{"title":"The Beatles Vinyl, CDs \u0026 Merch","description":"\u003cp\u003eThe catalog that changed everything — Magical Mystery Tour on CD, Yellow Submarine, and the Rubber Soul Special Edition anchor The Beatles shelf here.\u003c\/p\u003e\u003cp\u003eLiverpool's finest, pressed and remastered for every generation of fans.\u003c\/p\u003e","products":[{"product_id":"the-beatles-anthology-collection-2025-edition-12lp-box-set","title":"The Beatles – Anthology Collection (2025 Edition, 12-LP Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Anthology series arrived in 1995 as one of the most ambitious archival projects in rock history, giving fans their first official look inside the Abbey Road sessions and the band's earliest Hamburg and Cavern Club performances. Giles Martin, who has overseen the remasters of the core Beatles catalog since his father George Martin's passing, brings fresh ears to material that defined the possibilities of the recording studio itself. With \"Now and Then\" bookending a catalog that stretches back to skiffle-era John Lennon, this collection spans the full arc of popular music's most consequential story.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eAnthology Collection\u003c\/span\u003e\u003cspan\u003e 12LP set includes the three groundbreaking Anthology albums from the mid-1990s, remastered in 2025 by Giles Martin, plus a new compilation, \u003c\/span\u003e\u003cspan\u003eAnthology 4\u003c\/span\u003e\u003cspan\u003e. Containing 191 tracks, the collection’s studio outtakes, live performances, broadcasts and demos reveal the musical development of The Beatles from 1958 to the final single ‘Now And Then’ released in 2023. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnthology 4\u003c\/span\u003e\u003cspan\u003e features 13 previously unreleased tracks and 17 songs selected from Super Deluxe versions of five classic albums. In addition to fascinating outtakes dating from 1963 to 1969, the album includes new 2025 mixes by Jeff Lynne of ‘Free As A Bird’ and ‘Real Love’.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFurthermore, \u003c\/span\u003e\u003cspan\u003eAnthology 4\u003c\/span\u003e\u003cspan\u003e presents 26 tracks that have never previously been released on vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb id=\"docs-internal-guid-15a4c083-7fff-9da0-c7d2-c89606678257\"\u003e\u003cspan\u003ePressed on 180g black vinyl, each 3LP album will be housed within a triple gatefold sleeve, featuring the original art, sleevenotes by Mark Lewisohn, and restored photos for \u003c\/span\u003e\u003cspan\u003eAnthology 1-3\u003c\/span\u003e\u003cspan\u003e; \u003c\/span\u003e\u003cspan\u003eAnthology 4\u003c\/span\u003e\u003cspan\u003e has brand new sleevenotes written by Kevin Howlett alongside photos. The outer slipcase features the original Klaus Voorman triptych art, and a 3\/4 O-Card image of the band with detailed track listing.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Free As A Bird\u003c\/div\u003e\n\u003cdiv\u003e2. Speech: John Lennon\u003c\/div\u003e\n\u003cdiv\u003e3. That'll Be The Day\u003c\/div\u003e\n\u003cdiv\u003e4. In Spite Of All The Danger\u003c\/div\u003e\n\u003cdiv\u003e5. Speech: Paul McCartney\u003c\/div\u003e\n\u003cdiv\u003e6. Hallelujah, I Love Her So\u003c\/div\u003e\n\u003cdiv\u003e7. You'll Be Mine\u003c\/div\u003e\n\u003cdiv\u003e8. Cayenne\u003c\/div\u003e\n\u003cdiv\u003e9. Speech: Paul\u003c\/div\u003e\n\u003cdiv\u003e10. My Bonnie\u003c\/div\u003e\n\u003cdiv\u003e11. Ain't She Sweet\u003c\/div\u003e\n\u003cdiv\u003e12. Cry For A Shadow\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Speech: John\u003c\/div\u003e\n\u003cdiv\u003e2. Speech: Brian\u003c\/div\u003e\n\u003cdiv\u003e3. Searchin'\u003c\/div\u003e\n\u003cdiv\u003e4. Three Cool Cats\u003c\/div\u003e\n\u003cdiv\u003e5. The Sheik Of Araby\u003c\/div\u003e\n\u003cdiv\u003e6. Like Dreamers Do\u003c\/div\u003e\n\u003cdiv\u003e7. Hello Little Girl\u003c\/div\u003e\n\u003cdiv\u003e8. Speech: Brian Epstein\u003c\/div\u003e\n\u003cdiv\u003e9. Besame Mucho\u003c\/div\u003e\n\u003cdiv\u003e10. Love Me Do\u003c\/div\u003e\n\u003cdiv\u003e11. How Do You Do It\u003c\/div\u003e\n\u003cdiv\u003e12. Please Please Me\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. One After 909 (Sequence)\u003c\/div\u003e\n\u003cdiv\u003e2. One After 909 (Complete)\u003c\/div\u003e\n\u003cdiv\u003e3. Lend Me Your Comb\u003c\/div\u003e\n\u003cdiv\u003e4. I'll Get You\u003c\/div\u003e\n\u003cdiv\u003e5. Speech: John\u003c\/div\u003e\n\u003cdiv\u003e6. I Saw Her Standing There\u003c\/div\u003e\n\u003cdiv\u003e7. From Me To You\u003c\/div\u003e\n\u003cdiv\u003e8. Money (That's What I Want)\u003c\/div\u003e\n\u003cdiv\u003e9. You Really Got A Hold On Me\u003c\/div\u003e\n\u003cdiv\u003e10. Roll Over Beethoven\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. She Loves You\u003c\/div\u003e\n\u003cdiv\u003e2. Till There Was You\u003c\/div\u003e\n\u003cdiv\u003e3. Twist And Shout\u003c\/div\u003e\n\u003cdiv\u003e4. This Boy\u003c\/div\u003e\n\u003cdiv\u003e5. I Want To Hold Your Hand\u003c\/div\u003e\n\u003cdiv\u003e6. Speech: Eric Morecambe And Ernie Wise\u003c\/div\u003e\n\u003cdiv\u003e7. Moonlight Bay\u003c\/div\u003e\n\u003cdiv\u003e8. Can't Buy Me Love\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. All My Loving\u003c\/div\u003e\n\u003cdiv\u003e2. You Can't Do That\u003c\/div\u003e\n\u003cdiv\u003e3. And I Love Her\u003c\/div\u003e\n\u003cdiv\u003e4. A Hard Day's Night\u003c\/div\u003e\n\u003cdiv\u003e5. I  Wanna Be Your Man\u003c\/div\u003e\n\u003cdiv\u003e6. Long Tall Sally\u003c\/div\u003e\n\u003cdiv\u003e7. Boys\u003c\/div\u003e\n\u003cdiv\u003e8. Shout\u003c\/div\u003e\n\u003cdiv\u003e9. I'll Be Back (Take 2)\u003c\/div\u003e\n\u003cdiv\u003e10. I'll Be Back (Take 3)\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. You Know What To Do\u003c\/div\u003e\n\u003cdiv\u003e2. No Reply (Demo)\u003c\/div\u003e\n\u003cdiv\u003e3. Mr. Moonlight\u003c\/div\u003e\n\u003cdiv\u003e4. Leave My Kitten Alone\u003c\/div\u003e\n\u003cdiv\u003e5. No Reply\u003c\/div\u003e\n\u003cdiv\u003e6. Eight Days A Week (Sequence)\u003c\/div\u003e\n\u003cdiv\u003e7. Eight Days A Week (Complete)\u003c\/div\u003e\n\u003cdiv\u003e8. Kansas City \/ Hey-Hey-Hey-Hey!\u003c\/div\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cdiv\u003e1. Real Love\u003c\/div\u003e\n\u003cdiv\u003e2. Yes It Is\u003c\/div\u003e\n\u003cdiv\u003e3. I'm Down\u003c\/div\u003e\n\u003cdiv\u003e4. If You've Got Trouble\u003c\/div\u003e\n\u003cdiv\u003e5. You've Got To Hide Your Love Away\u003c\/div\u003e\n\u003cdiv\u003e6. That Means A Lot\u003c\/div\u003e\n\u003cdiv\u003e7. Yesterday\u003c\/div\u003e\n\u003cdiv\u003e8. It's Only Love\u003c\/div\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cdiv\u003e1. I Feel Fine\u003c\/div\u003e\n\u003cdiv\u003e2. Ticket To Ride\u003c\/div\u003e\n\u003cdiv\u003e3. Yesterday\u003c\/div\u003e\n\u003cdiv\u003e4. Help!\u003c\/div\u003e\n\u003cdiv\u003e5. Everybody's Trying To Be My Baby\u003c\/div\u003e\n\u003cdiv\u003e6. Norwegian Wood (This Bird Has Flown)\u003c\/div\u003e\n\u003cdiv\u003e7. I'm Looking Through You\u003c\/div\u003e\n\u003cdiv\u003e8. 12-Bar Original\u003c\/div\u003e\n\u003ch4\u003eSide I\u003c\/h4\u003e\n\u003cdiv\u003e1. Tomorrow Never Knows\u003c\/div\u003e\n\u003cdiv\u003e2. Got To Get You Into My Life\u003c\/div\u003e\n\u003cdiv\u003e3. And Your Bird Can Sing\u003c\/div\u003e\n\u003cdiv\u003e4. Taxman\u003c\/div\u003e\n\u003cdiv\u003e5. Eleanor Rigby (Strings Only)\u003c\/div\u003e\n\u003cdiv\u003e6. I'm Only Sleeping (Rehearsal)\u003c\/div\u003e\n\u003cdiv\u003e7. I'm Only Sleeping (Take 1)\u003c\/div\u003e\n\u003cdiv\u003e8. Rock And Roll Music\u003c\/div\u003e\n\u003cdiv\u003e9. She's A Woman\u003c\/div\u003e\n\u003ch4\u003eSide J\u003c\/h4\u003e\n\u003cdiv\u003e1. Strawberry Fields Forever (Demo Sequence)\u003c\/div\u003e\n\u003cdiv\u003e2. Strawberry Fields Forever (Take 1)\u003c\/div\u003e\n\u003cdiv\u003e3. Strawberry Fields Forever (Take 7 \u0026amp; Edit Piece)\u003c\/div\u003e\n\u003cdiv\u003e4. Penny Lane\u003c\/div\u003e\n\u003cdiv\u003e5. A Day In The Life\u003c\/div\u003e\n\u003cdiv\u003e6. Good Morning Good Morning\u003c\/div\u003e\n\u003cdiv\u003e7. Only A Northern Song\u003c\/div\u003e\n\u003ch4\u003eSide K\u003c\/h4\u003e\n\u003cdiv\u003e1. Being For The Benefit Of Mr Kite! (Takes 1 And 2)\u003c\/div\u003e\n\u003cdiv\u003e2. Being For The Benefit Of Mr Kite! (Take 7)\u003c\/div\u003e\n\u003cdiv\u003e3. Lucy In The Sky With Diamonds\u003c\/div\u003e\n\u003cdiv\u003e4. Within You Without You (Instrumental)\u003c\/div\u003e\n\u003cdiv\u003e5. Sgt Pepper's Lonely Hearts Club Band (Reprise)\u003c\/div\u003e\n\u003cdiv\u003e6. You Know My Name (Look Up The Number\u003c\/div\u003e\n\u003ch4\u003eSide L\u003c\/h4\u003e\n\u003cdiv\u003e1. I Am The Walrus\u003c\/div\u003e\n\u003cdiv\u003e2. The Fool On The Hill (Demo)\u003c\/div\u003e\n\u003cdiv\u003e3. Your Mother Should Know\u003c\/div\u003e\n\u003cdiv\u003e4. The Fool On The Hill (Take 4)\u003c\/div\u003e\n\u003cdiv\u003e5. Hello, Goodbye\u003c\/div\u003e\n\u003cdiv\u003e6. Lady Madonna\u003c\/div\u003e\n\u003cdiv\u003e7. Across The Universe\u003c\/div\u003e\n\u003ch4\u003eSide M\u003c\/h4\u003e\n\u003cdiv\u003e1. A Beginning\u003c\/div\u003e\n\u003cdiv\u003e2. Happiness Is A Warm Gun\u003c\/div\u003e\n\u003cdiv\u003e3. Helter Skelter\u003c\/div\u003e\n\u003cdiv\u003e4. Mean Mr Mustard\u003c\/div\u003e\n\u003cdiv\u003e5. Polythene Pam\u003c\/div\u003e\n\u003cdiv\u003e6. Glass Onion\u003c\/div\u003e\n\u003cdiv\u003e7. Junk\u003c\/div\u003e\n\u003cdiv\u003e8. Piggies\u003c\/div\u003e\n\u003cdiv\u003e9. Honey Pie\u003c\/div\u003e\n\u003cdiv\u003e10. Don't Pass Me By\u003c\/div\u003e\n\u003cdiv\u003e11. Ob-La-Di, Ob-La-Da\u003c\/div\u003e\n\u003cdiv\u003e12. Good Night\u003c\/div\u003e\n\u003ch4\u003eSide N\u003c\/h4\u003e\n\u003cdiv\u003e1. Cry Baby Cry\u003c\/div\u003e\n\u003cdiv\u003e2. Blackbird\u003c\/div\u003e\n\u003cdiv\u003e3. Sexy Sadie\u003c\/div\u003e\n\u003cdiv\u003e4. While My Guitar Gently Weeps\u003c\/div\u003e\n\u003cdiv\u003e5. Hey Jude\u003c\/div\u003e\n\u003cdiv\u003e6. Not Guilty\u003c\/div\u003e\n\u003cdiv\u003e7. Mother Nature's Son\u003c\/div\u003e\n\u003ch4\u003eSide O\u003c\/h4\u003e\n\u003cdiv\u003e1. Glass Onion\u003c\/div\u003e\n\u003cdiv\u003e2. Rocky Raccoon\u003c\/div\u003e\n\u003cdiv\u003e3. What's The New Mary Jane\u003c\/div\u003e\n\u003cdiv\u003e4. Step Inside Love\/Los Paranoias\u003c\/div\u003e\n\u003cdiv\u003e5. I'm So Tired\u003c\/div\u003e\n\u003cdiv\u003e6. I Will\u003c\/div\u003e\n\u003cdiv\u003e7. Why Don't We Do It In The Road\u003c\/div\u003e\n\u003cdiv\u003e8. Julia\u003c\/div\u003e\n\u003ch4\u003eSide P\u003c\/h4\u003e\n\u003cdiv\u003e1. I've Got A Feeling\u003c\/div\u003e\n\u003cdiv\u003e2. She Came In Through The Bathroom Window\u003c\/div\u003e\n\u003cdiv\u003e3. Dig A Pony\u003c\/div\u003e\n\u003cdiv\u003e4. Two Of Us\u003c\/div\u003e\n\u003cdiv\u003e5. For You Blue\u003c\/div\u003e\n\u003cdiv\u003e6. Teddy Boy\u003c\/div\u003e\n\u003ch4\u003eSide Q\u003c\/h4\u003e\n\u003cdiv\u003e1. The Long And Winding Road\u003c\/div\u003e\n\u003cdiv\u003e2. Oh! Darling\u003c\/div\u003e\n\u003cdiv\u003e3. All Things Must Pass\u003c\/div\u003e\n\u003cdiv\u003e4. Mailman, Bring Me No More Blues\u003c\/div\u003e\n\u003cdiv\u003e5. Get Back\u003c\/div\u003e\n\u003cdiv\u003e6. Old Brown Shoes\u003c\/div\u003e\n\u003cdiv\u003e7. Octopus's Garden\u003c\/div\u003e\n\u003cdiv\u003e8. Maxwell's Silver Hammer\u003c\/div\u003e\n\u003ch4\u003eSide R\u003c\/h4\u003e\n\u003cdiv\u003e1. Something\u003c\/div\u003e\n\u003cdiv\u003e2. Come Together\u003c\/div\u003e\n\u003cdiv\u003e3. Come And Get It\u003c\/div\u003e\n\u003cdiv\u003e4. Ain't She Sweet\u003c\/div\u003e\n\u003cdiv\u003e5. Because\u003c\/div\u003e\n\u003cdiv\u003e6. Let It Be\u003c\/div\u003e\n\u003cdiv\u003e7. I Me Mine\u003c\/div\u003e\n\u003cdiv\u003e8. The End\u003c\/div\u003e\n\u003ch4\u003eSide S\u003c\/h4\u003e\n\u003cdiv\u003e1. I Saw Her Standing There\u003c\/div\u003e\n\u003cdiv\u003e2. Money (That's What I Want)\u003c\/div\u003e\n\u003cdiv\u003e3. This Boy\u003c\/div\u003e\n\u003cdiv\u003e4. Tell Me Why\u003c\/div\u003e\n\u003cdiv\u003e5. If I Fell\u003c\/div\u003e\n\u003cdiv\u003e6. Matchbox\u003c\/div\u003e\n\u003cdiv\u003e7. Every Little Thing\u003c\/div\u003e\n\u003cdiv\u003e8. I Need You\u003c\/div\u003e\n\u003ch4\u003eSide T\u003c\/h4\u003e\n\u003cdiv\u003e1. I've Just Seen A Face\u003c\/div\u003e\n\u003cdiv\u003e2. In My Life\u003c\/div\u003e\n\u003cdiv\u003e3. Nowhere Man\u003c\/div\u003e\n\u003cdiv\u003e4. Got To Get You Into My Life\u003c\/div\u003e\n\u003cdiv\u003e5. Love You To\u003c\/div\u003e\n\u003cdiv\u003e6. Strawberry Fields Forever\u003c\/div\u003e\n\u003cdiv\u003e7. She's Leaving Home (Instrumental)\u003c\/div\u003e\n\u003ch4\u003eSide U\u003c\/h4\u003e\n\u003cdiv\u003e1. Baby  You're A Rich Man\u003c\/div\u003e\n\u003cdiv\u003e2. All You Need Is Love (Rehearsal)\u003c\/div\u003e\n\u003cdiv\u003e3. The Fool On The Hill (Instrumental)\u003c\/div\u003e\n\u003cdiv\u003e4. I Am The Walrus (Orchestra Overdub)\u003c\/div\u003e\n\u003ch4\u003eSide V\u003c\/h4\u003e\n\u003cdiv\u003e1. Hey Bulldog (Instrumental)\u003c\/div\u003e\n\u003cdiv\u003e2. Good Night\u003c\/div\u003e\n\u003cdiv\u003e3. While My Guitar Gently Weeps\u003c\/div\u003e\n\u003cdiv\u003e4. (You're So Square) Baby I Don't Care (Studio Jam)\u003c\/div\u003e\n\u003cdiv\u003e5. Helter Skelter\u003c\/div\u003e\n\u003cdiv\u003e6. I Will\u003c\/div\u003e\n\u003cdiv\u003e7. Can You Take Me Back?\u003c\/div\u003e\n\u003cdiv\u003e8. Julia (Rehearsals)\u003c\/div\u003e\n\u003ch4\u003eSide W\u003c\/h4\u003e\n\u003cdiv\u003e1. Get Back\u003c\/div\u003e\n\u003cdiv\u003e2. Octopus's Garden (Rehearsal)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Let Me Down (Rooftop)\u003c\/div\u003e\n\u003cdiv\u003e4. You Never Give Me Your Money\u003c\/div\u003e\n\u003cdiv\u003e5. Here Comes The Sun\u003c\/div\u003e\n\u003cdiv\u003e6. Something (Strings Only)\u003c\/div\u003e\n\u003ch4\u003eSide X\u003c\/h4\u003e\n\u003cdiv\u003e1. Free As A Bird (2025 Mix)\u003c\/div\u003e\n\u003cdiv\u003e2. Real Love (2025 Mix)\u003c\/div\u003e\n\u003cdiv\u003e3. Now And Then\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602475840435\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48262781894811,"sku":"8620623","price":462.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Beatles-Anthology-Collection-2025-Edition-12-LP-Box-Set.jpg?v=1776110973"},{"product_id":"the-beatles-let-it-be-special-edition-cd","title":"The Beatles – Let It Be: Special Edition (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eNo album in The Beatles canon has ripples of revision, dissection, and debate quite like Let It Be. It's the last album the Fabs released, but not the last album they recorded. It's the break-up album that wasn't.\u003c\/p\u003e\u003cp\u003eIt's also the impetus for the last live performance by the four (or five, if you count Billy Preston's guesting; and you should count him- he helped save the entire project). Then, some of the raw, \"live\" tracks oddly became a canvas for Phil Spector's gloopy overdubs; ones that angered no less than Paul McCartney, and irritated longtime Beatles producer, George Martin. Not exactly the finale either man wanted.\u003c\/p\u003e\u003cp\u003eThis six-disc special edition, five decades later, adds two more versions to consider: a brand new mix of Let It Be and the 1969 Get Back LP mix by revered engineer Glyn Johns (The Rolling Stones). Counting that pair, there are currently in existence at least five versions of an album whose own title suggests, well, letting it be.\u003c\/p\u003e\u003cp\u003eSo, Beatles fans, which will it be?\u003c\/p\u003e\u003cp\u003eThe original 1970 release that coincided with an eponymous (now out-of-print) film of the sessions and the famed rooftop concert at Apple; the original that Spector, in post-production, loaded with over four-dozen orchestral players, including a flourishing harp that notoriously coated McCartney's long and winding road in a glaze of syrup? Or McCartney's response in 2003, Let It Be… Naked, that effectively exorcised Spector, and essentially kept only the contributions of the quartet and Preston? Or the 2009 remaster that reverted back to the original mix, granted, with a renewing sheen?\u003c\/p\u003e\u003cp\u003eOr will it be Johns' 1969 mix titled, as McCartney first conceived, Get Back– as much a name as an edict for the group to return bare to its rock-and-roll roots, including the cover shot taken in the same EMI stairwell where the mop-tops posed for the Please Please Me cover six years earlier?\u003c\/p\u003e\u003cp\u003eOr this new mix- brighter, with more separation and a greater emphasis on the vocal- by none other than Giles Martin, son of George, that tightropes between Macca's unadorned intentions and Spector's mellifluous essence?\u003c\/p\u003e\u003cp\u003eHow about all of them? Rather than choosing one, how about reveling in this opportunity in modern times to appreciate them all? Because, really, each version contains very revealing and rewarding moments. Plus, what true Beatles fan is ever satiated? Old and new. Original and updated. Let it be debated. Let it be celebrated.\u003c\/p\u003e\u003cp\u003ePossibly the most rewarding parts of this collection aren't even the two proper albums- though the Johns' mix (requested in '69 by John Lennon and McCartney) is an unquestionable joy to finally behold. Talk about naked Beatles; Johns' edit is as pink and exposed as The Beatles could be at the time. One can only imagine how releasing Get Back instead of Let It Be would've tilted things; punk may have arrived years sooner.\u003c\/p\u003e\u003cp\u003eThe two discs of rehearsals and jams- these, too, are real treasures. Honestly, is there a fan or musician alive who wouldn't have wanted to be a fly on the wall for any Beatles session, let alone ones that give us sketches of \"I've Got A Feeling,\" \"Don't Let Me Down,\" and early previews of songs that Abbey Road would debut?\u003c\/p\u003e\u003cp\u003eThese two discs offer that and more: hearing John, Paul, George, and Ringo talk through the creative process, and more importantly, work through the music; with numerous takes of the blossoming material, including a Beatles rundown of George Harrison's gestating \"All Things Must Pass.\" It bears repeating: we get to hear The Beatles work. (And, order lunch.) For this reason alone, the Let It Be Super Deluxe Special Edition is as essential as it gets.\u003c\/p\u003e\u003cp\u003eForget the fact that they were irritated with each other at times during the sessions; Preston's presence calmed everyone and put them on their better behavior. And what band hasn't gone through tense exchanges while making an album?\u003c\/p\u003e\u003cp\u003eMonths after the Let It Be sessions, The Beatles (with George Martin producing) recorded the magnificent Abbey Road, and its penultimate song, \"The End.\" Yet Let It Be, issued after Abbey Road, became, symbolically and otherwise, the end. And with it, the feeling that the sessions and the resulting recordings had to self-fulfill the prophecy: viewed and heard as the breaking up of The Beatles.\u003c\/p\u003e\u003cp\u003eRegardless of albums and sessions and dates, in light of this new set, we can instead consider an end of The Beatles to be the moment when the police arrive to close down Let It Be's rooftop concert. For anyone who's ever picked up an instrument, determined to rock and roll, there is no more perfect way to call it a day.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/the-beatles-let-it-be-super-deluxe-special-edition\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in January 1969, the sessions that became *Let It Be* captured the Beatles in a moment of raw, unguarded tension and beauty, culminating in the now-legendary rooftop concert atop the Apple Corps building on Savile Row. That January 30th performance, the band's final public show, gives this material a weight no studio polish could manufacture, and Giles Martin's new mix honors that unvarnished immediacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe Let It Be album has been newly mixed by producer Giles Martin and engineer Sam Okell. All the new Let It Be releases feature the new stereo mix of the album as guided by the original \"reproduced for disc\" version by Phil Spector and sourced directly from the original session and rooftop performance eight-track tapes.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Two Of Us (3:36)\u003c\/div\u003e\n\u003cdiv\u003e2. Dig A Pony (3:55)\u003c\/div\u003e\n\u003cdiv\u003e3. Across The Universe (3:48)\u003c\/div\u003e\n\u003cdiv\u003e4. I Me Mine (2:25)\u003c\/div\u003e\n\u003cdiv\u003e5. Dig It (0:51)\u003c\/div\u003e\n\u003cdiv\u003e6. Let It Be (4:03)\u003c\/div\u003e\n\u003cdiv\u003e7. Maggie Mae (0:40)\u003c\/div\u003e\n\u003cdiv\u003e8. I've Got A Feeling (3:38)\u003c\/div\u003e\n\u003cdiv\u003e9. One After 909 (2:54)\u003c\/div\u003e\n\u003cdiv\u003e10. The Long And Winding Road (3:38)\u003c\/div\u003e\n\u003cdiv\u003e11. For You Blue (2:33)\u003c\/div\u003e\n\u003cdiv\u003e12. Get Back (3:08)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602507138585\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.15.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455500497051,"sku":"158315","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/letitbecdA.jpg?v=1777400207"},{"product_id":"the-beatles-sgt-peppers-lonely-hearts-club-band-anniversary-edition-2cd-deluxe-edition","title":"The Beatles – Sgt. Pepper's Lonely Hearts Club Band: Anniversary Edition (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in the spring of 1967, Sgt. Pepper arrived at a moment when the Beatles had already retired from touring, channeling everything into the studio. Giles Martin's 2017 remix opens up the original four-track recordings in ways that let you hear the album almost as the band heard it in the room, with \"A Day in the Life\" and \"Lucy in the Sky with Diamonds\" taking on new depth and spatial presence.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIt was 50 years ago when The Beatles' John Lennon, Paul McCartney, George Harrison, and Ringo Starr astonished and delighted the world, ushering in the Summer of Love with Sgt. Pepper's Lonely Hearts Club Band, a groundbreaking masterwork that became popular music's most universally\u003c\/p\u003e\u003cp\u003eacclaimed album. The album is newly mixed by Giles Martin and engineer Sam Okell in stereo, sourced directly from the four-track masters at Abbey Road Studios in London, and guided by the original, Beatles-preferred mono mix produced by his father, George Martin.\u003c\/p\u003e\u003cp\u003eThis expanded 2CD package features the new stereo album mix on the first CD and adds a second CD of 18 tracks, including previously unreleased alternate takes of each of the album's 13 songs, newly mixed in stereo and sequenced in the same order as the album. The second CD also includes a new stereo mix and a previously unreleased instrumental take of 'Penny Lane,' and the 2015 stereo mix and two previously unreleased alternate takes of 'Strawberry Fields Forever.'\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Sgt. Pepper's Lonely Hearts Club Band (2:03)\u003c\/div\u003e\n\u003cdiv\u003e2. With A Little Help From My Friends (2:45)\u003c\/div\u003e\n\u003cdiv\u003e3. Lucy In The Sky With Diamonds (3:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Getting Better (2:47)\u003c\/div\u003e\n\u003cdiv\u003e5. Fixing A Hole (2:38)\u003c\/div\u003e\n\u003cdiv\u003e6. She's Leaving Home (3:26)\u003c\/div\u003e\n\u003cdiv\u003e7. Being For The Benefit Of Mr. Kite (2:39)\u003c\/div\u003e\n\u003cdiv\u003e8. Within You Without You (5:08)\u003c\/div\u003e\n\u003cdiv\u003e9. When I'm Sixty-Four (2:40)\u003c\/div\u003e\n\u003cdiv\u003e10. Lovely Rita (2:46)\u003c\/div\u003e\n\u003cdiv\u003e11. Good Morning Good Morning (2:34)\u003c\/div\u003e\n\u003cdiv\u003e12. Sgt. Pepper's Lonely Hearts Club Band (Reprise) (1:21)\u003c\/div\u003e\n\u003cdiv\u003e13. A Day In The Life (5:33)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Sgt. Pepper's Lonely Hearts Club Band (Take 9) (2:37)\u003c\/div\u003e\n\u003cdiv\u003e2. With A Little Help From My Friends (Take 1 - False Start And Take 2 - Instrumental) (3:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Lucy In The Sky With Diamonds (Take 1) (3:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Getting Better (Take 1 - Instrumental) (2:19)\u003c\/div\u003e\n\u003cdiv\u003e5. Fixing A Hole (Take 3) (3:28)\u003c\/div\u003e\n\u003cdiv\u003e6. She's Leaving Home (Take 1 - Instrumental) (3:49)\u003c\/div\u003e\n\u003cdiv\u003e7. Being For The Benefit Of Mr. Kite (Take 4) (3:07)\u003c\/div\u003e\n\u003cdiv\u003e8. Within You Without You (Take 1 - Indian Instrumental) (5:33)\u003c\/div\u003e\n\u003cdiv\u003e9. When I'm Sixty-Four (Take 2) (2:59)\u003c\/div\u003e\n\u003cdiv\u003e10. Lovely Rita (Take 9) (3:04)\u003c\/div\u003e\n\u003cdiv\u003e11. Good Morning Good Morning (Take 8) (2:47)\u003c\/div\u003e\n\u003cdiv\u003e12. Sgt. Pepper's Lonely Hearts Club Band (Reprise) (Take 8) (1:56)\u003c\/div\u003e\n\u003cdiv\u003e13. A Day In The Life (Take 1 And Hummed Last Chord) (4:52)\u003c\/div\u003e\n\u003cdiv\u003e14. Strawberry Fields Forever (Take 7) (3:17)\u003c\/div\u003e\n\u003cdiv\u003e15. Strawberry Fields Forever (Take 26) (3:20)\u003c\/div\u003e\n\u003cdiv\u003e16. Strawberry Fields Forever (Stereo Mix - 2015) (4:06)\u003c\/div\u003e\n\u003cdiv\u003e17. Penny Lane (Take 6 - Instrumental) (2:57)\u003c\/div\u003e\n\u003cdiv\u003e18. Penny Lane (Stereo Mix - 2017) (3:01)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602557455366\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.26.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455505510555,"sku":"68092","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-beatles-sgt-pepper-s-lonely-hearts-club-band-anniversary-edition-2cd-cd-relix.png?v=1777392382"},{"product_id":"the-beatles-love-cd","title":"The Beatles – Love (CD + DVD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eConceived by George Martin and his son Giles for the Cirque du Soleil theatrical production of the same name, *Love* pulls apart and reassembles decades of Beatles recordings into something genuinely strange and revelatory. Stems and isolated tracks from the original Abbey Road session tapes were used, meaning you hear the band in ways no standard release ever allowed, vocals and instrumentation surfacing from the mix like they're being heard for the first time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFirst time ever Special Edition will include both the stereo CD and a bonus audio DVD packaged in a digipack with O-Card. The DVD is audio only and will contain 81 minutes of music in both 5.1 surround sound and stereo.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Because (2:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Get Back (2:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Glass Onion (1:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Eleanor Rigby \/ Julia (Transition) (3:05)\u003c\/div\u003e\n\u003cdiv\u003e5. I Am The Walrus (4:28)\u003c\/div\u003e\n\u003cdiv\u003e6. I Want To Hold Your Hand (1:22)\u003c\/div\u003e\n\u003cdiv\u003e7. Drive My Car \/ The Word \/ What You're Doing (1:54)\u003c\/div\u003e\n\u003cdiv\u003e8. Gnik Nus (0:55)\u003c\/div\u003e\n\u003cdiv\u003e9. Something \/ Blue Jay Way (Transition) (3:29)\u003c\/div\u003e\n\u003cdiv\u003e10. Being For The Benefit Of Mr. Kite! \/ I Want You (She's So Heavy) \/ Helter Skelter (3:22)\u003c\/div\u003e\n\u003cdiv\u003e11. Help! (2:18)\u003c\/div\u003e\n\u003cdiv\u003e12. Blackbird \/ Yesterday (2:31)\u003c\/div\u003e\n\u003cdiv\u003e13. Strawberry Fields Forever (4:31)\u003c\/div\u003e\n\u003cdiv\u003e14. Within You Without You \/ Tomorrow Never Knows (3:07)\u003c\/div\u003e\n\u003cdiv\u003e15. Lucy In The Sky With Diamonds (4:10)\u003c\/div\u003e\n\u003cdiv\u003e16. Octopus's Garden (3:18)\u003c\/div\u003e\n\u003cdiv\u003e17. Lady Madonna (2:56)\u003c\/div\u003e\n\u003cdiv\u003e18. Here Comes The Sun \/ The Inner Light (Transition) (4:18)\u003c\/div\u003e\n\u003cdiv\u003e19. Come Together \/ Dear Prudence \/ Cry Baby Cry (Transition) (4:45)\u003c\/div\u003e\n\u003cdiv\u003e20. Revolution (2:14)\u003c\/div\u003e\n\u003cdiv\u003e21. Back In The U.S.S.R. (1:53)\u003c\/div\u003e\n\u003cdiv\u003e22. While My Guitar Gently Weeps (3:46)\u003c\/div\u003e\n\u003cdiv\u003e23. A Day In The Life (5:08)\u003c\/div\u003e\n\u003cdiv\u003e24. Hey Jude (3:58)\u003c\/div\u003e\n\u003cdiv\u003e25. Sgt. Pepper's Lonely Hearts Club Band (Reprise) (1:22)\u003c\/div\u003e\n\u003cdiv\u003e26. All You Need Is Love (3:38)\u003c\/div\u003e\n\u003cdiv\u003e27. Something \/ Blue Jay Way (Transition) (3:29)\u003c\/div\u003e\n\u003ch4\u003eDVD\u003c\/h4\u003e\n\u003cdiv\u003e1. Because (2:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Get Back (2:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Glass Onion (1:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Eleanor Rigby \/ Julia (Transition) (3:05)\u003c\/div\u003e\n\u003cdiv\u003e5. I Am The Walrus (4:27)\u003c\/div\u003e\n\u003cdiv\u003e6. I Want To Hold Your Hand (1:22)\u003c\/div\u003e\n\u003cdiv\u003e7. Drive My Car \/ The Word \/ What You're Doing (1:54)\u003c\/div\u003e\n\u003cdiv\u003e8. Gnik Nus (0:54)\u003c\/div\u003e\n\u003cdiv\u003e9. Being For The Benefit Of Mr. Kite! \/ I Want You (She's So Heavy) \/ Helter Skelter (3:22)\u003c\/div\u003e\n\u003cdiv\u003e10. Help! (2:18)\u003c\/div\u003e\n\u003cdiv\u003e11. Blackbird \/ Yesterday (2:32)\u003c\/div\u003e\n\u003cdiv\u003e12. Strawberry Fields Forever (4:31)\u003c\/div\u003e\n\u003cdiv\u003e13. Within You Without You \/ Tomorrow Never Knows (3:07)\u003c\/div\u003e\n\u003cdiv\u003e14. Lucy In The Sky With Diamonds (4:10)\u003c\/div\u003e\n\u003cdiv\u003e15. Octopus's Garden (3:18)\u003c\/div\u003e\n\u003cdiv\u003e16. Lady Madonna (2:56)\u003c\/div\u003e\n\u003cdiv\u003e17. Here Comes The Sun \/ The Inner Light (Transition) (4:17)\u003c\/div\u003e\n\u003cdiv\u003e18. Come Together \/ Dear Prudence \/ Cry Baby Cry (Transition) (4:45)\u003c\/div\u003e\n\u003cdiv\u003e19. Revolution (3:23)\u003c\/div\u003e\n\u003cdiv\u003e20. Back In The U.S.S.R. (2:34)\u003c\/div\u003e\n\u003cdiv\u003e21. While My Guitar Gently Weeps (3:46)\u003c\/div\u003e\n\u003cdiv\u003e22. A Day In The Life (5:07)\u003c\/div\u003e\n\u003cdiv\u003e23. Hey Jude (3:58)\u003c\/div\u003e\n\u003cdiv\u003e24. Sgt. Pepper's Lonely Hearts Club Band (Reprise) (1:22)\u003c\/div\u003e\n\u003cdiv\u003e25. All You Need Is Love (3:39)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094637981023\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.21.06\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455506854043,"sku":"183865","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/lovecdA.jpg?v=1777405425"},{"product_id":"the-beatles-abbey-road-anniversary-cd","title":"The Beatles – Abbey Road Anniversary (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in the summer of 1969 as the band's final studio sessions together, Abbey Road captured four musicians who had largely stopped touring finding new ways to push each other in the studio. The medley that closes Side Two remains one of rock's great communal listening experiences, a suite of unfinished fragments woven into something none of them could have made alone.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe new \u003cem\u003eAbbey Road\u003c\/em\u003erelease features thenew stereo album mix, sourced directly from the original eight-track session tapes. To produce the mix, Giles Martin working with Sam Okell, was guided by the album’s original stereo mix supervised by his father, George Martin.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Come Together (4:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Something (3:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Maxwell's Silver Hammer (3:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Oh! Darling (3:27)\u003c\/div\u003e\n\u003cdiv\u003e5. Octopus's Garden (2:51)\u003c\/div\u003e\n\u003cdiv\u003e6. I Want You (She's So Heavy) (7:47)\u003c\/div\u003e\n\u003cdiv\u003e7. Here Comes The Sun (3:06)\u003c\/div\u003e\n\u003cdiv\u003e8. Because (2:46)\u003c\/div\u003e\n\u003cdiv\u003e9. You Never Give Me Your Money (4:03)\u003c\/div\u003e\n\u003cdiv\u003e10. Sun King (2:26)\u003c\/div\u003e\n\u003cdiv\u003e11. Mean Mr Mustard (1:06)\u003c\/div\u003e\n\u003cdiv\u003e12. Polythene Pam (1:13)\u003c\/div\u003e\n\u003cdiv\u003e13. She Came In Through The Bathroom Window (1:59)\u003c\/div\u003e\n\u003cdiv\u003e14. Golden Slumbers (1:31)\u003c\/div\u003e\n\u003cdiv\u003e15. Carry That Weight (1:36)\u003c\/div\u003e\n\u003cdiv\u003e16. The End (2:22)\u003c\/div\u003e\n\u003cdiv\u003e17. Her Majesty (0:25)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602508007439\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.27.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455507148955,"sku":"63182","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/abbeyrdanniversarycdA.png?v=1777405111"},{"product_id":"the-beatles-let-it-be-special-edition-deluxe-2-cd","title":"The Beatles – Let It Be: Special Edition (2-CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eNo album in The Beatles canon has ripples of revision, dissection, and debate quite like Let It Be. It's the last album the Fabs released, but not the last album they recorded. It's the break-up album that wasn't.\u003c\/p\u003e\u003cp\u003eIt's also the impetus for the last live performance by the four (or five, if you count Billy Preston's guesting; and you should count him- he helped save the entire project). Then, some of the raw, \"live\" tracks oddly became a canvas for Phil Spector's gloopy overdubs; ones that angered no less than Paul McCartney, and irritated longtime Beatles producer, George Martin. Not exactly the finale either man wanted.\u003c\/p\u003e\u003cp\u003eThis six-disc special edition, five decades later, adds two more versions to consider: a brand new mix of Let It Be and the 1969 Get Back LP mix by revered engineer Glyn Johns (The Rolling Stones). Counting that pair, there are currently in existence at least five versions of an album whose own title suggests, well, letting it be.\u003c\/p\u003e\u003cp\u003eSo, Beatles fans, which will it be?\u003c\/p\u003e\u003cp\u003eThe original 1970 release that coincided with an eponymous (now out-of-print) film of the sessions and the famed rooftop concert at Apple; the original that Spector, in post-production, loaded with over four-dozen orchestral players, including a flourishing harp that notoriously coated McCartney's long and winding road in a glaze of syrup? Or McCartney's response in 2003, Let It Be… Naked, that effectively exorcised Spector, and essentially kept only the contributions of the quartet and Preston? Or the 2009 remaster that reverted back to the original mix, granted, with a renewing sheen?\u003c\/p\u003e\u003cp\u003eOr will it be Johns' 1969 mix titled, as McCartney first conceived, Get Back– as much a name as an edict for the group to return bare to its rock-and-roll roots, including the cover shot taken in the same EMI stairwell where the mop-tops posed for the Please Please Me cover six years earlier?\u003c\/p\u003e\u003cp\u003eOr this new mix- brighter, with more separation and a greater emphasis on the vocal- by none other than Giles Martin, son of George, that tightropes between Macca's unadorned intentions and Spector's mellifluous essence?\u003c\/p\u003e\u003cp\u003eHow about all of them? Rather than choosing one, how about reveling in this opportunity in modern times to appreciate them all? Because, really, each version contains very revealing and rewarding moments. Plus, what true Beatles fan is ever satiated? Old and new. Original and updated. Let it be debated. Let it be celebrated.\u003c\/p\u003e\u003cp\u003ePossibly the most rewarding parts of this collection aren't even the two proper albums- though the Johns' mix (requested in '69 by John Lennon and McCartney) is an unquestionable joy to finally behold. Talk about naked Beatles; Johns' edit is as pink and exposed as The Beatles could be at the time. One can only imagine how releasing Get Back instead of Let It Be would've tilted things; punk may have arrived years sooner.\u003c\/p\u003e\u003cp\u003eThe two discs of rehearsals and jams- these, too, are real treasures. Honestly, is there a fan or musician alive who wouldn't have wanted to be a fly on the wall for any Beatles session, let alone ones that give us sketches of \"I've Got A Feeling,\" \"Don't Let Me Down,\" and early previews of songs that Abbey Road would debut?\u003c\/p\u003e\u003cp\u003eThese two discs offer that and more: hearing John, Paul, George, and Ringo talk through the creative process, and more importantly, work through the music; with numerous takes of the blossoming material, including a Beatles rundown of George Harrison's gestating \"All Things Must Pass.\" It bears repeating: we get to hear The Beatles work. (And, order lunch.) For this reason alone, the Let It Be Super Deluxe Special Edition is as essential as it gets.\u003c\/p\u003e\u003cp\u003eForget the fact that they were irritated with each other at times during the sessions; Preston's presence calmed everyone and put them on their better behavior. And what band hasn't gone through tense exchanges while making an album?\u003c\/p\u003e\u003cp\u003eMonths after the Let It Be sessions, The Beatles (with George Martin producing) recorded the magnificent Abbey Road, and its penultimate song, \"The End.\" Yet Let It Be, issued after Abbey Road, became, symbolically and otherwise, the end. And with it, the feeling that the sessions and the resulting recordings had to self-fulfill the prophecy: viewed and heard as the breaking up of The Beatles.\u003c\/p\u003e\u003cp\u003eRegardless of albums and sessions and dates, in light of this new set, we can instead consider an end of The Beatles to be the moment when the police arrive to close down Let It Be's rooftop concert. For anyone who's ever picked up an instrument, determined to rock and roll, there is no more perfect way to call it a day.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/the-beatles-let-it-be-super-deluxe-special-edition\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe sessions that became Let It Be were meant to be a return to roots, the Beatles playing live in the studio with cameras rolling, an experiment that famously unraveled under the weight of internal tensions and was shelved for over a year before Phil Spector's orchestral production brought it to release in 1970. What survived on tape, though, was something rawer and more revealing than almost anything else in their catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThe Let It Be album has been newly mixed by producer Giles Martin and engineer Sam Okell. All the new Let It Be releases feature the new stereo mix of the album as guided by the original \"reproduced for disc\" version by Phil Spector and sourced directly from the original session and rooftop performance eight-track tapes. The Special Edition Deluxe 2CD also includes a disc of outtake highlights and a 40-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Two Of Us\u003c\/div\u003e\n\u003cdiv\u003e2. Dig A Pony\u003c\/div\u003e\n\u003cdiv\u003e3. Across The Universe\u003c\/div\u003e\n\u003cdiv\u003e4. I Me Mine\u003c\/div\u003e\n\u003cdiv\u003e5. Dig It\u003c\/div\u003e\n\u003cdiv\u003e6. Let It Be\u003c\/div\u003e\n\u003cdiv\u003e7. Maggie Mae\u003c\/div\u003e\n\u003cdiv\u003e8. I've Got A Feeling\u003c\/div\u003e\n\u003cdiv\u003e9. One After 909\u003c\/div\u003e\n\u003cdiv\u003e10. The Long And Winding Road\u003c\/div\u003e\n\u003cdiv\u003e11. For You Blue\u003c\/div\u003e\n\u003cdiv\u003e12. Get Back\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Morning Camera (Speech - Mono) \/ Two Of Us (Take 4)\u003c\/div\u003e\n\u003cdiv\u003e2. Maggie Mae \/ Fancy My Chances With You (Mono)\u003c\/div\u003e\n\u003cdiv\u003e3. For You Blue (Take 4)\u003c\/div\u003e\n\u003cdiv\u003e4. Let It Be \/ Please Please Me \/ Let It Be (Take 10)\u003c\/div\u003e\n\u003cdiv\u003e5. The Walk (Jam)\u003c\/div\u003e\n\u003cdiv\u003e6. I've Got A Feeling (Take 10)\u003c\/div\u003e\n\u003cdiv\u003e7. Dig A Pony (Take 14)\u003c\/div\u003e\n\u003cdiv\u003e8. Get Back (Take 8)\u003c\/div\u003e\n\u003cdiv\u003e9. Like Making An Album? (Speech)\u003c\/div\u003e\n\u003cdiv\u003e10. One After 909 (Take 3)\u003c\/div\u003e\n\u003cdiv\u003e11. Don't Let Me Down (First Rooftop Performance)\u003c\/div\u003e\n\u003cdiv\u003e12. The Long And Winding Road (Take 19)\u003c\/div\u003e\n\u003cdiv\u003e13. Wake Up Little Suzie \/ I Me Mine (Take 11)\u003c\/div\u003e\n\u003cdiv\u003e14. Across The Universe (Unreleased Glyn Johns 1970 Mix)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602507138622\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.15.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455511507099,"sku":"449772","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/letitbe2cdA.jpg?v=1777399960"},{"product_id":"the-beatles-anthology-4-cd","title":"The Beatles – Anthology 4 (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGiles Martin has been the steward of his father George Martin's legacy at Abbey Road for years, and his work restoring and reimagining Beatles archives has only deepened with each project. The three original Anthology volumes, released in 1995 and 1996, drew on the band's own storytelling to shape how a generation understood the Fab Four; this fourth installment arrives nearly three decades later, closing the loop with unreleased session material spanning the full arc of their recording career.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eAnthology 4 - \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eDouble CD.\u003ci\u003e \u003c\/i\u003eThe new volume from The Beatles \u003ci\u003eAnthology Collection.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eAnthology 4\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, is newly curated by Giles Martin, including 13 \u003c\/span\u003epreviously-unreleased session outtakes\u003cspan\u003e dating from 1963 to 1969. It also includes the band’s final single, ‘Now And Then’, released in 2023, and new mixes of The Beatles’ \u003ci\u003eAnthology\u003c\/i\u003e-associated hit singles: the GRAMMY-winning ‘Free As A Bird’ and ‘Real Love’, given new life by their original producer, Jeff Lynne, using de-mixed John Lennon vocals.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe track notes are written by Kevin Howlett with an introduction compiled from 1996 interviews recorded with The Beatles’ close friend and adviser Derek Taylor.\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003eFurthermore, \u003ci\u003eAnthology 4\u003c\/i\u003e presents 17 tracks that were previously unavailable on CD.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe double CD is housed in a gatefold digisleeve, with a 48 page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. I Saw Her Standing There (Take 2) (3:06)\u003c\/div\u003e\n\u003cdiv\u003e2. Money (That's What I Want) (RM7 Undubbed) (2:48)\u003c\/div\u003e\n\u003cdiv\u003e3. This Boy (Takes 12 And 13) (3:18)\u003c\/div\u003e\n\u003cdiv\u003e4. Tell Me Why (Takes 4 And 5) (3:07)\u003c\/div\u003e\n\u003cdiv\u003e5. If I Fell (Take 11) (2:39)\u003c\/div\u003e\n\u003cdiv\u003e6. Matchbox (Take 1) (2:09)\u003c\/div\u003e\n\u003cdiv\u003e7. Every Little Thing (Takes 6 And 7) (3:29)\u003c\/div\u003e\n\u003cdiv\u003e8. I Need You (Take 1) (2:36)\u003c\/div\u003e\n\u003cdiv\u003e9. I've Just Seen A Face (Take 3) (2:27)\u003c\/div\u003e\n\u003cdiv\u003e10. In My Life (Take 1) (2:40)\u003c\/div\u003e\n\u003cdiv\u003e11. Nowhere Man (First Version - Take 2) (2:24)\u003c\/div\u003e\n\u003cdiv\u003e12. Got To Get You Into My Life (Second Version - Unnumbered Mix) (2:35)\u003c\/div\u003e\n\u003cdiv\u003e13. Love You To (Take 7) (2:56)\u003c\/div\u003e\n\u003cdiv\u003e14. Strawberry Fields Forever (Take 26) (3:20)\u003c\/div\u003e\n\u003cdiv\u003e15. She's Leaving Home (Take 1 - Instrumental) (3:50)\u003c\/div\u003e\n\u003cdiv\u003e16. Baby, You're A Rich Man (Takes 11 And 12) (6:06)\u003c\/div\u003e\n\u003cdiv\u003e17. All You Need Is Love (Rehearsal For BBC Broadcast) (6:11)\u003c\/div\u003e\n\u003cdiv\u003e18. The Fool On The Hill (Take 5 - Instrumental) (4:42)\u003c\/div\u003e\n\u003cdiv\u003e19. I Am The Walrus (Take 19 - Strings, Brass, Clarinet Overdub) (4:57)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Hey Bulldog (Take 4 - Instrumental) (3:14)\u003c\/div\u003e\n\u003cdiv\u003e2. Good Night (Take 10 With A Guitar Part From Take 5) (2:31)\u003c\/div\u003e\n\u003cdiv\u003e3. While My Guitar Gently Weeps (Third Version - Take 27) (3:18)\u003c\/div\u003e\n\u003cdiv\u003e4. (You're So Square) Baby I Don't Care (Studio Jam) (0:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Helter Skelter (Second Version - Take 17) (3:38)\u003c\/div\u003e\n\u003cdiv\u003e6. I Will (Take 29) (0:27)\u003c\/div\u003e\n\u003cdiv\u003e7. Can You Take Me Back? (Take 1) (2:28)\u003c\/div\u003e\n\u003cdiv\u003e8. Julia (Two Rehearsals) (4:27)\u003c\/div\u003e\n\u003cdiv\u003e9. Get Back (Take 8) (3:52)\u003c\/div\u003e\n\u003cdiv\u003e10. Octopus's Garden (Rehearsal) (1:49)\u003c\/div\u003e\n\u003cdiv\u003e11. Don't Let Me Down (First Rooftop Performance) (3:27)\u003c\/div\u003e\n\u003cdiv\u003e12. You Never Give Me Your Money (Take 36) (5:18)\u003c\/div\u003e\n\u003cdiv\u003e13. Here Comes The Sun (Take 9) (3:42)\u003c\/div\u003e\n\u003cdiv\u003e14. Something (Take 39 - Instrumental - Strings Only) (2:36)\u003c\/div\u003e\n\u003cdiv\u003e15. Free As A Bird (2025 Mix) (4:27)\u003c\/div\u003e\n\u003cdiv\u003e16. Real Love (2025 Mix) (3:35)\u003c\/div\u003e\n\u003cdiv\u003e17. Now And Then (4:09)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478053214\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455517831323,"sku":"25249007","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/anthology42cdA_61b9ba5d-67fb-4240-8d15-2de2512463ad.jpg?v=1777402526"},{"product_id":"the-beatles-magical-mystery-tour-cd","title":"The Beatles – Magical Mystery Tour (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally released in the US in 1967 as a full LP (the UK version was an EP paired with a book), Magical Mystery Tour captured the Beatles at peak psychedelic ambition, just months after Sgt. Pepper. The second half of the album collects some of their strongest standalone singles from that era, including \"Penny Lane,\" \"Strawberry Fields Forever,\" and \"All You Need Is Love,\" making the US configuration arguably the more satisfying listen.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe first six songs on MAGICAL MYSTERY TOUR were the soundtrack to the Beatles' TV movie of the same name. The film was an experimental mess, but the experimental pop of the album included some of their most memorable productions. The soundtrack side was dominated by Paul McCartney pop tunes, including the bittersweet piano ballad \"Fool On The Hill\" and \"Your Mother Should Know,\" an impossibly catchy bit of Vaudevillian pop. But it also featured George Harrison's mystical \"Blue Jay Way\" (about his house in Hollywood) and John Lennon's \"I Am The Walrus,\" which wedded a stream-of-consciousness lyric to a fierce drum beat, layers of strings, odd voices and some dialogue from Shakespeare's \"King Lear.\" McCartney's \"Hello Goodbye,\" which led off the assorted singles, featured some neatly arranged contrapuntal vocals, and may well have been about the dissolving partnerships (songwriting and otherwise) between McCartney and Lennon. Lennon's strangely arranged \"Strawberry Fields Forever,\" whose two halves blend different takes of the same song, one slowed down to match the pitch of the other, was a trippy reverie; its bridges, orchestrated with horns, cellos, and backward cymbals, are sheer brilliance. \"Penny Lane,\" a wistful fantasy featuring a beautiful trumpet solo, was McCartney at his melodic best, the AM foil to Lennon's FM headiness.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Magical Mystery Tour (2:50)\u003c\/div\u003e\n\u003cdiv\u003e2. The Fool On The Hill (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Flying (2:15)\u003c\/div\u003e\n\u003cdiv\u003e4. Blue Jay Way (3:55)\u003c\/div\u003e\n\u003cdiv\u003e5. Your Mother Should Know (2:28)\u003c\/div\u003e\n\u003cdiv\u003e6. I Am The Walrus (4:35)\u003c\/div\u003e\n\u003cdiv\u003e7. Hello Goodbye (3:28)\u003c\/div\u003e\n\u003cdiv\u003e8. Strawberry Fields Forever (4:07)\u003c\/div\u003e\n\u003cdiv\u003e9. Penny Lane (3:00)\u003c\/div\u003e\n\u003cdiv\u003e10. Baby You're A Rich Man (3:01)\u003c\/div\u003e\n\u003cdiv\u003e11. All You Need Is Love (3:52)\u003c\/div\u003e\n\u003cdiv\u003e12. Magical Mystery Tour Mini Documentary\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094638246527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.9.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455520452763,"sku":"87839","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/magicalmysterycdA.jpg?v=1777394165"},{"product_id":"the-beatles-past-masters-lp-vinyl","title":"The Beatles – Past Masters (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally scattered across non-album singles, B-sides, and the *Rarities* compilation, these tracks represent the pieces that never fit the standard LP sequencing but remain essential Beatles. From the raw urgency of early Parlophone singles to the experimental playfulness of \"You Know My Name (Look Up The Number),\" *Past Masters* captures the band in the margins, where some of their most unguarded and revelatory moments lived.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut. Past Masters (double album) \"Love Me Do\" (original single version), \"She Loves You,\" \"I'll Get You,\" and \"You Know My Name (Look Up The Number)\" are presented in mono. Packaging, notes and photographic content is based on the 2009 CD release\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5099969943515\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Love Me Do (Original Single Version) (2:25)\u003c\/div\u003e\n\u003cdiv\u003e2. From Me To You (1:57)\u003c\/div\u003e\n\u003cdiv\u003e3. Thank You Girl (2:03)\u003c\/div\u003e\n\u003cdiv\u003e4. She Loves You (2:21)\u003c\/div\u003e\n\u003cdiv\u003e5. I'll Get You (2:06)\u003c\/div\u003e\n\u003cdiv\u003e6. I Want To Hold Your Hand (2:26)\u003c\/div\u003e\n\u003cdiv\u003e7. This Boy (2:16)\u003c\/div\u003e\n\u003cdiv\u003e8. Komm, Gib Mir Deine Hand (2:25)\u003c\/div\u003e\n\u003cdiv\u003e9. Sie Liebt Dich (2:19)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Long Tall Sally (2:02)\u003c\/div\u003e\n\u003cdiv\u003e2. I Call Your Name (2:08)\u003c\/div\u003e\n\u003cdiv\u003e3. Slow Down (2:56)\u003c\/div\u003e\n\u003cdiv\u003e4. Matchbox (1:58)\u003c\/div\u003e\n\u003cdiv\u003e5. I Feel Fine (2:19)\u003c\/div\u003e\n\u003cdiv\u003e6. She's A Woman (3:02)\u003c\/div\u003e\n\u003cdiv\u003e7. Bad Boy (2:20)\u003c\/div\u003e\n\u003cdiv\u003e8. Yes It Is (2:42)\u003c\/div\u003e\n\u003cdiv\u003e9. I'm Down (2:33)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Day Tripper (2:49)\u003c\/div\u003e\n\u003cdiv\u003e2. We Can Work It Out (2:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Paperback Writer (2:18)\u003c\/div\u003e\n\u003cdiv\u003e4. Rain (3:01)\u003c\/div\u003e\n\u003cdiv\u003e5. Lady Madonna (2:17)\u003c\/div\u003e\n\u003cdiv\u003e6. The Inner Light (2:36)\u003c\/div\u003e\n\u003cdiv\u003e7. Hey Jude (7:09)\u003c\/div\u003e\n\u003cdiv\u003e8. Revolution (3:24)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Get Back (3:11)\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Let Me Down (3:35)\u003c\/div\u003e\n\u003cdiv\u003e3. The Ballad Of John And Yoko (2:59)\u003c\/div\u003e\n\u003cdiv\u003e4. Old Brown Shoe (3:18)\u003c\/div\u003e\n\u003cdiv\u003e5. Across The Universe (3:49)\u003c\/div\u003e\n\u003cdiv\u003e6. Let It Be (3:52)\u003c\/div\u003e\n\u003cdiv\u003e7. You Know My Name (Look Up The Number) (4:19)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455528120475,"sku":"689312","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/pastmasters2lpA.jpg?v=1777393411"},{"product_id":"the-beatles-revolver-special-edition-limited-edition-picture-disc-lp-vinyl","title":"The Beatles – Revolver: Special Edition (LP Vinyl)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn recent years The Beatles have been piercing plenty of their own veils. First with a series of remastered reissues of their catalog, then a handful of deluxe editions that featured new mixes of their classic albums, and especially with Get Back, their exhaustive multi-episodic documentary look at the making of Let It Be and their final live performance. Never before has the work of the Liverpool four been so re-examined.\u003c\/p\u003e\u003cp\u003eUp next is Revolver. It's the album, for many, before the album; the creative step before the leap into Sgt. Pepper's Lonely Hearts Club Band. Yet, as the gaze of history has revealed, the slow fade of the Fabs as a perpetually working band begins the same year as Revolver- 1966- first when they shelve, essentially permanently, the thought and practice of performing in concert. Then, they become devoted to the studio; with McCartney guiding the group, giving Lennon more reasons to do less, with the culmination of the growing divide coming with the sessions of The Beatles (aka the White Album); the ironically titled double that found the quartet working often in separate studios.\u003c\/p\u003e\u003cp\u003eThey made their attempts to get back, as it were, to the solidarity of a band on Let It Be and Abbey Road, but by then the die was all but cast.\u003c\/p\u003e\u003cp\u003eThus, it circles back to Revolver as perhaps the final, truly balanced and breakthrough Beatles record. Time has been more illuminating of its grandeur. And this multi-disc shines on it even brighter, with a new stereo mix, a polish on the mono version, and two discs worthy of outtakes and demos from the sessions. It's the latter- the 'building blocks' of rough drafts and trials- that go deeply into the process. Among the joys are Ringo's drumming on several early runs; feverishly up-tempo, rattling, and inspiring a new appreciation for his acumen; Lennon's quite somber early work-up of \"Yellow Submarine;\" the busy bee backing vocals of \"Taxman,\" that once shed, thankfully, allow Harrison's opener to express its bite cleanly.\u003c\/p\u003e\u003cp\u003ePlus, a lovingly detailed book is included, with plenty of forensic reports on the songs, individually, and archival photos; a favorite pic is of McCartney in the studio eyeing the Rolling Stones' Aftermath album. It's a subtle but pointed reminder of the talent working at their art at the time; those two friendly rivals jet-lining towards their creative peaks. Not to mention the now well-known anecdote of Revolver inspiring The Beach Boys, a continent away, to create their masterwork, Pet Sounds.\u003c\/p\u003e\u003cp\u003eAs for the new mixes crafted by Giles Martin and Sam Okell, they show off both what technology can do with the over 55-year-old recordings and what brilliant magic The Beatles were capable of those five decades ago. Purists may scoff, but they need not. This is The Beatles' Revolver as contemporary sonic bliss.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/the-beatles-revolver-special-edition-super-deluxe\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRevolver arrived in 1966 and quietly redrew the boundaries of what a rock record could be, pulling Indian classical music, tape loops, and studio experimentation into a framework that still felt like four guys from Liverpool playing together. Giles Martin's new mix, working from those original four-track masters, doesn't reimagine the album so much as pull back the curtain on how it was actually built, letting you hear the architecture beneath songs you thought you knew completely.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eFrom “Taxman” to “Tomorrow Never Knows,” The Beatles’ REVOLVER has been newly mixed by producer Giles Martin and Sam Okell, and sourced directly from the original four-track master tapes with audio brought forth in stunning clarity with the help of cutting-edge technology developed by the award-winning sound team at Peter Jackson’s WingNut Films Productions Ltd. Now available on limited-edition 1LP picture disc vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Taxman\u003c\/div\u003e\n\u003cdiv\u003e2. Eleanor Rigby\u003c\/div\u003e\n\u003cdiv\u003e3. I'm Only Sleeping\u003c\/div\u003e\n\u003cdiv\u003e4. Love You To\u003c\/div\u003e\n\u003cdiv\u003e5. Here, There And Everywhere\u003c\/div\u003e\n\u003cdiv\u003e6. Yellow Submarine\u003c\/div\u003e\n\u003cdiv\u003e7. She Said She Said\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Good Day Sunshine\u003c\/div\u003e\n\u003cdiv\u003e2. And Your Bird Can Sing\u003c\/div\u003e\n\u003cdiv\u003e3. For No One\u003c\/div\u003e\n\u003cdiv\u003e4. Doctor Robert\u003c\/div\u003e\n\u003cdiv\u003e5. I Want To Tell You\u003c\/div\u003e\n\u003cdiv\u003e6. Got To Get You Into My Life\u003c\/div\u003e\n\u003cdiv\u003e7. Tomorrow Never Knows\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602445599707\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ume\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.13.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455528153243,"sku":"465878","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-9018850672795-lp-1777392696694_png.webp?v=1777392747"},{"product_id":"the-beatles-the-singles-collection-7in-singles-box-set-23-discs-7-vinyl","title":"The Beatles – The Singles Collection (23 Singles 7\" LP Vinyl Box Set)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTwenty-three singles spanning \"Love Me Do\" to \"Free As A Bird\" tells the whole story of how four kids from Liverpool reshaped popular music one 45 at a time. The 7-inch single was the Beatles' native format, the vessel through which each new release became a cultural event, and hearing these songs pressed onto individual discs restores that original sense of occasion.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCollectible Boxed Set presents 23 180-gram vinyl singles in faithfully reproduced international picture sleeves. Includes exclusive double A-Side single for “Free As A Bird” and “Real Love” plus a 39-page book.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eLove Me Do\u003c\/h4\u003e\n\u003cdiv\u003e1. Love Me Do\u003c\/div\u003e\n\u003cdiv\u003e2. P.S. I Love You\u003c\/div\u003e\n\u003ch4\u003ePlease Please Me\u003c\/h4\u003e\n\u003cdiv\u003e1. Please Please Me\u003c\/div\u003e\n\u003cdiv\u003e2. Ask Me Why\u003c\/div\u003e\n\u003ch4\u003eFrom Me To You\u003c\/h4\u003e\n\u003cdiv\u003e1. From Me To You\u003c\/div\u003e\n\u003cdiv\u003e2. Thank You Girl\u003c\/div\u003e\n\u003ch4\u003eShe Loves You\u003c\/h4\u003e\n\u003cdiv\u003e1. She Loves You\u003c\/div\u003e\n\u003cdiv\u003e2. I'll Get You\u003c\/div\u003e\n\u003ch4\u003eI Want To Hold Your Hand\u003c\/h4\u003e\n\u003cdiv\u003e1. Quiero Tomar Tu Mano \/  I Want To Hold Your Hand\u003c\/div\u003e\n\u003cdiv\u003e2. Este Muchacho \/ This Boy\u003c\/div\u003e\n\u003ch4\u003eCan't Buy Me Love\u003c\/h4\u003e\n\u003cdiv\u003e1. Can't Buy Me Love\u003c\/div\u003e\n\u003cdiv\u003e2. You Can't Do That\u003c\/div\u003e\n\u003ch4\u003eA Hard Day's Night\u003c\/h4\u003e\n\u003cdiv\u003e1. A Hard Day's Night\u003c\/div\u003e\n\u003cdiv\u003e2. Things We Said Today\u003c\/div\u003e\n\u003ch4\u003eI Feel Fine\u003c\/h4\u003e\n\u003cdiv\u003e1. I Feel Fine\u003c\/div\u003e\n\u003cdiv\u003e2. She's A Woman\u003c\/div\u003e\n\u003ch4\u003eTicket To Ride\u003c\/h4\u003e\n\u003cdiv\u003e1. Ticket To Ride \/ \"Un Billete Compró\"\u003c\/div\u003e\n\u003cdiv\u003e2. Yes It Is \/ \"Si, Es Verdad\"\u003c\/div\u003e\n\u003ch4\u003eHelp !\u003c\/h4\u003e\n\u003cdiv\u003e1. Help !\u003c\/div\u003e\n\u003cdiv\u003e2. I'm Down\u003c\/div\u003e\n\u003ch4\u003eWe Can Work It Out \/ Day Tripper\u003c\/h4\u003e\n\u003cdiv\u003e1. We Can Work It Out (2:13)\u003c\/div\u003e\n\u003cdiv\u003e2. Day Tripper (2:50)\u003c\/div\u003e\n\u003ch4\u003ePaperback Writer\u003c\/h4\u003e\n\u003cdiv\u003e1. Paperback Writer\u003c\/div\u003e\n\u003cdiv\u003e2. Rain\u003c\/div\u003e\n\u003ch4\u003eYellow Submarine \/ Eleanor Rigby\u003c\/h4\u003e\n\u003cdiv\u003e1. Submarino Amarillo \/ Yellow Submarine\u003c\/div\u003e\n\u003cdiv\u003e2. Eleanor Rigby\u003c\/div\u003e\n\u003ch4\u003eStrawberry Fields Forever \/ Penny Lane\u003c\/h4\u003e\n\u003cdiv\u003e1. Strawberry Fields Forever\u003c\/div\u003e\n\u003cdiv\u003e2. Penny Lane\u003c\/div\u003e\n\u003ch4\u003eAll You Need Is Love\u003c\/h4\u003e\n\u003cdiv\u003e1. All You Need Is Love\u003c\/div\u003e\n\u003cdiv\u003e2. Baby, You're A Rich Man\u003c\/div\u003e\n\u003ch4\u003eHello, Goodbye\u003c\/h4\u003e\n\u003cdiv\u003e1. Hola, Adios \/ Hello, Goodbye\u003c\/div\u003e\n\u003cdiv\u003e2. Yo Soy La Morsa \/ I Am The Walrus\u003c\/div\u003e\n\u003ch4\u003eLady Madonna\u003c\/h4\u003e\n\u003cdiv\u003e1. Lady Madonna \/ レディ・マドンナ\u003c\/div\u003e\n\u003cdiv\u003e2. The Inner Light \/ ジ・インナー・ライト\u003c\/div\u003e\n\u003ch4\u003eRevolution b\/w Hey Jude\u003c\/h4\u003e\n\u003cdiv\u003e1. Revolution\u003c\/div\u003e\n\u003cdiv\u003e2. Hey Jude\u003c\/div\u003e\n\u003ch4\u003eGet Back\u003c\/h4\u003e\n\u003cdiv\u003e1. Get Back\u003c\/div\u003e\n\u003cdiv\u003e2. Don't Let Me Down\u003c\/div\u003e\n\u003ch4\u003eThe Ballad Of John And Yoko\u003c\/h4\u003e\n\u003cdiv\u003e1. The Ballad Of John And Yoko\u003c\/div\u003e\n\u003cdiv\u003e2. Old Brown Shoe\u003c\/div\u003e\n\u003ch4\u003eSomething \/ Come Together\u003c\/h4\u003e\n\u003cdiv\u003e1. Something\u003c\/div\u003e\n\u003cdiv\u003e2. Come Together\u003c\/div\u003e\n\u003ch4\u003eLet It Be\u003c\/h4\u003e\n\u003cdiv\u003e1. Let It Be\u003c\/div\u003e\n\u003cdiv\u003e2. You Know My Name (Look Up The Number)\u003c\/div\u003e\n\u003ch4\u003eFree As A Bird \/ Real Love\u003c\/h4\u003e\n\u003cdiv\u003e1. Free As A Bird\u003c\/div\u003e\n\u003cdiv\u003e2. Real Love\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602547261717\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.22.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 7\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455530545307,"sku":"87459","price":286.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Beatles-The-Singles-Collection-23-Singles-7-LP-Vinyl-Box-Set.jpg?v=1777379317"},{"product_id":"the-beatles-white-album-2-cd","title":"The Beatles – White Album (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in November 1968, the double album arrived at a moment when the counterculture was fracturing alongside the band itself, and the music reflected every bit of that tension. Recorded largely in separate studios with separate producers, it remains the most sonically restless thing the Beatles ever committed to tape, stretching from country pastiche to proto-metal to pure noise within a single side.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTHE BEATLES (generally known as \"The White Album\" because of its cover) was a sprawling two-record set, highlighting the distinct personalities in the group as they matured and moved further away from each other. With the four Beatles playing like session men on each other's songs, the making of the album was fraught with tension. John Lennon's songs included a bitter take on people who read too much into the Beatles' lyrics (\"Glass Onion\"), reflections on loneliness and alienation (\"Yer Blues,\" \"I'm So Tired\"), and the avant garde sound collage \"Revolution 9.\" George Harrison's songs offered black humor (\"Piggies\") and tender sadness (\"While My Guitar Gently Weeps,\" with Eric Clapton on guitar). Paul McCartney provided both light, lyric songs (\"Ob-La-Di, Ob-La-Da,\" \"Honey Pie\"), and rockers (\"Back In The U.S.S.R.,\" the explosive \"Helter Skelter\"). Ringo Starr made his solo songwriting debut with the goofy country\/ska lilt of \"Don't Pass Me By\" and sang the album closer \"Good Night.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Back In The U.S.S.R. 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(1:41)\u003c\/div\u003e\n\u003cdiv\u003e16. I Will (1:45)\u003c\/div\u003e\n\u003cdiv\u003e17. Julia (2:56)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Birthday (2:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Yer Blues (4:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Mother Nature's Son (2:48)\u003c\/div\u003e\n\u003cdiv\u003e4. Everybody's Got Something To Hide Except Me And My Monkey (2:24)\u003c\/div\u003e\n\u003cdiv\u003e5. Sexy Sadie (3:15)\u003c\/div\u003e\n\u003cdiv\u003e6. Helter Skelter (4:29)\u003c\/div\u003e\n\u003cdiv\u003e7. Long, Long, Long (3:06)\u003c\/div\u003e\n\u003cdiv\u003e8. Revolution1 (4:15)\u003c\/div\u003e\n\u003cdiv\u003e9. Honey Pie (2:41)\u003c\/div\u003e\n\u003cdiv\u003e10. Savoy Truffle (2:54)\u003c\/div\u003e\n\u003cdiv\u003e11. Cry Baby Cry (3:02)\u003c\/div\u003e\n\u003cdiv\u003e12. Revolution 9 (8:22)\u003c\/div\u003e\n\u003cdiv\u003e13. Good Night (3:15)\u003c\/div\u003e\n\u003ch4\u003eThe Beatles Mini Documentary\u003c\/h4\u003e\n\u003cdiv\u003e1. Credits.mov (3:22)\u003c\/div\u003e\n\u003cdiv\u003e2. Video1.mov (5:31)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 094638246626\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.9.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455530643611,"sku":"247393","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-beatles-white-album-2-cd-cd-relix.png?v=1777391788"},{"product_id":"the-beatles-anthology-1-2-cd","title":"The Beatles – Anthology 1 (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Decca audition rejection in January 1962 is one of rock history's most retold cautionary tales, but hearing those performances in this kind of fidelity reframes the story entirely. What's captured across these two discs isn't just archival curiosity; it's the sound of a band burning through their influences, from Buddy Holly to Carl Perkins, and emerging as something nobody had heard before.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOver 50 rare nuggets from the Fab Four's earliest (1958-1964) days, included the fabled Decca audition tape that the label, to it's eternal dismay, rejected, plus early Quarrymen recordings (That'll Be the Day), a version of Love Me Do with Pete Best on drums, a demo of Can't Buy Me Love, You Know What to Do (the second song George ever wrote) and many more essential, oft-bootlegged-but-never-sounding-so-good Beatles rarities.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Free As A Bird (4:24)\u003c\/div\u003e\n\u003cdiv\u003e2. Speech: John Lennon (0:12)\u003c\/div\u003e\n\u003cdiv\u003e3. That'll Be The Day (2:07)\u003c\/div\u003e\n\u003cdiv\u003e4. In Spite Of All The Danger (2:44)\u003c\/div\u003e\n\u003cdiv\u003e5. Speech: Paul McCartney (0:17)\u003c\/div\u003e\n\u003cdiv\u003e6. Hallelujah, I Love Her So (1:13)\u003c\/div\u003e\n\u003cdiv\u003e7. You'll Be Mine (1:38)\u003c\/div\u003e\n\u003cdiv\u003e8. Cayenne (1:13)\u003c\/div\u003e\n\u003cdiv\u003e9. Speech: Paul (0:07)\u003c\/div\u003e\n\u003cdiv\u003e10. My Bonnie (2:42)\u003c\/div\u003e\n\u003cdiv\u003e11. Ain't She Sweet (2:13)\u003c\/div\u003e\n\u003cdiv\u003e12. Cry For A Shadow (2:22)\u003c\/div\u003e\n\u003cdiv\u003e13. Speech: John (0:10)\u003c\/div\u003e\n\u003cdiv\u003e14. Speech: Brian Epstein (0:18)\u003c\/div\u003e\n\u003cdiv\u003e15. Searchin' (2:59)\u003c\/div\u003e\n\u003cdiv\u003e16. Three Cool Cats (2:25)\u003c\/div\u003e\n\u003cdiv\u003e17. The Sheik Of Araby (1:43)\u003c\/div\u003e\n\u003cdiv\u003e18. Like Dreamers Do (2:35)\u003c\/div\u003e\n\u003cdiv\u003e19. Hello Little Girl (1:40)\u003c\/div\u003e\n\u003cdiv\u003e20. Speech: Brian Epstein (0:32)\u003c\/div\u003e\n\u003cdiv\u003e21. Besame Mucho (2:37)\u003c\/div\u003e\n\u003cdiv\u003e22. Love Me Do (2:31)\u003c\/div\u003e\n\u003cdiv\u003e23. How Do You Do It (1:57)\u003c\/div\u003e\n\u003cdiv\u003e24. Please Please Me (1:59)\u003c\/div\u003e\n\u003cdiv\u003e25. One After 909 (False Starts) (2:23)\u003c\/div\u003e\n\u003cdiv\u003e26. One After 909 (2:55)\u003c\/div\u003e\n\u003cdiv\u003e27. Lend Me Your Comb (1:49)\u003c\/div\u003e\n\u003cdiv\u003e28. I'll Get You (2:08)\u003c\/div\u003e\n\u003cdiv\u003e29. Speech: John (0:12)\u003c\/div\u003e\n\u003cdiv\u003e30. I Saw Her Standing There (2:48)\u003c\/div\u003e\n\u003cdiv\u003e31. From Me To You (2:05)\u003c\/div\u003e\n\u003cdiv\u003e32. Money (That's What I Want) (2:52)\u003c\/div\u003e\n\u003cdiv\u003e33. You Really Got A Hold On Me (2:58)\u003c\/div\u003e\n\u003cdiv\u003e34. Roll Over Beethoven (2:21)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. She Loves You (2:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Till There Was You (2:54)\u003c\/div\u003e\n\u003cdiv\u003e3. Twist And Shout (3:05)\u003c\/div\u003e\n\u003cdiv\u003e4. This Boy (2:22)\u003c\/div\u003e\n\u003cdiv\u003e5. I Want To Hold Your Hand (2:36)\u003c\/div\u003e\n\u003cdiv\u003e6. Speech: Eric Morecambe And Ernie Wise (2:05)\u003c\/div\u003e\n\u003cdiv\u003e7. Moonlight Bay (0:49)\u003c\/div\u003e\n\u003cdiv\u003e8. Can't Buy Me Love (2:10)\u003c\/div\u003e\n\u003cdiv\u003e9. All My Loving (2:19)\u003c\/div\u003e\n\u003cdiv\u003e10. You Can't Do That (2:42)\u003c\/div\u003e\n\u003cdiv\u003e11. And I Love Her (1:52)\u003c\/div\u003e\n\u003cdiv\u003e12. A Hard Day's Night (2:43)\u003c\/div\u003e\n\u003cdiv\u003e13. I Wanna Be Your Man (1:47)\u003c\/div\u003e\n\u003cdiv\u003e14. Long Tall Sally (1:45)\u003c\/div\u003e\n\u003cdiv\u003e15. Boys (1:49)\u003c\/div\u003e\n\u003cdiv\u003e16. Shout (1:31)\u003c\/div\u003e\n\u003cdiv\u003e17. I'll Be Back (Demo) (1:12)\u003c\/div\u003e\n\u003cdiv\u003e18. I'll Be Back (Complete) (1:57)\u003c\/div\u003e\n\u003cdiv\u003e19. You Know What To Do (1:58)\u003c\/div\u003e\n\u003cdiv\u003e20. No Reply (Demo) (1:36)\u003c\/div\u003e\n\u003cdiv\u003e21. Mr Moonlight (2:47)\u003c\/div\u003e\n\u003cdiv\u003e22. Leave My Kitten Alone (2:56)\u003c\/div\u003e\n\u003cdiv\u003e23. No Reply (2:29)\u003c\/div\u003e\n\u003cdiv\u003e24. Eight Days A Week (False Starts) (1:25)\u003c\/div\u003e\n\u003cdiv\u003e25. Eight Days A Week (2:47)\u003c\/div\u003e\n\u003cdiv\u003e26. Kansas City \/ Hey-Hey-Hey-Hey! 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The 2012 vinyl pressing finally brings George Martin's 1986 stereo remix to LP, the format this music was born to inhabit.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut.  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Pepper's Lonely Hearts Club Band\u003c\/div\u003e\n\u003cdiv\u003e9. With A Little Help From My Friends\u003c\/div\u003e\n\u003cdiv\u003e10. Baby You're A Rich Man\u003c\/div\u003e\n\u003cdiv\u003e11. Only A Northern Song\u003c\/div\u003e\n\u003cdiv\u003e12. All You Need Is Love\u003c\/div\u003e\n\u003cdiv\u003e13. When I'm Sixty Four\u003c\/div\u003e\n\u003cdiv\u003e14. Nowhere Man\u003c\/div\u003e\n\u003cdiv\u003e15. It's All Too Much\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5099962145428\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455541522587,"sku":"346928","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/subsongbookcdA.jpg?v=1777395178"},{"product_id":"the-beatles-1967-1970-the-blue-album-2023-edition-2-cd","title":"The Beatles – 1967-1970 (The Blue Album): 2023 Edition (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Blue Album has always been the document of the Beatles at their most expansive, tracing the leap from *Revolver* to *Abbey Road* and capturing a band that essentially invented the idea of the studio as an instrument. The 2023 edition adds genuine weight to that story, anchoring the collection around \"Now And Then,\" which draws on decades-old Lennon demo recordings and reunites all four Beatles one final time through the same AI-assisted audio restoration technology used on *Let It Be* (2023).\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis landmark compilation has introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 9 additional tracks, including “Blackbird”, “Glass Onion” and the new song, “Now And Then”. The last Beatles song, “Now And Then” completes John Lennon’s 1970s vocal and piano demo recording with parts played by Paul McCartney, George Harrison and Ringo Starr, as well as a new arrangement for strings. The 2CD collection now features 37 tracks, 6 of which have new mixes for 2023. The booklet contains new sleeve notes by journalist and author John Harris. For current fans and future generations alike, the new 1966 – 1970 collection is a joyous celebration of The Beatles’ timeless musical legacy.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Strawberry Fields Forever (2015 Stereo Mix) (4:12)\u003c\/div\u003e\n\u003cdiv\u003e2. Penny Lane (2017 Mix) (3:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Sgt. Pepper's Lonely Hearts Club Band (2017 Mix) (2:02)\u003c\/div\u003e\n\u003cdiv\u003e4. With A Little Help From My Friends (2017 Mix) (2:44)\u003c\/div\u003e\n\u003cdiv\u003e5. Lucy In The Sky With Diamonds (2017 Mix) (3:30)\u003c\/div\u003e\n\u003cdiv\u003e6. Within You Without You (2017 Mix) (5:11)\u003c\/div\u003e\n\u003cdiv\u003e7. A Day In The Life (2017 Mix) (5:07)\u003c\/div\u003e\n\u003cdiv\u003e8. All You Need Is Love (2015 Stereo Mix) (3:49)\u003c\/div\u003e\n\u003cdiv\u003e9. I Am The Walrus (2023 Mix) (4:35)\u003c\/div\u003e\n\u003cdiv\u003e10. Hello, Goodbye (2015 Stereo Mix) (3:29)\u003c\/div\u003e\n\u003cdiv\u003e11. The Fool On The Hill (2023 Mix) (3:00)\u003c\/div\u003e\n\u003cdiv\u003e12. Magical Mystery Tour (2023 Mix) (2:49)\u003c\/div\u003e\n\u003cdiv\u003e13. Lady Madonna (2015 Stereo Mix) (2:18)\u003c\/div\u003e\n\u003cdiv\u003e14. Hey Jude (2015 Stereo Mix) (7:11)\u003c\/div\u003e\n\u003cdiv\u003e15. Revolution (2023 Mix) (3:21)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Back In The U.S.S.R. (2018 Mix) (2:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Dear Prudence (2018 Mix) (3:59)\u003c\/div\u003e\n\u003cdiv\u003e3. While My Guitar Gently Weeps (2018 Mix) (4:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Ob-La-Di, Ob-La-Da (2018 Mix) (3:11)\u003c\/div\u003e\n\u003cdiv\u003e5. Glass Onion (2018 Mix) (2:19)\u003c\/div\u003e\n\u003cdiv\u003e6. Blackbird (2018 Mix) (2:21)\u003c\/div\u003e\n\u003cdiv\u003e7. Hey Bulldog (2023 Mix) (3:11)\u003c\/div\u003e\n\u003cdiv\u003e8. Get Back (2015 Stereo Mix) (3:12)\u003c\/div\u003e\n\u003cdiv\u003e9. Don't Let Me Down (2021 Mix) (3:34)\u003c\/div\u003e\n\u003cdiv\u003e10. The Ballad Of John And Yoko (2015 Stereo Mix) (3:00)\u003c\/div\u003e\n\u003cdiv\u003e11. Old Brown Shoe (2023 Mix) (3:18)\u003c\/div\u003e\n\u003cdiv\u003e12. Here Comes The Sun (2019 Mix) (3:07)\u003c\/div\u003e\n\u003cdiv\u003e13. Come Together (2019 Mix) (4:19)\u003c\/div\u003e\n\u003cdiv\u003e14. Something (2019 Mix) (3:03)\u003c\/div\u003e\n\u003cdiv\u003e15. Octopus's Garden (2019 Mix) (2:52)\u003c\/div\u003e\n\u003cdiv\u003e16. Oh! Darling (2019 Mix) (3:28)\u003c\/div\u003e\n\u003cdiv\u003e17. I Want You (She’s So Heavy) (2019 Mix) (7:47)\u003c\/div\u003e\n\u003cdiv\u003e18. Let It Be (2021 Mix) (3:51)\u003c\/div\u003e\n\u003cdiv\u003e19. Across The Universe (2021 Mix) (3:49)\u003c\/div\u003e\n\u003cdiv\u003e20. I Me Mine (2021 Mix) (2:28)\u003c\/div\u003e\n\u003cdiv\u003e21. The Long And Winding Road (2021 Mix) (3:37)\u003c\/div\u003e\n\u003cdiv\u003e22. Now And Then (4:08)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602455920959\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.10.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455553777819,"sku":"412226","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/blualbum2cdA.jpg?v=1777407173"},{"product_id":"the-beatles-let-it-be-naked-2-cd","title":"The Beatles – Let It Be Naked (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePaul McCartney had long bristled at Phil Spector's orchestral overdubs on the original 1970 release, particularly the lush strings applied to \"The Long and Winding Road\" without his approval. This 2003 stripped-down version restores the raw, rehearsal-room honesty the band originally intended, pulling back the curtain on what were essentially the final sessions of rock's most consequential group.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eAt last, The Beatles album that has taken more than 30 years to Finish, LET IT BE. Naked. This is the back-to-basics album that The Beatles set out to make back in 1969. Now, through the smart digital technology of Abbey Road studios, the never-heard band's take of the original sessions will finally be released on Capitol Records. Album track include: \"Get Back\", \"The long and Winding Road\", \"Two of US I've Got a Feeling\".\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Get Back (2:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Dig A Pony (3:38)\u003c\/div\u003e\n\u003cdiv\u003e3. For You Blue (2:28)\u003c\/div\u003e\n\u003cdiv\u003e4. The Long And Winding Road (3:34)\u003c\/div\u003e\n\u003cdiv\u003e5. Two Of Us (3:21)\u003c\/div\u003e\n\u003cdiv\u003e6. I've Got A Feeling (3:31)\u003c\/div\u003e\n\u003cdiv\u003e7. One After 909 (2:44)\u003c\/div\u003e\n\u003cdiv\u003e8. Don't Let Me Down (3:19)\u003c\/div\u003e\n\u003cdiv\u003e9. I Me Mine (2:21)\u003c\/div\u003e\n\u003cdiv\u003e10. Across The Universe (3:38)\u003c\/div\u003e\n\u003cdiv\u003e11. Let It Be (3:54)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 724359571324\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.18.03\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455564656795,"sku":"648998","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/letitbenakedcdA.jpg?v=1777405150"},{"product_id":"the-beatles-anthology-4-lp-vinyl","title":"The Beatles – Anthology 4 (3-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGiles Martin has spent years deep in the Abbey Road tape library, and what he's surfaced here fills genuine gaps in the canonical Beatles story, not just for completists but for anyone who wants to understand how these songs actually came to life. The inclusion of \"Now And Then\" alongside the Anthology-era singles means this set spans the full arc of the band's recorded legacy, from the early Parlophone sessions through to 2023.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eAnthology 4 - \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eTriple LP. The new volume from The Beatles \u003ci\u003eAnthology Collection.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eAnthology 4\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, is newly curated by Giles Martin, including 13 \u003c\/span\u003epreviously-unreleased session outtakes\u003cspan\u003e dating from 1963 to 1969. It also includes the band’s final single, ‘Now And Then’, released in 2023, and new mixes of The Beatles’ \u003ci\u003eAnthology\u003c\/i\u003e-associated hit singles: the GRAMMY-winning ‘Free As A Bird’ and ‘Real Love’, given new life by their original producer, Jeff Lynne, using de-mixed John Lennon vocals. 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Harrison alone delivered \"Something\" and \"Here Comes the Sun,\" songs that have outlasted the decade that produced them. The anniversary mix reveals layers in the original eight-tracks that half a century of familiar listening had obscured.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe new \u003cem\u003eAbbey Road\u003c\/em\u003erelease features thenew stereo album mix, sourced directly from the original eight-track session tapes. To produce the mix, Giles Martin working with Sam Okell, was guided by the album’s original stereo mix supervised by his father, George Martin.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Come Together (4:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Something (3:03)\u003c\/div\u003e\n\u003cdiv\u003e3. Maxwell's Silver Hammer (3:27)\u003c\/div\u003e\n\u003cdiv\u003e4. Oh! 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Giles Martin, son of original Beatles producer George Martin, brings fresh ears to these mixes while honoring the sonic language his father helped invent.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles '1' was originally released in 2000 and quickly became the fastest selling album of all time. 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Recorded in an empty Philharmonie de Paris during the pandemic, the intimacy here is palpable, a pianist alone with songs he's clearly lived with for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eNonesuch Records releases \u003c\/span\u003e\u003cem\u003eYour Mother Should Know: Brad Mehldau Plays The Beatles \u003c\/em\u003e\u003cspan\u003eon February 10, 2023. \u003c\/span\u003e\u003cspan\u003eThe live solo album \u003c\/span\u003e\u003cspan\u003efeatures the pianist and composer’s interpretations of nine songs by John Lennon and Paul McCartney and one by George Harrison. Although other Beatles songs have long been staples of Mehldau’s solo and trio shows, he had not previously recorded any of the tunes on \u003c\/span\u003e\u003cem\u003eYour Mother Should Know\u003c\/em\u003e\u003cspan\u003e. 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Each disc sits in an individual album wallet within a 12” gatefold disc holder sleeve, alongside an 88-page hardback book with a John Lennon foreword, introduction by Paul McCartney, photos, in-depth album background and track notes, all housed in a 12” slipcase.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602465723182\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.2.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":49128570421403,"sku":"317632240","price":150.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Beatles-Rubber-Soul-Special-Edition-4-CD.jpg?v=1785412978"},{"product_id":"the-beatles-rubber-soul-special-edition-standard-cd","title":"The Beatles – Rubber Soul: Special Edition (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in just four weeks during the autumn of 1965, Rubber Soul marked the moment the Beatles began treating the album as a unified artistic statement rather than a collection of singles. Bob Dylan's influence on Lennon's introspective lyricism and the band's growing fascination with folk textures pushed the writing somewhere new, with George Harrison's sitar on \"Norwegian Wood\" opening a door that popular music would spend years walking through.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Beatles' sixth album, Rubber Soul, released on December 3rd, 1965, newly mixed by producer Giles Martin and Sam Okell. Sourced directly from the\u003cbr\u003eoriginal four-track master tapes, the audio is brought forth in stunning clarity with the help of cutting-edge technology developed by the award-winning sound team at Peter Jackson’s WingNut Films Productions Ltd. 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The folk and country textures, the sitar on \"Norwegian Wood,\" the introspective lyrics , it's the record that signaled to every serious musician paying attention that the rules had changed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis 2CD Special Edition of The Beatles' sixth album, Rubber Soul features the new mix by Giles Martin and Sam Okell; plus a 16-track disc of highlights from the album Sessions that includes early versions of songs that deepen and expand the story of the album, as well as the non-album single, ‘Day Tripper’ and ‘We Can Work It Out’, and a 40-page booklet with detailed info and rare photos.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602465750355\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.2.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":49128570454171,"sku":"317644278","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Beatles-Rubber-Soul-Special-Edition-2-CD.jpg?v=1785412980"},{"product_id":"the-beatles-rubber-soul-special-edition-super-deluxe-180g-5lp-7-vinyl-book","title":"The Beatles – Rubber Soul: Special Edition (5-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in a concentrated burst of sessions at EMI Studios in late 1965, Rubber Soul marked the moment the Beatles began treating the album as an art form rather than a collection of singles. 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