{"title":"Waxahatchee Vinyl Records \u0026 CDs","description":"\u003cp\u003eFor listeners who have followed Katie Crutchfield from the raw bedroom recordings of \u003cem\u003eCerulean Salt\u003c\/em\u003e through the wide-open Americana of \u003cem\u003eSaint Cloud\u003c\/em\u003e and beyond, this page gathers Waxahatchee vinyl records and CDs in one place.\u003c\/p\u003e\u003cp\u003eThe collection covers nine titles across both formats. On vinyl: \u003cem\u003eSaint Cloud\u003c\/em\u003e LP on Merge Records, \u003cem\u003eCerulean Salt\u003c\/em\u003e LP pressed on blue vinyl by Don Giovanni Records, \u003cem\u003eOut In The Storm\u003c\/em\u003e LP on Merge Records, and the \u003cem\u003eGreat Thunder EP\u003c\/em\u003e 12-inch on Merge Records. On CD: \u003cem\u003eTigers Blood\u003c\/em\u003e on Anti-, \u003cem\u003eGreat Thunder\u003c\/em\u003e CD and \u003cem\u003eSaint Cloud\u003c\/em\u003e CD on Merge Records, \u003cem\u003eCerulean Salt\u003c\/em\u003e CD on Don Giovanni Records, and \u003cem\u003eOut In The Storm\u003c\/em\u003e CD on Merge Records. The blue pressing of \u003cem\u003eCerulean Salt\u003c\/em\u003e is the standout variant here, worth noting for anyone building a physical collection around Crutchfield's catalog.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered the intersection of roots music, songwriting, and the broader American underground since 1974. That history informs how we stock the store: we carry records that matter to the audience we write for, not whatever moves volume. Waxahatchee fits naturally alongside the Americana, folk, and indie worlds Relix has documented across five decades. The store also carries the Relix Sessions series, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label, for listeners who want something closer to the live experience that has always been central to this magazine's coverage. Every title on this page was selected because it belongs in the conversation, not to fill a slot.\u003c\/p\u003e\u003cp\u003eAll records are new and sealed. Pre-order titles display a street date and ship when the label releases them. Vinyl ships in protective packaging designed for LPs. CDs ship in protective packaging.\u003c\/p\u003e\u003cp\u003eIf Waxahatchee is an entry point, there is more to explore. The \u003ca href=\"\/collections\/americana-vinyl\"\u003eAmericana, Folk and Country Vinyl Records\u003c\/a\u003e collection covers the broader roots world Crutchfield's recent work inhabits. For the indie rock side of her catalog, \u003ca href=\"\/collections\/indie-rock-pop-vinyl-cds\"\u003eIndie Rock and Pop Vinyl and CDs\u003c\/a\u003e is the right next stop. Collectors chasing specific pressings should browse \u003ca href=\"\/collections\/colored-vinyl\"\u003eColored Vinyl Records and Limited Variants\u003c\/a\u003e, where the blue \u003cem\u003eCerulean Salt\u003c\/em\u003e pressing fits alongside other notable variants. And for anyone whose interest in physical music runs toward documented live performances, \u003ca href=\"\/collections\/live-vinyl-albums\"\u003eLive Vinyl Albums and Records\u003c\/a\u003e rounds out the picture.\u003c\/p\u003e","products":[{"product_id":"waxahatchee-saint-cloud-lp-vinyl","title":"Waxahatchee – Saint Cloud (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKatie Crutchfield wrote these songs while getting sober, and that clarity runs through every note. Recorded with producer Brad Cook, Saint Cloud finds her trading the distortion of earlier Waxahatchee records for open, unhurried arrangements rooted in country and Americana, a sound that feels earned rather than adopted.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eSingle LP on black vinyl in single jacket w\/ matte coating. Includes euro sleeve (with lyrics) \u0026amp; 24”x36” poster. Download coupon also included\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhat do we hold on to from our past? What must we let go of to truly move forward? Waxahatchee’s Katie Crutchfield spent much of 2018 reckoning with these questions and revisiting her roots for answers. The result is Saint Cloud, an intimate journey through the places she’s been, filled with the people she’s loved.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Oxbow (2:53)\u003c\/div\u003e\n\u003cdiv\u003e2. Can't do much (3:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Fire (3:37)\u003c\/div\u003e\n\u003cdiv\u003e4. Lilacs (3:16)\u003c\/div\u003e\n\u003cdiv\u003e5. the Eye (4:18)\u003c\/div\u003e\n\u003cdiv\u003e6. Hell (2:59)\u003c\/div\u003e\n\u003cdiv\u003e7. Witches (2:49)\u003c\/div\u003e\n\u003cdiv\u003e8. War (3:10)\u003c\/div\u003e\n\u003cdiv\u003e9. Arkadelphia (4:51)\u003c\/div\u003e\n\u003cdiv\u003e10. Ruby Falls (3:51)\u003c\/div\u003e\n\u003cdiv\u003e11. St. Cloud (4:42)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855070414\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600398397595,"sku":"1583","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-waxahatchee-saint-cloud-vinyl-lp-relix.jpg?v=1779202310"},{"product_id":"waxahatchee-great-thunder-cd","title":"Waxahatchee – Great Thunder (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded at April Base during a period of deliberate deceleration, these six songs find Katie Crutchfield stripping back the electric intensity of *Out in the Storm* and returning to the quieter, more confessional register that first drew devoted listeners to Waxahatchee. Brad Cook's production gives the material room to breathe, honoring both the songs' origins and their second life.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOn September 7, Katie Crutchfield’s ever-shifting musical project Waxahatchee returns with the Great Thunder EP. Featuring a collection of songs written with now-dormant experimental recording group Great Thunder while Crutchfield was also writing the Waxahatchee albums Cerulean Salt and Ivy Tripp, the original recordings have mostly faded into obscurity. Unearthing and reimagining them with producer Brad Cook at Justin Vernon’s April Base studio in Wisconsin was a cathartic experience, she says. On the heels of last year’s critically acclaimed Out in the Storm, Crutchfield found herself looking to take a sharp turn away from the more rock-oriented influences of her recent records towards her more folk and country roots. “I would say that it is a complete 180 from the last record: super stripped-down, quiet, and with me performing solo, it’s a throwback to how I started,” writes Crutchfield. “Overall, the EP is a warm, kind of vibey recording.” Some of the songs on Great Thunder, like “Chapel of Pines” and “Singer’s No Star,” stayed the same and will be recognizable to those intensely familiar with Crutchfield’s catalog to date, while closer “Takes So Much” was built back up on piano from the bones of the original version, surprising even the songwriter: “Until then, I didn’t realize how beautiful this song was.” As Crutchfield entered April Base to record, she became ill but opted to forge on, beautifully stretching her voice to its emotional limits.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Singer's No Star\u003c\/div\u003e\n\u003cdiv\u003e2. You're Welcome\u003c\/div\u003e\n\u003cdiv\u003e3. Chapel Of Pines\u003c\/div\u003e\n\u003cdiv\u003e4. You Left Me With An Ocean\u003c\/div\u003e\n\u003cdiv\u003e5. Slow You Down\u003c\/div\u003e\n\u003cdiv\u003e6. Takes So Much\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855065120\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.7.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600400167067,"sku":"9500","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-waxahatchee-great-thunder-cd-relix.jpg?v=1779203028"},{"product_id":"waxahatchee-out-in-the-storm-cd","title":"Waxahatchee – Out In The Storm (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded with producer John agnello, Out In The Storm finds Katie Crutchfield plugging back into the kind of full-band electric rock that traces a direct line through the Replacements and Liz Phair, a sharp turn from the sparse intimacy of her earlier work. Crutchfield grew up steeped in the Alabama DIY scene alongside her twin sister Allison, and that punk-rooted instinct for emotional directness runs all the way through the album's most cathartic moments.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOut in the Storm, Katie Crutchfield’s fourth album as Waxahatchee and her second release with Merge, is the blazing result of a woman reawakened. Her most autobiographical and honest album to date, Out in the Storm is a self-reflective anchor in the story of both her songwriting and her life. As Crutchfield prepared for the release of her Merge debut Ivy Tripp, she found herself depleted emotionally and professionally amidst the dissolution of a noxious relationship. “Ivy Tripp doesn’t really have any resolution. It’s a lot of beating around the bush, and superficially trying to see my life clearly, but just barely scratching the surface. Out in the Storm digs into what I was going through without blinking. It’s a very honest record about a time in which I was not honest with myself.” The album was tracked at Miner Street Recordings in Philadelphia with John Agnello, a producer, recording engineer, and mixer known for working with some of the most iconic musicians of the last 25 years, including Dinosaur Jr. and Sonic Youth. Agnello and Crutchfield worked together for most of December 2016, along with the band: sister Allison Crutchfield on keyboards and percussion, Katherine Simonetti on bass, and Ashley Arnwine on drums; Katie Harkin, touring guitarist with Sleater-Kinney, also contributed lead guitar. At Agnello’s suggestion, the group recorded most of the music live to enhance their unity in a way that gives the album a fuller sound compared to past releases, resulting in one of Waxahatchee’s most guitar-driven releases to date.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Never Been Wrong (3:12)\u003c\/div\u003e\n\u003cdiv\u003e2. 8 Ball (2:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Silver (3:24)\u003c\/div\u003e\n\u003cdiv\u003e4. Recite Remorse (4:38)\u003c\/div\u003e\n\u003cdiv\u003e5. Sparks Fly (3:06)\u003c\/div\u003e\n\u003cdiv\u003e6. Brass Beam (2:42)\u003c\/div\u003e\n\u003cdiv\u003e7. Hear You (3:01)\u003c\/div\u003e\n\u003cdiv\u003e8. A Little More (2:32)\u003c\/div\u003e\n\u003cdiv\u003e9. No Question (3:38)\u003c\/div\u003e\n\u003cdiv\u003e10. Fade (3:48)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855059426\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.14.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600416223387,"sku":"93895","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-waxahatchee-out-in-the-storm-cd-relix.jpg?v=1779202976"},{"product_id":"waxahatchee-tigers-blood-cd","title":"Waxahatchee – Tigers Blood (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eProduced with MJ Lenderman, \"Tigers Blood\" finds Crutchfield at her most grounded, writing from a place of hard-won clarity rather than upheaval. The album arrived the same year she and Lenderman released a collaborative record together, making 2024 one of the most creatively abundant stretches of her career.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOne of the hardest working singer-songwriters in the game is named Katie Crutchfield. She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she's never felt more confident in herself as an artist. While her sound has evolved from lo-fi folk to lush alt-tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers's Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd after years of being sober and stable in Kansas City - after years of sacrificing herself to her work and the road - Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse - an ethnologist of the self - forever dedicated to revisiting her wins and losses. But now she's arriving at revelations and she ain't holding them back. Produced by Brad Cook, the album features MJ Lenderman, Phil Cook, and Spencer Tweedy.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. 3 Sisters (4:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Evil Spawn (3:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Ice Cold (3:30)\u003c\/div\u003e\n\u003cdiv\u003e4. Right Back To It (4:33)\u003c\/div\u003e\n\u003cdiv\u003e5. Burns Out At Midnight (3:04)\u003c\/div\u003e\n\u003cdiv\u003e6. Bored (2:55)\u003c\/div\u003e\n\u003cdiv\u003e7. Lone Star Lake (3:16)\u003c\/div\u003e\n\u003cdiv\u003e8. Crimes Of The Heart (3:04)\u003c\/div\u003e\n\u003cdiv\u003e9. Crowbar (4:01)\u003c\/div\u003e\n\u003cdiv\u003e10. 365 (3:07)\u003c\/div\u003e\n\u003cdiv\u003e11. The Wolves (3:58)\u003c\/div\u003e\n\u003cdiv\u003e12. Tigers Blood (3:56)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 045778786022\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Anti\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.22.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600423104667,"sku":"271674","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Waxahatchee-Tigers-Blood-CD.jpg?v=1779193708"},{"product_id":"waxahatchee-great-thunder-ep-12-vinyl","title":"Waxahatchee – Great Thunder EP (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKatie Crutchfield has been quietly one of the most compelling voices in American independent music since Waxahatchee's early lo-fi recordings, and this EP finds her returning to material that predates her breakthrough, stripped of distortion and closer to the bone. Recorded at April Base with Brad Cook, the sessions share a spiritual address with some of the most intimate work to come out of that Wisconsin studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eOn September 7, Katie Crutchfield’s ever-shifting musical project Waxahatchee returns with the Great Thunder EP. Featuring a collection of songs written with now-dormant experimental recording group Great Thunder while Crutchfield was also writing the Waxahatchee albums Cerulean Salt and Ivy Tripp, the original recordings have mostly faded into obscurity. Unearthing and reimagining them with producer Brad Cook at Justin Vernon’s April Base studio in Wisconsin was a cathartic experience, she says. On the heels of last year’s critically acclaimed Out in the Storm, Crutchfield found herself looking to take a sharp turn away from the more rock-oriented influences of her recent records towards her more folk and country roots. “I would say that it is a complete 180 from the last record: super stripped-down, quiet, and with me performing solo, it’s a throwback to how I started,” writes Crutchfield. “Overall, the EP is a warm, kind of vibey recording.” Some of the songs on Great Thunder, like “Chapel of Pines” and “Singer’s No Star,” stayed the same and will be recognizable to those intensely familiar with Crutchfield’s catalog to date, while closer “Takes So Much” was built back up on piano from the bones of the original version, surprising even the songwriter: “Until then, I didn’t realize how beautiful this song was.” As Crutchfield entered April Base to record, she became ill but opted to forge on, beautifully stretching her voice to its emotional limits.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Singer's No Star\u003c\/div\u003e\n\u003cdiv\u003e2. You're Welcome\u003c\/div\u003e\n\u003cdiv\u003e3. Chapel Of Pines\u003c\/div\u003e\n\u003cdiv\u003e4. You Left Me With An Ocean\u003c\/div\u003e\n\u003cdiv\u003e5. Slow You Down\u003c\/div\u003e\n\u003cdiv\u003e6. Takes So Much\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Singer's No Star\u003c\/div\u003e\n\u003cdiv\u003e2. You're Welcome\u003c\/div\u003e\n\u003cdiv\u003e3. Chapel Of Pines\u003c\/div\u003e\n\u003cdiv\u003e4. You Left Me With An Ocean\u003c\/div\u003e\n\u003cdiv\u003e5. Slow You Down\u003c\/div\u003e\n\u003cdiv\u003e6. Takes So Much\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855065113\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.7.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600437424283,"sku":"398110","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-waxahatchee-great-thunder-ep-12-vinyl-vinyl-lp-relix.jpg?v=1779203005"},{"product_id":"waxahatchee-cerulean-salt-cd","title":"Waxahatchee – Cerulean Salt (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKatie Crutchfield recorded Cerulean Salt in her early twenties, and the album's raw, confessional intimacy made it a landmark of the DIY indie rock underground that Don Giovanni Records built its reputation on. The sparse arrangements and unflinching honesty drew immediate comparisons to early lo-fi folk punk, yet Crutchfield's voice and songwriting felt entirely her own, earning Waxahatchee a devoted following that has only grown with each subsequent release.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Hollow Bedroom (1:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Dixie Cups And Jars (3:36)\u003c\/div\u003e\n\u003cdiv\u003e3. Lips And Limbs (2:38)\u003c\/div\u003e\n\u003cdiv\u003e4. Blue Pt. II (2:19)\u003c\/div\u003e\n\u003cdiv\u003e5. Brother Bryan (2:37)\u003c\/div\u003e\n\u003cdiv\u003e6. Coast To Coast (1:46)\u003c\/div\u003e\n\u003cdiv\u003e7. Tangled Envisioning (2:27)\u003c\/div\u003e\n\u003cdiv\u003e8. Misery Over Dispute (1:46)\u003c\/div\u003e\n\u003cdiv\u003e9. Lively (2:32)\u003c\/div\u003e\n\u003cdiv\u003e10. Waiting (1:41)\u003c\/div\u003e\n\u003cdiv\u003e11. Swan Dive (3:15)\u003c\/div\u003e\n\u003cdiv\u003e12. Peace And Quiet (2:38)\u003c\/div\u003e\n\u003cdiv\u003e13. You're Damaged (3:34)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 616822111727\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Don Giovanni Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.5.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600445124763,"sku":"406616","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-waxahatchee-cerulean-salt-cd-relix.jpg?v=1779203078"},{"product_id":"waxahatchee-out-in-the-storm-lp-vinyl","title":"Waxahatchee – Out In The Storm (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKatie Crutchfield came up through the Alabama DIY punk scene alongside her twin sister Allison, and that scrappy, unguarded instinct has always lived underneath Waxahatchee's folk and indie rock leanings. On \"Out in the Storm,\" she leans into full-band arrangements with a raw, electric urgency that sets it apart from her earlier, more spare recordings. Produced by John Agnello, whose credits run deep through American indie rock, it's the sound of an artist refusing to look away.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOut in the Storm, Katie Crutchfield’s fourth album as Waxahatchee and her second release with Merge, is the blazing result of a woman reawakened. Her most autobiographical and honest album to date, Out in the Storm is a self-reflective anchor in the story of both her songwriting and her life. As Crutchfield prepared for the release of her Merge debut Ivy Tripp, she found herself depleted emotionally and professionally amidst the dissolution of a noxious relationship. “Ivy Tripp doesn’t really have any resolution. It’s a lot of beating around the bush, and superficially trying to see my life clearly, but just barely scratching the surface. Out in the Storm digs into what I was going through without blinking. It’s a very honest record about a time in which I was not honest with myself.” The album was tracked at Miner Street Recordings in Philadelphia with John Agnello, a producer, recording engineer, and mixer known for working with some of the most iconic musicians of the last 25 years, including Dinosaur Jr. and Sonic Youth. Agnello and Crutchfield worked together for most of December 2016, along with the band: sister Allison Crutchfield on keyboards and percussion, Katherine Simonetti on bass, and Ashley Arnwine on drums; Katie Harkin, touring guitarist with Sleater-Kinney, also contributed lead guitar. At Agnello’s suggestion, the group recorded most of the music live to enhance their unity in a way that gives the album a fuller sound compared to past releases, resulting in one of Waxahatchee’s most guitar-driven releases to date.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Never Been Wrong\u003c\/div\u003e\n\u003cdiv\u003e2. 8 Ball\u003c\/div\u003e\n\u003cdiv\u003e3. Silver\u003c\/div\u003e\n\u003cdiv\u003e4. Recite Remorse\u003c\/div\u003e\n\u003cdiv\u003e5. Sparks Fly\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Brass Beam\u003c\/div\u003e\n\u003cdiv\u003e2. Hear You\u003c\/div\u003e\n\u003cdiv\u003e3. A Little More\u003c\/div\u003e\n\u003cdiv\u003e4. No Question\u003c\/div\u003e\n\u003cdiv\u003e5. Fade\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855059419\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.14.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600458854555,"sku":"532348","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-waxahatchee-out-in-the-storm-vinyl-lp-relix.jpg?v=1779202900"},{"product_id":"waxahatchee-cerulean-salt-blue-lp-vinyl","title":"Waxahatchee – Cerulean Salt (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKatie Crutchfield wrote some of the most quietly devastating songs of the 2010s indie underground, and Cerulean Salt, originally released in 2013, is where that gift fully crystallized. The Alabama roots run deep here, and the rawness of the recording captures something that more polished productions rarely touch: the specific ache of place, family, and the particular loneliness of your mid-twenties.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited cerulean blue colored vinyl LP pressing. On her second full-length record as Waxahatchee, former P.S. Eliot singer Katie Crutchfield's compelling hyper-personal poetry is continuously crushing. Cerulean Salt follows American Weekend - a collection of minimal acoustic-guitar pop written and recorded in a week at her family's Birmingham home. On this record, Crutchfield's songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyper-personal yet relentlessly relatable, teetering between endearingly nostalgic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. Whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occasionally amped up, with a full band and higher-fi production.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hollow Bedroom\u003c\/div\u003e\n\u003cdiv\u003e2. Dixie Cups And Jars\u003c\/div\u003e\n\u003cdiv\u003e3. Lips And Limbs\u003c\/div\u003e\n\u003cdiv\u003e4. Blue Part II\u003c\/div\u003e\n\u003cdiv\u003e5. Brother Bryan\u003c\/div\u003e\n\u003cdiv\u003e6. Coast To Coast\u003c\/div\u003e\n\u003cdiv\u003e7. Tangled Envisioning\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Misery Over Dispute\u003c\/div\u003e\n\u003cdiv\u003e2. Lively\u003c\/div\u003e\n\u003cdiv\u003e3. Waiting\u003c\/div\u003e\n\u003cdiv\u003e4. Swan Dive\u003c\/div\u003e\n\u003cdiv\u003e5. Peace And Quiet\u003c\/div\u003e\n\u003cdiv\u003e6. You're Damaged\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634457132122\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Don Giovanni Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.7.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600467800219,"sku":"535358","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-waxahatchee-cerulean-salt-blue-lp-vinyl-vinyl-lp-relix.jpg?v=1779203105"},{"product_id":"waxahatchee-saint-cloud-cd","title":"Waxahatchee – Saint Cloud (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKatie Crutchfield made *Saint Cloud* in sobriety, and the clarity shows in every restrained, carefully chosen note. Recorded with producer Brad Cook, the album finds her embracing classic American sounds, pedal steel, open-road country, and Americana that echoes her Alabama upbringing without ever feeling like nostalgia for its own sake.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e4-panel digipak w\/ matte coating, includes 16-page lyrics booklet\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhat do we hold on to from our past? What must we let go of to truly move forward? Waxahatchee’s Katie Crutchfield spent much of 2018 reckoning with these questions and revisiting her roots for answers. 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