div\u003e\n\u003cdiv\u003e14. Within You Without You \/ Tomorrow Never Knows (3:07)\u003c\/div\u003e\n\u003cdiv\u003e15. Lucy In The Sky With Diamonds (4:10)\u003c\/div\u003e\n\u003cdiv\u003e16. Octopus's Garden (3:18)\u003c\/div\u003e\n\u003cdiv\u003e17. Lady Madonna (2:56)\u003c\/div\u003e\n\u003cdiv\u003e18. Here Comes The Sun \/ The Inner Light (Transition) (4:18)\u003c\/div\u003e\n\u003cdiv\u003e19. Come Together \/ Dear Prudence \/ Cry Baby Cry (Transition) (4:45)\u003c\/div\u003e\n\u003cdiv\u003e20. Revolution (2:14)\u003c\/div\u003e\n\u003cdiv\u003e21. Back In The U.S.S.R. (1:53)\u003c\/div\u003e\n\u003cdiv\u003e22. While My Guitar Gently Weeps (3:46)\u003c\/div\u003e\n\u003cdiv\u003e23. A Day In The Life (5:08)\u003c\/div\u003e\n\u003cdiv\u003e24. Hey Jude (3:58)\u003c\/div\u003e\n\u003cdiv\u003e25. Sgt. Pepper's Lonely Hearts Club Band (Reprise) (1:22)\u003c\/div\u003e\n\u003cdiv\u003e26. All You Need Is Love (3:38)\u003c\/div\u003e\n\u003cdiv\u003e27. Something \/ Blue Jay Way (Transition) (3:29)\u003c\/div\u003e\n\u003ch4\u003eDVD\u003c\/h4\u003e\n\u003cdiv\u003e1. Because (2:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Get Back (2:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Glass Onion (1:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Eleanor Rigby \/ Julia (Transition) (3:05)\u003c\/div\u003e\n\u003cdiv\u003e5. I Am The Walrus (4:27)\u003c\/div\u003e\n\u003cdiv\u003e6. I Want To Hold Your Hand (1:22)\u003c\/div\u003e\n\u003cdiv\u003e7. Drive My Car \/ The Word \/ What You're Doing (1:54)\u003c\/div\u003e\n\u003cdiv\u003e8. Gnik Nus (0:54)\u003c\/div\u003e\n\u003cdiv\u003e9. Being For The Benefit Of Mr. Kite! \/ I Want You (She's So Heavy) \/ Helter Skelter (3:22)\u003c\/div\u003e\n\u003cdiv\u003e10. Help! 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The medley that closes Side Two remains one of rock's great communal listening experiences, a suite of unfinished fragments woven into something none of them could have made alone.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe new \u003cem\u003eAbbey Road\u003c\/em\u003erelease features thenew stereo album mix, sourced directly from the original eight-track session tapes. To produce the mix, Giles Martin working with Sam Okell, was guided by the album’s original stereo mix supervised by his father, George Martin.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Come Together (4:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Something (3:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Maxwell's Silver Hammer (3:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Oh! Darling (3:27)\u003c\/div\u003e\n\u003cdiv\u003e5. Octopus's Garden (2:51)\u003c\/div\u003e\n\u003cdiv\u003e6. I Want You (She's So Heavy) (7:47)\u003c\/div\u003e\n\u003cdiv\u003e7. Here Comes The Sun (3:06)\u003c\/div\u003e\n\u003cdiv\u003e8. Because (2:46)\u003c\/div\u003e\n\u003cdiv\u003e9. You Never Give Me Your Money (4:03)\u003c\/div\u003e\n\u003cdiv\u003e10. Sun King (2:26)\u003c\/div\u003e\n\u003cdiv\u003e11. Mean Mr Mustard (1:06)\u003c\/div\u003e\n\u003cdiv\u003e12. Polythene Pam (1:13)\u003c\/div\u003e\n\u003cdiv\u003e13. She Came In Through The Bathroom Window (1:59)\u003c\/div\u003e\n\u003cdiv\u003e14. Golden Slumbers (1:31)\u003c\/div\u003e\n\u003cdiv\u003e15. Carry That Weight (1:36)\u003c\/div\u003e\n\u003cdiv\u003e16. The End (2:22)\u003c\/div\u003e\n\u003cdiv\u003e17. Her Majesty (0:25)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602508007439\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.27.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455507148955,"sku":"63182","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/abbeyrdanniversarycdA.png?v=1777405111"},{"product_id":"ringo-starr-old-wave-yellow-submarine-edition-colored-clear-lp-vinyl","title":"Ringo Starr – Old Wave: Yellow Submarine Edition (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally released in 1983, *Old Wave* had the misfortune of arriving without a U.S. distributor, leaving it largely unheard by the American audience that knew Ringo best. Produced by his fellow road warrior Joe Walsh, the album carries a loose, live-room energy that studio polish would have ruined, and this yellow vinyl pressing finally gives it the stateside attention it always deserved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOld Wave... 1983 studio album. Critically known as \"Ringo's most overlooked album\" \u0026amp; \"Ringo's solo masterpiece\". Produced by Joe Walsh \u0026amp; Russ Ballard. Includes a bonus track that has NEVER been released on vinyl before. This vinyl package includes an OBI strip, single album jacket, printed inner sleeve, original record labels and yellow color vinyl.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. In My Car\u003c\/div\u003e\n\u003cdiv\u003e2. Hopeless\u003c\/div\u003e\n\u003cdiv\u003e3. Alibi\u003c\/div\u003e\n\u003cdiv\u003e4. Be My Baby\u003c\/div\u003e\n\u003cdiv\u003e5. She's About A Mover\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I Keep Forgettin'\u003c\/div\u003e\n\u003cdiv\u003e2. Picture Show Life\u003c\/div\u003e\n\u003cdiv\u003e3. As Far As We Can Go\u003c\/div\u003e\n\u003cdiv\u003e4. Everybody's In A Hurry But Me\u003c\/div\u003e\n\u003cdiv\u003e5. Going Down\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 819514012597\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Culture Factory Usa\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.24.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455508000923,"sku":"49679","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ringo-starr-old-wave-yellow-submarine-edition-colored-clear-lp-vinyl-vinyl-lp-relix.jpg?v=1777459966"},{"product_id":"ringo-starr-zoom-in-ep-lp-vinyl","title":"Ringo Starr – Zoom In (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during pandemic lockdown, Zoom In finds Ringo doing what he's always done best: turning a phone tree of rock royalty into something genuinely warm and communal. The All Starr Band spirit runs deep here even when the band never shared a room, and McCartney's appearance marks yet another chapter in one of popular music's most enduring creative friendships.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e'Zoom In' was recorded at Ringo Starr's home studio from April to October 2020. The 5 new songs \"Here's To The Nights,\" \"Zoom In Zoom Out,\" \"Teach Me To Tango,\" \"Waiting for the Tide to Turn\" \u0026amp; \"Not Enough Love In the World\" include contributions from Paul McCartney, Joe Walsh, Ben Harper, Dave Grohl, Sheryl Crow, Chris Stapleton, Steve Lukather, Jenny Lewis, Lenny Kravitz, Corinne Bailey Rae, Eric Burton, Yola, FINNEAS, Benmont Tench, Robbie Krieger, Sam Hollander, Bruce Sugar \u0026amp; more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Here's To The Nights\u003c\/div\u003e\n\u003cdiv\u003e2. Zoom In Zoom Out\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Teach Me To Tango\u003c\/div\u003e\n\u003cdiv\u003e2. Waiting For The Tide To Turn\u003c\/div\u003e\n\u003cdiv\u003e3. Not Enough Love In The World\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602435585802\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ume\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.19.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455510491291,"sku":"105988","price":20.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Ringo-Starr-Zoom-In-LP-Vinyl.png?v=1777379009"},{"product_id":"the-beatles-let-it-be-special-edition-deluxe-2-cd","title":"The Beatles – Let It Be: Special Edition (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eNo album in The Beatles canon has ripples of revision, dissection, and debate quite like Let It Be. It's the last album the Fabs released, but not the last album they recorded. It's the break-up album that wasn't.\u003c\/p\u003e\u003cp\u003eIt's also the impetus for the last live performance by the four (or five, if you count Billy Preston's guesting; and you should count him- he helped save the entire project). Then, some of the raw, \"live\" tracks oddly became a canvas for Phil Spector's gloopy overdubs; ones that angered no less than Paul McCartney, and irritated longtime Beatles producer, George Martin. Not exactly the finale either man wanted.\u003c\/p\u003e\u003cp\u003eThis six-disc special edition, five decades later, adds two more versions to consider: a brand new mix of Let It Be and the 1969 Get Back LP mix by revered engineer Glyn Johns (The Rolling Stones). Counting that pair, there are currently in existence at least five versions of an album whose own title suggests, well, letting it be.\u003c\/p\u003e\u003cp\u003eSo, Beatles fans, which will it be?\u003c\/p\u003e\u003cp\u003eThe original 1970 release that coincided with an eponymous (now out-of-print) film of the sessions and the famed rooftop concert at Apple; the original that Spector, in post-production, loaded with over four-dozen orchestral players, including a flourishing harp that notoriously coated McCartney's long and winding road in a glaze of syrup? Or McCartney's response in 2003, Let It Be… Naked, that effectively exorcised Spector, and essentially kept only the contributions of the quartet and Preston? Or the 2009 remaster that reverted back to the original mix, granted, with a renewing sheen?\u003c\/p\u003e\u003cp\u003eOr will it be Johns' 1969 mix titled, as McCartney first conceived, Get Back– as much a name as an edict for the group to return bare to its rock-and-roll roots, including the cover shot taken in the same EMI stairwell where the mop-tops posed for the Please Please Me cover six years earlier?\u003c\/p\u003e\u003cp\u003eOr this new mix- brighter, with more separation and a greater emphasis on the vocal- by none other than Giles Martin, son of George, that tightropes between Macca's unadorned intentions and Spector's mellifluous essence?\u003c\/p\u003e\u003cp\u003eHow about all of them? Rather than choosing one, how about reveling in this opportunity in modern times to appreciate them all? Because, really, each version contains very revealing and rewarding moments. Plus, what true Beatles fan is ever satiated? Old and new. Original and updated. Let it be debated. Let it be celebrated.\u003c\/p\u003e\u003cp\u003ePossibly the most rewarding parts of this collection aren't even the two proper albums- though the Johns' mix (requested in '69 by John Lennon and McCartney) is an unquestionable joy to finally behold. Talk about naked Beatles; Johns' edit is as pink and exposed as The Beatles could be at the time. One can only imagine how releasing Get Back instead of Let It Be would've tilted things; punk may have arrived years sooner.\u003c\/p\u003e\u003cp\u003eThe two discs of rehearsals and jams- these, too, are real treasures. Honestly, is there a fan or musician alive who wouldn't have wanted to be a fly on the wall for any Beatles session, let alone ones that give us sketches of \"I've Got A Feeling,\" \"Don't Let Me Down,\" and early previews of songs that Abbey Road would debut?\u003c\/p\u003e\u003cp\u003eThese two discs offer that and more: hearing John, Paul, George, and Ringo talk through the creative process, and more importantly, work through the music; with numerous takes of the blossoming material, including a Beatles rundown of George Harrison's gestating \"All Things Must Pass.\" It bears repeating: we get to hear The Beatles work. (And, order lunch.) For this reason alone, the Let It Be Super Deluxe Special Edition is as essential as it gets.\u003c\/p\u003e\u003cp\u003eForget the fact that they were irritated with each other at times during the sessions; Preston's presence calmed everyone and put them on their better behavior. And what band hasn't gone through tense exchanges while making an album?\u003c\/p\u003e\u003cp\u003eMonths after the Let It Be sessions, The Beatles (with George Martin producing) recorded the magnificent Abbey Road, and its penultimate song, \"The End.\" Yet Let It Be, issued after Abbey Road, became, symbolically and otherwise, the end. And with it, the feeling that the sessions and the resulting recordings had to self-fulfill the prophecy: viewed and heard as the breaking up of The Beatles.\u003c\/p\u003e\u003cp\u003eRegardless of albums and sessions and dates, in light of this new set, we can instead consider an end of The Beatles to be the moment when the police arrive to close down Let It Be's rooftop concert. For anyone who's ever picked up an instrument, determined to rock and roll, there is no more perfect way to call it a day.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/the-beatles-let-it-be-super-deluxe-special-edition\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe sessions that became Let It Be were meant to be a return to roots, the Beatles playing live in the studio with cameras rolling, an experiment that famously unraveled under the weight of internal tensions and was shelved for over a year before Phil Spector's orchestral production brought it to release in 1970. What survived on tape, though, was something rawer and more revealing than almost anything else in their catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe Let It Be album has been newly mixed by producer Giles Martin and engineer Sam Okell. All the new Let It Be releases feature the new stereo mix of the album as guided by the original \"reproduced for disc\" version by Phil Spector and sourced directly from the original session and rooftop performance eight-track tapes. The Special Edition Deluxe 2CD also includes a disc of outtake highlights and a 40-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Two Of Us\u003c\/div\u003e\n\u003cdiv\u003e2. Dig A Pony\u003c\/div\u003e\n\u003cdiv\u003e3. Across The Universe\u003c\/div\u003e\n\u003cdiv\u003e4. I Me Mine\u003c\/div\u003e\n\u003cdiv\u003e5. Dig It\u003c\/div\u003e\n\u003cdiv\u003e6. Let It Be\u003c\/div\u003e\n\u003cdiv\u003e7. Maggie Mae\u003c\/div\u003e\n\u003cdiv\u003e8. I've Got A Feeling\u003c\/div\u003e\n\u003cdiv\u003e9. One After 909\u003c\/div\u003e\n\u003cdiv\u003e10. The Long And Winding Road\u003c\/div\u003e\n\u003cdiv\u003e11. For You Blue\u003c\/div\u003e\n\u003cdiv\u003e12. Get Back\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Morning Camera (Speech - Mono) \/ Two Of Us (Take 4)\u003c\/div\u003e\n\u003cdiv\u003e2. Maggie Mae \/ Fancy My Chances With You (Mono)\u003c\/div\u003e\n\u003cdiv\u003e3. For You Blue (Take 4)\u003c\/div\u003e\n\u003cdiv\u003e4. Let It Be \/ Please Please Me \/ Let It Be (Take 10)\u003c\/div\u003e\n\u003cdiv\u003e5. The Walk (Jam)\u003c\/div\u003e\n\u003cdiv\u003e6. I've Got A Feeling (Take 10)\u003c\/div\u003e\n\u003cdiv\u003e7. Dig A Pony (Take 14)\u003c\/div\u003e\n\u003cdiv\u003e8. Get Back (Take 8)\u003c\/div\u003e\n\u003cdiv\u003e9. Like Making An Album? (Speech)\u003c\/div\u003e\n\u003cdiv\u003e10. One After 909 (Take 3)\u003c\/div\u003e\n\u003cdiv\u003e11. Don't Let Me Down (First Rooftop Performance)\u003c\/div\u003e\n\u003cdiv\u003e12. The Long And Winding Road (Take 19)\u003c\/div\u003e\n\u003cdiv\u003e13. Wake Up Little Suzie \/ I Me Mine (Take 11)\u003c\/div\u003e\n\u003cdiv\u003e14. Across The Universe (Unreleased Glyn Johns 1970 Mix)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602507138622\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.15.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455511507099,"sku":"449772","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/letitbe2cdA.jpg?v=1777399960"},{"product_id":"the-beatles-a-hard-days-night-cd","title":"The Beatles – A Hard Day's Night (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in the summer of 1964, A Hard Day's Night arrived at a moment when Beatlemania had already swept America following the band's February appearance on The Ed Sullivan Show. The album captures a group playing with an almost reckless confidence, Lennon and McCartney turning out songs at a pace that seemed impossible to sustain, yet somehow they did.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA HARD DAY'S NIGHT was the first Beatles album of all-original material, and the first to feature George Harrison playing his Rickenbacker electric 12-string guitar (on the opening chord of \"A Hard Day's Night,\" for instance). The distinctive sound of the 12-string inspired countless guitarists including Roger McGuinn and David Crosby of the Byrds. The film from which these songs hail remains a classic combination of happy 1960s naivete and nascent hipster wit. Many of the most important rock bands to emerge in the latter half of the '60s came into being because of A HARD DAY'S NIGHT's irresistible vibrancy. The tunes flow like the finest red wine, as the title track leads to the glorious harmonica of \"I Should Have Known Better\" and the powerfully poignant \"If I Fell.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eFrom The Soundtrack Of The United Artists Film \"A Hard Day's Night\"\u003c\/h4\u003e\n\u003cdiv\u003e1. A Hard Day's Night (2:34)\u003c\/div\u003e\n\u003cdiv\u003e2. I Should Have Known Better (2:43)\u003c\/div\u003e\n\u003cdiv\u003e3. If I Fell (2:19)\u003c\/div\u003e\n\u003cdiv\u003e4. I'm Happy Just To Dance With You (1:56)\u003c\/div\u003e\n\u003cdiv\u003e5. And I Love Her (2:30)\u003c\/div\u003e\n\u003cdiv\u003e6. Tell Me Why (2:09)\u003c\/div\u003e\n\u003cdiv\u003e7. Can't Buy Me Love (2:12)\u003c\/div\u003e\n\u003ch4\u003eThe Beatles\u003c\/h4\u003e\n\u003cdiv\u003e1. Any Time At All (2:11)\u003c\/div\u003e\n\u003cdiv\u003e2. I'll Cry Instead (1:46)\u003c\/div\u003e\n\u003cdiv\u003e3. Things We Said Today (2:35)\u003c\/div\u003e\n\u003cdiv\u003e4. When I Get Home (2:17)\u003c\/div\u003e\n\u003cdiv\u003e5. You Can't Do That (2:35)\u003c\/div\u003e\n\u003cdiv\u003e6. I'll Be Back (2:26)\u003c\/div\u003e\n\u003cdiv\u003e7. Mini-documentary\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094638241324\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.9.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455512752283,"sku":"232047","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/hardday_scdA.jpg?v=1777406655"},{"product_id":"ringo-starr-stop-smell-the-roses-yellow-submarine-edition-lp-vinyl","title":"Ringo Starr – Stop \u0026 Smell The Roses: Yellow Submarine Edition (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSandwiched between the fractious post-Beatles solo years and the nostalgia circuit that would define his later career, Ringo's 1981 record captured something genuinely warm, a revolving door of old friends showing up to play. McCartney produced and played on several tracks, making it one of the more intimate reunions of the era, even if nobody called it that at the time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRingo Starr achieved international fame as the drummer for THE BEATLES. Stop and Smell the Roses is a studio album originally released in 1981 which includes contributions from Paul McCartney, Ronnie Wood and Stephen Stills. The deluxe packaging includes an OBI side strip, single album jacket, printed inner sleeve, original record labels and specialty color vinyl. This is a MUST for all fans\/collectors of THE BEATLES.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Private Property\u003c\/div\u003e\n\u003cdiv\u003e2. Wrack My Brain\u003c\/div\u003e\n\u003cdiv\u003e3. Drumming Is My Madness\u003c\/div\u003e\n\u003cdiv\u003e4. Attention\u003c\/div\u003e\n\u003cdiv\u003e5. Stop And Take Time To Smell The Roses\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Dead Giveaway\u003c\/div\u003e\n\u003cdiv\u003e2. You Belong To Me\u003c\/div\u003e\n\u003cdiv\u003e3. Sure To Fall (In Love With You)\u003c\/div\u003e\n\u003cdiv\u003e4. Nice Way\u003c\/div\u003e\n\u003cdiv\u003e5. Back Off Boogaloo\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 819514012603\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Culture Factory Usa\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.24.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455517700251,"sku":"193377","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ringo-starr-stop-smell-the-roses-yellow-submarine-edition-vinyl-lp-relix.jpg?v=1777459988"},{"product_id":"the-beatles-anthology-4-cd","title":"The Beatles – Anthology 4 (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGiles Martin has been the steward of his father George Martin's legacy at Abbey Road for years, and his work restoring and reimagining Beatles archives has only deepened with each project. The three original Anthology volumes, released in 1995 and 1996, drew on the band's own storytelling to shape how a generation understood the Fab Four; this fourth installment arrives nearly three decades later, closing the loop with unreleased session material spanning the full arc of their recording career.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eAnthology 4 - \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eDouble CD.\u003ci\u003e \u003c\/i\u003eThe new volume from The Beatles \u003ci\u003eAnthology Collection.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eAnthology 4\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, is newly curated by Giles Martin, including 13 \u003c\/span\u003epreviously-unreleased session outtakes\u003cspan\u003e dating from 1963 to 1969. It also includes the band’s final single, ‘Now And Then’, released in 2023, and new mixes of The Beatles’ \u003ci\u003eAnthology\u003c\/i\u003e-associated hit singles: the GRAMMY-winning ‘Free As A Bird’ and ‘Real Love’, given new life by their original producer, Jeff Lynne, using de-mixed John Lennon vocals.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe track notes are written by Kevin Howlett with an introduction compiled from 1996 interviews recorded with The Beatles’ close friend and adviser Derek Taylor.\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003eFurthermore, \u003ci\u003eAnthology 4\u003c\/i\u003e presents 17 tracks that were previously unavailable on CD.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe double CD is housed in a gatefold digisleeve, with a 48 page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. I Saw Her Standing There (Take 2) (3:06)\u003c\/div\u003e\n\u003cdiv\u003e2. Money (That's What I Want) (RM7 Undubbed) (2:48)\u003c\/div\u003e\n\u003cdiv\u003e3. This Boy (Takes 12 And 13) (3:18)\u003c\/div\u003e\n\u003cdiv\u003e4. Tell Me Why (Takes 4 And 5) (3:07)\u003c\/div\u003e\n\u003cdiv\u003e5. If I Fell (Take 11) (2:39)\u003c\/div\u003e\n\u003cdiv\u003e6. Matchbox (Take 1) (2:09)\u003c\/div\u003e\n\u003cdiv\u003e7. Every Little Thing (Takes 6 And 7) (3:29)\u003c\/div\u003e\n\u003cdiv\u003e8. I Need You (Take 1) (2:36)\u003c\/div\u003e\n\u003cdiv\u003e9. I've Just Seen A Face (Take 3) (2:27)\u003c\/div\u003e\n\u003cdiv\u003e10. In My Life (Take 1) (2:40)\u003c\/div\u003e\n\u003cdiv\u003e11. Nowhere Man (First Version - Take 2) (2:24)\u003c\/div\u003e\n\u003cdiv\u003e12. Got To Get You Into My Life (Second Version - Unnumbered Mix) (2:35)\u003c\/div\u003e\n\u003cdiv\u003e13. Love You To (Take 7) (2:56)\u003c\/div\u003e\n\u003cdiv\u003e14. Strawberry Fields Forever (Take 26) (3:20)\u003c\/div\u003e\n\u003cdiv\u003e15. She's Leaving Home (Take 1 - Instrumental) (3:50)\u003c\/div\u003e\n\u003cdiv\u003e16. Baby, You're A Rich Man (Takes 11 And 12) (6:06)\u003c\/div\u003e\n\u003cdiv\u003e17. All You Need Is Love (Rehearsal For BBC Broadcast) (6:11)\u003c\/div\u003e\n\u003cdiv\u003e18. The Fool On The Hill (Take 5 - Instrumental) (4:42)\u003c\/div\u003e\n\u003cdiv\u003e19. I Am The Walrus (Take 19 - Strings, Brass, Clarinet Overdub) (4:57)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Hey Bulldog (Take 4 - Instrumental) (3:14)\u003c\/div\u003e\n\u003cdiv\u003e2. Good Night (Take 10 With A Guitar Part From Take 5) (2:31)\u003c\/div\u003e\n\u003cdiv\u003e3. While My Guitar Gently Weeps (Third Version - Take 27) (3:18)\u003c\/div\u003e\n\u003cdiv\u003e4. (You're So Square) Baby I Don't Care (Studio Jam) (0:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Helter Skelter (Second Version - Take 17) (3:38)\u003c\/div\u003e\n\u003cdiv\u003e6. I Will (Take 29) (0:27)\u003c\/div\u003e\n\u003cdiv\u003e7. Can You Take Me Back? (Take 1) (2:28)\u003c\/div\u003e\n\u003cdiv\u003e8. Julia (Two Rehearsals) (4:27)\u003c\/div\u003e\n\u003cdiv\u003e9. Get Back (Take 8) (3:52)\u003c\/div\u003e\n\u003cdiv\u003e10. Octopus's Garden (Rehearsal) (1:49)\u003c\/div\u003e\n\u003cdiv\u003e11. Don't Let Me Down (First Rooftop Performance) (3:27)\u003c\/div\u003e\n\u003cdiv\u003e12. You Never Give Me Your Money (Take 36) (5:18)\u003c\/div\u003e\n\u003cdiv\u003e13. Here Comes The Sun (Take 9) (3:42)\u003c\/div\u003e\n\u003cdiv\u003e14. Something (Take 39 - Instrumental - Strings Only) (2:36)\u003c\/div\u003e\n\u003cdiv\u003e15. Free As A Bird (2025 Mix) (4:27)\u003c\/div\u003e\n\u003cdiv\u003e16. Real Love (2025 Mix) (3:35)\u003c\/div\u003e\n\u003cdiv\u003e17. Now And Then (4:09)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478053214\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455517831323,"sku":"25249007","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/anthology42cdA_61b9ba5d-67fb-4240-8d15-2de2512463ad.jpg?v=1777402526"},{"product_id":"paul-mccartney-and-wings-wings-2025-cd","title":"Paul McCartney And Wings – Wings (2025) - (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore the Plastic Ono Band, before the solo catalog, before the stadium spectacles, Paul McCartney spent the better part of a decade building something the skeptics said couldn't be done: a genuinely great rock band from scratch. Wings earned their reputation the hard way, touring universities in a van and cutting records that moved from the raw urgency of \"Junior's Farm\" to the orchestral sweep of \"Silly Love Songs,\" proving McCartney's melodic instincts were as sharp as ever.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp class=\"p1\"\u003eWINGS is the ultimate anthology of the band that defined the sound of the 1970s. A lovingly curated time capsule of imagery and music personally overseen by Paul McCartney, WINGS includes 32 timeless international hits including \"Band on the Run,\" \"Live and Let Die,\" \"Jet\" and \"Let ‘Em In’\" – songs that still feature in his live shows to this day. The WINGS collection was designed by Paul and Aubrey 'Po' Powell of Hipgnosis. The expanded booklet also includes an introduction by Paul, plus extensive album-by-album notes on the iconic artwork written by Po, with additional editorial by Pete Paphides and showcases original portraits of the band by Humphrey Ocean. In addition to the 32-page booklet, the 2CD Digisleeve set includes a poster.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Band On The Run (5:15)\u003c\/div\u003e\n\u003cdiv\u003e2. Let 'Em In (5:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Jet (4:08)\u003c\/div\u003e\n\u003cdiv\u003e4. With A Little Luck (DJ Edit) (3:13)\u003c\/div\u003e\n\u003cdiv\u003e5. Arrow Through Me (3:38)\u003c\/div\u003e\n\u003cdiv\u003e6. Nineteen Hundred And Eighty Five (5:29)\u003c\/div\u003e\n\u003cdiv\u003e7. Silly Love Songs (5:53)\u003c\/div\u003e\n\u003cdiv\u003e8. My Love (4:09)\u003c\/div\u003e\n\u003cdiv\u003e9. Live And Let Die (3:12)\u003c\/div\u003e\n\u003cdiv\u003e10. Listen To What The Man Said (4:02)\u003c\/div\u003e\n\u003cdiv\u003e11. Goodnight Tonight (4:20)\u003c\/div\u003e\n\u003cdiv\u003e12. Mull Of Kintyre (4:44)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602475694366\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455518716059,"sku":"25861830","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-paul-mccartney-and-wings-wings-2025-cd-relix.jpg?v=1777462799"},{"product_id":"the-beatles-magical-mystery-tour-cd","title":"The Beatles – Magical Mystery Tour (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally released in the US in 1967 as a full LP (the UK version was an EP paired with a book), Magical Mystery Tour captured the Beatles at peak psychedelic ambition, just months after Sgt. Pepper. The second half of the album collects some of their strongest standalone singles from that era, including \"Penny Lane,\" \"Strawberry Fields Forever,\" and \"All You Need Is Love,\" making the US configuration arguably the more satisfying listen.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe first six songs on MAGICAL MYSTERY TOUR were the soundtrack to the Beatles' TV movie of the same name. The film was an experimental mess, but the experimental pop of the album included some of their most memorable productions. The soundtrack side was dominated by Paul McCartney pop tunes, including the bittersweet piano ballad \"Fool On The Hill\" and \"Your Mother Should Know,\" an impossibly catchy bit of Vaudevillian pop. But it also featured George Harrison's mystical \"Blue Jay Way\" (about his house in Hollywood) and John Lennon's \"I Am The Walrus,\" which wedded a stream-of-consciousness lyric to a fierce drum beat, layers of strings, odd voices and some dialogue from Shakespeare's \"King Lear.\" McCartney's \"Hello Goodbye,\" which led off the assorted singles, featured some neatly arranged contrapuntal vocals, and may well have been about the dissolving partnerships (songwriting and otherwise) between McCartney and Lennon. Lennon's strangely arranged \"Strawberry Fields Forever,\" whose two halves blend different takes of the same song, one slowed down to match the pitch of the other, was a trippy reverie; its bridges, orchestrated with horns, cellos, and backward cymbals, are sheer brilliance. \"Penny Lane,\" a wistful fantasy featuring a beautiful trumpet solo, was McCartney at his melodic best, the AM foil to Lennon's FM headiness.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Magical Mystery Tour (2:50)\u003c\/div\u003e\n\u003cdiv\u003e2. The Fool On The Hill (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Flying (2:15)\u003c\/div\u003e\n\u003cdiv\u003e4. Blue Jay Way (3:55)\u003c\/div\u003e\n\u003cdiv\u003e5. Your Mother Should Know (2:28)\u003c\/div\u003e\n\u003cdiv\u003e6. I Am The Walrus (4:35)\u003c\/div\u003e\n\u003cdiv\u003e7. Hello Goodbye (3:28)\u003c\/div\u003e\n\u003cdiv\u003e8. Strawberry Fields Forever (4:07)\u003c\/div\u003e\n\u003cdiv\u003e9. Penny Lane (3:00)\u003c\/div\u003e\n\u003cdiv\u003e10. Baby You're A Rich Man (3:01)\u003c\/div\u003e\n\u003cdiv\u003e11. All You Need Is Love (3:52)\u003c\/div\u003e\n\u003cdiv\u003e12. Magical Mystery Tour Mini Documentary\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094638246527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.9.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455520452763,"sku":"87839","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/magicalmysterycdA.jpg?v=1777394165"},{"product_id":"the-beatles-please-please-me-reissue-remastered-180-gram-lp-vinyl","title":"The Beatles – Please Please Me (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in a single marathon session on February 11, 1963, Please Please Me captured a band already road-hardened from years of Hamburg clubs and Liverpool nights, playing with a live urgency that most debut albums never approach. The vinyl format suits it perfectly , the room sound, the breathless tempos, the way Lennon's voice cracks just slightly on the covers, all of it lands differently when pressed into wax.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. I Saw Her Standing There\u003c\/div\u003e\n\u003cdiv\u003e2. Misery\u003c\/div\u003e\n\u003cdiv\u003e3. Anna (Go To Him)\u003c\/div\u003e\n\u003cdiv\u003e4. Chains\u003c\/div\u003e\n\u003cdiv\u003e5. Boys\u003c\/div\u003e\n\u003cdiv\u003e6. Ask Me Why\u003c\/div\u003e\n\u003cdiv\u003e7. Please Please Me\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Love Me Do\u003c\/div\u003e\n\u003cdiv\u003e2. P.S. I Love You\u003c\/div\u003e\n\u003cdiv\u003e3. Baby It's You\u003c\/div\u003e\n\u003cdiv\u003e4. Do You Want To Know A Secret\u003c\/div\u003e\n\u003cdiv\u003e5. A Taste Of Honey\u003c\/div\u003e\n\u003cdiv\u003e6. There's A Place\u003c\/div\u003e\n\u003cdiv\u003e7. Twist And Shout\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094638241614\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455520911515,"sku":"402050","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/pleasepleaselpA.jpg?v=1777395113"},{"product_id":"paul-mccartney-band-on-the-run-lp-vinyl","title":"Paul McCartney – Band On The Run (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in Lagos, Nigeria under genuinely difficult circumstances, including the abrupt departure of half the band before sessions began, McCartney essentially rebuilt Wings from the ground up in an unfamiliar studio with Linda and Denny Laine. What emerged was a remarkable creative rebound, silencing critics who had written him off in the post-Beatles years and proving he still had something urgent to say.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eBand on the Run is the third studio album by Paul McCartney and Wings, released in December 1973. Its commercial performance was aided by two hit singles 'Jet' and 'Band On The Run' such that it became the top-selling studio album of 1974 in the United Kingdom and Australia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Band On The Run (5:13)\u003c\/div\u003e\n\u003cdiv\u003e2. Jet (4:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Bluebird (3:23)\u003c\/div\u003e\n\u003cdiv\u003e4. Mrs. Vandebilt (4:41)\u003c\/div\u003e\n\u003cdiv\u003e5. Let Me Roll It (4:50)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Mamunia (4:51)\u003c\/div\u003e\n\u003cdiv\u003e2. No Words (2:34)\u003c\/div\u003e\n\u003cdiv\u003e3. Picasso's Last Words (Drink To Me) (5:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Nineteen Hundred And Eighty Five (5:28)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602557567496\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.17.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455522746523,"sku":"379764","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-paul-mccartney-band-on-the-run-vinyl-lp-relix.jpg?v=1777461340"},{"product_id":"the-beatles-the-beatles-second-album-lp-vinyl","title":"The Beatles – The Beatles' Second Album - (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCapitol's American sequencing of early Beatles material tells its own story about how Beatlemania actually landed in the United States, different track listings and all. This all-analogue reissue arrives at a moment when the conversation around proper fidelity to original mono pressings has never been more serious among collectors, and Kevin Reeves' work at East Iris Studios has earned real respect in those circles. The 1964 source material here captures the band at a velocity they'd never quite replicate.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles - \"The Beatles' Second Album\" - Using the original 1964 mono master, new lacquers have been cut all-analogue by Kevin Reeves at Nashville's East Iris Studios. By constantly referring to the original first pressing, the album is faithful to the original release while also enabling more musical information to be heard than was possible before. Featuring faithfully replicated artwork and a new four-panel insert with essay by American Beatles historian, Bruce Spizer. 180-gram audiophile pressing. Special Pkg:180g Heavy Version Title: [LP]\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Roll Over Beethoven\u003c\/div\u003e\n\u003cdiv\u003e2. Thank You Girl\u003c\/div\u003e\n\u003cdiv\u003e3. You Really Got A Hold On Me\u003c\/div\u003e\n\u003cdiv\u003e4. Devil In Her Heart\u003c\/div\u003e\n\u003cdiv\u003e5. Money\u003c\/div\u003e\n\u003cdiv\u003e6. You Can't Do That\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Long Tall Sally\u003c\/div\u003e\n\u003cdiv\u003e2. I Call Your Name\u003c\/div\u003e\n\u003cdiv\u003e3. Please Mister Postman\u003c\/div\u003e\n\u003cdiv\u003e4. I'll Get You\u003c\/div\u003e\n\u003cdiv\u003e5. She Loves You\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602468019756\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.22.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455525990555,"sku":"26247480","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-beatles-the-beatles-second-album-vinyl-lp-relix.png?v=1777392321"},{"product_id":"the-beatles-past-masters-lp-vinyl","title":"The Beatles – Past Masters (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally scattered across non-album singles, B-sides, and the *Rarities* compilation, these tracks represent the pieces that never fit the standard LP sequencing but remain essential Beatles. From the raw urgency of early Parlophone singles to the experimental playfulness of \"You Know My Name (Look Up The Number),\" *Past Masters* captures the band in the margins, where some of their most unguarded and revelatory moments lived.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut. Past Masters (double album) \"Love Me Do\" (original single version), \"She Loves You,\" \"I'll Get You,\" and \"You Know My Name (Look Up The Number)\" are presented in mono. Packaging, notes and photographic content is based on the 2009 CD release\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5099969943515\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Love Me Do (Original Single Version) (2:25)\u003c\/div\u003e\n\u003cdiv\u003e2. From Me To You (1:57)\u003c\/div\u003e\n\u003cdiv\u003e3. Thank You Girl (2:03)\u003c\/div\u003e\n\u003cdiv\u003e4. She Loves You (2:21)\u003c\/div\u003e\n\u003cdiv\u003e5. I'll Get You (2:06)\u003c\/div\u003e\n\u003cdiv\u003e6. I Want To Hold Your Hand (2:26)\u003c\/div\u003e\n\u003cdiv\u003e7. This Boy (2:16)\u003c\/div\u003e\n\u003cdiv\u003e8. Komm, Gib Mir Deine Hand (2:25)\u003c\/div\u003e\n\u003cdiv\u003e9. Sie Liebt Dich (2:19)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Long Tall Sally (2:02)\u003c\/div\u003e\n\u003cdiv\u003e2. I Call Your Name (2:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Slow Down (2:56)\u003c\/div\u003e\n\u003cdiv\u003e4. Matchbox (1:58)\u003c\/div\u003e\n\u003cdiv\u003e5. I Feel Fine (2:19)\u003c\/div\u003e\n\u003cdiv\u003e6. She's A Woman (3:02)\u003c\/div\u003e\n\u003cdiv\u003e7. Bad Boy (2:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Yes It Is (2:42)\u003c\/div\u003e\n\u003cdiv\u003e9. I'm Down (2:33)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Day Tripper (2:49)\u003c\/div\u003e\n\u003cdiv\u003e2. We Can Work It Out (2:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Paperback Writer (2:18)\u003c\/div\u003e\n\u003cdiv\u003e4. Rain (3:01)\u003c\/div\u003e\n\u003cdiv\u003e5. Lady Madonna (2:17)\u003c\/div\u003e\n\u003cdiv\u003e6. The Inner Light (2:36)\u003c\/div\u003e\n\u003cdiv\u003e7. Hey Jude (7:09)\u003c\/div\u003e\n\u003cdiv\u003e8. Revolution (3:24)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Get Back (3:11)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Let Me Down (3:35)\u003c\/div\u003e\n\u003cdiv\u003e3. The Ballad Of John And Yoko (2:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Old Brown Shoe (3:18)\u003c\/div\u003e\n\u003cdiv\u003e5. Across The Universe (3:49)\u003c\/div\u003e\n\u003cdiv\u003e6. Let It Be (3:52)\u003c\/div\u003e\n\u003cdiv\u003e7. You Know My Name (Look Up The Number) (4:19)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455528120475,"sku":"689312","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/pastmasters2lpA.jpg?v=1777393411"},{"product_id":"the-beatles-revolver-special-edition-limited-edition-picture-disc-lp-vinyl","title":"The Beatles – Revolver: Special Edition (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn recent years The Beatles have been piercing plenty of their own veils. First with a series of remastered reissues of their catalog, then a handful of deluxe editions that featured new mixes of their classic albums, and especially with Get Back, their exhaustive multi-episodic documentary look at the making of Let It Be and their final live performance. Never before has the work of the Liverpool four been so re-examined.\u003c\/p\u003e\u003cp\u003eUp next is Revolver. It's the album, for many, before the album; the creative step before the leap into Sgt. Pepper's Lonely Hearts Club Band. Yet, as the gaze of history has revealed, the slow fade of the Fabs as a perpetually working band begins the same year as Revolver- 1966- first when they shelve, essentially permanently, the thought and practice of performing in concert. Then, they become devoted to the studio; with McCartney guiding the group, giving Lennon more reasons to do less, with the culmination of the growing divide coming with the sessions of The Beatles (aka the White Album); the ironically titled double that found the quartet working often in separate studios.\u003c\/p\u003e\u003cp\u003eThey made their attempts to get back, as it were, to the solidarity of a band on Let It Be and Abbey Road, but by then the die was all but cast.\u003c\/p\u003e\u003cp\u003eThus, it circles back to Revolver as perhaps the final, truly balanced and breakthrough Beatles record. Time has been more illuminating of its grandeur. And this multi-disc shines on it even brighter, with a new stereo mix, a polish on the mono version, and two discs worthy of outtakes and demos from the sessions. It's the latter- the 'building blocks' of rough drafts and trials- that go deeply into the process. Among the joys are Ringo's drumming on several early runs; feverishly up-tempo, rattling, and inspiring a new appreciation for his acumen; Lennon's quite somber early work-up of \"Yellow Submarine;\" the busy bee backing vocals of \"Taxman,\" that once shed, thankfully, allow Harrison's opener to express its bite cleanly.\u003c\/p\u003e\u003cp\u003ePlus, a lovingly detailed book is included, with plenty of forensic reports on the songs, individually, and archival photos; a favorite pic is of McCartney in the studio eyeing the Rolling Stones' Aftermath album. It's a subtle but pointed reminder of the talent working at their art at the time; those two friendly rivals jet-lining towards their creative peaks. Not to mention the now well-known anecdote of Revolver inspiring The Beach Boys, a continent away, to create their masterwork, Pet Sounds.\u003c\/p\u003e\u003cp\u003eAs for the new mixes crafted by Giles Martin and Sam Okell, they show off both what technology can do with the over 55-year-old recordings and what brilliant magic The Beatles were capable of those five decades ago. Purists may scoff, but they need not. This is The Beatles' Revolver as contemporary sonic bliss.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/the-beatles-revolver-special-edition-super-deluxe\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRevolver arrived in 1966 and quietly redrew the boundaries of what a rock record could be, pulling Indian classical music, tape loops, and studio experimentation into a framework that still felt like four guys from Liverpool playing together. Giles Martin's new mix, working from those original four-track masters, doesn't reimagine the album so much as pull back the curtain on how it was actually built, letting you hear the architecture beneath songs you thought you knew completely.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eFrom “Taxman” to “Tomorrow Never Knows,” The Beatles’ REVOLVER has been newly mixed by producer Giles Martin and Sam Okell, and sourced directly from the original four-track master tapes with audio brought forth in stunning clarity with the help of cutting-edge technology developed by the award-winning sound team at Peter Jackson’s WingNut Films Productions Ltd. Now available on limited-edition 1LP picture disc vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Taxman\u003c\/div\u003e\n\u003cdiv\u003e2. Eleanor Rigby\u003c\/div\u003e\n\u003cdiv\u003e3. I'm Only Sleeping\u003c\/div\u003e\n\u003cdiv\u003e4. Love You To\u003c\/div\u003e\n\u003cdiv\u003e5. Here, There And Everywhere\u003c\/div\u003e\n\u003cdiv\u003e6. Yellow Submarine\u003c\/div\u003e\n\u003cdiv\u003e7. She Said She Said\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Good Day Sunshine\u003c\/div\u003e\n\u003cdiv\u003e2. And Your Bird Can Sing\u003c\/div\u003e\n\u003cdiv\u003e3. For No One\u003c\/div\u003e\n\u003cdiv\u003e4. Doctor Robert\u003c\/div\u003e\n\u003cdiv\u003e5. I Want To Tell You\u003c\/div\u003e\n\u003cdiv\u003e6. Got To Get You Into My Life\u003c\/div\u003e\n\u003cdiv\u003e7. Tomorrow Never Knows\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602445599707\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ume\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.13.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455528153243,"sku":"465878","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-9018850672795-lp-1777392696694_png.webp?v=1777392747"},{"product_id":"the-beatles-live-at-the-hollywood-bowl-lp-vinyl","title":"The Beatles – Live At The Hollywood Bowl (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eScreaming fans nearly drowned out the band at the Hollywood Bowl, and that's exactly the point. These recordings, originally captured by Capitol's technical team and later shepherded into releasable form by George Martin in 1977, document Beatlemania at its most visceral, a moment when the sheer volume of audience hysteria made live recording a near-impossible feat. What survived is irreplaceable.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles: Live At The Hollywood Bowl is a new album that captures the joyous exuberance of the band's three sold-out concerts at Los Angeles' Hollywood Bowl in 1964 and 1965. The 1LP on 180 gram heavyweight vinyl is housed in a gatefold sleeve. A companion to The Beatles: Eight Days A Week - The Touring Years, Academy Award®-winner Ron Howard's authorized and highly anticipated documentary feature film about the band s early career.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Twist And Shout (1:33)\u003c\/div\u003e\n\u003cdiv\u003e2. She's A Woman (2:53)\u003c\/div\u003e\n\u003cdiv\u003e3. Dizzy Miss Lizzy (3:39)\u003c\/div\u003e\n\u003cdiv\u003e4. Ticket To Ride (2:51)\u003c\/div\u003e\n\u003cdiv\u003e5. Can't Buy Me Love (2:14)\u003c\/div\u003e\n\u003cdiv\u003e6. Things We Said Today (2:18)\u003c\/div\u003e\n\u003cdiv\u003e7. Roll Over Beethoven (2:28)\u003c\/div\u003e\n\u003cdiv\u003e8. Boys (2:08)\u003c\/div\u003e\n\u003cdiv\u003e9. A Hard Day's Night (3:13)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Help! 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The album features collaborations with Stevie Wonder, Carl Perkins, and Ringo Starr, grounding it firmly in the kind of musical community McCartney has always drawn from.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eTug of War is the third solo studio album by Paul McCartney, released in April 1982. It was McCartney's first album released after the dissolution of Wings in April, 1981 and McCartney's first album after the murder of former songwriting partner John Lennon. The album was produced by former Beatles producer George Martin and was a number 1 hit in numerous countries.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Tug Of War (4:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Take It Away (3:50)\u003c\/div\u003e\n\u003cdiv\u003e3. Somebody Who Cares (3:13)\u003c\/div\u003e\n\u003cdiv\u003e4. What's That You're Doing? 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The 7-inch single was the Beatles' native format, the vessel through which each new release became a cultural event, and hearing these songs pressed onto individual discs restores that original sense of occasion.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCollectible Boxed Set presents 23 180-gram vinyl singles in faithfully reproduced international picture sleeves. Includes exclusive double A-Side single for “Free As A Bird” and “Real Love” plus a 39-page book.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eLove Me Do\u003c\/h4\u003e\n\u003cdiv\u003e1. Love Me Do\u003c\/div\u003e\n\u003cdiv\u003e2. P.S. 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(2:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Dear Prudence (3:55)\u003c\/div\u003e\n\u003cdiv\u003e3. Glass Onion (2:17)\u003c\/div\u003e\n\u003cdiv\u003e4. Ob-La-Di, Ob-La-Da (3:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Wild Honey Pie (0:52)\u003c\/div\u003e\n\u003cdiv\u003e6. The Continuing Story Of Bungalow Bill (3:14)\u003c\/div\u003e\n\u003cdiv\u003e7. While My Guitar Gently Weeps (4:45)\u003c\/div\u003e\n\u003cdiv\u003e8. Happiness Is A Warm Gun (2:44)\u003c\/div\u003e\n\u003cdiv\u003e9. Martha My Dear (2:28)\u003c\/div\u003e\n\u003cdiv\u003e10. I'm So Tired (2:03)\u003c\/div\u003e\n\u003cdiv\u003e11. Blackbird (2:18)\u003c\/div\u003e\n\u003cdiv\u003e12. Piggies (2:04)\u003c\/div\u003e\n\u003cdiv\u003e13. Rocky Raccoon (3:33)\u003c\/div\u003e\n\u003cdiv\u003e14. Don't Pass Me By (3:50)\u003c\/div\u003e\n\u003cdiv\u003e15. Why Don't We Do It In The Road? 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It's a reminder that even at the height of his post-Beatles solo career, McCartney's gift for an irresistible, purely joyful melody was utterly undiminished.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eTo celebrate the 100\u003c\/span\u003e\u003csup\u003e\u003cspan\u003eth\u003c\/span\u003e\u003c\/sup\u003e\u003cspan\u003e anniversary of Rupert the Bear, MPL has restored and remastered in 4K the BAFTA winning \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eRupert and the Frog Song\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e a 1984 short animated film, directed by Geoff Dunbar. To accompany the film a reimagined picture disc for 'We All Stand Together' is also set to be released.  The track hit #3 on the UK Singles chart and then charted again a year later in 1985.  The 7\" shaped picture disc with the iconic image of Rupert The Bear and Paul McCartney is packaged in a die cut sleeve to highlight the shaped vinyl and includes an exclusive folded poster in the sleeve and outer mailer.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. We All Stand Together\u003c\/div\u003e\n\u003cdiv\u003e2. We All Stand Together (Humming Version)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602507116743\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 7\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455532478619,"sku":"348245","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Paul-McCartney-We-All-Stand-Together-Limited-Edition-Shaped-Picture-Disc-7in-7-Vinyl.jpg?v=1777379406"},{"product_id":"the-beatles-the-u-s-albums-box-set-cd","title":"The Beatles – The U.S. Albums (13-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eCapitol's American releases weren't just repackaged imports; they were a distinct artifact of how Beatlemania actually landed on U.S. shores, shaped by label decisions that gave millions of fans their first introduction to Lennon, McCartney, Harrison, and Starr. The running order and track selections on these LPs are the versions burned into the memory of an entire generation of American listeners, and hearing them restored here is a reminder of just how differently this music was experienced on this side of the Atlantic.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe new 13 CD box set THE U.S. ALBUMS commemorates the 50th anniversary of the Beatles' history-making events, spanning 1964’s MEET THE BEATLES! to 1970’s HEY JUDE. The Beatles’ U.S. albums differed from the band’s U.K. albums in a variety of ways, including different track lists, song mixes, album titles, and art.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. I Want To Hold Your Hand (2:27)\u003c\/div\u003e\n\u003cdiv\u003e2. I Saw Her Standing There (2:54)\u003c\/div\u003e\n\u003cdiv\u003e3. This Boy (2:15)\u003c\/div\u003e\n\u003cdiv\u003e4. It Won't Be Long (2:13)\u003c\/div\u003e\n\u003cdiv\u003e5. All I've Got To Do (2:04)\u003c\/div\u003e\n\u003cdiv\u003e6. All My Loving (2:08)\u003c\/div\u003e\n\u003cdiv\u003e7. Don't Bother Me (2:29)\u003c\/div\u003e\n\u003cdiv\u003e8. Little Child (1:48)\u003c\/div\u003e\n\u003cdiv\u003e9. Till There Was You (2:15)\u003c\/div\u003e\n\u003cdiv\u003e10. Hold Me Tight (2:33)\u003c\/div\u003e\n\u003cdiv\u003e11. I Wanna Be Your Man (1:58)\u003c\/div\u003e\n\u003cdiv\u003e12. Not A Second Time (2:10)\u003c\/div\u003e\n\u003cdiv\u003e13. I Want To Hold Your Hand (2:27)\u003c\/div\u003e\n\u003cdiv\u003e14. I Saw Her Standing There (2:55)\u003c\/div\u003e\n\u003cdiv\u003e15. This Boy (2:15)\u003c\/div\u003e\n\u003cdiv\u003e16. It Won't Be Long (2:13)\u003c\/div\u003e\n\u003cdiv\u003e17. All I've Got To Do (2:04)\u003c\/div\u003e\n\u003cdiv\u003e18. All My Loving (2:08)\u003c\/div\u003e\n\u003cdiv\u003e19. Don't Bother Me (2:29)\u003c\/div\u003e\n\u003cdiv\u003e20. Little Child (1:48)\u003c\/div\u003e\n\u003cdiv\u003e21. Till There Was You (2:15)\u003c\/div\u003e\n\u003cdiv\u003e22. Hold Me Tight (2:33)\u003c\/div\u003e\n\u003cdiv\u003e23. I Wanna Be Your Man (2:01)\u003c\/div\u003e\n\u003cdiv\u003e24. Not A Second Time (2:05)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Roll Over Beethoven (2:47)\u003c\/div\u003e\n\u003cdiv\u003e2. Thank You Girl (2:04)\u003c\/div\u003e\n\u003cdiv\u003e3. You Really Got A Hold On Me (3:04)\u003c\/div\u003e\n\u003cdiv\u003e4. Devil In Her Heart (2:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Money (That's What I Want) (2:50)\u003c\/div\u003e\n\u003cdiv\u003e6. You Can't Do That (2:39)\u003c\/div\u003e\n\u003cdiv\u003e7. Long Tall Sally (2:06)\u003c\/div\u003e\n\u003cdiv\u003e8. I Call Your Name (2:14)\u003c\/div\u003e\n\u003cdiv\u003e9. Please Mister Postman (2:37)\u003c\/div\u003e\n\u003cdiv\u003e10. I'll Get You (2:09)\u003c\/div\u003e\n\u003cdiv\u003e11. She Loves You (2:25)\u003c\/div\u003e\n\u003cdiv\u003e12. Roll Over Beethoven (2:48)\u003c\/div\u003e\n\u003cdiv\u003e13. Thank You Girl (2:05)\u003c\/div\u003e\n\u003cdiv\u003e14. You Really Got A Hold On Me (3:04)\u003c\/div\u003e\n\u003cdiv\u003e15. Devil In Her Heart (2:29)\u003c\/div\u003e\n\u003cdiv\u003e16. Money (That's What I Want) (2:52)\u003c\/div\u003e\n\u003cdiv\u003e17. You Can't Do That (2:38)\u003c\/div\u003e\n\u003cdiv\u003e18. Long Tall Sally (2:05)\u003c\/div\u003e\n\u003cdiv\u003e19. I Call Your Name (2:09)\u003c\/div\u003e\n\u003cdiv\u003e20. Please Mister Postman (2:36)\u003c\/div\u003e\n\u003cdiv\u003e21. I'll Get You (2:08)\u003c\/div\u003e\n\u003cdiv\u003e22. She Loves You (2:21)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. A Hard Day's Night (Vocal) (2:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Tell Me Why (Vocal) (2:11)\u003c\/div\u003e\n\u003cdiv\u003e3. I'll Cry Instead (Vocal) (2:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Should Have Known Better (Instrumental) (2:20)\u003c\/div\u003e\n\u003cdiv\u003e5. I'm Happy Just To Dance With You (Vocal) (1:59)\u003c\/div\u003e\n\u003cdiv\u003e6. And I Love Her (Instrumental) (3:49)\u003c\/div\u003e\n\u003cdiv\u003e7. I Should Have Known Better (Vocal) (2:46)\u003c\/div\u003e\n\u003cdiv\u003e8. If I Fell (Vocal) (2:22)\u003c\/div\u003e\n\u003cdiv\u003e9. And I Love Her (Vocal) (2:34)\u003c\/div\u003e\n\u003cdiv\u003e10. Ringo's Theme (This Boy) (Instrumental) (3:14)\u003c\/div\u003e\n\u003cdiv\u003e11. Can't Buy Me Love (Vocal) (2:15)\u003c\/div\u003e\n\u003cdiv\u003e12. A Hard Day's Night (Instrumental) (2:12)\u003c\/div\u003e\n\u003cdiv\u003e13. A Hard Day's Night (Vocal) (2:34)\u003c\/div\u003e\n\u003cdiv\u003e14. Tell Me Why (Vocal) (2:09)\u003c\/div\u003e\n\u003cdiv\u003e15. I'll Cry Instead (Vocal) (2:07)\u003c\/div\u003e\n\u003cdiv\u003e16. Should Have Known Better (Instrumental) (2:11)\u003c\/div\u003e\n\u003cdiv\u003e17. I'm Happy Just To Dance With You (Vocal) (1:58)\u003c\/div\u003e\n\u003cdiv\u003e18. And I Love Her (Instrumental) (3:46)\u003c\/div\u003e\n\u003cdiv\u003e19. I Should Have Known Better (Vocal) (3:46)\u003c\/div\u003e\n\u003cdiv\u003e20. If I Fell (Vocal) (2:20)\u003c\/div\u003e\n\u003cdiv\u003e21. And I Love Her (Vocal) (2:30)\u003c\/div\u003e\n\u003cdiv\u003e22. Ringo's Theme (This Boy) (Instrumental) (3:11)\u003c\/div\u003e\n\u003cdiv\u003e23. Can't Buy Me Love (Vocal) (2:13)\u003c\/div\u003e\n\u003cdiv\u003e24. A Hard Day's Night (Instrumental) (2:07)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. I'll Cry Instead (2:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Things We Said Today (2:38)\u003c\/div\u003e\n\u003cdiv\u003e3. Any Time At All (2:13)\u003c\/div\u003e\n\u003cdiv\u003e4. When I Get Home (2:18)\u003c\/div\u003e\n\u003cdiv\u003e5. Slow Down (2:57)\u003c\/div\u003e\n\u003cdiv\u003e6. Matchbox (1:59)\u003c\/div\u003e\n\u003cdiv\u003e7. Tell Me Why (2:09)\u003c\/div\u003e\n\u003cdiv\u003e8. And I Love Her (2:31)\u003c\/div\u003e\n\u003cdiv\u003e9. I'm Happy Just To Dance With You (1:59)\u003c\/div\u003e\n\u003cdiv\u003e10. If I Fell (2:22)\u003c\/div\u003e\n\u003cdiv\u003e11. Komm, Gib Mir Deine Hand (2:29)\u003c\/div\u003e\n\u003cdiv\u003e12. I'll Cry Instead (1:47)\u003c\/div\u003e\n\u003cdiv\u003e13. Things We Said Today (2:37)\u003c\/div\u003e\n\u003cdiv\u003e14. Any Time At All (2:13)\u003c\/div\u003e\n\u003cdiv\u003e15. When I Get Home (2:18)\u003c\/div\u003e\n\u003cdiv\u003e16. Slow Down (2:56)\u003c\/div\u003e\n\u003cdiv\u003e17. Matchbox (1:59)\u003c\/div\u003e\n\u003cdiv\u003e18. Tell Me Why (2:10)\u003c\/div\u003e\n\u003cdiv\u003e19. And I Love Her (2:31)\u003c\/div\u003e\n\u003cdiv\u003e20. I'm Happy Just To Dance With You (1:57)\u003c\/div\u003e\n\u003cdiv\u003e21. If I Fell (2:22)\u003c\/div\u003e\n\u003cdiv\u003e22. Komm, Gib Mir Deine Hand (2:25)\u003c\/div\u003e\n\u003ch4\u003eDisc 5\u003c\/h4\u003e\n\u003cdiv\u003e1. On Stage With The Beatles (1:02)\u003c\/div\u003e\n\u003cdiv\u003e2. How Beatlemania Began (1:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Beatlemania In Action (1:24)\u003c\/div\u003e\n\u003cdiv\u003e4. Man Behind The Beatles... Brian Epstein (2:45)\u003c\/div\u003e\n\u003cdiv\u003e5. John Lennon (5:46)\u003c\/div\u003e\n\u003cdiv\u003e6. Who's A Millionaire? (0:37)\u003c\/div\u003e\n\u003cdiv\u003e7. Beatles Will Be Beatles (7:32)\u003c\/div\u003e\n\u003cdiv\u003e8. Man Behind The Music... George Martin (0:53)\u003c\/div\u003e\n\u003cdiv\u003e9. George Harrison (4:42)\u003c\/div\u003e\n\u003cdiv\u003e10. A Hard Day's Night... Their First Movie (3:06)\u003c\/div\u003e\n\u003cdiv\u003e11. Paul McCartney (2:42)\u003c\/div\u003e\n\u003cdiv\u003e12. Sneaky Haircuts And More About Paul (3:26)\u003c\/div\u003e\n\u003cdiv\u003e13. The Beatles Look At Life (2:04)\u003c\/div\u003e\n\u003cdiv\u003e14. \"Victims\" Of Beatlemania (1:08)\u003c\/div\u003e\n\u003cdiv\u003e15. Beatle Medley (3:57)\u003c\/div\u003e\n\u003cdiv\u003e16. Ringo Starr (6:20)\u003c\/div\u003e\n\u003cdiv\u003e17. Liverpool And All The World! (1:07)\u003c\/div\u003e\n\u003ch4\u003eDisc 6\u003c\/h4\u003e\n\u003cdiv\u003e1. No Reply (2:17)\u003c\/div\u003e\n\u003cdiv\u003e2. I'm A Loser (2:33)\u003c\/div\u003e\n\u003cdiv\u003e3. Baby's In Black (2:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Rock And Roll Music (2:34)\u003c\/div\u003e\n\u003cdiv\u003e5. I'll Follow The Sun (1:50)\u003c\/div\u003e\n\u003cdiv\u003e6. Mr. Moonlight (2:36)\u003c\/div\u003e\n\u003cdiv\u003e7. Honey Don't (2:59)\u003c\/div\u003e\n\u003cdiv\u003e8. I'll Be Back (2:24)\u003c\/div\u003e\n\u003cdiv\u003e9. She's A Woman (3:00)\u003c\/div\u003e\n\u003cdiv\u003e10. I Feel Fine (2:22)\u003c\/div\u003e\n\u003cdiv\u003e11. Everybody's Trying To Be My Baby (2:30)\u003c\/div\u003e\n\u003cdiv\u003e12. No Reply (2:17)\u003c\/div\u003e\n\u003cdiv\u003e13. I'm A Loser (2:31)\u003c\/div\u003e\n\u003cdiv\u003e14. Baby's In Black (2:07)\u003c\/div\u003e\n\u003cdiv\u003e15. Rock And Roll Music (2:32)\u003c\/div\u003e\n\u003cdiv\u003e16. I'll Follow The Sun (1:50)\u003c\/div\u003e\n\u003cdiv\u003e17. Mr. Moonlight (2:39)\u003c\/div\u003e\n\u003cdiv\u003e18. Honey Don't (3:00)\u003c\/div\u003e\n\u003cdiv\u003e19. I'll Be Back (2:24)\u003c\/div\u003e\n\u003cdiv\u003e20. She's A Woman (3:05)\u003c\/div\u003e\n\u003cdiv\u003e21. I Feel Fine (2:21)\u003c\/div\u003e\n\u003cdiv\u003e22. Everybody's Trying To Be My Baby (2:25)\u003c\/div\u003e\n\u003ch4\u003eDisc 7\u003c\/h4\u003e\n\u003cdiv\u003e1. Love Me Do (2:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Twist And Shout (2:36)\u003c\/div\u003e\n\u003cdiv\u003e3. Anna (2:57)\u003c\/div\u003e\n\u003cdiv\u003e4. Chains (2:26)\u003c\/div\u003e\n\u003cdiv\u003e5. Boys (2:27)\u003c\/div\u003e\n\u003cdiv\u003e6. Ask Me Why (2:27)\u003c\/div\u003e\n\u003cdiv\u003e7. Please Please Me (2:03)\u003c\/div\u003e\n\u003cdiv\u003e8. P. S. I Love You (2:05)\u003c\/div\u003e\n\u003cdiv\u003e9. Baby It's You (2:41)\u003c\/div\u003e\n\u003cdiv\u003e10. A Taste Of Honey (2:05)\u003c\/div\u003e\n\u003cdiv\u003e11. Do You Want To Know A Secret (2:00)\u003c\/div\u003e\n\u003cdiv\u003e12. Love Me Do (2:21)\u003c\/div\u003e\n\u003cdiv\u003e13. Twist And Shout (2:36)\u003c\/div\u003e\n\u003cdiv\u003e14. Anna (2:57)\u003c\/div\u003e\n\u003cdiv\u003e15. Chains (2:26)\u003c\/div\u003e\n\u003cdiv\u003e16. Boys (2:27)\u003c\/div\u003e\n\u003cdiv\u003e17. Ask Me Why (2:27)\u003c\/div\u003e\n\u003cdiv\u003e18. Please Please Me (2:02)\u003c\/div\u003e\n\u003cdiv\u003e19. P. S. 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The rawness you hear is real, not manufactured.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe classic original Beatles studio albums have been re-mastered by a dedicated team of engineers at Abbey Road Studios in London over a four year period utilising state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. 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The result felt less like a legacy act going through motions and more like someone genuinely curious about where a song could go next, a quality that has defined his best work since the Sixties.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eUpon its release in 2013, NEW, was lauded by Rolling Stone as \"energized and full of joyous rock \u0026amp; roll invention.” Executive produced by Giles Martin and also featuring production by Mark Ronson, Ethan Johns and Paul Epworth, it entered the U.S. chart at #3. The album scored positive reviews from Entertainment Weekly to Pitchfork and all points in between, while the title track, “Queenie Eye” and “Save Us” would become staples of the McCartney live show over the course of the Out There and One On One world tours.  The 2018 edition of NEW features the first vinyl pressing of the album since its 2013 release, available as a 180 gram black vinyl LP or CD digipak.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Save Us\u003c\/div\u003e\n\u003cdiv\u003e2. Alligator\u003c\/div\u003e\n\u003cdiv\u003e3. On My Way To Work\u003c\/div\u003e\n\u003cdiv\u003e4. Queenie Eye\u003c\/div\u003e\n\u003cdiv\u003e5. Early Days\u003c\/div\u003e\n\u003cdiv\u003e6. New\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Appreciate\u003c\/div\u003e\n\u003cdiv\u003e2. Everybody Out There\u003c\/div\u003e\n\u003cdiv\u003e3. Hosanna\u003c\/div\u003e\n\u003cdiv\u003e4. I Can Bet\u003c\/div\u003e\n\u003cdiv\u003e5. Looking At Her\u003c\/div\u003e\n\u003cdiv\u003e6. Road\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602557567694\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.18.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455534117019,"sku":"134122","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Paul-McCartney-New-LP-Vinyl.png?v=1777379461"},{"product_id":"the-beatles-help-reissue-remastered-180-gram-lp-vinyl","title":"The Beatles – Help (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1965 as both a film soundtrack and a standalone statement, Help! captures the Beatles at a genuine crossroads, with Lennon's increasingly personal songwriting sitting alongside McCartney's melodic confidence and Harrison's growing presence as a composer. The 2012 vinyl pressing finally brings George Martin's 1986 stereo remix to LP, the format this music was born to inhabit.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut.  Help! features George Martin's 1986 stereo remix\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Help!\u003c\/div\u003e\n\u003cdiv\u003e2. The Night Before\u003c\/div\u003e\n\u003cdiv\u003e3. You've Got To Hide Your Love Away\u003c\/div\u003e\n\u003cdiv\u003e4. I Need You\u003c\/div\u003e\n\u003cdiv\u003e5. Another Girl\u003c\/div\u003e\n\u003cdiv\u003e6. You're Going To Lose That Girl\u003c\/div\u003e\n\u003cdiv\u003e7. Ticket To Ride\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Act Naturally\u003c\/div\u003e\n\u003cdiv\u003e2. It's Only Love\u003c\/div\u003e\n\u003cdiv\u003e3. You Like Me Too Much\u003c\/div\u003e\n\u003cdiv\u003e4. Tell Me What You See\u003c\/div\u003e\n\u003cdiv\u003e5. I've Just Seen A Face\u003c\/div\u003e\n\u003cdiv\u003e6. Yesterday\u003c\/div\u003e\n\u003cdiv\u003e7. Dizzy Miss Lizzy\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094638241515\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455534903451,"sku":"392099","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/helplpA_19d96987-e368-4635-bdf1-13ba6dab5b26.jpg?v=1777401885"},{"product_id":"ringo-starr-ringo-lp-vinyl","title":"Ringo Starr – Ringo (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eProduced by Richard Perry at the peak of his commercial powers, this 1973 LP stands as Ringo Starr's definitive solo statement, the one where his easy charm and deep Rolodex finally aligned perfectly. John Lennon, Paul McCartney, and George Harrison all contributed, making it the closest thing to a Beatles reunion record the world would get for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVinyl LP pressing. Ringo is the third solo album by former Beatles drummer Ringo Starr, released in 1973 on Apple Records. It peaked at #7 on the UK Albums Chart and #2 on the Billboard 200. In Canada, it reached #1 on the RPM national albums chart. The album is noted for the appearance of all four Beatles, and for it's numerous guest stars, something which would become a signature for Starr on many of his subsequent albums and tours. Recording started on 5 March 1973 upon Starr's arrival in Los Angeles at Sunset Sound Recorders. Sessions were produced by Richard Perry.[7] When Starr sent word to all his musician friends to help him in his new venture, they all responded positively. Taking part in the sessions were Marc Bolan, four members of The Band (save Richard Manuel), Billy Preston, Klaus Voormann, Nicky Hopkins, Harry Nilsson and Jim Keltner. Additionally, all three of his former bandmates appeared on and composed material for Ringo.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. I'm The Greatest\u003c\/div\u003e\n\u003cdiv\u003e2. Have You Seen My Baby\u003c\/div\u003e\n\u003cdiv\u003e3. Photograph\u003c\/div\u003e\n\u003cdiv\u003e4. Sunshine Life For Me (Sail Away Raymond)\u003c\/div\u003e\n\u003cdiv\u003e5. You're Sixteen\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Oh My My\u003c\/div\u003e\n\u003cdiv\u003e2. Step Lightly\u003c\/div\u003e\n\u003cdiv\u003e3. Six O'Clock\u003c\/div\u003e\n\u003cdiv\u003e4. Devil Woman\u003c\/div\u003e\n\u003cdiv\u003e5. You And Me (Babe)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602557987812\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.9.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455538442395,"sku":"516810","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ringo-starr-ringo-vinyl-lp-relix.jpg?v=1777460116"},{"product_id":"paul-mccartney-and-wings-red-rose-speedway-shm-limited-edition-cd","title":"Paul McCartney And Wings – Red Rose Speedway (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in May 1973 alongside the band's first headlining arena tour of the US, Red Rose Speedway arrived as Wings were finally hitting their stride as a live unit. The album's lush, orchestrated sound, particularly on \"My Love,\" signaled McCartney leaning fully into melodic craftsmanship after the rawer approach of Wild Life, and it connected immediately with audiences hungry for post-Beatles Paul at his most sentimental and assured.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePaul McCartney \u0026amp; Wings - \"Red Rose Speedway\" \/ Limited Edition; With the addition of Irish guitarist Henry McCullough, Wings plugged away on their second album, Red Rose Speedway, through most of 1972 - a year in which they issued no album (a first for Paul since the Beatles' debut). By December, they had accumulated a vast number of songs, though the idea of releasing a double album was eventually rejected. Released in 1973, it includes the #1 single, \"My Love.\" 2018 remaster. SHM-CD (Super High Material) format featuring more clarity, depth and definition of sound. Includes 6-page booklet with Japanese translations of the lyrics. Limited Edition.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Big Barn Bed\u003c\/div\u003e\n\u003cdiv\u003e2. My Love\u003c\/div\u003e\n\u003cdiv\u003e3. Get On The Right Thing\u003c\/div\u003e\n\u003cdiv\u003e4. One More Kiss\u003c\/div\u003e\n\u003cdiv\u003e5. Little Lamb Dragonfly\u003c\/div\u003e\n\u003cdiv\u003e6. Single Pigeon\u003c\/div\u003e\n\u003cdiv\u003e7. When The Night\u003c\/div\u003e\n\u003cdiv\u003e8. Loup (1st Indian On The Moon)\u003c\/div\u003e\n\u003cdiv\u003e9. Medley: Hold Me Tight\/Lazy Dynamite\/Hands Of Love\/Power Cut\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 600753997376\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.20.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455538802843,"sku":"151623","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-paul-mccartney-and-wings-red-rose-speedway-shm-limited-edition-cd-cd-relix.jpg?v=1777462920"},{"product_id":"the-beatles-love-cd-1","title":"The Beatles – Love (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGeorge Martin spent four decades being asked what it would sound like if the Beatles could play with themselves across time, and *Love* is the answer. Working with his son Giles from the original Abbey Road session tapes, the Martins wove together isolated vocal tracks, reimagined arrangements, and unexpected collisions between songs that reveal just how deeply interconnected the Beatles' catalog really was.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLOVE is a fascinating reworking of numerous classic Beatles recordings by the band's original producer, Sir George Martin and his son Giles. LOVE is also the title of the highly successful Cirque de Soleil show, a co-produciton with Apple Corps featuring the music of The Beatles, currently wowing audiences in Las Vegas. Tracks include \"Beacuse,\" \"Get Back\" \"I Am the Walrus\" and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Because (2:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Get Back (2:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Glass Onion (1:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Eleanor Rigby \/ Julia (Transition) (3:05)\u003c\/div\u003e\n\u003cdiv\u003e5. I Am The Walrus (4:28)\u003c\/div\u003e\n\u003cdiv\u003e6. I Want To Hold Your Hand (1:22)\u003c\/div\u003e\n\u003cdiv\u003e7. Drive My Car \/ The Word \/ What You're Doing (1:54)\u003c\/div\u003e\n\u003cdiv\u003e8. Gnik Nus (0:55)\u003c\/div\u003e\n\u003cdiv\u003e9. Something \/ Blue Jay Way (Transition) (3:29)\u003c\/div\u003e\n\u003cdiv\u003e10. Being For The Benefit Of Mr. Kite! \/ I Want You (She's So Heavy) \/ Helter Skelter (3:22)\u003c\/div\u003e\n\u003cdiv\u003e11. Help! 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It's the only Beatles album where George Harrison songs outnumber Lennon-McCartney compositions among the band's contributions, a small but telling sign of where things were heading.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut.  Yellow Submarine \"\"Only A Northern Song\"\" is presented in mono. 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Pepper's* and the White Album in the Beatles' release timeline, the songs here capture the band at peak psychedelic confidence, writing for a context that gave them unusual creative latitude. \"Hey Bulldog\" in particular remains one of the more underrated rockers in the entire catalog, a track John Lennon always spoke of with genuine affection.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eStarting out as a sing-a-long vehicle for Ringo Starr on REVOLVER, \"Yellow Submarine\" became the inspiration for the 1968 animated feature film of the same name. Most of the soundtrack was composed and orchestrated by George Martin, but the remaining six songs were far from being Beatle cast-offs. George Harrison's two contributions, \"Only A Northern Song\" and \"It's All Too Much\" mark the adventurously experimental phase the Beatles were in at that time and dabble in woozy psychedelic shadings laced with orchestrations that continued to influence cutting-edge pop artists for decades to come. Along with the aforementioned \"Yellow Submarine,\" other Lennon\/McCartney compositions include the good-time, skiffle-flavored \"All Together Now,\" the Lennon-driven rocker \"Hey Bulldog,\" and \"All You Need Is Love\"--the unofficial flower-power anthem.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eThe Beatles\u003c\/h4\u003e\n\u003cdiv\u003e1. Yellow Submarine\u003c\/div\u003e\n\u003cdiv\u003e2. Only A Northern Song\u003c\/div\u003e\n\u003cdiv\u003e3. All Together Now\u003c\/div\u003e\n\u003cdiv\u003e4. Hey Bulldog\u003c\/div\u003e\n\u003cdiv\u003e5. It's All Too Much\u003c\/div\u003e\n\u003cdiv\u003e6. All You Need Is Love\u003c\/div\u003e\n\u003ch4\u003eOriginal Film Score\u003c\/h4\u003e\n\u003cdiv\u003e1. Pepperland\u003c\/div\u003e\n\u003cdiv\u003e2. Sea Of Time\u003c\/div\u003e\n\u003cdiv\u003e3. Sea Of Holes\u003c\/div\u003e\n\u003cdiv\u003e4. Sea Of Monsters\u003c\/div\u003e\n\u003cdiv\u003e5. March Of The Meanies\u003c\/div\u003e\n\u003cdiv\u003e6. Pepperland Laid Waste\u003c\/div\u003e\n\u003cdiv\u003e7. Yellow Submarine In Pepperland\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094638246725\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.9.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455541325979,"sku":"257650","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/yellowsubcdA_f1e3b219-df89-4521-93a9-a25a36f3161c.jpg?v=1777391571"},{"product_id":"the-beatles-with-the-beatles-cd","title":"The Beatles – With the Beatles (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Beatles' second UK album arrived in November 1963, just as Beatlemania was sweeping Britain and months before the group would conquer America on The Ed Sullivan Show. 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SHM-CD (Super High Material) format featuring more clarity, depth and definition of sound. Includes miniature poster, inner-sleeve and booklet featuring Japanese translations of the lyrics. Capitol Music Group; Capitol; Rock; Catalog Remastered 2015. 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