{"title":"Thrill Jockey Records Vinyl, CDs \u0026 Cassettes","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eBettina Richards started Thrill Jockey in 1992 with $35,000 of personal and family capital while working at a record store in Hoboken, running the whole operation out of her New York apartment before moving the label to Chicago in 1995. She had come out of Atlantic Records' A\u0026amp;R department and had seen enough of how major labels worked to know she wanted to build something different, something where the music came first, and the artist kept half of everything.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThat 50\/50 profit share with artists has been the label's founding principle since day one, and it says something about the kind of operation Thrill Jockey has always been. The roster it attracted reflects the same values: artists who needed a home that understood what they were making and wouldn't try to sand the edges off it.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eTortoise became the anchor act of the label's early years and, in many ways, the defining sound of post-rock as a genre, patient and rhythmically intricate and genuinely unlike anything that had come before. The label expanded from there in every direction, Mouse on Mars, Matmos, Boredoms and OOIOO from Japan, Lightning Bolt bringing their bass-and-drums noise-metal from Providence, Jeff Parker's solo work extending the jazz-inflected thread that Tortoise started. Circuit des Yeux. Mary Lattimore. The range is wide, and the quality is consistent, held together not by genre but by a shared seriousness about the work.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThirty-plus years in, Thrill Jockey is still independent, still Chicago-based, and still finding artists that nobody else would know what to do with.\u003c\/p\u003e","products":[{"product_id":"sumac-moor-mother-film-cd","title":"Sumac \u0026 Moor Mother – Film (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe collision of Sumac's crushing, labyrinthine guitar work and Moor Mother's unflinching spoken word and vocal presence feels less like a collaboration than an inevitability. Two of the most uncompromising voices in experimental heavy music, Aaron Turner and Camae Ayewa have both built careers on refusing easy categories, and together they push further into the dark.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Scene 1 (4:50)\u003c\/div\u003e\n\u003cdiv\u003e2. Scene 2: The Run (12:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Hard Truth (1:49)\u003c\/div\u003e\n\u003cdiv\u003e4. Scene 3 (7:01)\u003c\/div\u003e\n\u003cdiv\u003e5. Scene 4 (4:13)\u003c\/div\u003e\n\u003cdiv\u003e6. Camera (8:43)\u003c\/div\u003e\n\u003cdiv\u003e7. The Truth Is Out There (1:16)\u003c\/div\u003e\n\u003cdiv\u003e8. Scene 5: Breathing Fire (16:37)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377062922\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.25.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744924020891,"sku":"3883","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-sumac-moor-mother-film-cd-relix.jpg?v=1781716951"},{"product_id":"wrekmeister-harmonies-flowers-in-the-spring-opaque-pink-lp-vinyl","title":"Wrekmeister Harmonies – Flowers In The Spring (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJR Robinson and Esther Shaw have spent over a decade operating at the outer edges of heavy music, building Wrekmeister Harmonies into one of the most uncompromising projects in the Thrill Jockey catalog. Where earlier work leaned into density and collaboration, Flowers In The Spring pulls inward, favoring patience and sustained tension over sheer volume. Three tracks, opaque pink vinyl, and a record that rewards the kind of deep listening that defines the best of this label's experimental tradition.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWrekmeister Harmonies, the duo of JR Robinson and Esther Shaw, are sonic shape shifters with expansive ideas. From special performances to collaborations the band have worked with David Yow (Jesus Lizard) Ryley Walker, Ken Vandermark, Bruce Lamont, Mark Solotroff, Sanford Parker, Jamie Fennely (Mind Over Mirrors), The Body, Mary Lattimore, Olivia Block, Jamie Stewart (Xiu Xiu), Chris Brokaw, Fred Lonberg-Holm and Thor Harris (Swans). Inspired by artists such as Glenn Branca, Rhys Chatham, and Lou Reed, the duo approach each album as a new sonic adventure. Flowers in the Spring was born of deep, careful listening as much as composing. It explores music as a meditative practice with a focus on microtonal shifts and intersectional overtones. Robinson explains: \"It's the subtle movements within and without, the fine threads of sound, loud or quiet, interior or exterior that become valuable.\" Limiting himself to just four mixer channels on each piece; precisely layering guitar and electronics, intently listening and manipulating either the intensity or the duration of each loop to yield unexpected interactions, moments of beauty as well as dissonance.\"Flowers in Spring\" emerges from fizzing distortion, hewing monolithic slabs of drone from the rock face while electronics push through fissures. \"Fuck the Pigs\" uses layers of noise as it metaphorically shifts into the depths of winter, arctic winds howling while the guitar scars like frost across a windowpane. In contrast \"A Shepherd Stares Into the Sun\" is pure light and heat, overwhelming in it's sheer celestial enormity. \"Flowers Variation\" was born of nature's microscopic subterranean movements in it's primordial gloom and buzzing synth pads. 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Garden Party finds that project at its most refined, with Johnson's Pacific Northwest roots lending a particular unhurried cool to the cosmic country tradition stretching back through the Grateful Dead's American Beauty era.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn Garden Party, Rose City Band's country psychedelic rock evokes the wide-open spaces of the American west and free spirits who call it home. Lead by acclaimed guitarist and vocalist Ripley Johnson, Rose City Band are some of the best players in contemporary rock: pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg, bassist Dewey Mahood (aka Plankton Wat), drummer Dustin Dybvig, and features Sanae Yamada of Moon Duo on Synthesizer. At it's inception Rose City Band focused on what songwriter Johnson calls \"porch music\". Recorded largely at Center for Sound, Light, and Color Therapy in Portland and mixed by John McEntire, Garden Party features guest appearances by Moon Duo bandmates John Jeffrey on drums and Sanae Yamada on synths, as well as Rose City Band live performers Hasenberg on keyboards and Walker on pedal steel. With the musicians in his life in mind, Ripley's porch has opened up for each player to step into. Despite being tracked primarily as a solo endeavor the recordings capture the twists and bends of a fully realized ensemble, and in a nod to bands such as the Grateful Dead it doesn't stop there. \"The songs won't really be finished until we play them on the road,\" says Johnson. Like all great music, Garden Party taps into the listener's emotional center and takes them to their happy place - their sunny spot. The album is an invitation to recalibrate, a joyous ride where the band's sounds surround and embrace you. Ripley says it best: \"I always like when an album starts in one place, and ends in another\" What a beautiful journey it is.1. Chasing Rainbows2. Slow Burn3. Garden Song4. Porch Boogie5. Saturday's Gone6. Mariposa7. Moonlight Highway8. 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One Bedroom arrived at a moment when Sam Prekop, John McEntire, Archer Prewitt, and Eric Claridge had fully internalized those influences, producing something that felt both considered and completely natural.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIN CELEBRATION OF THRILL JOCKEY'S 25th ANNIVERSARY, ESSENTIAL TITLES FROM THE SEA AND CAKE ARE RE-ISSUED ON COLOR VINYL FOR THE FIRST TIME! The Sea and Cake's sixth album One Bedroom is back on vinyl. Pressed on color vinyl for the first time (translucent pink!) and packaged in a high gloss jacket with a free download coupon. One Bedroom, is elegant pop. Membrane-like layers of electronic tones and delicate synthesizers surround intricately woven guitars. Melodic bass lines punctuate these restrained and complex sounds. Songs are propelled by imaginative percussion lines and shaped by spare warm vocals. Prekop's lyrical style is poetic as opposed to narrative. Paradoxically, the resulting album of delicate precisely constructed songs sounds effortless. One Bedroom is a beautiful collection of creatively constructed and singular pop songs. 1. Four Corners 2. Left Side Clouded 3. Hotel Tell 4. Le Baron 5. Shoulder Length 6. One Bedroom 7. Interiors 8. Mr. F 9. Try Nothing 10. 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The move to Thrill Jockey brought sharper production without softening the band's signature drone and repetition, which hit harder here than on anything they'd released before.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWooden Shjips stand at the forefront of modern psychedelic rock and present, West their first album for Thrill Jockey. The over riding theme for the album (as indicated by the title) is the American West, and all of the mythology, romanticism, and idealism that it embodies.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Black Smoke Rise (4:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Crossing (5:13)\u003c\/div\u003e\n\u003cdiv\u003e3. Lazy Bones (3:54)\u003c\/div\u003e\n\u003cdiv\u003e4. Home (6:05)\u003c\/div\u003e\n\u003cdiv\u003e5. Flight (7:08)\u003c\/div\u003e\n\u003cdiv\u003e6. Looking Out (5:57)\u003c\/div\u003e\n\u003cdiv\u003e7. Rising (5:09)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377027921\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.13.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744946532507,"sku":"83098","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-wooden-shjips-west-cd-relix.jpg?v=1781713057"},{"product_id":"jules-reidy-ghost-spirit-cd","title":"Jules Reidy – Ghost\/Spirit (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJules Reidy works in a space where open tunings, electronics, and acoustic guitar blur into something genuinely uncategorizable, and *Ghost\/Spirit* finds the Sydney-based artist continuing to push that language forward on Thrill Jockey. Fourteen tracks of carefully constructed ambiguity, where texture and melody coexist without either giving ground.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Everyday There's A Sunset (4:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Interlude I (2:43)\u003c\/div\u003e\n\u003cdiv\u003e3. Satellite (5:23)\u003c\/div\u003e\n\u003cdiv\u003e4. To Breathe Lightning (3:46)\u003c\/div\u003e\n\u003cdiv\u003e5. Ghost (1:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Breaks (2:21)\u003c\/div\u003e\n\u003cdiv\u003e7. Search Light (2:54)\u003c\/div\u003e\n\u003cdiv\u003e8. Every Day There's A Sunrise (2:05)\u003c\/div\u003e\n\u003cdiv\u003e9. Spirit (1:34)\u003c\/div\u003e\n\u003cdiv\u003e10. Maybe (2:15)\u003c\/div\u003e\n\u003cdiv\u003e11. Interlude II (0:59)\u003c\/div\u003e\n\u003cdiv\u003e12. Letter (4:35)\u003c\/div\u003e\n\u003cdiv\u003e13. Splits The Light (3:57)\u003c\/div\u003e\n\u003cdiv\u003e14. You Are Everywhere (3:10)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377061826\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744948039835,"sku":"203170","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-jules-reidy-ghost-spirit-cd-relix.jpg?v=1781728860"},{"product_id":"keiji-haino-sumac-into-this-juvenile-apocalypse-our-golden-blood-to-pour-let-us-never-cd","title":"Keiji Haino \u0026 Sumac – Into This Juvenile Apocalypse Our Golden Blood to Pour Let Us Never (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKeiji Haino has been dismantling the boundaries of noise, psych, and free improvisation since the early 1970s, while Sumac, anchored by Isis veteran Aaron Turner, has pushed post-metal toward some of its most demanding and rewarding extremes. When these two forces share a stage, the results are genuinely unpredictable, which is exactly the point. This is music built on confrontation and trust in equal measure.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eThrill Jockey Records is proud to present Into This Juvenile Apocalypse Our Golden Blood to Pour Let Us Never, the third collaborative album by Japanese free music provocateur Keiji Haino and expressionist metal trio SUMAC. Into This Juvenile Apocalypse... finds the quartet navigating the push-and-pull of creative interplay with bolder strides and stronger chemistry. Recorded on May 21, 2019 at the Astoria Hotel on Vancouver BC’s notorious East Hastings Street as a one-off performance during a short North American tour for Haino, the six compositions comprising Into This Juvenile Apocalypse... showcase a musical unit bouncing unfiltered ideas off of one another, mining a trove of textures and timbres from their armory to buoy and bolster these living and breathing pieces. Like so many albums documenting free music, the thrill here is in the tight rope walk, the wavering moments of uncertainty, and the ecstatic moments of shared brilliance. 1 When logic rises morality falls Logic and morality in Japanese are but one character different 2 A shredded coiled cable within this cable sincerity could not be contained 3 Into this juvenile apocalypse our golden blood to pour let us never 4 Because the evidence of a fact is valued over the fact itself truth??? becomes fractured 5 That fuzz pedal you planted in your throat, its screw has started to come loose Your next effects pedal is up to you do you have it ready? 6 That \"regularity\" of yours, can you throw it further than me? 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His pivot toward modular synthesis hasn't felt like reinvention so much as a natural extension of those same instincts, and *Open Close* arrives as one of the more anticipated releases in his solo catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSam Prekop's work over the last 30 years, whether created primarily on his guitar or on his modular synth, is consistent in it's powerful melodicism, delicate arrangements and subtle evolution. Prekop's singular blend of melody, impressionistic lyricism and quietly intricate rhythms are the core of the singular sound of The Sea and Cake. Since 2010's Old Punch Card, Prekop's exploration of modular synthesis and electronic atmospheres, has come into it's own. Highly skilled at manipulating the sonic interplay, Prekop has established a sytle all his own, his pieces are complex expressing real movement. Harmonies bloom with granular detail and contrary to their machine sources are able to convey emotion. Open Close is an album that captures the flow and energy of a live performance through the lens of a deft craftsman, an equilibrium of intuitive composition and the excitement of possibility.The music of Sam Prekop is defined by his signature curiosity and his ability to mold and refine that curiosity into a wholly unique sound. His process in naming album Open Close mirrors his creative practice and the worlds he builds across the album: \"I like simple words that become complicated if you think of them more than a second or two, beyond face value. And Open Close could be: close as in 'close to you' or close as in 'close the door.' If it gives everything away too quickly, then I'm not interested.\" Each movement across Open Close is replete with simple gestures that suggest new complexities with Prekop's careful arrangements. 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Sol Y Sombra, Spanish for \"sun and shadow,\" signals exactly where Johnson's head is: that honest, unresolved space between warmth and unease that the best country rock has always occupied.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRose City Band's music is sun-kissed timeless country rock whose seemingly effortless momentum carries the joy of it's creation without ignoring the darkness pervading our consciousness. Led by guitarist\/vocalist Ripley Johnson, the music of Rose City Band is rooted in his love of private press records of the mid to late 70's. The band, in addition to Johnson, features pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg and drummer John Jeffrey who enmesh a keen sense of rhythmic drive and melody with gentler, sumptuous atmospheres. Nuanced performances and interplay between players unfurl like desert flowers splashing color onto an arid landscape. The ensemble's buoyant moments still glide with ease, but there is room to revel in respite of the shade of a dark cloud. Across the album, Johnson's tasteful guitar interjections and soothing voice are met in kind with the versatile playing of Walker, Hasenberg, and Jeffery, with special guest performances by synthesist\/vocalist, Sanae Yamada. Album closer \"The Walls\" perfectly captures the band's explorative and expansive songs, Hasenberg's soulful organ driving the album to an emotionally cathartic conclusion. Throughout his prolific career with Wooden Shjips, Moon Duo and now Rose City Band, Johnson's music has consistently centered around exploration and discovery. Sol y Sombra imbues his penchant for space and resplendent tonality with a denser amalgam of his influences through a delicate balance of the somber and the serene, of subtle evolutions and familiar sounds, Sol y Sombra makes for a holistically joyous experience, finding solace in both sun and shade.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Lights On The Way (4:32)\u003c\/div\u003e\n\u003cdiv\u003e2. Open Roads (2:32)\u003c\/div\u003e\n\u003cdiv\u003e3. Rolling Gold (4:23)\u003c\/div\u003e\n\u003cdiv\u003e4. Evergreen (4:12)\u003c\/div\u003e\n\u003cdiv\u003e5. Sunlight Daze (5:57)\u003c\/div\u003e\n\u003cdiv\u003e6. Radio Song (5:02)\u003c\/div\u003e\n\u003cdiv\u003e7. Seeds Of Light (4:42)\u003c\/div\u003e\n\u003cdiv\u003e8. La Mesa (2:07)\u003c\/div\u003e\n\u003cdiv\u003e9. Wheels (4:37)\u003c\/div\u003e\n\u003cdiv\u003e10. The Walls (4:04)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377062014\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.24.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744952660123,"sku":"184669","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-rose-city-sol-y-sombra-download-included-lp-vinyl-vinyl-lp-relix.jpg?v=1781719080"},{"product_id":"the-soft-pink-truth-is-it-going-to-get-any-deeper-than-this-lp-vinyl","title":"The Soft Pink Truth – Is It Going To Get Any Deeper Than This (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDrew Daniel of Matmos brings his characteristic conceptual rigor to the dancefloor here, filtering queer theory and embodied pleasure through a lens that owes as much to late-70s Paradise Garage culture as it does to academic minimalism. 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Originally released in 1997, The Fawn stands as one of the group's most intimate and sonically refined statements, with Sam Prekop's breathy vocals floating over the interlocking guitars of Prekop and Archer Prewitt.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377003901\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.10.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Sporting Live\u003c\/div\u003e\n\u003cdiv\u003e2. The Argument\u003c\/div\u003e\n\u003cdiv\u003e3. The Fawn\u003c\/div\u003e\n\u003cdiv\u003e4. The Ravine\u003c\/div\u003e\n\u003cdiv\u003e5. Rossignol\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. There You Are\u003c\/div\u003e\n\u003cdiv\u003e2. Civilise\u003c\/div\u003e\n\u003cdiv\u003e3. Bird And Flag\u003c\/div\u003e\n\u003cdiv\u003e4. Black Tree In The Bee Yard\u003c\/div\u003e\n\u003cdiv\u003e5. Do Now Fairly Well\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744959639707,"sku":"149969","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-sea-and-cake-the-fawn-vinyl-lp-relix.jpg?v=1781718586"},{"product_id":"tortoise-standards-lp-vinyl","title":"Tortoise – Standards (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTortoise had already reshaped what rock instrumentation could mean by the time *Standards* arrived in 2001, but this record found the Chicago collective leaning into something more approachable without losing their instinct for the unexpected. The rhythm-forward interplay between John Herndon and John McEntire remains central, anchoring compositions that drift between jazz, electronic music, and post-punk without ever feeling lost between genres.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eU.S. vinyl LP pressing. 2001 album from the Chicago-based Post Rock band. The tunes on Standards are direct and immediate, yet they maintain the exploratory edge that has always characterized the group's output. The fusion of instrumental sounds (electric, acoustic, and synthesized) is subtle and subversive. 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Zedek transmutes fervor and resilience into sobering laments, while her lush arrangements wrap the listener in an often complex emotional message.Perfect Vision follows the 2018 Fighting Season, created in the midst of growing tensions across the U.S. On Fighting Season Zedek sought resistance, where on Perfect Vision she searches for clarity during a time of exponential isolation and doubt. Every challenge and sadness Zedek forces us to see is met in equal measure by her defiant guitar and dissenting voice, a torch illuminating a path for the listener to navigate through the darkness.1. Cranes2. Smoked3. Binoculars4. Overblown5. Queasy6. From the Fire7. The Plan8. Revelation Time9. Remain10. 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The songs were written during the summer of 2017 by singer and guitarist Ripley Johnson as an antidote to the pervasive anxiety both political and natural. As Ripley tells it, \"We had huge forest fires just outside of Portland and there was intense haze and layers of ash in the city. I was sitting on my porch every evening, watching ash fall down like snow, the sky looking like it was on fire. It was an apocalyptic feeling. Summer in Portland is usually really chill and beautiful, and we were working on a 'summer record,' but the outside world kept intruding on my headspace.\" V., a graphic representation of the Peace sign, seemed apt to an album focused on the power of peace, beauty and resistance. The music is a balm against the noise and negativity.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377464511\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Eclipse\u003c\/div\u003e\n\u003cdiv\u003e2. In The Fall\u003c\/div\u003e\n\u003cdiv\u003e3. Red Line\u003c\/div\u003e\n\u003cdiv\u003e4. Already Gone\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Staring At The Sun\u003c\/div\u003e\n\u003cdiv\u003e2. Golden Flower\u003c\/div\u003e\n\u003cdiv\u003e3. Ride On\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744988082331,"sku":"470864","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-wooden-shjips-v-clear-red-lp-vinyl-vinyl-lp-relix.jpg?v=1781713329"},{"product_id":"wrekmeister-harmonies-we-love-to-look-at-the-carnage-lp-vinyl","title":"Wrekmeister Harmonies – We Love To Look At The Carnage (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in isolation before isolation became everyone's reality, Wrekmeister Harmonies have long occupied the shadowy corridor where post-rock, doom, and experimental composition converge. J.R. Robinson and Esther Shaw have built their catalog through an ongoing dialogue between restraint and eruption, and the roster of collaborators drawn to their work, from the Swans orbit to noise-rock's outer edges, speaks to the genuine gravity of what they're doing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWe Love to Look at the Carnage the 5th album by Brooklyn's Wrekmeister Harmonies, J.R. Robinson, and Esther Shaw, features frequent collaborator Thor Harris (Swans, Shearwater) percussion and Jamie Stewart (Xiu Xiu) electronics. The album was tracked in a cabin in the woods and mixed with Martin Bisi (Sonic Youth, Swans) at his BC Studios. Wrekmeister Harmonies, known for their large ensemble performances and intense recordings, create immense tension with spare arrangements and instrumentation. We Love to Look at the Carnage charts a restless journey beginning in the middle of the night and ending in the wee hours of the morning. Robinson's brooding lyrics grapple with phantoms both real and imagined, apparitions amplified by the feverish anxiety of insomnia. Shaw's ethereal vocals dueling with Robinson's baritone create a delicious tension. Her stellar keyboard and violin work are on full display providing moments of calm.1. Midnight To Six2. Still Life With Prick Cancer3. Coyotes of Central Park4. The Rat Catcher5. Immolation\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377051018\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.21.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Midnight To Six (7:02)\u003c\/div\u003e\n\u003cdiv\u003e2. Still Life With Prick Cancer (10:33)\u003c\/div\u003e\n\u003cdiv\u003e3. Coyotes Of Central Park (4:36)\u003c\/div\u003e\n\u003cdiv\u003e4. The Rat Catcher (10:21)\u003c\/div\u003e\n\u003cdiv\u003e5. Immolation (8:46)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48744988278939,"sku":"483157","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-wrekmeister-harmonies-we-love-to-look-at-the-carnage-vinyl-lp-relix.jpg?v=1781319651"},{"product_id":"manslaughter-777-gods-world-indie-exclusive-orange-lp-vinyl","title":"Manslaughter 777 – God's World (Indie Exclusive Orange LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eI don't have reliable information about Manslaughter 777 or this specific release to write something substantive and accurate. Rather than fabricate context, I'd recommend either providing more background on the artist, or I can write a minimal blurb focused only on what's verifiable: a 2025 Thrill Jockey electronic release.\n\nThrill Jockey has long been a home for adventurous electronic and experimental work, and that pedigree alone signals something worth paying attention to. If you can share more about Manslaughter 777's background, influences, or this album's themes, I can give you something much more useful.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. I Do Not Believe In Art\u003c\/div\u003e\n\u003cdiv\u003e2. Power In The Blood\u003c\/div\u003e\n\u003cdiv\u003e3. Child Of (featuring MSC)\u003c\/div\u003e\n\u003cdiv\u003e4. Luv\u003c\/div\u003e\n\u003cdiv\u003e5. Star Pig\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Silk Barricade\u003c\/div\u003e\n\u003cdiv\u003e2. Pulling A Truck Up A Hill\u003c\/div\u003e\n\u003cdiv\u003e3. Die In The Night\u003c\/div\u003e\n\u003cdiv\u003e4. Clipped and 15 Extended\u003c\/div\u003e\n\u003cdiv\u003e5. So End It\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377555110\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.25.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745001517211,"sku":"614061","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-manslaughter-777-god-s-world-vinyl-lp-relix.jpg?v=1781727002"},{"product_id":"lightning-bolt-sonic-citadel-cd","title":"Lightning Bolt – Sonic Citadel (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBrian Gibson and Brian Chippendale have spent decades building one of the most singular catalogs in underground music, hauling their bass-and-drums assault out of Providence basements and into rooms that still couldn't quite contain them. Sonic Citadel, their first album in six years at the time of its release, finds the duo pushing against the edges of their own template without ever losing the physical, full-body impact that made them essential in the first place.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOver their career Lightning Bolt's incomparable sound has been built on the ebb and flow between the power of raw, unbridled simplicity and a boundless, childlike sense of wonder. Sonic Citadel marks the duo's most varied and diverse work since their seminal album Wonderful Rainbow, exploring a large breadth of emotions between and within each song. Gibson and Chippendale again recorded with Seth Manchester at the esteemed Machines With Magnets to capture the abandon of their music with clarity and Gibson's incredible dynamic range clearly to make the record as visceral an experience as their live performances. The pummeling \"Blow To The Head\" and swirling \"Van Halen 2049\" bookend the album with two of the most ferocious songs in the band's catalogue, with the former built as a Black Pus (Brian Chippendale's solo outlet) track on steroids. In stark contrast, songs like \"Don Henley In The Park,\" and \"All Insane\" take on almost conventional pop shapes despite being entirely spontaneous pieces crafted in the studio. \"Hüsker Dön't\" too defies expectations as one of the poppiest songs in their discography with a chugging but clear chord progression and some of Chippendale's least distorted vocals. These wildly varying approaches are a testament to the duo's immeasurable capacity to explore new sonic territory organically, and largely through improvisation.\u003c\/p\u003e\u003cp\u003eFor the bulk of Lightning Bolt's work together, they have slowly molded improvised jams which sometimes take years to develop on the road. The song \"Halloween 3\" may sound familiar to fans who have seen the band live in the last 15 years, and is named after a popular video of the duo performing an early version of the song. Sonic Citadel, however, also prominently features songs which began as solo recordings, be it a Black Pus 4-track recording or a series of looped bass figures from Gibson. In the four years between album releases, each member's increasingly prolific creative endeavors limited their time to create together. Brian Gibson was the sole artist, musician and co-designer of the acclaimed video game Thumper, which has since proliferated across a multitude of platforms, and won countless awards including the 2019 Apple Design Award. Brian Chippendale, who has always created the band's visual art, released the graphic novel Puke Force, was included in Rolling Stone's \"100 Greatest Drummers of All Time,\" and recently collaborated with fashion designers Eckhaus Latta. Coupled with their consistent touring, as well as Chippendale recently becoming a father, the duo took the challenge of their time constraints head on as a compositional tool. By keeping some songs more direct and focusing on their central ideas, the duo managed to increase the overall intensity of their music while leaving space to for the songs to breath and stretch out live.\u003c\/p\u003e\u003cp\u003eThe impact that Lightning Bolt has had on underground music since its inception is immense, and remains pervasive beyond any genre tag that has been attached to them. Sonic Citadel is the work of band unafraid to challenge themselves, unbound by expectations, joyfully defiant, and possessed of the same inventive curiosity which set them apart on day one and is unmatched still 25 years later.\u003c\/p\u003e\u003ch3\u003eTHRILL JOCKEY    -     LIGHTNING BOLT \/ SONIC CITADEL\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Blow To The Head\u003c\/div\u003e\n\u003cdiv\u003e2. USA Is A Psycho\u003c\/div\u003e\n\u003cdiv\u003e3. Air Conditioning\u003c\/div\u003e\n\u003cdiv\u003e4. Hüsker Dönt\u003c\/div\u003e\n\u003cdiv\u003e5. Big Banger\u003c\/div\u003e\n\u003cdiv\u003e6. Halloween 3\u003c\/div\u003e\n\u003cdiv\u003e7. Don Henley In The Park\u003c\/div\u003e\n\u003cdiv\u003e8. Tom Thump\u003c\/div\u003e\n\u003cdiv\u003e9. Bouncy House\u003c\/div\u003e\n\u003cdiv\u003e10. All Insane\u003c\/div\u003e\n\u003cdiv\u003e11. Van Halen 2049\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377050523\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.11.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745003384987,"sku":"559288","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-lightning-bolt-sonic-citadel-cd-relix.jpg?v=1781727483"},{"product_id":"manslaughter-777-world-vision-perfect-harmony-lp-vinyl","title":"Manslaughter 777 – World Vision Perfect Harmony (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eI'm not familiar enough with Manslaughter 777 or this specific release to write accurately about their history, significance, or this album's place in their catalog. Rather than risk fabricating details, I'd recommend either providing more context about the artist or leaving this blurb blank until reliable source material is available.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. No Man Curse\u003c\/div\u003e\n\u003cdiv\u003e2. Jump and Spread\u003c\/div\u003e\n\u003cdiv\u003e3. Arc\u003c\/div\u003e\n\u003cdiv\u003e4. I Can Not Tell How I Feel\u003c\/div\u003e\n\u003cdiv\u003e5. Gainax\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. What Is A Joke To You Is Dead To Me\u003c\/div\u003e\n\u003cdiv\u003e2. Mag Tech\u003c\/div\u003e\n\u003cdiv\u003e3. Do You Know Who Loves You\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377053913\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.26.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745004335259,"sku":"495095","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-manslaughter-777-world-vision-perfect-harmony-vinyl-lp-relix.jpg?v=1781726258"},{"product_id":"the-body-christs-redeemers-lp-vinyl","title":"The Body – Christs, Redeemers (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eChip King and Lee Buford have spent two decades building one of the most uncompromising catalogs in heavy music, and *Christs, Redeemers* stands as a landmark in that journey. Released on Thrill Jockey in 2013, this Portland duo expanded their signature wall of noise and blown-out low end with choral arrangements and gospel elements, turning desolation into something almost liturgical. It's heavy music as genuine reckoning, not provocation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. I, The Mourner Of Perished Days (3:15)\u003c\/div\u003e\n\u003cdiv\u003e2. To Attempt Openness (6:58)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Melt Away (3:46)\u003c\/div\u003e\n\u003cdiv\u003e2. An Altar Or A Grave (5:05)\u003c\/div\u003e\n\u003cdiv\u003e3. Failure To Desire To Communicate (2:53)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Night Of Blood In A World Without End (2:28)\u003c\/div\u003e\n\u003cdiv\u003e2. Prayers Unanswered (4:57)\u003c\/div\u003e\n\u003cdiv\u003e3. Denial Of The Species (4:27)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Shrouded (3:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Bearer Of Bad Tidings (6:58)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377035018\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.15.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745006989467,"sku":"681697","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-body-christs-redeemers-vinyl-lp-relix.jpg?v=1781716380"},{"product_id":"tortoise-tortoise-lp-vinyl","title":"Tortoise – Tortoise (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eChicago's Tortoise arrived fully formed on this 1994 debut, laying the groundwork for what critics would eventually call post-rock while drawing on dub, minimalism, and jazz in ways that felt genuinely new. The core of Douglas McCombs, John Herndon, and John McEntire had deep roots in the city's underground scene, and that collaborative DNA runs through every track here.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSold out on vinyl for many years the 1994 self-titled debut from Tortoise is finally back! This 2012 edition has been remastered to vinyl by Roger Seibel at SAE Mastering. The packaging emulates the original with a chipboard jacket that was custom silk-screened by Dan Macadam at Crosshair in Chicago.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Magnet Pulls Through (4:37)\u003c\/div\u003e\n\u003cdiv\u003e2. Night Air (3:50)\u003c\/div\u003e\n\u003cdiv\u003e3. Ry Cooder (7:04)\u003c\/div\u003e\n\u003cdiv\u003e4. Onions Wrapped In Rubber (6:40)\u003c\/div\u003e\n\u003cdiv\u003e5. Tin Cans \u0026amp; Twine (4:20)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Spiderwebbed (8:33)\u003c\/div\u003e\n\u003cdiv\u003e2. His Second Story Island (2:41)\u003c\/div\u003e\n\u003cdiv\u003e3. On Noble (4:05)\u003c\/div\u003e\n\u003cdiv\u003e4. Flyrod (3:29)\u003c\/div\u003e\n\u003cdiv\u003e5. Cornpone Brunch (4:44)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377001310\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.21.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745009676443,"sku":"579035","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-tortoise-tortoise-vinyl-lp-relix_37e214c8-fbb1-4d6a-b6d4-7a525976810d.jpg?v=1781713972"},{"product_id":"matmos-metallic-life-review-download-included-cd","title":"Matmos – Metallic Life Review (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eM.C. Schmidt and Drew Daniel have spent three decades turning the improbable into the inevitable, building albums from surgical lasers, crayfish nerve tissue, and washing machines without ever losing the thread of genuine musicality. 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Thrill Jockey has long been a home for artists who refuse easy categorization, and this pairing makes sense: the label's experimental instincts meet a band whose improvisation owes as much to careful listening as it does to technical command.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMagic Tuber Stringband act in communion with the natural world around them. Highly skilled players and writers, the trio are leaders within the burgeoning Avant-Folk world. Growing up in Appalachia studying the folk traditions of the region in tandem scientific and observational work in nature, their music appears to weave in and out of the fabric of the landscape. The ensemble continues to stretch the parameters of acoustic instrumental expression with masterful flourishes of dense, textural arrangements, subtle minimalist gestures and deft improvisation. Heavy Water addresses the impact of nuclear production on the environment and the communities within, a musical evocation of destruction and resilience, an embrace of dissonance and tension within moments of transcendence. The inspiration for Heavy Water is rooted in fiddler Courtney Werner's work as an ecologist in rural South Carolina.Werner explains:\"The town of Ellenton, South Carolina was the largest of the towns displaced in 1952 by the U.S. federal government to build the Savannah River Plant, which produced radioactive materials for U.S. nuclear weapons during the Cold War. The former site of Ellenton was dedicated to the extraction of 'heavy water,' whereas other areas of the plant focused on manufacturing weapons-grade plutonium and tritium within nuclear reactors. Heavy water is chemically altered to be denser than normal water and is incredibly expensive and time-consuming to synthesize, requiring 52 gallons of river water to produce one fluid ounce. It's denser properties made it valuable for use within the nuclear reactors on the site.\"Heavy Water is more than a collection of songs. It is a work whose compositions are entirely modern. Played on traditionally folk acoustic instruments, it defies expectations and emotionally addresses the pain of lives human, flora or fauna irrevocably changed by dominant forces and defiantly persevering.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. The Death Of Ellenton\u003c\/div\u003e\n\u003cdiv\u003e2. Marker Of A Drowning\u003c\/div\u003e\n\u003cdiv\u003e3. Sound Of A Million Stars\u003c\/div\u003e\n\u003cdiv\u003e4. Woodpeckers\u003c\/div\u003e\n\u003cdiv\u003e5. Scintillation\u003c\/div\u003e\n\u003cdiv\u003e6. Blooms In The Rapids\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Tribute To The Angels\u003c\/div\u003e\n\u003cdiv\u003e2. Where The Place Becomes Forgetting\u003c\/div\u003e\n\u003cdiv\u003e3. Wintering Grounds\u003c\/div\u003e\n\u003cdiv\u003e4. Soft And Pliable\u003c\/div\u003e\n\u003cdiv\u003e5. Dog-Headed Man\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377065718\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.22.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745019113627,"sku":"118478415","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-magic-tuber-stringband-heavy-water-download-included-lp-vinyl-vinyl-lp-relix.jpg?v=1781727153"},{"product_id":"sumac-moor-mother-film-download-included-lp-vinyl","title":"Sumac \u0026 Moor Mother – Film (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAaron Turner's guitar work with Sumac has long pushed metal toward something more meditative and destabilizing than brutal, while Camae Ayewa's work as Moor Mother channels Black radical tradition through sound collage, spoken word, and unflinching historical witness. Bringing these two forces together on a single record is less a collaboration than a controlled collision, the kind that only makes sense in retrospect. Film arrives as one of 2025's most genuinely strange and necessary pairings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWhat happens when you combine SUMAC: a band that uses the volume, distortion, and guitar-centric approach of metal to make music that has the malleability of jazz and textural exploration of noise with Moor Mother: a poet and sound artist that has deconstructed hip hop to a point where it's less about rhyme and rhythm (though obviously both are present in her work) and more about oratorical cadence and power. The Film is an album that takes attributes of both artists' work and finds common ground in shifting musical patterns, and expressive force. The record is a musical thumbing of their noses at the more traditional approaches of their respective fields, an innovative, powerhouse of an album.The Film's moniker speaks to the fact that it is conceived and delivered as a complete album, a full story or narrative. Moor Mother puts it best: \"The idea is to create a moment outside of the convention. This is a work of art. Thinking about the work as a Film, instead of an album or a collection of songs. This task is impossible in an industry that wants to force everything into a box of consumption. You won't understand or get the full picture until the artwork is completed. This work is developing and is requesting more agency within the creative process.\" The Film does have clear themes running throughout - again Moor Mother expounds: \"the themes are universal in nature - land - displacement - the climate - human rights and freedoms - war and peace - the idea of running away from the many violent forces and horrific systems of man and empire.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Scene 1\u003c\/div\u003e\n\u003cdiv\u003e2. Scene 2: The Run\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Hard Truth\u003c\/div\u003e\n\u003cdiv\u003e2. Scene 3\u003c\/div\u003e\n\u003cdiv\u003e3. Scene 4\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Camera\u003c\/div\u003e\n\u003cdiv\u003e2. The Truth Is Out There\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Scene 5: Breathing Fire\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377062915\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.25.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745029042331,"sku":"565765","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-sumac-moor-mother-film-download-included-lp-vinyl-vinyl-lp-relix_90b9ba05-73ff-4971-b4b5-293407553365.jpg?v=1781716879"},{"product_id":"midori-hirano-otonoma-gate-download-included-cd","title":"Midori Hirano – Otonoma (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThrill Jockey has long championed composers who refuse easy categorization, and Hirano fits that tradition perfectly. Trained in classical piano in Japan before relocating to Berlin, she brings a rigorous compositional sensibility to electronic music that feels rare and genuinely earned. *Otonoma* arrives as one of her most focused statements yet, ten pieces that reward patient listening the way only music built on deep craft can.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe artistry of Midori Hirano lives in the resonance between sonic and visual worlds. Over her distinguished career the Berlin-based, Kyoto- born composer, pianist, and synthesist has crafted a distinctive voice straddling the spheres of classical music and harmonies with abstraction and invention. In addition to works under her own name, Hirano has released dynamic experiments under her MimiCof moniker as well as composed for film, television, art exhibitions and architectural expos. Hirano has also been a prolific collaborator, working with CoH, Brueder Selke, Nils Mosh, Teodor Wolgers, Ben Lukas Boysen \u0026amp; Paul Emmerich, SPECIMENS, Mami Sakurai, Atsuko Hatano, and more, contributing to dozens of releases. Hirano is acclaimed for crafting emotive works that stimulate all the senses with impressionism, or painting with sound. OTONOMA is the culmination of her work synthesizing these elements and highlights her acumen as a practiced and intuitive artist. The album infuses Hirano's more classical sense of harmony on the piano with the endless textural possibilities of synthesizers. Like nebulas coalescing into galaxies, the pieces of OTONOMA emanate hues dense with subtle layers of color folded into gradients, arresting and radiant.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Illuminance (5:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Ame, Hikari (3:43)\u003c\/div\u003e\n\u003cdiv\u003e3. In Colours (2:55)\u003c\/div\u003e\n\u003cdiv\u003e4. Warped In Red (4:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Rainwalk (3:04)\u003c\/div\u003e\n\u003cdiv\u003e6. Blue Horizon (6:02)\u003c\/div\u003e\n\u003cdiv\u003e7. Aurora (4:22)\u003c\/div\u003e\n\u003cdiv\u003e8. Before The Silence (7:10)\u003c\/div\u003e\n\u003cdiv\u003e9. Oto, Kioku (2:44)\u003c\/div\u003e\n\u003cdiv\u003e10. Was It A Dream (2:07)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377064322\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745034776731,"sku":"65286481","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-midori-hirano-otonoma-gate-download-included-cd-cd-relix.jpg?v=1781724306"},{"product_id":"the-sea-and-cake-nassau-lp-vinyl","title":"The Sea And Cake – Nassau (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eChicago's The Sea And Cake have spent three decades crafting a sound that defies easy categorization, threading jazz-inflected guitar work, electronic textures, and post-rock precision into something quietly singular. *Nassau*, released on longtime home Thrill Jockey, finds Sam Prekop and company in characteristically meticulous form, balancing warmth and cool restraint in equal measure. For fans of careful, unhurried music-making, this one rewards repeated listening.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Nature Boy (5:01)\u003c\/div\u003e\n\u003cdiv\u003e2. Parasol (5:28)\u003c\/div\u003e\n\u003cdiv\u003e3. A Man Who Never Sees A Pretty Girl That He Doesn't Love Her A Little (3:03)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. The World Is Against You (3:08)\u003c\/div\u003e\n\u003cdiv\u003e2. Lamonts Lament (3:52)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Soft And Sleep (3:38)\u003c\/div\u003e\n\u003cdiv\u003e2. The Cantina (4:43)\u003c\/div\u003e\n\u003cdiv\u003e3. Earth Star (5:06)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Alone, For The Moment (4:36)\u003c\/div\u003e\n\u003cdiv\u003e2. I Will Hold The Tea Bag (7:25)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377002119\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.12\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745037332635,"sku":"691859","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-the-sea-and-cake-nassau-vinyl-lp-relix.jpg?v=1781715837"},{"product_id":"tortoise-tnt-clear-download-included-lp-vinyl","title":"Tortoise – TNT (Clear 2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eChicago's Tortoise arrived at *TNT* having already redrawn the map of what instrumental rock could be, and this third album pushed further into jazz, dub, and electronic textures without ever losing the rhythmic precision that made them essential. Recorded with John McEntire producing and engineering, it remains one of the defining documents of the late-90s post-rock moment, when a handful of bands proved that grooves and ideas weren't mutually exclusive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTNT is Tortoise's third studio album, originally released in 1998. \u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377005004\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.24.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\u003c\/div\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. TNT\u003c\/div\u003e\n\u003cdiv\u003e2. Swung From The Gutters\u003c\/div\u003e\n\u003cdiv\u003e3. Ten-Day Interval\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. I Set My Face To The Hillside\u003c\/div\u003e\n\u003cdiv\u003e2. The Equator\u003c\/div\u003e\n\u003cdiv\u003e3. A Simple Way To Go Faster Than Light That Does Not Work\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. The Suspension Bridge At Iguazú Falls\u003c\/div\u003e\n\u003cdiv\u003e2. Four-Day Interval\u003c\/div\u003e\n\u003cdiv\u003e3. In Sarah, Mencken, Christ, And Beethoven There Were Women And Men\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Almost Always Is Nearly Enough\u003c\/div\u003e\n\u003cdiv\u003e2. Jetty\u003c\/div\u003e\n\u003cdiv\u003e3. Everglade\u003c\/div\u003e\n","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745038217371,"sku":"667814","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-tortoise-tnt-clear-download-included-lp-vinyl-vinyl-lp-relix.jpg?v=1781324001"},{"product_id":"the-soft-pink-truth-can-such-delightful-times-go-on-forever-download-included-lp-vinyl","title":"The Soft Pink Truth – Can Such Delightful Times Go On Forever (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDrew Daniel has spent decades shapeshifting across experimental music's outer edges, from Matmos' conceptual provocations to Soft Pink Truth's genre-hopping club excavations. Here he pivots again, trading dancefloor mechanics for something more intimate and suspended in time. The result feels less like a departure than a deepening, the same restless curatorial intelligence now applied to orchestral color and quiet tension.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Soft Pink Truth (Drew Daniel also of Matmos) grafts chamber music and electronic music into a beguiling new hybrid pop album that evokes mid-20th century film soundtracks with nods to minimalism. Can Such Delightful Times Go On Forever? features artwork by Robert Beatty (Tame Impala, The Weeknd). The new album features a host of special guests: Bill Orcutt offers one of his most delicate performances committed to record. Other guests include strings arranger Ulas Kurugullu, harpists Neleta Ortiz and Cecilia Cuccolin, pianists Koye Berry and M.C. Schmidt, strings player Kurugullu, and the Ebu String Quartet, as well as woodwind players by Brandon Wilkins and Evelyn Frances and Zach Rowden of celebrated noise duo Tongue Depressor provides grinding double bass drones.Wedding emotional expression with canny references to the inherited history of recorded music, the chimes, organ and pizzicato strings on \"Phrygian Ganymede\" recall Bernard Herrmann's scores for classic Alfred Hitchcock films, while galloping marimbas lend a sense of screwball comedy on \"L'Esprit de L'Escalier.\" Can Such Delightful Times Go On Forever? is a singular album that speaks to the prowess of Drew Daniel as a composer and producer, deftly interlacing pop structure and classical timbre while interlacing subtle electronic sound design with gorgeous acoustics. Across the album Daniel embraces a spirit of drama and romanticism that blurs the boundaries between unconscious desire and everyday reality.The Soft Pink Truth has created a sound world of lavish fantasy that acts as a balm and counterpoint to the communal pains of modern life.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Mere Survival Is Not Enough\u003c\/div\u003e\n\u003cdiv\u003e2. And By And By A Cloud Takes All Away\u003c\/div\u003e\n\u003cdiv\u003e3. Phrygian Ganymede\u003c\/div\u003e\n\u003cdiv\u003e4. Underneath (I)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. L’Esprit De L’Escalier\u003c\/div\u003e\n\u003cdiv\u003e2. Time Inside The Violet\u003c\/div\u003e\n\u003cdiv\u003e3. Orchard\u003c\/div\u003e\n\u003cdiv\u003e4. Underneath (II)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377064414\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745041821851,"sku":"51916291","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-soft-pink-truth-can-such-delightful-times-go-on-forever-download-included-lp-vinyl-lp-relix.jpg?v=1781717522"},{"product_id":"ooioo-lightning-bolt-the-horizon-spirals-the-horizon-viral-download-included-cd","title":"Ooioo \/ Lightning Bolt – The Horizon Spirals \/ The Horizon Viral (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTwo bands that have spent decades making noise-rock feel genuinely dangerous share a split here, each bringing their own strain of controlled chaos. 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Lightning Bolt's Brian Chippendale and Brian Gibson have remained unparalleled in their ability to transmute frenetic whirls of percussion, gargantuan fuzz and dizzying melody into monolithic vistas. THE HORIZON SPIRALS \/ THE HORIZON VIRAL is a split that captures the parallels in ethos between these two ensembles, their sense of gleeful abandon and freight train momentum, in inspiring detail.THE HORIZON SPIRALS, composed of OOIOO's gamelan-infused sagas \"THE HORIZON\" and \"Gamel BE SURE TO SPIRAL\" demonstrates the boundless scope of OOIOO's music. YoshimiO explains a core contrast between these pieces and 2014's Gamel lays in the physical materials used: \"Back then in Bali, bronze-keyed gamelan were mainstream, and GAMEL uses bronze. THE HORIZON SPIRALS' gamelan is iron. Black-painted iron. This time, incorporating Koheysai's iron sound (iron gamelan) allowed us to see OOIOO's songs spiraling upward with greater lightness.Lightning Bolt's THE HORIZON VIRAL evokes the limitlessness of their improvisations and distills through more sophisticated home recording techniques. THE HORIZON VIRAL reignites the flame of their storied home recordings, capturing the duo in full freeform, bolstered from bassist Brian Gibson's experiences composing and recording soundtracks for video games he co-designed, Thrasher and Thumper.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eThe Horizon Spirals\u003c\/h4\u003e\n\u003cdiv\u003e1. The Horizon\u003c\/div\u003e\n\u003cdiv\u003e2. Gamel Be Sure To Spiral\u003c\/div\u003e\n\u003ch4\u003eThe Horizon Viral\u003c\/h4\u003e\n\u003cdiv\u003e1. Wavers\u003c\/div\u003e\n\u003cdiv\u003e2. Cloud Core\u003c\/div\u003e\n\u003cdiv\u003e3. The Runners 2\u003c\/div\u003e\n\u003cdiv\u003e4. Wow 13\u003c\/div\u003e\n\u003cdiv\u003e5. The Headless Horsefolk\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377065824\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745043099803,"sku":"118546525","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-ooioo-lightning-bolt-horizon-spirals-horizon-viral-download-included-cd-cd-relix.jpg?v=1781721697"},{"product_id":"marielle-jakobsons-v-patterns-lost-to-air-download-included-lp-vinyl","title":"Marielle Jakobsons  V – Patterns Lost To Air (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJakobsons occupies a rare space in experimental music, where rigorous compositional thinking and meditative openness exist without tension. Rooted in the San Francisco Bay Area scene that has long nurtured drone, improvisation, and acoustic-electronic hybrids, her work rewards the same kind of deep listening you'd bring to a long second set, trusting the space between sounds as much as the sounds themselves.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMarielle V Jakobsons has cultivated a signature voice molded by minimalist, ambient and spiritual traditions. Her recordings, from her early work with Date Palms, to the ongoing work with Chuck Johnson in Saariselka, and most definitively with The Patterns Lost to Air, show Jakobsons to be an exceptionally skillful sound sculptor, a musician who knows the value of patience and control. An artist able to derive maximum impact from her chosen sound elements, the album's layout is shaped by three primary voices of violin, Fender Rhodes, and Moog Matriarch and was recorded in 2024 in the studio Jakobsons built in Oakland, California, it's huge windows overlooking a backyard with olive and palm trees, nesting towhees and hummingbirds.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Warm Spring (4:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Everything Lost Remains (4:16)\u003c\/div\u003e\n\u003cdiv\u003e3. The Salt Rounds (7:14)\u003c\/div\u003e\n\u003cdiv\u003e4. Without You Inside Me (3:30)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Insistence (4:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Before The Air Remembers (7:22)\u003c\/div\u003e\n\u003cdiv\u003e3. Silently Spinning Around You (5:20)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377646115\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745048473755,"sku":"65929200","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-marielle-jakobsons-v-patterns-lost-to-air-download-included-lp-vinyl-vinyl-lp-relix.jpg?v=1781725633"},{"product_id":"the-soft-pink-truth-can-such-delightful-times-go-on-forever-gate-cd","title":"The Soft Pink Truth – Can Such Delightful Times Go On Forever (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDrew Daniel has spent decades navigating the outer edges of experimental music, first as half of the acclaimed conceptual duo Matmos and through Soft Pink Truth as a vehicle for more personal, often subversive sonic explorations. This 2026 release marks a notably intimate turn, layering acoustic chamber textures over electronic architecture in a way that feels less like genre fusion and more like a genuine conversation between two musical worlds.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Soft Pink Truth (Drew Daniel also of Matmos) grafts chamber music and electronic music into a beguiling new hybrid pop album that evokes mid-20th century film soundtracks with nods to minimalism. Can Such Delightful Times Go On Forever? features artwork by Robert Beatty (Tame Impala, The Weeknd). The new album features a host of special guests: Bill Orcutt offers one of his most delicate performances committed to record. Other guests include strings arranger Ulas Kurugullu, harpists Neleta Ortiz and Cecilia Cuccolin, pianists Koye Berry and M.C. Schmidt, strings player Kurugullu, and the Ebu String Quartet, as well as woodwind players by Brandon Wilkins and Evelyn Frances and Zach Rowden of celebrated noise duo Tongue Depressor provides grinding double bass drones.Wedding emotional expression with canny references to the inherited history of recorded music, the chimes, organ and pizzicato strings on \"Phrygian Ganymede\" recall Bernard Herrmann's scores for classic Alfred Hitchcock films, while galloping marimbas lend a sense of screwball comedy on \"L'Esprit de L'Escalier.\" Can Such Delightful Times Go On Forever? is a singular album that speaks to the prowess of Drew Daniel as a composer and producer, deftly interlacing pop structure and classical timbre while interlacing subtle electronic sound design with gorgeous acoustics. Across the album Daniel embraces a spirit of drama and romanticism that blurs the boundaries between unconscious desire and everyday reality.The Soft Pink Truth has created a sound world of lavish fantasy that acts as a balm and counterpoint to the communal pains of modern life.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Mere Survival Is Not Enough\u003c\/div\u003e\n\u003cdiv\u003e2. And By And By A Cloud Takes All Away\u003c\/div\u003e\n\u003cdiv\u003e3. Phrygian Ganymede\u003c\/div\u003e\n\u003cdiv\u003e4. Underneath (I)\u003c\/div\u003e\n\u003cdiv\u003e5. L’Esprit De L’Escalier\u003c\/div\u003e\n\u003cdiv\u003e6. Time Inside The Violet\u003c\/div\u003e\n\u003cdiv\u003e7. Orchard\u003c\/div\u003e\n\u003cdiv\u003e8. Underneath (II)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377064421\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745049424027,"sku":"51901190","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-soft-pink-truth-can-such-delightful-times-go-on-forever-gate-cd-cd-relix.jpg?v=1781717364"},{"product_id":"trans-am-the-surveillance-cd","title":"Trans Am – The Surveillance (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWashington D.C.'s Trans Am were already pushing the boundaries of what rock instrumentation could do when *Surveillance* arrived in 1998, channeling Krautrock repetition, synthesizer experimentation, and motorik groove into something that felt genuinely alien to the American underground of its moment. The band's commitment to analog process and live performance gave the record a raw physicality that set it apart from the increasingly polished indie rock of the era.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1998 : Trans Am's third studio album the Surveillance is released. The Surveillance was the first record recorded and mixed entirely by the band. At the time their home studio, the Bridge, had taken several months to build. The Surveillance was to take an equal amount of time as the band labored hard to give the recording what they call 'a dangerous quality'. What is dangerous to Trans Am? It is no noise reduction, no digital tape compression, and no computer aided editing. Instead they relied on live performances, hours of hard work, hands-on mixing, careful microphone placement, and, to quote the band, 'faith in their experimental vision.' the results are raw, sparse electronic breaks mixed with diesel-powered rock and roll. 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The trio of violin, Fender Rhodes, and Moog Matriarch she anchors this release around reflects both her classical training and her deep roots in modular synthesis and drone, a combination that puts her in conversation with composers like Pauline Oliveros and Laurie Spiegel without ever feeling derivative.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMarielle V Jakobsons has cultivated a signature voice molded by minimalist, ambient and spiritual traditions. Her recordings, from her early work with Date Palms, to the ongoing work with Chuck Johnson in Saariselka, and most definitively with The Patterns Lost to Air, show Jakobsons to be an exceptionally skillful sound sculptor, a musician who knows the value of patience and control. An artist able to derive maximum impact from her chosen sound elements, the album's layout is shaped by three primary voices of violin, Fender Rhodes, and Moog Matriarch and was recorded in 2024 in the studio Jakobsons built in Oakland, California, it's huge windows overlooking a backyard with olive and palm trees, nesting towhees and hummingbirds.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Warm Spring (4:48)\u003c\/div\u003e\n\u003cdiv\u003e2. Everything Lost Remains (4:16)\u003c\/div\u003e\n\u003cdiv\u003e3. The Salt Rounds (7:14)\u003c\/div\u003e\n\u003cdiv\u003e4. Without You Inside Time (3:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Insistence (4:44)\u003c\/div\u003e\n\u003cdiv\u003e6. Before the Air Remembers (7:22)\u003c\/div\u003e\n\u003cdiv\u003e7. Silently Spinning Around You (5:20)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 790377064629\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Thrill Jockey\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48745055420571,"sku":"65867462","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-marielle-jakobsons-v-patterns-lost-to-air-download-included-cd-cd-relix.jpg?v=1781725852"},{"product_id":"more-eaze-sentence-structure-in-the-country-download-included-cd","title":"More Eaze – Sentence Structure In The Country (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMari maurice has built a reputation as one of the more restlessly inventive composers working in Brooklyn's experimental underground, threading between chamber music, electronics, and song with an ease that few pull off convincingly. Sentence Structure In The Country arrives on Thrill Jockey, a label with a long history of championing artists who refuse easy categorization, and it feels like a natural home for music this alive to its own possibilities.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMore Eaze is the moniker of Brooklyn-based composer, orchestrator, and multi- instrumentalist, mari maurice. A renowned collaborator both in performance and on recordings, maurice's own work is a fantasia, a reflection of her curious and explorative musical mind, encompassing entire spectrums of sound from a wide sonic pallet of electro-acoustic textures, folk traditions, and pop forms that pirouette into fully realized ecosystems. Sentence structure in the country is a definitive statement of thematchless quality of More Eaze's skill as player and musical thinker. The album relishes the ecstatic in performance and collaboration with an inviting wit and incisive compositions, imbuing tenderness, frustration, and joy into each passage.The title is an acknowledgement of the vernacular that shaped maurice's musical production. As Coltrane said, \"It all has to do with it.\" maurice grew up playing fiddle in traditional folk and country tunes, and while playing on her album is entirely different, her reverence for the evolution of folk forms and her playing remain integral tothose performances. Informing her production choices were maurice's well- chosen collaborators: Wendy Eisenberg on electric guitar, piano and voice, Henry Earnest on electric guitar, Alice Gerlach on cello, Jade Guterman on acoustic guitar, and Ryan Sawyer on drums.sentence structure in the country is a collection of compositions, each beautifully realized, self-contained worlds. #maurice's dexterous, tasteful arranging lays bare her influences and obsessive fascinations with remarkable congruency while foregoing any sense of indulgence. Her music holds a density not only in the lush compositions and embellishing flourishes, but also for those moments of spare, minimalist beauty. 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Bowles brings the clawhammer tradition and Westerlund the kinetic pulse of years anchoring Califone; Fennelly's drone work in Mind Over Mirrors adds a meditative patience that keeps the whole thing hovering. Five long-form pieces that reward deep listening, headphones up.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe North Carolina trio Setting brings together their substantial collective skills as musicians and their collaborative mindset to bear in their inventive and rich improvisations. Known for work in Mind Over Mirrors, Califone, Black Twig Pickers, Pelt, Peeesseye, Sylvan Esso, and Jake Xerxes Fussell, multi-instrumentalists Jaime Fennelly, Nathan Bowles and Joe Westerlund subvert expectations while creating a sense of wonderment. Their intricate interplay of synthesizers, cassette loops, banjo, keyboards, electronics, zithers, and a litany of percussive instruments form a tactile amalgam of celestial transcendence and terrestrial rhythm, a loamy pulse fluidly guiding every minute fluctuation in feel. Setting's self-titled album is a definitive statement of their improvisational acumen meeting compositional rigor, a robust wellspring of hypnagogic grooves and mosaiced textures.Setting harnesses the euphoria of communal creation. \"This is one of the most joyous albums I've made with other musicians. It felt like we were all in the slipstream,\" notes Fennelly. Bowles adds: \"Making this is maybe the easiest thing in my life; it's not struggle music. This collaboration feels like it's just coming out of the air, like it's breathing.\"The eponymous album from Setting is the product of three intuitive players and deep listeners, artists who use those skills to create transformative music. 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What makes Cloud Machines worth your attention isn't just the pedigree, it's the patience; twelve years of collaboration between a Matmos architect and the curator behind Baltimore's High Zero Festival suggests something closer to a shared cosmology than a simple joint LP.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCloud Machines is the extraordinary debut collaboration between M.C. Schmidt of legendary electronic duo Matmos and John Berndt, the Baltimore avant-garde institution and band leader behind High Zero Festival, the Red Room collective, Geodesic Gnome, and radical sonic concepts like Spectral Relay (a bespoke signal processing architecture) and Relabi (a conceptual genre defined by a Rorschach-blot pulse. These two iconoclasts have delivered something genuinely unexpected: an oddly sweet electronic opus that's as immediately engaging as it is a series of delicious puzzles. When two of experimental music's most irascible characters spend twelve years crafting an album, you don't just get another release-it is an anthology of pocket universes. The record is a love letter to two of their strongest mutual influences of the 1980s-the delirious comic books of French auteur Jean Giraud (AKA Moebius) and the beautiful miniatures of the SKY Records Cluster\/Eno\/Conny Plank collaborations. It's not always a two man show. On side one, \"The Analysis of Joel\" refracts the prepared guitar playing of Joel Knispel into eerie shards as M.C. Schmidt counters with processed fragments of the music of Polish electroacoustic composer Boguslaw Schaeffer. John Berndt takes a solo on the mysteriously poised synthesizer etude \"The Balcony.\" Side two features the largest ensemble piece, \"Gecko Lazzaro\" a slow-burning sinuous bassline groove featuring the trombone playing of Baltimore improviser Patrick Crossland and a suitably fried guitar solo from Owen Gardner (lead guitarist of Berlin-by-way-of-Baltimore out rockers Horse Lords). 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