{"title":"XL Recordings Vinyl, CDs \u0026 Cassettes","description":"\u003cp\u003eThis page is for the listener who follows a label the way others follow a band, someone who knows that XL Recordings has been the return address on records that reshaped what independent music sounds like. There are 130 titles here, spanning vinyl LPs, CDs, and \u003ca href=\"\/collections\/cassettes\"\u003ecassettes\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eThe catalog runs wide. Radiohead's \u003cem\u003eKID A MNESIA\u003c\/em\u003e arrives as a 3xLP set, and \u003cem\u003eThe Bends\u003c\/em\u003e is here as a single LP. The xx's self-titled \u003cem\u003eXX\u003c\/em\u003e is on vinyl. Gil Scott-Heron's \u003cem\u003eI'm New Here\u003c\/em\u003e is pressed to LP. Adele's \u003cem\u003e21\u003c\/em\u003e is in the collection on vinyl. The Prodigy's \u003cem\u003eExperience\u003c\/em\u003e comes as a 2xLP, and \u003cem\u003eFirestarter (Andy C Remix)\u003c\/em\u003e is available as a vinyl LP. Fontaines D.C.'s \u003cem\u003eDopamine Chamber\u003c\/em\u003e is here in three versions: a blue vinyl LP, a standard black LP, and a CD. Standing On The Corner's \u003cem\u003eSotc II\u003c\/em\u003e is on vinyl LP. Peggy Gou's \u003cem\u003eI Hear You\u003c\/em\u003e is available as a 2xCD. Ratatat's self-titled debut and Radiohead's \u003cem\u003eThe King Of Limbs\u003c\/em\u003e are both in the CD format. Jim Legxacy's \u003cem\u003eHomeless Ngga Pop Music\u003c\/em\u003e is stocked on both LP and CD.\u003c\/p\u003e\u003ch2\u003eWhy buy from Relix\u003c\/h2\u003e\u003cp\u003eRelix has covered the intersection of music and community since 1974, with reporting that goes deeper than the chart cycle. The store reflects that same attention: we carry titles because the music holds up, not because an algorithm surfaced them. The Relix Sessions series, live recordings produced by Relix and pressed to vinyl on the Relix Vinyl label, sits alongside catalog releases from labels like XL because the same ear selects both. When a pressing matters, we say so. When it does not, we do not invent a reason to make it sound special.\u003c\/p\u003e\u003cp\u003eAll records are new and sealed. Pre-order titles display a street date on the product page and ship when the label releases them. Vinyl ships in protective packaging designed for LPs. CDs ship in protective packaging.\u003c\/p\u003e\u003cp\u003eIf XL Recordings is a starting point rather than a destination, there is more to explore. The store's \u003ca href=\"\/collections\/electronic-vinyl-cds\"\u003eElectronic Vinyl and CDs\u003c\/a\u003e collection covers the label's dance and electronic catalog alongside work from across that world. \u003ca href=\"\/collections\/indie-rock-pop-vinyl-cds\"\u003eIndie Rock and Pop Vinyl and CDs\u003c\/a\u003e places XL's guitar-driven records in a broader independent context. And the \u003ca href=\"\/collections\/cds\"\u003eCDs\u003c\/a\u003e collection gathers compact disc titles from across the store for anyone who still plays them, which is more people than the conversation suggests.\u003c\/p\u003e","products":[{"product_id":"vampire-weekend-vampire-weekend-cd","title":"Vampire Weekend – Vampire Weekend (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eVampire Weekend arrived in 2008 fully formed, a Columbia University quartet whose debut felt like nothing else in indie rock at the time. Their borrowings from Paul Simon's Graceland-era South African influences were worn openly and with genuine scholarship, filtered through an East Coast prep-school lens that somehow made songs about grammar and etiquette feel urgent and alive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis NY four-piece draw on their diverse backgrounds and interests, experimenting with African guitar music, the Western classical canon, hazy memories of Cape Cod summers, winters in upper Manhattan and reggaeton. \"Equal parts shruggy New York indie strumming and groovy Afro-pop, Vampire Weekend's organ-and-drum runs highlight narratives about relationships, punctuation and sometimes both\"- Spin Magazine.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Mansard Roof (2:07)\u003c\/div\u003e\n\u003cdiv\u003e2. Oxford Comma (3:15)\u003c\/div\u003e\n\u003cdiv\u003e3. A-Punk (2:17)\u003c\/div\u003e\n\u003cdiv\u003e4. Cape Cod Kwassa Kwassa (3:33)\u003c\/div\u003e\n\u003cdiv\u003e5. M79 (4:14)\u003c\/div\u003e\n\u003cdiv\u003e6. Campus (2:55)\u003c\/div\u003e\n\u003cdiv\u003e7. Bryn (2:12)\u003c\/div\u003e\n\u003cdiv\u003e8. One (Blake's Got a New Face) (3:11)\u003c\/div\u003e\n\u003cdiv\u003e9. I Stand Corrected (2:38)\u003c\/div\u003e\n\u003cdiv\u003e10. Walcott (3:39)\u003c\/div\u003e\n\u003cdiv\u003e11. The Kids Don't Stand a Chance (4:03)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904031824\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Xl Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.29.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455565148315,"sku":"414462","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/Vampire-Weekend-Vampire-Weekend-CD.png?v=1777379975"},{"product_id":"vampire-weekend-contra-cd","title":"Vampire Weekend – Contra (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eVampire Weekend's second album arrived in January 2010 and debuted at number one on the Billboard 200, a striking achievement for a band whose sound draws from Afropop, classical chamber music, and East Coast collegiate wit. Where their self-titled debut felt sun-drenched and self-contained, Contra pushed into stranger, more expansive territory, incorporating Auto-Tune and steel drums alongside Ezra Koenig's characteristically literary lyrics.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLike the first album, CONTRA was produced by keyboardist Rostam Batmanglij and is the realization of a whole and unique musical vision that sees the band stretching out and adding new textures, instrumentation, and rhythms into their sound. Primarily recorded in New York with a springtime sojourn to Mexico, CONTRA feels altogether fresh, joyous, and like nothing else but is immediately recognizable as the sound of VAMPIRE WEEKEND.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Horchata (3:27)\u003c\/div\u003e\n\u003cdiv\u003e2. White Sky (2:59)\u003c\/div\u003e\n\u003cdiv\u003e3. Holiday (2:18)\u003c\/div\u003e\n\u003cdiv\u003e4. California English (2:30)\u003c\/div\u003e\n\u003cdiv\u003e5. Taxi Cab (3:56)\u003c\/div\u003e\n\u003cdiv\u003e6. Run (3:53)\u003c\/div\u003e\n\u003cdiv\u003e7. Cousins (2:25)\u003c\/div\u003e\n\u003cdiv\u003e8. Giving Up The Gun (4:46)\u003c\/div\u003e\n\u003cdiv\u003e9. Diplomat's Son (6:01)\u003c\/div\u003e\n\u003cdiv\u003e10. I Think Ur A Contra (4:26)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904042929\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Xl Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.12.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48455573045403,"sku":"688466","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-vampire-weekend-contra-cd-relix.jpg?v=1777407242"},{"product_id":"radiohead-in-rainbows-lp-vinyl","title":"Radiohead – In Rainbows (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWhen Radiohead first dropped In Rainbows as a pay-what-you-want download in October 2007, it upended the music industry's assumptions about how records could reach listeners. The physical release that followed rewarded patience, with the warmth of Thom Yorke's vocals and Jonny Greenwood's string arrangements translating beautifully to vinyl, particularly on tracks like \"Nude\" and \"Reckoner.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRadiohead release their new album \"In Rainbows\" on XL Recordings on 31st December 2007.The album is released on CD and vinyl and will be followed by the release of the single \"Jigsaw Falling Into Place\" on January 14th January 2008. The single is already the most played track from the album on UK and US radio. \"In Rainbows\" was released in download format earlier this year, when it was received with huge acclaim in the press.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. 15 Step (3:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Bodysnatchers (4:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Nude (4:15)\u003c\/div\u003e\n\u003cdiv\u003e4. Weird Fishes\/Arpeggi (5:18)\u003c\/div\u003e\n\u003cdiv\u003e5. All I Need (3:49)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Faust Arp (2:10)\u003c\/div\u003e\n\u003cdiv\u003e2. Reckoner (4:50)\u003c\/div\u003e\n\u003cdiv\u003e3. House Of Cards (5:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Jigsaw Falling Into Place (4:09)\u003c\/div\u003e\n\u003cdiv\u003e5. Videotape (4:40)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904032418\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.20.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600398626971,"sku":"20957","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-radiohead-in-rainbows-vinyl-lp-relix.jpg?v=1779225918"},{"product_id":"radiohead-kid-a-cd","title":"Radiohead – Kid A (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eKid A landed in 2000 like a deliberate provocation, Radiohead abandoning the guitar-rock crown they'd earned with OK Computer to chase something colder, stranger, and more honest. Thom Yorke's fractured vocals dissolve into Ondes Martenot textures and IDM rhythms, drawing from Krautrock and free jazz as much as anything in rock. Two decades on, it sounds less like a left turn and more like the only logical next step.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Everything In Its Right Place (4:11)\u003c\/div\u003e\n\u003cdiv\u003e2. Kid A (4:45)\u003c\/div\u003e\n\u003cdiv\u003e3. The National Anthem (4:52)\u003c\/div\u003e\n\u003cdiv\u003e4. How To Disappear Completely (5:56)\u003c\/div\u003e\n\u003cdiv\u003e5. Treefingers (3:43)\u003c\/div\u003e\n\u003cdiv\u003e6. Optimistic (5:16)\u003c\/div\u003e\n\u003cdiv\u003e7. In Limbo (3:31)\u003c\/div\u003e\n\u003cdiv\u003e8. Idioteque (5:09)\u003c\/div\u003e\n\u003cdiv\u003e9. Morning Bell (4:36)\u003c\/div\u003e\n\u003cdiv\u003e10. Motion Picture Soundtrack (6:59)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904078225\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.20.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600405704859,"sku":"34776","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-radiohead-kid-a-cd-relix.jpg?v=1779224600"},{"product_id":"radiohead-ok-computer-oknotok-1997-2017-2-cd","title":"Radiohead – Ok Computer OKNOTOK 1997-2017 (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOK Computer arrived in 1997 as rock music was busy congratulating itself, and Radiohead responded by making something genuinely unsettling and prescient, an album about technology, alienation, and creeping dread that only grew more relevant with time. The three vault tracks here, particularly \"Lift,\" had become the stuff of legend among fans who'd traded bootlegs and debated their absence for years. Twenty years on, the remaster gives the original recordings the space and clarity they always deserved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFeaturing Remastered OK COMPUTER, B-Sides and Three Never Before Released Tracks: “I Promise,” “Lift,” “Man Of War” Rescued from defunct formats, prized from dark cupboards and brought to light after two decades in cold storage… OKNOTOK will be issued June 23 on XL Recordings, coinciding (roughly) with the original 1997 release date(s) of Radiohead’s landmark third album OK COMPUTER. OKNOTOK features the original OK COMPUTER twelve track album, eight B-sides, and the Radiohead completist’s dream: “I Promise,” “Lift,” and “Man Of War.” The original studio recordings of these three previously unreleased and long-sought-after OK COMPUTER-era tracks finally receive their first official release on OKNOTOK. All material on OKNOTOK is newly remastered from the original analog tapes. Digital formats, double CD, and triple 180g LP versions of the 23 track album will be released widely on June 23rd. OK COMPUTER was originally released between May and July 1997. Produced by the band and Nigel Godrich, the album is widely cited as one of the greatest works of Radiohead’s--or any artist’s--catalogue and was the first Radiohead record to reach #1 in the UK and to be be nominated for the Album of the Year GRAMMY. The album features singles “Paranoid Android,” “Karma Police,” “Lucky,” and “No Surprises.” In 2015, The National Recording Registry selected OK COMPUTER to be preserved in the Library of Congress as a recording that has proven “culturally, historically, or aesthetically significant.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Airbag (4:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Paranoid Android (6:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Subterranean Homesick Alien (4:27)\u003c\/div\u003e\n\u003cdiv\u003e4. Exit Music (For A Film) (4:24)\u003c\/div\u003e\n\u003cdiv\u003e5. Let Down (4:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Karma Police (4:21)\u003c\/div\u003e\n\u003cdiv\u003e7. Fitter Happier (1:57)\u003c\/div\u003e\n\u003cdiv\u003e8. Electioneering (3:50)\u003c\/div\u003e\n\u003cdiv\u003e9. Climbing Up The Walls (4:45)\u003c\/div\u003e\n\u003cdiv\u003e10. No Surprises (3:48)\u003c\/div\u003e\n\u003cdiv\u003e11. Lucky (4:19)\u003c\/div\u003e\n\u003cdiv\u003e12. The Tourist (5:24)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. I Promise (4:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Man Of War (4:29)\u003c\/div\u003e\n\u003cdiv\u003e3. Lift (4:06)\u003c\/div\u003e\n\u003cdiv\u003e4. Lull (2:29)\u003c\/div\u003e\n\u003cdiv\u003e5. Meeting In The Aisle (3:09)\u003c\/div\u003e\n\u003cdiv\u003e6. Melatonin (2:09)\u003c\/div\u003e\n\u003cdiv\u003e7. A Reminder (3:53)\u003c\/div\u003e\n\u003cdiv\u003e8. Polyethylene (Parts 1 \u0026amp; 2) (4:23)\u003c\/div\u003e\n\u003cdiv\u003e9. Pearly* (3:37)\u003c\/div\u003e\n\u003cdiv\u003e10. Palo Alto (3:44)\u003c\/div\u003e\n\u003cdiv\u003e11. How I Made My Millions (3:09)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904086824\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.7.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600411799707,"sku":"191157","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-radiohead-ok-computer-oknotok-1997-2017-2-cd-cd-relix.jpg?v=1779223918"},{"product_id":"radiohead-the-king-of-limbs-cd","title":"Radiohead – The King Of Limbs (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased with almost no warning in 2011, The King of Limbs arrived as a download before most fans even knew it existed, setting a new standard for surprise releases in the streaming era. 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Thom Yorke's fractured vocals, Jonny Greenwood's orchestral textures, and the band's deep dive into Krautrock and Warp Records-era electronics produced something that genuinely unsettled listeners on first contact, and has only grown stranger and more essential with time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDouble vinyl LP pressing. Known for their explorative and restless sound, taking influence from old style rock like The Beatles, The Rolling Stones, Neil Young and Pink Floyd as well as from electronica and hip hop, each of Radiohead's albums marks a cornerstone in their musical evolution. Debut Pablo Honey (1993) was their answer to grunge while follow-up albums The Bends (1995) and OK Computer (1997) offered atmospheric, almost avant-garde tones. With the near impossible task of following up their critically acclaimed masterpiece OK Computer, Radiohead took another bold leap at the turn of the millennium with Kid A, an experimental album built largely around the union of electronica and mood. Musically, Kid A is as accomplished as anything Radiohead has ever produced and it's overflowing with eye-opening musical mosaics which are absolutely stunning in their insight and beauty. Kid A initially proved to be controversial as critics labeled the mixture of electronic beats, jazz horns and strings as \"difficult\" but tracks like the soaring \"Optimistic\" kept fans loyal and saw Radiohead crowned as masters of composition. 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The album's arc, from the paranoid sprawl of \"Paranoid Android\" through the devastating quietude of \"Exit Music (For a Film),\" cemented Radiohead as one of rock's most uncompromising creative forces. Nearly two decades on, this pressing finds the record sounding as unsettled and essential as ever.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Airbag (4:44)\u003c\/div\u003e\n\u003cdiv\u003e2. Paranoid Android (6:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Subterranean Homesick Alien (4:27)\u003c\/div\u003e\n\u003cdiv\u003e4. Exit Music (For A Film) (4:24)\u003c\/div\u003e\n\u003cdiv\u003e5. Let Down (4:59)\u003c\/div\u003e\n\u003cdiv\u003e6. Karma Police (4:21)\u003c\/div\u003e\n\u003cdiv\u003e7. Fitter Happier (1:57)\u003c\/div\u003e\n\u003cdiv\u003e8. Electioneering (3:50)\u003c\/div\u003e\n\u003cdiv\u003e9. Climbing Up The Walls (4:45)\u003c\/div\u003e\n\u003cdiv\u003e10. No Surprises (3:48)\u003c\/div\u003e\n\u003cdiv\u003e11. Lucky (4:19)\u003c\/div\u003e\n\u003cdiv\u003e12. The Tourist (5:24)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904078126\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.20.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600451711131,"sku":"469824","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-radiohead-ok-computer-cd-relix.jpg?v=1779224010"},{"product_id":"radiohead-a-moon-shaped-pool-cd","title":"Radiohead – A Moon Shaped Pool (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased quietly on a Sunday morning with little warning, A Moon Shaped Pool arrived the way Radiohead albums tend to, on their own terms and no one else's. The orchestral arrangements, handled largely by longtime collaborator Jonny Greenwood, give the record a chamber music weight, while Thom Yorke's vocals sit in a register that feels more exposed than anything since \"Exit Music.\" \"True Love Waits\" alone, a song fans had waited nearly two decades to hear properly recorded, makes this essential.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA Moon Shaped Pool is the ninth studio album from Radiohead, featuring “Burn The Witch,” “Daydreaming” and “True Love Waits.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Burn The Witch (3:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Daydreaming (6:24)\u003c\/div\u003e\n\u003cdiv\u003e3. Decks Dark (4:41)\u003c\/div\u003e\n\u003cdiv\u003e4. Desert Island Disk (3:44)\u003c\/div\u003e\n\u003cdiv\u003e5. Ful Stop (6:07)\u003c\/div\u003e\n\u003cdiv\u003e6. Glass Eyes (2:52)\u003c\/div\u003e\n\u003cdiv\u003e7. Identikit (4:26)\u003c\/div\u003e\n\u003cdiv\u003e8. The Numbers (5:45)\u003c\/div\u003e\n\u003cdiv\u003e9. Present Tense (5:06)\u003c\/div\u003e\n\u003cdiv\u003e10. Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief (5:03)\u003c\/div\u003e\n\u003cdiv\u003e11. True Love Waits (4:43)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904079024\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.17.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600451907739,"sku":"428933","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-radiohead-a-moon-shaped-pool-cd-relix.jpg?v=1779228769"},{"product_id":"radiohead-the-bends-cd","title":"Radiohead – The Bends (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eArriving in 1995 between the art-rock anxiety of Pablo Honey and the sonic reinvention of OK Computer, The Bends found Radiohead discovering their own gravity. Thom Yorke's vocal range gets a genuine workout here, from the coiled tension of \"Just\" to the aching open space of \"Fake Plastic Trees,\" and the guitar interplay between Jonny Greenwood and Ed O'Brien remains some of the most emotionally precise work either has put to tape.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eProduced by John Leckie (The Stone Roses). 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Hearing them together on wax, with \"If You Say the Word\" and \"Follow Me Around\" finally surfacing after two decades in the vault, restores the logic of that original creative vision in a way no individual release ever could.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e21 years since the release of \u003cstrong\u003eRadiohead\u003c\/strong\u003e’s seminal \u003c\/span\u003e\u003cspan\u003ealbums, \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eKid A \u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eAmnesiac\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e comes a combined and \u003c\/span\u003e\u003cspan\u003eexpanded reissue, \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eKID A MNESIA \u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003eHere put back together as originally intended, with \u003c\/span\u003e\u003cspan\u003ean additional disc of bonus material - including 2 \u003c\/span\u003e\u003cspan\u003eoriginal unreleased recordings from the era: ‘If You \u003c\/span\u003e\u003cspan\u003eSay the Word’ + ‘Follow Me Around’. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e“A new, uniquely fearless kind of rock record for a \u003c\/span\u003e\u003cspan\u003enew, increasingly fearful century, Radiohead’s fourth \u003c\/span\u003e\u003cspan\u003ealbum, released in October 2000, remains one of the \u003c\/span\u003e\u003cspan\u003emore stunning sonic makeovers in music history” \u003c\/span\u003e\u003cspan\u003e– \u003cstrong\u003eRolling Stone\u003c\/strong\u003e [500 Greatest Albums of All Time: \u003c\/span\u003e\u003cspan\u003e#20 \u003c\/span\u003e\u003cspan\u003eKid A\u003c\/span\u003e\u003cspan\u003e]\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Everything In Its Right Place\u003c\/div\u003e\n\u003cdiv\u003e2. Kid A\u003c\/div\u003e\n\u003cdiv\u003e3. The National Anthem\u003c\/div\u003e\n\u003cdiv\u003e4. How To Disappear Completely\u003c\/div\u003e\n\u003cdiv\u003e5. Treefingers\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Optimistic\u003c\/div\u003e\n\u003cdiv\u003e2. In Limbo\u003c\/div\u003e\n\u003cdiv\u003e3. Idioteque\u003c\/div\u003e\n\u003cdiv\u003e4. Morning Bell\u003c\/div\u003e\n\u003cdiv\u003e5. Motion Picture Soundtrack\u003c\/div\u003e\n\u003cdiv\u003e6. Untitled\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Packt Like Sardines In A Crushd Tin Box\u003c\/div\u003e\n\u003cdiv\u003e2. Pyramid Song\u003c\/div\u003e\n\u003cdiv\u003e3. Pulk\/Pull Revolving Doors\u003c\/div\u003e\n\u003cdiv\u003e4. You And Whose Army?\u003c\/div\u003e\n\u003cdiv\u003e5. I Might Be Wrong\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Knives Out\u003c\/div\u003e\n\u003cdiv\u003e2. Morning Bell\/Amnesiac\u003c\/div\u003e\n\u003cdiv\u003e3. Dollars And Cents\u003c\/div\u003e\n\u003cdiv\u003e4. Hunting Bears\u003c\/div\u003e\n\u003cdiv\u003e5. Like Spinning Plates\u003c\/div\u003e\n\u003cdiv\u003e6. Life In A Glasshouse\u003c\/div\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cdiv\u003e1. Like Spinning Plates ('Why Us?' Version)\u003c\/div\u003e\n\u003cdiv\u003e2. Untitled V1\u003c\/div\u003e\n\u003cdiv\u003e3. Fog (Again Again Version)\u003c\/div\u003e\n\u003cdiv\u003e4. If You Say The Word\u003c\/div\u003e\n\u003cdiv\u003e5. Follow Me Around\u003c\/div\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cdiv\u003e1. Pulk\/Pull (True Love Waits Version)\u003c\/div\u003e\n\u003cdiv\u003e2. Untitled V2\u003c\/div\u003e\n\u003cdiv\u003e3. The Morning Bell (In The Dark Version)\u003c\/div\u003e\n\u003cdiv\u003e4. Pyramid Strings\u003c\/div\u003e\n\u003cdiv\u003e5. Alt. Fast Track\u003c\/div\u003e\n\u003cdiv\u003e6. Untitled V3\u003c\/div\u003e\n\u003cdiv\u003e7. How To Disappear Into Strings\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191404116616\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.5.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600459477147,"sku":"402327","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-radiohead-kid-a-mnesia-3-lp-vinyl-vinyl-lp-relix.jpg?v=1779224253"},{"product_id":"radiohead-hail-to-the-thief-live-recordings-2003-2009-cd","title":"Radiohead – Hail to the Thief (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRadiohead toured relentlessly behind *Hail to the Thief* after its 2003 release, and the band's live performances of that album were always a different animal than the studio versions, rawer and more confrontational in ways that suited songs born out of political anxiety and unease. These recordings capture the band across six years of evolution, from the album's initial touring cycle through the *In Rainbows* era, a span that saw their live approach shift considerably.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eA new live album that sees the band reflecting on their 6th album, Radiohead’s Hail to the Thief (Live Recordings 2003-2009) is comprised of performances of songs in London, Amsterdam, Buenos Aires, and Dublin between 2003 and 2009. The album was mixed by Ben Baptie and mastered by Matt Colton.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpeaking about the new live album, Thom Yorke, who recently co-created the critically acclaimed Hamlet Hail to the Thief, a frenetic adaptation of Shakespeare’s Hamlet, says:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“In the process of thinking of how to build arrangements for the Shakespeare Hamlet\/Hail To The Thief theatre production, I asked to hear some archive live recordings of the songs. I was shocked by the kind of energy behind the way we played. I barely recognised us, and it helped me find a way forward. We decided to get these live recordings mixed and released (it would have been insane to keep them for ourselves). It has all been a very cathartic process. We very much hope you enjoy them.”\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. 2 + 2 = 5 (The Lukewarm.) (3:37)\u003c\/div\u003e\n\u003cdiv\u003e2. Sit Down. Stand Up. (Snakes \u0026amp; Ladders.) (4:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Sail To The Moon. (Brush The Cobwebs Out Of The Sky.) (4:19)\u003c\/div\u003e\n\u003cdiv\u003e4. Go To Sleep. (Little Main Being Erased.) (3:46)\u003c\/div\u003e\n\u003cdiv\u003e5. Where I End And You Begin. (The Sky Is Falling In.) (4:11)\u003c\/div\u003e\n\u003cdiv\u003e6. We Suck Young Blood. (Your Time Is Up.) (4:57)\u003c\/div\u003e\n\u003cdiv\u003e7. The Gloaming. (Softly Open Our Mouth In The Cold.) (3:59)\u003c\/div\u003e\n\u003cdiv\u003e8. There, There. (The Boney King Of Nowhere.) (5:34)\u003c\/div\u003e\n\u003cdiv\u003e9. I Will. (No Man's Land) (2:09)\u003c\/div\u003e\n\u003cdiv\u003e10. Myxomatosis. (Judge, Jury Executioner) (4:05)\u003c\/div\u003e\n\u003cdiv\u003e11. Scatterbrain. (As Dead As Leaves) (3:26)\u003c\/div\u003e\n\u003cdiv\u003e12. A Wolf At The Door. (It Girl. Rag Doll) (3:33)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191404156322\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.31.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600464195739,"sku":"11440044","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-radiohead-hail-to-the-thief-live-recordings-2003-2009-cd-cd-relix.jpg?v=1779227174"},{"product_id":"radiohead-hail-to-the-thief-lp-vinyl","title":"Radiohead – Hail To The Thief (2-LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in just two weeks at Oxford's Courtyard Studios in 2002, Hail to the Thief captures Radiohead at a moment of deliberate release, letting the songs breathe rather than agonizing over them the way Kid A and Amnesiac demanded. Tracks like \"2+2=5\" and \"There There\" hit with a directness the band hadn't shown in years, while the political anxiety running through the lyrics proved Yorke's unease with the early-2000s world order was anything but abstract.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRadiohead - Hail to the Thief (2Xlp) (45 Rpm) (180G) The sixth studio album by Radiohead, originally released in 2003, Hail to the Thief was seen as a return to alternative rock, drawing it's sound from every era of the band's existence. Band members described the album as having a more \"swaggering\" sound and a relaxed recording process, in contrast to previous tense sessions. At nearly an hour in length, the album is the band's longest, with many of it's songs within the two-to-three-minute range, shorter than the band's average. Thom Yorke said he was inspired by Beatles songs of that length which he thought felt much longer. 45rpm Double LP 180g Vinyl\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. 2 + 2 = 5 (The Lukewarm.)\u003c\/div\u003e\n\u003cdiv\u003e2. Sit Down. Stand Up. (Snakes \u0026amp; Ladders.)\u003c\/div\u003e\n\u003cdiv\u003e3. Sail To The Moon. (Brush The Cobwebs Out Of The Sky.)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Backdrifts. (Honeymoon Is Over.)\u003c\/div\u003e\n\u003cdiv\u003e2. Go To Sleep. (Little Man Being Erased.)\u003c\/div\u003e\n\u003cdiv\u003e3. Where I End And You Begin. (The Sky Is Falling In.)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. We Suck Young Blood. (Your Time Is Up.)\u003c\/div\u003e\n\u003cdiv\u003e2. The Gloaming. (Softly Open Our Mouths In The Cold.)\u003c\/div\u003e\n\u003cdiv\u003e3. There There. (The Boney King Of Nowhere.)\u003c\/div\u003e\n\u003cdiv\u003e4. I Will. (No Man's Land.)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. A Punchup At A Wedding. (No No No No No No No No.)\u003c\/div\u003e\n\u003cdiv\u003e2. Myxomatosis. (Judge, Jury \u0026amp; Executioner.)\u003c\/div\u003e\n\u003cdiv\u003e3. Scatterbrain. (As Dead As Leaves.)\u003c\/div\u003e\n\u003cdiv\u003e4. A Wolf At The Door. (It Girl. Rag Doll.)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904078515\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.20.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48600476909723,"sku":"622426","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/packshot-radiohead-hail-to-the-thief-vinyl-lp-relix.jpg?v=1779227087"},{"product_id":"radiohead-pablo-honey-lp-vinyl","title":"Radiohead – Pablo Honey (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore OK Computer rewired rock's circuitry and Kid A dissolved genre altogether, Thom Yorke and company were five restless kids from Abingdon cutting their teeth on angular guitar pop. Pablo Honey captures that raw, unresolved energy, a band still figuring out what it wanted to be, which makes revisiting it genuinely fascinating in hindsight.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReleased in 1993, Pablo Honey was the debut studio album from Radiohead. Produced by Sean Slade and Paul Kolderie, the album was recorded at Chipping Norton Recording Studios and Courtyard Studio, Oxfordshire. The album features three charting singles: \"Anyone Can Play Guitar\", \"Stop Whispering\", and \"Creep\". - The standout single \"Creep\" was the international hit that helped propel Radiohead and Pablo Honey to popular acclaim. Released several months before the album itself, \"Creep\" went on to define the band's early career. 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The three vault tracks here, particularly \"Lift\" and \"Man Of War,\" had circulated as bootlegs for years, their absence from the original release becoming one of rock's great what-ifs. This 3-LP set closes that loop, giving the full OK Computer era its proper document on wax.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFeaturing Remastered OK COMPUTER, B-Sides and Three Never Before Released Tracks: “I Promise,” “Lift,” “Man Of War” Rescued from defunct formats, prized from dark cupboards and brought to light after two decades in cold storage… OKNOTOK will be issued June 23 on XL Recordings, coinciding (roughly) with the original 1997 release date(s) of Radiohead’s landmark third album OK COMPUTER. OKNOTOK features the original OK COMPUTER twelve track album, eight B-sides, and the Radiohead completist’s dream: “I Promise,” “Lift,” and “Man Of War.” The original studio recordings of these three previously unreleased and long sought after OK COMPUTER era tracks finally receive their first official issue on OKNOTOK. All material on OKNOTOK is newly remastered from the original analogue tapes. Digital formats, double CD, and triple 180g LP versions of the 23 track album will be released widely on June 23rd. OK COMPUTER was originally released on various dates ranging from May to July 1997. Produced by the band and Nigel Godrich, the album is widely cited as one of the greatest works of Radiohead’s--or any artist’s--catalogue and was the first Radiohead record to reach #1 in the UK and to be be nominated for the Album of the Year GRAMMY. 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Hearing these songs torn open across four cities and six years reveals something the studio version could only suggest: the band playing with a nervous, almost confrontational intensity that suits tracks like \"2+2=5\" and \"There There\" better than anyone might have expected.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRADIOHEAD \/ HAIL TO THE THIEF (LIVE RECORDINGS 2003-2009) A new live album that sees the band reflecting on their 6th album, Radiohead's Hail to the Thief (Live Recordings 2003-2009) is comprised of performances of songs in London, Amsterdam, Buenos Aires, and Dublin between 2003 and 2009. The album was mixed by Ben Baptie and mastered by Matt Colton. Speaking about the new live album, Thom Yorke, who recently co-created the critically acclaimed Hamlet Hail to the Thief, a frenetic adaptation of Shakespeare's Hamlet, says: \"In the process of thinking of how to build arrangements for the Shakespeare Hamlet\/Hail To The Thief theatre production, I asked to hear some archive live recordings of the songs. I was shocked by the kind of energy behind the way we played. I barely recognised us, and it helped me find a way forward. We decided to get these live recordings mixed and released (it would have been insane to keep them for ourselves). It has all been a very cathartic process. We very much hope you enjoy them.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. 2 + 2 = 5\u003c\/div\u003e\n\u003cdiv\u003e2. Sit Down. 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Friday Forever extends that vision into something more intimate and nocturnal, threading together voices from across the UK underground with the kind of instinctive A\u0026amp;R sensibility that only comes from a lifetime of deep listening.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eFRIDAY FOREVER is the second album from multi-artist project Everything Is Recorded, helmed by producer artist Richard Russell. This follows the critically acclaimed and Mercury Music Prize nominated debut of 2018, Everything Is Recorded by Richard Russell. FRIDAY FOREVER takes on a multi-lensed perspective of a classic night out, followed closely by the sobering reflections of the next morning. The album features an array of new collaborators ' in British rappers Aitch, FLOHIO and Berwyn, Irish singer songwriters Maria Somerville and Kean Kavanagh, the inimitable voices of A.K. 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But since 2017, the XL Recordings founder has used the Everything Is Recorded project to prove he's not merely a visionary record producer, or the founder of the most consequential independent record label of the past 35 years. He's a visionary artist in his own right, with a temperament so generous that his records are filled with the voices of the artists he's encouraged, shepherded, or spotlit along the way. Everything Is Recorded albums are feasts of collaboration, and his soul-enriching new album, Temporary, is no exception. The guest list overflows with incandescent talent: Florence Welch, Sampha, Bill Callahan, Jah Wobble, Kamasi Washington, Nourished by Time, Alabaster DePlume, Noah Cyrus. The silvery thread linking all these voices together is, of course, Richard Russell himself, by design the least visible member of Everything Is Recorded, but the only one who could have dreamed up this expanse to begin with. Russell began recording his collaborators' musings on death and loss early on in the process for Temporary, and although they only survive in two carefully crafted audio collages (\"October,\" \"The Summons\") on Temporary, their power suffuses the record. These are the most luminous and relaxed compositions of Russell's career, reflecting a late-breaking fascination with British folk that dovetailed, not coincidentally, with Russell's own brush with mortality in 2013. What is folk music, after all, if not a record of the voices of the dead? His music dissolves the borders between sampled and recorded, between modernity and antiquity, life and death, now and forever.. He grasps the true meaning of his album's title: We may be, in fact, temporary. 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Rooted in Yoruba spiritual tradition while reaching toward contemporary sounds, Ibeyi have always occupied a genuinely singular space, and this third chapter deepens that commitment to music as ritual and resistance.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited colored vinyl LP pressing. \u003cspan\u003eIbeyi are French Afro-Cuban twin sisters Lisa-Kainde and Naomi Diaz. Performing from a young age, the daughters of famed Cuban percussionist Ánga Diaz, have released two critically acclaimed albums - a self-titled debut in 2015 and Ash in 2017. Ibeyi's Spell 31 is their boldest offering yet, an antidote to apathy in a divided world. Ethereal, crystalized signature Ibeyi harmonies are fused with gospel, persuasive percussion, momentous deeply resonant bass, and electronic neo soul expressions, transporting us into a sublime rawness that is refined by Richard Russell's precise hand and synthesized into astonishing clarity.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThey have toured extensively across Europe, the US, Canada, Mexico, South America, Australia and Asia garnering devoted fans around the globe, including Beyoncé, ADELE, Quincy Jones, Erykah Badu, Angélique Kidjo, Lin-Manuel Miranda \u0026amp; more; whilst also having been invited to perform for icons - from Karl Lagerfeld to Prince.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePrevious collaborations include tracks with Kamasi Washington, Meshell Ndegeocello, Mala Rodriguez and Chilly Gonzalez on their sophomore album. 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Featuring collaborations with Rosalía, Shygirl, and Björk, the album arrived as a landmark in queer Latin futurism, fusing perreo, hyperpop, and noise into a sound that felt both deeply personal and genuinely new.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eArca is one of the world's most transformative musical talents. Since breaking through with her 2012 EPs Stretch 1 and Stretch 2, she's created an unprecedented body of work drawing from club music, experimental noise, and the ballad tradition of her native Venezuela, while reaching beyond music to encompass performance, visual art, and technology. As a collaborator with Björk, Kanye West, and FKA twigs, she's stretched contemporary music's sonic boundaries and helped set the sound of her era. As a Latinx nonbinary trans woman, she's redefined the role of the diva for a new generation. Her latest work is KiCk i, the first in a series of upcoming works, each with it's own sonic theme. 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Tracks like \"Charly\" and \"Out of Space\" became anthems for a generation that found its church in the warehouse.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Jericho (3:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Music Reach (1\/2\/3\/4) (4:12)\u003c\/div\u003e\n\u003cdiv\u003e3. Wind It Up (4:33)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Your Love (Remix) (5:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Hyperspeed (G-Force Part 2) (5:16)\u003c\/div\u003e\n\u003cdiv\u003e3. Charly (Trip Into Drum And Bass Version) (5:12)\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Out Of Space (4:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Everybody In The Place (155 And Rising) (4:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Weather Experience (8:06)\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Fire (Sunrise Version) (4:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Ruff In The Jungle Bizness (5:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Death Of The Prodigy Dancers (Live) (3:43)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 634904011017\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e XL Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.5.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":48802330542235,"sku":"111491","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1041\/7172\/files\/The-Prodigy-Experience-2-LP-Vinyl.jpg?v=1781871782"},{"product_id":"thom-yorke-tomorrows-modern-boxes-cd","title":"Thom Yorke – Tomorrow's Modern Boxes (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eYorke released *Tomorrow's Modern Boxes* in 2014 as one of the first major albums distributed via BitTorrent Bundle, a then-radical experiment in direct artist-to-listener distribution that bypassed traditional channels entirely. Built largely from the modular synthesis and electronic palette he developed alongside producer Nigel Godrich, it sits closer to the atmospheric drift of *The Eraser* than anything Radiohead was making at the time, a genuinely solitary document.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eTomorrow’s Modern Boxes is an eight-track record from Thom Yorke, available on vinyl and CD. A record born of silver darkness, pressed onto heavyweight 180g white vinyl completed with undersize 75mm centre labels, housed within heavy white board inner and outer sleeves. These are printed with a metallic silver laminate then multi-tone black and a striking neon green.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. A Brain In A Bottle (4:41)\u003c\/div\u003e\n\u003cdiv\u003e2. Guess Again! 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The London Contemporary Orchestra's presence here isn't window dressing; Skinner's background with Sons of Kemet brings a rhythmic vocabulary that sits in genuinely unexpected tension with Yorke's melodicism.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Smile’s new album Wall Of Eyes, will be released on 26th January on XL Recordings. The new album, was recorded between Oxford and Abbey Road Studios, and is produced and mixed Sam Petts-Davies. It features string arrangements by the London Contemporary Orchestra. 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The vintage soul and funk textures here draw a clear line back to early-70s Philly and Sly Stone, filtered through a distinctly British electronic sensibility that caught ears well beyond the dance music world.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBased around a core musical duo known simply as J and T who expand to a thrilling seven piece live band, Jungle make mesmeric, modern soul with true global appeal. 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The album channels themes of anger, healing, and reclamation, with Yaeji wielding her soft-spoken vocals as a tool of quiet defiance against club-ready production that hits harder than it looks.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e\"Yaeji is a NYC-via-Seoul producer, DJ, and vocalist, whose introspective, dancefloor-ready tracks have made her a global icon occupying a space all her own. After breaking out with her 2017 debut EPs that featured singles “Raingurl” and “Drink I’m Sippin On,” the multifaceted artist featured on Charli XCX’s 2019 album Charli, has gone onto produce remixes for Dua Lipa, and Robyn, collaborate with the beloved Seoul-based polymath OHHYUK, sell out two headlining worldwide tours, and launch her bespoke lifestyle webstore JI-MART. 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